WEBVTT - Episode 8 - Cheeseburger Salad

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<v Speaker 1>Welcome to Get It to Dutch, a screenwriter's Journey. I'm Mark,

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<v Speaker 1>I'm Greg, I'm Brendan, and we are a team of

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<v Speaker 1>Hollywood screenwriters who meet every week to read from an

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<v Speaker 1>original screenplay that one of us has written. We give

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<v Speaker 1>notes and rank the scripts, and of course, at the

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<v Speaker 1>end of the season, we were going to pitch the

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<v Speaker 1>best script to the now deceased Dutch Huxley. But luckily

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<v Speaker 1>his son Duck is still alive as far as we know,

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<v Speaker 1>so hopefully we will be pitching it to him. We

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<v Speaker 1>had a pretty exciting, tumultuous, crazy week, so let's jump

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<v Speaker 1>right into new business. What the fuck? Greg? Hey, what

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<v Speaker 1>the holy fuck?

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<v Speaker 2>We were all supposed to go to Joshua Tree smooth

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<v Speaker 2>things over with Duck, together as a group, and Duck

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<v Speaker 2>and Greg no show. What the fuck happened?

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<v Speaker 1>He didn't show up? Is what happened?

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<v Speaker 3>Well, I was in Joshua Tree with Duck. I just

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<v Speaker 3>didn't connect with you, guys.

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<v Speaker 1>What the hell? That was the point? You owe us money?

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<v Speaker 1>You shall pay?

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<v Speaker 2>Where were you? What happened with Duck? And what the fuck?

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<v Speaker 3>You know what? Guys? Before I answer that, let me

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<v Speaker 3>ask you this, did you have a good time.

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<v Speaker 2>An amazing game.

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<v Speaker 1>It's a beautiful national park, absolutely unbelievable. Desert is so peaceful.

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<v Speaker 1>Being in Mars, I've never seen so many stars.

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<v Speaker 2>To be there with Mark was fantastic.

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<v Speaker 1>We got so many little antlers.

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<v Speaker 2>Oh wow, just loaded with him. I got an awesome

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<v Speaker 2>T shirt that cost eighty bucks. Unfortunately I ripped it

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<v Speaker 2>in the damn laundry.

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<v Speaker 1>This it's a shame. That looks so good.

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<v Speaker 2>It looked awesome on me.

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<v Speaker 1>We had a classic American fare at Pappy and Harriet's.

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<v Speaker 2>The Rolling Stones showed up and did a set. I

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<v Speaker 2>got to do my Micjagger impersonation for Mick Jagger and

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<v Speaker 2>he said, well are you going?

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<v Speaker 1>He loved it. He wouldn't let us take a selfie,

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<v Speaker 1>but otherwise it was great.

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<v Speaker 3>Well it sounds great, guys, I don't know what you're

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<v Speaker 3>freaking out about.

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<v Speaker 2>Unbelievable.

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<v Speaker 1>We had to uber both ways. You were supposed to

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<v Speaker 1>drive us.

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<v Speaker 2>Let me tell you something. This guy's a goddamned delight

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<v Speaker 2>to hang out with. He knows things about wines. He

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<v Speaker 2>knows names of wines.

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<v Speaker 3>Mark, Yes, yes, and what it.

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<v Speaker 2>Tastes good with. I had a meal with a wine

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<v Speaker 2>that he recommended in my mouth exploded.

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<v Speaker 3>Bring some of that expertise back to here, because the

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<v Speaker 3>wine around this apartment is awful.

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<v Speaker 1>I've had enough, man, I have had enough where we

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<v Speaker 1>should pay for our uber both ways.

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<v Speaker 3>I'm not gonna pay for your uber dip.

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<v Speaker 2>Into the tidy sum my man.

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<v Speaker 3>I don't believe in.

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<v Speaker 1>Don't you have stock and uber? No?

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<v Speaker 3>I have stock and men in a van?

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<v Speaker 2>What the fuck is man in a van?

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<v Speaker 3>Men with fans who pick you up and take you

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<v Speaker 3>where you need to go. I think it's self explanatory.

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<v Speaker 3>It's all in the title. Oh actually, right now, it's

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<v Speaker 3>just one man and one van.

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<v Speaker 1>Tell what happened.

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<v Speaker 3>Sorry, guys, I did not connect with you. Sometimes, you know,

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<v Speaker 3>you have to you have to play the vibes, and

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<v Speaker 3>the vibes weren't right. We went to Duck's house out

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<v Speaker 3>in the desert, his beautiful mirrored Joshua Tree retreat, and

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<v Speaker 3>we're cool.

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<v Speaker 1>Now, why didn't you invite us? Yeah?

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<v Speaker 3>Well it's hard to find because it's reflective.

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<v Speaker 2>Yeah, but if we were with you there, we could

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<v Speaker 2>have taken the journey together.

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<v Speaker 3>Well, they're also wasn't enough room in my slingshot two

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<v Speaker 3>seats one product one for me.

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<v Speaker 1>In case you missed it, Greg is leasing a slingshot

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<v Speaker 1>which looks like a Batman car.

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<v Speaker 3>It looks better than a Batman car.

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<v Speaker 1>It really does well. What happened? What happened?

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<v Speaker 3>Look, guys, Duck and I had a lot of things

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<v Speaker 3>to work out. We took a bunch of drugs, We

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<v Speaker 3>built a fire, and then we had a ceremony. We

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<v Speaker 3>had a shamanic ceremony, and a lot of stuff comes

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<v Speaker 3>up in those.

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<v Speaker 1>What came up.

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<v Speaker 3>What came up for him was that I was treating

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<v Speaker 3>him like a steps on and he doesn't need that

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<v Speaker 3>right now.

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<v Speaker 1>How are you treating him like a step So?

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<v Speaker 3>I tossle his hair. I always ask him to play catch,

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<v Speaker 3>I go to his baseball games. I buy him ice cream.

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<v Speaker 1>That's a grown man, yeah, Gregg and older than you. Yeah.

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<v Speaker 3>I told him if he masturbated too much, he'd go blind,

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<v Speaker 3>and if he didn't, he'd go completely animal crackers like

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<v Speaker 3>markedad that one time.

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<v Speaker 2>Here's a good little role for everybody about masturbation. There's

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<v Speaker 2>a rule about watching her hair. You shouldn't watch her

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<v Speaker 2>every day. That's something I learned as mike hair started

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<v Speaker 2>falling out, so go every other day. Here's a nice

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<v Speaker 2>little rhyme for you. If your hair is so nope, nope, nope.

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<v Speaker 2>If your hair is dry, let it fly.

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<v Speaker 3>This just turned into a completely different podcast anyway, guys.

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<v Speaker 3>The headline is he didn't like that. I could see

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<v Speaker 3>what and I can see why he didn't want that.

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<v Speaker 3>Right now, his dad just died and I'm with his mom,

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<v Speaker 3>and so I agreed that I would stop treating him

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<v Speaker 3>like a steps on and start treating him like my

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<v Speaker 3>best friend again. Okay, And he agreed to give us

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<v Speaker 3>a first look deal.

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<v Speaker 1>Wo.

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<v Speaker 3>Yes, I got us a first look Wow, first first

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<v Speaker 3>look deal.

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<v Speaker 1>Deal do we get paid for that? What is? What's

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<v Speaker 1>the first.

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<v Speaker 3>Going to be the first one to look at anything

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<v Speaker 3>we bring to him? Guys? And he's gonna buy it?

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<v Speaker 1>Wasn't he already gonna look at Well, he.

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<v Speaker 3>Was gonna be, but not officially not he not first.

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<v Speaker 3>He's first in line and he's first to buy or

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<v Speaker 3>the listener, the listeners first. When someone has the first.

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<v Speaker 2>First look at a script script and we don't film it,

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<v Speaker 2>definitely he reads it.

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<v Speaker 1>He reads the script and he doesn't see the movie.

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<v Speaker 3>Basically, he wants to be the guy that looks through

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<v Speaker 3>the first thing that comes through the door and from Oh,

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<v Speaker 3>and we get money, get that look.

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<v Speaker 1>Look we get he gets to look at it, He

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<v Speaker 1>gets to look at what happens if someone else looks

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<v Speaker 1>at it before he looks at it.

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<v Speaker 3>Oh, then that's not good.

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<v Speaker 2>So we are not allowed to like pass this to

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<v Speaker 2>friend Steve nodit or and.

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<v Speaker 1>They have to sign something.

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<v Speaker 3>You know. I asked him that, but at that point

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<v Speaker 3>he was crouching on top of a rock and saying,

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<v Speaker 3>if he screamed the right tone, he could be one

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<v Speaker 3>with God.

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<v Speaker 2>I believe it out there. I really believe God is anywhere.

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<v Speaker 2>He's in Joshua Tree.

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<v Speaker 3>Believe me, guys, this is better than a second look deal.

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<v Speaker 2>What is a second look deal?

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<v Speaker 3>That's where you sign a deal where the studio says,

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<v Speaker 3>if you can get any other studio to look at

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<v Speaker 3>this and pass, then we'll take a look at it.

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<v Speaker 3>So the studio is basically saying, we wouldn't give you

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<v Speaker 3>one foot out the door.

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<v Speaker 2>So it's an open door.

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<v Speaker 1>One out the door.

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<v Speaker 3>It's more like a closed door, but you're welcome to

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<v Speaker 3>knock on it.

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<v Speaker 1>If you've already gone in the door. They want you

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<v Speaker 1>out of the door before they let you knock on

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<v Speaker 1>their door.

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<v Speaker 3>Look, what Duck is saying is closed door.

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<v Speaker 2>That's good.

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<v Speaker 1>He said, it is a closed door. You have to

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<v Speaker 1>knock on it, which is and if.

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<v Speaker 3>You kind of have to knock on it, and you

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<v Speaker 3>can hear him brustling around inside.

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<v Speaker 1>They're in there though, Yeah, in there.

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<v Speaker 3>They sometimes are pretending not to be in there.

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<v Speaker 1>Are you allowed to open it if it's not locked?

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<v Speaker 3>And that's always kind of a question depends on what studio.

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<v Speaker 2>What can you pop your head in.

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<v Speaker 3>If you pop your head in, you might not like

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<v Speaker 3>what you see. That's so better to knock.

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<v Speaker 1>But that's not our deal.

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<v Speaker 2>That's a second looking everyone in there.

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<v Speaker 3>So Douck is saying, you get me the script. I'll

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<v Speaker 3>look at it and I'll buy it.

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<v Speaker 1>I'll buy it.

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<v Speaker 3>Well, I don't know actually if he'll buy it.

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<v Speaker 1>Just to reset the initial point of this podcast was

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<v Speaker 1>to get a script to Dutch, who's now dead. But

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<v Speaker 1>now we're in bed with his son Duck as we

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<v Speaker 1>are Greg used to be in bed with his mom

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<v Speaker 1>still him and that's fine because we're all in bed

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<v Speaker 1>with Doc and that's great.

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<v Speaker 2>Yeah, Well, is it his comfy under the sheets.

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<v Speaker 1>That sure is.

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<v Speaker 3>Yeah. I mean you should feel those sheets. They're unbelievable.

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<v Speaker 3>They're two thousand thread count.

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<v Speaker 1>Okay, well I'm pumped, So let's get into this week's script,

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<v Speaker 1>which is Brendan's Hey, why don't you set it up

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<v Speaker 1>for us?

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<v Speaker 2>Well, I am dipping a toe and a little something

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<v Speaker 2>called horror excellent. Tell Yeah, So I wrote this a

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<v Speaker 2>couple of weeks ago. I came up with this idea

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<v Speaker 2>on my Uber ride home. It was that day we

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<v Speaker 2>all went out to lunch. You guys remember that we

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<v Speaker 2>decided to go get something healthy for lunch.

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<v Speaker 1>No.

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<v Speaker 2>I bought that teeseburger and I asked them to put

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<v Speaker 2>it on my salad. Mm no, do you don't remember that?

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<v Speaker 1>I think?

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<v Speaker 2>So I went to Burger Mystery.

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<v Speaker 3>Oh I guess I kind of.

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<v Speaker 1>Oh yeah, that's the one where you get a mystery Burger. Yeah.

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<v Speaker 2>They spin this giant wheel and whatever it lands on,

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<v Speaker 2>you got to get that. I ended up with a

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<v Speaker 2>triple cheese bacon barbecue.

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<v Speaker 3>Sauce, and all the waiters are famous TV detectives.

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<v Speaker 2>No, no, no, no, that style m for Burger. I

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<v Speaker 2>love that place too. Every time I go there. I

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<v Speaker 2>get Colombo though, and he actually is a pretty good detective.

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<v Speaker 2>You know, he's always like, oh I noticed it stumbled

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<v Speaker 2>when he asked for the mixed greens. You really want

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<v Speaker 2>loaded bacon fries, don't you. He's always right now. Yeah,

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<v Speaker 2>he's actually a really good detective. I keep telling him

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<v Speaker 2>to get the hell out of there. He's a better

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<v Speaker 2>detective than a waiter never refills my iced tea a

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<v Speaker 2>second time.

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<v Speaker 1>I always get McNulty from the wire.

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<v Speaker 3>Oh.

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<v Speaker 1>Yeah, he's always hitting on whoever i'm with.

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<v Speaker 3>Yeah, he's always like, hey, hey, we got to get

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<v Speaker 3>this guy some ketchup for these fries.

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<v Speaker 2>Snot Yeah, it's like a British accent trying to.

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<v Speaker 3>There's dead people in the shipping contato. Okay, it only

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<v Speaker 3>sounded like he needed an affronsh McNaughty.

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<v Speaker 1>Mcnaughte.

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<v Speaker 2>Where did we go Trey Ho's tacos?

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<v Speaker 3>No? We went to Richard Jenkin salad bags?

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<v Speaker 1>Was that where we went? Why are celebrities making restaurants?

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<v Speaker 3>Are those guys celebrities?

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<v Speaker 1>Yes?

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<v Speaker 3>He's great.

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<v Speaker 1>Richard Jenks Jenkins is great.

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<v Speaker 2>Every time I see that guy, I forget he makes movies.

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<v Speaker 2>I always think he's a state senator.

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<v Speaker 3>Yeah, well he's in everything. He's in a Cohen Brothers

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<v Speaker 3>movie for a couple minutes.

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<v Speaker 1>All right, well, okay, and he was in Six Feet

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<v Speaker 1>Under for a couple of minutes. Oh yeah, he was.

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<v Speaker 3>He was in Shape of Water for a couple of minutes.

0:09:23.040 --> 0:09:25.440
<v Speaker 1>He was in Burn After Reading for a couple of minutes.

0:09:25.520 --> 0:09:28.240
<v Speaker 3>He was in the Visitor. It seemed like a couple

0:09:28.280 --> 0:09:29.760
<v Speaker 3>of minutes, but it was actually the whole movie.

0:09:29.840 --> 0:09:32.240
<v Speaker 1>He was the dad and stepbrothers for a couple of minutes.

0:09:32.320 --> 0:09:34.920
<v Speaker 2>That guy. Yeah right, he's not a senator.

0:09:35.200 --> 0:09:37.920
<v Speaker 3>No, he played a senator in Kong Skull Island, I

0:09:37.920 --> 0:09:38.840
<v Speaker 3>think for a couple of minutes.

0:09:39.120 --> 0:09:41.040
<v Speaker 2>That's right, Yeah, that's what I'm thinking of.

0:09:50.080 --> 0:09:51.600
<v Speaker 1>So let's set up this horror movie.

0:09:51.760 --> 0:09:53.480
<v Speaker 2>Okay, why don't we go right off the top. I

0:09:53.480 --> 0:09:56.280
<v Speaker 2>think we're just gonna get ourselves into the world. This

0:09:56.320 --> 0:10:00.239
<v Speaker 2>is a little movie called Fat Pig, and it's about

0:10:00.280 --> 0:10:04.840
<v Speaker 2>a bullied teenager named Gordon Schlumpley and this classic R

0:10:05.000 --> 0:10:08.640
<v Speaker 2>movie trope small town and his family is a bit

0:10:08.679 --> 0:10:12.480
<v Speaker 2>odd and has maybe some mysterious powers. Oh and then

0:10:12.480 --> 0:10:15.360
<v Speaker 2>the town is shook to its core when a series

0:10:15.400 --> 0:10:19.240
<v Speaker 2>of grizzly murders start to happen. Excellent, So I like

0:10:19.320 --> 0:10:22.600
<v Speaker 2>to take you guys right into the top. Scene one meat.

0:10:22.920 --> 0:10:26.160
<v Speaker 2>Gordon Schlumpley, an unpopular teenager.

0:10:26.200 --> 0:10:28.160
<v Speaker 1>Okay, great, that's what it says here.

0:10:28.160 --> 0:10:31.360
<v Speaker 2>All right, Mark, would you mind doing stage or extra

0:10:31.440 --> 0:10:32.760
<v Speaker 2>putting those golden pipes of that?

0:10:32.880 --> 0:10:33.319
<v Speaker 1>All right?

0:10:34.360 --> 0:10:36.959
<v Speaker 2>Very nice? And Greg, put your west golden pipes to

0:10:37.000 --> 0:10:38.600
<v Speaker 2>the parts I highlighted there for you.

0:10:38.760 --> 0:10:40.000
<v Speaker 3>Brass pipe song.

0:10:40.000 --> 0:10:43.240
<v Speaker 1>Rusty Brown. All right here we in copper.

0:10:43.080 --> 0:10:43.840
<v Speaker 2>Ladies and gentlemen.

0:10:44.280 --> 0:10:50.679
<v Speaker 1>Fat pig. Exterior, dilapidated house night. Gordon schlumpy an unpopular, overweighteen,

0:10:50.760 --> 0:10:53.520
<v Speaker 1>opens a rusty old gate and sadly shuffles up the

0:10:53.559 --> 0:10:56.520
<v Speaker 1>walkway to the house. His t shirt is torn. He

0:10:56.559 --> 0:10:59.640
<v Speaker 1>looks dirty and beat up. He clumps up the rotting

0:10:59.720 --> 0:11:02.960
<v Speaker 1>wood steps of his house, opens the door and walks in.

0:11:02.960 --> 0:11:05.840
<v Speaker 1>Interior continuous Gordon throws his bag down and starts to

0:11:05.840 --> 0:11:09.400
<v Speaker 1>head up the staircase. He pauses, tears fill his eyes.

0:11:09.520 --> 0:11:11.520
<v Speaker 1>We zoom in tight to his eyes, so we all

0:11:11.520 --> 0:11:15.200
<v Speaker 1>know we're flashing back in time. Exterior open field. Today

0:11:15.280 --> 0:11:18.839
<v Speaker 1>we see Gordon surrounded by bullies, Marv and Craig toss

0:11:18.960 --> 0:11:23.040
<v Speaker 1>poor Gordon's backpack back and forth as three beautiful girls Amanda,

0:11:23.080 --> 0:11:28.680
<v Speaker 1>Doris and Sarah cackle shoelessly twirling in the grass. Craig says, can.

0:11:28.559 --> 0:11:30.720
<v Speaker 3>You believe he actually has books in this thing? Marv

0:11:30.880 --> 0:11:33.600
<v Speaker 3>I thought this was his feedbag, stufful of doughnuts.

0:11:34.440 --> 0:11:37.960
<v Speaker 1>Don't cry, GORDA, We're just making sure you get some exercise, bud.

0:11:38.200 --> 0:11:41.040
<v Speaker 1>As Gordon lunges for the bag, Marv side steps him

0:11:41.080 --> 0:11:43.960
<v Speaker 1>and trips him. The portly doof plops into a pile

0:11:44.000 --> 0:11:46.560
<v Speaker 1>of mud, face first. Craig takes the book bag and

0:11:46.679 --> 0:11:50.400
<v Speaker 1>unloads the contents onto Gordon's head. Amanda ties back her

0:11:50.480 --> 0:11:51.679
<v Speaker 1>long blonde hair as she.

0:11:51.720 --> 0:11:54.959
<v Speaker 3>Laughs down in the mud where a pig belongs.

0:11:55.160 --> 0:11:58.200
<v Speaker 1>The bullies laugh and walk off their feet. Filthy we

0:11:58.360 --> 0:12:00.679
<v Speaker 1>zoom in on the eyes of Gordon of past and

0:12:00.720 --> 0:12:04.800
<v Speaker 1>returned to interior house. Gordon wipes tears away and old

0:12:04.920 --> 0:12:08.520
<v Speaker 1>steps groan as the big sad sack glumps all the

0:12:08.559 --> 0:12:10.440
<v Speaker 1>way up to the top of the winding stairs to

0:12:10.480 --> 0:12:13.320
<v Speaker 1>a solitary door. All the way at the top, the

0:12:13.360 --> 0:12:17.160
<v Speaker 1>door is adorned with strange cymbals, small paintings of fire

0:12:17.240 --> 0:12:21.240
<v Speaker 1>and pigs. Gordon opens the door and enters interior Grammy's room.

0:12:21.400 --> 0:12:24.120
<v Speaker 1>Grammy sits in an old rocking chair, staring deep into

0:12:24.160 --> 0:12:27.240
<v Speaker 1>a fireplace. The room is adorned with weird things like

0:12:27.360 --> 0:12:30.760
<v Speaker 1>skulls and shrunken heads and weird shit. The old Crone's

0:12:30.800 --> 0:12:34.360
<v Speaker 1>eyes snap to attention as Gordon's shadow eclipses over her.

0:12:34.559 --> 0:12:39.440
<v Speaker 2>Gordon, my sweet boy, that fayat hats told me much

0:12:39.480 --> 0:12:42.240
<v Speaker 2>of your day, Come get your sweet.

0:12:42.559 --> 0:12:45.880
<v Speaker 1>The old gal's hand pulls a dark, mysterious cookie from

0:12:45.880 --> 0:12:48.959
<v Speaker 1>a jar that looks like a cauldron. The rotund boy

0:12:49.080 --> 0:12:52.240
<v Speaker 1>quickly shuffles over and begins to devour the sweet from

0:12:52.280 --> 0:12:55.600
<v Speaker 1>her hand. As we cut to interior Amanda's kitchen. Night

0:12:56.280 --> 0:12:59.679
<v Speaker 1>close on Amanda's long, elegant feet as they spin the

0:12:59.720 --> 0:13:02.880
<v Speaker 1>girl around. She dances around her kitchen and nothing but

0:13:02.920 --> 0:13:05.560
<v Speaker 1>a T shirt and her underwear, singing into a spoon

0:13:05.679 --> 0:13:08.320
<v Speaker 1>she's using to make a yogurt parfe.

0:13:08.000 --> 0:13:10.200
<v Speaker 3>Shake it off, Shake it Off.

0:13:11.280 --> 0:13:14.680
<v Speaker 1>A loud bang on the back door rattles her the fuck.

0:13:14.920 --> 0:13:17.640
<v Speaker 1>She pads over to the back door and looks out nothing.

0:13:17.800 --> 0:13:20.880
<v Speaker 1>She shrugs and slaps her elegant floppers back over to

0:13:20.960 --> 0:13:24.000
<v Speaker 1>the counter that is covered in granola, avocados and yogurt

0:13:24.000 --> 0:13:28.120
<v Speaker 1>and shit blam. The door rattles again with a violent rumble.

0:13:28.280 --> 0:13:31.600
<v Speaker 3>Craig marv. If you chere fucking with me, I'll kill

0:13:31.640 --> 0:13:32.400
<v Speaker 3>you corroll.

0:13:32.760 --> 0:13:35.480
<v Speaker 1>The bottom of the door explodes as a huge pig

0:13:35.640 --> 0:13:40.160
<v Speaker 1>runs into the kitchen ah. The pig knocks the girl

0:13:40.240 --> 0:13:43.320
<v Speaker 1>to the ground. It squeals a high pitched nightmare sound

0:13:43.360 --> 0:13:47.520
<v Speaker 1>and snapped into her left foot. Amanda screams bloody murder.

0:13:47.800 --> 0:13:51.120
<v Speaker 1>Blood pours from her footless limb. She tries to crawl away,

0:13:51.200 --> 0:13:53.600
<v Speaker 1>but is pulled back as the swine bites into her

0:13:53.679 --> 0:13:57.560
<v Speaker 1>right foot. The hungry slopper takes huge chomps and munches

0:13:57.600 --> 0:14:01.719
<v Speaker 1>her leg down hole. Amanda's dreams turned to gurgles as

0:14:01.800 --> 0:14:05.880
<v Speaker 1>blood pours from her mouth, her eyes cross and go lifeless.

0:14:06.120 --> 0:14:09.240
<v Speaker 1>We hear the ravenous sounds of the pig feasting as

0:14:09.280 --> 0:14:14.560
<v Speaker 1>we fade to black exterior backyard night. We slowly fade

0:14:14.640 --> 0:14:18.000
<v Speaker 1>up and through the window we see the kitchen as trashed. Hell,

0:14:18.080 --> 0:14:20.800
<v Speaker 1>food and blood cover the floor and walls as police

0:14:20.840 --> 0:14:24.280
<v Speaker 1>walk about surveying the grizzly crime scene. Meanwhile, in the

0:14:24.320 --> 0:14:27.840
<v Speaker 1>backyard bushes, we hear grunting the camera lands on the

0:14:27.960 --> 0:14:32.440
<v Speaker 1>killer pig squatting to defecate. He finishes and quickly scurries away.

0:14:32.920 --> 0:14:35.800
<v Speaker 1>The camera stays on the pile of his excrement. The

0:14:35.920 --> 0:14:40.920
<v Speaker 1>dukie seems to hum an evil tone. A blonde hair

0:14:41.200 --> 0:14:49.280
<v Speaker 1>slowly grows out of it, and scene wading. Holy shit, man.

0:14:49.280 --> 0:14:51.760
<v Speaker 3>Do you have a foot? Finish? But there's so much

0:14:51.800 --> 0:14:54.240
<v Speaker 3>fools and that's slopping.

0:14:54.400 --> 0:14:56.040
<v Speaker 2>I'm just explaining what the camera seeing.

0:14:56.120 --> 0:14:58.520
<v Speaker 1>So they're always on the feet. Why the feet? Is

0:14:58.560 --> 0:15:00.000
<v Speaker 1>it like a pig's eye of you or is it?

0:15:00.040 --> 0:15:02.160
<v Speaker 3>Do you want to Yeah, it's just like it's talking

0:15:02.160 --> 0:15:04.000
<v Speaker 3>about her feet more than serumst tag.

0:15:03.960 --> 0:15:08.680
<v Speaker 1>If you have a foot fetish, Hey, no kink shaming.

0:15:08.760 --> 0:15:11.880
<v Speaker 1>If that's your thing to just that's your thing. Never stopped?

0:15:11.880 --> 0:15:13.560
<v Speaker 3>Do you what?

0:15:13.560 --> 0:15:16.240
<v Speaker 1>What are we? Never stop? What? Where are you going?

0:15:16.320 --> 0:15:18.960
<v Speaker 3>Where's your problem? Dude? What do you not?

0:15:19.080 --> 0:15:19.800
<v Speaker 1>What? What do you mean?

0:15:19.880 --> 0:15:19.960
<v Speaker 3>Not?

0:15:20.160 --> 0:15:22.520
<v Speaker 1>Where are you going? What's not? Where?

0:15:22.520 --> 0:15:25.440
<v Speaker 3>Bring your elegant flappers back across the floor and talk

0:15:25.480 --> 0:15:28.280
<v Speaker 3>to us. Man, don't where's he going? I don't know

0:15:28.480 --> 0:15:29.720
<v Speaker 3>the fuck? What is wrong?

0:15:29.840 --> 0:15:31.400
<v Speaker 1>He's acting like? What is he doing?

0:15:31.520 --> 0:15:33.160
<v Speaker 3>Dude? You think this is I'll be.

0:15:33.120 --> 0:15:35.160
<v Speaker 1>Honest, he's been weird all wheat.

0:15:35.280 --> 0:15:36.960
<v Speaker 3>He's been really, really strange.

0:15:37.040 --> 0:15:39.440
<v Speaker 1>He's not returning my calls anytime I talk to him.

0:15:39.480 --> 0:15:41.880
<v Speaker 3>He says, nap, I never call him, but I'm sure

0:15:41.880 --> 0:15:42.720
<v Speaker 3>if I did, he wouldn't.

0:15:43.280 --> 0:15:45.400
<v Speaker 1>Now he's showing up weird with a script with two

0:15:45.400 --> 0:15:46.920
<v Speaker 1>assholes named Marvin Craig.

0:15:47.280 --> 0:15:49.400
<v Speaker 3>Oh my gosh, I just noticed that. To be honest,

0:15:49.400 --> 0:15:52.080
<v Speaker 3>I never really paid much attention to his character details.

0:15:52.520 --> 0:15:53.800
<v Speaker 3>Just the foot stuff stuck out to me.

0:15:54.040 --> 0:15:56.320
<v Speaker 1>Here's a theory. What do you think he's mad? We

0:15:56.400 --> 0:15:59.000
<v Speaker 1>laughed at his cheeseburger salad I do last week?

0:15:59.200 --> 0:16:04.520
<v Speaker 3>Well, because he brought a burger into Richard Jenkins salad bags.

0:16:05.080 --> 0:16:07.000
<v Speaker 3>You can't get burgers there, and he tore it up

0:16:07.040 --> 0:16:08.200
<v Speaker 3>and put it into.

0:16:10.200 --> 0:16:11.240
<v Speaker 1>The bread and French fries.

0:16:11.680 --> 0:16:14.360
<v Speaker 2>Yes, he's back back again.

0:16:14.480 --> 0:16:15.600
<v Speaker 3>Hey, welcome back man.

0:16:15.400 --> 0:16:20.760
<v Speaker 2>Boom boom boom Brodley Chipper. Everything just had to go

0:16:20.760 --> 0:16:22.960
<v Speaker 2>to the bathroom is cleansed.

0:16:23.040 --> 0:16:26.360
<v Speaker 1>Yeah, it seems so so mad is everything? Okay? Oh great?

0:16:26.480 --> 0:16:30.280
<v Speaker 2>No, I'm great. You guys want to keep reading this bad.

0:16:30.160 --> 0:16:32.920
<v Speaker 1>But yeah, let's do it. Yeah, set up the next scene.

0:16:32.920 --> 0:16:36.040
<v Speaker 2>Okay, So I want to take you a couple of

0:16:36.080 --> 0:16:38.640
<v Speaker 2>scenes down here. Flip a couple of pages here. This

0:16:38.720 --> 0:16:41.920
<v Speaker 2>is the scene. Everyone in town is shocked about Amanda's

0:16:42.160 --> 0:16:47.040
<v Speaker 2>terrible murder when shockingly, she shows back up a lot

0:16:47.040 --> 0:16:51.080
<v Speaker 2>of shocks. She is, you, guys never stopped well, hey man.

0:16:51.280 --> 0:16:53.840
<v Speaker 3>This is the podcast. Just having fun.

0:16:54.040 --> 0:16:58.960
<v Speaker 1>We're just having fun. What's not Just come sit back down, man,

0:16:59.680 --> 0:17:00.960
<v Speaker 1>I'm just messing around.

0:17:01.080 --> 0:17:04.040
<v Speaker 2>Yes, he's mec I'm back, guys.

0:17:04.600 --> 0:17:07.320
<v Speaker 3>Yeah, Oh, I just said, why'd you just go over

0:17:07.359 --> 0:17:09.280
<v Speaker 3>and stand in the corner looking at the wall and

0:17:09.320 --> 0:17:10.400
<v Speaker 3>then turned around and came back.

0:17:10.520 --> 0:17:12.280
<v Speaker 2>Caf got tight, wanted to stretch it out.

0:17:12.480 --> 0:17:16.639
<v Speaker 1>Okay, everything's fine. We're gonna take your face value. Everything's fine.

0:17:16.680 --> 0:17:20.960
<v Speaker 2>Okay, So everyone thinks Amanda's dead, and then she returns

0:17:21.119 --> 0:17:25.480
<v Speaker 2>to school alive. Oh and guess what. She's having lunch

0:17:25.480 --> 0:17:28.280
<v Speaker 2>with Gordon, and she's laughing at everything Gordon says, and

0:17:28.320 --> 0:17:31.120
<v Speaker 2>she has this weird, creepy smile every time she talks

0:17:31.160 --> 0:17:35.360
<v Speaker 2>to her friends. Suddenly she thinks Gordon is amazing. Her

0:17:35.440 --> 0:17:39.320
<v Speaker 2>friends Sarah and Doris think this is really weird. So

0:17:39.400 --> 0:17:42.520
<v Speaker 2>in this scene, Amanda's friends Doris and Sarah catch Gordon

0:17:42.560 --> 0:17:44.680
<v Speaker 2>and Amanda in the hallway and they confront them.

0:17:44.720 --> 0:17:49.800
<v Speaker 1>Oh fun, all right, cool interior school hallway. Later, Sarah

0:17:49.800 --> 0:17:52.159
<v Speaker 1>and Doris walk down a hallway and spot Amanda walking

0:17:52.160 --> 0:17:55.040
<v Speaker 1>with Gordon. Hey, this thought you were murdered. Get over here,

0:17:55.040 --> 0:17:58.000
<v Speaker 1>we need to talk. Amanda and Gordon look scared and

0:17:58.040 --> 0:17:59.159
<v Speaker 1>take off around a corner.

0:17:59.280 --> 0:18:01.280
<v Speaker 2>Oh you bet, run, you little piggies.

0:18:01.440 --> 0:18:03.680
<v Speaker 1>Sarah and Doris chase after them. They whip around the

0:18:03.720 --> 0:18:07.720
<v Speaker 1>corner and two giant pigs stand, grunting an evil grunt.

0:18:08.160 --> 0:18:10.600
<v Speaker 1>The pigs charge the girls, and now Doris and Sarah

0:18:10.640 --> 0:18:13.159
<v Speaker 1>turn and run. Sarah runs straight down the hall to

0:18:13.200 --> 0:18:15.919
<v Speaker 1>the bathroom, losing Doris. In a panic, she hides in

0:18:15.960 --> 0:18:18.480
<v Speaker 1>the last toilet stall in a row of four. She

0:18:18.560 --> 0:18:21.160
<v Speaker 1>closes the door and squats on the toilet, her sandaled

0:18:21.240 --> 0:18:23.919
<v Speaker 1>feet just small enough to hold her steady on the

0:18:23.920 --> 0:18:27.000
<v Speaker 1>toilet seat. She hears the bathroom door slowly open and

0:18:27.040 --> 0:18:30.760
<v Speaker 1>tries to stifle her nervous breath. All is quiet, and

0:18:30.800 --> 0:18:34.520
<v Speaker 1>then wham the door to the first stall is kicked in.

0:18:34.600 --> 0:18:38.080
<v Speaker 1>Sarah whippers. Wham, the door to the second stall is

0:18:38.160 --> 0:18:42.240
<v Speaker 1>kicked in. Tears streamed down Sarah's face. Wham, the door

0:18:42.280 --> 0:18:44.800
<v Speaker 1>to the third stall is kicked in one left. Sarah

0:18:44.880 --> 0:18:48.680
<v Speaker 1>is terrified. Whow Sarah screams, and his face to face

0:18:48.720 --> 0:18:50.199
<v Speaker 1>with Doris.

0:18:50.240 --> 0:18:53.520
<v Speaker 2>Shit, girl, there you are where the psycho pigs? Did

0:18:53.560 --> 0:18:54.119
<v Speaker 2>we lose him?

0:18:54.280 --> 0:18:56.760
<v Speaker 1>Sarah opens her mouth to speak, but before she can

0:18:56.800 --> 0:18:59.280
<v Speaker 1>get a word out, a pig flies up out of

0:18:59.280 --> 0:19:02.920
<v Speaker 1>the toilet like jaws and bites her into Blood sprays

0:19:02.960 --> 0:19:06.200
<v Speaker 1>out of both ends of her chomped halves. Sarah's torso

0:19:06.320 --> 0:19:09.800
<v Speaker 1>flies forward and knocks Doris backwards. She falls and cracks

0:19:09.840 --> 0:19:11.920
<v Speaker 1>her head so hard on the sink it's lopped off

0:19:12.160 --> 0:19:14.480
<v Speaker 1>and flies to the air, landing in a toilet bowl.

0:19:14.760 --> 0:19:17.480
<v Speaker 1>Blood sprays from her neck hole like a geyser before

0:19:17.520 --> 0:19:21.280
<v Speaker 1>her body crumples to the floor. Sarah, just a torso

0:19:21.359 --> 0:19:24.920
<v Speaker 1>now screams in terror as the bathroom door flies open.

0:19:25.359 --> 0:19:29.040
<v Speaker 1>The second killer pig charges in. The pig bites her

0:19:29.080 --> 0:19:33.920
<v Speaker 1>nose and pulls back. Sarah's skin stretches until screlch her

0:19:33.960 --> 0:19:37.359
<v Speaker 1>face is ripped off. Sarah's face is now just exposed

0:19:37.440 --> 0:19:41.000
<v Speaker 1>muscles and tendons, but she's still alive as both pigs

0:19:41.000 --> 0:19:44.000
<v Speaker 1>set to feasting upon her. End scene.

0:19:45.920 --> 0:19:48.240
<v Speaker 3>Wonder right heavy to her feet do we did have a.

0:19:52.119 --> 0:19:52.359
<v Speaker 1>Question?

0:19:52.480 --> 0:19:53.960
<v Speaker 2>What the camera sees guys.

0:19:54.119 --> 0:19:55.960
<v Speaker 1>Yeah, and it's camera first.

0:19:56.359 --> 0:19:57.600
<v Speaker 3>How'd the pig get through the toilet?

0:19:58.040 --> 0:19:58.600
<v Speaker 2>Who cares?

0:19:59.000 --> 0:20:00.760
<v Speaker 3>Right, I'm just this is not.

0:20:02.320 --> 0:20:03.720
<v Speaker 2>Just another one of my stupid ideas.

0:20:04.000 --> 0:20:05.640
<v Speaker 1>We're just asking the logic of.

0:20:05.680 --> 0:20:07.960
<v Speaker 2>Maybe the pig was thin enough. Okay, all right, maybe

0:20:07.960 --> 0:20:11.919
<v Speaker 2>he ate a healthy lunch. And maybe just because the

0:20:11.920 --> 0:20:14.080
<v Speaker 2>words it's a pig doesn't mean it's fat.

0:20:14.119 --> 0:20:16.600
<v Speaker 3>I'm saying that movie is called Fat Pig, and I'm

0:20:16.640 --> 0:20:19.320
<v Speaker 3>wondering what the logic of the pigs getting through the pipesays?

0:20:19.320 --> 0:20:19.639
<v Speaker 3>That's all?

0:20:19.840 --> 0:20:21.280
<v Speaker 1>Are all the pigs fat? Because you said it was

0:20:21.280 --> 0:20:21.960
<v Speaker 1>a second pig?

0:20:22.119 --> 0:20:25.400
<v Speaker 2>Okay, you know what, Who fucking cares? Maybe it's all

0:20:25.640 --> 0:20:29.480
<v Speaker 2>movie magic? All right? So why are you guys mansplaining.

0:20:28.920 --> 0:20:32.200
<v Speaker 1>It to me? Man's plaining. It's not what it means.

0:20:32.280 --> 0:20:34.240
<v Speaker 1>Let me break down man's plaining for you.

0:20:34.280 --> 0:20:34.760
<v Speaker 2>Now?

0:20:35.200 --> 0:20:36.200
<v Speaker 3>What is this?

0:20:36.560 --> 0:20:41.359
<v Speaker 1>What are you doing now? What is the problem? Man?

0:20:42.000 --> 0:20:42.200
<v Speaker 4>Oh?

0:20:47.119 --> 0:20:51.720
<v Speaker 2>Yes, thanks guys, let's do the next Thanks for what

0:20:51.720 --> 0:20:54.000
<v Speaker 2>what is going on? I want all that edited out?

0:20:56.359 --> 0:20:57.040
<v Speaker 2>Thanks guys.

0:20:57.800 --> 0:20:58.040
<v Speaker 1>Thanks?

0:20:58.840 --> 0:21:01.920
<v Speaker 2>What do you think you can destructive notes? You're right, man,

0:21:02.040 --> 0:21:03.480
<v Speaker 2>maybe I'll look at that pig thing.

0:21:04.080 --> 0:21:06.560
<v Speaker 3>Yeah, I've just it's a movie called fat pig, and

0:21:06.600 --> 0:21:08.640
<v Speaker 3>I just wanted to know if there was a cool

0:21:08.680 --> 0:21:10.760
<v Speaker 3>story beat about the pigs crawling through the pipes or something.

0:21:10.800 --> 0:21:11.080
<v Speaker 3>That's it.

0:21:11.200 --> 0:21:13.000
<v Speaker 1>And there's a lot of feet. Let's do the next scene.

0:21:13.119 --> 0:21:15.920
<v Speaker 2>You want to know what's not horror? Seeing the guy

0:21:16.040 --> 0:21:19.480
<v Speaker 2>creep behind the corner before he flies out of the corner. Okay,

0:21:19.680 --> 0:21:24.440
<v Speaker 2>it's all about chocks, right. You don't see Freddy hide

0:21:24.480 --> 0:21:28.320
<v Speaker 2>behind a bush before he explodes out of a fucking bush,

0:21:28.480 --> 0:21:29.760
<v Speaker 2>because that's not scary.

0:21:29.960 --> 0:21:33.880
<v Speaker 3>Who's Freddy is in the script? Kroger? Oh, Freddy Kroger,

0:21:33.960 --> 0:21:37.720
<v Speaker 3>the grocer, grocery guy, the owner of the Kroger, the hunt,

0:21:38.040 --> 0:21:40.119
<v Speaker 3>I said, Krueger, the haunted grocery store.

0:21:40.200 --> 0:21:42.879
<v Speaker 1>That's an idea, Freddy Kroger, Freddy Kroger.

0:21:42.960 --> 0:21:44.920
<v Speaker 3>That is an idea, a bit of a parody. Maybe

0:21:44.960 --> 0:21:46.720
<v Speaker 3>you could go eat Cheeseburger's the grocery store.

0:21:47.800 --> 0:21:59.040
<v Speaker 4>Thanks, guys, up the scene.

0:21:59.080 --> 0:22:01.680
<v Speaker 1>Let's just get through it. It's a good script. It's

0:22:01.680 --> 0:22:02.480
<v Speaker 1>a good script.

0:22:02.920 --> 0:22:07.840
<v Speaker 2>Thank you. Thanks guys. So I want to take you

0:22:08.119 --> 0:22:11.440
<v Speaker 2>later on into the script. Mervin Craig, the two asshole

0:22:11.480 --> 0:22:14.239
<v Speaker 2>bullies show up at Gordon's birthday party, which is at

0:22:14.240 --> 0:22:17.199
<v Speaker 2>a big nightclub. When they arrive, everyone is having this

0:22:17.320 --> 0:22:21.719
<v Speaker 2>amazing time. Okay, Gordon's on stage. He is crushing New

0:22:21.800 --> 0:22:24.720
<v Speaker 2>York State of Mind by Billy Joel. But then someone

0:22:24.760 --> 0:22:28.520
<v Speaker 2>in the crowd spots Marvin Craig, and they party just

0:22:28.560 --> 0:22:31.679
<v Speaker 2>stops dead silence, and everyone turns and stares with this

0:22:31.800 --> 0:22:34.800
<v Speaker 2>creepy stare and these creepy smiles, and they start chanting

0:22:35.440 --> 0:22:39.760
<v Speaker 2>you don't belong, You don't belong, and they chase after them,

0:22:39.760 --> 0:22:42.320
<v Speaker 2>and the boys are running. So this is the scene

0:22:42.359 --> 0:22:45.000
<v Speaker 2>where they have escaped the danger, but they start to

0:22:45.040 --> 0:22:46.640
<v Speaker 2>realize what is happening to the town.

0:22:46.640 --> 0:22:48.720
<v Speaker 3>Okay, great, this takes place present day.

0:22:48.880 --> 0:22:49.160
<v Speaker 1>Yeah.

0:22:49.320 --> 0:22:52.160
<v Speaker 3>Oh, he's saying New York state of Mind, Billy Joel

0:22:52.240 --> 0:22:52.879
<v Speaker 3>is timeless.

0:22:53.280 --> 0:22:54.720
<v Speaker 1>It could be Jay z right.

0:22:54.640 --> 0:22:55.960
<v Speaker 2>You have a problem with Billy Joel.

0:22:56.320 --> 0:22:58.919
<v Speaker 3>No, I'm just saying, that's kind a funny thing for

0:22:58.920 --> 0:23:00.680
<v Speaker 3>a high school student to sing Billy Joel and be

0:23:00.960 --> 0:23:02.199
<v Speaker 3>like celebrated for it.

0:23:02.280 --> 0:23:04.960
<v Speaker 2>Sunglasses are just things until Billy Joel wore them.

0:23:05.119 --> 0:23:09.200
<v Speaker 1>Okay, okay, man, all right, here we are interior nightclub

0:23:09.320 --> 0:23:12.160
<v Speaker 1>night Marvin Craig finally safe in a back room collapse,

0:23:12.280 --> 0:23:14.760
<v Speaker 1>breathless to the floor. I don't get any of this.

0:23:14.880 --> 0:23:17.800
<v Speaker 1>We were the most popular kids in school. Now, Gordon is.

0:23:18.040 --> 0:23:20.400
<v Speaker 3>This has to be something to do with all those pigs. Right,

0:23:20.680 --> 0:23:23.359
<v Speaker 3>A bunch of crazy pigs show up buddy crime scenes

0:23:23.400 --> 0:23:25.960
<v Speaker 3>with nobody, then everybody is crazy, happy and in love

0:23:25.960 --> 0:23:26.560
<v Speaker 3>with Gordon.

0:23:26.840 --> 0:23:30.280
<v Speaker 1>Wait a minute, remember what share If Hoppringer was saying

0:23:30.320 --> 0:23:32.800
<v Speaker 1>the other day before his office was covered in blood

0:23:32.840 --> 0:23:36.480
<v Speaker 1>and he suddenly loved Gordon. He said, the Schlumpy family

0:23:36.800 --> 0:23:40.560
<v Speaker 1>is into some weird religious voodoo or some shit. They've

0:23:40.560 --> 0:23:43.040
<v Speaker 1>been outcast in this town for years.

0:23:42.840 --> 0:23:45.040
<v Speaker 3>Right, and their house is built on the ashes of

0:23:45.080 --> 0:23:47.080
<v Speaker 3>that old Satanic temple that was built on that Native

0:23:47.080 --> 0:23:47.840
<v Speaker 3>American burial.

0:23:48.080 --> 0:23:51.720
<v Speaker 1>Holy shit, Craig Gordon is magically turning himself into a

0:23:51.800 --> 0:23:52.720
<v Speaker 1>killer pig.

0:23:52.560 --> 0:23:54.719
<v Speaker 3>And he's eating his enemies and shitting the mouth. And

0:23:54.760 --> 0:23:57.760
<v Speaker 3>then the shit grows into Gordon loving daffelgangers who can

0:23:57.800 --> 0:23:58.919
<v Speaker 3>also turn into pigs.

0:23:59.520 --> 0:24:03.240
<v Speaker 1>All of our friends are shit people, and old Gordon

0:24:03.320 --> 0:24:06.439
<v Speaker 1>Schlumpley is the magic killer pig. What's that?

0:24:06.560 --> 0:24:06.919
<v Speaker 4>Chaps?

0:24:07.200 --> 0:24:10.160
<v Speaker 1>The boys gasp and turn to see Gordon looming over them.

0:24:10.720 --> 0:24:13.480
<v Speaker 1>Back off, Gordo, you ain't turning us into shit. People

0:24:13.520 --> 0:24:15.679
<v Speaker 1>through your magic pig guts pig.

0:24:16.280 --> 0:24:18.800
<v Speaker 3>You don't think, no need to think, big boy, You're

0:24:18.840 --> 0:24:22.800
<v Speaker 3>an evil magic pig who eats his enemies then craps friends.

0:24:23.040 --> 0:24:28.440
<v Speaker 2>Oh my god, guys, No, it's Grammy, Grammy. I thought

0:24:28.480 --> 0:24:31.280
<v Speaker 2>it was weird how popular I got. I guess I

0:24:31.400 --> 0:24:33.800
<v Speaker 2>just wanted to believe I was cool.

0:24:34.160 --> 0:24:36.520
<v Speaker 1>What are you saying, Gordon, You had nothing to do

0:24:36.640 --> 0:24:36.960
<v Speaker 1>with this.

0:24:37.280 --> 0:24:40.480
<v Speaker 2>My grandmother, she's the High Priestess of the Swines of

0:24:40.480 --> 0:24:43.760
<v Speaker 2>the Fire Goddess. She must have done all this. Guys,

0:24:43.800 --> 0:24:44.879
<v Speaker 2>I swear I didn't know.

0:24:45.119 --> 0:24:48.480
<v Speaker 1>Gordon cries Marvin Craig's hearts are moved. He knew I

0:24:48.600 --> 0:24:53.760
<v Speaker 1>wasn't popular. Gordon. It's okay, man. This is our fault.

0:24:53.760 --> 0:24:55.280
<v Speaker 1>More than anything, we made your life.

0:24:55.320 --> 0:24:57.840
<v Speaker 3>Hell yeah, I guess at the heart of all this,

0:24:58.000 --> 0:25:00.439
<v Speaker 3>we were just two insecure jerks who never took the

0:25:00.480 --> 0:25:03.200
<v Speaker 3>time to see how awesome you are your knowledge.

0:25:02.840 --> 0:25:06.120
<v Speaker 1>Of superhero trivia. You speak Elvi, you sing it sound

0:25:06.320 --> 0:25:07.919
<v Speaker 1>just like Billy Joel when you sing.

0:25:08.160 --> 0:25:12.920
<v Speaker 3>Hell you invented cheeseburger salad. What it It's delicious and healthy.

0:25:13.160 --> 0:25:14.480
<v Speaker 3>I never thought that could be done.

0:25:14.560 --> 0:25:16.920
<v Speaker 1>So there it is. Yeah, but so I'm just gonna

0:25:16.920 --> 0:25:18.560
<v Speaker 1>I want to rip the band aid off here. Man,

0:25:18.600 --> 0:25:20.240
<v Speaker 1>did you hear us making fun of you about the

0:25:20.320 --> 0:25:21.280
<v Speaker 1>cheeseburger salad?

0:25:21.320 --> 0:25:23.000
<v Speaker 2>I have no idea, mad as we're talking about.

0:25:23.040 --> 0:25:24.520
<v Speaker 1>You're mad at us for saying that it was a

0:25:24.560 --> 0:25:25.200
<v Speaker 1>goofy idea.

0:25:25.320 --> 0:25:26.359
<v Speaker 2>Don't know what you're talking about.

0:25:26.359 --> 0:25:28.879
<v Speaker 3>Can we please read the Script's up a triple cheeseburger

0:25:28.880 --> 0:25:30.520
<v Speaker 3>and stuck it in a bag of lettuce and said

0:25:30.560 --> 0:25:31.080
<v Speaker 3>it was healthy.

0:25:31.119 --> 0:25:34.560
<v Speaker 2>Guys, we are in the middle of a script. Okay, please, Okay,

0:25:34.840 --> 0:25:37.040
<v Speaker 2>did dramas how you guys are doing great performances? I

0:25:37.080 --> 0:25:37.800
<v Speaker 2>don't want to lose this.

0:25:37.960 --> 0:25:41.800
<v Speaker 1>Okay, Okay, back into it. We are so sorry, Gordon.

0:25:41.920 --> 0:25:43.280
<v Speaker 3>We are massive pieces of shit.

0:25:43.720 --> 0:25:45.920
<v Speaker 2>I have every right to hate you guys right now.

0:25:46.280 --> 0:25:49.320
<v Speaker 2>But like the great Martin Luther King Junior says, we

0:25:49.400 --> 0:25:52.840
<v Speaker 2>must develop and maintain the capacity to forgive. He who

0:25:52.880 --> 0:25:55.679
<v Speaker 2>is devoid of power to forgive is devoid of the

0:25:55.720 --> 0:25:56.440
<v Speaker 2>power to love.

0:25:57.040 --> 0:26:00.320
<v Speaker 1>Marvin Craig are stunned by this gentle giant's capacy city

0:26:00.359 --> 0:26:02.679
<v Speaker 1>to forgive, and feel even worse about themselves.

0:26:02.880 --> 0:26:05.040
<v Speaker 2>When do you say we team up, boys and go

0:26:05.119 --> 0:26:06.240
<v Speaker 2>kill my grandmother?

0:26:06.520 --> 0:26:09.760
<v Speaker 1>Craig and marsh Beam. This guy may actually save the

0:26:09.840 --> 0:26:10.400
<v Speaker 1>whole town.

0:26:10.480 --> 0:26:12.280
<v Speaker 3>We just have to get to the bottom of this

0:26:12.400 --> 0:26:13.240
<v Speaker 3>cheeseburger salad.

0:26:13.280 --> 0:26:15.920
<v Speaker 1>Can we just clear the air? Yes, I don't, because

0:26:15.920 --> 0:26:17.840
<v Speaker 1>you're acting like it's not a big deal and it's

0:26:17.880 --> 0:26:19.399
<v Speaker 1>clearly upsetting you.

0:26:19.560 --> 0:26:19.879
<v Speaker 2>Guys.

0:26:19.920 --> 0:26:21.240
<v Speaker 3>How do you know that we were making fun of

0:26:21.240 --> 0:26:22.919
<v Speaker 3>the cheeseburger salad for not being healthy?

0:26:23.000 --> 0:26:24.960
<v Speaker 2>Would you guys make fun of the cheeseburger's house.

0:26:25.080 --> 0:26:27.560
<v Speaker 3>We were just saying that it's a funny idea that

0:26:27.680 --> 0:26:28.400
<v Speaker 3>someone would.

0:26:28.280 --> 0:26:30.640
<v Speaker 2>Got everything is about you two.

0:26:30.480 --> 0:26:34.680
<v Speaker 1>Guys, Okay, but Marv and Craig are clearly us is not.

0:26:35.119 --> 0:26:36.760
<v Speaker 2>And I don't even know what you're talking about the

0:26:36.800 --> 0:26:37.560
<v Speaker 2>cheeseburger salad.

0:26:37.560 --> 0:26:39.720
<v Speaker 3>I'm just trying to You went down the street, you

0:26:39.760 --> 0:26:42.520
<v Speaker 3>got a triple cheeseburger with bacon and extra cheese, and

0:26:42.520 --> 0:26:44.120
<v Speaker 3>then you came back. You ripped it up and put

0:26:44.119 --> 0:26:45.639
<v Speaker 3>it in a salad bag and shook it up.

0:26:45.720 --> 0:26:48.800
<v Speaker 1>Let me say, for the both of us, I'm sorry, Sorry,

0:26:48.840 --> 0:26:49.280
<v Speaker 1>we made fun.

0:26:49.320 --> 0:26:50.280
<v Speaker 3>Apologize for me. Mark.

0:26:50.440 --> 0:26:52.680
<v Speaker 1>Can we read the next scene? How many more are there?

0:26:52.720 --> 0:26:53.360
<v Speaker 1>Just that last one?

0:26:53.359 --> 0:26:54.760
<v Speaker 2>You know what, I'll take it to the very end

0:26:55.000 --> 0:26:58.000
<v Speaker 2>where they confront the grandmother. My head is spinning because

0:26:58.000 --> 0:26:59.480
<v Speaker 2>I'm just trying to cut through the script. I have

0:26:59.560 --> 0:27:02.639
<v Speaker 2>no idea. You guys are all upset about Okay, So

0:27:02.800 --> 0:27:04.800
<v Speaker 2>here we are there at the house again. They're about

0:27:04.840 --> 0:27:07.600
<v Speaker 2>to take down the evil Grammy okay.

0:27:08.040 --> 0:27:12.520
<v Speaker 1>Exterior dilapidated house. Night the boys approach Gordon's house. Ominous

0:27:12.520 --> 0:27:15.880
<v Speaker 1>clouds swirl in the sky. The house is totally dark

0:27:15.920 --> 0:27:17.879
<v Speaker 1>except for the flicker of fire in the attic.

0:27:18.200 --> 0:27:20.439
<v Speaker 2>She's home. We've got to get to the attic.

0:27:20.680 --> 0:27:22.720
<v Speaker 3>Shouldn't be too hard, ah.

0:27:22.359 --> 0:27:24.920
<v Speaker 1>I wouldn't be too sure about that. They turned to

0:27:24.920 --> 0:27:27.640
<v Speaker 1>see all the people from the party staring wide eyed

0:27:27.680 --> 0:27:31.640
<v Speaker 1>and silent at them, large smiles plastered on their faces.

0:27:31.920 --> 0:27:34.639
<v Speaker 1>They open their mouths and speak as one What.

0:27:35.040 --> 0:27:40.480
<v Speaker 2>Are you doing with those nasty boys? You belong with us.

0:27:40.760 --> 0:27:45.800
<v Speaker 2>We love you, Grandma. You can't do this. You can't

0:27:45.880 --> 0:27:48.280
<v Speaker 2>force people to like me. You have to let them

0:27:48.320 --> 0:27:52.160
<v Speaker 2>grow to see that I am something special on my own. Sure,

0:27:52.240 --> 0:27:55.600
<v Speaker 2>the idea of a cheeseburger salad being healthy sounds silly

0:27:55.640 --> 0:27:58.040
<v Speaker 2>at first, but if you give people a second to

0:27:58.080 --> 0:27:59.959
<v Speaker 2>think about it, they'll actually see that it's a very

0:28:00.359 --> 0:28:01.040
<v Speaker 2>good idea.

0:28:01.640 --> 0:28:04.600
<v Speaker 1>Marvin Craig nod. Gordon is right. His words hit home.

0:28:05.119 --> 0:28:08.640
<v Speaker 2>You dari fi, then you die.

0:28:09.400 --> 0:28:13.360
<v Speaker 1>The mass of people begin to snort and grunt Gordon.

0:28:13.840 --> 0:28:17.040
<v Speaker 1>The crowd begins to writhe and groan, their joints snapping

0:28:17.200 --> 0:28:19.280
<v Speaker 1>and bending as they turn into pigs.

0:28:19.480 --> 0:28:19.680
<v Speaker 4>Roun.

0:28:20.160 --> 0:28:22.240
<v Speaker 1>The three boys take off at a full sprint to

0:28:22.280 --> 0:28:24.879
<v Speaker 1>the house. The sound of hooves followed them up the

0:28:24.960 --> 0:28:27.320
<v Speaker 1>steps and through the door. They hit the main staircase

0:28:27.359 --> 0:28:30.040
<v Speaker 1>and race up. The door behind them explodes into a

0:28:30.160 --> 0:28:33.120
<v Speaker 1>shower of splinters as a wave of pigs pour into

0:28:33.160 --> 0:28:33.520
<v Speaker 1>the house.

0:28:33.680 --> 0:28:36.760
<v Speaker 2>Go get to the attic and kill Grammy. I'll hold

0:28:36.800 --> 0:28:37.120
<v Speaker 2>them back.

0:28:37.280 --> 0:28:38.600
<v Speaker 1>Marvin Craig begin weeping.

0:28:38.760 --> 0:28:41.560
<v Speaker 3>Gordon, No, we can't lose.

0:28:41.880 --> 0:28:45.000
<v Speaker 1>Gordon smiles a wry smile like Indiana Jones.

0:28:45.200 --> 0:28:47.600
<v Speaker 2>Nice yo, I got this.

0:28:48.160 --> 0:28:50.480
<v Speaker 1>Moved by his courage, the weeping boys turn and head

0:28:50.560 --> 0:28:53.720
<v Speaker 1>up the staircase, blubbering. They reach the attic door.

0:28:54.360 --> 0:28:57.479
<v Speaker 3>Here goes Snubby, be brave like Gordon.

0:28:57.680 --> 0:28:59.520
<v Speaker 1>They kick the door and they see the back of

0:28:59.640 --> 0:29:03.560
<v Speaker 1>Grammy's rocking chair, the old woman slowly rocking in front

0:29:03.600 --> 0:29:04.160
<v Speaker 1>of the fire.

0:29:05.040 --> 0:29:06.480
<v Speaker 3>Time to die, Grammy.

0:29:06.760 --> 0:29:10.200
<v Speaker 1>The old woman just laughs, a deep, soulless laugh that

0:29:10.440 --> 0:29:15.840
<v Speaker 1>freezes the two bulls in the tracks. I think not,

0:29:16.400 --> 0:29:20.760
<v Speaker 1>Greg and Mick, I think not. The old woman stands

0:29:20.840 --> 0:29:25.520
<v Speaker 1>and turns to face them. They are stunned. Grammy is Gordon?

0:29:26.640 --> 0:29:27.080
<v Speaker 3>Gordon?

0:29:27.720 --> 0:29:30.720
<v Speaker 2>That's right, fuck faces, I heard you make fun of

0:29:30.800 --> 0:29:34.040
<v Speaker 2>me and my cheeseburger salad. You are not better than

0:29:34.120 --> 0:29:35.400
<v Speaker 2>me and I am cool.

0:29:35.760 --> 0:29:38.480
<v Speaker 1>Flew of pigs rush up behind Mark and Greg. One

0:29:38.600 --> 0:29:42.200
<v Speaker 1>pig snout goes to Greg's button, bites down in yanks.

0:29:42.480 --> 0:29:45.760
<v Speaker 1>His whole spine and skull are pulled from his backside,

0:29:46.040 --> 0:29:48.880
<v Speaker 1>along with a huge gut of blood and shit.

0:29:49.080 --> 0:29:49.360
<v Speaker 3>Come on.

0:29:49.680 --> 0:29:51.520
<v Speaker 1>Mark is knocked to the ground. His pigs pull him

0:29:51.520 --> 0:29:53.960
<v Speaker 1>from every direction. His shoes are ripped off. The pigs

0:29:54.000 --> 0:29:56.400
<v Speaker 1>see his feet and think they're weird and leave them be,

0:29:57.040 --> 0:30:00.320
<v Speaker 1>deciding instead to latch onto his less weird ankles. The

0:30:00.400 --> 0:30:03.960
<v Speaker 1>others grab his wrists. They begin to yank in different directions,

0:30:04.160 --> 0:30:08.160
<v Speaker 1>pulling the fool, who is unimaginative about food apart. He

0:30:08.280 --> 0:30:10.960
<v Speaker 1>screams in agony. His hair is yanked. He looks up

0:30:11.000 --> 0:30:12.480
<v Speaker 1>to see the puller is Gordon.

0:30:12.640 --> 0:30:15.880
<v Speaker 2>He's the old boy. Let's not lose our head.

0:30:16.320 --> 0:30:18.920
<v Speaker 1>Gordon pulls his head off as the other pigs rip

0:30:19.040 --> 0:30:22.640
<v Speaker 1>his arms and legs from his body. Gordon holds Mark's

0:30:22.680 --> 0:30:26.040
<v Speaker 1>head high to a mass of squealing pigs and laughs

0:30:26.120 --> 0:30:28.320
<v Speaker 1>a dark and evil laugh as he talks it to

0:30:28.440 --> 0:30:34.400
<v Speaker 1>his hungry piggies. EO we we we are hole and

0:30:35.760 --> 0:30:36.400
<v Speaker 1>so fucking it.

0:30:36.480 --> 0:30:39.240
<v Speaker 3>It's just all about the cheeseburger salad marks.

0:30:39.600 --> 0:30:41.200
<v Speaker 2>Fuckheads, that's about you.

0:30:42.200 --> 0:30:43.240
<v Speaker 1>We were not surprised.

0:30:43.320 --> 0:30:45.840
<v Speaker 3>We're not surprised you actually called us Gregon Mark in

0:30:45.880 --> 0:30:49.320
<v Speaker 3>the last scene. Wait, just fuck learning.

0:30:49.240 --> 0:30:52.880
<v Speaker 2>Rise, fuckheads, that was about you, we know, maybe.

0:30:52.800 --> 0:30:55.160
<v Speaker 3>Learn to use find replacement shit.

0:30:55.680 --> 0:30:56.520
<v Speaker 2>Yeah, I fucked up.

0:30:57.280 --> 0:30:57.440
<v Speaker 3>Uh.

0:30:58.040 --> 0:30:59.880
<v Speaker 2>I wanted you guys to fucking just read that whole

0:31:00.080 --> 0:31:02.360
<v Speaker 2>thing in this boom eat it.

0:31:02.800 --> 0:31:03.560
<v Speaker 1>I heard you.

0:31:04.560 --> 0:31:08.840
<v Speaker 2>I heard what you said about the cheeseburger salad. You

0:31:08.920 --> 0:31:11.480
<v Speaker 2>thought I went to the bus, I forgot my backpack.

0:31:11.680 --> 0:31:13.720
<v Speaker 2>I came back to get it, and there you two

0:31:13.800 --> 0:31:17.440
<v Speaker 2>were gabbling and gaffing and laughing away like a couple

0:31:17.520 --> 0:31:20.320
<v Speaker 2>of golden girls. Friends don't make fun of friends when

0:31:20.360 --> 0:31:21.080
<v Speaker 2>they're not around.

0:31:21.280 --> 0:31:23.920
<v Speaker 3>Friends talk to friends about when they're upset, and don't

0:31:23.960 --> 0:31:27.160
<v Speaker 3>write an entire script that takes up an entire episode

0:31:27.280 --> 0:31:29.560
<v Speaker 3>to tell us they were mad. About a cheeseburger salad.

0:31:29.680 --> 0:31:33.640
<v Speaker 1>What does gabbling mean? And you had a gaffer gabbling.

0:31:33.280 --> 0:31:35.320
<v Speaker 2>When you're gabbing and also laughing.

0:31:35.160 --> 0:31:36.160
<v Speaker 3>We did not have a gaffer.

0:31:36.240 --> 0:31:40.480
<v Speaker 2>There your tape, you're talking talk and then you're laughing

0:31:40.520 --> 0:31:42.720
<v Speaker 2>at the same time. It's a bad thing to be

0:31:42.840 --> 0:31:43.360
<v Speaker 2>a gabbler.

0:31:43.520 --> 0:31:46.480
<v Speaker 1>Okay, so I listen. I'm sorry about the cheeseburger salad.

0:31:46.840 --> 0:31:49.000
<v Speaker 1>I'm sorry I made fun of you. I stand behind

0:31:49.560 --> 0:31:53.000
<v Speaker 1>my view that it's not it's not healthy choice.

0:31:54.000 --> 0:31:57.440
<v Speaker 2>It's lettuce, it's tomato, and yes there's ground beef. Yes

0:31:57.480 --> 0:32:01.720
<v Speaker 2>there's cheese. Yes there is bacon a cruton, which is

0:32:01.920 --> 0:32:04.920
<v Speaker 2>healthier than just having a normal bun. The special sauce

0:32:05.000 --> 0:32:07.520
<v Speaker 2>is just salad dressing. It's the same thing. Is What

0:32:07.600 --> 0:32:11.680
<v Speaker 2>I'm trying to say is that cheeseburger salad is a

0:32:11.800 --> 0:32:14.960
<v Speaker 2>very good idea. And you're sories mean.

0:32:14.880 --> 0:32:15.360
<v Speaker 1>A lot to me.

0:32:15.440 --> 0:32:15.920
<v Speaker 2>Thanks guys.

0:32:17.200 --> 0:32:19.720
<v Speaker 1>You want us to vote on this, No, you know.

0:32:19.760 --> 0:32:24.760
<v Speaker 2>What, Truthfully, this wasn't even a fair submission. This was

0:32:24.920 --> 0:32:28.800
<v Speaker 2>a test of friendship, and you guys passed lesson learned.

0:32:29.440 --> 0:32:33.200
<v Speaker 2>Don't be gabblers. Huh. We just can't tear each other.

0:32:33.320 --> 0:32:34.560
<v Speaker 2>It's not a man this town.

0:32:34.840 --> 0:32:36.920
<v Speaker 1>But if we're going to come clean, that's not a word.

0:32:37.000 --> 0:32:39.920
<v Speaker 1>Not a word you're you're trying to use it like

0:32:40.000 --> 0:32:40.840
<v Speaker 1>it's an actual.

0:32:40.920 --> 0:32:42.960
<v Speaker 3>So is that just a You brought a cheeseburger for

0:32:43.080 --> 0:32:45.600
<v Speaker 3>lunch today with just a lot of extra lettuce, and

0:32:45.680 --> 0:32:46.760
<v Speaker 3>do you think that's a salad?

0:32:48.920 --> 0:32:49.239
<v Speaker 1>All right?

0:32:49.320 --> 0:32:50.840
<v Speaker 3>Okay, don't where are you going?

0:32:51.040 --> 0:32:51.280
<v Speaker 2>Man?

0:32:52.160 --> 0:32:52.360
<v Speaker 4>Yeah?

0:32:53.040 --> 0:32:56.040
<v Speaker 3>Okay, it's a studio apartment. You can't just keep walking

0:32:56.120 --> 0:32:56.520
<v Speaker 3>over there.

0:32:57.160 --> 0:33:00.080
<v Speaker 1>Fuck it? You know what? This has been fun on

0:33:01.120 --> 0:33:01.680
<v Speaker 1>as always.

0:33:01.800 --> 0:33:04.080
<v Speaker 2>I want to read it again. You guys got to

0:33:04.160 --> 0:33:05.000
<v Speaker 2>learn their lesson again.

0:33:05.040 --> 0:33:06.560
<v Speaker 1>I want to read it. We're not reading it again,

0:33:06.800 --> 0:33:09.480
<v Speaker 1>not reading this. End of podcast, lights camera action, but

0:33:10.080 --> 0:33:10.520
<v Speaker 1>for writing