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Speaker 1: Transmitting Hello, welcome to this show MOREN Studio morning. Let

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Speaker 1: me put on first Caitlyn and Kansas, who has called us?

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Speaker 1: Hey Kaitlyn, good morning. How are you good? How are

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Speaker 1: you pretty good? What can I help you with? So?

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Speaker 1: I'm a college freshman and I just started going to therapy,

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Speaker 1: and I was wondering how I should tell my mom

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Speaker 1: I'm going. Why do you worry that it will be

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Speaker 1: an issue if you tell your mom? My? Mom and

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Speaker 1: I don't have a really good relationship, and I'm afraid

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Speaker 1: that if I tell her, she's gonna want to know

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Speaker 1: what we're talking about. I think it's fair to think that,

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Speaker 1: because you probably will, honestly, but it's not her right

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Speaker 1: to know what you talk about. I think I would

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Speaker 1: approach it as and again, I never knew what therapy

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Speaker 1: was growing up. I grew up in a small town

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Speaker 1: in Arkansas. We don't have any money. You weren't trying

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Speaker 1: to worry about therapy. You were trying to get You're

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Speaker 1: trying to eat. So I know what it's like to

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Speaker 1: have to get into something brand new. It has been

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Speaker 1: extremely valuable for me. But I would approach it to go, hey, oh,

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Speaker 1: I've been doing something really cool, like I feel like

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Speaker 1: I can improve the relationship with us and I can

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Speaker 1: be a better daughter, family member, sister, student by going

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Speaker 1: to therapy. And it's really been productive. And if she asked, well,

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Speaker 1: what do you talk about? You can say all that

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Speaker 1: I say. We talk about a lot of things, how

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Speaker 1: I can be better at X y Z. Make it

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Speaker 1: very eucentric and not about your mom, so she doesn't

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Speaker 1: feel like that she's the victim here. But I think

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Speaker 1: it is a conversation you'll have to have. It'll be

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Speaker 1: a little bit uncomfortable. It was uncomfortable for me to

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Speaker 1: talk with my family because they were like, all right,

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Speaker 1: fancy city boy, you do it therapy. You're wasting your

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Speaker 1: money on that. But a little bit of uncomfortableness is okay.

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Speaker 1: So that's how I would suggest that you approach that, Kaitlin, perfect,

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Speaker 1: Thank you, let us know how it goes. If you

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Speaker 1: feel like calling us back, amy anything you'd like to

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Speaker 1: say to that, No, I just agree. I think you

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Speaker 1: can be transparent with her, but she doesn't need to

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Speaker 1: know every detail, but that you're you're wanting, you're realizing

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Speaker 1: some stuff about yourself and you want to put in

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Speaker 1: the work to be better. It's nobody's right to know

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Speaker 1: what you talk about, right whenever you're talking to your priest,

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Speaker 1: your preacher, your therapist, your counselor there are parts of

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Speaker 1: our world that nobody should have the right to know

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Speaker 1: what's going on, except for you and the person that

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Speaker 1: you've decided to make that between. So Kaylin, good for you.

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Speaker 1: We applaud that and good luck, and I hope it

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Speaker 1: leads to some you know, healthier years. Thank you, all right, kay,

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Speaker 1: Let's see you later, goodbye, bye bye. Raymundo, what was

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Speaker 1: the situation that happened to you? Yeah, so I went

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Speaker 1: to a barbecue joint and it's one of those where

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Speaker 1: you go up to the cash register on your own.

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Speaker 1: You order the food, get your own condiments, you get

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Speaker 1: your own utensils, you also get your own drink. Basically,

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Speaker 1: do everything your own. The only thing that they're going

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Speaker 1: to do for you is bringing your food, so it's

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Speaker 1: not like a real weight staff that's there. So we

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Speaker 1: go ahead and we pay and then they give us

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Speaker 1: the iPad and on the options it said like twenty percent, fifteen,

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Speaker 1: ten and five. I didn't really even see an option

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Speaker 1: to not tip, so I knew they weren't really doing anything,

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Speaker 1: so I tipped five percent, and I was wondering, how

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Speaker 1: would you guys tip that if you're basically doing all

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Speaker 1: the work at this restaurant. They don't even refill your drinks,

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Speaker 1: They literally just bring you your food. Is that tip worthy?

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Speaker 1: I would think, first of all, there would be an option,

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Speaker 1: even if it's at the bottom and it's slight, that

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Speaker 1: says no tip, and that's up to you. Right, this

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Speaker 1: is not an establishment where tips are expected because they're

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Speaker 1: doing a bunch of extra work. Welcomed, appreciated, but not expected.

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Speaker 1: I don't think there's anything wrong with what you did,

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Speaker 1: especially if you're going to eat and you only have

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Speaker 1: so much money, because you know, if you go into

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Speaker 1: a restaurant, if you go to outback steakhouse, you know

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Speaker 1: you got to add a tip before you even go,

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Speaker 1: so in your head, you need to have enough money

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Speaker 1: to buy the meal and put the tip on there.

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Speaker 1: But if you're going to a barbecue place where there

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Speaker 1: is no expectation of a tip because there isn't a

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Speaker 1: waiter and you get in and you only have so

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Speaker 1: much money, they're just so well, yeah, you might be

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Speaker 1: going to eat there because it's that. However, if you

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Speaker 1: do have it and you can't hit it, I always

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Speaker 1: say to hit it because for me, when people would

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Speaker 1: overtip me, I would appreciate it so much. I don't

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Speaker 1: there's anything wrong with what you did, by the way,

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Speaker 1: I think. If that's what you want to do and

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Speaker 1: you feel good with, there you go. If you said

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Speaker 1: you did five percent at a restaurant, it'd be a

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Speaker 1: different story. And I only did five percent because the

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Speaker 1: line was long and people were all looking at me funny,

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Speaker 1: and I literally couldn't find the no tip, so I

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Speaker 1: just had to go with five. I'm okay with what

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Speaker 1: you did. Don't feel bad about it. Yeah, there's a

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Speaker 1: W on the board for Ray already this morning. A right.

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Speaker 1: The popularity of the mailbag just growing. People love it.

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Speaker 1: People are sending so many emails. We love reading them,

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Speaker 1: we love helping you out. Let's open up the mailbage something. Well. Ye, Hello,

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Speaker 1: Bobby Bone, she writes. My name is Holly. I'm from Wyoming.

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Speaker 1: I need help on an issue that I I only

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Speaker 1: have with my roommate. I've been living with his roommate

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Speaker 1: for over six months. Things are starting to get frustrating.

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Speaker 1: I'm twenty six, she's twenty three. She has not been

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Speaker 1: chipping in or doing her fair share of the work

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Speaker 1: to keep the place up. I've only been the one

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Speaker 1: to clean up for a couple of months. I unload

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Speaker 1: the dishwasher, even if it's her dishes. I clean her leftovers,

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Speaker 1: old food, so on, on and on. My issue is

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Speaker 1: that while she's still living here and using the place,

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Speaker 1: she should be helping clean and take responsibility instead of

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Speaker 1: dumping everything on me. My poor boyfriend even cleaned up

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Speaker 1: her dog's poop in our apartment. Patti you because she wouldn't.

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Speaker 1: She's not a horrible human, But I'm over cleaning up

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Speaker 1: her messes and only being the responsible and how do

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Speaker 1: I handle it. I'm also just trying to make it

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Speaker 1: through as my boyfriend and I are looking for a

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Speaker 1: place and I will be moving in with him at

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Speaker 1: the end of our lease. I don't want to make

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Speaker 1: her hate me, but I almost don't care. Please help, Thanks, Holly.

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Speaker 1: It's tough. I had a roommate I gotten so much

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Speaker 1: trouble back in the day because I would call her

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Speaker 1: a devil on the air. I didn't know her. I moved.

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Speaker 1: When I moved to Austin twenty two years old. I

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Speaker 1: had a friend of a friend. It was like, hey,

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Speaker 1: I have a friend who needs a roommate. She's already

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Speaker 1: living there and I was like great. So she was

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Speaker 1: looking for a place. I was like a broad place.

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Speaker 1: We were like, hey, well you know this person, yep,

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Speaker 1: moved in. I lived in the bottom part of the apartment.

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Speaker 1: She lived on the top. We might have had five conversations. Ever,

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Speaker 1: but I would on the air and be like, you

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Speaker 1: know what the devil was like today? I would just

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Speaker 1: call her the devil. She just mean no. But it

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Speaker 1: was like if I ate some of the bread, there

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Speaker 1: would be like you O forties two cents for bird.

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Speaker 1: Oh my. It was very much like that. And I'm

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Speaker 1: sure I was no no peach. But we never saw

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Speaker 1: each other because I worked nights and I was getting

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Speaker 1: home at five in the morning and then sleeping and

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Speaker 1: then going back to work. So there was But it

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Speaker 1: was that weird thing where if I use mustard and

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Speaker 1: he it was like you O twenty seven and I

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Speaker 1: was like, dang, this is crazy. I was probably a

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Speaker 1: little too harsh with the devil. So yeah, I from

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Speaker 1: from twenty two to thirty two, I was bonkers on

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Speaker 1: the air. Yes, I know, I was absolutely insane. We've

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Speaker 1: heard the things you've done. Yeah, so and Amy experienced

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Speaker 1: a lot of them. Yeah. That being said, you gotta

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Speaker 1: get out. You're not going to change her. Yeah, and

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Speaker 1: but I know she's not probably not a horrible person,

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Speaker 1: but it is pretty bad to like have your dog

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Speaker 1: use the restroom on the patio and then not be

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Speaker 1: willing to pick it up, Like I might file that

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Speaker 1: under close to horrible. Yeah, that's a pretty bad person.

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Speaker 1: But a messy person is not a bad person. No,

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Speaker 1: but someone who disregards other people even when they know

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Speaker 1: it's an issue. Right then it starts to so here's

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Speaker 1: what I say. You need to have that conversation. Hey,

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Speaker 1: this is what I'm doing. Is there any way you

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Speaker 1: can help. She's gonna temporarily either be offended and help

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Speaker 1: a little bit, or not be offended and help a

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Speaker 1: little bit. But it's not gonna last. You have lied

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Speaker 1: to the end of the tunnel, right, get out. You

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Speaker 1: have your way out. She's not your best friend forever.

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Speaker 1: She's like, she's not go away. Get you get your lease. No,

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Speaker 1: you're gonna have to do the heavy lifting and do

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Speaker 1: the heavy lifting and then get out of town. You

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Speaker 1: know sometimes though, like people just need to be told

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Speaker 1: like they it's maybe it's forever reason not dawning on

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Speaker 1: her that it's an issue, not spick it up. So

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Speaker 1: I do think if you can have a thoughtful conversation

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Speaker 1: and just give her a heads up, maybe maybe you've

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Speaker 1: done it before one last time, it'll sink in and

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Speaker 1: then she might realize like, oh yeah, maybe I should

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Speaker 1: pick that up. And then if she doesn't, then that's

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Speaker 1: when I just have a note on the fridge. What

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Speaker 1: yeah is that you don't think it deserves an actual

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Speaker 1: conversation depends on how much you like her. Sounded like

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Speaker 1: she wants to be your friend. Okay, there is some

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Speaker 1: communication that needs to be had, but it's not going

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Speaker 1: to fix it forever. It's just a band aid because

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Speaker 1: she just lives like this and her roommate whenever she

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Speaker 1: finally gets married or with someone, they're going to have

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Speaker 1: to deal with that. I feel like roommate notes are

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Speaker 1: kind of passive aggressive. We used to do roommate roommate

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Speaker 1: lunchbox and Ray lived together. Yeah yeah for how long?

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Speaker 1: A year? One year? And Ray never came out of

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Speaker 1: his room. He didn't watch one TV show with me

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Speaker 1: the entire year. We didn't watch a football game, a

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Speaker 1: basketball game, nothing. Did you guys not like each other?

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Speaker 1: He just did. He was scared of my dogs. Is

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Speaker 1: that what? It was a little bit? Yeah, And I

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Speaker 1: didn't want to get hair all over myself, so I

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Speaker 1: just stayed to my quarters, honestly. And didn't just have

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Speaker 1: a mattress on the floor. No, no, no, I had

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Speaker 1: a queen on the floor. What was his room like?

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Speaker 1: It was a box spring in the mattress. And then

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Speaker 1: he had a TV and he had a video game system,

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Speaker 1: and he had his He didn't have a chester, drawers

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Speaker 1: or anything. He just had his clothes in like little boxes.

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Speaker 1: It was the most bizarre thing I've ever seen. I

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Speaker 1: mean it was a I had. I had an awesome

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Speaker 1: recliner at a sixty TV. What else you need in

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Speaker 1: your room? He bought that TVA. He got a tax

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Speaker 1: return and he chased He traded all of his tax

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Speaker 1: returning for Amazon Bucks or something right you and it

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Speaker 1: bought a TV with it exactly, got an xbox, had

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Speaker 1: a mini fridge. Why would I need to leave? True?

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Speaker 1: Was he ray the worst roommate you ever had no

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Speaker 1: by far. No. I mean my roommate in college when

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Speaker 1: I lived there, he was like twenty one years old

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Speaker 1: in the dorm and he would tell me I can't

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Speaker 1: come in past ten o'clock and he would unplug. He

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Speaker 1: wanted to unplug the phone at night. He was like,

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Speaker 1: if you're gonna stay out late, you need to check in.

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Speaker 1: I'm like, dude, you're twenty one year olds were in college.

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Speaker 1: Get out of my life. And why are you living

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Speaker 1: at the dorms at twenty one years old? You're weird.

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Speaker 1: I liked it dorms. I didn't live there twenty one

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Speaker 1: years old. Come on, man, like go out and do

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Speaker 1: and maybe he gotta paid for by the school whenever.

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Speaker 1: I was a freshman. My best friend in high school

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Speaker 1: at the time, and I moved in together into the

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Speaker 1: dorm and I just came home one day and he's gone.

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Speaker 1: Didn't tell me leaving, packed the balls, crapping, left because

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Speaker 1: I was I I guess was a bit like Lunchbox's roommate,

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Speaker 1: where I wasn't like it, but I was like, man,

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Speaker 1: I have to go to sleep. I have to wake

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Speaker 1: up at eight seven o'clock for classes. I worked all night.

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Speaker 1: I didn't get home to one or two in the morning,

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Speaker 1: and I was like, can we know how parties in

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Speaker 1: the room. Can we just keep it a little quieter?

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Speaker 1: And so we're friends again now, but we've didn't talk

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Speaker 1: for a few years. He was like, I just remember

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Speaker 1: coming home and I was like, the half room was

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Speaker 1: completely empty. I was like, this is weird, what's going on?

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Speaker 1: And then I gotta maybe a text like two days later, Hey,

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Speaker 1: I moved to another somebody else. What the crap just

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Speaker 1: happened here In the end, Holly, thank you for your note.

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Speaker 1: You're gonna after the heavy lifting until you move out.

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Speaker 1: Just look forward to moving out, have a conversation. But

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Speaker 1: she is not going to change. That's our note. That's

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Speaker 1: the mailbag. We've got your That was a found to

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Speaker 1: close Bobby mailbag. Yeah, Morgan. If they want to email

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Speaker 1: the mailbag or what do they do? Mailbag at Bobby

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Speaker 1: bones dot com. Fun The five most fun facts found

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Speaker 1: on the Internet by Amy this week. Let's go number five. So,

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Speaker 1: people who were not born blind but later lost their eyesight,

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Speaker 1: they're still able to see in their dreams. But obviously

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Speaker 1: people that were born blind, they don't see anything when

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Speaker 1: they dream never thought about that. What it's because they

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Speaker 1: saw it at some point, so they have an image

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Speaker 1: of water and their brain still has number four talking

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Speaker 1: third person. No, no, Bobby doesn't know so. But here's

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Speaker 1: the deal. When people talk to themselves in the third person,

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Speaker 1: they are able to better control their thoughts, feelings, and behavior.

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Speaker 1: This is from an intense research study. I think there's

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Speaker 1: a difference in talking to yourself and then talking about

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Speaker 1: yourself a third person. But it would be like if

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Speaker 1: you messed up people, come on, Bobby, I just don't

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Speaker 1: say my own name. I don't say my own name.

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Speaker 1: I just talk to myself. Y it amy. I don't either.

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Speaker 1: I will be like, come on, you gotta do this,

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Speaker 1: suck it up. But I don't say suck it up, Bobby.

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Speaker 1: I know. But according to this, you should start talking

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Speaker 1: to yourself and saying your name. Okay, I'll do that, Bobby.

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Speaker 1: Remember that, Bobby. Okay, you got number three. Drug lord

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Speaker 1: Pablo Escobar. He got to build his own prison. At

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Speaker 1: one point in time, it featured a soccer field, a

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Speaker 1: giant dollhouse, a bar, a jacuzzi, and a waterfall. I'm

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Speaker 1: assuming the dollhouse is for like his daughter or something,

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Speaker 1: his kids, because he could have I think family over

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Speaker 1: for dinner. And this was he was sentenced to jay,

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Speaker 1: this was it was in the show. Yeah, the whole

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Speaker 1: team would come over, like the national team of play soccer.

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Speaker 1: We're having full on parties in there. Yeah, now that's

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Speaker 1: the president. I wouldn't mind. That's COVID For me. I

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Speaker 1: got to live in my own house that I love

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Speaker 1: and didn't leave for a lot of time. Yeah, but

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Speaker 1: that's not the case for al Chopo. He's in real deal. Yeah.

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Speaker 1: Number two. In twenty seventeen, Desposito became the first song

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Speaker 1: that's primarily in a foreign language to hit number one

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Speaker 1: since Macarena, which was back in nineteen ninety six. Kids

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Speaker 1: don't even know how big this song was. Desposito had

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Speaker 1: justin bieber Macarina had a dance, yeah, and no American

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Speaker 1: artist singing yeah, or Canadian artist English speaking artists yeah Macarena, No,

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Speaker 1: there's just Spanish dues, right, but there ended up being

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Speaker 1: an American version and yeah, but some girl would come

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Speaker 1: on really yeah yeah. Yeah, we definitely messed that song

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Speaker 1: up too. You know how we as Americans our own

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Speaker 1: style live all right, So I've a little bit more

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Speaker 1: to this fact. So it took twenty years for that

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Speaker 1: to happen. Do you know the one that hit number

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Speaker 1: one before Macarena and Obama? Yeah? Okay, Labama in nineteen

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Speaker 1: eighty seven. It's like the easiest question I ever been

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Speaker 1: asked on this show. Wait, Labama in nineteen eighty seven,

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Speaker 1: like the Richie. It must have been the Richie Allen's

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Speaker 1: version from the Most Lobos. Yeah, los lobot it yes, yeah, yeah,

300
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Speaker 1: all right, there you go. Can I hit the button now?

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Speaker 1: You may number one? This is crazy to me. The

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Speaker 1: last shot of the Civil War was fired on June

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Speaker 1: twenty eighth, eighteen sixty five. That's almost two months after

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Speaker 1: the war ended off the coast of Alaska. See, a

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Speaker 1: Confederate warship was out there and they hadn't gotten word

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Speaker 1: yet that the war was over. No one told them yes,

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Speaker 1: and they destroyed twenty four Union boats. They were still going,

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Speaker 1: but that was so that was officially the end of

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Speaker 1: the war. I've read that crazy. I've read books about

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Speaker 1: in Asia, how some of these guys will go and

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Speaker 1: they'll live in like the woods or jungles and they're

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Speaker 1: fighting the war, but they don't know what's over because

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Speaker 1: no one gets to them to go, hey, the war's over.

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Speaker 1: So they're still like living underground in the woods, like

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Speaker 1: doing killing people. Need to send a messenger and tell him,

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Speaker 1: but how do you find him? He probably kill them. Literally,

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Speaker 1: we'll kill the messenger. Yeah, crazy, huh, Yeah, there you go.

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Speaker 1: I don't know if that's that fun. I don't didn't

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Speaker 1: that one fun. Facts are sometimes just really interesting to

320
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Speaker 1: where you know, if you're ever playing a trivia game,

321
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Speaker 1: it might be cool that you know that, because I mean,

322
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Speaker 1: it could come up while you're playing something. It's like

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Speaker 1: what year did when did world war? Or what is it?

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Speaker 1: I would war end? If you had asked me that,

325
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Speaker 1: I would say the apthematic courthouse and that would be

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Speaker 1: the right answer, right, Like that's where they're fine. Then

327
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Speaker 1: you could argue, oh and I would you guys know me,

328
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Speaker 1: I will, And then they way ask you your resource.

329
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Speaker 1: She's saying me, and they're like, you know, all right,

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Speaker 1: there you go, close it out. It's time for the

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Speaker 1: good news. A cop in Maryland was on control when

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Speaker 1: all of a sudden he heard a boom boom, here's

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Speaker 1: a crash, and he's like, man, that's somewhere right around here.

334
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Speaker 1: Drives around and there's an suv that had loft left

335
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Speaker 1: the roadway, crashed through a fence into a pond, and

336
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Speaker 1: there's two adults, two kids. He jumps in the water,

337
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Speaker 1: boom boom, breaks the window, pulls the nine month old,

338
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Speaker 1: pulls the toddler out, takes them to shore, gets back

339
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Speaker 1: in there with a buddy, and gets the two adults out.

340
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Speaker 1: I feel like I was there, I'll be honest with you.

341
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Speaker 1: With all the sound effects and people on our stud

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Speaker 1: you can't see what lunch about. He's acting it out

343
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Speaker 1: at the same time, But I felt like I was there.

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Speaker 1: I mean, just imagine you get to the car and

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Speaker 1: there's a nine month old baby trapped in there, a toddler,

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Speaker 1: two adults sinking in a pond. I mean, there's so

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Speaker 1: many layers. He heard a crash, found it exactly. How

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Speaker 1: do you hear it? Well, it made a noise and

349
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Speaker 1: it got two ears. Yeah, I know. But is he

350
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Speaker 1: sitting there with the windows down? Is he just chilling?

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Speaker 1: Is he you know, turned down the music for a

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Speaker 1: moment and he just happens to hear it? Like how

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Speaker 1: I mean? I guess Rex are kind of loud. Yeah, yea,

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Speaker 1: that's true. So then he gets to it, jumps in.

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Speaker 1: Then his buddy, who's his buddy, another corps another cop

356
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Speaker 1: shows up. Yeah, and they jump in the water, risk

357
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Speaker 1: their own lives and save everybody. Yeah, And I mean

358
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Speaker 1: it's hard enough to get someone out of a car seat,

359
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Speaker 1: just like when you pull into a parking lot and

360
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Speaker 1: try to get the car seat out. Then when it's

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Speaker 1: sinking in water and you're climbing through the passenger window. Incredible, incredible,

362
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Speaker 1: That's what it's all about. That was tell me something

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Speaker 1: good Friday tradition. Let's play easy trivia. First one to five,

364
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Speaker 1: he gets the tiara. These are all easy, elementary level questions.

365
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Speaker 1: They get a little harder as we go. By the way,

366
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Speaker 1: here is the tr man on top. It says, easy

367
00:17:51,280 --> 00:17:55,160
Speaker 1: Trivia will sit right in front of you. Every time

368
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Speaker 1: the camera comes on you, it'll show that you're the

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Speaker 1: I want ready to go? Ready? Are you're gonna wear

370
00:18:02,359 --> 00:18:06,680
Speaker 1: this whole time? How's it look on me? Queen? That's right,

371
00:18:06,880 --> 00:18:09,600
Speaker 1: and you too can be the easy tribute queen. All right,

372
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Speaker 1: here we go. Question number one, nobody goes home in

373
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Speaker 1: the first round. What color is big bird on Sesame Street.

374
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Speaker 1: Amy yellow yellow is correct. Let's all say hello, Hello,

375
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Speaker 1: Welcome to the show. Tell us all something about yourself. Hi,

376
00:18:21,880 --> 00:18:25,359
Speaker 1: I am forty years old. I love birds, puzzles, and

377
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Speaker 1: I'm a mom of two amazing children from Haiti. All right,

378
00:18:29,520 --> 00:18:32,600
Speaker 1: there we go, lunchbox. What's the house called where the

379
00:18:32,640 --> 00:18:35,280
Speaker 1: President of the United States lives? Oh, that is the

380
00:18:35,560 --> 00:18:40,080
Speaker 1: white Welcome lunchbox to the show. Lunchbox, give us a

381
00:18:40,080 --> 00:18:42,040
Speaker 1: little thing about yourself. Man. One time I was in

382
00:18:42,160 --> 00:18:44,760
Speaker 1: Las Vegas and I saw Mike Tyson in a bathroom

383
00:18:44,800 --> 00:18:46,879
Speaker 1: and I asked him for a picture next to the

384
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Speaker 1: urinal because I wasn't gonna let him get away, and

385
00:18:49,560 --> 00:18:54,800
Speaker 1: he said, no, there you go. Eddie, Come on, what

386
00:18:54,960 --> 00:18:57,840
Speaker 1: animal has black and white stripes? That's a zebra. That

387
00:18:57,920 --> 00:19:00,560
Speaker 1: is correct. Welcome producer Eddie for the game. Eddie, tell

388
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Speaker 1: me a little something about yourself. Well, a little unknown

389
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Speaker 1: fact that I found out just the other day. My

390
00:19:03,960 --> 00:19:07,639
Speaker 1: right calf is bigger than my left. Yeah, my pants

391
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Speaker 1: get stuck on the right calf but not on my left.

392
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Speaker 1: Pretty interesting, weird, everybody. And finally, Morgan, what color is

393
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Speaker 1: the statue of Liberty? Green? Correct? She answered, that Morgan

394
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Speaker 1: tussle something about you. I'm twenty seven years old, I

395
00:19:24,680 --> 00:19:28,160
Speaker 1: have a really adorable rescue dog. I'm obsessed with I'm

396
00:19:28,160 --> 00:19:31,840
Speaker 1: obsessed with Shania Twain, and I just picked up archery

397
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Speaker 1: as a hobby. Archery. Yeah, wow, everybody, Okay, let's roll.

398
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Speaker 1: They're all easy questions. If you miss it, you'll hear

399
00:19:42,040 --> 00:19:46,280
Speaker 1: this sounds you've been booed. They're all super easy. They'll

400
00:19:46,320 --> 00:19:48,439
Speaker 1: get a little harder as we go, Amy. Question number one.

401
00:19:48,600 --> 00:19:54,040
Speaker 1: What animal is known to be man's best friend? A dog? Correct? Lunchbox.

402
00:19:54,080 --> 00:20:00,399
Speaker 1: Which animal sheds its skin a few times a year? Um?

403
00:20:00,920 --> 00:20:08,080
Speaker 1: I know a snake sheds its skin. Um, I'll go snake. Correct? Nice, Eddie.

404
00:20:08,080 --> 00:20:10,680
Speaker 1: What's another name for a group of fish? Oh, a

405
00:20:10,880 --> 00:20:17,360
Speaker 1: school of fish? Correct? Hey, Morgan, what's the coldest continent Antarctica? Correct?

406
00:20:17,560 --> 00:20:19,480
Speaker 1: We're all going on to round three? Nice job, nice shot,

407
00:20:19,560 --> 00:20:24,960
Speaker 1: talking agast for each other. Easy trivia, Amy. Pizza is

408
00:20:25,000 --> 00:20:30,919
Speaker 1: known to come from which country? Um? Well, is it

409
00:20:30,960 --> 00:20:34,440
Speaker 1: from Italy? Don't add? This is not jeopardy, Yeah, can

410
00:20:34,480 --> 00:20:38,480
Speaker 1: i Italy? Italy is correct? Lunchbox. What is the center

411
00:20:38,480 --> 00:20:44,119
Speaker 1: of a hurricane called it's the eye? Correct? Eddie? What

412
00:20:44,200 --> 00:20:49,159
Speaker 1: country is Justin Bieber from? Oh, Bieber is Canadian? Correct? Morgan?

413
00:20:49,200 --> 00:20:52,320
Speaker 1: What country artist is known as the Chief? Oh? Eric Church?

414
00:20:52,359 --> 00:20:55,239
Speaker 1: That's correct. You're all on in the next round. All right,

415
00:20:55,240 --> 00:20:58,280
Speaker 1: we get a little harder here. What actor won the

416
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Speaker 1: Best Actor Oscar for the Film's Philadelphia in nineteen ninety

417
00:21:01,920 --> 00:21:04,440
Speaker 1: three and four Scump in nineteen ninety four? Okay, well

418
00:21:04,480 --> 00:21:09,679
Speaker 1: Tom Hanks? Correct Lunchbox. Which singer was known, amongst other things,

419
00:21:09,680 --> 00:21:12,800
Speaker 1: as the King of Pop and the Gloved One? Oh?

420
00:21:12,840 --> 00:21:17,080
Speaker 1: I was Michael Jackson? Correct, Eddie. What did doctors use

421
00:21:17,160 --> 00:21:21,280
Speaker 1: to hear the heartbeat a stethoscope? Correct? Moregan? How many

422
00:21:21,280 --> 00:21:25,400
Speaker 1: seasons are there in a year? Four seasons? Correct? All right? Nice?

423
00:21:25,400 --> 00:21:31,560
Speaker 1: Shot harder here? How many rings are there amy in

424
00:21:31,600 --> 00:21:36,240
Speaker 1: the Olympics logo? Oh? My gosh, Oh gosh? Is it's

425
00:21:36,240 --> 00:21:44,879
Speaker 1: five or six? Five? Correct? Lunchbox. Name the line that

426
00:21:44,960 --> 00:21:50,040
Speaker 1: runs through the middle of the Earth equate or correct, Eddie?

427
00:21:50,040 --> 00:21:52,160
Speaker 1: Which Oregan pumps blood to the body? Oh, that would

428
00:21:52,160 --> 00:21:55,480
Speaker 1: be the Harbs, nice Moregan. Which planet has a ring

429
00:21:56,200 --> 00:22:01,320
Speaker 1: that is made of rocks and ice? Jupiter? Saturn has

430
00:22:01,359 --> 00:22:05,639
Speaker 1: the Saturn? Correct? Wow, nobody's going home. That'sterious. Hands are

431
00:22:05,680 --> 00:22:09,560
Speaker 1: getting tired to clapp and they're hurting. Amy. What's the

432
00:22:09,640 --> 00:22:21,160
Speaker 1: smallest unit of matter? A molecule? I don't know. Incorrect,

433
00:22:21,200 --> 00:22:28,000
Speaker 1: I don't know. You've Oh yeah, okay, that makes sense.

434
00:22:28,000 --> 00:22:32,720
Speaker 1: Amy goes home, Lunchbox. What instrument is used to measure

435
00:22:32,760 --> 00:22:47,520
Speaker 1: angles in geometry? Well, no, it's a protractor? Correct, All

436
00:22:47,560 --> 00:22:49,080
Speaker 1: of a sudden, the other one? I don't know. But

437
00:22:50,359 --> 00:22:54,320
Speaker 1: what country is the taj Mahal located? Oh, the taj Mahal.

438
00:22:54,400 --> 00:23:01,000
Speaker 1: That would be in India, correct, Morgan. What do you

439
00:23:01,000 --> 00:23:09,280
Speaker 1: call a baby seal? What hasn't he uh? A baby seal?

440
00:23:11,080 --> 00:23:13,400
Speaker 1: Is it a pup? Oh? That's a pup? Correct? Yeah,

441
00:23:15,760 --> 00:23:18,000
Speaker 1: it is a game to me, Wow, Lunchbox. How many

442
00:23:18,000 --> 00:23:27,520
Speaker 1: weeks are there in a year? Oh Man? Fifty two

443
00:23:27,560 --> 00:23:31,400
Speaker 1: weeks in a year? Correct? Oh Man? Eddie? Who played

444
00:23:31,440 --> 00:23:36,600
Speaker 1: Neo in the matrix? Which one's Neo? Can you tell

445
00:23:36,640 --> 00:23:38,560
Speaker 1: me which one Neo is? No? Because I would be

446
00:23:38,600 --> 00:23:41,199
Speaker 1: telling you if you played Neo in the matrix? I

447
00:23:41,200 --> 00:23:44,600
Speaker 1: mean I think the obvious one is Keanu Reeves. Is

448
00:23:44,600 --> 00:23:50,159
Speaker 1: he neo? Correct? Morgan? What famous American road runs from

449
00:23:50,280 --> 00:23:56,720
Speaker 1: Chicago to Los Angeles? There's a m I didn't you

450
00:23:56,800 --> 00:24:00,920
Speaker 1: know there was a road that did that? Um? Is

451
00:24:00,960 --> 00:24:07,880
Speaker 1: it a highway? Is it? You know? The famous highway?

452
00:24:08,080 --> 00:24:12,399
Speaker 1: Is it sixty five? Is it a number? Eddie? Do

453
00:24:12,440 --> 00:24:17,879
Speaker 1: you know it? No? Chicago to California? Yeah, laugh, is

454
00:24:17,920 --> 00:24:20,719
Speaker 1: a hot I don't know. I'm not seeing anything now.

455
00:24:20,800 --> 00:24:29,679
Speaker 1: I happen Highway sixty five sixty six? Oh, I wouldn't

456
00:24:29,680 --> 00:24:33,520
Speaker 1: taken highway sixty six, but you missed it by one number. Bang,

457
00:24:34,000 --> 00:24:38,159
Speaker 1: we're down to two guys. Here an easy trivia lunchbox. Marl. R.

458
00:24:38,359 --> 00:24:46,000
Speaker 1: L Stein is famous for writing What Kids book series? R. L.

459
00:24:46,080 --> 00:24:55,600
Speaker 1: Stein give me goose bumps? Correct, Wow, that's amazing, Eddie.

460
00:24:55,720 --> 00:24:59,439
Speaker 1: Come on, Dolly was the first ever living creature to

461
00:24:59,480 --> 00:25:08,239
Speaker 1: be cloned? What type of animals? Dolly? The first one

462
00:25:08,280 --> 00:25:14,640
Speaker 1: to be cloned? Was Dolly? A goat? They they they

463
00:25:14,680 --> 00:25:19,119
Speaker 1: cloned goats, and I think Dolly was the first cloned goat.

464
00:25:20,359 --> 00:25:23,719
Speaker 1: Oh my gosh, that's not it, is it? What are

465
00:25:23,720 --> 00:25:27,439
Speaker 1: you basing that off of my memory, which is not

466
00:25:27,600 --> 00:25:33,200
Speaker 1: very good. I'm sorry, Eddie, you've been boned. You've been boned.

467
00:25:34,480 --> 00:25:47,639
Speaker 1: Dolly was a sheet. No, Your winner today is money.

468
00:25:48,600 --> 00:25:56,800
Speaker 1: I can look enough every time, everybody I started, I

469
00:25:56,920 --> 00:26:14,200
Speaker 1: started You're Amy's pile of stories. So Caroline Brian, Luke's wife,

470
00:26:14,280 --> 00:26:17,080
Speaker 1: was having a bad day, and so Luke Brian decided

471
00:26:17,119 --> 00:26:19,480
Speaker 1: to take matters into his own hands, and he put

472
00:26:19,520 --> 00:26:22,400
Speaker 1: on some Huey Lewis and they slow dance in hopes

473
00:26:22,440 --> 00:26:31,760
Speaker 1: that he could cheer her up. Interesting song choice, Oh

474
00:26:31,840 --> 00:26:38,800
Speaker 1: Huey Lewis and the news. Yes, he's telling so cute.

475
00:26:38,840 --> 00:26:41,960
Speaker 1: And Caroline later said that you know, she was totally

476
00:26:41,960 --> 00:26:45,280
Speaker 1: grumpy and he annoyed her until she was laughing. And

477
00:26:45,359 --> 00:26:47,239
Speaker 1: it works every time. That's how he pulls her out

478
00:26:47,280 --> 00:26:49,760
Speaker 1: of a bad mood. So, Bobby, the question is food,

479
00:26:49,840 --> 00:26:52,600
Speaker 1: I take her food. Yeah, she isn't a bad mood.

480
00:26:52,600 --> 00:26:55,679
Speaker 1: It's because she hasn't eaten. So I give her food.

481
00:26:56,440 --> 00:27:00,440
Speaker 1: That's the answer, always slow dancing. It's food. Amazing that

482
00:27:00,440 --> 00:27:02,400
Speaker 1: people getting a bad mood of her food. Oh yeah,

483
00:27:02,440 --> 00:27:05,440
Speaker 1: if she doesn't need she gets cranky, or if I

484
00:27:05,480 --> 00:27:07,240
Speaker 1: don't need to stretch, see pretty get of himself. I'm like,

485
00:27:07,520 --> 00:27:10,400
Speaker 1: oh gosh, all right, what else? Okay, So you've heard

486
00:27:10,400 --> 00:27:13,119
Speaker 1: of the spermonator dude, We've talked about him. He's fathered

487
00:27:13,160 --> 00:27:17,719
Speaker 1: more than seventy children. That's Marvel Heroes. What a crazy name.

488
00:27:17,840 --> 00:27:22,440
Speaker 1: It's not Captain America, Iron Me the Spermonator. Actually, he's

489
00:27:22,480 --> 00:27:25,800
Speaker 1: got seventy seven children out there, and he was recently

490
00:27:25,960 --> 00:27:28,959
Speaker 1: on Doctor Oz and here they are talking about it.

491
00:27:29,160 --> 00:27:31,399
Speaker 1: You know, I have seventy seven children. That's true. But

492
00:27:31,480 --> 00:27:33,600
Speaker 1: then you look at the three women that we just

493
00:27:34,280 --> 00:27:37,920
Speaker 1: saw on the screen, and they don't have seventy seven children.

494
00:27:37,960 --> 00:27:40,080
Speaker 1: For them, it's about them having their first child or

495
00:27:40,080 --> 00:27:43,040
Speaker 1: their second child. So it's not so much don't focus

496
00:27:43,119 --> 00:27:45,880
Speaker 1: on me, you more focus on them who just they

497
00:27:45,920 --> 00:27:48,359
Speaker 1: want to have a family. Yeah, he's just helping women

498
00:27:48,760 --> 00:27:51,200
Speaker 1: have a family. No, he is a lot of them,

499
00:27:51,560 --> 00:27:54,320
Speaker 1: he is. I think there's listen, I'm just gonna do

500
00:27:54,359 --> 00:28:01,480
Speaker 1: a little amateur psychosis, okay, psychological evaluation. He probably wants

501
00:28:01,560 --> 00:28:03,200
Speaker 1: him to be out there more, right, there's probably something

502
00:28:03,200 --> 00:28:04,800
Speaker 1: inside of him. It's like I need to produce more

503
00:28:04,800 --> 00:28:07,359
Speaker 1: of mes. Yeah, like I need to get my seat

504
00:28:07,400 --> 00:28:09,879
Speaker 1: out there. However, I do think it is also for

505
00:28:10,000 --> 00:28:12,159
Speaker 1: the women. Yeah, but he's not. He's not. He's not

506
00:28:12,200 --> 00:28:14,720
Speaker 1: actually doing it with them. Oh no, if I'm a

507
00:28:14,760 --> 00:28:17,600
Speaker 1: woman and I'm going that route, I want to ask

508
00:28:17,720 --> 00:28:20,040
Speaker 1: the sperm bank, Like, can you tell me how many

509
00:28:20,160 --> 00:28:23,080
Speaker 1: babies this dad that I'm choosing has fathered. I don't

510
00:28:23,080 --> 00:28:26,000
Speaker 1: think they can tell you that. Oh yeah, that's not

511
00:28:26,080 --> 00:28:29,240
Speaker 1: information you can know, because then that's you're birthing a baby.

512
00:28:29,320 --> 00:28:31,960
Speaker 1: That Okay, I guess the number could always be. Like

513
00:28:32,040 --> 00:28:33,240
Speaker 1: I'd like to know what he had for dinner on

514
00:28:33,280 --> 00:28:35,760
Speaker 1: March third, nineteen eighty seven. Well, I want to know

515
00:28:35,800 --> 00:28:38,080
Speaker 1: how many siblings my baby's gonna have out there, But

516
00:28:38,120 --> 00:28:40,080
Speaker 1: I don't know they would even know. Yeah, okay, I

517
00:28:40,080 --> 00:28:42,280
Speaker 1: don't know. They keep up with them. Well, and then

518
00:28:42,320 --> 00:28:44,760
Speaker 1: you might he might father way more after you, So

519
00:28:44,840 --> 00:28:47,280
Speaker 1: the number will always to be changing. So if you're

520
00:28:47,320 --> 00:28:51,800
Speaker 1: feeling really bad about something, health experts are saying that

521
00:28:51,840 --> 00:28:55,400
Speaker 1: you should let yourself feel down, feel those emotions, because

522
00:28:55,440 --> 00:28:57,280
Speaker 1: if you beat yourself up about it or you force

523
00:28:57,360 --> 00:29:00,720
Speaker 1: yourself to quote snap out of it, you will end

524
00:29:00,800 --> 00:29:03,840
Speaker 1: up feeling worse because you never healed from it. You

525
00:29:03,960 --> 00:29:06,800
Speaker 1: just buried it down, and it could manifest as negative

526
00:29:06,800 --> 00:29:09,880
Speaker 1: emotions that come up later. So if you're make sure

527
00:29:09,920 --> 00:29:12,640
Speaker 1: you feel all the emotions, even the bad ones. Okay, well,

528
00:29:12,720 --> 00:29:14,280
Speaker 1: right now I feel like I have to go to

529
00:29:14,320 --> 00:29:16,000
Speaker 1: the bathroom, so we're gonna hit the end of this

530
00:29:16,040 --> 00:29:18,120
Speaker 1: club period and go to the bathroom's going to go?

531
00:29:18,120 --> 00:29:19,760
Speaker 1: I need to go right now? Is that it? Yes,

532
00:29:19,880 --> 00:29:24,000
Speaker 1: I'm Amy. That's my pile. That was Amy's pile of stories.

533
00:29:24,520 --> 00:29:31,560
Speaker 1: It's time for the good news with Amy. Well dad

534
00:29:31,600 --> 00:29:33,680
Speaker 1: of the year here. So there's this little four year

535
00:29:33,680 --> 00:29:37,120
Speaker 1: old girl, Everley, and she's had open heart surgery. In fact,

536
00:29:37,320 --> 00:29:40,000
Speaker 1: throughout her life she's had eight surgeries on her chest

537
00:29:40,360 --> 00:29:43,040
Speaker 1: again there's only four. So she has this scar they

538
00:29:43,080 --> 00:29:45,160
Speaker 1: call it her zipper scar where they go in and

539
00:29:45,200 --> 00:29:48,480
Speaker 1: like work on her from time to time. And her dad, Matt,

540
00:29:48,520 --> 00:29:50,160
Speaker 1: he was worried that she was going to be self

541
00:29:50,160 --> 00:29:53,840
Speaker 1: conscious about it. He doesn't have any tattoos well because

542
00:29:53,840 --> 00:29:55,360
Speaker 1: he never really had a reason to go get one

543
00:29:55,520 --> 00:29:57,959
Speaker 1: until now. So on his own, just him, he went

544
00:29:58,000 --> 00:30:00,600
Speaker 1: to the tattoo parlor, got a zipper to attu on

545
00:30:00,680 --> 00:30:06,080
Speaker 1: his chest and now Everley is definitely not alone. It's awesome. Yeah,

546
00:30:06,120 --> 00:30:09,360
Speaker 1: she actually it's like, oh, Dad, you copied me so

547
00:30:09,680 --> 00:30:11,920
Speaker 1: very cute. That's cool. Makes her feel too like she's

548
00:30:11,960 --> 00:30:14,840
Speaker 1: not alone? Yes, exactly, great, that's what it's all about.

549
00:30:15,720 --> 00:30:19,120
Speaker 1: That was tell me something good. I mean, do you

550
00:30:19,120 --> 00:30:22,960
Speaker 1: think attractive couples have attractive kids usually have you seen

551
00:30:23,040 --> 00:30:27,160
Speaker 1: Jason Aldean and Britney Aldean's babies? Okay, listen, I love Jason.

552
00:30:27,200 --> 00:30:29,560
Speaker 1: He's not a supermodel. Well I don't. They they have

553
00:30:29,560 --> 00:30:31,920
Speaker 1: the most beauty. They're they're good looking though, and they

554
00:30:31,920 --> 00:30:36,320
Speaker 1: have the most beautiful children in the world. She's very pretty. Yeah,

555
00:30:36,360 --> 00:30:38,680
Speaker 1: but I thought that would be example. I thought that

556
00:30:38,720 --> 00:30:40,880
Speaker 1: would be a good example. I'm no beauty queen. I'm

557
00:30:40,880 --> 00:30:45,240
Speaker 1: like Audeen, Angelina, Julian brad Pitt. Their baby's very pretty. Yes, listen,

558
00:30:45,360 --> 00:30:48,959
Speaker 1: I would say that, you know, if when Caitlin and

559
00:30:48,960 --> 00:30:51,320
Speaker 1: I have a kid, that if it's pretty, it's because

560
00:30:51,360 --> 00:30:54,880
Speaker 1: of herd not because of me. And I would say

561
00:30:54,920 --> 00:30:57,640
Speaker 1: Audeen's kid not because of him. Hopefully it has like

562
00:30:57,720 --> 00:31:03,440
Speaker 1: his singing ability, like grit attitude, but you kind of hope.

563
00:31:03,840 --> 00:31:06,160
Speaker 1: We all we talk, we're like, you know, don't you

564
00:31:06,200 --> 00:31:08,880
Speaker 1: wonder what side of the genetics, because you know, if

565
00:31:10,240 --> 00:31:12,800
Speaker 1: if let's just say we have a kid, if it

566
00:31:12,840 --> 00:31:17,880
Speaker 1: has her athleticism and my nerdiness, the kid's gonna have

567
00:31:17,920 --> 00:31:21,600
Speaker 1: it all. However, if it has my athleticism, it's not

568
00:31:21,680 --> 00:31:25,720
Speaker 1: gonna be very good, although she's really smart. Um so yeah,

569
00:31:25,800 --> 00:31:28,360
Speaker 1: yeah yeah. Scientists say the children who have beautiful parents,

570
00:31:28,360 --> 00:31:32,360
Speaker 1: like physically um physically attractive parents have a seventy percent

571
00:31:32,440 --> 00:31:36,880
Speaker 1: likelihood of being attractive too. Cindy Crawford's kid, she looks

572
00:31:36,920 --> 00:31:40,240
Speaker 1: just like stunning. Yeah, she looks like well her name

573
00:31:40,360 --> 00:31:43,720
Speaker 1: is because the last name is not Crawford. Yeah, and

574
00:31:43,800 --> 00:31:45,400
Speaker 1: she's also one of those kids it's always on E

575
00:31:45,640 --> 00:31:49,920
Speaker 1: now like E the E Instagram and another Gwyneth's daughter

576
00:31:49,960 --> 00:31:53,480
Speaker 1: Apple beautiful. I mean Chris Martin. What do you think

577
00:31:53,480 --> 00:31:56,640
Speaker 1: of him? Great looking guy? Yeah, well, pretty good, pretty good,

578
00:31:56,800 --> 00:32:00,080
Speaker 1: hold on, hold on, good looking guy for a nerdy guy,

579
00:32:00,240 --> 00:32:02,560
Speaker 1: like he's got that. He's a good looking nerdy guy.

580
00:32:03,440 --> 00:32:10,080
Speaker 1: You want to go runt the joke? Yeah, morning, corny.

581
00:32:10,200 --> 00:32:11,880
Speaker 1: What do you call a man with no arms and

582
00:32:11,920 --> 00:32:14,680
Speaker 1: no legs on stage? What do you call a man

583
00:32:14,720 --> 00:32:19,960
Speaker 1: with no arms and no legs on stage? Mike? Mike

584
00:32:20,040 --> 00:32:24,840
Speaker 1: on stage, microphone? No arms? Is that funny? Yeah? Well,

585
00:32:24,840 --> 00:32:26,720
Speaker 1: what do you this? Like this one? We've done this

586
00:32:26,760 --> 00:32:28,880
Speaker 1: one before. What do you call a man with no

587
00:32:29,000 --> 00:32:33,360
Speaker 1: arms and no legs in the water front of your door? Oh? What? Man? Man?

588
00:32:33,960 --> 00:32:38,600
Speaker 1: And then Bob floating in the water, Bob, that's the

589
00:32:38,640 --> 00:32:42,520
Speaker 1: wall art. Mike. Oh, oh, I've never heard of were

590
00:32:42,560 --> 00:32:44,840
Speaker 1: all really good bones. Maybe this one just doesn't tickle

591
00:32:44,920 --> 00:32:47,040
Speaker 1: me in the right spot. All right, close that up?

592
00:32:47,280 --> 00:32:54,440
Speaker 1: I mean, oh, that was the morning Corny, the Friday

593
00:32:54,440 --> 00:32:58,880
Speaker 1: morning conversation with christ I love when Chris comes on,

594
00:32:58,920 --> 00:33:01,160
Speaker 1: Hey Chris, how are you? Brother? Bob? How are you?

595
00:33:01,280 --> 00:33:03,000
Speaker 1: I am good? You know, I was listening to the

596
00:33:03,360 --> 00:33:05,240
Speaker 1: Starting Over as I was driving into work this morning,

597
00:33:05,600 --> 00:33:07,560
Speaker 1: and I always love to talk to the songwriter, and

598
00:33:07,600 --> 00:33:10,560
Speaker 1: that is that is you? You wrote this with Mike Henderson. True,

599
00:33:10,720 --> 00:33:14,800
Speaker 1: in the process of this record, what point did starting

600
00:33:14,800 --> 00:33:17,280
Speaker 1: Over get written? You know, when you're when you're putting songs,

601
00:33:17,280 --> 00:33:18,880
Speaker 1: and then what was it when you're in the room

602
00:33:18,920 --> 00:33:22,040
Speaker 1: thinking about concepts like how did starting Overs? How did

603
00:33:22,040 --> 00:33:24,400
Speaker 1: that come about? In my processes with mine? Because I

604
00:33:24,480 --> 00:33:26,560
Speaker 1: show up about eight o'clock in the evening at his house,

605
00:33:26,680 --> 00:33:30,320
Speaker 1: we have a few cocktails and talk about life and um,

606
00:33:30,440 --> 00:33:33,640
Speaker 1: this particular evening we were talking about you know, times

607
00:33:33,640 --> 00:33:36,800
Speaker 1: in life when you have to kind of start over,

608
00:33:37,000 --> 00:33:39,600
Speaker 1: either by choice or you know, kind of life kind

609
00:33:39,600 --> 00:33:44,080
Speaker 1: of presents that to you. And but also the fact

610
00:33:44,120 --> 00:33:46,040
Speaker 1: that there's hoping that you know, there's a there's a

611
00:33:46,080 --> 00:33:48,840
Speaker 1: hope in a new beginning, and I hope and getting

612
00:33:48,840 --> 00:33:52,440
Speaker 1: to travel down the road, um, you know, hopefully to

613
00:33:52,520 --> 00:33:54,280
Speaker 1: something better, even if you don't know what that is.

614
00:33:54,360 --> 00:33:57,080
Speaker 1: And and so the song kind of was born from

615
00:33:57,120 --> 00:34:01,440
Speaker 1: there and and um kind of started from line one

616
00:34:01,520 --> 00:34:04,480
Speaker 1: and went to the end. When you have a song

617
00:34:04,960 --> 00:34:08,520
Speaker 1: with a concept, do you write the hook like the

618
00:34:08,600 --> 00:34:11,799
Speaker 1: chorus first? Do Sometimes you start with the You're like,

619
00:34:11,840 --> 00:34:13,640
Speaker 1: this is the first line of the song, and you

620
00:34:13,680 --> 00:34:16,279
Speaker 1: work from there. What's the writing process like for you?

621
00:34:16,400 --> 00:34:19,439
Speaker 1: It just depends. It can be any different way, you know, like, yeah,

622
00:34:19,440 --> 00:34:21,799
Speaker 1: sometimes I do have a title and you write from

623
00:34:21,800 --> 00:34:25,480
Speaker 1: a concept that way. But I think we were just

624
00:34:25,560 --> 00:34:29,960
Speaker 1: kind of thinking about starting over as a general concept.

625
00:34:30,000 --> 00:34:32,160
Speaker 1: Maybe not as a title, but sometimes, you know, sometimes

626
00:34:32,160 --> 00:34:34,160
Speaker 1: you start like, so you start, I'm a strum and

627
00:34:34,200 --> 00:34:35,799
Speaker 1: home kind of guy, you know most of the time.

628
00:34:35,800 --> 00:34:39,080
Speaker 1: And then your humble melody and what's that feel like?

629
00:34:39,160 --> 00:34:42,520
Speaker 1: And it gives you kind of direct you find some

630
00:34:42,560 --> 00:34:45,319
Speaker 1: words and some mumbling, and that those words lead to

631
00:34:45,320 --> 00:34:48,360
Speaker 1: other words, and before you know what, you have a song.

632
00:34:48,719 --> 00:34:52,319
Speaker 1: And that's that's generally the way that that works for me.

633
00:34:52,400 --> 00:34:54,560
Speaker 1: But I've done in many different ways. I've written an

634
00:34:54,640 --> 00:34:57,560
Speaker 1: entire songs over top of lyrics that we're already there.

635
00:34:57,600 --> 00:35:02,800
Speaker 1: I've written, um, you know song I dreamed the chorus

636
00:35:02,800 --> 00:35:05,760
Speaker 1: and you know, walked into a riding room with a chorus,

637
00:35:05,840 --> 00:35:09,279
Speaker 1: you know. So, But those kind of things, Um, you

638
00:35:09,360 --> 00:35:11,400
Speaker 1: just kind of have to walk through the doors. You know,

639
00:35:11,920 --> 00:35:14,000
Speaker 1: just around town. I'd see you come to events and

640
00:35:14,040 --> 00:35:16,040
Speaker 1: you you know, you drove this old truck and you'd

641
00:35:16,040 --> 00:35:18,000
Speaker 1: park it outside the venue at the Rhyman once you came.

642
00:35:18,040 --> 00:35:19,719
Speaker 1: And it's very lucky to have you come play a

643
00:35:19,719 --> 00:35:21,560
Speaker 1: show with us and you drove your old truck and

644
00:35:21,600 --> 00:35:23,480
Speaker 1: you parked it there. Do you still drive that old truck? Well,

645
00:35:23,520 --> 00:35:25,120
Speaker 1: I don't know what I was driving at the time.

646
00:35:25,360 --> 00:35:27,960
Speaker 1: Um I do have an old Jeep that I drive

647
00:35:28,000 --> 00:35:31,719
Speaker 1: around sometimes. It just got back from getting restored, so yeah,

648
00:35:31,719 --> 00:35:34,120
Speaker 1: I'm driving around whenever I can. It's it's one of

649
00:35:34,200 --> 00:35:36,279
Speaker 1: my favorite things to drive. Are you like an old

650
00:35:36,320 --> 00:35:38,120
Speaker 1: school guy where you like to drive the old truck

651
00:35:38,160 --> 00:35:40,120
Speaker 1: because of what it means to you and or are

652
00:35:40,160 --> 00:35:41,160
Speaker 1: you a guy do you have it like a big

653
00:35:41,239 --> 00:35:43,480
Speaker 1: jacked up F one fifty with all the bells and

654
00:35:43,520 --> 00:35:46,480
Speaker 1: whistles too. No, I don't have anything like that. Um,

655
00:35:47,040 --> 00:35:48,840
Speaker 1: you know, I like I like cars though, I like

656
00:35:48,920 --> 00:35:51,399
Speaker 1: all kinds of cars and trucks and things like that.

657
00:35:51,520 --> 00:35:55,080
Speaker 1: So but you know, we have farm trucks at the farm,

658
00:35:55,160 --> 00:35:59,680
Speaker 1: and um, you know, things that do work. But no,

659
00:35:59,760 --> 00:36:04,400
Speaker 1: I have like a super fancy truck necessarily. What happens

660
00:36:04,400 --> 00:36:06,880
Speaker 1: at the Stapleton farm. What happens at the Stapleton farm.

661
00:36:06,960 --> 00:36:12,520
Speaker 1: We we take care of babies, so it's a baby.

662
00:36:14,280 --> 00:36:17,160
Speaker 1: Is Morgan there with you? She's right here? Yeah, Oh

663
00:36:17,320 --> 00:36:18,920
Speaker 1: tell her? I said hello, And I love her. I

664
00:36:18,920 --> 00:36:20,560
Speaker 1: always want to acknowledge that she's with you because she

665
00:36:20,680 --> 00:36:22,560
Speaker 1: is so good. Yeah, she's right here. He says, you're

666
00:36:22,560 --> 00:36:25,040
Speaker 1: so good, and he wants to acknowledge that you're with me.

667
00:36:27,800 --> 00:36:29,640
Speaker 1: I feel like people miss out sometimes we're talking to

668
00:36:29,719 --> 00:36:31,719
Speaker 1: Chris because Morgan's right there, and I love Chris, but

669
00:36:31,760 --> 00:36:34,920
Speaker 1: I love Morgan like equally, her own powerhouse of an

670
00:36:35,000 --> 00:36:37,520
Speaker 1: artist and singer. And they'll sit there and people will

671
00:36:37,760 --> 00:36:39,279
Speaker 1: just like they'll look at Morgan. But it's like, because

672
00:36:39,320 --> 00:36:41,359
Speaker 1: you're missing out on the whole package. Here. They're both

673
00:36:41,440 --> 00:36:43,920
Speaker 1: right here in front of you. They're both amazing. So yeah,

674
00:36:43,960 --> 00:36:45,600
Speaker 1: I want to acknowledge her being with you. Of course,

675
00:36:45,880 --> 00:36:48,640
Speaker 1: all right, coming up next, you guys may not know this.

676
00:36:49,000 --> 00:36:51,719
Speaker 1: Chris Stapleton was baladic toyed at his high school. I'm

677
00:36:51,719 --> 00:36:54,440
Speaker 1: curious to know what was the plan as you're the

678
00:36:54,600 --> 00:36:56,759
Speaker 1: number one senior in high school? Was it to do music?

679
00:36:56,800 --> 00:36:59,440
Speaker 1: Were you doing something smart? And what I heard you

680
00:36:59,520 --> 00:37:01,440
Speaker 1: dreamt a chorus to a song? I want to know

681
00:37:01,440 --> 00:37:06,280
Speaker 1: about that too. That is coming up next the Friday

682
00:37:06,280 --> 00:37:11,799
Speaker 1: Morning Conversation. I watched your career and you know, I

683
00:37:11,960 --> 00:37:14,160
Speaker 1: look at the lyrics of your songs and I don't

684
00:37:14,160 --> 00:37:17,720
Speaker 1: do that with many people. I have trouble remembering things.

685
00:37:18,120 --> 00:37:20,880
Speaker 1: You know when you write songs. Have you ever like

686
00:37:20,960 --> 00:37:22,359
Speaker 1: written a line in a song and you go back

687
00:37:22,360 --> 00:37:24,040
Speaker 1: and you wait, already wrote that line in a different

688
00:37:24,080 --> 00:37:26,000
Speaker 1: song because you have Has that ever happened to you

689
00:37:26,040 --> 00:37:28,160
Speaker 1: where you double up at all? Well? Sure, there's only

690
00:37:28,200 --> 00:37:31,120
Speaker 1: so many words in the English language, and just like

691
00:37:31,160 --> 00:37:33,080
Speaker 1: there are only so many notes on a guitar. You

692
00:37:33,120 --> 00:37:36,520
Speaker 1: know you you probably borrow from yourself more than you

693
00:37:36,640 --> 00:37:38,960
Speaker 1: try not to. You try not to recycle too much,

694
00:37:39,000 --> 00:37:43,439
Speaker 1: but you know you can if you want to. There's

695
00:37:43,480 --> 00:37:46,120
Speaker 1: some good things that there's good images that are worth

696
00:37:46,239 --> 00:37:48,120
Speaker 1: using over and over. That's the reason there's so many

697
00:37:48,120 --> 00:37:50,759
Speaker 1: songs with angels in them. You know, like, it's not

698
00:37:51,480 --> 00:37:54,480
Speaker 1: it's not a it's not something to necessarily shy away

699
00:37:54,520 --> 00:37:57,320
Speaker 1: from borrowing from yourself self, although I think, you know,

700
00:37:57,400 --> 00:38:01,240
Speaker 1: one time John Fogerty got sued by his own song

701
00:38:01,640 --> 00:38:03,800
Speaker 1: one time, so you got to watch that kind of stuff.

702
00:38:03,840 --> 00:38:08,080
Speaker 1: But it's kind of weird to think about. But yeah,

703
00:38:08,320 --> 00:38:11,880
Speaker 1: I don't know, Yeah, yeah, I've definitely probably borrowed from myself,

704
00:38:12,480 --> 00:38:16,960
Speaker 1: both intentionally and unintentionally. It's just trying to find different

705
00:38:16,960 --> 00:38:20,600
Speaker 1: ways to say similar things or express similar feelings. Am

706
00:38:20,600 --> 00:38:22,960
Speaker 1: I right about that? Sure? Or you're looking for, you know,

707
00:38:23,080 --> 00:38:25,880
Speaker 1: maybe a common feeling that you haven't heard a lot about.

708
00:38:26,120 --> 00:38:30,279
Speaker 1: You know. That's the other quest is to you know, um,

709
00:38:30,960 --> 00:38:33,600
Speaker 1: put the put the human condition into a song that

710
00:38:34,480 --> 00:38:37,839
Speaker 1: we all we all have these shared experiences and you know,

711
00:38:38,360 --> 00:38:42,919
Speaker 1: love and heartbreak are the common ones, but there's there's many,

712
00:38:42,960 --> 00:38:47,640
Speaker 1: many other ones, small ones that are worth examining and

713
00:38:48,040 --> 00:38:51,200
Speaker 1: certainly worth connecting with people over. You were valedictorian of

714
00:38:51,200 --> 00:38:53,480
Speaker 1: your high school class. When you were graduating high school,

715
00:38:53,520 --> 00:38:56,439
Speaker 1: What was the goal as valedictorian, as the smart guy?

716
00:38:56,440 --> 00:38:59,759
Speaker 1: What did you want to go do? I went to

717
00:38:59,760 --> 00:39:08,759
Speaker 1: school briefly to be a biomedical engineer. Why is she laughing, Chris,

718
00:39:11,440 --> 00:39:13,319
Speaker 1: I don't know. I think she I don't know why

719
00:39:13,320 --> 00:39:16,200
Speaker 1: she's laughing. Yeah, but that's what I did briefly. I

720
00:39:16,239 --> 00:39:18,400
Speaker 1: like that. I don't know why she's laughing either. Then

721
00:39:18,440 --> 00:39:20,759
Speaker 1: I went to business school for a minute. Clearly neither

722
00:39:20,800 --> 00:39:23,720
Speaker 1: one of those things took. But but yeah, I like it. Okay,

723
00:39:23,840 --> 00:39:26,120
Speaker 1: all these Grammys you have, do you put them on

724
00:39:26,200 --> 00:39:28,480
Speaker 1: display in your house or are they somewhere like a

725
00:39:28,520 --> 00:39:33,359
Speaker 1: storage unit. I haven't seen some of them. I put them,

726
00:39:33,440 --> 00:39:35,200
Speaker 1: We take them on when we're touring. We put them

727
00:39:35,200 --> 00:39:38,279
Speaker 1: on the road, and like there's a ticket you can

728
00:39:38,320 --> 00:39:40,240
Speaker 1: buy that has like a walk through kind of VIP

729
00:39:40,480 --> 00:39:43,080
Speaker 1: thing that is for the people that those belong to

730
00:39:43,080 --> 00:39:47,520
Speaker 1: the people. To me, So I haven't seen them directly myself,

731
00:39:47,600 --> 00:39:51,720
Speaker 1: but all those awards I think belonged to the fans,

732
00:39:51,719 --> 00:39:54,320
Speaker 1: and I want them to see them. I don't. I

733
00:39:54,320 --> 00:39:57,319
Speaker 1: don't make a trophy room to myself at my house

734
00:39:57,400 --> 00:39:58,920
Speaker 1: or anything. So is it weird that I have a

735
00:39:58,920 --> 00:40:01,120
Speaker 1: shrine to you at my house. No, not at all. Okay, Yeah,

736
00:40:01,160 --> 00:40:03,480
Speaker 1: you're you're allowed. You're allowed to do that. It's totally cool.

737
00:40:03,520 --> 00:40:05,840
Speaker 1: And I have a shrine to you in mind because

738
00:40:06,239 --> 00:40:09,400
Speaker 1: that's okay, okay, good, I appreciate that. Chris Stapleton's on

739
00:40:09,480 --> 00:40:13,279
Speaker 1: with us. You dreamed a chorus? What song? What was that?

740
00:40:13,400 --> 00:40:14,719
Speaker 1: And do they think you're nut? You when you walk

741
00:40:14,719 --> 00:40:17,279
Speaker 1: in and go guys, you're not gonna believe this. Yeah,

742
00:40:17,360 --> 00:40:20,359
Speaker 1: Parachute was actually a chorus that I dreamed. I woke

743
00:40:20,480 --> 00:40:23,720
Speaker 1: up from a dream and had dreamed the entire chorus

744
00:40:23,719 --> 00:40:26,800
Speaker 1: to Parachute, and I and I walked into a writing

745
00:40:26,880 --> 00:40:29,600
Speaker 1: point with Jim with jim Bieberson said, you think I'm crazy,

746
00:40:29,640 --> 00:40:31,640
Speaker 1: but I dreamed this chorus last night. We should write

747
00:40:31,640 --> 00:40:34,839
Speaker 1: this song and so, and that's what that song is.

748
00:40:34,960 --> 00:40:37,440
Speaker 1: Do you wake up after you dream it and in

749
00:40:37,480 --> 00:40:39,160
Speaker 1: the middle of the night kind of jot down or

750
00:40:39,200 --> 00:40:41,040
Speaker 1: can you just hold on to it? Because half my

751
00:40:41,120 --> 00:40:43,080
Speaker 1: dreams I don't even remember when I wake up. I

752
00:40:43,160 --> 00:40:45,200
Speaker 1: have very few dreams. I can count them on one

753
00:40:45,200 --> 00:40:49,120
Speaker 1: hand that I remember, and that's one of them. Um,

754
00:40:49,160 --> 00:40:51,640
Speaker 1: so I don't. I don't remember dreams hardly ever. Yeah,

755
00:40:51,880 --> 00:40:53,799
Speaker 1: it's like God reaching out while you're sleeping and going, hey, no,

756
00:40:53,800 --> 00:40:55,080
Speaker 1: you don't dream much, but let me give you the

757
00:40:55,080 --> 00:40:57,520
Speaker 1: gift of this song. Well, maybe I read an article

758
00:40:57,560 --> 00:40:59,759
Speaker 1: that says you don't sleep very good if you don't

759
00:40:59,760 --> 00:41:02,640
Speaker 1: remember your dreams. So I think there's probably some kind

760
00:41:02,640 --> 00:41:07,759
Speaker 1: of a sleep deprivation that prevents me from from remembering dreams.

761
00:41:07,800 --> 00:41:10,640
Speaker 1: There he is my friend in yours, our our musical hero.

762
00:41:10,760 --> 00:41:12,759
Speaker 1: Chris Stable to Chris, thank you so much for the time.

763
00:41:12,800 --> 00:41:17,239
Speaker 1: We love you, buddy. Yeah, mans so lunchbox you and

764
00:41:17,239 --> 00:41:19,600
Speaker 1: your wife for sleeping in separate rooms. Yeah. I woke

765
00:41:19,680 --> 00:41:21,880
Speaker 1: up two days in a row and my wife's gone,

766
00:41:22,000 --> 00:41:23,440
Speaker 1: she's out of the bed. And I looked at her

767
00:41:23,440 --> 00:41:25,319
Speaker 1: and I said, I went downstairs. I'm like, hey, what's

768
00:41:25,320 --> 00:41:29,040
Speaker 1: going on. She goes, you've started snoring and you're keeping

769
00:41:29,080 --> 00:41:31,239
Speaker 1: me up at night. But you didn't always snore. No,

770
00:41:31,360 --> 00:41:33,440
Speaker 1: I've never snored in my life, so I don't believe her.

771
00:41:33,440 --> 00:41:35,480
Speaker 1: There's no way I snore. Why would I be snoring

772
00:41:35,520 --> 00:41:37,719
Speaker 1: all of a sudden? And she recorded me while I

773
00:41:37,760 --> 00:41:40,839
Speaker 1: was sleeping. It's crazy that you've never snored and now

774
00:41:40,840 --> 00:41:44,279
Speaker 1: you've started, is it? Are you like sinus? Sed up?

775
00:41:44,360 --> 00:41:47,120
Speaker 1: Or maybe that's what it is. Maybe there's some allergies

776
00:41:47,160 --> 00:41:49,040
Speaker 1: going on. I don't know, but I've never snored in

777
00:41:49,080 --> 00:41:51,440
Speaker 1: my life and this has never been a problem. And

778
00:41:51,600 --> 00:41:54,080
Speaker 1: she was like, it's like, it's so glad you wake

779
00:41:54,120 --> 00:41:55,520
Speaker 1: me up. And I had to go downstairs because I

780
00:41:55,520 --> 00:41:58,120
Speaker 1: couldn't sleep. Okay, here we go. Here is lunchbox snoring?

781
00:42:06,840 --> 00:42:21,720
Speaker 1: U what is it? You breathe really fast too, because

782
00:42:21,719 --> 00:42:24,080
Speaker 1: I sleep with my mouth open, So maybe that's why

783
00:42:24,080 --> 00:42:26,120
Speaker 1: it sounds so loud. I don't know, but I've never

784
00:42:26,160 --> 00:42:28,560
Speaker 1: snored my life, and that is what she got from

785
00:42:28,560 --> 00:42:31,680
Speaker 1: me sleeping, and that's why she went downstairs. Does it

786
00:42:31,719 --> 00:42:35,360
Speaker 1: sound like his snores are pretty rapid? I was hearing

787
00:42:35,400 --> 00:42:46,680
Speaker 1: like a drill, like a heart. Let's hear it again. Ray, Like,

788
00:42:46,760 --> 00:42:48,960
Speaker 1: I don't feel like you're giving enough time to ex hell,

789
00:42:49,160 --> 00:42:52,200
Speaker 1: it's like, yeah, like something's up. You should go to

790
00:42:52,239 --> 00:42:54,719
Speaker 1: the doctor. Something's going on. Oh hope, they put one

791
00:42:54,719 --> 00:42:57,239
Speaker 1: of those big machines on you. No, no, I don't

792
00:42:57,280 --> 00:43:00,200
Speaker 1: want to wear that mask. No away, would you do?

793
00:43:00,440 --> 00:43:02,319
Speaker 1: Would you do a sleep study? Yeah? I mean I

794
00:43:02,360 --> 00:43:04,080
Speaker 1: guess I don't even know what that means. But what

795
00:43:04,120 --> 00:43:05,560
Speaker 1: do they do? They watch you sleep and they write

796
00:43:05,560 --> 00:43:08,719
Speaker 1: down notes or what you get naked and they want

797
00:43:09,800 --> 00:43:11,320
Speaker 1: well because they want to make sure, they want to

798
00:43:11,360 --> 00:43:13,600
Speaker 1: get your whole body. Yeah, to be natural, you don't

799
00:43:13,600 --> 00:43:16,320
Speaker 1: even get a blanket. You let you lay on a

800
00:43:16,400 --> 00:43:20,719
Speaker 1: rubber mattress naked and they watch you sleep, wouldn't you.

801
00:43:20,920 --> 00:43:22,000
Speaker 1: I mean they got to put it in a good

802
00:43:22,040 --> 00:43:24,239
Speaker 1: temperature then, because you're gonna be freezing. They do. They

803
00:43:24,280 --> 00:43:26,880
Speaker 1: put the temperature on what your desire is. But you

804
00:43:26,880 --> 00:43:29,320
Speaker 1: have to be naked while you do it. There's wires everywhere,

805
00:43:29,400 --> 00:43:31,759
Speaker 1: so yeah, you can get in the way. Yeah, I mean,

806
00:43:32,960 --> 00:43:37,000
Speaker 1: I mean I'll do it. Like, does it sound that bad?

807
00:43:38,400 --> 00:43:41,920
Speaker 1: It sounds unhealthy. Yeah, especially if it's not normal for you.

808
00:43:42,000 --> 00:43:44,799
Speaker 1: That means there's something going on. One more time from

809
00:43:44,840 --> 00:44:06,440
Speaker 1: the top ray, it's very it's very wet, still going. Yeah,

810
00:44:06,480 --> 00:44:08,200
Speaker 1: it feels like when we'd start the flat bottom made

811
00:44:08,200 --> 00:44:10,560
Speaker 1: a little evender on the back of it. It's not turning. Man,

812
00:44:12,920 --> 00:44:15,560
Speaker 1: do you feel like this is age lunchbikes? Maybe you

813
00:44:15,600 --> 00:44:17,440
Speaker 1: do start story with age. But if I'm storing that

814
00:44:17,520 --> 00:44:20,120
Speaker 1: loud that I'm keeping her up, that's a problem. Yeah,

815
00:44:20,120 --> 00:44:22,040
Speaker 1: it's got to be something happened in your body right now.

816
00:44:22,200 --> 00:44:23,759
Speaker 1: Do you think I'll ask you this question. I saw

817
00:44:23,800 --> 00:44:25,400
Speaker 1: it in the news. I'll ask all you guys, do

818
00:44:25,480 --> 00:44:29,120
Speaker 1: you think you peek or that you've peaked already? What

819
00:44:29,160 --> 00:44:32,200
Speaker 1: age do you think people peek at? Amy, Oh, I

820
00:44:32,280 --> 00:44:41,040
Speaker 1: mean I I feel like I still have Oh boy,

821
00:44:41,239 --> 00:44:47,000
Speaker 1: I peaked probably at like thirty three, but I just

822
00:44:47,000 --> 00:44:50,600
Speaker 1: turned forty and I feel good. I know, I feel

823
00:44:50,760 --> 00:44:52,759
Speaker 1: kind of good. You can if you think you haven't

824
00:44:52,800 --> 00:44:55,120
Speaker 1: peaked yet. No, oh no, feel free to say that

825
00:44:55,160 --> 00:44:57,560
Speaker 1: we're just giving you a hard time. No, I know,

826
00:44:57,960 --> 00:45:02,840
Speaker 1: I'm in denial. Peaked earlier. When do you think you peaked?

827
00:45:03,080 --> 00:45:08,239
Speaker 1: Probably thirty five? Okay, I'll go right in the middle,

828
00:45:08,320 --> 00:45:11,399
Speaker 1: between thirty and forty Eddie, Yeah, the peak has come

829
00:45:11,480 --> 00:45:13,880
Speaker 1: and gone, my friends, thirty five is kind of probably

830
00:45:13,880 --> 00:45:16,840
Speaker 1: when I was like just flying high. I was in shape. Bones,

831
00:45:16,880 --> 00:45:19,080
Speaker 1: you helped me get in shape. I was feeling really good.

832
00:45:19,320 --> 00:45:21,880
Speaker 1: My body didn't nake now, I mean, dude, I'm in

833
00:45:21,960 --> 00:45:25,960
Speaker 1: physical pain. Twenty four to seven. Most people think that

834
00:45:27,040 --> 00:45:31,160
Speaker 1: the peak age just like thirty seven or so. Okay, lunchbox,

835
00:45:31,200 --> 00:45:34,239
Speaker 1: when did you peak? I would say probably twenty four

836
00:45:34,400 --> 00:45:37,759
Speaker 1: twenty five. I mean that was when I was at

837
00:45:37,800 --> 00:45:40,080
Speaker 1: my peak of partying. I was able to drink the

838
00:45:40,120 --> 00:45:42,920
Speaker 1: most I ever had, looking good, probably the best I've

839
00:45:42,960 --> 00:45:45,080
Speaker 1: ever looked in my life. I still look great, but

840
00:45:45,160 --> 00:45:47,839
Speaker 1: I mean just the women factor that I had around me,

841
00:45:48,160 --> 00:45:51,680
Speaker 1: and just every like you're married now, if you weren't married,

842
00:45:51,719 --> 00:45:53,880
Speaker 1: you'd still have women around you. You're right, but I

843
00:45:53,880 --> 00:45:56,560
Speaker 1: wouldn't have as many. I don't think, right, I don't,

844
00:45:57,239 --> 00:45:59,359
Speaker 1: so I would say twenty four twenty five was when

845
00:45:59,360 --> 00:46:02,600
Speaker 1: I was really fan. That's when the peak was. I

846
00:46:02,640 --> 00:46:06,360
Speaker 1: think I'm peaking right now. Is that possible? Yeah, welcome,

847
00:46:06,400 --> 00:46:08,359
Speaker 1: you can peak now, and I get now. You were

848
00:46:08,440 --> 00:46:10,080
Speaker 1: you said you hadn't gotten there. You said you haven't

849
00:46:10,080 --> 00:46:13,319
Speaker 1: gotten there yet. That's ridiculous. There's not a few years.

850
00:46:13,880 --> 00:46:16,799
Speaker 1: Like I think right now, I'm in my peak and

851
00:46:17,040 --> 00:46:21,719
Speaker 1: I see that it could not be peaking soon, so

852
00:46:21,760 --> 00:46:24,399
Speaker 1: I'm taking advantage of it, like this is my last

853
00:46:24,480 --> 00:46:27,920
Speaker 1: run to probably be in pretty good shape as like

854
00:46:28,120 --> 00:46:29,920
Speaker 1: in general, I don't want to be in good I'll

855
00:46:29,920 --> 00:46:32,240
Speaker 1: be in good shape for an older guy eventually. But

856
00:46:32,239 --> 00:46:34,080
Speaker 1: but I have all my hair still, which is great.

857
00:46:34,719 --> 00:46:38,880
Speaker 1: I think I'm peaking right now, career wise, life wise,

858
00:46:39,400 --> 00:46:41,600
Speaker 1: This is it for me? I give it about another

859
00:46:41,640 --> 00:46:45,400
Speaker 1: eighteen months and we'll start slipping down down. Yeah. Yeah,

860
00:46:45,440 --> 00:46:48,040
Speaker 1: But do you disagree, Amy, I get I'm no. I

861
00:46:48,040 --> 00:46:49,799
Speaker 1: feel like you have a lot going on right now.

862
00:46:49,880 --> 00:46:52,319
Speaker 1: So this is peak away? Well are you hating right now?

863
00:46:52,320 --> 00:46:55,120
Speaker 1: You haven't hate tone right? No, I don't. I just

864
00:46:55,360 --> 00:46:58,200
Speaker 1: I hadn't really thought about it, but I guess. Yeah.

865
00:46:58,600 --> 00:47:02,000
Speaker 1: Now she's depressed. This run her whole week. You're peeking.

866
00:47:02,719 --> 00:47:06,200
Speaker 1: We've all you're peaking now, we've all peeked. Lunch peaked

867
00:47:06,200 --> 00:47:12,200
Speaker 1: in his joy time ago bown sorry up to day.

868
00:47:12,719 --> 00:47:16,200
Speaker 1: This story comes us from Pennsylvania. A twenty two year

869
00:47:16,200 --> 00:47:18,080
Speaker 1: old man was looking for a job when he saw

870
00:47:18,160 --> 00:47:21,480
Speaker 1: the pizza play said now hiring. He went inside said, hey, man,

871
00:47:21,560 --> 00:47:24,279
Speaker 1: can I get an application? Filled it out handed as

872
00:47:24,280 --> 00:47:26,640
Speaker 1: the worker, and then pulled out a knife and stole

873
00:47:26,680 --> 00:47:29,399
Speaker 1: the tip jar on my problems. He had filled out

874
00:47:29,400 --> 00:47:31,520
Speaker 1: the application, so they had his name. I knew that.

875
00:47:31,680 --> 00:47:35,080
Speaker 1: I knew that was coming. And he left his backpack

876
00:47:35,160 --> 00:47:39,479
Speaker 1: with his idea. He works at this. I'm lunch blocked

877
00:47:39,480 --> 00:47:41,799
Speaker 1: out your bone head story of the day. All right,

878
00:47:41,800 --> 00:47:44,760
Speaker 1: we're doing our show from the Sonic Drive in studio

879
00:47:45,120 --> 00:47:47,680
Speaker 1: on music Row. I guess the Bobby Bones Show. It's

880
00:47:47,719 --> 00:47:52,960
Speaker 1: so high to see goodbye to another week. About that,

881
00:47:53,120 --> 00:47:55,759
Speaker 1: it's good or no, it's pretty good. Thank you. Mom

882
00:47:55,880 --> 00:47:59,680
Speaker 1: hit a lottery seventy eight thousand dollars jackpot because she

883
00:47:59,760 --> 00:48:02,520
Speaker 1: forgot how old her kid was. You know how you

884
00:48:02,600 --> 00:48:05,759
Speaker 1: pick on years and dates and stuff. Yeah, she won

885
00:48:05,960 --> 00:48:08,960
Speaker 1: seventy eight thousand dollars because she forgot how old one

886
00:48:09,000 --> 00:48:11,560
Speaker 1: of her kids was and played the wrong number. Oh wow,

887
00:48:12,520 --> 00:48:15,000
Speaker 1: one of her kids recently turned twenty, but she forgot.

888
00:48:15,120 --> 00:48:17,399
Speaker 1: She used nineteen as one of her numbers, and that's

889
00:48:17,440 --> 00:48:21,160
Speaker 1: what hit seventy eight thousand dollars. Wow. Congratulations to her.

890
00:48:21,239 --> 00:48:22,840
Speaker 1: Thank you. Have a great weekend. We'll see Monday.