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Speaker 1: I gotta flex one time because I don't talk. There's

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Speaker 1: nobody like me. I don't give who out there because

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Speaker 1: again people talk about don't talk.

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Speaker 2: I'm talking now, Yo, what up y'all? This is Joe Crack. Yes,

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Speaker 2: it's your boy, Jayda Yo son, you know what it is? Yes,

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Speaker 2: did Joe and Jada's show?

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Speaker 3: Every show legendary, every show iconic and we never let

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Speaker 3: you down Today's guests.

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Speaker 2: When you think of hip.

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Speaker 4: Hop, when you think of style, fashion iconic, when you

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Speaker 4: think of one of the first sonically voices that drove

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Speaker 4: everybody crazy, when you think of camaraderie, chemistry, when you

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Speaker 4: think of production, when you think of a mentor that

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Speaker 4: created the motherfucker conglomerate in the Dynasty way back before

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Speaker 4: people was even doing that kind of things with their

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Speaker 4: labels and artists. When you think of somebody that's underrated

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Speaker 4: for those that must have been under a rock or

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Speaker 4: just stupid, but you know what I mean, he don't

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Speaker 4: really get mad because he get to the bag and

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Speaker 4: the bags get to him. So what when you think

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Speaker 4: underrated and you just think of one of the people,

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Speaker 4: one of the pillars and hippop that never fades away.

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Speaker 2: He always finds a way to get to the vault.

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Speaker 2: Got no money, ladies, and gentleman makes some noise for

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Speaker 2: Eric Serman. First of all, I like that. That's true,

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Speaker 2: and so was Joe that. It wasn't he fucking with me?

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Speaker 2: Wasn't you? Though? He ain't fucking with me? Right now?

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Speaker 2: You ain't? Yo.

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Speaker 1: That's a great intro, but you want to pull it back.

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Speaker 1: But got that pot.

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Speaker 5: First of all, I ain't get the memo for the camel.

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Speaker 5: Y'all look like y'all joined Maga and ship.

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Speaker 2: That's some other kid. You look like the Count of

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Speaker 2: Monty christ that's right there, and that's the Count of

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Speaker 2: Monty Christo.

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Speaker 1: Motherfucker looked like he killed the whole community right now?

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Speaker 6: Is crazy, yo?

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Speaker 5: Eric Sherman a genius. That's the words he missed out.

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Speaker 5: Your fucking genius. You're ahead of your He didn't say

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Speaker 5: the word genius. No, No, I'm trying to tell you something.

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Speaker 2: It's time. His name is Eric she That shamey, But

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Speaker 2: that's how jobing. What do you want me to do?

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Speaker 2: You already through the flat. That's a legit fla. I've

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Speaker 2: been calling the Maryland Sherman people. I take that one back.

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Speaker 2: I take that back, and a lot of people that

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Speaker 2: that says mature. I don't correct everyding that said. Take

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Speaker 2: it back.

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Speaker 1: Back back the flag we wound Eric.

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Speaker 5: The word I gotta use is genius ahead of his

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Speaker 5: time musically, production wise. Pause blows my mind to this

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Speaker 5: day when I listened to E. P. M.

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Speaker 1: D appalled first damn, anybody knows that guy that you

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Speaker 1: motherfucker's got this camerau flog on your one.

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Speaker 2: Hold up the plates, hold up, let me come off

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Speaker 2: for to shoot the plates up.

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Speaker 1: Let me do a sidebar real quick. This is crazy.

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Speaker 1: So just for minutes, my go to right.

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Speaker 2: Not no more. We want to let me finish. Don't

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Speaker 2: do that. Let me finish. Joey, I'm gonna throw two flags.

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Speaker 1: Listen, I didn't give it a shot, right, So I

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Speaker 1: gave it a shot because the Just for Men wasn't

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Speaker 1: in CBS. So I see your ship, right, I said,

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Speaker 1: I don't know if Joey says is correct.

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Speaker 2: Number. Wait, okay, you know what I'm.

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Speaker 1: I get rewind right, I open up the box and

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Speaker 1: I'm like, oh ship, he got two for the price

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Speaker 1: of one, and.

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Speaker 2: The now now now you got me?

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Speaker 1: So now I try it, and I'm like, yo, this

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Speaker 1: ship is just as ill, but it lasts long.

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Speaker 2: It's Rose voice. I've had color. Listen.

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Speaker 1: I'm here not to give you the plug that you

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Speaker 1: plugged all the time, but to tell niggas is the truth.

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Speaker 2: Yo.

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Speaker 1: See, I'm never going to show my grade girls like

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Speaker 1: He's like, Yo, you can show no liars.

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Speaker 2: They're liars.

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Speaker 1: I'm never going to show what the market they want

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Speaker 1: you off the moti, off the top.

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Speaker 2: This right here, the truth go back to the genius now.

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Speaker 2: But thank you, thank you.

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Speaker 5: It's the truth is the Rose Royce is double the

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Speaker 5: product and actually our numbers better than their number. Yeah,

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Speaker 5: with the you know from five you know I'm the

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Speaker 5: customer that and this pneumonia.

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Speaker 2: You're free.

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Speaker 5: So black and brown people who be breaking out, most

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Speaker 5: of them won't ever break out with our product. Some

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Speaker 5: other product makes people get bumps.

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Speaker 2: It's a fact. It never happened to me. I've been

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Speaker 2: baking my ship since I'm twenty son, and you come

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Speaker 2: with a fucking ship the remover.

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Speaker 1: Yeah you're the remove Like, Yo, you went all out, Yo,

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Speaker 1: kissed the you don't know about this part?

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Speaker 7: Yes?

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Speaker 2: Kiss you ain't there?

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Speaker 1: You know what I feel like right now, I feel

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Speaker 1: like Eddie Murphy.

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Speaker 2: Fuck you yeah, fuck you too.

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Speaker 1: Nah, it's it's the ship is the hottest ship smoking man?

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Speaker 1: I think nothing, it's not No, it's not hYP for

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Speaker 1: niggas and yeah yeah, CBS, Sally's.

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Speaker 2: You know what I'm saying, Stop the shop?

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Speaker 1: Yeah yeah, no, no, let's go man, kiss, Let's change

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Speaker 1: the subject again. Okay, Yes, I was involved in selling

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Speaker 1: over seventy million records. That means that when you count

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Speaker 1: all the albums up that I was involved in that

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Speaker 1: ended up at that type of number. I just want

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Speaker 1: to put that flex out there that I want to

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Speaker 1: talk about that.

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Speaker 5: But why you think that people don't give you your

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Speaker 5: props or you're not really appreciated like you should be.

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Speaker 1: I think that again, if we would have had this

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Speaker 1: type of social media back then, it'll probably be more,

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Speaker 1: you know, more talked about, you know, probably you know,

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Speaker 1: but we didn't have it, so people just heard records.

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Speaker 1: It wasn't about the producer. It's about the artists. Nobody

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Speaker 1: know who made shit. No until Pete Rock we mixed,

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Speaker 1: you knew about that though, But as far as the

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Speaker 1: actual production, So when me and Paris came in we

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Speaker 1: thought that we everybody that we heard made they songs.

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Speaker 2: I didn't know what the producer was.

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Speaker 1: I just made the records because we had the rhyme

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Speaker 1: on it, so we you know, we made the songs.

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Speaker 2: Afterwards, we were like, y'all producers. We had no clue.

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Speaker 1: We thought that anybody we heard made their records.

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Speaker 2: I believe that because you know a flow Joe.

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Speaker 1: I did flow Joe all three verses and hooks without

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Speaker 1: a punch.

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Speaker 5: I didn't know what a punch was. So everybody knows

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Speaker 5: fat Joe. And then when it come everybody, you gotta

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Speaker 5: float Joe. They in the booth with me, you gotta

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Speaker 5: flow Joe. Everybody knows said I didn't know what a punchy.

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Speaker 5: You came from the studio.

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Speaker 1: Me and Palace came from side by side in the

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Speaker 1: mic like this, wow, like this. So so we didn't

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Speaker 1: have no we didn't have studios. We didn't have enough money. Yeah,

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Speaker 1: we didn't have enough tracks. So we had to do that.

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Speaker 1: When it got time to do the mixing, you would

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Speaker 1: go up and down if I was lower, higher, whatever.

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Speaker 2: But this is what we did. You know, like this,

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Speaker 2: there was no other nothing.

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Speaker 5: You guys made some of the greatest music ever created.

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Speaker 5: I remember me hustling, me in the street, me taking

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Speaker 5: They had these caves called OJ's. Right, So in the

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Speaker 5: Bronx you could rent the OJ for twenty five dollars

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Speaker 5: an hour. Right, So when you when you was hustling

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Speaker 5: and you made enough money, if you ain't own shit yet,

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Speaker 5: I'm talking about crack error. It wasn't a heroine, it

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Speaker 5: wasn't big money. You rent the OJ for four hours.

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Speaker 5: So a guy like Jada was just smoking weed, chilling me.

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Speaker 5: I'm in the back. No, no, I'm just saying, that's

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Speaker 5: the boy. Guys you're smoking that. He likes smoking. He

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Speaker 5: liked smoking that ship. He would have been in the

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Speaker 5: old j smoking his ship. They would have been driving

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Speaker 5: him around. You listening to hip hop. I'm going to

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Speaker 5: Spanish Hall to see my girlfriend over there and all

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Speaker 5: one O six and first and the OJ, the Beman shit.

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Speaker 5: But I'm pumping EBM D. It's a different you know,

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Speaker 5: when you ain't got it but you're just getting it,

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Speaker 5: and you're selling a couple of cracks making three hundred dollars,

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Speaker 5: and you know what I'm saying, You ain't really got it,

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Speaker 5: but you sitting in the back of a bean with

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Speaker 5: you stick in your face. You know how the dogs

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Speaker 5: stick the face out in the car to get the air.

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Speaker 5: Who's sticking your face out the ship listening to EPMD

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Speaker 5: kid and play SO eighty eight Biz Markey and say, hey,

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Speaker 5: you know what I'm saying? Those are classic times for me.

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Speaker 5: I like to know that you too young, You're symbol.

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Speaker 2: No, no, you know what?

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Speaker 3: Who rest in peace? Tom g He was like an

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Speaker 3: ill one of my illest uncles, and he had the

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Speaker 3: white celleka cells that picked me up. The system was crazy.

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Speaker 4: Take me Downtown one hundred and twenty fifth Street, it's

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Speaker 4: the mixtape rocking well all of that get something and

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Speaker 4: he I remember one of his favorite tapes, that ship

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Speaker 4: It's my thing on it got just playing and I'm like,

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Speaker 4: this is my shame. I just told him play it

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Speaker 4: all the way back to yockeys in I remember that

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Speaker 4: and I got all.

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Speaker 5: The yell give music, selection of samples. Where does that

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Speaker 5: come from? Your mom's your pat Yeah, my dad had

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Speaker 5: a bunch of records.

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Speaker 1: One thing about me and Pirates is nobody would never

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Speaker 1: believe it though, but we didn't. We didn't know about

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Speaker 1: digging you know, as far as you know, going to

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Speaker 1: get records, have record stores, we long on. We don't

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Speaker 1: have that type of situation whatever was infirm of them speakers,

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Speaker 1: because you don't forget. Back then the records was against

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Speaker 1: the against the wall unit, so whatever that was over there,

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Speaker 1: we took to the studio.

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Speaker 2: Paris had his crib. He took to the studio.

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Speaker 1: So the records that was there was again Parliament of course,

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Speaker 1: you know Earth with the Fire, BT Express, the whole

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Speaker 1: non So what you hear?

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Speaker 2: What's what you say in Jane Brown? You hear? Do

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Speaker 2: you hear?

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Speaker 1: You got the whispers, you got pair of the bell

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Speaker 1: you got you know, just those type of records or

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Speaker 1: for the fire, you know whatever you got those one

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Speaker 1: record we got from the label when we signed the

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Speaker 1: statement back of records we got from that was sitting

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Speaker 1: underneath their record player, you know, so there was no digging.

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Speaker 2: Whatever that was in at the crib is what we sampled. Man,

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Speaker 2: that was the best samplings. And it's my thing too.

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Speaker 1: Of course Brave Peasts was out too back then, so

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Speaker 1: prohaps with the DJ he had those, so we had

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Speaker 1: the breaks. That's where Jane came from. That's Joe text

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Speaker 1: this is my Things that mins a punk, the whole nine.

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Speaker 1: But again, we made these songs and we didn't know

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Speaker 1: how to make a chorus, so our records was just

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Speaker 1: going like this. The label called Ted Teddy Special k

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Speaker 1: to come to Long Island. He says, give me that

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Speaker 1: record you that you sampled, this is my thing from

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Speaker 1: So seven is a funk, right because we just got

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Speaker 1: to sample going boom boom, boom boom going it's my

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Speaker 1: thing going, none of it, no, no antics, no nothing.

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Speaker 1: They come in and they get to the part where

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Speaker 1: it goes particular particular between Ben Ben Ben Fan, So

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Speaker 1: I'm like, okay. They had to end, and when the

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Speaker 1: chorus is coming in, That's when I learned how to

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Speaker 1: make a chorus.

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Speaker 2: Before that, I had no clue. So I owed him.

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Speaker 1: That because now when I when I'm making you a customer,

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Speaker 1: now I'm going get down, get down, But time keeps

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Speaker 1: on stipping, so I'm knowing how to format.

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Speaker 5: Now how does he bem dc Redman? How does Eric

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Speaker 5: Sherman be Redman?

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Speaker 1: We had to show at CLEB Sensations in New New Jersey,

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Speaker 1: which is like being in Brooklyn or being someplace where

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Speaker 1: we know what.

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Speaker 2: The bridge.

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Speaker 1: Yeah, up to the pre sensations, though, you can get

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Speaker 1: robbed in that place. So we go backstage and I

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Speaker 1: see do it all from those underground He rhyme for me,

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Speaker 1: a defense rhyme. He said, you're my DJ. Rhyme right

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Speaker 1: it is Reggie. No, So Reggie said, well he was

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Speaker 1: the DJ he was in. Yeah, so before those the

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Speaker 1: underground this was. I said, go ahead and say something.

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Speaker 1: He says, I felt like a butterflies, thing like the

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Speaker 1: rock roll. He didn't say Muhammad Ali. So I stopped

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Speaker 1: them immediately, put him on stage that night.

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Speaker 2: Didn't even know him.

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Speaker 1: Now, the crowd saying, yo, what's redman doing up there?

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Speaker 1: There's people that I knew him for knew it. But

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Speaker 1: that's how my thing was. I already knew it was

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Speaker 1: special because he didn't say thing like Muhammad Ali. He said,

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Speaker 1: float like a butterflies, thing like the rock grew. When

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Speaker 1: I first met Murray, it took one of them lines,

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Speaker 1: let's squash the beef, cook it and we all can

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Speaker 1: get fat. So all I saw was my hamburger, so

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Speaker 1: and so rising whatever with the bet whatever in my

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Speaker 1: head metaphors. That's why when when I when nas came

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Speaker 1: to me when he was doing Ellmatic. I gave him

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Speaker 1: seedless beats because I didn't understand Queensbridge because my rhymes

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Speaker 1: was when a sp e l L solo, that's effects

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Speaker 1: wigod wow redman. I got a's bitch withevers. So these

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Speaker 1: are metaphor people. My only regret not to go in someplace. Eh,

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Speaker 1: that's great, me not taking nods seriously because when he

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Speaker 1: left me, he went to Pete Rocks house.

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Speaker 2: You had a chance to do that, to be on that.

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Speaker 1: And I want to put this out here too for

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Speaker 1: those who don't know about this, only Jaden exactly. Somebody

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Speaker 1: brought a Biggie Small to the barber shop Brooklyn and

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Speaker 1: listened to him.

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Speaker 2: You should get a tattoo of two strikes on y'all. Yeah, yeah,

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Speaker 2: I mean.

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Speaker 1: Fuck, I'm sorry, Eric, sure, okay again fuck. So this

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Speaker 1: is two mistakes Illmatic. I could have been on big Yeah.

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Speaker 1: I wasn't paying attention to him. I went to Staten

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Speaker 1: Allen because but no father was a pastor the state Allen.

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Speaker 1: I got a picture with me and Wu Tang in

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Speaker 1: nineteen eighty nine with all them on my irock. You

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Speaker 1: I mean Paris had twin Irocks right, took a picture

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Speaker 1: me and Ray Kwan went to go said his name

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Speaker 1: was his name is charl Lade and we sat down

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Speaker 1: or on his steps of his building. I was gonna

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Speaker 1: sign Ray Kwan. He talks about that too. I couldn't

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Speaker 1: have wu tank plan. Then my mom, I'm too young

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Speaker 1: for that. I get it, so teflon Rick Ross, I

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Speaker 1: had Tony Jacob put him to my crib. Rick Ross

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Speaker 1: slipped in my basement for months. I didn't take him seriously,

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Speaker 1: taken rhyme. This is just rappers that I had. It's

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Speaker 1: right the time when you're feeling like you're gonna put

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Speaker 1: an artist out of work with him, or you could

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Speaker 1: be going through other ship where you just not focused

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Speaker 1: on I'm already got money, I got my own groups,

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Speaker 1: so again I'm gonna I'm gonna help you, but my

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Speaker 1: focus wasn't there. I'm living next door to Corey Rooney.

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Speaker 1: He knocks on my door and next to him is

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Speaker 1: Curtis Jackson. Curtis Jackson comes in, We go in the basement,

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Speaker 1: we make five records and then we make heat waves.

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Speaker 2: You dude, like, what do you do that?

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Speaker 1: That was his first single before he got shot, so

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Speaker 1: that two was again they brung that to me, but

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Speaker 1: something happened.

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Speaker 2: He's just the rappers that came to me first.

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Speaker 1: Ludicrous knocked on my door for a month in a

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Speaker 1: landlanda when at but again I looked at him as Reggie,

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Speaker 1: so I didn't take it seriously.

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Speaker 2: Me the two at the.

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Speaker 1: Time, My boy d Mac brung the game to Fox

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Speaker 1: Hills Mall. I told Game spirit at sixteen. He didn't

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Speaker 1: know what the sixteen was. Go to Vibe magazine, you know,

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Speaker 1: on cap whatever. He tells the people. Yeah, I was

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Speaker 1: gonna sign with Eric, but he wasn't ready. I'm gonna

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Speaker 1: keep going on rappers. I mean, I don't know that

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Speaker 1: many people that got my story of those mcs that

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Speaker 1: came to me, who know first that I could.

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Speaker 2: Have added, But you know I could have signed the

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Speaker 2: crew you did a symbol.

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Speaker 5: Red Man, keep married case solo, effects, dods effects you

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Speaker 5: you signed?

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Speaker 2: They want effects? That's Eric Sherman.

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Speaker 1: B I'm in the chorus the live effects, some live

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Speaker 1: that's me in the chorus.

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Speaker 5: Let me tell you something. Their second single, they say,

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Speaker 5: in case you didn't know my flows fat like Joe

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Speaker 5: like Joe, Why you still love that kiss.

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Speaker 2: Kiss is throwing flesh. Come on now, take them his back, man. Yeah,

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Speaker 2: but I ain't know that.

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Speaker 1: I did not know that dozz effects. So when you

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Speaker 1: did all the possible, everybody know hit Maker, listen right

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Speaker 1: six months I had him in the crib or hit

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Speaker 1: Maker six months. Talk about that story too. I gotta

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Speaker 1: I gotta remember the people. It's a lot of people.

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Speaker 1: I gotta flex one time because I don't talk. There's

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Speaker 1: no body like me. I don't give who out there

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Speaker 1: when it comes to know, when it comes to listen,

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Speaker 1: because again, people talk about sit and niggas don't talk.

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Speaker 1: I'm talking now for go to hip hop, my R

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Speaker 1: and B, M Vogue, Joessy, Mary j Blosse, Chico de Barge,

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Speaker 1: D'Angelo for fucking Keith Sweat, fucking Brownstone, Angie Stone. This

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Speaker 1: is I've been doing. I was doing R and B

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Speaker 1: as much as I was doing hip hop records. But again,

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Speaker 1: if you don't know Black Street or Booty Call, that

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Speaker 1: was my day first single. It's no everybody called me.

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Speaker 1: When I was doing Black Street, Pharrell was in the corner.

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Speaker 1: I got It's a record on YouTube right now. But

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Speaker 1: I let Pharrell rap with with somebody. It's called Bootnocolization.

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Speaker 1: I know it's an ill name, but but again that's

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Speaker 1: a that's a that's a poor and again but again

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Speaker 1: I looked at Pharrell and I was gonna do that,

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Speaker 1: but I took Dave Hollister from Black Street. Dave Hollister

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Speaker 1: was the man, and I did the first two albums

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Speaker 1: and then too a far So hunting niggas. Though they

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Speaker 1: look over that, you know, like, this is this is

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Speaker 1: They're not me a nigga looking for who out there?

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Speaker 2: Them niggas. I hear him talk.

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Speaker 1: I gotta do it on y'all show because again, y'all

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Speaker 1: had big names. Cali, it cardy uh, you know this

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Speaker 1: is this is Seerra, this is big names.

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Speaker 2: On this show.

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Speaker 5: You got the biggest, the biggest, like water and you

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Speaker 5: know there's names shutting them down.

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Speaker 2: No, but listen, I just don't know. No, no, no, no,

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Speaker 2: This show right here is out of control.

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Speaker 5: And whenever I try to do a favor, it's like

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Speaker 5: it's a favor, right. So there's certain people who are legends,

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Speaker 5: wat whatever, but I already know the people we turned down,

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Speaker 5: So when they come I'm like, how do I sneak

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Speaker 5: them on this motherfucker they snuck up the two Jewish

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Speaker 5: guys on me Jada kissing. These motherfuckers. Two Jewish guys

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Speaker 5: came up on it. They sat in here they did

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Speaker 5: that show.

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Speaker 8: Yo.

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Speaker 2: No motherfuckers stuck up on this shit. Like I said,

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Speaker 2: what the fuck is going on here? They shut down.

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Speaker 5: Jewish guys came with their own mic niggas, sat down,

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Speaker 5: they had they don't.

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Speaker 2: Like, Yo, this this that?

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Speaker 9: This?

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Speaker 1: I said, Yo, how these motherfuckers for neess dad?

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Speaker 2: This is a heavily secured building. How they finessed it?

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Speaker 2: They came. I didn't know somebody is right, Yeah, I

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Speaker 2: knew the fix was in. But you know, I'm cool.

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Speaker 5: I'm cool with every everybody getting they shine, everybody getting

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Speaker 5: the spot.

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Speaker 2: The show is big.

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Speaker 1: So again you you know the pause, but listen, you

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Speaker 1: know what, why am I doing this? I'm not even

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Speaker 1: with that. No no, no, no, no no no, why

383
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Speaker 1: because this show?

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Speaker 2: Because you do it?

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Speaker 10: No?

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Speaker 2: Yeah, you do? Problem with is his favorite choice of

387
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Speaker 2: meal at the at a concert or okay? Nah? Yeah,

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Speaker 2: I mean it was good though. Culture You see big

389
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Speaker 2: Daddy came bolting himself, eating the glitz.

390
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Speaker 1: They starting to ship. Yeah, yeah, it was different different,

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Speaker 1: that's no a sighth for God. They show that was

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Speaker 1: a Hebrew national. Who's just on site? Who changed the

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Speaker 1: word from the hot dog?

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Speaker 2: Pause? Who changed it? New generation?

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Speaker 5: Okay, well the new generation got everything. Fuck they are here.

396
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Speaker 1: You can't wear Air Force ones now Force ones his

397
00:21:16,640 --> 00:21:17,800
Speaker 1: grandfather sneaking.

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Speaker 2: I don't care what they say. We worked in the hospital.

399
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Speaker 2: You try to bolish. This is the first time. You

400
00:21:27,200 --> 00:21:30,520
Speaker 2: can't do that. Evil Why you look you say? Fuck

401
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Speaker 2: you right?

402
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Speaker 1: This is the first time in my life they can

403
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Speaker 1: do the dumbest ship you've ever seen, paint their hair

404
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Speaker 1: or wild ship.

405
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Speaker 5: I don't whatever they do. I'm like, God blessed. The

406
00:21:43,760 --> 00:21:46,399
Speaker 5: Air Force is the old man. Fuck you because they

407
00:21:46,400 --> 00:21:49,120
Speaker 5: stop being Did they stop be your money? You did

408
00:21:49,119 --> 00:21:52,080
Speaker 5: they stop being your money? Give a fuck about high

409
00:21:52,080 --> 00:21:54,960
Speaker 5: stiff and the money. It's just now is listen?

410
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Speaker 11: I know?

411
00:21:56,160 --> 00:21:59,280
Speaker 2: Thanks overtime over time. You know what Mark Wahlberg tells me.

412
00:21:59,440 --> 00:22:06,440
Speaker 2: What Sevester Salon to us. Bill, Okay, olive bread, old townsmen.

413
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Speaker 1: Joe, go ahead, Joe, who want me to flex or not?

414
00:22:11,080 --> 00:22:13,960
Speaker 1: This is what this ship is? Yes, big up yourself,

415
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Speaker 1: Yes you have freedom.

416
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Speaker 2: Joe.

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00:22:17,040 --> 00:22:19,640
Speaker 5: The podcast allows you to have a freedom. You have

418
00:22:19,680 --> 00:22:23,320
Speaker 5: no boss, you need freedom. Stephen A. Smith came to

419
00:22:23,400 --> 00:22:25,760
Speaker 5: sat there and was like, Yo, you guys are envy

420
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Speaker 5: you guys because I work for a big corporate company.

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Speaker 2: You guys up here, you could do whatever the fuck

422
00:22:31,200 --> 00:22:35,240
Speaker 2: you want to have freedom. That's what this show is about,

423
00:22:35,400 --> 00:22:38,200
Speaker 2: is having freedom. We could talk about whatever the fuck

424
00:22:38,920 --> 00:22:42,600
Speaker 2: we want to talk about. It serving state. It's a

425
00:22:42,800 --> 00:22:45,040
Speaker 2: visible line, you know.

426
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Speaker 5: And so my thing is my thing is right what's

427
00:22:50,160 --> 00:22:53,280
Speaker 5: going on right now? It happened at every level, you know,

428
00:22:53,320 --> 00:22:56,520
Speaker 5: when we'se kids. Unfortunately, I'm sorry everybody. When we was

429
00:22:56,560 --> 00:23:00,119
Speaker 5: coming up, we're young gangsters fourteen fifteen, we had to

430
00:23:00,160 --> 00:23:02,520
Speaker 5: beat up the guys. There was legends that was already

431
00:23:02,560 --> 00:23:05,119
Speaker 5: twenty one, twenty two years old in order to get

432
00:23:05,119 --> 00:23:07,800
Speaker 5: a name out there. That's how you make your name

433
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Speaker 5: in the street. So I see what the young kids

434
00:23:10,280 --> 00:23:12,520
Speaker 5: are doing. They're like, man, fuck, these guys are trying

435
00:23:12,560 --> 00:23:14,640
Speaker 5: to run ship today, one hundred years old.

436
00:23:15,080 --> 00:23:16,600
Speaker 2: Let's start with the Air Force.

437
00:23:17,600 --> 00:23:20,639
Speaker 5: Oh man, ship, they're trying to date us and we

438
00:23:20,760 --> 00:23:23,000
Speaker 5: are here told about nine. We trying to still get

439
00:23:23,040 --> 00:23:25,560
Speaker 5: the bag right now, like you trying to you know,

440
00:23:25,840 --> 00:23:30,080
Speaker 5: they're doing that. They're trying to consciously. The youth is

441
00:23:30,160 --> 00:23:33,280
Speaker 5: consciously trying to make us old niggas.

442
00:23:33,840 --> 00:23:34,879
Speaker 2: That's it. They trying.

443
00:23:35,040 --> 00:23:37,520
Speaker 1: They do it, and they they do it. They've won

444
00:23:37,600 --> 00:23:41,000
Speaker 1: that age a lot. Yeah, but we don't care be

445
00:23:41,160 --> 00:23:42,960
Speaker 1: kicking with music too. They be like, you know you

446
00:23:43,080 --> 00:23:46,479
Speaker 1: rhyme and steles or you. It's like this man wrap circles.

447
00:23:46,520 --> 00:23:50,840
Speaker 2: Yeah. I know they don't end. Yeah, I know, but

448
00:23:50,920 --> 00:23:53,240
Speaker 2: they do that for some reason.

449
00:23:54,080 --> 00:23:55,040
Speaker 6: It rich over.

450
00:23:56,400 --> 00:24:00,600
Speaker 2: I'm saying, rich you lost the battle. I'm can't stop

451
00:24:00,720 --> 00:24:02,000
Speaker 2: my nigga.

452
00:24:02,480 --> 00:24:05,439
Speaker 1: Yeah, that's one thing that Joe Golls wanted that you

453
00:24:05,520 --> 00:24:08,760
Speaker 1: knows about that bread No, I just I don't let

454
00:24:08,760 --> 00:24:09,520
Speaker 1: people know right now.

455
00:24:09,600 --> 00:24:10,600
Speaker 2: Don't don't come for me.

456
00:24:11,080 --> 00:24:13,520
Speaker 1: Somebody tried to come for me because I don't speak

457
00:24:13,520 --> 00:24:14,560
Speaker 1: about money, right.

458
00:24:15,400 --> 00:24:17,960
Speaker 2: I fucked around and went on drink chances made a mistake.

459
00:24:18,000 --> 00:24:20,720
Speaker 1: I was trying to teach the kids about only their publishing, right,

460
00:24:21,359 --> 00:24:24,320
Speaker 1: about what you can if it comes back to you.

461
00:24:24,320 --> 00:24:27,600
Speaker 1: You know what I'm saying, what can happen so when

462
00:24:28,080 --> 00:24:31,200
Speaker 1: we can sample the record. I was making the money

463
00:24:31,200 --> 00:24:32,520
Speaker 1: from Mario winings.

464
00:24:32,520 --> 00:24:34,240
Speaker 2: I don't want to know anyway, I probably was making

465
00:24:34,240 --> 00:24:35,240
Speaker 2: like one hundred thousand dolls and.

466
00:24:36,760 --> 00:24:40,159
Speaker 1: Back then, but the weekend one of the biggest streaming

467
00:24:40,200 --> 00:24:43,760
Speaker 1: hours in the world stream one point nine billion streams.

468
00:24:44,119 --> 00:24:46,440
Speaker 1: So my check was touring in for the grand every

469
00:24:46,440 --> 00:24:49,200
Speaker 1: three months, right for four percent only.

470
00:24:49,119 --> 00:24:52,320
Speaker 2: For that, right for that. No, I don't cap on nothing.

471
00:24:52,359 --> 00:24:54,720
Speaker 1: So you got bread, so no, you no, but no,

472
00:24:54,760 --> 00:24:57,800
Speaker 1: but I don't you talk about So if I don't

473
00:24:57,920 --> 00:25:00,480
Speaker 1: have it, then you don't know I don't have it.

474
00:25:01,119 --> 00:25:01,320
Speaker 2: You know.

475
00:25:02,080 --> 00:25:04,399
Speaker 1: I've been buying houses since I was twenty. This is

476
00:25:04,440 --> 00:25:06,160
Speaker 1: not this is a flex. I've been rocking the bouge

477
00:25:06,160 --> 00:25:08,320
Speaker 1: scince I was eighteen. This is not something that that

478
00:25:08,480 --> 00:25:11,280
Speaker 1: was since it was new. As far as how people

479
00:25:11,600 --> 00:25:15,679
Speaker 1: talk about things about whatever I had, I had, I

480
00:25:15,760 --> 00:25:17,679
Speaker 1: was buying houses in Atlanta. I wasn't even living in

481
00:25:17,720 --> 00:25:20,560
Speaker 1: apartments the whole Non. I never even saw them look

482
00:25:20,640 --> 00:25:23,640
Speaker 1: at certain things because you don't. It's not a rocket scientist.

483
00:25:23,680 --> 00:25:25,760
Speaker 1: And no, if you look at Okay, here's the deals

484
00:25:25,960 --> 00:25:29,199
Speaker 1: that Eric is making in these companies. Okay, just Murray's

485
00:25:29,200 --> 00:25:32,119
Speaker 1: at Jive, but he's at depth jam of farmers that

486
00:25:32,240 --> 00:25:35,119
Speaker 1: dream works this and now whatever, how farmers at e

487
00:25:35,240 --> 00:25:35,439
Speaker 1: M I.

488
00:25:35,760 --> 00:25:37,360
Speaker 2: So if you see me on that. Then I got

489
00:25:37,400 --> 00:25:39,040
Speaker 2: my own group. Right.

490
00:25:40,160 --> 00:25:43,280
Speaker 1: So now these are all these advances, I own, all

491
00:25:43,280 --> 00:25:45,960
Speaker 1: the published I got owned my publisher. Now, so all

492
00:25:46,040 --> 00:25:49,000
Speaker 1: this stuff you look at whatever. Not a rocket scientists.

493
00:25:49,280 --> 00:25:51,960
Speaker 1: But I don't have to tell you that. But if

494
00:25:52,000 --> 00:25:54,479
Speaker 1: you're going to look at it, and you look at it.

495
00:25:54,840 --> 00:25:58,520
Speaker 1: But I know one thing that I determined the long

496
00:25:58,600 --> 00:26:05,240
Speaker 1: time ago. Young cats only respect the back. Right now, if.

497
00:26:05,119 --> 00:26:08,240
Speaker 2: You are broke, nice nigger, they ain't even giving it up,

498
00:26:09,320 --> 00:26:10,560
Speaker 2: they not, they not.

499
00:26:10,720 --> 00:26:13,600
Speaker 5: They looking past you. The only thing they respect. When

500
00:26:13,640 --> 00:26:17,439
Speaker 5: I see little Lotto, young Lotto, she'd be like you

501
00:26:17,520 --> 00:26:21,320
Speaker 5: get When I see these youngs, the ones that do

502
00:26:21,440 --> 00:26:25,119
Speaker 5: respect me, they be like the young ones are getting

503
00:26:25,119 --> 00:26:27,280
Speaker 5: it though, That's what I'm saying. Do they came into

504
00:26:27,359 --> 00:26:29,520
Speaker 5: time where the money is heavy for them? They It

505
00:26:29,560 --> 00:26:31,520
Speaker 5: wasn't like that for us. The husbled Joe I got

506
00:26:31,680 --> 00:26:33,560
Speaker 5: it was number one in the country. I was getting

507
00:26:33,560 --> 00:26:37,240
Speaker 5: five hundred dollars a show doing the Chitlin Circuit, Philly,

508
00:26:37,760 --> 00:26:43,280
Speaker 5: the Bronx Yonkers next week, Virginia d C the fucking

509
00:26:43,359 --> 00:26:46,640
Speaker 5: North Cat like you know, fifteen hundred like yeah.

510
00:26:46,720 --> 00:26:49,840
Speaker 1: His first record deal was fifteen hundred dollars. I got

511
00:26:50,240 --> 00:26:52,719
Speaker 1: PaaS got seven fifty. I got seven fifty. I went

512
00:26:52,760 --> 00:26:54,920
Speaker 1: to Marshalls and then I went to the grocery store.

513
00:26:55,920 --> 00:27:00,439
Speaker 1: That means, think Sidney, they want to kid up with me.

514
00:27:01,240 --> 00:27:03,800
Speaker 1: They bought they caught their advance and they bought a

515
00:27:03,880 --> 00:27:08,360
Speaker 1: kid coach took it up the Yonkeert Baltimore, Baltimore, y'all

516
00:27:08,400 --> 00:27:11,280
Speaker 1: did he did see the story?

517
00:27:11,520 --> 00:27:11,639
Speaker 12: Right?

518
00:27:12,400 --> 00:27:17,840
Speaker 2: I'm telling Baltimore. It wasn't so feasible, right, And six

519
00:27:18,000 --> 00:27:21,600
Speaker 2: thousands for three people ain't so feasible. I know what

520
00:27:21,720 --> 00:27:25,280
Speaker 2: I'm saying. I'm not against Wait, wait, what year was that? Though?

521
00:27:26,160 --> 00:27:30,840
Speaker 2: Ninety something? Nervous? Three thousands, that's so ain't a lot

522
00:27:30,840 --> 00:27:33,720
Speaker 2: of nothing. I don't know lot of.

523
00:27:33,760 --> 00:27:36,920
Speaker 5: Well, my first apartment was six fifty a month, one

524
00:27:37,520 --> 00:27:40,560
Speaker 5: one one, one bedroom, one baths. You know what I'm saying.

525
00:27:40,560 --> 00:27:42,760
Speaker 5: I ain't had no furniture on there or nothing like that.

526
00:27:42,840 --> 00:27:44,879
Speaker 5: But you know, I was out the hood. I was

527
00:27:44,920 --> 00:27:50,320
Speaker 5: in Uh where's Rod's Nick? In the Bronx losses like

528
00:27:50,359 --> 00:27:51,000
Speaker 5: a mansion.

529
00:27:54,560 --> 00:27:57,440
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530
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547
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550
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551
00:29:00,560 --> 00:29:02,360
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552
00:29:02,320 --> 00:29:09,400
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553
00:29:09,720 --> 00:29:13,880
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554
00:29:13,920 --> 00:29:18,080
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555
00:29:18,280 --> 00:29:21,120
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556
00:29:21,200 --> 00:29:24,360
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557
00:29:24,440 --> 00:29:29,640
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558
00:29:29,720 --> 00:29:32,480
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559
00:29:36,360 --> 00:29:40,840
Speaker 1: That Joe, the apartment that we had in Jersey, I

560
00:29:40,880 --> 00:29:42,960
Speaker 1: had won them too, never spent one day.

561
00:29:42,840 --> 00:29:46,080
Speaker 5: In it, never did now one day. Man, I was

562
00:29:46,160 --> 00:29:49,200
Speaker 5: jealous because you already you know. I moved to Miami

563
00:29:49,320 --> 00:29:52,000
Speaker 5: twenty seven years ago, my big one of my biggest

564
00:29:52,440 --> 00:29:54,400
Speaker 5: you know how you say you could have signed, Yeah,

565
00:29:54,440 --> 00:29:58,160
Speaker 5: one of my biggest decisions. I don't regret Miami, but

566
00:29:59,080 --> 00:30:02,640
Speaker 5: within myself, when I land in Atlanta, I feel like

567
00:30:02,720 --> 00:30:03,600
Speaker 5: I'm at home.

568
00:30:04,440 --> 00:30:06,479
Speaker 2: Birds chirping. I love it.

569
00:30:06,520 --> 00:30:09,000
Speaker 1: I love the people, I love the atmosphere, I love

570
00:30:09,080 --> 00:30:11,640
Speaker 1: the food. I love everything about Atlanta.

571
00:30:12,400 --> 00:30:13,600
Speaker 2: And I always.

572
00:30:13,240 --> 00:30:15,560
Speaker 5: Wondered, did I make the right move when I moved

573
00:30:15,560 --> 00:30:18,959
Speaker 5: to Miami rather than Atlanta. If I would have went

574
00:30:19,000 --> 00:30:21,840
Speaker 5: to Atlanta, I would have signed all of them right

575
00:30:22,200 --> 00:30:25,040
Speaker 5: the future, that this way right right, right, and everybody

576
00:30:25,160 --> 00:30:27,120
Speaker 5: would have cleaned house in that bitch. They would have

577
00:30:27,120 --> 00:30:30,040
Speaker 5: been calling me, you know, the king or something because

578
00:30:30,120 --> 00:30:36,160
Speaker 5: I was signing. I signed, DJ Cally signed Big Pun,

579
00:30:36,800 --> 00:30:43,080
Speaker 5: I signed, Remy Man could have signed, Eminem, could have signed,

580
00:30:43,160 --> 00:30:46,200
Speaker 5: Rick Walls could have signed, pit Bull could have The

581
00:30:46,320 --> 00:30:51,880
Speaker 5: list is going smoke right, but in Atlanta, we gotta

582
00:30:51,920 --> 00:30:55,600
Speaker 5: get Smoky to wear some rewind if Smoky could do it.

583
00:30:55,680 --> 00:31:02,440
Speaker 5: Let me tell you something. You know, any good thing,

584
00:31:02,800 --> 00:31:05,680
Speaker 5: they laugh at you while you're doing it, and then

585
00:31:05,720 --> 00:31:08,400
Speaker 5: when you get that bag, they come to tell.

586
00:31:08,240 --> 00:31:09,920
Speaker 2: You how much of a genius you are.

587
00:31:10,400 --> 00:31:13,720
Speaker 5: They said, Yo, man, you man, you always know, Joe,

588
00:31:14,040 --> 00:31:16,840
Speaker 5: you always know when when when they hear this ship,

589
00:31:16,960 --> 00:31:19,800
Speaker 5: the type of numbers this ship doing, they're gonna be like,

590
00:31:20,200 --> 00:31:24,200
Speaker 5: and I've been keeping everything right. No, but we are

591
00:31:24,320 --> 00:31:27,480
Speaker 5: number one. And cvyes were the number one product or CVS.

592
00:31:27,120 --> 00:31:29,360
Speaker 2: The number one. I just mentioned it to you. No, no,

593
00:31:29,400 --> 00:31:32,680
Speaker 2: but the number one. Okay. You could buy tooth brushes,

594
00:31:32,760 --> 00:31:35,760
Speaker 2: you could buy medicine, you could buy this, this, this,

595
00:31:36,200 --> 00:31:37,880
Speaker 2: that ships smoking.

596
00:31:37,480 --> 00:31:42,360
Speaker 5: Them number one. The other brand you mentioned got seventies.

597
00:31:42,680 --> 00:31:47,440
Speaker 5: The other brand you mentioned, their boxes got seventies. Porn

598
00:31:47,480 --> 00:31:49,480
Speaker 5: stars you know what I'm saying.

599
00:31:49,520 --> 00:31:55,920
Speaker 1: The motherfucker, the ballfucker outdated Flabby just that new ship.

600
00:31:56,160 --> 00:31:59,640
Speaker 5: Yo, I'm telling you no, I just I told you

601
00:31:59,680 --> 00:32:02,960
Speaker 5: about it. I'm working. I don't give a fuck. Now

602
00:32:03,000 --> 00:32:05,520
Speaker 5: you want to talk about my error. I came in

603
00:32:05,600 --> 00:32:11,920
Speaker 5: the game, jay Z nas just justin. No no, no, no,

604
00:32:12,320 --> 00:32:14,840
Speaker 5: Clo Joe was early man. Yeah, but it's the same

605
00:32:14,960 --> 00:32:17,760
Speaker 5: hero no way before jay Z jay Z. This is

606
00:32:17,880 --> 00:32:22,360
Speaker 5: ninety ninety six. Hoo, I'm ninety three. Okay, Well, what

607
00:32:22,480 --> 00:32:24,080
Speaker 5: I'm trying to tell you if I came in there

608
00:32:24,120 --> 00:32:26,680
Speaker 5: when I was ready in the game making my five hundred,

609
00:32:27,440 --> 00:32:30,800
Speaker 5: making my five hundred dollars, these guys came into the

610
00:32:30,880 --> 00:32:37,479
Speaker 5: game young. I watched them bill Billion Dollar Empires. I

611
00:32:37,520 --> 00:32:41,520
Speaker 5: watched Puff that Puff Daddy had the most visible see

612
00:32:41,600 --> 00:32:43,600
Speaker 5: through chain you ever seen in your life when I

613
00:32:43,640 --> 00:32:46,000
Speaker 5: met I met puff Daddy when he was promoting parties

614
00:32:46,720 --> 00:32:51,160
Speaker 5: before Biggie Smalls, before he had anything. So he used

615
00:32:51,160 --> 00:32:52,720
Speaker 5: to run up to me when I was in my

616
00:32:52,760 --> 00:32:55,640
Speaker 5: beams and business. Yo, he's my flyer when he's promoting clubs.

617
00:32:55,640 --> 00:32:59,520
Speaker 5: You mean back, Yeah, here's my flyer buddy for my party.

618
00:32:59,560 --> 00:33:02,800
Speaker 5: And this I watched these guys built billion dollar empires,

619
00:33:03,120 --> 00:33:05,240
Speaker 5: and I finally had to sit back and go, Yo,

620
00:33:06,200 --> 00:33:08,720
Speaker 5: it's time to invest, it's time to bring out products,

621
00:33:08,760 --> 00:33:12,400
Speaker 5: it's time to hum m you could love. It's trying

622
00:33:12,480 --> 00:33:15,680
Speaker 5: to do real business, you know. And so that's why

623
00:33:15,680 --> 00:33:19,000
Speaker 5: I'm behind the eight ball. When you talk about the

624
00:33:19,080 --> 00:33:23,080
Speaker 5: people I watch come in after me and fucking get

625
00:33:23,120 --> 00:33:25,520
Speaker 5: to the back to the bag, bag bag.

626
00:33:25,800 --> 00:33:28,000
Speaker 1: But nobody taught us. See if you didn't do that,

627
00:33:28,080 --> 00:33:31,640
Speaker 1: nobody was told you shit. Nobody taught us. Those people

628
00:33:31,720 --> 00:33:34,440
Speaker 1: just happened to know. My man told me to make

629
00:33:34,480 --> 00:33:37,920
Speaker 1: clothes after Karl Kannai. I looked him like he was

630
00:33:37,960 --> 00:33:40,880
Speaker 1: crazy making clothes up. I'm a rapper. I make music,

631
00:33:41,360 --> 00:33:44,840
Speaker 1: you know. But he had the idea. But I never

632
00:33:44,840 --> 00:33:46,040
Speaker 1: looked at it like that.

633
00:33:46,120 --> 00:33:47,680
Speaker 5: Was a lot to do with it too, when you

634
00:33:47,800 --> 00:33:50,120
Speaker 5: felt like, you know, my brother rec of Peace, Raoul

635
00:33:50,240 --> 00:33:53,080
Speaker 5: was almost two years since he passed, but he had

636
00:33:53,120 --> 00:33:57,240
Speaker 5: a lot Raoul told me, because Raoul was the cameraman,

637
00:33:58,240 --> 00:34:00,800
Speaker 5: Raoul told me something that I thought was the dumbest

638
00:34:00,800 --> 00:34:04,400
Speaker 5: shake you ever heard. Even like you said, bro, every

639
00:34:04,400 --> 00:34:07,360
Speaker 5: time you perform us, see you drinking water, why don't

640
00:34:07,360 --> 00:34:08,200
Speaker 5: we sell water?

641
00:34:08,320 --> 00:34:12,719
Speaker 1: This is before anybody sold water. Fuck hip hop. I'm

642
00:34:12,760 --> 00:34:14,080
Speaker 1: not talking about biting water.

643
00:34:14,920 --> 00:34:17,719
Speaker 5: Water used to get for free from the pump, from

644
00:34:17,719 --> 00:34:20,200
Speaker 5: the fucking water machine. This then Nigga was like, Yo,

645
00:34:20,239 --> 00:34:22,360
Speaker 5: we should sell water. I'm like, man, nobody does that

646
00:34:22,440 --> 00:34:23,880
Speaker 5: sound crazy? Fucking water?

647
00:34:24,000 --> 00:34:26,560
Speaker 2: Nigga like water, water is free?

648
00:34:27,200 --> 00:34:30,239
Speaker 5: Nah, I'm telling you if you sold what he had

649
00:34:30,280 --> 00:34:33,320
Speaker 5: a couple of ideas prematurely.

650
00:34:33,400 --> 00:34:37,239
Speaker 2: I had a time that we didn't take serious. How

651
00:34:37,320 --> 00:34:38,320
Speaker 2: we took him serious.

652
00:34:38,400 --> 00:34:40,719
Speaker 5: I mean when I go to his uh to the

653
00:34:40,760 --> 00:34:43,600
Speaker 5: grave all the time, I always tell him, I say, yo, Raoul, man,

654
00:34:43,640 --> 00:34:46,839
Speaker 5: you really have some ideas. Like he has some ideas.

655
00:34:47,160 --> 00:34:49,040
Speaker 5: It could have put us in the game a long

656
00:34:49,120 --> 00:34:52,080
Speaker 5: time ago. But we we ain't really listen to him.

657
00:34:52,160 --> 00:34:54,240
Speaker 5: You know what I'm saying. We wasn't thinking on that level.

658
00:34:54,239 --> 00:34:55,960
Speaker 5: We was trying to be rappers.

659
00:34:55,600 --> 00:34:58,399
Speaker 2: Right, because you had an idea for a long time.

660
00:34:58,560 --> 00:34:59,440
Speaker 2: You for you did that.

661
00:35:00,320 --> 00:35:03,680
Speaker 3: My dad he was in coffee for my whole right, Okay,

662
00:35:04,280 --> 00:35:08,399
Speaker 3: foods early back in the day. He was always telling me, Yo,

663
00:35:08,440 --> 00:35:10,560
Speaker 3: you gotta do you own we gotta do I was

664
00:35:11,040 --> 00:35:12,200
Speaker 3: I was brushing them off.

665
00:35:12,800 --> 00:35:14,640
Speaker 5: We thought we know, I tell him ship he don't

666
00:35:14,680 --> 00:35:16,799
Speaker 5: listen to me. You know, my man came to get me.

667
00:35:17,400 --> 00:35:20,120
Speaker 5: My man came to give me. John Singleton came to

668
00:35:20,120 --> 00:35:20,640
Speaker 5: get me to.

669
00:35:20,560 --> 00:35:21,319
Speaker 2: Be the name kiss.

670
00:35:22,520 --> 00:35:26,400
Speaker 5: I was supposed to man People's shot. John Singleton was

671
00:35:26,480 --> 00:35:31,680
Speaker 5: in the Bronx, Jimmy's Bronx got faith every day in

672
00:35:31,680 --> 00:35:32,600
Speaker 5: the movie shot.

673
00:35:32,680 --> 00:35:36,640
Speaker 2: I was being glory. I had to do something, so

674
00:35:36,640 --> 00:35:38,200
Speaker 2: I told themself, hold.

675
00:35:38,160 --> 00:35:41,880
Speaker 5: Show Joe, what's wrong with d man. They're telling you

676
00:35:42,000 --> 00:35:44,960
Speaker 5: the truth. I had so many opportunities I was. I

677
00:35:45,120 --> 00:35:47,800
Speaker 5: was too busy being the Jimmy's being a rapper. I

678
00:35:47,920 --> 00:35:50,440
Speaker 5: was like, yo, acting, I don't get even to this day.

679
00:35:50,520 --> 00:35:52,359
Speaker 5: My sister Brett Me, she's doing the movie right now.

680
00:35:52,400 --> 00:35:54,600
Speaker 5: I feel bad for her. I'm like, damn, that's the

681
00:35:55,239 --> 00:35:58,640
Speaker 5: She's like, yeah, eighteen hour days and like acting is

682
00:35:58,680 --> 00:36:02,120
Speaker 5: almost torture. It's like it's fun, it's great. I think

683
00:36:02,200 --> 00:36:04,920
Speaker 5: it lasts longer than the music. To be honest with you,

684
00:36:05,120 --> 00:36:07,880
Speaker 5: you have like a fucking hit movie, like if you have.

685
00:36:08,000 --> 00:36:10,080
Speaker 1: Like, hey, Joe, I'm not mad the movies with you

686
00:36:10,200 --> 00:36:12,239
Speaker 1: on the sofa with the gun in the sofa, the

687
00:36:12,440 --> 00:36:15,040
Speaker 1: I'm not mad at that. I'm not mad as you

688
00:36:15,360 --> 00:36:18,200
Speaker 1: two in the jail on the camera when when you

689
00:36:18,280 --> 00:36:20,600
Speaker 1: were talking like see, I fucked with you with them

690
00:36:20,640 --> 00:36:22,320
Speaker 1: since b but you know what happened.

691
00:36:22,800 --> 00:36:25,319
Speaker 2: I had a minute and juice be I was a star.

692
00:36:26,160 --> 00:36:28,239
Speaker 2: Did they rob me? But I was a stop in

693
00:36:28,320 --> 00:36:31,480
Speaker 2: the far and droud. But my thing is, I love

694
00:36:31,600 --> 00:36:34,440
Speaker 2: those moments, right, shout out, she's got a abit. I

695
00:36:34,480 --> 00:36:35,280
Speaker 2: love those moments.

696
00:36:35,320 --> 00:36:38,000
Speaker 1: The problem is I'm not the boss right, so right

697
00:36:38,040 --> 00:36:40,759
Speaker 1: now we joking and were like, y'all, let's go over there.

698
00:36:40,880 --> 00:36:43,600
Speaker 1: Is like they was waking me up six in the

699
00:36:43,719 --> 00:36:45,919
Speaker 1: morning and my scene was at ten at night.

700
00:36:46,080 --> 00:36:48,680
Speaker 2: For fucking uh yo.

701
00:36:48,840 --> 00:36:51,160
Speaker 5: They were slaving me be and then I'll get to

702
00:36:51,239 --> 00:36:53,440
Speaker 5: the hotel like you remember how your dad used to

703
00:36:53,560 --> 00:36:56,719
Speaker 5: go home, like sleep with the clothes on this ship,

704
00:36:56,800 --> 00:36:58,839
Speaker 5: And that's what I was doing. And then it wake

705
00:36:58,960 --> 00:37:01,719
Speaker 5: me back up five thirty six o'clock. The van's coming

706
00:37:01,800 --> 00:37:03,120
Speaker 5: to get y'all do the same ship.

707
00:37:03,600 --> 00:37:07,440
Speaker 1: I go over there and wait clock at night to

708
00:37:07,520 --> 00:37:09,920
Speaker 1: shoot the saying they had Joe Krack the rapper.

709
00:37:10,719 --> 00:37:13,640
Speaker 2: You know, I remember your man used to pick on me.

710
00:37:13,719 --> 00:37:16,560
Speaker 5: Kevin Harbles, come, you always say the studio you ain't rapping,

711
00:37:17,080 --> 00:37:20,880
Speaker 5: Wake up. I'm like, oh, shit Like the acting is

712
00:37:20,920 --> 00:37:23,480
Speaker 5: a whole different type of what they do to you.

713
00:37:23,640 --> 00:37:26,680
Speaker 5: But I love the fil just right here is tangible.

714
00:37:26,760 --> 00:37:28,359
Speaker 1: Now for those who don't know, I got to come

715
00:37:28,400 --> 00:37:31,640
Speaker 1: to call death rugs that I've been doing the rugs

716
00:37:31,719 --> 00:37:32,239
Speaker 1: for eight years.

717
00:37:32,400 --> 00:37:34,399
Speaker 2: Oh y'all got my rugs, everybody, that's one of y'all.

718
00:37:34,760 --> 00:37:36,640
Speaker 1: I don't know if you got if you I got

719
00:37:36,760 --> 00:37:39,680
Speaker 1: it jo Yo yeah again right see, I'm wanna do

720
00:37:39,760 --> 00:37:42,920
Speaker 1: the flex thing. I gotta just too niggas talk about

721
00:37:43,000 --> 00:37:45,000
Speaker 1: what they do with the niggas is not me, nigga

722
00:37:45,120 --> 00:37:48,560
Speaker 1: ain't know. Mean I gotta deal with Beleivi's that come

723
00:37:48,600 --> 00:37:51,720
Speaker 1: out January. You know, na just did they signed two people?

724
00:37:52,040 --> 00:37:53,800
Speaker 1: It's they did him. They did the E P and

725
00:37:53,840 --> 00:37:54,520
Speaker 1: D Right.

726
00:37:55,560 --> 00:37:58,400
Speaker 2: I need that. I mean, we gotta buy that Danny.

727
00:37:58,480 --> 00:37:59,880
Speaker 2: I know that shit gonna be crazy.

728
00:38:00,080 --> 00:38:05,239
Speaker 1: Have a Netflix not Netflix Stars documentary series called eighty

729
00:38:05,280 --> 00:38:06,720
Speaker 1: eight first that's coming in February.

730
00:38:07,040 --> 00:38:09,120
Speaker 2: Right, Wow, I want to see that.

731
00:38:10,040 --> 00:38:13,440
Speaker 1: This is the silent part of whatever, because this is

732
00:38:13,840 --> 00:38:18,279
Speaker 1: how the quiet because I'm an introvert at first, but

733
00:38:18,520 --> 00:38:22,480
Speaker 1: on this show is where I decided to say, Okay,

734
00:38:22,560 --> 00:38:25,480
Speaker 1: you know what, because you brung it up of underratedness.

735
00:38:26,000 --> 00:38:27,400
Speaker 2: So I'm doing it.

736
00:38:27,680 --> 00:38:30,560
Speaker 1: You know, they don't hear me speaking, So I'm speaking now,

737
00:38:30,960 --> 00:38:34,200
Speaker 1: and since this is what you not have to do

738
00:38:34,320 --> 00:38:36,719
Speaker 1: what people are doing, I'm doing minds that this.

739
00:38:37,280 --> 00:38:40,480
Speaker 2: This is your home. You know what's crazy? Daylight Soul

740
00:38:40,560 --> 00:38:42,680
Speaker 2: came in. They kept laughing. He was like, Yo, this

741
00:38:42,800 --> 00:38:45,040
Speaker 2: is my favorite show. I can't believe I'm sitting here.

742
00:38:45,160 --> 00:38:45,480
Speaker 9: No it is.

743
00:38:45,520 --> 00:38:48,120
Speaker 1: It's sitting that my favorite show. They're sitting there like, Yo,

744
00:38:48,200 --> 00:38:50,160
Speaker 1: I'm looking at my favorite show. What the fuck are

745
00:38:50,200 --> 00:38:50,759
Speaker 1: you doing here?

746
00:38:51,200 --> 00:38:53,200
Speaker 2: Yo? This is great. This is your house.

747
00:38:53,320 --> 00:38:56,680
Speaker 1: Everybody that knew on my schedule right and gonna miss

748
00:38:56,760 --> 00:38:57,920
Speaker 1: all the names too.

749
00:38:58,640 --> 00:39:02,560
Speaker 5: When this name came up, they were like, oh word, yeah,

750
00:39:02,600 --> 00:39:04,120
Speaker 5: this is what it is. We the realists, were the

751
00:39:04,160 --> 00:39:07,040
Speaker 5: most authentic. We're the most realists. We're preserving of our

752
00:39:07,800 --> 00:39:08,279
Speaker 5: fucking on.

753
00:39:08,400 --> 00:39:10,440
Speaker 2: Us to do this, say that.

754
00:39:12,360 --> 00:39:15,920
Speaker 5: We paid homage to the true legends. We got you

755
00:39:16,200 --> 00:39:18,440
Speaker 5: right now, we got Bill Bellamy. We ain't fronting on

756
00:39:18,520 --> 00:39:19,040
Speaker 5: the legends.

757
00:39:19,120 --> 00:39:21,839
Speaker 2: This is water. This is liquid. I got you. Come

758
00:39:21,920 --> 00:39:23,680
Speaker 2: and hear you lay on the couch and do what

759
00:39:23,800 --> 00:39:26,239
Speaker 2: the fuck you want. This is your house. This is

760
00:39:26,280 --> 00:39:29,120
Speaker 2: the house that you built. Me and him. We just here.

761
00:39:29,840 --> 00:39:32,200
Speaker 2: It's during the time we get to sit with our

762
00:39:32,280 --> 00:39:37,120
Speaker 2: legs navigated. Yeah, and it's different levels of legends. Dela

763
00:39:37,200 --> 00:39:38,480
Speaker 2: Sol come here, you come here.

764
00:39:39,239 --> 00:39:44,399
Speaker 5: I start by saying, you're a genius, right, I mean

765
00:39:44,640 --> 00:39:47,680
Speaker 5: to the people who who don't think I'm capped and

766
00:39:47,840 --> 00:39:51,120
Speaker 5: take my word for anything, I told them, it's a

767
00:39:51,239 --> 00:39:52,840
Speaker 5: fucking genius was.

768
00:39:52,880 --> 00:39:55,960
Speaker 2: Even able to do. It's out of this world.

769
00:39:56,160 --> 00:40:00,040
Speaker 1: Like I'm amazed, you know, I get amazed by some

770
00:40:00,120 --> 00:40:02,239
Speaker 1: of the guests that come here like you, and I

771
00:40:02,360 --> 00:40:04,080
Speaker 1: say here and every time I talk to you, I

772
00:40:04,160 --> 00:40:07,600
Speaker 1: know you always quiet, you mind your business, but you

773
00:40:07,680 --> 00:40:10,359
Speaker 1: know you put in that pain in this game.

774
00:40:11,120 --> 00:40:14,440
Speaker 5: The shout out my brother Opie Megatron man. He plays

775
00:40:14,520 --> 00:40:16,840
Speaker 5: e pm D every day. He puts you on his

776
00:40:17,040 --> 00:40:22,000
Speaker 5: Instagram every fucking day. And certain Peace really love you, man, Opie,

777
00:40:22,080 --> 00:40:25,200
Speaker 5: love you man. Everybody people really really love you. And

778
00:40:25,239 --> 00:40:27,520
Speaker 5: your contributions to the game ain't for you. We ain't

779
00:40:27,560 --> 00:40:28,640
Speaker 5: got no red men or.

780
00:40:28,680 --> 00:40:29,560
Speaker 13: Some man name.

781
00:40:30,200 --> 00:40:32,880
Speaker 2: He passed away. I think he was used to be

782
00:40:33,040 --> 00:40:35,520
Speaker 2: with you back in the days. He was roll manager,

783
00:40:36,400 --> 00:40:37,080
Speaker 2: big guy.

784
00:40:37,480 --> 00:40:43,080
Speaker 14: Oh aving Tony. How you know Elvin? He started somehow

785
00:40:43,239 --> 00:40:46,839
Speaker 14: we got somehow. I don't know if he was doing

786
00:40:46,920 --> 00:40:50,480
Speaker 14: promoto that somehow I did a future.

787
00:40:50,200 --> 00:40:52,480
Speaker 1: Oh you did, but didn you do some work with

788
00:40:52,560 --> 00:40:56,800
Speaker 1: the boss wrapping somebody? I remember that habits Yo, I

789
00:40:56,800 --> 00:40:59,200
Speaker 1: got Jay kiss on some on the record. I'm like, no,

790
00:40:59,320 --> 00:40:59,800
Speaker 1: you didn't.

791
00:41:00,560 --> 00:41:02,919
Speaker 2: You can't get j him?

792
00:41:03,400 --> 00:41:08,239
Speaker 1: What No, you can't get here get listen now, I'm

793
00:41:08,280 --> 00:41:11,319
Speaker 1: glad you what this up? This nigga right here? Yo,

794
00:41:12,080 --> 00:41:18,719
Speaker 1: yo Joe. Let's talk about it, yo yo listen, Yo,

795
00:41:20,320 --> 00:41:23,759
Speaker 1: listen Joe Yo. Yo's sing it? Yo yo yo eating it?

796
00:41:23,840 --> 00:41:28,799
Speaker 2: Whatever? Yo? I got you one month, two months, three months? Yo?

797
00:41:28,840 --> 00:41:29,120
Speaker 2: What up?

798
00:41:29,200 --> 00:41:29,319
Speaker 12: Yo?

799
00:41:29,640 --> 00:41:33,279
Speaker 2: He said it? We're talking about Jada. Yes, oh no, No,

800
00:41:33,400 --> 00:41:36,040
Speaker 2: he's the hardest. He's the hardest, and I remember.

801
00:41:35,880 --> 00:41:36,319
Speaker 8: No, but.

802
00:41:37,800 --> 00:41:41,960
Speaker 1: Okay, I had to track this guy down into the studio.

803
00:41:42,080 --> 00:41:44,120
Speaker 1: I had to call d from the Rough Riders like

804
00:41:44,160 --> 00:41:46,760
Speaker 1: I had, oh my him in the studio.

805
00:41:46,800 --> 00:41:48,800
Speaker 2: I thought it was just me. It was the hardest

806
00:41:48,880 --> 00:41:52,920
Speaker 2: record out My lifestyle was this ship. And I was like, yo,

807
00:41:53,120 --> 00:41:56,000
Speaker 2: I need like it was like, what you get Jada

808
00:41:56,120 --> 00:41:56,799
Speaker 2: kiss y'all?

809
00:41:58,000 --> 00:42:01,520
Speaker 1: You know he just left on that be Yeah you

810
00:42:01,600 --> 00:42:05,360
Speaker 1: don't yeah, yeah, this kiss when you see it in

811
00:42:05,440 --> 00:42:10,200
Speaker 1: that one in this one too. In this ship yo yo,

812
00:42:10,560 --> 00:42:14,560
Speaker 1: when you get hold of rewind the tail be yo yo, man,

813
00:42:15,239 --> 00:42:18,520
Speaker 1: he's specs you on the phone the okay yo.

814
00:42:18,480 --> 00:42:18,800
Speaker 2: I got you.

815
00:42:19,719 --> 00:42:22,880
Speaker 5: Who's some other guys who've okayed you and never showed

816
00:42:23,040 --> 00:42:27,400
Speaker 5: up like t I? T I is one on the

817
00:42:28,480 --> 00:42:33,400
Speaker 5: text yo, he sent it no response? You know, man, listen,

818
00:42:34,160 --> 00:42:35,200
Speaker 5: I was one of those guys.

819
00:42:35,680 --> 00:42:37,759
Speaker 2: I make a lot of you. He was one too, he.

820
00:42:38,040 --> 00:42:40,080
Speaker 1: Kanye West told me. Snoop told me one time this

821
00:42:40,480 --> 00:42:42,919
Speaker 1: that that didn't know. So I didn't even get mad

822
00:42:43,080 --> 00:42:46,040
Speaker 1: because I was that person at one time. You know,

823
00:42:46,480 --> 00:42:48,719
Speaker 1: didn't do it on purpose. Maybe something's going on at

824
00:42:48,719 --> 00:42:51,520
Speaker 1: the time, but so I can't get mad at him.

825
00:42:51,880 --> 00:42:54,120
Speaker 1: I couldn't get mad at such a I thought nor

826
00:42:54,239 --> 00:42:56,479
Speaker 1: he did it one time, but when it went straight

827
00:42:56,520 --> 00:42:59,000
Speaker 1: to my email, I would have never known because it

828
00:42:59,080 --> 00:43:01,920
Speaker 1: didn't tell me on the phone that I got an email.

829
00:43:02,280 --> 00:43:04,560
Speaker 1: So I'm like, no, yo, damn I hit you a

830
00:43:04,640 --> 00:43:05,080
Speaker 1: month ago?

831
00:43:05,120 --> 00:43:05,920
Speaker 2: What was eric? I?

832
00:43:06,040 --> 00:43:09,600
Speaker 5: Ben sent that so again on the email? Yeah, it

833
00:43:09,640 --> 00:43:12,480
Speaker 5: was in the email. You know your artists say Remy,

834
00:43:12,800 --> 00:43:16,360
Speaker 5: remy with me DMX. He would tell her he's gonna

835
00:43:16,400 --> 00:43:18,000
Speaker 5: do a song and one and should come back. This

836
00:43:18,120 --> 00:43:20,840
Speaker 5: is a young Remy and come back. And I'd be like,

837
00:43:21,680 --> 00:43:25,279
Speaker 5: I said, Yo, he ain't doing this. I'd be like,

838
00:43:25,400 --> 00:43:28,560
Speaker 5: you know, it's certain artists you would meet. That's what

839
00:43:28,719 --> 00:43:30,000
Speaker 5: happened with me when I met R.

840
00:43:30,120 --> 00:43:33,440
Speaker 2: Kelly. Kelly, you made the hit right here, but R.

841
00:43:33,560 --> 00:43:34,400
Speaker 2: Kelly came to me.

842
00:43:34,600 --> 00:43:36,799
Speaker 5: I seen him All Star Weekend. He said, Yo, Joe,

843
00:43:37,239 --> 00:43:39,800
Speaker 5: I want to work with you. I said, brother, do

844
00:43:40,000 --> 00:43:44,279
Speaker 5: not lie to me. I said, Kels, don't lie to me.

845
00:43:44,400 --> 00:43:47,120
Speaker 5: I'm not the guy. I was still very ghetto, so

846
00:43:47,239 --> 00:43:49,640
Speaker 5: I was like, Yo, don't lie to me. Say three

847
00:43:49,719 --> 00:43:53,879
Speaker 5: Fat Joes Ago and fucking twenty four chin chillers a girl.

848
00:43:54,280 --> 00:43:59,279
Speaker 2: I was chilling out like this chiller hold up? What

849
00:43:59,440 --> 00:43:59,759
Speaker 2: year was that?

850
00:44:01,400 --> 00:44:03,160
Speaker 1: I don't know because I was batting with you on

851
00:44:03,200 --> 00:44:06,880
Speaker 1: the radio with records, with that hit record. I think

852
00:44:06,920 --> 00:44:09,080
Speaker 1: it was two thousand and one, two two. Either I

853
00:44:09,120 --> 00:44:12,160
Speaker 1: was vattling with you with music or either react. But

854
00:44:12,320 --> 00:44:14,239
Speaker 1: for some reason he was on to tart me and

855
00:44:14,320 --> 00:44:18,840
Speaker 1: you San Paul and Missy ballin Big Boys two thousand

856
00:44:18,840 --> 00:44:20,759
Speaker 1: and two, like that week two thousand and one.

857
00:44:21,760 --> 00:44:24,680
Speaker 5: Okay, so two wasn't one on me? Lead them Philly

858
00:44:24,800 --> 00:44:26,719
Speaker 5: all star. He told me gonna do a song with me.

859
00:44:26,760 --> 00:44:29,440
Speaker 5: I'm like, yo, bro, don't lie the like. I was

860
00:44:29,640 --> 00:44:32,480
Speaker 5: just way too ghetto at that time. And I went

861
00:44:32,600 --> 00:44:34,920
Speaker 5: down or Land or we cut it. You know what

862
00:44:34,960 --> 00:44:38,120
Speaker 5: I'm saying. Song changed my life. But you know, we're

863
00:44:38,160 --> 00:44:41,120
Speaker 5: talking about guys who you meet and you swear you're

864
00:44:41,160 --> 00:44:43,920
Speaker 5: gonna do a song with then they disappear. And I

865
00:44:44,080 --> 00:44:45,640
Speaker 5: used to have like Remy would come up to a

866
00:44:45,760 --> 00:44:47,680
Speaker 5: couple of guys that come up to me and be like, Yo,

867
00:44:47,920 --> 00:44:50,239
Speaker 5: I met such and such. He said, he's doing the

868
00:44:50,360 --> 00:44:53,120
Speaker 5: song with me. Be I'm like, bro wish upon a

869
00:44:53,280 --> 00:44:54,440
Speaker 5: green clover.

870
00:44:55,840 --> 00:44:56,160
Speaker 2: She said.

871
00:44:56,200 --> 00:44:58,800
Speaker 1: He said, Remy My DMX said he was gonna do

872
00:44:58,800 --> 00:45:01,839
Speaker 1: a record with us mature and man young.

873
00:45:02,360 --> 00:45:06,239
Speaker 2: I was like, she could have got that, but Joe said,

874
00:45:06,880 --> 00:45:08,839
Speaker 2: hell no, that's not gonna happen.

875
00:45:09,200 --> 00:45:13,520
Speaker 5: He did it to Tone Sunshine, Love Tone Sunshine like Tony,

876
00:45:13,640 --> 00:45:17,080
Speaker 5: Oh my God, you and Tony went to La hung

877
00:45:17,160 --> 00:45:19,160
Speaker 5: out with that dude for like a fucking week.

878
00:45:19,680 --> 00:45:21,880
Speaker 2: When he went to do the verse, he fell asleep

879
00:45:21,960 --> 00:45:24,839
Speaker 2: in the booth. Some shit. Tone was like, yo, send

880
00:45:24,920 --> 00:45:28,239
Speaker 2: me home, God like, like, I can't do it no more.

881
00:45:28,280 --> 00:45:31,680
Speaker 5: After sixty games of pool and this and that and

882
00:45:32,200 --> 00:45:35,080
Speaker 5: motherfucker riding his cars and all that tone was like, yo,

883
00:45:35,239 --> 00:45:37,440
Speaker 5: send me, it is what it is.

884
00:45:37,600 --> 00:45:39,880
Speaker 2: You know what I'm saying. Sometimes listen, man, I was

885
00:45:39,960 --> 00:45:43,040
Speaker 2: one of them. Be easy. So so I know no no, no,

886
00:45:43,360 --> 00:45:45,239
Speaker 2: no no, but but but no no kiss, but you

887
00:45:45,320 --> 00:45:47,480
Speaker 2: missed it. I was one of them. That's why I

888
00:45:47,520 --> 00:45:49,160
Speaker 2: don't even look at it. I was one of them.

889
00:45:49,440 --> 00:45:52,120
Speaker 1: I promise you niggas will say. I was like yo,

890
00:45:52,440 --> 00:45:55,720
Speaker 1: and and it'd be production most of the time. Sometimes

891
00:45:55,760 --> 00:45:58,520
Speaker 1: I'd be like I just didn't do it. But no, Alexander,

892
00:45:58,600 --> 00:45:59,560
Speaker 1: he saved my life.

893
00:46:00,080 --> 00:46:00,320
Speaker 8: I was.

894
00:46:00,480 --> 00:46:03,799
Speaker 2: I was already told me about that. About the money.

895
00:46:04,080 --> 00:46:06,000
Speaker 5: Yeah, Like I was in the Bronx kicked up and

896
00:46:06,120 --> 00:46:08,840
Speaker 5: I refused to move even though I was in the

897
00:46:08,960 --> 00:46:11,279
Speaker 5: nicer party was still one and one.

898
00:46:11,880 --> 00:46:13,440
Speaker 2: And now my wife was like, Yo, we got to

899
00:46:13,480 --> 00:46:14,040
Speaker 2: get out of here.

900
00:46:14,520 --> 00:46:17,200
Speaker 5: All these strange cars keep coming around here and this

901
00:46:17,320 --> 00:46:20,160
Speaker 5: and this and that, and so I hit a banar.

902
00:46:20,320 --> 00:46:22,920
Speaker 5: But I was like, come to Jersey, bro, we'll be

903
00:46:23,040 --> 00:46:26,279
Speaker 5: over here. It was brand new, changed my life, brand new.

904
00:46:26,320 --> 00:46:29,400
Speaker 5: It was a townhouse water Yeah.

905
00:46:29,239 --> 00:46:29,839
Speaker 2: You know what I'm saying.

906
00:46:29,920 --> 00:46:33,880
Speaker 1: Inside that building, kiss, it was me Joe Dave Haster

907
00:46:34,239 --> 00:46:36,239
Speaker 1: too short ended up moving over there.

908
00:46:36,640 --> 00:46:38,879
Speaker 2: So it was one of those crazy as I knew

909
00:46:38,880 --> 00:46:39,359
Speaker 2: they was hot.

910
00:46:39,520 --> 00:46:42,120
Speaker 5: Fifty cent after fifty cent got I'm waiting for Oh

911
00:46:42,200 --> 00:46:44,560
Speaker 5: they drove me to the pogram and he's coming right,

912
00:46:44,680 --> 00:46:45,680
Speaker 5: but he don't know.

913
00:46:45,800 --> 00:46:47,879
Speaker 2: I knew where he was at. You know what I'm saying,

914
00:46:47,960 --> 00:46:52,879
Speaker 2: but you know, but yeah, but I was man, Yeah,

915
00:46:52,920 --> 00:46:54,839
Speaker 2: it was none of my business. Oh yeah, time.

916
00:46:54,920 --> 00:46:57,480
Speaker 1: I didn't really know either side or whatever. And they

917
00:46:57,600 --> 00:47:00,000
Speaker 1: was like, y'all city just got to hit up.

918
00:47:00,080 --> 00:47:00,520
Speaker 2: I'm taking.

919
00:47:00,840 --> 00:47:03,680
Speaker 5: I was like, a you know what I'm saying, Like

920
00:47:03,760 --> 00:47:05,560
Speaker 5: what you want me to do? They had, you know,

921
00:47:06,120 --> 00:47:08,680
Speaker 5: we had a good time over there, talk about the

922
00:47:08,719 --> 00:47:15,480
Speaker 5: new product. Good okay, okay, we had enough because we flexed.

923
00:47:16,440 --> 00:47:18,040
Speaker 5: Jay went to the bathroom because you want to hear

924
00:47:18,080 --> 00:47:23,120
Speaker 5: by himself. And then we had the product promoted and

925
00:47:23,520 --> 00:47:26,520
Speaker 5: you flexed about what's the new project? You got the

926
00:47:26,600 --> 00:47:29,000
Speaker 5: Eddie Murphy ship where you can close the roof. No

927
00:47:29,680 --> 00:47:33,839
Speaker 5: Eddie Murphy, let me tell you that doctionmentary. That's how

928
00:47:34,520 --> 00:47:37,560
Speaker 5: I want to see my old gs now after you

929
00:47:37,760 --> 00:47:40,400
Speaker 5: we have Bill Bellamy. That's really what I wanted to

930
00:47:40,480 --> 00:47:42,240
Speaker 5: I don't want to talk to you about Eddie Murphy.

931
00:47:43,000 --> 00:47:45,960
Speaker 5: But I watched you saw the Eddie Murphy documentary. That

932
00:47:46,120 --> 00:47:49,040
Speaker 5: ship was fired, and that's how I want to see

933
00:47:49,120 --> 00:47:51,080
Speaker 5: my old g's big city.

934
00:47:51,280 --> 00:47:54,400
Speaker 1: We never saw him flex before, like, ah, the motherfucker's

935
00:47:54,480 --> 00:47:56,680
Speaker 1: dying broke and all this and this and that. I'm

936
00:47:56,760 --> 00:47:59,000
Speaker 1: just happy, yo, you know nobody, I keep telling you,

937
00:47:59,160 --> 00:48:03,239
Speaker 1: we're not thought. If we was taught little see about

938
00:48:03,360 --> 00:48:05,840
Speaker 1: money and how to do certain things. Paris was the

939
00:48:05,920 --> 00:48:11,000
Speaker 1: one that showed me about homes because he bought them first.

940
00:48:11,200 --> 00:48:11,480
Speaker 2: Early.

941
00:48:11,680 --> 00:48:13,440
Speaker 1: I'm like, you know, what are you doing, you know

942
00:48:13,640 --> 00:48:15,560
Speaker 1: with the with the houses and stuff. I didn't have

943
00:48:15,680 --> 00:48:18,240
Speaker 1: no house at first he did. I had an apartment

944
00:48:19,000 --> 00:48:21,719
Speaker 1: and I ain't know. And then Burt Pidell was everybody's accountant.

945
00:48:22,120 --> 00:48:24,719
Speaker 1: So Burt Pidell was doing what he can do.

946
00:48:24,920 --> 00:48:25,800
Speaker 2: But he was a crook.

947
00:48:26,200 --> 00:48:28,440
Speaker 1: No Burt will just get you what you needed. But

948
00:48:28,640 --> 00:48:31,880
Speaker 1: he was switching the he was switching your social numbers

949
00:48:32,840 --> 00:48:37,400
Speaker 1: back then. So the crook, and you're gonna take a

950
00:48:37,480 --> 00:48:38,360
Speaker 1: piss break your.

951
00:48:41,640 --> 00:48:45,240
Speaker 2: I want to yeah, I want to hear with Burke

952
00:48:45,400 --> 00:48:47,480
Speaker 2: was doing.

953
00:48:47,600 --> 00:48:51,439
Speaker 1: Now Bert the bank was in the downstairs. So say

954
00:48:51,640 --> 00:48:54,560
Speaker 1: if you're young and you're new. See, I didn't My

955
00:48:55,680 --> 00:49:01,080
Speaker 1: social number wasn't the social number that he had. So

956
00:49:01,440 --> 00:49:04,200
Speaker 1: I got to go get a Social Security card with

957
00:49:04,480 --> 00:49:07,760
Speaker 1: my mom's one time, and it was a different number.

958
00:49:08,880 --> 00:49:12,200
Speaker 1: That's when I noticed, Okay, before you heard about the

959
00:49:12,280 --> 00:49:15,919
Speaker 1: scams of getting dead people getting whatever like that, that's

960
00:49:15,960 --> 00:49:18,120
Speaker 1: what was happening. So if I wanted the new bends

961
00:49:18,520 --> 00:49:20,880
Speaker 1: or home or something like that, I didn't have credit.

962
00:49:21,440 --> 00:49:25,040
Speaker 1: But here you got credit now because here's the new

963
00:49:25,160 --> 00:49:28,360
Speaker 1: social It wasn't said like that until you look at it,

964
00:49:28,520 --> 00:49:30,800
Speaker 1: you know what I'm saying. But that was, you know,

965
00:49:31,120 --> 00:49:35,600
Speaker 1: again something that we didn't We didn't know until later.

966
00:49:36,080 --> 00:49:40,520
Speaker 2: Aces was hit and then early already Yeah, but we

967
00:49:40,560 --> 00:49:41,360
Speaker 2: didn't know. We didn't know.

968
00:49:42,040 --> 00:49:47,640
Speaker 1: He had every client, every everybody was with everyone, actors

969
00:49:47,719 --> 00:49:50,399
Speaker 1: to whatever it was, was in. But when I went

970
00:49:50,520 --> 00:49:54,520
Speaker 1: to get a new Social Security card and it was

971
00:49:54,600 --> 00:49:57,760
Speaker 1: a whole different number, and then I found out, okay,

972
00:49:58,200 --> 00:50:02,440
Speaker 1: this is how you can get things with these socials.

973
00:50:03,120 --> 00:50:05,399
Speaker 1: When I got when I learned stuff. But again, being

974
00:50:05,880 --> 00:50:08,720
Speaker 1: being taught about money, we don't know about money. Everybody

975
00:50:08,800 --> 00:50:13,799
Speaker 1: had the same program lawyer, accounted, business management, the whole

976
00:50:13,920 --> 00:50:16,280
Speaker 1: nine I know the lawyer was working with the label

977
00:50:16,440 --> 00:50:19,080
Speaker 1: until later on. No matter how funny they speak to you,

978
00:50:19,880 --> 00:50:23,560
Speaker 1: everybody is in co oo's with with each other. So

979
00:50:23,880 --> 00:50:26,320
Speaker 1: this is how it works. But you didn't learn that.

980
00:50:26,560 --> 00:50:29,360
Speaker 1: You think everybody is just cool. But the business is

981
00:50:29,640 --> 00:50:32,160
Speaker 1: it is a business, you know, and you file out

982
00:50:32,200 --> 00:50:34,960
Speaker 1: later on. So that's how people get stuck and we

983
00:50:35,160 --> 00:50:37,719
Speaker 1: get irs and we you know, people go to prison

984
00:50:37,800 --> 00:50:39,640
Speaker 1: and go to jail for such and such for not

985
00:50:39,800 --> 00:50:43,160
Speaker 1: doing that. Uncle Sam is real. You don't pay and

986
00:50:43,280 --> 00:50:46,920
Speaker 1: people don't file. If you file, you don't. It's like

987
00:50:47,000 --> 00:50:49,800
Speaker 1: you're not ducking. But if you file, then you and

988
00:50:49,920 --> 00:50:51,640
Speaker 1: the good. But when you don't tell you, when you

989
00:50:51,680 --> 00:50:53,759
Speaker 1: don't say nothing, not when they come and get you.

990
00:50:53,840 --> 00:50:58,960
Speaker 2: Get you. When they came to got me perfect time

991
00:50:59,320 --> 00:51:00,239
Speaker 2: counting fu to me.

992
00:51:00,480 --> 00:51:00,640
Speaker 1: Man.

993
00:51:08,280 --> 00:51:11,640
Speaker 5: I had an attorney that I really trusted and I

994
00:51:11,800 --> 00:51:17,799
Speaker 5: really really loved, went to his kids, boy missus, family cookouts.

995
00:51:17,920 --> 00:51:18,480
Speaker 6: This this that.

996
00:51:19,960 --> 00:51:25,040
Speaker 5: My accountant that I had, his son became a quadriplegiate.

997
00:51:25,280 --> 00:51:27,239
Speaker 5: So he had to tend to his son because he

998
00:51:27,360 --> 00:51:31,840
Speaker 5: was in an accident. So my attorney there I trusted

999
00:51:31,920 --> 00:51:36,120
Speaker 5: in love forever, introduced me to an accountant. This account

1000
00:51:36,239 --> 00:51:38,160
Speaker 5: is the guy who stole my money and I eventually

1001
00:51:38,239 --> 00:51:40,880
Speaker 5: went to jail for so I never fucked with this

1002
00:51:41,040 --> 00:51:43,960
Speaker 5: guy again. My lawyer, I told him, Yo, bro, I

1003
00:51:44,000 --> 00:51:46,600
Speaker 5: can't fuck with you no more. You set me up

1004
00:51:46,640 --> 00:51:50,840
Speaker 5: with this guy. Now I seen him yesterday.

1005
00:51:50,880 --> 00:51:53,080
Speaker 2: I'm in Miami. I got a private show for Harbor

1006
00:51:53,120 --> 00:51:53,799
Speaker 2: of View all of.

1007
00:51:55,440 --> 00:51:55,480
Speaker 1: You.

1008
00:51:56,880 --> 00:52:00,480
Speaker 5: No, I'm there, boy, har of you baby in this

1009
00:52:00,560 --> 00:52:04,759
Speaker 5: Scotia rees. So it's like I'm up in there. You know,

1010
00:52:04,960 --> 00:52:08,040
Speaker 5: Laura Piana. You know they said big money was in

1011
00:52:08,120 --> 00:52:09,600
Speaker 5: the building. So I had to throw the lord.

1012
00:52:09,840 --> 00:52:10,920
Speaker 2: I don't even know who that is.

1013
00:52:13,280 --> 00:52:16,160
Speaker 5: What was that hud Don't buy a fucking don't buy

1014
00:52:16,200 --> 00:52:20,120
Speaker 5: a handkerchief in that bitch. That shit real deal, you

1015
00:52:20,280 --> 00:52:22,640
Speaker 5: know what I'm talking about, Danny, that said another level.

1016
00:52:22,960 --> 00:52:25,960
Speaker 5: But anyway, I come out the elevating, I see him.

1017
00:52:27,120 --> 00:52:29,239
Speaker 5: I come out the elevating and I see him. Last

1018
00:52:29,280 --> 00:52:31,359
Speaker 5: time I saw him was at Chris Lidy Rest in Peace.

1019
00:52:31,800 --> 00:52:33,400
Speaker 5: If you knew he tried to talk to me, I

1020
00:52:34,440 --> 00:52:35,960
Speaker 5: just came out of jail. It's like, Yo, my man,

1021
00:52:36,000 --> 00:52:38,880
Speaker 5: don't talk to me. Don't don't don't come around me,

1022
00:52:38,920 --> 00:52:41,000
Speaker 5: don't talk to me. Because he also disappeared when I

1023
00:52:41,080 --> 00:52:44,759
Speaker 5: had the case, so boom. I seen him the other

1024
00:52:44,880 --> 00:52:48,399
Speaker 5: day Saint Regis and Miami, and he was like, hey Joe,

1025
00:52:48,480 --> 00:52:51,560
Speaker 5: and I said, what's up. I kept him moving after that,

1026
00:52:51,760 --> 00:52:56,440
Speaker 5: and I don't think I'm over him introducing me to

1027
00:52:56,560 --> 00:52:59,480
Speaker 5: the account who kind of destroyed my life and I

1028
00:52:59,560 --> 00:53:02,279
Speaker 5: lost my money, went to jail. This this I just

1029
00:53:03,280 --> 00:53:05,239
Speaker 5: you know, I try to be I was courteous to

1030
00:53:05,320 --> 00:53:08,880
Speaker 5: your suck, but I still felt the way, you know

1031
00:53:08,920 --> 00:53:10,960
Speaker 5: what I'm saying. I went upstairs to my room, I

1032
00:53:11,080 --> 00:53:13,120
Speaker 5: was like, she did he set me up?

1033
00:53:13,320 --> 00:53:16,959
Speaker 2: Did he not set me? You see, they go seek

1034
00:53:17,040 --> 00:53:20,400
Speaker 2: the kingdom, seek the kingdom. Sometimes you got to smack

1035
00:53:20,440 --> 00:53:23,279
Speaker 2: the ship out of somebody didn't seek the kick Yeah,

1036
00:53:23,280 --> 00:53:25,479
Speaker 2: because you went to went to jail for jail.

1037
00:53:26,080 --> 00:53:29,239
Speaker 5: I also felt like I was somebody in my own

1038
00:53:29,520 --> 00:53:31,759
Speaker 5: you know, they can say I'm delusional, but I felt

1039
00:53:31,760 --> 00:53:35,480
Speaker 5: like I was somebody who never really got caught and

1040
00:53:35,560 --> 00:53:38,520
Speaker 5: they wanted me for they was little big or something.

1041
00:53:38,600 --> 00:53:41,480
Speaker 5: These boys wanted me, and I felt like somebody got

1042
00:53:41,600 --> 00:53:46,279
Speaker 5: jammed up and they said, yo, who you got fat Joe?

1043
00:53:46,960 --> 00:53:50,680
Speaker 2: Him? Get him? How could you give me him? In

1044
00:53:50,760 --> 00:53:53,360
Speaker 2: the platter and the worst thing is you got somebody

1045
00:53:53,440 --> 00:53:55,880
Speaker 2: you trust. That's how they get you.

1046
00:53:56,000 --> 00:54:00,520
Speaker 1: With somebody you really Really, this whole is as when

1047
00:54:01,080 --> 00:54:04,760
Speaker 1: everybody works together the same way Spotify worked with the labels.

1048
00:54:04,960 --> 00:54:08,240
Speaker 2: Got to put that out there with great, Yeah, somebody's

1049
00:54:08,280 --> 00:54:08,839
Speaker 2: making some money.

1050
00:54:08,880 --> 00:54:13,040
Speaker 1: Listen if the president of Spotify in twenty twenty four

1051
00:54:13,400 --> 00:54:16,080
Speaker 1: he made three hundred million dollars. He don't own the company,

1052
00:54:16,320 --> 00:54:18,880
Speaker 1: he is the president. He made three hundred million. We

1053
00:54:19,040 --> 00:54:22,279
Speaker 1: think Spotify is getting so they're giving us ze point

1054
00:54:22,400 --> 00:54:25,160
Speaker 1: four cent. Now Congress has passed the law. They've given

1055
00:54:25,239 --> 00:54:28,840
Speaker 1: us one penny. Right, so one million, one million streams

1056
00:54:29,080 --> 00:54:32,640
Speaker 1: gets you fourteen grand, right before one hundred thousand streams

1057
00:54:32,680 --> 00:54:35,319
Speaker 1: that get you two hundred dollars. So all this whole

1058
00:54:35,480 --> 00:54:39,279
Speaker 1: system is fucked up for us, for the labels and

1059
00:54:39,440 --> 00:54:44,440
Speaker 1: the people who own Spotify. The president, not the owner,

1060
00:54:44,520 --> 00:54:49,680
Speaker 1: Joe he made three hundred million dollars in twenty twenty four. Great,

1061
00:54:49,680 --> 00:54:52,920
Speaker 1: and then he had a biggerne These guys all for yo.

1062
00:54:53,040 --> 00:54:56,880
Speaker 1: Listen being crooked since the beginning of time? Oh you

1063
00:54:56,960 --> 00:54:59,160
Speaker 1: made why it's been he made a one hundred million

1064
00:54:59,480 --> 00:55:01,839
Speaker 1: points million and five.

1065
00:55:01,960 --> 00:55:07,040
Speaker 5: They take poor people, they got talent, They use them up,

1066
00:55:07,600 --> 00:55:11,479
Speaker 5: and by the time they learn the game, they'll dust

1067
00:55:11,560 --> 00:55:13,439
Speaker 5: you off and make you the old school at noon

1068
00:55:13,520 --> 00:55:16,160
Speaker 5: to get the new young person the jerk. And they

1069
00:55:16,320 --> 00:55:18,320
Speaker 5: just keep doing that and doing that and doing that,

1070
00:55:18,880 --> 00:55:21,879
Speaker 5: and people like Spotify and all these people are.

1071
00:55:21,840 --> 00:55:26,680
Speaker 1: All everge who have made selling women made up the

1072
00:55:26,760 --> 00:55:29,480
Speaker 1: point that fifteen hundred spins is one CD?

1073
00:55:29,719 --> 00:55:31,839
Speaker 2: So whoever made up the point that we only get

1074
00:55:31,920 --> 00:55:36,239
Speaker 2: less than one cent? Fucking head? Yeah, one lesson less

1075
00:55:36,320 --> 00:55:38,200
Speaker 2: than one cent though too, it's crazy.

1076
00:55:38,239 --> 00:55:39,920
Speaker 1: And then were getting a penny at least with the

1077
00:55:40,000 --> 00:55:42,160
Speaker 1: labels signed to we got a quarter at least.

1078
00:55:42,360 --> 00:55:44,920
Speaker 2: I said all the time, if you shall let me

1079
00:55:45,000 --> 00:55:47,319
Speaker 2: ask you a hundreds, let me go right now. Fucked up?

1080
00:55:47,440 --> 00:55:48,520
Speaker 2: I know, I don't know.

1081
00:55:48,920 --> 00:55:53,000
Speaker 5: Let me think satting. You put your pain, your soul,

1082
00:55:53,239 --> 00:55:56,719
Speaker 5: everything into this. Let's say it's a CD. If you

1083
00:55:56,920 --> 00:56:00,359
Speaker 5: sold it yourself on the corner for nine ninety nine

1084
00:56:00,440 --> 00:56:04,160
Speaker 5: and somebody told you, who's gonna get eight cents, He's

1085
00:56:04,200 --> 00:56:04,640
Speaker 5: not doing that.

1086
00:56:04,920 --> 00:56:07,759
Speaker 2: It don't work for fucking right right.

1087
00:56:08,320 --> 00:56:12,160
Speaker 5: This is the only business that glorifies you getting rot

1088
00:56:12,600 --> 00:56:16,600
Speaker 5: in the minute you learn you've seen Prince with all

1089
00:56:16,640 --> 00:56:17,360
Speaker 5: that slave.

1090
00:56:19,000 --> 00:56:21,040
Speaker 2: Him. Alonda mc Millan was the first one that just

1091
00:56:21,080 --> 00:56:23,800
Speaker 2: started to do it. The second he start going like this.

1092
00:56:25,560 --> 00:56:28,399
Speaker 5: I'm also looking forward to this Michael Jackson movie because

1093
00:56:28,440 --> 00:56:33,000
Speaker 5: I think they're finally gonna start speaking truth to light

1094
00:56:33,239 --> 00:56:35,800
Speaker 5: to where why he got attacked like that.

1095
00:56:36,160 --> 00:56:39,239
Speaker 2: You see, you gotta understand, we didn't know the.

1096
00:56:39,360 --> 00:56:48,359
Speaker 5: Sophisticated ways of brainwashing the people and smearing people. They

1097
00:56:48,520 --> 00:56:51,839
Speaker 5: smeared Michael Jackson the greatest of all time. They had

1098
00:56:51,960 --> 00:56:55,920
Speaker 5: us thinking he was crazy right now, everybody rocking botts,

1099
00:56:56,520 --> 00:56:59,760
Speaker 5: people bleaching their skin like there's some normal ship. People

1100
00:57:00,040 --> 00:57:02,640
Speaker 5: sleeping and fucking what's my man forced with it?

1101
00:57:02,680 --> 00:57:03,080
Speaker 2: Could sleep?

1102
00:57:04,160 --> 00:57:07,120
Speaker 1: Yeah, you're right, right, Richer, you get you're doing what

1103
00:57:07,239 --> 00:57:09,839
Speaker 1: Michael Jackson is doing right buying art.

1104
00:57:10,800 --> 00:57:15,000
Speaker 2: You thinking this guy's crazy weird? He actually was ahead

1105
00:57:15,040 --> 00:57:15,640
Speaker 2: of his time.

1106
00:57:16,440 --> 00:57:18,680
Speaker 1: But even though we never thought Michael was getting jerked

1107
00:57:18,680 --> 00:57:20,760
Speaker 1: though Pays, we didn't know that was happening.

1108
00:57:20,880 --> 00:57:22,160
Speaker 2: Yeah, but what I'm trying to tell you is that

1109
00:57:22,320 --> 00:57:24,160
Speaker 2: you know what I'm saying, but we love jerk Michael

1110
00:57:24,320 --> 00:57:27,120
Speaker 2: different kind of jerks, ye know what I'm saying.

1111
00:57:27,120 --> 00:57:29,840
Speaker 1: But he for him to come out and say Timertoler's

1112
00:57:29,880 --> 00:57:31,760
Speaker 1: get you know whatever, Like we never.

1113
00:57:31,680 --> 00:57:32,760
Speaker 2: Thought that was Matola.

1114
00:57:32,840 --> 00:57:38,720
Speaker 1: Tomtola's my But what I'm saying, Sony, he's saying that's nuts, Sony.

1115
00:57:39,000 --> 00:57:42,080
Speaker 2: My thing is, hold up, we're gonna go back. Michael

1116
00:57:42,200 --> 00:57:46,600
Speaker 2: Jack's pro artists, man for the artists, not for the artists.

1117
00:57:47,840 --> 00:57:51,400
Speaker 1: And I also say, before you start one time, I

1118
00:57:51,480 --> 00:57:53,360
Speaker 1: thought you was getting ready to say it's better.

1119
00:57:53,480 --> 00:57:54,560
Speaker 2: That's what I'm talking about.

1120
00:57:54,600 --> 00:57:58,480
Speaker 1: Now. If only my eight thousand fans give me one dollar,

1121
00:57:58,600 --> 00:58:02,000
Speaker 1: I made eight grand. That's more than me Spotify the

1122
00:58:02,080 --> 00:58:05,720
Speaker 1: whole nine. Now if you give me. If I if

1123
00:58:05,800 --> 00:58:08,200
Speaker 1: eight thousand people give me one hundred dollars, it's eight

1124
00:58:08,320 --> 00:58:11,200
Speaker 1: hundred thousand dollars. Right at the end of the day.

1125
00:58:12,120 --> 00:58:14,920
Speaker 1: If you have a name, why would you want to

1126
00:58:15,000 --> 00:58:18,200
Speaker 1: go and do all that work on that album and

1127
00:58:18,360 --> 00:58:20,920
Speaker 1: go put it on that platform. I don't understand, not

1128
00:58:21,040 --> 00:58:24,560
Speaker 1: the people that's new, the people who have names. Don't

1129
00:58:24,560 --> 00:58:26,280
Speaker 1: forget Joe. You can make a record right now. I

1130
00:58:26,280 --> 00:58:28,600
Speaker 1: don't give fuck how big it is. It doesn't matter.

1131
00:58:28,920 --> 00:58:32,400
Speaker 1: You already, Joe, you're already famous, you're already iconic. You're

1132
00:58:32,480 --> 00:58:35,600
Speaker 1: not gonna get no bigger. The record's not gonna get

1133
00:58:35,640 --> 00:58:37,680
Speaker 1: no bigger. They're gonna make no bigger record and they're

1134
00:58:37,720 --> 00:58:38,280
Speaker 1: gonna happen.

1135
00:58:38,400 --> 00:58:42,000
Speaker 2: You all ready you. But if you decide to make music,

1136
00:58:42,360 --> 00:58:44,760
Speaker 2: why not selling yourself? You already you?

1137
00:58:45,920 --> 00:58:49,200
Speaker 1: Where would you sell it? A like w You're doing

1138
00:58:49,240 --> 00:58:53,400
Speaker 1: it on your your own platform. When I do the product,

1139
00:58:53,440 --> 00:58:57,520
Speaker 1: when I'm doing whatever, whatever, You got fans. If eight

1140
00:58:57,600 --> 00:59:00,320
Speaker 1: thousand people give me twenty dollars eight times, who is

1141
00:59:00,360 --> 00:59:03,600
Speaker 1: sixteen it's one hundred and sixty grand, It doesn't matter.

1142
00:59:03,800 --> 00:59:07,240
Speaker 1: Everything you can do direct to consume it is back now.

1143
00:59:07,760 --> 00:59:11,880
Speaker 1: Every www is never left. That means whenever time somebody

1144
00:59:12,080 --> 00:59:15,320
Speaker 1: goes on TV, every star, everybody with product, you gotta

1145
00:59:15,360 --> 00:59:16,200
Speaker 1: go to a website.

1146
00:59:16,480 --> 00:59:17,400
Speaker 2: It's the same shit.

1147
00:59:17,760 --> 00:59:20,040
Speaker 1: Go back to that, put that shop of fire in

1148
00:59:20,120 --> 00:59:23,920
Speaker 1: that fucking fucking band camp on your shit and go yo,

1149
00:59:24,400 --> 00:59:27,560
Speaker 1: go get my shit here and again let the platform

1150
00:59:27,680 --> 00:59:30,760
Speaker 1: that take it. That's promotion. But at least you got

1151
00:59:30,880 --> 00:59:35,520
Speaker 1: people listen. Ice Cream said that once he reached a million,

1152
00:59:35,680 --> 00:59:36,840
Speaker 1: he wanted to reach two million.

1153
00:59:37,120 --> 00:59:40,120
Speaker 2: Right sell records, but he left a million people back here.

1154
00:59:40,160 --> 00:59:41,000
Speaker 2: That was his fans.

1155
00:59:41,360 --> 00:59:44,200
Speaker 1: Your core fans ain't going nowhere. If you tell them

1156
00:59:44,280 --> 00:59:46,560
Speaker 1: to do something, they're gonna so all of us here

1157
00:59:46,640 --> 00:59:49,000
Speaker 1: that you went platinum. You don't need a million fans.

1158
00:59:49,240 --> 00:59:52,760
Speaker 1: I said, eight thousand people give me two hundred dollars. Right,

1159
00:59:52,840 --> 00:59:56,360
Speaker 1: it's one point six million dollars. They're gonna pay for

1160
00:59:56,520 --> 00:59:59,720
Speaker 1: what you wanna give them. That means merchandise, the whole nine.

1161
01:00:00,000 --> 01:00:03,400
Speaker 1: I got to preach that because again, that's what you

1162
01:00:03,560 --> 01:00:06,000
Speaker 1: do if you selling material, if you if Be's selling

1163
01:00:06,040 --> 01:00:09,080
Speaker 1: that though too. You know you again with a company

1164
01:00:09,400 --> 01:00:13,040
Speaker 1: for the mattering. If you didn't your fat Joe, your kiss,

1165
01:00:13,400 --> 01:00:16,960
Speaker 1: it doesn't matter. You do the marketing promotion on yourself

1166
01:00:17,280 --> 01:00:19,800
Speaker 1: and bring them to your platform.

1167
01:00:20,240 --> 01:00:22,960
Speaker 2: I like to learn new shit every day, and that's

1168
01:00:23,000 --> 01:00:23,600
Speaker 2: what this shows.

1169
01:00:23,720 --> 01:00:26,000
Speaker 1: I just give you the numbers, like Jay said, numbers

1170
01:00:26,040 --> 01:00:29,680
Speaker 1: don't lie. It don't matter. They give you fifty bucks

1171
01:00:29,800 --> 01:00:32,520
Speaker 1: eight thousand people. I'm not talking about Joe, you're millions

1172
01:00:32,560 --> 01:00:35,600
Speaker 1: of fans. I said eight thousand, and give you fifty bucks.

1173
01:00:35,880 --> 01:00:41,200
Speaker 1: Eight times five is four. That's four hundred thousand dollars

1174
01:00:41,440 --> 01:00:44,920
Speaker 1: for only eight thousand people giving you fifty bucks. Talk

1175
01:00:44,960 --> 01:00:47,840
Speaker 1: about money, Come on, man, you talk about that's why

1176
01:00:48,120 --> 01:00:49,840
Speaker 1: people sitting here and be like, you want to go broke.

1177
01:00:49,880 --> 01:00:52,200
Speaker 1: You don't want to do something here's how you don't

1178
01:00:52,480 --> 01:00:55,240
Speaker 1: go broke. Here's how you have you know, you have

1179
01:00:55,400 --> 01:00:58,640
Speaker 1: shit making money while you sleep them EPMD buckets, that's

1180
01:00:58,680 --> 01:01:02,480
Speaker 1: while I'm sleeping. EPMD shirt is while I'm sleeping. The

1181
01:01:02,640 --> 01:01:03,920
Speaker 1: money comes in while you sleep.

1182
01:01:09,320 --> 01:01:12,680
Speaker 5: That we got a new project, brother, telling people man,

1183
01:01:12,680 --> 01:01:16,920
Speaker 5: because you've been philosophical today, so we really want you

1184
01:01:17,040 --> 01:01:21,080
Speaker 5: to talk that that music the music. Well, I got

1185
01:01:21,160 --> 01:01:26,880
Speaker 5: one question, Yeah, I got one question. So you sampled

1186
01:01:26,960 --> 01:01:27,560
Speaker 5: Marvin Gay?

1187
01:01:27,680 --> 01:01:30,240
Speaker 2: Yes, right? How much did it cost you to same?

1188
01:01:30,600 --> 01:01:33,280
Speaker 2: Two hundred thousand? It course it you two hundred.

1189
01:01:33,080 --> 01:01:36,520
Speaker 1: Right, because it caught me that because when Manad took

1190
01:01:36,560 --> 01:01:39,320
Speaker 1: the CD and went to LA he went to a

1191
01:01:39,400 --> 01:01:42,240
Speaker 1: convention that was happening with clear Channel. They played the record,

1192
01:01:43,200 --> 01:01:45,919
Speaker 1: they added the record. So now hey, get to stick

1193
01:01:45,960 --> 01:01:50,080
Speaker 1: me up. You're too fast. So it was one you

1194
01:01:50,160 --> 01:01:50,440
Speaker 1: said to do.

1195
01:01:50,720 --> 01:01:51,320
Speaker 2: It was one.

1196
01:01:53,560 --> 01:01:56,640
Speaker 1: Jan God us dead the wife, and then was fifty

1197
01:01:56,680 --> 01:02:00,280
Speaker 1: thousand dollars for the lawyer. But but it didn't matter

1198
01:02:00,320 --> 01:02:04,040
Speaker 1: because Clive gave me four million. So so that whole

1199
01:02:04,560 --> 01:02:08,080
Speaker 1: thing of how it went. I went to Jay Records

1200
01:02:08,360 --> 01:02:09,880
Speaker 1: afterwards because Clive.

1201
01:02:09,640 --> 01:02:11,680
Speaker 2: Wanted to sign me. The reason why I bring that

1202
01:02:11,840 --> 01:02:14,760
Speaker 2: up right, because Pharrell getting sued.

1203
01:02:14,880 --> 01:02:18,480
Speaker 5: He didn't clear. That's it and what they got suit

1204
01:02:18,560 --> 01:02:22,560
Speaker 5: for like seven million, seven or eight. Yeah, Farrell is smart,

1205
01:02:22,640 --> 01:02:26,520
Speaker 5: little little no no, no, Well he's trying to run on. Yeah,

1206
01:02:26,520 --> 01:02:29,960
Speaker 5: he interpolated the song he did. Listen, he said he

1207
01:02:29,960 --> 01:02:32,920
Speaker 5: didn't know that. That's yeah, he's yeah.

1208
01:02:34,200 --> 01:02:36,320
Speaker 2: Is this thing the same man you get caught? Yeah,

1209
01:02:36,440 --> 01:02:39,200
Speaker 2: I don't know. It's the smartest thing that's said.

1210
01:02:39,840 --> 01:02:43,520
Speaker 5: But it's the dumbest thing when you know the fucking

1211
01:02:43,600 --> 01:02:48,040
Speaker 5: planet Earth knew he jack Marvin Gate the whole fucking

1212
01:02:48,960 --> 01:02:51,280
Speaker 5: what when you eat the same.

1213
01:02:51,160 --> 01:02:54,880
Speaker 14: Song, same song, it's just with the sender snow LOI yeah,

1214
01:02:55,080 --> 01:02:59,400
Speaker 14: ago sena ship No no, no, no, no, yeah.

1215
01:02:59,760 --> 01:03:02,040
Speaker 1: Hold up, well, why I'm back one hour? Wait for

1216
01:03:02,120 --> 01:03:03,760
Speaker 1: these seven minutes thirty six seconds?

1217
01:03:04,160 --> 01:03:06,640
Speaker 2: Got hold out. We ain't doing that. This is interesting.

1218
01:03:07,160 --> 01:03:10,160
Speaker 1: What I'm saying is if I was around fer hour

1219
01:03:10,320 --> 01:03:13,720
Speaker 1: to say, yo, settle with these people, because this it

1220
01:03:13,880 --> 01:03:14,480
Speaker 1: is what it is.

1221
01:03:14,640 --> 01:03:16,720
Speaker 2: He was inspired by them, whether he do it. Yeah,

1222
01:03:16,720 --> 01:03:18,200
Speaker 2: but listen, you're missing one.

1223
01:03:19,120 --> 01:03:21,800
Speaker 1: Ed Sherman ship sounded, Let's get it on and he

1224
01:03:21,960 --> 01:03:26,280
Speaker 1: won play Ed Sherman's Marvin Gays whatever. It sounds just

1225
01:03:26,520 --> 01:03:27,480
Speaker 1: like let's get on.

1226
01:03:27,720 --> 01:03:30,360
Speaker 2: And he won. Let me tell you some crazy shit.

1227
01:03:30,400 --> 01:03:32,760
Speaker 2: I didn't think he did. I went to the video tape,

1228
01:03:32,960 --> 01:03:34,160
Speaker 2: no play the record.

1229
01:03:34,320 --> 01:03:34,760
Speaker 1: I did.

1230
01:03:35,120 --> 01:03:38,000
Speaker 2: I swear to god, I did. I went when he won,

1231
01:03:38,960 --> 01:03:42,120
Speaker 2: just the same way. You tell me this man Sherman

1232
01:03:42,200 --> 01:03:48,720
Speaker 2: and that, and you really make the same yo, yo,

1233
01:03:48,960 --> 01:03:52,560
Speaker 2: yo yo, this is what yo. I swear, hold on,

1234
01:03:53,000 --> 01:03:54,280
Speaker 2: hold on, hold up yo.

1235
01:03:54,400 --> 01:04:00,440
Speaker 1: When I watched this show, it's his reactions because that

1236
01:04:00,560 --> 01:04:01,760
Speaker 1: what makes it mix.

1237
01:04:01,800 --> 01:04:05,280
Speaker 2: Sure chemistry. I swear because he leans back and he

1238
01:04:05,480 --> 01:04:08,280
Speaker 2: does this. I'm like, YO, tell you something.

1239
01:04:08,280 --> 01:04:09,000
Speaker 11: You know what there is?

1240
01:04:10,160 --> 01:04:14,960
Speaker 1: This is the Honeymooners. Well, Ralph granted, because Art carn

1241
01:04:15,120 --> 01:04:16,200
Speaker 1: let's talk about the project.

1242
01:04:16,240 --> 01:04:19,080
Speaker 2: Now, let's go. It's gonna.

1243
01:04:20,440 --> 01:04:24,680
Speaker 1: Okay, the dynamic duos. So I had it four years ago,

1244
01:04:25,200 --> 01:04:28,520
Speaker 1: before COVID. I had the idea, before you heard NAS.

1245
01:04:28,520 --> 01:04:31,400
Speaker 1: I figured that my colleagues wasn't working. I was wondering

1246
01:04:31,400 --> 01:04:34,240
Speaker 1: why nobody was making records, right, So I kind of

1247
01:04:34,280 --> 01:04:36,280
Speaker 1: got upset about that in my head, like you know what,

1248
01:04:36,440 --> 01:04:38,800
Speaker 1: fuck it, I'm gonna make records for them if they

1249
01:04:38,920 --> 01:04:41,280
Speaker 1: have studio problem. Nobody making no beat for them, the

1250
01:04:41,320 --> 01:04:44,840
Speaker 1: whole nine. So COVID came, so that took two years off.

1251
01:04:45,520 --> 01:04:47,440
Speaker 1: Kevin came and got me, Kevin Allows, so we did

1252
01:04:47,480 --> 01:04:51,560
Speaker 1: the partnership at three hundred three hundred. Leo Cohen sells

1253
01:04:51,600 --> 01:04:54,080
Speaker 1: it for four hundred fifty million dollars to Atlantic.

1254
01:04:54,720 --> 01:04:58,280
Speaker 2: That took a year in something. They're a nice check. Yeah,

1255
01:04:58,880 --> 01:05:00,000
Speaker 2: but isn't that crazy?

1256
01:05:00,000 --> 01:05:03,600
Speaker 1: See Leo got four point fifty from Allenic, which is

1257
01:05:04,280 --> 01:05:07,919
Speaker 1: Mike and Julie people that he put there.

1258
01:05:08,120 --> 01:05:10,000
Speaker 2: Now that was the whole play keep going if you

1259
01:05:10,000 --> 01:05:12,320
Speaker 2: can figure that one out. So so that was the

1260
01:05:12,400 --> 01:05:12,880
Speaker 2: old WAT.

1261
01:05:13,200 --> 01:05:17,240
Speaker 1: Yeah, that would sell to Styles Peace running phenomenal. Now

1262
01:05:17,800 --> 01:05:21,080
Speaker 1: let me sell the Jada Kiss records to Styles Speak.

1263
01:05:21,440 --> 01:05:22,920
Speaker 1: He got the bag over here.

1264
01:05:22,960 --> 01:05:26,400
Speaker 2: He's gonna throw you the smither rings like yo. They

1265
01:05:26,560 --> 01:05:27,360
Speaker 2: all ran now.

1266
01:05:27,600 --> 01:05:29,720
Speaker 1: And now let me tell you someone he sold that ship.

1267
01:05:30,880 --> 01:05:34,520
Speaker 1: Kevin Lows my next door neighbor. It was the first

1268
01:05:34,600 --> 01:05:37,320
Speaker 1: sighting I saw Russell Simmons in like ten years that

1269
01:05:37,480 --> 01:05:40,040
Speaker 1: it was next door. He called me in, Oh, come

1270
01:05:40,160 --> 01:05:42,960
Speaker 1: next door. Everybody ran off with the bag.

1271
01:05:43,040 --> 01:05:45,640
Speaker 2: Their whole crew. They are the best that ever did it.

1272
01:05:45,920 --> 01:05:46,600
Speaker 2: Kevin's that.

1273
01:05:48,120 --> 01:05:55,320
Speaker 1: Kevin Leo, the whole Julie Guyser they took care of everybody,

1274
01:05:55,600 --> 01:05:59,440
Speaker 1: all of them, like I mean, bad Mania, all of

1275
01:05:59,520 --> 01:06:02,920
Speaker 1: them is up to the wet.

1276
01:06:04,120 --> 01:06:05,120
Speaker 2: But what I'm saying is.

1277
01:06:05,760 --> 01:06:08,760
Speaker 5: They came in this game and said, all right, this

1278
01:06:09,000 --> 01:06:12,840
Speaker 5: is our crew and we're gonna eat forever. Yeah, make

1279
01:06:12,880 --> 01:06:15,280
Speaker 5: sure him and showed up. They was throwing like that

1280
01:06:16,560 --> 01:06:19,120
Speaker 5: we sold the company for four hundred million. Because they

1281
01:06:19,200 --> 01:06:21,080
Speaker 5: first said it was Kevin Lows. You know what I'm saying,

1282
01:06:21,240 --> 01:06:24,520
Speaker 5: Leo Conan, I'm sure it was Kevin. You know they

1283
01:06:24,560 --> 01:06:27,440
Speaker 5: were saying Kevin Lows. Kevin Lows threw a party. He

1284
01:06:27,560 --> 01:06:28,480
Speaker 5: lives next door to me.

1285
01:06:28,680 --> 01:06:33,080
Speaker 2: Of course he got money, trust me, he got Kevin

1286
01:06:33,240 --> 01:06:36,400
Speaker 2: Lyles lives one A. I'm one A. He's gonna beat.

1287
01:06:36,520 --> 01:06:38,560
Speaker 2: His house is right next door to mine.

1288
01:06:38,720 --> 01:06:38,959
Speaker 6: Wow.

1289
01:06:39,720 --> 01:06:41,920
Speaker 5: Russell Simmons's face times me out of no whay. I

1290
01:06:41,920 --> 01:06:44,120
Speaker 5: ain't seen him in ten years. And he said, come

1291
01:06:44,200 --> 01:06:49,040
Speaker 5: over with celebrating Kevin selling the company. I'm letting my

1292
01:06:49,200 --> 01:06:51,600
Speaker 5: fat flow. I got no shirt on, know nothing. I

1293
01:06:51,720 --> 01:06:53,600
Speaker 5: just put a T shirt on. I go over there

1294
01:06:53,600 --> 01:06:56,240
Speaker 5: and put on my shorts. I go over there and

1295
01:06:56,360 --> 01:07:00,680
Speaker 5: they celebrating, and I just the way I think. You

1296
01:07:00,720 --> 01:07:02,680
Speaker 5: know what I mean now hustling me. I said, damn,

1297
01:07:02,760 --> 01:07:05,720
Speaker 5: this man came over here to pick up bag they

1298
01:07:05,840 --> 01:07:09,400
Speaker 5: sold where some Simmons came and picked up the bag

1299
01:07:10,120 --> 01:07:13,880
Speaker 5: they just sold it. Check is in wires in.

1300
01:07:14,600 --> 01:07:17,960
Speaker 1: Russell came for fucking Malaysia or some shit to get

1301
01:07:18,040 --> 01:07:19,800
Speaker 1: the bag and he's going back.

1302
01:07:20,520 --> 01:07:24,920
Speaker 2: Everybody's caked up, right, It's what I'm trying to take.

1303
01:07:25,160 --> 01:07:29,040
Speaker 2: Every member of the crew caught something, you know.

1304
01:07:29,520 --> 01:07:32,840
Speaker 1: I designed that deal with Leo Well. I deal with

1305
01:07:32,960 --> 01:07:39,280
Speaker 1: partners in AI now but has another flex but Hartness

1306
01:07:39,360 --> 01:07:39,840
Speaker 1: and AI.

1307
01:07:40,040 --> 01:07:41,160
Speaker 2: I went to his crib, right.

1308
01:07:41,800 --> 01:07:43,440
Speaker 1: I looked at the picture on the wall was a

1309
01:07:43,560 --> 01:07:46,640
Speaker 1: baby picture, me and my man with the papers. I said,

1310
01:07:46,840 --> 01:07:48,520
Speaker 1: how with that picture? Because in my head I'm just

1311
01:07:48,560 --> 01:07:51,000
Speaker 1: saying that it might course whatever. He said, Yeah, I

1312
01:07:51,080 --> 01:07:55,120
Speaker 1: paid twelve grand for but it's worth five million.

1313
01:07:56,360 --> 01:08:00,160
Speaker 2: It was a picture of a baby. This and this up,

1314
01:08:00,560 --> 01:08:02,800
Speaker 2: you know whatever. I want to put this out there, yo,

1315
01:08:03,560 --> 01:08:07,160
Speaker 2: I'm a graffiti legend. I want to meet Banksy. Who's that?

1316
01:08:08,200 --> 01:08:11,760
Speaker 2: Banksy's the illness artist? World number shows just fake yo.

1317
01:08:12,440 --> 01:08:15,760
Speaker 2: You know I don't know what I don't know. Yah, okay, listen,

1318
01:08:15,840 --> 01:08:18,280
Speaker 2: you don't believe nothing. Listen.

1319
01:08:18,640 --> 01:08:19,400
Speaker 7: I didn't know why.

1320
01:08:19,640 --> 01:08:22,360
Speaker 2: Wait, okay, listen, let's go back so dynamic dooh listen,

1321
01:08:22,439 --> 01:08:23,439
Speaker 2: Let's listen listen.

1322
01:08:23,600 --> 01:08:27,840
Speaker 5: Let me just get somebody know Banksy Fat Joe wants

1323
01:08:27,880 --> 01:08:32,920
Speaker 5: to meet the real Banksy face to face. I don't rat,

1324
01:08:33,200 --> 01:08:35,880
Speaker 5: I don't nothing. He's an artist. Nobody sees his face.

1325
01:08:36,520 --> 01:08:38,599
Speaker 5: But I'm a huge fand we don't know why exact,

1326
01:08:38,600 --> 01:08:40,479
Speaker 5: because then we would have found him in the UK,

1327
01:08:40,960 --> 01:08:42,920
Speaker 5: and then it could be and then it could be

1328
01:08:43,000 --> 01:08:46,439
Speaker 5: in Afghanistan wherever money banks He just don't.

1329
01:08:46,320 --> 01:08:49,160
Speaker 2: Okay, Well, banks Fat don't need you, okay one second? Okay.

1330
01:08:49,320 --> 01:08:52,040
Speaker 2: So after that, the ship was three and a half

1331
01:08:52,120 --> 01:08:52,640
Speaker 2: years so far.

1332
01:08:53,040 --> 01:08:56,080
Speaker 1: So now I do the Biggie smallest Tupac record, right,

1333
01:08:56,200 --> 01:09:00,120
Speaker 1: So I get Biggie clear, but the Tupac estate. I

1334
01:09:00,280 --> 01:09:03,320
Speaker 1: offered his sister one hundred thousand dollars. I give you

1335
01:09:03,360 --> 01:09:06,360
Speaker 1: one hundred grands and you can keep the you can

1336
01:09:06,439 --> 01:09:09,120
Speaker 1: keep the rights to the record. She didn't say yeah,

1337
01:09:09,240 --> 01:09:11,360
Speaker 1: said I was say no, But she wasn't coming back

1338
01:09:11,640 --> 01:09:14,120
Speaker 1: fast enough with the reaction. So I'm like, so, what's

1339
01:09:14,160 --> 01:09:15,800
Speaker 1: going on. I found out that she was going through

1340
01:09:15,840 --> 01:09:19,679
Speaker 1: it with Universal for them using Tupac music and making

1341
01:09:19,760 --> 01:09:22,040
Speaker 1: money off of it in the move for you know

1342
01:09:22,200 --> 01:09:22,719
Speaker 1: this period.

1343
01:09:23,000 --> 01:09:26,680
Speaker 2: Yeah, yeah, that too. So that delayed me. So, by

1344
01:09:26,720 --> 01:09:28,080
Speaker 2: the way, as long as I wanted to because I

1345
01:09:28,160 --> 01:09:31,360
Speaker 2: want to have that on the project. Right, So anyway, I.

1346
01:09:31,400 --> 01:09:34,080
Speaker 1: Want to say, I don't know how I cleared Tupac

1347
01:09:34,720 --> 01:09:37,599
Speaker 1: and his lawyer owns yeah at that time, but now

1348
01:09:37,720 --> 01:09:40,080
Speaker 1: she's so and she she needed to get it, like

1349
01:09:40,240 --> 01:09:42,719
Speaker 1: I did not understand when I was paying the lawyer.

1350
01:09:42,920 --> 01:09:45,920
Speaker 2: Yeah, the one hundred, I would do every but no,

1351
01:09:45,960 --> 01:09:47,440
Speaker 2: I called everyone.

1352
01:09:47,160 --> 01:09:51,599
Speaker 1: That did the tulpoc before with with the RL ship

1353
01:09:51,640 --> 01:09:54,000
Speaker 1: when you saw the video whatever. We went to those people.

1354
01:09:54,120 --> 01:09:58,519
Speaker 1: We went to everybody nothing so that that gave more time.

1355
01:09:58,600 --> 01:10:01,000
Speaker 1: I thought this mons fast. She must left to the lawyer.

1356
01:10:01,120 --> 01:10:04,439
Speaker 1: I didn't have no clue. I didn't understand that. No,

1357
01:10:04,600 --> 01:10:07,960
Speaker 1: how am my lawyer Rob Wafting things own stupid right,

1358
01:10:08,400 --> 01:10:14,240
Speaker 1: So then I had Prodigy New Vocals the whole non

1359
01:10:14,360 --> 01:10:18,000
Speaker 1: so or whatever. I called my lawyer he called, which

1360
01:10:18,080 --> 01:10:21,640
Speaker 1: is you know, his friend Kevin. Then I talked to

1361
01:10:21,720 --> 01:10:25,479
Speaker 1: Prizey's wife on the phone. She sounded like she was saying,

1362
01:10:25,920 --> 01:10:27,559
Speaker 1: don't worry about I'm gonna check the record out.

1363
01:10:27,960 --> 01:10:31,799
Speaker 2: Whatever. I get back to you. Right, no call, I'm texting.

1364
01:10:32,360 --> 01:10:35,639
Speaker 2: There's nothing there, you know. So I'm like, so that's

1365
01:10:35,680 --> 01:10:36,280
Speaker 2: a hold up.

1366
01:10:37,160 --> 01:10:42,320
Speaker 1: So I get that late. That took time. I called

1367
01:10:42,640 --> 01:10:47,479
Speaker 1: Sean Price's wife. Then I talked to Drew. Hah, right,

1368
01:10:48,360 --> 01:10:51,240
Speaker 1: she says, call Drew. You know I got jew number.

1369
01:10:51,680 --> 01:10:53,760
Speaker 1: So but no it you know, good Goud, you just

1370
01:10:53,880 --> 01:10:57,120
Speaker 1: called you. She just says, cool. I still took time,

1371
01:10:57,920 --> 01:11:02,920
Speaker 1: Nate dogg estate. I gotta call this people and say

1372
01:11:03,080 --> 01:11:06,400
Speaker 1: to do you want the money? This tell me a thing.

1373
01:11:07,080 --> 01:11:10,680
Speaker 1: It just took time. Eventually they didn't want nothing. So

1374
01:11:10,920 --> 01:11:12,960
Speaker 1: you see all these people on my on the album

1375
01:11:13,080 --> 01:11:16,880
Speaker 1: that passed away. It takes time for the estates because

1376
01:11:16,880 --> 01:11:21,439
Speaker 1: don't forget. If they can't find Kiss, then we gotta

1377
01:11:21,479 --> 01:11:24,560
Speaker 1: wait to find Kiss. The estate means everybody on the

1378
01:11:24,800 --> 01:11:29,080
Speaker 1: estate has to say yes if they're on the paper.

1379
01:11:30,200 --> 01:11:32,120
Speaker 10: So you can just have one person trying to or

1380
01:11:32,120 --> 01:11:35,120
Speaker 10: you can have a sample. One time it went to

1381
01:11:35,280 --> 01:11:39,880
Speaker 10: the point of like the man's dad, you ain't got

1382
01:11:40,000 --> 01:11:42,960
Speaker 10: no more family members or nothing like that. That we

1383
01:11:43,120 --> 01:11:45,800
Speaker 10: went to the burial type shit. They went to the

1384
01:11:46,479 --> 01:11:48,400
Speaker 10: you know, the sample, the people who clear the sample.

1385
01:11:48,479 --> 01:11:50,320
Speaker 10: They was like, yo, he ain't cast a check in

1386
01:11:50,439 --> 01:11:51,360
Speaker 10: thirteen years.

1387
01:11:52,120 --> 01:11:54,040
Speaker 2: There's no like we was.

1388
01:11:54,120 --> 01:11:56,680
Speaker 1: Looking like you got to clear these samples because then

1389
01:11:56,720 --> 01:11:58,880
Speaker 1: it's on you if you let them go, right, and

1390
01:11:58,960 --> 01:12:00,880
Speaker 1: they come back to sue you for that real one.

1391
01:12:01,120 --> 01:12:01,240
Speaker 2: Right.

1392
01:12:01,400 --> 01:12:05,280
Speaker 1: So anyway, that's all that happened, and now is coming

1393
01:12:05,320 --> 01:12:13,640
Speaker 1: December fifth. So again this is volume one, right, So

1394
01:12:13,880 --> 01:12:15,200
Speaker 1: volume one to.

1395
01:12:15,320 --> 01:12:17,719
Speaker 2: It ain't just everybody who's there because I heard the record.

1396
01:12:17,760 --> 01:12:19,880
Speaker 2: No no, no, no, no no no the bar the

1397
01:12:19,920 --> 01:12:21,760
Speaker 2: record was sold, but that was a while. That's when

1398
01:12:22,920 --> 01:12:24,120
Speaker 2: did they sold three hundred?

1399
01:12:24,640 --> 01:12:25,880
Speaker 1: I ain't get a chance to get that or that

1400
01:12:26,040 --> 01:12:28,160
Speaker 1: was the first record that came and it's gone at

1401
01:12:28,800 --> 01:12:33,599
Speaker 1: but Brother Meth Snoop Dogg and Nate held the Skelter

1402
01:12:34,439 --> 01:12:39,480
Speaker 1: m Op, Cypress Hills, E p M D, Dog Pound.

1403
01:12:39,840 --> 01:12:45,719
Speaker 2: Conaway, the Machine Game, Lil Wayne mob D. This volume

1404
01:12:45,800 --> 01:12:50,880
Speaker 2: one Public Public Enemy right, Volume one. Sure I'll get

1405
01:12:50,920 --> 01:12:51,760
Speaker 2: on volume two of the.

1406
01:13:00,280 --> 01:13:02,559
Speaker 1: So so this is what I ended up doing through

1407
01:13:02,680 --> 01:13:05,920
Speaker 1: d MS and everybody who I who I kind of

1408
01:13:06,080 --> 01:13:09,800
Speaker 1: called or DM. Everybody says yes, some some didn't say.

1409
01:13:09,880 --> 01:13:13,800
Speaker 1: But again I was able to get stuff started at

1410
01:13:13,880 --> 01:13:16,880
Speaker 1: the time, and then certain people like I called Dougie

1411
01:13:16,920 --> 01:13:19,800
Speaker 1: freshman Rick. First, that's what I really wanted to do,

1412
01:13:19,880 --> 01:13:22,080
Speaker 1: because I was trying to do I'm gonna I'm gonna

1413
01:13:22,080 --> 01:13:24,560
Speaker 1: do the show in my head all over again, my

1414
01:13:24,760 --> 01:13:29,360
Speaker 1: way and my version. So but and I I talked

1415
01:13:29,400 --> 01:13:32,640
Speaker 1: to Andre two thousand way early all for them one

1416
01:13:32,680 --> 01:13:33,599
Speaker 1: hundred thousand dollars two.

1417
01:13:34,280 --> 01:13:38,040
Speaker 2: But but I did U GK, I did a bull

1418
01:13:38,160 --> 01:13:39,799
Speaker 2: and JG. I did Norty.

1419
01:13:40,360 --> 01:13:42,120
Speaker 1: These are the names are I just meant to West

1420
01:13:42,120 --> 01:13:45,880
Speaker 1: and I got this already on that too for the back.

1421
01:13:46,240 --> 01:13:47,960
Speaker 1: And then you got the people too that you want

1422
01:13:48,000 --> 01:13:51,479
Speaker 1: to do. Caught the locks way in Ghost Blackstar s

1423
01:13:51,800 --> 01:13:55,479
Speaker 1: that's already you know that you trying to get to

1424
01:13:55,600 --> 01:13:58,719
Speaker 1: make sure I'm covering the bases up. But before Nas

1425
01:13:58,760 --> 01:14:03,240
Speaker 1: did this, Joe, I was trying to bring my colleagues

1426
01:14:04,080 --> 01:14:06,559
Speaker 1: just to say, you don't got to stop making records.

1427
01:14:06,840 --> 01:14:10,080
Speaker 2: But then time went by and now Master Pill do

1428
01:14:10,200 --> 01:14:10,640
Speaker 2: what they did.

1429
01:14:11,000 --> 01:14:14,600
Speaker 1: So now everybody's working now, but you know so so,

1430
01:14:14,760 --> 01:14:17,719
Speaker 1: but I ain't always good though, you know what I'm saying,

1431
01:14:17,800 --> 01:14:22,240
Speaker 1: So right, like right, everybody working, everybody or ain't always well.

1432
01:14:22,040 --> 01:14:24,439
Speaker 2: On a plug in man, we got something to play.

1433
01:14:24,439 --> 01:14:27,719
Speaker 2: He brought us up. M O p Oh my god,

1434
01:14:27,920 --> 01:14:30,880
Speaker 2: Frankie Crock of that ship, James, they got their A

1435
01:14:31,120 --> 01:14:32,280
Speaker 2: C the last.

1436
01:14:32,640 --> 01:14:35,519
Speaker 1: No, it's just it's just m O P. You know

1437
01:14:35,600 --> 01:14:39,360
Speaker 1: the A C is on like jail level sidewalk executives. No,

1438
01:14:39,400 --> 01:14:43,840
Speaker 1: you're gonna jail yo, the records going sidewalk executives, who

1439
01:14:43,960 --> 01:14:45,080
Speaker 1: called them, who called them?

1440
01:14:45,120 --> 01:14:47,760
Speaker 2: Stuff that jail sidewalk executives.

1441
01:15:00,040 --> 01:15:02,439
Speaker 6: Out the browns, brown rouse, brows, brown tail.

1442
01:15:02,600 --> 01:15:13,599
Speaker 12: Come on, David, sir, everything my mother, it's goods up.

1443
01:15:13,680 --> 01:15:17,000
Speaker 12: When we pull up, till we ride, we pray feeling

1444
01:15:17,120 --> 01:15:19,520
Speaker 12: you don't want to come out. It's a streets certified

1445
01:15:19,840 --> 01:15:22,400
Speaker 12: by your own four present nigga. You fucking with the

1446
01:15:22,479 --> 01:15:25,160
Speaker 12: south walking second, I didn't play my part.

1447
01:15:25,400 --> 01:15:28,040
Speaker 7: Don't k my heart through my career. Done made my.

1448
01:15:28,160 --> 01:15:31,400
Speaker 9: Mom John imagine where I'm from. Nobody walk faster than

1449
01:15:31,439 --> 01:15:34,000
Speaker 9: a nigga going when they get his imagine get up

1450
01:15:35,200 --> 01:15:37,719
Speaker 9: to kick in his hands. Feed up, I'm amphold pete

1451
01:15:37,760 --> 01:15:40,439
Speaker 9: up from feet up. I'm set up loud from the marks.

1452
01:15:40,520 --> 01:15:41,080
Speaker 2: How about the.

1453
01:15:41,120 --> 01:15:42,519
Speaker 7: Back seat holding my nuts?

1454
01:15:42,680 --> 01:15:45,640
Speaker 9: Test fop something double park kicking put the young It's

1455
01:15:45,640 --> 01:15:46,480
Speaker 9: every stands.

1456
01:15:46,200 --> 01:15:51,320
Speaker 7: Sit on the floor home with the money for each John,

1457
01:15:51,400 --> 01:15:52,599
Speaker 7: bring the getty back.

1458
01:15:52,560 --> 01:15:59,719
Speaker 2: Nigga jigg it totally.

1459
01:16:00,360 --> 01:16:03,400
Speaker 7: Oh my god, how to think they Lets see it.

1460
01:16:03,479 --> 01:16:08,120
Speaker 6: For the years down out browns round rouse, brown brown.

1461
01:16:07,960 --> 01:16:13,320
Speaker 7: Tail, every sermon, every sermon, my mother.

1462
01:16:15,040 --> 01:16:16,000
Speaker 6: What fock light?

1463
01:16:17,160 --> 01:16:17,800
Speaker 2: What's fine?

1464
01:16:17,840 --> 01:16:18,200
Speaker 1: A light?

1465
01:16:18,520 --> 01:16:20,920
Speaker 2: It's goods up till.

1466
01:16:20,840 --> 01:16:23,879
Speaker 7: We ride prayer feeling you don't want to collide.

1467
01:16:23,920 --> 01:16:27,320
Speaker 12: It's a streets certified by your own four percent nigga.

1468
01:16:27,360 --> 01:16:30,320
Speaker 12: You fucking with the south walking second. I doesn't play

1469
01:16:30,439 --> 01:16:33,280
Speaker 12: my part, don't k my heart through my career? Done

1470
01:16:33,400 --> 01:16:35,559
Speaker 12: made my mom. John, imagine where I'm from.

1471
01:16:35,840 --> 01:16:38,280
Speaker 9: Nobody walk faster than the nigga going when they get

1472
01:16:38,360 --> 01:16:39,719
Speaker 9: his imaginary gun.

1473
01:16:40,720 --> 01:16:41,840
Speaker 2: After kicking his hands.

1474
01:16:41,880 --> 01:16:44,439
Speaker 9: Feed up, I'm amphold pete up from feet up, I'm

1475
01:16:44,479 --> 01:16:46,120
Speaker 9: set up, laugh from the marks.

1476
01:16:46,240 --> 01:16:48,240
Speaker 7: I'm about the back seat holding my nuts.

1477
01:16:48,400 --> 01:16:50,840
Speaker 9: Test foss something double park, I kick you with the

1478
01:16:50,960 --> 01:16:53,080
Speaker 9: young Its every pasted on the flock shoot up.

1479
01:16:53,200 --> 01:16:56,400
Speaker 7: So you see your lawyer laughing with the prose for

1480
01:16:56,560 --> 01:16:58,240
Speaker 7: each job. Bring that gaddy back.

1481
01:16:58,240 --> 01:17:01,320
Speaker 9: Nicknack, paddy whack gets you. When your clash up, we

1482
01:17:01,400 --> 01:17:03,320
Speaker 9: pull up? Can we ride them on?

1483
01:17:03,720 --> 01:17:05,639
Speaker 7: Press feeling you don't want to collide?

1484
01:17:05,680 --> 01:17:07,840
Speaker 12: This is a street shirt of fine by your own

1485
01:17:07,880 --> 01:17:10,880
Speaker 12: punt percent, nigga. You fucking with the side porking, SAIDs

1486
01:17:10,920 --> 01:17:14,479
Speaker 12: good joff booies pull up. Can we ride on press

1487
01:17:14,560 --> 01:17:17,000
Speaker 12: feeling You don't want to collib this is street shirt

1488
01:17:17,040 --> 01:17:19,560
Speaker 12: of fine, it's by your own fut percent nigga. You

1489
01:17:19,680 --> 01:17:20,920
Speaker 12: fucking with the side walking.

1490
01:17:21,280 --> 01:17:23,680
Speaker 9: You know me when I said so, an body know

1491
01:17:23,840 --> 01:17:26,000
Speaker 9: me him? Its his other five fire six. It's my

1492
01:17:26,080 --> 01:17:29,000
Speaker 9: EMOCHI the bigger home details on me. He can show

1493
01:17:29,040 --> 01:17:30,800
Speaker 9: me your different route to the fag and I ain't

1494
01:17:30,800 --> 01:17:32,040
Speaker 9: got to have the mag them on me.

1495
01:17:32,200 --> 01:17:33,559
Speaker 7: You go get fop frocks.

1496
01:17:33,600 --> 01:17:35,960
Speaker 2: He swagged on. Dude, that's a major display. You can't

1497
01:17:36,000 --> 01:17:39,880
Speaker 2: put a flag on floor. Oh no, that's the tent.

1498
01:17:40,040 --> 01:17:42,240
Speaker 9: I'm a dap with a window deep but tad and

1499
01:17:42,640 --> 01:17:45,080
Speaker 9: I said, you can this slaationship the people hand. I'm

1500
01:17:45,080 --> 01:17:47,680
Speaker 9: still have stamped meetings with chill us in the faces.

1501
01:17:47,680 --> 01:17:49,439
Speaker 9: You don't have bab shows. We the de will us

1502
01:17:49,479 --> 01:17:50,240
Speaker 9: in the standing yard.

1503
01:17:50,360 --> 01:17:51,120
Speaker 7: Knaf tell me and you.

1504
01:17:51,240 --> 01:17:55,040
Speaker 9: Tackle the front of your fans. You're flucy move bloes woosy.

1505
01:17:55,240 --> 01:17:57,800
Speaker 9: I'm in the arm rock fo fly fucking that's old

1506
01:17:57,880 --> 01:18:02,479
Speaker 9: food wave ottle niggas gone on me. The secondive start

1507
01:18:02,560 --> 01:18:04,360
Speaker 9: the moons cuts up, then we pull.

1508
01:18:04,320 --> 01:18:07,760
Speaker 7: Up, then we round Prey feeling you don't want to

1509
01:18:07,800 --> 01:18:08,200
Speaker 7: come out.

1510
01:18:08,280 --> 01:18:11,639
Speaker 12: This is street sort of five by your own purposent. Nigga,

1511
01:18:11,680 --> 01:18:14,360
Speaker 12: you fucking with the South pork cutch up and we

1512
01:18:14,520 --> 01:18:18,120
Speaker 12: pull up, then we round prey, feeling you don't want

1513
01:18:18,160 --> 01:18:18,639
Speaker 12: to come out.

1514
01:18:18,720 --> 01:18:19,720
Speaker 7: This is street sort of.

1515
01:18:19,760 --> 01:18:22,840
Speaker 12: Five by your own purposent, nigga, you fucking with the

1516
01:18:22,920 --> 01:18:24,520
Speaker 12: South porking secondive.

1517
01:18:29,760 --> 01:18:40,280
Speaker 2: Crown. Yeah, it's fucking beautiful. Billion Fa ship was incredible, brother.

1518
01:18:40,520 --> 01:18:42,200
Speaker 2: I take billion fame every time.

1519
01:18:42,520 --> 01:18:44,639
Speaker 1: I know you have the excitement. I had a great

1520
01:18:44,720 --> 01:18:47,320
Speaker 1: time at this show, y'all. People that's watching this. To

1521
01:18:47,600 --> 01:18:50,679
Speaker 1: to be on this sofa and to be with two again,

1522
01:18:50,960 --> 01:18:55,360
Speaker 1: it doesn't matter. Man like successfulness, Joe, you we wused

1523
01:18:55,360 --> 01:18:56,840
Speaker 1: to sit back and be like, yo, damn you got

1524
01:18:56,840 --> 01:18:59,560
Speaker 1: another one. We got another one because in this to

1525
01:18:59,640 --> 01:19:02,240
Speaker 1: come back can do every decade. Don't forget. This is

1526
01:19:02,240 --> 01:19:05,519
Speaker 1: a decade from the nineties, two thousands and then the

1527
01:19:05,680 --> 01:19:08,920
Speaker 1: late so it's three decades of still being able to

1528
01:19:09,040 --> 01:19:12,439
Speaker 1: be relevant and still be able to say you was

1529
01:19:12,560 --> 01:19:15,120
Speaker 1: dropping music and not just regular shit.

1530
01:19:15,720 --> 01:19:18,439
Speaker 2: This was Big Records being made. It was hard to

1531
01:19:18,520 --> 01:19:18,680
Speaker 2: do that.

1532
01:19:18,800 --> 01:19:20,880
Speaker 1: People said, too, how did ever be able to come

1533
01:19:20,960 --> 01:19:23,679
Speaker 1: back and come back with music from epm D nineteen

1534
01:19:23,680 --> 01:19:24,840
Speaker 1: eighty eight to two thousand and one.

1535
01:19:25,160 --> 01:19:27,400
Speaker 2: You know, that's a that's people don't do that. That's

1536
01:19:28,000 --> 01:19:29,639
Speaker 2: a feat to be doing that, you know what I'm saying.

1537
01:19:29,680 --> 01:19:32,000
Speaker 1: So at the end of the day, though, you know, again,

1538
01:19:32,120 --> 01:19:35,639
Speaker 1: this ship right here is uh is what people talked about,

1539
01:19:35,720 --> 01:19:38,920
Speaker 1: what they sold felt on the sofa, like this is

1540
01:19:38,960 --> 01:19:42,000
Speaker 1: a show that you got listen man, y'all my boys,

1541
01:19:42,040 --> 01:19:43,880
Speaker 1: but it's different shows.

1542
01:19:44,080 --> 01:19:46,840
Speaker 2: Y'all came up fast, you know what I'm saying, Like

1543
01:19:47,160 --> 01:19:49,200
Speaker 2: we're not playing. No, it was fast.

1544
01:19:50,080 --> 01:19:52,720
Speaker 1: People probably thought regular you know niggas be hating like

1545
01:19:53,520 --> 01:19:58,160
Speaker 1: that ain't gonna work, saying that. I know a nigga,

1546
01:19:58,240 --> 01:19:59,800
Speaker 1: I'm one ofing. I'm gona tell you I was out there.

1547
01:20:00,240 --> 01:20:02,840
Speaker 1: I watched the fun you guys to the richest guy.

1548
01:20:03,320 --> 01:20:07,519
Speaker 1: I know what, all the motherfuckers watching them. Nobody was believing.

1549
01:20:07,600 --> 01:20:10,400
Speaker 1: They were like they ain't gonna work. Ain't gonna work.

1550
01:20:10,439 --> 01:20:11,080
Speaker 2: I knew it would.

1551
01:20:11,120 --> 01:20:14,439
Speaker 1: You want to know why, because we respect the culture.

1552
01:20:14,520 --> 01:20:18,280
Speaker 1: We respect, but it was it was the personalities about

1553
01:20:20,200 --> 01:20:22,639
Speaker 1: hanging together, and they're gonna talk the way I look

1554
01:20:22,680 --> 01:20:26,120
Speaker 1: at this. I look at this no different than Shaquille O'Neil.

1555
01:20:27,000 --> 01:20:31,360
Speaker 1: I'm Charles Barkley, Kenny Smith. Oh okay, he really played

1556
01:20:31,400 --> 01:20:35,479
Speaker 1: the game. But then we respect and saluted the legends

1557
01:20:35,520 --> 01:20:38,720
Speaker 1: on another You understand what I'm saying. Like I used

1558
01:20:38,760 --> 01:20:42,320
Speaker 1: to watch these hip hop documentaries and they have guys

1559
01:20:42,400 --> 01:20:45,800
Speaker 1: on there commentating like they knew, and I'm like, I

1560
01:20:45,920 --> 01:20:49,080
Speaker 1: don't know you, and I gotta know everybody.

1561
01:20:49,800 --> 01:20:51,040
Speaker 2: Oh you got the locks?

1562
01:20:53,560 --> 01:20:57,040
Speaker 1: Jay's like what you talking about? Because if I couldn't

1563
01:20:57,080 --> 01:20:59,839
Speaker 1: get him that way, you was gonna get them exactly.

1564
01:21:00,280 --> 01:21:02,200
Speaker 1: Vocal state legs down somewhere.

1565
01:21:02,840 --> 01:21:06,600
Speaker 2: Damn chess. You see that man, motherfucker making up the

1566
01:21:06,720 --> 01:21:10,200
Speaker 2: posta noops? Dirty they doing?

1567
01:21:10,560 --> 01:21:13,840
Speaker 1: Hey yo yo, But listen, it was just my version

1568
01:21:14,000 --> 01:21:17,080
Speaker 1: of it, Joe, until I get to happen.

1569
01:21:17,520 --> 01:21:19,120
Speaker 2: I had to make so it ain't gonna lie to you.

1570
01:21:19,200 --> 01:21:20,000
Speaker 2: I don't want to die.

1571
01:21:20,640 --> 01:21:24,760
Speaker 5: But they definitely have one hundred fat Joe versus in

1572
01:21:24,880 --> 01:21:27,559
Speaker 5: different studios out there that I just did one day

1573
01:21:27,560 --> 01:21:30,720
Speaker 5: and kept it moving knowing that they would benefit off

1574
01:21:30,720 --> 01:21:34,439
Speaker 5: of me. I've done winning regular bullshit studios. Kick six

1575
01:21:34,600 --> 01:21:37,920
Speaker 5: stained broke out. That's almost like, here you go, this

1576
01:21:38,080 --> 01:21:40,760
Speaker 5: is a retirement. So when you know Fat Joe's out

1577
01:21:40,760 --> 01:21:44,600
Speaker 5: of here and they put together the pasty shit, you know,

1578
01:21:44,760 --> 01:21:45,679
Speaker 5: y'all got some shit.

1579
01:21:45,760 --> 01:21:48,160
Speaker 1: Y'all can make a couple of dollars off that shit.

1580
01:21:48,280 --> 01:21:51,120
Speaker 1: You know what I'm saying, you all, motherfucker put the

1581
01:21:51,160 --> 01:21:51,719
Speaker 1: shit together.

1582
01:21:51,760 --> 01:21:52,479
Speaker 2: I'm going to bring.

1583
01:21:52,439 --> 01:21:55,920
Speaker 1: Out on DJ Snatti Black. Pull out your verse from

1584
01:21:56,000 --> 01:21:59,280
Speaker 1: Fat Joe one dollar Bella. I pull out your verse.

1585
01:22:00,040 --> 01:22:02,160
Speaker 1: You got a couple of dollars covering your way. They

1586
01:22:02,240 --> 01:22:05,160
Speaker 1: all looking like her. He knows we kept that ship. Yeah,

1587
01:22:05,160 --> 01:22:07,960
Speaker 1: I know you Hey kids, you probably won't even remember,

1588
01:22:08,240 --> 01:22:10,479
Speaker 1: and nobody's gonna know because it's a record.

1589
01:22:10,520 --> 01:22:12,439
Speaker 2: And again, it didn't go you.

1590
01:22:12,439 --> 01:22:15,439
Speaker 1: Know, so I could have asked him and said yo,

1591
01:22:15,640 --> 01:22:17,479
Speaker 1: and it still would have been like, oh shit, you

1592
01:22:17,600 --> 01:22:19,479
Speaker 1: heard that new you know what I'm saying.

1593
01:22:20,680 --> 01:22:21,360
Speaker 2: I could have did that.

1594
01:22:21,479 --> 01:22:24,840
Speaker 1: But again, but now since you know whatever it is,

1595
01:22:24,880 --> 01:22:27,760
Speaker 1: what it is, I'm gonna play for assistant giggles b

1596
01:22:27,960 --> 01:22:28,280
Speaker 1: I G.

1597
01:22:29,040 --> 01:22:32,400
Speaker 2: Yes, that was dope, b I G. So you didn't

1598
01:22:32,400 --> 01:22:32,880
Speaker 2: hear that yet?

1599
01:22:33,360 --> 01:22:36,479
Speaker 5: No, Yeah, but I'm not talking about that. I got

1600
01:22:36,600 --> 01:22:40,280
Speaker 5: talking about the only thing in the history of of life.

1601
01:22:40,479 --> 01:22:44,000
Speaker 5: I didn't appreciate was like thin he after he died.

1602
01:22:44,080 --> 01:22:46,920
Speaker 5: They was making cold yea yeah with me, Yes, I know,

1603
01:22:47,040 --> 01:22:48,640
Speaker 5: I know all types of sh I was just like

1604
01:22:48,680 --> 01:22:51,000
Speaker 5: the same vocals though I know the same ship with

1605
01:22:51,120 --> 01:22:53,760
Speaker 5: the words, or if you had difference, if freestyled it

1606
01:22:53,840 --> 01:22:56,600
Speaker 5: in the in the radio and changed like that and

1607
01:22:56,720 --> 01:22:57,800
Speaker 5: they did, Yeah, that ship.

1608
01:22:57,880 --> 01:22:59,519
Speaker 1: You're not gonna believe when you hear my said, you're

1609
01:22:59,520 --> 01:23:01,439
Speaker 1: gonna think them toos in it to get wrapped to

1610
01:23:01,520 --> 01:23:01,880
Speaker 1: the beat.

1611
01:23:02,320 --> 01:23:07,639
Speaker 2: Fucking love you. Yeah, this is called It's called where

1612
01:23:07,680 --> 01:23:19,759
Speaker 2: you at feat in the locks because nothing.

1613
01:23:22,160 --> 01:23:23,720
Speaker 6: Which rapper want to smile on him.

1614
01:23:23,760 --> 01:23:26,400
Speaker 15: Now if you want god sucker, you ain't say stoules.

1615
01:23:26,080 --> 01:23:26,479
Speaker 7: It's the best.

1616
01:23:26,520 --> 01:23:27,240
Speaker 2: I'm disgusting.

1617
01:23:27,520 --> 01:23:27,920
Speaker 8: What up?

1618
01:23:27,960 --> 01:23:29,240
Speaker 7: Then we'll start the discuss it.

1619
01:23:29,439 --> 01:23:31,799
Speaker 15: The hands and sa homie, that's the body in Hudson,

1620
01:23:32,160 --> 01:23:34,240
Speaker 15: lucky to be found by the riff of patrol.

1621
01:23:34,400 --> 01:23:34,960
Speaker 8: Be a piece of.

1622
01:23:34,960 --> 01:23:38,240
Speaker 15: Shit, rushing fuck thigging the hole which rappresent He the best,

1623
01:23:38,280 --> 01:23:40,080
Speaker 15: telling them ghost sittings, the pitchers.

1624
01:23:39,760 --> 01:23:42,000
Speaker 7: And children to stay less. They give him my age

1625
01:23:42,040 --> 01:23:42,760
Speaker 7: dress get the.

1626
01:23:42,800 --> 01:23:45,280
Speaker 15: Top ten niggas, the sour and chests best put my

1627
01:23:45,360 --> 01:23:47,720
Speaker 15: blade to their skin, stretching like speed and decks. But

1628
01:23:48,000 --> 01:23:51,080
Speaker 15: now I'm want some entrepreneurship. Spot seat in the car,

1629
01:23:51,280 --> 01:23:53,479
Speaker 15: kidding the guard full of that raw ship at Leasta

1630
01:23:53,520 --> 01:23:56,320
Speaker 15: said violate hitting him with a decent clip, knocked out

1631
01:23:56,360 --> 01:23:57,040
Speaker 15: his eyeballs.

1632
01:23:57,200 --> 01:23:58,160
Speaker 6: He ain't even beat.

1633
01:23:58,000 --> 01:24:00,640
Speaker 15: The ship ghost numbing like leon Cope, can't heat the

1634
01:24:00,720 --> 01:24:01,479
Speaker 15: mixed simple you know.

1635
01:24:01,720 --> 01:24:02,240
Speaker 6: Give a fuck?

1636
01:24:02,439 --> 01:24:11,160
Speaker 11: Cool when right here New York, lax where you and

1637
01:24:11,280 --> 01:24:13,680
Speaker 11: you hit them three lettuce, you know that they represent it.

1638
01:24:14,040 --> 01:24:15,920
Speaker 15: I could go anywhere as long as I got the

1639
01:24:16,600 --> 01:24:18,240
Speaker 15: I do it for the East, as long as I

1640
01:24:18,320 --> 01:24:20,599
Speaker 15: got the coast, go out on my shield, as long

1641
01:24:20,640 --> 01:24:22,479
Speaker 15: as I got my old and hip hop can never

1642
01:24:22,600 --> 01:24:24,120
Speaker 15: be dead long as I got a pole.

1643
01:24:24,200 --> 01:24:27,720
Speaker 7: Now that's the kiddy sex hat, the fly on the

1644
01:24:27,800 --> 01:24:28,960
Speaker 7: wall with the biggest set.

1645
01:24:29,080 --> 01:24:31,719
Speaker 15: Yeah, soaked it all up to spit it out with aggression,

1646
01:24:32,040 --> 01:24:34,360
Speaker 15: felt the way about it every sin with affection.

1647
01:24:34,720 --> 01:24:36,760
Speaker 7: Yeah, you better believe that the bottles is on.

1648
01:24:36,960 --> 01:24:40,520
Speaker 15: Dak pays little cookies, Gildo's on days.

1649
01:24:40,560 --> 01:24:42,040
Speaker 7: Never sober, it's never on it.

1650
01:24:42,320 --> 01:24:46,400
Speaker 15: Rollout twenty one deep and eleven rovers headed shoulders. That's

1651
01:24:46,439 --> 01:24:48,880
Speaker 15: where he pointed them things out. I'm playing the game. See,

1652
01:24:48,920 --> 01:24:50,439
Speaker 15: I mean they had you could bring back.

1653
01:24:51,000 --> 01:24:52,120
Speaker 6: Yeah, at least it.

1654
01:24:52,200 --> 01:24:54,240
Speaker 8: Be y'all Danna and you hit them three lettuce.

1655
01:24:54,320 --> 01:25:00,639
Speaker 6: You know that they represented lax right here, pallaway.

1656
01:25:02,120 --> 01:25:04,719
Speaker 7: Yeah yeah, do you hit them three letters?

1657
01:25:04,760 --> 01:25:05,320
Speaker 6: You know that they.

1658
01:25:13,880 --> 01:25:19,479
Speaker 2: Can you remember that verse? You don't even remember it, right?

1659
01:25:20,320 --> 01:25:20,479
Speaker 2: You know?

1660
01:25:20,640 --> 01:25:23,280
Speaker 5: Sometimes I go overseas and they have an after party

1661
01:25:23,320 --> 01:25:26,679
Speaker 5: and they start playing Fat Joe records Ice Swear to God,

1662
01:25:26,720 --> 01:25:29,639
Speaker 5: I sit there like, I don't remember them ships.

1663
01:25:29,920 --> 01:25:30,840
Speaker 2: They be playing ship.

1664
01:25:30,880 --> 01:25:34,120
Speaker 1: I'll be like, we I do that. But everybody that

1665
01:25:34,640 --> 01:25:37,639
Speaker 1: I play heards you just now and you watch the room.

1666
01:25:37,920 --> 01:25:39,080
Speaker 1: Nigga's like, what is that?

1667
01:25:39,439 --> 01:25:43,240
Speaker 2: That ship was incredible? Again the Rhams was fan.

1668
01:25:43,479 --> 01:25:46,400
Speaker 1: But again I could have, but I didn't want to

1669
01:25:46,479 --> 01:25:48,479
Speaker 1: do that because again I know how artists be too yo.

1670
01:25:49,000 --> 01:25:50,760
Speaker 2: I did that before. I know that.

1671
01:25:51,000 --> 01:25:55,320
Speaker 1: But it's a new record to everybody. Want Eric Sherman

1672
01:25:55,400 --> 01:25:58,679
Speaker 1: to produce my Albumlogue take my whole ship?

1673
01:25:59,280 --> 01:26:01,559
Speaker 2: Are you gonna play? You're gonna play godflaw on cheet though,

1674
01:26:01,640 --> 01:26:04,920
Speaker 2: giving the mother just the last one. I'm gonna go.

1675
01:26:05,479 --> 01:26:07,920
Speaker 2: We gotta go, you gotta go, ever Seving.

1676
01:26:08,040 --> 01:26:10,720
Speaker 1: But this is this is a lower vibration of what

1677
01:26:10,800 --> 01:26:13,559
Speaker 1: I would do did this is Conway, the machine, little

1678
01:26:13,560 --> 01:26:17,559
Speaker 1: Way and game. It's gonna be kind of long because

1679
01:26:17,600 --> 01:26:20,040
Speaker 1: it's slow too, but as a vibe, that's all.

1680
01:26:21,760 --> 01:26:25,960
Speaker 2: It's over. Everything starts from now. We all go down

1681
01:26:26,040 --> 01:26:28,559
Speaker 2: unless we stay together. Ain't no one man above the crew.

1682
01:26:28,640 --> 01:26:30,960
Speaker 2: You know that ship. I ain't ship.

1683
01:26:31,600 --> 01:26:32,920
Speaker 6: I ain't never gonna be shipped.

1684
01:26:33,439 --> 01:26:35,920
Speaker 2: You remember that motherfucker God.

1685
01:26:35,760 --> 01:26:39,600
Speaker 9: Mold new godflow on God's son twelve goose swam pastoles

1686
01:26:39,840 --> 01:26:42,759
Speaker 9: when every summer this gospel mob blowly.

1687
01:26:42,880 --> 01:26:44,160
Speaker 7: We're pretty bitch with a sign.

1688
01:26:44,280 --> 01:26:46,400
Speaker 6: No my blow Even Nigga.

1689
01:26:46,200 --> 01:26:49,960
Speaker 9: Chest would fly hole Congo Gorilla like I'm from Congo.

1690
01:26:50,760 --> 01:26:54,719
Speaker 2: I go on the reps, I colon seals.

1691
01:26:54,760 --> 01:26:58,080
Speaker 1: My name calis sol my holes the ritals homey, that's

1692
01:26:58,200 --> 01:27:02,800
Speaker 1: not those top flows for consoles hanging up on the

1693
01:27:02,880 --> 01:27:04,400
Speaker 1: walls and all on my swat stove.

1694
01:27:04,880 --> 01:27:08,320
Speaker 2: Yo, bitch, my dick smacking up tom soles. My fans

1695
01:27:08,439 --> 01:27:10,000
Speaker 2: be mashing like they have rock show.

1696
01:27:10,640 --> 01:27:13,479
Speaker 9: My man had a button on a ham pole, My

1697
01:27:13,760 --> 01:27:15,679
Speaker 9: yams the guard cook on a hot stove.

1698
01:27:16,000 --> 01:27:17,040
Speaker 6: Smith the ticket that's so.

1699
01:27:17,280 --> 01:27:22,080
Speaker 2: Ridges just the cop clothes, what's up?

1700
01:27:22,200 --> 01:27:23,599
Speaker 7: Gooding like a black face.

1701
01:27:24,360 --> 01:27:27,519
Speaker 8: I could see the future in my luscos. This Christmas

1702
01:27:27,600 --> 01:27:28,719
Speaker 8: listens what you're sending.

1703
01:27:28,479 --> 01:27:33,880
Speaker 16: The firepole on the firepole heaven God time, highway to Heaven,

1704
01:27:34,000 --> 01:27:34,840
Speaker 16: no potholes.

1705
01:27:34,960 --> 01:27:37,000
Speaker 6: I put you on that highway to heaven. Take the

1706
01:27:37,120 --> 01:27:37,639
Speaker 6: high road.

1707
01:27:37,920 --> 01:27:40,639
Speaker 16: Guy knows I'm weathering the storm, still in dry clothes,

1708
01:27:40,840 --> 01:27:43,000
Speaker 16: Still got my foot on niggas. Next my nigga five

1709
01:27:43,120 --> 01:27:46,160
Speaker 16: toes that shy holes coming out their shelves like tip toes,

1710
01:27:46,200 --> 01:27:49,040
Speaker 16: got thy whole seal and puts their whole seal like cascos.

1711
01:27:49,160 --> 01:27:51,120
Speaker 6: I still come with syrup like roscoes.

1712
01:27:51,160 --> 01:27:53,280
Speaker 16: And I got those chickens in the trunks with no

1713
01:27:53,439 --> 01:27:55,920
Speaker 16: white boat. It's black oats, peanut colada.

1714
01:27:56,080 --> 01:27:58,920
Speaker 6: I'm your cook. I've a provider. It's sweetest vagina trap.

1715
01:27:59,080 --> 01:28:00,240
Speaker 6: I was jumping like them.

1716
01:28:00,560 --> 01:28:02,800
Speaker 16: I like the Rowinda get high into the I fel

1717
01:28:02,920 --> 01:28:04,479
Speaker 16: nerd inciples a biment.

1718
01:28:04,720 --> 01:28:07,320
Speaker 6: These rappers are biting like diamond and time is an issue.

1719
01:28:07,479 --> 01:28:10,160
Speaker 16: When I center back out, it's a missal dog food.

1720
01:28:10,320 --> 01:28:13,639
Speaker 16: I turned the trap house to Kennel Rick men in Miami,

1721
01:28:13,680 --> 01:28:14,679
Speaker 16: and they calling me brick.

1722
01:28:16,000 --> 01:28:18,439
Speaker 6: If you five, I want charge your nick to work. Now,

1723
01:28:18,520 --> 01:28:19,280
Speaker 6: what's up coming?

1724
01:28:19,400 --> 01:28:22,160
Speaker 8: Lack of blind food. I could see in the future

1725
01:28:22,240 --> 01:28:25,280
Speaker 8: of my last news. This person's that's the stricture sitting

1726
01:28:25,320 --> 01:28:28,719
Speaker 8: the firebole on the bare bole, how many God.

1727
01:28:28,640 --> 01:28:31,360
Speaker 17: B last against the rapper alive. I swear to God

1728
01:28:31,400 --> 01:28:33,679
Speaker 17: against those lives. The only nigga that show up the ship.

1729
01:28:33,520 --> 01:28:34,240
Speaker 2: When out the squad.

1730
01:28:34,320 --> 01:28:37,200
Speaker 17: My presences, fit heart rates rides on my essence of

1731
01:28:37,320 --> 01:28:39,000
Speaker 17: pit and no stephen a Smith fag. I don't wear

1732
01:28:39,080 --> 01:28:41,720
Speaker 17: my hat over my ears niggas. My influence on these

1733
01:28:41,800 --> 01:28:44,040
Speaker 17: rap niggas like Hennessy and they feel on the same

1734
01:28:44,120 --> 01:28:46,240
Speaker 17: song until they fade out with you, my enemy from Lee,

1735
01:28:46,320 --> 01:28:47,160
Speaker 17: Harvey and Kennedy.

1736
01:28:47,479 --> 01:28:48,160
Speaker 2: Don't shine here.

1737
01:28:48,200 --> 01:28:49,880
Speaker 17: I mean that ship and they saw see saying time

1738
01:28:49,920 --> 01:28:52,040
Speaker 17: and trying to pull up black academics. Big so stop

1739
01:28:52,080 --> 01:28:54,760
Speaker 17: playing like one hit Wonder's first song for I take

1740
01:28:54,800 --> 01:28:56,439
Speaker 17: you back to the old game with the ball head

1741
01:28:56,479 --> 01:28:58,679
Speaker 17: and the shirt long. I'm gonna mean after the earth gone,

1742
01:28:59,240 --> 01:29:01,679
Speaker 17: when the ocean dry, Yeah, winging our fish scales, smoking

1743
01:29:01,720 --> 01:29:04,439
Speaker 17: herb till on the dirt. Come fuck you new niggas

1744
01:29:04,800 --> 01:29:07,200
Speaker 17: making a spot high. You ain't gonna last for long.

1745
01:29:07,520 --> 01:29:10,080
Speaker 17: It's like you shot pot, hated and loved throwing the

1746
01:29:10,160 --> 01:29:12,439
Speaker 17: dog still in the drop top and noble French kiss

1747
01:29:12,520 --> 01:29:14,920
Speaker 17: or something in one of them Diesel prop tops to

1748
01:29:15,120 --> 01:29:17,200
Speaker 17: Cubans around my neck like I got to work and

1749
01:29:17,280 --> 01:29:19,599
Speaker 17: last album so twenty thousand the first week that got

1750
01:29:19,680 --> 01:29:22,200
Speaker 17: to her. That's why I listened to bread Fayas and

1751
01:29:22,240 --> 01:29:24,640
Speaker 17: Poppa Perk, but not before I call that summon, make

1752
01:29:24,680 --> 01:29:27,600
Speaker 17: sure we got the verse that what's ull coming.

1753
01:29:27,439 --> 01:29:28,360
Speaker 2: Like a blind food.

1754
01:29:29,120 --> 01:29:32,519
Speaker 8: I could see the future of my hustless presus last

1755
01:29:32,680 --> 01:29:36,840
Speaker 8: criptures sending the pliable on the pliable ham and gone.

1756
01:29:38,160 --> 01:29:44,280
Speaker 1: Sent to DT vessels, big time, big time, Big job,

1757
01:29:44,520 --> 01:29:45,439
Speaker 1: December fifth.

1758
01:29:45,520 --> 01:29:50,920
Speaker 2: The album is called Duo Dynamic Dynamic Duo put them

1759
01:29:50,920 --> 01:29:55,080
Speaker 2: off deep then no no, I was like this, ain't that.

1760
01:29:55,800 --> 01:29:59,839
Speaker 2: That ain't fit racking kiss, dive it up for each servy.

1761
01:30:00,040 --> 01:30:04,320
Speaker 2: Thank you, thank you so much, thank you, thank you.

1762
01:30:07,400 --> 01:30:07,960
Speaker 8: M M