1 00:00:01,800 --> 00:00:04,120 Speaker 1: Get your heads together and we're gonna start to party and. 2 00:00:04,240 --> 00:00:05,000 Speaker 2: Start the party. 3 00:00:05,080 --> 00:00:07,120 Speaker 3: I'm ready to party the. 4 00:00:07,240 --> 00:00:13,120 Speaker 2: Elvis Duran after Party. 5 00:00:14,000 --> 00:00:16,360 Speaker 4: It's the average party podcast. We're got a full house. 6 00:00:16,400 --> 00:00:19,720 Speaker 4: We've got Danielle, We've got Gandhi and they're Scutty, Scottie 7 00:00:19,720 --> 00:00:22,520 Speaker 4: b and Seed your Nate and in turn, Kayla is here. 8 00:00:26,640 --> 00:00:28,880 Speaker 4: And it's your last day as an intern for us. 9 00:00:29,080 --> 00:00:30,840 Speaker 5: It is I'm so sad about it. 10 00:00:31,480 --> 00:00:31,760 Speaker 3: Really? 11 00:00:31,960 --> 00:00:33,240 Speaker 4: What makes you so sad? What are you going to 12 00:00:33,280 --> 00:00:34,000 Speaker 4: miss the most? 13 00:00:34,280 --> 00:00:38,800 Speaker 5: The people, the vibes and learning so much about the industry. 14 00:00:39,280 --> 00:00:41,960 Speaker 4: Oh wow, did you learn enough about the industry that 15 00:00:42,000 --> 00:00:43,200 Speaker 4: makes you want to run the other way? 16 00:00:44,600 --> 00:00:46,960 Speaker 5: No? I actually really want to go into this after 17 00:00:47,000 --> 00:00:50,360 Speaker 5: I graduate. Nice, and I'm so grateful for this experience. 18 00:00:51,040 --> 00:00:53,480 Speaker 4: Wo Kayla, you're saying all the right things, You're checking 19 00:00:53,520 --> 00:00:57,080 Speaker 4: off all the right boxes. Excellent. Let's talk to Kayla 20 00:00:57,200 --> 00:00:59,720 Speaker 4: an in turn twenty one years old. Let's find out 21 00:00:59,720 --> 00:01:03,360 Speaker 4: how much she knows about all things that happened before 22 00:01:03,360 --> 00:01:08,400 Speaker 4: she was born. Like Silly's sayings. And there's no one 23 00:01:08,440 --> 00:01:10,640 Speaker 4: who sounds older in this room than Nate. Even though 24 00:01:10,640 --> 00:01:13,000 Speaker 4: I'm older than Nate. He is an old soul. 25 00:01:13,160 --> 00:01:15,280 Speaker 3: These aren't silly, Elvis. 26 00:01:15,319 --> 00:01:20,240 Speaker 6: These are common expressions that people use in everyday conversation. 27 00:01:20,240 --> 00:01:21,480 Speaker 4: In which part of the country. 28 00:01:21,840 --> 00:01:24,840 Speaker 3: I had, You know what, just yesterday I talked to 29 00:01:24,920 --> 00:01:25,319 Speaker 3: my dad. 30 00:01:25,400 --> 00:01:28,760 Speaker 6: He said no less than three antiquated phrases that I 31 00:01:28,840 --> 00:01:30,120 Speaker 6: knew exactly. 32 00:01:29,600 --> 00:01:30,560 Speaker 3: What he was talking about. 33 00:01:30,720 --> 00:01:33,800 Speaker 4: I know, I know some antiquated phrases as well, but 34 00:01:34,360 --> 00:01:35,759 Speaker 4: some of these you have on your list. I went 35 00:01:35,760 --> 00:01:37,080 Speaker 4: over the list. By the way, I've never heard of 36 00:01:37,160 --> 00:01:37,680 Speaker 4: it in my life. 37 00:01:37,720 --> 00:01:44,960 Speaker 5: Okay, thank you? Because what? Oh? Because I really, I mean, 38 00:01:45,000 --> 00:01:47,640 Speaker 5: I gave it my best shot. But you guys might 39 00:01:47,680 --> 00:01:50,960 Speaker 5: get a laugh out of this, So I can't wait that. 40 00:01:51,440 --> 00:01:53,160 Speaker 4: Nate, let me ask you, why did we choose Kayla 41 00:01:53,200 --> 00:01:56,840 Speaker 4: to come in and test her knowledge of old, boring, 42 00:01:57,040 --> 00:01:58,160 Speaker 4: stupid phrases? 43 00:01:58,240 --> 00:02:00,840 Speaker 6: So I thought i'd be curious, you know, and which 44 00:02:00,880 --> 00:02:01,680 Speaker 6: generation are you z? 45 00:02:02,440 --> 00:02:02,640 Speaker 3: Yeah? 46 00:02:02,720 --> 00:02:05,880 Speaker 6: Yes, gen z, Okay, gen z. These expressions aren't even 47 00:02:05,880 --> 00:02:08,800 Speaker 6: from my generation. I think there's probably from the greatest 48 00:02:08,840 --> 00:02:11,679 Speaker 6: generation if I had to guess. But I used them 49 00:02:11,800 --> 00:02:14,040 Speaker 6: and I know exactly what I'm talking about. So I 50 00:02:14,080 --> 00:02:18,280 Speaker 6: wanted to see if she knew some of these expressions. So, Elvis, 51 00:02:18,320 --> 00:02:19,840 Speaker 6: I think you made the list if you would, here 52 00:02:19,880 --> 00:02:20,360 Speaker 6: begins her. 53 00:02:21,160 --> 00:02:23,280 Speaker 4: Yeah, yes, gandhi, Kayla, do you know what the greatest 54 00:02:23,320 --> 00:02:24,040 Speaker 4: generation is? 55 00:02:25,400 --> 00:02:26,160 Speaker 5: Your guys is. 56 00:02:31,320 --> 00:02:33,720 Speaker 3: Okay, I don't even know what they one after. It's 57 00:02:33,720 --> 00:02:36,520 Speaker 3: the one after Boomer World War It's the World War 58 00:02:36,600 --> 00:02:37,720 Speaker 3: two generation people. 59 00:02:37,919 --> 00:02:40,160 Speaker 6: Yeah, if you were born in like nineteen fifteen to 60 00:02:40,280 --> 00:02:44,480 Speaker 6: nineteen thirty, you're the greatest generation. If you're born beteen nineteen, 61 00:02:46,080 --> 00:02:48,919 Speaker 6: then the Silent, then the Boomers, then jen ucks YZ. 62 00:02:49,400 --> 00:02:50,840 Speaker 4: I just thought we should clear that up so that 63 00:02:50,880 --> 00:02:55,440 Speaker 4: she was not starting off confused. We haven't started Most 64 00:02:55,480 --> 00:03:00,760 Speaker 4: people in the greater generation aren't around anymore. So this 65 00:03:00,840 --> 00:03:02,679 Speaker 4: is a list. Keep this in mind, Kayla. This is 66 00:03:02,720 --> 00:03:06,679 Speaker 4: a list from Nate. I haven't heard of some of these. 67 00:03:07,680 --> 00:03:10,560 Speaker 4: If someone tells you that you are tight as a 68 00:03:10,600 --> 00:03:14,160 Speaker 4: boiled owl, what does that mean? Tight is a boiled owl? 69 00:03:14,200 --> 00:03:16,799 Speaker 3: Anyone heard that? One? 70 00:03:17,080 --> 00:03:21,040 Speaker 5: Smiling? I said, someone who's really mad and slash, I 71 00:03:21,040 --> 00:03:22,280 Speaker 5: wouldn't want to mess with. 72 00:03:23,160 --> 00:03:25,880 Speaker 4: Tight is a boiled owl? Where did this come from? 73 00:03:25,960 --> 00:03:26,160 Speaker 5: Nate? 74 00:03:26,680 --> 00:03:28,720 Speaker 3: She's wrong? I just want to point that out. 75 00:03:31,000 --> 00:03:34,080 Speaker 6: Well, what is it? Tight is being drunk? And if 76 00:03:34,080 --> 00:03:37,240 Speaker 6: you're tight as a boiled owl, you're really drunk, don't 77 00:03:37,280 --> 00:03:44,520 Speaker 6: you guys read Ernest Hemingway. 78 00:03:39,000 --> 00:03:42,839 Speaker 3: Heard him say that. 79 00:03:43,080 --> 00:03:45,640 Speaker 4: No, no, never. Now, if someone used it to you 80 00:03:45,680 --> 00:03:47,400 Speaker 4: on the street, Nate, you would you would know what 81 00:03:47,920 --> 00:03:48,800 Speaker 4: I know exactly. 82 00:03:49,000 --> 00:03:52,080 Speaker 6: You know that that that night at the Wine and 83 00:03:52,120 --> 00:03:54,640 Speaker 6: Food festival, I was tight as a boiled owl. 84 00:03:54,800 --> 00:03:55,720 Speaker 3: I was really drunk. 85 00:03:55,880 --> 00:03:58,600 Speaker 2: Reason's your single number. 86 00:03:59,360 --> 00:04:01,880 Speaker 4: Stands a Here we go, let's keep one going, Kayla. 87 00:04:02,040 --> 00:04:05,720 Speaker 4: His next next phrase is a horse apiece. 88 00:04:06,640 --> 00:04:09,800 Speaker 5: I said, A whole lot of something, A horse apiece. 89 00:04:10,120 --> 00:04:12,560 Speaker 3: Once again, what does that mean? 90 00:04:12,600 --> 00:04:13,200 Speaker 4: A horse apiece? 91 00:04:13,440 --> 00:04:14,000 Speaker 5: You love it? 92 00:04:14,200 --> 00:04:17,400 Speaker 6: Six of one, half dozen of another. It's the same thing, 93 00:04:17,480 --> 00:04:20,200 Speaker 6: no matter which one you choose. A horse apiece? Where 94 00:04:20,200 --> 00:04:21,120 Speaker 6: does it come from the way? 95 00:04:21,200 --> 00:04:22,560 Speaker 3: I don't know where that one comes from. 96 00:04:22,640 --> 00:04:24,400 Speaker 6: My dad says it all the time, and I actually 97 00:04:24,600 --> 00:04:25,839 Speaker 6: to ask him what that meant. 98 00:04:26,000 --> 00:04:28,320 Speaker 4: Unless you can qualify what it is and where it's from, 99 00:04:29,200 --> 00:04:30,599 Speaker 4: it doesn't count. 100 00:04:30,600 --> 00:04:32,839 Speaker 3: Regional regional. 101 00:04:32,960 --> 00:04:33,360 Speaker 5: I don't know. 102 00:04:37,160 --> 00:04:39,359 Speaker 4: Because I have a phrase we stole from someone, I 103 00:04:39,360 --> 00:04:42,480 Speaker 4: forget what it is. If someone says, oh, no, you're 104 00:04:42,520 --> 00:04:44,760 Speaker 4: totally wrong on that. It's this, and you're like, oh god, 105 00:04:44,800 --> 00:04:46,960 Speaker 4: well that's a horse of a different color. Yeah, that's 106 00:04:47,440 --> 00:04:48,800 Speaker 4: would you know where that's from. 107 00:04:49,480 --> 00:04:52,480 Speaker 5: Maybe a little bit more like I can pick pick 108 00:04:52,520 --> 00:04:55,320 Speaker 5: it up like different colors of something, they're a little different. 109 00:04:56,120 --> 00:04:59,520 Speaker 4: Contacts will be content a right, Okay, I know this 110 00:04:59,560 --> 00:05:02,880 Speaker 4: one from Nate's list of old timey phrases and words. 111 00:05:03,040 --> 00:05:04,320 Speaker 4: What is a Wisenheimer? 112 00:05:04,680 --> 00:05:07,200 Speaker 5: Yeah, this one's easy, I said, Wait, am I allowed 113 00:05:07,240 --> 00:05:08,960 Speaker 5: to smart ass? 114 00:05:09,160 --> 00:05:15,080 Speaker 3: Okay? But what is that from? 115 00:05:15,600 --> 00:05:18,279 Speaker 6: I don't know where that comes from? But you know 116 00:05:18,480 --> 00:05:20,280 Speaker 6: you don't have to be a Wisenheimer in quiz me 117 00:05:20,320 --> 00:05:20,560 Speaker 6: on this. 118 00:05:20,640 --> 00:05:22,000 Speaker 4: I swear to god I used to live next door 119 00:05:22,040 --> 00:05:28,719 Speaker 4: to the Wisenheimer's. A whole houseful of smart asses. All right, Uh, 120 00:05:28,800 --> 00:05:30,760 Speaker 4: what is this? What is it? 121 00:05:31,120 --> 00:05:31,520 Speaker 5: What is it? 122 00:05:31,680 --> 00:05:35,320 Speaker 4: Caddy wampus? 123 00:05:35,440 --> 00:05:39,160 Speaker 5: I said, a quote unquote Karen, essentially. 124 00:05:40,120 --> 00:05:42,800 Speaker 4: Caddy? 125 00:05:43,480 --> 00:05:45,000 Speaker 3: You know, can I guess on this one? 126 00:05:45,040 --> 00:05:45,520 Speaker 1: I have a guess. 127 00:05:45,600 --> 00:05:48,280 Speaker 4: I'm not sure. Is caddy wampus the positioning of something? 128 00:05:48,400 --> 00:05:48,760 Speaker 3: Correct? 129 00:05:51,839 --> 00:05:56,600 Speaker 4: It's caddy wampus like tips over down? Is that where 130 00:05:56,800 --> 00:05:59,080 Speaker 4: where the term wampus came from? A little bit? Is 131 00:05:59,200 --> 00:06:05,479 Speaker 4: wampus sort of a geometric design or measuring Okay, no, no, 132 00:06:05,560 --> 00:06:12,480 Speaker 4: that's the thing that vacuums my floor automatically. Smart So 133 00:06:12,560 --> 00:06:16,039 Speaker 4: Kenny Wampus says. Gandhi is saying, it's a what it's. 134 00:06:15,839 --> 00:06:18,240 Speaker 2: The position to something if it's like off, off center, 135 00:06:18,279 --> 00:06:19,120 Speaker 2: off kilter or whatever. 136 00:06:19,560 --> 00:06:22,240 Speaker 4: So something tipped over, Kayla, you need to take this 137 00:06:22,320 --> 00:06:27,160 Speaker 4: back to college next master. It is popular, very popular Kennys. 138 00:06:27,200 --> 00:06:29,000 Speaker 4: All right, everyone knows this one. 139 00:06:29,120 --> 00:06:36,000 Speaker 6: Hit the sack, need to sleep, Okay, hit the hay 140 00:06:36,560 --> 00:06:37,880 Speaker 6: you know, h one. 141 00:06:38,960 --> 00:06:41,880 Speaker 4: Uh, here's another one. Another one I know, close but 142 00:06:41,960 --> 00:06:42,520 Speaker 4: no cigar? 143 00:06:43,880 --> 00:06:47,240 Speaker 5: Okay, I said, someone trying something but fails. 144 00:06:50,880 --> 00:06:52,440 Speaker 4: It tells you. It tells you they're in the in 145 00:06:52,480 --> 00:06:54,400 Speaker 4: the phrase, it's close, but no cigar. 146 00:06:57,120 --> 00:06:57,920 Speaker 5: Tell me, Nate. 147 00:06:59,560 --> 00:07:00,359 Speaker 4: Tell us some great. 148 00:07:00,680 --> 00:07:03,719 Speaker 3: Yes, it's a fair. If you want a prize, you 149 00:07:03,800 --> 00:07:08,159 Speaker 3: might get a cigar. Yeah, they give cigars. 150 00:07:12,880 --> 00:07:14,440 Speaker 4: Can you use those claw machines? 151 00:07:14,560 --> 00:07:14,840 Speaker 5: Whatever? 152 00:07:15,120 --> 00:07:16,880 Speaker 4: Old contraband? Can we pull out of there? 153 00:07:19,720 --> 00:07:20,840 Speaker 3: All right? Here's another one. 154 00:07:20,880 --> 00:07:22,760 Speaker 4: I'm familiar with this. Maybe you are too, Kayla. 155 00:07:23,280 --> 00:07:27,080 Speaker 5: Bite the bullet, do something that you don't necessarily want 156 00:07:27,120 --> 00:07:27,320 Speaker 5: to do. 157 00:07:29,000 --> 00:07:32,280 Speaker 3: That's good situation. Do you know where that comes from? 158 00:07:32,760 --> 00:07:34,960 Speaker 4: I guess when someone was injured, they would bite the 159 00:07:34,960 --> 00:07:35,440 Speaker 4: bullet to. 160 00:07:36,240 --> 00:07:38,480 Speaker 3: They're being operated on, they'd give them a bullet to 161 00:07:38,480 --> 00:07:39,120 Speaker 3: bite on it. 162 00:07:39,200 --> 00:07:40,000 Speaker 1: Explode in their mouth. 163 00:07:44,040 --> 00:07:46,640 Speaker 4: You have really crazy teeth if you're gonna fire off 164 00:07:47,160 --> 00:07:50,920 Speaker 4: bullet in your mouth or a very talented mouth. All right, 165 00:07:50,960 --> 00:07:53,360 Speaker 4: here's one. We've all heard this one. If you heard 166 00:07:53,560 --> 00:07:56,800 Speaker 4: Kayla that someone or something is high falutin. What does 167 00:07:56,840 --> 00:07:57,160 Speaker 4: that mean? 168 00:07:58,480 --> 00:08:05,800 Speaker 5: I said something fancy or British often confused with. 169 00:08:08,000 --> 00:08:09,400 Speaker 3: It is fancy. 170 00:08:10,920 --> 00:08:15,720 Speaker 4: On air, very high flutant. Well, see, to me, bougie 171 00:08:16,080 --> 00:08:19,240 Speaker 4: can be a negative a little bit like it's like, oh, hew, bougie. 172 00:08:19,480 --> 00:08:21,679 Speaker 4: High pollutine is not negative at all, It's like, wow, 173 00:08:23,040 --> 00:08:25,880 Speaker 4: high falutin. All right, here's one. And I know back 174 00:08:25,920 --> 00:08:27,480 Speaker 4: in the nineteen eighties we used to do this all 175 00:08:27,520 --> 00:08:30,160 Speaker 4: the time. What is the phrase? What does this mean? 176 00:08:30,440 --> 00:08:31,320 Speaker 4: Take a powder? 177 00:08:32,880 --> 00:08:37,520 Speaker 5: Like, take a break, go to the restroom. 178 00:08:35,440 --> 00:08:41,520 Speaker 6: Yet you face, take a powder is in essence to 179 00:08:41,679 --> 00:08:42,880 Speaker 6: leave unexpectedly. 180 00:08:44,160 --> 00:08:48,800 Speaker 4: Really, yeah, to take a powder after I get my cigar? 181 00:08:49,000 --> 00:08:51,920 Speaker 4: See unexpectedly? Where does that come from? 182 00:08:51,920 --> 00:08:52,000 Speaker 6: That? 183 00:08:52,000 --> 00:08:52,800 Speaker 4: It's not making sense. 184 00:08:52,840 --> 00:08:53,560 Speaker 6: I don't really know. 185 00:08:53,640 --> 00:08:54,040 Speaker 3: I just know. 186 00:08:54,600 --> 00:08:58,439 Speaker 6: See sometimes I don't know the etymology in the history 187 00:08:58,480 --> 00:08:59,800 Speaker 6: of some of these. I just know to take a 188 00:09:00,280 --> 00:09:02,719 Speaker 6: means to leave unexpectedly. 189 00:09:01,920 --> 00:09:06,320 Speaker 2: So when Elvis leaves the party early, he took a power. 190 00:09:07,040 --> 00:09:12,839 Speaker 4: Yeah, then I came back full of energy. Okay, one 191 00:09:12,840 --> 00:09:16,480 Speaker 4: more for you, Cale. I have never heard this in 192 00:09:16,520 --> 00:09:23,080 Speaker 4: my life. Missus Fubb's parlor. Missus Fubb has a parlor, Missus. 193 00:09:23,559 --> 00:09:25,280 Speaker 4: How would you even use this in a sentence? 194 00:09:25,600 --> 00:09:25,840 Speaker 3: Nate? 195 00:09:27,600 --> 00:09:31,920 Speaker 6: There are there are three Missus Fubbs parlors. 196 00:09:31,480 --> 00:09:34,280 Speaker 3: In this room right now. 197 00:09:34,360 --> 00:09:35,959 Speaker 1: Oh, I thought she was a madam or something. 198 00:09:36,600 --> 00:09:37,120 Speaker 3: I don't know. 199 00:09:39,240 --> 00:09:43,679 Speaker 5: My answer is definitely wrong. A sweet old lady who 200 00:09:43,760 --> 00:09:44,320 Speaker 5: cuts hair. 201 00:09:46,280 --> 00:09:48,480 Speaker 1: Why do I think it's like a vagina or something? 202 00:09:52,320 --> 00:09:57,080 Speaker 4: Play for the female anatomated. 203 00:09:57,040 --> 00:10:00,760 Speaker 3: Missus Fubbs's parlor sentence. We know what it means. 204 00:10:00,800 --> 00:10:03,600 Speaker 4: Use it different, use it in a sentence. I don't 205 00:10:03,640 --> 00:10:05,880 Speaker 4: like to see her Missus Fubb's parlor. 206 00:10:06,880 --> 00:10:08,280 Speaker 3: A Missus fubbs parlor. 207 00:10:10,679 --> 00:10:12,800 Speaker 4: Parlor, Missus Bubb's parlor. 208 00:10:15,360 --> 00:10:17,120 Speaker 1: So was there a Missus Bubb at some point? That 209 00:10:17,240 --> 00:10:17,920 Speaker 1: must have been I. 210 00:10:17,840 --> 00:10:18,679 Speaker 3: Don't know who missus. 211 00:10:19,040 --> 00:10:20,240 Speaker 4: Why don't you know the answers? 212 00:10:21,000 --> 00:10:22,800 Speaker 3: Because that one I've heard. 213 00:10:23,640 --> 00:10:26,000 Speaker 6: I think I heard that in an episode of something 214 00:10:26,080 --> 00:10:26,880 Speaker 6: or other back in the day. 215 00:10:26,840 --> 00:10:28,560 Speaker 1: Maybe she was in the first porno magazine. 216 00:10:30,760 --> 00:10:33,199 Speaker 5: Lord. I like my answer, Beteah, I. 217 00:10:33,160 --> 00:10:36,640 Speaker 4: Like yours better to well you did. 218 00:10:36,679 --> 00:10:40,600 Speaker 3: Okay there, Kayla, I think you got. 219 00:10:40,480 --> 00:10:44,600 Speaker 4: Really okay, Kayla. Here's the thing, Kayla. The ones you 220 00:10:44,640 --> 00:10:47,120 Speaker 4: got right, I got right. The ones you did not 221 00:10:47,160 --> 00:10:49,679 Speaker 4: get I didn't. I didn't know them either. Like Missus 222 00:10:49,720 --> 00:10:51,720 Speaker 4: Fubb's parlor about it. 223 00:10:51,800 --> 00:10:54,920 Speaker 6: Take take one of these expressions and use it throughout 224 00:10:54,920 --> 00:10:55,280 Speaker 6: the day. 225 00:10:55,720 --> 00:11:00,240 Speaker 4: No, Kayla, when you go back to school in my amy, 226 00:11:00,440 --> 00:11:02,200 Speaker 4: I dare you use Missus Bubb's part. 227 00:11:02,040 --> 00:11:04,840 Speaker 5: Of oh my gosh, I'm gonna get kicked out. 228 00:11:06,960 --> 00:11:08,360 Speaker 1: Sounds like a great ice cream place. 229 00:11:08,559 --> 00:11:15,640 Speaker 4: Yeah, oh my gosh, Okay is it? That's a good 230 00:11:15,640 --> 00:11:18,400 Speaker 4: way to use it. Yeah, And that it was uncle 231 00:11:18,440 --> 00:11:21,040 Speaker 4: with the Uncle Scotty be perfect. 232 00:11:21,360 --> 00:11:23,679 Speaker 3: Thank you, Thank you guys. 233 00:11:23,960 --> 00:11:29,000 Speaker 2: This guy Elvis Da ran after party