WEBVTT - The Max Headroom Incident

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<v Speaker 1>Salt Lake City, Utah, and Phoenix, Arizona. We're coming to

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<v Speaker 1>see you. Yes, we are, so come see Yes, why

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<v Speaker 1>don't you. Yeah, we put out the call to Salt

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<v Speaker 1>Lake City and said should we come there? And tickets

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<v Speaker 1>are going gangbusters. You guys really responded. Yeah, we thought

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<v Speaker 1>you were just like, this is all just a joke,

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<v Speaker 1>but no, it's turning out quite well. We're gonna be

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<v Speaker 1>there October twenty three at the Grand Theater in Salt

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<v Speaker 1>Lake City, and then the next night we'll be in

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<v Speaker 1>Phoenix at the Van Buren. And we can't wait to

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<v Speaker 1>see you, guys, So please come out and see us.

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<v Speaker 1>And if you want tickets, you can go to s

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<v Speaker 1>y s K live dot com for those and Chuck

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<v Speaker 1>and yes to our friends down Enda Melbourne, boy, we

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<v Speaker 1>are super psyched because you love us and you sold

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<v Speaker 1>us out very quickly. So we have added a second

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<v Speaker 1>show that I believe is actually an earlier show, isn't

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<v Speaker 1>that right? Yeah, it's a five thirties show. I believe

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<v Speaker 1>that Melbourne is the one that we added, and it's

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<v Speaker 1>gonna be cool. It's gonna be like a sweet little Mattinee. Yeah,

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<v Speaker 1>we call that Happy Hour in our kind tree. Yeah

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<v Speaker 1>that's right. So make sure you guys bring a slab each.

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<v Speaker 1>That's right in Perth and Brisbane. Step it up. Yeah

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<v Speaker 1>that's right. So if you want to come see us,

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<v Speaker 1>go to s y s K Live. Whether you're in

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<v Speaker 1>the US, whether you're in Australia, whether you're in New Zealand,

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<v Speaker 1>it doesn't matter. You can go to the same site

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<v Speaker 1>and hang out with us and there you go. See

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<v Speaker 1>you guys soon. Welcome to Stuff you Should Know from

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<v Speaker 1>House Stuff Works dot Com. Hey, and welcome to the podcast.

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<v Speaker 1>I'm Josh Clark, There's Chuck Bryant, Jerry Roland. You think

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<v Speaker 1>pretty good. It's pretty good, and this is stuff you

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<v Speaker 1>should Know. Josh ed Room, thank you you've been I

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<v Speaker 1>saw you over there with your earbuds today. You were

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<v Speaker 1>working on this all day, weren't you. I watched season

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<v Speaker 1>one episode one of Max Headroom, Like the last ten

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<v Speaker 1>minutes is still pending, okay, but it's crazy, Like Max

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<v Speaker 1>Headroam himself doesn't show up until like forty minutes into

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<v Speaker 1>the first hour long episode, but when he does, it's dynamite.

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<v Speaker 1>So what are we talking about. We're talking about Max

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<v Speaker 1>Headroam that's right. A huge shout out at the beginning

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<v Speaker 1>of this two buis dot com specifically Motherboard, specifically Alex Pasternak. Yeah,

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<v Speaker 1>who wrote the article on Motherboard And we actually we

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<v Speaker 1>used to blog a little bit for them back in

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<v Speaker 1>the day, remember that. Yeah. I don't think they like

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<v Speaker 1>to talk about that or acknowledge it publicly, you know,

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<v Speaker 1>I don't think so. Oh, I think it was mutually beneficial.

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<v Speaker 1>I'll bet you can't find those on Motherboard anymore. Trying

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<v Speaker 1>to remember. I'm sure they were like I think I

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<v Speaker 1>read one about driving a stick shift versus automatic or

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<v Speaker 1>something weird. That's a big one. Yeah. We started out

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<v Speaker 1>with an old fashioned recipe, I think, yeah, that was you.

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<v Speaker 1>They were like, let's do better than this guy's and

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<v Speaker 1>we said no, And then they said we got our

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<v Speaker 1>own people. Yeah, we'll let somebody come in and go

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<v Speaker 1>strike for you. Yeah. So that Motherboard articles the basis

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<v Speaker 1>and from what I found, I mean, we we used

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<v Speaker 1>a lot of different sources on this, but this article

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<v Speaker 1>entitled the Mystery of the Creepiest Television Heck is sort

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<v Speaker 1>of the culmination like the Kuda gra kDa gra of

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<v Speaker 1>Max Headroom incidental articles. Yeah, it actually really good job.

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<v Speaker 1>Pastor Neck like very exhaustively investigated it and turned up

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<v Speaker 1>new information, got new new um, a new understanding of it,

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<v Speaker 1>and basically contributed to the mythos of it himself. It's

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<v Speaker 1>a way to go, Pastor Neck, right. And what we're

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<v Speaker 1>talking about is if you if you don't know who

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<v Speaker 1>Max Headroom at all is, We're about to set that up. Yeah,

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<v Speaker 1>let's talk about Max headrom But if you were alive

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<v Speaker 1>during the nineteen eighties, then you probably know who Max

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<v Speaker 1>Headroom is because weirdly, for a brief few years it

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<v Speaker 1>was kind of a big pop culture at about four

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<v Speaker 1>years by my by my calculations. So starting in there

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<v Speaker 1>was a movie called Max Headroom Colon so you know

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<v Speaker 1>his an important movie twenty Minutes in the Future, right,

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<v Speaker 1>and it was a kind of a cyberpunk movie, um

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<v Speaker 1>dystopium future, very Terry Gilliam brazil ish um, and it

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<v Speaker 1>was I'm not I haven't seen that one, but it

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<v Speaker 1>was basically where the character of Max Headroom was born, right,

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<v Speaker 1>And I think it actually formed the basis for the

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<v Speaker 1>TV show later in between the later TV show that

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<v Speaker 1>you and I are more familiar with and that movie

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<v Speaker 1>Max Headroom was a pop culture sensation. He was a

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<v Speaker 1>pitchman for New Coke. I went and watched an old ad.

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<v Speaker 1>He was in an ad with run DMC pitching New Coke,

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<v Speaker 1>and I was like, doesn't get any more eighties than this?

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<v Speaker 1>But it was actually a pretty cool ad, right was it?

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<v Speaker 1>Did it say, here's a little story A need to

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<v Speaker 1>tell about a New Coke on the scene that he

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<v Speaker 1>loves so well, that was exactly word for word how

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<v Speaker 1>that ad went. So so let's back up a little more. Right, Okay,

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<v Speaker 1>let's describe what Max Headroom is for the kids, because

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<v Speaker 1>I guarantee it about eight percent of our our audience

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<v Speaker 1>are like, what's the eighties? What's New Coke? Who's run DMC?

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<v Speaker 1>Well that's probably not true, but what so what was

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<v Speaker 1>Max Headroom? He was builed as like the first virtual

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<v Speaker 1>um talk show host, right correct? Okay, yeah, so he

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<v Speaker 1>was played by a guy named Matt Frewer, who, out

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<v Speaker 1>of prosthetic makeup, had that look anyway, very chiseled, square jawed.

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<v Speaker 1>He was not bald, but had he had a receding hairline. Okay,

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<v Speaker 1>but he kept it really really short, so it kind

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<v Speaker 1>of looks bald. Yeah. Here, this will explain it to

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<v Speaker 1>all the kids at home. He was a colleague of

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<v Speaker 1>Murphy Brown and the Murphy Brown television. Yeah, they're like,

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<v Speaker 1>oh that guy, Yeah, not the painter, the other one,

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<v Speaker 1>the love interest. I don't think I knew that. I

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<v Speaker 1>never watched more Peole Brown though. Oh man, I hope

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<v Speaker 1>that was him. I'm pretty sure it was him. Yeah. Yeah,

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<v Speaker 1>well he's been around, he's still acting today. But yes,

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<v Speaker 1>he played the character of Max Headroom, and the TV

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<v Speaker 1>show Max Headroom was actually pretty far ahead of its time,

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<v Speaker 1>totally speaking. Yeah, so the whole, the whole premise of

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<v Speaker 1>the TV show, the last his big last, great gasp

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<v Speaker 1>that was actually the most serious of all of it

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<v Speaker 1>was where in the future TV networks controlled the world,

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<v Speaker 1>and there was the station that network twenty three that

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<v Speaker 1>Matt Frewer's character and later Max Headroom, who became his

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<v Speaker 1>alter ego, worked for. We're putting these things called blip

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<v Speaker 1>firts out his His character's name was Edison Carter at first,

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<v Speaker 1>and he was like an investigative journalist. So um, he

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<v Speaker 1>starts looking into these blip firsts because the problem with

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<v Speaker 1>blip firsts they are thirty second ads used into three seconds,

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<v Speaker 1>and it's meant to keep you from changing the channel.

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<v Speaker 1>The problem is is that everybody watched so much TV

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<v Speaker 1>by this time, they didn't move around, which meant that

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<v Speaker 1>all of the electricity generated by their nerve endings wasn't

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<v Speaker 1>burned off as how the how the show explained it.

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<v Speaker 1>So when their brains were assaulted with these blip verts,

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<v Speaker 1>they kind of short circuited, and all that electricity that

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<v Speaker 1>was just hanging around their bodies because they weren't moving

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<v Speaker 1>at all during the day, made them explode. The network

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<v Speaker 1>really liked blip urts and they didn't want to get

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<v Speaker 1>rid of them, so they decided to instead get rid

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<v Speaker 1>of Edison Carter. Yeah, and the TV advertising at the time,

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<v Speaker 1>or advertising in general sort of not only did TV

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<v Speaker 1>rule the world, but the ads behind it was really

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<v Speaker 1>the driving force. It sounds very familiar, it does. Everyone's like,

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<v Speaker 1>I take a blip furt, give me a three second

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<v Speaker 1>ad on the podcast guys, it will blow you up.

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<v Speaker 1>So what they what ended up happening was was the

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<v Speaker 1>character of Edison Carter eventually was there was an incident

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<v Speaker 1>not the Max Headroom It's in it where he was

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<v Speaker 1>left in a coma in an episode the first episode,

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<v Speaker 1>Oh yeah, the pilot, of course. And the last thing

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<v Speaker 1>he sees before falling into a coma is a sign

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<v Speaker 1>that said Max Headroom colon two point three meters. Uh.

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<v Speaker 1>And so that's how he got the name Max cum right.

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<v Speaker 1>It was in like a parking garage and it was

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<v Speaker 1>basically saying, this is the overhead clearance. Is the way

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<v Speaker 1>it it's put in the United States. Yeah, right, so

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<v Speaker 1>that's the name Max Headroum right. But he was an

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<v Speaker 1>AI character, right, So the the Evil TV network got

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<v Speaker 1>ahold of him, uploaded his brain um and they originally

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<v Speaker 1>did this with the intent of bringing Edison Carter because

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<v Speaker 1>again he was like their star reporter. Bringing him back

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<v Speaker 1>in virtual forms, they created an artificial intelligence. Well, it's

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<v Speaker 1>kind of glitchy and blippy and it looked weird, so

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<v Speaker 1>they threw it out. Well, some pirate broadcasters got a

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<v Speaker 1>hold of this, this database that that Max Hedrom lived on,

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<v Speaker 1>and they started broadcasting with him, and Max Hendrom was born.

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<v Speaker 1>That's right. And you said glitchy and blippy, and that

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<v Speaker 1>kids explains your intro when you went to Josh, Yeah, yeah,

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<v Speaker 1>I was doing Thank you for explaining that Yeah, that

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<v Speaker 1>bears Josh was He's He's okay everybody. So that's what

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<v Speaker 1>Max Hedroum did. It was jittery, it was blippy, Like

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<v Speaker 1>you said, the background was this weird sort of horizontal

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<v Speaker 1>and diagonal line moving around thing, and that was all

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<v Speaker 1>part of this at the time sort of futuristic look.

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<v Speaker 1>He was also really sarcastic and really caddy, and he

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<v Speaker 1>was really um. He poked fun at censorship and he

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<v Speaker 1>was just kind of like a cult hero just the

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<v Speaker 1>character itself. Right. Yeah. The awesome thing about him is

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<v Speaker 1>in the real world of we didn't have any kind

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<v Speaker 1>of computers that could generate a c g I post,

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<v Speaker 1>so they actually used like prosthetics, Like there was a

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<v Speaker 1>four hour process to put Matt freu Or into the

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<v Speaker 1>Max Headroom makeup. So it's the guy acting and then

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<v Speaker 1>you know, they messed with the video a little bit.

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<v Speaker 1>But it wasn't a c a c g I version

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<v Speaker 1>of a guy. It was a guy acting like he

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<v Speaker 1>was a c g I version of himself, right, which

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<v Speaker 1>is why if, for instance, if Max Headroom the character

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<v Speaker 1>were to appear on say David Letterman, which he did,

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<v Speaker 1>it would be Letterman interviewing a TV screen, which is

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<v Speaker 1>what they did, but it was actually Matt Frewer in

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<v Speaker 1>another studio. He was probably just backstage broadcast. And it's

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<v Speaker 1>really like, as a kid, I did not get all this, No,

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<v Speaker 1>I just thought it was a I didn't really know

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<v Speaker 1>what it was because I've never seen the show. I

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<v Speaker 1>thought he was the coke guy, right right, And I

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<v Speaker 1>think I've seen the show a little bit. I was like,

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<v Speaker 1>this is way too grown up for me. Um, But

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<v Speaker 1>I think I just kind of took it on faith

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<v Speaker 1>that he was computer generated or something like that. I

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<v Speaker 1>didn't really think about it much. But now as an

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<v Speaker 1>adult looking back, I'm like, that is brilliant and really difficult.

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<v Speaker 1>And the fact that they did this and pulled it

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<v Speaker 1>off as well as they did, it's it's it's a

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<v Speaker 1>it's a pretty amazing thing, right, And you can kind

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<v Speaker 1>of understand how Max Headroom with all that information now

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<v Speaker 1>became this kind of cult icon, especially among cyberpunks at

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<v Speaker 1>the time, and what just keep saying cyberpunk. So so

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<v Speaker 1>let me let me I'm I'm I'm not like particularly

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<v Speaker 1>well versed in like what constitutes cyberpunk, but like it's

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<v Speaker 1>like pornography to a Supreme Court justice, Like I know

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<v Speaker 1>it when I see it, right, Sure, So if you

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<v Speaker 1>watch the Max Headroom Show, you're like, that's cyberpunk. RoboCop

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<v Speaker 1>is supposedly cyberpunk, right. It's like a bleak technological future

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<v Speaker 1>where people are controlled by almost down to their minds,

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<v Speaker 1>by the government or some corporation or some amalgamation of

0:12:04.400 --> 0:12:09.160
<v Speaker 1>the two. That's pretty cyberpunk. Right. So at the time

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<v Speaker 1>you had what are called geeks and nerds, but they

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<v Speaker 1>are not really what you would call the geek or

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<v Speaker 1>a nerd today. Right, somebody who wears like glasses that

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<v Speaker 1>don't actually have prescription glass in them. Do people do that?

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<v Speaker 1>That's some people do. I did that in the fourth grade. Well,

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<v Speaker 1>then you were a geek apparently, No. I was a

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<v Speaker 1>prep and I wore those little tortoiseshell round uh preppy

0:12:32.920 --> 0:12:35.880
<v Speaker 1>glasses because that was a cool look. And actually, when

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<v Speaker 1>it's it's one of my least proud moments. Fashion wise

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<v Speaker 1>has actually bought fake glasses and more than around you

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<v Speaker 1>have photos of those. I'd really have to dig through

0:12:45.760 --> 0:12:48.040
<v Speaker 1>some boxes. I think I speak for everyone when I

0:12:48.080 --> 0:12:53.080
<v Speaker 1>say started digging dig Yeah, it was not my proudest moment. Yeah,

0:12:53.160 --> 0:12:57.880
<v Speaker 1>I'd like to see that picture. So. Um, at the time,

0:12:58.160 --> 0:13:03.120
<v Speaker 1>people who were geeks, nerds, that whole culture was very

0:13:03.200 --> 0:13:07.880
<v Speaker 1>much derided and pushed around. I mean, look at the

0:13:07.920 --> 0:13:10.800
<v Speaker 1>Revenge of the Nerds, right like they came out on top.

0:13:10.840 --> 0:13:12.400
<v Speaker 1>I watched a little bit of that just the other night.

0:13:12.480 --> 0:13:16.640
<v Speaker 1>This is probably the earliest celebration of nerd culture. It

0:13:16.720 --> 0:13:20.640
<v Speaker 1>was not something that was like venerated or subscribed to

0:13:20.840 --> 0:13:26.640
<v Speaker 1>by anyone who wasn't a genuine nerd or geek. And

0:13:26.720 --> 0:13:30.520
<v Speaker 1>these were a very rarefied group of people who really

0:13:30.600 --> 0:13:32.760
<v Speaker 1>knew what they were doing with computers at a time

0:13:32.760 --> 0:13:36.080
<v Speaker 1>when almost no one else did. Early adopters across the

0:13:36.080 --> 0:13:38.920
<v Speaker 1>board very much so. Right, So, so Maxidim is kind

0:13:38.960 --> 0:13:41.720
<v Speaker 1>of a cult hero to this guy, and um, that

0:13:41.800 --> 0:13:46.800
<v Speaker 1>kind of sets up what happened on November twenty in

0:13:46.840 --> 0:13:53.600
<v Speaker 1>a little town called Chicago, Illinois, the city of industry,

0:13:54.120 --> 0:13:59.640
<v Speaker 1>city that doesn't ever sleep never, the windy city that's it?

0:14:00.000 --> 0:14:03.400
<v Speaker 1>Are you go of all time? The windy city of

0:14:03.400 --> 0:14:06.480
<v Speaker 1>all time? Yeah? So that sets the stage. We know

0:14:06.559 --> 0:14:11.120
<v Speaker 1>who who the character of Max Headroom was? Then yes,

0:14:11.960 --> 0:14:14.400
<v Speaker 1>are you sure I set the stage? I think so?

0:14:14.640 --> 0:14:17.280
<v Speaker 1>Did we set the stage fully here it looks nice alight.

0:14:18.160 --> 0:14:23.240
<v Speaker 1>So a PM on that November night in Chicago, four

0:14:23.320 --> 0:14:27.760
<v Speaker 1>days before Thanksgiving. Yeah, so everyone was in that frame

0:14:27.800 --> 0:14:30.400
<v Speaker 1>of mind, put yourself there. I think that that helps

0:14:30.440 --> 0:14:34.280
<v Speaker 1>a lot. It helped me at least football seasons going on. Yeah.

0:14:34.280 --> 0:14:36.320
<v Speaker 1>As a matter of fact, just that very day, the

0:14:36.400 --> 0:14:40.680
<v Speaker 1>Bears had beat the Lions, which you know, it's a

0:14:40.680 --> 0:14:43.000
<v Speaker 1>long time ago. Because the Bears won a football game,

0:14:45.160 --> 0:14:47.360
<v Speaker 1>the people in the Windy City of all time, we're

0:14:47.400 --> 0:14:50.480
<v Speaker 1>not gonna be happy with you for that city time.

0:14:51.200 --> 0:14:56.960
<v Speaker 1>Oh and there's a sportscaster on local channel nine, uh

0:14:57.040 --> 0:15:00.360
<v Speaker 1>Dan Rone r a in and he was was going

0:15:00.400 --> 0:15:02.560
<v Speaker 1>over the highlights of that football game. Then all of

0:15:02.640 --> 0:15:06.920
<v Speaker 1>a sudden, right in the middle, the broadcast signal goes.

0:15:09.040 --> 0:15:12.400
<v Speaker 1>It makes those noise noises. And then over at w

0:15:12.600 --> 0:15:16.240
<v Speaker 1>g N the control room, they were like, what's what's

0:15:16.240 --> 0:15:18.280
<v Speaker 1>going on here? We have no idea what this is.

0:15:18.520 --> 0:15:24.760
<v Speaker 1>I think the exact quote was a girl. So um,

0:15:24.840 --> 0:15:27.760
<v Speaker 1>what happened was they eventually what what where they were

0:15:27.760 --> 0:15:29.440
<v Speaker 1>doing at the time was And this is how We're

0:15:29.480 --> 0:15:30.920
<v Speaker 1>not going to go into the weeds here on how

0:15:31.040 --> 0:15:34.920
<v Speaker 1>broadcast signals work, but what they did back in the day,

0:15:35.000 --> 0:15:39.440
<v Speaker 1>was they broadcast microwave transmissions to antenna's at the top

0:15:39.440 --> 0:15:41.840
<v Speaker 1>of the tallest buildings of whatever city that they were

0:15:41.840 --> 0:15:45.000
<v Speaker 1>in for local TV, for local TV, which is I

0:15:45.000 --> 0:15:47.080
<v Speaker 1>mean there was cable at the time, but local TV

0:15:47.200 --> 0:15:50.480
<v Speaker 1>still kind of ruled, yeah in the well sort of

0:15:50.480 --> 0:15:52.840
<v Speaker 1>in the late eighties, right, So like starting to segue

0:15:53.000 --> 0:15:56.480
<v Speaker 1>to cable, Yeah, for sure, cable is you know, kind

0:15:56.480 --> 0:15:58.680
<v Speaker 1>of a thing, but you if you were a local

0:15:58.720 --> 0:16:01.560
<v Speaker 1>TV station, you still have pretty big market share of it, right,

0:16:01.920 --> 0:16:04.120
<v Speaker 1>especially w g N in Chicago. I mean it's like

0:16:04.200 --> 0:16:07.680
<v Speaker 1>Chicago station, right absolutely, So what you I think you're

0:16:07.680 --> 0:16:11.080
<v Speaker 1>saying is that in a studio, whatever they're recording or

0:16:11.440 --> 0:16:15.600
<v Speaker 1>shooting or playing on their their little video tapes, they're

0:16:15.880 --> 0:16:19.720
<v Speaker 1>they're beaming that from the actual studio to a transmitter

0:16:19.800 --> 0:16:22.120
<v Speaker 1>stay atop a very tall building, and then that just

0:16:22.200 --> 0:16:24.360
<v Speaker 1>kind of bounces around to other transmitters and that's how

0:16:24.360 --> 0:16:28.200
<v Speaker 1>everybody in Chicago gets their w g N signal, right, Right,

0:16:28.320 --> 0:16:32.040
<v Speaker 1>So all of a sudden, during the sportscast, it skits

0:16:32.080 --> 0:16:34.080
<v Speaker 1>is out and then all of a sudden you see

0:16:34.120 --> 0:16:40.280
<v Speaker 1>a a guy in a suit, uh wearing a Max

0:16:40.360 --> 0:16:46.160
<v Speaker 1>headroom mask and it was there was no audio. That

0:16:46.240 --> 0:16:49.560
<v Speaker 1>was I guess the problem with this first intrusion that

0:16:49.680 --> 0:16:53.240
<v Speaker 1>was called a broadcast intrusion. Yeah, but you couldn't hear anything.

0:16:53.640 --> 0:16:55.960
<v Speaker 1>But I'm sure it was certainly distressing to a viewer

0:16:56.560 --> 0:16:59.120
<v Speaker 1>to see this kind of weird thing happened, especially if

0:16:59.160 --> 0:17:01.520
<v Speaker 1>viewer who wanted to know what the heck happened between

0:17:01.520 --> 0:17:05.119
<v Speaker 1>the Bears and the Lions that day. And um, the

0:17:05.160 --> 0:17:07.520
<v Speaker 1>whole thing lasted I think like eleven seconds or some

0:17:07.680 --> 0:17:09.640
<v Speaker 1>very short amount of time. Yeah, this was a short

0:17:09.680 --> 0:17:13.159
<v Speaker 1>one Before um, the w g N engineers went and

0:17:13.240 --> 0:17:17.600
<v Speaker 1>switched to the backup transmitter and and I guess transmitted

0:17:17.640 --> 0:17:21.960
<v Speaker 1>on a slightly different signal and brought the broadcast, the

0:17:21.960 --> 0:17:26.560
<v Speaker 1>sportscaster back on and Dan Rone was like, uh, if

0:17:26.600 --> 0:17:30.720
<v Speaker 1>you're wondering what just happened, so am I right? There's

0:17:30.720 --> 0:17:32.359
<v Speaker 1>a chuckle in between. I wasn't going to do my

0:17:32.400 --> 0:17:35.240
<v Speaker 1>impression of it, but it's good. You should watch it,

0:17:35.359 --> 0:17:39.400
<v Speaker 1>like somebody just go look it up, right, So Federal Investigators,

0:17:39.680 --> 0:17:43.000
<v Speaker 1>the FEC that is, was called in to investigate, um

0:17:43.160 --> 0:17:46.520
<v Speaker 1>what technically is well not technically it's a crime to

0:17:46.600 --> 0:17:50.080
<v Speaker 1>do so. And then just a few minutes later, they thought, well,

0:17:50.080 --> 0:17:52.560
<v Speaker 1>this is probably coming from inside the building, and so

0:17:52.600 --> 0:17:54.760
<v Speaker 1>that's the first place they started looking. They said, the

0:17:54.760 --> 0:18:00.000
<v Speaker 1>intrusions coming from inside the building exactly. They didn't find anybody, though,

0:18:00.000 --> 0:18:03.960
<v Speaker 1>I mean it was, as you'll see after we explained further,

0:18:04.440 --> 0:18:07.760
<v Speaker 1>it would make sense that you would look in the building, Yeah, right,

0:18:08.119 --> 0:18:11.840
<v Speaker 1>for something like this inside job. There apparently was not

0:18:11.960 --> 0:18:14.080
<v Speaker 1>an inside job at least as far as the w

0:18:14.240 --> 0:18:18.520
<v Speaker 1>g N Engineers search was concerned. Right, right, So that

0:18:18.600 --> 0:18:22.040
<v Speaker 1>was at nine fourteen. About two hours later, I think,

0:18:22.040 --> 0:18:26.280
<v Speaker 1>at eleven fifteen, on another channel in Chicago, w t

0:18:26.400 --> 0:18:30.040
<v Speaker 1>t W, which was the PBS station, they were airing

0:18:30.119 --> 0:18:34.040
<v Speaker 1>an episode of Doctor who called the Horror on fang Island,

0:18:34.359 --> 0:18:37.399
<v Speaker 1>fang Rock, fang Rock, Horror of fang Rock. You have

0:18:37.440 --> 0:18:40.680
<v Speaker 1>to say it like that, the Horror of fang Rock.

0:18:40.960 --> 0:18:44.320
<v Speaker 1>Thank you. And this is the Tom Baker doctor. Okay,

0:18:44.359 --> 0:18:48.440
<v Speaker 1>that's the only one I recognize that. Really he's seventies, right, Hey,

0:18:48.480 --> 0:18:51.240
<v Speaker 1>I'm no doctor. Who guys, don't it looked like it

0:18:51.320 --> 0:18:53.480
<v Speaker 1>looked like the seventies. What they cut in on looked

0:18:53.520 --> 0:18:56.800
<v Speaker 1>pretty seventies. It didn't look eighty seven. So who do

0:18:56.800 --> 0:19:00.080
<v Speaker 1>would think it would be at seven. I'm guess it

0:19:00.200 --> 0:19:02.960
<v Speaker 1>was a rerun on PBS, That's what I think. Alright,

0:19:03.280 --> 0:19:06.320
<v Speaker 1>we'll find out and oh man, we're going to find

0:19:06.320 --> 0:19:09.320
<v Speaker 1>out too. That would have been super easy to check. Yeah,

0:19:10.040 --> 0:19:13.320
<v Speaker 1>at any rate, Um, the the in the middle of

0:19:13.359 --> 0:19:17.160
<v Speaker 1>this Doctor Who episode, it suddenly cuts out again, and

0:19:17.840 --> 0:19:20.880
<v Speaker 1>now you've got what appears to be the full run

0:19:21.520 --> 0:19:25.320
<v Speaker 1>of this Max headroom intrusion. Yes, instead of thirty seconds,

0:19:25.359 --> 0:19:28.399
<v Speaker 1>this one was a minute in twenty two seconds. And

0:19:28.520 --> 0:19:32.680
<v Speaker 1>right now, I would say, if you are somewhere where

0:19:32.720 --> 0:19:37.720
<v Speaker 1>you can pause and go to a video online video

0:19:37.800 --> 0:19:41.359
<v Speaker 1>carrier of your choosing and type in Max headroom incident,

0:19:42.200 --> 0:19:44.399
<v Speaker 1>spend the next minute in twenty two seconds watching it.

0:19:44.760 --> 0:19:47.399
<v Speaker 1>We'll wait and we'll wait. We'll just in cert a

0:19:47.400 --> 0:19:50.200
<v Speaker 1>minute seconds of silence here, how about this. Let's take

0:19:50.240 --> 0:19:52.720
<v Speaker 1>a break and then we'll come back and then we'll

0:19:52.720 --> 0:20:16.520
<v Speaker 1>talk about exactly what happened during that minute in two seconds. Okay,

0:20:16.560 --> 0:20:21.520
<v Speaker 1>we're back. Did you watch it? Are you talking to me? Okay?

0:20:22.840 --> 0:20:25.240
<v Speaker 1>I'm guessing that people people did watch it. A few

0:20:25.240 --> 0:20:27.880
<v Speaker 1>people did, smart ones did. Because this is really tough

0:20:27.920 --> 0:20:31.640
<v Speaker 1>to describe, and we're going to try but it's something

0:20:31.680 --> 0:20:35.080
<v Speaker 1>you really have to see you in here. It's genuinely

0:20:35.320 --> 0:20:39.840
<v Speaker 1>disturbing sitting in an office years later watching it, and

0:20:39.880 --> 0:20:42.960
<v Speaker 1>I can imagine if I was at home, I would

0:20:43.000 --> 0:20:47.800
<v Speaker 1>have probably been a little freaked out. You found it disturbing, Yeah,

0:20:48.000 --> 0:20:52.200
<v Speaker 1>I found it hilarious in like a really juvenile way. Yeah,

0:20:52.440 --> 0:20:55.800
<v Speaker 1>it creeps me out. It was like watching David Byrne

0:20:55.840 --> 0:20:58.080
<v Speaker 1>on acid at a talking head show. That's what I

0:20:58.119 --> 0:21:01.199
<v Speaker 1>think of when I saw that, you know, all right,

0:21:01.240 --> 0:21:04.080
<v Speaker 1>so let's let's describe the scene here. Okay, so you

0:21:04.160 --> 0:21:07.440
<v Speaker 1>got Max Headroom, well, actually a dude wearing a rubbers

0:21:07.720 --> 0:21:11.879
<v Speaker 1>rubber Halloween mask of Max Headroom. And this this is

0:21:11.960 --> 0:21:15.560
<v Speaker 1>just genius to me. So you mentioned earlier about how

0:21:15.600 --> 0:21:19.159
<v Speaker 1>the Max Headroom had like these kind of grid lines

0:21:19.240 --> 0:21:21.200
<v Speaker 1>behind them at all times and they kind of moved

0:21:21.240 --> 0:21:24.840
<v Speaker 1>and adjusted. They were different colors to do to to

0:21:24.880 --> 0:21:29.399
<v Speaker 1>simulate that these guys had like a piece of corrugated metal,

0:21:29.720 --> 0:21:33.439
<v Speaker 1>shiny metal, and I guess they had an attached somehow

0:21:33.480 --> 0:21:36.320
<v Speaker 1>to something that rocked it back and forth, and they

0:21:36.440 --> 0:21:39.080
<v Speaker 1>kind of somebody was clearly rocking it back and forth

0:21:39.200 --> 0:21:42.280
<v Speaker 1>here there erratically, and it really does a good job.

0:21:42.640 --> 0:21:45.000
<v Speaker 1>It gets the point across that it looked like the

0:21:45.000 --> 0:21:46.960
<v Speaker 1>Max bed Room TV show. The Yeah, the back in

0:21:47.000 --> 0:21:51.760
<v Speaker 1>the character. Yes, but again I would say that this

0:21:51.800 --> 0:21:55.360
<v Speaker 1>person was very very clearly on acid. Well, I think

0:21:55.400 --> 0:21:57.320
<v Speaker 1>what disturbs me, and I need to make it clear.

0:21:57.359 --> 0:22:00.720
<v Speaker 1>It is definitely funny and stupid. But what disturbs me

0:22:00.840 --> 0:22:04.399
<v Speaker 1>is the sound of the voice, which is all garble.

0:22:04.480 --> 0:22:08.399
<v Speaker 1>It's really like on YouTube. It has subtitles thankfully because

0:22:08.400 --> 0:22:10.000
<v Speaker 1>it's hard to make out, and a lot of times

0:22:10.040 --> 0:22:12.600
<v Speaker 1>it just says can't you know understand what he's saying

0:22:12.680 --> 0:22:16.000
<v Speaker 1>or whatever? Uh? And the garble quality and just the

0:22:16.160 --> 0:22:21.320
<v Speaker 1>random weirdness that's going on. It's not like it was

0:22:21.359 --> 0:22:24.600
<v Speaker 1>creepier to mean than if v for Vendetta dude had

0:22:24.600 --> 0:22:26.440
<v Speaker 1>a come on Guy Fox had to come on and said,

0:22:26.800 --> 0:22:28.560
<v Speaker 1>you know, we are coming into your thing to tell

0:22:28.600 --> 0:22:31.600
<v Speaker 1>you this about this. This was just so weird and

0:22:31.640 --> 0:22:35.200
<v Speaker 1>all over the place. It was creepy to me. Yeah, well, yeah, yeah,

0:22:35.200 --> 0:22:37.840
<v Speaker 1>I see what you mean, Like you're watching some nonsensical

0:22:37.920 --> 0:22:44.240
<v Speaker 1>somebody's brain slightly damaged, watching somebody lose their mind. Right, Okay, yeah,

0:22:44.520 --> 0:22:48.160
<v Speaker 1>totally get that. Um, And here's here's what the guy

0:22:48.200 --> 0:22:52.240
<v Speaker 1>did that would make you feel like he lost his mind. Um,

0:22:53.160 --> 0:22:55.640
<v Speaker 1>this is the weird thing to me. It's it's very

0:22:55.680 --> 0:23:00.719
<v Speaker 1>targeted towards w g N, right, almost so much so

0:23:00.800 --> 0:23:03.840
<v Speaker 1>that some people would say this was clearly somebody who

0:23:03.840 --> 0:23:06.480
<v Speaker 1>had a grudge against w g N. He makes fun

0:23:06.480 --> 0:23:10.800
<v Speaker 1>of the bulls um sportscaster, the guy who worked for

0:23:10.920 --> 0:23:13.439
<v Speaker 1>w g N at the time. He makes reference to

0:23:13.800 --> 0:23:17.639
<v Speaker 1>how he just made a masterpiece for the Greatest World's

0:23:17.720 --> 0:23:22.199
<v Speaker 1>Newspaper Nerds, which was a messed up version of w

0:23:22.320 --> 0:23:26.320
<v Speaker 1>g n's call letters stand for World's Greatest Newspaper. He

0:23:26.400 --> 0:23:29.560
<v Speaker 1>wields a rubber penis. That's one. Although it was great

0:23:29.640 --> 0:23:32.040
<v Speaker 1>and almost every article it was referred to as a

0:23:32.080 --> 0:23:36.359
<v Speaker 1>marital aid. Did you see that? No? But uh, I

0:23:36.400 --> 0:23:39.560
<v Speaker 1>actually guessed it on Strickland's Tech stuff like four years ago,

0:23:40.040 --> 0:23:42.120
<v Speaker 1>and we covered this and I called it a marital aide,

0:23:42.200 --> 0:23:45.800
<v Speaker 1>did you okay? So I wanted to keep it clean.

0:23:47.560 --> 0:23:50.560
<v Speaker 1>I realized that saying the word penis is okay, Well,

0:23:50.560 --> 0:23:53.520
<v Speaker 1>it's clinical. I mean, we did a puberty episode, surely

0:23:53.560 --> 0:23:57.280
<v Speaker 1>we we have the chops to say penis. But marital

0:23:57.359 --> 0:24:00.800
<v Speaker 1>aide is hilarious, especially in this context. Like this crazy

0:24:00.880 --> 0:24:06.120
<v Speaker 1>dude don Acid wearing a Max Headroom mask is has

0:24:06.320 --> 0:24:08.560
<v Speaker 1>a marital aid. No he doesn't, that's not what that

0:24:08.720 --> 0:24:12.240
<v Speaker 1>is in that context. Yeah, and that's the new T shirt.

0:24:12.320 --> 0:24:14.640
<v Speaker 1>By the way, what we have the chops to say,

0:24:14.640 --> 0:24:18.800
<v Speaker 1>pienis so that's a band name. Let's go ahead and

0:24:18.920 --> 0:24:21.440
<v Speaker 1>use some of the let's go and say some of

0:24:21.480 --> 0:24:24.200
<v Speaker 1>the direct quotes. So he comes on and he goes

0:24:24.560 --> 0:24:28.800
<v Speaker 1>he's a freaking nerd. I think I'm better than Chuck Swarsky,

0:24:28.960 --> 0:24:31.879
<v Speaker 1>freaking liberal. That's a really good impression of it. And

0:24:31.960 --> 0:24:36.440
<v Speaker 1>Chuck Swarsky was the Bulls guy. Yeah, the sports announcer.

0:24:36.520 --> 0:24:38.960
<v Speaker 1>And this is a time too when like the Bulls were, Um,

0:24:39.000 --> 0:24:42.160
<v Speaker 1>this is the Jordan Pippen era. Still, I mean well

0:24:42.160 --> 0:24:44.600
<v Speaker 1>still it's at the beginning of it. Was seven. I

0:24:44.600 --> 0:24:46.560
<v Speaker 1>thought it was like in the middle of it. M hmm.

0:24:47.119 --> 0:24:50.720
<v Speaker 1>Was at the beginning pretty early earli ish. Let's say,

0:24:50.960 --> 0:24:54.359
<v Speaker 1>I wish these days that I would have been more

0:24:54.400 --> 0:24:58.640
<v Speaker 1>cognizant and like more into basketball and like I am

0:24:58.680 --> 0:25:01.719
<v Speaker 1>now see that's what I was the most into. It

0:25:01.760 --> 0:25:05.480
<v Speaker 1>was bird Jordan's magic to watch some of those games. Yeah,

0:25:05.520 --> 0:25:07.360
<v Speaker 1>that was good stuff because that's when the Hawks were

0:25:07.359 --> 0:25:11.800
<v Speaker 1>good back then, Yeah, back then, Dominique, Hey, shout out

0:25:11.800 --> 0:25:14.119
<v Speaker 1>to Kent base Moore. You know he listens to this

0:25:14.160 --> 0:25:16.120
<v Speaker 1>show that way, he's a fan. How did you find

0:25:16.119 --> 0:25:20.560
<v Speaker 1>that out? Twitter? Yeah, that's great, man, I love base

0:25:20.760 --> 0:25:23.400
<v Speaker 1>I know. How do you not love bas Man? He's

0:25:23.400 --> 0:25:26.720
<v Speaker 1>brought right right now. That's so cool. Alright, So, uh,

0:25:26.840 --> 0:25:31.080
<v Speaker 1>Chuck Sworski's freaking liberal. Uh. He's wielding the rubber penis

0:25:32.480 --> 0:25:35.400
<v Speaker 1>the marital aide. He drops that. Then he picks up

0:25:35.440 --> 0:25:37.680
<v Speaker 1>a new coke while you can't really tell if it

0:25:38.640 --> 0:25:40.720
<v Speaker 1>oh was it? Okay? I couldn't really tell. He picks

0:25:40.760 --> 0:25:43.679
<v Speaker 1>up a can and but he says catch the wave,

0:25:43.840 --> 0:25:47.119
<v Speaker 1>which is the new Coke slogan. Right. Then he starts humming.

0:25:47.240 --> 0:25:50.560
<v Speaker 1>It's so random. Then he starts humming the theme song

0:25:51.320 --> 0:25:55.000
<v Speaker 1>to the sixties show Clutch Cargo, which is weird in

0:25:55.119 --> 0:25:58.320
<v Speaker 1>and of itself. Sure, that's that one where it's like animation,

0:25:58.680 --> 0:26:01.439
<v Speaker 1>but for the mouths. That was just like a human

0:26:01.480 --> 0:26:04.680
<v Speaker 1>mouth moving with that's disturbing. Yeah, that was. If you've

0:26:04.680 --> 0:26:07.560
<v Speaker 1>seen pulp fiction, it was the scene where Bruce Willis

0:26:07.600 --> 0:26:10.120
<v Speaker 1>was a kid and Christopher Walkin comes in with the

0:26:10.160 --> 0:26:14.600
<v Speaker 1>wristwatch scene. Um, that Clutch Cargo is playing on TV

0:26:14.680 --> 0:26:17.720
<v Speaker 1>when he's watching it. But it is weird looking, right,

0:26:17.880 --> 0:26:19.600
<v Speaker 1>so you would say, why did you do the Clutch

0:26:19.640 --> 0:26:22.359
<v Speaker 1>Cargo theme? Well, again, this is a w g N

0:26:22.440 --> 0:26:25.679
<v Speaker 1>thing and apparently that's where you saw it as as

0:26:25.720 --> 0:26:30.119
<v Speaker 1>a kid. Yeah on um in Chicago. Okay, So he says, also,

0:26:30.400 --> 0:26:34.200
<v Speaker 1>your love is fading. I still see the X, which

0:26:34.200 --> 0:26:37.800
<v Speaker 1>apparently is something from the last episode of Clutch Cargo. Yeah,

0:26:37.920 --> 0:26:41.280
<v Speaker 1>that was the Big X or something. And then he says,

0:26:41.520 --> 0:26:43.800
<v Speaker 1>what you're talking about earlier, I just made a joint

0:26:43.920 --> 0:26:47.879
<v Speaker 1>masterpiece for all the greatest World Newspaper nerds. But he

0:26:48.080 --> 0:26:52.080
<v Speaker 1>should have said world's Greatest Newspaper Nerds w g IN right,

0:26:52.400 --> 0:26:54.800
<v Speaker 1>which you might find confusing, as I did too. But

0:26:54.880 --> 0:27:00.400
<v Speaker 1>apparently the Chicago Tribune Company owns w g N TV,

0:27:01.240 --> 0:27:06.560
<v Speaker 1>so they called themselves World's Greatest Newspaper TV. Right. It's

0:27:06.560 --> 0:27:09.639
<v Speaker 1>all coming together. It's so fact though. There you go.

0:27:10.320 --> 0:27:13.240
<v Speaker 1>Then finally towards the end, the camera cuts to a

0:27:13.280 --> 0:27:18.040
<v Speaker 1>different angle. Uh, this one has the dude bent over

0:27:18.200 --> 0:27:21.320
<v Speaker 1>with his bare butt hanging out. His face is now

0:27:21.359 --> 0:27:24.600
<v Speaker 1>off screen, but he's holding the mask still out like

0:27:24.720 --> 0:27:26.960
<v Speaker 1>his head is in it, but it's not. And there

0:27:27.160 --> 0:27:30.520
<v Speaker 1>is a person I say woman, but I don't know,

0:27:30.760 --> 0:27:33.240
<v Speaker 1>but a person in a like an anti Oakley dress?

0:27:33.600 --> 0:27:35.360
<v Speaker 1>Is that what it was? I didn't get that. Yeah,

0:27:35.359 --> 0:27:39.159
<v Speaker 1>it looked like a prairie bonnet ensemble, but the bonnet

0:27:39.200 --> 0:27:40.560
<v Speaker 1>kind of hides the face, so you don't know if

0:27:40.560 --> 0:27:43.440
<v Speaker 1>it's a man or a woman. And they are spanking

0:27:44.400 --> 0:27:48.080
<v Speaker 1>the bare butt with a fly swatter, and he's worried

0:27:48.119 --> 0:27:50.639
<v Speaker 1>about them coming to get him. They're going to get me,

0:27:51.480 --> 0:27:53.320
<v Speaker 1>and then he says come get me and uses a

0:27:53.359 --> 0:27:56.800
<v Speaker 1>bad word, B word, the B word, and then it

0:27:56.840 --> 0:28:00.359
<v Speaker 1>goes back to Dr Who. Yeah, as as just like

0:28:00.400 --> 0:28:03.040
<v Speaker 1>it when it came in went out it just because

0:28:03.440 --> 0:28:06.159
<v Speaker 1>it's like gone. Can you imagine seeing that live? And

0:28:06.200 --> 0:28:08.320
<v Speaker 1>that while the people who saw it live, the next

0:28:08.359 --> 0:28:12.080
<v Speaker 1>thing they would have heard was the doctor saying something like, oh,

0:28:12.119 --> 0:28:14.840
<v Speaker 1>he died of an electric shock. Must have died instantly.

0:28:15.840 --> 0:28:19.119
<v Speaker 1>And then and everybody's just sitting there, mouths hanging open.

0:28:19.359 --> 0:28:21.560
<v Speaker 1>It was Dr Who too, so it was probably a

0:28:21.560 --> 0:28:25.199
<v Speaker 1>bunch of Chicago nerds watching PBS. Yeah, so al right,

0:28:25.320 --> 0:28:27.520
<v Speaker 1>my inmentation was okay, but let's just play at least

0:28:27.520 --> 0:28:45.240
<v Speaker 1>like a couple of lines from the real thing. Yeah,

0:28:45.280 --> 0:28:48.160
<v Speaker 1>all right, so you did a pretty good impression. I

0:28:48.160 --> 0:28:51.120
<v Speaker 1>think everyone can agree now, right. Strange So this was

0:28:51.160 --> 0:28:55.240
<v Speaker 1>an enormous thing, right, Like, um, like people were watching

0:28:55.280 --> 0:29:00.080
<v Speaker 1>this and we're aghast. Agog some people probably thought it

0:29:00.120 --> 0:29:03.560
<v Speaker 1>was funny. Um. W g N reporting on it all

0:29:03.640 --> 0:29:05.880
<v Speaker 1>over the place the next couple of days. Yeah, the

0:29:05.920 --> 0:29:08.960
<v Speaker 1>newspapers had picked it up. Yeah, um, there's this one.

0:29:09.480 --> 0:29:14.000
<v Speaker 1>There's a compilation of w g M broadcasts, or it

0:29:14.080 --> 0:29:16.200
<v Speaker 1>might may even be more than just w g N

0:29:16.480 --> 0:29:19.160
<v Speaker 1>of people in the street being interviewed. What do you

0:29:19.160 --> 0:29:22.040
<v Speaker 1>think about this? One Guy's like it's it's kind of

0:29:22.080 --> 0:29:24.320
<v Speaker 1>like Cooligans throwing a brick through your window, you know,

0:29:24.400 --> 0:29:27.080
<v Speaker 1>to get your attention. There's a little kid who's like,

0:29:27.360 --> 0:29:31.520
<v Speaker 1>very very funny. The star of the news, though, was

0:29:31.640 --> 0:29:34.840
<v Speaker 1>this one doctor who fan uh, this lady who was

0:29:34.880 --> 0:29:38.240
<v Speaker 1>not at all amused by this, and I just want

0:29:38.280 --> 0:29:42.000
<v Speaker 1>to play her little segment. Okay, yeah, get annoyed. You know.

0:29:42.120 --> 0:29:43.920
<v Speaker 1>I just thought it would be just a slight mess up,

0:29:43.960 --> 0:29:45.960
<v Speaker 1>but that in the middle of tap, it's going to

0:29:46.000 --> 0:29:50.360
<v Speaker 1>be you're gonna have to tape over it. I just

0:29:50.400 --> 0:29:52.240
<v Speaker 1>think that's the funniest thing out of the whole the

0:29:52.280 --> 0:29:54.600
<v Speaker 1>whole thing. Well, another guy said he wanted to smash

0:29:54.600 --> 0:29:56.640
<v Speaker 1>his TV he was so angry. Yeah, I didn't see

0:29:56.680 --> 0:29:59.640
<v Speaker 1>that guy. I saw that in the Pastor Nech article. Yeah,

0:29:59.680 --> 0:30:02.600
<v Speaker 1>he was mad. So there was a lot of mixed reaction.

0:30:02.680 --> 0:30:06.400
<v Speaker 1>But the the the voice from on high that came

0:30:06.440 --> 0:30:09.440
<v Speaker 1>from the FCC who you said, we're called in pretty quickly.

0:30:10.400 --> 0:30:12.800
<v Speaker 1>They were like, this is no laughing matter. You might

0:30:12.840 --> 0:30:15.400
<v Speaker 1>think it's funny, it's not very funny. Okay, it's kind

0:30:15.440 --> 0:30:17.920
<v Speaker 1>of funny, but not really. And you can get a

0:30:18.000 --> 0:30:20.440
<v Speaker 1>hundred thousand dollar fine in a year in jail for

0:30:20.520 --> 0:30:23.440
<v Speaker 1>this kind of thing, so stop doing it. But at

0:30:23.480 --> 0:30:27.760
<v Speaker 1>this point, by this point, it was actually a federal offense.

0:30:28.480 --> 0:30:32.840
<v Speaker 1>It was a felony, a felony offense. Wait, what was that?

0:30:32.920 --> 0:30:36.200
<v Speaker 1>Days been confused? Cantering with the mailbox is a felony.

0:30:36.560 --> 0:30:38.320
<v Speaker 1>I was like, wait a minute, I know that from somewhere.

0:30:38.520 --> 0:30:40.560
<v Speaker 1>So the f c C gets involved in this, This

0:30:40.640 --> 0:30:43.200
<v Speaker 1>is really interesting in this article that I got involved

0:30:43.240 --> 0:30:45.800
<v Speaker 1>to FB, I was involved Chicago p D like there

0:30:45.880 --> 0:30:50.280
<v Speaker 1>was they were looking into it. Apparently the um man

0:30:51.040 --> 0:30:53.680
<v Speaker 1>I has become obvious to me that I say the

0:30:53.720 --> 0:30:58.240
<v Speaker 1>word apparently a lot, really a lot. I was listening

0:30:58.240 --> 0:31:00.560
<v Speaker 1>to an episode, queing an episode, and it was like

0:31:00.680 --> 0:31:06.520
<v Speaker 1>stopped saying apparently, Josh, yeah, I've started after ten years,

0:31:06.560 --> 0:31:08.600
<v Speaker 1>I've started to notice some things about my own self.

0:31:08.680 --> 0:31:10.640
<v Speaker 1>It's like a tick. I tried to just avoid it.

0:31:10.800 --> 0:31:12.960
<v Speaker 1>I tried to too normally I can, but man, it

0:31:13.080 --> 0:31:17.720
<v Speaker 1>just came welling up into my awareness. Apparently it's really

0:31:17.920 --> 0:31:21.280
<v Speaker 1>I'm gonna have to get over it at any rate. Um,

0:31:21.440 --> 0:31:24.080
<v Speaker 1>the the there were a lot of different agencies working

0:31:24.120 --> 0:31:27.280
<v Speaker 1>on this, but the trail went cold pretty quick. And

0:31:27.360 --> 0:31:30.240
<v Speaker 1>you remember how you said that. Um, the w g

0:31:30.400 --> 0:31:34.680
<v Speaker 1>N engineers started looking around the station. I think what

0:31:34.720 --> 0:31:39.440
<v Speaker 1>they were looking for was this somebody physically patching in

0:31:39.800 --> 0:31:44.800
<v Speaker 1>to the transmission network the cable mask and yeah, either

0:31:44.880 --> 0:31:48.600
<v Speaker 1>playing a videotape, which it's it seems pretty obvious it

0:31:48.760 --> 0:31:51.880
<v Speaker 1>was pre taped or doing something like in a studio,

0:31:51.960 --> 0:31:55.880
<v Speaker 1>but but that they would have to physically patch into

0:31:56.080 --> 0:32:00.160
<v Speaker 1>w g n's transmission network. Yeah, it's like when a

0:32:00.200 --> 0:32:03.880
<v Speaker 1>car doesn't work and I opened the hood thinking I'm

0:32:03.920 --> 0:32:07.320
<v Speaker 1>going to see a squirrel not gnawing on a cable

0:32:07.400 --> 0:32:10.880
<v Speaker 1>that two pieces now and frayed at the ends. Right now,

0:32:10.920 --> 0:32:13.560
<v Speaker 1>imagine that squirrel wearing a max hydroom mask and being

0:32:13.600 --> 0:32:19.560
<v Speaker 1>on acid, okay, with maritalaide. So um, And at first

0:32:19.840 --> 0:32:23.120
<v Speaker 1>the FEC and the FBI and anybody who was in

0:32:23.160 --> 0:32:27.720
<v Speaker 1>the know basically said, this was a very sophisticated attack.

0:32:28.400 --> 0:32:34.000
<v Speaker 1>It would have required a very very some very expensive equipment,

0:32:34.680 --> 0:32:38.440
<v Speaker 1>a lot of electricity. Um, there's not a lot of

0:32:38.440 --> 0:32:40.600
<v Speaker 1>ways that they could have done this. But later on

0:32:40.720 --> 0:32:42.720
<v Speaker 1>in the Pastor Nick article, and this is this is

0:32:42.720 --> 0:32:45.320
<v Speaker 1>one of the ways Pastor that contributed to this whole thing.

0:32:45.680 --> 0:32:48.840
<v Speaker 1>He talked to one of the SEC investigators and this

0:32:48.880 --> 0:32:52.280
<v Speaker 1>guy basically did away with that that whole viewpoint that

0:32:52.360 --> 0:32:56.480
<v Speaker 1>had lasted for almost thirty years, that it had to

0:32:56.520 --> 0:32:59.160
<v Speaker 1>have been somebody with a hundred thousand dollar piece of

0:32:59.160 --> 0:33:02.560
<v Speaker 1>equipment and you know, ten thousand dollars worth of electricity.

0:33:02.600 --> 0:33:04.640
<v Speaker 1>Over the minute and a half he was saying, No,

0:33:05.320 --> 0:33:08.840
<v Speaker 1>you could probably have gotten the equipment needed for this

0:33:08.960 --> 0:33:12.560
<v Speaker 1>new for ten grand at the time, or you could

0:33:12.600 --> 0:33:14.920
<v Speaker 1>have probably bought it for use for just a fraction

0:33:14.960 --> 0:33:19.320
<v Speaker 1>of that, and um, it would have taken very little electricity.

0:33:19.400 --> 0:33:22.520
<v Speaker 1>It would have just taken um. Some know how and

0:33:22.960 --> 0:33:26.240
<v Speaker 1>good positioning. Really yeah, Basically he was like you, it

0:33:26.240 --> 0:33:28.480
<v Speaker 1>could have been done with like the size of a

0:33:28.520 --> 0:33:31.560
<v Speaker 1>direct TV dish today, and all they would have had

0:33:31.600 --> 0:33:35.480
<v Speaker 1>to do was get and a high enough location in between,

0:33:36.240 --> 0:33:40.400
<v Speaker 1>like literally, because they're beaming waves, are beaming microwaves through

0:33:40.440 --> 0:33:42.360
<v Speaker 1>the air. So he's like, all they had to do

0:33:42.440 --> 0:33:47.400
<v Speaker 1>is get in between the original studio and that initial

0:33:47.440 --> 0:33:48.880
<v Speaker 1>tower on top of the I think it was a

0:33:48.960 --> 0:33:52.360
<v Speaker 1>John Hancock building for w g N. Yeah, yeah, And

0:33:52.360 --> 0:33:55.440
<v Speaker 1>and have a stronger signal, right, so even just like

0:33:55.520 --> 0:33:59.520
<v Speaker 1>a slightly stronger signal. So you remember how w g

0:33:59.720 --> 0:34:03.360
<v Speaker 1>N has their studio transmission shooting up to the John

0:34:03.360 --> 0:34:06.400
<v Speaker 1>Hancock building and then that transmitter shoots it out to

0:34:06.440 --> 0:34:09.640
<v Speaker 1>everybody else in Chicago. What what? What? What I think

0:34:09.640 --> 0:34:11.560
<v Speaker 1>you're saying is like if somebody was on the roof

0:34:11.560 --> 0:34:15.759
<v Speaker 1>of another nearby building and they just shoot a transmission

0:34:15.840 --> 0:34:21.960
<v Speaker 1>their own max headroom transmission at a stronger a stronger

0:34:22.000 --> 0:34:25.000
<v Speaker 1>way or no, a stronger amplitude, that's what it is.

0:34:25.200 --> 0:34:28.880
<v Speaker 1>Of the same frequency. You just overpower cancels out what

0:34:29.120 --> 0:34:31.839
<v Speaker 1>w g N is doing and instead it transmits your

0:34:31.960 --> 0:34:34.319
<v Speaker 1>max headroom thing, and they would be closer to that

0:34:34.440 --> 0:34:39.040
<v Speaker 1>broadcast hour. Yes, so um, that would mean that it

0:34:39.120 --> 0:34:41.600
<v Speaker 1>required far less electricity than you would think or that

0:34:41.640 --> 0:34:45.440
<v Speaker 1>they originally thought, and a far less equipment to They

0:34:45.480 --> 0:34:48.359
<v Speaker 1>also had a pretty good idea of where these people

0:34:48.400 --> 0:34:51.920
<v Speaker 1>would have had to have done it, because they after

0:34:52.160 --> 0:34:54.680
<v Speaker 1>they got shut out of w g M, they turned

0:34:54.719 --> 0:34:57.400
<v Speaker 1>their attention to w t t W, the PBS station,

0:34:57.760 --> 0:35:01.760
<v Speaker 1>and they hijacked their signal. Well, w t W shot

0:35:01.800 --> 0:35:06.400
<v Speaker 1>their studio link to the Sears Tower. So this would

0:35:06.400 --> 0:35:09.000
<v Speaker 1>have been somebody who was on a roof somewhere that

0:35:09.120 --> 0:35:13.000
<v Speaker 1>had a clear view of John Hancock Building and the

0:35:13.040 --> 0:35:16.000
<v Speaker 1>Sears Tower and could transmit to either one of them.

0:35:16.040 --> 0:35:18.840
<v Speaker 1>But that's basically what they think happened. Yeah, and the

0:35:18.840 --> 0:35:21.560
<v Speaker 1>guy you were talking about, Dr Michael Marcus, who at

0:35:21.560 --> 0:35:24.600
<v Speaker 1>the time was the Assistant Bureau Chief in the FCCS

0:35:24.640 --> 0:35:28.480
<v Speaker 1>Field Operations Bureau. He was a lead investigator, and he

0:35:29.920 --> 0:35:31.920
<v Speaker 1>said that the guy in Chicago that was sort of

0:35:31.920 --> 0:35:34.880
<v Speaker 1>in charge wasn't super like. He was just sort of

0:35:34.960 --> 0:35:38.680
<v Speaker 1>used to traditional FCC investigations. He wasn't wanted to go

0:35:38.760 --> 0:35:42.560
<v Speaker 1>knocking on doors and uh as to like investigate some

0:35:42.600 --> 0:35:46.439
<v Speaker 1>kind of weird kind of maybe creepy criminal dudes. Uh

0:35:46.440 --> 0:35:48.440
<v Speaker 1>it may or may not have a marital aid in

0:35:48.600 --> 0:35:52.840
<v Speaker 1>his apartment. Just smack him on that whether and then uh.

0:35:52.920 --> 0:35:56.000
<v Speaker 1>They also, you know, nobody was being hurt, No one

0:35:56.040 --> 0:35:59.880
<v Speaker 1>got hurt in the end, it was it was almost

0:36:00.000 --> 0:36:03.480
<v Speaker 1>a victimless crime. So they didn't throw a ton of

0:36:03.520 --> 0:36:05.359
<v Speaker 1>resources at it. They were kind of like, listen, we're

0:36:05.400 --> 0:36:07.759
<v Speaker 1>not gonna If you want to go investigate this, that's

0:36:07.800 --> 0:36:10.040
<v Speaker 1>great you should, but we're not going to assign a

0:36:10.080 --> 0:36:14.080
<v Speaker 1>team of twelve people to try and crack this case

0:36:14.719 --> 0:36:17.560
<v Speaker 1>of a bunch of nerds who did a weird thing

0:36:17.600 --> 0:36:20.200
<v Speaker 1>for a minute seconds And I think the longer it

0:36:20.239 --> 0:36:23.279
<v Speaker 1>went on and there was no more of these intrusions

0:36:23.320 --> 0:36:26.920
<v Speaker 1>from these guys, the fewer and fewer resources they had

0:36:26.960 --> 0:36:28.600
<v Speaker 1>to work with, and it just kind of fell to

0:36:28.680 --> 0:36:33.960
<v Speaker 1>the wayside. Well, what's interesting is to at the in

0:36:34.000 --> 0:36:36.960
<v Speaker 1>the beginning, they said it's gonna it would take somebody

0:36:36.960 --> 0:36:40.799
<v Speaker 1>with a very expensive piece of equipment, a lot of electricity,

0:36:40.840 --> 0:36:43.359
<v Speaker 1>and a lot of know how, And today the only

0:36:43.400 --> 0:36:46.279
<v Speaker 1>one of those that's remaining is a lot of know how.

0:36:46.560 --> 0:36:49.000
<v Speaker 1>There wouldn't have been a lot of people running around

0:36:49.040 --> 0:36:54.280
<v Speaker 1>Chicago who would have known how to do something like this. Um,

0:36:54.320 --> 0:36:57.920
<v Speaker 1>so it's kind of surprising, even with very few resources

0:36:57.960 --> 0:37:02.399
<v Speaker 1>that no one has ever been really implicated in this one. Yeah,

0:37:02.440 --> 0:37:04.560
<v Speaker 1>I don't think we said no. They still don't know

0:37:04.560 --> 0:37:07.920
<v Speaker 1>who did this. It's an unsolved mystery. Like Dennis Farina

0:37:08.000 --> 0:37:13.960
<v Speaker 1>and Robert Stack, I love this one. Uh. The FBI,

0:37:14.040 --> 0:37:17.799
<v Speaker 1>for their take, started concentrating on the actual video. They

0:37:17.840 --> 0:37:20.080
<v Speaker 1>had the technology at the time, which is kind of

0:37:20.080 --> 0:37:22.439
<v Speaker 1>funny now to think about it, but they're the only

0:37:22.480 --> 0:37:24.480
<v Speaker 1>ones who had the technology at the time to actually

0:37:24.480 --> 0:37:30.279
<v Speaker 1>make enhance frames of this videotape and print out, you know,

0:37:31.120 --> 0:37:34.759
<v Speaker 1>pictures enhance them. And they were kind of focused on

0:37:34.760 --> 0:37:38.000
<v Speaker 1>this upper right hand quadrant, as they say, where the

0:37:38.080 --> 0:37:41.640
<v Speaker 1>Antie Oakley was spanking with the fly swatter. I don't

0:37:41.640 --> 0:37:45.080
<v Speaker 1>know why they're so into that, but they said, you know,

0:37:45.239 --> 0:37:47.279
<v Speaker 1>we're trying to get clues on the actual location of

0:37:47.320 --> 0:37:50.080
<v Speaker 1>the people who made the tape, not necessarily where they

0:37:50.120 --> 0:37:52.080
<v Speaker 1>broadcast it from, but where did they shoot this thing.

0:37:52.120 --> 0:37:54.319
<v Speaker 1>To begin with, it was very little to go on

0:37:54.360 --> 0:37:58.000
<v Speaker 1>aside from that spinning corrugated metal, and that could have

0:37:58.040 --> 0:38:01.360
<v Speaker 1>been literally anywhere. Because it's a really tight shot. It

0:38:01.400 --> 0:38:05.240
<v Speaker 1>really is. Yeah, and there was very little evidence given

0:38:05.320 --> 0:38:07.120
<v Speaker 1>in the video. Yeah. I mean it says that they

0:38:07.120 --> 0:38:10.040
<v Speaker 1>were looking at industrial warehouses and things, but that could

0:38:10.080 --> 0:38:12.600
<v Speaker 1>have been in an apartment living room. I mean, it

0:38:12.640 --> 0:38:14.680
<v Speaker 1>wasn't like the door was a text anything. It was

0:38:15.000 --> 0:38:18.239
<v Speaker 1>freely spinning back and forth. So it didn't make not

0:38:18.320 --> 0:38:23.480
<v Speaker 1>the best lead, right, So um over time, and again

0:38:23.640 --> 0:38:25.880
<v Speaker 1>this is weird too. It's it's not so weird that

0:38:25.920 --> 0:38:28.520
<v Speaker 1>the FCC or the FBI didn't find who did this

0:38:28.600 --> 0:38:31.720
<v Speaker 1>if they weren't really looking very hard. Was really weird

0:38:31.880 --> 0:38:34.440
<v Speaker 1>is that no one has been like, it was these guys.

0:38:34.960 --> 0:38:38.280
<v Speaker 1>I was there, I know these dudes. It was these guys.

0:38:38.280 --> 0:38:42.640
<v Speaker 1>Statute limitations is done, like who cares? Yeah, after these

0:38:42.640 --> 0:38:45.800
<v Speaker 1>guys would have gotten off scott free because the statute

0:38:45.800 --> 0:38:48.200
<v Speaker 1>of limitations for this one was five years. Right. I'm

0:38:48.280 --> 0:38:51.359
<v Speaker 1>shocked that no one later said, hey, that was me, right,

0:38:52.640 --> 0:38:56.000
<v Speaker 1>No one's done that, right. Yeah, there was um some

0:38:56.600 --> 0:39:02.160
<v Speaker 1>so very early forum like message boards stuff took the

0:39:02.320 --> 0:39:07.480
<v Speaker 1>form of bulletin boards services. I think BBS is really

0:39:07.560 --> 0:39:11.960
<v Speaker 1>early geek culture, like like like Matthew Broderick dialing something

0:39:11.960 --> 0:39:13.720
<v Speaker 1>with his phone and then putting it on that weird

0:39:13.760 --> 0:39:17.560
<v Speaker 1>little you know, Commodore sixty four thing, the motum yet

0:39:18.040 --> 0:39:24.000
<v Speaker 1>to like transmit the dial tone over the telephone system, right, So, um,

0:39:24.040 --> 0:39:27.279
<v Speaker 1>that's what that's what like the level of technology that

0:39:27.280 --> 0:39:29.440
<v Speaker 1>these people were dealing with, but they were communicating with

0:39:29.480 --> 0:39:32.360
<v Speaker 1>each other over like this proto internet, these bulletin board systems.

0:39:32.719 --> 0:39:36.400
<v Speaker 1>And two days after this, a guy named the Chameleon

0:39:36.560 --> 0:39:41.200
<v Speaker 1>posted basically what you and I said about how all

0:39:41.280 --> 0:39:43.200
<v Speaker 1>it took was these guys to go up on a

0:39:43.239 --> 0:39:46.319
<v Speaker 1>tall building and overwhelm the w g N and the

0:39:46.440 --> 0:39:50.080
<v Speaker 1>w T t W studio links. And it's so facto

0:39:50.719 --> 0:39:52.879
<v Speaker 1>I'm a big fan of that. By the way, Um,

0:39:53.280 --> 0:39:57.640
<v Speaker 1>the this this intrusion was successful, right two days, not

0:39:57.760 --> 0:40:01.200
<v Speaker 1>two years, not a year ago. Two days after it,

0:40:01.600 --> 0:40:04.000
<v Speaker 1>somebody was on there explaining how it went out. So

0:40:04.080 --> 0:40:09.080
<v Speaker 1>somebody knew this, right, But only two theories have really

0:40:09.120 --> 0:40:11.719
<v Speaker 1>ever come to light as to who it was. One

0:40:11.920 --> 0:40:14.120
<v Speaker 1>you can basically just throw right out, and the other

0:40:14.160 --> 0:40:17.839
<v Speaker 1>one it turns out to have been a dead end. Yeah.

0:40:17.880 --> 0:40:19.480
<v Speaker 1>The first one that you were talking about that doesn't

0:40:19.480 --> 0:40:22.480
<v Speaker 1>really hold water was a and this was a rumor

0:40:22.560 --> 0:40:24.959
<v Speaker 1>online for a while. I was a musician named Eric

0:40:25.000 --> 0:40:31.920
<v Speaker 1>Fournier Fournier Furnier. I had a friend in uh in preschool.

0:40:31.960 --> 0:40:35.080
<v Speaker 1>I think, yeah, that's how it was spelled f O

0:40:35.160 --> 0:40:37.360
<v Speaker 1>U R in I E R. Actually I don't know

0:40:37.360 --> 0:40:42.239
<v Speaker 1>how it spelled. I couldn't spell back then. Um. So

0:40:42.280 --> 0:40:46.399
<v Speaker 1>this guy was in a band, uh, and he did

0:40:46.440 --> 0:40:52.200
<v Speaker 1>this weird, super creepy YouTube series called shay st john

0:40:53.040 --> 0:40:55.480
<v Speaker 1>S h A y E. Did you watch it? Oh? Yeah,

0:40:55.520 --> 0:40:58.160
<v Speaker 1>I love it. Yeah, just knew that you would love

0:40:58.160 --> 0:41:02.759
<v Speaker 1>it if you're but this is genuinely unsettling too. I'm

0:41:02.800 --> 0:41:04.600
<v Speaker 1>with you on that. So it kind of fit and

0:41:04.640 --> 0:41:09.000
<v Speaker 1>that he was doing these weird things. He had this band, Uh.

0:41:09.040 --> 0:41:11.800
<v Speaker 1>They were in Bloomington, Indiana, not too far from Chicago,

0:41:11.960 --> 0:41:14.640
<v Speaker 1>the Blood Farmers, Yeah, the bands of Blood Farmers, and

0:41:14.960 --> 0:41:17.120
<v Speaker 1>they did these weird music videos and they thought this

0:41:17.160 --> 0:41:19.319
<v Speaker 1>is the kind of guy that would have done that.

0:41:19.400 --> 0:41:21.800
<v Speaker 1>And the thinking was that he went to go broadcast

0:41:21.880 --> 0:41:25.200
<v Speaker 1>one of their weird music videos as a broadcast intrusion,

0:41:25.680 --> 0:41:27.520
<v Speaker 1>but chickened out at the last minute because they would

0:41:27.520 --> 0:41:31.239
<v Speaker 1>have been found uh, and then ended up just improving.

0:41:31.400 --> 0:41:34.000
<v Speaker 1>That part makes a little sense because it definitely seems improved.

0:41:34.160 --> 0:41:37.600
<v Speaker 1>It does, but it was also videotaped. Remember, So that

0:41:37.640 --> 0:41:41.239
<v Speaker 1>means he would have had two videotapes with him. What

0:41:41.280 --> 0:41:43.320
<v Speaker 1>do you mean? So if he was gonna if he

0:41:43.400 --> 0:41:45.879
<v Speaker 1>was going to play the music video and said I'm

0:41:45.880 --> 0:41:47.120
<v Speaker 1>not gonna do that, he would have had to have

0:41:47.120 --> 0:41:50.759
<v Speaker 1>brought this other video tape. And the other thing is

0:41:50.800 --> 0:41:55.360
<v Speaker 1>apparently his friend. See I just said apparently again. Alex

0:41:55.400 --> 0:41:59.400
<v Speaker 1>Pastor Neck from Motherboard contacted some of Fernier's friends because

0:41:59.600 --> 0:42:02.280
<v Speaker 1>Fernie Or died in two thousand ten. But his friends

0:42:02.280 --> 0:42:05.240
<v Speaker 1>are like, absolutely not. Even some of the blood Farmers

0:42:05.239 --> 0:42:08.040
<v Speaker 1>are like, it wasn't him, Like, I know what you're saying,

0:42:08.080 --> 0:42:10.239
<v Speaker 1>and yeah, he did the whole shay st John thing,

0:42:10.680 --> 0:42:12.839
<v Speaker 1>but it was this was not him. It was not

0:42:13.040 --> 0:42:14.960
<v Speaker 1>quite there. He didn't know what he was doing with it.

0:42:15.080 --> 0:42:18.239
<v Speaker 1>He wouldn't know any broadcast stuff or video editing or

0:42:18.280 --> 0:42:20.400
<v Speaker 1>anything like that. Yeah, so this other one to me

0:42:21.719 --> 0:42:28.440
<v Speaker 1>seems pretty promising. Uh So we flashed forward to when

0:42:28.520 --> 0:42:30.839
<v Speaker 1>did this actually happen? Was this like by the time

0:42:30.880 --> 0:42:32.640
<v Speaker 1>read it had to come around when it on Reddit? Yeah,

0:42:32.640 --> 0:42:35.359
<v Speaker 1>I think it was about twenty five years after, so

0:42:35.440 --> 0:42:38.520
<v Speaker 1>it would have been in two thousand seven. Yeah, so

0:42:38.600 --> 0:42:44.200
<v Speaker 1>there's this guy two thousand. Okay, sorry, there was this

0:42:44.200 --> 0:42:48.440
<v Speaker 1>guy named from Chicago named Bowie Pogue p o G.

0:42:48.640 --> 0:42:51.200
<v Speaker 1>I didn't have any friends with that last name when

0:42:51.280 --> 0:42:53.319
<v Speaker 1>I was a kid, and he was one of the

0:42:53.400 --> 0:42:57.440
<v Speaker 1>kids hanging around those bbs is in the eighties in Chicago.

0:42:57.920 --> 0:43:00.479
<v Speaker 1>From the sounds of it, he was on the younger side.

0:43:00.480 --> 0:43:03.919
<v Speaker 1>He was thirteen, and even as the thirteen year old geek,

0:43:03.960 --> 0:43:06.760
<v Speaker 1>was very much intimidated by the older geeks in that crowd,

0:43:07.440 --> 0:43:10.480
<v Speaker 1>and so wasn't boisterous. He was sort of like, Hey,

0:43:10.520 --> 0:43:12.439
<v Speaker 1>I'm kind of hanging out here and not saying much

0:43:12.480 --> 0:43:16.080
<v Speaker 1>and don't notice me. I just want to ingratiate myself

0:43:16.640 --> 0:43:19.040
<v Speaker 1>and you guys can give me drunk laugh if you want.

0:43:19.719 --> 0:43:23.400
<v Speaker 1>And then at a party he remembers this uh. He

0:43:23.520 --> 0:43:26.759
<v Speaker 1>described him as a small, peculiar man that he thought

0:43:26.760 --> 0:43:30.080
<v Speaker 1>was about in his thirties, and he had an older brother.

0:43:30.480 --> 0:43:33.840
<v Speaker 1>They lived in Chicago. So Poe is describing these two

0:43:33.880 --> 0:43:37.200
<v Speaker 1>guys who were in the same scene with him, correct, Yeah,

0:43:37.280 --> 0:43:41.160
<v Speaker 1>And he had They lived with his girlfriend downtown or

0:43:41.200 --> 0:43:44.800
<v Speaker 1>about ten miles from downtown Chicago, and they had the

0:43:44.960 --> 0:43:48.719
<v Speaker 1>know how. They were super into computers early on you

0:43:48.840 --> 0:43:50.520
<v Speaker 1>he said he went to their apartment and it was

0:43:50.560 --> 0:43:54.000
<v Speaker 1>just like it looked like a computer hoarder, mess of

0:43:54.040 --> 0:43:59.000
<v Speaker 1>wires and computers and equipment like Neo's apartment. Yeah, why not?

0:43:59.520 --> 0:44:02.240
<v Speaker 1>Or what was the other one he was in before

0:44:02.320 --> 0:44:08.240
<v Speaker 1>the Matrix Johnny Newmonic, Yes, yeah, Bill and Ted Yeah,

0:44:08.520 --> 0:44:11.839
<v Speaker 1>Johnny Newmonic. That's cyberpunk, yes, right, yes, it is all right.

0:44:12.800 --> 0:44:15.719
<v Speaker 1>You could probably make the case that the Matrix is

0:44:15.760 --> 0:44:19.600
<v Speaker 1>as well there, right, sure. So he described him as

0:44:19.600 --> 0:44:24.280
<v Speaker 1>a stocky guy with tinted lens glasses in his early

0:44:24.320 --> 0:44:27.680
<v Speaker 1>thirties and odd dude his brother, he said. He described

0:44:27.680 --> 0:44:31.840
<v Speaker 1>it's just kind of normal. But he said that he

0:44:31.880 --> 0:44:33.400
<v Speaker 1>didn't make the connection at the time, but at a

0:44:33.480 --> 0:44:37.560
<v Speaker 1>party on November about the same day. Midday on November,

0:44:38.560 --> 0:44:40.600
<v Speaker 1>he was at a gathering of these dudes at the

0:44:40.680 --> 0:44:43.719
<v Speaker 1>brothers apartment and he heard them say something about doing

0:44:43.760 --> 0:44:46.399
<v Speaker 1>something big. Later that night, they went to Pizza Hut

0:44:46.400 --> 0:44:48.359
<v Speaker 1>and He's like, what are you guys talking about? What's

0:44:48.400 --> 0:44:52.320
<v Speaker 1>the big thing? And they said, hey, I don't ask questions,

0:44:52.320 --> 0:44:56.359
<v Speaker 1>but just watched Channel eleven tonight on that same day,

0:44:56.480 --> 0:44:58.120
<v Speaker 1>and I don't know how he didn't put it together.

0:44:58.480 --> 0:45:01.799
<v Speaker 1>That's that's the one thing that really strikes. But he

0:45:01.880 --> 0:45:04.719
<v Speaker 1>said that years later. Now when he looks at it,

0:45:04.760 --> 0:45:08.120
<v Speaker 1>he's like, even with that mask on, I see the body,

0:45:08.360 --> 0:45:10.880
<v Speaker 1>I see what's going on. I hear that, and it's

0:45:10.920 --> 0:45:14.680
<v Speaker 1>it's that guy to me. But twenty five years later,

0:45:15.520 --> 0:45:17.720
<v Speaker 1>he was there that day, they tell him to watch

0:45:17.880 --> 0:45:20.440
<v Speaker 1>that night, and he didn't put it together for twenty

0:45:20.480 --> 0:45:23.320
<v Speaker 1>five years. That to me is the one fishy thing. Well,

0:45:23.360 --> 0:45:28.160
<v Speaker 1>and he has been called out as fishy. Sure, I'm

0:45:28.160 --> 0:45:30.359
<v Speaker 1>sure he knows that it's kind of fishy. Yeah. So

0:45:30.440 --> 0:45:34.600
<v Speaker 1>that the guy the motherboard, pastor Neck reached out and

0:45:34.640 --> 0:45:36.640
<v Speaker 1>he said, you can you still get in touch with

0:45:36.680 --> 0:45:38.759
<v Speaker 1>these guys all these years later, he said, he sent

0:45:38.840 --> 0:45:41.960
<v Speaker 1>them messages via Facebook. I don't even know if they

0:45:42.000 --> 0:45:44.319
<v Speaker 1>saw him. They didn't get back. Then in the last

0:45:44.320 --> 0:45:47.160
<v Speaker 1>sitch effort, he sent them a certified mail too. He

0:45:47.160 --> 0:45:49.840
<v Speaker 1>found out where they lived, never heard anything back, and

0:45:49.880 --> 0:45:51.799
<v Speaker 1>he was like, hey, it's clear that these guys don't

0:45:51.800 --> 0:45:54.000
<v Speaker 1>want to be talked to, so you want to take

0:45:54.000 --> 0:46:16.879
<v Speaker 1>a break, Yeah, let's do it, okay m hm. So

0:46:17.000 --> 0:46:20.560
<v Speaker 1>that's where it stands right now, Like nobody knows who

0:46:20.640 --> 0:46:24.680
<v Speaker 1>is behind it still to this day, which is it

0:46:24.800 --> 0:46:28.279
<v Speaker 1>is crazy. And as a result, this Max Headroom hack

0:46:28.360 --> 0:46:31.880
<v Speaker 1>has taken its place in like the pantheon of geek

0:46:31.960 --> 0:46:35.520
<v Speaker 1>culture and of hacker culture, and rightfully so you know

0:46:35.960 --> 0:46:39.640
<v Speaker 1>it was legendary in its own way. That's right. Ah,

0:46:39.760 --> 0:46:42.480
<v Speaker 1>you got anything else? I got nothing else on this one,

0:46:42.680 --> 0:46:45.160
<v Speaker 1>cool man. Well, if you want to know more about

0:46:45.280 --> 0:46:48.880
<v Speaker 1>Max Headroom, you should start by checking out this amazing

0:46:49.400 --> 0:46:53.800
<v Speaker 1>Motherboard article by Alex Pastor Knack. And since I said amazing,

0:46:53.840 --> 0:46:58.520
<v Speaker 1>it's time for listener mail. I'm gonna go with Uh,

0:47:01.000 --> 0:47:03.360
<v Speaker 1>I'm gonna go with the Almond Brothers eat a Peach

0:47:04.160 --> 0:47:06.480
<v Speaker 1>from a Munchies. I don't know if it's true, but

0:47:06.520 --> 0:47:10.000
<v Speaker 1>it's fun. I wanted to talk about when Josh talked

0:47:10.000 --> 0:47:13.640
<v Speaker 1>about the Almond Brothers band factoid um because I think

0:47:13.680 --> 0:47:17.560
<v Speaker 1>it's actually a cool factoid. Dwayne Alman was once asked

0:47:17.640 --> 0:47:20.000
<v Speaker 1>by a reporter what he was going to do for

0:47:20.040 --> 0:47:22.920
<v Speaker 1>the war effort in Vietnam, and his response was, I'm

0:47:22.920 --> 0:47:26.799
<v Speaker 1>going to eat a peach for peace. Dwayne died not

0:47:26.920 --> 0:47:31.240
<v Speaker 1>long after that album, and Eat a Peach was released posthumously,

0:47:31.840 --> 0:47:35.759
<v Speaker 1>so he contends Jesse Godet that that is where the

0:47:35.800 --> 0:47:38.640
<v Speaker 1>album title came from and they eat a peach? Was

0:47:38.719 --> 0:47:44.279
<v Speaker 1>not Eta, bud he or she? I guess Jesse could

0:47:44.320 --> 0:47:46.399
<v Speaker 1>go either way. Yeah, as always, keep up a good work.

0:47:46.440 --> 0:47:49.840
<v Speaker 1>I'm currently brewing beer and listening. Tell me where to

0:47:49.880 --> 0:47:52.520
<v Speaker 1>mail some bottles or come pick them up in Salt

0:47:52.600 --> 0:47:56.680
<v Speaker 1>Lake City. All right, we'll do both. It's like a challenge, right,

0:47:57.239 --> 0:48:01.200
<v Speaker 1>they're too heavy. I can't pick him up. Thanks a lot, Jesse,

0:48:01.360 --> 0:48:04.600
<v Speaker 1>appreciate that, even though I still think I'm right. Um,

0:48:04.640 --> 0:48:07.719
<v Speaker 1>if you want to contend that something one of us

0:48:07.719 --> 0:48:11.200
<v Speaker 1>said is incorrect, we love that. Stuff. You can tweet

0:48:11.239 --> 0:48:13.600
<v Speaker 1>to us at Josh I'm Clark, s y s K

0:48:13.760 --> 0:48:17.040
<v Speaker 1>podcast or movie Crush. You can hang out with us

0:48:17.040 --> 0:48:19.360
<v Speaker 1>on Facebook dot com, slash Stuff you Should Know or

0:48:19.520 --> 0:48:22.520
<v Speaker 1>slash Charles W. Chuck Bryant. You can send us an

0:48:22.520 --> 0:48:25.480
<v Speaker 1>email to Stuff podcast at how stuff Works dot com

0:48:25.520 --> 0:48:27.520
<v Speaker 1>and has always joined us at our home on the web,

0:48:27.640 --> 0:48:34.480
<v Speaker 1>Stuff you Should Know dot com. For more on this

0:48:34.680 --> 0:48:37.200
<v Speaker 1>and thousands of other topics, is it how stuff Works

0:48:37.200 --> 0:48:48.080
<v Speaker 1>dot com