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Speaker 1: Hey, Sabrina, Hey, Will, I have.

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Speaker 2: A question for you that I We've been friends for

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Speaker 2: a while now, and I'm surprised this wasn't one of

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Speaker 2: the first questions I asked, because it's important.

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Speaker 1: Do you believe in aliens?

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Speaker 3: No?

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Speaker 1: You don't.

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Speaker 3: No, Wow. I mean in the sense that not that

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Speaker 3: they're not out there, but in the sense that they

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Speaker 3: want to come here.

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Speaker 1: And you don't think we've been visited. You don't think

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Speaker 1: we've been visited.

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Speaker 3: By I don't think there's any reason to come to

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Speaker 3: this count of place. So I think they know we're here.

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Speaker 3: They're very aware of our situations and are like, thank you,

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Speaker 3: we're good, We're good.

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Speaker 1: Thank you.

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Speaker 3: Figures out, we're good, We're good.

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Speaker 1: I like that. Okay, that's fair. I need to need

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Speaker 1: to know that.

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Speaker 2: How about you, Will, Well, Like, like you said, I'm

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Speaker 2: sure they're out there somewhere.

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Speaker 1: I don't know about the visit.

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Speaker 2: I think there's enough UFO sightings that are pretty like

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Speaker 2: a lot of the military ones are coming out now

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Speaker 2: where there's pilots like I was following something that was

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Speaker 2: losing me and came up from the ocean and I

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Speaker 2: saw but see.

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Speaker 3: I always think of those as being like other pilots

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Speaker 3: from other countries, like you know, like all those sightings.

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Speaker 3: I feel like it's just just because we don't know

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Speaker 3: what their intentions are doesn't mean it's like something from

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Speaker 3: somewhere else. It's like, no, it could be from like

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Speaker 3: a different country. That's I get that, check on us.

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Speaker 1: I get that.

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Speaker 2: But I also feel like we had a lot of

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Speaker 2: technology that could be like reverse engineered, like fiber optics

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Speaker 2: and stuff that just popped up out of nowhere from the.

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Speaker 1: Crash at Roswell. I don't know. Yeah, I don't know, Sabrina,

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Speaker 1: But let.

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Speaker 3: Me tell you about this with me, things like that

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Speaker 3: that I can't really explain. I lose interest like that,

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Speaker 3: like a five year olds, I lose interests, and I'm

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Speaker 3: literally it's kind of a shame. It's shameful.

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Speaker 1: Probably, No, it's brilliant, and.

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Speaker 3: I just really, honestly, if I can't figure it out

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Speaker 3: in my head, I'm done with it. I got no,

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Speaker 3: I'll leave that to an expert.

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Speaker 1: That's kind of brilliant. I think that's kind of brilliant.

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Speaker 1: You know.

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Speaker 2: One thing that does exist that I'm very happy about

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Speaker 2: is this podcast. So welcome back to Magical Rewind, the

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Speaker 2: show that makes you want to grab your friends, your

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Speaker 2: pjs and your popcorn and get back to a time

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Speaker 2: and all the houses were smart, the waves tsunamis, and

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Speaker 2: we were still not sure whether aliens visited us.

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Speaker 1: I'm Wilfredell and I'm Sabrina Bryan. Oh, Sabrina, it's time.

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Speaker 1: It's time. It's time.

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Speaker 2: I said that three times today, because yes, we are

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Speaker 2: doing here on Magical Rewind.

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Speaker 1: We're taking on our very first threequel.

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Speaker 2: It's such a weird sounding word to me. I don't know,

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Speaker 2: it just sounds vaguely sexual. We're going deep into a

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Speaker 2: major decom franchise, a favorite series of films here on

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Speaker 2: the podcast and on Podmetrol too. Actually, it's time to

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Speaker 2: add aliens into the mix with twenty twenty two's Zombie three. Sabrina,

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Speaker 2: can you feel the excitement.

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Speaker 1: In the zoom?

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Speaker 3: I am beyond excited. I'm telling you right now. It

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Speaker 3: is and I went I watched it twice? Did you

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Speaker 3: really twice?

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Speaker 1: I did? I did?

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Speaker 3: I did.

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Speaker 2: I was only traveling, so I watched it once and

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Speaker 2: unfortunately part of it I had to watch my phone.

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Speaker 1: So I need to go back and watch it.

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Speaker 2: Again because it seems far too grand for my little

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Speaker 2: handheld device.

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Speaker 3: Yes, I would agree with that, And honestly, I watched

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Speaker 3: it again. Because I watched it. I had talked to

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Speaker 3: actually our producer Tara, and i'd only gotten like maybe

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Speaker 3: halfway through, had an opinion about it, finished it and went, Okay,

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Speaker 3: now I think differently, I'm gonna watch it again, and

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Speaker 3: I'm glad I did, because I don't know if it

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Speaker 3: was like a mood I was in or what, because

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Speaker 3: I was crazy talking to Tar to the way I

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Speaker 3: was talking before. Oh, I can't switch my opinion.

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Speaker 2: Yeah, I can't wait to hear about that. So this,

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Speaker 2: of course, is all in preparation for Zombies four. This

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Speaker 2: time it's way more personal.

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Speaker 1: No, I'm kidding.

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Speaker 2: It's Zombies four Dawn of the Vampires, the newest Dracula

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Speaker 2: ready installment, debuting July tenth on the Disney Channel, then

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Speaker 2: streaming on Disney Plus that following day.

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Speaker 1: What an event. We can't wait.

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Speaker 2: So just to recap for Zombies one, we had zombies duh,

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Speaker 2: Zombies two, the introduction of the werewolves, and now Zombies three.

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Speaker 1: Aliens.

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Speaker 2: Yes, now, if you remember, we saw the medior Ties

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Speaker 2: at the end of Zombies two, and now we'll learn

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Speaker 2: what all that meant.

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Speaker 1: But first let's get into it a little bit.

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Speaker 2: Zombies three premiered on July fifteenth, twenty twenty two, then

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Speaker 2: aired on the Channel about a month later, with most

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Speaker 2: of the main cast back.

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Speaker 1: To reprise their roles, which were very happy to see.

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Speaker 1: Of course. It was filmed in Toronto.

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Speaker 2: Canada, just like the Zombies before it, and well most

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Speaker 2: dcoms for that matter. But there is one very big

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Speaker 2: difference for the third film.

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Speaker 1: The budget.

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Speaker 2: Zombies three a d com people, Zombies three cost a

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Speaker 2: whopping forty million dollars to make forty four zero, not

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Speaker 2: fourteen no, forty okay, all right.

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Speaker 3: Like this kind of stuff is trying to piss me

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Speaker 3: off a little bit. If we could have just maybe got, like,

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Speaker 3: I don't know, one hundred grand more for one of

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Speaker 3: our movies. I'm just kidding.

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Speaker 1: I'm forty nine.

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Speaker 2: But in all fairness, you had to strut without aliens,

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Speaker 2: so uh, that is very there's a big difference.

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Speaker 3: You know what, I cannot. I will always shut myself

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Speaker 3: down because I lived in Barcelona for three months exactly.

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Speaker 3: You were happy, you know, I was doing okay, butty

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Speaker 3: million is wild for the Channel.

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Speaker 1: I wouldn't mind living in Seabrook for three months. That'd

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Speaker 1: be kind of cool.

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Speaker 2: Yeah, yeah, And it's a far cry from movies like

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Speaker 2: say Brink or The Thirteenth Year, which their total budget

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Speaker 2: together was two hundred and seventy three dollars. I'm kidding,

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Speaker 2: that's not what their budget was, but it wasn't forty million.

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Speaker 3: Oh my gosh.

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Speaker 2: And as you can probably predict because of what all

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Speaker 2: these films do, the soundtrack also had a big, splashy release.

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Speaker 2: It came out the same week of the Disney Channel premiere,

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Speaker 2: and it went on to hit No. Number One on

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Speaker 2: the Billboard chart for the US Kids Albums and number

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Speaker 2: three for US soundtracks.

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Speaker 1: So, without giving too whatchu way, Sabrina, what.

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Speaker 2: Did you think of the music in this version, this

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Speaker 2: third version of the film.

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Speaker 3: You know what, I loved this music, I remember, I remember. Okay,

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Speaker 3: So before we do Zombies four, and I know that's

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Speaker 3: obviously that the premiere's coming up, I gotta do a

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Speaker 3: binge watch. I gotta watch one.

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Speaker 1: Then I might have to do the same because I.

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Speaker 3: Need to remember everything that I said. I'm gonna listen

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Speaker 3: to our podcast back again. You guys all should do

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Speaker 3: that as well. Listen because it's like I remember going,

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Speaker 3: I didn't really love the music of the second one.

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Speaker 3: Remember I loved the first one. The music of the

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Speaker 3: second one kind of lost me. These these are bops

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Speaker 3: in this this this movie. I loved this soundtrack. Okay,

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Speaker 3: I think I want to say it again. I'm gonna

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Speaker 3: have to. It might be questionable because I gotta remember

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Speaker 3: and go back, but I want to say this is

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Speaker 3: my favorite one so far.

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Speaker 2: Wow.

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Speaker 1: Oh I have such a different opinion.

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Speaker 4: Wow.

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Speaker 3: Well, and I know it. I know why. I know why.

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Speaker 3: These songs have a little bit more of a cheese

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Speaker 3: factor in the sense of the musical.

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Speaker 2: No, it's not just that you can do it, yes,

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Speaker 2: but it's also like there, it's not just that, it's

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Speaker 2: also just they're just saying what all the characters are doing.

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Speaker 2: Where it's like, hey, Zed, you have to be exceptional.

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Speaker 2: I'm exceptional, Zed, I'm exception. No, I'm so exception. It's like, okay,

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Speaker 2: there's nothing clever about like, I know, hey, you look

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Speaker 2: so sad.

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Speaker 1: I'm so sad. Like, okay, you're just singing what you

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Speaker 1: just said.

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Speaker 3: I know, I knew that was going to be something

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Speaker 3: that like jarred you. But for me, the beats and the.

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Speaker 1: Yeah, those lyrics, to.

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Speaker 2: Me seemed it seemed like a and again I didn't

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Speaker 2: dislike them. I certainly didn't dislike them, and we'll get

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Speaker 2: into that. But these seem to be written as songs

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Speaker 2: that we're just kind of explaining what the characters are

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Speaker 2: doing on screen, as opposed to like a depth to

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Speaker 2: them that especially the first the first movie had this

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Speaker 2: just seemed like, you know, the werewolves are going around

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Speaker 2: and they wanted the guy to come out.

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Speaker 1: So the song was called come Out, Come Out, Come Out.

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Speaker 1: We're looking for you, Come out, Hey, where are you?

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Speaker 1: We're trying to find you. You can tell we're walking

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Speaker 1: through the streets. Come out. It's like, okay, I yeah, anyway,

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Speaker 1: we'll get into all that. Guy.

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Speaker 3: I would say, though, oh gosh, what did oh someday

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Speaker 3: now is our third version of hearing this song a

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Speaker 3: great song?

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Speaker 2: I was because emotional first, I'm first movie.

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Speaker 3: I was emotional though, because well, I'll get it to it.

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Speaker 1: Okay, we'll get up ahead.

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Speaker 3: I talk about this movie though, Okay, hands down, wow,

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Speaker 3: this is wow. I'm telling you right now I had

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Speaker 3: to write this down because it was in my head.

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Speaker 3: I'm like, I will how like a whale wolf, I

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Speaker 3: will rage like a zombie, and I will app you'll

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Speaker 3: if he's not saying anything about this movie, tell you

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Speaker 3: right now, will.

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Speaker 1: Well, we'll get in. We'll get into it. We'll get

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Speaker 1: into it. Well, maybe you know that should be Sabrina

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Speaker 1: is upset. If I get upset, I can tell she's

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Speaker 1: upset because she just told me she was upset.

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Speaker 2: Okay, but first we'll get into this. You might all

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Speaker 2: be wondering how did Zombies three do in comparison to

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Speaker 2: the other ones. The channel was riding the wave of

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Speaker 2: the first two, continuing to promote it NonStop.

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Speaker 1: So did the ratings follow for the third one?

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Speaker 2: Well, it's a little unique since it's split its premieres

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Speaker 2: between the channel and the app, so it was calculated differently.

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Speaker 1: It was calculated to have streamed three hundred and thirty

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Speaker 1: two million minutes in its first week, which ranked seventh

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Speaker 1: on the Nielsen's streaming charts for films.

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Speaker 2: So not sure we really got our answer there, but yes, yeah,

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Speaker 2: overall it is considered a success across the board. But

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Speaker 2: with the way things movies are going nowadays. It's now

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Speaker 2: streaming minutes and it's not viewers. It's it's different.

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Speaker 3: I've seen his podcast ratio.

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Speaker 1: It is it is right.

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Speaker 2: I just assume we're the number one podcast because my

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Speaker 2: mom tells me so.

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Speaker 3: Yeah, because my mom loves My mom loves it.

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Speaker 2: But critics were mixed on the third release, with Lena

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Speaker 2: Wilson of The New York Times writing that Zombies three

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Speaker 2: is quote more than ninety minutes of silliness unquote, but

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Speaker 2: did criticize how the film portrayed socio cultural differences, specifically

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Speaker 2: in the movies groundbreaking queer character portrayed by Terry who.

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Speaker 2: While Brian Lowry Asena and found the movie energetic and progressive,

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Speaker 2: he found the uses of aliens cliche and found the

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Speaker 2: songs to be mostly mediocre.

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Speaker 1: I don't necessarily disagree with mister Lowry.

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Speaker 2: And yes, Zombies three is obviously now available to stream

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Speaker 2: on Disney Plus right alongside its predecessors, and ready to

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Speaker 2: pair with Zombies four soon. So pick a time to

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Speaker 2: watch it, either now, later, never always. Sometimes I'm sure

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Speaker 2: one of those is going to work for you. It's

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Speaker 2: not an easy decision, and we're not going to pretend

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Speaker 2: like we can help.

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Speaker 1: It's all on you.

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Speaker 2: Best of luck, all right, So, Sabrina, we obviously knew

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Speaker 2: about Zombies three before we're going in. It was high

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Speaker 2: on our bucket list. You seem to have answered this

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Speaker 2: question already. Did it meet your expectations?

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Speaker 3: It absolutely absolutely did. I really loved this movie.

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Speaker 1: I again.

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Speaker 3: I watched it twice, and I'm grateful because and I

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Speaker 3: don't I don't even really know where it was. But

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Speaker 3: my first initial watch was just halfway and at the

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Speaker 3: halfway point, I was kind of like, I don't know

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Speaker 3: what's wrong with why this isn't connecting because I liked

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Speaker 3: the first two so much, and I had to take

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Speaker 3: a break. All moms out there no this time of

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Speaker 3: the year where it's just crazy, kids are out of school.

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Speaker 3: Everything feels like it should slow down, doesn't. I don't

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Speaker 3: know if it was that for me. But then I

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Speaker 3: watched the second half and I went, wait a minute,

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Speaker 3: I love this. I gotta watch it again, and I

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Speaker 3: just kind of reset and I went from the top

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Speaker 3: and I'm so grateful that I did, because I loved it.

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Speaker 1: Okay, will No, I liked it.

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Speaker 2: I did definitely, like you know, what I would have

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Speaker 2: loved this movie if I hadn't seen the first two,

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Speaker 2: which were better.

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Speaker 1: And I think they go in exactly the right order.

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Speaker 1: This is.

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Speaker 2: I know it's a personal thing and people look at

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Speaker 2: it differently for each one, but to me, the first

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Speaker 2: one was the best, the second one was not as

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Speaker 2: good but still good, and the third one was not

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Speaker 2: as good as the first two, but still good. So

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Speaker 2: I like the characters, I like the acting. It's it's good.

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Speaker 2: The story is starting to another thing showing up in Seabrook,

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Speaker 2: let's get them involved.

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Speaker 3: Starting to lean it's no too much, but like it's

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Speaker 3: starting to lean a little too Like.

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Speaker 1: It's just cliche at this point.

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Speaker 2: Yeah, it's not they're doing They're literally doing the same story.

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Speaker 3: Again just every movie.

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Speaker 2: With a different set of people that have come into

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Speaker 2: town and different songs. That's it. That's all they're doing.

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Speaker 2: It's it's I mean to the point where the main character,

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Speaker 2: she has essentially exactly the same storyline this episode, this

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Speaker 2: movie that she did with the last one with.

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Speaker 3: The werewolves, trying to find herself.

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Speaker 1: Yes, she's been trying to find herself for three movies.

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Speaker 1: I get it. Yeah, but it's there's no progression.

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Speaker 3: That's what makes me really intrigued now that she has

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Speaker 3: where are we going with this fourth one? So I'm

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Speaker 3: I mean, if this is that middle part that we

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Speaker 3: really need to connect the four, I'm here for it.

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Speaker 3: But I do think you're you're right on that the

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Speaker 3: storyline is starting to get a little bit. But but

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Speaker 3: this is my question too, and it's making me think

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Speaker 3: of too, like I can't wait to get to like

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Speaker 3: the descendants, like keep going with them, because that's also

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Speaker 3: somewhat of the same. Where these movies are incredible though,

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Speaker 3: is the creativity of how they are doing the difference

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Speaker 3: of each thing.

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Speaker 2: It's great and and it's and again it's bright, and

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Speaker 2: it's cheery, and for the kids that are watching, the

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Speaker 2: dances are great. Obviously the two lead characters are. The

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Speaker 2: chemistry between them is wonderful. So again, had had this

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Speaker 2: been the first Zombies movie and I'd never seen another one,

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Speaker 2: I would have been like, great.

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Speaker 1: Movie, Yeah, this is the third time I've never seen.

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Speaker 3: This, Yes, but would it have been with like when

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Speaker 3: you came on the podcast after you watch the first one,

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Speaker 3: do you think it would have been as much as that?

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Speaker 1: No? No, that first one to me was so clever

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Speaker 1: and amazing and wonderful that I don't know if I'm

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Speaker 1: just getting jaded to the whole Seabrook world and maybe

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Speaker 1: watching them kind of back to back to back isn't

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Speaker 1: the way to do it, because maybe I'm just by

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Speaker 1: this point going, Okay, all these stories are the same.

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Speaker 1: It's exactly the same thing.

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Speaker 2: Who's gonna show up now some kind of cheerleading competition,

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Speaker 2: Bucky's gonna be talking about himself, Bonzo is gonna.

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Speaker 1: Be going, and they're gonna be like, now, everybody gets it.

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Speaker 2: But this guy still doesn't speak a word of English

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Speaker 2: and he's now lived in Seabrook for years.

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Speaker 1: So it's yeah, I might, I might have a.

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Speaker 2: Little a little bit of zombie lash. I might a

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Speaker 2: little whiplash for the zombies right now. And I think

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Speaker 2: they've gone perfectly in order. Again, good movie. To me,

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Speaker 2: this is not as good as Zombies Won, which is

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Speaker 2: which is just.

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Speaker 3: A great They nailed it out of the park, agreed

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Speaker 3: the first go around, and I can't imagine. I mean,

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Speaker 3: I feel like they're trying, knowing that they are trying

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Speaker 3: to figure out how to get to the next level.

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Speaker 1: And they did it with a budget they not a.

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Speaker 3: Lot of movies do that right, and it's.

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Speaker 1: Great, like the Mothership, all that stuff.

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Speaker 2: Even the special effects it looked with forty million dollars

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Speaker 2: are better look impressive. It did look impressive. But to me,

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Speaker 2: I've seen this movie with better songs. I mean, one

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Speaker 2: of the songs might as well have been We're running

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Speaker 2: down the street and saying and like that might as

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Speaker 2: well have just been the Yeah.

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Speaker 3: So that's like the difference of listening to the lyrics

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Speaker 3: versus so much of the time for me, I don't

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Speaker 3: really listen to the lyrics. I'm listening to the beat

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Speaker 3: I'm listening to, and I'm listening to like more so

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Speaker 3: like harm and things like that, versus like what they're

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Speaker 3: actually saying. But regardless, watching these again, I'm obsessed with

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Speaker 3: this choreographer, Like I want to get them on the

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Speaker 3: podcast so bad because the dancing's good, the new version

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Speaker 3: of alien he does. Wait, I can't remember if I

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Speaker 3: don't remember their name because it's a it's a little

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Speaker 3: it's a unique one. But this choreographer does this amazing.

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Speaker 3: They've got an amazing talent of distinguishing what the werewolves

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Speaker 3: style of do yep versus what the zombies style obviously

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Speaker 3: the cheer one. And then now we've you know, we've

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Speaker 3: got this new alien and I mean they're like that angle.

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Speaker 1: I was just like, now, the dancing is always great.

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Speaker 2: So the dancing is always great, even I know that,

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Speaker 2: and I know nothing of dancing but you but yes, okay,

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Speaker 2: so well.

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Speaker 1: Let's get mine all right, let's do our synopsis here.

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Speaker 2: People, it is senior year at sebro Kai as humans,

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Speaker 2: zombies and were wolves co exist harmony, but everything changes

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Speaker 2: when a trio of intergalactic aliens descends on the town,

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Speaker 2: entering the cheer competition like aliens do under mysterious pretenses.

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Speaker 2: Great synopsis gets you instantly excited about where this could go.

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Speaker 2: And of course, returning for Zombies three, directing this massive production,

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Speaker 2: it should come as absolutely no surprise is.

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Speaker 1: The King of the d coom our true leader all hel.

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Speaker 3: Paul and ah Help.

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Speaker 2: Paul returning to Seabrook. It would not be Zombies without him.

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Speaker 2: If you need a refresher, which I'm sure you do

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Speaker 2: not at this point, mouth them along with me, everybody.

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Speaker 2: He cut his teeth on Kids Incorporated Sabrina the teenage

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Speaker 2: Witch and Alex Mack then became the go to director

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Speaker 2: for Disney Channel original movies like Luck of the Irish,

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Speaker 2: Read It and Weep, Cheetah Girls one, World Camp Rock

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Speaker 2: two and many many more. We got to interview the

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Speaker 2: legend himself. I don't even know how he descended from

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Speaker 2: his mountaintop two come down and grace us with his presence,

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Speaker 2: but he did, so make sure to check that out

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Speaker 2: when you have the time right there on our.

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Speaker 1: Magical rewind feed.

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Speaker 2: And as far as the cast, Milo Manheim is back

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Speaker 2: as z again. Talk about just commanding the screen. The

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Speaker 2: zombie football star now a producer of the movie. That's

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Speaker 2: a big deal for actors, especially considering he was a

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Speaker 2: total unknown when he was cast. Yet he was the

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Speaker 2: nepo spawn of Emmy and Golden Globe winner A Cameron Manheim,

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Speaker 2: so I'm sure he had a pretty good agent lawyer,

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Speaker 2: but still talented as hell. And his co star was

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Speaker 2: also a newly meant to producer on Zombies and her

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Speaker 2: name is Meg Donnelly. She's back as a mysterious cheerleader Addison.

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Speaker 2: She is a true Disney hybrid, also dipping her toe

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Speaker 2: in a pop music We also had a chance to

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Speaker 2: interview her. So many people have come down from the

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Speaker 2: zombies world to be part of our podcast.

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Speaker 1: It's great. We've got another one here.

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Speaker 2: Another former Magical Rewind guest Trevor Torjman, also known as Bucky.

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Speaker 2: He is a dance star on social media and was

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Speaker 2: recently seen in Seth Rogan's Big Apple TV Opus The Studio.

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Speaker 2: So now, Kylie Russell, another one we interviewed is back

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Speaker 2: as Eliza kind of sorta. So they had to get

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Speaker 2: very creative for this movie because she was very pregnant.

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Speaker 1: Okay that yeah, Okay, the same thing.

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Speaker 3: Yeah, thank god for that information, because I'm telling you

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Speaker 3: that was a little bit of part of why I

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Speaker 3: was pissed halfway through. I'm like, why are we not

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Speaker 3: bringing this character back in full form?

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Speaker 1: Yep, Like I get it, it's.

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Speaker 3: Cool, it's a cool way, but like she needed to

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Speaker 3: come back at some point.

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Speaker 2: Yeah, but she was apparently like thirteen months pregnant when

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Speaker 2: when thirteen they shot, Yeah, very pregnant. So she shot

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Speaker 2: her scenes as cutaways, completely removed from everyone else, and

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Speaker 2: her belly is always blocked you can see mostly because

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Speaker 2: she's depicted as a robot, so obviously that bothered you.

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Speaker 1: It bothered me. I was, but I knew. I knew.

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Speaker 2: Something was going on where it was like, Okay, she's

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Speaker 2: shooting something else and they had to shoot her scenes

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Speaker 2: later or something. So it turns out she was a

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Speaker 2: peregger's and she was new in zombies too, Chan, what.

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Speaker 1: Are you laughing at? A she was a preggers, so

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Speaker 1: she was.

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Speaker 3: She was actually in my pocket and oh she's a preggers.

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Speaker 1: You know.

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Speaker 2: The other one of our other guests that came on

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Speaker 2: said a phrase that I've now told several people that

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Speaker 2: everybody loves now was members.

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Speaker 1: She talked about how it was her husband.

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Speaker 2: Yes, I've told so many people that now they're like,

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Speaker 2: I'm using that every day.

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Speaker 1: Yeah.

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Speaker 2: So Chandler Kinney returns as Werewolf Willa so cool, as

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Speaker 2: does her partner in crime and brother Pierce Joseph as Wyatt.

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Speaker 1: Some of the quick hits here.

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Speaker 2: Other familiar faces we should recognize, Ariel Martin, James Godfried, Coach,

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Speaker 2: Jonathan Langdon, and Kingston Foster.

439
00:20:27,840 --> 00:20:31,280
Speaker 1: All return, but it's our three aliens who are the

440
00:20:31,280 --> 00:20:32,240
Speaker 1: freshest faces of all.

441
00:20:32,280 --> 00:20:35,520
Speaker 2: We have Terry, who the first openly queer, non binary

442
00:20:35,560 --> 00:20:39,240
Speaker 2: Disney casting of all Time. They play Aspen while Matt

443
00:20:39,320 --> 00:20:41,080
Speaker 2: Cornett from High School Musical The Musical.

444
00:20:42,240 --> 00:20:44,040
Speaker 1: I laugh if every time I have to say this,

445
00:20:44,119 --> 00:20:47,000
Speaker 1: it might be the greatest title of any any show ever.

446
00:20:47,400 --> 00:20:50,920
Speaker 2: High School Musical, the Musical the Series is Alan, and

447
00:20:51,040 --> 00:20:52,480
Speaker 2: it's either Kira or Kira.

448
00:20:52,520 --> 00:20:53,200
Speaker 1: I think it's Kira.

449
00:20:53,320 --> 00:20:57,200
Speaker 2: Tanto rounds out the list as Ali, and finally, in

450
00:20:57,240 --> 00:21:00,359
Speaker 2: the Coleman Reynolds chair sort of, we have Rue Paul Charles,

451
00:21:00,440 --> 00:21:03,320
Speaker 2: the voice of the Mothership, the drag Queen Pioneer, burst

452
00:21:03,359 --> 00:21:04,919
Speaker 2: onto the scene in nineteen ninety three with the hit

453
00:21:05,000 --> 00:21:09,280
Speaker 2: dance song Supermodel, You Better Work, and has done everything

454
00:21:09,359 --> 00:21:11,680
Speaker 2: there is to do in the entertainment industry since he

455
00:21:11,760 --> 00:21:15,400
Speaker 2: has a Tony Award taken home fourteen Emmys. You heard

456
00:21:15,440 --> 00:21:17,879
Speaker 2: that right, breaking a record for the category of Reality

457
00:21:17,920 --> 00:21:20,679
Speaker 2: TV and making RuPaul the most awarded person of color

458
00:21:20,720 --> 00:21:23,919
Speaker 2: in Emmy history. He's the host and producer of the

459
00:21:23,920 --> 00:21:27,560
Speaker 2: cultural tent Poll that is RuPaul's Drag Race, which has

460
00:21:27,680 --> 00:21:30,800
Speaker 2: run for basically twenty seasons. Sabrina seems to be happy.

461
00:21:30,960 --> 00:21:33,600
Speaker 3: I love that show.

462
00:21:34,240 --> 00:21:37,800
Speaker 2: Also with a number of spin offs and international variant

463
00:21:37,840 --> 00:21:40,359
Speaker 2: scene around the world. RuPaul also appeared in movies like

464
00:21:40,440 --> 00:21:42,679
Speaker 2: Crooklin and The Brady Bunch Movie and TV shows like

465
00:21:42,720 --> 00:21:45,440
Speaker 2: Broad City and AJ and the Queen, and has also

466
00:21:45,480 --> 00:21:48,800
Speaker 2: released fifteen studio albums, four books, and as a star

467
00:21:48,920 --> 00:21:52,520
Speaker 2: on the Hollywood Walk of Fame. Who I would love

468
00:21:52,520 --> 00:21:54,440
Speaker 2: to have RuPaul on our podcast, but I don't.

469
00:21:54,520 --> 00:21:56,200
Speaker 3: Oh my gosh, oh my god.

470
00:21:56,280 --> 00:21:56,840
Speaker 1: We can trying.

471
00:21:56,920 --> 00:21:58,720
Speaker 3: Presley, who I did a lot of Dance with the

472
00:21:58,720 --> 00:22:02,040
Speaker 3: Stars with when he booked that show to be a judge,

473
00:22:02,800 --> 00:22:05,320
Speaker 3: I filled him in on everything. He was like, Sabrina Hay,

474
00:22:05,400 --> 00:22:07,919
Speaker 3: you know so much about RuPaul's drag race, and like

475
00:22:07,960 --> 00:22:11,199
Speaker 3: it's literally I watch it so much. I have gotten

476
00:22:11,240 --> 00:22:12,840
Speaker 3: off of it a little bit, but it's so good.

477
00:22:13,000 --> 00:22:14,600
Speaker 1: So a bucket list celebrity for you to have on

478
00:22:14,600 --> 00:22:15,200
Speaker 1: our podcast.

479
00:22:15,440 --> 00:22:18,600
Speaker 3: Oh, I don't even know, Like that's it's not I'm

480
00:22:18,600 --> 00:22:21,399
Speaker 3: not sure because it's one of those you pol was

481
00:22:21,400 --> 00:22:22,240
Speaker 3: one of those people that I.

482
00:22:22,240 --> 00:22:25,120
Speaker 1: Might be like, you can do it, you can do it.

483
00:22:25,359 --> 00:22:26,040
Speaker 3: I don't know if.

484
00:22:25,960 --> 00:22:26,919
Speaker 1: I'd actually try to get him.

485
00:22:26,960 --> 00:22:29,520
Speaker 3: We'll try to be here. I'd be here. It's more

486
00:22:29,600 --> 00:22:31,800
Speaker 3: than the people we've had from friends, Like it'd be

487
00:22:31,800 --> 00:22:32,159
Speaker 3: more than that.

488
00:22:32,400 --> 00:22:34,720
Speaker 2: Like, well, we'll try to get as my dad is

489
00:22:34,760 --> 00:22:38,040
Speaker 2: so fond of saying. The worst they can say is no, yes.

490
00:22:38,560 --> 00:22:39,800
Speaker 1: Zombies three runs.

491
00:22:39,880 --> 00:22:45,399
Speaker 2: Oh oh, wait for it, people, exactly ninety minutes.

492
00:22:45,920 --> 00:22:50,880
Speaker 1: Ring the bell. Guys, we have a winner, right target.

493
00:22:51,119 --> 00:22:52,879
Speaker 1: You love to see it. I can tell you this.

494
00:22:53,000 --> 00:22:55,240
Speaker 2: Make as many zombie movies as you watch, just make

495
00:22:55,240 --> 00:22:56,920
Speaker 2: sure they're all ninety minutes.

496
00:22:57,280 --> 00:22:57,920
Speaker 1: That is.

497
00:22:58,040 --> 00:23:00,479
Speaker 3: And do you remember how we actually we talk When

498
00:23:00,520 --> 00:23:03,200
Speaker 3: we talked to Paul Hohan, he talked about how hard

499
00:23:03,240 --> 00:23:06,640
Speaker 3: it is to hit that ninety minute hit. And this

500
00:23:06,680 --> 00:23:08,720
Speaker 3: is the first and we've watched two of it, more

501
00:23:08,760 --> 00:23:11,600
Speaker 3: than two of his movies. This actually made it happen

502
00:23:11,680 --> 00:23:14,080
Speaker 3: to me. I'm like, only Paul could actually do a

503
00:23:14,119 --> 00:23:15,119
Speaker 3: perfect ninety.

504
00:23:15,080 --> 00:23:19,200
Speaker 2: Yeah, exactly, nail camer hit it. That's the way it works.

505
00:23:19,440 --> 00:23:24,280
Speaker 2: Ninety minutes all de kudos to everyone involved. And the

506
00:23:24,280 --> 00:23:26,600
Speaker 2: writers are once again David Light and Joseph Rasso, the

507
00:23:26,680 --> 00:23:29,879
Speaker 2: original duo behind the failed Zombies Versus Cheerleader's Pilot that

508
00:23:29,960 --> 00:23:32,160
Speaker 2: was recycled into the first movie, and now they write

509
00:23:32,200 --> 00:23:34,359
Speaker 2: all the zombie flicks that ruled the channel with an

510
00:23:34,400 --> 00:23:43,560
Speaker 2: iron fist. Okay, we set it up enough, let's try

511
00:23:43,560 --> 00:23:45,080
Speaker 2: our hardest to become the first zombie to go to

512
00:23:45,119 --> 00:23:49,240
Speaker 2: college and jump right into Zombies three. We open with

513
00:23:49,240 --> 00:23:52,520
Speaker 2: a familiar animated recap first scene in Zombies then Zombies two.

514
00:23:52,560 --> 00:23:55,399
Speaker 2: It helps catch everyone up to speed. We're reminded of

515
00:23:55,400 --> 00:23:57,840
Speaker 2: the power plan incident that created the zombies, the arrival

516
00:23:57,880 --> 00:24:00,840
Speaker 2: of the werewolves, and the issues that ensued. Now they've

517
00:24:00,840 --> 00:24:02,560
Speaker 2: worked it all through and everyone is.

518
00:24:02,520 --> 00:24:03,600
Speaker 1: Living in harmony.

519
00:24:03,680 --> 00:24:07,480
Speaker 2: But there's still one big barrier for monsters to break through,

520
00:24:07,480 --> 00:24:11,040
Speaker 2: and that's college. If the Mighty Shrimps, when the football

521
00:24:11,119 --> 00:24:14,399
Speaker 2: is still just the most random ever football team, the

522
00:24:14,480 --> 00:24:17,679
Speaker 2: Mighty Shrimps win the football game tonight, then they'll have

523
00:24:17,720 --> 00:24:21,720
Speaker 2: their first zombie recruited to Mountain College, our big homie Zed,

524
00:24:22,040 --> 00:24:24,040
Speaker 2: and this will open the door for all monsters to

525
00:24:24,080 --> 00:24:26,560
Speaker 2: attend college. It is a big deal, so nothing can

526
00:24:26,560 --> 00:24:28,640
Speaker 2: get in the way of them winning. And then once

527
00:24:28,680 --> 00:24:32,240
Speaker 2: again we see a meteor crash into Seabrook. We're out

528
00:24:32,240 --> 00:24:34,400
Speaker 2: of the animation and right onto the football field. Zed

529
00:24:34,400 --> 00:24:36,399
Speaker 2: and his teammates are practicing for the big game, and

530
00:24:36,480 --> 00:24:39,119
Speaker 2: he has the perfect plan to win. He's scripted all

531
00:24:39,119 --> 00:24:41,439
Speaker 2: the plays and gives his coach the important notebook, the

532
00:24:41,520 --> 00:24:43,359
Speaker 2: zombies of the team apparently have learned to use a

533
00:24:43,400 --> 00:24:45,400
Speaker 2: little bit of their rage power in the field, which

534
00:24:45,400 --> 00:24:50,600
Speaker 2: sure feels like steroids. Zoe, Zed's little sister, who has

535
00:24:50,680 --> 00:24:53,399
Speaker 2: absolutely grown up a whole lot since the last movie,

536
00:24:53,480 --> 00:24:55,280
Speaker 2: reminds her brother how important the game is for the

537
00:24:55,359 --> 00:24:58,720
Speaker 2: zombies and reveals an iPad like device. Zi's best friend

538
00:24:58,840 --> 00:25:02,120
Speaker 2: Eliza is live on screen because remember, uh, preggers.

539
00:25:02,960 --> 00:25:05,120
Speaker 1: It's explained by saying she's.

540
00:25:05,920 --> 00:25:07,840
Speaker 3: You cannot do that the whole time. I will listen

541
00:25:07,960 --> 00:25:08,720
Speaker 3: every single time.

542
00:25:09,040 --> 00:25:13,520
Speaker 2: Okay, well, I apologize it is, but let me just

543
00:25:13,520 --> 00:25:17,239
Speaker 2: say she's a preggers. It's explained by saying she's out

544
00:25:17,280 --> 00:25:20,280
Speaker 2: of town in turning at Z Corp, the company that

545
00:25:20,320 --> 00:25:23,240
Speaker 2: makes the armbands that keep the zombies in check. And

546
00:25:23,280 --> 00:25:26,280
Speaker 2: then we're with Addison, our cheerleading captain and girlfriend of Zed.

547
00:25:26,400 --> 00:25:28,600
Speaker 2: Her plan is to attend Mountain College with z so

548
00:25:28,720 --> 00:25:30,720
Speaker 2: tonight's win is just as important to her as it

549
00:25:30,760 --> 00:25:32,600
Speaker 2: is to him. And then we get a reprise of

550
00:25:32,720 --> 00:25:35,200
Speaker 2: Fired Up for a cheer routine. It's a classic song

551
00:25:35,200 --> 00:25:37,080
Speaker 2: from the first movie, and I think we still love

552
00:25:37,119 --> 00:25:39,639
Speaker 2: this one, right, Oh yeah.

553
00:25:39,200 --> 00:25:41,720
Speaker 1: Loved it. I was like, oh, okay, good this is good.

554
00:25:42,320 --> 00:25:44,840
Speaker 2: Madison's best friend Brie is back and she's still with

555
00:25:44,920 --> 00:25:48,280
Speaker 2: that big, huge goober zombie Bonzo, who still hasn't learned

556
00:25:48,280 --> 00:25:51,320
Speaker 2: a lick of English somehow, how did he pass the

557
00:25:51,359 --> 00:25:54,920
Speaker 2: driving tech anyway. Also, we see Shrimpy the mascot.

558
00:25:54,480 --> 00:25:56,399
Speaker 1: But in this movie he doesn't drive a bus, so

559
00:25:56,480 --> 00:25:59,000
Speaker 1: that's very good to God. We also get our first

560
00:25:59,040 --> 00:26:00,679
Speaker 1: glimpse of the werewolves in Wyatt.

561
00:26:00,680 --> 00:26:02,919
Speaker 2: They're walking on campus and see another strange object in

562
00:26:02,960 --> 00:26:04,879
Speaker 2: the sky. As it passes, they get a jolt on

563
00:26:04,920 --> 00:26:08,280
Speaker 2: their moonstone necklaces. Something is up, but they're also focused

564
00:26:08,320 --> 00:26:11,080
Speaker 2: on the big game and organizing a nighttime pep rally

565
00:26:11,400 --> 00:26:11,880
Speaker 2: before the.

566
00:26:11,840 --> 00:26:14,800
Speaker 1: Team leaves to face the Eels. And at first I

567
00:26:14,840 --> 00:26:18,080
Speaker 1: was like, are they only water based team? And then

568
00:26:18,119 --> 00:26:22,000
Speaker 1: I remember it's called Seabrook, so of course there's water water.

569
00:26:22,560 --> 00:26:25,560
Speaker 3: I did not that to me. It's just simply they

570
00:26:25,560 --> 00:26:28,480
Speaker 3: are all the most ridiculous mascots that I would be.

571
00:26:28,760 --> 00:26:31,760
Speaker 3: So I would probably have tried to talk my parents

572
00:26:31,800 --> 00:26:34,359
Speaker 3: out of making me go to that school, really, because

573
00:26:34,400 --> 00:26:35,840
Speaker 3: I would never want to be a mighty shrimp. I

574
00:26:35,880 --> 00:26:38,000
Speaker 3: would I would have oh my gosh, oh my god.

575
00:26:38,119 --> 00:26:40,520
Speaker 1: What about a banana slug. Is aren't the banana slugs?

576
00:26:40,520 --> 00:26:41,680
Speaker 1: Those are? Is that?

577
00:26:41,680 --> 00:26:45,200
Speaker 3: That's like the mascot is supposed to like the heart

578
00:26:45,240 --> 00:26:47,520
Speaker 3: and soul of your team, Like I think Santa.

579
00:26:47,240 --> 00:26:49,600
Speaker 1: Barbara are the banana slugs. I think that works. Can

580
00:26:49,600 --> 00:26:50,000
Speaker 1: you imagine?

581
00:26:50,640 --> 00:26:53,280
Speaker 3: Like yeah, I mean, I don't know. It just is

582
00:26:53,400 --> 00:26:57,560
Speaker 3: like I mean, mascots mean a lot to especially a

583
00:26:57,560 --> 00:26:59,800
Speaker 3: mascot of a program that are of a school that

584
00:26:59,800 --> 00:27:00,920
Speaker 3: has big cheer team.

585
00:27:01,640 --> 00:27:04,080
Speaker 1: Well than my better than my high school because we

586
00:27:04,080 --> 00:27:05,000
Speaker 1: were in school.

587
00:27:05,080 --> 00:27:08,159
Speaker 2: We were the North Temple High douche nozzles, and it

588
00:27:08,440 --> 00:27:12,000
Speaker 2: just it was not good. And you should have seen

589
00:27:12,040 --> 00:27:12,680
Speaker 2: our mascot.

590
00:27:12,720 --> 00:27:16,400
Speaker 3: It was all right, Okay, okay, all right.

591
00:27:16,520 --> 00:27:19,320
Speaker 1: I was a Falcon. I was a That's a good one.

592
00:27:19,440 --> 00:27:20,120
Speaker 1: Falcons are great.

593
00:27:20,640 --> 00:27:23,800
Speaker 3: Boers are like what like the Patriots?

594
00:27:23,880 --> 00:27:27,680
Speaker 1: The My wife was yabo yablo.

595
00:27:28,600 --> 00:27:30,320
Speaker 3: I see, yes, I love it.

596
00:27:32,080 --> 00:27:34,320
Speaker 2: Zoe, who we now realize is only in this movie

597
00:27:34,320 --> 00:27:37,520
Speaker 2: to carry around a well a Pegger's actress on an iPad,

598
00:27:37,880 --> 00:27:41,080
Speaker 2: reveals that Wyatt likes Eliza, and that is a new

599
00:27:41,119 --> 00:27:42,200
Speaker 2: development in the movie.

600
00:27:42,840 --> 00:27:45,800
Speaker 1: Okay, so were you excited to see everybody back? Yes?

601
00:27:46,320 --> 00:27:51,359
Speaker 3: I was. I felt like I was back with my crew. Yeah,

602
00:27:51,400 --> 00:27:53,800
Speaker 3: what's the next adventure? We're taken? Like that was great.

603
00:27:53,840 --> 00:27:55,760
Speaker 2: It was again, it was nice to see and they're

604
00:27:55,880 --> 00:28:00,960
Speaker 2: all so charismatic and the costume still look great.

605
00:28:01,000 --> 00:28:03,080
Speaker 1: You're right back in the world. You you know, it's

606
00:28:03,200 --> 00:28:05,080
Speaker 1: it's it's still fun to.

607
00:28:05,960 --> 00:28:08,800
Speaker 3: Be honest though, Like now that like I'm finding more,

608
00:28:09,680 --> 00:28:12,160
Speaker 3: I'm so glad that they could have and we've seen

609
00:28:12,200 --> 00:28:14,159
Speaker 3: it done. I know it was done in my movie.

610
00:28:14,240 --> 00:28:15,960
Speaker 3: My the third movie is.

611
00:28:17,080 --> 00:28:17,640
Speaker 1: To ruin something.

612
00:28:17,640 --> 00:28:24,359
Speaker 2: You're not gonna ruin something for me in the third.

613
00:28:22,320 --> 00:28:25,760
Speaker 3: You know that they could have just like said like,

614
00:28:25,920 --> 00:28:28,199
Speaker 3: oh well I and just pulled her out, like just

615
00:28:28,240 --> 00:28:29,800
Speaker 3: like figured it out a way, like who was the

616
00:28:29,840 --> 00:28:32,320
Speaker 3: new brainiac? Like it could have been the little sister

617
00:28:32,600 --> 00:28:34,600
Speaker 3: who became the new brainiac type thing, and they could

618
00:28:34,640 --> 00:28:37,720
Speaker 3: have just oh, she's she's working and that's it, and

619
00:28:37,760 --> 00:28:40,280
Speaker 3: that we never saw her again. I was glad that

620
00:28:40,320 --> 00:28:42,680
Speaker 3: we got a big chunk of her still in the

621
00:28:42,720 --> 00:28:46,280
Speaker 3: movie because I think this cast is a powerhouse act.

622
00:28:46,360 --> 00:28:46,560
Speaker 1: Yeah.

623
00:28:46,600 --> 00:28:49,320
Speaker 2: It gives me hope though, because when she's involved in

624
00:28:49,360 --> 00:28:51,120
Speaker 2: some of the singing, it's just on her iPad, which

625
00:28:51,120 --> 00:28:53,200
Speaker 2: means they can just film me, like for a new

626
00:28:53,240 --> 00:28:54,960
Speaker 2: movie where I just come in and I'm just like, oh,

627
00:28:55,240 --> 00:28:57,440
Speaker 2: I don't want to know, and I could just like it.

628
00:28:57,760 --> 00:29:02,760
Speaker 1: It's gonna be great. So exactly, I'm not a praggers.

629
00:29:02,880 --> 00:29:03,760
Speaker 1: I'll be fine.

630
00:29:04,720 --> 00:29:07,360
Speaker 2: Yes, the football team is announced, but instead of the

631
00:29:07,360 --> 00:29:11,240
Speaker 2: players arriving, it's magical rewind favorite cheerleading superstar and school

632
00:29:11,240 --> 00:29:12,120
Speaker 2: president Bucky.

633
00:29:12,720 --> 00:29:15,400
Speaker 1: He takes credit for the football team and the national.

634
00:29:15,120 --> 00:29:18,280
Speaker 2: Cheeroff coming up, something Addison put together for schools all

635
00:29:18,280 --> 00:29:20,840
Speaker 2: over the state. Then the football team finally does arrive,

636
00:29:20,960 --> 00:29:23,200
Speaker 2: led by Zed and Winter, who has joined the team.

637
00:29:23,480 --> 00:29:26,320
Speaker 2: She runs full speed into a bus just as Mountain

638
00:29:26,360 --> 00:29:28,960
Speaker 2: College recruiters arrive. I'm not sure why they need to

639
00:29:29,000 --> 00:29:33,240
Speaker 2: come and check out the pep rolly for recruiters, but yeah,

640
00:29:33,280 --> 00:29:35,880
Speaker 2: it is what it is. The recruiters think Zeed is

641
00:29:35,880 --> 00:29:37,760
Speaker 2: a star, but admit they aren't sure they want a

642
00:29:37,800 --> 00:29:38,880
Speaker 2: monster on campus.

643
00:29:39,000 --> 00:29:40,040
Speaker 1: The team is ready to leave.

644
00:29:40,080 --> 00:29:42,520
Speaker 2: Nothing can stop the Mighty Shrimps now, and that's when

645
00:29:42,640 --> 00:29:45,640
Speaker 2: Zoe sees another media. But they've been pretty common since

646
00:29:45,640 --> 00:29:48,120
Speaker 2: the werewolves discovered the Moonstone, so it's no biggie or

647
00:29:48,360 --> 00:29:49,160
Speaker 2: is it?

648
00:29:49,240 --> 00:29:53,240
Speaker 1: Because this time it ends up being a massive uf who.

649
00:29:54,640 --> 00:29:57,720
Speaker 2: The entire town scatters, including the recruiters, and can we

650
00:29:57,760 --> 00:30:00,760
Speaker 2: say now the UFO is the most oppressive effect in

651
00:30:00,880 --> 00:30:03,520
Speaker 2: the in dcom history, better than anything we've seen in

652
00:30:03,600 --> 00:30:04,600
Speaker 2: Descendants or anything.

653
00:30:04,680 --> 00:30:05,480
Speaker 1: It looks great.

654
00:30:06,480 --> 00:30:10,240
Speaker 3: Okay, I'm gonna bring back the second movie. Remember the Moonstone.

655
00:30:10,280 --> 00:30:14,080
Speaker 1: We were like, uh yeah, they chinsed.

656
00:30:14,080 --> 00:30:17,320
Speaker 3: It is that great. This is where we're starting to

657
00:30:17,360 --> 00:30:19,560
Speaker 3: see this big budget in effect.

658
00:30:19,840 --> 00:30:21,480
Speaker 1: And it looks so good, really good.

659
00:30:21,560 --> 00:30:24,560
Speaker 2: Even the beaming up and beaming down all looked really

660
00:30:24,640 --> 00:30:25,240
Speaker 2: really good.

661
00:30:25,320 --> 00:30:27,120
Speaker 1: It did, especially for a dcom.

662
00:30:27,120 --> 00:30:28,240
Speaker 3: Better than Descendant.

663
00:30:28,360 --> 00:30:30,920
Speaker 2: Oh I'm say so too, although we've only seen Descendants one.

664
00:30:31,000 --> 00:30:33,920
Speaker 2: So let's see what the new ones do this time.

665
00:30:33,920 --> 00:30:34,400
Speaker 1: It's personal.

666
00:30:34,400 --> 00:30:37,160
Speaker 3: Could be I can't wait. I'm now itching to see

667
00:30:37,160 --> 00:30:37,920
Speaker 3: that second one.

668
00:30:38,000 --> 00:30:40,960
Speaker 2: Let's get through zombies first and our friends in Seabrook,

669
00:30:41,080 --> 00:30:42,920
Speaker 2: and then we'll go back to the bubble kingdom of

670
00:30:42,960 --> 00:30:47,600
Speaker 2: the Defendants. Amongst power line explosions, we got our first

671
00:30:47,640 --> 00:30:51,120
Speaker 2: new song, Alien Invasion, which is of course about an

672
00:30:51,160 --> 00:30:54,200
Speaker 2: alien invasion. Again, we're now starting to just have songs

673
00:30:54,240 --> 00:30:57,200
Speaker 2: saying what's happening? A full cast track that's pretty much

674
00:30:57,240 --> 00:30:59,120
Speaker 2: exactly what it sounds like focus on how the town

675
00:30:59,120 --> 00:31:02,320
Speaker 2: will now protect them from these aliens taking forever to land.

676
00:31:04,000 --> 00:31:05,080
Speaker 1: What do we think of this track?

677
00:31:05,760 --> 00:31:06,560
Speaker 4: I loved it.

678
00:31:06,720 --> 00:31:09,120
Speaker 3: I don't I loved it. I'm telling you I love

679
00:31:09,200 --> 00:31:11,200
Speaker 3: I don't know if it's just because I was so

680
00:31:12,600 --> 00:31:17,200
Speaker 3: like over like, I just loved the choreography so like,

681
00:31:17,280 --> 00:31:19,960
Speaker 3: I loved the groups. I loved I loved the filming

682
00:31:20,000 --> 00:31:21,200
Speaker 3: of it. I mean, I don't know if it was

683
00:31:21,240 --> 00:31:24,680
Speaker 3: just it was just the visual but and the beats.

684
00:31:24,720 --> 00:31:26,520
Speaker 3: But I and I get what you're saying, But I'm

685
00:31:26,560 --> 00:31:30,440
Speaker 3: okay with like a musical that's singing about everything that's

686
00:31:30,480 --> 00:31:32,000
Speaker 3: going on. I'm okay with that.

687
00:31:32,120 --> 00:31:34,720
Speaker 2: I'm okay with your occasional one. But I mean it's

688
00:31:34,760 --> 00:31:38,680
Speaker 2: it's literally it's it's they're singing about aliens landing because

689
00:31:38,680 --> 00:31:40,200
Speaker 2: aliens are landing, and what are we gonna do? And

690
00:31:40,280 --> 00:31:43,240
Speaker 2: the aliens It's like there was nothing. Okay, it was

691
00:31:43,280 --> 00:31:45,880
Speaker 2: just the songs for me, The.

692
00:31:45,880 --> 00:31:48,880
Speaker 3: Dancing portions were super good, but the reactions and the

693
00:31:48,920 --> 00:31:51,360
Speaker 3: small parts of what they would the people that weren't

694
00:31:51,400 --> 00:31:53,800
Speaker 3: dancing and they're just like reacting to what was going on.

695
00:31:54,160 --> 00:31:58,440
Speaker 3: That started to get more on the Mickey mousey type

696
00:31:58,520 --> 00:32:04,120
Speaker 3: situation versus being really just great, which they feel like

697
00:32:04,160 --> 00:32:07,680
Speaker 3: they nailed. The first movie there was just I keep going.

698
00:32:07,480 --> 00:32:10,920
Speaker 2: Back to I keep going back to the first film,

699
00:32:11,080 --> 00:32:14,840
Speaker 2: the first movie with the when you're kind of in

700
00:32:14,880 --> 00:32:18,000
Speaker 2: the first time we see like essentially the Zombies Underground Club,

701
00:32:18,400 --> 00:32:21,360
Speaker 2: and it was that hip hop number. Yeah, that to

702
00:32:21,440 --> 00:32:26,000
Speaker 2: me is the pinnacle of like, oh my god, Yeah

703
00:32:26,040 --> 00:32:27,560
Speaker 2: my god, this is amazing.

704
00:32:27,840 --> 00:32:28,120
Speaker 4: Yeah.

705
00:32:28,160 --> 00:32:31,640
Speaker 2: Whereas these were good, I again did Had I not

706
00:32:31,680 --> 00:32:33,080
Speaker 2: seen the first two, I would have been like, Wow,

707
00:32:33,120 --> 00:32:35,480
Speaker 2: this is so clever and so great. But this being

708
00:32:35,480 --> 00:32:37,520
Speaker 2: the third one, and again I liked the movie, I

709
00:32:37,560 --> 00:32:40,520
Speaker 2: definitely did. I love this series, but I think they

710
00:32:40,600 --> 00:32:42,280
Speaker 2: track exactly correctly with.

711
00:32:42,240 --> 00:32:44,000
Speaker 1: The numbers they have after him. I think Zombies one

712
00:32:44,040 --> 00:32:45,120
Speaker 1: is a bit we'll get into it anyway.

713
00:32:45,280 --> 00:32:45,760
Speaker 3: Yeah.

714
00:32:46,000 --> 00:32:48,960
Speaker 2: In the Mayhem, Wyatt does admit to iPad Eliza that

715
00:32:49,040 --> 00:32:50,960
Speaker 2: he likes her, but she doesn't hear him, and the

716
00:32:51,000 --> 00:32:55,120
Speaker 2: iPad has suddenly lasered in half. Then we find these

717
00:32:55,120 --> 00:32:57,959
Speaker 2: Sarah Aliens who turned out to be just gorgeous, very

718
00:32:58,000 --> 00:33:02,360
Speaker 2: attractive teens in futuristics, Stewart and Stewart's uniforms and strange

719
00:33:02,400 --> 00:33:05,600
Speaker 2: half masks covering their face and blue hair. Through song,

720
00:33:05,640 --> 00:33:07,560
Speaker 2: they announced they come in peace, but for some reason,

721
00:33:07,600 --> 00:33:10,720
Speaker 2: they're still destruction everywhere. The group is led by three

722
00:33:10,760 --> 00:33:16,320
Speaker 2: Aliens Aspen, Ali, and Alan, who take orders from a

723
00:33:16,440 --> 00:33:20,280
Speaker 2: video hologram of someone named Scout Commander fifteen oh nine.

724
00:33:20,560 --> 00:33:23,280
Speaker 2: This commander explains they're in Seabrook for a new mission

725
00:33:23,360 --> 00:33:25,640
Speaker 2: to find the most precious thing in Seabrook, which will

726
00:33:25,680 --> 00:33:28,880
Speaker 2: lead them to their utopia. Then they do what all

727
00:33:28,880 --> 00:33:34,880
Speaker 2: invading aliens do fight dance. I was gonna I always

728
00:33:34,920 --> 00:33:37,440
Speaker 2: ask this to you as our dance expert, but you

729
00:33:37,520 --> 00:33:39,720
Speaker 2: seem to have said it one hundred times.

730
00:33:39,920 --> 00:33:42,560
Speaker 1: We get some West Side story vibes right here, like

731
00:33:42,640 --> 00:33:43,360
Speaker 1: how are you feeling?

732
00:33:43,760 --> 00:33:46,440
Speaker 3: And oh so and I love this. I think this

733
00:33:46,520 --> 00:33:49,840
Speaker 3: is where I was really just captivated. Was we see

734
00:33:49,880 --> 00:33:53,080
Speaker 3: a new group and this new group comes with a

735
00:33:53,320 --> 00:33:57,480
Speaker 3: new style of dans like I just I mean at

736
00:33:57,480 --> 00:34:00,320
Speaker 3: this point, I'm going, oh my gosh. This was soul

737
00:34:01,000 --> 00:34:04,360
Speaker 3: thought out and just like in it lasts throughout the

738
00:34:04,400 --> 00:34:08,640
Speaker 3: whole movie. It's it's just so detailed, right. And this

739
00:34:09,120 --> 00:34:12,360
Speaker 3: was also I think Execution one of the best movies

740
00:34:12,400 --> 00:34:15,719
Speaker 3: as far as the dance technique and everything. This one

741
00:34:15,800 --> 00:34:20,400
Speaker 3: was really good, this biography, but the execution of the dancers.

742
00:34:20,440 --> 00:34:23,520
Speaker 3: And I will say I was really impressed with the

743
00:34:23,560 --> 00:34:27,759
Speaker 3: our characters that we know and love, how much they

744
00:34:27,840 --> 00:34:30,000
Speaker 3: have become that much better of dancers.

745
00:34:30,040 --> 00:34:30,759
Speaker 1: They're really good.

746
00:34:31,920 --> 00:34:34,400
Speaker 3: Is like yeah, I mean, and he was good in

747
00:34:34,440 --> 00:34:37,720
Speaker 3: the first movie. Where he's at now with his skill

748
00:34:37,800 --> 00:34:40,680
Speaker 3: level is like, just I.

749
00:34:40,480 --> 00:34:42,840
Speaker 1: Do have a question for you? Yes that I was

750
00:34:42,880 --> 00:34:44,120
Speaker 1: thinking throughout the entire movie.

751
00:34:44,120 --> 00:34:46,000
Speaker 2: And I stopped and I listened, and I stopped and

752
00:34:46,000 --> 00:34:47,440
Speaker 2: I listened to the point where then I put in

753
00:34:47,480 --> 00:34:49,560
Speaker 2: headphones and I listened again for.

754
00:34:49,560 --> 00:34:52,400
Speaker 1: The first time. Did it seem like his voice was

755
00:34:52,440 --> 00:34:53,120
Speaker 1: auto tuned?

756
00:34:55,320 --> 00:34:58,839
Speaker 3: I think yes, yes, like a little bit like you're going,

757
00:34:58,840 --> 00:35:00,440
Speaker 3: oh wait, is that his voice? Like, oh wait?

758
00:35:00,520 --> 00:35:03,400
Speaker 1: No, it is the auto tune to me, as the

759
00:35:03,400 --> 00:35:04,480
Speaker 1: rest of them, it.

760
00:35:04,560 --> 00:35:08,880
Speaker 3: Goes with the style of music in this one feels

761
00:35:08,920 --> 00:35:09,879
Speaker 3: different to me too.

762
00:35:10,120 --> 00:35:11,640
Speaker 1: But no one else seemed auto tuned.

763
00:35:11,800 --> 00:35:14,560
Speaker 2: It was just him that seemed like they had done

764
00:35:14,640 --> 00:35:15,840
Speaker 2: something to his voice.

765
00:35:15,960 --> 00:35:18,840
Speaker 3: Do you feel like maybe he sang more in this movie.

766
00:35:19,000 --> 00:35:20,799
Speaker 2: I think he did sing more, but I think they

767
00:35:21,480 --> 00:35:23,480
Speaker 2: tweaked it a bit, which I don't think they did

768
00:35:23,480 --> 00:35:24,719
Speaker 2: in the previous films.

769
00:35:25,280 --> 00:35:28,480
Speaker 3: I wouldn't say it was because they necessarily had to.

770
00:35:28,800 --> 00:35:33,120
Speaker 3: I'm sure at this point now Liss, his vocal skills

771
00:35:33,120 --> 00:35:36,040
Speaker 3: are also you know, getting much better from his experience.

772
00:35:36,080 --> 00:35:38,520
Speaker 1: But I think no, he can definitely say I know

773
00:35:38,560 --> 00:35:39,040
Speaker 1: what you're here.

774
00:35:39,160 --> 00:35:41,720
Speaker 3: I heard that too, but I did take it necessarily

775
00:35:41,800 --> 00:35:43,759
Speaker 3: much as like auto tune because it needed to be

776
00:35:44,239 --> 00:35:46,440
Speaker 3: more so like the style felt.

777
00:35:46,320 --> 00:35:49,759
Speaker 2: Okay, okay, so yeah, because again we know he can sing. Yeah,

778
00:35:49,920 --> 00:35:50,759
Speaker 2: I mean we've heard him say.

779
00:35:50,840 --> 00:35:54,000
Speaker 3: Feel like we went away from more of that musical

780
00:35:54,239 --> 00:35:58,120
Speaker 3: boppy like team boppy stuff for the singing portions, and

781
00:35:58,239 --> 00:36:00,719
Speaker 3: everything went more towards like a hip hop like R

782
00:36:00,760 --> 00:36:02,000
Speaker 3: and B kind of vibe.

783
00:36:02,520 --> 00:36:02,600
Speaker 5: No.

784
00:36:02,719 --> 00:36:04,560
Speaker 2: I also got it into my head as we were

785
00:36:04,560 --> 00:36:06,359
Speaker 2: watching this is exactly what you said about the dance

786
00:36:06,400 --> 00:36:08,880
Speaker 2: styles that it was essentially it's like watching my favorite

787
00:36:08,920 --> 00:36:10,839
Speaker 2: step up movies or anything where it's like these are

788
00:36:10,880 --> 00:36:14,160
Speaker 2: three dance crews, yes, and different styles and they're going

789
00:36:14,160 --> 00:36:14,759
Speaker 2: against each other.

790
00:36:14,960 --> 00:36:16,319
Speaker 4: I liked, I.

791
00:36:16,360 --> 00:36:18,719
Speaker 3: Jam My, jam My, jam I feel like we gotta

792
00:36:18,840 --> 00:36:22,000
Speaker 3: like what there might be a break in Magical rewind

793
00:36:22,000 --> 00:36:24,760
Speaker 3: where we just watched the step up stuff.

794
00:36:25,239 --> 00:36:27,640
Speaker 1: Oh that's not a break. That's called heaven.

795
00:36:29,680 --> 00:36:31,680
Speaker 2: For you when you start getting into step up to

796
00:36:32,520 --> 00:36:34,600
Speaker 2: the streets were for some reason, they're dancing in the

797
00:36:34,680 --> 00:36:44,480
Speaker 2: rain for oh love it. The song ends just as

798
00:36:44,560 --> 00:36:47,480
Speaker 2: all three monster species are ready to squabble. Z channels

799
00:36:47,480 --> 00:36:49,640
Speaker 2: his inner zombie rage. But the aliens know they need

800
00:36:49,680 --> 00:36:51,879
Speaker 2: to calm everyone down if they're going to secretly find

801
00:36:51,880 --> 00:36:54,239
Speaker 2: the precious thing that they're looking for. And then, like

802
00:36:54,280 --> 00:36:57,319
Speaker 2: God intervening, a flyer from the cheerleading competition floats to

803
00:36:57,360 --> 00:36:59,279
Speaker 2: their feet and they decide that this will be the

804
00:36:59,320 --> 00:37:01,879
Speaker 2: reason they give for landing in Seabrook. There's a very

805
00:37:01,880 --> 00:37:05,640
Speaker 2: fun line use here. Take us to your leader, cheer leader.

806
00:37:05,920 --> 00:37:06,919
Speaker 1: Oh yeah.

807
00:37:07,480 --> 00:37:10,240
Speaker 2: The aliens are, of course immediately arrested, and Addison's parents,

808
00:37:10,239 --> 00:37:12,480
Speaker 2: her mom the mayor and her dad the chief of police,

809
00:37:12,520 --> 00:37:15,359
Speaker 2: are already saying these invaders must leave, but Addison says

810
00:37:15,360 --> 00:37:17,320
Speaker 2: the competition is for everyone because.

811
00:37:17,040 --> 00:37:19,680
Speaker 1: She just loves everyone and cheer can bring worlds together.

812
00:37:19,960 --> 00:37:24,120
Speaker 1: But Bucky, oh Bucky, Bucky isn't sold. God damn it, Gina.

813
00:37:24,560 --> 00:37:26,960
Speaker 1: He doesn't trust the aliens.

814
00:37:26,600 --> 00:37:29,120
Speaker 2: Who, despite being able to just beam out of jail cells,

815
00:37:29,160 --> 00:37:33,600
Speaker 2: are being cooperative now for some reason. We then cut

816
00:37:33,600 --> 00:37:37,680
Speaker 2: to high school students Zed and Bonzo interrogating the prisoners themselves.

817
00:37:38,080 --> 00:37:39,960
Speaker 2: Not sure about the police protocol in the town, but

818
00:37:39,960 --> 00:37:42,960
Speaker 2: it's definitely a questionable practice to let teens speak to criminals.

819
00:37:43,280 --> 00:37:46,400
Speaker 2: And now the football game has been canceled, so Alien

820
00:37:46,520 --> 00:37:50,440
Speaker 2: ass Bend says they now need an exceptional student scholarship

821
00:37:50,520 --> 00:37:53,920
Speaker 2: to attend Mountain College. And if we're being honest, they

822
00:37:53,920 --> 00:37:56,960
Speaker 2: don't think Zed is that exceptional, which you're going to

823
00:37:57,000 --> 00:37:58,799
Speaker 2: find out later he is because he sings a song

824
00:37:58,880 --> 00:38:03,800
Speaker 2: called Exceptionals. Now freed, the aliens explain all their incredible

825
00:38:03,800 --> 00:38:06,720
Speaker 2: inventions and discoveries and reiterate they are not in Seabrook

826
00:38:06,800 --> 00:38:09,839
Speaker 2: to conquer anyone, but they can electrocute anyone they want.

827
00:38:10,080 --> 00:38:12,840
Speaker 2: The aliens have decided to allow themselves to experience emotions

828
00:38:12,840 --> 00:38:15,400
Speaker 2: while on Earth they had like deactivated their emotion chips,

829
00:38:15,440 --> 00:38:17,440
Speaker 2: just like data on Star Trek the next generation. If

830
00:38:17,440 --> 00:38:19,880
Speaker 2: you know, you know, And the town allows them to

831
00:38:19,920 --> 00:38:22,799
Speaker 2: stay through the cheer competition and so the next day,

832
00:38:22,880 --> 00:38:25,200
Speaker 2: the first of all didn't want anybody in Seabrooke.

833
00:38:25,480 --> 00:38:28,280
Speaker 1: Now anybody can join. Yeah, it doesn't matter who lands.

834
00:38:28,520 --> 00:38:30,680
Speaker 1: You're instantly a high school senior. It started with with

835
00:38:30,800 --> 00:38:35,120
Speaker 1: Willa and the They're like where, Yeah, welcome to homeroom.

836
00:38:35,160 --> 00:38:35,719
Speaker 1: So here we go.

837
00:38:36,960 --> 00:38:38,760
Speaker 2: And so the next day the aliens enroll in sebro

838
00:38:38,840 --> 00:38:41,040
Speaker 2: Kai of course beamed down from their UFO, which is

839
00:38:41,040 --> 00:38:43,800
Speaker 2: called the mother Ship because it acts like an overbearing alien.

840
00:38:43,840 --> 00:38:46,040
Speaker 1: Mom. Get it, get it? Yeah, this is of course

841
00:38:46,040 --> 00:38:47,280
Speaker 1: the voice of Rue Paul.

842
00:38:47,640 --> 00:38:50,760
Speaker 3: Madam, and he gave me a smart house vibe.

843
00:38:50,840 --> 00:38:53,440
Speaker 1: Yes, me too, smart house vibes.

844
00:38:53,960 --> 00:38:56,720
Speaker 2: Addison tell z just how excited she is about the aliens,

845
00:38:56,760 --> 00:38:59,440
Speaker 2: but he reminds her they did kind of blow up Seabrook.

846
00:39:00,000 --> 00:39:02,240
Speaker 2: Addison is still fully in, but said's not fully sold.

847
00:39:02,239 --> 00:39:05,200
Speaker 2: But one thing they are sold on. They're gonna go

848
00:39:05,200 --> 00:39:08,000
Speaker 2: to Mountain College together and be a couple until they die.

849
00:39:08,200 --> 00:39:11,880
Speaker 1: They are musical to Panga and Corey and Q.

850
00:39:12,200 --> 00:39:15,360
Speaker 2: Song number two Zeedda and Allison talking about their undeniable

851
00:39:15,400 --> 00:39:17,560
Speaker 2: bond in future with small signs that maybe they aren't

852
00:39:17,600 --> 00:39:19,920
Speaker 2: so sure and are nervous about what's to come, all

853
00:39:19,960 --> 00:39:23,040
Speaker 2: while dancing and avoiding disasters and crashes through zombie Town,

854
00:39:23,280 --> 00:39:26,040
Speaker 2: which is already rebuilding from the UFO landing. The song

855
00:39:26,120 --> 00:39:29,319
Speaker 2: is called Ain't no doubt about it, And what did

856
00:39:29,320 --> 00:39:29,960
Speaker 2: you think about it?

857
00:39:30,360 --> 00:39:34,200
Speaker 3: Okay, I first of all, I love that you gave

858
00:39:34,800 --> 00:39:38,160
Speaker 3: that nod to Boy Meets World. I can't not say.

859
00:39:38,280 --> 00:39:41,279
Speaker 3: I cannot say Pod meets World anymore, but I know

860
00:39:42,040 --> 00:39:44,240
Speaker 3: it's so hard for me Boy Meets World. I'm glad

861
00:39:44,280 --> 00:39:47,239
Speaker 3: you gave that nod because that's really what popped in

862
00:39:47,280 --> 00:39:50,720
Speaker 3: my head as I was watching this, because I can't

863
00:39:50,719 --> 00:39:55,080
Speaker 3: think of even high school musical. I don't really feel

864
00:39:55,120 --> 00:39:58,719
Speaker 3: like the song said like forever now. I'm not a

865
00:39:58,800 --> 00:40:05,240
Speaker 3: high school music waiting for Lisa to pop in correct,

866
00:40:05,920 --> 00:40:08,719
Speaker 3: you're incorrect, but I don't remember. I don't feel like

867
00:40:08,840 --> 00:40:12,479
Speaker 3: the the the vibe of the couples were like we're

868
00:40:12,520 --> 00:40:15,799
Speaker 3: getting married, we are always together. It's always just kind

869
00:40:15,800 --> 00:40:18,520
Speaker 3: of this is great for you know, it doesn't just

870
00:40:18,520 --> 00:40:19,400
Speaker 3: for right now.

871
00:40:19,719 --> 00:40:22,319
Speaker 1: You're an awesome temporary girlfriend. Yes it does not.

872
00:40:22,360 --> 00:40:24,200
Speaker 3: They don't say it like that, but they don't talk

873
00:40:24,239 --> 00:40:29,880
Speaker 3: about forever right. This is besides to make Cory and

874
00:40:30,200 --> 00:40:32,400
Speaker 3: I'm great. What other Disney channel ever did? That's all

875
00:40:32,400 --> 00:40:34,520
Speaker 3: I could think of during this movie And I'm sorry

876
00:40:34,600 --> 00:40:36,680
Speaker 3: during this song, that's really where my head was.

877
00:40:36,760 --> 00:40:38,600
Speaker 1: Yeah, it was a red flaggy kind.

878
00:40:38,520 --> 00:40:41,640
Speaker 3: But I thought so cute, gave me grease vibes at

879
00:40:41,640 --> 00:40:43,520
Speaker 3: one point, like you're the one that I want, Like

880
00:40:43,600 --> 00:40:45,719
Speaker 3: this is like back and forth. I get such an

881
00:40:45,719 --> 00:40:48,840
Speaker 3: easy watch, so fun, very cute routine.

882
00:40:48,920 --> 00:40:51,759
Speaker 1: I thought it was great and like they're better the.

883
00:40:51,719 --> 00:40:58,560
Speaker 3: Second time too, leaning into it being very cheeky the

884
00:40:58,600 --> 00:41:01,400
Speaker 3: first half time. Yeah, that I watched once and I

885
00:41:01,520 --> 00:41:03,680
Speaker 3: was like, oh, I gotta get I gotta shake it off,

886
00:41:03,760 --> 00:41:04,600
Speaker 3: I gotta shake it off.

887
00:41:04,480 --> 00:41:06,680
Speaker 1: Again, swift, shake it off and go back.

888
00:41:06,520 --> 00:41:08,000
Speaker 3: In and try it again, shake.

889
00:41:07,800 --> 00:41:10,120
Speaker 2: It off and get Oh man, it would have been

890
00:41:10,280 --> 00:41:12,080
Speaker 2: if his t swift, it would have a much different

891
00:41:12,080 --> 00:41:15,560
Speaker 2: song about said. Also worth noting, the werewolves and aliens

892
00:41:15,560 --> 00:41:18,360
Speaker 2: aren't exactly getting along, so to neutralize the doubts of

893
00:41:18,400 --> 00:41:20,840
Speaker 2: the wolves, the aliens do some sort of weird hypnosis

894
00:41:20,920 --> 00:41:23,640
Speaker 2: trick with a circular lens, but we don't.

895
00:41:23,400 --> 00:41:24,480
Speaker 1: Know what that's all about.

896
00:41:24,560 --> 00:41:27,080
Speaker 2: Quite I'm surprised they didn't sing a song called we

897
00:41:27,120 --> 00:41:29,000
Speaker 2: did a Weird thing with a circular lens.

898
00:41:29,719 --> 00:41:32,000
Speaker 1: Bucky and Willo also voice their concerns to Addison.

899
00:41:32,080 --> 00:41:34,320
Speaker 2: They can't trust these aliens and how will this affect

900
00:41:34,320 --> 00:41:37,800
Speaker 2: the cheerleading competition? This could kill their chances at Mountain College.

901
00:41:37,840 --> 00:41:40,480
Speaker 2: Now the entire school is trying to get into this

902
00:41:40,480 --> 00:41:41,400
Speaker 2: one college.

903
00:41:41,520 --> 00:41:43,960
Speaker 1: Is that the whole town just there's one college to

904
00:41:44,000 --> 00:41:44,239
Speaker 1: go to.

905
00:41:44,360 --> 00:41:46,640
Speaker 3: First just feels like the two of them, and then

906
00:41:46,680 --> 00:41:49,440
Speaker 3: by the end of the movie, it's.

907
00:41:48,600 --> 00:41:50,879
Speaker 1: We all need to go to Mountain College. Nobody's trying

908
00:41:50,880 --> 00:41:51,880
Speaker 1: to get a AE.

909
00:41:51,640 --> 00:41:53,799
Speaker 3: And call it. There's no there's only one college for

910
00:41:53,840 --> 00:41:54,160
Speaker 3: them to go.

911
00:41:54,520 --> 00:41:56,520
Speaker 2: You've got all these great cheerleaders. Nobody's trying to get

912
00:41:56,520 --> 00:41:57,239
Speaker 2: into Alabama.

913
00:41:57,800 --> 00:42:00,640
Speaker 3: I will tell you though, working with high school kids,

914
00:42:01,080 --> 00:42:02,759
Speaker 3: it does seem like I don't know if it's with

915
00:42:02,800 --> 00:42:05,440
Speaker 3: the college counselors or it's just because their friends are going.

916
00:42:05,520 --> 00:42:08,640
Speaker 3: But like, for a while it was like one school

917
00:42:08,760 --> 00:42:11,120
Speaker 3: and then it's like, oh no, this school and it's

918
00:42:11,160 --> 00:42:15,200
Speaker 3: like chunks of our area kids go all at once.

919
00:42:15,280 --> 00:42:20,719
Speaker 3: So it is not actually too weird to think, but yeah,

920
00:42:20,760 --> 00:42:22,840
Speaker 3: I feel like that that's what we're gonna get.

921
00:42:22,760 --> 00:42:25,480
Speaker 1: To see, Mountain College, and zos.

922
00:42:25,080 --> 00:42:27,399
Speaker 3: For yes, I'm assuming that's where we're going.

923
00:42:27,480 --> 00:42:29,759
Speaker 1: We're gonna have to say, I'm figuring that out.

924
00:42:30,440 --> 00:42:32,879
Speaker 2: Meanwhile, Eliza's iPad has been fixed, but instead of giving

925
00:42:32,960 --> 00:42:35,480
Speaker 2: child actress Zoe more days on set, they cut her

926
00:42:35,480 --> 00:42:37,520
Speaker 2: out completely and have Zoe build a robot that can

927
00:42:37,560 --> 00:42:40,040
Speaker 2: hold an iPad and roll her around. And now that

928
00:42:40,120 --> 00:42:42,520
Speaker 2: the young actress job has been totally eliminated, Zed tells

929
00:42:42,560 --> 00:42:46,560
Speaker 2: Eliza's steampunk robot all about the exceptional student application he

930
00:42:46,600 --> 00:42:47,520
Speaker 2: has to fill out.

931
00:42:47,880 --> 00:42:49,840
Speaker 3: And did you think about the robot? What did you

932
00:42:49,840 --> 00:42:51,279
Speaker 3: think of it? Did you like?

933
00:42:51,520 --> 00:42:53,399
Speaker 1: I get what they were doing? I mean I said

934
00:42:53,400 --> 00:42:54,840
Speaker 1: I liked what Bonzo said because he was right.

935
00:42:54,920 --> 00:42:59,560
Speaker 2: He's like, and I totally agree with that. So yeah,

936
00:42:59,600 --> 00:43:02,120
Speaker 2: you just ever know. But there is now a new problem.

937
00:43:02,160 --> 00:43:05,200
Speaker 2: The aliens are geniuses of the book kind, not the

938
00:43:05,200 --> 00:43:07,719
Speaker 2: street smart kind, and their test course have affected Zed's

939
00:43:07,760 --> 00:43:10,799
Speaker 2: ranking in the school, both academically and physically. He is

940
00:43:10,960 --> 00:43:13,800
Speaker 2: way less exceptional now, and the aliens, who also reveal

941
00:43:13,840 --> 00:43:17,360
Speaker 2: that their home planet has been destroyed, are becoming very popular.

942
00:43:17,400 --> 00:43:18,880
Speaker 1: New kids in school are always popular.

943
00:43:19,760 --> 00:43:22,440
Speaker 2: And they also tell Zed all about the Luna Lens,

944
00:43:22,640 --> 00:43:25,480
Speaker 2: the thing we saw them use on the werewolves earlier.

945
00:43:25,760 --> 00:43:27,880
Speaker 2: It is a mind probe they've already used on a

946
00:43:27,920 --> 00:43:30,200
Speaker 2: majority of the students, and they're obviously using it to

947
00:43:30,280 --> 00:43:33,600
Speaker 2: find this supposed precious thing. But they pretend they're using

948
00:43:33,640 --> 00:43:36,319
Speaker 2: it for cheerleading tips. They change one of Zed's bad

949
00:43:36,400 --> 00:43:38,759
Speaker 2: test grades and promise to help him with his application,

950
00:43:39,239 --> 00:43:41,919
Speaker 2: all in trade for explaining what the moonstone is, because

951
00:43:41,920 --> 00:43:45,280
Speaker 2: they already think that's the precious thing in town. Zed

952
00:43:45,400 --> 00:43:49,800
Speaker 2: loves this trade because he's a dufis and easily manipulated. Okay,

953
00:43:50,160 --> 00:43:52,239
Speaker 2: would Zed have been your guy? We're looking for your

954
00:43:52,239 --> 00:43:54,200
Speaker 2: guy in every would you have dated Zed? Nys we

955
00:43:54,320 --> 00:43:58,640
Speaker 2: put the zombie thing aside? Would Zed have been your man?

956
00:43:59,120 --> 00:44:05,120
Speaker 3: I think the closest to what we've seen so far? Wow? Yeah, Okay, however,

957
00:44:05,160 --> 00:44:07,440
Speaker 3: I've got something to say about that later.

958
00:44:07,840 --> 00:44:11,080
Speaker 1: Okay, okay, yes, Oh I love it. Oh I kill you.

959
00:44:11,680 --> 00:44:13,800
Speaker 3: I'm a little of my feathers are a little ruffled

960
00:44:13,800 --> 00:44:14,200
Speaker 3: about it.

961
00:44:14,360 --> 00:44:17,320
Speaker 1: I can't wait. Here we go even robot.

962
00:44:17,360 --> 00:44:20,080
Speaker 2: Eliza is shocked at how fast Zed's application was finished,

963
00:44:20,120 --> 00:44:22,480
Speaker 2: and Zed pretends he did it. All Allie has left

964
00:44:22,560 --> 00:44:25,000
Speaker 2: is the home interview, and then he is a shoe

965
00:44:25,080 --> 00:44:27,480
Speaker 2: in for Mountain College. We are now over at the

966
00:44:27,520 --> 00:44:29,880
Speaker 2: local pizza joint. Addison and your cheerleaders are prepping for

967
00:44:29,880 --> 00:44:33,840
Speaker 2: the competition. Aspen arrives and asks for help from the girls.

968
00:44:34,080 --> 00:44:36,520
Speaker 2: Their palms are sweaty and they have knots in their stomach.

969
00:44:36,800 --> 00:44:40,160
Speaker 2: Addison thinks it's because they have a crush. Aspen agrees

970
00:44:40,480 --> 00:44:44,360
Speaker 2: they do have a crush and it's on zed. Addison

971
00:44:44,360 --> 00:44:47,080
Speaker 2: explains very kindly that is her boyfriend and they're in love,

972
00:44:47,120 --> 00:44:49,080
Speaker 2: but Aspen doesn't really get it, but who cares.

973
00:44:49,600 --> 00:44:53,080
Speaker 1: It's time for cheer practice in the school auditorium. We

974
00:44:53,120 --> 00:44:55,160
Speaker 1: also get our first glimpse at the new Alien cheer.

975
00:44:55,000 --> 00:44:59,360
Speaker 2: Squad, and they're really good, like gravity defying good. The

976
00:44:59,440 --> 00:45:02,400
Speaker 2: Mighty Shrimp are shook, but Addison she hasn't given up.

977
00:45:02,440 --> 00:45:04,960
Speaker 2: They can still win the competition, but they'll have to

978
00:45:05,000 --> 00:45:08,920
Speaker 2: try a triple hip hop double Tuck Lindy, which is

979
00:45:08,960 --> 00:45:11,520
Speaker 2: an impossible move, which reminded me so much of the

980
00:45:11,560 --> 00:45:14,920
Speaker 2: Triple Lindy that Rodney Dangerfield has to do.

981
00:45:15,040 --> 00:45:16,000
Speaker 1: And back to School.

982
00:45:17,680 --> 00:45:20,279
Speaker 2: It's even little Lindy's The Lindy has got to be

983
00:45:20,320 --> 00:45:22,320
Speaker 2: a real thing then, because he does the triple Lindy.

984
00:45:22,400 --> 00:45:24,760
Speaker 1: So it's this is the hip hop double Tuck Lindy.

985
00:45:25,719 --> 00:45:29,480
Speaker 2: Shout out to whoever Lindy was over at the Coach's

986
00:45:29,640 --> 00:45:32,360
Speaker 2: Froyo store, which is still open by the way. For

987
00:45:32,400 --> 00:45:35,040
Speaker 2: the record, I am amazed Producer Jensen did not put

988
00:45:35,040 --> 00:45:37,120
Speaker 2: in a triple Lindy back to school joke.

989
00:45:37,719 --> 00:45:42,240
Speaker 1: Shocked Over at Coaches, are you okay?

990
00:45:43,640 --> 00:45:44,160
Speaker 3: Shocked?

991
00:45:44,719 --> 00:45:46,360
Speaker 4: Honestly, I knew it.

992
00:45:45,960 --> 00:45:46,400
Speaker 1: I knew.

993
00:45:47,760 --> 00:45:49,600
Speaker 4: So obscure. I was like, all right, I guess I'll

994
00:45:49,640 --> 00:45:50,160
Speaker 4: pass on that.

995
00:45:50,920 --> 00:45:54,040
Speaker 1: I can't believe it. Over at Coaches Froyo store, which

996
00:45:54,080 --> 00:45:55,960
Speaker 1: is still open even in this economy.

997
00:45:56,120 --> 00:45:59,560
Speaker 2: Amazing, congrats, Coach Justice. The security guard is leaving for

998
00:45:59,600 --> 00:46:02,439
Speaker 2: the night. She's surprised by the Aliens and Luna Lens,

999
00:46:02,440 --> 00:46:04,560
Speaker 2: which kind of erases her memory. Now that the coast

1000
00:46:04,600 --> 00:46:07,200
Speaker 2: is clear, the aliens break the Moonstone Shield, which seemed

1001
00:46:07,320 --> 00:46:09,240
Speaker 2: very easy to break, and attempt to get the final

1002
00:46:09,280 --> 00:46:12,240
Speaker 2: coordinates from it, but to their surprise, this isn't where

1003
00:46:12,280 --> 00:46:15,719
Speaker 2: their coordinates are hidden. It is a failed mission, and

1004
00:46:15,760 --> 00:46:18,720
Speaker 2: to make things worse, the Moonstone has lessened their powers.

1005
00:46:19,080 --> 00:46:20,839
Speaker 2: When they hear the werewolves approaching, they ask the mother

1006
00:46:20,840 --> 00:46:22,839
Speaker 2: Ship to beat them up, but the Mothership is tired

1007
00:46:22,880 --> 00:46:24,480
Speaker 2: of being told what to do, and it forces the

1008
00:46:24,520 --> 00:46:27,600
Speaker 2: aliens to run off in different directions. Once the werewolves arrive,

1009
00:46:27,680 --> 00:46:30,480
Speaker 2: they quickly realize someone's been messing with their stone and

1010
00:46:30,520 --> 00:46:33,680
Speaker 2: they go on the hunt. Been a while since a song, right, Well,

1011
00:46:33,680 --> 00:46:35,480
Speaker 2: it's good timing. As the wolves search for the aliens,

1012
00:46:35,520 --> 00:46:38,640
Speaker 2: they sing the next song, come on Out, which is

1013
00:46:38,640 --> 00:46:42,400
Speaker 2: about getting them all to come out. It's all about

1014
00:46:42,440 --> 00:46:45,280
Speaker 2: how the aliens are not welcome here again.

1015
00:46:46,120 --> 00:46:47,840
Speaker 1: The song itself is the.

1016
00:46:48,440 --> 00:46:52,680
Speaker 2: Cool dancing, really good, but the again, the lyrics, it's like,

1017
00:46:52,680 --> 00:46:53,600
Speaker 2: Where're gonna find you?

1018
00:46:53,719 --> 00:46:55,960
Speaker 1: Are you behind the boxes? Where're gonna find you? Why

1019
00:46:55,960 --> 00:46:56,799
Speaker 1: are you hiding over there?

1020
00:46:56,840 --> 00:47:00,480
Speaker 3: It's like, okay, yeah, I get what you're saying. Worked

1021
00:47:00,480 --> 00:47:04,960
Speaker 3: for me though, it did it catchy? It's all catchy, catchy,

1022
00:47:05,000 --> 00:47:08,480
Speaker 3: and I again we see that there's certain moves that

1023
00:47:08,600 --> 00:47:10,040
Speaker 3: distinguished the like.

1024
00:47:10,120 --> 00:47:13,560
Speaker 2: Oh, it's almost like the they've got like the growl,

1025
00:47:13,719 --> 00:47:14,319
Speaker 2: and they.

1026
00:47:16,160 --> 00:47:18,839
Speaker 3: The pack of dancers that they have for their where

1027
00:47:19,160 --> 00:47:23,279
Speaker 3: they are on fire like they are so these dancers.

1028
00:47:24,719 --> 00:47:27,799
Speaker 3: I swear they are probably working all the time at

1029
00:47:27,800 --> 00:47:31,120
Speaker 3: this point after getting in these movies, because hope, they're

1030
00:47:31,239 --> 00:47:31,759
Speaker 3: so good.

1031
00:47:32,280 --> 00:47:35,080
Speaker 2: Again, had I not seen the first two zombie movies,

1032
00:47:35,160 --> 00:47:36,440
Speaker 2: these would have been amazing.

1033
00:47:36,480 --> 00:47:39,640
Speaker 1: And they're still good. They're still good, they really are.

1034
00:47:40,440 --> 00:47:43,640
Speaker 2: But I just yeah, it's it's got to be really

1035
00:47:43,680 --> 00:47:46,480
Speaker 2: difficult to constantly try to top what you've done in

1036
00:47:46,520 --> 00:47:47,080
Speaker 2: the last one.

1037
00:47:47,440 --> 00:47:48,880
Speaker 1: Yeah, it's got just be hard.

1038
00:47:49,400 --> 00:47:52,279
Speaker 3: Something that just made because we've got rules, right, there's

1039
00:47:52,320 --> 00:47:55,319
Speaker 3: got to be some rules. These are were wolves, don't

1040
00:47:55,360 --> 00:47:58,120
Speaker 3: they have an extreme sense of smell.

1041
00:47:58,400 --> 00:47:59,880
Speaker 1: I wasn't even going to go in.

1042
00:48:00,120 --> 00:48:02,839
Speaker 2: I thought you would make fun of me that all

1043
00:48:02,880 --> 00:48:04,799
Speaker 2: you have to do the guys literally sitting behind a

1044
00:48:04,840 --> 00:48:09,320
Speaker 2: box and all, yes, the werewolves can't smell the guys

1045
00:48:09,360 --> 00:48:11,239
Speaker 2: a foot away the aliens sent out.

1046
00:48:11,560 --> 00:48:15,000
Speaker 3: I was kind of going, wait a minute, you said

1047
00:48:15,040 --> 00:48:17,920
Speaker 3: it and not really view the notes. Let's review the rules.

1048
00:48:18,040 --> 00:48:21,080
Speaker 3: If we're talking about a werewolves, seriously, they can sit

1049
00:48:21,200 --> 00:48:21,680
Speaker 3: it out.

1050
00:48:21,760 --> 00:48:22,680
Speaker 1: I didn't want to say it.

1051
00:48:22,800 --> 00:48:25,560
Speaker 2: I almost had to move to an undisclosed location after

1052
00:48:25,600 --> 00:48:29,839
Speaker 2: the whole Lizzie McGuire tobaccle, which I stand by entirely,

1053
00:48:30,760 --> 00:48:33,480
Speaker 2: just stand by it from an undisclosed what was coming?

1054
00:48:33,560 --> 00:48:36,640
Speaker 3: I think, I think we're going to be okay.

1055
00:48:36,760 --> 00:48:37,359
Speaker 1: Well we'll see.

1056
00:48:37,400 --> 00:48:39,800
Speaker 2: Three of our producers have many Three of our producers

1057
00:48:39,840 --> 00:48:41,520
Speaker 2: have asked to Good to move on to different shows.

1058
00:48:41,520 --> 00:48:42,800
Speaker 1: They don't want to, They don't even.

1059
00:48:42,600 --> 00:48:44,600
Speaker 3: Want to work. Look, did you notice that Mikayla's not

1060
00:48:44,640 --> 00:48:45,200
Speaker 3: here today.

1061
00:48:46,120 --> 00:48:48,320
Speaker 1: Seriously, She's like, I'm done. I'm done.

1062
00:48:49,200 --> 00:48:51,800
Speaker 2: Okay, so we know this was great. Eventually, the mothership

1063
00:48:51,840 --> 00:48:55,200
Speaker 2: does bail them out with the alien beam, and weirdly,

1064
00:48:55,239 --> 00:48:58,160
Speaker 2: at the same time, over at cheer practice, Addison is

1065
00:48:58,280 --> 00:48:59,200
Speaker 2: also beamed up.

1066
00:48:59,360 --> 00:49:02,440
Speaker 3: WHOA, how come no one noticed? Though?

1067
00:49:03,280 --> 00:49:03,560
Speaker 1: She was?

1068
00:49:03,680 --> 00:49:04,920
Speaker 3: She help?

1069
00:49:05,680 --> 00:49:09,040
Speaker 2: No, have you never been in an alien tractor beam?

1070
00:49:09,880 --> 00:49:13,160
Speaker 1: Once you're in the beam, it traps sound too in

1071
00:49:13,239 --> 00:49:17,120
Speaker 1: the beam. You can't Actually, you'll never know.

1072
00:49:17,560 --> 00:49:18,800
Speaker 3: Are you being serious?

1073
00:49:19,040 --> 00:49:20,319
Speaker 1: How could I be serious?

1074
00:49:20,080 --> 00:49:22,000
Speaker 2: A rule of what it.

1075
00:49:24,920 --> 00:49:26,800
Speaker 3: Depends on the movie. I've watched a lot of Aliens.

1076
00:49:26,800 --> 00:49:29,000
Speaker 2: It depends on the movie Galaxy Quest. You can't talk.

1077
00:49:29,080 --> 00:49:30,319
Speaker 2: Some of the star treks you can talk.

1078
00:49:30,360 --> 00:49:31,440
Speaker 1: It depends on the movie.

1079
00:49:31,719 --> 00:49:33,719
Speaker 2: Okay, but this one, we're gonna say, you can't talk

1080
00:49:33,719 --> 00:49:35,040
Speaker 2: when you're trapped in the tractor beam.

1081
00:49:35,440 --> 00:49:37,200
Speaker 1: Okay, we'll get all these rules made up.

1082
00:49:37,280 --> 00:49:40,600
Speaker 2: She finds herself on the mothership, suddenly, eventually running into

1083
00:49:40,680 --> 00:49:43,840
Speaker 2: z who's there helping Aspen learn about Seabrook. The alien

1084
00:49:43,880 --> 00:49:45,879
Speaker 2: spot her and tore the couple around the ship, which

1085
00:49:45,880 --> 00:49:48,960
Speaker 2: is their home since their planet was destroyed. Aspen finally

1086
00:49:49,000 --> 00:49:51,440
Speaker 2: lets the two main characters in on the truth, admitting

1087
00:49:51,520 --> 00:49:54,400
Speaker 2: that the cheer competition was a cover story. The Scout

1088
00:49:54,400 --> 00:49:57,160
Speaker 2: Commander crashed at Seabrook and hid the map to Utopia,

1089
00:49:57,360 --> 00:49:59,399
Speaker 2: which would be the new home for the Aliens if

1090
00:49:59,440 --> 00:50:02,279
Speaker 2: they can find Z then helps them. Finally see this

1091
00:50:02,280 --> 00:50:04,920
Speaker 2: scal Commander's entire message by Pansie and the magine which

1092
00:50:04,920 --> 00:50:07,279
Speaker 2: always works, just punch it, which reveals that she got

1093
00:50:07,320 --> 00:50:09,880
Speaker 2: help from someone named Eli and that her daughter is

1094
00:50:09,880 --> 00:50:12,680
Speaker 2: still in Seabrook. Now hiding her identity, she says she

1095
00:50:12,840 --> 00:50:15,520
Speaker 2: joined Eli at school and became passionate about cheerleading and

1096
00:50:15,600 --> 00:50:18,360
Speaker 2: even created the cheerleading trophy. But without being able to

1097
00:50:18,400 --> 00:50:21,000
Speaker 2: go home, her hair turned white, just like Addison's did,

1098
00:50:21,400 --> 00:50:24,320
Speaker 2: and she lost her powers, but she did gain a family.

1099
00:50:24,480 --> 00:50:27,480
Speaker 2: She married Eli and had a daughter named I want

1100
00:50:27,480 --> 00:50:29,200
Speaker 2: to get this right, Amashanta.

1101
00:50:29,360 --> 00:50:31,800
Speaker 1: I think it is our Amishanta.

1102
00:50:31,640 --> 00:50:37,040
Speaker 2: Or Missy, which what is Addison's mom's name. The Commander

1103
00:50:37,080 --> 00:50:40,000
Speaker 2: takes off her mask, which you wonder why she was

1104
00:50:40,000 --> 00:50:41,759
Speaker 2: wearing the mask if she was just gonna take it off,

1105
00:50:41,800 --> 00:50:45,920
Speaker 2: but whatever, and it's Addison's Grandma gave.

1106
00:50:45,840 --> 00:50:49,200
Speaker 3: Me it, gave me. I almost had it gave me

1107
00:50:49,239 --> 00:50:52,279
Speaker 3: COVID to hear little Covid vibes and then how some

1108
00:50:52,280 --> 00:50:54,480
Speaker 3: people would literally be so crazy about their mask and

1109
00:50:54,480 --> 00:50:55,920
Speaker 3: then just take them off. And you're like, yeah, I

1110
00:50:55,920 --> 00:50:57,600
Speaker 3: thought you yeah, Okay, Nope.

1111
00:50:57,320 --> 00:50:59,319
Speaker 1: This is so that she just took off her mask.

1112
00:50:59,400 --> 00:51:01,920
Speaker 2: That means though her mom is an alien, which means

1113
00:51:01,960 --> 00:51:03,960
Speaker 2: Addison is part alien.

1114
00:51:04,880 --> 00:51:08,040
Speaker 1: Whoa, whoa, whoa, I did not know that.

1115
00:51:08,239 --> 00:51:09,879
Speaker 3: We finally figured it.

1116
00:51:09,800 --> 00:51:11,280
Speaker 1: Out, oh Sam.

1117
00:51:18,160 --> 00:51:20,920
Speaker 2: The Aliens gift Addison her grandma's Luna lens, but she

1118
00:51:21,000 --> 00:51:23,720
Speaker 2: doesn't have the stardust to use it. With the stardust,

1119
00:51:23,760 --> 00:51:26,200
Speaker 2: she can actually be an alien. Devastated, she runs off,

1120
00:51:26,320 --> 00:51:28,359
Speaker 2: but remember she's on a spaceship, so where the hell

1121
00:51:28,400 --> 00:51:30,920
Speaker 2: is she running to? Alone Now, the Aliens start to

1122
00:51:30,960 --> 00:51:33,760
Speaker 2: think that the precious thing might be the cheer trophy

1123
00:51:33,840 --> 00:51:36,840
Speaker 2: that the Scout commander created, so they must win the

1124
00:51:36,880 --> 00:51:40,640
Speaker 2: competition to win the trophy. Now beating down to Earth somehow,

1125
00:51:40,640 --> 00:51:43,640
Speaker 2: Addison is really hurt. She feels alone again without an identity,

1126
00:51:43,640 --> 00:51:45,520
Speaker 2: but Zed talks her down. They're going to help the

1127
00:51:45,560 --> 00:51:48,200
Speaker 2: Aliens find the map their new home, and Zed makes

1128
00:51:48,239 --> 00:51:50,440
Speaker 2: her promise to go to Mountain College even if he

1129
00:51:50,520 --> 00:51:52,960
Speaker 2: doesn't get in the interviews tomorrow, and he's starting to

1130
00:51:52,960 --> 00:51:53,600
Speaker 2: feel the pressure.

1131
00:51:54,880 --> 00:51:55,359
Speaker 1: Back at home.

1132
00:51:55,400 --> 00:51:57,279
Speaker 2: That night, Addison is skimming through her old pictures of

1133
00:51:57,320 --> 00:51:59,479
Speaker 2: her grandma, trying to figure out where she hid the map.

1134
00:51:59,680 --> 00:52:02,040
Speaker 1: When she makes the lens move just a little bit.

1135
00:52:02,360 --> 00:52:05,680
Speaker 2: Maybe she has the power, after all, that's what Addison's

1136
00:52:05,719 --> 00:52:08,320
Speaker 2: mom walks in. They have a very awkward conversation about Grandma.

1137
00:52:08,560 --> 00:52:11,160
Speaker 2: Her mom is obviously lying about her family's origin.

1138
00:52:11,320 --> 00:52:12,359
Speaker 1: Anybody can see that.

1139
00:52:13,080 --> 00:52:15,319
Speaker 2: Next day, Robot Eliza's rounding up all the zombies to

1140
00:52:15,320 --> 00:52:19,920
Speaker 2: help with Zed's big college interview, but the interviewer arrives early,

1141
00:52:20,200 --> 00:52:20,960
Speaker 2: even before.

1142
00:52:20,719 --> 00:52:21,720
Speaker 1: They could start cleaning.

1143
00:52:22,000 --> 00:52:24,400
Speaker 2: Zed is shocked by her arrival and now has to

1144
00:52:24,400 --> 00:52:26,120
Speaker 2: get it together, and the perfect way to do that

1145
00:52:26,200 --> 00:52:29,480
Speaker 2: is apparently a rap song called exceptional Z, which is

1146
00:52:29,520 --> 00:52:31,840
Speaker 2: somewhere between a panic attack and a pep talk. In

1147
00:52:31,880 --> 00:52:34,239
Speaker 2: the end, the entire town comes to support him, and

1148
00:52:34,280 --> 00:52:38,360
Speaker 2: the recruiter invites Addison to the meeting. Exceptional Z was

1149
00:52:38,400 --> 00:52:39,400
Speaker 2: a bridge too far for me.

1150
00:52:40,160 --> 00:52:43,880
Speaker 1: This is where I was just like, you can't, you can't.

1151
00:52:44,400 --> 00:52:45,680
Speaker 1: I mean, it's he's.

1152
00:52:45,440 --> 00:52:48,839
Speaker 2: Got to prove he's exceptional, So he sings a song

1153
00:52:48,960 --> 00:52:54,400
Speaker 2: about literally saying I'm exceptional. Come on, I mean the

1154
00:52:54,520 --> 00:52:55,280
Speaker 2: dancing great.

1155
00:52:55,880 --> 00:52:59,280
Speaker 1: Oh you loved it, your favorite thing in the world.

1156
00:53:00,480 --> 00:53:02,359
Speaker 3: I just don't. I don't see a problem with that.

1157
00:53:02,520 --> 00:53:04,520
Speaker 1: I get a little sir, It's like, hey, how are

1158
00:53:04,560 --> 00:53:05,760
Speaker 1: you exceptional? I'm exception.

1159
00:53:06,600 --> 00:53:08,960
Speaker 3: We're getting again. This is this is the part of

1160
00:53:09,000 --> 00:53:11,080
Speaker 3: the movie where things are getting a little too easy.

1161
00:53:11,200 --> 00:53:15,279
Speaker 3: They're they're they're like bottle feeding things to the to

1162
00:53:15,320 --> 00:53:19,080
Speaker 3: the audience, where I think we are seeing that there

1163
00:53:19,160 --> 00:53:22,080
Speaker 3: is a lot of ways to do these kinds of

1164
00:53:22,120 --> 00:53:24,960
Speaker 3: things without having to bottle feed. Our audience of the

1165
00:53:25,000 --> 00:53:29,799
Speaker 3: Disney Channel is far more mature and they're way wiser then.

1166
00:53:29,920 --> 00:53:31,560
Speaker 3: They don't need you to do that, So I think

1167
00:53:31,600 --> 00:53:34,719
Speaker 3: that's probably what's stumpy you. However, I'm in it to

1168
00:53:34,760 --> 00:53:35,439
Speaker 3: win it. Yeah.

1169
00:53:35,520 --> 00:53:37,319
Speaker 2: Now I have a question which you could maybe you

1170
00:53:37,320 --> 00:53:39,160
Speaker 2: could add because I was thinking about this during the song,

1171
00:53:39,239 --> 00:53:40,440
Speaker 2: so maybe you could help me with this.

1172
00:53:40,680 --> 00:53:41,040
Speaker 3: Okay.

1173
00:53:41,560 --> 00:53:42,640
Speaker 1: Do they write the.

1174
00:53:42,719 --> 00:53:46,560
Speaker 2: Songs first and then place them in the script and

1175
00:53:46,600 --> 00:53:49,359
Speaker 2: then write a script around it, or do they write

1176
00:53:49,400 --> 00:53:51,040
Speaker 2: the script and then write the songs?

1177
00:53:51,280 --> 00:53:56,600
Speaker 3: Yes, okay, yeah, I think for honestly, there might have

1178
00:53:56,640 --> 00:54:00,480
Speaker 3: been these movies. No, I know, for the Cheetah Girls one,

1179
00:54:01,239 --> 00:54:04,520
Speaker 3: some of those songs were already songs that producers just had,

1180
00:54:04,600 --> 00:54:09,080
Speaker 3: Like producers have hundreds of songs on a you know,

1181
00:54:09,160 --> 00:54:11,239
Speaker 3: on their shelves or you know, computers or whatever to

1182
00:54:11,360 --> 00:54:13,520
Speaker 3: like just send over like, oh you want a song

1183
00:54:13,560 --> 00:54:16,600
Speaker 3: about girl power. Okay, I got something like this. Oh

1184
00:54:16,640 --> 00:54:18,399
Speaker 3: I've got this, I've got that. I could switch these

1185
00:54:18,400 --> 00:54:21,040
Speaker 3: words and do this and that. So some some stuff

1186
00:54:21,120 --> 00:54:23,680
Speaker 3: is like that. But I think with this this kind

1187
00:54:23,680 --> 00:54:25,480
Speaker 3: of movie, and like what we did in the second

1188
00:54:25,520 --> 00:54:28,239
Speaker 3: movie with the Cheetah Girls, the script was written, then

1189
00:54:28,280 --> 00:54:30,759
Speaker 3: the songs were done, and I think for us it

1190
00:54:30,800 --> 00:54:35,160
Speaker 3: made it was way better. But for this for sure.

1191
00:54:35,239 --> 00:54:39,239
Speaker 2: But I mean again he's got to be exceptional, then

1192
00:54:39,360 --> 00:54:41,080
Speaker 2: change the word of what he's got to be and

1193
00:54:41,160 --> 00:54:42,600
Speaker 2: keep the song exceptionals set.

1194
00:54:42,800 --> 00:54:44,640
Speaker 3: I think I have to like admit I was in

1195
00:54:44,680 --> 00:54:47,800
Speaker 3: like some side some sort of trance or something because

1196
00:54:47,880 --> 00:54:51,480
Speaker 3: I was looking again in that little posse he has

1197
00:54:51,520 --> 00:54:52,600
Speaker 3: It's coming from the beach.

1198
00:54:52,920 --> 00:54:53,480
Speaker 1: Yeah.

1199
00:54:53,520 --> 00:54:57,600
Speaker 3: How the choreography and the and the actors took made

1200
00:54:57,719 --> 00:55:00,879
Speaker 3: choices to keep within their character of how they did

1201
00:55:00,960 --> 00:55:01,680
Speaker 3: certain things.

1202
00:55:01,960 --> 00:55:02,239
Speaker 2: You got.

1203
00:55:03,760 --> 00:55:07,960
Speaker 1: Was like this was It's not bad. It was. It's

1204
00:55:08,040 --> 00:55:11,120
Speaker 1: just so on the nose. Now, that's it's not a

1205
00:55:11,160 --> 00:55:11,600
Speaker 1: bad thing.

1206
00:55:11,680 --> 00:55:14,799
Speaker 3: I'm not not bash, but I will say you when

1207
00:55:14,840 --> 00:55:19,720
Speaker 3: I have learned from watching thousands of these d coms

1208
00:55:19,719 --> 00:55:23,239
Speaker 3: that like, it's not necessary for the audience. This isn't

1209
00:55:23,239 --> 00:55:25,960
Speaker 3: that that's a choice. It's not a necessity.

1210
00:55:26,120 --> 00:55:27,960
Speaker 2: You don't need to I love how you said they

1211
00:55:27,960 --> 00:55:30,080
Speaker 2: don't need to bottle feed it. But anyway, Yeah, they

1212
00:55:30,120 --> 00:55:32,640
Speaker 2: all come out to support him, and even they all come.

1213
00:55:33,760 --> 00:55:36,759
Speaker 1: It's the way. It's a great rally for him.

1214
00:55:37,040 --> 00:55:37,279
Speaker 5: It is.

1215
00:55:39,160 --> 00:55:41,880
Speaker 1: Well because he just sung about it. We're now inside

1216
00:55:41,960 --> 00:55:42,439
Speaker 1: Zed's house.

1217
00:55:42,480 --> 00:55:45,120
Speaker 2: The recruiter is somewhat of a zombie racist, so it's

1218
00:55:45,160 --> 00:55:48,319
Speaker 2: a problem when z starts to short out everything I'm

1219
00:55:48,320 --> 00:55:50,960
Speaker 2: telling you short out and shows sign's rage. He rushes

1220
00:55:51,000 --> 00:55:52,960
Speaker 2: into the kitchen to hide the transition and realizes the

1221
00:55:52,960 --> 00:55:55,360
Speaker 2: problem is his armband. It's shorting out because of Addison.

1222
00:55:55,440 --> 00:55:58,400
Speaker 2: She's finally showing alien qualities. But all the noise and

1223
00:55:58,400 --> 00:56:01,040
Speaker 2: destruction of the kitchen is concerning there, and eventually Zaid

1224
00:56:01,120 --> 00:56:03,080
Speaker 2: goes full zombie and scares her out of the house

1225
00:56:03,440 --> 00:56:05,400
Speaker 2: to try and change your mind. He runs after and

1226
00:56:05,480 --> 00:56:08,719
Speaker 2: sings the ballad version of Exceptional zed, so now he

1227
00:56:08,840 --> 00:56:11,840
Speaker 2: just sings the same song about being exceptional slower.

1228
00:56:12,520 --> 00:56:15,279
Speaker 3: I loved that part though, I did.

1229
00:56:15,480 --> 00:56:17,840
Speaker 1: First of all, they had you this movie.

1230
00:56:18,040 --> 00:56:20,279
Speaker 2: They had you around. It didn't matter what they did.

1231
00:56:20,320 --> 00:56:22,040
Speaker 2: It seems like they had you.

1232
00:56:22,320 --> 00:56:25,040
Speaker 3: Okay, But this again, I put this in, and I

1233
00:56:25,480 --> 00:56:27,560
Speaker 3: have so many sabrinacities. I've got to like add them

1234
00:56:27,600 --> 00:56:30,080
Speaker 3: in while we're going, because otherwise you're gonna give me

1235
00:56:30,120 --> 00:56:34,880
Speaker 3: here for twenty minutes. At the end, the makeup changes

1236
00:56:35,040 --> 00:56:38,880
Speaker 3: that while he's shorting out again, we're seeing the budget

1237
00:56:38,960 --> 00:56:41,480
Speaker 3: because it's like, you know, he's got those like veins

1238
00:56:41,520 --> 00:56:44,600
Speaker 3: that come into his arms in his face while he's raging,

1239
00:56:44,920 --> 00:56:46,759
Speaker 3: and you're just like, oh, and then it goes back

1240
00:56:46,800 --> 00:56:48,160
Speaker 3: and he goes and it goes back, and I was

1241
00:56:48,239 --> 00:56:50,720
Speaker 3: just like, oh my, Like, how was that special effect

1242
00:56:50,719 --> 00:56:53,120
Speaker 3: they did after or was that a makeup artist that they.

1243
00:56:53,320 --> 00:56:54,879
Speaker 1: Filmed that my desk? No.

1244
00:56:55,120 --> 00:56:58,319
Speaker 2: But it's also Milo he's such a good actor that

1245
00:56:58,440 --> 00:57:00,760
Speaker 2: every time he's getting shocked or do any of that stuff,

1246
00:57:00,960 --> 00:57:02,279
Speaker 2: it just he sells it.

1247
00:57:02,320 --> 00:57:05,000
Speaker 3: So it was he's so good in it, Oh my gosh.

1248
00:57:05,080 --> 00:57:08,000
Speaker 3: I just that was awesome. And then finally he's and

1249
00:57:08,040 --> 00:57:09,200
Speaker 3: then he calms down and.

1250
00:57:09,400 --> 00:57:12,160
Speaker 2: Yeah, no, it works, and the makeup is incredible, but

1251
00:57:12,239 --> 00:57:15,439
Speaker 2: his performance is what sells that kind of transition thing,

1252
00:57:15,480 --> 00:57:16,280
Speaker 2: going back and forth.

1253
00:57:16,320 --> 00:57:17,480
Speaker 1: It's really really great.

1254
00:57:17,880 --> 00:57:22,400
Speaker 2: Yeah, so he sings slower exceptional z s I'm in,

1255
00:57:23,200 --> 00:57:23,840
Speaker 2: Sabrina's in.

1256
00:57:24,000 --> 00:57:27,160
Speaker 1: She's like just sitting at Milo's feet, just looking up

1257
00:57:27,200 --> 00:57:30,680
Speaker 1: at him, like you're magical, and she the recruiter, says

1258
00:57:30,720 --> 00:57:31,880
Speaker 1: she'll take it into consideration.

1259
00:57:32,000 --> 00:57:35,160
Speaker 2: Small warning here, no one here at Magical. Rewind encourages

1260
00:57:35,200 --> 00:57:37,919
Speaker 2: you to sing to your college recruiter. That was put

1261
00:57:37,960 --> 00:57:40,440
Speaker 2: in by producer Jensen. I am putting an addendum to that.

1262
00:57:40,600 --> 00:57:44,040
Speaker 2: I encourage it one hundred percent. Walk in and sing

1263
00:57:44,120 --> 00:57:45,560
Speaker 2: out loud to Mountain College.

1264
00:57:45,560 --> 00:57:46,439
Speaker 1: Why you want to go there?

1265
00:57:47,000 --> 00:57:49,920
Speaker 3: Pull, put your hands in your pocket, bring out that glitter,

1266
00:57:50,000 --> 00:57:50,400
Speaker 3: and just.

1267
00:57:50,360 --> 00:57:53,920
Speaker 1: Start and just in the face, start us, start us,

1268
00:57:54,040 --> 00:57:57,800
Speaker 1: Let me in a duke exactly. I love it Now.

1269
00:57:57,800 --> 00:58:00,760
Speaker 2: At the National cheer Off, Addison also decides the Seabrook

1270
00:58:00,760 --> 00:58:02,960
Speaker 2: Trophy has to be the precious item, so she knows

1271
00:58:02,960 --> 00:58:06,360
Speaker 2: that either her or the aliens must win. Bucky also

1272
00:58:06,400 --> 00:58:08,800
Speaker 2: finds a Luna lens and with the help of the werewolves.

1273
00:58:08,880 --> 00:58:11,080
Speaker 1: They figure out it's a mind probe with him just

1274
00:58:11,120 --> 00:58:12,200
Speaker 1: constantly staring into it.

1275
00:58:12,240 --> 00:58:17,720
Speaker 3: And this was very much first movie, Bucky, it.

1276
00:58:17,720 --> 00:58:20,280
Speaker 2: Was they also, and this is this is because the

1277
00:58:20,360 --> 00:58:23,320
Speaker 2: character is so big. They used him sparingly, so it worked.

1278
00:58:23,320 --> 00:58:25,560
Speaker 2: When they used him, it wasn't too much, it was

1279
00:58:25,680 --> 00:58:26,400
Speaker 2: just the right amount.

1280
00:58:26,680 --> 00:58:26,919
Speaker 3: Yes.

1281
00:58:27,440 --> 00:58:28,120
Speaker 1: Yeah.

1282
00:58:28,160 --> 00:58:30,400
Speaker 2: Also, and I'm not even sure how much this means

1283
00:58:30,400 --> 00:58:32,760
Speaker 2: to the movie now, but Robot Eliza founds out that

1284
00:58:32,800 --> 00:58:33,960
Speaker 2: Whyatt has a crush on her.

1285
00:58:34,440 --> 00:58:40,840
Speaker 1: All right, we're just gonna throw that, Thank you very much, Lea.

1286
00:58:41,000 --> 00:58:43,280
Speaker 3: Eliza's still in the pitchure. We didn't lose her completely.

1287
00:58:43,720 --> 00:58:44,200
Speaker 1: It's true.

1288
00:58:44,240 --> 00:58:45,920
Speaker 2: And it's also how is Wyat gonna feel when he

1289
00:58:45,920 --> 00:58:47,520
Speaker 2: realizes she's already knocked up.

1290
00:58:48,480 --> 00:58:53,320
Speaker 1: Also, the competition has begun and now the lens, but

1291
00:58:54,160 --> 00:58:55,160
Speaker 1: it's legitimate.

1292
00:58:57,000 --> 00:59:01,640
Speaker 3: Gave me a cramp, It's true.

1293
00:59:02,560 --> 00:59:04,600
Speaker 1: Man, Man, will you.

1294
00:59:04,600 --> 00:59:07,640
Speaker 3: Can make me belly laughing? It's so hard it hurts.

1295
00:59:07,640 --> 00:59:11,200
Speaker 1: True, It's true. It's true.

1296
00:59:11,360 --> 00:59:13,520
Speaker 2: Also, the competition has begun and now with the lens

1297
00:59:13,600 --> 00:59:16,080
Speaker 2: and tow the werewolves are very suspicious of the aliens.

1298
00:59:16,080 --> 00:59:18,040
Speaker 1: And at the same time, Zed gets a call.

1299
00:59:18,360 --> 00:59:20,040
Speaker 2: He got accept first of all, I'd also like to

1300
00:59:20,040 --> 00:59:21,680
Speaker 2: point out, and I thought this was such a cool

1301
00:59:21,720 --> 00:59:25,600
Speaker 2: little moment that for some reason, his zombie cell phone

1302
00:59:25,840 --> 00:59:26,560
Speaker 2: is like an.

1303
00:59:26,360 --> 00:59:30,520
Speaker 1: Old school cordless I love. That was the coolest little touch.

1304
00:59:30,600 --> 00:59:32,680
Speaker 3: All the stuff on their side in this set is

1305
00:59:32,720 --> 00:59:35,120
Speaker 3: like an old TV, and you know all that.

1306
00:59:35,160 --> 00:59:38,280
Speaker 1: It is such a good touch of just showing what's there.

1307
00:59:38,760 --> 00:59:41,320
Speaker 1: Zombie town is like, and his cell phone, which is

1308
00:59:41,320 --> 00:59:42,960
Speaker 1: still a cell phone, is like the old school. He's

1309
00:59:42,960 --> 00:59:45,880
Speaker 1: got to pull up the chord. It was so great. Yeah, yeah,

1310
00:59:45,920 --> 00:59:48,960
Speaker 1: it was really really cool. So, yes, he got accepted

1311
00:59:48,960 --> 00:59:50,600
Speaker 1: in a mountain college. This is great news.

1312
00:59:50,600 --> 00:59:52,040
Speaker 2: That probably could have been the end of the movie,

1313
00:59:52,040 --> 00:59:54,360
Speaker 2: but it's not, of course. Okay, like forty minutes left.

1314
00:59:54,160 --> 00:59:56,840
Speaker 3: We got a pause. I literally went, Okay, he just

1315
00:59:56,880 --> 00:59:59,160
Speaker 3: got into college and we still have thirty minutes left.

1316
00:59:59,200 --> 01:00:00,640
Speaker 3: What the hell is all the same thing?

1317
01:00:00,840 --> 01:00:02,600
Speaker 1: I thought, the same thing. I was like, Okay, here

1318
01:00:02,680 --> 01:00:03,040
Speaker 1: we go.

1319
01:00:03,880 --> 01:00:05,320
Speaker 3: So that wasn't the biggest thing.

1320
01:00:05,400 --> 01:00:07,200
Speaker 2: Oh, I honestly thought a good portion of it, no

1321
01:00:07,280 --> 01:00:09,200
Speaker 2: joke was gonna take because I remember when we talked

1322
01:00:09,240 --> 01:00:11,800
Speaker 2: to Trevor, I thought he said the third one takes

1323
01:00:11,800 --> 01:00:14,680
Speaker 2: place in space, So I thought at some point they

1324
01:00:14,680 --> 01:00:16,800
Speaker 2: were gonna launch and we were going to be in

1325
01:00:16,920 --> 01:00:18,680
Speaker 2: space with them, and I was like, oh, the last

1326
01:00:18,680 --> 01:00:20,360
Speaker 2: half hour is gonna let They're gonna zene on it,

1327
01:00:20,400 --> 01:00:23,960
Speaker 2: but they didn't. Yeah, So the cops have arrived, obviously

1328
01:00:24,000 --> 01:00:25,840
Speaker 2: in full force, ready to take in the Aliens. Before

1329
01:00:25,880 --> 01:00:28,360
Speaker 2: they take the stage, z advises them to leave, which

1330
01:00:28,360 --> 01:00:30,640
Speaker 2: means the Aliens are disqualified. It's now just up to

1331
01:00:30,640 --> 01:00:33,120
Speaker 2: Addison in the Mighty Shrimp to win the trophy. This

1332
01:00:33,200 --> 01:00:36,280
Speaker 2: leads us to an Allison solo track, I'm finally me

1333
01:00:36,880 --> 01:00:39,760
Speaker 2: all about how she's accepted who she is now, part alien,

1334
01:00:39,800 --> 01:00:42,920
Speaker 2: part human and she's ready to shine. And when all

1335
01:00:42,920 --> 01:00:44,760
Speaker 2: I said is done, the Mighty Shrimp win the trophy.

1336
01:00:45,480 --> 01:00:47,600
Speaker 1: Twenty five minutes left in the movie.

1337
01:00:47,960 --> 01:00:50,760
Speaker 3: Yes, so this.

1338
01:00:50,800 --> 01:00:53,840
Speaker 2: Is where the werewolf storm in, calling the Aliens liars

1339
01:00:53,840 --> 01:00:55,920
Speaker 2: and wanting to kill them. So the Aliens run off

1340
01:00:55,920 --> 01:00:58,320
Speaker 2: with the trophy alongside Zed and Addison, but once outside,

1341
01:00:58,320 --> 01:01:00,640
Speaker 2: the police have them surrounded and the mother Ship isn't

1342
01:01:00,640 --> 01:01:03,120
Speaker 2: able to bean this up. This is becoming a disaster.

1343
01:01:03,560 --> 01:01:06,000
Speaker 2: It creates a very tense standoff between the werewolves and

1344
01:01:06,040 --> 01:01:09,240
Speaker 2: the Aliens. When asked to pick aside Addison finally reveals

1345
01:01:09,640 --> 01:01:12,840
Speaker 2: she's an alien. She uses her grandma's lens to fully transform,

1346
01:01:12,880 --> 01:01:15,280
Speaker 2: finishing off with blue hair and the stewardest uniform.

1347
01:01:15,520 --> 01:01:17,200
Speaker 1: She looks great, Addison's mom.

1348
01:01:17,960 --> 01:01:22,280
Speaker 3: You have to pause for a second. She looks incredible.

1349
01:01:22,480 --> 01:01:26,520
Speaker 3: This was my favorite costume choice of what she's done.

1350
01:01:26,600 --> 01:01:27,880
Speaker 1: And she's rocking the blue hair.

1351
01:01:28,520 --> 01:01:30,320
Speaker 3: You know what, I don't know. I kind of liked

1352
01:01:30,320 --> 01:01:31,960
Speaker 3: the werewolf vibe a little bit more.

1353
01:01:32,080 --> 01:01:33,800
Speaker 1: I liked it too, but the hair worse.

1354
01:01:34,000 --> 01:01:38,200
Speaker 3: She's rocking this blue hair like nobody else can. Oh

1355
01:01:38,240 --> 01:01:44,800
Speaker 3: my goodness, she looks amazing, like bab Meg, yell, rocket girl.

1356
01:01:44,960 --> 01:01:46,640
Speaker 1: You're rocking it. You're rocking it.

1357
01:01:47,440 --> 01:01:49,840
Speaker 2: Addison's mom steps in the midst. She thought hiding was

1358
01:01:49,880 --> 01:01:51,880
Speaker 2: the best way to protect your family. And most importantly,

1359
01:01:51,960 --> 01:01:55,000
Speaker 2: Grandma used to call Addison her very precious thing.

1360
01:01:55,760 --> 01:01:56,640
Speaker 1: You know what that means?

1361
01:01:56,680 --> 01:01:59,400
Speaker 2: The map is probably inside her colon, or it might

1362
01:01:59,400 --> 01:02:02,400
Speaker 2: be in her ga. Yes, that makes more sense. It

1363
01:02:02,560 --> 01:02:05,120
Speaker 2: ends up being the DNA, much more sense.

1364
01:02:05,360 --> 01:02:06,600
Speaker 3: It says, but.

1365
01:02:06,960 --> 01:02:11,880
Speaker 1: It does it does. It does say, but it says

1366
01:02:11,880 --> 01:02:13,920
Speaker 1: maybe up in her butt, which sounded strange to me.

1367
01:02:14,520 --> 01:02:16,360
Speaker 2: So I made it in her colon, which I thought

1368
01:02:16,440 --> 01:02:19,120
Speaker 2: was was more gentle and more medically accurate.

1369
01:02:19,160 --> 01:02:22,120
Speaker 1: If we're if we're being serious, let's be honest.

1370
01:02:22,240 --> 01:02:24,840
Speaker 3: God, this is a day a day.

1371
01:02:24,440 --> 01:02:28,080
Speaker 5: This is a day the things up inside oft see

1372
01:02:28,080 --> 01:02:28,560
Speaker 5: there we go?

1373
01:02:28,600 --> 01:02:31,680
Speaker 3: What is that? Oh my god, I'm like getting hot

1374
01:02:31,680 --> 01:02:32,640
Speaker 3: because you're making it like.

1375
01:02:32,680 --> 01:02:37,480
Speaker 1: Are you smiching? You're alien schmitzing? I love it.

1376
01:02:38,680 --> 01:02:40,880
Speaker 2: Zen and Addison still can't hug each other, but so

1377
01:02:40,920 --> 01:02:43,760
Speaker 2: that's great. Not only is their relationship difficult, but they

1378
01:02:43,800 --> 01:02:44,800
Speaker 2: literally can't touch.

1379
01:02:45,000 --> 01:02:47,680
Speaker 1: But Zen is thrilled. They're both going to Mountain College.

1380
01:02:47,720 --> 01:02:51,000
Speaker 1: But ooh, she has bad news. She's leaving with the aliens.

1381
01:02:51,040 --> 01:02:53,640
Speaker 2: The map is dynamic and always changing, so Addison has

1382
01:02:53,680 --> 01:02:55,240
Speaker 2: decided to stay with them and help.

1383
01:02:55,640 --> 01:02:57,320
Speaker 1: This is Z's worst case scenario.

1384
01:02:59,040 --> 01:03:01,320
Speaker 2: So last movie, she was instantly ready to be able

1385
01:03:01,320 --> 01:03:03,320
Speaker 2: to be aware Wolf, she would have taken off with them.

1386
01:03:03,600 --> 01:03:06,280
Speaker 2: Now she's instantly like this. She just wants to go

1387
01:03:07,120 --> 01:03:09,440
Speaker 2: I get She wants to find her identity. But the

1388
01:03:09,480 --> 01:03:11,600
Speaker 2: second she finds it, it's like, hey, you know what

1389
01:03:11,640 --> 01:03:13,200
Speaker 2: you are and she's like, I'm fully this, I'm not

1390
01:03:13,280 --> 01:03:13,800
Speaker 2: leaving with you.

1391
01:03:13,880 --> 01:03:16,840
Speaker 1: It's like, whoa in the relationship here?

1392
01:03:17,080 --> 01:03:20,760
Speaker 3: I think the issue is she's grown up again. Remember

1393
01:03:21,080 --> 01:03:23,960
Speaker 3: she was wearing a wig get it for the full

1394
01:03:24,000 --> 01:03:28,760
Speaker 3: first movie that she finally reveals her white platinum hair. Right,

1395
01:03:29,280 --> 01:03:32,919
Speaker 3: she's been she was forced to hide it forever.

1396
01:03:33,200 --> 01:03:33,680
Speaker 1: I get it.

1397
01:03:33,720 --> 01:03:36,280
Speaker 3: Then when she got the courage to say, I'm different,

1398
01:03:36,760 --> 01:03:40,000
Speaker 3: and I want to figure out why the hell I'm different. Sure,

1399
01:03:40,080 --> 01:03:44,120
Speaker 3: every step that she feels like she gets closer, she's like, hell, yeah, boom,

1400
01:03:44,200 --> 01:03:44,840
Speaker 3: I'm in it.

1401
01:03:45,960 --> 01:03:48,720
Speaker 2: Second she finds out there like you're an alien, She's like,

1402
01:03:48,800 --> 01:03:50,080
Speaker 2: I already have my background.

1403
01:03:50,240 --> 01:03:54,720
Speaker 3: No, no, no, but no. By the time this scene happens,

1404
01:03:54,800 --> 01:03:56,880
Speaker 3: she's been living with the fact that she knows she's

1405
01:03:56,920 --> 01:03:59,920
Speaker 3: an alien. Now she's she's processed.

1406
01:04:00,400 --> 01:04:05,240
Speaker 2: I get it, and zed knows a little bit, but

1407
01:04:05,320 --> 01:04:07,000
Speaker 2: not that she's going to take off, but like.

1408
01:04:06,920 --> 01:04:09,440
Speaker 3: And her grandma is like this is where her grandma,

1409
01:04:09,560 --> 01:04:11,840
Speaker 3: Like these are her origins are there? Like for real?

1410
01:04:11,880 --> 01:04:15,960
Speaker 2: She just wants to bail, Like she's just looking for

1411
01:04:16,000 --> 01:04:17,240
Speaker 2: a reason to bail anyway.

1412
01:04:18,360 --> 01:04:22,240
Speaker 3: Yes, I don't know why she would look for a

1413
01:04:22,240 --> 01:04:23,800
Speaker 3: reason to bail on.

1414
01:04:23,760 --> 01:04:26,600
Speaker 2: Z Maybe because the grass is always greener on the

1415
01:04:26,600 --> 01:04:27,480
Speaker 2: other side of the universe.

1416
01:04:27,520 --> 01:04:28,000
Speaker 1: You never know.

1417
01:04:29,480 --> 01:04:33,200
Speaker 2: Yeah, this is anyway, this is Zed's worst case scenario.

1418
01:04:33,680 --> 01:04:36,560
Speaker 2: Back at home, Addison's mom reveals that she's an alien too.

1419
01:04:36,880 --> 01:04:40,040
Speaker 2: What she has white hair, was also wearing a terrible wig.

1420
01:04:39,880 --> 01:04:42,040
Speaker 1: Throughout the movie. How did we not notice that before?

1421
01:04:42,440 --> 01:04:43,080
Speaker 3: Are you kidding me?

1422
01:04:43,120 --> 01:04:43,200
Speaker 1: This?

1423
01:04:43,360 --> 01:04:45,240
Speaker 3: So this was the main conversation.

1424
01:04:44,760 --> 01:04:48,200
Speaker 1: We had the first Obviously she had a terrible wig.

1425
01:04:48,480 --> 01:04:48,800
Speaker 4: I was.

1426
01:04:48,880 --> 01:04:51,960
Speaker 3: I asked Lisa to send me. I couldn't screenshot anything,

1427
01:04:52,320 --> 01:04:54,880
Speaker 3: but I wanted to, like get the picture of the

1428
01:04:54,920 --> 01:04:56,840
Speaker 3: mom with the bad wig on in the first movie

1429
01:04:56,880 --> 01:04:58,560
Speaker 3: that I went, why does the mom have a wig?

1430
01:04:58,640 --> 01:05:02,280
Speaker 3: She just has hair, It's like regular color blonde hair.

1431
01:05:03,120 --> 01:05:05,640
Speaker 3: And they didn't they didn't know, They didn't remember. They

1432
01:05:05,680 --> 01:05:08,200
Speaker 3: didn't know about this with her storyline yet.

1433
01:05:08,160 --> 01:05:10,040
Speaker 2: Right, So then they wouldn't have her they wouldn't have

1434
01:05:10,040 --> 01:05:11,800
Speaker 2: put a bad wig on her in the first movie,

1435
01:05:12,840 --> 01:05:15,520
Speaker 2: to have have her cover white hair, because that wasn't

1436
01:05:15,520 --> 01:05:16,560
Speaker 2: even part of the movie yet.

1437
01:05:16,560 --> 01:05:18,120
Speaker 1: They didn't know they were going to make Zombies three

1438
01:05:18,160 --> 01:05:21,080
Speaker 1: D at this point. Right, it just was a bad movie, right,

1439
01:05:21,200 --> 01:05:22,600
Speaker 1: a bad way. I mean a bad way.

1440
01:05:23,080 --> 01:05:25,680
Speaker 3: So I don't confused about that. I mean I used

1441
01:05:25,680 --> 01:05:27,240
Speaker 3: it for their best their best interest.

1442
01:05:27,320 --> 01:05:28,640
Speaker 1: They're going to have to have her on the show.

1443
01:05:28,920 --> 01:05:31,960
Speaker 2: Oh yeah, and apparently she also never told her husband

1444
01:05:32,040 --> 01:05:34,240
Speaker 2: that she's an alien, right, or that her kid's an alien,

1445
01:05:34,600 --> 01:05:37,240
Speaker 2: even though ELI knew they were.

1446
01:05:37,280 --> 01:05:41,160
Speaker 3: How how how did she have a wig on?

1447
01:05:42,120 --> 01:05:45,440
Speaker 1: If Sue or wig you would know, I would I

1448
01:05:45,560 --> 01:05:46,880
Speaker 1: also know was an alien.

1449
01:05:48,440 --> 01:05:50,880
Speaker 3: Well yeah, but I mean you would know. The wig

1450
01:05:50,880 --> 01:05:51,840
Speaker 3: thing is a big deal.

1451
01:05:52,160 --> 01:05:54,720
Speaker 1: Yeah, yeah, no, it's also it's.

1452
01:05:54,720 --> 01:05:57,040
Speaker 3: Especially when the daughter ends up coming out like, I

1453
01:05:57,080 --> 01:05:59,960
Speaker 3: don't know. This was a little confusing for me. Maybe

1454
01:06:00,200 --> 01:06:02,280
Speaker 3: the only part that I needed a little bit more.

1455
01:06:02,440 --> 01:06:05,520
Speaker 1: The rest of it perfection for you, because this part

1456
01:06:05,760 --> 01:06:06,440
Speaker 1: way through.

1457
01:06:06,320 --> 01:06:08,760
Speaker 3: You that is not going to affect my rating.

1458
01:06:08,840 --> 01:06:09,720
Speaker 1: Okay, fair enough.

1459
01:06:10,560 --> 01:06:12,720
Speaker 2: Addison says goodbye to her parents and friends, but the

1460
01:06:12,720 --> 01:06:14,919
Speaker 2: spaceship was damaged by the werewolves during the fight.

1461
01:06:15,040 --> 01:06:17,520
Speaker 1: There's an almost seventy percent chance it won't take off,

1462
01:06:17,520 --> 01:06:20,840
Speaker 1: and even worse, Z shows up excited. He's decided he's

1463
01:06:20,880 --> 01:06:22,880
Speaker 1: gonna go with them. But no, no, no, no, no,

1464
01:06:23,080 --> 01:06:26,320
Speaker 1: he can't. They explain only alien species can fly on

1465
01:06:26,360 --> 01:06:29,040
Speaker 1: the mother ship and he looks very desperate. Now, poor guy,

1466
01:06:29,560 --> 01:06:31,680
Speaker 1: And as his ship continues to power down, the werewolves

1467
01:06:31,760 --> 01:06:34,280
Speaker 1: arrived to make up for damaging the spaceship. They've brought

1468
01:06:34,320 --> 01:06:35,959
Speaker 1: the Moonstone to repower.

1469
01:06:35,640 --> 01:06:37,640
Speaker 2: The UFO, and with the help of the z bands,

1470
01:06:37,640 --> 01:06:40,440
Speaker 2: they all work together to make it work. Robot, Eliza

1471
01:06:40,480 --> 01:06:43,520
Speaker 2: and Wyatt have now connected as a couple, and a

1472
01:06:43,520 --> 01:06:46,439
Speaker 2: Aspen and Willa seem to be hitting it off too,

1473
01:06:47,400 --> 01:06:50,240
Speaker 2: so the mothership beams everyone up to work on the engine.

1474
01:06:50,320 --> 01:06:52,040
Speaker 2: And the last thing you needed to repair the ship

1475
01:06:52,080 --> 01:06:54,520
Speaker 2: is for Addison to work as a bridge between the

1476
01:06:54,560 --> 01:06:57,520
Speaker 2: power lines. She is the DNA to get it done again,

1477
01:06:57,640 --> 01:07:00,000
Speaker 2: all up in her colon, so she grabs the power

1478
01:07:00,040 --> 01:07:02,480
Speaker 2: chords and works as the conduit. But it was too

1479
01:07:02,600 --> 01:07:05,040
Speaker 2: much power she had to let go, so Zed jumps in.

1480
01:07:05,280 --> 01:07:07,480
Speaker 2: He can help, even if it kills him. The power

1481
01:07:07,480 --> 01:07:10,080
Speaker 2: picks back up and it is a lot. Zed starts

1482
01:07:10,080 --> 01:07:12,920
Speaker 2: to zombie rage out, but eventually the engine kicks back in.

1483
01:07:13,320 --> 01:07:16,400
Speaker 2: The ship is back to full charge and takes off immediately.

1484
01:07:16,800 --> 01:07:18,360
Speaker 1: Everyone sprints to get beamed.

1485
01:07:18,120 --> 01:07:20,080
Speaker 2: Home, including Zed, who says one last I love you

1486
01:07:20,120 --> 01:07:23,160
Speaker 2: to Addison, and as they kissed, finally able to touch again,

1487
01:07:23,240 --> 01:07:27,120
Speaker 2: they tear up and he's gone, and Sabrina was crying,

1488
01:07:27,240 --> 01:07:28,200
Speaker 2: bawling by this point.

1489
01:07:28,200 --> 01:07:31,240
Speaker 1: I'm sure you were weren't you admit it? Were you?

1490
01:07:32,680 --> 01:07:34,800
Speaker 3: I mean when they come and the sea bans in

1491
01:07:34,840 --> 01:07:38,520
Speaker 3: the MOONSTI it's all just working it's all working out well.

1492
01:07:40,000 --> 01:07:42,440
Speaker 1: It's all coming up aces so good.

1493
01:07:42,720 --> 01:07:44,160
Speaker 3: Oh, it's just so good.

1494
01:07:44,600 --> 01:07:47,280
Speaker 2: Everyone is back on Earth now Sands their favorite cheerleader,

1495
01:07:47,280 --> 01:07:49,280
Speaker 2: and they're all sad. And then we get another big

1496
01:07:49,320 --> 01:07:52,080
Speaker 2: reprise from Zombies one and two. It's a very sad

1497
01:07:52,160 --> 01:07:54,760
Speaker 2: arrangement of everyone singing Someday. Best song in the movie

1498
01:07:54,760 --> 01:07:56,840
Speaker 2: by far in my opinion, because in the end the

1499
01:07:56,960 --> 01:07:59,280
Speaker 2: romans they were singing about did not come.

1500
01:07:59,080 --> 01:08:02,680
Speaker 1: Together some day after all. Oh, I can just see

1501
01:08:02,680 --> 01:08:05,800
Speaker 1: Sabrina as a sobbing mess. And then it's graduation day

1502
01:08:05,800 --> 01:08:08,040
Speaker 1: at high school. Zet is ready but still missus Addison.

1503
01:08:08,240 --> 01:08:10,960
Speaker 1: He meets up with everyone, including Eliza, who's valedictorian and

1504
01:08:11,080 --> 01:08:14,480
Speaker 1: still a robot, and up on the ship, the Mother

1505
01:08:14,640 --> 01:08:16,960
Speaker 1: probes Addison's mind and sees everything she's been through in

1506
01:08:16,960 --> 01:08:19,679
Speaker 1: the first two movies, including all the conflict they've overcome.

1507
01:08:20,000 --> 01:08:23,599
Speaker 1: Addison explains that through conflict, everyone may progress. Through challenging

1508
01:08:23,600 --> 01:08:26,960
Speaker 1: each other, the aliens realize that love is powerful and

1509
01:08:26,960 --> 01:08:30,080
Speaker 1: it can handle disagreements, and so Addison puts two and

1510
01:08:30,080 --> 01:08:34,120
Speaker 1: two together. Her grandmother wanted the Aliens to live at Seabrook.

1511
01:08:34,560 --> 01:08:36,800
Speaker 1: It's utopia, the perfect place to live.

1512
01:08:37,840 --> 01:08:41,160
Speaker 2: Back at graduation, Bucky, who if you remember, is Addison's cousin,

1513
01:08:41,360 --> 01:08:43,840
Speaker 2: is trying to convince everyone he's not an alien. The

1514
01:08:43,880 --> 01:08:45,960
Speaker 2: group is all very excited to go off to Mountain College,

1515
01:08:46,000 --> 01:08:50,200
Speaker 2: but are still sad about Addison, and that's when she

1516
01:08:50,400 --> 01:08:51,719
Speaker 2: beams back down.

1517
01:08:52,120 --> 01:08:54,120
Speaker 1: She reveals that Seabrook is the utopia.

1518
01:08:54,200 --> 01:08:57,000
Speaker 2: It's not perfect, certainly, it's messy and emotional, but change

1519
01:08:57,000 --> 01:09:00,439
Speaker 2: can happen here. Even the Mothership admits it's the ideal

1520
01:09:00,439 --> 01:09:03,879
Speaker 2: place to call home. Now all reunited, we return to animation.

1521
01:09:04,200 --> 01:09:06,880
Speaker 2: The Aliens move into Seabrook and start college. They can

1522
01:09:06,920 --> 01:09:09,720
Speaker 2: work through anything and welcome the unexpected. We see a

1523
01:09:09,760 --> 01:09:12,800
Speaker 2: mermaid in the water, which maybe was originally supposed to

1524
01:09:12,840 --> 01:09:15,200
Speaker 2: be the addition to Zombies four, which they probably went

1525
01:09:15,400 --> 01:09:18,040
Speaker 2: water that much it's gonna be expensive.

1526
01:09:18,760 --> 01:09:20,160
Speaker 1: That'll also be Zombies five.

1527
01:09:20,360 --> 01:09:23,080
Speaker 2: We also get our final song, nothing but Love for You,

1528
01:09:23,200 --> 01:09:26,519
Speaker 2: with everyone now together, even the mascots. The credits roll

1529
01:09:26,560 --> 01:09:28,679
Speaker 2: over the final dance number and Bucky tries to steal

1530
01:09:28,680 --> 01:09:31,519
Speaker 2: the Mothership to bring his cheerleading greatness to space, but

1531
01:09:31,600 --> 01:09:43,400
Speaker 2: he just circles in place, still Bucky. And that's our movie, Sabrina.

1532
01:09:43,439 --> 01:09:44,559
Speaker 1: Can we do some real reviews?

1533
01:09:45,000 --> 01:09:45,639
Speaker 3: We can.

1534
01:09:46,000 --> 01:09:48,599
Speaker 1: You've got the five star this year, this week, here

1535
01:09:48,640 --> 01:09:48,960
Speaker 1: you go.

1536
01:09:49,400 --> 01:09:51,439
Speaker 3: I'm so happy I get to do the five star.

1537
01:09:52,080 --> 01:09:56,800
Speaker 3: We've got five star from Arnold the Dinosaur.

1538
01:09:57,040 --> 01:09:57,800
Speaker 1: Yeah, great name.

1539
01:09:57,880 --> 01:10:00,560
Speaker 3: First for us to have a dinosaur.

1540
01:10:01,240 --> 01:10:04,519
Speaker 1: I love it. Dinosaur movies here.

1541
01:10:04,920 --> 01:10:09,000
Speaker 3: A truly a masterpiece. If I could describe it in

1542
01:10:09,120 --> 01:10:12,040
Speaker 3: one word, it would be life changing.

1543
01:10:13,800 --> 01:10:20,000
Speaker 1: It would be a word. That's two words, Arnold the Dinosaur.

1544
01:10:21,000 --> 01:10:23,760
Speaker 3: This movie was a T shirt. I would rip it

1545
01:10:23,920 --> 01:10:26,960
Speaker 3: off the coat hanger and wear it every day I

1546
01:10:27,000 --> 01:10:31,080
Speaker 3: saw it. The addition of aliens to this already perfect

1547
01:10:31,200 --> 01:10:34,240
Speaker 3: universe was icing on the cake. Truly, no more words

1548
01:10:34,280 --> 01:10:37,479
Speaker 3: except for cake, sweet sweet cake.

1549
01:10:38,160 --> 01:10:41,960
Speaker 1: Thank you, Arnold, Arnold five stars. I've got the one

1550
01:10:41,960 --> 01:10:45,360
Speaker 1: star from Lillian A. And here it is. They stole

1551
01:10:45,520 --> 01:10:48,120
Speaker 1: seventeen Song and gave it no credit. Listen to the

1552
01:10:48,160 --> 01:10:51,479
Speaker 1: beginning of Hey Buddy, then listen to the cheerleading scene

1553
01:10:51,479 --> 01:10:54,600
Speaker 1: where they win the competition. The trumpet like music is

1554
01:10:54,680 --> 01:10:57,519
Speaker 1: seventeen song and it angers me. That nobody is going

1555
01:10:57,520 --> 01:11:00,679
Speaker 1: to know it. Okay, so let's check this out.

1556
01:11:00,680 --> 01:11:04,040
Speaker 2: I have no idea who seventeen is, but this is

1557
01:11:04,080 --> 01:11:05,719
Speaker 2: the opening song.

1558
01:11:06,200 --> 01:11:15,360
Speaker 1: Great, hey, buddy, here we go. Oh uh huh, I

1559
01:11:15,520 --> 01:11:16,360
Speaker 1: got to face.

1560
01:11:18,120 --> 01:11:27,880
Speaker 2: Now let's hear the beginning of Fired Up. Okay, it's

1561
01:11:28,000 --> 01:11:29,800
Speaker 2: pretty damn similar.

1562
01:11:30,560 --> 01:11:34,360
Speaker 3: Yeah, it actually is. It sounds pretty pretty similar. I mean,

1563
01:11:34,479 --> 01:11:36,759
Speaker 3: there's so many ways to fight.

1564
01:11:36,560 --> 01:11:38,799
Speaker 1: That I know. But that's some music.

1565
01:11:38,880 --> 01:11:41,880
Speaker 3: But that's again, that's a that's a good catch for

1566
01:11:41,960 --> 01:11:44,920
Speaker 3: somebody to be hearing that and reckon, they must have

1567
01:11:45,000 --> 01:11:46,920
Speaker 3: been a big seventeen fan.

1568
01:11:47,280 --> 01:11:52,440
Speaker 2: Yeah, I've never been here seventeen, but that Yeah, that's okay. Well, yeah,

1569
01:11:52,479 --> 01:11:55,040
Speaker 2: all right, and now we come to uh Sabrina's favorite

1570
01:11:55,080 --> 01:11:57,080
Speaker 2: part of the program here, of course, not that's.

1571
01:11:56,840 --> 01:12:01,200
Speaker 3: Getting me off my pedistal. Today, Jensen can find a

1572
01:12:01,200 --> 01:12:01,760
Speaker 3: way to do it.

1573
01:12:02,360 --> 01:12:07,599
Speaker 1: Our feature is one thirds wo n one thirds get

1574
01:12:07,640 --> 01:12:11,240
Speaker 1: it for our first ever threequel. Still sounds strange to

1575
01:12:11,280 --> 01:12:11,679
Speaker 1: be magical?

1576
01:12:11,720 --> 01:12:12,080
Speaker 3: Rewind.

1577
01:12:12,120 --> 01:12:14,360
Speaker 1: Here we will be giving clues about something in pop

1578
01:12:14,400 --> 01:12:17,680
Speaker 1: culture that came third nail three out of five and

1579
01:12:17,760 --> 01:12:21,599
Speaker 1: we're winners. Here we go number one.

1580
01:12:22,040 --> 01:12:23,960
Speaker 2: I'm going to answer this first because you obviously know

1581
01:12:24,000 --> 01:12:26,519
Speaker 2: the answer to this, and I probably won't. So let's see, Okay,

1582
01:12:26,840 --> 01:12:29,240
Speaker 2: the third born Jonas brother.

1583
01:12:29,800 --> 01:12:31,559
Speaker 3: Wait, I don't get to count this as one of

1584
01:12:31,640 --> 01:12:32,240
Speaker 3: my three.

1585
01:12:32,439 --> 01:12:34,320
Speaker 1: No, of course you do. You'd wait, you get it right,

1586
01:12:34,360 --> 01:12:34,880
Speaker 1: you get it right.

1587
01:12:34,920 --> 01:12:37,640
Speaker 2: I'm just saying I'll answer first because I'm guessing you

1588
01:12:37,680 --> 01:12:38,840
Speaker 2: know who it is and I don't.

1589
01:12:39,240 --> 01:12:40,920
Speaker 1: Okay, I think it's Norman.

1590
01:12:41,960 --> 01:12:44,840
Speaker 3: Oh, come on, you do you know the names of

1591
01:12:44,880 --> 01:12:46,240
Speaker 3: the Jonas brothers by now?

1592
01:12:46,439 --> 01:12:51,559
Speaker 1: I don't? I know Joe Jonas seriously, seriously, all.

1593
01:12:51,520 --> 01:12:54,000
Speaker 3: Right, I am an almost fifty year old man, and

1594
01:12:54,120 --> 01:12:56,200
Speaker 3: it's Jonah. But we've talked about them.

1595
01:12:57,400 --> 01:13:00,719
Speaker 1: Listen everything, come on, no idea, Kevin.

1596
01:13:01,040 --> 01:13:03,800
Speaker 3: Then Joe is the middle one, and then Nick is

1597
01:13:03,840 --> 01:13:04,559
Speaker 3: the third Joe.

1598
01:13:05,840 --> 01:13:09,920
Speaker 4: We're talking about that. It's Nick Jonas.

1599
01:13:09,760 --> 01:13:11,920
Speaker 3: Taken my one when I got back.

1600
01:13:12,080 --> 01:13:17,400
Speaker 1: The number two. The full title of the third High

1601
01:13:17,439 --> 01:13:23,439
Speaker 1: School Musical Movie? Isn't it just called High School Musical three?

1602
01:13:25,080 --> 01:13:27,920
Speaker 3: I think it's this is where you might die. I

1603
01:13:27,960 --> 01:13:30,639
Speaker 3: think it's called High School Musical the movie.

1604
01:13:32,680 --> 01:13:34,559
Speaker 1: Okay, I say high School Musical three.

1605
01:13:35,120 --> 01:13:46,240
Speaker 4: It's called High School Musical three Senior year Okay, Okay.

1606
01:13:44,120 --> 01:13:46,679
Speaker 3: I think I'm stuck on High School Musical, the musical

1607
01:13:46,960 --> 01:13:50,439
Speaker 3: series of Seriously, I'm stuck on another one.

1608
01:13:50,680 --> 01:13:53,240
Speaker 1: All right, how about the third president.

1609
01:13:52,840 --> 01:13:55,040
Speaker 3: Of the Oh my gosh, this is so embarrassing to

1610
01:13:55,080 --> 01:13:55,880
Speaker 3: not know this at all.

1611
01:13:56,040 --> 01:13:58,919
Speaker 1: Not really, The third president was Thomas Jefferson.

1612
01:13:59,040 --> 01:14:03,000
Speaker 4: Okay, so we're we're tied at one both.

1613
01:14:03,560 --> 01:14:08,120
Speaker 2: Number four, the third Disney theme park to open. I

1614
01:14:08,160 --> 01:14:09,880
Speaker 2: think I know this one.

1615
01:14:10,720 --> 01:14:20,200
Speaker 3: I think it's Tokyo. Is it Paris? Okay? Paris, Tokyo, Shanghai.

1616
01:14:22,439 --> 01:14:24,680
Speaker 1: I think you're going way too way too to new,

1617
01:14:24,760 --> 01:14:27,440
Speaker 1: way too new. I think it's going to be Epcot.

1618
01:14:28,960 --> 01:14:33,320
Speaker 3: Oh is that considered outside of Disney World though? Isn't

1619
01:14:33,320 --> 01:14:33,840
Speaker 3: that the same?

1620
01:14:34,240 --> 01:14:36,720
Speaker 1: No? I think I think Epcot would be considered its

1621
01:14:36,760 --> 01:14:39,080
Speaker 1: own park. I think, well I'll jump in.

1622
01:14:39,760 --> 01:14:41,000
Speaker 4: Let's say third Disneyland.

1623
01:14:42,120 --> 01:14:47,200
Speaker 3: Okay, you've got Disneyland than Disney World Florida.

1624
01:14:47,640 --> 01:14:51,000
Speaker 1: Oh, then then euro Disney would be third, the one.

1625
01:14:50,880 --> 01:14:53,799
Speaker 3: In Paris, the Paris one, right.

1626
01:14:54,080 --> 01:14:55,400
Speaker 1: I think that's called euro Disney.

1627
01:14:55,520 --> 01:14:56,920
Speaker 3: Yeah. I think Tokyo was.

1628
01:14:56,960 --> 01:15:04,240
Speaker 4: After Brina talks out of the right answer, Tokyo Disney.

1629
01:15:03,320 --> 01:15:10,759
Speaker 3: Oh, my sister in law's like crazy with like Walt

1630
01:15:10,760 --> 01:15:13,360
Speaker 3: Disney she's done. She's won an Emmy for her her

1631
01:15:13,400 --> 01:15:15,599
Speaker 3: docs on this guy, I should know this.

1632
01:15:15,640 --> 01:15:18,000
Speaker 1: I watched, well you did. I talked you out of it.

1633
01:15:18,200 --> 01:15:21,760
Speaker 1: See what's the third Planet from the Sun, Sabrina.

1634
01:15:22,000 --> 01:15:26,240
Speaker 3: Oh my gosh, will really do you really not know?

1635
01:15:26,479 --> 01:15:28,439
Speaker 1: There's a show called Third Rock from the Sun?

1636
01:15:29,040 --> 01:15:31,360
Speaker 3: Yeah, what is it?

1637
01:15:32,600 --> 01:15:32,880
Speaker 1: Earth?

1638
01:15:34,160 --> 01:15:35,519
Speaker 3: Oh?

1639
01:15:36,040 --> 01:15:37,960
Speaker 4: I wish that was my question. God, damn it, I

1640
01:15:37,960 --> 01:15:39,800
Speaker 4: wish I was my question. All right, here we go.

1641
01:15:39,920 --> 01:15:46,200
Speaker 2: All right, Okay, what's the third Indiana Jones movie title?

1642
01:15:46,560 --> 01:15:50,599
Speaker 3: Oh? I have no idea Indiana Jones. I don't think

1643
01:15:50,600 --> 01:15:52,760
Speaker 3: I've ever watched past the first one?

1644
01:15:53,200 --> 01:15:59,599
Speaker 2: What? Oh my god, it's Indiana Jones and the last Crusade.

1645
01:16:00,120 --> 01:16:02,960
Speaker 4: Got too right, terrible showing all around.

1646
01:16:03,120 --> 01:16:07,559
Speaker 3: It is what I still you can't you still can't

1647
01:16:07,600 --> 01:16:09,559
Speaker 3: do it. That's not going to ruin my good mood

1648
01:16:09,600 --> 01:16:09,960
Speaker 3: over here.

1649
01:16:10,240 --> 01:16:24,040
Speaker 1: Pick Earth. Producers in the chat just wrote, Sabrina.

1650
01:16:22,800 --> 01:16:24,960
Speaker 3: I swear to like it makes it seem like I

1651
01:16:25,040 --> 01:16:27,400
Speaker 3: like want to be like some dissy idiot.

1652
01:16:27,960 --> 01:16:30,120
Speaker 1: You're not a ditsy idiot. It's some people just don't

1653
01:16:30,160 --> 01:16:31,639
Speaker 1: do the trivia stuff the same.

1654
01:16:31,880 --> 01:16:36,040
Speaker 3: Yeah, I'm not a yeah, no, all right, here we go.

1655
01:16:36,400 --> 01:16:38,920
Speaker 1: Buckle up, will let me just sit back.

1656
01:16:39,000 --> 01:16:44,040
Speaker 2: Let's let's sit back for the Sabrina seas.

1657
01:16:44,960 --> 01:16:49,200
Speaker 3: Right off from the start, I literally was like, hold on, Meg,

1658
01:16:49,960 --> 01:16:52,800
Speaker 3: we know her in the movies as Alison is like

1659
01:16:53,400 --> 01:16:56,920
Speaker 3: uber hot. She like all of a sudden became like

1660
01:16:57,000 --> 01:17:00,960
Speaker 3: to me, she went from super cute, obviously a pretty

1661
01:17:00,960 --> 01:17:03,519
Speaker 3: girl to where she was like in this movie. To me,

1662
01:17:03,720 --> 01:17:06,840
Speaker 3: she just somehow it was like, you know, like in

1663
01:17:06,880 --> 01:17:09,680
Speaker 3: your like twenties, there's just something that happens, like with

1664
01:17:09,760 --> 01:17:11,920
Speaker 3: your jawline and your cheek bones and all that. Like

1665
01:17:12,080 --> 01:17:15,519
Speaker 3: she just like has is into her just like nobody

1666
01:17:15,560 --> 01:17:19,120
Speaker 3: can mess with me. Thank you. Oh my gosh, I

1667
01:17:19,200 --> 01:17:20,960
Speaker 3: just right from the start went, oh my gosh, she's

1668
01:17:21,000 --> 01:17:24,200
Speaker 3: just stunny. When Willa came in, I went, Holy cow,

1669
01:17:24,360 --> 01:17:27,720
Speaker 3: this girl is just beyond gorgeous. And I know I

1670
01:17:27,720 --> 01:17:28,800
Speaker 3: said that when we met her.

1671
01:17:29,000 --> 01:17:30,880
Speaker 1: The cast is jeditiful cast.

1672
01:17:31,320 --> 01:17:34,559
Speaker 3: I mean it is awesome. I mean the cast is

1673
01:17:34,600 --> 01:17:37,320
Speaker 3: just absolutely gord. I think one of the hottest casts we've.

1674
01:17:37,120 --> 01:17:39,160
Speaker 1: Ever Yea, I wouldn't deserve boar.

1675
01:17:39,600 --> 01:17:42,639
Speaker 3: I were so beautiful that it just is incredible. Okay,

1676
01:17:43,240 --> 01:17:45,200
Speaker 3: moving on, there's some other things we're going to move

1677
01:17:45,240 --> 01:17:48,559
Speaker 3: past those because it was like absolutely in that rally

1678
01:17:48,600 --> 01:17:51,400
Speaker 3: when the whole football team is supposed to be coming in,

1679
01:17:51,520 --> 01:17:54,639
Speaker 3: there was like fifteen people on a football team. No,

1680
01:17:54,640 --> 01:17:57,080
Speaker 3: there's like they're in the thirties, Like that was a

1681
01:17:57,120 --> 01:17:58,080
Speaker 3: tiny football team.

1682
01:17:58,439 --> 01:18:00,200
Speaker 1: Hey, I was on a football team. There was aven

1683
01:18:00,280 --> 01:18:01,040
Speaker 1: of us on the whole.

1684
01:18:01,080 --> 01:18:03,120
Speaker 3: No way, you guys did play. I don't think that's

1685
01:18:03,200 --> 01:18:04,080
Speaker 3: enough to play on the field.

1686
01:18:04,200 --> 01:18:05,520
Speaker 1: We played both ways.

1687
01:18:05,400 --> 01:18:06,200
Speaker 3: In high school.

1688
01:18:06,439 --> 01:18:08,760
Speaker 1: Yeah, I had the high school team I was on.

1689
01:18:08,800 --> 01:18:10,920
Speaker 1: We played both ways. Yeah, I played well. I was

1690
01:18:10,920 --> 01:18:14,800
Speaker 1: on the offensive and defensive line. Why that eleven of.

1691
01:18:14,800 --> 01:18:15,719
Speaker 3: Us every game?

1692
01:18:17,240 --> 01:18:17,639
Speaker 2: Dang?

1693
01:18:17,920 --> 01:18:21,880
Speaker 3: Okay? Anyway, during the alien vision, we didn't talk about this.

1694
01:18:22,040 --> 01:18:25,120
Speaker 3: I hate this is such a specific thing that happens now,

1695
01:18:25,200 --> 01:18:29,120
Speaker 3: especially with phones when a crisis is going on. Why

1696
01:18:29,160 --> 01:18:31,759
Speaker 3: are they in the song too? Let's talk about your boys.

1697
01:18:31,760 --> 01:18:33,920
Speaker 3: How they talk about what they're doing. They talk about

1698
01:18:34,000 --> 01:18:38,120
Speaker 3: getting the phone out and filming. What it's like if

1699
01:18:38,120 --> 01:18:41,160
Speaker 3: they're okay. Now, keep in mind, I don't believe in

1700
01:18:41,200 --> 01:18:43,719
Speaker 3: aliens like all that much trying to come into our world.

1701
01:18:43,800 --> 01:18:46,920
Speaker 3: I think they are fine and away from us. If

1702
01:18:46,920 --> 01:18:49,519
Speaker 3: they if it's if a mothership of some sort, I

1703
01:18:49,520 --> 01:18:52,639
Speaker 3: don't care. If it was actually Rule Paul's voice talking

1704
01:18:52,680 --> 01:18:54,599
Speaker 3: down to me. As much as I love Ru Paul,

1705
01:18:55,040 --> 01:18:57,800
Speaker 3: I would be jetting out there. I would have I

1706
01:18:58,040 --> 01:18:59,719
Speaker 3: have to think about it, would have to to force

1707
01:18:59,800 --> 01:19:02,000
Speaker 3: my self to grab my kid's wrists because I would

1708
01:19:02,000 --> 01:19:05,160
Speaker 3: be like, we gotta go. I would not be getting

1709
01:19:05,160 --> 01:19:06,800
Speaker 3: my phone out, and I hate that. That's the way

1710
01:19:06,800 --> 01:19:11,000
Speaker 3: the world is now. Don't film it. Get the f

1711
01:19:11,200 --> 01:19:15,599
Speaker 3: out of Dodge Martyr people. Oh my gosh, I hate

1712
01:19:15,600 --> 01:19:19,160
Speaker 3: people like that. Okay, we didn't. You didn't talk about

1713
01:19:19,200 --> 01:19:21,400
Speaker 3: it either on this so I made a star. You

1714
01:19:21,479 --> 01:19:23,760
Speaker 3: normally talk about the funny things that happened when there's

1715
01:19:23,880 --> 01:19:26,479
Speaker 3: when they're going through these like musical things, they almost

1716
01:19:26,520 --> 01:19:28,439
Speaker 3: like die during an archery class.

1717
01:19:28,560 --> 01:19:30,360
Speaker 1: Was the archery was the thing going through? I was

1718
01:19:30,360 --> 01:19:32,559
Speaker 1: gonna mention that yet just people shooting arrows at them.

1719
01:19:32,960 --> 01:19:34,360
Speaker 3: Just don't worry.

1720
01:19:34,400 --> 01:19:35,080
Speaker 1: We're so in love.

1721
01:19:35,280 --> 01:19:39,320
Speaker 3: Yeah, we just die together, No big deal. Okay, this

1722
01:19:39,400 --> 01:19:44,160
Speaker 3: is gonna be a little bit controversial for my major

1723
01:19:44,280 --> 01:19:47,800
Speaker 3: zombie fans out there. Come On Out was a song

1724
01:19:47,960 --> 01:19:58,000
Speaker 3: I loved, loved the song, loved the spacing choreography was on. Okay,

1725
01:19:58,520 --> 01:20:03,160
Speaker 3: the dancers and this routine lost it a little bit. Really,

1726
01:20:03,200 --> 01:20:07,280
Speaker 3: timing was not what the rest of us on Zombies

1727
01:20:07,320 --> 01:20:10,920
Speaker 3: World are used to seeing these dancers nail really again

1728
01:20:11,640 --> 01:20:14,800
Speaker 3: that that there's parts of the routine and I'm and

1729
01:20:14,920 --> 01:20:17,720
Speaker 3: I my favorite group is the wolf Pack. They are

1730
01:20:17,760 --> 01:20:19,840
Speaker 3: my favorite. I love their style, but it is very hard.

1731
01:20:19,840 --> 01:20:22,400
Speaker 3: You can tell it's an intricate type style. And the

1732
01:20:22,439 --> 01:20:26,280
Speaker 3: timing was off the dancers, the actor like, the timing

1733
01:20:26,400 --> 01:20:28,280
Speaker 3: was off in a couple sections, and I went, wait

1734
01:20:28,320 --> 01:20:31,200
Speaker 3: a minute, because you know, I've said it many times

1735
01:20:31,240 --> 01:20:32,600
Speaker 3: how much I love the dancing.

1736
01:20:32,360 --> 01:20:34,400
Speaker 1: In these course and I kind of.

1737
01:20:34,360 --> 01:20:38,040
Speaker 3: Was like, whoa, what happened? Guys, what happened? Where'd our

1738
01:20:38,040 --> 01:20:42,040
Speaker 3: rehearsal time go? No? God, oh god, I'm sure they're

1739
01:20:42,080 --> 01:20:44,120
Speaker 3: watching it going that damn it. I wish I had

1740
01:20:44,120 --> 01:20:44,720
Speaker 3: a chance to do.

1741
01:20:44,840 --> 01:20:46,080
Speaker 1: No, I didn't even notice.

1742
01:20:46,120 --> 01:20:48,519
Speaker 3: I mean, you have to have like an eye of

1743
01:20:48,560 --> 01:20:53,720
Speaker 3: like like that. But yes, my next thing brings me

1744
01:20:53,840 --> 01:20:59,400
Speaker 3: actually to my Sobbery dance collection because watching when she

1745
01:20:59,520 --> 01:21:01,360
Speaker 3: was up in that spaceship, all they could think of

1746
01:21:01,600 --> 01:21:04,320
Speaker 3: was what the hell is she wearing for her practice gear?

1747
01:21:05,840 --> 01:21:09,040
Speaker 3: Our girl Addison's practice outfit when her cheer outfit is

1748
01:21:09,080 --> 01:21:12,760
Speaker 3: not cute zombies. Hit me up bring a dance official,

1749
01:21:13,320 --> 01:21:15,599
Speaker 3: because I will get you guys looking much better than

1750
01:21:15,640 --> 01:21:20,800
Speaker 3: whatever she was wearing. She was wearing cropped pants when

1751
01:21:20,840 --> 01:21:25,360
Speaker 3: she gets to the spaceship right after they dance, are

1752
01:21:25,400 --> 01:21:28,280
Speaker 3: they cheer? They perform? And I was just like, hit

1753
01:21:28,360 --> 01:21:39,080
Speaker 3: me up my ig official from Seabrook Paul, I will

1754
01:21:39,080 --> 01:21:40,160
Speaker 3: take care of the zombies.

1755
01:21:40,200 --> 01:21:40,439
Speaker 1: Five.

1756
01:21:40,680 --> 01:21:45,840
Speaker 3: I don't worry because it needs an adjustment. We cannot

1757
01:21:45,840 --> 01:21:49,000
Speaker 3: be wearing that. That is ridiculous. No, no, you cannot

1758
01:21:49,040 --> 01:21:52,080
Speaker 3: do addison like that. Don't do that like shif. I

1759
01:21:52,120 --> 01:21:53,920
Speaker 3: was kind of going, oh god, what are they wearing?

1760
01:21:55,080 --> 01:21:58,679
Speaker 3: And then the did the spaceship? I wanted to ask,

1761
01:21:58,760 --> 01:22:01,599
Speaker 3: this is more of a question, how did it when

1762
01:22:01,640 --> 01:22:07,559
Speaker 3: they're in the spaceship Xenon or zombies with a spaceship life?

1763
01:22:07,720 --> 01:22:10,240
Speaker 1: Oh oh oh? How to live like how they live? Up? Well?

1764
01:22:10,439 --> 01:22:11,800
Speaker 3: How did how do you rank them?

1765
01:22:12,080 --> 01:22:13,480
Speaker 1: Oh? Well, I mean there's no comparison.

1766
01:22:13,520 --> 01:22:16,200
Speaker 2: I mean the zombies looked so much better because it

1767
01:22:16,240 --> 01:22:18,519
Speaker 2: had a way bigger budget and it's twenty years later.

1768
01:22:18,760 --> 01:22:22,280
Speaker 3: But it didn't it didn't seem as creative as I

1769
01:22:22,320 --> 01:22:24,280
Speaker 3: felt like Xenon. We kept going Oh, this was really

1770
01:22:24,360 --> 01:22:24,800
Speaker 3: kind of cool.

1771
01:22:24,840 --> 01:22:25,400
Speaker 1: Oh that's cool.

1772
01:22:25,560 --> 01:22:27,840
Speaker 2: I think I think they wanted to do I think

1773
01:22:27,840 --> 01:22:30,240
Speaker 2: they did it specifically where it's like the ship is cool,

1774
01:22:30,520 --> 01:22:31,639
Speaker 2: but they're stuck on.

1775
01:22:31,640 --> 01:22:34,800
Speaker 1: The ship because their planet's been destroyed.

1776
01:22:34,520 --> 01:22:36,800
Speaker 3: Versus Z that's their home.

1777
01:22:36,920 --> 01:22:38,320
Speaker 1: Yeah, like that's they're straight up.

1778
01:22:38,640 --> 01:22:40,639
Speaker 3: Yeah, all right, thank you. All right, that's a good question.

1779
01:22:40,640 --> 01:22:42,960
Speaker 3: I'm glad I asked you. Now we're back. Now we're

1780
01:22:42,960 --> 01:22:43,240
Speaker 3: to Z.

1781
01:22:43,880 --> 01:22:46,120
Speaker 1: Yeah, what you have? This whole Z thing? What's that?

1782
01:22:46,360 --> 01:22:48,519
Speaker 3: Zed's starting to piss me off a little bit. I

1783
01:22:48,600 --> 01:22:50,760
Speaker 3: love Z. I'm like, I'm in it.

1784
01:22:50,760 --> 01:22:52,720
Speaker 1: It was exceptional. I heard him saying about it.

1785
01:22:53,240 --> 01:22:55,200
Speaker 3: I know. And he's starting to piss me off because

1786
01:22:55,200 --> 01:22:58,200
Speaker 3: I went to a regular high school. Okay, z's don't.

1787
01:22:58,479 --> 01:23:02,519
Speaker 3: They don't exist. They don't exist. Okay, Zed's way too cool,

1788
01:23:02,880 --> 01:23:05,800
Speaker 3: way too good, way too nice, way too good of

1789
01:23:05,840 --> 01:23:10,160
Speaker 3: a boyfriend, just to carrying most like just the perfect

1790
01:23:10,240 --> 01:23:13,960
Speaker 3: individual guys out there. My girls that are in high school,

1791
01:23:14,040 --> 01:23:16,519
Speaker 3: Z's do not exist. In high school guys are not

1792
01:23:16,800 --> 01:23:19,479
Speaker 3: like that yet, they have not gone through the trenches.

1793
01:23:20,040 --> 01:23:22,240
Speaker 3: That is not just starting to upset me a little bit.

1794
01:23:22,240 --> 01:23:24,720
Speaker 1: That a little.

1795
01:23:24,479 --> 01:23:26,960
Speaker 3: Too high because deeds are not in high school, they

1796
01:23:26,960 --> 01:23:31,560
Speaker 3: are not. They aren't maybe in college. Wow, the after college.

1797
01:23:32,360 --> 01:23:34,240
Speaker 3: Starting to get a little upset because I'm starting because

1798
01:23:34,240 --> 01:23:34,799
Speaker 3: it just makes.

1799
01:23:34,680 --> 01:23:39,200
Speaker 1: Him too perfect. Start just kidding, that's what it is.

1800
01:23:39,520 --> 01:23:41,920
Speaker 3: No, I'm just going, wait a minute, this this kind

1801
01:23:41,920 --> 01:23:46,439
Speaker 3: of guy perfect, but she's perfect perfect. But there are

1802
01:23:46,479 --> 01:23:50,800
Speaker 3: girls like Addison and there's not. Yes, there is that.

1803
01:23:50,880 --> 01:23:53,719
Speaker 2: You can't say there's girls, these perfect girls like Addison,

1804
01:23:53,760 --> 01:23:54,800
Speaker 2: but no perfect guys.

1805
01:23:56,000 --> 01:23:59,320
Speaker 3: Yes, I do believe that. I don't think Addison is

1806
01:23:59,520 --> 01:24:03,760
Speaker 3: much of a No. I feel like girls would they're

1807
01:24:03,880 --> 01:24:05,120
Speaker 3: girl I just okay.

1808
01:24:04,920 --> 01:24:07,679
Speaker 2: Yeah, because whatirls girls, especially in high school, are most

1809
01:24:07,680 --> 01:24:10,439
Speaker 2: known for, especially when they're really popular, is being nice

1810
01:24:10,479 --> 01:24:12,200
Speaker 2: and accepting of everyone else around them.

1811
01:24:13,000 --> 01:24:15,920
Speaker 3: Come Maybe maybe not, but I do believe that that

1812
01:24:16,120 --> 01:24:21,760
Speaker 3: is a guys being so unlike. Oh anyway, that was

1813
01:24:21,800 --> 01:24:23,120
Speaker 3: just one of my points, Like I was just going,

1814
01:24:23,160 --> 01:24:25,160
Speaker 3: oh my gosh, this Z guy is just like way

1815
01:24:25,200 --> 01:24:26,479
Speaker 3: too perfect. This is crazy.

1816
01:24:26,520 --> 01:24:29,200
Speaker 2: You have to understand he was also spent his entire

1817
01:24:29,320 --> 01:24:33,160
Speaker 2: life growing up being marginalized and beat down, so when

1818
01:24:33,200 --> 01:24:36,040
Speaker 2: he gets a chance to then be cool in high school,

1819
01:24:36,080 --> 01:24:38,160
Speaker 2: he wants to be nice to everyone around him because

1820
01:24:38,160 --> 01:24:39,800
Speaker 2: he knows what it's like to be on the other

1821
01:24:39,840 --> 01:24:40,280
Speaker 2: side of that.

1822
01:24:40,760 --> 01:24:44,759
Speaker 3: Yes, all right, okay, my last my only like again

1823
01:24:44,880 --> 01:24:47,240
Speaker 3: little tweaks that I'm just going, oh my gosh when

1824
01:24:47,240 --> 01:24:49,960
Speaker 3: it comes to we didn't really cover Finally me, which

1825
01:24:50,000 --> 01:24:53,120
Speaker 3: is the dance the cheer thing, right, that was probably

1826
01:24:53,200 --> 01:24:56,680
Speaker 3: my least favorite of the performances because it was not

1827
01:24:56,960 --> 01:25:01,040
Speaker 3: cheer like the the Eels had them most. The Eels

1828
01:25:01,040 --> 01:25:03,600
Speaker 3: that were the very first on the tear Off, they

1829
01:25:03,680 --> 01:25:09,120
Speaker 3: had the most realistic cheer routine with actual cheerleaders. You

1830
01:25:09,120 --> 01:25:12,160
Speaker 3: could tell that was a cheer group. This with our

1831
01:25:12,280 --> 01:25:16,080
Speaker 3: Seabrook cheerleaders, I think they're too dancy to be actual cheerleaders.

1832
01:25:16,080 --> 01:25:19,200
Speaker 3: You could, you know, And it's like we're Movie three,

1833
01:25:19,880 --> 01:25:22,559
Speaker 3: all we I mean, obviously she does the big flip

1834
01:25:22,600 --> 01:25:27,719
Speaker 3: and it's it's but in real like when they're actually

1835
01:25:27,720 --> 01:25:30,200
Speaker 3: filming her, all she can do is a shoulder, sit

1836
01:25:30,320 --> 01:25:34,439
Speaker 3: and hold. This is Movie three. She could at least

1837
01:25:34,479 --> 01:25:37,519
Speaker 3: be in a basic I mean, I'm forty years old

1838
01:25:37,640 --> 01:25:39,839
Speaker 3: and I haven't really actually done a lot of stunting,

1839
01:25:40,280 --> 01:25:41,960
Speaker 3: but you could teach me that. If I had a

1840
01:25:42,000 --> 01:25:44,000
Speaker 3: couple of weeks, I could get into like a basic

1841
01:25:44,560 --> 01:25:47,920
Speaker 3: where they're holding her here, not sitting on someone's shoulders.

1842
01:25:48,680 --> 01:25:53,839
Speaker 3: Not okay, not okay, I'm not happy with it. Last thing, guys,

1843
01:25:54,040 --> 01:25:59,320
Speaker 3: I told you I had that. This is also last thing.

1844
01:26:00,200 --> 01:26:02,479
Speaker 3: Did you see the easter egg that we had at

1845
01:26:02,520 --> 01:26:05,600
Speaker 3: the very end, which where we were introduced to what

1846
01:26:05,640 --> 01:26:08,800
Speaker 3: we were going You mentioned a mermaid thing. Yeah, there's

1847
01:26:08,840 --> 01:26:12,600
Speaker 3: a sign in the cartoon area that says welcome vampires.

1848
01:26:12,760 --> 01:26:14,200
Speaker 1: Oh no, I didn't see that at all.

1849
01:26:14,680 --> 01:26:17,240
Speaker 3: In the cartoon portion of where we're going and how

1850
01:26:17,280 --> 01:26:20,960
Speaker 3: we're you know, rounding out the storyline. Yeah, there says

1851
01:26:21,080 --> 01:26:21,960
Speaker 3: welcome vampire.

1852
01:26:22,080 --> 01:26:23,000
Speaker 1: That's so I did not see that.

1853
01:26:23,040 --> 01:26:25,200
Speaker 2: I thought there was another easter egg actually paused and

1854
01:26:25,320 --> 01:26:25,880
Speaker 2: round it.

1855
01:26:25,960 --> 01:26:27,800
Speaker 1: I don't think they did it on purpose, but they

1856
01:26:27,880 --> 01:26:33,360
Speaker 1: might have. When they're cutting to Seabrook being fixed, they

1857
01:26:33,400 --> 01:26:35,880
Speaker 1: spend a good amount of time on a tow truck

1858
01:26:36,160 --> 01:26:39,120
Speaker 1: driving up and driving by, and it looked like they

1859
01:26:39,160 --> 01:26:41,719
Speaker 1: tried to make it look like toe Mater from the cars.

1860
01:26:42,280 --> 01:26:45,240
Speaker 1: Oh so, I don't know if that was on purpose,

1861
01:26:45,439 --> 01:26:47,400
Speaker 1: but it looked like that could have been a little

1862
01:26:47,439 --> 01:26:48,880
Speaker 1: Disney Pixar, a little Easies.

1863
01:26:48,920 --> 01:26:52,160
Speaker 3: Maybe I love that. And that's where I'm done. Guys,

1864
01:26:52,360 --> 01:26:53,480
Speaker 3: welcome vampires.

1865
01:26:53,520 --> 01:26:56,200
Speaker 1: Can't wait, can't wait. Thank you so much.

1866
01:26:56,320 --> 01:26:58,479
Speaker 2: We are now to the portion of our program, of course,

1867
01:26:58,479 --> 01:27:00,760
Speaker 2: where we are going to rate. We're gonna do one

1868
01:27:00,760 --> 01:27:02,519
Speaker 2: to ten. I'm not even gonna make it fancy this time.

1869
01:27:02,560 --> 01:27:04,040
Speaker 2: I think one should be the worst, in ten should

1870
01:27:04,040 --> 01:27:04,360
Speaker 2: be the best.

1871
01:27:04,360 --> 01:27:06,439
Speaker 1: That's the best way to do it. Options this week

1872
01:27:06,560 --> 01:27:14,960
Speaker 1: Sabrina Option one zombie steroids do you want to do?

1873
01:27:15,040 --> 01:27:17,280
Speaker 1: One out of ten? A preggers.

1874
01:27:18,800 --> 01:27:23,800
Speaker 2: One out of ten, pep Rally recruitments, UF woes one

1875
01:27:23,840 --> 01:27:26,920
Speaker 2: out of ten. Overcrowded local colleges one out of ten,

1876
01:27:26,960 --> 01:27:30,719
Speaker 2: Eliza Steampunk Robots one out of ten, Triple hip hop,

1877
01:27:30,760 --> 01:27:36,360
Speaker 2: double Tuck, Lindy's Coaches, Froyo stores maps in your colon,

1878
01:27:38,080 --> 01:27:42,880
Speaker 2: or apparently seventeen all boy K pop groups that we

1879
01:27:42,920 --> 01:27:46,240
Speaker 2: did not hear about. I don't know who picks this week,

1880
01:27:46,240 --> 01:27:48,280
Speaker 2: so I'm gonna let you pick this week, and you

1881
01:27:48,360 --> 01:27:49,840
Speaker 2: better pick the one I want you to pick.

1882
01:27:50,040 --> 01:27:56,320
Speaker 3: I know you won't you all right, We'll do one

1883
01:27:56,360 --> 01:27:58,519
Speaker 3: out of ten maps in your colon.

1884
01:27:58,760 --> 01:28:00,960
Speaker 1: Alright. I thought you're gonna pick as, but I like

1885
01:28:01,040 --> 01:28:04,559
Speaker 1: that matter. No, no, no, you know it's been said,

1886
01:28:04,640 --> 01:28:08,080
Speaker 1: it's been said. I think do I rate first? This time?

1887
01:28:09,439 --> 01:28:10,960
Speaker 1: I can never remember who goes first?

1888
01:28:11,120 --> 01:28:13,679
Speaker 3: I can't either. We need somebody to help us.

1889
01:28:13,600 --> 01:28:16,400
Speaker 1: With that, all right, exactly, I'll go first. What the heck?

1890
01:28:16,479 --> 01:28:17,160
Speaker 3: Okay? All right?

1891
01:28:17,880 --> 01:28:20,479
Speaker 2: I liked this movie. I definitely did. I like the

1892
01:28:20,600 --> 01:28:23,760
Speaker 2: entire franchise. I think so far, I like them in

1893
01:28:23,880 --> 01:28:26,800
Speaker 2: popularity in the order they've come. I think the first

1894
01:28:26,800 --> 01:28:29,200
Speaker 2: one is the best, the second one was good, and

1895
01:28:29,240 --> 01:28:31,040
Speaker 2: the third one is good. But I think they go

1896
01:28:31,120 --> 01:28:36,479
Speaker 2: in order. Yeah, I had some Again, the songs were

1897
01:28:36,479 --> 01:28:38,000
Speaker 2: two on that. They're starting to just get two on

1898
01:28:38,040 --> 01:28:41,639
Speaker 2: the nose for me. They also, it's the same kind

1899
01:28:41,680 --> 01:28:45,320
Speaker 2: of story every movie. Now I get why they're doing it.

1900
01:28:45,320 --> 01:28:47,360
Speaker 2: It's clever you bring in the new death and you know,

1901
01:28:47,720 --> 01:28:50,280
Speaker 2: I'm okay with it, but it's it's you know, it's

1902
01:28:50,360 --> 01:28:52,599
Speaker 2: the same movie kind of three times in a row.

1903
01:28:53,400 --> 01:28:56,519
Speaker 2: But again, cast phenomenal. You're right, best looking cast we

1904
01:28:56,600 --> 01:29:00,599
Speaker 2: probably ever had. They're super talented. The choreogra looks great.

1905
01:29:00,600 --> 01:29:03,280
Speaker 2: That just the whole setting of Seabrook is really great.

1906
01:29:03,800 --> 01:29:07,519
Speaker 2: So I'm still going to give this eight point five.

1907
01:29:08,520 --> 01:29:08,880
Speaker 3: Wow.

1908
01:29:09,160 --> 01:29:12,840
Speaker 1: Maps in your colon, it's a soft eight point five.

1909
01:29:13,439 --> 01:29:16,559
Speaker 2: I could go, it's oh my god, oh my god,

1910
01:29:16,600 --> 01:29:20,320
Speaker 2: we're going it's a soft eight point five maps in

1911
01:29:20,320 --> 01:29:22,439
Speaker 2: your colon. Yes, I'm saying it again. It is not

1912
01:29:22,560 --> 01:29:25,439
Speaker 2: a rock hard eight point five maps in your colon.

1913
01:29:27,920 --> 01:29:29,000
Speaker 1: It'd be a rock hard eight.

1914
01:29:29,360 --> 01:29:32,320
Speaker 3: Okay, all right, I am literally about to get on.

1915
01:29:32,439 --> 01:29:35,559
Speaker 2: But an eight point five soft maps in your colon

1916
01:29:35,640 --> 01:29:37,800
Speaker 2: is what I'm saying, Sabrina, you where do you got it?

1917
01:29:38,000 --> 01:29:39,559
Speaker 1: How many tens have you given this?

1918
01:29:41,040 --> 01:29:45,960
Speaker 3: Okay, okay, so you're you might be a little surprised

1919
01:29:46,000 --> 01:29:48,360
Speaker 3: because I'm not giving it a ten. It's not going

1920
01:29:48,439 --> 01:29:52,839
Speaker 3: to a ten. I, however, really sunk into this movie.

1921
01:29:52,760 --> 01:29:52,960
Speaker 4: Yeah.

1922
01:29:53,120 --> 01:29:57,200
Speaker 3: I love this franchise so much. I do think the

1923
01:29:57,240 --> 01:30:00,360
Speaker 3: storyline is becoming repetitive. So I'm really excited. Think what

1924
01:30:00,400 --> 01:30:03,280
Speaker 3: it is too is knowing that that anticipation of like

1925
01:30:03,760 --> 01:30:06,320
Speaker 3: we're about we're this is gonna be the first time

1926
01:30:06,320 --> 01:30:09,840
Speaker 3: will that something is like premiering while we started this podcast,

1927
01:30:09,920 --> 01:30:14,160
Speaker 3: everything else has been a unlesson. I get corrected again. Here,

1928
01:30:14,160 --> 01:30:15,800
Speaker 3: I'm wait for lisit It to pop up and go

1929
01:30:15,960 --> 01:30:18,559
Speaker 3: you are incorrect, You're incorrect, But I'm pretty sure this

1930
01:30:18,640 --> 01:30:20,840
Speaker 3: is our first like premiere that we're gonna get to

1931
01:30:20,880 --> 01:30:25,000
Speaker 3: see a Zombies floor like as it's happening, right, We're

1932
01:30:25,000 --> 01:30:27,280
Speaker 3: gonna watch it blow up, we're gonna see the ratings,

1933
01:30:27,280 --> 01:30:29,320
Speaker 3: We're gonna see it as it's happening. So I think

1934
01:30:29,479 --> 01:30:32,880
Speaker 3: that's part of my excitement of it is knowing that

1935
01:30:32,960 --> 01:30:40,519
Speaker 3: there's something else. And so I went through the emotions.

1936
01:30:40,560 --> 01:30:43,080
Speaker 3: Towards the end, I was just again, I was like,

1937
01:30:43,160 --> 01:30:47,000
Speaker 3: the look the bands, the moon that that like they're

1938
01:30:47,040 --> 01:30:49,680
Speaker 3: all coming together. Like I just I really loved it.

1939
01:30:50,000 --> 01:30:53,160
Speaker 3: I thought that the relationship, the fact that we're getting

1940
01:30:53,160 --> 01:30:56,000
Speaker 3: the forever and then we got I think for our

1941
01:30:56,080 --> 01:30:59,280
Speaker 3: main characters, the first I Love you Yeah. I don't

1942
01:30:59,320 --> 01:31:01,759
Speaker 3: remember getting that in high school musical, like an actual

1943
01:31:01,840 --> 01:31:05,559
Speaker 3: I Love you Yeah. I thought some of that stuff

1944
01:31:05,640 --> 01:31:08,600
Speaker 3: was really elevated with this franchise than other things that

1945
01:31:08,600 --> 01:31:12,320
Speaker 3: we've seen. However, I do think that I, like I said,

1946
01:31:12,320 --> 01:31:14,680
Speaker 3: it took me two times to fall in love with

1947
01:31:14,800 --> 01:31:19,400
Speaker 3: this movie on the button, the bottle feeding that was

1948
01:31:19,439 --> 01:31:21,800
Speaker 3: happening pulls me back just a tiny bit, not as

1949
01:31:21,880 --> 01:31:26,439
Speaker 3: much as you, but I'm just you, guys, I'm like

1950
01:31:26,520 --> 01:31:31,120
Speaker 3: a zombie fan here. I'm right there with Danielle writer.

1951
01:31:31,960 --> 01:31:35,080
Speaker 3: I will get the kids together, we will get the popcorn,

1952
01:31:35,160 --> 01:31:37,120
Speaker 3: we will get the dam We will all be watching

1953
01:31:37,120 --> 01:31:39,120
Speaker 3: these over and over again, and I will love every

1954
01:31:39,160 --> 01:31:43,920
Speaker 3: moment of it. I really thought the choreography was so smart,

1955
01:31:44,120 --> 01:31:47,000
Speaker 3: and just kudos to that choreographer. That cannot be an

1956
01:31:47,040 --> 01:31:51,680
Speaker 3: easy job and kudos. So I've already talked about how

1957
01:31:51,760 --> 01:31:57,559
Speaker 3: much I love it. I'm going with a nine maps.

1958
01:31:58,560 --> 01:32:00,639
Speaker 3: I'm going with the nine maps in your colon.

1959
01:32:00,840 --> 01:32:05,320
Speaker 2: Yeah, there you go, all right, so rock hard eight

1960
01:32:05,520 --> 01:32:08,160
Speaker 2: soft eight and a half to a pretty rock hard

1961
01:32:08,280 --> 01:32:14,960
Speaker 2: nine I'm thinking for Sabrina there, idn't I couldn't.

1962
01:32:14,680 --> 01:32:15,040
Speaker 5: Hear that.

1963
01:32:16,560 --> 01:32:17,560
Speaker 1: What I heard?

1964
01:32:18,120 --> 01:32:20,679
Speaker 2: Oh my, so thank you so much for joining it. Well,

1965
01:32:20,680 --> 01:32:24,000
Speaker 2: we did Zombies three and now guess what comes next? Yes,

1966
01:32:24,040 --> 01:32:27,840
Speaker 2: we are going right into watching the Lizzie McGuire movie again.

1967
01:32:28,840 --> 01:32:31,880
Speaker 1: I am kidding. That will never happen unless I'm being

1968
01:32:31,920 --> 01:32:36,040
Speaker 1: tortured for some reason. No, we are now doing Zombies four.

1969
01:32:36,240 --> 01:32:39,320
Speaker 2: That's right, our first ever real time recap at Sabrina

1970
01:32:39,360 --> 01:32:41,120
Speaker 2: was saying, and we'll be talking about the newest d

1971
01:32:41,240 --> 01:32:43,519
Speaker 2: coom right as it airs. You can watch it live

1972
01:32:43,520 --> 01:32:45,960
Speaker 2: on the Disney Channel on July tenth, or streaming on

1973
01:32:45,960 --> 01:32:47,519
Speaker 2: Disney Plus the Falling Day and if you want to

1974
01:32:47,520 --> 01:32:50,160
Speaker 2: stay current, But either way, we're gonna learn all about

1975
01:32:50,200 --> 01:32:55,600
Speaker 2: the new vampires in Seabrook together. I've got some predictions.

1976
01:32:55,800 --> 01:32:58,639
Speaker 2: They're gonna be good looking, they're gonna sing, they're gonna dance,

1977
01:32:59,080 --> 01:33:01,760
Speaker 2: and they're gonna eventually be accepted by everybody in town.

1978
01:33:02,160 --> 01:33:04,759
Speaker 2: And as always, we have so many episodes completely engulfed

1979
01:33:04,800 --> 01:33:07,040
Speaker 2: in the universe of the dcom recaps of your favorites

1980
01:33:07,080 --> 01:33:09,559
Speaker 2: and interviews with the stars that made these movies so iconic.

1981
01:33:09,800 --> 01:33:12,320
Speaker 2: So just search for our dedicated Magical Rewind feed wherever

1982
01:33:12,360 --> 01:33:14,920
Speaker 2: you get your podcasts, and for more info, you can

1983
01:33:14,960 --> 01:33:17,719
Speaker 2: follow us at Magical Rewind Pod on the Instagram machine.

1984
01:33:17,800 --> 01:33:20,400
Speaker 2: Right now, and I'm going to sing you out a

1985
01:33:20,400 --> 01:33:23,439
Speaker 2: little song because our podcast is ending, so I want

1986
01:33:23,479 --> 01:33:24,160
Speaker 2: to make it really clever.

1987
01:33:24,280 --> 01:33:27,040
Speaker 5: Our podcast is ending right now, and you can join

1988
01:33:27,160 --> 01:33:30,040
Speaker 5: us next time. Yeah, it's a great podcast and it's

1989
01:33:30,040 --> 01:33:32,599
Speaker 5: on you can get it where you get your podcasts

1990
01:33:32,600 --> 01:33:35,599
Speaker 5: and stuff. Yeah, that's a pretty good song.

1991
01:33:35,840 --> 01:33:45,080
Speaker 1: Thank you very much. Nice bye, everybody.