1 00:00:04,280 --> 00:00:05,320 Speaker 1: Hi, how are you. 2 00:00:05,519 --> 00:00:09,320 Speaker 2: I'm updating all my contacts and my iPhone. Yes, okay, 3 00:00:09,320 --> 00:00:12,879 Speaker 2: and I just have you down as Jackie. Yeah, and 4 00:00:12,880 --> 00:00:15,360 Speaker 2: it makes me realize I don't actually know your full 5 00:00:15,440 --> 00:00:18,120 Speaker 2: name is? What is Jackie short for? 6 00:00:19,760 --> 00:00:20,840 Speaker 1: It's short for Jackie. 7 00:00:22,160 --> 00:00:25,520 Speaker 2: No, but I mean, like what Jackie, Jacqueline. 8 00:00:25,079 --> 00:00:28,480 Speaker 3: Jacqueline No, John, it's short for Jackie. And you know 9 00:00:28,520 --> 00:00:30,120 Speaker 3: that because you've known me since I'm five? 10 00:00:30,960 --> 00:00:32,760 Speaker 2: Why do I have in my mind that the full 11 00:00:32,840 --> 00:00:38,080 Speaker 2: name is jack Arandack jack Arondack Cohen. And what's your 12 00:00:38,080 --> 00:00:38,680 Speaker 2: middle name? 13 00:00:38,880 --> 00:00:39,640 Speaker 1: I don't have one. 14 00:00:40,320 --> 00:00:44,080 Speaker 2: Mother mustn't have loved you very much, you know what. 15 00:00:44,200 --> 00:00:45,360 Speaker 2: Let's give you a middle name right now? 16 00:00:45,400 --> 00:00:45,879 Speaker 4: How about that? 17 00:00:46,360 --> 00:00:54,880 Speaker 2: Why Jackie Stewart, Jackie Lynn, Jackie jack Jackie Jack Cohen. 18 00:00:54,880 --> 00:01:01,800 Speaker 2: And I don't care Jackety Jack's bratt sat on a 19 00:01:01,840 --> 00:01:12,000 Speaker 2: candlestick from Gimblet Media. I'm Jonathan Goldstein and this is 20 00:01:12,080 --> 00:01:30,000 Speaker 2: Heavyweight Today's episode, Jesse. Most lives are like parallel lines, 21 00:01:30,440 --> 00:01:34,440 Speaker 2: one life existing alongside another, divided only by an apartment 22 00:01:34,440 --> 00:01:40,039 Speaker 2: hallway or a cubicle wall, close but never touching. So 23 00:01:40,080 --> 00:01:45,680 Speaker 2: I will just ask you to start from the very beginning, Okay, 24 00:01:47,280 --> 00:01:51,320 Speaker 2: lines that are parallel don't have endings or beginnings. Lives do, though, 25 00:01:51,640 --> 00:01:54,840 Speaker 2: and so do stories. And this story begins in the 26 00:01:54,840 --> 00:01:58,960 Speaker 2: summer of twenty thirteen in a town just outside Portland, Oregon. 27 00:02:00,040 --> 00:02:02,960 Speaker 2: Jesse had just graduated college and was spending the summer 28 00:02:03,040 --> 00:02:07,040 Speaker 2: working in a lab. His life was music festivals, dancing, 29 00:02:07,240 --> 00:02:09,880 Speaker 2: getting stoned, and eating as much mac and cheese as 30 00:02:09,880 --> 00:02:13,560 Speaker 2: he could. In other words, he was a typical American 31 00:02:13,600 --> 00:02:16,000 Speaker 2: twenty one year old whose life was on course. 32 00:02:16,560 --> 00:02:20,520 Speaker 4: And then one day, it's a half day at work, 33 00:02:21,120 --> 00:02:24,000 Speaker 4: left the house, got a cup of coffee, was riding 34 00:02:24,040 --> 00:02:27,600 Speaker 4: my bike, stopped in this little park to sip on 35 00:02:27,639 --> 00:02:31,280 Speaker 4: the coffee before I headed in, And that's the last 36 00:02:31,320 --> 00:02:33,880 Speaker 4: thing that I really remember about that day. 37 00:02:35,160 --> 00:02:38,000 Speaker 2: Later people will tell Jesse that he plugged an earbud 38 00:02:38,040 --> 00:02:41,320 Speaker 2: into his ear, turned on some LCD sound system, got 39 00:02:41,360 --> 00:02:44,280 Speaker 2: back on his bicycle, rode to the same four way 40 00:02:44,360 --> 00:02:46,040 Speaker 2: intersection that he always. 41 00:02:45,680 --> 00:02:50,680 Speaker 4: Did, and rolled out into the intersection and was te 42 00:02:50,760 --> 00:02:52,520 Speaker 4: boned by a guy going forty five. 43 00:02:55,639 --> 00:02:59,120 Speaker 2: Lines that are perpendicular meet at a right angle, touching 44 00:02:59,520 --> 00:03:07,640 Speaker 2: but only once and then never meeting again. As he 45 00:03:07,720 --> 00:03:10,160 Speaker 2: lay split out in the middle of the street, Jesse's 46 00:03:10,200 --> 00:03:12,280 Speaker 2: heart stopped for a while. 47 00:03:12,840 --> 00:03:17,720 Speaker 4: He was legally dead, and then I came to with 48 00:03:17,840 --> 00:03:22,200 Speaker 4: a tracheotomy down my throat, trying to throw up, and 49 00:03:22,360 --> 00:03:27,680 Speaker 4: suddenly I was in a hospital room. 50 00:03:27,840 --> 00:03:31,480 Speaker 2: Suddenly was actually seventeen days later, seventeen days in a 51 00:03:31,520 --> 00:03:34,399 Speaker 2: coma that he woke from, unable to breathe on his own, 52 00:03:34,720 --> 00:03:38,120 Speaker 2: with half his body paralyzed. Everyone was saying it looked 53 00:03:38,120 --> 00:03:39,600 Speaker 2: like he'd never walk again. 54 00:03:40,080 --> 00:03:43,160 Speaker 4: And I don't think people realized I was with it 55 00:03:43,280 --> 00:03:48,040 Speaker 4: enough to hear them say those things. Having a surgeon 56 00:03:48,280 --> 00:03:51,000 Speaker 4: say to your mom, like you might as well get 57 00:03:51,080 --> 00:03:54,160 Speaker 4: rid of his car insurance because he's not gonna ever 58 00:03:54,240 --> 00:04:00,680 Speaker 4: drive again. It just seemed like I wasn't gonna look anymore. 59 00:04:00,880 --> 00:04:04,680 Speaker 4: I wasn't going to be with anything pretty anymore. My 60 00:04:05,360 --> 00:04:09,200 Speaker 4: life I had dreamed about is no longer. Having to 61 00:04:09,280 --> 00:04:12,360 Speaker 4: use a bedpan as a twenty one year old, and 62 00:04:12,400 --> 00:04:16,039 Speaker 4: the embarrassment that comes with not being able to control 63 00:04:16,440 --> 00:04:20,200 Speaker 4: your bladder and having a nurse have to clean you up. 64 00:04:21,240 --> 00:04:25,479 Speaker 4: It just feels like, Okay, I'm in pain, I'm causing pain. 65 00:04:26,560 --> 00:04:29,239 Speaker 4: My parents aren't going to have a normal life now. 66 00:04:31,120 --> 00:04:33,560 Speaker 4: A lot of what I was saying was about trying 67 00:04:33,560 --> 00:04:37,720 Speaker 4: to get someone to end my life. I was like, 68 00:04:38,120 --> 00:04:40,000 Speaker 4: if it's not going to be a good life, like 69 00:04:40,760 --> 00:04:43,400 Speaker 4: I don't want life. 70 00:04:43,480 --> 00:04:46,679 Speaker 2: Every day was like this, the same dark thoughts day 71 00:04:46,720 --> 00:04:51,120 Speaker 2: after day after day. And then one day Jesse felt 72 00:04:51,160 --> 00:04:53,960 Speaker 2: his eyes move independently of each other. His head and 73 00:04:54,040 --> 00:04:57,920 Speaker 2: arms began to flail. He thought, this is it. I'm 74 00:04:57,960 --> 00:05:00,280 Speaker 2: actually going to die, like. 75 00:05:00,240 --> 00:05:03,560 Speaker 4: Oh, I'm getting what I wanted. And the first emotion 76 00:05:03,680 --> 00:05:13,839 Speaker 4: that came up was just anger, like this sucks. 77 00:05:15,480 --> 00:05:18,359 Speaker 2: As Jesse began the process of dying, he lost the 78 00:05:18,400 --> 00:05:20,960 Speaker 2: ability to hold onto that anger. It was like he 79 00:05:21,000 --> 00:05:24,040 Speaker 2: no longer had the strength, and so it let go. 80 00:05:25,120 --> 00:05:28,400 Speaker 2: His dying brain started letting everything go, what was happening 81 00:05:28,440 --> 00:05:31,320 Speaker 2: around him, all his fears for the future, and with 82 00:05:31,360 --> 00:05:35,799 Speaker 2: all that gone, past memories flooded in happy memories, playing 83 00:05:35,839 --> 00:05:39,440 Speaker 2: guitar for his younger cousins Emial of Savice in Lima, 84 00:05:39,960 --> 00:05:42,920 Speaker 2: camping with his girlfriend in the rain, and drinking champagne 85 00:05:42,920 --> 00:05:44,800 Speaker 2: as their tent slowly filled with water. 86 00:05:45,839 --> 00:05:48,880 Speaker 4: I think it was rather spontaneous, though I don't remember 87 00:05:49,160 --> 00:05:52,680 Speaker 4: putting like one and one together. I think it was 88 00:05:52,839 --> 00:05:57,960 Speaker 4: like this this rush that happened in a matter of moments, 89 00:05:59,200 --> 00:06:03,000 Speaker 4: all of the people that had ever wished well for me, 90 00:06:03,279 --> 00:06:07,039 Speaker 4: or all of the hospital visitors I had made me 91 00:06:07,120 --> 00:06:13,280 Speaker 4: realize that I had a really fortunate life. 92 00:06:17,600 --> 00:06:20,560 Speaker 2: Jesse ended up surviving, and with his new life came 93 00:06:20,600 --> 00:06:23,520 Speaker 2: in appreciation for all the things he'd never noticed before. 94 00:06:24,200 --> 00:06:26,640 Speaker 2: The blue of the sky through the hospital window looked 95 00:06:26,640 --> 00:06:29,359 Speaker 2: bluer somehow, the touch of a friend's hand at his 96 00:06:29,400 --> 00:06:32,400 Speaker 2: bedside stirred his heart in a deeper way. When he 97 00:06:32,480 --> 00:06:35,240 Speaker 2: was helped outside, the world below his feet felt like 98 00:06:35,240 --> 00:06:39,040 Speaker 2: a strange and beautiful planet. Even the most familiar things 99 00:06:39,240 --> 00:06:39,960 Speaker 2: were new again. 100 00:06:40,800 --> 00:06:42,719 Speaker 4: If I had an apple that day, it was like 101 00:06:42,760 --> 00:06:46,000 Speaker 4: the first time eating an apple. Every day got better 102 00:06:46,040 --> 00:06:50,839 Speaker 4: and better, and it was easier and easier to see 103 00:06:50,880 --> 00:06:55,240 Speaker 4: a life forward. And so every day now is kind 104 00:06:55,279 --> 00:06:57,599 Speaker 4: of like a second chance. 105 00:06:59,839 --> 00:07:03,719 Speaker 2: Think that this kind of instantaneous spiritual transformation would have 106 00:07:03,760 --> 00:07:06,880 Speaker 2: an expiration date, that before long he'd be back to 107 00:07:06,920 --> 00:07:09,440 Speaker 2: watching Bachelor in Paradise in bed with a bucket of 108 00:07:09,440 --> 00:07:12,559 Speaker 2: Colonel Sanders on his lap and various dipping sauces neatly 109 00:07:12,640 --> 00:07:16,640 Speaker 2: laid out across a pillow, just like everybody else. But 110 00:07:16,760 --> 00:07:20,760 Speaker 2: for Jesse, these new feelings didn't fade. Over the next 111 00:07:20,840 --> 00:07:23,320 Speaker 2: five months, as his doctors put him back together and 112 00:07:23,360 --> 00:07:25,960 Speaker 2: taught him how to walk again, Jesse'd come to see 113 00:07:26,000 --> 00:07:28,600 Speaker 2: that life before the accident, the life he tried so 114 00:07:28,720 --> 00:07:31,840 Speaker 2: hard to hold onto, wasn't a life lived very deeply, 115 00:07:32,560 --> 00:07:35,040 Speaker 2: that it was actually kind of superficial. It was a 116 00:07:35,080 --> 00:07:38,560 Speaker 2: life distracting him from what was good about living, and 117 00:07:38,640 --> 00:07:40,480 Speaker 2: so to mark the end of one life in the 118 00:07:40,480 --> 00:07:43,800 Speaker 2: beginning of another, he changed his name, going from Jesse, 119 00:07:44,280 --> 00:07:48,400 Speaker 2: a favorite moniker for TV uncles, to Gavanna, Sanskrit for 120 00:07:49,000 --> 00:07:59,560 Speaker 2: giver of light. Four years later, Givanna's life looks quite 121 00:07:59,600 --> 00:08:03,520 Speaker 2: different from Jesse's. Jesse was always rushing thinking about the future, 122 00:08:03,960 --> 00:08:08,160 Speaker 2: but Gavanna, helped by a cane, move slowly. While Jesse 123 00:08:08,320 --> 00:08:11,720 Speaker 2: enjoyed dancing in loud music, Givanna, deaf in one ear 124 00:08:12,000 --> 00:08:15,239 Speaker 2: leans him close when spoken to. In spite of living 125 00:08:15,240 --> 00:08:18,000 Speaker 2: with constant pain, he likes this new life better than 126 00:08:18,000 --> 00:08:22,200 Speaker 2: the old one. In fact, he's grateful for it, which 127 00:08:22,200 --> 00:08:25,080 Speaker 2: is why Gavanna often finds himself thinking about the man 128 00:08:25,200 --> 00:08:28,720 Speaker 2: who gave him this new life. That is the driver 129 00:08:28,840 --> 00:08:32,160 Speaker 2: of the car that hit him. 130 00:08:32,320 --> 00:08:35,040 Speaker 4: I've always wanted to meet him. I've always wanted to 131 00:08:35,080 --> 00:08:39,400 Speaker 4: sit down across from him and tell him, like, I've 132 00:08:39,520 --> 00:08:48,200 Speaker 4: become increasingly grateful for being hit by that car, and 133 00:08:48,840 --> 00:08:52,560 Speaker 4: I want to I want to thank him for like 134 00:08:52,840 --> 00:08:55,880 Speaker 4: showing me how beautiful life can be, but I also 135 00:08:55,920 --> 00:09:00,240 Speaker 4: want to say sorry, really yeah, yeah. 136 00:09:04,960 --> 00:09:07,840 Speaker 2: Up until this moment, I was with him the idea 137 00:09:07,840 --> 00:09:10,199 Speaker 2: of being curious and wanting to meet the driver that 138 00:09:10,320 --> 00:09:14,240 Speaker 2: I kind of got, but wanting to thank him apologize 139 00:09:14,679 --> 00:09:18,040 Speaker 2: to the guy who ran you over. Giovanna was acting 140 00:09:18,120 --> 00:09:21,360 Speaker 2: like Jesus, and for people who give out the Jesus vibe, 141 00:09:21,440 --> 00:09:25,600 Speaker 2: like say, Jesus, it doesn't usually end so well. An 142 00:09:25,640 --> 00:09:28,640 Speaker 2: eye for an eye is what my wrathful Hebrew Lord instructs. 143 00:09:29,000 --> 00:09:31,560 Speaker 2: Even if you don't want to, you have an obligation 144 00:09:32,120 --> 00:09:35,120 Speaker 2: take an eyeball for later. You never know it might 145 00:09:35,160 --> 00:09:38,560 Speaker 2: come in handy, and to show extra piety, maybe grab 146 00:09:38,559 --> 00:09:41,840 Speaker 2: a fistful of eyelash. But at the very least, saith 147 00:09:41,880 --> 00:09:44,839 Speaker 2: the Lord. If a guy almost kills you, make him 148 00:09:44,840 --> 00:09:52,320 Speaker 2: beg for your forgiveness. You sincerely don't feel like you're 149 00:09:52,360 --> 00:09:53,520 Speaker 2: looking for an apology. 150 00:09:54,840 --> 00:09:57,200 Speaker 4: I don't blame him for what happened that day. We've 151 00:09:57,200 --> 00:10:00,920 Speaker 4: all been late to work, We've all on yellow lights, 152 00:10:02,000 --> 00:10:05,400 Speaker 4: like every day that I'd drive on a busy street 153 00:10:05,400 --> 00:10:10,920 Speaker 4: with intersections going over thirty. I kind of can imagine 154 00:10:11,040 --> 00:10:13,360 Speaker 4: what it would be like for a bicyclist to suddenly 155 00:10:13,360 --> 00:10:13,760 Speaker 4: be there. 156 00:10:15,360 --> 00:10:17,840 Speaker 2: Givanna says that the driver was never found guilty of 157 00:10:17,840 --> 00:10:20,960 Speaker 2: any crime. He wasn't drinking, he wasn't on his phone. 158 00:10:21,520 --> 00:10:24,040 Speaker 2: In the end, no fault was ever determined. 159 00:10:24,600 --> 00:10:27,400 Speaker 4: I don't need an apology from him. I think the 160 00:10:27,440 --> 00:10:31,360 Speaker 4: only person that can really tell him it's okay, the 161 00:10:31,400 --> 00:10:33,840 Speaker 4: only person that maybe he would believe that it's okay 162 00:10:33,880 --> 00:10:34,160 Speaker 4: as me. 163 00:10:36,640 --> 00:10:38,600 Speaker 2: And you're not afraid that it feels like a little 164 00:10:38,600 --> 00:10:40,160 Speaker 2: too grand, you know what I mean. 165 00:10:42,320 --> 00:10:46,320 Speaker 4: I can see that, like, oh, you're trying to love 166 00:10:46,360 --> 00:10:50,600 Speaker 4: everybody because you want people to look at you and 167 00:10:50,840 --> 00:10:55,640 Speaker 4: like praise you. But the whole point of loving everyone 168 00:10:55,760 --> 00:10:59,480 Speaker 4: is almost a selfish thing, because loving people feels good, 169 00:11:00,080 --> 00:11:02,840 Speaker 4: giving the people feels good. I don't know why we 170 00:11:02,920 --> 00:11:07,120 Speaker 4: would almost shame people for wanting to be that generous. 171 00:11:08,440 --> 00:11:11,720 Speaker 2: I think by we, Givanna is politely saying me that 172 00:11:11,800 --> 00:11:15,280 Speaker 2: I'm shaming him for acting how people should act. But 173 00:11:15,320 --> 00:11:17,880 Speaker 2: I'm more hung up on how people do act, or 174 00:11:17,880 --> 00:11:20,680 Speaker 2: at least how I act, which is kind of grabby. 175 00:11:21,400 --> 00:11:23,480 Speaker 2: So I want to know if there's anything the driver 176 00:11:23,679 --> 00:11:25,040 Speaker 2: can provide for him. 177 00:11:25,720 --> 00:11:29,440 Speaker 4: I think the only thing I want from him is 178 00:11:29,520 --> 00:11:35,560 Speaker 4: maybe for him to explain that day to me. I've 179 00:11:35,559 --> 00:11:39,360 Speaker 4: always been curious about what happened that day. 180 00:11:39,520 --> 00:11:42,880 Speaker 2: Givanna doesn't remember anything about that day and knows almost 181 00:11:42,880 --> 00:11:45,959 Speaker 2: nothing about the driver, so his mind fixates on the 182 00:11:46,000 --> 00:11:50,119 Speaker 2: few bits of information he has. First the police photograph 183 00:11:50,120 --> 00:11:53,800 Speaker 2: of the accident. In it, the driver gazes into the camera, 184 00:11:54,040 --> 00:11:58,520 Speaker 2: stunned and helpless as Javannah lies bleeding on the street. Second, 185 00:11:59,080 --> 00:12:01,680 Speaker 2: the phone call when a policeman called him up with 186 00:12:01,720 --> 00:12:05,079 Speaker 2: the news that Javanna would survive, the driver broke down weeping. 187 00:12:05,760 --> 00:12:15,400 Speaker 2: And the third thing, the driver's name, Christian. I begin 188 00:12:15,480 --> 00:12:18,200 Speaker 2: my search for Christians in the Portland area, and it 189 00:12:18,240 --> 00:12:20,920 Speaker 2: turns out to be harder than I'd imagined. So I 190 00:12:20,960 --> 00:12:25,560 Speaker 2: start combing through databases, the special kind that require log 191 00:12:25,640 --> 00:12:30,960 Speaker 2: in names and service fees. Why do you need money, 192 00:12:31,040 --> 00:12:34,680 Speaker 2: Alex Bloomberg asks, while picking his teeth clean of chia seeds. 193 00:12:35,440 --> 00:12:38,959 Speaker 2: I want to find a man named Christian, I say, why, 194 00:12:39,000 --> 00:12:42,240 Speaker 2: he asks, laughing, as he good naturedly jabs and elbow 195 00:12:42,240 --> 00:12:45,200 Speaker 2: into Lisa Chow's ribs. So you can also find a 196 00:12:45,200 --> 00:12:48,240 Speaker 2: man named Jewish and a man named Muslim and record 197 00:12:48,280 --> 00:12:53,880 Speaker 2: them walking into a bar for your podcast. No, I say, 198 00:12:53,920 --> 00:12:57,679 Speaker 2: gnashing my teeth so I can repair the past and 199 00:12:57,840 --> 00:13:00,760 Speaker 2: win a damn Peabody award and start getting some respect 200 00:13:00,800 --> 00:13:04,400 Speaker 2: around here. Of course, I only say that last part 201 00:13:04,440 --> 00:13:06,840 Speaker 2: to myself. The last thing I need is to be 202 00:13:06,880 --> 00:13:10,200 Speaker 2: exiled back to Canada, to wander sub zero streets while 203 00:13:10,240 --> 00:13:13,720 Speaker 2: drinking frozen milk from a bag, dancing for Canadian nickels, 204 00:13:13,720 --> 00:13:18,880 Speaker 2: and begging strangers for podcasting opportunities. Alex takes a sip 205 00:13:18,920 --> 00:13:21,560 Speaker 2: of his kombucha and, as he rushes off to a 206 00:13:21,600 --> 00:13:24,840 Speaker 2: business meeting, says he'll venmo me the money, and I 207 00:13:24,920 --> 00:13:31,800 Speaker 2: pretend to know what that means. I order the police 208 00:13:31,800 --> 00:13:34,520 Speaker 2: report of the accident, and while I wait for its arrival, 209 00:13:34,679 --> 00:13:38,359 Speaker 2: I continue my online search for Christian. I try pseudonyms, 210 00:13:38,440 --> 00:13:44,000 Speaker 2: name variations, anything I can think of. Still no dice. Desperate, 211 00:13:44,320 --> 00:13:47,480 Speaker 2: I turn to something called a phone book, which it 212 00:13:47,520 --> 00:13:51,040 Speaker 2: turns out is kind of like Facebook, but without photos 213 00:13:51,040 --> 00:13:54,559 Speaker 2: of your high school gym teacher's new SKA band. From there, 214 00:13:54,880 --> 00:13:59,160 Speaker 2: I get even more old school, actually telephoning the telephone 215 00:13:59,200 --> 00:14:08,000 Speaker 2: numbers from the telephone book. Oh, hi, is Christian there. 216 00:14:09,160 --> 00:14:11,559 Speaker 4: I know I can't help you. No, we lived here 217 00:14:11,600 --> 00:14:12,080 Speaker 4: like that. 218 00:14:14,559 --> 00:14:17,000 Speaker 5: And ventilating department. I'm not able to come to the 219 00:14:17,000 --> 00:14:19,400 Speaker 5: phone right now, Mom and somebody else. 220 00:14:19,520 --> 00:14:25,200 Speaker 2: Okay, But after several weeks have failed attempt, Hello, Hi 221 00:14:25,360 --> 00:14:26,240 Speaker 2: is Christian there? 222 00:14:28,040 --> 00:14:29,440 Speaker 4: Well, I'm sad. 223 00:14:31,080 --> 00:14:34,280 Speaker 2: I finally get through to Christian's childhood home. But when 224 00:14:34,280 --> 00:14:36,720 Speaker 2: I explain that I'm calling about the car crash and 225 00:14:36,720 --> 00:14:40,280 Speaker 2: about Gavannah wanting to meet Christian, his stepmom gets on 226 00:14:40,320 --> 00:14:40,840 Speaker 2: the phone. 227 00:14:41,000 --> 00:14:43,040 Speaker 4: We have a lot of concern for Chris on this. 228 00:14:43,800 --> 00:14:47,600 Speaker 4: I hear you. I hear you. He has suffered from 229 00:14:47,680 --> 00:14:50,880 Speaker 4: PTSD because of that accident. We don't want to make 230 00:14:50,920 --> 00:14:55,000 Speaker 4: that any worse. I just say to stave go diving 231 00:14:55,040 --> 00:14:55,800 Speaker 4: back into that. 232 00:14:58,720 --> 00:15:01,680 Speaker 2: Even after all these years, Christian's parents are still worried 233 00:15:01,680 --> 00:15:04,320 Speaker 2: about him. They won't give me his phone number, but 234 00:15:04,320 --> 00:15:07,040 Speaker 2: they do agree to pass along my message. So over 235 00:15:07,080 --> 00:15:09,760 Speaker 2: the next few months, I check in with them periodically 236 00:15:10,120 --> 00:15:14,560 Speaker 2: to see if there's any news to report. Hello, well, 237 00:15:14,880 --> 00:15:18,080 Speaker 2: I there, This is Jonathan Goldstein calling back. We spoke 238 00:15:18,160 --> 00:15:21,520 Speaker 2: last week weeks ago. I was last week, any movement, 239 00:15:22,200 --> 00:15:25,560 Speaker 2: any new news, write him a note and ask him. 240 00:15:25,840 --> 00:15:28,240 Speaker 5: Let me grab a pen here, let me grab well here, 241 00:15:28,320 --> 00:15:29,880 Speaker 5: Let me have you a talk to my husban. I'm 242 00:15:29,880 --> 00:15:31,520 Speaker 5: going to put my wife on the phone because of 243 00:15:31,600 --> 00:15:33,640 Speaker 5: actually again, I'll pass it. I'll let him know you 244 00:15:33,640 --> 00:15:36,880 Speaker 5: call it, and I will pass on that you called again. 245 00:15:38,160 --> 00:15:41,760 Speaker 2: Eventually I begin feeling like a trusted friend of the family. 246 00:15:42,880 --> 00:15:47,160 Speaker 4: Right it's mister, is the silver Stein? 247 00:15:48,560 --> 00:15:59,320 Speaker 2: Goldstein? For months I wait to hear from Christian. In 248 00:15:59,400 --> 00:16:04,640 Speaker 2: the interim, I discover something called fidget spinners wind Haven, Tornado, fidget, 249 00:16:04,840 --> 00:16:09,160 Speaker 2: Golden snitch, Harry Potter, fidget, you name it. To mitigate 250 00:16:09,160 --> 00:16:17,920 Speaker 2: my anxiety. I passed the days spinning them. How do 251 00:16:18,000 --> 00:16:21,040 Speaker 2: these fidget spin so easily? I wonder? And why is 252 00:16:21,080 --> 00:16:24,600 Speaker 2: this sensation between my thumb and index finger more satisfying 253 00:16:24,640 --> 00:16:29,040 Speaker 2: than all of my personal relationships and career accomplishments Stacked 254 00:16:29,160 --> 00:16:37,400 Speaker 2: end to end, you might call a circle a line 255 00:16:37,440 --> 00:16:42,440 Speaker 2: that's lost its way forward, neurotically retracing its footsteps, making 256 00:16:42,560 --> 00:16:49,080 Speaker 2: loop after loop after loop after loop after loop after 257 00:16:55,680 --> 00:16:58,800 Speaker 2: and then one day after an evening of dervish like spinning. 258 00:16:59,160 --> 00:17:01,520 Speaker 2: I emerge from an underground fidget den in the back 259 00:17:01,640 --> 00:17:05,040 Speaker 2: room of a Chinatown foot massage parlor, fingers blistered and 260 00:17:05,119 --> 00:17:08,280 Speaker 2: eyes squinting at my phone in the cruel noontime sun. 261 00:17:09,080 --> 00:17:13,159 Speaker 2: It's then that I see I've received an email Hello. 262 00:17:13,240 --> 00:17:16,600 Speaker 2: The subject heading reads, will you be available Friday to 263 00:17:16,640 --> 00:17:23,840 Speaker 2: talk on the phone? Thanks Christian. After the break Christian. 264 00:17:26,160 --> 00:17:29,400 Speaker 2: On Friday, Christian tells me about life since the accident, 265 00:17:29,840 --> 00:17:33,359 Speaker 2: the depression, the panic attacks. He tells me about waking 266 00:17:33,440 --> 00:17:35,359 Speaker 2: up in the middle of the night, scared to death 267 00:17:35,800 --> 00:17:38,920 Speaker 2: but not sure why. He tells me how he'd begun drinking, 268 00:17:39,280 --> 00:17:43,080 Speaker 2: about feeling empty, how sometimes when he's driving he feels 269 00:17:43,080 --> 00:17:45,480 Speaker 2: so anxious and lost that he finds it hard to 270 00:17:45,520 --> 00:17:47,639 Speaker 2: breathe and has to pull off to the side of 271 00:17:47,640 --> 00:17:52,440 Speaker 2: the road. But what surprises me most is when Christian says, 272 00:17:52,680 --> 00:17:56,240 Speaker 2: almost word for word, the same thing that Javanna said, 273 00:17:56,440 --> 00:17:59,000 Speaker 2: not just that he's changed as a result of the crash, 274 00:17:59,119 --> 00:18:02,600 Speaker 2: but that his whole life is different. After the crash, 275 00:18:02,720 --> 00:18:05,280 Speaker 2: he dropped out of school. He had his own business, 276 00:18:05,480 --> 00:18:09,240 Speaker 2: but gave that up too. Like Giovanna, Christian feels like 277 00:18:09,280 --> 00:18:13,200 Speaker 2: a completely different person, and like Javanna, Christian was also 278 00:18:13,240 --> 00:18:16,280 Speaker 2: advised by the people closest to him not to revisit 279 00:18:16,320 --> 00:18:19,120 Speaker 2: that day, not to meet with the man from the accident, 280 00:18:19,800 --> 00:18:24,000 Speaker 2: that such things simply aren't done. And yet in spite 281 00:18:24,040 --> 00:18:27,640 Speaker 2: of all that, Christians decided it's something he wants to do. 282 00:18:32,520 --> 00:18:35,880 Speaker 2: Lines that meet intersect, and then grow further apart are 283 00:18:35,920 --> 00:18:40,320 Speaker 2: called perpendicular lines that reintersect. There is no name for 284 00:18:40,359 --> 00:18:43,760 Speaker 2: such a thing. Up until this point, I had been 285 00:18:43,760 --> 00:18:47,200 Speaker 2: mostly caught up in Giavanna's story, but in talking with Christian, 286 00:18:47,680 --> 00:18:51,359 Speaker 2: I start to worry about his trajectory too. I needed 287 00:18:51,400 --> 00:18:53,359 Speaker 2: to talk with someone who knew more about this stuff 288 00:18:53,359 --> 00:18:56,399 Speaker 2: than I did. I needed to talk to a real therapist, 289 00:18:57,400 --> 00:19:00,760 Speaker 2: and so I reached out to a grief and couples counselor. 290 00:19:01,240 --> 00:19:03,600 Speaker 3: My mother was a therapist, and when she passed away, 291 00:19:03,640 --> 00:19:06,880 Speaker 3: I started working with grieving children as a volunteer. 292 00:19:07,080 --> 00:19:09,639 Speaker 2: Matt has a calm way of speaking, like a cross 293 00:19:09,680 --> 00:19:12,560 Speaker 2: between hal from two thousand and one and someone who 294 00:19:12,640 --> 00:19:15,440 Speaker 2: enjoys thoughtfully chewing on the arm of his eyeglasses. 295 00:19:15,880 --> 00:19:18,000 Speaker 3: And a friend suggested that I get another degree in 296 00:19:18,040 --> 00:19:22,119 Speaker 3: go back and start professionalizing my interest in that topic. 297 00:19:22,240 --> 00:19:25,440 Speaker 2: I liked Matt right away. From the moment we shook hands. 298 00:19:25,720 --> 00:19:27,840 Speaker 2: I felt like you could see right through to the 299 00:19:27,880 --> 00:19:31,679 Speaker 2: deepest recesses of my mind. I felt naked before this 300 00:19:31,760 --> 00:19:35,960 Speaker 2: man's keen psychological gaze, the breeze goose pimpling the nude 301 00:19:36,000 --> 00:19:39,960 Speaker 2: flesh of my psyche. I quickly caught Matt up on 302 00:19:40,000 --> 00:19:43,119 Speaker 2: the Christian and Javanna situation about the meeting we were 303 00:19:43,160 --> 00:19:45,080 Speaker 2: planning and asked what he thought. 304 00:19:46,359 --> 00:19:52,879 Speaker 3: Yeah, I guess it sounds dicey, like this could go 305 00:19:53,040 --> 00:19:57,200 Speaker 3: really wrong. You know, this was a really traumatizing thing 306 00:19:57,280 --> 00:20:00,800 Speaker 3: for these people, and they they come at it with 307 00:20:00,880 --> 00:20:05,600 Speaker 3: feelings that have not been worked through, and that could 308 00:20:05,600 --> 00:20:06,240 Speaker 3: be a disaster. 309 00:20:07,280 --> 00:20:09,439 Speaker 2: Matt says, you never really know what you're going to 310 00:20:09,480 --> 00:20:13,040 Speaker 2: feel until you actually step foot in the room. Christian 311 00:20:13,080 --> 00:20:17,119 Speaker 2: could become re traumatized, Javanna could get angrier than he anticipated. 312 00:20:17,600 --> 00:20:21,639 Speaker 3: You just don't know. I mean, it means facing something difficult, 313 00:20:21,720 --> 00:20:26,080 Speaker 3: and people would much rather ignore something difficult, even you know, 314 00:20:26,160 --> 00:20:29,000 Speaker 3: even in families, even in loving relationships and couples. You 315 00:20:29,040 --> 00:20:29,880 Speaker 3: see that all the time. 316 00:20:30,640 --> 00:20:33,040 Speaker 2: But as we talk about how eager Javanna and Christian 317 00:20:33,080 --> 00:20:36,000 Speaker 2: are to meet each other. Matt admits that it's possible 318 00:20:36,040 --> 00:20:39,160 Speaker 2: this plan might not be disastrous, that it might actually 319 00:20:39,200 --> 00:20:42,720 Speaker 2: be good, that there was something even potentially beautiful about it. 320 00:20:43,359 --> 00:20:47,000 Speaker 3: If you're given the opportunity to face the source of 321 00:20:47,560 --> 00:20:52,439 Speaker 3: this event that had so much meaning, it's a tremendous 322 00:20:52,440 --> 00:20:54,280 Speaker 3: opportunity for reconciliation. 323 00:20:56,520 --> 00:20:58,960 Speaker 2: Matt offers to speak to Christian and Javanna on the 324 00:20:59,000 --> 00:21:02,520 Speaker 2: phone separately, just to assess how emotionally prepared they are 325 00:21:02,600 --> 00:21:05,919 Speaker 2: to face each other. He also says it'd be advisable 326 00:21:06,000 --> 00:21:08,280 Speaker 2: to have an actual therapist on hand when they meet, 327 00:21:09,000 --> 00:21:13,720 Speaker 2: and lucky for me, I had just the one. So 328 00:21:13,800 --> 00:21:23,199 Speaker 2: you want to go to Portland, I'd love to. You 329 00:21:23,240 --> 00:21:26,840 Speaker 2: want to travel with your therapist to Oregon, Alex says 330 00:21:26,960 --> 00:21:30,000 Speaker 2: when I ask him to pay for Matt's airfare. He's 331 00:21:30,040 --> 00:21:34,800 Speaker 2: not my therapist, I say, blushing, He's a friend. It's 332 00:21:34,840 --> 00:21:38,320 Speaker 2: for a story, a business story. Matt and I can 333 00:21:38,320 --> 00:21:41,560 Speaker 2: even share a hotel room. Might actually be better stay 334 00:21:41,640 --> 00:21:45,679 Speaker 2: up late gossiping about the story. The business story, I 335 00:21:45,760 --> 00:21:49,560 Speaker 2: mean Alex's bull of chia seeds arrives and he cuts 336 00:21:49,600 --> 00:21:57,639 Speaker 2: me off, agreeing to vimeo me the money, so I 337 00:21:57,640 --> 00:21:59,040 Speaker 2: don't know, what do you think of this set up? 338 00:21:59,119 --> 00:22:00,800 Speaker 3: I mean, so I should. 339 00:22:00,520 --> 00:22:03,960 Speaker 2: Say that I'm in Portland, Matt and I prepare the 340 00:22:04,000 --> 00:22:07,040 Speaker 2: hotel room for Javanna and Christian's arrival. I mean, and 341 00:22:07,080 --> 00:22:09,199 Speaker 2: then this puts some money equal footing that you know 342 00:22:09,280 --> 00:22:10,760 Speaker 2: that they're both down chairs and they don't have to 343 00:22:10,800 --> 00:22:12,720 Speaker 2: sit side by side of it, so that an already 344 00:22:12,760 --> 00:22:16,000 Speaker 2: dicey situation isn't made diceier by us all having to 345 00:22:16,040 --> 00:22:19,720 Speaker 2: sit crisscross apple sauce on my unmade hotel bed. I've 346 00:22:19,720 --> 00:22:23,120 Speaker 2: rented a suite with chairs and a COUCHU. 347 00:22:23,480 --> 00:22:25,959 Speaker 3: Yeah, that's we're both over there kind of. 348 00:22:26,520 --> 00:22:30,400 Speaker 2: I expend my nervous energy by arranging and rearranging the furniture. 349 00:22:31,080 --> 00:22:34,920 Speaker 2: Working in such close proximity, I can't help catching wisps 350 00:22:34,920 --> 00:22:39,920 Speaker 2: of Matt's aftershave, a masculine, leathery scent that recalls grandfather's 351 00:22:39,960 --> 00:22:43,680 Speaker 2: barbering strop. So I would, just, if you're comfortable with it, 352 00:22:43,720 --> 00:22:44,400 Speaker 2: I would ask. 353 00:22:44,240 --> 00:22:45,000 Speaker 4: You to sit. 354 00:22:49,760 --> 00:22:54,760 Speaker 2: On the couch with me. Yeah, okay, would that be okay? 355 00:22:55,280 --> 00:22:58,000 Speaker 1: Yeah? 356 00:22:58,640 --> 00:23:03,960 Speaker 2: Our exchange is preempty by a tentative knock at the door. Hello, Hello, 357 00:23:04,200 --> 00:23:07,240 Speaker 2: Gavanna arrives first come on in thank You. 358 00:23:07,520 --> 00:23:08,640 Speaker 3: This is man time. 359 00:23:09,320 --> 00:23:12,520 Speaker 2: Gravanna's tall and thin, with long red hair and a beard. 360 00:23:13,000 --> 00:23:17,160 Speaker 2: The clothing he's wearing his robelike Jesus, like his movement 361 00:23:17,320 --> 00:23:21,239 Speaker 2: slow and careful. So Christian is on his way. I 362 00:23:21,320 --> 00:23:23,520 Speaker 2: believe he might be a little bit late because of 363 00:23:23,560 --> 00:23:28,280 Speaker 2: the parade as it happens today is Portland's Rose Bowl Parade. 364 00:23:28,600 --> 00:23:31,120 Speaker 2: I keep waiting for the sound of Alice Cooper's Schools 365 00:23:31,160 --> 00:23:34,199 Speaker 2: Out for Summer, performed on tubas and snare drums to 366 00:23:34,280 --> 00:23:37,840 Speaker 2: fade into the distance, but it never does. It's like 367 00:23:37,880 --> 00:23:40,480 Speaker 2: the parade route this year is stuck in a spiral 368 00:23:40,560 --> 00:23:45,240 Speaker 2: of endless laps around our hotel. Outside the window, life 369 00:23:45,359 --> 00:23:52,600 Speaker 2: in all its obnoxious splendor, was going on at this point. 370 00:23:52,760 --> 00:23:58,440 Speaker 2: Christian still hasn't arrived. Eleven oh five, eleven, ten, eleven, fifteen, 371 00:23:58,520 --> 00:24:01,960 Speaker 2: eleven twenty. It begins to set in that Christian might 372 00:24:01,960 --> 00:24:03,879 Speaker 2: have had a change of heart and may never show, 373 00:24:04,240 --> 00:24:06,240 Speaker 2: and I'd have to return to Gimlet with my tail 374 00:24:06,320 --> 00:24:09,800 Speaker 2: between my legs, scamper over to Alex's treadmill desk and 375 00:24:09,880 --> 00:24:12,200 Speaker 2: admit he was right and I was wrong, and how 376 00:24:12,200 --> 00:24:15,680 Speaker 2: He's always right? He and Lisa chow because they understand 377 00:24:15,760 --> 00:24:19,680 Speaker 2: the quote financial risk of flying a therapist across the country, 378 00:24:19,800 --> 00:24:23,440 Speaker 2: renting this whole dumb hotel suite, arranging furniture according to 379 00:24:23,480 --> 00:24:25,840 Speaker 2: the laws of FENSHUEI which I don't even know at 380 00:24:25,880 --> 00:24:33,800 Speaker 2: that are Christian, Hi clue, Christian. 381 00:24:35,480 --> 00:24:35,800 Speaker 4: Christian? 382 00:24:35,880 --> 00:24:36,760 Speaker 3: This is Jivanna. 383 00:24:39,640 --> 00:24:43,040 Speaker 2: Christian enters the room. He's solid looking and crew cut 384 00:24:43,040 --> 00:24:45,919 Speaker 2: it wearing jeans and running shoes. He looks like the 385 00:24:45,960 --> 00:24:49,280 Speaker 2: amiable guy in a sports bar whose voice rises easily 386 00:24:49,280 --> 00:24:53,440 Speaker 2: above the din when ordering a beer. Standing side by side, 387 00:24:53,600 --> 00:24:57,240 Speaker 2: these two young men could not seem less alike. Once 388 00:24:57,240 --> 00:24:59,800 Speaker 2: they've taken each other in, they sit down in armchairs, 389 00:24:59,800 --> 00:25:03,040 Speaker 2: op at one another, Christian with his hands on his knees, 390 00:25:03,359 --> 00:25:07,320 Speaker 2: Givanna sunk into his chair. For a while, they quietly 391 00:25:07,400 --> 00:25:12,280 Speaker 2: watch each other. Givanna pulls out a small bottle of 392 00:25:12,320 --> 00:25:15,480 Speaker 2: sandalwood oil that he keeps around his neck. He explains 393 00:25:15,480 --> 00:25:18,199 Speaker 2: that it's the oil burned in ashrams to maintain a 394 00:25:18,240 --> 00:25:21,000 Speaker 2: deep level of meditation and body awareness. 395 00:25:21,400 --> 00:25:23,720 Speaker 4: So I don't know if anyone else wants to smell this, 396 00:25:23,920 --> 00:25:25,760 Speaker 4: but I treat it very preciously. 397 00:25:27,040 --> 00:25:30,440 Speaker 2: Givanna passes it around and we each smell it. When 398 00:25:30,440 --> 00:25:34,400 Speaker 2: we're done, the room returns to silence. Matt looks from 399 00:25:34,440 --> 00:25:37,480 Speaker 2: Christian to Javanna. He wonders aloud what it might have 400 00:25:37,560 --> 00:25:41,080 Speaker 2: been like had they met under different circumstances. 401 00:25:41,240 --> 00:25:45,840 Speaker 3: Imagining you two coincidentally running into each other and then 402 00:25:46,160 --> 00:25:48,399 Speaker 3: kind of figuring it out who each other was. 403 00:25:49,080 --> 00:25:54,560 Speaker 5: I know immediately was that I would know immediately. Yeah, 404 00:25:55,240 --> 00:25:56,480 Speaker 5: I'll never forget your face. 405 00:26:04,119 --> 00:26:06,520 Speaker 2: It was the most transformative day of both their lives. 406 00:26:06,800 --> 00:26:09,800 Speaker 2: And since Christian can't forget anything about it and Javanna 407 00:26:09,840 --> 00:26:13,120 Speaker 2: can't remember anything about it, some kind of exchange needs 408 00:26:13,119 --> 00:26:16,119 Speaker 2: to happen so that Javanna can reclaim the day and 409 00:26:16,240 --> 00:26:19,720 Speaker 2: Christian can finally lay it to rest. Christian takes a 410 00:26:19,760 --> 00:26:24,640 Speaker 2: deep breath and begins, I. 411 00:26:24,640 --> 00:26:29,359 Speaker 5: Was going to school. I had an easy day. I 412 00:26:29,440 --> 00:26:32,440 Speaker 5: was needed to be in class around twelve o'clock, so 413 00:26:32,520 --> 00:26:36,240 Speaker 5: I woke up early and I had pre nutritious meal. 414 00:26:36,240 --> 00:26:38,439 Speaker 5: I had oatmeal, a little bit of milk and innate that. 415 00:26:38,600 --> 00:26:41,200 Speaker 5: Then I was just driving the school, and then. 416 00:26:42,520 --> 00:26:43,359 Speaker 4: That's where I met you. 417 00:26:44,880 --> 00:26:49,119 Speaker 2: Throughout the day, this language will recur. Christian never says 418 00:26:49,240 --> 00:26:52,879 Speaker 2: when I hit you or when we crashed. It's almost 419 00:26:52,880 --> 00:26:57,120 Speaker 2: always when we met, as in when two lines meet 420 00:26:57,640 --> 00:27:00,919 Speaker 2: without agency, as though drawn by the tremulous hand of 421 00:27:00,920 --> 00:27:03,440 Speaker 2: a child holding down a ruler in math class. 422 00:27:04,320 --> 00:27:08,560 Speaker 5: So when we met, I remember there being a really 423 00:27:08,640 --> 00:27:13,040 Speaker 5: large car in front of me, and I've processed this 424 00:27:13,119 --> 00:27:16,040 Speaker 5: moment in my head over and over again. How that 425 00:27:16,080 --> 00:27:18,439 Speaker 5: car in front of me blocked the view of my 426 00:27:18,600 --> 00:27:21,640 Speaker 5: car because I have a really small on a civic 427 00:27:22,200 --> 00:27:24,919 Speaker 5: and you thought you were fine. 428 00:27:27,720 --> 00:27:31,680 Speaker 4: That's how I've understood it, too, is that we didn't 429 00:27:31,720 --> 00:27:36,200 Speaker 4: see each other. I guess until it was too late. 430 00:27:42,560 --> 00:27:48,959 Speaker 5: I saw the moments when you hit my windshield. 431 00:27:51,119 --> 00:27:54,280 Speaker 2: According to the police report, earbuds were found lodged in 432 00:27:54,320 --> 00:27:57,000 Speaker 2: the windshield. The impact of the crash had caused the 433 00:27:57,080 --> 00:27:58,280 Speaker 2: roof of the car to cave in. 434 00:27:59,400 --> 00:28:01,480 Speaker 5: For some reason, I was able to get the car parked, 435 00:28:02,119 --> 00:28:06,480 Speaker 5: and I rushed to you. Some one yells at me, 436 00:28:07,040 --> 00:28:09,560 Speaker 5: called nine one one, called nine one one, get help. 437 00:28:10,400 --> 00:28:13,360 Speaker 5: I tried to call nine one one, and I couldn't 438 00:28:13,359 --> 00:28:17,679 Speaker 5: do it. I tried over and over and over to 439 00:28:17,800 --> 00:28:20,200 Speaker 5: type numbers in the phone, and I was in shock. 440 00:28:22,119 --> 00:28:25,600 Speaker 5: Somebody else said they got we got the emergency responders 441 00:28:25,600 --> 00:28:30,439 Speaker 5: on the phone. There on the way. We all just 442 00:28:30,640 --> 00:28:34,119 Speaker 5: huddled around you, and you were going I think, in 443 00:28:34,160 --> 00:28:37,880 Speaker 5: and out of consciousness, and we were trying to cheer 444 00:28:37,880 --> 00:28:41,880 Speaker 5: you on. Just stay with it, stay with it. And 445 00:28:41,960 --> 00:28:46,080 Speaker 5: everybody around us were we're trying to fight for you. 446 00:28:48,480 --> 00:28:51,840 Speaker 5: I was over your body and I was looking down at. 447 00:28:51,760 --> 00:28:55,080 Speaker 4: You, and it was just trying to cheer you. 448 00:28:55,120 --> 00:29:04,360 Speaker 5: All the paramedics came and they were able to get 449 00:29:04,400 --> 00:29:06,560 Speaker 5: you in the ambulance and everything, and then I just 450 00:29:06,600 --> 00:29:09,040 Speaker 5: remember I just wanted to run away. I just wanted 451 00:29:09,040 --> 00:29:11,840 Speaker 5: to get out of there, run away. And one of 452 00:29:11,840 --> 00:29:15,120 Speaker 5: the police officers stayed with me and kept me calm, 453 00:29:15,160 --> 00:29:19,600 Speaker 5: and I remember, uh, after a few hours, going to 454 00:29:19,640 --> 00:29:21,760 Speaker 5: my dad and being like a bad thing happened, and 455 00:29:21,840 --> 00:29:23,719 Speaker 5: I cried with him for a long time. Then we 456 00:29:24,160 --> 00:29:27,160 Speaker 5: he we prayed for you, and my family prayed for you. 457 00:29:29,120 --> 00:29:34,000 Speaker 5: That's pretty much what I remember from that day. It 458 00:29:34,080 --> 00:29:37,360 Speaker 5: was very scary for me. I was very worried about you. 459 00:29:44,280 --> 00:29:47,760 Speaker 4: I wanted to meet you because you're kind of like 460 00:29:47,840 --> 00:29:51,440 Speaker 4: a fable in my head until now, like you're the 461 00:29:51,520 --> 00:29:58,440 Speaker 4: man who sent me on this second half of my life. 462 00:29:58,760 --> 00:30:03,080 Speaker 4: I've wanted I wanted to know how you are and 463 00:30:03,120 --> 00:30:03,640 Speaker 4: how you've. 464 00:30:03,520 --> 00:30:10,480 Speaker 2: Been You wanted to let Christian know I know that, 465 00:30:10,640 --> 00:30:13,400 Speaker 2: like you were okay too. 466 00:30:13,680 --> 00:30:21,240 Speaker 4: Yeah, I think I'm okay as well. Yeah. I don't 467 00:30:21,280 --> 00:30:25,400 Speaker 4: know what happened at that intersection, and I can only 468 00:30:25,440 --> 00:30:28,959 Speaker 4: believe that I'm at least, if not more, of fifty 469 00:30:28,960 --> 00:30:32,640 Speaker 4: percent at fault. And I've been wanting to tell you 470 00:30:32,680 --> 00:30:38,440 Speaker 4: for a long time that I'm sorry, that it's all right. 471 00:30:40,720 --> 00:30:44,720 Speaker 4: The things I experienced later in the hospital and in 472 00:30:44,800 --> 00:30:50,920 Speaker 4: my recovery were very beautiful for me, and I wouldn't 473 00:30:50,960 --> 00:30:58,360 Speaker 4: have gotten to experience a lot without that accident. And 474 00:30:58,440 --> 00:31:02,560 Speaker 4: it leads me to believe my heart that I love you. 475 00:31:04,760 --> 00:31:11,840 Speaker 2: I love you too. Christian gets up on his feet. 476 00:31:12,440 --> 00:31:17,040 Speaker 2: Gavanna rises too, and then they meet and it's Christian, 477 00:31:17,320 --> 00:31:31,720 Speaker 2: not Givanna, who initiates it. It isn't a half hug, 478 00:31:32,040 --> 00:31:34,520 Speaker 2: one of those awkward, one armed things that men do, 479 00:31:35,200 --> 00:31:41,840 Speaker 2: but a full on embrace. Later, when I speak to Gavanna, 480 00:31:42,160 --> 00:31:44,200 Speaker 2: he'll tell me that Christian didn't strike him as the 481 00:31:44,280 --> 00:31:47,240 Speaker 2: huggy type, but that the hug he gave felt like 482 00:31:47,280 --> 00:31:49,560 Speaker 2: the hug of someone who'd been saving up his hugs. 483 00:31:52,600 --> 00:31:53,840 Speaker 4: I thought you could pick me up. 484 00:31:54,480 --> 00:31:56,680 Speaker 2: I feel like you could pick me up, Gavannah says, 485 00:31:58,840 --> 00:32:03,640 Speaker 2: I probably could, says. They sit back down, but continue 486 00:32:03,640 --> 00:32:06,120 Speaker 2: to touch each other's fingers from across the coffee table. 487 00:32:06,680 --> 00:32:09,520 Speaker 2: They look at each other without saying anything. They stay 488 00:32:09,600 --> 00:32:13,560 Speaker 2: quiet like this for what feels like a long time. Later, 489 00:32:13,600 --> 00:32:16,080 Speaker 2: I'll ask Jirvanna how he thought it all went, and 490 00:32:16,120 --> 00:32:18,640 Speaker 2: he'll say that more than the talking or even the 491 00:32:18,680 --> 00:32:22,040 Speaker 2: sense of sorrow, he shared, he was actually touching Christian. 492 00:32:22,240 --> 00:32:24,800 Speaker 2: That felt the most powerful, that made him feel the 493 00:32:24,800 --> 00:32:25,520 Speaker 2: most connected. 494 00:32:28,040 --> 00:32:30,480 Speaker 5: I think we probably should have met a lot sooner. 495 00:32:31,520 --> 00:32:36,360 Speaker 4: Yeah, I feel like lawyers hash things out before the 496 00:32:36,400 --> 00:32:39,200 Speaker 4: people get to him. If I could do it over, 497 00:32:40,160 --> 00:32:44,400 Speaker 4: we would have met a lot earlier. I'm happy I 498 00:32:44,440 --> 00:32:44,960 Speaker 4: came today. 499 00:32:53,400 --> 00:32:56,200 Speaker 2: Only one line has to alter its course, even the 500 00:32:56,240 --> 00:33:00,920 Speaker 2: tiniest bit, and eventually two parallel lines will meet. It 501 00:33:00,960 --> 00:33:05,320 Speaker 2: could take forever, only happening at some theoretical infinity point, 502 00:33:05,560 --> 00:33:08,400 Speaker 2: or it could take four years and happen in a 503 00:33:08,400 --> 00:33:09,600 Speaker 2: Portland hotel room. 504 00:33:10,360 --> 00:33:15,800 Speaker 4: You'll be safe, you too, and okay. 505 00:33:19,920 --> 00:33:22,520 Speaker 2: Christian sets off to find his girlfriend at the parade, 506 00:33:22,640 --> 00:33:25,680 Speaker 2: and shortly after Javanna leaves two to meet up with 507 00:33:25,760 --> 00:33:30,200 Speaker 2: friends outside. It's Saturday morning. And the streets of downtown 508 00:33:30,240 --> 00:33:33,280 Speaker 2: Portland are bustling in a cab. On our way to lunch, 509 00:33:33,680 --> 00:33:35,680 Speaker 2: Matt and I pass a group of young guys on 510 00:33:35,720 --> 00:33:39,000 Speaker 2: a street corner. They're carrying shopping bags and look like 511 00:33:39,040 --> 00:33:41,800 Speaker 2: they might be discussing where to eat. At the center 512 00:33:41,880 --> 00:33:44,560 Speaker 2: of the group is a tall, thin redhead, his hair 513 00:33:44,600 --> 00:33:48,640 Speaker 2: and a bun. Is that Javanna? Matt asks, I don't 514 00:33:48,680 --> 00:33:52,360 Speaker 2: think so. I say he looks too young. But as 515 00:33:52,360 --> 00:33:55,440 Speaker 2: we get closer we see that it is Javanna, out 516 00:33:55,480 --> 00:33:58,680 Speaker 2: in the sunshine, shopping with his friends. He's not Jesusy 517 00:33:58,720 --> 00:34:02,960 Speaker 2: at all. He's just the kid arise meat. But only 518 00:34:03,000 --> 00:34:06,640 Speaker 2: for a second, and then we all continue along our 519 00:34:06,680 --> 00:34:25,000 Speaker 2: separate paths. 520 00:34:39,800 --> 00:34:49,279 Speaker 1: Now that the Fernitures return into its goodwill home, Now 521 00:34:49,360 --> 00:34:54,160 Speaker 1: that the last month's rant is scheming with the damage 522 00:34:54,200 --> 00:34:57,840 Speaker 1: to potty, take this moment to deserve. 523 00:35:00,440 --> 00:35:09,480 Speaker 4: Man too felt from the Thames. 524 00:35:09,520 --> 00:35:18,920 Speaker 2: A Heavyweight is hosted and produced by me Jonathan Goldstein 525 00:35:19,000 --> 00:35:22,240 Speaker 2: along with Khalila Holt. The senior producer is Caitlin Roberts, 526 00:35:22,640 --> 00:35:26,280 Speaker 2: editing by Jorge just, Alex Bloomberg and Wendy Door. Special 527 00:35:26,360 --> 00:35:29,759 Speaker 2: thanks to Emily Condon, Devin Taylor and Jackie Cohen. The 528 00:35:29,840 --> 00:35:33,000 Speaker 2: show was mixed by Kate Bolinski, music by Christine Fellows, 529 00:35:33,160 --> 00:35:36,640 Speaker 2: John K. Sampson, and Edwich. Additional music credits for this 530 00:35:36,719 --> 00:35:39,640 Speaker 2: episode can be found on our website, Gimletmedia dot com 531 00:35:39,920 --> 00:35:43,279 Speaker 2: slash Heavyweight. Our theme music is by the Weaker Bands 532 00:35:43,320 --> 00:35:46,520 Speaker 2: courtesy of Epitaph Records, and our ad music is by 533 00:35:46,600 --> 00:35:50,280 Speaker 2: Hailey Shaw. Follow us on Twitter at Heavyweight or email 534 00:35:50,400 --> 00:35:53,440 Speaker 2: us at Heavyweight at gimbletmedia dot com. We'll have a 535 00:35:53,520 --> 00:35:55,439 Speaker 2: new episode next week. 536 00:35:56,400 --> 00:36:08,040 Speaker 1: Niway garrol O grams on bills. 537 00:36:04,920 --> 00:36:06,200 Speaker 4: Are we repeated? 538 00:36:11,880 --> 00:36:11,920 Speaker 2: H