WEBVTT - Thou Shalt Know Your Starting Point

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<v Speaker 1>Hi, and welcome to everywhere. I'm your host, Daniel Scheffler.

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<v Speaker 1>I was always traveling from the beginning, and my very

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<v Speaker 1>young mother's belly mosying around southern Africa with Ron Stewart

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<v Speaker 1>is a soundtrack to our life together. Maybe this is why,

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<v Speaker 1>thirty plus years later, I have such a bush of

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<v Speaker 1>hair in my head. I don't know. Perhaps more importantly,

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<v Speaker 1>this is why I feel like travel is so much

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<v Speaker 1>a part of who I am. Not in the obvious.

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<v Speaker 1>Let's ask Daniel for some travel advice on where to

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<v Speaker 1>eat in insert city here, but in a much deeper way.

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<v Speaker 1>So May West was speaking to me when she said,

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<v Speaker 1>and I paraphrase, good boys go to heaven, bad boys

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<v Speaker 1>go everywhere. Today's travel commandment thou shalt know your starting point.

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<v Speaker 1>I always say my birth mother is normal Gene, not

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<v Speaker 1>quite Marilyn Monroe. But what she did do is travel

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<v Speaker 1>with wild, abandoned topless, with the wind through her breasts.

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<v Speaker 1>She was in Africa, and so it all felt so

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<v Speaker 1>free to her. Okay, let's establish this right now. Africa's

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<v Speaker 1>like that. It helps you lose those strange inhibitions you

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<v Speaker 1>tend to hoard over time. Remember when you were just

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<v Speaker 1>a wee lass or lad. You just tried everything twice

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<v Speaker 1>and again if you wanted to, and you did it

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<v Speaker 1>all without thinking about it too much. And here you

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<v Speaker 1>are today and you're questioning whether to go to age

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<v Speaker 1>old incredible Mexico because the media sparks fear in you

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<v Speaker 1>over some border situation. There's something about that scarlet blood

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<v Speaker 1>soil of Africa that stays in my being. I leave

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<v Speaker 1>again and again, and somehow being born in Africa means

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<v Speaker 1>you always get tugged home. That like umbilical cord, is

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<v Speaker 1>so taught. I know it. When I get off the

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<v Speaker 1>plane and I smell that air, it alters me every time,

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<v Speaker 1>no matter where I've come from. It smells like the

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<v Speaker 1>bush belt, like everywhere animals sweat for kunt. The clouds

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<v Speaker 1>are extra enormous, And when the afternoon rolls in, just

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<v Speaker 1>as you're thinking about a lovely tea time, they do

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<v Speaker 1>a dance of storms. It's louder than what your ears

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<v Speaker 1>think they can handle, and it's wetter than any rain

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<v Speaker 1>you've ever felt. Big drops tossed to clean your soul,

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<v Speaker 1>and they come with such a riotous frenzy, and all

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<v Speaker 1>your ships washed away. The drool is always the same.

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<v Speaker 1>I kick off my shoes and I find my feet

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<v Speaker 1>banned the sand or soil or somewhere, and it immediately

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<v Speaker 1>roots right there. My feet become the very beginning of

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<v Speaker 1>life as we know it. It taps into centuries of

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<v Speaker 1>humanity and all its cruelty and beauty. Only Africa can

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<v Speaker 1>make you cry and laugh all at once. I'm not

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<v Speaker 1>supposing that Africa doesn't have its problems, and I'm not

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<v Speaker 1>suggesting that just because I was born on the continent

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<v Speaker 1>that somehow miraculously I understand it better than But I

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<v Speaker 1>don't know the Koi, sand or others that have been

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<v Speaker 1>there before me. You have spent centuries reveling in it,

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<v Speaker 1>protecting it. On the contrary, I'm a white boy from Africa.

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<v Speaker 1>I can partially see both the sword and the shield.

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<v Speaker 1>I read this beautiful line and in wild the Cheryl

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<v Speaker 1>Strait book, and she was talking to Oprah and they

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<v Speaker 1>were having this conversation and she said something like the

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<v Speaker 1>wilderness has a clarity that included me. Okay, sure, granted

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<v Speaker 1>she was talking about the Pacific Crest Trail, but that

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<v Speaker 1>somehow stayed with me. Africa shows you exactly that ponder

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<v Speaker 1>about that gorgeous sentence. Once more, isn't the thing we're

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<v Speaker 1>all looking for and maybe the reason we even leave

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<v Speaker 1>to journey across oceans and even now space. Just a

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<v Speaker 1>little more inclusion, please, So I think my birth mother

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<v Speaker 1>must have stuffed me with some of those liberty jeans.

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<v Speaker 1>I'm always climbing up a land rover so I can

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<v Speaker 1>watch the wild dogs play, or running up a hills

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<v Speaker 1>so I can see the nearby islands or some open plains.

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<v Speaker 1>And then there are these endless mountains I'm hiking up

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<v Speaker 1>to see what I can see from there. In fact,

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<v Speaker 1>whenever I get to a city, besides for finding a

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<v Speaker 1>poor over coffee specifically which I'll share more details with

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<v Speaker 1>you in a moment, I try and find a rooftop

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<v Speaker 1>or a hilltop or a uppy uppy situation to observe

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<v Speaker 1>just what I'm dealing with. Let me demonstrate. So, think

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<v Speaker 1>about a city like Santiago, chill Am. You hike a

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<v Speaker 1>little mountain which is right downtown, and of course there's

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<v Speaker 1>like an enormous religious statue looking down at you, possibly

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<v Speaker 1>judging you, And this is where you can survey almost

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<v Speaker 1>the entire city, and those incredible Andy's in the distance.

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<v Speaker 1>So that's how I understand it, and I'm able to

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<v Speaker 1>swallow it. Let's think about another place like um, Birmingham, Alabama,

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<v Speaker 1>that has the Roman Guard of Fire Vulcan on a

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<v Speaker 1>hilltop right downtown, gleaming down at the southern heyday glimmer

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<v Speaker 1>of a hope city. That's the first thing I did

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<v Speaker 1>as I arrived. I went to hold hands with this

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<v Speaker 1>cast iron, burly bearded, bare bottomed man so that I

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<v Speaker 1>could really see the city. Why, actually, I lie. The

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<v Speaker 1>first thing I did as I got off the plane

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<v Speaker 1>in Alabama was to go to a gas station in

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<v Speaker 1>this tiny little town annexed to Birmingham for barbecue gas

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<v Speaker 1>in a rub. I was eating flesh at this point,

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<v Speaker 1>and I'm much more plant orientated at the moment. For

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<v Speaker 1>all kinds of reasons. We could definitely debate. Life is

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<v Speaker 1>simpler when you can drive a truck full of gas

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<v Speaker 1>and eat a piece of meat. I was told by

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<v Speaker 1>the man behind a smoker. But let's get back to

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<v Speaker 1>the poor of a coffee. When I'm traveling. Before I

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<v Speaker 1>arrived somewhere New, whether it's Atlanta, Alaska, or Australia, I

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<v Speaker 1>put into the little Google search bar the following phrase

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<v Speaker 1>pour over coffee, enter city here and I pressed searched.

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<v Speaker 1>So the theory is that if they serve pour over

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<v Speaker 1>from a Comax or maybe a V sixty and even

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<v Speaker 1>an error press, they probably in lots of certainty take

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<v Speaker 1>their beans seriously. So then you know, and this is

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<v Speaker 1>what I know, is that I will find not only

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<v Speaker 1>a fantastic cup of coffee, but probably people who also

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<v Speaker 1>give a shit about their cup. And if we found

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<v Speaker 1>naked coffee, I'm kidding, but seriously, of course, there's nothing

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<v Speaker 1>I love more than bearing some skin. I'm not saying

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<v Speaker 1>that I'm a nudist or anything, but since twenty three

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<v Speaker 1>and me says I have some very serious German roots,

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<v Speaker 1>we could do a whole episode dedicated to the German

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<v Speaker 1>love for Barden Barda on a kleinder I of course

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<v Speaker 1>proposed to my new Jersey Italian husband. In the nude.

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<v Speaker 1>We were leisurely swimming off the coast of Sicily near

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<v Speaker 1>some terribly old ruins and agrigento. There were Dover style

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<v Speaker 1>cliffs over to the left and some fucking crazy Game

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<v Speaker 1>of Thrones castles to the right, in a place called

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<v Speaker 1>the lovely sounding Reservo naturale di ponta bianca in my

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<v Speaker 1>best Italian. So think about it. Proposing while travel, Well,

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<v Speaker 1>that makes sense, that's what you want to do in

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<v Speaker 1>the nude. Even more sense. Whilst you're traveling. Maybe your

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<v Speaker 1>guard is down a little and you're more open to something.

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<v Speaker 1>The dog isn't waiting for you to take her out,

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<v Speaker 1>and there's some magic ship that's about to happen. Well,

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<v Speaker 1>travel gives you that little opening cranny in the universe

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<v Speaker 1>to promise your whole heart to someone. And my Jersey

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<v Speaker 1>boy is always busy. It's hard to get his full

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<v Speaker 1>attention on anything. And I mean, let's not even try

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<v Speaker 1>and get his undivided attention. But you know it, deserted

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<v Speaker 1>soft heeably beach with waves quietly kissing your feet and

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<v Speaker 1>inviting you in for a dip in the nude. Hell, yes,

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<v Speaker 1>that held his attention. Not because it's dramatic and not

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<v Speaker 1>because it's a selfie inducing moment, but because we were

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<v Speaker 1>there together and the skies opened up and gave us

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<v Speaker 1>this private moment to share our love discuss, and that's

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<v Speaker 1>was the starting point, like no other Michael and I

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<v Speaker 1>starting in life together, just like the one my bio

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<v Speaker 1>mom had envisioned, and then a life was changed forever.

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<v Speaker 1>I'm gonna pause this right here for a moment for

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<v Speaker 1>our sponsors to weigh in, But do come back to

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<v Speaker 1>hear more about where I've been scooting around this week.

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<v Speaker 1>Trade tables up. You're returning to everywhere land. That's my

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<v Speaker 1>experience with Secily. Now I also like to think about

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<v Speaker 1>it in terms of now and then, So I'm inviting

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<v Speaker 1>my dear friend Holly onto the show to give us

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<v Speaker 1>that then. Yes, so we're only going to focus on

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<v Speaker 1>a little bit of them, because history, of course is

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<v Speaker 1>very rich in Sicily. There is a lot to discuss

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<v Speaker 1>and talk about. And this is going to sound perhaps

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<v Speaker 1>a bit almost morbid compared to your story, but there's

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<v Speaker 1>a reason I want to go there. I want to

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<v Speaker 1>talk a little bit about its military history. Uh, there

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<v Speaker 1>are ruins near where you proposed to your beloved. He

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<v Speaker 1>saw them, maybe didn't fully process them. No, I was

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<v Speaker 1>non processing mind elsewhere. Totally understandable. The Deluty Military Battery

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<v Speaker 1>is there, and that has been there since early on

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<v Speaker 1>in the twentieth century. It was built between nineteen fifteen

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<v Speaker 1>and ninety three, so around World War One. But what

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<v Speaker 1>we really want to talk about in terms of what

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<v Speaker 1>makes Sicily important in world history. Is World War two.

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<v Speaker 1>I thought you were going to say the wine culture,

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<v Speaker 1>all the delicious press. Judo no, no, also very important

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<v Speaker 1>on both points. But when Secily was invaded by the

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<v Speaker 1>Allies on July tenth three, that was known as Operation Husky,

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<v Speaker 1>it was a very very important moment in the war.

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<v Speaker 1>It's one of those places that I think, again to

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<v Speaker 1>Western ears, we think of this Lee is a very

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<v Speaker 1>small part of the world, or a small part of Europe,

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<v Speaker 1>but it was really pivotal that actually is considered by

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<v Speaker 1>many historians to be one of the most important Anglo

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<v Speaker 1>American campaigns of the war. For one, it was the

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<v Speaker 1>first time that the Western Allies made an assault on

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<v Speaker 1>what was called Fortress Europe in essence, and it also

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<v Speaker 1>became this important experiential learning curve for the Allied forces,

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<v Speaker 1>Like they took from that a lot of knowledge and

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<v Speaker 1>a lot of experience and a lot of learning that

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<v Speaker 1>they then could apply to the rest of the war

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<v Speaker 1>going forward. But here is the thing that to me

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<v Speaker 1>is always very very important whenever we talk about historical

0:11:41.480 --> 0:11:44.760
<v Speaker 1>wars or any military action. It's really easy to lose

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<v Speaker 1>sight of the fact that those are real people involved.

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<v Speaker 1>We tend to talk about, you know, the dates and

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<v Speaker 1>the names and how power changed, but there were young

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<v Speaker 1>men there that didn't all make it out. The Allies

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<v Speaker 1>had twenty three thousand casualties at Cecil. That is a

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<v Speaker 1>lot of people. That is still the smallest number that

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<v Speaker 1>I'm about to use in this quick statistics list. German

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<v Speaker 1>forces had thirty thousand casualties, but the Italians had a

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<v Speaker 1>hundred and thirty five thousand and a hundred thousand access

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<v Speaker 1>troops were captured. So those were a lot of young men.

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<v Speaker 1>But here's really why it ended up shifting part of

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<v Speaker 1>the war, because at this point, by the spring of

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<v Speaker 1>ninety three, Mussolini was in some trouble. Like his own

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<v Speaker 1>people were, We're starting to rise against him. There were

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<v Speaker 1>opposition groups that were forming. There were people that were saying, like,

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<v Speaker 1>I really think we should make peace with the Allies.

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<v Speaker 1>I really think we should broker some sort of situation

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<v Speaker 1>and get out of this ward and wine to get

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<v Speaker 1>that right. Let's all be cool. Who wouldn't prefer that.

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<v Speaker 1>It's hard for me to understand why anyone would otherwise.

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<v Speaker 1>But the problem was that there was a lot of

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<v Speaker 1>German military presence in Italy at the time, so it

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<v Speaker 1>wasn't like they could just easily go, Nope, we're voting

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<v Speaker 1>on this, we have changed our minds, were washing our

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<v Speaker 1>hands of this war. They couldn't. There were German forces

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<v Speaker 1>literally everywhere, So that is sort of why this becomes

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<v Speaker 1>so pivotal. Uh. Sicily had been part of Italy since

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<v Speaker 1>eighteen sixties, so it was considered a very important part

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<v Speaker 1>of the country. So before that it was ruled by

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<v Speaker 1>the Bourbons and it was considered a different municipality. And

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<v Speaker 1>then it actually merged with the Kingdom of Sardinia in

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<v Speaker 1>eighteen sixty technically and then became part of the Kingdom

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<v Speaker 1>of Italy officially in eighteen sixty one. This is why

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<v Speaker 1>all the American Italians go to Scillate to uncover all

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<v Speaker 1>this history. Yeah, and it's kind of like the heartland

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<v Speaker 1>in many ways. And also we've discussed the delicious things

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<v Speaker 1>that come from there. Right now, happily, put down those headphones.

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<v Speaker 1>Let's go. You don't really have to ask me thrice,

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<v Speaker 1>but don't ask me a second time because we got

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<v Speaker 1>to finish this segment. So when uh, this invasion happened.

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<v Speaker 1>What was happening in Rome was that this was really

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<v Speaker 1>such a hard hit on Italy, particularly again considering those

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<v Speaker 1>casualty numbers, that Mussolini's government began to just collapse. And

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<v Speaker 1>so two weeks after the Allies invaded Sicily on July,

0:14:16.200 --> 0:14:19.360
<v Speaker 1>he was forced to resign by the Fascist Grand Council.

0:14:19.680 --> 0:14:22.560
<v Speaker 1>He was actually arrested that day, And in essence, this

0:14:22.640 --> 0:14:28.040
<v Speaker 1>removed Italy from the war, from the They're Little Access

0:14:28.120 --> 0:14:30.040
<v Speaker 1>agreement and they were no longer part of it, and

0:14:30.080 --> 0:14:33.480
<v Speaker 1>that meant one more country that the Allies were not fighting,

0:14:33.520 --> 0:14:36.840
<v Speaker 1>So that made it very very important. What's really really lovely, though,

0:14:36.960 --> 0:14:39.680
<v Speaker 1>is that there has been this waiting for the loveliness

0:14:39.680 --> 0:14:42.920
<v Speaker 1>to comes. Loveliness coming. Military history is often really dark,

0:14:42.920 --> 0:14:44.800
<v Speaker 1>but I think very important. You can't turn away from

0:14:44.840 --> 0:14:48.000
<v Speaker 1>those things because they are part of our shared history. Uh.

0:14:48.160 --> 0:14:51.240
<v Speaker 1>In the twenty teens and efforts started to make it

0:14:51.320 --> 0:14:54.680
<v Speaker 1>into a nature preserve. At this point, like you saw them,

0:14:54.760 --> 0:14:59.040
<v Speaker 1>the military buildings there have all largely collapsed or you know, crumbled.

0:14:59.680 --> 0:15:04.440
<v Speaker 1>So environmental groups convened in Palermo in they actually asked

0:15:04.480 --> 0:15:06.920
<v Speaker 1>the Italian Army to also be part of these because

0:15:06.920 --> 0:15:09.480
<v Speaker 1>they wanted to make sure that the military history of

0:15:09.480 --> 0:15:12.320
<v Speaker 1>the area was documented, just as they were preserving all

0:15:12.320 --> 0:15:15.160
<v Speaker 1>of the natural things that have grown there. They also

0:15:15.160 --> 0:15:16.960
<v Speaker 1>want to make sure we don't lose any of that

0:15:17.040 --> 0:15:20.520
<v Speaker 1>in the process. But what I really love about your

0:15:20.560 --> 0:15:22.520
<v Speaker 1>story and why this is so important to me to

0:15:22.520 --> 0:15:25.480
<v Speaker 1>talk about these unfortunate things that happened there and these

0:15:25.520 --> 0:15:29.280
<v Speaker 1>young men that lost their lives there, is that because

0:15:29.320 --> 0:15:32.160
<v Speaker 1>this is a place that has seen blood and pain

0:15:32.320 --> 0:15:35.240
<v Speaker 1>and horror, and yet you have found it to be

0:15:35.280 --> 0:15:37.800
<v Speaker 1>a place that is nothing but beauty and charm and magic.

0:15:38.480 --> 0:15:41.320
<v Speaker 1>And you add to that by sharing your love with

0:15:41.360 --> 0:15:43.480
<v Speaker 1>someone else there and then in turn sharing it with us.

0:15:43.560 --> 0:15:46.400
<v Speaker 1>So to me, like these are the moments that redeem

0:15:46.440 --> 0:15:49.960
<v Speaker 1>the ugliness of humanity, is that people find a way

0:15:50.000 --> 0:15:53.520
<v Speaker 1>to get through that and then build something else beautiful

0:15:53.520 --> 0:15:57.040
<v Speaker 1>in those same spots. Holly, I know you're crying, but

0:15:57.200 --> 0:15:59.960
<v Speaker 1>I'm going to cry, but that's how I feel. I mean,

0:16:00.160 --> 0:16:02.800
<v Speaker 1>when I proposed to Michael, it wasn't planning for it

0:16:02.840 --> 0:16:08.080
<v Speaker 1>to be necessarily on a military area, But now that

0:16:08.200 --> 0:16:11.760
<v Speaker 1>you told me this, my proposal to him and I'll

0:16:11.840 --> 0:16:15.800
<v Speaker 1>love together is somehow more meaningful to me like somehow,

0:16:15.880 --> 0:16:19.000
<v Speaker 1>like the two of us, two men in the freedom

0:16:19.040 --> 0:16:23.640
<v Speaker 1>of the century, can come and be together. And I

0:16:23.760 --> 0:16:27.400
<v Speaker 1>love found at a place which is wasn't about love,

0:16:27.760 --> 0:16:31.800
<v Speaker 1>was about fear and about hatred. Yeah, you have made

0:16:31.840 --> 0:16:33.480
<v Speaker 1>this place for a lot of young men died into

0:16:33.520 --> 0:16:36.080
<v Speaker 1>a place where young men shared love. And to me,

0:16:36.200 --> 0:16:39.000
<v Speaker 1>that's what makes it magical. That's what makes traveling the

0:16:39.040 --> 0:16:41.920
<v Speaker 1>way you do such a beautiful thing. Like you can

0:16:41.960 --> 0:16:44.240
<v Speaker 1>heal these spaces where bad things have happened in some

0:16:44.280 --> 0:16:50.000
<v Speaker 1>ways and in absolute the same vein the place can

0:16:50.040 --> 0:16:55.480
<v Speaker 1>heal you. That's why I find myself trying to leave

0:16:55.640 --> 0:16:58.360
<v Speaker 1>my house and pack a bag and climb on another

0:16:58.440 --> 0:17:02.680
<v Speaker 1>flight is in fact the possibility that I could get healed.

0:17:03.080 --> 0:17:06.240
<v Speaker 1>And then there's this beautiful synergy where that place now

0:17:06.359 --> 0:17:09.560
<v Speaker 1>is so unbelievably beautiful that it also heals you in return,

0:17:09.600 --> 0:17:13.119
<v Speaker 1>and you kind of create this this beautiful um infinity

0:17:13.320 --> 0:17:16.440
<v Speaker 1>of sort of a healing energy that goes back and forth.

0:17:16.480 --> 0:17:18.800
<v Speaker 1>That sounds a little hippi or dippier than I usually get,

0:17:19.200 --> 0:17:22.040
<v Speaker 1>but I think to build on really your whole message, right,

0:17:22.080 --> 0:17:25.800
<v Speaker 1>Like you have the opportunity when you travel to heal

0:17:25.880 --> 0:17:28.240
<v Speaker 1>places with your own love like that's part of what

0:17:28.359 --> 0:17:31.680
<v Speaker 1>makes humanity great, as a counterpoint to all the things

0:17:31.720 --> 0:17:35.200
<v Speaker 1>that can sometimes make humanity not so great. So thank

0:17:35.240 --> 0:17:37.000
<v Speaker 1>you for adding love to the world, and to that

0:17:37.080 --> 0:17:39.480
<v Speaker 1>part of the world in particular. I love that you're

0:17:39.480 --> 0:17:43.840
<v Speaker 1>crying everything. You can throw a glitter in the air

0:17:43.840 --> 0:17:46.000
<v Speaker 1>and yell kittens, and I'll probably cry, But this is

0:17:46.040 --> 0:17:51.240
<v Speaker 1>to me very meaningful. Let's take a break to him

0:17:51.240 --> 0:17:53.960
<v Speaker 1>from our sponsors, and we'll be right back with more

0:17:54.000 --> 0:18:01.760
<v Speaker 1>travel from everywhere. The time has come from everywhere. Now

0:18:01.840 --> 0:18:08.800
<v Speaker 1>where were we? Welcome back? I was in Washington, d C.

0:18:09.040 --> 0:18:14.159
<v Speaker 1>Recently interviewing Stephanie Stebsh, the director of the Smithsonian American

0:18:14.320 --> 0:18:18.120
<v Speaker 1>Art Museum. We spent the morning chatting about using art

0:18:18.240 --> 0:18:21.800
<v Speaker 1>as a way to better understand America, and I could

0:18:21.840 --> 0:18:26.280
<v Speaker 1>listen to her for the rest of my life. Hi, Stephanie,

0:18:26.280 --> 0:18:28.800
<v Speaker 1>Hello Daniel. It is so lovely to be in d

0:18:28.880 --> 0:18:31.720
<v Speaker 1>C with you. Thank you for having me. I wish

0:18:31.760 --> 0:18:33.840
<v Speaker 1>I could offer you a perfect day. Yesterday was a

0:18:33.840 --> 0:18:36.680
<v Speaker 1>perfect day for the cherry blossoms. It's true. I saw

0:18:36.720 --> 0:18:39.360
<v Speaker 1>some cherry blossoms, and I'm thrilled to be in DC

0:18:39.480 --> 0:18:41.720
<v Speaker 1>at this time of the year. I've never done it before.

0:18:41.960 --> 0:18:44.840
<v Speaker 1>So well, once you see the cherry blossoms that it

0:18:45.000 --> 0:18:47.320
<v Speaker 1>suggests a return visit, sort of like seeing Mount Fuji

0:18:47.440 --> 0:18:50.840
<v Speaker 1>tells you that you're going to return to Easter. Tell

0:18:50.880 --> 0:18:54.840
<v Speaker 1>me exactly what you do in d c stefinitely. I

0:18:54.880 --> 0:18:59.880
<v Speaker 1>work at the Smithsonian, which is best described in Forward

0:19:00.880 --> 0:19:03.800
<v Speaker 1>Everything under the Sun, And if you know the Smithsonian,

0:19:03.840 --> 0:19:05.840
<v Speaker 1>it's a sun symbol, so that works well for us.

0:19:05.960 --> 0:19:09.920
<v Speaker 1>But in truth it is the largest museum and research

0:19:10.040 --> 0:19:14.640
<v Speaker 1>complex in the world. And in the family of Smithsonian museums,

0:19:14.680 --> 0:19:17.879
<v Speaker 1>of which there are nineteen, I run two of them.

0:19:18.000 --> 0:19:20.200
<v Speaker 1>Can we back up one second, I want to talk

0:19:20.240 --> 0:19:25.000
<v Speaker 1>about crafting. Before moving to America, I had never crafted anything.

0:19:25.400 --> 0:19:29.879
<v Speaker 1>For me, Crafting is this very American thing. Tell me

0:19:29.920 --> 0:19:33.760
<v Speaker 1>a little bit about crafting as an American thing. Well, Daniel,

0:19:33.800 --> 0:19:37.560
<v Speaker 1>I think language is important. So when we talk about craft,

0:19:37.920 --> 0:19:41.200
<v Speaker 1>craft can be both a noun the object, the crafted object,

0:19:41.520 --> 0:19:43.320
<v Speaker 1>and it also can be a verb the way you're

0:19:43.400 --> 0:19:45.920
<v Speaker 1>using it. And I would say today, in particularly, we're

0:19:45.920 --> 0:19:49.679
<v Speaker 1>living in the midst of a maker's movement like Etsy

0:19:50.119 --> 0:19:56.439
<v Speaker 1>Etsy craft beer, you know, handcrafted bread's artisanal. Back to

0:19:56.480 --> 0:19:58.320
<v Speaker 1>the making of the hand. And if you know your history,

0:19:58.359 --> 0:20:02.440
<v Speaker 1>which I imagine you do, Uh, there was the industrial Revolution,

0:20:03.000 --> 0:20:05.560
<v Speaker 1>and there was a counter revolution. So just as things

0:20:05.600 --> 0:20:09.640
<v Speaker 1>were becoming mechanized and and you made the same which

0:20:09.720 --> 0:20:12.040
<v Speaker 1>in many ways was an innovation in and of itself,

0:20:12.119 --> 0:20:15.560
<v Speaker 1>to repeat in making the exact same kind of object,

0:20:16.200 --> 0:20:19.200
<v Speaker 1>there was a counter movement led by artists, of course,

0:20:19.720 --> 0:20:22.000
<v Speaker 1>to go back to the handmaid, to go back to

0:20:22.040 --> 0:20:25.359
<v Speaker 1>the human scale. And that, of course took place mostly

0:20:25.400 --> 0:20:28.000
<v Speaker 1>in the realm of craft, whether it was a wallpaper

0:20:28.119 --> 0:20:32.120
<v Speaker 1>by William Morris, or crafted objects and furniture like good

0:20:32.119 --> 0:20:35.919
<v Speaker 1>stuff Stickley here in the United States, or pottery or

0:20:36.040 --> 0:20:39.520
<v Speaker 1>iron work. That was a moment at the turn of

0:20:39.560 --> 0:20:42.840
<v Speaker 1>the nineteenth century. Now, of course, we live in a

0:20:42.880 --> 0:20:46.400
<v Speaker 1>moment where once again I would say, we almost don't

0:20:46.400 --> 0:20:49.520
<v Speaker 1>know how things are made anymore. So some days I

0:20:49.560 --> 0:20:53.280
<v Speaker 1>want to go back to the handmaid. It is meditative,

0:20:54.040 --> 0:20:56.720
<v Speaker 1>it is quiet, and we even see it in the

0:20:56.800 --> 0:21:00.000
<v Speaker 1>industrial world. Have you been to a Nike store recently?

0:21:00.200 --> 0:21:02.439
<v Speaker 1>I have. They now have a counter and many of

0:21:02.480 --> 0:21:06.000
<v Speaker 1>them that invite you to make your own exactly. Now,

0:21:06.040 --> 0:21:08.119
<v Speaker 1>some people are terrified that I would like just the

0:21:08.160 --> 0:21:12.760
<v Speaker 1>regular choices. Others are excited to be invited to create

0:21:12.800 --> 0:21:15.560
<v Speaker 1>their own versions, and I think it speaks a little

0:21:15.600 --> 0:21:18.800
<v Speaker 1>bit too identity America as very distinctive, as you know

0:21:18.880 --> 0:21:22.280
<v Speaker 1>in your travels. Uh, one place feels very different than

0:21:22.320 --> 0:21:24.760
<v Speaker 1>another place, and yet it can feel the same. Right

0:21:24.840 --> 0:21:28.880
<v Speaker 1>we have, We've shared malls across the country. Sometimes it's

0:21:28.880 --> 0:21:31.600
<v Speaker 1>comforting to travel again as I did as a child,

0:21:31.640 --> 0:21:34.200
<v Speaker 1>and know there would be the comforts of a holiday

0:21:34.240 --> 0:21:37.679
<v Speaker 1>in everywhere you went there was a happy sameness. Or

0:21:37.720 --> 0:21:41.119
<v Speaker 1>even McDonald's, I know the menu, and again with every movement,

0:21:41.119 --> 0:21:43.480
<v Speaker 1>I think there's always a happy counter movement, and then

0:21:43.520 --> 0:21:46.879
<v Speaker 1>suddenly you felt, well, shouldn't I be seeing something that's

0:21:47.080 --> 0:21:51.200
<v Speaker 1>unique to this place, whether again it's food or fashion

0:21:51.440 --> 0:21:54.800
<v Speaker 1>or architecture. And that's why I'm such a big fan

0:21:54.920 --> 0:21:57.679
<v Speaker 1>of when you travel you should go to museums. I

0:21:57.800 --> 0:22:00.880
<v Speaker 1>fully agree we should talk about that a lot, indeed,

0:22:00.920 --> 0:22:03.719
<v Speaker 1>and not just art museums, which talk about the creativity

0:22:03.760 --> 0:22:06.320
<v Speaker 1>of a place, of a region, of a moment. But

0:22:06.480 --> 0:22:10.200
<v Speaker 1>I like going to um Charlotte, North Carolina and going

0:22:10.680 --> 0:22:13.359
<v Speaker 1>to the Museum of the New South and learning about

0:22:13.480 --> 0:22:17.119
<v Speaker 1>how air conditioning forever change to the South, not something

0:22:17.160 --> 0:22:19.600
<v Speaker 1>I thought about before I had gone into that museum

0:22:19.600 --> 0:22:22.439
<v Speaker 1>and saw fabious exhibition on that topic. Well, isn't that

0:22:22.520 --> 0:22:25.320
<v Speaker 1>the point of your museum? This very museum we're in,

0:22:25.440 --> 0:22:31.080
<v Speaker 1>like it inspires you to travel America and beyond in

0:22:31.200 --> 0:22:34.120
<v Speaker 1>ways that you may not have thought about. People travel

0:22:34.680 --> 0:22:39.879
<v Speaker 1>and they don't realize that museums are ecilitarian. It's for everybody.

0:22:39.920 --> 0:22:42.720
<v Speaker 1>There's nothing to be scanned of of a museum. I

0:22:42.800 --> 0:22:46.560
<v Speaker 1>certainly think so. I always um am fascinated by the

0:22:46.600 --> 0:22:49.679
<v Speaker 1>house in which the museum sits. There's a great movement

0:22:49.800 --> 0:22:53.200
<v Speaker 1>to create new museums, and they often are in brand

0:22:53.200 --> 0:22:57.800
<v Speaker 1>new buildings with fabius architecture, often signature architecture, and of

0:22:57.840 --> 0:23:01.440
<v Speaker 1>course also museums are set in history buildings. That's our case.

0:23:01.920 --> 0:23:04.199
<v Speaker 1>We sit in the old Patent Office, which is actually

0:23:04.280 --> 0:23:07.399
<v Speaker 1>one of the most spectacular buildings, a great example of

0:23:07.480 --> 0:23:12.159
<v Speaker 1>Greek Revival architecture. But more importantly, it's the house of

0:23:12.200 --> 0:23:15.720
<v Speaker 1>American ingenuity, and the driving force of America in many

0:23:15.720 --> 0:23:21.439
<v Speaker 1>ways is entrepreneurship, is creating new things, is mechanization, is

0:23:21.760 --> 0:23:25.280
<v Speaker 1>um making improvements. So of course you'd expect to see

0:23:25.640 --> 0:23:28.159
<v Speaker 1>a few patents that we have still kept here in

0:23:28.200 --> 0:23:31.600
<v Speaker 1>some of the wonderful shelves of the old Patent Office building.

0:23:32.000 --> 0:23:33.919
<v Speaker 1>One of my favorites to point out to people is

0:23:34.240 --> 0:23:38.320
<v Speaker 1>an effort to improve the mouse trap. Why do you

0:23:38.359 --> 0:23:42.679
<v Speaker 1>think people don't understand museums? People travel to all over

0:23:42.720 --> 0:23:44.040
<v Speaker 1>the world, and you're like, yeah, I should go to

0:23:44.040 --> 0:23:47.359
<v Speaker 1>the museum, and it's almost an obligation, like, oh, like,

0:23:47.480 --> 0:23:51.159
<v Speaker 1>I guess i'm here in Barcelona, let me go to

0:23:51.200 --> 0:23:53.879
<v Speaker 1>the product or oh, I'm in South Africa, I should

0:23:53.880 --> 0:23:57.760
<v Speaker 1>see the Holocaust Museum in Cape Town or the Apotheid Museum.

0:23:57.760 --> 0:24:00.639
<v Speaker 1>And and my whole thing is, don't see it as

0:24:00.640 --> 0:24:03.320
<v Speaker 1>an obligation. Don't see it like a whole day adventure.

0:24:03.520 --> 0:24:06.600
<v Speaker 1>Go for an hour, go for ten minutes, go and

0:24:06.840 --> 0:24:12.320
<v Speaker 1>explore in a way that's yaws, opposed to the museum

0:24:12.400 --> 0:24:14.879
<v Speaker 1>telling you how. And that's like, I don't know if

0:24:14.920 --> 0:24:19.080
<v Speaker 1>you guys have been to museum. Heck they do, I've

0:24:19.119 --> 0:24:22.080
<v Speaker 1>heard about them, but I would have to go in disguise. Okay, great,

0:24:22.160 --> 0:24:24.119
<v Speaker 1>let's do it. So when we have a date in

0:24:24.160 --> 0:24:27.480
<v Speaker 1>New York or Los Angeles, and you'll be in disguise

0:24:28.000 --> 0:24:29.960
<v Speaker 1>and you should experience that. It's one of the most

0:24:30.040 --> 0:24:33.239
<v Speaker 1>amazing ways to see in a museum because people, I

0:24:33.280 --> 0:24:37.280
<v Speaker 1>think as travelers are confused about how to interact with

0:24:37.320 --> 0:24:39.600
<v Speaker 1>the museum. Well, you know, if you think about the

0:24:39.640 --> 0:24:43.159
<v Speaker 1>history of museums, museums were not for everyone. Not everyone

0:24:43.240 --> 0:24:46.760
<v Speaker 1>was invited in, the hours were limited. One of the

0:24:46.840 --> 0:24:50.640
<v Speaker 1>great revolutions of the French Revolution was actually throwing open

0:24:50.680 --> 0:24:53.280
<v Speaker 1>the doors of the loof of extending the hours so

0:24:53.320 --> 0:24:57.760
<v Speaker 1>that the working person could come experience that they're a museum.

0:24:57.800 --> 0:25:01.199
<v Speaker 1>And what are museums? We are storehouses many ways. What

0:25:01.359 --> 0:25:05.080
<v Speaker 1>we really are our treasure houses of things that people

0:25:05.119 --> 0:25:09.480
<v Speaker 1>care for. So this is the American Museum of Art.

0:25:10.320 --> 0:25:15.480
<v Speaker 1>What is American art? Uh, it's a big definition, it's

0:25:15.520 --> 0:25:19.280
<v Speaker 1>a varied definition. So we at the Smithsonian American Art

0:25:19.359 --> 0:25:24.640
<v Speaker 1>Museum have a special duty. We cherish forty four thousand

0:25:24.640 --> 0:25:29.879
<v Speaker 1>works of art across four centuries, across all media. So

0:25:29.920 --> 0:25:33.320
<v Speaker 1>we have from folk art to photography, We have craft

0:25:33.720 --> 0:25:36.359
<v Speaker 1>to something called time based media, so things made with

0:25:36.520 --> 0:25:40.479
<v Speaker 1>video and and lights and l ed s. We obviously

0:25:40.520 --> 0:25:45.080
<v Speaker 1>have paintings and sculptures, with prints and drawings. We have

0:25:45.119 --> 0:25:48.960
<v Speaker 1>a definition of America that doesn't really reach all of

0:25:48.960 --> 0:25:52.359
<v Speaker 1>the America's Some museums have a broader definition. And you

0:25:52.400 --> 0:25:54.919
<v Speaker 1>and I spoke earlier about boundaries, again, how do you

0:25:54.960 --> 0:25:59.480
<v Speaker 1>define America? But it really is about the American experience.

0:26:00.200 --> 0:26:04.119
<v Speaker 1>Artists capture something about the now and the contemporary that

0:26:04.240 --> 0:26:07.399
<v Speaker 1>is also hopefully universal, and that's why it speaks to

0:26:07.480 --> 0:26:14.199
<v Speaker 1>us across time, across materials, and it invokes hopefully wonder

0:26:14.960 --> 0:26:19.880
<v Speaker 1>sometimes upset, and that's okay as well. We try to

0:26:19.920 --> 0:26:22.720
<v Speaker 1>help our visitors understand a little bit of the time

0:26:22.800 --> 0:26:25.879
<v Speaker 1>in which the art was created. We often try to

0:26:25.920 --> 0:26:30.800
<v Speaker 1>talk about process and uh. Again, I think artists speak

0:26:30.840 --> 0:26:34.479
<v Speaker 1>to us through their own creativity and um. When they

0:26:34.520 --> 0:26:37.320
<v Speaker 1>do it very very well, they stop us in our

0:26:37.359 --> 0:26:43.160
<v Speaker 1>tracks and they create something that's unforgettable and that sparks

0:26:43.200 --> 0:26:49.120
<v Speaker 1>hopefully some combination of reflection and inspiration and a sense

0:26:49.119 --> 0:26:52.919
<v Speaker 1>of wonder. That is the American experience. I mean, I

0:26:53.080 --> 0:26:56.120
<v Speaker 1>chose to come and live here in search of that,

0:26:56.680 --> 0:26:58.960
<v Speaker 1>and to me, part of that is the American dream.

0:26:59.080 --> 0:27:06.200
<v Speaker 1>Like the idea year of Americana, apple Pie Cowboys, it's

0:27:06.359 --> 0:27:10.439
<v Speaker 1>very limited, and I think that we're expanding. I'd like

0:27:10.560 --> 0:27:13.399
<v Speaker 1>to think we're expanding as much as there's a current

0:27:13.400 --> 0:27:18.359
<v Speaker 1>administration that's tightening on this very limited experience. I think

0:27:18.400 --> 0:27:23.240
<v Speaker 1>that we as a nation of immigrants and people that

0:27:23.280 --> 0:27:26.159
<v Speaker 1>have been here from the beginning, as a combination of

0:27:26.200 --> 0:27:30.560
<v Speaker 1>these wonderful people, we want to expand their definition in

0:27:30.720 --> 0:27:34.920
<v Speaker 1>order to enrich our experience, the American experience. My best

0:27:34.960 --> 0:27:37.600
<v Speaker 1>friend touch down this morning for the first time in

0:27:37.600 --> 0:27:41.520
<v Speaker 1>his life to America, and he landed in New York

0:27:42.040 --> 0:27:47.919
<v Speaker 1>and his first impression was everyone feels part of the world.

0:27:48.480 --> 0:27:50.639
<v Speaker 1>And it was such a He's Dutch, and it was

0:27:50.680 --> 0:27:54.360
<v Speaker 1>such a beautiful thought that I had, like I live

0:27:54.440 --> 0:27:57.320
<v Speaker 1>in it, so I forget, but I was like, yeah,

0:27:57.359 --> 0:28:02.080
<v Speaker 1>that's exactly America from here and everywhere. Yes, And in

0:28:02.119 --> 0:28:05.280
<v Speaker 1>many ways we think of America as a young country,

0:28:05.359 --> 0:28:08.200
<v Speaker 1>which of course does not take into consideration that native

0:28:08.240 --> 0:28:12.439
<v Speaker 1>peoples who were here for centuries and centuries. What we

0:28:12.560 --> 0:28:15.440
<v Speaker 1>also have to think about America is in terms of

0:28:15.680 --> 0:28:18.919
<v Speaker 1>the founding of modern America is its place in the

0:28:18.920 --> 0:28:21.639
<v Speaker 1>rest of the world. And so I think there was

0:28:21.680 --> 0:28:25.199
<v Speaker 1>initially a bit of an inferiority complex, a sense that

0:28:25.560 --> 0:28:29.879
<v Speaker 1>the grandeur of Europe, these great castles and cathedrals, and

0:28:30.040 --> 0:28:34.840
<v Speaker 1>these artistic and intellectual contributions that came from Europe and

0:28:34.880 --> 0:28:38.400
<v Speaker 1>I think that was a little daunting initially in America,

0:28:38.600 --> 0:28:42.280
<v Speaker 1>until the Americans in many ways realized or or came

0:28:42.320 --> 0:28:46.520
<v Speaker 1>to understand this notion of American uniqueness. And it begins

0:28:46.560 --> 0:28:52.200
<v Speaker 1>with the landscape. It begins with the power and majesty

0:28:52.240 --> 0:28:56.040
<v Speaker 1>of Niagara Falls, a subject matter that was much painted

0:28:56.120 --> 0:29:00.160
<v Speaker 1>and photographed, So this sense of natural wonder and bed

0:29:00.280 --> 0:29:03.000
<v Speaker 1>and then captured by artists. And then you repeat this

0:29:03.120 --> 0:29:06.120
<v Speaker 1>sense of wonder when you march across the country from

0:29:06.120 --> 0:29:12.680
<v Speaker 1>the coastlines to the um Yosemite to the Grand Canyon.

0:29:13.040 --> 0:29:17.200
<v Speaker 1>I love the way Ken Burns has described the American

0:29:17.280 --> 0:29:21.600
<v Speaker 1>National Park. He says, it's a uniquely American idea to

0:29:21.720 --> 0:29:25.520
<v Speaker 1>take lands and forever make them private for the enjoyment

0:29:25.960 --> 0:29:30.640
<v Speaker 1>of all, for the benefit of wildlife, for understanding our

0:29:30.960 --> 0:29:34.959
<v Speaker 1>or nature, and coming back to a place to refresh ourselves.

0:29:35.640 --> 0:29:38.640
<v Speaker 1>And that's a pretty radical idea because coming to America

0:29:38.840 --> 0:29:41.400
<v Speaker 1>was Wow, look at these endless timber forests, look at

0:29:41.560 --> 0:29:45.880
<v Speaker 1>these oars, look at all these um resources to exploit

0:29:46.080 --> 0:29:50.200
<v Speaker 1>to build with, whether it's ships or or skyscrapers. And

0:29:50.280 --> 0:29:54.200
<v Speaker 1>so to stand back and say no, this belongs to

0:29:54.320 --> 0:29:59.320
<v Speaker 1>us all. That's a wonderful sense of um, common need

0:29:59.480 --> 0:30:03.040
<v Speaker 1>and comm and purpose that is so beautiful. Those are

0:30:03.080 --> 0:30:06.040
<v Speaker 1>the things that I think about America, and I think

0:30:06.040 --> 0:30:08.440
<v Speaker 1>a lot of people forget. And that's why you have

0:30:08.480 --> 0:30:12.880
<v Speaker 1>to travel, right, Daniel, exactly, the I must travel as

0:30:12.880 --> 0:30:16.320
<v Speaker 1>a great Diana Freedland said. Indeed, and early on the

0:30:16.440 --> 0:30:20.600
<v Speaker 1>railroads understood that they would have an evolving purpose. Yes,

0:30:20.720 --> 0:30:24.680
<v Speaker 1>they would have to connect this great country. They would

0:30:24.680 --> 0:30:28.080
<v Speaker 1>have to determine places of settlement. Being on the railroad

0:30:28.160 --> 0:30:31.080
<v Speaker 1>was being connected. And then later on the railroads needed

0:30:31.120 --> 0:30:35.320
<v Speaker 1>to bring not only um materials across country, but they

0:30:35.360 --> 0:30:37.760
<v Speaker 1>would need to bring people. They would need to invite

0:30:37.800 --> 0:30:41.240
<v Speaker 1>people to explore, to put down routes, to grab land

0:30:41.360 --> 0:30:44.440
<v Speaker 1>and and make their fortune. This kind of manifest destiny

0:30:44.520 --> 0:30:48.360
<v Speaker 1>of the country. And it also frankly spread people out

0:30:48.400 --> 0:30:51.520
<v Speaker 1>across the country as they're pouring onto our shores, whether

0:30:51.520 --> 0:30:55.200
<v Speaker 1>it was on the west coast with Chinese or on

0:30:55.240 --> 0:30:58.280
<v Speaker 1>the east coast with the Irish who arrived before the Germans.

0:30:58.760 --> 0:31:02.040
<v Speaker 1>So the Germans were sent across country and to settle

0:31:02.160 --> 0:31:07.320
<v Speaker 1>the Midwest. So again, artists were part of that storytelling

0:31:07.960 --> 0:31:11.920
<v Speaker 1>of bringing people together to understand. Mm I see a

0:31:12.000 --> 0:31:15.160
<v Speaker 1>lighthouse that must be New England. That must be the coast.

0:31:15.920 --> 0:31:19.080
<v Speaker 1>M I see a barn, I see fields, that must

0:31:19.120 --> 0:31:22.280
<v Speaker 1>be the Midwest. They kind of gave us the language

0:31:22.400 --> 0:31:27.400
<v Speaker 1>for understanding America. That's why I want everyone to come here.

0:31:28.000 --> 0:31:31.120
<v Speaker 1>I feel like if you understand that and then you

0:31:31.240 --> 0:31:36.240
<v Speaker 1>sent yourself out on America, your whole experience will be different.

0:31:36.720 --> 0:31:39.240
<v Speaker 1>I mean, I feel that I feel for the first

0:31:39.280 --> 0:31:41.640
<v Speaker 1>time that I'm part of something. I may not have

0:31:41.720 --> 0:31:44.600
<v Speaker 1>been born here, but I immigrated here and I feel

0:31:44.600 --> 0:31:47.400
<v Speaker 1>part of that fabric. Daniel, you haven't touched upon this,

0:31:47.480 --> 0:31:49.760
<v Speaker 1>but I think it's a little bit implied in the

0:31:49.760 --> 0:31:53.680
<v Speaker 1>sense of America and when you travel, when typically encounters

0:31:53.720 --> 0:31:57.560
<v Speaker 1>the national flag. When you come to America, you encounter

0:31:58.080 --> 0:32:02.880
<v Speaker 1>the stars and stripes every rewear everywhere, and then other

0:32:03.000 --> 0:32:07.960
<v Speaker 1>things that the world thinks of as Americans. So car culture,

0:32:08.640 --> 0:32:12.200
<v Speaker 1>American car culture is unique. The scale of the place,

0:32:12.240 --> 0:32:15.600
<v Speaker 1>again back to landscape, suggests that we can have oversized

0:32:15.600 --> 0:32:19.719
<v Speaker 1>cars that are open that invite you to to breathe

0:32:19.800 --> 0:32:22.560
<v Speaker 1>in as you criss cross the country on on endless

0:32:22.560 --> 0:32:27.040
<v Speaker 1>stretches of road artists who are drawn to cars to

0:32:27.320 --> 0:32:30.760
<v Speaker 1>road trips. I also think that there are subsets of

0:32:30.800 --> 0:32:33.320
<v Speaker 1>American car culture that we should always be attentive to.

0:32:33.680 --> 0:32:36.600
<v Speaker 1>How do people share their identity in the choice of

0:32:36.600 --> 0:32:40.120
<v Speaker 1>their hub caps, or in choice of music, or in

0:32:40.240 --> 0:32:45.760
<v Speaker 1>choice of color, wheel size, or adornment. We think about

0:32:45.800 --> 0:32:50.800
<v Speaker 1>the limits of travel because of discrimination. The Oscar Award

0:32:50.840 --> 0:32:55.080
<v Speaker 1>winning movie Green Book that was a reality for many

0:32:55.120 --> 0:32:59.320
<v Speaker 1>people in terms of their not being welcome and having

0:32:59.320 --> 0:33:01.840
<v Speaker 1>to make route and having a kind of a coded

0:33:01.880 --> 0:33:05.800
<v Speaker 1>book for travel. Certainly women don't always feel safe traveling.

0:33:06.480 --> 0:33:11.680
<v Speaker 1>The lgbt q I A plus community struggle with those

0:33:11.720 --> 0:33:14.520
<v Speaker 1>things still today. I don't know if you've seen Um

0:33:15.200 --> 0:33:18.120
<v Speaker 1>Killer Mike. They've got to show that they were doing

0:33:18.160 --> 0:33:22.239
<v Speaker 1>together on Netflix and basically the premises they were going

0:33:22.280 --> 0:33:28.440
<v Speaker 1>to spend twenty four hours in Atlanta only supporting black

0:33:28.480 --> 0:33:33.120
<v Speaker 1>African American businesses, meaning everything they do had to be

0:33:33.960 --> 0:33:37.440
<v Speaker 1>owned or the CEO of had to be African American,

0:33:38.040 --> 0:33:41.320
<v Speaker 1>so no phone, they struggled to find a hotel, they

0:33:41.320 --> 0:33:43.680
<v Speaker 1>had to stay at an amb and B they couldn't

0:33:43.680 --> 0:33:47.080
<v Speaker 1>get into a car because no car company has a

0:33:47.120 --> 0:33:51.400
<v Speaker 1>black CEO or owner. And I've been thinking about doing

0:33:51.440 --> 0:33:54.400
<v Speaker 1>an l g b t q I A plus version

0:33:54.480 --> 0:33:57.520
<v Speaker 1>of this at least you can use your iPhone right exactly,

0:33:58.400 --> 0:34:01.400
<v Speaker 1>and I could definitely you find a gay owned hotel

0:34:01.560 --> 0:34:06.200
<v Speaker 1>in New York. But the idea of that to replicate

0:34:06.280 --> 0:34:09.200
<v Speaker 1>that on a journey when you travel, I think is

0:34:09.280 --> 0:34:13.440
<v Speaker 1>genius and that gives you a small window into that

0:34:13.600 --> 0:34:15.799
<v Speaker 1>is how travel used to be. Well, that's how the

0:34:15.880 --> 0:34:19.480
<v Speaker 1>experience was for African American screen book and etcetera. Right,

0:34:19.960 --> 0:34:22.479
<v Speaker 1>And it's the diversity of America that makes it a whole.

0:34:23.280 --> 0:34:26.440
<v Speaker 1>It is this notion that we strive hopefully for a

0:34:26.480 --> 0:34:30.319
<v Speaker 1>better union, that the American story is not complete. There

0:34:30.320 --> 0:34:34.959
<v Speaker 1>are unwritten chapters, there are overlooked chapters, there are dark

0:34:35.160 --> 0:34:38.680
<v Speaker 1>chapters that we must reckon with. And then there's a

0:34:38.760 --> 0:34:42.440
<v Speaker 1>question about what is your contribution to the American story,

0:34:42.960 --> 0:34:47.480
<v Speaker 1>and we celebrate American creativity. Whether your work will end

0:34:47.520 --> 0:34:50.279
<v Speaker 1>up at the Smithsonian American arm Museum, I don't know.

0:34:50.880 --> 0:34:54.720
<v Speaker 1>Time will tell. Thanks to spending the morning with me, Stephanie.

0:34:54.760 --> 0:35:02.719
<v Speaker 1>This has been such a delight. Thank you. Thanks for

0:35:02.800 --> 0:35:07.200
<v Speaker 1>hanging out. Connect with us on Instagram at Everywhere Podcast,

0:35:07.800 --> 0:35:11.360
<v Speaker 1>Twitter and Everywhere pond, or on the website at everywhere

0:35:11.400 --> 0:35:16.759
<v Speaker 1>podcast dot com. I'm Daniel Shaffler. Signing off, I'll be

0:35:16.800 --> 0:35:18.200
<v Speaker 1>seeing you everywhere.