1 00:00:00,560 --> 00:00:02,759 Speaker 1: Coming up at about four minutes after the hour. 2 00:00:02,840 --> 00:00:05,440 Speaker 2: It's my Strawberry letter for today and the subject is 3 00:00:05,559 --> 00:00:08,440 Speaker 2: motivational and manipulating. Man. 4 00:00:08,800 --> 00:00:10,840 Speaker 1: We'll get into that find out what that's all about 5 00:00:10,920 --> 00:00:13,680 Speaker 1: in just a few because right now it is time 6 00:00:13,720 --> 00:00:16,520 Speaker 1: for the Nephew and today's prank phone called nep What 7 00:00:16,600 --> 00:00:20,560 Speaker 1: you got this around here? Shirley is? Can I paint 8 00:00:21,480 --> 00:00:27,760 Speaker 1: your wife? Nikki? Can I paint wow your wife? 9 00:00:28,120 --> 00:00:30,840 Speaker 3: I'm an artist, Okay, I'm an artist, all right, and 10 00:00:30,880 --> 00:00:33,800 Speaker 3: I just want to paint your wife nick. Hey, that's 11 00:00:33,840 --> 00:00:35,279 Speaker 3: all I want to do, all right. I don't think 12 00:00:35,280 --> 00:00:37,159 Speaker 3: I'm really asking some out of control. I want to 13 00:00:37,159 --> 00:00:41,120 Speaker 3: paint your wife, Peggy. What's what is the big deal? Okay, 14 00:00:41,240 --> 00:00:45,000 Speaker 3: let's go, kat Dog. Can I paint your wife Nikki? 15 00:00:47,479 --> 00:00:53,680 Speaker 2: Hello? Hello, I wish to speak with a mister please. Hello, sir. 16 00:00:54,480 --> 00:00:58,880 Speaker 2: My name is Sebastian. I am with the Ark Institute 17 00:00:59,320 --> 00:01:01,160 Speaker 2: and I want to be give you a call about 18 00:01:02,440 --> 00:01:05,000 Speaker 2: I have a huge showing coming up where I'm going 19 00:01:05,040 --> 00:01:09,200 Speaker 2: to be displaying my portfolio and all of my drawings 20 00:01:09,200 --> 00:01:11,559 Speaker 2: within it. But I have one drawing that I'm looking 21 00:01:11,600 --> 00:01:14,760 Speaker 2: to display that I have not put on canvas yet. 22 00:01:15,319 --> 00:01:18,800 Speaker 2: And I'm looking to take something of essence to put 23 00:01:18,840 --> 00:01:21,640 Speaker 2: on canvas, and I want to call you about getting permission. 24 00:01:22,000 --> 00:01:24,119 Speaker 2: Well wait, hold on, dog, just to stop me right now, 25 00:01:24,240 --> 00:01:26,680 Speaker 2: I don't do that. I'm not a model. That's not 26 00:01:26,720 --> 00:01:30,039 Speaker 2: my profession. So you would not waste your time no more. 27 00:01:30,040 --> 00:01:30,600 Speaker 4: You know what I'm saying. 28 00:01:30,680 --> 00:01:35,200 Speaker 2: Just no, mister, I don't think you understand that my 29 00:01:35,319 --> 00:01:38,039 Speaker 2: showing is going to have some very important people there. 30 00:01:38,600 --> 00:01:42,200 Speaker 2: I am, like I said before with art Institute. Okay, yeah, 31 00:01:42,280 --> 00:01:44,280 Speaker 2: but I said I don't do that. 32 00:01:44,280 --> 00:01:44,800 Speaker 4: That's not me. 33 00:01:45,240 --> 00:01:47,720 Speaker 2: I mean, I you know what was you just calling 34 00:01:47,760 --> 00:01:50,320 Speaker 2: folks up? You a solicitors on I mean y'all just 35 00:01:50,400 --> 00:01:52,480 Speaker 2: randomly picking out folks and trying trying to get them 36 00:01:52,640 --> 00:01:57,919 Speaker 2: the model. Look, mister, no, I'm not just randomly calling people. 37 00:01:57,920 --> 00:02:00,840 Speaker 2: I actually have done research in order to get your number. 38 00:02:01,160 --> 00:02:02,360 Speaker 1: What I'm doing is. 39 00:02:02,360 --> 00:02:06,320 Speaker 2: I'm not calling you as far being a model that 40 00:02:06,360 --> 00:02:09,560 Speaker 2: I'm going to portray on canvas, but you have something 41 00:02:09,639 --> 00:02:13,560 Speaker 2: far more greater visually that I would like to behold 42 00:02:13,720 --> 00:02:19,040 Speaker 2: on canvas. Now you're married to your wife? Is am 43 00:02:19,040 --> 00:02:22,320 Speaker 2: I correct? The whole world? World? Wow, dob no, for 44 00:02:22,560 --> 00:02:26,040 Speaker 2: who is this? I can get my number. No, I 45 00:02:26,040 --> 00:02:28,079 Speaker 2: can get my number because you're talking about my wife 46 00:02:28,120 --> 00:02:31,720 Speaker 2: and stuff with me. My wife. My name is Sebastian. 47 00:02:31,960 --> 00:02:35,600 Speaker 2: I am with Art Institute. What I'm trying to do 48 00:02:35,680 --> 00:02:39,200 Speaker 2: with capture and mortalize the beauty of absence on canvas. 49 00:02:39,639 --> 00:02:40,839 Speaker 2: Okay yo, for real? 50 00:02:40,880 --> 00:02:41,880 Speaker 4: Do you just can't? 51 00:02:42,000 --> 00:02:45,560 Speaker 2: You don't talk about my wife? All right? So I'm not. 52 00:02:45,680 --> 00:02:49,240 Speaker 2: I'm not calling in a negative manner towards your wife. 53 00:02:49,320 --> 00:02:53,000 Speaker 2: I want to I want to modalize her and capture 54 00:02:53,040 --> 00:02:57,000 Speaker 2: her on canvas, the beauty that she beholds. I've seen 55 00:02:57,040 --> 00:03:00,560 Speaker 2: your wife several times. You guys resign, whoa, whoa? Do 56 00:03:00,560 --> 00:03:01,400 Speaker 2: you see my wife? 57 00:03:01,720 --> 00:03:01,919 Speaker 4: Wait? 58 00:03:02,080 --> 00:03:03,919 Speaker 2: What do you see my wife? That? What? Why you? Why? 59 00:03:04,280 --> 00:03:06,840 Speaker 2: Why are you watching my wife? I've seen her. She 60 00:03:06,840 --> 00:03:08,720 Speaker 2: she shops on one hundred and twenty fifth Street in 61 00:03:08,760 --> 00:03:11,240 Speaker 2: hallm I've seen her so many times there, and she 62 00:03:11,400 --> 00:03:13,720 Speaker 2: holds all the beauty that an artist would like to 63 00:03:13,760 --> 00:03:16,520 Speaker 2: put on canvas. Like I said before, I have a 64 00:03:16,600 --> 00:03:19,040 Speaker 2: huge showing in May. You're welcome to come out as well. 65 00:03:19,600 --> 00:03:21,600 Speaker 2: It's going to be so many important people there. But 66 00:03:21,639 --> 00:03:24,480 Speaker 2: I want to call and get permission from you about 67 00:03:24,480 --> 00:03:27,400 Speaker 2: painting your wife. No, you ain't got that permission. 68 00:03:27,400 --> 00:03:28,280 Speaker 4: Play, Well, you just can't. 69 00:03:28,480 --> 00:03:32,160 Speaker 2: You just can't go around following my wife and trying 70 00:03:32,160 --> 00:03:35,000 Speaker 2: to motalize or whatever. Is it all right? So so, 71 00:03:35,960 --> 00:03:37,960 Speaker 2: but I would like to let you know I have 72 00:03:38,120 --> 00:03:42,800 Speaker 2: taken the liberty myself. I have painted your wife's head. 73 00:03:43,080 --> 00:03:46,520 Speaker 4: And what jo you have lost your damn mind? You 74 00:03:46,520 --> 00:03:49,240 Speaker 4: can't be just walking around here. It's painting folks headed. 75 00:03:49,560 --> 00:03:52,280 Speaker 4: You got to get permission for that. What's wrong with you? 76 00:03:52,080 --> 00:03:55,520 Speaker 2: If you are crazy? You don't understand your wife holds 77 00:03:55,560 --> 00:03:57,440 Speaker 2: the essence that every artist wants. 78 00:03:57,640 --> 00:03:59,839 Speaker 4: I don't care what she holds. You can't be going 79 00:04:00,040 --> 00:04:02,200 Speaker 4: around peinting folks heads. 80 00:04:02,200 --> 00:04:05,120 Speaker 2: Wrong with you? Sure, that's the reason why I'm calling 81 00:04:05,200 --> 00:04:08,600 Speaker 2: trying to get permission from you. Alright, Sebastian. Want to 82 00:04:08,600 --> 00:04:11,600 Speaker 2: put your wife on canvas because she holds the essence 83 00:04:11,600 --> 00:04:15,000 Speaker 2: that every artist wants to behold. She mortalized the beauty 84 00:04:15,080 --> 00:04:16,280 Speaker 2: of canash. 85 00:04:16,279 --> 00:04:18,279 Speaker 4: Hold of the hold of the hold of God. You're 86 00:04:18,279 --> 00:04:22,280 Speaker 4: telling me you walking around Collumn peinting my wife's head. 87 00:04:22,600 --> 00:04:23,720 Speaker 2: What earth is that? 88 00:04:24,240 --> 00:04:25,279 Speaker 4: What are you doing? 89 00:04:25,400 --> 00:04:29,960 Speaker 2: Dude? I'm only trying to complete my porfolio. 90 00:04:30,160 --> 00:04:34,040 Speaker 4: No, your portfolio here, listen, it is if I see 91 00:04:34,080 --> 00:04:36,640 Speaker 4: my wife's head anywhere. I don't care New Player magazine. 92 00:04:36,680 --> 00:04:38,760 Speaker 4: I don't care where you deal, boy, web Yo, I'm 93 00:04:38,760 --> 00:04:41,400 Speaker 4: gonna find your I'm gonna whoop your Do you understand 94 00:04:41,400 --> 00:04:43,640 Speaker 4: what I'm saying to you? I'm a suit you you 95 00:04:43,720 --> 00:04:44,360 Speaker 4: understand that. 96 00:04:44,760 --> 00:04:47,280 Speaker 2: Sure, I don't want to have a duel with you, sir, 97 00:04:49,000 --> 00:04:54,159 Speaker 2: is a duel they do what they do? In fact? 98 00:04:54,279 --> 00:04:56,240 Speaker 4: What name is a bastion? 99 00:04:56,560 --> 00:04:58,600 Speaker 2: Who name is that? A fashion? 100 00:04:59,000 --> 00:04:59,400 Speaker 3: Sure? 101 00:05:00,080 --> 00:05:02,920 Speaker 2: I want to do is paint your wife in hourrahest 102 00:05:03,080 --> 00:05:05,480 Speaker 2: and purest. For that's all. 103 00:05:05,560 --> 00:05:08,880 Speaker 4: There's law and purest for me. What what the do 104 00:05:09,040 --> 00:05:09,960 Speaker 4: you want? Seriously? 105 00:05:10,279 --> 00:05:14,279 Speaker 2: I want to paint your wife. I want to paint 106 00:05:14,279 --> 00:05:15,839 Speaker 2: her in the nude. 107 00:05:16,800 --> 00:05:22,279 Speaker 4: You watch your mind? Not enough, that's what you should do. 108 00:05:22,480 --> 00:05:24,320 Speaker 4: Tell me where you at you want to paint something, 109 00:05:24,440 --> 00:05:27,200 Speaker 4: I'll give you something to pay. Tell me where you at? 110 00:05:27,480 --> 00:05:27,520 Speaker 2: What? 111 00:05:27,760 --> 00:05:28,320 Speaker 4: Twenty fifth? 112 00:05:28,720 --> 00:05:29,280 Speaker 2: Read me? What? 113 00:05:29,640 --> 00:05:32,640 Speaker 4: Twenty fifth? That's what's up? I want to whoop your 114 00:05:33,279 --> 00:05:37,680 Speaker 4: read me, meet me, paint me, paint me. You watch 115 00:05:37,680 --> 00:05:39,840 Speaker 4: your mind talking about you wanna paint my wife in 116 00:05:39,880 --> 00:05:42,720 Speaker 4: the nude. It's gonna take them brushes and stick them. 117 00:05:42,640 --> 00:05:47,000 Speaker 2: Up your mister. She holds the essence that every person should. 118 00:05:47,040 --> 00:05:49,720 Speaker 4: I'll give up what she hold as I don't give 119 00:05:49,760 --> 00:05:53,120 Speaker 4: a reatch your mod for athism like that? 120 00:05:53,360 --> 00:05:55,719 Speaker 2: Sure, I must ask you, do you think that you 121 00:05:55,760 --> 00:05:58,520 Speaker 2: are the only person that has seen your wife in 122 00:05:58,560 --> 00:06:01,000 Speaker 2: the new children that's been meant before you, that have 123 00:06:01,080 --> 00:06:04,520 Speaker 2: seen her in the next day for you and my 124 00:06:04,520 --> 00:06:05,920 Speaker 2: wife ain't no more? You call my wife? 125 00:06:06,440 --> 00:06:08,600 Speaker 4: Is that what you're saying? Are you calling my wife? 126 00:06:09,800 --> 00:06:12,120 Speaker 2: Hugh? I want to paint your wife and the beauty 127 00:06:12,160 --> 00:06:13,920 Speaker 2: that she bought in on canvas. 128 00:06:14,760 --> 00:06:18,800 Speaker 4: Did you not understand? I just said, you know, I 129 00:06:18,920 --> 00:06:21,920 Speaker 4: told you meet me on the corner of one twenty 130 00:06:22,000 --> 00:06:23,840 Speaker 4: fifth and claim Powell. 131 00:06:24,320 --> 00:06:29,880 Speaker 2: I got one more thing. I just want to say, nephew. 132 00:06:30,120 --> 00:06:33,960 Speaker 2: Comment from the Steve harm In Morning Show. You trust God, 133 00:06:34,080 --> 00:06:37,240 Speaker 2: paint my your boy? 134 00:06:37,600 --> 00:06:39,840 Speaker 4: What what this is? 135 00:06:40,120 --> 00:06:42,840 Speaker 2: This is nephew, this's nephew. Till me from the Steve 136 00:06:42,920 --> 00:06:43,800 Speaker 2: Harvey Morning Show. 137 00:06:44,480 --> 00:06:52,960 Speaker 4: No o, oh man, yo man yo man. I would 138 00:06:53,000 --> 00:06:57,719 Speaker 4: move a Francis be here, dude, Tommy you got me dog? 139 00:06:58,160 --> 00:06:59,520 Speaker 4: Oh manyh God. 140 00:06:59,720 --> 00:07:03,200 Speaker 2: It was Sebastian say. 141 00:07:03,640 --> 00:07:11,720 Speaker 4: You get some bash. I was about and Sebastian was 142 00:07:12,040 --> 00:07:14,920 Speaker 4: paint brushes and as about to paint all of with your. 143 00:07:17,080 --> 00:07:19,760 Speaker 2: Hey, he told me, man, he said, man, he he 144 00:07:19,960 --> 00:07:25,760 Speaker 2: love his wife. I said, let me say this right now, 145 00:07:27,240 --> 00:07:32,200 Speaker 2: loves you, let me get one more pay from you. Man. 146 00:07:32,280 --> 00:07:36,040 Speaker 2: What is the baddest I'm talking about the baddest radio 147 00:07:36,280 --> 00:07:37,600 Speaker 2: show in Blane. 148 00:07:38,040 --> 00:07:40,640 Speaker 4: Yeah, man, it's Steeve Hobby in the morning show. 149 00:07:40,720 --> 00:07:41,000 Speaker 2: Baby. 150 00:07:41,080 --> 00:07:46,920 Speaker 3: Come on, some pranking praise going on up in here, 151 00:07:47,000 --> 00:07:48,040 Speaker 3: some pranking praise. 152 00:07:48,760 --> 00:07:52,920 Speaker 1: Come on, come on. Well your uncle heard it. Wonder 153 00:07:52,960 --> 00:07:53,840 Speaker 1: what he thought? 154 00:07:54,160 --> 00:07:54,440 Speaker 4: Hey? 155 00:07:54,600 --> 00:07:56,760 Speaker 3: Can I paint your wife naked? You know, ain't nothing 156 00:07:56,800 --> 00:07:59,560 Speaker 3: wrong with that? Ain't nothing wrong with that. It's going down. 157 00:08:00,600 --> 00:08:03,240 Speaker 1: Wait what yeah, what you say? That's perfectly fine. Yeah, 158 00:08:03,320 --> 00:08:07,280 Speaker 1: just go ahead, thank you? Can you pay his wife? 159 00:08:07,280 --> 00:08:10,520 Speaker 1: Go ahead? Give it up? Yeah, give it up? Trump, 160 00:08:10,560 --> 00:08:13,640 Speaker 1: go ahead, whatever, yes, whatever. 161 00:08:13,800 --> 00:08:16,440 Speaker 3: Saturday June fifteenth is going down. It's the Nephew Thomas 162 00:08:16,520 --> 00:08:20,000 Speaker 3: House Party. Comedy Jam is in Dallas Fort Worth, Texas 163 00:08:20,240 --> 00:08:22,680 Speaker 3: at the Majestic Theater. Tickets are on sale right now. 164 00:08:22,720 --> 00:08:24,960 Speaker 3: I got my boy, Tony Roberts, I got domin Kniggas 165 00:08:25,000 --> 00:08:28,760 Speaker 3: So Dallas Fort Worth, Tuxas. Tickets are on sale right now. 166 00:08:28,800 --> 00:08:30,360 Speaker 3: Y'all come on and hang out with your boy. The 167 00:08:30,440 --> 00:08:34,800 Speaker 3: nephew will be there. Father's Day weekend, Saturday night, June fifteenth. 168 00:08:34,840 --> 00:08:40,160 Speaker 3: My anniversary is June sixteenth. All right, June sixteenth is 169 00:08:40,200 --> 00:08:44,520 Speaker 3: my anniversary. Me and my wife twenty three years? 170 00:08:47,320 --> 00:08:49,600 Speaker 1: Is it? Twenty three years? Big Dom? 171 00:08:49,920 --> 00:08:52,079 Speaker 3: My favorite coming woman too. She coming to my showman. 172 00:08:52,120 --> 00:08:54,600 Speaker 3: You know, my wife has not been in my show 173 00:08:54,679 --> 00:08:57,360 Speaker 3: in a long time. And I'm a little worried because 174 00:08:58,640 --> 00:09:01,679 Speaker 3: Waters on my jokes. Three quarters of my joke is 175 00:09:01,720 --> 00:09:02,920 Speaker 3: about huh. 176 00:09:02,559 --> 00:09:05,160 Speaker 1: Yeah, you're gonna change some stuff, so you're gonna just 177 00:09:05,200 --> 00:09:11,720 Speaker 1: mess up your Anniversaron re Rite show. He really is stupid. 178 00:09:11,800 --> 00:09:18,760 Speaker 1: Let's see coming up next Strawberry letter, subject motivational and 179 00:09:18,840 --> 00:09:21,240 Speaker 1: manipulating man. We'll get into it right after this. 180 00:09:21,840 --> 00:09:24,559 Speaker 2: You're listening Stave Harvey Morning Show.