WEBVTT - #12 Jesse

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<v Speaker 1>Hi, how are you.

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<v Speaker 2>I'm updating all my contacts and my iPhone. Yes, okay,

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<v Speaker 2>and I just have you down as Jackie. Yeah, and

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<v Speaker 2>it makes me realize I don't actually know your full

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<v Speaker 2>name is? What is Jackie short for?

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<v Speaker 1>It's short for Jackie.

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<v Speaker 2>No, but I mean, like what Jackie, Jacqueline.

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<v Speaker 3>Jacqueline No, John, it's short for Jackie. And you know

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<v Speaker 3>that because you've known me since I'm five?

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<v Speaker 2>Why do I have in my mind that the full

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<v Speaker 2>name is jack Arandack jack Arondack Cohen. And what's your

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<v Speaker 2>middle name?

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<v Speaker 1>I don't have one.

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<v Speaker 2>Mother mustn't have loved you very much, you know what.

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<v Speaker 2>Let's give you a middle name right now?

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<v Speaker 4>How about that?

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<v Speaker 2>Why Jackie Stewart, Jackie Lynn, Jackie jack Jackie Jack Cohen.

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<v Speaker 2>And I don't care Jackety Jack's bratt sat on a

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<v Speaker 2>candlestick from Gimblet Media. I'm Jonathan Goldstein and this is

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<v Speaker 2>Heavyweight Today's episode, Jesse. Most lives are like parallel lines,

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<v Speaker 2>one life existing alongside another, divided only by an apartment

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<v Speaker 2>hallway or a cubicle wall, close but never touching. So

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<v Speaker 2>I will just ask you to start from the very beginning, Okay,

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<v Speaker 2>lines that are parallel don't have endings or beginnings. Lives do, though,

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<v Speaker 2>and so do stories. And this story begins in the

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<v Speaker 2>summer of twenty thirteen in a town just outside Portland, Oregon.

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<v Speaker 2>Jesse had just graduated college and was spending the summer

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<v Speaker 2>working in a lab. His life was music festivals, dancing,

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<v Speaker 2>getting stoned, and eating as much mac and cheese as

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<v Speaker 2>he could. In other words, he was a typical American

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<v Speaker 2>twenty one year old whose life was on course.

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<v Speaker 4>And then one day, it's a half day at work,

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<v Speaker 4>left the house, got a cup of coffee, was riding

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<v Speaker 4>my bike, stopped in this little park to sip on

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<v Speaker 4>the coffee before I headed in, And that's the last

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<v Speaker 4>thing that I really remember about that day.

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<v Speaker 2>Later people will tell Jesse that he plugged an earbud

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<v Speaker 2>into his ear, turned on some LCD sound system, got

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<v Speaker 2>back on his bicycle, rode to the same four way

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<v Speaker 2>intersection that he always.

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<v Speaker 4>Did, and rolled out into the intersection and was te

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<v Speaker 4>boned by a guy going forty five.

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<v Speaker 2>Lines that are perpendicular meet at a right angle, touching

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<v Speaker 2>but only once and then never meeting again. As he

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<v Speaker 2>lay split out in the middle of the street, Jesse's

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<v Speaker 2>heart stopped for a while.

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<v Speaker 4>He was legally dead, and then I came to with

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<v Speaker 4>a tracheotomy down my throat, trying to throw up, and

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<v Speaker 4>suddenly I was in a hospital room.

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<v Speaker 2>Suddenly was actually seventeen days later, seventeen days in a

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<v Speaker 2>coma that he woke from, unable to breathe on his own,

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<v Speaker 2>with half his body paralyzed. Everyone was saying it looked

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<v Speaker 2>like he'd never walk again.

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<v Speaker 4>And I don't think people realized I was with it

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<v Speaker 4>enough to hear them say those things. Having a surgeon

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<v Speaker 4>say to your mom, like you might as well get

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<v Speaker 4>rid of his car insurance because he's not gonna ever

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<v Speaker 4>drive again. It just seemed like I wasn't gonna look anymore.

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<v Speaker 4>I wasn't going to be with anything pretty anymore. My

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<v Speaker 4>life I had dreamed about is no longer. Having to

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<v Speaker 4>use a bedpan as a twenty one year old, and

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<v Speaker 4>the embarrassment that comes with not being able to control

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<v Speaker 4>your bladder and having a nurse have to clean you up.

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<v Speaker 4>It just feels like, Okay, I'm in pain, I'm causing pain.

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<v Speaker 4>My parents aren't going to have a normal life now.

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<v Speaker 4>A lot of what I was saying was about trying

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<v Speaker 4>to get someone to end my life. I was like,

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<v Speaker 4>if it's not going to be a good life, like

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<v Speaker 4>I don't want life.

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<v Speaker 2>Every day was like this, the same dark thoughts day

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<v Speaker 2>after day after day. And then one day Jesse felt

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<v Speaker 2>his eyes move independently of each other. His head and

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<v Speaker 2>arms began to flail. He thought, this is it. I'm

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<v Speaker 2>actually going to die, like.

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<v Speaker 4>Oh, I'm getting what I wanted. And the first emotion

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<v Speaker 4>that came up was just anger, like this sucks.

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<v Speaker 2>As Jesse began the process of dying, he lost the

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<v Speaker 2>ability to hold onto that anger. It was like he

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<v Speaker 2>no longer had the strength, and so it let go.

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<v Speaker 2>His dying brain started letting everything go, what was happening

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<v Speaker 2>around him, all his fears for the future, and with

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<v Speaker 2>all that gone, past memories flooded in happy memories, playing

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<v Speaker 2>guitar for his younger cousins Emial of Savice in Lima,

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<v Speaker 2>camping with his girlfriend in the rain, and drinking champagne

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<v Speaker 2>as their tent slowly filled with water.

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<v Speaker 4>I think it was rather spontaneous, though I don't remember

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<v Speaker 4>putting like one and one together. I think it was

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<v Speaker 4>like this this rush that happened in a matter of moments,

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<v Speaker 4>all of the people that had ever wished well for me,

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<v Speaker 4>or all of the hospital visitors I had made me

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<v Speaker 4>realize that I had a really fortunate life.

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<v Speaker 2>Jesse ended up surviving, and with his new life came

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<v Speaker 2>in appreciation for all the things he'd never noticed before.

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<v Speaker 2>The blue of the sky through the hospital window looked

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<v Speaker 2>bluer somehow, the touch of a friend's hand at his

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<v Speaker 2>bedside stirred his heart in a deeper way. When he

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<v Speaker 2>was helped outside, the world below his feet felt like

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<v Speaker 2>a strange and beautiful planet. Even the most familiar things

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<v Speaker 2>were new again.

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<v Speaker 4>If I had an apple that day, it was like

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<v Speaker 4>the first time eating an apple. Every day got better

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<v Speaker 4>and better, and it was easier and easier to see

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<v Speaker 4>a life forward. And so every day now is kind

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<v Speaker 4>of like a second chance.

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<v Speaker 2>Think that this kind of instantaneous spiritual transformation would have

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<v Speaker 2>an expiration date, that before long he'd be back to

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<v Speaker 2>watching Bachelor in Paradise in bed with a bucket of

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<v Speaker 2>Colonel Sanders on his lap and various dipping sauces neatly

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<v Speaker 2>laid out across a pillow, just like everybody else. But

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<v Speaker 2>for Jesse, these new feelings didn't fade. Over the next

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<v Speaker 2>five months, as his doctors put him back together and

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<v Speaker 2>taught him how to walk again, Jesse'd come to see

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<v Speaker 2>that life before the accident, the life he tried so

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<v Speaker 2>hard to hold onto, wasn't a life lived very deeply,

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<v Speaker 2>that it was actually kind of superficial. It was a

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<v Speaker 2>life distracting him from what was good about living, and

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<v Speaker 2>so to mark the end of one life in the

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<v Speaker 2>beginning of another, he changed his name, going from Jesse,

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<v Speaker 2>a favorite moniker for TV uncles, to Gavanna, Sanskrit for

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<v Speaker 2>giver of light. Four years later, Givanna's life looks quite

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<v Speaker 2>different from Jesse's. Jesse was always rushing thinking about the future,

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<v Speaker 2>but Gavanna, helped by a cane, move slowly. While Jesse

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<v Speaker 2>enjoyed dancing in loud music, Givanna, deaf in one ear

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<v Speaker 2>leans him close when spoken to. In spite of living

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<v Speaker 2>with constant pain, he likes this new life better than

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<v Speaker 2>the old one. In fact, he's grateful for it, which

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<v Speaker 2>is why Gavanna often finds himself thinking about the man

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<v Speaker 2>who gave him this new life. That is the driver

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<v Speaker 2>of the car that hit him.

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<v Speaker 4>I've always wanted to meet him. I've always wanted to

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<v Speaker 4>sit down across from him and tell him, like, I've

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<v Speaker 4>become increasingly grateful for being hit by that car, and

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<v Speaker 4>I want to I want to thank him for like

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<v Speaker 4>showing me how beautiful life can be, but I also

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<v Speaker 4>want to say sorry, really yeah, yeah.

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<v Speaker 2>Up until this moment, I was with him the idea

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<v Speaker 2>of being curious and wanting to meet the driver that

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<v Speaker 2>I kind of got, but wanting to thank him apologize

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<v Speaker 2>to the guy who ran you over. Giovanna was acting

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<v Speaker 2>like Jesus, and for people who give out the Jesus vibe,

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<v Speaker 2>like say, Jesus, it doesn't usually end so well. An

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<v Speaker 2>eye for an eye is what my wrathful Hebrew Lord instructs.

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<v Speaker 2>Even if you don't want to, you have an obligation

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<v Speaker 2>take an eyeball for later. You never know it might

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<v Speaker 2>come in handy, and to show extra piety, maybe grab

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<v Speaker 2>a fistful of eyelash. But at the very least, saith

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<v Speaker 2>the Lord. If a guy almost kills you, make him

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<v Speaker 2>beg for your forgiveness. You sincerely don't feel like you're

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<v Speaker 2>looking for an apology.

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<v Speaker 4>I don't blame him for what happened that day. We've

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<v Speaker 4>all been late to work, We've all on yellow lights,

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<v Speaker 4>like every day that I'd drive on a busy street

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<v Speaker 4>with intersections going over thirty. I kind of can imagine

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<v Speaker 4>what it would be like for a bicyclist to suddenly

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<v Speaker 4>be there.

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<v Speaker 2>Givanna says that the driver was never found guilty of

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<v Speaker 2>any crime. He wasn't drinking, he wasn't on his phone.

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<v Speaker 2>In the end, no fault was ever determined.

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<v Speaker 4>I don't need an apology from him. I think the

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<v Speaker 4>only person that can really tell him it's okay, the

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<v Speaker 4>only person that maybe he would believe that it's okay

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<v Speaker 4>as me.

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<v Speaker 2>And you're not afraid that it feels like a little

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<v Speaker 2>too grand, you know what I mean.

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<v Speaker 4>I can see that, like, oh, you're trying to love

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<v Speaker 4>everybody because you want people to look at you and

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<v Speaker 4>like praise you. But the whole point of loving everyone

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<v Speaker 4>is almost a selfish thing, because loving people feels good,

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<v Speaker 4>giving the people feels good. I don't know why we

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<v Speaker 4>would almost shame people for wanting to be that generous.

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<v Speaker 2>I think by we, Givanna is politely saying me that

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<v Speaker 2>I'm shaming him for acting how people should act. But

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<v Speaker 2>I'm more hung up on how people do act, or

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<v Speaker 2>at least how I act, which is kind of grabby.

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<v Speaker 2>So I want to know if there's anything the driver

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<v Speaker 2>can provide for him.

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<v Speaker 4>I think the only thing I want from him is

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<v Speaker 4>maybe for him to explain that day to me. I've

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<v Speaker 4>always been curious about what happened that day.

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<v Speaker 2>Givanna doesn't remember anything about that day and knows almost

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<v Speaker 2>nothing about the driver, so his mind fixates on the

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<v Speaker 2>few bits of information he has. First the police photograph

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<v Speaker 2>of the accident. In it, the driver gazes into the camera,

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<v Speaker 2>stunned and helpless as Javannah lies bleeding on the street. Second,

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<v Speaker 2>the phone call when a policeman called him up with

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<v Speaker 2>the news that Javanna would survive, the driver broke down weeping.

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<v Speaker 2>And the third thing, the driver's name, Christian. I begin

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<v Speaker 2>my search for Christians in the Portland area, and it

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<v Speaker 2>turns out to be harder than I'd imagined. So I

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<v Speaker 2>start combing through databases, the special kind that require log

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<v Speaker 2>in names and service fees. Why do you need money,

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<v Speaker 2>Alex Bloomberg asks, while picking his teeth clean of chia seeds.

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<v Speaker 2>I want to find a man named Christian, I say, why,

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<v Speaker 2>he asks, laughing, as he good naturedly jabs and elbow

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<v Speaker 2>into Lisa Chow's ribs. So you can also find a

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<v Speaker 2>man named Jewish and a man named Muslim and record

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<v Speaker 2>them walking into a bar for your podcast. No, I say,

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<v Speaker 2>gnashing my teeth so I can repair the past and

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<v Speaker 2>win a damn Peabody award and start getting some respect

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<v Speaker 2>around here. Of course, I only say that last part

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<v Speaker 2>to myself. The last thing I need is to be

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<v Speaker 2>exiled back to Canada, to wander sub zero streets while

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<v Speaker 2>drinking frozen milk from a bag, dancing for Canadian nickels,

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<v Speaker 2>and begging strangers for podcasting opportunities. Alex takes a sip

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<v Speaker 2>of his kombucha and, as he rushes off to a

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<v Speaker 2>business meeting, says he'll venmo me the money, and I

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<v Speaker 2>pretend to know what that means. I order the police

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<v Speaker 2>report of the accident, and while I wait for its arrival,

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<v Speaker 2>I continue my online search for Christian. I try pseudonyms,

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<v Speaker 2>name variations, anything I can think of. Still no dice. Desperate,

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<v Speaker 2>I turn to something called a phone book, which it

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<v Speaker 2>turns out is kind of like Facebook, but without photos

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<v Speaker 2>of your high school gym teacher's new SKA band. From there,

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<v Speaker 2>I get even more old school, actually telephoning the telephone

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<v Speaker 2>numbers from the telephone book. Oh, hi, is Christian there.

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<v Speaker 4>I know I can't help you. No, we lived here

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<v Speaker 4>like that.

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<v Speaker 5>And ventilating department. I'm not able to come to the

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<v Speaker 5>phone right now, Mom and somebody else.

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<v Speaker 2>Okay, But after several weeks have failed attempt, Hello, Hi

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<v Speaker 2>is Christian there?

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<v Speaker 4>Well, I'm sad.

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<v Speaker 2>I finally get through to Christian's childhood home. But when

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<v Speaker 2>I explain that I'm calling about the car crash and

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<v Speaker 2>about Gavannah wanting to meet Christian, his stepmom gets on

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<v Speaker 2>the phone.

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<v Speaker 4>We have a lot of concern for Chris on this.

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<v Speaker 4>I hear you. I hear you. He has suffered from

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<v Speaker 4>PTSD because of that accident. We don't want to make

0:14:50.920 --> 0:14:55.000
<v Speaker 4>that any worse. I just say to stave go diving

0:14:55.040 --> 0:14:55.800
<v Speaker 4>back into that.

0:14:58.720 --> 0:15:01.680
<v Speaker 2>Even after all these years, Christian's parents are still worried

0:15:01.680 --> 0:15:04.320
<v Speaker 2>about him. They won't give me his phone number, but

0:15:04.320 --> 0:15:07.040
<v Speaker 2>they do agree to pass along my message. So over

0:15:07.080 --> 0:15:09.760
<v Speaker 2>the next few months, I check in with them periodically

0:15:10.120 --> 0:15:14.560
<v Speaker 2>to see if there's any news to report. Hello, well,

0:15:14.880 --> 0:15:18.080
<v Speaker 2>I there, This is Jonathan Goldstein calling back. We spoke

0:15:18.160 --> 0:15:21.520
<v Speaker 2>last week weeks ago. I was last week, any movement,

0:15:22.200 --> 0:15:25.560
<v Speaker 2>any new news, write him a note and ask him.

0:15:25.840 --> 0:15:28.240
<v Speaker 5>Let me grab a pen here, let me grab well here,

0:15:28.320 --> 0:15:29.880
<v Speaker 5>Let me have you a talk to my husban. I'm

0:15:29.880 --> 0:15:31.520
<v Speaker 5>going to put my wife on the phone because of

0:15:31.600 --> 0:15:33.640
<v Speaker 5>actually again, I'll pass it. I'll let him know you

0:15:33.640 --> 0:15:36.880
<v Speaker 5>call it, and I will pass on that you called again.

0:15:38.160 --> 0:15:41.760
<v Speaker 2>Eventually I begin feeling like a trusted friend of the family.

0:15:42.880 --> 0:15:47.160
<v Speaker 4>Right it's mister, is the silver Stein?

0:15:48.560 --> 0:15:59.320
<v Speaker 2>Goldstein? For months I wait to hear from Christian. In

0:15:59.400 --> 0:16:04.640
<v Speaker 2>the interim, I discover something called fidget spinners wind Haven, Tornado, fidget,

0:16:04.840 --> 0:16:09.160
<v Speaker 2>Golden snitch, Harry Potter, fidget, you name it. To mitigate

0:16:09.160 --> 0:16:17.920
<v Speaker 2>my anxiety. I passed the days spinning them. How do

0:16:18.000 --> 0:16:21.040
<v Speaker 2>these fidget spin so easily? I wonder? And why is

0:16:21.080 --> 0:16:24.600
<v Speaker 2>this sensation between my thumb and index finger more satisfying

0:16:24.640 --> 0:16:29.040
<v Speaker 2>than all of my personal relationships and career accomplishments Stacked

0:16:29.160 --> 0:16:37.400
<v Speaker 2>end to end, you might call a circle a line

0:16:37.440 --> 0:16:42.440
<v Speaker 2>that's lost its way forward, neurotically retracing its footsteps, making

0:16:42.560 --> 0:16:49.080
<v Speaker 2>loop after loop after loop after loop after loop after

0:16:55.680 --> 0:16:58.800
<v Speaker 2>and then one day after an evening of dervish like spinning.

0:16:59.160 --> 0:17:01.520
<v Speaker 2>I emerge from an underground fidget den in the back

0:17:01.640 --> 0:17:05.040
<v Speaker 2>room of a Chinatown foot massage parlor, fingers blistered and

0:17:05.119 --> 0:17:08.280
<v Speaker 2>eyes squinting at my phone in the cruel noontime sun.

0:17:09.080 --> 0:17:13.159
<v Speaker 2>It's then that I see I've received an email Hello.

0:17:13.240 --> 0:17:16.600
<v Speaker 2>The subject heading reads, will you be available Friday to

0:17:16.640 --> 0:17:23.840
<v Speaker 2>talk on the phone? Thanks Christian. After the break Christian.

0:17:26.160 --> 0:17:29.400
<v Speaker 2>On Friday, Christian tells me about life since the accident,

0:17:29.840 --> 0:17:33.359
<v Speaker 2>the depression, the panic attacks. He tells me about waking

0:17:33.440 --> 0:17:35.359
<v Speaker 2>up in the middle of the night, scared to death

0:17:35.800 --> 0:17:38.920
<v Speaker 2>but not sure why. He tells me how he'd begun drinking,

0:17:39.280 --> 0:17:43.080
<v Speaker 2>about feeling empty, how sometimes when he's driving he feels

0:17:43.080 --> 0:17:45.480
<v Speaker 2>so anxious and lost that he finds it hard to

0:17:45.520 --> 0:17:47.639
<v Speaker 2>breathe and has to pull off to the side of

0:17:47.640 --> 0:17:52.440
<v Speaker 2>the road. But what surprises me most is when Christian says,

0:17:52.680 --> 0:17:56.240
<v Speaker 2>almost word for word, the same thing that Javanna said,

0:17:56.440 --> 0:17:59.000
<v Speaker 2>not just that he's changed as a result of the crash,

0:17:59.119 --> 0:18:02.600
<v Speaker 2>but that his whole life is different. After the crash,

0:18:02.720 --> 0:18:05.280
<v Speaker 2>he dropped out of school. He had his own business,

0:18:05.480 --> 0:18:09.240
<v Speaker 2>but gave that up too. Like Giovanna, Christian feels like

0:18:09.280 --> 0:18:13.200
<v Speaker 2>a completely different person, and like Javanna, Christian was also

0:18:13.240 --> 0:18:16.280
<v Speaker 2>advised by the people closest to him not to revisit

0:18:16.320 --> 0:18:19.120
<v Speaker 2>that day, not to meet with the man from the accident,

0:18:19.800 --> 0:18:24.000
<v Speaker 2>that such things simply aren't done. And yet in spite

0:18:24.040 --> 0:18:27.640
<v Speaker 2>of all that, Christians decided it's something he wants to do.

0:18:32.520 --> 0:18:35.880
<v Speaker 2>Lines that meet intersect, and then grow further apart are

0:18:35.920 --> 0:18:40.320
<v Speaker 2>called perpendicular lines that reintersect. There is no name for

0:18:40.359 --> 0:18:43.760
<v Speaker 2>such a thing. Up until this point, I had been

0:18:43.760 --> 0:18:47.200
<v Speaker 2>mostly caught up in Giavanna's story, but in talking with Christian,

0:18:47.680 --> 0:18:51.359
<v Speaker 2>I start to worry about his trajectory too. I needed

0:18:51.400 --> 0:18:53.359
<v Speaker 2>to talk with someone who knew more about this stuff

0:18:53.359 --> 0:18:56.399
<v Speaker 2>than I did. I needed to talk to a real therapist,

0:18:57.400 --> 0:19:00.760
<v Speaker 2>and so I reached out to a grief and couples counselor.

0:19:01.240 --> 0:19:03.600
<v Speaker 3>My mother was a therapist, and when she passed away,

0:19:03.640 --> 0:19:06.880
<v Speaker 3>I started working with grieving children as a volunteer.

0:19:07.080 --> 0:19:09.639
<v Speaker 2>Matt has a calm way of speaking, like a cross

0:19:09.680 --> 0:19:12.560
<v Speaker 2>between hal from two thousand and one and someone who

0:19:12.640 --> 0:19:15.440
<v Speaker 2>enjoys thoughtfully chewing on the arm of his eyeglasses.

0:19:15.880 --> 0:19:18.000
<v Speaker 3>And a friend suggested that I get another degree in

0:19:18.040 --> 0:19:22.119
<v Speaker 3>go back and start professionalizing my interest in that topic.

0:19:22.240 --> 0:19:25.440
<v Speaker 2>I liked Matt right away. From the moment we shook hands.

0:19:25.720 --> 0:19:27.840
<v Speaker 2>I felt like you could see right through to the

0:19:27.880 --> 0:19:31.679
<v Speaker 2>deepest recesses of my mind. I felt naked before this

0:19:31.760 --> 0:19:35.960
<v Speaker 2>man's keen psychological gaze, the breeze goose pimpling the nude

0:19:36.000 --> 0:19:39.960
<v Speaker 2>flesh of my psyche. I quickly caught Matt up on

0:19:40.000 --> 0:19:43.119
<v Speaker 2>the Christian and Javanna situation about the meeting we were

0:19:43.160 --> 0:19:45.080
<v Speaker 2>planning and asked what he thought.

0:19:46.359 --> 0:19:52.879
<v Speaker 3>Yeah, I guess it sounds dicey, like this could go

0:19:53.040 --> 0:19:57.200
<v Speaker 3>really wrong. You know, this was a really traumatizing thing

0:19:57.280 --> 0:20:00.800
<v Speaker 3>for these people, and they they come at it with

0:20:00.880 --> 0:20:05.600
<v Speaker 3>feelings that have not been worked through, and that could

0:20:05.600 --> 0:20:06.240
<v Speaker 3>be a disaster.

0:20:07.280 --> 0:20:09.439
<v Speaker 2>Matt says, you never really know what you're going to

0:20:09.480 --> 0:20:13.040
<v Speaker 2>feel until you actually step foot in the room. Christian

0:20:13.080 --> 0:20:17.119
<v Speaker 2>could become re traumatized, Javanna could get angrier than he anticipated.

0:20:17.600 --> 0:20:21.639
<v Speaker 3>You just don't know. I mean, it means facing something difficult,

0:20:21.720 --> 0:20:26.080
<v Speaker 3>and people would much rather ignore something difficult, even you know,

0:20:26.160 --> 0:20:29.000
<v Speaker 3>even in families, even in loving relationships and couples. You

0:20:29.040 --> 0:20:29.880
<v Speaker 3>see that all the time.

0:20:30.640 --> 0:20:33.040
<v Speaker 2>But as we talk about how eager Javanna and Christian

0:20:33.080 --> 0:20:36.000
<v Speaker 2>are to meet each other. Matt admits that it's possible

0:20:36.040 --> 0:20:39.160
<v Speaker 2>this plan might not be disastrous, that it might actually

0:20:39.200 --> 0:20:42.720
<v Speaker 2>be good, that there was something even potentially beautiful about it.

0:20:43.359 --> 0:20:47.000
<v Speaker 3>If you're given the opportunity to face the source of

0:20:47.560 --> 0:20:52.439
<v Speaker 3>this event that had so much meaning, it's a tremendous

0:20:52.440 --> 0:20:54.280
<v Speaker 3>opportunity for reconciliation.

0:20:56.520 --> 0:20:58.960
<v Speaker 2>Matt offers to speak to Christian and Javanna on the

0:20:59.000 --> 0:21:02.520
<v Speaker 2>phone separately, just to assess how emotionally prepared they are

0:21:02.600 --> 0:21:05.919
<v Speaker 2>to face each other. He also says it'd be advisable

0:21:06.000 --> 0:21:08.280
<v Speaker 2>to have an actual therapist on hand when they meet,

0:21:09.000 --> 0:21:13.720
<v Speaker 2>and lucky for me, I had just the one. So

0:21:13.800 --> 0:21:23.199
<v Speaker 2>you want to go to Portland, I'd love to. You

0:21:23.240 --> 0:21:26.840
<v Speaker 2>want to travel with your therapist to Oregon, Alex says

0:21:26.960 --> 0:21:30.000
<v Speaker 2>when I ask him to pay for Matt's airfare. He's

0:21:30.040 --> 0:21:34.800
<v Speaker 2>not my therapist, I say, blushing, He's a friend. It's

0:21:34.840 --> 0:21:38.320
<v Speaker 2>for a story, a business story. Matt and I can

0:21:38.320 --> 0:21:41.560
<v Speaker 2>even share a hotel room. Might actually be better stay

0:21:41.640 --> 0:21:45.679
<v Speaker 2>up late gossiping about the story. The business story, I

0:21:45.760 --> 0:21:49.560
<v Speaker 2>mean Alex's bull of chia seeds arrives and he cuts

0:21:49.600 --> 0:21:57.639
<v Speaker 2>me off, agreeing to vimeo me the money, so I

0:21:57.640 --> 0:21:59.040
<v Speaker 2>don't know, what do you think of this set up?

0:21:59.119 --> 0:22:00.800
<v Speaker 3>I mean, so I should.

0:22:00.520 --> 0:22:03.960
<v Speaker 2>Say that I'm in Portland, Matt and I prepare the

0:22:04.000 --> 0:22:07.040
<v Speaker 2>hotel room for Javanna and Christian's arrival. I mean, and

0:22:07.080 --> 0:22:09.199
<v Speaker 2>then this puts some money equal footing that you know

0:22:09.280 --> 0:22:10.760
<v Speaker 2>that they're both down chairs and they don't have to

0:22:10.800 --> 0:22:12.720
<v Speaker 2>sit side by side of it, so that an already

0:22:12.760 --> 0:22:16.000
<v Speaker 2>dicey situation isn't made diceier by us all having to

0:22:16.040 --> 0:22:19.720
<v Speaker 2>sit crisscross apple sauce on my unmade hotel bed. I've

0:22:19.720 --> 0:22:23.120
<v Speaker 2>rented a suite with chairs and a COUCHU.

0:22:23.480 --> 0:22:25.959
<v Speaker 3>Yeah, that's we're both over there kind of.

0:22:26.520 --> 0:22:30.400
<v Speaker 2>I expend my nervous energy by arranging and rearranging the furniture.

0:22:31.080 --> 0:22:34.920
<v Speaker 2>Working in such close proximity, I can't help catching wisps

0:22:34.920 --> 0:22:39.920
<v Speaker 2>of Matt's aftershave, a masculine, leathery scent that recalls grandfather's

0:22:39.960 --> 0:22:43.680
<v Speaker 2>barbering strop. So I would, just, if you're comfortable with it,

0:22:43.720 --> 0:22:44.400
<v Speaker 2>I would ask.

0:22:44.240 --> 0:22:45.000
<v Speaker 4>You to sit.

0:22:49.760 --> 0:22:54.760
<v Speaker 2>On the couch with me. Yeah, okay, would that be okay?

0:22:55.280 --> 0:22:58.000
<v Speaker 1>Yeah?

0:22:58.640 --> 0:23:03.960
<v Speaker 2>Our exchange is preempty by a tentative knock at the door. Hello, Hello,

0:23:04.200 --> 0:23:07.240
<v Speaker 2>Gavanna arrives first come on in thank You.

0:23:07.520 --> 0:23:08.640
<v Speaker 3>This is man time.

0:23:09.320 --> 0:23:12.520
<v Speaker 2>Gravanna's tall and thin, with long red hair and a beard.

0:23:13.000 --> 0:23:17.160
<v Speaker 2>The clothing he's wearing his robelike Jesus, like his movement

0:23:17.320 --> 0:23:21.239
<v Speaker 2>slow and careful. So Christian is on his way. I

0:23:21.320 --> 0:23:23.520
<v Speaker 2>believe he might be a little bit late because of

0:23:23.560 --> 0:23:28.280
<v Speaker 2>the parade as it happens today is Portland's Rose Bowl Parade.

0:23:28.600 --> 0:23:31.120
<v Speaker 2>I keep waiting for the sound of Alice Cooper's Schools

0:23:31.160 --> 0:23:34.199
<v Speaker 2>Out for Summer, performed on tubas and snare drums to

0:23:34.280 --> 0:23:37.840
<v Speaker 2>fade into the distance, but it never does. It's like

0:23:37.880 --> 0:23:40.480
<v Speaker 2>the parade route this year is stuck in a spiral

0:23:40.560 --> 0:23:45.240
<v Speaker 2>of endless laps around our hotel. Outside the window, life

0:23:45.359 --> 0:23:52.600
<v Speaker 2>in all its obnoxious splendor, was going on at this point.

0:23:52.760 --> 0:23:58.440
<v Speaker 2>Christian still hasn't arrived. Eleven oh five, eleven, ten, eleven, fifteen,

0:23:58.520 --> 0:24:01.960
<v Speaker 2>eleven twenty. It begins to set in that Christian might

0:24:01.960 --> 0:24:03.879
<v Speaker 2>have had a change of heart and may never show,

0:24:04.240 --> 0:24:06.240
<v Speaker 2>and I'd have to return to Gimlet with my tail

0:24:06.320 --> 0:24:09.800
<v Speaker 2>between my legs, scamper over to Alex's treadmill desk and

0:24:09.880 --> 0:24:12.200
<v Speaker 2>admit he was right and I was wrong, and how

0:24:12.200 --> 0:24:15.680
<v Speaker 2>He's always right? He and Lisa chow because they understand

0:24:15.760 --> 0:24:19.680
<v Speaker 2>the quote financial risk of flying a therapist across the country,

0:24:19.800 --> 0:24:23.440
<v Speaker 2>renting this whole dumb hotel suite, arranging furniture according to

0:24:23.480 --> 0:24:25.840
<v Speaker 2>the laws of FENSHUEI which I don't even know at

0:24:25.880 --> 0:24:33.800
<v Speaker 2>that are Christian, Hi clue, Christian.

0:24:35.480 --> 0:24:35.800
<v Speaker 4>Christian?

0:24:35.880 --> 0:24:36.760
<v Speaker 3>This is Jivanna.

0:24:39.640 --> 0:24:43.040
<v Speaker 2>Christian enters the room. He's solid looking and crew cut

0:24:43.040 --> 0:24:45.919
<v Speaker 2>it wearing jeans and running shoes. He looks like the

0:24:45.960 --> 0:24:49.280
<v Speaker 2>amiable guy in a sports bar whose voice rises easily

0:24:49.280 --> 0:24:53.440
<v Speaker 2>above the din when ordering a beer. Standing side by side,

0:24:53.600 --> 0:24:57.240
<v Speaker 2>these two young men could not seem less alike. Once

0:24:57.240 --> 0:24:59.800
<v Speaker 2>they've taken each other in, they sit down in armchairs,

0:24:59.800 --> 0:25:03.040
<v Speaker 2>op at one another, Christian with his hands on his knees,

0:25:03.359 --> 0:25:07.320
<v Speaker 2>Givanna sunk into his chair. For a while, they quietly

0:25:07.400 --> 0:25:12.280
<v Speaker 2>watch each other. Givanna pulls out a small bottle of

0:25:12.320 --> 0:25:15.480
<v Speaker 2>sandalwood oil that he keeps around his neck. He explains

0:25:15.480 --> 0:25:18.199
<v Speaker 2>that it's the oil burned in ashrams to maintain a

0:25:18.240 --> 0:25:21.000
<v Speaker 2>deep level of meditation and body awareness.

0:25:21.400 --> 0:25:23.720
<v Speaker 4>So I don't know if anyone else wants to smell this,

0:25:23.920 --> 0:25:25.760
<v Speaker 4>but I treat it very preciously.

0:25:27.040 --> 0:25:30.440
<v Speaker 2>Givanna passes it around and we each smell it. When

0:25:30.440 --> 0:25:34.400
<v Speaker 2>we're done, the room returns to silence. Matt looks from

0:25:34.440 --> 0:25:37.480
<v Speaker 2>Christian to Javanna. He wonders aloud what it might have

0:25:37.560 --> 0:25:41.080
<v Speaker 2>been like had they met under different circumstances.

0:25:41.240 --> 0:25:45.840
<v Speaker 3>Imagining you two coincidentally running into each other and then

0:25:46.160 --> 0:25:48.399
<v Speaker 3>kind of figuring it out who each other was.

0:25:49.080 --> 0:25:54.560
<v Speaker 5>I know immediately was that I would know immediately. Yeah,

0:25:55.240 --> 0:25:56.480
<v Speaker 5>I'll never forget your face.

0:26:04.119 --> 0:26:06.520
<v Speaker 2>It was the most transformative day of both their lives.

0:26:06.800 --> 0:26:09.800
<v Speaker 2>And since Christian can't forget anything about it and Javanna

0:26:09.840 --> 0:26:13.120
<v Speaker 2>can't remember anything about it, some kind of exchange needs

0:26:13.119 --> 0:26:16.119
<v Speaker 2>to happen so that Javanna can reclaim the day and

0:26:16.240 --> 0:26:19.720
<v Speaker 2>Christian can finally lay it to rest. Christian takes a

0:26:19.760 --> 0:26:24.640
<v Speaker 2>deep breath and begins, I.

0:26:24.640 --> 0:26:29.359
<v Speaker 5>Was going to school. I had an easy day. I

0:26:29.440 --> 0:26:32.440
<v Speaker 5>was needed to be in class around twelve o'clock, so

0:26:32.520 --> 0:26:36.240
<v Speaker 5>I woke up early and I had pre nutritious meal.

0:26:36.240 --> 0:26:38.439
<v Speaker 5>I had oatmeal, a little bit of milk and innate that.

0:26:38.600 --> 0:26:41.200
<v Speaker 5>Then I was just driving the school, and then.

0:26:42.520 --> 0:26:43.359
<v Speaker 4>That's where I met you.

0:26:44.880 --> 0:26:49.119
<v Speaker 2>Throughout the day, this language will recur. Christian never says

0:26:49.240 --> 0:26:52.879
<v Speaker 2>when I hit you or when we crashed. It's almost

0:26:52.880 --> 0:26:57.120
<v Speaker 2>always when we met, as in when two lines meet

0:26:57.640 --> 0:27:00.919
<v Speaker 2>without agency, as though drawn by the tremulous hand of

0:27:00.920 --> 0:27:03.440
<v Speaker 2>a child holding down a ruler in math class.

0:27:04.320 --> 0:27:08.560
<v Speaker 5>So when we met, I remember there being a really

0:27:08.640 --> 0:27:13.040
<v Speaker 5>large car in front of me, and I've processed this

0:27:13.119 --> 0:27:16.040
<v Speaker 5>moment in my head over and over again. How that

0:27:16.080 --> 0:27:18.439
<v Speaker 5>car in front of me blocked the view of my

0:27:18.600 --> 0:27:21.640
<v Speaker 5>car because I have a really small on a civic

0:27:22.200 --> 0:27:24.919
<v Speaker 5>and you thought you were fine.

0:27:27.720 --> 0:27:31.680
<v Speaker 4>That's how I've understood it, too, is that we didn't

0:27:31.720 --> 0:27:36.200
<v Speaker 4>see each other. I guess until it was too late.

0:27:42.560 --> 0:27:48.959
<v Speaker 5>I saw the moments when you hit my windshield.

0:27:51.119 --> 0:27:54.280
<v Speaker 2>According to the police report, earbuds were found lodged in

0:27:54.320 --> 0:27:57.000
<v Speaker 2>the windshield. The impact of the crash had caused the

0:27:57.080 --> 0:27:58.280
<v Speaker 2>roof of the car to cave in.

0:27:59.400 --> 0:28:01.480
<v Speaker 5>For some reason, I was able to get the car parked,

0:28:02.119 --> 0:28:06.480
<v Speaker 5>and I rushed to you. Some one yells at me,

0:28:07.040 --> 0:28:09.560
<v Speaker 5>called nine one one, called nine one one, get help.

0:28:10.400 --> 0:28:13.360
<v Speaker 5>I tried to call nine one one, and I couldn't

0:28:13.359 --> 0:28:17.679
<v Speaker 5>do it. I tried over and over and over to

0:28:17.800 --> 0:28:20.200
<v Speaker 5>type numbers in the phone, and I was in shock.

0:28:22.119 --> 0:28:25.600
<v Speaker 5>Somebody else said they got we got the emergency responders

0:28:25.600 --> 0:28:30.439
<v Speaker 5>on the phone. There on the way. We all just

0:28:30.640 --> 0:28:34.119
<v Speaker 5>huddled around you, and you were going I think, in

0:28:34.160 --> 0:28:37.880
<v Speaker 5>and out of consciousness, and we were trying to cheer

0:28:37.880 --> 0:28:41.880
<v Speaker 5>you on. Just stay with it, stay with it. And

0:28:41.960 --> 0:28:46.080
<v Speaker 5>everybody around us were we're trying to fight for you.

0:28:48.480 --> 0:28:51.840
<v Speaker 5>I was over your body and I was looking down at.

0:28:51.760 --> 0:28:55.080
<v Speaker 4>You, and it was just trying to cheer you.

0:28:55.120 --> 0:29:04.360
<v Speaker 5>All the paramedics came and they were able to get

0:29:04.400 --> 0:29:06.560
<v Speaker 5>you in the ambulance and everything, and then I just

0:29:06.600 --> 0:29:09.040
<v Speaker 5>remember I just wanted to run away. I just wanted

0:29:09.040 --> 0:29:11.840
<v Speaker 5>to get out of there, run away. And one of

0:29:11.840 --> 0:29:15.120
<v Speaker 5>the police officers stayed with me and kept me calm,

0:29:15.160 --> 0:29:19.600
<v Speaker 5>and I remember, uh, after a few hours, going to

0:29:19.640 --> 0:29:21.760
<v Speaker 5>my dad and being like a bad thing happened, and

0:29:21.840 --> 0:29:23.719
<v Speaker 5>I cried with him for a long time. Then we

0:29:24.160 --> 0:29:27.160
<v Speaker 5>he we prayed for you, and my family prayed for you.

0:29:29.120 --> 0:29:34.000
<v Speaker 5>That's pretty much what I remember from that day. It

0:29:34.080 --> 0:29:37.360
<v Speaker 5>was very scary for me. I was very worried about you.

0:29:44.280 --> 0:29:47.760
<v Speaker 4>I wanted to meet you because you're kind of like

0:29:47.840 --> 0:29:51.440
<v Speaker 4>a fable in my head until now, like you're the

0:29:51.520 --> 0:29:58.440
<v Speaker 4>man who sent me on this second half of my life.

0:29:58.760 --> 0:30:03.080
<v Speaker 4>I've wanted I wanted to know how you are and

0:30:03.120 --> 0:30:03.640
<v Speaker 4>how you've.

0:30:03.520 --> 0:30:10.480
<v Speaker 2>Been You wanted to let Christian know I know that,

0:30:10.640 --> 0:30:13.400
<v Speaker 2>like you were okay too.

0:30:13.680 --> 0:30:21.240
<v Speaker 4>Yeah, I think I'm okay as well. Yeah. I don't

0:30:21.280 --> 0:30:25.400
<v Speaker 4>know what happened at that intersection, and I can only

0:30:25.440 --> 0:30:28.959
<v Speaker 4>believe that I'm at least, if not more, of fifty

0:30:28.960 --> 0:30:32.640
<v Speaker 4>percent at fault. And I've been wanting to tell you

0:30:32.680 --> 0:30:38.440
<v Speaker 4>for a long time that I'm sorry, that it's all right.

0:30:40.720 --> 0:30:44.720
<v Speaker 4>The things I experienced later in the hospital and in

0:30:44.800 --> 0:30:50.920
<v Speaker 4>my recovery were very beautiful for me, and I wouldn't

0:30:50.960 --> 0:30:58.360
<v Speaker 4>have gotten to experience a lot without that accident. And

0:30:58.440 --> 0:31:02.560
<v Speaker 4>it leads me to believe my heart that I love you.

0:31:04.760 --> 0:31:11.840
<v Speaker 2>I love you too. Christian gets up on his feet.

0:31:12.440 --> 0:31:17.040
<v Speaker 2>Gavanna rises too, and then they meet and it's Christian,

0:31:17.320 --> 0:31:31.720
<v Speaker 2>not Givanna, who initiates it. It isn't a half hug,

0:31:32.040 --> 0:31:34.520
<v Speaker 2>one of those awkward, one armed things that men do,

0:31:35.200 --> 0:31:41.840
<v Speaker 2>but a full on embrace. Later, when I speak to Gavanna,

0:31:42.160 --> 0:31:44.200
<v Speaker 2>he'll tell me that Christian didn't strike him as the

0:31:44.280 --> 0:31:47.240
<v Speaker 2>huggy type, but that the hug he gave felt like

0:31:47.280 --> 0:31:49.560
<v Speaker 2>the hug of someone who'd been saving up his hugs.

0:31:52.600 --> 0:31:53.840
<v Speaker 4>I thought you could pick me up.

0:31:54.480 --> 0:31:56.680
<v Speaker 2>I feel like you could pick me up, Gavannah says,

0:31:58.840 --> 0:32:03.640
<v Speaker 2>I probably could, says. They sit back down, but continue

0:32:03.640 --> 0:32:06.120
<v Speaker 2>to touch each other's fingers from across the coffee table.

0:32:06.680 --> 0:32:09.520
<v Speaker 2>They look at each other without saying anything. They stay

0:32:09.600 --> 0:32:13.560
<v Speaker 2>quiet like this for what feels like a long time. Later,

0:32:13.600 --> 0:32:16.080
<v Speaker 2>I'll ask Jirvanna how he thought it all went, and

0:32:16.120 --> 0:32:18.640
<v Speaker 2>he'll say that more than the talking or even the

0:32:18.680 --> 0:32:22.040
<v Speaker 2>sense of sorrow, he shared, he was actually touching Christian.

0:32:22.240 --> 0:32:24.800
<v Speaker 2>That felt the most powerful, that made him feel the

0:32:24.800 --> 0:32:25.520
<v Speaker 2>most connected.

0:32:28.040 --> 0:32:30.480
<v Speaker 5>I think we probably should have met a lot sooner.

0:32:31.520 --> 0:32:36.360
<v Speaker 4>Yeah, I feel like lawyers hash things out before the

0:32:36.400 --> 0:32:39.200
<v Speaker 4>people get to him. If I could do it over,

0:32:40.160 --> 0:32:44.400
<v Speaker 4>we would have met a lot earlier. I'm happy I

0:32:44.440 --> 0:32:44.960
<v Speaker 4>came today.

0:32:53.400 --> 0:32:56.200
<v Speaker 2>Only one line has to alter its course, even the

0:32:56.240 --> 0:33:00.920
<v Speaker 2>tiniest bit, and eventually two parallel lines will meet. It

0:33:00.960 --> 0:33:05.320
<v Speaker 2>could take forever, only happening at some theoretical infinity point,

0:33:05.560 --> 0:33:08.400
<v Speaker 2>or it could take four years and happen in a

0:33:08.400 --> 0:33:09.600
<v Speaker 2>Portland hotel room.

0:33:10.360 --> 0:33:15.800
<v Speaker 4>You'll be safe, you too, and okay.

0:33:19.920 --> 0:33:22.520
<v Speaker 2>Christian sets off to find his girlfriend at the parade,

0:33:22.640 --> 0:33:25.680
<v Speaker 2>and shortly after Javanna leaves two to meet up with

0:33:25.760 --> 0:33:30.200
<v Speaker 2>friends outside. It's Saturday morning. And the streets of downtown

0:33:30.240 --> 0:33:33.280
<v Speaker 2>Portland are bustling in a cab. On our way to lunch,

0:33:33.680 --> 0:33:35.680
<v Speaker 2>Matt and I pass a group of young guys on

0:33:35.720 --> 0:33:39.000
<v Speaker 2>a street corner. They're carrying shopping bags and look like

0:33:39.040 --> 0:33:41.800
<v Speaker 2>they might be discussing where to eat. At the center

0:33:41.880 --> 0:33:44.560
<v Speaker 2>of the group is a tall, thin redhead, his hair

0:33:44.600 --> 0:33:48.640
<v Speaker 2>and a bun. Is that Javanna? Matt asks, I don't

0:33:48.680 --> 0:33:52.360
<v Speaker 2>think so. I say he looks too young. But as

0:33:52.360 --> 0:33:55.440
<v Speaker 2>we get closer we see that it is Javanna, out

0:33:55.480 --> 0:33:58.680
<v Speaker 2>in the sunshine, shopping with his friends. He's not Jesusy

0:33:58.720 --> 0:34:02.960
<v Speaker 2>at all. He's just the kid arise meat. But only

0:34:03.000 --> 0:34:06.640
<v Speaker 2>for a second, and then we all continue along our

0:34:06.680 --> 0:34:25.000
<v Speaker 2>separate paths.

0:34:39.800 --> 0:34:49.279
<v Speaker 1>Now that the Fernitures return into its goodwill home, Now

0:34:49.360 --> 0:34:54.160
<v Speaker 1>that the last month's rant is scheming with the damage

0:34:54.200 --> 0:34:57.840
<v Speaker 1>to potty, take this moment to deserve.

0:35:00.440 --> 0:35:09.480
<v Speaker 4>Man too felt from the Thames.

0:35:09.520 --> 0:35:18.920
<v Speaker 2>A Heavyweight is hosted and produced by me Jonathan Goldstein

0:35:19.000 --> 0:35:22.240
<v Speaker 2>along with Khalila Holt. The senior producer is Caitlin Roberts,

0:35:22.640 --> 0:35:26.280
<v Speaker 2>editing by Jorge just, Alex Bloomberg and Wendy Door. Special

0:35:26.360 --> 0:35:29.759
<v Speaker 2>thanks to Emily Condon, Devin Taylor and Jackie Cohen. The

0:35:29.840 --> 0:35:33.000
<v Speaker 2>show was mixed by Kate Bolinski, music by Christine Fellows,

0:35:33.160 --> 0:35:36.640
<v Speaker 2>John K. Sampson, and Edwich. Additional music credits for this

0:35:36.719 --> 0:35:39.640
<v Speaker 2>episode can be found on our website, Gimletmedia dot com

0:35:39.920 --> 0:35:43.279
<v Speaker 2>slash Heavyweight. Our theme music is by the Weaker Bands

0:35:43.320 --> 0:35:46.520
<v Speaker 2>courtesy of Epitaph Records, and our ad music is by

0:35:46.600 --> 0:35:50.280
<v Speaker 2>Hailey Shaw. Follow us on Twitter at Heavyweight or email

0:35:50.400 --> 0:35:53.440
<v Speaker 2>us at Heavyweight at gimbletmedia dot com. We'll have a

0:35:53.520 --> 0:35:55.439
<v Speaker 2>new episode next week.

0:35:56.400 --> 0:36:08.040
<v Speaker 1>Niway garrol O grams on bills.

0:36:04.920 --> 0:36:06.200
<v Speaker 4>Are we repeated?

0:36:11.880 --> 0:36:11.920
<v Speaker 2>H