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Speaker 1: I listen to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: It's like a gun trilogy.

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Speaker 3: Gat strategy, what noriega layout like, Your majesty is spec

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Speaker 3: mine where your niggas hear man par how your niggas

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Speaker 3: straight wide And when you see my car step on

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Speaker 3: your toes, fucking your hose, shame reaction, take toes and

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Speaker 3: stay in my clothes. Keep asking why I keep bucking

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Speaker 3: your foes getting suck now for my fucking neck to

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Speaker 3: my toes, Still shooting decent, throwing green adds at the

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Speaker 3: precinct Henny Wood Againness mad niggas getting finished feescing it,

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Speaker 3: my niggas pressing it and getting head in the whip

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Speaker 3: but not crashing it. Hey, welcome to the Blackout Test

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Speaker 3: podcast with your host Rod and Karen, and it is

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Speaker 3: Saturday morning. It's feedback time, everybody. It's the time when

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Speaker 4: Man.

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Speaker 2: Re current donator.

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Speaker 3: much for your returning donation. Chandra G Yes, Chandra G.

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Speaker 3: The current donation. Tawanna Ja, thank you for your recurrent donation.

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Speaker 3: We appreciate all y'all this week looking out for the

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Speaker 3: crew man. We also got some five star reviews on

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Speaker 3: iTunes and Stitcher.

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Speaker 2: Let me read those.

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Speaker 3: Constructive criticism five stars by l Bird. You guys really

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Speaker 3: need to make the fing with Black people theme music.

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Speaker 3: Let's catching. I find myself humming it, and I'm right

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Speaker 3: I cannot be doing that. Please please be slightly less entertaining. Well,

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Speaker 3: we will work on the l Bert. You ask us

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Speaker 3: to do something very difficult, but we will.

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Speaker 1: See what we do. We can't help it.

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Speaker 3: Episode seven fifty three Stop the Violence by CSD eight

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Speaker 3: two oh four.

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Speaker 2: Great show, A timely topic.

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Speaker 3: Domestic violence and violence in general are things we either

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Speaker 3: don't like to talk.

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Speaker 2: About or feel we already have the right opinion.

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Speaker 3: It's hard for many of us to entertain the notion

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Speaker 3: that choosing not to resort to violence is the adult,

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Speaker 3: mature thing to do. Well, Thank you, CSD eight two

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Speaker 3: oh FOURK.

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Speaker 2: Yeah, we Uh yeah.

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Speaker 3: I like, honestly, man, that the discussion around domestic violence

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Speaker 3: and the Ray Rights thing and Steven A. Smith, it's

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Speaker 3: really made me rethink violence in general, just like even

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Speaker 3: as a dude, you know what I mean, Like, oh,

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Speaker 3: this dude, I was gonna fuck him up, Like even

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Speaker 3: that's kind of I mean, but I've always kind of

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Speaker 3: said on the show that if our were to get

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Speaker 3: in a fight, to me, that's a failure, like something

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Speaker 3: went horribly wrong when I left the house. Like I

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Speaker 3: don't leave the house with this idea of like I'm

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Speaker 3: a man and everybody self to me, I'm gonna fuck

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Speaker 3: them up. Like I don't leave the house with that,

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Speaker 3: And I try to like not display that in my

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Speaker 3: normal life because that's not a good way to go

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Speaker 3: through life, I think, you know, as a lot of stress, right,

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Speaker 3: you know, not to mention the implications that come with that,

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Speaker 3: Like this, we're not at the age where you can

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Speaker 3: just swing on somebody and reasonably expect that to just

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Speaker 3: go away, like right, you know, whether it's retaliation, whether

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Speaker 3: it's the police being involved, any of this shit.

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Speaker 4: So yeah, because now we live in a digital age,

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Speaker 4: I think a lot of people fail to realize that

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Speaker 4: that shit sound cool until you're on World Star. That

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Speaker 4: ship sound cool, until you like the loop on ABC

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Speaker 4: News tonight, that shit sound cool unto your Twitter and

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Speaker 4: Facebook mention blow up, it's not you know what it's that's.

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Speaker 3: Not even the current the term for me like that,

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Speaker 3: that's not that's that's not really much of an incentive

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Speaker 3: not to fight somebody. I think the problem for me

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Speaker 3: is not social med but it's like, you know, real

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Speaker 3: life consequences. It is losing your job, going going to jail,

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Speaker 3: having to pay those fees, having to go to court.

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Speaker 3: There's much more, you know, getting injured, going to the hospital.

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Speaker 3: There's so many other things before you even get to

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Speaker 3: the oh I was, I was on World Star, like

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Speaker 3: that ship, there's nothing really it's the other ship that

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Speaker 3: that that you know, kills me when it comes to

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Speaker 3: this stuff. So but yeah, absolutely, man, Yeah, it just

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Speaker 3: made me rethink, or at least reaffirm my idea about

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Speaker 3: violencing in general, which is that you know, I'm doing

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Speaker 3: my best to avoid it, and I really don't see

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Speaker 3: any point in talking up about it, like it's some

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Speaker 3: type of you know thing that not everybody can do.

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Speaker 2: Every anyone can be violent, you know.

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Speaker 4: Right, and and and I think the thing is is

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Speaker 4: that it's just funny how when people talk about it

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Speaker 4: in general, and I've I will stand by this too.

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Speaker 4: Many people teach their children if somebody hears you popping back.

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Speaker 4: People do not teach their children there's an alternative to violence.

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Speaker 4: People teach their children if they put their hands on you,

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Speaker 4: male or female, and that's regardless. If they're speaking to

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Speaker 4: a male y female child, you punch them motherfuckers back.

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Speaker 4: And that starts a lot of these problems because people

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Speaker 4: don't really think about the consequences of the repercussions, not

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Speaker 4: only to you as a parent, but to your child,

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Speaker 4: because as a parent, who wants to constantly be called

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Speaker 4: in and all that shit, call off your job because

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Speaker 4: your child feels like anytime they feel threatened, they feel

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Speaker 4: like they have to pop somebody in the face. And

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Speaker 4: it's one of those things where the violence should be

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Speaker 4: the last key. But I think that a lot of

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Speaker 4: people teach it as violence. It's just the first thing

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Speaker 4: that you do whenever you're in a confrontation or whenever

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Speaker 4: you feel threatened. People don't teach their children you need

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Speaker 4: to run away. You need to remove yourself from the situation,

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Speaker 4: you know, especially being black children, Laude doesn't look at

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Speaker 4: it like you hit him, They hit you back. They

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Speaker 4: don't want to hear who did what. Everybody getting charges

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Speaker 4: and it's just one of those things where it stems

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Speaker 4: from there. And a lot of parents feel like it's

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Speaker 4: okay to teach males to hit women, and it's okay

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Speaker 4: to teach women to hit.

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Speaker 1: Males, and that there's nothing wrong with this.

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Speaker 4: But I feel like it's not correct in my personal opinion,

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Speaker 4: to teach children to do that because now we live

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Speaker 4: in an age where now only is it repercussions for

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Speaker 4: the parents to the children children kids can get stabbed,

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Speaker 4: cut shot, anything off of the basis of you have

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Speaker 4: trained them that violence is that's just what you do.

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Speaker 3: Yeah, And I mean I'm not some hippie sucker person

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Speaker 3: like I do understand I do, do you know, especially

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Speaker 3: when you're younger, there are situations where you know you're

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Speaker 3: not dealing with the most mature people, and shit, you're

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Speaker 3: not the most mature. But I still feel like violence

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Speaker 3: should be that last option and the way too often

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Speaker 3: it's presented as like the go to, first, proudest option

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Speaker 3: that you should be. I you know, I'm much more

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Speaker 3: proud when I'm able to resolve conflict with my words

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Speaker 3: or even make a friend that, you know, when shit

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Speaker 3: looked really unlikely.

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Speaker 4: So yeah, and it's been situation like I said, you

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Speaker 4: were a child and you dumb that I handled and

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Speaker 4: I had didn't handled it the right way. You know what,

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Speaker 4: I felt terrible. There was no pride in saying I

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Speaker 4: whooped their ass. There was no pride in saying I

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Speaker 4: went to violence. I didn't feel good about that, you know.

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Speaker 4: And it's just one of those things where a lot

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Speaker 4: of it is a lot of pride, you know. You know,

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Speaker 4: a lot of parents are don't come back to me

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Speaker 4: telling me that you got your ass whooped. But you

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Speaker 4: know what, this is just me. I'd rather be a

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Speaker 4: live chicken than a dead one, because a dead one can't.

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Speaker 1: Live to tell the story.

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Speaker 3: Yeah, and I mean, like the like also, especially for men,

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Speaker 3: there's just this attachment to manhood about it, Like, right,

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Speaker 3: the more you are pressed to say what you would

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Speaker 3: and wouldn't do to somebody and all this shit, the

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Speaker 3: more you're seen as like masculine. And you know that's

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Speaker 3: a problem that shouldn't be the only way we to

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Speaker 3: find manhood is by your propensity to be violent.

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Speaker 1: Yes.

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Speaker 4: That And also, I think, and we've talked about this before,

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Speaker 4: a lot of people don't need to be together and

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Speaker 4: a lot of people have a lot of into.

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Speaker 3: Well I'm not even talking about domestic violence. I'm saying

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Speaker 3: violence in general with men, even when dealing with other

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Speaker 3: men that is considered more masculine. Like the guy who's

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Speaker 3: the one who will say they will beat you up,

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Speaker 3: is that's considered like, oh, that's the manlyst of the men.

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Speaker 3: He'll fight you for no reason, you know, And that

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Speaker 3: like that's a problem in itself because as a lot

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Speaker 3: of motherfuckers going around putting themselves in the hands of

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Speaker 3: law enforcement, you know.

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Speaker 2: Getting killed, getting injured, and.

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Speaker 3: Shit behind something that really is a caveman like idea

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Speaker 3: that the violence is the way you solve everything.

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Speaker 5: You know.

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Speaker 3: Mac and d TV left us five star review, says

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Speaker 3: my favorite podcast five stars. Thank you for all the

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Speaker 3: entertainment and inspiration. Well, thank you, Mac and d TV

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Speaker 3: Talk TV. You know, I think we've both been on

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Speaker 3: the shows before. You talk the Walking Dead with them, Yeah,

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Speaker 3: they're awesome. Let's check out. We got one new five

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Speaker 3: star review on Stitcher, The Liberal Class and Pornography by

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Speaker 3: mister Thompson five stars. I've been listening for over two years,

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Speaker 3: but the Liberal Class and Pornography has kept me from

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Speaker 3: leaving a five star review. You so richly deserved. First

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Speaker 3: got wind of this podcast from the Evening Jones, and

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Speaker 3: you two have given me so many laughs, moments of reflection,

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Speaker 3: and general good times. I can never repay you, but

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Speaker 3: soon I will upgrade the premium and do my part.

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Speaker 3: A brother just got a house, car and a fiance,

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Speaker 3: so it's crazy right now, keep doing what you guys do,

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Speaker 3: and haters, get off of Karen's voice.

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Speaker 6: Laugh.

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Speaker 3: It is a rare of sunshine on some cloudy work

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Speaker 3: days for me.

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Speaker 1: Oh thank you.

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Speaker 4: And while we're still on Stitcher, I went into the

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Speaker 4: app and I looked at Aaron Johnson left review as user.

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Speaker 4: Rod and Karen are great, Rundolph, Tim and Andy all

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Speaker 4: great comedians from the DC area support intelligent black media.

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Speaker 3: Thank you, sweetie, appreciate you. Was that the only one?

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Speaker 1: Yeah, that's the only one I could see?

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Speaker 3: All right? Cool? And we also got some comments on

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Speaker 3: the actual website and votes in the polls and stuff.

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Speaker 3: We had episode uh the feedback of its seven fifty four,

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Speaker 3: brought to you by Adam and Eve dot com. That

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Speaker 3: was the title, and we had one comment on it.

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Speaker 3: This is from uh Cratacus who says, I found pawn

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Speaker 3: shop porn a week a few weeks ago. Also high

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Speaker 3: five for random porn choices. Hey, man, pawnshop porn is

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Speaker 3: the ship broh, Like, Uh, those are some desperate ladies

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Speaker 3: and they got to get where they got to go

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Speaker 3: and get that money. Man school not gonna pay for itself,

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Speaker 3: and you know, and and it's and also a cassio

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Speaker 3: is not gonna give you the six hundred dollars you

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Speaker 3: need to make tuitions apparently not gimes.

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Speaker 2: You're gonna have to just do something strange for a

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Speaker 2: little change.

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Speaker 5: Do.

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Speaker 2: The poe was do black people have an issue with

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Speaker 2: domestic violence?

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Speaker 3: Because I was talking about how on Twitter and Facebook

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Speaker 3: and all this shit.

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Speaker 2: I've only seen black people talking about this topic.

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Speaker 5: Now.

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Speaker 3: I don't believe that only black people have this issue

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Speaker 3: in the communities, but I still I have yet to

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Speaker 3: see a white person even discuss this shit at length,

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Speaker 3: you know, and the people that on the wrong side

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Speaker 3: of it have only been Black people in my opinion,

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Speaker 3: so you know, at least through my internet experience. But

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Speaker 3: obviously I don't represent everybody. I'm just seeking acdotally through me.

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Speaker 3: So the black people have an issue with domestic violence, Yes,

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Speaker 3: this seems to be a black thing. No, all races

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Speaker 3: have this issue. Of people said, no, all races have

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Speaker 3: this issue. Ten percent people do think it could be

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Speaker 3: a black thing. Kyle said, well, I'm not sure that

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Speaker 3: that sure black people are the only ones with issues

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Speaker 3: pertending the domestic violence. I do know that racism seems

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Speaker 3: to play a part. It seems that some of these

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Speaker 3: black men are extremely frustrated with the lack of power

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Speaker 3: that they have in their lives, and abusing black women

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Speaker 3: makes them feel powerful in control.

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Speaker 2: Still, there's another fact that people aren't talking about.

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Speaker 3: Rod mentions that he thinks some men are angry at

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Speaker 3: the face fact that women have progressed so much over

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Speaker 3: the years. I think some black men are both angry

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Speaker 3: and jealous of the fact that black women have achieved

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Speaker 3: so much.

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Speaker 2: I literally hear five percenters on YouTube say.

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Speaker 3: The society is helping black women get ahead in life

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Speaker 3: for saking black men. And of course some bitter black

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Speaker 3: men are not in their hairs in agreement. Well, these

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Speaker 3: men need to realize is that instead of abusing black women,

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Speaker 3: they need to swallow their pride and ask for some

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Speaker 3: help because there are plenty of black women willing to

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Speaker 3: support a black man.

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Speaker 4: Yes, yeah, I agree, man regardless of your education and

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Speaker 4: financial status.

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Speaker 2: Yeah.

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Speaker 3: I think like there's always been this kind of yin

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Speaker 3: and yang thing where a lot of like you know,

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Speaker 3: how to say, love turns of hate. I think the

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Speaker 3: thin line is often like men are attracted to women

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Speaker 3: and they feel that that gives women like a kind

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Speaker 3: of subliminal power over them, and then some people lash

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Speaker 3: out in either physical, mental, you know whatever, harassing, like

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Speaker 3: just all this negative stuff to like lash out of.

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Speaker 2: These people are like, look, you don't control me, you

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Speaker 2: know what I mean?

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Speaker 3: Yeah, yeah, you get back in your place, making me

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Speaker 3: feel all typing my pants and shit like that, and

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Speaker 3: it's like this negative energy. You know. For the last month,

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Speaker 3: people have been harassing feminists to Jones or u okay

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Speaker 3: sis hashtag because and mostly black men. I haven't seen

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Speaker 3: white dudes participating and shit, mostly because you know, I

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Speaker 3: feel like they feel some type of like disenfranchisement by

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Speaker 3: the fact that black women would dare speak up on

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Speaker 3: any issue, like how dare you speak out and against

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Speaker 3: us I right to harass you? You know, like which

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00:14:40,240 --> 00:14:42,880
Speaker 3: makes sense, right, it seems like a common sense thing,

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Speaker 3: you know, But motherfuckers are really that obsessed with Black

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Speaker 3: women and putting them in their place and dissing them

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Speaker 3: and talking shit about them.

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Speaker 2: You know, it's amazing, It really is amazing.

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Speaker 3: Prince Laurn says, no, it's not a black issue, but

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Speaker 3: black people seem to be the only group foolish enough

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Speaker 3: to discuss it in public. You're saying, foolish is harsh.

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Speaker 3: It is really a lack of savvy that black men

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Speaker 3: possessed when discussing certain issues. All the issues that Kyle

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Speaker 3: the previous commentator a commentaty stated are huge in the

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Speaker 3: white community as well. Republicans are fighting hard to make

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Speaker 3: sure that women's rights are limited. Although I have noticed

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Speaker 3: that what that white men will publicly place blame on

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Speaker 3: a rape victim but will not do it for victims

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Speaker 3: of domestic abuse. Yeah, it's weird, Like I don't know,

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Speaker 3: like it's just a weird disconnect, Like I don't know

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Speaker 3: why white people have understood that you can't discuss this

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Speaker 3: from a certain angle in public, and Black people are

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Speaker 3: still late to the party on that.

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Speaker 4: I think a lot is because a lot of them

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Speaker 4: know this fucks with your money, Like like they've learned

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Speaker 4: there's certain you can talk shit about women, you can

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Speaker 4: do mean, you can degrade them, but you have to

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Speaker 4: use certain phrases because like the LGBT and a lot

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Speaker 4: of the feminists are predominantly white, that they're kind of

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Speaker 4: push and monitor these groups of people. So they've been

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Speaker 4: monitored for years. So it's one of those things where

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Speaker 4: people talking about that Jimmy the Greek, you can't go

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Speaker 4: out there and say no bullshit and just suspect no

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Speaker 4: bad and people use him as example because they like, oh,

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Speaker 4: that's how you fall from grace.

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Speaker 1: So it's just one of those things where as time

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Speaker 1: went on.

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Speaker 4: As time goes on, a lot of black people and

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Speaker 4: particularly black men have been in media and branched out

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Speaker 4: and have these voices.

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Speaker 1: They're realizing that there are.

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Speaker 4: Groups out there that's not gonna take your barber shop

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Speaker 4: talk bullshit because they're like, hey, I don't know shit

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00:16:26,520 --> 00:16:28,360
Speaker 4: about the barber shop, and I'm not the one for

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Speaker 4: that I'm protesting, and everybody want to get mad at them,

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00:16:31,480 --> 00:16:33,160
Speaker 4: like something's wrong with them. But you fed to realize

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00:16:33,160 --> 00:16:35,680
Speaker 4: you're not amonger group of your friends. You're amonger group

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Speaker 4: of people who have varying opinions other than the one

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Speaker 4: that you're speaking.

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Speaker 3: It's okay, Cup, It wrong to manipulate their users for experiment.

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Speaker 3: Was the poll on episode seven fifty five Thought Pockets.

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Speaker 2: We didn't get in comments on that episode, just the poll.

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Speaker 3: Yes, they are morally obligated to help find matches and

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Speaker 3: know it's their site and you sign the agreement. Seventy

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Speaker 3: one percent of people, I'm surprised at this said no,

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00:17:02,680 --> 00:17:06,000
Speaker 3: it's their siting. You signed the agreement. Twenty percent of

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00:17:06,040 --> 00:17:08,919
Speaker 3: people say yes to morrally obligate to help find matches. Now,

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00:17:08,960 --> 00:17:11,040
Speaker 3: I'm not saying the seventy one percent of people are wrong.

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Speaker 3: I'm just surprised, with all the entitlement and ownership feelings

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Speaker 3: on the internet that most people didn't vote, like, I

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00:17:17,560 --> 00:17:19,399
Speaker 3: don't give a fuck what I signed. You need to

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Speaker 3: do what I think you should do. You know, it

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Speaker 3: seems like people are getting more and more savvy out there.

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Speaker 3: Prince Ron Love a comment I think it doesn't matter

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Speaker 3: what they do, because all of those these dating algorithms

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00:17:31,640 --> 00:17:34,800
Speaker 3: are bullshit. The one thing you are really promised from

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Speaker 3: a dating site is that you will get matched with

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Speaker 3: a stranger on the internet.

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Speaker 2: That is it. It's all lucky to draw.

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Speaker 3: All the numbers do is give you a false a

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Speaker 3: full sense of confidence for a random ass match. So

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Speaker 3: he's basically saying like, it's all bullshit anyway, and everybody

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Speaker 3: needs to get over themselves.

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Speaker 2: I guess man, it does seem.

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Speaker 4: Like morally wrong in my opinion, because I'm what you're promoting.

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Speaker 1: That's not what you're not telling me. This is what

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Speaker 1: you're doing. And I think my biggest issue, especially for

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Speaker 1: people that pays, it's a problem.

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00:18:06,880 --> 00:18:10,080
Speaker 4: I'm paying you to match me according to what I

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Speaker 4: put out here, and you go, fuck that, I'm gonna

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00:18:12,600 --> 00:18:15,000
Speaker 4: randomly match you with the motherfucker And you're like, well,

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00:18:15,040 --> 00:18:17,440
Speaker 4: that's not what I'm paying you for this services.

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Speaker 1: For some people, it's not free.

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00:18:20,359 --> 00:18:23,600
Speaker 3: We had episode seven fifty six Superiority Complex when we

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00:18:23,640 --> 00:18:26,960
Speaker 3: talked with Andy Randolphin, Timothy three Guys on podcast Very

387
00:18:26,960 --> 00:18:32,359
Speaker 3: Fun episode and Sir Charles of a comment you forgot

388
00:18:32,359 --> 00:18:35,440
Speaker 3: one of the greatest fight Starters of all time fight

389
00:18:35,480 --> 00:18:40,360
Speaker 3: starting list Pastor Choys vice versa. I can only imagine

390
00:18:40,359 --> 00:18:41,959
Speaker 3: how drained in the past couple of weeks of being

391
00:18:42,040 --> 00:18:45,159
Speaker 3: It feels great to get back to the jokes Pastor

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00:18:45,200 --> 00:18:47,880
Speaker 3: Troy's vice versa. I don't know if I've ever heard

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Speaker 3: of that.

394
00:18:48,040 --> 00:18:50,480
Speaker 4: I probably have because it was ignorant, but just but

395
00:18:50,720 --> 00:18:52,320
Speaker 4: just never paid it any attention.

396
00:18:52,440 --> 00:18:55,280
Speaker 3: I'm trying to see if they was, like it's I'm

397
00:18:55,320 --> 00:18:57,600
Speaker 3: talking about the ship they were playing in the clubs.

398
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Speaker 2: I don't know if they were.

399
00:19:00,520 --> 00:19:02,840
Speaker 3: Playing this Pastor Troy vice versa in the in the

400
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Speaker 3: club me man, I can't even find this ship on

401
00:19:05,600 --> 00:19:14,600
Speaker 3: Spotify see Pastor Troy all right? Uh oh Vico versus

402
00:19:14,680 --> 00:19:21,960
Speaker 3: aspect v I C a versa. Yeah, oh fuck yeah, yep, yep, yep,

403
00:19:22,119 --> 00:19:29,960
Speaker 3: absolutely as long as got damn. It's like, I never

404
00:19:30,000 --> 00:19:33,080
Speaker 3: even knew the name of this. I just know to

405
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Speaker 3: leave when it starts.

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Speaker 1: Oh, I think I have some ignorant ship was.

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00:19:39,320 --> 00:19:43,359
Speaker 3: Bad, everything bad?

408
00:19:44,359 --> 00:19:45,000
Speaker 5: You just knew this.

409
00:19:52,720 --> 00:19:57,840
Speaker 3: This ship hell got damn on Gonta, get your motherfucker.

410
00:19:58,400 --> 00:20:12,760
Speaker 7: Drug look up and now nigga.

411
00:20:10,080 --> 00:20:11,960
Speaker 3: From many bee build up to that basis.

412
00:20:14,760 --> 00:20:17,440
Speaker 4: Somebody said head to the check coat, I mean the

413
00:20:18,600 --> 00:20:19,919
Speaker 4: but I can I have my ticket please?

414
00:20:20,040 --> 00:20:23,840
Speaker 1: Like co check Yeah, check coat, co check line. Don't

415
00:20:23,880 --> 00:20:24,760
Speaker 1: know what crossing up?

416
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Speaker 8: Yeah?

417
00:20:25,119 --> 00:20:27,520
Speaker 2: This is when uh yeah, this is this is right here.

418
00:20:27,560 --> 00:20:30,040
Speaker 3: This minute warning is for you to get you and

419
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Speaker 3: your girl off the dance floor.

420
00:20:31,760 --> 00:20:34,640
Speaker 2: That's that slow one minute from one in the rowdy ass.

421
00:20:34,520 --> 00:20:42,600
Speaker 3: Niggas yet tell him like some person.

422
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Speaker 9: Hellurched you with truth.

423
00:20:49,320 --> 00:20:53,280
Speaker 3: That's nigga that they love to hate. I want to

424
00:20:53,359 --> 00:20:57,240
Speaker 3: make you just send the sign when you listen to

425
00:20:58,480 --> 00:21:02,960
Speaker 3: take time as Devin was hell and vice a versa. Yeah,

426
00:21:03,040 --> 00:21:05,959
Speaker 3: what you start doing people and doing with the nurture

427
00:21:06,240 --> 00:21:09,760
Speaker 3: this spearit man? Do you understand the devil war it's

428
00:21:09,920 --> 00:21:13,200
Speaker 3: raising on and the devil got from memo too. Don't

429
00:21:13,240 --> 00:21:15,480
Speaker 3: get me wrong, but I'm put my trust off in

430
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Speaker 3: the law. Don't God gonna help me?

431
00:21:18,720 --> 00:21:19,400
Speaker 1: Brow the buck?

432
00:21:19,800 --> 00:21:23,520
Speaker 10: I killed the Boskevin put hell the vice burs have

433
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Speaker 10: no pill.

434
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Speaker 3: I don't witness too much here right here, let me

435
00:21:27,000 --> 00:21:27,520
Speaker 3: your hair.

436
00:21:27,440 --> 00:21:29,480
Speaker 1: And called the bill through arol.

437
00:21:30,119 --> 00:21:35,160
Speaker 11: I'm not the devil with the bony boat to keep

438
00:21:35,200 --> 00:21:38,520
Speaker 11: me trying to dil can I don't all and the deal.

439
00:21:38,400 --> 00:21:40,960
Speaker 3: Without this week getting cat. I'll be bagging about to

440
00:21:41,000 --> 00:21:44,000
Speaker 3: go a bunch of baby, live puppy or something.

441
00:21:44,800 --> 00:21:48,440
Speaker 12: Don't do I'm wrong, but the fillow baby's by the versa,

442
00:21:48,560 --> 00:21:50,600
Speaker 12: so I guess I may take it in this sament.

443
00:21:50,880 --> 00:21:53,480
Speaker 7: God, I'm confused, confuse the body.

444
00:21:53,240 --> 00:21:55,480
Speaker 3: Of the buck, make him the sick of it.

445
00:21:55,560 --> 00:21:56,760
Speaker 1: My just misdress.

446
00:21:56,880 --> 00:22:02,359
Speaker 7: Nobody's Twitter clicking net just some something.

447
00:22:03,160 --> 00:22:08,280
Speaker 3: The whole time. I don't Crystal take this.

448
00:22:08,840 --> 00:22:10,080
Speaker 5: I'm just trying to talk up.

449
00:22:11,359 --> 00:22:17,160
Speaker 7: He's the earthquipipp coming up to the world.

450
00:22:19,200 --> 00:22:23,000
Speaker 3: Stop until they killing protect the devil, take the Lord

451
00:22:23,160 --> 00:22:26,000
Speaker 3: trying to kill me. It's like the versus.

452
00:22:27,440 --> 00:22:31,760
Speaker 2: Just don't keep Yeah, yeah, that's a fight in them.

453
00:22:32,240 --> 00:22:32,680
Speaker 3: That's true.

454
00:22:32,800 --> 00:22:34,440
Speaker 1: I think that's what I asked you my first time

455
00:22:34,560 --> 00:22:35,000
Speaker 1: hearing that one.

456
00:22:35,080 --> 00:22:37,439
Speaker 3: Cause niggas being their feelings, and that's when the niggas

457
00:22:37,480 --> 00:22:40,360
Speaker 3: be like dancing to themselves and saying the words only

458
00:22:40,400 --> 00:22:43,800
Speaker 3: to themselves over in the corner, swinging their arms around

459
00:22:43,880 --> 00:22:46,400
Speaker 3: like they stretching out the start of basketball game.

460
00:22:46,560 --> 00:22:48,560
Speaker 1: Yeah, like they're doing yoga.

461
00:22:48,720 --> 00:22:51,800
Speaker 3: I've seen that before. It's like a bad that's like

462
00:22:51,960 --> 00:22:55,600
Speaker 3: the football team warm up songs, like we're about to

463
00:22:55,640 --> 00:22:56,280
Speaker 3: go kill these.

464
00:22:56,240 --> 00:22:58,040
Speaker 4: Niggas and then what after you hear that? You hear

465
00:22:58,119 --> 00:23:00,800
Speaker 4: that your clicks on y'all sawalking about.

466
00:23:01,160 --> 00:23:01,920
Speaker 2: That little John.

467
00:23:02,440 --> 00:23:02,600
Speaker 4: Uh.

468
00:23:03,520 --> 00:23:05,760
Speaker 3: I can't remember the name of most of these songs

469
00:23:05,760 --> 00:23:08,120
Speaker 3: because I just remember them like being in the club

470
00:23:08,160 --> 00:23:09,920
Speaker 3: and being like I'm getting the fuck out of here.

471
00:23:10,880 --> 00:23:12,440
Speaker 3: But uh, yeah, you used to have that.

472
00:23:13,680 --> 00:23:13,800
Speaker 4: Uh.

473
00:23:14,200 --> 00:23:15,320
Speaker 3: Let me see if I can find it.

474
00:23:16,240 --> 00:23:17,720
Speaker 1: I know, I don't think it's I ain't scared. That's

475
00:23:17,720 --> 00:23:18,280
Speaker 1: the wrong name.

476
00:23:19,200 --> 00:23:22,520
Speaker 3: Nah, I ain't never scared. That's the bone, the bone,

477
00:23:23,000 --> 00:23:24,000
Speaker 3: the bone, ain't scared.

478
00:23:24,840 --> 00:23:25,000
Speaker 4: Uh.

479
00:23:26,000 --> 00:23:26,440
Speaker 2: Let me see.

480
00:23:27,800 --> 00:23:34,080
Speaker 3: Put your hood your city is the name of it. Okay,

481
00:23:34,840 --> 00:23:36,520
Speaker 3: let me see if I can find that ship. Then

482
00:23:37,400 --> 00:23:41,520
Speaker 3: I know put your Hood up is one of them. Uh,

483
00:23:42,640 --> 00:23:45,400
Speaker 3: throw your hood up, Throw your hood up that ship

484
00:23:45,480 --> 00:23:45,760
Speaker 3: right there.

485
00:23:45,880 --> 00:24:01,440
Speaker 2: Get you killed anything that got petty.

486
00:24:01,240 --> 00:24:01,879
Speaker 3: Poblom on it.

487
00:24:02,200 --> 00:24:05,399
Speaker 2: Oh that's your cue, honey, Petty poblom.

488
00:24:05,440 --> 00:24:07,000
Speaker 3: That's another one. I'm going no one.

489
00:24:06,920 --> 00:24:29,159
Speaker 13: Can Yes, Brona, that's where the bloke get divided in

490
00:24:29,320 --> 00:24:32,040
Speaker 13: half according where you live.

491
00:24:35,200 --> 00:24:35,280
Speaker 4: B.

492
00:24:37,840 --> 00:24:38,720
Speaker 5: Y bag.

493
00:24:41,200 --> 00:24:42,200
Speaker 14: Bag mall.

494
00:24:59,160 --> 00:25:00,679
Speaker 3: Yeah, this is not the one because.

495
00:25:03,119 --> 00:25:05,080
Speaker 2: I don't listen to nothing with this, so I know

496
00:25:05,160 --> 00:25:07,320
Speaker 2: it's not that it might have been the other way.

497
00:25:07,359 --> 00:25:07,960
Speaker 1: You was looking for.

498
00:25:08,280 --> 00:25:09,920
Speaker 3: No offense. Everybody, please don't be mad.

499
00:25:10,240 --> 00:25:11,040
Speaker 2: Nick Jews in chat.

500
00:25:11,080 --> 00:25:14,400
Speaker 1: I'm sorry, but I remember I know what you're talking about.

501
00:25:14,440 --> 00:25:15,080
Speaker 1: We're talking about.

502
00:25:17,320 --> 00:25:17,399
Speaker 4: Uh.

503
00:25:17,560 --> 00:25:20,920
Speaker 3: The one I was talking about was wait a minute,

504
00:25:20,920 --> 00:25:22,879
Speaker 3: they gotta what You're gonna do feature a little scrappy.

505
00:25:22,880 --> 00:25:25,920
Speaker 2: What happened to what you're gonna do with too Short?

506
00:25:26,000 --> 00:25:26,119
Speaker 14: Now?

507
00:25:26,160 --> 00:25:31,080
Speaker 2: That's okay, Yeah, that's not even the same one.

508
00:25:31,960 --> 00:25:32,120
Speaker 4: Uh.

509
00:25:32,600 --> 00:25:34,040
Speaker 2: I don't even think that what you're gonna do with

510
00:25:34,160 --> 00:25:34,919
Speaker 2: too short is.

511
00:25:37,000 --> 00:25:38,240
Speaker 3: Is on there?

512
00:25:38,680 --> 00:25:39,919
Speaker 8: But what was I? Oh?

513
00:25:40,000 --> 00:25:53,200
Speaker 3: Yeah, like, if you listen to the words or put

514
00:25:53,240 --> 00:25:55,879
Speaker 3: your hood up, I swear to god, it is an

515
00:25:55,960 --> 00:25:58,320
Speaker 3: instructional video on how to get.

516
00:25:59,119 --> 00:26:01,040
Speaker 2: Killed, how to get shot.

517
00:26:01,240 --> 00:26:02,000
Speaker 1: Listen to this ship.

518
00:26:12,160 --> 00:26:15,560
Speaker 2: I just pictured seventy nine niggas in the studio recording

519
00:26:15,640 --> 00:26:16,000
Speaker 2: this part.

520
00:26:16,600 --> 00:26:18,600
Speaker 3: Oh oh, just yelling.

521
00:26:18,960 --> 00:26:21,760
Speaker 1: You're yelling, come on, you hit that dune up. It's

522
00:26:21,800 --> 00:26:22,119
Speaker 1: time to go.

523
00:26:22,160 --> 00:26:23,760
Speaker 4: I don't care what's happening to pack your ship. I

524
00:26:23,840 --> 00:26:25,960
Speaker 4: left my purse, fucket. It got to stay tonight because

525
00:26:25,960 --> 00:26:27,000
Speaker 4: I ain't about to get shot.

526
00:26:27,160 --> 00:26:27,200
Speaker 14: No.

527
00:26:27,359 --> 00:26:29,560
Speaker 3: I mean when they recorded this in the studio with

528
00:26:29,680 --> 00:26:31,520
Speaker 3: the microphone, it was so cool because you know, they

529
00:26:31,600 --> 00:26:32,760
Speaker 3: have to record all these songs like.

530
00:26:32,840 --> 00:26:35,560
Speaker 2: It's not like they record live performance.

531
00:26:35,600 --> 00:26:37,760
Speaker 3: It just they had to get seventy nine niggas in

532
00:26:38,000 --> 00:26:47,960
Speaker 3: a small booths over and over, hold up, put your

533
00:26:48,080 --> 00:26:51,159
Speaker 3: hood up, Put your hood up like.

534
00:26:51,359 --> 00:26:55,720
Speaker 12: I put no click, come, put no click, Come put

535
00:26:55,760 --> 00:26:58,720
Speaker 12: your click, come, put your click, come and.

536
00:26:58,840 --> 00:27:05,800
Speaker 7: Represent shoe ship mother fuck comes, he said. We then

537
00:27:06,000 --> 00:27:08,240
Speaker 7: tell ship, motherfuck come up.

538
00:27:12,960 --> 00:27:13,560
Speaker 5: And spray up.

539
00:27:13,640 --> 00:27:16,920
Speaker 12: Motherfucking crowd, shake your drink up and straight up all

540
00:27:16,960 --> 00:27:17,879
Speaker 12: that fucking crowd.

541
00:27:17,960 --> 00:27:21,320
Speaker 7: Don't your clin cover and saying, mother fucking loud.

542
00:27:21,160 --> 00:27:22,280
Speaker 4: Don't your clean god.

543
00:27:22,600 --> 00:27:25,320
Speaker 12: Let's say you mother fucking love dumping the balls on

544
00:27:25,480 --> 00:27:28,560
Speaker 12: them and get I can't father the balls on.

545
00:27:28,640 --> 00:27:29,800
Speaker 7: Them and get poor.

546
00:27:30,000 --> 00:27:31,000
Speaker 1: Can'st file.

547
00:27:32,280 --> 00:27:35,000
Speaker 7: It with the black looking mind, look an act up

548
00:27:35,520 --> 00:27:39,080
Speaker 7: with the black and fucking mount east side. Niggas don't

549
00:27:39,160 --> 00:27:39,920
Speaker 7: give a fuck.

550
00:27:40,480 --> 00:27:43,320
Speaker 2: In the blast side, niggas then put you up.

551
00:27:44,800 --> 00:27:48,640
Speaker 7: Niggas cut you up. In the south side, niggas will

552
00:27:48,800 --> 00:27:50,920
Speaker 7: put you in the trunk him jump.

553
00:27:51,600 --> 00:27:54,240
Speaker 3: Jump, oh lod jump.

554
00:27:54,320 --> 00:27:55,240
Speaker 1: I never take Hi lyrics.

555
00:27:55,680 --> 00:28:02,920
Speaker 10: Jump Nigga jump jump jump, Nigga stomp stomp, stop nigga.

556
00:28:04,320 --> 00:28:05,560
Speaker 1: Throw your hood up.

557
00:28:05,960 --> 00:28:09,119
Speaker 7: Put your hood up, put your hood up to.

558
00:28:09,160 --> 00:28:10,280
Speaker 3: Throw your clip club.

559
00:28:10,720 --> 00:28:14,320
Speaker 12: Put your clip cup, put your click cup, put your

560
00:28:14,440 --> 00:28:23,000
Speaker 12: clicked up. Motherfuck up, mother fucked up slitch.

561
00:28:22,720 --> 00:28:29,800
Speaker 7: Show click motherfuck up. It's you sweare to throw wed up.

562
00:28:29,880 --> 00:28:31,879
Speaker 7: You get the fuck got the club? It is you

563
00:28:31,960 --> 00:28:33,040
Speaker 7: stad to throw it up.

564
00:28:33,200 --> 00:28:36,639
Speaker 12: Get the fuck got the clubs my cue, throw the

565
00:28:36,800 --> 00:28:39,760
Speaker 12: mother fucker up. If you don't give a fucking throw

566
00:28:39,800 --> 00:28:42,640
Speaker 12: that mother fucker up. I'm with my niggas in this bitch,

567
00:28:42,800 --> 00:28:45,320
Speaker 12: and you know we fucked cook Put my niggas in.

568
00:28:45,520 --> 00:28:47,880
Speaker 2: Yeah, yeah, that's how you get killed.

569
00:28:48,360 --> 00:28:51,560
Speaker 1: That's exactly. Yeah. You popping bottles, throwing blows.

570
00:28:52,160 --> 00:28:52,400
Speaker 5: Yeah.

571
00:28:52,560 --> 00:28:54,440
Speaker 1: For those people out there that they're like, well, what

572
00:28:54,560 --> 00:28:55,400
Speaker 1: the fuck is they playing?

573
00:28:55,440 --> 00:28:58,000
Speaker 4: If you ever anywhere our camp, it's an all black

574
00:28:58,080 --> 00:29:00,520
Speaker 4: party all If you ever hear anything ship like this,

575
00:29:00,920 --> 00:29:02,400
Speaker 4: I'm giving you a p s A. This is your

576
00:29:02,480 --> 00:29:04,680
Speaker 4: wanting sign to leave the room because some shit about

577
00:29:04,720 --> 00:29:05,120
Speaker 4: to go down.

578
00:29:05,320 --> 00:29:08,000
Speaker 2: Telling you dog like, there is no way you can

579
00:29:08,080 --> 00:29:10,000
Speaker 2: do everything in this song and make it to the

580
00:29:10,040 --> 00:29:10,520
Speaker 2: second verse.

581
00:29:10,560 --> 00:29:13,720
Speaker 3: You'll be dead. What you threw your drink on me, right,

582
00:29:15,240 --> 00:29:17,360
Speaker 3: two bowls on me? Even put a black and mount

583
00:29:17,440 --> 00:29:22,000
Speaker 3: on my face, like jumping around in circles and ship.

584
00:29:22,520 --> 00:29:22,680
Speaker 5: Yeah.

585
00:29:22,800 --> 00:29:25,560
Speaker 3: Then you told me your click and represented your south side.

586
00:29:26,240 --> 00:29:26,760
Speaker 2: I'm tired.

587
00:29:27,120 --> 00:29:29,520
Speaker 1: Yeah, and you told me, uh that if I ain't

588
00:29:29,520 --> 00:29:31,760
Speaker 1: about that life, it's time to leave. So that's my cue.

589
00:29:33,600 --> 00:29:35,440
Speaker 1: I'll be cleaned out. I cleared out as soon as

590
00:29:35,480 --> 00:29:35,800
Speaker 1: I heard that.

591
00:29:35,880 --> 00:29:37,920
Speaker 3: Beat you up time, Togo and this before they started

592
00:29:37,960 --> 00:29:41,040
Speaker 3: advocating having a gun in the club. That's the next line.

593
00:29:43,520 --> 00:29:46,360
Speaker 7: And we always drapped up. We clicked up thirty B

594
00:29:46,720 --> 00:29:48,120
Speaker 7: and we always dripped up.

595
00:29:48,280 --> 00:29:51,040
Speaker 3: Who you with, Nigga? Who you with Nigga?

596
00:29:51,440 --> 00:29:51,920
Speaker 4: Who you with?

597
00:29:52,320 --> 00:29:52,960
Speaker 1: Get Kump?

598
00:29:53,080 --> 00:29:55,840
Speaker 3: Who you with Nigga? Who with Nigga?

599
00:29:56,240 --> 00:29:57,440
Speaker 7: Who you with Nigga?

600
00:29:57,840 --> 00:29:58,320
Speaker 6: Who you with?

601
00:29:58,680 --> 00:29:59,320
Speaker 3: Get Klump?

602
00:29:59,440 --> 00:30:02,520
Speaker 7: Who niggah running this bitch?

603
00:30:03,160 --> 00:30:07,200
Speaker 3: Running this bitch run. Now keep in mind earlier they

604
00:30:07,280 --> 00:30:11,360
Speaker 3: told us to represent outside, right, So when this part

605
00:30:11,480 --> 00:30:14,360
Speaker 3: is happening in the club, is a whole bunch of

606
00:30:14,440 --> 00:30:16,960
Speaker 3: niggas that have clicked up from their side. So it's

607
00:30:17,040 --> 00:30:19,880
Speaker 3: like south side niggas talking about we run this big

608
00:30:19,920 --> 00:30:23,160
Speaker 3: and then you got these other groups of niggas like

609
00:30:23,240 --> 00:30:23,960
Speaker 3: we run this ship.

610
00:30:24,560 --> 00:30:25,440
Speaker 2: They're not agreen.

611
00:30:25,720 --> 00:30:28,760
Speaker 3: At this point. This is called the animosity in the

612
00:30:29,000 --> 00:30:32,080
Speaker 3: entire club of niggas being like, no, no, we run

613
00:30:32,120 --> 00:30:32,400
Speaker 3: this big.

614
00:30:32,640 --> 00:30:34,240
Speaker 1: Everybody's divided on their side.

615
00:30:34,400 --> 00:30:47,280
Speaker 3: Yep, we running this big. Put your hood up. Keep

616
00:30:47,320 --> 00:30:49,960
Speaker 3: in mind, everybody not from the same hood wherever this

617
00:30:50,120 --> 00:30:50,480
Speaker 3: is happening.

618
00:30:50,560 --> 00:30:53,000
Speaker 1: You got the south side, the east side, north side.

619
00:30:54,000 --> 00:30:57,720
Speaker 3: Yeah, just in neighborhoods, different neighborhoods, Like wherever this is,

620
00:30:58,080 --> 00:31:02,360
Speaker 3: club is at, this party is at, it's a concert.

621
00:31:03,320 --> 00:31:05,640
Speaker 3: This is all animositys just all a bunch of people

622
00:31:05,720 --> 00:31:08,000
Speaker 3: being like, no, fuck that hood. I'm from over here.

623
00:31:19,640 --> 00:31:19,800
Speaker 5: Now.

624
00:31:19,840 --> 00:31:22,960
Speaker 3: This part right here that's coming up is the honestly, Like,

625
00:31:23,800 --> 00:31:25,800
Speaker 3: if you haven't gotten into a fight and yet this

626
00:31:26,000 --> 00:31:26,480
Speaker 3: is when.

627
00:31:26,320 --> 00:31:26,680
Speaker 8: You do it.

628
00:31:30,080 --> 00:31:36,320
Speaker 10: Represent Joe, mother fuck up, Represent Joe quick, motherfuck.

629
00:31:42,720 --> 00:31:45,880
Speaker 3: Look around the mother check this out. I need all

630
00:31:45,960 --> 00:31:48,760
Speaker 3: my real niggas and bitches to look around the motherfucking club.

631
00:31:48,920 --> 00:31:51,280
Speaker 1: Oh lord, I don't like them instruction.

632
00:31:51,400 --> 00:31:59,640
Speaker 3: Nothing good is gonna happen after this. If you see

633
00:31:59,640 --> 00:32:01,880
Speaker 3: a nigga throwing up a set and it ain't your

634
00:32:02,000 --> 00:32:04,680
Speaker 3: set or it ain't your click, keep in mind, we've

635
00:32:04,720 --> 00:32:08,959
Speaker 3: all been thrown up sets all night. Everybody, right, individual groups, right,

636
00:32:09,080 --> 00:32:12,160
Speaker 3: We've all been having self pride, celebrating with our with

637
00:32:12,320 --> 00:32:13,600
Speaker 3: our like minded folks.

638
00:32:14,600 --> 00:32:17,800
Speaker 2: And at this point he's instructing everyone who is.

639
00:32:17,920 --> 00:32:21,040
Speaker 3: Not in my clique or my set to look around,

640
00:32:21,160 --> 00:32:24,000
Speaker 3: to look around and just and find me in my crew,

641
00:32:24,600 --> 00:32:27,840
Speaker 3: and vice versa or vice versa. If you're passing joy,

642
00:32:33,480 --> 00:32:36,800
Speaker 3: Oh no, that's right, violate that personal space. Everybody get

643
00:32:36,920 --> 00:32:39,680
Speaker 3: up in their motherfucking faces because they need to hear this.

644
00:32:39,800 --> 00:32:41,840
Speaker 3: They need to hear the next thing is about to say. Now,

645
00:32:41,880 --> 00:32:43,880
Speaker 3: what do you think is gonna say, Hey, we're all

646
00:32:43,920 --> 00:32:46,680
Speaker 3: from the same place, so can we just chill out?

647
00:32:46,800 --> 00:32:49,680
Speaker 2: You think they're gonna have six curse versus of that

648
00:32:49,800 --> 00:32:52,400
Speaker 2: you think we're like and I'm gonna hug you, nigga.

649
00:32:52,480 --> 00:32:53,160
Speaker 7: Don't be scared.

650
00:32:53,200 --> 00:32:54,600
Speaker 2: You scared, I'm gonna hug you.

651
00:32:54,760 --> 00:32:56,400
Speaker 3: Nope, it's not gonna be hugging guys.

652
00:33:00,200 --> 00:33:02,240
Speaker 7: Here we go, Here we go.

653
00:33:02,600 --> 00:33:08,520
Speaker 11: Lord, higg fuck you, nigga fuck you. Oh, nigga, fuck you, nigga,

654
00:33:08,640 --> 00:33:13,840
Speaker 11: fuck you, nigga, fuck you, fuck you, nigga, fuck you,

655
00:33:14,600 --> 00:33:15,440
Speaker 11: nigga fuck you.

656
00:33:15,720 --> 00:33:18,240
Speaker 1: Elbow with me?

657
00:33:18,920 --> 00:33:21,080
Speaker 5: Oh Lord, the club with.

658
00:33:23,080 --> 00:33:23,120
Speaker 13: You?

659
00:33:23,360 --> 00:33:24,560
Speaker 3: Wanna fuck with me?

660
00:33:24,920 --> 00:33:31,760
Speaker 5: Now? With that heat? The club with dog?

661
00:33:32,440 --> 00:33:33,360
Speaker 3: How do you survive?

662
00:33:34,880 --> 00:33:35,920
Speaker 2: This is just time to go home.

663
00:33:37,480 --> 00:33:38,360
Speaker 3: You can't survive.

664
00:33:38,640 --> 00:33:41,000
Speaker 1: It's literally a fight song.

665
00:33:41,560 --> 00:33:43,760
Speaker 3: They sending the first half of the song just rolling

666
00:33:43,840 --> 00:33:48,440
Speaker 3: you up right, representing just where you're from. And then

667
00:33:48,480 --> 00:33:51,200
Speaker 3: the second half is like and walk up right into

668
00:33:51,240 --> 00:33:54,040
Speaker 3: their fucking face and tell someone to fuck you to

669
00:33:54,160 --> 00:33:54,640
Speaker 3: they face.

670
00:33:55,200 --> 00:33:56,720
Speaker 2: Not a lot of people can do that and not

671
00:33:56,880 --> 00:33:59,640
Speaker 2: have a fight, right, And.

672
00:33:59,720 --> 00:34:02,480
Speaker 4: I said somebody they was saying that they're from another country.

673
00:34:02,480 --> 00:34:05,880
Speaker 4: They don't understand what's going on. Well for those people, Uh,

674
00:34:06,800 --> 00:34:09,279
Speaker 4: we have like the in the club atmosphere because they

675
00:34:09,360 --> 00:34:12,240
Speaker 4: know everybody club and experience is different. They have certain

676
00:34:12,320 --> 00:34:15,600
Speaker 4: songs that they play and it just has instructions on

677
00:34:16,920 --> 00:34:20,000
Speaker 4: how the row and start fights. And if you hear

678
00:34:20,120 --> 00:34:22,000
Speaker 4: any of these songs, this is for your own protection.

679
00:34:22,400 --> 00:34:25,440
Speaker 4: It's time for you to go because a fight is

680
00:34:25,440 --> 00:34:25,839
Speaker 4: gonna break.

681
00:34:25,960 --> 00:34:28,920
Speaker 1: Especially that song. That song was almost like the YMCA

682
00:34:29,040 --> 00:34:31,520
Speaker 1: class or whatever, like to the left to left, to

683
00:34:31,640 --> 00:34:32,759
Speaker 1: the right to the right.

684
00:34:32,880 --> 00:34:35,000
Speaker 4: You know, a little simple instructions and people are actually

685
00:34:35,040 --> 00:34:38,160
Speaker 4: following the instructions, which is not good because at the

686
00:34:38,200 --> 00:34:40,880
Speaker 4: beginning of the song, all Right said they you divide

687
00:34:40,880 --> 00:34:44,239
Speaker 4: it up in groups, you represent your clique. You look

688
00:34:44,280 --> 00:34:46,719
Speaker 4: around the room and walk up to people that are

689
00:34:46,800 --> 00:34:49,440
Speaker 4: not holding up these signs. Somebody, nigga, fuck you, this

690
00:34:49,560 --> 00:34:53,080
Speaker 4: will not end well. And we got heat and now

691
00:34:53,200 --> 00:34:55,640
Speaker 4: I may be you know, Heat must be old because

692
00:34:55,640 --> 00:34:57,439
Speaker 4: I know what he is. He is nowhere for going,

693
00:34:57,960 --> 00:34:59,919
Speaker 4: you know. So I'm surprised I know that one because

694
00:35:00,239 --> 00:35:02,759
Speaker 4: I didn't know. I asked day on Facebook and Twitter,

695
00:35:02,800 --> 00:35:04,360
Speaker 4: what the fuck was the fruit of loop? Should I

696
00:35:04,440 --> 00:35:06,640
Speaker 4: get hungry or should I you know, be scared? But

697
00:35:06,680 --> 00:35:08,720
Speaker 4: I didn't realize it was something relate to music.

698
00:35:09,200 --> 00:35:12,799
Speaker 3: Yeah, this it's amazing, dog.

699
00:35:13,000 --> 00:35:13,440
Speaker 4: I mean.

700
00:35:15,120 --> 00:35:18,400
Speaker 3: That ship was an instruction guy to get fucked up

701
00:35:19,480 --> 00:35:27,520
Speaker 3: to the club up everybody, remember that. Like, I don't

702
00:35:27,600 --> 00:35:29,239
Speaker 3: understand how this song was.

703
00:35:29,280 --> 00:35:32,080
Speaker 2: Ever green lighted to play in actual.

704
00:35:33,280 --> 00:35:37,160
Speaker 3: Clubs in the first place, because if I told me

705
00:35:37,440 --> 00:35:39,279
Speaker 3: I was gonna play this in your club, I'd be like,

706
00:35:39,320 --> 00:35:40,880
Speaker 3: are you out of your fucking mind? You're fired?

707
00:35:41,320 --> 00:35:41,520
Speaker 4: Right?

708
00:35:41,880 --> 00:35:43,640
Speaker 2: Even saying that, right, they're not.

709
00:35:44,040 --> 00:35:46,919
Speaker 1: Tean up my goddamn club that I gotta repair next week.

710
00:35:47,120 --> 00:35:49,880
Speaker 3: Yeah, you instructing people to come into my shit and

711
00:35:50,040 --> 00:35:51,240
Speaker 3: fuck it up every weekend?

712
00:35:51,480 --> 00:35:51,680
Speaker 2: Right?

713
00:35:52,000 --> 00:35:54,000
Speaker 1: I know, business owners band, this ship it was like,

714
00:35:54,080 --> 00:36:02,359
Speaker 1: if you play this motherfucking shit, you I got damn fired. Well,

715
00:36:02,600 --> 00:36:04,399
Speaker 1: but I think we'll be in worse if they didn't

716
00:36:04,440 --> 00:36:22,680
Speaker 1: even tell them playing talking to just.

717
00:36:24,160 --> 00:36:27,040
Speaker 7: Putting her on the trick acusing thus the crowd wow

718
00:36:28,160 --> 00:36:28,880
Speaker 7: chat and be like.

719
00:36:29,040 --> 00:36:30,360
Speaker 3: Quick the pussy you walk in.

720
00:36:30,400 --> 00:36:35,640
Speaker 10: You're like man, I mean the last man class many fast.

721
00:36:35,480 --> 00:36:38,040
Speaker 14: Hand, a chance man.

722
00:36:39,880 --> 00:36:42,160
Speaker 3: To be a cows to play picture.

723
00:36:44,080 --> 00:36:46,560
Speaker 9: Or then it comes to two to the three and

724
00:36:47,239 --> 00:36:49,120
Speaker 9: three six you want you to get out over the

725
00:36:49,200 --> 00:36:51,640
Speaker 9: club throwing and throwing your sex in the afric partment,

726
00:36:51,680 --> 00:36:54,240
Speaker 9: the tables and chance everywhere by the mass of the glass.

727
00:36:54,239 --> 00:36:55,719
Speaker 3: You're standing there anging like you want to where?

728
00:36:55,880 --> 00:36:57,480
Speaker 9: And I said with the officer said you can't right

729
00:36:57,480 --> 00:36:59,120
Speaker 9: it like three six buck you can't pull him in

730
00:36:59,120 --> 00:37:00,440
Speaker 9: the chance in the prosify.

731
00:37:02,000 --> 00:37:12,799
Speaker 1: And cub up.

732
00:37:13,680 --> 00:37:14,359
Speaker 2: I have no idea.

733
00:37:15,160 --> 00:37:17,960
Speaker 4: Could you imagine the owner that did not know this

734
00:37:18,120 --> 00:37:20,480
Speaker 4: song was coming on and they heard that ship in

735
00:37:20,520 --> 00:37:22,759
Speaker 4: the background, They couldn't get to the DJ booth quick

736
00:37:22,840 --> 00:37:24,000
Speaker 4: enough to unplug that ship.

737
00:37:24,320 --> 00:37:29,600
Speaker 3: I imagine that's the only way it gets wayed. Yeah,

738
00:37:29,640 --> 00:37:31,920
Speaker 3: this is the first time when I don't know because

739
00:37:31,960 --> 00:37:32,520
Speaker 3: I would.

740
00:37:32,320 --> 00:37:35,320
Speaker 1: Okay, okay, yeah, all my tables and chairs.

741
00:37:35,400 --> 00:37:36,880
Speaker 3: I spent all my heart on money on.

742
00:37:37,040 --> 00:37:39,680
Speaker 1: Oh they never heard this ship before. Then they were like, okay,

743
00:37:39,680 --> 00:37:42,360
Speaker 1: I like this beat. Wait a minute, we in the know.

744
00:37:42,680 --> 00:37:46,520
Speaker 1: Don't tell the club up, No, don't no, not got lawsuits.

745
00:37:47,239 --> 00:37:49,880
Speaker 3: Yeah. The only thing worse than this is that damn

746
00:37:51,200 --> 00:37:54,839
Speaker 3: the mother niggas because I'm down for that ship is bad.

747
00:37:55,640 --> 00:37:55,920
Speaker 5: You know what.

748
00:37:56,320 --> 00:37:59,400
Speaker 4: The the thing about that song that beat goes so

749
00:37:59,560 --> 00:38:02,680
Speaker 4: motherfucker get hard. Oh my god, that beat go hard.

750
00:38:02,760 --> 00:38:04,080
Speaker 1: Now, now that's the gem.

751
00:38:04,160 --> 00:38:06,239
Speaker 4: You're jamming by yourself where you know you you you

752
00:38:06,320 --> 00:38:07,760
Speaker 4: ain't gonna brawl out with nobody.

753
00:38:08,440 --> 00:38:10,080
Speaker 1: You can't be in there. You can't be in the

754
00:38:10,160 --> 00:38:11,640
Speaker 1: club with people with that player.

755
00:38:12,200 --> 00:38:14,239
Speaker 3: Yeah, that's the only thing that.

756
00:38:15,960 --> 00:38:18,440
Speaker 4: What that that that makes you do that football warm

757
00:38:18,520 --> 00:38:21,240
Speaker 4: up where you where you just start shaking and punching

758
00:38:21,360 --> 00:38:25,360
Speaker 4: at the ground, you start stretching, you're.

759
00:38:25,280 --> 00:38:26,239
Speaker 5: Rocking from left to right.

760
00:38:26,360 --> 00:38:28,359
Speaker 3: I wouldn't even play this on the way to play

761
00:38:28,440 --> 00:38:31,120
Speaker 3: basketball with my friends because right niggas be in the

762
00:38:31,239 --> 00:38:33,400
Speaker 3: car like we're gonna get out and start fighting. I'm like, man,

763
00:38:33,440 --> 00:38:37,400
Speaker 3: we just wanna be playing ball. Throw that murder on right.

764
00:38:37,760 --> 00:38:39,439
Speaker 1: That's when you stop popping for some reason.

765
00:38:39,520 --> 00:38:42,040
Speaker 4: It just makes you stop popping and stop air punching,

766
00:38:42,440 --> 00:38:43,560
Speaker 4: and you start getting.

767
00:38:43,520 --> 00:38:45,560
Speaker 1: You don't even know why, you start getting mad for

768
00:38:45,719 --> 00:38:50,040
Speaker 1: no fucking reason. Yeah, all right, saying I said play

769
00:38:50,080 --> 00:38:51,520
Speaker 1: that on a little longer. That's the jail right there.

770
00:39:00,200 --> 00:39:02,040
Speaker 3: Fuck the mother and nigga fitch, You'm down, don't they

771
00:39:02,160 --> 00:39:02,320
Speaker 3: know that?

772
00:39:02,440 --> 00:39:02,560
Speaker 5: Man?

773
00:39:02,640 --> 00:39:04,759
Speaker 9: I right, But the dollars, I'm the nigga on the

774
00:39:04,880 --> 00:39:06,480
Speaker 9: night twit the fut fucking dollars.

775
00:39:06,520 --> 00:39:09,279
Speaker 10: And if anybody does, wait, you dog, you dog, I'm

776
00:39:09,280 --> 00:39:11,040
Speaker 10: gonna mare's niggas for this name.

777
00:39:11,080 --> 00:39:12,840
Speaker 5: I don't know all everywhere. I know.

778
00:39:13,000 --> 00:39:16,360
Speaker 9: I got missed the magic yet because I know you had, nigga,

779
00:39:16,440 --> 00:39:17,840
Speaker 9: don't care your half.

780
00:39:17,760 --> 00:39:19,520
Speaker 5: That red ship pouring out your helse.

781
00:39:19,560 --> 00:39:22,800
Speaker 3: The niggas been the fucking time. Yeah, nobody plays this

782
00:39:23,000 --> 00:39:25,719
Speaker 3: to study. You know, nothing positives has ever come of

783
00:39:25,760 --> 00:39:29,600
Speaker 3: this song. Nobody was like, now to get some studying done.

784
00:39:29,719 --> 00:39:33,319
Speaker 3: Fucking well, they com please. It's about then if your

785
00:39:33,400 --> 00:39:35,560
Speaker 3: fuck with me and some mo shoe die.

786
00:39:35,680 --> 00:39:38,120
Speaker 7: Them niggas might the run, but them niggas can't hide.

787
00:39:38,160 --> 00:39:39,359
Speaker 5: It's like shooting your shirt.

788
00:39:39,600 --> 00:39:43,880
Speaker 3: It's a suicide. He'll see in a hard life niggas

789
00:39:43,960 --> 00:39:46,640
Speaker 3: and the no you knowing man, it's big, just like

790
00:39:46,800 --> 00:39:49,680
Speaker 3: soda slim help. So you win into and you pitch

791
00:39:49,719 --> 00:39:51,320
Speaker 3: your own front of a T shirt.

792
00:39:51,480 --> 00:39:53,760
Speaker 10: And when I mean muss, I got a hundred niggas

793
00:39:53,760 --> 00:39:55,719
Speaker 10: stripping just to kiss a nigga.

794
00:39:55,480 --> 00:39:58,319
Speaker 9: Out there trying to kick me all my niggas, it's

795
00:39:58,360 --> 00:39:59,320
Speaker 9: down to squeeze the trigger.

796
00:39:59,440 --> 00:40:02,040
Speaker 3: That's why top down for my mother fucking niggas.

797
00:40:07,800 --> 00:40:08,960
Speaker 5: You know your nigga, don.

798
00:40:13,120 --> 00:40:17,880
Speaker 10: Them up the nigga come down, Fuck them up my niggas,

799
00:40:18,120 --> 00:40:19,200
Speaker 10: Fuck them up the niggas.

800
00:40:19,239 --> 00:40:21,800
Speaker 7: I ride tull my niggas, doom down for my niggas.

801
00:40:22,120 --> 00:40:23,080
Speaker 7: Fucking up the niggas.

802
00:40:23,560 --> 00:40:28,680
Speaker 3: Heard the niggas a right all right? Yeah yeah man.

803
00:40:28,800 --> 00:40:32,120
Speaker 4: Them songs right there, them songs you hear you like

804
00:40:32,560 --> 00:40:35,479
Speaker 4: I I it's them songs. You just playing private because

805
00:40:35,480 --> 00:40:37,800
Speaker 4: you ride any group of people, and especially for the

806
00:40:37,960 --> 00:40:40,279
Speaker 4: first particular song right here, it feels like it just

807
00:40:40,440 --> 00:40:41,080
Speaker 4: overtakes you.

808
00:40:41,440 --> 00:40:44,080
Speaker 1: You hear that ship you just like I want to

809
00:40:44,160 --> 00:40:45,839
Speaker 1: punch something, give me something the punch.

810
00:40:47,480 --> 00:40:50,040
Speaker 2: Uh did you hit something and realize that, uh you're

811
00:40:50,080 --> 00:40:50,640
Speaker 2: not a fighter?

812
00:40:51,280 --> 00:40:51,440
Speaker 8: Right?

813
00:40:51,520 --> 00:40:53,640
Speaker 4: You you hear something, you realize you're not that strong,

814
00:40:54,600 --> 00:40:56,680
Speaker 4: or you hear something realize that they can fight back

815
00:40:56,719 --> 00:40:58,120
Speaker 4: and whoop your ass next ding.

816
00:40:58,120 --> 00:41:01,320
Speaker 3: Ray Rice and the elevator A. That's probably how it

817
00:41:01,400 --> 00:41:04,280
Speaker 3: happened for real, and for that Big Big probably played

818
00:41:04,320 --> 00:41:07,960
Speaker 3: this in the Vegas club. Then she hit them because

819
00:41:08,040 --> 00:41:09,799
Speaker 3: she just lost for a second and the next thing,

820
00:41:09,840 --> 00:41:10,600
Speaker 3: you know, knocked out.

821
00:41:11,640 --> 00:41:13,920
Speaker 1: Yeah, honey, this song just make you just move. You

822
00:41:14,120 --> 00:41:15,400
Speaker 1: just be sitting anybody.

823
00:41:15,440 --> 00:41:17,239
Speaker 4: This is this is that shit you can't play at

824
00:41:17,320 --> 00:41:20,120
Speaker 4: because if you got like an office job or anywhere

825
00:41:20,120 --> 00:41:22,600
Speaker 4: we've long pier of time, you can't play this shit. Like,

826
00:41:22,800 --> 00:41:25,040
Speaker 4: even if they don't hear it, you'll just be mad

827
00:41:25,120 --> 00:41:27,520
Speaker 4: and aggressive for the rest of the day at everybody

828
00:41:27,680 --> 00:41:29,040
Speaker 4: around you, and you won't know.

829
00:41:29,120 --> 00:41:32,320
Speaker 3: Why the poems. Would you watch a Ghostbusters reboot with

830
00:41:32,360 --> 00:41:35,040
Speaker 3: an all woman cast, Yes, I'm game. Fifty five percent

831
00:41:35,080 --> 00:41:37,600
Speaker 3: of people say yep, nah, I don't think so. Twenty

832
00:41:37,640 --> 00:41:40,080
Speaker 3: three percent of people and never liked Slash saw the

833
00:41:40,120 --> 00:41:42,680
Speaker 3: first one. Twenty percent of people that listened to our

834
00:41:42,719 --> 00:41:46,360
Speaker 3: show did not like or see the first Ghostbusters.

835
00:41:46,920 --> 00:41:49,080
Speaker 2: That's more of a surprising numb than anything else. Means

836
00:41:49,120 --> 00:41:49,560
Speaker 2: I'm old.

837
00:41:49,960 --> 00:41:53,319
Speaker 1: Yeah we old. Yeah, yeah, we're very old. Twenty something

838
00:41:53,360 --> 00:41:54,879
Speaker 1: thirty year old movie. Yeah we old.

839
00:41:54,920 --> 00:41:58,000
Speaker 2: So we had episode seven fifty seven New Blood.

840
00:41:59,280 --> 00:42:03,040
Speaker 3: We had just and on obviously to talk about True Blood,

841
00:42:03,040 --> 00:42:05,160
Speaker 3: and then we also had Andrew from Film Geek Radio

842
00:42:05,880 --> 00:42:08,520
Speaker 3: on to discuss it as well. We had a couple

843
00:42:08,560 --> 00:42:11,920
Speaker 3: of comments. The first was from Cappa. Donnie says, hey,

844
00:42:12,040 --> 00:42:14,680
Speaker 3: Roding Karen, great show as always, that you are brought

845
00:42:14,719 --> 00:42:20,160
Speaker 3: evil into my home TBGWT evil. I say, I actually

846
00:42:20,239 --> 00:42:22,600
Speaker 3: DVRD and watched True Blood so I can fully enjoy

847
00:42:22,640 --> 00:42:25,400
Speaker 3: the self imposed torture porn that is that Blood. You

848
00:42:25,560 --> 00:42:28,279
Speaker 3: ruined me, Rod and Karen, you ruined me. By the way,

849
00:42:28,400 --> 00:42:31,280
Speaker 3: I don't consider letting Mae Daniels a full True Blood

850
00:42:31,360 --> 00:42:34,160
Speaker 3: character until she has her first awkward gratur the softcore

851
00:42:34,520 --> 00:42:37,719
Speaker 3: pornos scene. Despite her lip acting talent, she hasn't made

852
00:42:38,200 --> 00:42:41,360
Speaker 3: the full made it to full fang banger status until

853
00:42:41,400 --> 00:42:45,080
Speaker 3: a middle woman is bear back and uncomfortably dry humping

854
00:42:45,160 --> 00:42:47,359
Speaker 3: on the episode of the True Blood. She's not really

855
00:42:47,400 --> 00:42:51,480
Speaker 3: part of the cast, just a recurring character in the storyline. Well,

856
00:42:51,560 --> 00:42:54,040
Speaker 3: you know what, you have your qualifications and we have ours,

857
00:42:54,080 --> 00:42:57,759
Speaker 3: and she counts to me, sorry, ride on with you, man.

858
00:42:57,840 --> 00:42:59,759
Speaker 3: The Queen Bee has lost her crown and spend a

859
00:42:59,760 --> 00:43:02,359
Speaker 3: few too many dollars to be dazzling her stinger. Uh,

860
00:43:02,520 --> 00:43:05,560
Speaker 3: why does Little Kim look like could be dazzling? Why

861
00:43:05,600 --> 00:43:07,520
Speaker 3: does Little Kim look like a cabbage patch kid?

862
00:43:08,200 --> 00:43:10,000
Speaker 4: Yes, because I hadn't seen her in years, and I

863
00:43:10,080 --> 00:43:12,640
Speaker 4: watched Dancing with the Stars and she was on a

864
00:43:12,719 --> 00:43:13,359
Speaker 4: few years ago.

865
00:43:13,560 --> 00:43:14,600
Speaker 1: She's like, fouchet.

866
00:43:15,160 --> 00:43:17,720
Speaker 3: I was like, what happened, honey, that's not the cabbage

867
00:43:17,719 --> 00:43:20,120
Speaker 3: patch fart that that everyone's talking about. Her face is

868
00:43:20,239 --> 00:43:23,719
Speaker 3: smushed up like a potato or something. I calling her

869
00:43:23,760 --> 00:43:27,960
Speaker 3: Little Kim John ill because her face loud that plastic surgery,

870
00:43:28,080 --> 00:43:29,960
Speaker 3: Like all this left of her eyes are little slits

871
00:43:30,040 --> 00:43:33,680
Speaker 3: like she's Asian, but like, because her face is pulled

872
00:43:33,719 --> 00:43:34,320
Speaker 3: so tight.

873
00:43:34,440 --> 00:43:37,759
Speaker 4: You know, I'm sorry, you're gonna see my wrinkles and

874
00:43:37,840 --> 00:43:39,040
Speaker 4: folds and everything else.

875
00:43:39,239 --> 00:43:43,880
Speaker 3: Fu. She was a cute girl too. Like it's like

876
00:43:43,920 --> 00:43:46,040
Speaker 3: when you see porn stars that get breast in planets

877
00:43:46,080 --> 00:43:47,800
Speaker 3: for no reason, where you're like, well, now your titties

878
00:43:47,840 --> 00:43:50,680
Speaker 3: are fucked up? You were doing okay? That that's that's

879
00:43:50,719 --> 00:43:52,719
Speaker 3: Little Kim in a nutshell. He's just like you used

880
00:43:52,719 --> 00:43:54,480
Speaker 3: to be all right, what the fuck did you do?

881
00:43:55,520 --> 00:43:55,840
Speaker 5: Is it me?

882
00:43:55,960 --> 00:43:58,480
Speaker 3: Or did Little Kim sound like she stocks night trained,

883
00:43:58,600 --> 00:44:01,400
Speaker 3: super polygrip and a pack of Cools in her medicine

884
00:44:01,440 --> 00:44:04,080
Speaker 3: cabinet on that disc track. Oh oh, I know she's

885
00:44:04,480 --> 00:44:06,680
Speaker 3: a few years older than me, but damn that track

886
00:44:06,840 --> 00:44:08,920
Speaker 3: was like listening to Grandma from Nutty Professor.

887
00:44:09,640 --> 00:44:13,359
Speaker 4: Yeah, because a lot of that it's not nineteen ninety

888
00:44:13,400 --> 00:44:15,680
Speaker 4: two and so a lot of that was like, people

889
00:44:15,719 --> 00:44:16,280
Speaker 4: don't even.

890
00:44:16,239 --> 00:44:19,560
Speaker 1: Rap like this no more. It was really old school.

891
00:44:20,320 --> 00:44:23,759
Speaker 3: Yeah, it's funny because nobody would have fucking like, it's

892
00:44:23,840 --> 00:44:25,960
Speaker 3: not like a tactic that has worked before. We were like, yo,

893
00:44:26,239 --> 00:44:28,200
Speaker 3: remember when so and so made to come back in

894
00:44:28,280 --> 00:44:32,680
Speaker 3: their career because they uninvited themselves onto another person's track

895
00:44:32,880 --> 00:44:35,840
Speaker 3: to drop the disc verse. Nobody's ever like, Yeah, Tupac

896
00:44:35,880 --> 00:44:38,440
Speaker 3: wouldn't have been nothing without that, Like, nah, it's a

897
00:44:38,800 --> 00:44:42,640
Speaker 3: desperate tactic. She wasn't having rap battles with Nicki Minaj.

898
00:44:42,680 --> 00:44:44,920
Speaker 3: She was telling that young hussy to get off her

899
00:44:45,000 --> 00:44:47,440
Speaker 3: lawn and show some goddamn respect to your elders. Now

900
00:44:47,520 --> 00:44:49,239
Speaker 3: go to the corner store and get my numbers, you

901
00:44:49,360 --> 00:44:53,400
Speaker 3: fast tail girl. Regards alone, black Woody Allen Fan and

902
00:44:53,600 --> 00:44:54,280
Speaker 3: so Cayl.

903
00:44:56,400 --> 00:45:00,720
Speaker 4: And I agree, and people was like Jo Time Nikki

904
00:45:00,800 --> 00:45:03,239
Speaker 4: is the shit You're not Grandma beat it.

905
00:45:03,960 --> 00:45:06,480
Speaker 3: Kyle says, I find the successive Guardians of the Galaxy

906
00:45:06,560 --> 00:45:11,440
Speaker 3: more impressive than the other Marvel adaptations because not only

907
00:45:11,600 --> 00:45:13,760
Speaker 3: is this is not as popular as the other properties,

908
00:45:14,080 --> 00:45:16,640
Speaker 3: but it isn't even a superhero book, so the movie

909
00:45:16,680 --> 00:45:19,960
Speaker 3: couldn't rely on nostalgia like say X Man the Transformers.

910
00:45:20,560 --> 00:45:22,480
Speaker 3: I might go see it on my birthday, even though

911
00:45:22,520 --> 00:45:25,080
Speaker 3: it may have been spoiled for me. Usually I can

912
00:45:25,160 --> 00:45:27,880
Speaker 3: avoid spoilers, but everyone was so excited they turned it

913
00:45:28,160 --> 00:45:30,920
Speaker 3: to Brian Singer. Yeah, this was a very hard movie

914
00:45:30,960 --> 00:45:33,799
Speaker 3: to avoid spoilers on, not that the internet is ever

915
00:45:33,880 --> 00:45:34,600
Speaker 3: a good place.

916
00:45:34,480 --> 00:45:37,200
Speaker 1: To gauge like spoilers, but so enjoyable.

917
00:45:37,520 --> 00:45:39,239
Speaker 2: But people had that much of a good time.

918
00:45:39,320 --> 00:45:42,200
Speaker 3: If anything, that should have been a really good sign,

919
00:45:42,400 --> 00:45:44,920
Speaker 3: good sign to go see it as soon as possible,

920
00:45:44,960 --> 00:45:49,800
Speaker 3: because it's like it was so good you couldn't not

921
00:45:50,040 --> 00:45:54,239
Speaker 3: talk about it, you know, And I like, I don't know,

922
00:45:54,520 --> 00:45:55,360
Speaker 3: I love the movie.

923
00:45:56,360 --> 00:45:58,160
Speaker 2: It was great. I want to see it again in

924
00:45:58,320 --> 00:46:00,080
Speaker 2: theaters too long, and and.

925
00:46:01,680 --> 00:46:06,040
Speaker 3: Yeah, I just man, it's everything great about movies and

926
00:46:06,160 --> 00:46:09,920
Speaker 3: great about comic books come into one thing and you know,

927
00:46:10,080 --> 00:46:12,680
Speaker 3: I really don't want to hear anybody this in the movie.

928
00:46:12,760 --> 00:46:13,440
Speaker 2: I went on a.

929
00:46:13,760 --> 00:46:17,239
Speaker 3: Cinema on Film Gig Radio with Andrew who was on

930
00:46:17,360 --> 00:46:20,200
Speaker 3: this show, and he didn't like the movie and thought

931
00:46:20,239 --> 00:46:22,560
Speaker 3: it was bad. And if you want to hear me

932
00:46:23,000 --> 00:46:26,080
Speaker 3: basically fuss at someone for an hour, feel free to

933
00:46:26,200 --> 00:46:26,799
Speaker 3: check that out.

934
00:46:27,320 --> 00:46:30,160
Speaker 1: Y'all have a love hate relationship that's very unique.

935
00:46:30,600 --> 00:46:32,880
Speaker 3: I guess, man, he only invites me on there. It

936
00:46:32,960 --> 00:46:36,440
Speaker 3: seemed like we only disagree on shit, like and he

937
00:46:36,600 --> 00:46:38,799
Speaker 3: only invites me when I like something and he wants

938
00:46:38,840 --> 00:46:40,360
Speaker 3: to tear it down, Like, invite me on it to

939
00:46:40,400 --> 00:46:42,160
Speaker 3: talk with Lucy so I can talk about how dumb

940
00:46:42,719 --> 00:46:45,400
Speaker 3: your opinion is about some shit, you know what I mean, Like,

941
00:46:45,920 --> 00:46:48,680
Speaker 3: invite me to talk about I don't know, God Dealer

942
00:46:48,719 --> 00:46:50,719
Speaker 3: or something, you know, something that you like that I'm like,

943
00:46:50,840 --> 00:46:53,239
Speaker 3: this is the worst shit I've ever seen in my life.

944
00:46:53,920 --> 00:46:55,160
Speaker 3: Then we can have a discussion.

945
00:46:55,600 --> 00:46:57,600
Speaker 2: It's always me being like, but it was kind of

946
00:46:57,640 --> 00:46:58,160
Speaker 2: good man.

947
00:46:58,520 --> 00:47:02,080
Speaker 3: So anyway, I'll make sure to put that link up

948
00:47:02,120 --> 00:47:03,360
Speaker 3: to when I link all our other shows.

949
00:47:03,400 --> 00:47:06,719
Speaker 2: But yes, Film Geek Radio is the.

950
00:47:06,800 --> 00:47:08,680
Speaker 3: Name of it is Cinema Fixed and it's part two

951
00:47:08,800 --> 00:47:12,360
Speaker 3: of the guardians of the Galaxy review. As for film criticism,

952
00:47:12,480 --> 00:47:15,560
Speaker 3: people need to understand that the personal reference towards certain.

953
00:47:15,400 --> 00:47:17,280
Speaker 2: Subject matter can shake the way one season.

954
00:47:17,360 --> 00:47:20,480
Speaker 3: Film critics have a habit of looking down on certain genres,

955
00:47:20,560 --> 00:47:23,200
Speaker 3: but a good movie is a good movie. Blockbusters can

956
00:47:23,280 --> 00:47:25,759
Speaker 3: have good writing in an awesome soundtrack, while Oscar Bay

957
00:47:25,800 --> 00:47:28,120
Speaker 3: can be poorly shot and have bad casting. Well, here's

958
00:47:28,160 --> 00:47:30,799
Speaker 3: the thing I realized one it's not just that their

959
00:47:30,960 --> 00:47:34,360
Speaker 3: mentality is like I like these type of films. The

960
00:47:34,480 --> 00:47:38,120
Speaker 3: people that we're listening to on podcasts and whatever just

961
00:47:38,239 --> 00:47:40,480
Speaker 3: kind of like our podcasts are people that have kind

962
00:47:40,520 --> 00:47:43,080
Speaker 3: of been relegated to the fringe of media, and a

963
00:47:43,120 --> 00:47:45,840
Speaker 3: lot of times we haven't had a voice. So people

964
00:47:46,320 --> 00:47:49,319
Speaker 3: when we hear their voices are gonna be a little bit,

965
00:47:50,160 --> 00:47:53,239
Speaker 3: it's gonna be a little bit off center from the mainstream, right. Well,

966
00:47:54,120 --> 00:47:56,840
Speaker 3: I think that's what happens to a certain extent with

967
00:47:57,280 --> 00:47:59,320
Speaker 3: you know, like, there weren't a lot of black opinions,

968
00:47:59,360 --> 00:48:01,960
Speaker 3: so then we started this podcast and all of a sudden,

969
00:48:01,960 --> 00:48:03,920
Speaker 3: it's like, oh, this is what some black people think

970
00:48:03,920 --> 00:48:04,799
Speaker 3: about certain things.

971
00:48:05,239 --> 00:48:06,479
Speaker 2: I hadn't heard that before.

972
00:48:06,560 --> 00:48:08,000
Speaker 3: And then there's a lot of black people that haven't

973
00:48:08,040 --> 00:48:10,680
Speaker 3: had a voice who gravitate towards us, and they're like, wow,

974
00:48:10,800 --> 00:48:13,120
Speaker 3: I kind of think some of the same things, and I.

975
00:48:13,200 --> 00:48:15,120
Speaker 2: Kind of appreciate you guys having a voice to say

976
00:48:15,239 --> 00:48:15,879
Speaker 2: things out there.

977
00:48:16,000 --> 00:48:16,120
Speaker 8: Right.

978
00:48:16,880 --> 00:48:18,840
Speaker 3: Well, I think the same thing happens with with with

979
00:48:19,440 --> 00:48:22,480
Speaker 3: movie reviews and critics and shit, where these are the

980
00:48:22,520 --> 00:48:24,719
Speaker 3: people that you know, typically when they bring up their

981
00:48:24,760 --> 00:48:27,320
Speaker 3: opinion in a lot of discussions, were like, Okay, I

982
00:48:27,360 --> 00:48:29,240
Speaker 3: don't want to talk to you because you sound crazy.

983
00:48:29,280 --> 00:48:31,799
Speaker 3: I'm just gonna go talk to someone else. But when

984
00:48:31,840 --> 00:48:33,840
Speaker 3: you have a podcast, no one can do that. You know,

985
00:48:33,960 --> 00:48:36,600
Speaker 3: you can just put your shit out there. Some people

986
00:48:36,600 --> 00:48:39,080
Speaker 3: will be fascinated by it, and they'll agree with you,

987
00:48:39,239 --> 00:48:41,000
Speaker 3: and they'll they'll group up, and then it'll be some

988
00:48:41,040 --> 00:48:43,040
Speaker 3: people that are just like, what the fuck is wrong

989
00:48:43,080 --> 00:48:43,239
Speaker 3: with you?

990
00:48:43,840 --> 00:48:44,000
Speaker 5: You know?

991
00:48:44,400 --> 00:48:46,080
Speaker 3: And I'm in the what the fuck is wrong with

992
00:48:46,160 --> 00:48:49,640
Speaker 3: you camp of anybody that's talking about Guardians of the Galaxy,

993
00:48:50,040 --> 00:48:52,840
Speaker 3: especially if you're talking shit about it while liking Lucy

994
00:48:52,920 --> 00:48:54,440
Speaker 3: and the Purge, you know, Like I had to let

995
00:48:54,480 --> 00:48:57,680
Speaker 3: Andrew know, like you, everyone's talk to their own opinion,

996
00:48:57,840 --> 00:49:01,520
Speaker 3: but you do like to shitty shitty movies that I'm

997
00:49:01,800 --> 00:49:05,600
Speaker 3: not nearly as good as this and very a whole

998
00:49:05,640 --> 00:49:07,920
Speaker 3: lot of people like Ours of the Galaxy, Like this

999
00:49:08,000 --> 00:49:10,520
Speaker 3: shit got ninety nine percent from fans on Riding Tomatoes.

1000
00:49:10,560 --> 00:49:13,920
Speaker 1: That's unprecedented, right in eighty nine from from critics.

1001
00:49:14,080 --> 00:49:15,520
Speaker 3: Yeah, Like it's unprecedented.

1002
00:49:15,600 --> 00:49:17,319
Speaker 1: So nothing never gets that fucking high.

1003
00:49:17,360 --> 00:49:19,279
Speaker 2: Yeah, it was actually ninety six from critics at the

1004
00:49:19,320 --> 00:49:19,919
Speaker 2: time I checked.

1005
00:49:19,960 --> 00:49:22,880
Speaker 3: So the thing is, sure, you don't have to like it,

1006
00:49:23,120 --> 00:49:26,680
Speaker 3: I get it, but understand you're in a vast minority

1007
00:49:27,239 --> 00:49:30,319
Speaker 3: and stop saying broad sweeping statements like well we are

1008
00:49:30,480 --> 00:49:33,359
Speaker 3: well it's a bad movie. And then it's like, well,

1009
00:49:34,200 --> 00:49:37,160
Speaker 3: you're actually kind of not having a discussion with me.

1010
00:49:37,280 --> 00:49:40,920
Speaker 3: You're starting a discussion in a belligerent way. For example,

1011
00:49:42,440 --> 00:49:44,279
Speaker 3: I like to me, it would be like if you

1012
00:49:44,360 --> 00:49:48,120
Speaker 3: wanted to talk to me about my girlfriend, right, my girlfriend.

1013
00:49:48,120 --> 00:49:49,919
Speaker 3: You're like, hey, man, I'm gonna talk to you about

1014
00:49:49,920 --> 00:49:52,080
Speaker 3: your girlfriend. Well, I mean it's cool that you're dating

1015
00:49:52,080 --> 00:49:53,719
Speaker 3: a fat woman. And then I'm like, I don't think

1016
00:49:53,760 --> 00:49:56,520
Speaker 3: she's fat. Well, well, i mean for a fat woman,

1017
00:49:56,640 --> 00:49:59,200
Speaker 3: you know, she's very attractive, is what I'm saying. Like, well,

1018
00:49:59,239 --> 00:50:03,439
Speaker 3: you're starting and like we're already starting on a bad

1019
00:50:03,560 --> 00:50:05,839
Speaker 3: terms because every time you call this movie bad, while

1020
00:50:05,960 --> 00:50:08,759
Speaker 3: you know that I think it's great, we can't have

1021
00:50:08,880 --> 00:50:11,239
Speaker 3: a discussion. It's not like every time I start the

1022
00:50:11,320 --> 00:50:13,560
Speaker 3: sentence for Guardians of the Galaxy, I go, it's a

1023
00:50:13,600 --> 00:50:17,399
Speaker 3: great movie, and everyone understands that, even though ninety nine

1024
00:50:17,400 --> 00:50:20,320
Speaker 3: percent of people do agree with me. So yeah, it's

1025
00:50:20,440 --> 00:50:22,680
Speaker 3: like one of those things where it's just a frustrating conversation.

1026
00:50:22,840 --> 00:50:25,440
Speaker 3: And I think a lot of critics have been relegated

1027
00:50:25,520 --> 00:50:29,279
Speaker 3: to like, you know, podcasts and stuff because people don't

1028
00:50:29,280 --> 00:50:31,000
Speaker 3: want to talk to people in real life that have

1029
00:50:31,160 --> 00:50:33,719
Speaker 3: these kind of opinions. Like it's just frustrating. It's like,

1030
00:50:33,800 --> 00:50:36,480
Speaker 3: I enjoyed this movie. You're not gonna walk up to

1031
00:50:36,600 --> 00:50:38,319
Speaker 3: ninetynine percent of people who saw this movie and tell

1032
00:50:38,360 --> 00:50:41,000
Speaker 3: them it's bad and have them actually consider your opinion.

1033
00:50:43,480 --> 00:50:45,040
Speaker 2: Right, So I think that's what it is.

1034
00:50:46,760 --> 00:50:49,520
Speaker 3: But uh yeah, some of its personal preference and some

1035
00:50:49,680 --> 00:50:52,000
Speaker 3: of it's just like the thing that's weird to me

1036
00:50:52,200 --> 00:50:54,440
Speaker 3: is a lot of this shit. In my opinion, it's

1037
00:50:54,480 --> 00:50:56,400
Speaker 3: only because movies make a certain amount of money and

1038
00:50:56,520 --> 00:50:59,080
Speaker 3: then they become oh now it's crossed the line.

1039
00:50:59,120 --> 00:51:01,759
Speaker 2: Where I can hate on it, right, and like.

1040
00:51:01,800 --> 00:51:05,080
Speaker 4: I say, and my problem and because just the way

1041
00:51:05,160 --> 00:51:09,279
Speaker 4: I view movies, it's like you say, Guardians of the

1042
00:51:09,360 --> 00:51:12,200
Speaker 4: Galaxy is bad, but did your name and bullshit that

1043
00:51:12,320 --> 00:51:14,600
Speaker 4: only eight people saw and give it rave reviews, but

1044
00:51:14,680 --> 00:51:17,360
Speaker 4: it didn't make no money. People made, people make movies

1045
00:51:17,400 --> 00:51:21,120
Speaker 4: for a profit. Yeah, you know, And maybe this is me.

1046
00:51:21,239 --> 00:51:24,600
Speaker 4: I'm like, I don't care about the Grammy nominated one movie.

1047
00:51:24,719 --> 00:51:26,759
Speaker 4: There's a less see that two people saw.

1048
00:51:27,120 --> 00:51:29,840
Speaker 3: Don't care Like snow Piercer got a lot of good reviews,

1049
00:51:29,920 --> 00:51:32,839
Speaker 3: but also most people didn't go see it, so that's

1050
00:51:32,840 --> 00:51:35,279
Speaker 3: why I got a lot of reviews. If snow Piercer

1051
00:51:35,320 --> 00:51:38,000
Speaker 3: would have made fucking seventy five million dollars open the weekend,

1052
00:51:38,320 --> 00:51:41,000
Speaker 3: critics would have been finally pointing out that this movie

1053
00:51:41,040 --> 00:51:43,480
Speaker 3: actually has some pretty bad flaws in it. Which I

1054
00:51:43,560 --> 00:51:45,680
Speaker 3: saw the movie and was like, yeah, it's a flawed movie.

1055
00:51:45,719 --> 00:51:48,520
Speaker 3: I'll enjoyed it, but there's a lot of shit wrong there,

1056
00:51:48,760 --> 00:51:51,200
Speaker 3: you know what I mean. So it's it's people have

1057
00:51:51,280 --> 00:51:54,040
Speaker 3: a much lower bar for shit that doesn't make money.

1058
00:51:54,200 --> 00:51:56,520
Speaker 3: And you know, if you follow critics at all, you

1059
00:51:56,600 --> 00:51:59,760
Speaker 3: start realizing stuff like they root for certain movie stars.

1060
00:52:00,239 --> 00:52:02,680
Speaker 3: Certain people are into certain people out like Jennifer Lawrence.

1061
00:52:03,080 --> 00:52:05,480
Speaker 3: They like her as a person more than so. It's

1062
00:52:05,680 --> 00:52:07,719
Speaker 3: so you can never point out that, hey, she did

1063
00:52:07,760 --> 00:52:10,960
Speaker 3: a bad job and you know, or she was miscast

1064
00:52:11,000 --> 00:52:13,200
Speaker 3: in American Hustle. You can't bring it up because, hey,

1065
00:52:13,640 --> 00:52:15,400
Speaker 3: Jennifer Lawrence is a media darling.

1066
00:52:15,480 --> 00:52:16,719
Speaker 1: What they get angry at you?

1067
00:52:17,520 --> 00:52:20,040
Speaker 3: The poe was, is the Baltimore's Curfew a good idea?

1068
00:52:20,160 --> 00:52:22,600
Speaker 3: No one left a comment, so you guys all cowards,

1069
00:52:22,960 --> 00:52:26,279
Speaker 3: but no, it's targeted harassment. Eighty four percent of people

1070
00:52:26,320 --> 00:52:31,280
Speaker 3: say yeah, and fifteen percent of people said it'll reduce crimes,

1071
00:52:31,320 --> 00:52:34,160
Speaker 3: So yeah, they think it is a good idea, and

1072
00:52:34,760 --> 00:52:36,840
Speaker 3: eighty five percent of people say it's not a good idea.

1073
00:52:37,200 --> 00:52:37,360
Speaker 13: You know.

1074
00:52:39,000 --> 00:52:40,919
Speaker 3: And we also had the last episode of a week

1075
00:52:41,080 --> 00:52:45,799
Speaker 3: hard Crack Life Sounds tasty. Said Hey, Karen and Rod,

1076
00:52:45,840 --> 00:52:47,959
Speaker 3: I wanted to comment on two things from the shelf. First,

1077
00:52:48,239 --> 00:52:50,440
Speaker 3: regarding the burger king pie guy, you left out the

1078
00:52:50,480 --> 00:52:52,279
Speaker 3: part of the story whether a woman's kid was throwing

1079
00:52:52,320 --> 00:52:55,080
Speaker 3: the tantrum the entire time he was in line screaming

1080
00:52:55,280 --> 00:52:57,359
Speaker 3: I want a pie. The guy then told the woman

1081
00:52:57,400 --> 00:52:59,000
Speaker 3: to take care of her kid, and she said he

1082
00:52:59,000 --> 00:53:01,560
Speaker 3: should mind his business. She then went on to tell

1083
00:53:01,600 --> 00:53:03,040
Speaker 3: her son, of course he could have a pot for

1084
00:53:03,200 --> 00:53:05,520
Speaker 3: lunch because she loved him and he could have whatever

1085
00:53:05,600 --> 00:53:07,720
Speaker 3: he wanted. The kid continued to be a little Bratten

1086
00:53:07,800 --> 00:53:11,880
Speaker 3: screen side note, this little kid also needs some training.

1087
00:53:12,160 --> 00:53:15,319
Speaker 3: It is a link to a YouTube video. I guess

1088
00:53:15,400 --> 00:53:21,879
Speaker 3: somebody else's badass kid. Bad Black Kid terrorizes Chuck E. Cheese. Well,

1089
00:53:21,960 --> 00:53:23,840
Speaker 3: Chucky Cheese is the devil. I'm not gonna even play this.

1090
00:53:25,400 --> 00:53:27,839
Speaker 3: I'm sure that this kid was out of control a lot,

1091
00:53:28,160 --> 00:53:32,080
Speaker 3: I mean, honestly. Second, regarding Iggy, I must say I

1092
00:53:32,160 --> 00:53:34,680
Speaker 3: had mixed feelings about her since I first came across

1093
00:53:34,719 --> 00:53:37,920
Speaker 3: her the spring. She performed on The Today Show on Friday,

1094
00:53:37,920 --> 00:53:40,320
Speaker 3: and well, I guess I still have mixed feelings. She

1095
00:53:40,520 --> 00:53:43,280
Speaker 3: does her thing and clearly making money from her persona

1096
00:53:43,360 --> 00:53:46,560
Speaker 3: and music as an entertainer. Is there something wrong with that?

1097
00:53:46,880 --> 00:53:48,640
Speaker 3: Or is there something wrong with the public for buying

1098
00:53:48,680 --> 00:53:51,440
Speaker 3: her music and turning up to her concerts? Well, yeah,

1099
00:53:51,480 --> 00:53:55,200
Speaker 3: you can always point to the American public for really

1100
00:53:55,280 --> 00:53:58,680
Speaker 3: most of the problems. Like Yes, Kim Kardashian's coming out

1101
00:53:58,719 --> 00:54:00,799
Speaker 3: with a book of selfies by I see people are

1102
00:54:00,840 --> 00:54:03,080
Speaker 3: upset about it, but these are the same people I've

1103
00:54:03,080 --> 00:54:04,719
Speaker 3: seen tweeting about how they bought Kim.

1104
00:54:04,719 --> 00:54:06,359
Speaker 1: Kardash Is game app.

1105
00:54:06,800 --> 00:54:10,279
Speaker 3: So fuck those people. I should really be taking their

1106
00:54:10,320 --> 00:54:12,880
Speaker 3: opinion seriously, Come on, you're supporting the problem that you have.

1107
00:54:13,160 --> 00:54:16,680
Speaker 3: Like you, you dislike this woman while giving her your

1108
00:54:16,760 --> 00:54:19,240
Speaker 3: mo Yeah, well, giving her your money?

1109
00:54:19,600 --> 00:54:20,080
Speaker 5: You know what I mean.

1110
00:54:20,200 --> 00:54:22,399
Speaker 3: I hate you. I hate you. Take my money, take

1111
00:54:22,440 --> 00:54:25,600
Speaker 3: my ninety nine cent yeah uh. And I don't feel

1112
00:54:25,640 --> 00:54:28,279
Speaker 3: like I should be I should see her rapping any

1113
00:54:28,320 --> 00:54:30,279
Speaker 3: other way. I can see her rapping any other way.

1114
00:54:30,640 --> 00:54:32,600
Speaker 3: I think I do have more problems with their image.

1115
00:54:32,640 --> 00:54:35,320
Speaker 3: That's where I think she truly tries to emulate word choice,

1116
00:54:35,320 --> 00:54:38,120
Speaker 3: black rap culture. I mean, look at the Today's show performance.

1117
00:54:38,160 --> 00:54:40,040
Speaker 3: A bud is larger than all the black girls around

1118
00:54:40,080 --> 00:54:41,920
Speaker 3: her and she can barely move around. Is it really

1119
00:54:42,000 --> 00:54:46,200
Speaker 3: hers it's not? Or is that padded? It's padded with silicon?

1120
00:54:47,480 --> 00:54:51,439
Speaker 2: I don't think. I don't just don't know. Thanks for reading. Well,

1121
00:54:51,560 --> 00:54:54,000
Speaker 2: sounds tasty, sounds like you need to make up your mind.

1122
00:54:55,320 --> 00:55:01,120
Speaker 3: But nah, I do think it's very weird like and

1123
00:55:01,239 --> 00:55:07,279
Speaker 3: I do think like she's clearly imitating black culture, but

1124
00:55:07,400 --> 00:55:10,600
Speaker 3: you can't really tell if it's out of a sense

1125
00:55:10,760 --> 00:55:12,680
Speaker 3: of because a lot of people are very confused around

1126
00:55:12,800 --> 00:55:15,560
Speaker 3: race and race issues and stuff. And I like, I

1127
00:55:15,760 --> 00:55:18,040
Speaker 3: honestly think people go in on this shit because it's

1128
00:55:18,040 --> 00:55:20,120
Speaker 3: the new thing to do on Twitter and Facebook and stuff.

1129
00:55:20,560 --> 00:55:21,800
Speaker 2: You're appropriating my culture.

1130
00:55:22,200 --> 00:55:24,640
Speaker 3: But I to me, it's a fine line, and it's

1131
00:55:24,680 --> 00:55:28,279
Speaker 3: hard to tell when somebody's actually like that. Maybe it

1132
00:55:28,360 --> 00:55:31,720
Speaker 3: is misplaced, but they think that they're contributing to the culture,

1133
00:55:31,719 --> 00:55:35,919
Speaker 3: and they think that they're like, you know, really part

1134
00:55:36,040 --> 00:55:36,200
Speaker 3: of it.

1135
00:55:36,480 --> 00:55:38,520
Speaker 2: And some and I think hip hop.

1136
00:55:38,440 --> 00:55:41,480
Speaker 3: Has been sending such mixed messages with you can live

1137
00:55:41,560 --> 00:55:44,680
Speaker 3: a certain way but rap another way. Yes, that I

1138
00:55:44,719 --> 00:55:47,520
Speaker 3: wouldn't be surprised if somebody like her did think, well,

1139
00:55:47,680 --> 00:55:50,960
Speaker 3: what's wrong with you know, rapping and talking like this?

1140
00:55:51,080 --> 00:55:53,440
Speaker 2: If I don't talk like that on stage like a

1141
00:55:53,520 --> 00:55:55,120
Speaker 2: lot of these niggas, don't, you know?

1142
00:55:55,560 --> 00:56:00,960
Speaker 3: Yeah, yeah, applies to talk about degrees and all this

1143
00:56:01,040 --> 00:56:04,160
Speaker 3: ship and then wrapping by bussted baby, Like I can

1144
00:56:04,280 --> 00:56:08,400
Speaker 3: understand why someone from Australia would be like, oh, this

1145
00:56:08,520 --> 00:56:09,359
Speaker 3: is just part of the course.

1146
00:56:09,440 --> 00:56:09,759
Speaker 2: Of course.

1147
00:56:09,840 --> 00:56:11,879
Speaker 3: You lie when you get on the microphone, you act

1148
00:56:11,960 --> 00:56:14,319
Speaker 3: a certain way play a character, then when you get off,

1149
00:56:14,360 --> 00:56:16,439
Speaker 3: you're done. You know, we've been doing that for years.

1150
00:56:16,960 --> 00:56:18,680
Speaker 2: How many black dudes have been like, Oh, I'll call

1151
00:56:18,719 --> 00:56:19,520
Speaker 2: you a bench and a.

1152
00:56:19,560 --> 00:56:22,600
Speaker 3: Whole during my music, but I don't really mean it,

1153
00:56:22,920 --> 00:56:26,000
Speaker 3: you know, right, So I can see why she'd be confused.

1154
00:56:26,239 --> 00:56:28,800
Speaker 3: I really don't have a problem with her because I

1155
00:56:28,880 --> 00:56:31,680
Speaker 3: don't listen to her music either, So that's.

1156
00:56:33,239 --> 00:56:35,319
Speaker 2: I don't even listen to Fancy. I don't even listen

1157
00:56:35,360 --> 00:56:36,560
Speaker 2: to I don't hear when I hear.

1158
00:56:36,760 --> 00:56:39,759
Speaker 1: The commercial, that's it for me. If went for that withou.

1159
00:56:40,360 --> 00:56:44,719
Speaker 3: Yeah, So I don't have the issue because normally, Like

1160
00:56:44,840 --> 00:56:47,040
Speaker 3: that's the thing that's a little different than me and

1161
00:56:47,120 --> 00:56:48,879
Speaker 3: a lot of people is when I don't have when

1162
00:56:48,920 --> 00:56:51,920
Speaker 3: I when I have a problem with something, I un

1163
00:56:51,960 --> 00:56:54,759
Speaker 3: tipically just check out, Like I just don't support them

1164
00:56:54,800 --> 00:56:58,080
Speaker 3: in any way. So I don't have the constant anger

1165
00:56:58,160 --> 00:57:00,759
Speaker 3: towards them because I'm not seeing them, you know, Like

1166
00:57:00,920 --> 00:57:02,840
Speaker 3: to me, with all this media.

1167
00:57:02,560 --> 00:57:04,680
Speaker 2: Out here, it's very easy to avoid Egzella.

1168
00:57:04,960 --> 00:57:05,480
Speaker 1: Yes, it is.

1169
00:57:06,560 --> 00:57:08,480
Speaker 3: Like I said, I hadn't heard Fancy till I saw

1170
00:57:08,520 --> 00:57:09,799
Speaker 3: that heard that commercials.

1171
00:57:09,920 --> 00:57:12,680
Speaker 1: I don't listen to standard Rado, which is probably played

1172
00:57:12,719 --> 00:57:13,160
Speaker 1: the hell.

1173
00:57:13,040 --> 00:57:13,719
Speaker 2: Out of Yeah.

1174
00:57:13,800 --> 00:57:16,920
Speaker 3: I don't listen to radio, I don't watch videos. You know,

1175
00:57:17,120 --> 00:57:19,160
Speaker 3: it's just not She's not in my perfew man like.

1176
00:57:20,480 --> 00:57:22,480
Speaker 3: So yeah, it's so it's hard for me to get

1177
00:57:22,520 --> 00:57:25,720
Speaker 3: any anger towards I'm sure if I was into whatever

1178
00:57:25,800 --> 00:57:27,480
Speaker 3: she was into, I'm sure I would find a way

1179
00:57:27,560 --> 00:57:30,960
Speaker 3: to be mad. But I just I don't care. Freezer says,

1180
00:57:31,280 --> 00:57:34,280
Speaker 3: I've now realized that Amber Pe Amber p from Black

1181
00:57:34,320 --> 00:57:37,280
Speaker 3: sexag Get Mental was on this podcast. I now realized

1182
00:57:37,320 --> 00:57:39,640
Speaker 3: that Mberpa is pretty much what were result if Jess

1183
00:57:39,680 --> 00:57:41,440
Speaker 3: Wood and feminist to Jones could have a kid.

1184
00:57:43,040 --> 00:57:44,080
Speaker 2: That's that's funny.

1185
00:57:47,400 --> 00:57:50,720
Speaker 3: Yep, MP is the greatest. And we had Poe, which

1186
00:57:50,960 --> 00:57:55,840
Speaker 3: was who you got Israel or Palestine? Okay, we talked

1187
00:57:55,840 --> 00:58:00,680
Speaker 3: about on the show. Thirty percent of people have Israel's back,

1188
00:58:00,840 --> 00:58:04,680
Speaker 3: sixty nine percent of you guys agree with Palestine. Wow,

1189
00:58:05,160 --> 00:58:08,560
Speaker 3: just oh that's crazy. Frizer says. I burned a few

1190
00:58:08,600 --> 00:58:10,560
Speaker 3: brain cells trying to frame what I know about the

1191
00:58:10,600 --> 00:58:12,960
Speaker 3: gods of thing into an understandable context. And what I've

1192
00:58:13,000 --> 00:58:14,720
Speaker 3: come with is this, The whole thing is like the

1193
00:58:14,840 --> 00:58:17,920
Speaker 3: height of the crack epidemic, the Israelis are the lapd

1194
00:58:18,080 --> 00:58:20,640
Speaker 3: Harmas are the drug dealers, and the Palestinian people all

1195
00:58:20,640 --> 00:58:23,040
Speaker 3: the folks in the caught in the middle and just

1196
00:58:23,120 --> 00:58:25,320
Speaker 3: trying to get by. No reasonable person is going to

1197
00:58:25,360 --> 00:58:27,480
Speaker 3: be cheering on the drug dealers, but at the same

1198
00:58:27,600 --> 00:58:29,520
Speaker 3: time they're going to see the police actions that are

1199
00:58:29,640 --> 00:58:33,400
Speaker 3: problematic at best and criminal overkill at worst. I realize

1200
00:58:33,400 --> 00:58:37,000
Speaker 3: the comparison isn't quite perfect, mostly because Nino Brown wasn't

1201
00:58:37,000 --> 00:58:39,560
Speaker 3: directing his people to destroy the NYPD and throw shots

1202
00:58:39,600 --> 00:58:40,760
Speaker 3: at them every chance they got.

1203
00:58:41,160 --> 00:58:43,040
Speaker 2: But I hope that helps put things into some sort

1204
00:58:43,080 --> 00:58:43,640
Speaker 2: of context.

1205
00:58:44,480 --> 00:58:46,760
Speaker 3: Prince Ron says, I understand that Hamas is a problem,

1206
00:58:46,840 --> 00:58:50,280
Speaker 3: but Israel is racking up on civilian bodies. I live

1207
00:58:50,360 --> 00:58:52,600
Speaker 3: in the comments section, and people are ripping each other apart.

1208
00:58:52,920 --> 00:58:55,480
Speaker 3: If you show any sympathy for Palestine, all your replies

1209
00:58:55,560 --> 00:58:59,120
Speaker 3: are about you being an anti semi. Most people that

1210
00:58:59,400 --> 00:59:02,360
Speaker 3: want them don't want the problems Rihanna and Dwight Howard

1211
00:59:02,400 --> 00:59:05,920
Speaker 3: to raise those comments with the quickness. Uh, it's one

1212
00:59:05,960 --> 00:59:07,760
Speaker 3: thing I have. One thing I have noticed is that

1213
00:59:07,840 --> 00:59:10,480
Speaker 3: black people don't react to being called anti semi the

1214
00:59:10,560 --> 00:59:13,280
Speaker 3: way white and Arab people do. Niggas will keep posting,

1215
00:59:13,360 --> 00:59:16,880
Speaker 3: but other groups stop commencing commenting once they are accused.

1216
00:59:17,680 --> 00:59:20,040
Speaker 1: Yeah, that's a racial thing because we got a lot

1217
00:59:20,080 --> 00:59:21,640
Speaker 1: of people go, I don't know what the fuck that is.

1218
00:59:21,720 --> 00:59:23,439
Speaker 1: If they do know, nigga, w fuck you. It don't

1219
00:59:23,480 --> 00:59:24,760
Speaker 1: mean ship to me and my culture.

1220
00:59:26,080 --> 00:59:29,000
Speaker 3: We have several voicemails this week. Let me play those.

1221
00:59:32,160 --> 00:59:36,200
Speaker 14: Good rock man.

1222
00:59:36,960 --> 00:59:42,560
Speaker 15: I do gotta say, y'all, fools is full niche man.

1223
00:59:42,600 --> 00:59:45,280
Speaker 15: I'm listening to that episode, y'all. We're talking about the

1224
00:59:46,760 --> 00:59:50,320
Speaker 15: the Beyonce song and then when you stopped in the

1225
00:59:50,400 --> 00:59:57,040
Speaker 15: middle of that motherfucker and drop, god damn breaking news music, nigga,

1226
00:59:57,320 --> 01:00:02,480
Speaker 15: I was on the highway man, boa man, y'all got

1227
01:00:02,600 --> 01:00:05,840
Speaker 15: warm people. You can't have breaking news before the breaking news. Man,

1228
01:00:05,840 --> 01:00:09,520
Speaker 15: you got warm people for y'all like that too good?

1229
01:00:10,400 --> 01:00:11,400
Speaker 15: Too damn good.

1230
01:00:11,880 --> 01:00:13,520
Speaker 6: So anyway, that was it.

1231
01:00:13,680 --> 01:00:16,520
Speaker 15: I just oh, man, I haven't last that hard a minute.

1232
01:00:16,960 --> 01:00:19,200
Speaker 15: Just wanted to share that love with y'all. Take care,

1233
01:00:19,760 --> 01:00:23,880
Speaker 15: be black, keep doing what y'all do, and uh yeah.

1234
01:00:24,040 --> 01:00:27,919
Speaker 1: They black, Thank you, thanks rock.

1235
01:00:28,200 --> 01:00:30,520
Speaker 3: Yeah, we've been getting a lot of feedback from the

1236
01:00:30,600 --> 01:00:34,440
Speaker 3: fact that we drop uh the music after.

1237
01:00:34,400 --> 01:00:37,760
Speaker 4: Sometimes Yeah, because sometimes we don't realize it's breaking news

1238
01:00:37,800 --> 01:00:38,280
Speaker 4: at the moment.

1239
01:00:38,320 --> 01:00:39,000
Speaker 1: I'm sorry, y'all.

1240
01:00:39,440 --> 01:00:41,760
Speaker 2: Yeah, no, no, no, I mean positive feedback people.

1241
01:00:42,720 --> 01:00:45,160
Speaker 3: And sometimes I do it on purpose, like I'll start

1242
01:00:45,240 --> 01:00:47,040
Speaker 3: talking about an article and then I'll be like, and

1243
01:00:47,560 --> 01:00:48,680
Speaker 3: this is fucking black people.

1244
01:00:48,840 --> 01:00:49,560
Speaker 1: You know that's true?

1245
01:00:50,520 --> 01:00:51,920
Speaker 3: That all right? Next, boicemail.

1246
01:00:53,840 --> 01:00:55,960
Speaker 8: It's been a long time. I shouldn't have left you

1247
01:00:56,120 --> 01:00:59,040
Speaker 8: without a voicemail the stuff. Dude. Hey, man, that's your

1248
01:00:59,480 --> 01:01:02,600
Speaker 8: your boy Steve and Richards. How you guys doing right?

1249
01:01:02,680 --> 01:01:05,520
Speaker 8: And care? And uh miss you guys very much. I

1250
01:01:05,680 --> 01:01:08,200
Speaker 8: know you guys haven't heard much from me, but I

1251
01:01:08,360 --> 01:01:10,680
Speaker 8: tell you, man, I've been working like a Hebrew slave.

1252
01:01:10,840 --> 01:01:13,600
Speaker 8: No fun intended. But I tell you what, man, I've

1253
01:01:13,640 --> 01:01:15,880
Speaker 8: been I've still been listening to your shows. I've been

1254
01:01:16,040 --> 01:01:19,760
Speaker 8: enjoining them. H I tell you what, man, Yes, a

1255
01:01:20,000 --> 01:01:23,520
Speaker 8: very good commentary right about that. Stephen A. Smith saying, hey,

1256
01:01:23,760 --> 01:01:26,440
Speaker 8: hey guys, hey guys, just let me let me let

1257
01:01:26,480 --> 01:01:30,400
Speaker 8: me just tell you this. Okay, please don't hit ladies. Okay, look, look,

1258
01:01:30,440 --> 01:01:32,960
Speaker 8: you know we're feelas, we're strong. We're you know, we're

1259
01:01:33,000 --> 01:01:36,520
Speaker 8: physically uh gonna be stronger than the ladies. You know,

1260
01:01:36,640 --> 01:01:39,440
Speaker 8: that's just the way that the good lord lady and

1261
01:01:39,680 --> 01:01:43,240
Speaker 8: uh you know, they made them smarter than us. Okay, Uh,

1262
01:01:43,400 --> 01:01:45,680
Speaker 8: you know, ladies are smarter than us and we're just

1263
01:01:45,960 --> 01:01:49,080
Speaker 8: a little bit more physically strong. But hey, guess, uh

1264
01:01:49,240 --> 01:01:52,000
Speaker 8: you know, please don't hit ladies. Okay. Uh, It's it's

1265
01:01:52,200 --> 01:01:54,760
Speaker 8: just as simple as that, you know, escape the situation.

1266
01:01:55,520 --> 01:01:58,520
Speaker 8: You know, you know, and and you don't want to

1267
01:01:58,560 --> 01:02:01,720
Speaker 8: be ruining you know of these ladies who they're beautiful,

1268
01:02:01,800 --> 01:02:05,160
Speaker 8: they're soft and you know, luscious and everything, and I

1269
01:02:05,560 --> 01:02:08,360
Speaker 8: and I just love them so much and you know, uh,

1270
01:02:08,840 --> 01:02:11,640
Speaker 8: you know, and I respect them, so uh, you know, guys,

1271
01:02:11,840 --> 01:02:16,480
Speaker 8: just just don't do it. Okay. Anyway, run Karen. I've

1272
01:02:16,520 --> 01:02:17,680
Speaker 8: missed you guys a whole lot.

1273
01:02:17,840 --> 01:02:18,000
Speaker 3: Man.

1274
01:02:18,160 --> 01:02:21,960
Speaker 8: Uh. Well, you know, I've been wanting to call in,

1275
01:02:22,240 --> 01:02:24,040
Speaker 8: but I just don't want to call in and not

1276
01:02:24,160 --> 01:02:27,600
Speaker 8: say anything. So sometimes it's just kind of laid back

1277
01:02:27,720 --> 01:02:31,080
Speaker 8: in to cut, if you will. But anyway, hey, you guys,

1278
01:02:31,200 --> 01:02:31,800
Speaker 8: have a good one.

1279
01:02:32,000 --> 01:02:32,560
Speaker 14: Love your show.

1280
01:02:32,880 --> 01:02:35,520
Speaker 8: Still uh, still listening every day, all.

1281
01:02:35,520 --> 01:02:39,240
Speaker 3: Right, thank you, all right, thank you Steven Richard. Yeah,

1282
01:02:39,480 --> 01:02:41,439
Speaker 3: I appreciate you, Chiller and the cut.

1283
01:02:41,760 --> 01:02:41,880
Speaker 8: Uh.

1284
01:02:42,080 --> 01:02:44,760
Speaker 3: We don't want people to call just to call, like

1285
01:02:44,840 --> 01:02:46,800
Speaker 3: I do. Prefer people to call when they have something

1286
01:02:46,840 --> 01:02:48,440
Speaker 3: to say or something relevant to the topic.

1287
01:02:49,120 --> 01:02:49,240
Speaker 13: Uh.

1288
01:02:49,320 --> 01:02:51,320
Speaker 3: We all have shit to do, just like y'all have

1289
01:02:51,400 --> 01:02:53,880
Speaker 3: shit to do. So you know, we appreciate the call

1290
01:02:54,560 --> 01:02:57,520
Speaker 3: and thank you for your kind words about my words.

1291
01:02:58,240 --> 01:02:59,840
Speaker 2: Uh and we got another one from him.

1292
01:03:00,840 --> 01:03:04,080
Speaker 8: Hey, guys, this is Stephen Richards again. Hey, hey, guys,

1293
01:03:04,880 --> 01:03:08,280
Speaker 8: wanted to wanted to give a little bit of advice. Uh,

1294
01:03:08,600 --> 01:03:12,040
Speaker 8: those guys, cause you guys last week his name was Brandon,

1295
01:03:12,120 --> 01:03:15,280
Speaker 8: that of Los Fakes. Now now I heard that guy's complaints,

1296
01:03:15,320 --> 01:03:18,959
Speaker 8: and you know, you know, Stephen Richards is all about

1297
01:03:19,040 --> 01:03:21,280
Speaker 8: helping people out, so you know, I just wanted to

1298
01:03:21,320 --> 01:03:24,000
Speaker 8: give him a couple of pointers. He was looking for

1299
01:03:24,080 --> 01:03:26,960
Speaker 8: a scenario in which would be a good reason to

1300
01:03:27,000 --> 01:03:30,920
Speaker 8: hear a woman. Okay, let me tell you, Hey, hey, hey,

1301
01:03:31,040 --> 01:03:33,880
Speaker 8: Brandon from Las Vegas. Let me let me, let me

1302
01:03:34,440 --> 01:03:37,280
Speaker 8: give you some knowledge. Okay, let me put you on

1303
01:03:37,520 --> 01:03:40,480
Speaker 8: to some game. As they say, as they say, I'm

1304
01:03:40,520 --> 01:03:43,040
Speaker 8: gonna give you a scenario, okay, where you can hit

1305
01:03:43,080 --> 01:03:45,720
Speaker 8: a woman. Okay, I'm gonna give you a scenario where

1306
01:03:45,800 --> 01:03:48,920
Speaker 8: you can hear a woman. Okay, are you listening? To Brandon. Okay,

1307
01:03:49,000 --> 01:03:52,240
Speaker 8: here's the scenario. Uh, this is the scenario where you

1308
01:03:52,280 --> 01:03:53,960
Speaker 8: can hit women. Listen, listen closely.

1309
01:03:54,280 --> 01:03:54,720
Speaker 16: Here is.

1310
01:03:59,280 --> 01:04:00,560
Speaker 8: I hope you got Brandon.

1311
01:04:00,640 --> 01:04:00,880
Speaker 14: Okay.

1312
01:04:01,480 --> 01:04:03,120
Speaker 8: If you didn't get it, I'm gonna tell you one

1313
01:04:03,120 --> 01:04:06,360
Speaker 8: more time. Now listen closely. This is a scenario where

1314
01:04:06,400 --> 01:04:08,920
Speaker 8: you can hit a woman. Brandon enough from Las Vegas. Okay,

1315
01:04:09,240 --> 01:04:16,080
Speaker 8: listen closely. All right, man, I'm not gonna repeat it again. Okay,

1316
01:04:17,040 --> 01:04:18,680
Speaker 8: those are the scenarios.

1317
01:04:18,160 --> 01:04:19,160
Speaker 14: Where you can hit a woman.

1318
01:04:19,320 --> 01:04:22,600
Speaker 8: Okay, all right, Brandon and any other of you guys

1319
01:04:22,680 --> 01:04:25,640
Speaker 8: out there who are looking for reasons to hit women. Uh,

1320
01:04:26,000 --> 01:04:29,920
Speaker 8: you know, I personally don't agree with it. Okay, but

1321
01:04:30,240 --> 01:04:32,640
Speaker 8: you know it's your life. Okay, it's your life. If

1322
01:04:32,680 --> 01:04:35,680
Speaker 8: you want to do it, I can't tell you not to,

1323
01:04:36,000 --> 01:04:38,800
Speaker 8: all right, but I hope you could get it. To

1324
01:04:38,880 --> 01:04:42,800
Speaker 8: get something from that tip, there, you know the perfect

1325
01:04:42,840 --> 01:04:45,680
Speaker 8: scenario in which to hit a woman. Okay, Hey, you guys,

1326
01:04:45,760 --> 01:04:48,400
Speaker 8: it's Stephen Richard's out of boatma all right, and you

1327
01:04:48,520 --> 01:04:50,520
Speaker 8: guys have a good one. Make it. Thank you're right,

1328
01:04:50,520 --> 01:04:52,360
Speaker 8: and Karen, thank you.

1329
01:04:53,080 --> 01:04:53,760
Speaker 3: We appreciate you.

1330
01:04:53,880 --> 01:04:54,120
Speaker 4: Dog.

1331
01:04:55,840 --> 01:04:58,280
Speaker 3: That's hilarious. The situation where you can hit a woman.

1332
01:04:59,080 --> 01:05:01,520
Speaker 1: No situation period period.

1333
01:05:03,160 --> 01:05:05,160
Speaker 3: But what if she got to Ninja's in the squad

1334
01:05:05,280 --> 01:05:07,720
Speaker 3: of military people about to attack your baby.

1335
01:05:08,280 --> 01:05:10,040
Speaker 2: You gotta do something. Gotta hear the.

1336
01:05:10,080 --> 01:05:14,920
Speaker 14: Karen, right, I said, no, no, no, what is it? Sunday?

1337
01:05:15,400 --> 01:05:19,680
Speaker 14: So early morning on Saturday, I got Louis and I

1338
01:05:19,840 --> 01:05:25,600
Speaker 14: Junior from the good city of Detroit. I called, Oh, Scott,

1339
01:05:25,640 --> 01:05:30,360
Speaker 14: why call? They're laughing at me right now? Oh, because yes,

1340
01:05:30,640 --> 01:05:34,880
Speaker 14: it's funny as hell and the True Blood this week

1341
01:05:34,920 --> 01:05:37,880
Speaker 14: because I don't watch that because y'all True Blood it's horrible,

1342
01:05:38,400 --> 01:05:43,080
Speaker 14: But you guys did forty minutes of show before you

1343
01:05:43,280 --> 01:05:46,840
Speaker 14: even went into the review, and that's just the famous

1344
01:05:47,520 --> 01:05:50,080
Speaker 14: great show is always. I'm gonna get back to listening

1345
01:05:50,080 --> 01:05:53,240
Speaker 14: because y'all getting me through my workday. Talk to y'all

1346
01:05:53,280 --> 01:05:54,160
Speaker 14: good people another time.

1347
01:05:58,320 --> 01:06:00,960
Speaker 3: Well, thank you appreciating It takes a while to get

1348
01:06:01,000 --> 01:06:04,000
Speaker 3: into that Blood some weeks. Yeah, a lot of stuff

1349
01:06:04,040 --> 01:06:04,560
Speaker 3: to talk about.

1350
01:06:05,320 --> 01:06:08,560
Speaker 4: Yeah, sometimes Roger purfectly delays, and you know, got got

1351
01:06:08,840 --> 01:06:09,680
Speaker 4: to prepare yourself for.

1352
01:06:09,720 --> 01:06:11,680
Speaker 3: That next worm.

1353
01:06:12,520 --> 01:06:13,760
Speaker 6: Hey, what's up? What's up?

1354
01:06:13,840 --> 01:06:14,120
Speaker 15: Karen?

1355
01:06:14,560 --> 01:06:17,240
Speaker 6: This is an old four soldier and I was you

1356
01:06:17,280 --> 01:06:19,720
Speaker 6: guys were talking about early on episode seven fifty eight,

1357
01:06:20,160 --> 01:06:23,680
Speaker 6: Hartocrack Life that you guys wanted to both go shoot

1358
01:06:23,800 --> 01:06:26,760
Speaker 6: guns and everything like that, and uh, and he was

1359
01:06:26,880 --> 01:06:28,760
Speaker 6: like Karen was talking about how she might need to

1360
01:06:28,800 --> 01:06:31,400
Speaker 6: go out and shoot guns with some other women so

1361
01:06:31,600 --> 01:06:33,919
Speaker 6: she could be a good experience with her. And role

1362
01:06:34,120 --> 01:06:36,480
Speaker 6: was like, come to conclusion that he made need a

1363
01:06:36,520 --> 01:06:39,520
Speaker 6: white chaperone. And I've got some words on that because

1364
01:06:40,160 --> 01:06:40,400
Speaker 6: I did.

1365
01:06:40,640 --> 01:06:40,880
Speaker 8: I had.

1366
01:06:40,960 --> 01:06:43,600
Speaker 6: I had a similar experience my first time I was shooting.

1367
01:06:45,080 --> 01:06:48,560
Speaker 6: He's a story. So when my my co worker who

1368
01:06:48,600 --> 01:06:50,200
Speaker 6: was a big gun now, he wanted us to all

1369
01:06:50,200 --> 01:06:52,240
Speaker 6: to go shoot shooting one time. So my first time

1370
01:06:52,280 --> 01:06:54,400
Speaker 6: going shooting, went to the gun range, real formal gun

1371
01:06:54,520 --> 01:06:57,960
Speaker 6: range that has sirens and everything, and you got it.

1372
01:06:58,040 --> 01:07:01,160
Speaker 6: There's a lot of protocols and plumb out. So we

1373
01:07:01,280 --> 01:07:04,720
Speaker 6: those gun rangers, right, and my coworkers who's white, he

1374
01:07:04,840 --> 01:07:08,160
Speaker 6: lets me Gilray shop was a K forty seven. As

1375
01:07:08,200 --> 01:07:10,440
Speaker 6: I'm getting gill Ay shoopers a K forty seven down

1376
01:07:10,560 --> 01:07:14,320
Speaker 6: range and everything like this, Uh, signs go off and

1377
01:07:14,440 --> 01:07:19,480
Speaker 6: this dude and the son's uh, the owner's son. He

1378
01:07:19,640 --> 01:07:22,320
Speaker 6: calms down and he's hunting through a megaphone, saying hold

1379
01:07:22,400 --> 01:07:24,800
Speaker 6: your fire, put your weapons down, and everything like that.

1380
01:07:24,880 --> 01:07:27,720
Speaker 6: He's walking up to me in the huff right, and

1381
01:07:27,840 --> 01:07:29,720
Speaker 6: the first thing he starts to yell at me and saying,

1382
01:07:29,880 --> 01:07:32,960
Speaker 6: I need your your uh your f l C D

1383
01:07:33,200 --> 01:07:36,280
Speaker 6: L three paperwork for that weapon. And he was like,

1384
01:07:36,960 --> 01:07:39,000
Speaker 6: he's there, let me trying to tell me to get

1385
01:07:39,040 --> 01:07:40,800
Speaker 6: the paperwork for it. And I was like, this is

1386
01:07:40,880 --> 01:07:44,880
Speaker 6: his gun and my boss, my boss, my superbos and

1387
01:07:44,960 --> 01:07:47,520
Speaker 6: co worker. And he went to go to paperwork. He said,

1388
01:07:47,520 --> 01:07:49,840
Speaker 6: I got it. Then you got gring the paperwork and

1389
01:07:52,040 --> 01:07:54,400
Speaker 6: and he looked over it real quickly and he handed

1390
01:07:54,440 --> 01:07:55,680
Speaker 6: the back. He said, all right, you can, you can,

1391
01:07:55,800 --> 01:07:58,000
Speaker 6: you can fire it. So he went back to firing.

1392
01:07:58,200 --> 01:08:02,240
Speaker 6: And then after afterwards, coworker told me that you really

1393
01:08:02,280 --> 01:08:05,800
Speaker 6: didn't read that paperwork because it's not really it wasn't

1394
01:08:05,840 --> 01:08:09,040
Speaker 6: really like a paperwork for it. And I kind of

1395
01:08:09,080 --> 01:08:11,000
Speaker 6: felt fucked with it because I realized that the only

1396
01:08:11,040 --> 01:08:12,480
Speaker 6: reason to do was messed with me is because all

1397
01:08:12,520 --> 01:08:15,080
Speaker 6: the black a black man shooting AK forty seven. He

1398
01:08:15,240 --> 01:08:17,439
Speaker 6: didn't eat like that idea of that, you know what

1399
01:08:17,439 --> 01:08:19,519
Speaker 6: I'm saying. In the state of holding carry texas where

1400
01:08:19,600 --> 01:08:22,519
Speaker 6: really every gun is really not registered, you know what

1401
01:08:22,560 --> 01:08:23,920
Speaker 6: I'm saying, all of a sudden, this dude needs to

1402
01:08:23,960 --> 01:08:26,200
Speaker 6: see paperwork, you know what I'm saying, before I can

1403
01:08:26,240 --> 01:08:29,120
Speaker 6: probably anything else, terrorist or something. I don't know, but

1404
01:08:29,200 --> 01:08:30,880
Speaker 6: you're always felt fucked with, you know what I'm saying.

1405
01:08:30,920 --> 01:08:34,800
Speaker 6: And sometimes a chaperone, a white chaperone, will help. So

1406
01:08:35,240 --> 01:08:36,840
Speaker 6: that's how I got to say, Man, just you know

1407
01:08:36,840 --> 01:08:38,800
Speaker 6: what I'm saying, it can be you can get some sticky,

1408
01:08:39,080 --> 01:08:42,560
Speaker 6: some sticky situations because people, especially white folks. Then I

1409
01:08:42,600 --> 01:08:45,719
Speaker 6: don't like seeing black folks, black and brown people shooting

1410
01:08:45,840 --> 01:08:48,160
Speaker 6: guns and you know what I'm saying, learning how to

1411
01:08:48,200 --> 01:08:51,680
Speaker 6: shoot stuff, So you'll be careful out there, because man,

1412
01:08:52,080 --> 01:08:55,280
Speaker 6: when you're introduced to it, it can be a scary

1413
01:08:55,280 --> 01:08:57,920
Speaker 6: experience when you don't know what's what's going on, you

1414
01:08:57,960 --> 01:09:01,000
Speaker 6: know what I'm saying. So so I take these taking the.

1415
01:09:01,040 --> 01:09:06,160
Speaker 3: Karen later later man, damn, I know, right, Yeah, that's

1416
01:09:06,240 --> 01:09:08,240
Speaker 3: with a gun, Like, what are you doing with that gun?

1417
01:09:08,360 --> 01:09:08,639
Speaker 5: Negro?

1418
01:09:08,960 --> 01:09:12,799
Speaker 3: Stop right, everybody put their guns down. Everybody stop shooting.

1419
01:09:12,960 --> 01:09:16,759
Speaker 3: Gotta un gotta unreached Negro. Let me see your paperwork, boy.

1420
01:09:16,800 --> 01:09:19,920
Speaker 2: Right, Man, that sucks, But yeah, I might go with

1421
01:09:20,000 --> 01:09:21,640
Speaker 2: some white people get them to vouch for me.

1422
01:09:22,280 --> 01:09:25,320
Speaker 3: This one's with us. Calm down, Fred or whatever?

1423
01:09:25,840 --> 01:09:27,920
Speaker 1: Right, No, right here his his gun shooting papers.

1424
01:09:27,960 --> 01:09:31,120
Speaker 3: Boy, All right, last voicemail?

1425
01:09:33,920 --> 01:09:34,280
Speaker 6: What's up?

1426
01:09:34,400 --> 01:09:34,479
Speaker 5: Rod?

1427
01:09:34,600 --> 01:09:39,360
Speaker 6: And Karen is like calling him because that ship making

1428
01:09:39,400 --> 01:09:41,919
Speaker 6: a song about jay Z and Deyonce.

1429
01:09:42,600 --> 01:09:43,679
Speaker 14: I'm pretty sure.

1430
01:09:43,720 --> 01:09:47,680
Speaker 17: That whenever jay Z eventually finds out about this, but like.

1431
01:09:47,720 --> 01:09:49,280
Speaker 14: If she ran up on him in the streets, she'd

1432
01:09:49,320 --> 01:09:50,840
Speaker 14: be like, yeah, what's up, jay Z?

1433
01:09:51,000 --> 01:09:53,519
Speaker 15: I made this song about you with me Live, and he'd.

1434
01:09:53,400 --> 01:09:55,280
Speaker 14: Be like, it'd be like that seen from Guardians of

1435
01:09:55,280 --> 01:09:59,880
Speaker 14: the Galaxy where John man Hanson was like, oh yeah,

1436
01:10:04,080 --> 01:10:07,200
Speaker 14: we looked at me one time and I thought that

1437
01:10:07,320 --> 01:10:08,920
Speaker 14: we could have had a thing.

1438
01:10:10,040 --> 01:10:11,800
Speaker 15: And then she's gonna have to blast herself out of

1439
01:10:11,880 --> 01:10:13,280
Speaker 15: the wall with rockets.

1440
01:10:13,840 --> 01:10:16,920
Speaker 14: So that's pretty much how that went down. And I

1441
01:10:17,040 --> 01:10:19,080
Speaker 14: love ye La peace.

1442
01:10:20,360 --> 01:10:24,080
Speaker 2: Yeah dog that that Live lady was out of control

1443
01:10:24,760 --> 01:10:25,040
Speaker 2: like that.

1444
01:10:25,560 --> 01:10:26,280
Speaker 3: That was insane.

1445
01:10:27,280 --> 01:10:29,120
Speaker 2: All right, let's get to these emails.

1446
01:10:29,200 --> 01:10:32,120
Speaker 3: Of course, the phone lines are open seven O four

1447
01:10:32,240 --> 01:10:35,160
Speaker 3: five five seven zero one eight six seven O four

1448
01:10:35,320 --> 01:10:37,800
Speaker 3: five five seven zero one eight six.

1449
01:10:39,400 --> 01:10:44,639
Speaker 4: Before you do the emails, somebody had posted a comment

1450
01:10:44,760 --> 01:10:47,519
Speaker 4: on Twitter underneath of the black guy who Tips. Her

1451
01:10:49,000 --> 01:10:53,760
Speaker 4: name is General Briefing, and she actually posted something about us.

1452
01:10:53,720 --> 01:10:55,280
Speaker 1: On her Tumblr site.

1453
01:10:55,760 --> 01:10:58,960
Speaker 4: Oh she did, okay, okay, and she said, so I

1454
01:10:59,080 --> 01:11:02,680
Speaker 4: started listening to the Blackout Who Tips podcast and it

1455
01:11:02,840 --> 01:11:05,840
Speaker 4: is awesome. My favorite segment by far is fucking with

1456
01:11:05,920 --> 01:11:10,400
Speaker 4: black people where they look at the news stories. Oh okay,

1457
01:11:10,400 --> 01:11:11,720
Speaker 4: well they look at the new story and they's so

1458
01:11:11,880 --> 01:11:13,880
Speaker 4: racist that they're designed to fuck with us. It makes

1459
01:11:13,920 --> 01:11:16,840
Speaker 4: me laugh because it's all we can do.

1460
01:11:17,000 --> 01:11:17,439
Speaker 1: Check it out.

1461
01:11:17,479 --> 01:11:19,400
Speaker 4: And so she posted on her tumble page. I want

1462
01:11:19,439 --> 01:11:21,200
Speaker 4: to tell her, thank you if we do pay you

1463
01:11:21,280 --> 01:11:23,240
Speaker 4: guys attention when you post things about us.

1464
01:11:23,560 --> 01:11:24,680
Speaker 3: Yeah, we appreciate it.

1465
01:11:24,800 --> 01:11:24,960
Speaker 4: Man.

1466
01:11:25,200 --> 01:11:30,479
Speaker 3: So uh that's dope. That's dope as shit. Yes, so

1467
01:11:31,000 --> 01:11:34,200
Speaker 3: we have, Like I said, phone lines are open seven

1468
01:11:34,280 --> 01:11:36,360
Speaker 3: o four to five. Our there one eighty six. Yes,

1469
01:11:36,720 --> 01:11:39,280
Speaker 3: woof game wrights us and sent a ship ton of

1470
01:11:39,400 --> 01:11:42,200
Speaker 3: articles that I'm not gonna read. Uh maybe we'll check

1471
01:11:42,200 --> 01:11:43,960
Speaker 3: them out later. But it's just like a bunch of

1472
01:11:44,120 --> 01:11:45,400
Speaker 3: like have you looked at this?

1473
01:11:45,600 --> 01:11:46,320
Speaker 2: Have you hold on?

1474
01:11:46,479 --> 01:11:48,960
Speaker 3: Got a voicement? Funk off yo, you're on with the

1475
01:11:49,000 --> 01:11:52,479
Speaker 3: Blackout tipsy.

1476
01:11:56,120 --> 01:11:56,519
Speaker 8: Nothing.

1477
01:11:56,720 --> 01:12:00,559
Speaker 16: I was like talking back to my radio when y'all

1478
01:12:00,600 --> 01:12:04,519
Speaker 16: were talking about Iggy in Questlove or whatever. I was like,

1479
01:12:04,600 --> 01:12:07,479
Speaker 16: let'll be caused and I won't complain about Iggy on

1480
01:12:07,600 --> 01:12:10,080
Speaker 16: YO show. I'll do that online like I do everything.

1481
01:12:12,640 --> 01:12:15,320
Speaker 16: But I have kind of an unpopular opinion about Quest.

1482
01:12:15,960 --> 01:12:18,680
Speaker 16: You remember when he wrote that article about being in

1483
01:12:18,760 --> 01:12:21,000
Speaker 16: the elevator with that woman and how it dawned on

1484
01:12:21,120 --> 01:12:23,760
Speaker 16: him that he was like a big, scary black man. Yes,

1485
01:12:24,840 --> 01:12:29,000
Speaker 16: so ever since then, I've been giving him super duper

1486
01:12:29,120 --> 01:12:31,600
Speaker 16: side eye because the undertone of that article to me

1487
01:12:32,000 --> 01:12:35,040
Speaker 16: was I usually can get any white woman I want,

1488
01:12:35,240 --> 01:12:38,160
Speaker 16: but today I realize that I am just another black man.

1489
01:12:38,320 --> 01:12:42,599
Speaker 16: So continuing that through line through the Iggy Azalea article,

1490
01:12:42,720 --> 01:12:46,360
Speaker 16: to me, it felt like I'm gonna cape for this

1491
01:12:46,560 --> 01:12:48,800
Speaker 16: white woman because I feel like that's a thing that

1492
01:12:48,920 --> 01:12:53,160
Speaker 16: he does now and I could be very unfairly categorizing him.

1493
01:12:53,200 --> 01:12:54,880
Speaker 16: But after that one article, I.

1494
01:12:55,040 --> 01:12:56,400
Speaker 18: Just everything he has to say.

1495
01:12:56,439 --> 01:13:02,880
Speaker 16: I'm like, whatever, she's like really good looking, and I

1496
01:13:02,960 --> 01:13:04,320
Speaker 16: think people give her.

1497
01:13:04,280 --> 01:13:05,040
Speaker 1: A pass for that.

1498
01:13:06,320 --> 01:13:08,320
Speaker 2: Well, she got a big ass and she's a white.

1499
01:13:08,160 --> 01:13:11,599
Speaker 16: Woman, so yes, and so that makes her like a unicorn.

1500
01:13:11,800 --> 01:13:14,520
Speaker 3: Yeah, that's a whole there's a whole genre of pornography

1501
01:13:14,560 --> 01:13:18,560
Speaker 3: dedicated to just that concept, is right, you know, I

1502
01:13:18,640 --> 01:13:24,360
Speaker 3: think what happens with Questo is reading the comments, uh

1503
01:13:24,560 --> 01:13:27,800
Speaker 3: the way, I felt like he was saying the same

1504
01:13:27,840 --> 01:13:29,840
Speaker 3: shit everyone else was saying, but.

1505
01:13:30,040 --> 01:13:32,720
Speaker 2: Trying to couch it in some type of like but

1506
01:13:33,320 --> 01:13:34,880
Speaker 2: you know it's her right, if she that's what.

1507
01:13:34,920 --> 01:13:36,640
Speaker 1: She wants to do, you want to lose that money and.

1508
01:13:37,120 --> 01:13:39,120
Speaker 3: Right, And it seemed like he had a profit motive

1509
01:13:39,280 --> 01:13:43,599
Speaker 3: with his new show and saying like, well, we get

1510
01:13:43,680 --> 01:13:48,320
Speaker 3: Australian like acts on my show, so I don't want

1511
01:13:48,360 --> 01:13:49,920
Speaker 3: to diss their music and their culture.

1512
01:13:49,920 --> 01:13:51,680
Speaker 2: And she seems to be the biggest thing from there

1513
01:13:51,760 --> 01:13:53,160
Speaker 2: right now, right.

1514
01:13:53,320 --> 01:13:57,439
Speaker 16: But and I feel like his couching is his cape

1515
01:13:57,520 --> 01:14:00,760
Speaker 16: coming out, because if that's the case, then could have

1516
01:14:00,840 --> 01:14:01,679
Speaker 16: just not said anything.

1517
01:14:02,439 --> 01:14:05,200
Speaker 3: Yeah, I mean it was just weird reading it because

1518
01:14:06,160 --> 01:14:09,040
Speaker 3: you know, like if you like, the comments actually sound

1519
01:14:09,360 --> 01:14:12,000
Speaker 3: kind of dismissive of her and kind of meaning like

1520
01:14:12,720 --> 01:14:15,160
Speaker 3: you know, like it like it's what I would say

1521
01:14:15,400 --> 01:14:17,479
Speaker 3: if I was in a position where I wanted to

1522
01:14:17,520 --> 01:14:19,439
Speaker 3: talk shit about you but didn't want to like deal

1523
01:14:19,520 --> 01:14:21,960
Speaker 3: with the backlash, I would try I would try to

1524
01:14:22,000 --> 01:14:24,280
Speaker 3: make it sound nice, And he made it sound nice,

1525
01:14:24,320 --> 01:14:26,960
Speaker 3: but it's the same shit we're saying, So I don't

1526
01:14:27,000 --> 01:14:30,320
Speaker 3: understand why he tried to put it like like, well,

1527
01:14:30,360 --> 01:14:31,920
Speaker 3: I do understand why, but he tried to make it

1528
01:14:32,000 --> 01:14:34,200
Speaker 3: seem like, well, I'm on the other side of this.

1529
01:14:34,720 --> 01:14:36,800
Speaker 2: I think it's okay for her to be whack. Like

1530
01:14:36,880 --> 01:14:38,160
Speaker 2: that's basically why he said it.

1531
01:14:38,520 --> 01:14:41,800
Speaker 16: And he's like, let's let Iggy, but I really don't

1532
01:14:41,840 --> 01:14:44,000
Speaker 16: know if Iggy knows who Iggy is yet.

1533
01:14:44,200 --> 01:14:46,880
Speaker 3: Well, he says it's like his last comment was something like,

1534
01:14:47,360 --> 01:14:50,560
Speaker 3: hopefully one day she'll grow into more being comfortable with

1535
01:14:50,800 --> 01:14:55,000
Speaker 3: being herself. That's what That's what everyone's saying. Like, why

1536
01:14:55,080 --> 01:14:57,479
Speaker 3: you're trying to act like you're you believe different, You

1537
01:14:57,720 --> 01:15:02,360
Speaker 3: actually believe the exact same shit, because everybody's basically saying like,

1538
01:15:02,600 --> 01:15:04,640
Speaker 3: I don't want her to act black, I want her

1539
01:15:04,680 --> 01:15:07,240
Speaker 3: to be herself. And then he comes on like, no, oh,

1540
01:15:07,360 --> 01:15:10,360
Speaker 3: calm down, everybody, Okay, I'm a little bit different. What

1541
01:15:10,479 --> 01:15:12,600
Speaker 3: I'm saying is y'all need to stop attacking her and

1542
01:15:12,680 --> 01:15:15,400
Speaker 3: hopefully one day she'll be comfortable being herself, like like,

1543
01:15:15,520 --> 01:15:16,560
Speaker 3: you guys believe.

1544
01:15:17,160 --> 01:15:20,000
Speaker 16: Right, And because I'm totally indifferent to him, all I

1545
01:15:20,120 --> 01:15:23,640
Speaker 16: hear is like, well, don't talk about this really attractive

1546
01:15:23,640 --> 01:15:26,000
Speaker 16: white woman baby when they should give me some play

1547
01:15:26,080 --> 01:15:26,960
Speaker 16: if I come to her.

1548
01:15:27,600 --> 01:15:29,560
Speaker 3: Well, you know what else is he's a victim of

1549
01:15:30,800 --> 01:15:33,320
Speaker 3: the same shit that happens with a lot of stuff

1550
01:15:33,360 --> 01:15:38,559
Speaker 3: on the internet. Now where this nigga? Uh he's he's

1551
01:15:38,680 --> 01:15:42,719
Speaker 3: in an article that tells you something in a title

1552
01:15:42,880 --> 01:15:48,200
Speaker 3: that he didn't actually really say, yes the like because

1553
01:15:48,360 --> 01:15:50,800
Speaker 3: his When I read his comments, I was like, that's

1554
01:15:50,840 --> 01:15:54,040
Speaker 3: a very nuanced way of saying that she needs to

1555
01:15:54,200 --> 01:15:57,599
Speaker 3: actually cut the ship. But when you read the title,

1556
01:15:57,680 --> 01:16:01,479
Speaker 3: the title says questlove the fens iggas cause fancy a

1557
01:16:01,680 --> 01:16:04,519
Speaker 3: game changer for hip hop. But when you read even

1558
01:16:04,600 --> 01:16:08,880
Speaker 3: the game changer comments sounded more like the niggas do

1559
01:16:09,000 --> 01:16:10,720
Speaker 3: not need to approve you for you to become a

1560
01:16:10,760 --> 01:16:13,600
Speaker 3: star anymore, and that's a game. And they tried to

1561
01:16:13,640 --> 01:16:15,439
Speaker 3: make it sound like he thought the song was a

1562
01:16:15,520 --> 01:16:17,320
Speaker 3: game changer and it didn't sound.

1563
01:16:17,200 --> 01:16:17,640
Speaker 6: Like that to me.

1564
01:16:18,800 --> 01:16:21,000
Speaker 16: And not because everyone, well not everyone, but a lot

1565
01:16:21,080 --> 01:16:23,280
Speaker 16: of people don't like her, so they figure they could

1566
01:16:23,280 --> 01:16:26,200
Speaker 16: get us wild up and be like, oh, look he

1567
01:16:26,280 --> 01:16:27,439
Speaker 16: said it's a game changer.

1568
01:16:27,680 --> 01:16:30,320
Speaker 2: Yeah, look at this quote. If you love something, you

1569
01:16:30,439 --> 01:16:31,280
Speaker 2: gotta set it free.

1570
01:16:31,400 --> 01:16:33,840
Speaker 3: I will say that Fancy above any song that I've

1571
01:16:33,880 --> 01:16:36,400
Speaker 3: ever heard or dealt with, is a game changer in

1572
01:16:36,560 --> 01:16:39,479
Speaker 3: that fact that we're truly going to have to come

1573
01:16:39,520 --> 01:16:41,439
Speaker 3: to grips with the fact that hip hop has spread

1574
01:16:41,479 --> 01:16:44,120
Speaker 3: his wings. That's not that is shape.

1575
01:16:44,200 --> 01:16:47,760
Speaker 2: That is, Hey, we're gonna have Black people are gonna have.

1576
01:16:47,760 --> 01:16:49,840
Speaker 3: To come to grips that we don't actually control rap

1577
01:16:49,960 --> 01:16:54,840
Speaker 3: anymore because we don't like this song and it's like.

1578
01:16:54,920 --> 01:16:56,599
Speaker 18: The number one record in hip hop right now.

1579
01:16:56,600 --> 01:16:58,720
Speaker 3: Right, it don't even seem to matter that we don't

1580
01:16:58,800 --> 01:17:01,600
Speaker 3: like this song. So it's a game and motherfuckers just

1581
01:17:01,680 --> 01:17:04,000
Speaker 3: took the game change of part of that quote. It

1582
01:17:04,200 --> 01:17:06,400
Speaker 3: was like, see, he think it's a game changer.

1583
01:17:08,600 --> 01:17:12,000
Speaker 18: But ultimately, how I feel about it is when gold

1584
01:17:12,040 --> 01:17:15,040
Speaker 18: Digger was popular and I would go to clubs and

1585
01:17:15,200 --> 01:17:18,000
Speaker 18: how the joy with which all the white chicks would

1586
01:17:18,040 --> 01:17:20,160
Speaker 18: sing that when he get know, he need to ask

1587
01:17:20,200 --> 01:17:20,880
Speaker 18: for a white girl.

1588
01:17:21,280 --> 01:17:23,599
Speaker 16: That's how I feel about Iggy Azelia right now, because

1589
01:17:23,600 --> 01:17:26,160
Speaker 16: she's like, first thing, first, I'm the realist, I'm like

1590
01:17:26,400 --> 01:17:31,960
Speaker 16: you are. And I was a party and a whole

1591
01:17:32,000 --> 01:17:33,840
Speaker 16: bunch of white girls were there and they played like

1592
01:17:34,040 --> 01:17:37,000
Speaker 16: every Iggy Azelia song ever and they have that kind

1593
01:17:37,000 --> 01:17:40,439
Speaker 16: of joy. It's kind of like, are your men like

1594
01:17:40,600 --> 01:17:43,160
Speaker 16: us better than they like you? And we're gonna stunt

1595
01:17:43,240 --> 01:17:45,679
Speaker 16: on you for it. That's that's how I feel about

1596
01:17:45,720 --> 01:17:46,559
Speaker 16: her in a nutshell.

1597
01:17:47,080 --> 01:17:50,680
Speaker 2: Yeah, she just seems whag man. I don't know.

1598
01:17:50,960 --> 01:17:54,080
Speaker 16: Yeah, you know her heart she's making that money though

1599
01:17:54,160 --> 01:17:55,000
Speaker 16: somebody behind it.

1600
01:17:55,360 --> 01:17:57,360
Speaker 2: Yeah, I guess, man, she just seems whacked to me,

1601
01:17:57,479 --> 01:17:59,800
Speaker 2: like is you know I'm never like this.

1602
01:18:00,000 --> 01:18:02,000
Speaker 3: I've had Spotify for all this time and I've never

1603
01:18:02,280 --> 01:18:04,280
Speaker 3: even tried to go through her album even once.

1604
01:18:04,439 --> 01:18:06,920
Speaker 2: Like it's just there's nothing a feeling about. There's no

1605
01:18:07,080 --> 01:18:10,000
Speaker 2: there there, so what is or whatever?

1606
01:18:10,200 --> 01:18:13,200
Speaker 16: I mean, it's cute if you're if you're into pop

1607
01:18:13,400 --> 01:18:15,679
Speaker 16: hip hop sort of thing, like the beat to fancy

1608
01:18:15,800 --> 01:18:18,360
Speaker 16: kind of goes. I just think that she's a terrible

1609
01:18:18,600 --> 01:18:21,880
Speaker 16: rapper and she's a really bad performer too, which comes

1610
01:18:21,920 --> 01:18:24,840
Speaker 16: from not having been vetted in the industry. Like there's

1611
01:18:24,880 --> 01:18:27,320
Speaker 16: a clip of her from the live finale of Dancing

1612
01:18:27,400 --> 01:18:30,320
Speaker 16: with the Stars and she starts at the wrong part

1613
01:18:30,479 --> 01:18:33,120
Speaker 16: of the track, and so she stops in the middle

1614
01:18:33,160 --> 01:18:35,400
Speaker 16: of the show and she's like, oh, I'm sorry, I

1615
01:18:35,720 --> 01:18:38,600
Speaker 16: started at the wrong pot and like had to just

1616
01:18:38,720 --> 01:18:40,680
Speaker 16: wait until the beat pot up again, and she was

1617
01:18:40,760 --> 01:18:42,639
Speaker 16: so awkward and just it's.

1618
01:18:42,560 --> 01:18:46,000
Speaker 2: Unfortunately, Wow, that's that's pretty terrible, man.

1619
01:18:46,520 --> 01:18:47,479
Speaker 8: Yeah it was. It was bad.

1620
01:18:47,520 --> 01:18:48,240
Speaker 18: It's on YouTube.

1621
01:18:48,280 --> 01:18:51,200
Speaker 16: I watch it every time. I want to feel pleasure

1622
01:18:51,240 --> 01:18:53,439
Speaker 16: about her because I don't want occur. And I'm okay,

1623
01:18:53,520 --> 01:18:56,120
Speaker 16: if i I'll stay mad. But also real quickly, I'm

1624
01:18:56,160 --> 01:18:57,880
Speaker 16: taking up too much of all time as it is.

1625
01:18:58,120 --> 01:18:59,639
Speaker 16: But I saw them Guardians young.

1626
01:19:02,880 --> 01:19:05,559
Speaker 1: I loved it, Okay, everything said.

1627
01:19:05,560 --> 01:19:06,760
Speaker 3: I know they kind of put you off on it

1628
01:19:06,840 --> 01:19:08,439
Speaker 3: on Twitter with all the spoilers and ship, but I'm

1629
01:19:08,439 --> 01:19:08,760
Speaker 3: glad you.

1630
01:19:08,720 --> 01:19:10,720
Speaker 1: Went saw it, and I really liked it.

1631
01:19:10,800 --> 01:19:12,679
Speaker 16: Always so dumba I'm putting it on boys.

1632
01:19:13,200 --> 01:19:13,760
Speaker 5: Know it was.

1633
01:19:13,880 --> 01:19:15,720
Speaker 16: It was good. It was real, real good.

1634
01:19:16,160 --> 01:19:17,280
Speaker 3: She did her ding dog.

1635
01:19:17,520 --> 01:19:18,599
Speaker 16: I was really good.

1636
01:19:18,920 --> 01:19:21,720
Speaker 3: I was impressed. I was I think it was black

1637
01:19:21,800 --> 01:19:24,759
Speaker 3: Rob to say. Anytime she got she got on paint,

1638
01:19:25,640 --> 01:19:27,800
Speaker 3: she killed her role. You just gotta paint her up.

1639
01:19:29,000 --> 01:19:32,320
Speaker 16: Put punishment because he said she's gonna be good the movie.

1640
01:19:32,320 --> 01:19:33,679
Speaker 16: Because they painted her black.

1641
01:19:33,680 --> 01:19:36,320
Speaker 2: Painted her black. She's about to kill it. She's about

1642
01:19:36,320 --> 01:19:36,960
Speaker 2: to kill the game.

1643
01:19:39,320 --> 01:19:40,840
Speaker 16: All right, well, y'all have a good day.

1644
01:19:41,720 --> 01:19:42,400
Speaker 5: You have a good.

1645
01:19:45,640 --> 01:19:46,160
Speaker 3: Yeah, man.

1646
01:19:47,040 --> 01:19:47,160
Speaker 4: Uh.

1647
01:19:47,520 --> 01:19:49,760
Speaker 2: The thing is with ig that's weird is that I

1648
01:19:50,080 --> 01:19:55,719
Speaker 2: also think that fucking who was it? Uh that Nicki

1649
01:19:55,800 --> 01:19:58,600
Speaker 2: Minaj to me is also as unlistenable.

1650
01:19:58,720 --> 01:20:01,560
Speaker 3: So right, I'm in a weird situation where it's like

1651
01:20:01,600 --> 01:20:03,280
Speaker 3: I can't really funk with any of the women at

1652
01:20:03,280 --> 01:20:06,040
Speaker 3: the top of hip hop right now. So back to

1653
01:20:06,120 --> 01:20:10,120
Speaker 3: this email with tons of links, he says, Uh, let's

1654
01:20:10,160 --> 01:20:12,920
Speaker 3: get to the part where he was talking about other stuff,

1655
01:20:13,439 --> 01:20:17,240
Speaker 3: and uh, what we got a phone call? Yo, you're

1656
01:20:17,280 --> 01:20:18,840
Speaker 3: on with the blackout tests. What's going on?

1657
01:20:20,560 --> 01:20:22,920
Speaker 5: Boy? I just got got through texting your wife. Man,

1658
01:20:22,960 --> 01:20:23,759
Speaker 5: what's up, Karen?

1659
01:20:23,920 --> 01:20:24,639
Speaker 1: How you doing?

1660
01:20:26,760 --> 01:20:26,960
Speaker 8: Man?

1661
01:20:27,080 --> 01:20:28,680
Speaker 5: I just I was like, oh my god. I'm like, oh,

1662
01:20:28,800 --> 01:20:30,880
Speaker 5: I just text car I gotta go. I gotta go,

1663
01:20:31,200 --> 01:20:33,200
Speaker 5: like trying, I can't talk to y'all. I'm like, it

1664
01:20:33,360 --> 01:20:36,880
Speaker 5: figures the day y'all had fifty million voicemail. But first

1665
01:20:36,920 --> 01:20:39,320
Speaker 5: of all, fuck y'all from Peddle the John and y'all

1666
01:20:39,320 --> 01:20:42,479
Speaker 5: don't play b I be come on that that was

1667
01:20:42,600 --> 01:20:46,400
Speaker 5: just ship. It was Nigga to just get told, man,

1668
01:20:46,520 --> 01:20:47,200
Speaker 5: put that song on.

1669
01:20:49,280 --> 01:20:50,000
Speaker 3: I still to this.

1670
01:20:50,400 --> 01:20:51,680
Speaker 5: I still don't that song me.

1671
01:20:54,120 --> 01:20:57,439
Speaker 17: It's like put your armor on and then yeah, put

1672
01:20:57,520 --> 01:20:59,360
Speaker 17: with your swat, get on your helmet and just get

1673
01:20:59,400 --> 01:21:02,000
Speaker 17: out there and then whatever, because you know, I.

1674
01:21:03,479 --> 01:21:05,400
Speaker 5: Don't know, but I been, I was, I was. I

1675
01:21:05,520 --> 01:21:08,640
Speaker 5: never got into the so called the rap marsh pit,

1676
01:21:08,920 --> 01:21:10,080
Speaker 5: but I've seen a few.

1677
01:21:10,439 --> 01:21:12,640
Speaker 17: And that ship wasn't nothing nice. Niggas did used to

1678
01:21:12,640 --> 01:21:15,360
Speaker 17: come up that beach bloody, and I was just like, god, damn,

1679
01:21:15,360 --> 01:21:16,599
Speaker 17: it's like, is it that serious?

1680
01:21:17,000 --> 01:21:18,920
Speaker 5: Never understood? But that song did ride out?

1681
01:21:19,320 --> 01:21:25,360
Speaker 1: How y'all doing, man, we always loved you.

1682
01:21:25,760 --> 01:21:30,720
Speaker 17: Yeah, it seems like it's been a variable cornucopia of

1683
01:21:30,880 --> 01:21:33,519
Speaker 17: topics for y'all to talk about in these last few weeks.

1684
01:21:33,600 --> 01:21:36,559
Speaker 5: Man, it's like, shit, man, I'm loving the show. Oh

1685
01:21:36,640 --> 01:21:40,160
Speaker 5: and I don't know. I just want to say, there

1686
01:21:40,439 --> 01:21:45,800
Speaker 5: is a scenario where a man can hear the woman

1687
01:21:46,800 --> 01:21:53,839
Speaker 5: face down, ass up. Yeah, hitting it from the back bitches.

1688
01:21:55,400 --> 01:21:57,200
Speaker 5: That's about. That's about father. I can go on that

1689
01:21:57,280 --> 01:21:58,120
Speaker 5: one right there, you know.

1690
01:21:58,400 --> 01:22:01,000
Speaker 17: Other than that, I mean, yeah, you know, I've heard

1691
01:22:01,080 --> 01:22:05,320
Speaker 17: every angle over everybody. It's just like, man, just I mean,

1692
01:22:05,320 --> 01:22:06,800
Speaker 17: I get to the front where I mean, I don't

1693
01:22:06,800 --> 01:22:08,479
Speaker 17: give a damn man or woman. If it gets to

1694
01:22:08,520 --> 01:22:11,559
Speaker 17: the point where anybody got to put their hands on anybody,

1695
01:22:11,960 --> 01:22:13,439
Speaker 17: just leave and don't never come back.

1696
01:22:14,040 --> 01:22:14,679
Speaker 1: You know what I'm saying.

1697
01:22:14,960 --> 01:22:17,000
Speaker 5: I don't give a funk who it is. Just just leave,

1698
01:22:17,439 --> 01:22:17,640
Speaker 5: you know.

1699
01:22:17,800 --> 01:22:20,880
Speaker 17: But I don't know step they space with straight comedy though,

1700
01:22:20,880 --> 01:22:23,439
Speaker 17: because I was like this nigga right here with what

1701
01:22:23,600 --> 01:22:24,240
Speaker 17: the fuck man?

1702
01:22:24,360 --> 01:22:28,320
Speaker 5: But I'm like, okay, he's back, and now what Yeah,

1703
01:22:28,320 --> 01:22:29,000
Speaker 5: I was watching it.

1704
01:22:30,160 --> 01:22:32,080
Speaker 3: I was sitting at home watching that ship, and I

1705
01:22:32,160 --> 01:22:36,040
Speaker 3: did Steve Harvey eyes well he started talking because like

1706
01:22:37,439 --> 01:22:40,000
Speaker 3: everybody had kind of talked on it already, and then

1707
01:22:40,120 --> 01:22:43,360
Speaker 3: he came in and I said, hold up, he's not

1708
01:22:43,439 --> 01:22:45,760
Speaker 3: even gonna talk about the Ray Wright's part.

1709
01:22:45,960 --> 01:22:48,439
Speaker 2: Like he went right to like, you know, I tell

1710
01:22:48,479 --> 01:22:49,360
Speaker 2: the women in my film.

1711
01:22:49,439 --> 01:22:51,760
Speaker 3: I said, oh, it's about to be down, Like this

1712
01:22:51,840 --> 01:22:54,680
Speaker 3: is not even the question Susie kept saying. But I

1713
01:22:54,800 --> 01:22:58,679
Speaker 3: was like, oh shit, yeah, this is mighty mouth.

1714
01:22:58,760 --> 01:23:01,040
Speaker 17: I mean, but you know what, it's fucked up and

1715
01:23:01,200 --> 01:23:04,160
Speaker 17: I don't give a fuck who listening want to take it.

1716
01:23:04,400 --> 01:23:07,280
Speaker 17: That's what the fuck he gets. I'm sorry that that's

1717
01:23:07,280 --> 01:23:09,960
Speaker 17: what gets. Because it was once upon a time Steven A.

1718
01:23:10,040 --> 01:23:13,000
Speaker 17: Smith used to be beautiful to me, that nigga used

1719
01:23:13,000 --> 01:23:14,040
Speaker 17: to be beautiful and then.

1720
01:23:14,080 --> 01:23:16,439
Speaker 5: Some some power along the way something happened.

1721
01:23:16,520 --> 01:23:17,680
Speaker 1: Yes, he did that.

1722
01:23:18,160 --> 01:23:20,400
Speaker 17: That digg is straight trash now and you get what

1723
01:23:20,520 --> 01:23:22,559
Speaker 17: you get. Fucked that when you when you when you're

1724
01:23:22,600 --> 01:23:24,439
Speaker 17: so ship, that's what you reap ship.

1725
01:23:24,920 --> 01:23:28,000
Speaker 3: So you know what's funny. You know what's funny, chill

1726
01:23:28,240 --> 01:23:31,439
Speaker 3: how he took uh, you know, he got fired and

1727
01:23:31,600 --> 01:23:33,639
Speaker 3: he got out the struggle to get back to ESPN

1728
01:23:33,680 --> 01:23:37,080
Speaker 3: and all that stuff. Right, It's funny because when once

1729
01:23:37,160 --> 01:23:39,640
Speaker 3: he came back, he was pretty much the opposite of

1730
01:23:39,720 --> 01:23:40,360
Speaker 3: what he used to be.

1731
01:23:40,560 --> 01:23:40,600
Speaker 11: Like.

1732
01:23:41,120 --> 01:23:43,960
Speaker 3: Instead of like a voice for like young black people,

1733
01:23:44,320 --> 01:23:46,240
Speaker 3: young like people that were kind of like out of

1734
01:23:46,280 --> 01:23:48,800
Speaker 3: the mainstream of ESPN, he kind of turned into a

1735
01:23:48,920 --> 01:23:51,120
Speaker 3: shield for like the old white people's opinions where he

1736
01:23:51,240 --> 01:23:54,240
Speaker 3: just goes, yeah, these niggas are wrong again. And I

1737
01:23:54,400 --> 01:23:57,679
Speaker 3: was like, it's weird to see yeah, and it's weird

1738
01:23:57,720 --> 01:24:00,639
Speaker 3: to see brothers that got mad at him for saying

1739
01:24:00,720 --> 01:24:02,880
Speaker 3: all that ship defend him now like that.

1740
01:24:04,920 --> 01:24:06,960
Speaker 5: Fuck that, that's what that nigga gets. Cause lem Mena

1741
01:24:06,960 --> 01:24:09,800
Speaker 5: tell you when you have what you call him Karen

1742
01:24:10,280 --> 01:24:15,760
Speaker 5: Eric Dyson Jr. I'm gonna never forget that. I'm gonna

1743
01:24:15,800 --> 01:24:23,720
Speaker 5: never get that. Yeah, Eric Dison some ship like no,

1744
01:24:23,920 --> 01:24:25,720
Speaker 5: but when when you have the.

1745
01:24:25,800 --> 01:24:30,679
Speaker 17: Reverend doctor Professor Dyson on your show, uh, and he's

1746
01:24:30,760 --> 01:24:33,519
Speaker 17: trying to school you and put you up on some game,

1747
01:24:34,200 --> 01:24:37,240
Speaker 17: you know, game that we heard Mamani talk and speak

1748
01:24:37,360 --> 01:24:40,559
Speaker 17: like a few days prior to that about the false

1749
01:24:40,640 --> 01:24:43,200
Speaker 17: equivalent and all of that ship and Stephen A. Smith

1750
01:24:43,240 --> 01:24:46,559
Speaker 17: is pretty much telling this dude, I don't care Nigga

1751
01:24:46,640 --> 01:24:48,360
Speaker 17: shared the fuck up.

1752
01:24:48,640 --> 01:24:51,080
Speaker 5: You know what I'm saying, Just just shut the fuck up,

1753
01:24:51,560 --> 01:24:51,720
Speaker 5: you know.

1754
01:24:52,280 --> 01:24:54,960
Speaker 17: I mean, it's like Professor Dyson just and like I'm

1755
01:24:55,000 --> 01:24:56,679
Speaker 17: not saying that I'm a big fan of his because

1756
01:24:56,680 --> 01:25:00,120
Speaker 17: it's like he tend to talk over people. I'm I'm

1757
01:25:00,120 --> 01:25:01,840
Speaker 17: not saying that this message ain't sound, but it's like

1758
01:25:02,280 --> 01:25:02,879
Speaker 17: you gotta.

1759
01:25:02,720 --> 01:25:05,479
Speaker 5: Talk to people, you talk over people, you know, and

1760
01:25:05,760 --> 01:25:07,080
Speaker 5: to me, that's kind of a turnoff.

1761
01:25:07,439 --> 01:25:08,920
Speaker 17: Just like Nigga, I can get what you're saying. You

1762
01:25:08,960 --> 01:25:11,520
Speaker 17: ain't got to use every game back damn World, the dictionary.

1763
01:25:11,760 --> 01:25:15,000
Speaker 17: I know what I was saying, that's just not necessary.

1764
01:25:15,040 --> 01:25:17,960
Speaker 17: But at the same time, I respect the man, you know,

1765
01:25:18,120 --> 01:25:20,120
Speaker 17: and what he knows and what he's been through and

1766
01:25:20,160 --> 01:25:22,639
Speaker 17: what he's done. I respect that all day. But it's

1767
01:25:22,760 --> 01:25:24,560
Speaker 17: just like, you know, when you got somebody trying to

1768
01:25:24,720 --> 01:25:26,840
Speaker 17: educate you, for you to just sit here and be

1769
01:25:27,000 --> 01:25:29,360
Speaker 17: like I don't care, I don't care, No, I'm not

1770
01:25:29,960 --> 01:25:32,640
Speaker 17: shut the fuck up. Then, so you know, that's that's

1771
01:25:32,680 --> 01:25:35,160
Speaker 17: what the fuck you get, that's what the fuck you get,

1772
01:25:35,240 --> 01:25:37,760
Speaker 17: you know, always telling like you said, how come black

1773
01:25:37,800 --> 01:25:40,840
Speaker 17: people always got to be the ones to to to

1774
01:25:41,120 --> 01:25:45,920
Speaker 17: to apologize for ship and how come we can't It

1775
01:25:46,000 --> 01:25:48,840
Speaker 17: can't be like let the other people try to understand us.

1776
01:25:49,080 --> 01:25:51,680
Speaker 17: How come we always have to make ourselves more understandable

1777
01:25:51,760 --> 01:25:52,160
Speaker 17: than others.

1778
01:25:52,280 --> 01:25:57,000
Speaker 3: It's so weird that black people the face of those

1779
01:25:57,439 --> 01:26:00,800
Speaker 3: controversies because so many people talked about him, you know

1780
01:26:00,840 --> 01:26:03,120
Speaker 3: what I mean. It wasn't like it wasn't like Steven A.

1781
01:26:03,200 --> 01:26:05,519
Speaker 2: Stiell was the only guy that discuss the ray Right shit.

1782
01:26:05,880 --> 01:26:08,400
Speaker 3: A hundred people discussed the ray Right shit, and ninety

1783
01:26:08,479 --> 01:26:11,080
Speaker 3: nine of them was like, let me find a way

1784
01:26:11,160 --> 01:26:13,200
Speaker 3: to talk about it where I'm not pissing out all

1785
01:26:13,240 --> 01:26:15,320
Speaker 3: these women off. And he was the only one to

1786
01:26:15,400 --> 01:26:16,880
Speaker 3: be like, I'm gonna take the chance and do it.

1787
01:26:17,080 --> 01:26:19,840
Speaker 3: So you know, Hett caught that bad.

1788
01:26:19,760 --> 01:26:23,280
Speaker 17: One for that ship and he caught an elbow from

1789
01:26:23,360 --> 01:26:26,320
Speaker 17: air and from Michelle Beatle. Uh, and you know that

1790
01:26:26,720 --> 01:26:29,599
Speaker 17: ESPN on ESPN Crime. You know that's that's frowned upon.

1791
01:26:29,880 --> 01:26:32,320
Speaker 17: But I'm like, what you're gonna tell her? ESPN ain't

1792
01:26:32,320 --> 01:26:35,120
Speaker 17: gonna do shit to her? What the fuck shit, they

1793
01:26:35,120 --> 01:26:35,880
Speaker 17: ain't gonna do shit.

1794
01:26:36,080 --> 01:26:38,519
Speaker 5: Huh. He had to eat that. He had to eat that.

1795
01:26:38,560 --> 01:26:39,880
Speaker 5: And I'm just like, that's just what the fuck that

1796
01:26:39,960 --> 01:26:42,880
Speaker 5: nigga get man, Fuck him? Fuck him.

1797
01:26:42,960 --> 01:26:45,680
Speaker 17: That nigga need to get back and figure out what

1798
01:26:45,840 --> 01:26:48,640
Speaker 17: it was that got him, you know, to where he

1799
01:26:48,840 --> 01:26:50,400
Speaker 17: is now. He needed to go back to that place

1800
01:26:50,439 --> 01:26:52,200
Speaker 17: and he needed to just stay there for a little while,

1801
01:26:52,200 --> 01:26:54,120
Speaker 17: because I don't know what the fuck's wrong with him

1802
01:26:54,200 --> 01:26:57,240
Speaker 17: all this shit, Like like everybody else, you know, you

1803
01:26:57,439 --> 01:27:00,400
Speaker 17: defer the people on our culture and and they're not

1804
01:27:00,600 --> 01:27:01,400
Speaker 17: and they're not us.

1805
01:27:02,320 --> 01:27:05,200
Speaker 5: White people tell you about us, not a goddamn thing,

1806
01:27:05,680 --> 01:27:08,000
Speaker 5: not nothing. What's wrong with you?

1807
01:27:08,439 --> 01:27:11,760
Speaker 17: But anyway, I gotta said I did have more, oh

1808
01:27:11,960 --> 01:27:14,760
Speaker 17: for everybody out there, suck dick, because I know y'all

1809
01:27:14,760 --> 01:27:16,599
Speaker 17: gonna do some ship in the future or y'all gonna

1810
01:27:16,640 --> 01:27:19,040
Speaker 17: say some dumb ship or leave a dumb comment or

1811
01:27:19,120 --> 01:27:21,400
Speaker 17: leave a stupid ass or voicemail.

1812
01:27:21,479 --> 01:27:22,960
Speaker 5: So y'all suck a dick in advance.

1813
01:27:23,280 --> 01:27:26,599
Speaker 17: And I know y'all gonna be out there tweeting Rotten

1814
01:27:26,680 --> 01:27:28,880
Speaker 17: Cairn with some dumb ship, so y'all can suck a

1815
01:27:28,920 --> 01:27:31,439
Speaker 17: dick too, in advance. And I'm gone and get up

1816
01:27:31,439 --> 01:27:34,160
Speaker 17: out of here for real. And you know this is

1817
01:27:34,240 --> 01:27:37,639
Speaker 17: a pre and district. Man, just gone, so I gotta

1818
01:27:37,680 --> 01:27:39,840
Speaker 17: tell you later. Just just gone and do that for me.

1819
01:27:39,960 --> 01:27:42,160
Speaker 5: Now you know what I'm saying. And I'm gonna get

1820
01:27:42,160 --> 01:27:42,720
Speaker 5: out of here. Man.

1821
01:27:42,760 --> 01:27:44,599
Speaker 17: I just want to touch basic with y'all. Man, tell

1822
01:27:44,680 --> 01:27:47,439
Speaker 17: y'all love y'all, keep doing y'all thing, y'all have a

1823
01:27:47,520 --> 01:27:47,960
Speaker 17: good one.

1824
01:27:48,040 --> 01:27:48,960
Speaker 5: Get all up out of there.

1825
01:27:49,240 --> 01:27:56,760
Speaker 3: Sushi waits yes, pease, oh man, the greatest Yes, where

1826
01:27:56,880 --> 01:27:58,799
Speaker 3: is my Oh yeah, let me get back to this email.

1827
01:27:58,880 --> 01:28:04,720
Speaker 3: So Wolf Game Roight said, uh yes, higher information to

1828
01:28:04,800 --> 01:28:07,160
Speaker 3: Fluff Radio Ratio because I did not want to pull

1829
01:28:07,200 --> 01:28:09,960
Speaker 3: the Wolfgang again. Also, congrats to the beer keep it

1830
01:28:10,000 --> 01:28:12,240
Speaker 3: going because if they can't handle you with the mighty

1831
01:28:12,280 --> 01:28:15,320
Speaker 3: face fro, they don't deserve you. Thank you, buddy, and

1832
01:28:15,439 --> 01:28:17,800
Speaker 3: regarding all the haters on Karen's voice, I use her

1833
01:28:17,880 --> 01:28:20,240
Speaker 3: voice as an example of how people in America actually

1834
01:28:20,320 --> 01:28:22,599
Speaker 3: can talk, because I have yet to meet an American

1835
01:28:22,640 --> 01:28:25,280
Speaker 3: who speaks to Queen's English. And trust me for an

1836
01:28:25,320 --> 01:28:30,479
Speaker 3: EESL person, Karen English second language Karen is the perfect girl,

1837
01:28:30,680 --> 01:28:34,000
Speaker 3: you flawless example of how to slowly get used to

1838
01:28:34,040 --> 01:28:38,519
Speaker 3: American dialects. Right, yeah, that's that was the thing that

1839
01:28:38,640 --> 01:28:41,760
Speaker 3: was killing me about that dumb ass Coco chick was

1840
01:28:43,240 --> 01:28:47,920
Speaker 3: you know, like learning and adjusting to the different ways

1841
01:28:48,160 --> 01:28:52,000
Speaker 3: that things are said in different areas is a way

1842
01:28:52,040 --> 01:28:55,639
Speaker 3: of broadening your horizons, like right, you know, to try

1843
01:28:55,720 --> 01:28:59,519
Speaker 3: to tear you down on some on that level, especially

1844
01:28:59,600 --> 01:29:03,000
Speaker 3: using race, was just so disheartening, especially now you know

1845
01:29:03,200 --> 01:29:05,519
Speaker 3: that she's running around trying to like get in good

1846
01:29:05,560 --> 01:29:09,240
Speaker 3: with like black feminists on Twitter and try to get

1847
01:29:09,280 --> 01:29:13,200
Speaker 3: behind the your cases hashtag like yeah you weren't. You

1848
01:29:13,280 --> 01:29:15,640
Speaker 3: were okay harassing the black women that had nothing to

1849
01:29:15,680 --> 01:29:18,720
Speaker 3: do with you. You was outre to irrastion, you know.

1850
01:29:19,920 --> 01:29:23,200
Speaker 3: But yeah, thanks for the articles, man, I'll try to

1851
01:29:23,280 --> 01:29:24,760
Speaker 3: check them out later and see if we can use

1852
01:29:24,800 --> 01:29:28,040
Speaker 3: any of them for the show. Cool Ruth wrote in feedback,

1853
01:29:28,120 --> 01:29:30,360
Speaker 3: Hi Roding Karen, I just had a thought that I

1854
01:29:30,400 --> 01:29:33,880
Speaker 3: would like to share regarding episode seven fifty eight. I

1855
01:29:34,000 --> 01:29:36,080
Speaker 3: agree with you that children have been forgotten in cars,

1856
01:29:36,120 --> 01:29:38,320
Speaker 3: probably to the most recent accounts of the issue, and

1857
01:29:38,400 --> 01:29:40,600
Speaker 3: that is possible that the rising deaths are related to

1858
01:29:40,680 --> 01:29:41,320
Speaker 3: global warming.

1859
01:29:41,760 --> 01:29:43,160
Speaker 2: But do you think that as possible.

1860
01:29:43,160 --> 01:29:45,519
Speaker 3: It is also possible that we're just hearing more about

1861
01:29:45,520 --> 01:29:47,599
Speaker 3: it thanks to social media and the other media outlists.

1862
01:29:47,680 --> 01:29:50,759
Speaker 3: I believe that too, But the constant shares and retweets

1863
01:29:50,760 --> 01:29:53,000
Speaker 3: of these type of stories, I feel almost convinced that

1864
01:29:53,160 --> 01:29:56,120
Speaker 3: we're simply being made more aware of these incidents taking place.

1865
01:29:56,600 --> 01:29:59,160
Speaker 3: I don't have any sort of data to support this claim,

1866
01:29:59,240 --> 01:30:00,840
Speaker 3: just an observe observation theory.

1867
01:30:00,920 --> 01:30:04,400
Speaker 2: Anyhow, love your show. You guys get me through my workdays.

1868
01:30:03,960 --> 01:30:07,280
Speaker 3: Best, Ruth, Ruth, I'm sure it's a combination of both

1869
01:30:07,360 --> 01:30:11,120
Speaker 3: of those things. I was just making a joke about

1870
01:30:11,120 --> 01:30:14,960
Speaker 3: the global warman thing. I'm actually really surprised at how

1871
01:30:15,000 --> 01:30:17,519
Speaker 3: many tweets and facebooks and all this stuff that I

1872
01:30:17,640 --> 01:30:21,439
Speaker 3: got over the last couple of days about that point,

1873
01:30:21,640 --> 01:30:25,000
Speaker 3: because to me, that's been running joke I've been making

1874
01:30:25,120 --> 01:30:27,120
Speaker 3: for the last two or three weeks.

1875
01:30:27,160 --> 01:30:28,760
Speaker 2: That is just global warming killing these.

1876
01:30:28,720 --> 01:30:30,760
Speaker 1: Kids like it's getting hot calls like that.

1877
01:30:30,880 --> 01:30:33,080
Speaker 3: This will be another data point that we could use

1878
01:30:33,200 --> 01:30:36,439
Speaker 3: to clock whether Global Woman is real or not. And

1879
01:30:36,920 --> 01:30:39,040
Speaker 3: it was especially a joke when I told Amber that

1880
01:30:39,800 --> 01:30:42,479
Speaker 3: if she didn't agree with me, she didn't believe in science.

1881
01:30:42,520 --> 01:30:43,519
Speaker 3: That was a joke.

1882
01:30:43,600 --> 01:30:46,760
Speaker 2: Y'all know one else right the show about it. Okay, guys,

1883
01:30:46,840 --> 01:30:47,759
Speaker 2: I was just joking.

1884
01:30:48,479 --> 01:30:49,639
Speaker 3: I will make the joke again.

1885
01:30:49,960 --> 01:30:50,240
Speaker 2: Okay.

1886
01:30:50,680 --> 01:30:53,560
Speaker 3: I don't know global woman is killing the babies. It

1887
01:30:53,720 --> 01:30:57,719
Speaker 3: is your new that stall from Lender Brothers. He says,

1888
01:30:57,760 --> 01:30:59,920
Speaker 3: what up? Just sending a quick note to say what's

1889
01:31:00,240 --> 01:31:02,040
Speaker 3: It was great catching up with you a couple of

1890
01:31:02,080 --> 01:31:04,680
Speaker 3: weeks ago from the with the Hobe. Dick Je and

1891
01:31:04,800 --> 01:31:06,840
Speaker 3: I would pass it through the area. We gotta get

1892
01:31:06,920 --> 01:31:09,800
Speaker 3: up again sometime soon. It's always fun kicking it with y'all.

1893
01:31:09,880 --> 01:31:12,639
Speaker 3: On another note, Nigga, that book y'all got us reading.

1894
01:31:12,720 --> 01:31:13,360
Speaker 2: It's crazy.

1895
01:31:14,320 --> 01:31:16,720
Speaker 3: I'm not gonna give anything away, but if people thought

1896
01:31:16,800 --> 01:31:19,000
Speaker 3: food Stall bitches started out wild, they are in for

1897
01:31:19,080 --> 01:31:22,719
Speaker 3: some shit when they read this one. Lol. Yes, looking

1898
01:31:22,760 --> 01:31:25,000
Speaker 3: forward to your discussing this joint. It's gonna be fun

1899
01:31:25,080 --> 01:31:27,519
Speaker 3: and the people will love it. Finally, I wanted to

1900
01:31:27,560 --> 01:31:30,760
Speaker 3: give a shout out to hashtag that Stall. What's that

1901
01:31:30,920 --> 01:31:33,559
Speaker 3: you asked, Well, it's that new shit that Rod does

1902
01:31:33,640 --> 01:31:38,160
Speaker 3: before every That Blood review. It's gotten funnier and funnier

1903
01:31:38,240 --> 01:31:40,240
Speaker 3: each week since I realized that he was doing it.

1904
01:31:40,760 --> 01:31:42,519
Speaker 3: Now that I know it's there, I sit and wonder

1905
01:31:42,600 --> 01:31:45,000
Speaker 3: what the topic will be of the Stall each week

1906
01:31:45,320 --> 01:31:47,679
Speaker 3: and how long it will last before Rod finally resigns

1907
01:31:47,720 --> 01:31:49,000
Speaker 3: to the fact that he needs to go ahead and

1908
01:31:49,000 --> 01:31:50,839
Speaker 3: start reviewing the show. Anyway.

1909
01:31:51,200 --> 01:31:51,840
Speaker 2: That's it for now.

1910
01:31:51,920 --> 01:31:55,479
Speaker 3: Cut the great work. You are appreciated, Leonard Auty five thousand,

1911
01:31:55,720 --> 01:32:00,200
Speaker 3: Thanks man, And yeah, every week it's just it's always.

1912
01:32:00,040 --> 01:32:02,479
Speaker 2: Something better talk about the True Blood just every week.

1913
01:32:04,000 --> 01:32:07,200
Speaker 3: T tvg w T book Club. This is from a man, Mudro.

1914
01:32:07,320 --> 01:32:09,800
Speaker 3: He says, good morning, y'all. This is Mudro from the

1915
01:32:09,840 --> 01:32:12,200
Speaker 3: at L. I read the book club book You Gotta

1916
01:32:12,200 --> 01:32:15,040
Speaker 3: Be Fucked Up last night. It took me about eighty minutes.

1917
01:32:16,720 --> 01:32:17,920
Speaker 1: It's a short book, y'all.

1918
01:32:18,000 --> 01:32:20,240
Speaker 3: For y'all pick short on purpose.

1919
01:32:20,479 --> 01:32:21,439
Speaker 1: It's a short book.

1920
01:32:21,560 --> 01:32:23,559
Speaker 3: I hate reading and I don't want to be doing

1921
01:32:23,600 --> 01:32:25,080
Speaker 3: it for a long period of time, and I don't

1922
01:32:25,080 --> 01:32:27,439
Speaker 3: want our book club to feel like work. I wanted

1923
01:32:27,479 --> 01:32:29,880
Speaker 3: to feel like, you know, watching watching an episode of

1924
01:32:30,840 --> 01:32:31,800
Speaker 3: a TV show or something.

1925
01:32:31,840 --> 01:32:34,800
Speaker 4: It is so worth that it's only nine nine cent

1926
01:32:34,920 --> 01:32:39,240
Speaker 4: on Amazon, and we're we're planning on having Nick, you

1927
01:32:39,360 --> 01:32:41,880
Speaker 4: and Lynter come and do it with us again. And

1928
01:32:42,360 --> 01:32:44,080
Speaker 4: what they're gonna get like a month, month and half

1929
01:32:44,120 --> 01:32:44,560
Speaker 4: something like that.

1930
01:32:45,160 --> 01:32:47,679
Speaker 3: I'm living maybe a little lesson a month. It really

1931
01:32:47,760 --> 01:32:50,200
Speaker 3: is a short read, y'all. And if you have Amazon Prime,

1932
01:32:50,280 --> 01:32:52,439
Speaker 3: I think you can rent the book for free. Yeah,

1933
01:32:53,000 --> 01:32:55,599
Speaker 3: so yeah, it was definitely on the level of food

1934
01:32:55,600 --> 01:32:57,439
Speaker 3: Step Bitch. As far as Ratchets, I would love to

1935
01:32:57,479 --> 01:32:59,000
Speaker 3: be a part of the show to discuss the book.

1936
01:32:59,360 --> 01:33:02,240
Speaker 3: Well you, first of all, we're going to try to

1937
01:33:02,280 --> 01:33:04,759
Speaker 3: make Little Brothers and Nick Ju the permanent like discuss

1938
01:33:04,800 --> 01:33:08,200
Speaker 3: our Ratchet book club shit. But if you guys are

1939
01:33:08,240 --> 01:33:11,160
Speaker 3: always free to ask questions email the show right in

1940
01:33:11,439 --> 01:33:14,200
Speaker 3: for the book club. When I put the post on

1941
01:33:15,160 --> 01:33:17,880
Speaker 3: our page, you can leave comments there. So if you

1942
01:33:17,960 --> 01:33:19,880
Speaker 3: have things you want to talk about, moments you want

1943
01:33:19,920 --> 01:33:22,560
Speaker 3: to discuss, that's a great way to get into the conversation,

1944
01:33:22,880 --> 01:33:24,160
Speaker 3: or if you just want to be live in the

1945
01:33:24,240 --> 01:33:28,160
Speaker 3: chat that day, we take questions and read up on

1946
01:33:28,240 --> 01:33:32,000
Speaker 3: people's favorite moments and stuff too. I feel comfortable about

1947
01:33:32,040 --> 01:33:34,040
Speaker 3: this book because I live in Working Atlanta. I had

1948
01:33:34,080 --> 01:33:36,479
Speaker 3: to ask great show as always y'all laugh to give

1949
01:33:36,560 --> 01:33:40,240
Speaker 3: me life, take care of Mudro. Thanks Mudro, We appreciate you, bro.

1950
01:33:42,120 --> 01:33:45,880
Speaker 3: And last one, Miss Danny ten says feedback. Hey, y'all

1951
01:33:46,520 --> 01:33:47,919
Speaker 3: just wanted to drop a light feedback.

1952
01:33:47,960 --> 01:33:48,160
Speaker 2: First.

1953
01:33:48,200 --> 01:33:50,000
Speaker 3: I wanted to say thanks for the history lesson on

1954
01:33:50,080 --> 01:33:53,559
Speaker 3: bullet ball a few weeks ago. Well, thank Justin Right,

1955
01:33:53,760 --> 01:33:55,200
Speaker 3: He's the one brought it up because I had no

1956
01:33:55,280 --> 01:33:58,040
Speaker 3: idea where it came from. Lol Oh, and the themes

1957
01:33:58,040 --> 01:33:59,680
Speaker 3: song for it had me cracking up on the bus.

1958
01:33:59,760 --> 01:34:02,200
Speaker 3: Now every time you announced bullet ball extreme, I add

1959
01:34:02,320 --> 01:34:07,800
Speaker 3: my point. Episode seven fifty four, that crazy ass listener

1960
01:34:07,840 --> 01:34:10,600
Speaker 3: to said he'd hit a woman and that TVGWT is

1961
01:34:10,640 --> 01:34:13,040
Speaker 3: part of the abuse of women by supporting porn or whatever.

1962
01:34:13,120 --> 01:34:13,439
Speaker 6: He said.

1963
01:34:13,920 --> 01:34:18,040
Speaker 3: Can sit on a spankly pink dick and twirl. Oh lord,

1964
01:34:18,880 --> 01:34:21,519
Speaker 3: I think you missed sparkly. Oh I read it wrong.

1965
01:34:21,600 --> 01:34:25,000
Speaker 3: Sparkly pink dick and towirrel. Hearing Rod and Karen laugh

1966
01:34:25,080 --> 01:34:27,240
Speaker 3: hardly at that idiot made my day. I love y'all

1967
01:34:27,360 --> 01:34:30,320
Speaker 3: last it brings me joy. On ever sell seven fifty five,

1968
01:34:30,439 --> 01:34:33,360
Speaker 3: Thought Pockets. I knew that Flawless remix would be part

1969
01:34:33,400 --> 01:34:36,679
Speaker 3: of a Solange Gate and I'm totally here for breaking

1970
01:34:36,760 --> 01:34:39,320
Speaker 3: news fan fare as soon as beyond. As soon as

1971
01:34:39,320 --> 01:34:42,080
Speaker 3: beyond they talked about the elevator, I thought breaking news

1972
01:34:42,640 --> 01:34:47,280
Speaker 3: Solange Gate day one fifty five. I enjoyed the remix

1973
01:34:47,360 --> 01:34:50,519
Speaker 3: and y'all's commentary. Episode seven fifty eight, Careen's rendition of

1974
01:34:50,960 --> 01:34:53,519
Speaker 3: hard Cracked Life had me laughing so hard I almost

1975
01:34:54,240 --> 01:35:00,479
Speaker 3: couldn't pipet my regents for my experiment. That sounds like

1976
01:35:00,520 --> 01:35:05,120
Speaker 3: scientific firms. It reminded me of the episode Kids Bob

1977
01:35:05,160 --> 01:35:07,639
Speaker 3: when Rod talked about those chair and singing DJ got

1978
01:35:07,760 --> 01:35:11,040
Speaker 3: Us falling in love and the Tupac musical Holly if

1979
01:35:11,080 --> 01:35:14,920
Speaker 3: you hear me, That's all I have for now. Love y'all,

1980
01:35:15,680 --> 01:35:17,760
Speaker 3: Love y'all, Get you to be great chairs, Miss Danny Tin,

1981
01:35:17,840 --> 01:35:18,800
Speaker 3: thank you, Miss Danny Tin.

1982
01:35:19,160 --> 01:35:21,679
Speaker 4: Yes, thank you so much. And for those of y'all

1983
01:35:22,000 --> 01:35:23,519
Speaker 4: they don't want to be part of the book club.

1984
01:35:23,560 --> 01:35:25,679
Speaker 4: At the book club again, the title of the book

1985
01:35:25,840 --> 01:35:28,960
Speaker 4: is you got me All, No, you got me fucked?

1986
01:35:29,000 --> 01:35:30,880
Speaker 4: Oh sorry, you got you got me fucked up?

1987
01:35:31,040 --> 01:35:33,280
Speaker 3: Yeah I have. I'll put up the post this weekend.

1988
01:35:33,800 --> 01:35:37,559
Speaker 3: But yeah, thank you everybody. Appreciate all the feedback, Appreciate

1989
01:35:37,600 --> 01:35:38,639
Speaker 3: the callers, all that stuff.

1990
01:35:38,680 --> 01:35:41,720
Speaker 2: Man, it was fun. We'll be back actually today at

1991
01:35:41,800 --> 01:35:43,720
Speaker 2: three we have to do a nerd off.

1992
01:35:43,880 --> 01:35:47,839
Speaker 3: We'll have Chris from Sanity check on and movie trailer reviews,

1993
01:35:48,120 --> 01:35:50,840
Speaker 3: and we'll also have Romayne Walters. So people that enjoyed

1994
01:35:50,920 --> 01:35:54,280
Speaker 3: Romain being on the show last week, you guys should

1995
01:35:54,479 --> 01:35:57,960
Speaker 3: and enjoy having them. I'll get the email out before

1996
01:35:58,000 --> 01:36:01,960
Speaker 3: the show starts. But yeah, three o'clock, we're planning on

1997
01:36:02,080 --> 01:36:06,600
Speaker 3: doing that questions yep, and we'll see you guys tomorrow.

1998
01:36:06,800 --> 01:36:08,640
Speaker 2: If you're not premium until then, I love you.

1999
01:36:08,720 --> 01:36:09,280
Speaker 1: I love you too.

2000
01:36:09,600 --> 01:36:09,840
Speaker 6: Wh