WEBVTT - Shrek the Third

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<v Speaker 1>On the Beck dol Cast, the questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands, or do they have individualism the patriarchy? Zef

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<v Speaker 1>in best start changing it with the Beck del Cast.

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<v Speaker 1>Welcome to the Wow Wow Happy New Year, Caitlin, Happy

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<v Speaker 1>New Year to you, Jamie. We are in good sorts.

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<v Speaker 1>As you can tell, We're in good we're in good starts,

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<v Speaker 1>we're in high spirits, and we're covering Shrek three. I

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<v Speaker 1>feel like we like to bring in the new year,

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<v Speaker 1>you know, just kind of like on a good on

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<v Speaker 1>a good vibe. We want to give people something that

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<v Speaker 1>they're like familiar with, something that makes them smile, but

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<v Speaker 1>also something that makes them think exactly. We want to

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<v Speaker 1>set a precedent, and what better way to set a

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<v Speaker 1>precedent for than with Shrek the Third. Yeah, this is

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<v Speaker 1>a very cerebral podcast, and you can tell because of

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<v Speaker 1>our s tier movie selection. I was being driven home

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<v Speaker 1>by a friend last night because I don't have a

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<v Speaker 1>driver's license, and I was thank you so much. I

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<v Speaker 1>was mortified at how many times in the space of

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<v Speaker 1>one conversation I said, well, that would require reading a

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<v Speaker 1>book and I'm just not going to do that. Um,

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<v Speaker 1>we famously don't read books, so we don't read books.

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<v Speaker 1>But this is ultimately an intellectual endeavor and we're trying

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<v Speaker 1>to change hearts and minds. Um, Happy New Year, h

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<v Speaker 1>n y as it were? Oh my gosh, yeah, Um ditto,

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<v Speaker 1>right back at you. Cute. Okay, we're using phrases this year.

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<v Speaker 1>I don't know what I'm trying to say. Welcome to

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<v Speaker 1>the Betel Cast. My name is Jamie Loft Tech, my

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<v Speaker 1>name is Caitlin Darante, and this is our show where

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<v Speaker 1>we examine movies through an intersectional feminist end, using the

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<v Speaker 1>Becktel test simply as a jumping off point to initiate

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<v Speaker 1>a much larger conversation about representation and such. Of Justin

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<v Speaker 1>Timberlake in animation, God, I feel like this was the

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<v Speaker 1>justin Timberlake stunt casting era, and he really was giving

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<v Speaker 1>it a hard in this movie. He is stinky, stinky, stinky.

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<v Speaker 1>And that's an example of a conversation that would not

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<v Speaker 1>pass the Becktel test. Can I tell you what it is?

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<v Speaker 1>Please do. It's a media metric created by queer cartoonist

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<v Speaker 1>Alice and Bechtels, sometimes called the becktel Wallace test. Originally,

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<v Speaker 1>it was created as a one off, jokey kind of

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<v Speaker 1>metric in her iconic comic Wow Okay, her iconic comics

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<v Speaker 1>comic Maybe Tania I Frankenstein I Robot, And now the

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<v Speaker 1>juices are kind of flowing right okay, okay, am I awake.

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<v Speaker 1>It started as a bit uh in in her iconic

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<v Speaker 1>comic Dikes to Watch out for highly recommended, but it's

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<v Speaker 1>since become a kind of commonly accepted metric. Uh. There's

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<v Speaker 1>a lot of different versions of it. The one we

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<v Speaker 1>use requires that there are two characters with names of

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<v Speaker 1>a marginalized gender that speak to each other about something

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<v Speaker 1>other than a man for more than two lines of dialogue,

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<v Speaker 1>ideally an impactful few lines of dialogue. This movie, I

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<v Speaker 1>was frustrated with how they did it, but they did.

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<v Speaker 1>They did do it. It was mostly women negging each

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<v Speaker 1>other at a baby shower, but they did technically do it,

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<v Speaker 1>and then each other in a dark corridor, which is

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<v Speaker 1>actually where I would feel more at home. Is good.

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<v Speaker 1>I'm no stranger to getting negged in a dark corridor.

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<v Speaker 1>You do stand up long enough that will happen? Do

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<v Speaker 1>you actually? Kind of like on a constant basis, and

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<v Speaker 1>it maybe happened to me yesterday. Oh no, last night

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<v Speaker 1>I failed to win a dollar gift card to Red Robin.

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<v Speaker 1>Oh my gosh, I had a stand up comedy show.

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<v Speaker 1>I'm so sorry. You have what it took? You know

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<v Speaker 1>who won? Who? The pianist? None of the stand ups one?

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<v Speaker 1>What not fair? Yeah, the crowd really liked the pianist

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<v Speaker 1>and well, um, not to completely blow up your spot, Jamie,

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<v Speaker 1>but yes, someone was gifted a little something from a

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<v Speaker 1>certain other someone. Are you shouting out your Christmas gift

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<v Speaker 1>to me? Yeah? Because plugging your gif. I'm plugging the

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<v Speaker 1>Olive Garden gift card that I bestowed upon you. It's

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<v Speaker 1>true for xmus it's true and we and I'm going

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<v Speaker 1>to use it on you with you. I cannot wait.

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<v Speaker 1>Oh my god, I'm thrilled. I'm thrilled. Thing, I'm crying.

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<v Speaker 1>I'm ready to discuss Shrek the third, Shrek rate Okay,

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<v Speaker 1>what's your history? Sorry, Shrek the third, Shrek the third,

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<v Speaker 1>get it right? And that was fine? It was funked

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<v Speaker 1>up with me. I'm sorry. I mean Shrek the third,

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<v Speaker 1>What can I say? I mean they if you if

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<v Speaker 1>this is the first episode. You're listening two of this show.

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<v Speaker 1>That's very funny. I guess you know. I would say

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<v Speaker 1>I am a Shrek head. I think I would have

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<v Speaker 1>seen this in theaters. I think this would have been

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<v Speaker 1>I didn't start seeing the Shrek movies in theaters until

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<v Speaker 1>it was like as a joke. If I remember correctly,

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<v Speaker 1>I would have seen the first two on like home

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<v Speaker 1>video under dress with some cousins, I think, And then

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<v Speaker 1>you know, this one I would have maybe seen in theaters.

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<v Speaker 1>The fourth one I strongly remember seeing in theaters because

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<v Speaker 1>I believe that I let my high school boyfriend finger

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<v Speaker 1>me at the fourth one. Um, but that was in

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<v Speaker 1>two thousand and ten and I was not quite an adult.

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<v Speaker 1>I was still a child getting fingered at the movies.

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<v Speaker 1>But uh, well it was by another child, so it's okay,

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<v Speaker 1>Am I awake? UM, I would have seen this in theaters.

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<v Speaker 1>I will say that this is my least favorite Shrek.

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<v Speaker 1>I am a I feel intimately linked with this franchise

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<v Speaker 1>for many years now. UM, I've given my body too.

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<v Speaker 1>It's also cannon to the show we are. The Bechtel

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<v Speaker 1>cast is synonymous with Shrek. It's there's no way around it.

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<v Speaker 1>It's true. The first time I went viral and my

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<v Speaker 1>whole life was Shrek related, like it's all connected. I

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<v Speaker 1>went to Actually I was thinking about this because I

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<v Speaker 1>went back and looked at some of my notes because

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<v Speaker 1>at the end of I was really depressed. And you

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<v Speaker 1>will understand why I did this when I tell you

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<v Speaker 1>I was very depressed. I went to a ten hour

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<v Speaker 1>long zoom in conference on Shrek and there were a

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<v Speaker 1>lot of different speakers. There was a lot there was

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<v Speaker 1>actually kind of like a lot of good ship, not

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<v Speaker 1>to you know, send you into a panic, but I

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<v Speaker 1>learned a lot. And Shrek three not a heavily discussed

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<v Speaker 1>shruck because I feel like it wasn't well reviewed and

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<v Speaker 1>it isn't very beloved in spite of almost making a

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<v Speaker 1>billion dollars but eight d and thirteen million at the

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<v Speaker 1>box office kind of absurd. But there was talk of, like,

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<v Speaker 1>you know, a lot of feminist discussion about Fiona and

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<v Speaker 1>Shrek three does come up quite a bit because of

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<v Speaker 1>how she is, um she is mommy in this one.

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<v Speaker 1>She's mommy fied, she's mommy pilled, and yeah, it's just

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<v Speaker 1>like it's honestly in my least favorite Trek I feel

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<v Speaker 1>like all the characters are underused, and I feel like,

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<v Speaker 1>at this point in I'll say the franchise, we're like

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<v Speaker 1>running out of things for Shrek to be bad at.

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<v Speaker 1>And yeah, this one feels a little, a little forced. Oh,

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<v Speaker 1>I totally agree. All of the conflict in this movie

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<v Speaker 1>is very contrived and it's so bizarre to me, like

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<v Speaker 1>how far this movie, like the gymnastics it has to

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<v Speaker 1>do to make it about fathers and sons when it

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<v Speaker 1>just like did not have to be about fathers and sons.

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<v Speaker 1>They make a whole new character so that the movie

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<v Speaker 1>can be about fathers and sons. When at the beginning

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<v Speaker 1>Fiona loses her father, there's the conflict. There's the thing,

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<v Speaker 1>why are we creating and why are we making some

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<v Speaker 1>like justin Timberlake character with Banks to have this plot

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<v Speaker 1>rewriting the Arthur legend. It's like, I'm sorry, he becomes king,

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<v Speaker 1>not because Shrek is like you should be king. He

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<v Speaker 1>famously pulls a sword out of a stone. No sword,

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<v Speaker 1>no stone, but pro of this movie, Donkey has a

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<v Speaker 1>son named Bananas, which and I liked that ties the

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<v Speaker 1>minions into I did like, yes, exactly, Egg you man,

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<v Speaker 1>we really are close friends. So I was like, wow,

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<v Speaker 1>there is a shipwreck. So I was like, okay, Titanic

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<v Speaker 1>is here and I was like hey, donkey Son's name

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<v Speaker 1>bananas and like okay, and so there, so the minions

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<v Speaker 1>are here. Um, but ultimately, yeah, this is this is

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<v Speaker 1>a challenging entry. But you know, I think that it's

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<v Speaker 1>it would be silly to cover Shrek four with without

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<v Speaker 1>kind of muscling through Shrek three. That's true. Went your

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<v Speaker 1>history with this movie? I had only seen it once before,

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<v Speaker 1>and I could not tell you when it was sometime

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<v Speaker 1>between two thousand seven when this movie came out, and

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<v Speaker 1>I would guess like I probably saw it around when

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<v Speaker 1>it came out, maybe like or it could have been

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<v Speaker 1>like two thousand fifteen. I don't know. Time is a

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<v Speaker 1>very much a flat circle. Did you like it when

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<v Speaker 1>you Did you like it when you saw it? I

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<v Speaker 1>don't think so because I never returned to it after that.

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<v Speaker 1>But you know what I will return to is Puss

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<v Speaker 1>in Boots the Last Wish, which I saw. It is

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<v Speaker 1>so good. It's like my third favorite movie. Yeah, I

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<v Speaker 1>know that people are really loving Yeah, we I guess, um,

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<v Speaker 1>I don't know why I'm I feel constantly defensive for

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<v Speaker 1>no reason. Um it has something to do with my childhood.

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<v Speaker 1>But um, we were supposed to see Puss and Boots

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<v Speaker 1>together on Christmas Day and I both recently had COVID.

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<v Speaker 1>So if you hate this episode, it's because we literally

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<v Speaker 1>have brain damage, we post COVID brain fog. And yes,

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<v Speaker 1>that's gonna be my excuse for everything moving forward in life.

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<v Speaker 1>And the scary part is you may not even be wrong.

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<v Speaker 1>I know, and that's been on my mind constantly. Anyways,

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<v Speaker 1>Shrek three, sorry s also, my aunt died, but it's

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<v Speaker 1>my condolences. The beginning of Shrek three reminded me because

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<v Speaker 1>I'm the protagonist of the world. The beginning of Shrek

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<v Speaker 1>three reminded me of my birthday party at medieval times.

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<v Speaker 1>I had the same exact thought. Yes, I was thinking

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<v Speaker 1>about Red Knight vibes. Yeah, folks were friends. Uh, I

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<v Speaker 1>was thinking about the Red Knight. But I was like, wow,

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<v Speaker 1>Prince Charming can't hold a candle to the Red Knight.

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<v Speaker 1>I do like that, Like I do. I think it's

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<v Speaker 1>like a trope, but a trope that I generally like.

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<v Speaker 1>An aggrieved actor becoming a villain kind of never gets old.

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<v Speaker 1>For me. I enjoy it, but I just don't like

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<v Speaker 1>Charming as a character Paddington too much. Hello Hello, kind

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<v Speaker 1>of the peak of that trope. Yeah, nothing's done it

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<v Speaker 1>better than Paddington too. I didn't I should have thought

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<v Speaker 1>of Paddington too, but that is I guess that's technically

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<v Speaker 1>your department at the office. Thank you, the Bechtel cast

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<v Speaker 1>office and the the director of the Paddington to department

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<v Speaker 1>I thought of. I thought of the villain origin stories.

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<v Speaker 1>At the opening scene where Prince Charming is working in

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<v Speaker 1>a medieval times z restaurant, it's clear that they're pulling

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<v Speaker 1>from that, and you know, he's like, I'm too good

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<v Speaker 1>for this ship. I don't you don't appreciate me. Blah

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<v Speaker 1>blah blah. Things that reminded me of Donald Trump at

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<v Speaker 1>the White House Correspondence dinner, being made fun of and

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<v Speaker 1>then deciding to ruin the world. Reminded me of that.

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<v Speaker 1>Not that I mean not I and I don't like

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<v Speaker 1>to make a Trump joke, because good lord, but it

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<v Speaker 1>also kind of reminded me of the Joker. And it

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<v Speaker 1>definitely reminded me of that episode of SpongeBob SquarePants. I

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<v Speaker 1>watched it just the other day where SpongeBob or the

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<v Speaker 1>Krusty Krab is putting on a talent show. Have you

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<v Speaker 1>seen this one? I'm so sorry to say this, but

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<v Speaker 1>I've never seen a single episode of SpongeBob SquarePants. I

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<v Speaker 1>I know it took a second to hit me, but

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<v Speaker 1>like not even one, really sorry, like not even bubbles

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<v Speaker 1>or jelly fishing or I don't the one where they

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<v Speaker 1>play the halftime show at the football game. No, not

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<v Speaker 1>even the Krusty Crab training video. This this but I

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<v Speaker 1>do remember. This is a lot I know that. Okay, okay, yes,

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<v Speaker 1>no go. There's an episode where you, I frea something

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<v Speaker 1>else reminded you of an episode of SpongeBob square Pants,

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<v Speaker 1>and I just think remember you saying something like, it's

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<v Speaker 1>like when maybe squid Word eats a crabby patty and

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<v Speaker 1>then he eats a hundred crabby patties. Yes, that's a

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<v Speaker 1>classic episode. I don't know what it means, but it is.

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<v Speaker 1>I need to rewatch that. I think that there's maybe

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<v Speaker 1>a bit of fat phobia in that episode. But the

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<v Speaker 1>the line is squid Word can't stop eating crabby patties,

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<v Speaker 1>compulsively eating the crappy patties and SpongeBob's on the other

0:14:03.640 --> 0:14:05.240
<v Speaker 1>side of the door. He's like, you have to stop

0:14:05.240 --> 0:14:08.120
<v Speaker 1>eating the crabby patties, and Squidbver says, what am I

0:14:08.120 --> 0:14:11.160
<v Speaker 1>going to do? Blow up? And then SpongeBob says, no,

0:14:11.400 --> 0:14:14.040
<v Speaker 1>it'll go straight to your thighs, and then they have

0:14:14.240 --> 0:14:15.920
<v Speaker 1>indep gun straight to his eyes and then he says,

0:14:15.960 --> 0:14:17.960
<v Speaker 1>and then you'll blow up, And then squid Red bloss

0:14:18.040 --> 0:14:22.160
<v Speaker 1>up the best shover and that's comedy. That was not

0:14:22.200 --> 0:14:24.760
<v Speaker 1>the episode I was thinking of. SpongeBob heads will know

0:14:24.800 --> 0:14:27.160
<v Speaker 1>this one. It's a classic. I made someone watch it

0:14:27.200 --> 0:14:29.400
<v Speaker 1>with me after I had sex with them, which was

0:14:29.480 --> 0:14:32.360
<v Speaker 1>very powerful of me to do. Yeah, yeah, it was,

0:14:32.440 --> 0:14:34.960
<v Speaker 1>but the sex was reminded me. It was not reminded

0:14:35.000 --> 0:14:36.440
<v Speaker 1>me of that, but it was just on my mind.

0:14:37.720 --> 0:14:40.760
<v Speaker 1>It's an episode where the Krusty Crab is putting on

0:14:41.160 --> 0:14:44.960
<v Speaker 1>a talent show and squid Word he wants to be

0:14:45.040 --> 0:14:48.160
<v Speaker 1>a respected artist. That's kind of a big part of

0:14:48.200 --> 0:14:51.080
<v Speaker 1>his character, and so he's like, I'm gonna do a

0:14:51.240 --> 0:14:55.960
<v Speaker 1>huge dance routine and everyone hates it. They think he's terrible,

0:14:56.360 --> 0:14:58.520
<v Speaker 1>and then SpongeBob comes up and mops a little bit

0:14:58.560 --> 0:15:02.200
<v Speaker 1>and people start cheering. But it reminded me of that

0:15:02.240 --> 0:15:06.280
<v Speaker 1>because squid Word regularly feels so artistically rejected that he

0:15:06.320 --> 0:15:10.480
<v Speaker 1>seems like he may in fact kill someone. And he

0:15:10.600 --> 0:15:12.640
<v Speaker 1>runs out on stage on this one and he says,

0:15:13.160 --> 0:15:16.800
<v Speaker 1>you don't even no talent, and then the audience starts

0:15:17.240 --> 0:15:23.280
<v Speaker 1>yelling back at him, no talent, no tell do you

0:15:23.320 --> 0:15:28.040
<v Speaker 1>get it? I get it. It's very names, but I understand.

0:15:28.160 --> 0:15:30.400
<v Speaker 1>The person I had s swith also wasn't cracking up

0:15:30.440 --> 0:15:32.480
<v Speaker 1>at that, and I thought that was interesting, and then

0:15:32.480 --> 0:15:38.960
<v Speaker 1>I kicked him out of my house. Um, well should

0:15:38.960 --> 0:15:43.400
<v Speaker 1>we be? I truly feel like I've entered a new

0:15:43.480 --> 0:15:48.080
<v Speaker 1>area of my brain today. I am now just constantly

0:15:48.200 --> 0:15:53.120
<v Speaker 1>in an altered state of reality. Well we don't use

0:15:53.280 --> 0:15:56.480
<v Speaker 1>what is it like, we don't use our brains, But

0:15:56.640 --> 0:16:02.680
<v Speaker 1>today that changes. Yeah, I am now able to access

0:16:02.720 --> 0:16:07.000
<v Speaker 1>the other of my brain. That was a Scarlett Johanson

0:16:07.040 --> 0:16:11.760
<v Speaker 1>movie once. Yeah, Lucy, she's I think when Yeah, alright,

0:16:11.840 --> 0:16:15.920
<v Speaker 1>chruck three, let's do it. Here we go. Actually, let's

0:16:15.920 --> 0:16:17.680
<v Speaker 1>take a quick break and then we will come back

0:16:17.720 --> 0:16:28.440
<v Speaker 1>for the recap and we are back. Okay. We open

0:16:28.680 --> 0:16:33.880
<v Speaker 1>on Gingi Pinocchio and then also it's Pinocchio War's time,

0:16:34.280 --> 0:16:37.120
<v Speaker 1>and I was triggered when I saw Pinocchio. I was like,

0:16:37.320 --> 0:16:41.120
<v Speaker 1>he had another Pinocchio. Well, okay, so this is not

0:16:41.160 --> 0:16:43.520
<v Speaker 1>a spoiler or anything, but in Puss and Boots the

0:16:43.600 --> 0:16:48.360
<v Speaker 1>Last Wish, Pinocchio makes a little cameo. So there are

0:16:48.440 --> 0:16:54.200
<v Speaker 1>three Pinocchio movies in well, there's there's four, because there's

0:16:54.240 --> 0:16:57.360
<v Speaker 1>like the Crummy, there's a there's a fourth one. Maggie

0:16:57.360 --> 0:17:01.120
<v Speaker 1>Maykors sent it to me, and it's it's not like

0:17:01.200 --> 0:17:04.320
<v Speaker 1>the animation you find at the gas station, but it

0:17:04.520 --> 0:17:07.000
<v Speaker 1>looks like the animation you find at the gas station.

0:17:07.320 --> 0:17:10.959
<v Speaker 1>Not a theatrically released Pinocchio, but a really cheap so

0:17:11.040 --> 0:17:16.080
<v Speaker 1>it's like the Legend of Titanic version of Pinocchio. Yeah,

0:17:16.119 --> 0:17:18.520
<v Speaker 1>except it came out last year, which is kind of wild.

0:17:19.840 --> 0:17:22.639
<v Speaker 1>I'm clear who it's for, no idea. Um, okay, So

0:17:22.840 --> 0:17:25.560
<v Speaker 1>we've got Gingi, Pinocchio, the Big Bed Wolf, and the

0:17:25.560 --> 0:17:29.119
<v Speaker 1>Three Little Pigs. They are watching Prince Charming do Dinner

0:17:29.160 --> 0:17:31.879
<v Speaker 1>theater because he's a loser now and his life is

0:17:31.880 --> 0:17:34.840
<v Speaker 1>in shambles, and he is bitter because he thinks that

0:17:34.920 --> 0:17:38.600
<v Speaker 1>he's the rightful King of Far Far away. But guess

0:17:38.640 --> 0:17:41.920
<v Speaker 1>who is king or at least filling in for king

0:17:42.000 --> 0:17:46.879
<v Speaker 1>while the real king is sick. It's Shrek. Oh, and

0:17:46.960 --> 0:17:49.280
<v Speaker 1>I bet he's going to be a little awkward, random,

0:17:49.480 --> 0:17:53.359
<v Speaker 1>and uh, not quite at home being the king. Yeah,

0:17:53.400 --> 0:17:57.000
<v Speaker 1>you would be correct. Yeah, So he and Fiona are

0:17:57.320 --> 0:18:01.399
<v Speaker 1>sort of like stepping in as king and queen for

0:18:01.480 --> 0:18:06.640
<v Speaker 1>the time being. Donkey and Puss and Boots are obviously around,

0:18:06.800 --> 0:18:10.600
<v Speaker 1>they are still the sidekicks. And like you said, Shrek

0:18:10.720 --> 0:18:13.840
<v Speaker 1>is bad at being king. And he's like, Fiona, we

0:18:13.920 --> 0:18:17.160
<v Speaker 1>are leaving and going back to the swamp, and she's like, yeah,

0:18:17.240 --> 0:18:19.880
<v Speaker 1>and maybe when we're there we could start a family.

0:18:20.680 --> 0:18:27.760
<v Speaker 1>And Shrek is not thrilled by this idea because of trumps. Yes.

0:18:28.960 --> 0:18:33.600
<v Speaker 1>And then the king is on his deathbed and he's like, Shrek,

0:18:34.040 --> 0:18:37.639
<v Speaker 1>you're next in line to be king, and Shrek is

0:18:37.680 --> 0:18:40.760
<v Speaker 1>like an ogre king. That sounds like a bad idea,

0:18:41.359 --> 0:18:44.040
<v Speaker 1>and the king is like, well there is one other option,

0:18:44.680 --> 0:18:48.600
<v Speaker 1>cousin Arthur. Okay, bye bye, and then he dies. That

0:18:48.680 --> 0:18:53.280
<v Speaker 1>scene is so frustrating to me because Fiona is standing

0:18:53.400 --> 0:18:57.919
<v Speaker 1>right there. We spend so much of Shrek three acting

0:18:57.960 --> 0:19:01.919
<v Speaker 1>like Shrek to literally never happy because Shrek two is

0:19:01.920 --> 0:19:04.520
<v Speaker 1>a lot of like Fiona coming into her own as

0:19:04.520 --> 0:19:08.399
<v Speaker 1>a person and like figuring out her role in this.

0:19:08.560 --> 0:19:11.199
<v Speaker 1>Also it's like, this is a very pro monarchy. If

0:19:11.280 --> 0:19:13.000
<v Speaker 1>we can't deal with it today, we can't deal with

0:19:13.040 --> 0:19:16.240
<v Speaker 1>it today. I understand it's very pro monarchy and more

0:19:16.280 --> 0:19:19.880
<v Speaker 1>pro monarchy as as it goes on. And it's like,

0:19:20.200 --> 0:19:23.399
<v Speaker 1>I'm just I'm assuming that they're colonial. You know, they

0:19:23.480 --> 0:19:28.200
<v Speaker 1>tried to colonize Shrek Swamp. Hello the plot of Shrek one,

0:19:28.720 --> 0:19:30.320
<v Speaker 1>we know what, we love it. I don't think that

0:19:30.359 --> 0:19:32.800
<v Speaker 1>we had the cultural know how at the time to

0:19:33.480 --> 0:19:35.920
<v Speaker 1>say that in our first episode about Trek, but I

0:19:35.960 --> 0:19:39.760
<v Speaker 1>do think that there are like actively truly serious brain

0:19:39.840 --> 0:19:43.879
<v Speaker 1>returning to the brain. I no, um, they're a colonial force.

0:19:44.040 --> 0:19:47.720
<v Speaker 1>It's a monarchy. But if we're going with girl Boss

0:19:47.840 --> 0:19:52.080
<v Speaker 1>logic of like girl is king is good whatever, Fiona

0:19:52.160 --> 0:19:54.520
<v Speaker 1>is right fucking there. We've spent so much of Shrek

0:19:54.520 --> 0:19:56.560
<v Speaker 1>two of her coming into her own and then the

0:19:56.600 --> 0:20:03.399
<v Speaker 1>third movie acts like nothing happened. Nothing happened, because I

0:20:03.440 --> 0:20:05.800
<v Speaker 1>did think that, Like I was like, I wonder if

0:20:05.840 --> 0:20:09.119
<v Speaker 1>her father will even suggest that she could be you know,

0:20:09.200 --> 0:20:12.080
<v Speaker 1>in power as a joke. I wonder if she will

0:20:12.119 --> 0:20:14.760
<v Speaker 1>say what about me as a joke, But it doesn't

0:20:14.760 --> 0:20:18.800
<v Speaker 1>even it doesn't even come up. It's we have a

0:20:18.800 --> 0:20:22.720
<v Speaker 1>new character, we hired justin Timberlake to do it, and

0:20:22.720 --> 0:20:26.800
<v Speaker 1>why and and why? But yeah, that's that's what happens.

0:20:26.920 --> 0:20:30.080
<v Speaker 1>And then he dies. Oh the king dies, Yes, as

0:20:30.119 --> 0:20:33.119
<v Speaker 1>a frog. He's a frog. He's in his frog state.

0:20:33.520 --> 0:20:38.160
<v Speaker 1>Sees Trek two for why that is we've got brain fog.

0:20:38.800 --> 0:20:43.240
<v Speaker 1>The king has brain frog and then he doesn't because

0:20:43.280 --> 0:20:55.600
<v Speaker 1>he dies and then he's brain his brain is dead. Okay. Meanwhile, meanwhile,

0:20:56.119 --> 0:20:59.840
<v Speaker 1>Charming goes into a tavern where a bunch of Fairy

0:21:00.040 --> 0:21:03.320
<v Speaker 1>Hill villains are hanging out, and I do not appreciate

0:21:03.359 --> 0:21:07.160
<v Speaker 1>the implication that only villains would hang out at a pub,

0:21:07.280 --> 0:21:10.840
<v Speaker 1>or like that a pub or tavern would be full

0:21:10.920 --> 0:21:14.480
<v Speaker 1>of only villains and no one else as a frequenter

0:21:14.520 --> 0:21:21.280
<v Speaker 1>of pubs dark corridors exactly. Yet another way that this

0:21:21.520 --> 0:21:25.480
<v Speaker 1>movie kind of like feels like it's contradicting prior entries

0:21:25.520 --> 0:21:30.160
<v Speaker 1>to the franchise is that like Charming. Okay, well, let's

0:21:30.240 --> 0:21:32.560
<v Speaker 1>let's say what Charming is doing. He's trying to like

0:21:32.840 --> 0:21:38.320
<v Speaker 1>galvanize the villains. Yeah, he's like, hey hook, Hey evil

0:21:38.400 --> 0:21:42.560
<v Speaker 1>Queen from snow White, Hey rumpel Stiltskin, join me in

0:21:42.600 --> 0:21:46.880
<v Speaker 1>this cause of kind of reclaiming our own narratives, and

0:21:47.320 --> 0:21:52.520
<v Speaker 1>it's our turn to get happily ever after, which I

0:21:52.560 --> 0:21:56.760
<v Speaker 1>feel like it's not anywhere close to like one for one,

0:21:56.840 --> 0:21:59.480
<v Speaker 1>what's happening in Shrek one, but the theme is similar

0:21:59.520 --> 0:22:04.760
<v Speaker 1>of like these like classically villainized characters are trying to

0:22:04.880 --> 0:22:08.640
<v Speaker 1>like prove that there's more to them than how they've

0:22:08.680 --> 0:22:13.000
<v Speaker 1>been classically characterized. That is literally Shrek's arc all the

0:22:13.080 --> 0:22:17.399
<v Speaker 1>time in every fucking movie, but this time it's bad,

0:22:17.720 --> 0:22:22.840
<v Speaker 1>and you're like, well, what I would say that this movie,

0:22:23.119 --> 0:22:27.840
<v Speaker 1>Shrek the Third is not particularly shreky in And I

0:22:27.880 --> 0:22:31.440
<v Speaker 1>can't believe it took us over twenty minutes to say

0:22:31.520 --> 0:22:34.480
<v Speaker 1>Shrek I in in this episode about a Shrek movie

0:22:34.840 --> 0:22:37.760
<v Speaker 1>merch plug, We've got Shreky and March. I'm looking at

0:22:37.760 --> 0:22:40.639
<v Speaker 1>my Shrek pillow, my shreky and pillow. I have my

0:22:40.680 --> 0:22:44.000
<v Speaker 1>shreky and sweatshirt not on because it's in the wash

0:22:44.040 --> 0:22:47.760
<v Speaker 1>because I can't stop wearing it. And that's heap off

0:22:47.920 --> 0:22:52.719
<v Speaker 1>dot com slash the Bechtel cast. Yes, um, but this

0:22:52.800 --> 0:22:54.800
<v Speaker 1>is the least Shreky and entry. It's like this, It's

0:22:54.840 --> 0:22:57.120
<v Speaker 1>like Shrek three doesn't even know what happens in Shreks

0:22:57.119 --> 0:23:00.040
<v Speaker 1>one and two, which is wild because they fucking lived it.

0:23:00.040 --> 0:23:05.240
<v Speaker 1>It's absurd. Um Okay. So, so Charming is is rallying

0:23:05.440 --> 0:23:08.760
<v Speaker 1>the fairy tale villains to, you know, be like, hey,

0:23:08.800 --> 0:23:12.280
<v Speaker 1>it's it's our turn to be the heroes or whatever.

0:23:13.000 --> 0:23:14.760
<v Speaker 1>So then when we cut back to Shrek, he is

0:23:14.800 --> 0:23:18.160
<v Speaker 1>about to go on a voyage to find cousin Arthur.

0:23:18.560 --> 0:23:23.760
<v Speaker 1>But before he leaves, Fiona is like, Shrek, I'm gregnant.

0:23:24.600 --> 0:23:28.440
<v Speaker 1>But also I was, I was considering experimenting with shreknant

0:23:29.280 --> 0:23:36.640
<v Speaker 1>or shregnant. I like, shregnant. Well, you coined the term

0:23:36.640 --> 0:23:39.879
<v Speaker 1>shreg in our Shrek two episode. I don't know if

0:23:39.920 --> 0:23:42.840
<v Speaker 1>you remember this, Jamie. No, I just have so many

0:23:42.880 --> 0:23:46.320
<v Speaker 1>good ideas that I just kind of forget about someone though.

0:23:46.960 --> 0:23:49.480
<v Speaker 1>I that was so good of me to do. I'm

0:23:49.520 --> 0:23:54.960
<v Speaker 1>so glad I did that, So proud of you. So,

0:23:54.800 --> 0:24:01.680
<v Speaker 1>so Fiona is like I'm shregnant and is like yeah,

0:24:02.760 --> 0:24:07.400
<v Speaker 1>but he's very worried about being a bad dad because

0:24:07.400 --> 0:24:11.040
<v Speaker 1>ogres are not known for being nurturing. Oh my god,

0:24:11.320 --> 0:24:16.520
<v Speaker 1>such a forced plot point. I'm like, enough with the

0:24:16.560 --> 0:24:22.520
<v Speaker 1>ogre lore. Oh my goodness, it's a lot. I also wait,

0:24:22.720 --> 0:24:28.359
<v Speaker 1>quick question, So the timing of like when they're in

0:24:29.160 --> 0:24:33.640
<v Speaker 1>Far Far Away, do you think that they fucked raw

0:24:36.640 --> 0:24:39.480
<v Speaker 1>the day her father died? I'll ask it. Do you

0:24:39.520 --> 0:24:42.040
<v Speaker 1>think they fucked raw the day her father died? Or

0:24:42.040 --> 0:24:45.600
<v Speaker 1>do you think it was before? Good question. It seems

0:24:45.640 --> 0:24:50.399
<v Speaker 1>as though Shrek leaves on this journey very shortly thereafter,

0:24:51.320 --> 0:24:53.600
<v Speaker 1>but then that introduces like, well, we don't know about

0:24:53.600 --> 0:24:58.640
<v Speaker 1>ogre gestation. Well, yes, true, so maybe they fucked raw

0:24:58.760 --> 0:25:02.440
<v Speaker 1>and then two days it or she knows she's shregnant,

0:25:02.640 --> 0:25:06.479
<v Speaker 1>she's shregnant. I would have actually, because this movie likes,

0:25:06.720 --> 0:25:09.320
<v Speaker 1>you know, it's very shreky in to show something that

0:25:09.400 --> 0:25:13.520
<v Speaker 1>happens in the real world, but like covereding goo and stinky.

0:25:13.720 --> 0:25:16.960
<v Speaker 1>I would have liked to see a stinky pregnancy test. Oh.

0:25:17.520 --> 0:25:21.159
<v Speaker 1>I would have liked to see it, say shregnant on

0:25:21.280 --> 0:25:23.920
<v Speaker 1>the clear blue or the clear green, more like clear

0:25:24.000 --> 0:25:28.879
<v Speaker 1>green test. Okay, okay, now we're talking. We're writing a

0:25:28.880 --> 0:25:33.199
<v Speaker 1>movie right now there, So I want the clear green

0:25:33.480 --> 0:25:36.600
<v Speaker 1>to show two gooey lines and it says. She says,

0:25:36.600 --> 0:25:40.159
<v Speaker 1>oh no, I'm shregnant. Um and then to you this

0:25:40.680 --> 0:25:45.920
<v Speaker 1>my piece smells horrible or whatever. Yeah, but we don't

0:25:45.920 --> 0:25:49.159
<v Speaker 1>get that. We just get the scene where Fiona is like,

0:25:49.200 --> 0:25:55.600
<v Speaker 1>I'm shregnant, and then Shrek is reacting with apprehension. He

0:25:55.680 --> 0:25:59.920
<v Speaker 1>has a nightmare about it, where hundreds of little shred

0:26:00.000 --> 0:26:04.360
<v Speaker 1>eggs are like running around. He's scrambling to take care

0:26:04.359 --> 0:26:07.080
<v Speaker 1>of them and to keep them safe, his scrambled shreggs.

0:26:07.359 --> 0:26:13.320
<v Speaker 1>They're uh, like I did like when that whole that

0:26:13.359 --> 0:26:15.440
<v Speaker 1>whole nightmare sequence is annoying because you're just like, Okay,

0:26:15.480 --> 0:26:18.400
<v Speaker 1>this is well, I don't know, we'll we'll talk about

0:26:18.400 --> 0:26:20.200
<v Speaker 1>it in the discussion, because I do think that like

0:26:20.400 --> 0:26:23.800
<v Speaker 1>exploring the theme of like anxiety around being a parent,

0:26:24.280 --> 0:26:27.919
<v Speaker 1>very valid theme to explore. I think this movie just

0:26:27.960 --> 0:26:30.840
<v Speaker 1>does it in a kind of like bizarre and like lazy,

0:26:30.920 --> 0:26:35.680
<v Speaker 1>half asked way, like a trophy gendered way. Yeah, exactly,

0:26:35.760 --> 0:26:38.480
<v Speaker 1>Like it's we're not saying that, Like I mean, if

0:26:38.520 --> 0:26:40.600
<v Speaker 1>I found out I was shregnant, I would be having

0:26:40.720 --> 0:26:47.160
<v Speaker 1>dreams about Donkey with my face on. Yeah, I would

0:26:47.160 --> 0:26:49.639
<v Speaker 1>just be beside myself. But yeah, I don't know it

0:26:49.840 --> 0:26:55.080
<v Speaker 1>just it's they're like worthwhile themes being explored in the laziest,

0:26:55.280 --> 0:27:00.960
<v Speaker 1>most boring way possible in this movie. Yes, indeed, So, Shrek,

0:27:01.080 --> 0:27:04.680
<v Speaker 1>Donkey and puts in Boots arrive at their destination, which

0:27:04.720 --> 0:27:08.439
<v Speaker 1>turns out to be a high school, and cousin Arthur

0:27:08.600 --> 0:27:12.040
<v Speaker 1>turns out to be a teenager voiced by Justin Timberlake,

0:27:12.359 --> 0:27:16.360
<v Speaker 1>who everyone thinks is a huge loser. Terrible twist. Yeah,

0:27:16.520 --> 0:27:19.360
<v Speaker 1>I also think Justin Timberlake is a huge loser. Same.

0:27:19.640 --> 0:27:21.760
<v Speaker 1>Do you think that David Fincher saw Shrek the Third

0:27:21.800 --> 0:27:24.680
<v Speaker 1>and was like, we gotta put him in the social network? Yes?

0:27:24.800 --> 0:27:30.040
<v Speaker 1>Or now he's got the chops you can do. I

0:27:30.080 --> 0:27:33.480
<v Speaker 1>think I think he saw Black Snake Moan and was like,

0:27:33.600 --> 0:27:35.640
<v Speaker 1>I gotta put him in the social network. I don't

0:27:35.640 --> 0:27:37.840
<v Speaker 1>know if that movie came out before the Social Network,

0:27:37.960 --> 0:27:41.280
<v Speaker 1>but I haven't even seen Black Snake Moan. Is that

0:27:41.280 --> 0:27:44.199
<v Speaker 1>that's Samuel L. Jackson and Christina Ricci right? Yeah? And

0:27:44.240 --> 0:27:47.560
<v Speaker 1>I think, if I'm remembering correctly, Justin Timberlake is also

0:27:47.600 --> 0:27:50.359
<v Speaker 1>in it, or maybe he is. I'm looking at his

0:27:50.400 --> 0:27:53.560
<v Speaker 1>filmography right now. I regret to inform you. Or maybe

0:27:53.720 --> 0:27:58.119
<v Speaker 1>David Fincher saw Southland Tales and was like, I gotta

0:27:58.119 --> 0:28:00.679
<v Speaker 1>put justin Timberlake in the social network. I feel like

0:28:00.760 --> 0:28:05.520
<v Speaker 1>David Fincher did see Southland Tales. That movie sorry for

0:28:05.560 --> 0:28:07.760
<v Speaker 1>anyone who likes it, but I think is the And

0:28:07.840 --> 0:28:10.959
<v Speaker 1>this is not an unpopular opinion, but that movie, in

0:28:11.000 --> 0:28:15.159
<v Speaker 1>my humble opinion, is a turd. Whoa Anyway, I haven't

0:28:15.200 --> 0:28:17.359
<v Speaker 1>seen it, but I just I looked at the poster.

0:28:17.440 --> 0:28:20.119
<v Speaker 1>I'm like, yeah, I think David Fincher seen it, but

0:28:20.200 --> 0:28:21.840
<v Speaker 1>I don't know. I don't really know what he's like.

0:28:21.920 --> 0:28:27.120
<v Speaker 1>I'll have to mean text him. He does seem mean,

0:28:27.680 --> 0:28:32.560
<v Speaker 1>but not like funny, mean like James Cameron just mean yeah,

0:28:33.000 --> 0:28:36.359
<v Speaker 1>like do seventy takes until you're crying? Mean yeah, Like

0:28:36.400 --> 0:28:39.200
<v Speaker 1>I like like a like a kuber kind of mean.

0:28:40.120 --> 0:28:43.160
<v Speaker 1>Not James Cameron being like if anyone wants my attention

0:28:43.160 --> 0:28:46.520
<v Speaker 1>on set, they have to sound the auga. That's like,

0:28:47.160 --> 0:28:50.520
<v Speaker 1>did you see that? No, Oh my god, that's I'm

0:28:50.760 --> 0:28:54.840
<v Speaker 1>I'm not making that up. That is something that he said.

0:28:55.640 --> 0:29:00.400
<v Speaker 1>He's just like do he's the He's the worst, He's bad,

0:29:00.600 --> 0:29:04.680
<v Speaker 1>and like we could get into that because there's I mean,

0:29:04.720 --> 0:29:08.600
<v Speaker 1>we will when we cover another Titanic episode this year. Actually,

0:29:08.640 --> 0:29:11.000
<v Speaker 1>I think we really should because there's been a discourse

0:29:11.040 --> 0:29:13.480
<v Speaker 1>around Avatar tooth that I feel like it's very much

0:29:13.520 --> 0:29:15.760
<v Speaker 1>worth discussing, even though we just talked about Avatar for

0:29:15.800 --> 0:29:19.840
<v Speaker 1>a very long time with Ali Naddy. But it's just like, okay,

0:29:20.240 --> 0:29:24.080
<v Speaker 1>compartmentalizing my feelings just to share this. The film crew

0:29:24.160 --> 0:29:26.400
<v Speaker 1>on Avatar Way of Water has to play an a

0:29:26.480 --> 0:29:29.520
<v Speaker 1>wuga sound effect of a submarine diving alarm to get

0:29:29.600 --> 0:29:33.880
<v Speaker 1>James Cameron's attention on set. Cameron quote, I don't even

0:29:33.920 --> 0:29:42.040
<v Speaker 1>respond unless they do the auga unquote embarrassing. That's funny,

0:29:42.120 --> 0:29:47.120
<v Speaker 1>mean embarrassing. Yeah, moving on anyway. So Justin is in

0:29:47.160 --> 0:29:50.000
<v Speaker 1>the movie is the point, and we don't love Shrek

0:29:50.280 --> 0:29:54.360
<v Speaker 1>is like, guess what, Arthur your first in line for

0:29:54.440 --> 0:29:58.600
<v Speaker 1>the throne, And so Arthur leaves with Shrek, excited by

0:29:58.640 --> 0:30:02.239
<v Speaker 1>the idea of being king. But when Arthur realizes how

0:30:02.320 --> 0:30:06.760
<v Speaker 1>much responsibility it requires, he freaks out and tries to

0:30:06.800 --> 0:30:10.480
<v Speaker 1>turn the ship around because he and Shrek start fighting.

0:30:10.840 --> 0:30:17.680
<v Speaker 1>The ship crashes on an island, where Merlin famously a

0:30:17.720 --> 0:30:24.040
<v Speaker 1>wizard voiced by which I'm always delighted to see Eric

0:30:24.080 --> 0:30:27.840
<v Speaker 1>Aile but I'm like, oh my god, what is happening there?

0:30:28.480 --> 0:30:31.600
<v Speaker 1>Just the doing back bench to tell me more things

0:30:31.680 --> 0:30:40.080
<v Speaker 1>about masculine responsibility, like shut okay. So Merlin is like Shrek,

0:30:40.200 --> 0:30:42.160
<v Speaker 1>I'm not going to help you until you stop being

0:30:42.160 --> 0:30:45.920
<v Speaker 1>so angry, and then he has all of the characters

0:30:46.000 --> 0:30:51.360
<v Speaker 1>do some soul searching, and Shrek is still clearly anxious

0:30:51.400 --> 0:30:55.200
<v Speaker 1>about being a father. We learned that Arthur was abandoned

0:30:55.240 --> 0:30:59.280
<v Speaker 1>by his father, and Shrek and Arthur have a heart

0:30:59.320 --> 0:31:03.080
<v Speaker 1>to heart and they are bonding almost as if they

0:31:03.080 --> 0:31:08.000
<v Speaker 1>are father and son. And but Shrek does say something

0:31:08.080 --> 0:31:11.040
<v Speaker 1>interesting that I think. I was trying to figure out

0:31:11.400 --> 0:31:15.239
<v Speaker 1>if there's any way that Shrek the Musical, which is

0:31:15.280 --> 0:31:21.320
<v Speaker 1>my favorite Shrek Shrekian shreky in property, because I believe

0:31:21.400 --> 0:31:24.680
<v Speaker 1>that Shrek the Musical debuts in oh eight, the year

0:31:24.960 --> 0:31:28.680
<v Speaker 1>after this. But I was curious if like this was

0:31:28.720 --> 0:31:32.920
<v Speaker 1>being developed alongside Shrek three, or if like Shrek three

0:31:33.040 --> 0:31:36.040
<v Speaker 1>wasn't able to be like to get into Shrek the

0:31:36.120 --> 0:31:38.360
<v Speaker 1>Musical because they were kind of close together and it

0:31:38.400 --> 0:31:42.640
<v Speaker 1>takes so long to develop a musical. But Shrek does

0:31:42.800 --> 0:31:48.640
<v Speaker 1>say that his father tried to eat him, yes, when

0:31:48.640 --> 0:31:53.160
<v Speaker 1>he was a little Shrek a Shrek he just hatch

0:31:53.200 --> 0:31:56.800
<v Speaker 1>out of his Shrek and and his father says, I'm

0:31:56.800 --> 0:32:00.440
<v Speaker 1>gonna eat you. That's not good, but I leave. In

0:32:00.480 --> 0:32:05.240
<v Speaker 1>the musical, the way that Shrek's childhood Shrek's childhood trauma

0:32:05.360 --> 0:32:08.680
<v Speaker 1>is actually like a huge plot point and Shrek the Musical,

0:32:08.720 --> 0:32:11.720
<v Speaker 1>and it's why it's the best Shrek. They are examining

0:32:12.240 --> 0:32:16.719
<v Speaker 1>Shrek's sensitive side with farts, of course. But what happens

0:32:16.760 --> 0:32:21.080
<v Speaker 1>in Shrek the Musical is that Shrek's parents kick Shrek

0:32:21.280 --> 0:32:25.720
<v Speaker 1>out of their house when he's seven and say, go

0:32:25.840 --> 0:32:29.560
<v Speaker 1>make something of yourself, and you look like shit, and

0:32:29.600 --> 0:32:32.240
<v Speaker 1>like that's kind of They're like, it's going to be

0:32:32.280 --> 0:32:34.080
<v Speaker 1>hard to be an ogre in the world, which is

0:32:34.120 --> 0:32:36.600
<v Speaker 1>why we're kicking you out of our house. Question mark.

0:32:36.960 --> 0:32:39.560
<v Speaker 1>But so he was like badly parented in a different

0:32:39.600 --> 0:32:44.360
<v Speaker 1>way in the musical. Are Shrek's parents also ogres or

0:32:44.480 --> 0:32:48.120
<v Speaker 1>was there like an adoption thing? Okay, So that's why

0:32:48.160 --> 0:32:49.960
<v Speaker 1>it's confusing that they kick him out there like the

0:32:50.000 --> 0:32:54.040
<v Speaker 1>world is hostile and so are we, Like I don't understand,

0:32:54.840 --> 0:32:58.360
<v Speaker 1>but in the musical it's very effective and I feel like, again,

0:32:58.440 --> 0:33:00.400
<v Speaker 1>just another way that Shrek is lazy. He's like, um

0:33:00.520 --> 0:33:03.080
<v Speaker 1>my dad tried to eat me. That won't be coming

0:33:03.160 --> 0:33:08.160
<v Speaker 1>up again. Yeah. The point is, uh, Shrek is now

0:33:08.280 --> 0:33:13.400
<v Speaker 1>justin Timberlake's daddy um back in far far away. And

0:33:13.480 --> 0:33:16.280
<v Speaker 1>to be clear, like, and I don't want to speak

0:33:16.280 --> 0:33:19.800
<v Speaker 1>for you, Jamie, but I don't have a problem with

0:33:20.040 --> 0:33:25.000
<v Speaker 1>the idea of a story being about a father son relationship.

0:33:25.080 --> 0:33:27.360
<v Speaker 1>There's nothing inherently wrong with that. And I think there

0:33:27.400 --> 0:33:31.720
<v Speaker 1>should be more stories that at least feature a positive

0:33:32.120 --> 0:33:39.200
<v Speaker 1>and like meaningful story about a father son relationship, because

0:33:39.200 --> 0:33:40.960
<v Speaker 1>so many of the ones that we get on screen

0:33:41.040 --> 0:33:44.880
<v Speaker 1>are actually very toxic relationships, but the movie doesn't present

0:33:44.960 --> 0:33:47.720
<v Speaker 1>them that way. It's just like, yeah, this is how

0:33:47.760 --> 0:33:51.320
<v Speaker 1>fatherhood is or whatever. I am inclined to agree with that.

0:33:51.400 --> 0:33:53.800
<v Speaker 1>I just feel like it's like not in first position

0:33:53.880 --> 0:33:56.000
<v Speaker 1>for me. I feel like they've had no people that

0:33:56.080 --> 0:33:59.080
<v Speaker 1>a lot of shots to get it right, and if

0:33:59.080 --> 0:34:00.880
<v Speaker 1>they haven't at this point point, I'm like, well, that's

0:34:00.960 --> 0:34:03.720
<v Speaker 1>none of my business, right, But but I also I

0:34:03.760 --> 0:34:06.360
<v Speaker 1>do agree. I think that there are there are versions

0:34:06.440 --> 0:34:11.520
<v Speaker 1>of this story that have been historically ignored, but unfortunately

0:34:11.600 --> 0:34:15.319
<v Speaker 1>this movie is not doing anything. And when we're coming

0:34:15.320 --> 0:34:20.000
<v Speaker 1>down on like father son movies, which are almost all

0:34:20.080 --> 0:34:22.560
<v Speaker 1>of them. Yeah, I'm just coming down at the sheer

0:34:22.640 --> 0:34:26.319
<v Speaker 1>volume of them, and they're like, it's I feel like

0:34:26.320 --> 0:34:30.160
<v Speaker 1>it's just like a classically I'm more saying like, and

0:34:30.239 --> 0:34:33.759
<v Speaker 1>there's not a lot else. It's very rare to see

0:34:33.880 --> 0:34:37.680
<v Speaker 1>any other parent child relationship of any sort other than

0:34:37.760 --> 0:34:42.560
<v Speaker 1>fathers and sons because of who's been historically who's been

0:34:42.640 --> 0:34:46.279
<v Speaker 1>historically put first. So I actually am very sick of

0:34:46.280 --> 0:34:48.480
<v Speaker 1>fathers and Sons movies. But if the movie is really good,

0:34:48.920 --> 0:34:55.200
<v Speaker 1>then fine, good for that. But it just this movie.

0:34:54.400 --> 0:34:59.680
<v Speaker 1>Yeah right, yes, So back in Far far Away, Charming

0:34:59.680 --> 0:35:03.240
<v Speaker 1>shows up with his army of villains. They storm the castle.

0:35:03.600 --> 0:35:07.480
<v Speaker 1>He claims the throne as his own, and he plans

0:35:07.520 --> 0:35:12.600
<v Speaker 1>to basically kill Shrek and Arthur upon their return. Fiona,

0:35:13.040 --> 0:35:17.880
<v Speaker 1>her mom, and her friends such as snow White, Sleeping Beauty, Cinderella,

0:35:17.960 --> 0:35:23.960
<v Speaker 1>and Rapunzel, try to escape, but Rapunzel betrays Fiona because

0:35:23.960 --> 0:35:28.560
<v Speaker 1>she turns out to be Charming's his girlfriend and something

0:35:28.560 --> 0:35:32.600
<v Speaker 1>that they also do basically nothing with. It's yeah, and

0:35:32.680 --> 0:35:38.080
<v Speaker 1>so Charming locks Fiona and the others in the dungeon. Meanwhile,

0:35:38.440 --> 0:35:42.960
<v Speaker 1>Merlin uses his magic to transport Shrek, Arthur, Donkey, and

0:35:43.000 --> 0:35:46.120
<v Speaker 1>Puss in boots back too far far away. But also

0:35:46.239 --> 0:35:51.160
<v Speaker 1>during this teleportation Donkey and Puss his bodies are accidentally switched.

0:35:52.320 --> 0:35:56.560
<v Speaker 1>And that's comedy and does that lead anywhere? Of course

0:35:56.640 --> 0:36:03.800
<v Speaker 1>not does about boring jokes? Ye? Yes, So then Shrek

0:36:03.960 --> 0:36:08.920
<v Speaker 1>goes to stop Charming and to save Fiona, but Charming

0:36:09.120 --> 0:36:13.240
<v Speaker 1>captures Shrek and his friends, and this is when Arthur

0:36:13.280 --> 0:36:16.640
<v Speaker 1>finds out that he isn't really next in line to

0:36:16.719 --> 0:36:21.040
<v Speaker 1>be king, that Shrek is, and that Shrek just didn't

0:36:21.120 --> 0:36:25.000
<v Speaker 1>want to do it. And Shrek calls Arthur a fool

0:36:25.040 --> 0:36:27.080
<v Speaker 1>and a loser and tells him to leave, and he's

0:36:27.080 --> 0:36:30.880
<v Speaker 1>really mean. So Arthur does just that, he leaves, and

0:36:31.120 --> 0:36:34.239
<v Speaker 1>it's just and at this point you're really like struggling

0:36:34.320 --> 0:36:39.359
<v Speaker 1>to care. Yeah, I'm like, what's happening? No, justin Timberlake

0:36:39.400 --> 0:36:47.160
<v Speaker 1>has exited the movie, darn uh. So then Charming puts

0:36:47.239 --> 0:36:50.879
<v Speaker 1>on this show. It's similar to the dinner theater show

0:36:50.920 --> 0:36:52.520
<v Speaker 1>we saw him doing at the beginning of the movie

0:36:52.640 --> 0:36:57.480
<v Speaker 1>where he vanquishes an ogre, because Charming's plan is to

0:36:58.040 --> 0:37:03.720
<v Speaker 1>kill Shrek onstage during the show, which is both lazy

0:37:03.840 --> 0:37:09.040
<v Speaker 1>and iconic. I don't hate it, and it plays out,

0:37:09.160 --> 0:37:13.359
<v Speaker 1>I couldn't decide if I but then I, but then

0:37:13.480 --> 0:37:15.640
<v Speaker 1>I did hate it. As the scene was happening, I'm like,

0:37:15.880 --> 0:37:18.839
<v Speaker 1>this is so ridiculous. Okay, all right, he's gonna kill

0:37:18.880 --> 0:37:22.600
<v Speaker 1>him on stage. Yes. Meanwhile, Fiona and the others break

0:37:22.680 --> 0:37:26.120
<v Speaker 1>out of the dungeon and storm the castle with the

0:37:26.160 --> 0:37:31.120
<v Speaker 1>help of Donkey Post Pinocchio, GINGI the whole gang. Along

0:37:31.160 --> 0:37:34.520
<v Speaker 1>the way, they bump into Arthur and Post some donkey

0:37:34.600 --> 0:37:37.640
<v Speaker 1>tell Arthur that Shrek said all of those mean things

0:37:37.680 --> 0:37:42.319
<v Speaker 1>to protect him so that Charming wouldn't kill Arthur. Cut

0:37:42.360 --> 0:37:45.560
<v Speaker 1>to the play. Charming is about to kill Shrek, but

0:37:45.840 --> 0:37:51.120
<v Speaker 1>Fiona and the other ladies bust into save the day.

0:37:51.160 --> 0:37:55.600
<v Speaker 1>But oh no, I mean there is the classic another

0:37:55.680 --> 0:37:59.680
<v Speaker 1>I think something very shreky in is um a moment

0:37:59.800 --> 0:38:05.960
<v Speaker 1>of woman empowerment that goes nowhere correct a classic shreky

0:38:06.000 --> 0:38:08.479
<v Speaker 1>and thing to do. It's like and now it's it's

0:38:08.560 --> 0:38:11.960
<v Speaker 1>the woman is kicking. And now back to your regularly

0:38:12.040 --> 0:38:16.880
<v Speaker 1>scheduled Shrek doing stand up, Like, what the funk was

0:38:17.000 --> 0:38:20.120
<v Speaker 1>that he's doing a tight five? He's he's he's doing

0:38:20.160 --> 0:38:25.560
<v Speaker 1>a roast of Charming. He's in the roast battle, yeah,

0:38:25.600 --> 0:38:29.200
<v Speaker 1>and he won. He won, of course gets safe. Um,

0:38:30.080 --> 0:38:33.879
<v Speaker 1>so Fiona and the other princesses show up to save

0:38:34.040 --> 0:38:36.239
<v Speaker 1>the day, but it doesn't go anywhere, and Charming in

0:38:36.280 --> 0:38:39.000
<v Speaker 1>the villains get the upper hand again, but then Arthur

0:38:39.040 --> 0:38:42.560
<v Speaker 1>shows back up and gives a speech about how they

0:38:42.640 --> 0:38:44.920
<v Speaker 1>don't have to be villains. They can be whoever they

0:38:44.920 --> 0:38:48.560
<v Speaker 1>want to be, because even though everyone might think they're

0:38:48.560 --> 0:38:52.480
<v Speaker 1>a monster, it's about who you think you are. And

0:38:52.520 --> 0:38:55.840
<v Speaker 1>you're like, oh yeah, sort of like exactly what happens

0:38:55.840 --> 0:38:59.040
<v Speaker 1>in Shrek one, but makes less sense, and it's from

0:38:59.080 --> 0:39:04.200
<v Speaker 1>Justin timber Like, I'm so not interested in Justin Timberlake's

0:39:04.520 --> 0:39:11.920
<v Speaker 1>journey towards becoming a diplomat like. But his speech inspires

0:39:11.960 --> 0:39:15.799
<v Speaker 1>the villains to throw down their weapons, but Charming isn't

0:39:15.840 --> 0:39:18.359
<v Speaker 1>having it, and he tries to kill Shrek. But then

0:39:18.440 --> 0:39:24.280
<v Speaker 1>Charming gets crushed by a tower and presumably killed, And

0:39:24.320 --> 0:39:28.040
<v Speaker 1>then Arthur takes the crown and accept his role as king.

0:39:28.400 --> 0:39:32.520
<v Speaker 1>I can't believe it. Then Merlin switches Donkey and puts

0:39:32.560 --> 0:39:35.319
<v Speaker 1>back in their rightful bodies, and then we cut back

0:39:35.360 --> 0:39:40.480
<v Speaker 1>to the swamp where Fiona has three little shreds and

0:39:40.600 --> 0:39:43.319
<v Speaker 1>they've hatched, They've hatched out of their out of their

0:39:43.320 --> 0:39:49.400
<v Speaker 1>Shrek eggs, and Shrek is good daddy and Fiona is

0:39:49.400 --> 0:39:52.320
<v Speaker 1>a good mummy and and they have a nice ogre

0:39:52.640 --> 0:39:58.799
<v Speaker 1>family the end. Yea, I love that. Yeah, so let's

0:39:58.800 --> 0:40:09.680
<v Speaker 1>take a quick break and come back to discuss and

0:40:10.000 --> 0:40:14.799
<v Speaker 1>we're back. Yeah, yeah, what shall we talk about first? Well,

0:40:14.840 --> 0:40:17.959
<v Speaker 1>I feel like we actually have um touched on quite

0:40:17.960 --> 0:40:20.719
<v Speaker 1>a bit of stuff already, I think, I mean, but

0:40:20.880 --> 0:40:23.160
<v Speaker 1>let's I guess close the loop on the every movie

0:40:23.280 --> 0:40:26.680
<v Speaker 1>is about fathers and sons thing I do stand by

0:40:26.680 --> 0:40:29.560
<v Speaker 1>way I said, And I feel like this movie is

0:40:29.600 --> 0:40:32.319
<v Speaker 1>kind of a classic example of why that can be

0:40:32.400 --> 0:40:36.399
<v Speaker 1>so frustrating, because it's like, I just feel like there's

0:40:36.520 --> 0:40:44.080
<v Speaker 1>so many more interesting parent child dynamics in this movie

0:40:44.239 --> 0:40:46.200
<v Speaker 1>that to some extent it is supposed to be about

0:40:46.200 --> 0:40:50.960
<v Speaker 1>parental anxiety, and like, I just think it's really, um,

0:40:51.000 --> 0:40:55.000
<v Speaker 1>it was a huge missed opportunity. And and you know,

0:40:55.040 --> 0:40:58.000
<v Speaker 1>I guess missing an opportunity is very shreky in in

0:40:58.040 --> 0:41:04.560
<v Speaker 1>a way, UM true to say something impactful, UM, but

0:41:04.920 --> 0:41:07.799
<v Speaker 1>introducing a new character instead of like focusing on the

0:41:07.880 --> 0:41:10.800
<v Speaker 1>characters we have just felt like a huge mistake because

0:41:10.840 --> 0:41:13.960
<v Speaker 1>it's like, not that I want Direct the Third to

0:41:14.000 --> 0:41:17.960
<v Speaker 1>be about grieving a parent, but it's I just like

0:41:18.160 --> 0:41:20.319
<v Speaker 1>I truly was baffled, and I feel like it really

0:41:20.360 --> 0:41:28.560
<v Speaker 1>spoke to how poorly Fiona has been characterized historically and

0:41:28.719 --> 0:41:32.360
<v Speaker 1>really reminded me about how it took five white guys

0:41:32.440 --> 0:41:37.239
<v Speaker 1>to write this story that we are given like a

0:41:37.400 --> 0:41:40.800
<v Speaker 1>really strong thread that should be playing into the whole movie.

0:41:40.840 --> 0:41:44.440
<v Speaker 1>At the very beginning, Fiona's father dies. Is it funny

0:41:44.520 --> 0:41:47.000
<v Speaker 1>when he dies? Yes, I kind of like the frog bit,

0:41:47.239 --> 0:41:49.959
<v Speaker 1>Oh he's not dead yet. It went on for so long.

0:41:50.200 --> 0:41:53.600
<v Speaker 1>I was so over it after the first time, I

0:41:53.640 --> 0:41:56.040
<v Speaker 1>was over it because I was feeling for Fiona. But

0:41:56.160 --> 0:41:58.759
<v Speaker 1>I do think that the few people I've told I

0:41:58.800 --> 0:42:01.720
<v Speaker 1>was watching Shrek the Third, that scene is the only

0:42:01.800 --> 0:42:04.000
<v Speaker 1>thing anyone remembers there, Like, is that the one where

0:42:04.000 --> 0:42:07.200
<v Speaker 1>the frog dies and it takes a long time like shocking?

0:42:07.560 --> 0:42:10.759
<v Speaker 1>But yes, yes, But yeah, I just like that's like

0:42:10.960 --> 0:42:13.279
<v Speaker 1>a really strong thread and it's not called back to

0:42:13.760 --> 0:42:17.000
<v Speaker 1>at all like Fiona. I feel like it's it's so

0:42:17.239 --> 0:42:20.120
<v Speaker 1>it ties into like a huge issue with Fiona in

0:42:20.120 --> 0:42:23.560
<v Speaker 1>this or just like a very heavily gendered trope in

0:42:23.560 --> 0:42:26.879
<v Speaker 1>this where it's like it's never considered that Fiona might

0:42:27.320 --> 0:42:30.680
<v Speaker 1>have anxieties about becoming a parent, Like that's such so

0:42:30.880 --> 0:42:34.879
<v Speaker 1>part and parcel too, like lazy motherhood narratives that are

0:42:34.880 --> 0:42:39.719
<v Speaker 1>generally written by not mothers, where it's like, oh, well, yes,

0:42:39.880 --> 0:42:42.440
<v Speaker 1>it is her feminine duty not only to want to

0:42:42.440 --> 0:42:44.839
<v Speaker 1>get pregnant but not have a single worry in the

0:42:44.880 --> 0:42:51.759
<v Speaker 1>world about the little shregs um like nothing nothing, nothing, nothing,

0:42:51.840 --> 0:42:54.640
<v Speaker 1>And the fact that she has just lost her parents

0:42:55.160 --> 0:42:58.560
<v Speaker 1>would be another sort of way into exploring that anxiety

0:42:58.600 --> 0:43:01.359
<v Speaker 1>of like what was her elthood? Like does she have

0:43:01.440 --> 0:43:05.200
<v Speaker 1>any anxieties about like her children being a part of

0:43:05.200 --> 0:43:09.040
<v Speaker 1>this like royal fucking mess? Does she have anxieties about

0:43:09.040 --> 0:43:12.600
<v Speaker 1>shreks ability to parent? Is there? Like there's just like

0:43:12.760 --> 0:43:15.680
<v Speaker 1>so like a ten year old could come up with

0:43:16.239 --> 0:43:20.239
<v Speaker 1>a bunch of different ways for Fiona to be more

0:43:20.280 --> 0:43:24.719
<v Speaker 1>active within this story, and it's just like completely ignored

0:43:25.320 --> 0:43:28.080
<v Speaker 1>so aggressively that they feel they need to introduce a

0:43:28.160 --> 0:43:31.400
<v Speaker 1>character that no one cares about in order to like

0:43:32.200 --> 0:43:35.960
<v Speaker 1>get Shrek to the same place, but like in a

0:43:36.000 --> 0:43:40.000
<v Speaker 1>worst less effective way, like she's right there. I feel

0:43:40.000 --> 0:43:43.120
<v Speaker 1>like that's every shruck discussion. Like Fiona is right there,

0:43:43.160 --> 0:43:49.480
<v Speaker 1>she has the narrative thrust. Why can't she fucking like

0:43:49.920 --> 0:43:52.640
<v Speaker 1>have us an actual story and not just like and

0:43:52.680 --> 0:43:55.680
<v Speaker 1>to the point where, like when she comes out and

0:43:55.840 --> 0:43:58.840
<v Speaker 1>I forgot that there was like the princess fight scene,

0:43:59.280 --> 0:44:03.960
<v Speaker 1>and I guess, like theoretically, like that's better than nothing,

0:44:04.239 --> 0:44:06.960
<v Speaker 1>but I was actually really annoyed by it because it

0:44:07.000 --> 0:44:08.840
<v Speaker 1>was just like, Oh, cool, You're going to do the

0:44:08.880 --> 0:44:11.200
<v Speaker 1>one thing Fiona is ever allowed to do, which is

0:44:11.280 --> 0:44:15.320
<v Speaker 1>one fight scene per movie. But it's like, even that's

0:44:15.440 --> 0:44:18.440
<v Speaker 1>fucking lazy at this point because it's not really leading

0:44:18.440 --> 0:44:22.880
<v Speaker 1>anywhere and she still doesn't get to do anything, Like

0:44:22.920 --> 0:44:26.120
<v Speaker 1>I just for sure. Yeah, just touching a little bit

0:44:26.160 --> 0:44:31.759
<v Speaker 1>more on the like parenthood through line of the movie,

0:44:32.080 --> 0:44:37.440
<v Speaker 1>reiterating how easy of a choice it is to put

0:44:37.480 --> 0:44:43.240
<v Speaker 1>the woman in the role of being so hyper enthusiastic

0:44:43.280 --> 0:44:47.080
<v Speaker 1>about becoming apparent to the point where she has seemingly

0:44:47.520 --> 0:44:51.879
<v Speaker 1>no anxieties, no hesitations, nothing like that, because I think

0:44:51.880 --> 0:44:55.160
<v Speaker 1>it's like leaning into this trope of like women are

0:44:55.280 --> 0:45:01.680
<v Speaker 1>quote unquote baby crazy, whereas men are so often presented

0:45:02.080 --> 0:45:09.080
<v Speaker 1>in media as being extremely reluctant about becoming a father

0:45:09.200 --> 0:45:12.359
<v Speaker 1>because they think it's gonna like, I don't know, ruin

0:45:12.440 --> 0:45:16.520
<v Speaker 1>his life or something, as if to say in hetero couples,

0:45:17.080 --> 0:45:21.200
<v Speaker 1>women don't experience like doubt and apprehension about becoming a parent,

0:45:21.440 --> 0:45:25.960
<v Speaker 1>and that men don't experience enthusiasm when we know that

0:45:26.000 --> 0:45:29.680
<v Speaker 1>the full range of emotion is available to people of

0:45:29.719 --> 0:45:33.880
<v Speaker 1>all genders as it relates to parenthood and everything in

0:45:33.920 --> 0:45:37.840
<v Speaker 1>the world. Right like it it's not like we're even saying,

0:45:37.920 --> 0:45:41.680
<v Speaker 1>you know, like this is not like a woman never

0:45:41.880 --> 0:45:44.960
<v Speaker 1>has never felt this way about parenting, and a man

0:45:45.000 --> 0:45:48.440
<v Speaker 1>has never felt this way about parenting. Obviously, Like tropes

0:45:48.920 --> 0:45:51.520
<v Speaker 1>don't come from nowhere. We're not saying that no one's

0:45:51.560 --> 0:45:56.480
<v Speaker 1>ever reacted this way to a Gregnancy or even a shregnancy,

0:45:56.760 --> 0:46:00.520
<v Speaker 1>but it is so so done to fun and death

0:46:00.880 --> 0:46:03.080
<v Speaker 1>and I and I think it's like this is something

0:46:03.120 --> 0:46:05.200
<v Speaker 1>that always kind of bugs me about the Trek movies.

0:46:05.239 --> 0:46:10.200
<v Speaker 1>It's like they're so aggressively marketed as like an alternative

0:46:10.400 --> 0:46:14.000
<v Speaker 1>to like the tropes that you're used to, but it's

0:46:14.040 --> 0:46:19.400
<v Speaker 1>like very much not like lean yeah, in terms of

0:46:19.400 --> 0:46:21.480
<v Speaker 1>its values. I feel like the first one is like

0:46:21.520 --> 0:46:25.839
<v Speaker 1>the closest to actually subverting something and like, you know,

0:46:25.960 --> 0:46:29.440
<v Speaker 1>like with beauty is more than how you appear, and

0:46:29.480 --> 0:46:34.200
<v Speaker 1>like all that stuff like that felt genuinely subversive for

0:46:34.360 --> 0:46:36.920
<v Speaker 1>a kid's movie, But by the time they get to

0:46:36.960 --> 0:46:39.040
<v Speaker 1>the third one, it's like it's just like no one's

0:46:39.040 --> 0:46:43.239
<v Speaker 1>even trying. It bums me out. And it's because I

0:46:43.320 --> 0:46:49.200
<v Speaker 1>do think that Fiona is an awesome character. She's awesome,

0:46:49.920 --> 0:46:52.880
<v Speaker 1>and like I felt like she was disrespected in the

0:46:52.880 --> 0:46:55.680
<v Speaker 1>second one because they literally try to like roofy her,

0:46:56.080 --> 0:46:59.480
<v Speaker 1>and then in the third one it's even worse. They

0:46:59.560 --> 0:47:02.719
<v Speaker 1>Like I was glad that at least we I don't know.

0:47:02.800 --> 0:47:05.760
<v Speaker 1>There's like large chunks of this movie where she's completely

0:47:05.800 --> 0:47:10.520
<v Speaker 1>absent because shreks going off on a quest with Donkey

0:47:10.600 --> 0:47:13.279
<v Speaker 1>and Puss in boots, and we only cut back to

0:47:13.320 --> 0:47:16.960
<v Speaker 1>her to see her baby shower, like, which again is

0:47:17.000 --> 0:47:21.799
<v Speaker 1>just so lazy and gendered. It's so and it also

0:47:22.120 --> 0:47:25.480
<v Speaker 1>is my impression of that scene. I've been to. I've

0:47:25.480 --> 0:47:29.040
<v Speaker 1>been a many many baby showers. I love being an auntie.

0:47:29.719 --> 0:47:33.080
<v Speaker 1>It very much read to me as like five men

0:47:33.239 --> 0:47:36.319
<v Speaker 1>trying to imagine what a baby shower would be like,

0:47:37.000 --> 0:47:40.719
<v Speaker 1>and it's like, oh, it's just women insulting each other

0:47:40.719 --> 0:47:44.560
<v Speaker 1>and giving each other gifts, and like it's so it's

0:47:44.640 --> 0:47:47.960
<v Speaker 1>so lazy that I didn't play any games. No one

0:47:48.040 --> 0:47:50.759
<v Speaker 1>had a like all the princesses, the way they're characterized,

0:47:50.760 --> 0:47:54.520
<v Speaker 1>they're basically indistinguishable from each other because they're all character

0:47:54.600 --> 0:47:57.200
<v Speaker 1>I think the subversion that they're making is like they're

0:47:57.280 --> 0:48:02.759
<v Speaker 1>actually vapid, evil bitches. Isn't that funny? And you're like, no,

0:48:03.480 --> 0:48:08.920
<v Speaker 1>why are Fiona's friends mean? Like I hate it? And

0:48:08.960 --> 0:48:12.080
<v Speaker 1>also shouldn't we cut back to a scene where like

0:48:12.920 --> 0:48:17.120
<v Speaker 1>Fiona is making choices about the kingdom like she is

0:48:17.239 --> 0:48:20.360
<v Speaker 1>right now the de facto leader of the kingdom, Like, yeah,

0:48:20.560 --> 0:48:24.279
<v Speaker 1>shouldn't we see here be doing stuff? You know? Not

0:48:24.360 --> 0:48:27.279
<v Speaker 1>that again, not that we're pro monarchy here, but like

0:48:27.960 --> 0:48:31.480
<v Speaker 1>even so, but the movie is so like so like,

0:48:31.640 --> 0:48:34.399
<v Speaker 1>can she do something? Cold? You do something? I felt

0:48:34.400 --> 0:48:38.399
<v Speaker 1>the same way about. Queen is a Queen Gertrude? Get

0:48:38.440 --> 0:48:42.280
<v Speaker 1>that right, Fiona's mom? Yes, I don't know. Queen Lilian.

0:48:42.440 --> 0:48:45.880
<v Speaker 1>Queen Lilian, Oh my god, I'm so why did I

0:48:45.920 --> 0:48:48.600
<v Speaker 1>say Queen Gertrude? I think it's literally from Hamlet. I'm sorry,

0:48:48.600 --> 0:48:54.520
<v Speaker 1>I'm so smart um, so, okay, Queen Lilian, I feel

0:48:54.560 --> 0:48:57.880
<v Speaker 1>like she again was just like not she was a

0:48:57.880 --> 0:49:00.680
<v Speaker 1>bigger part of Shrek to than she is Shrek the Third.

0:49:00.920 --> 0:49:04.279
<v Speaker 1>But again, you have like a really really strong like

0:49:04.840 --> 0:49:08.040
<v Speaker 1>I would totally understand if like a Shrek movie doesn't

0:49:08.080 --> 0:49:13.640
<v Speaker 1>really want to explore grief. Fine, it's for eight year

0:49:13.680 --> 0:49:17.200
<v Speaker 1>old I get it. But even if you take that

0:49:17.280 --> 0:49:21.000
<v Speaker 1>out of the equation, why isn't Queen Like? It just

0:49:21.080 --> 0:49:25.440
<v Speaker 1>feels like theoretically, because I don't there should be like

0:49:26.320 --> 0:49:30.880
<v Speaker 1>some little snappy little title for whatever this this trope is.

0:49:30.920 --> 0:49:33.080
<v Speaker 1>And I feel like it is really like thriving around

0:49:33.080 --> 0:49:37.319
<v Speaker 1>this time where it's like the character has all of

0:49:37.360 --> 0:49:41.200
<v Speaker 1>the trappings of a quote unquote strong female character, but

0:49:41.280 --> 0:49:45.279
<v Speaker 1>it means nothing. It's like strictly symbolic because it never

0:49:45.360 --> 0:49:48.520
<v Speaker 1>has any bearing on the plot, and they'll always sort

0:49:48.560 --> 0:49:53.400
<v Speaker 1>of go towards the traditional feminine expectations, but sometimes they

0:49:53.400 --> 0:49:56.200
<v Speaker 1>get to kick right, but they're not really subverting anything.

0:49:56.760 --> 0:49:58.440
<v Speaker 1>And I feel like Queen Lillian is the same thing

0:49:58.440 --> 0:50:01.719
<v Speaker 1>where it's like she gets her like fighting girl Boss

0:50:01.760 --> 0:50:03.440
<v Speaker 1>moment where she like slams her head against the wall

0:50:03.480 --> 0:50:07.000
<v Speaker 1>and the walm brakes great love that, but like, why

0:50:07.280 --> 0:50:10.680
<v Speaker 1>can't I don't know. It's like Lillian and Fiona are

0:50:11.040 --> 0:50:15.840
<v Speaker 1>We're told repeatedly, these are empowered women, these are strong

0:50:15.920 --> 0:50:19.000
<v Speaker 1>female characters, but it's never brought up between the two

0:50:19.000 --> 0:50:21.239
<v Speaker 1>of them. Why couldn't one of us? Like why not

0:50:21.360 --> 0:50:24.880
<v Speaker 1>Queen Lilian? Why is she like disqualified? What are the

0:50:24.960 --> 0:50:29.359
<v Speaker 1>rules of this monarchy? Like? It never comes up that

0:50:29.400 --> 0:50:32.320
<v Speaker 1>she would have any interest in like but we're told

0:50:32.360 --> 0:50:35.240
<v Speaker 1>she's like this girl boss, but she has no interest

0:50:35.280 --> 0:50:40.239
<v Speaker 1>in the boss portion. It just doesn't make sense to

0:50:40.320 --> 0:50:43.600
<v Speaker 1>me here, it doesn't make sense. Here's a pitch for

0:50:43.640 --> 0:50:48.000
<v Speaker 1>a snappy name. Yeah for this trope, because these characters

0:50:48.000 --> 0:50:51.000
<v Speaker 1>are so or because it's like presentation of like quote

0:50:51.040 --> 0:50:54.880
<v Speaker 1>unquote girl power is very hollow and never like leads

0:50:54.920 --> 0:51:00.239
<v Speaker 1>to anything. What if it's hollow? Holly, thank you, thank

0:51:00.239 --> 0:51:04.359
<v Speaker 1>you so much? Oh my gosh, cheers, applause. Wow, people

0:51:04.400 --> 0:51:16.200
<v Speaker 1>are getting out. I'm screaming, crying. Anyway, Jo had an orgasm. Um,

0:51:17.200 --> 0:51:20.040
<v Speaker 1>I'll keep work shopping it. But I think that's kind

0:51:20.040 --> 0:51:24.040
<v Speaker 1>of perfect. I feel like a hollow. That's a strong hollow, hollow.

0:51:24.640 --> 0:51:28.120
<v Speaker 1>We'll figure it out. Listeners sound off, What the funk?

0:51:28.480 --> 0:51:31.799
<v Speaker 1>Or maybe someone has already like attributed a label to

0:51:31.840 --> 0:51:33.960
<v Speaker 1>this and we just haven't heard about it, but like

0:51:34.160 --> 0:51:36.160
<v Speaker 1>because we have been, you know, it's like it like

0:51:36.280 --> 0:51:39.759
<v Speaker 1>ties into like you're just saying like girl power feminism,

0:51:40.360 --> 0:51:45.319
<v Speaker 1>where it's insisting that it's really subversive feminist thing, but

0:51:45.480 --> 0:51:48.719
<v Speaker 1>it's falling into traditional values pretty cleanly at the end

0:51:48.719 --> 0:51:51.240
<v Speaker 1>of the day. But they're allowed to say one swear

0:51:51.360 --> 0:51:56.719
<v Speaker 1>or something. Um, yeah, it's very symbolic hollow pepe poop

0:51:56.719 --> 0:52:01.000
<v Speaker 1>who I don't like it, and that's my pitch. Um

0:52:01.040 --> 0:52:03.000
<v Speaker 1>I love that too, but yeah, I just was really

0:52:03.040 --> 0:52:05.320
<v Speaker 1>frustrated by like you know, and and and to the

0:52:05.320 --> 0:52:07.920
<v Speaker 1>point where it's like Queen Lilian and Fionna are like

0:52:08.000 --> 0:52:10.680
<v Speaker 1>standing in the background of a lot of these scenes

0:52:11.360 --> 0:52:16.799
<v Speaker 1>and they never say anything. It's really frustrating. I want

0:52:16.800 --> 0:52:19.239
<v Speaker 1>to go through beat by beat as far as what

0:52:19.360 --> 0:52:24.920
<v Speaker 1>happens with Fiona as they're like escaping the castle and

0:52:25.000 --> 0:52:30.240
<v Speaker 1>like doing this like again quote unquote girl power part

0:52:30.320 --> 0:52:34.160
<v Speaker 1>of the story. So Charming breaks into the castle, Fiona

0:52:34.640 --> 0:52:38.239
<v Speaker 1>takes initiatives. She leads the other women to safety, which

0:52:38.280 --> 0:52:42.919
<v Speaker 1>include snow White, Cinderella, Sleeping Beauty, and Rapunzel, who are

0:52:43.360 --> 0:52:47.920
<v Speaker 1>four of the most damseled characters in fairy tale lore,

0:52:48.560 --> 0:52:50.880
<v Speaker 1>which will come back in a moment, and then also

0:52:50.920 --> 0:52:54.640
<v Speaker 1>an ugly step sister and an ugly sub sec and

0:52:54.680 --> 0:52:58.120
<v Speaker 1>Fiona's mom. Yes, yeah, and I do feel like that.

0:52:58.440 --> 0:53:00.640
<v Speaker 1>I don't know if if Shrek is the first franchise

0:53:00.719 --> 0:53:04.719
<v Speaker 1>to do this, but like that has been. It feels

0:53:04.760 --> 0:53:08.760
<v Speaker 1>this actually feels quite shreky in. I don't like how

0:53:08.920 --> 0:53:12.280
<v Speaker 1>they're like, let's create an alternative to the aggressively damseled

0:53:12.360 --> 0:53:16.359
<v Speaker 1>characters by making them horrible. Like that just felt like

0:53:16.760 --> 0:53:18.600
<v Speaker 1>there's so many ways to do that. Why would you

0:53:18.719 --> 0:53:21.560
<v Speaker 1>choose that direction? Whatever, that's the creative choice they made,

0:53:21.880 --> 0:53:26.160
<v Speaker 1>and I don't have to like it, um, but um,

0:53:26.280 --> 0:53:29.800
<v Speaker 1>I feel like that is like very shreky in, because

0:53:29.800 --> 0:53:32.520
<v Speaker 1>that's why the movies exist, is to like make fun

0:53:32.800 --> 0:53:36.839
<v Speaker 1>of disney Ship, because it started with Jeffrey Katzenberg wanting

0:53:36.880 --> 0:53:40.280
<v Speaker 1>to spite Disney. So it's like that is the formula

0:53:40.320 --> 0:53:44.839
<v Speaker 1>of like find Disney tropes and then put them on

0:53:44.920 --> 0:53:48.000
<v Speaker 1>their head, even if you're making it bad in a

0:53:48.080 --> 0:53:51.600
<v Speaker 1>different way. So that feels very in line with the

0:53:51.640 --> 0:53:56.320
<v Speaker 1>shreky In stuff. And then that's like kind of weirdly

0:53:56.360 --> 0:53:59.000
<v Speaker 1>like something that Disney also starts to do, because that

0:53:59.000 --> 0:54:01.239
<v Speaker 1>that whole sequence where my to me of like the

0:54:01.600 --> 0:54:05.320
<v Speaker 1>wreck it Ralph thing where it's like the Disney princesses

0:54:05.400 --> 0:54:09.560
<v Speaker 1>appear as themselves, but now they're like different, and it's

0:54:09.600 --> 0:54:13.879
<v Speaker 1>like it's Shrek's impact. Look, Shrek the Third not very good,

0:54:13.960 --> 0:54:17.160
<v Speaker 1>but Shrek's impact really kind of culturally cannot be overstated

0:54:17.520 --> 0:54:21.239
<v Speaker 1>because it's like Shrek did so well at making fun

0:54:21.280 --> 0:54:23.120
<v Speaker 1>of Disney that Disney had no choice but to make

0:54:23.120 --> 0:54:25.600
<v Speaker 1>fun of Disney, and that really makes you think, Wow,

0:54:26.280 --> 0:54:30.960
<v Speaker 1>the shreky and impact on the world is palpable. It's

0:54:31.080 --> 0:54:36.520
<v Speaker 1>like I can smell it. Um. Okay, so we've got

0:54:36.560 --> 0:54:39.839
<v Speaker 1>this this group of women. Fiona is leading them to safety.

0:54:40.320 --> 0:54:43.440
<v Speaker 1>We see that scene in the dark Corridor where the

0:54:43.480 --> 0:54:47.000
<v Speaker 1>princesses are bickering. They seem to be jealous of each

0:54:47.000 --> 0:54:50.600
<v Speaker 1>other's beauty. Fiona's mom even has to say, like, let

0:54:50.640 --> 0:54:54.720
<v Speaker 1>go of your petty complaints and let's work together. Fiona

0:54:54.800 --> 0:54:56.960
<v Speaker 1>leaves them out of the castle and that seems like

0:54:57.000 --> 0:55:00.920
<v Speaker 1>they're safe until Rapunzel betrays them and the rest of

0:55:00.960 --> 0:55:04.239
<v Speaker 1>them are captured and thrown in the dungeon. And then

0:55:04.280 --> 0:55:06.560
<v Speaker 1>Fiona is like, we need to find a way out,

0:55:07.239 --> 0:55:10.120
<v Speaker 1>but she only says that after she learns that, like

0:55:10.239 --> 0:55:12.919
<v Speaker 1>Shrek is in danger, So like why wouldn't she try

0:55:12.960 --> 0:55:17.319
<v Speaker 1>to like be more adamant about escaping just because they're

0:55:17.680 --> 0:55:20.279
<v Speaker 1>locked in a dungeon. But it's not until she was like,

0:55:20.320 --> 0:55:22.880
<v Speaker 1>oh my god, my husband and my husband, I have

0:55:23.040 --> 0:55:28.000
<v Speaker 1>to get out now. I don't know, like I truly

0:55:28.040 --> 0:55:33.040
<v Speaker 1>think that, Like Fiona's plotline is like comically underthought, like

0:55:33.120 --> 0:55:36.320
<v Speaker 1>truly her mote like it just this is like a

0:55:36.400 --> 0:55:38.799
<v Speaker 1>bizarre gripe, but just like another way where I'm just

0:55:38.840 --> 0:55:43.440
<v Speaker 1>like wow, like the guy's writing this movie. It's just

0:55:43.520 --> 0:55:46.839
<v Speaker 1>like Fiona is having a baby shower, it seems like.

0:55:47.040 --> 0:55:49.640
<v Speaker 1>And then which made me ask myself, how long has

0:55:49.680 --> 0:55:53.440
<v Speaker 1>Shrek been gone? If we're to believe that, like Fiona

0:55:53.680 --> 0:55:56.520
<v Speaker 1>has basically the gestation period of a human, which I

0:55:56.520 --> 0:55:58.319
<v Speaker 1>think she went because she was human for a very

0:55:58.400 --> 0:56:00.120
<v Speaker 1>long time. But also I don't know, I don't know

0:56:00.160 --> 0:56:02.400
<v Speaker 1>how that works, right, But it's like a shark ban

0:56:02.440 --> 0:56:06.080
<v Speaker 1>gone for six months, Like baby showers generally don't happen

0:56:06.160 --> 0:56:09.759
<v Speaker 1>until pretty far into the pregnancy to the shregnancy yeah,

0:56:09.920 --> 0:56:11.960
<v Speaker 1>the shregnancy. But again, it's just like these are just

0:56:12.000 --> 0:56:15.200
<v Speaker 1>not things that the writers know or care about, or like,

0:56:15.760 --> 0:56:19.200
<v Speaker 1>her motivation from scene to scene makes no sense. It's

0:56:19.280 --> 0:56:21.839
<v Speaker 1>just like it feels like they are like, Okay, there's

0:56:21.840 --> 0:56:24.440
<v Speaker 1>a scene where she's kicking, and we can call it

0:56:24.480 --> 0:56:27.319
<v Speaker 1>a day. I found that her bringing her friends and

0:56:27.400 --> 0:56:31.800
<v Speaker 1>mother to safety to be the most effective motivated Fiona

0:56:31.880 --> 0:56:36.200
<v Speaker 1>moment because it didn't feel forced. All the other stuff forced.

0:56:36.480 --> 0:56:43.080
<v Speaker 1>But unfortunately, as we've said, goes nowhere because what happens.

0:56:43.120 --> 0:56:45.799
<v Speaker 1>So she's like, we need to escape. And then the

0:56:45.840 --> 0:56:50.520
<v Speaker 1>other princess is the very traditionally damse old ones assume

0:56:50.640 --> 0:56:54.080
<v Speaker 1>the position of waiting to be rescued by a man,

0:56:54.760 --> 0:56:57.680
<v Speaker 1>and Fiona is like, what are you doing? And they're like,

0:56:57.840 --> 0:57:01.279
<v Speaker 1>we're waiting around to be rescued, and snow White says

0:57:01.320 --> 0:57:03.239
<v Speaker 1>something like, you know, we're just a bunch of hot

0:57:03.280 --> 0:57:06.160
<v Speaker 1>princesses and a pregnant ogre and an old lady, like

0:57:06.200 --> 0:57:08.960
<v Speaker 1>what are we supposed to do? And that's when Fiona's

0:57:09.000 --> 0:57:12.720
<v Speaker 1>mom is like bashes her head against two stone walls

0:57:12.800 --> 0:57:16.960
<v Speaker 1>to break them down, and you know, Fiona is like,

0:57:17.000 --> 0:57:21.440
<v Speaker 1>we're gonna take care of business, we're gonna actively do something,

0:57:21.960 --> 0:57:24.360
<v Speaker 1>and that's when we have this like quote unquote girl

0:57:24.400 --> 0:57:28.760
<v Speaker 1>power montage where they're like tearing their dresses to make

0:57:28.800 --> 0:57:33.080
<v Speaker 1>them easier to move around. In Cinderella is like sharpening

0:57:33.240 --> 0:57:39.440
<v Speaker 1>her glass slipper, there's like a bra burning moment, which

0:57:39.520 --> 0:57:43.440
<v Speaker 1>is like when you think about what that's symbolic of, right,

0:57:43.800 --> 0:57:46.760
<v Speaker 1>I again, you're like, I mean, I guess it's very

0:57:46.800 --> 0:57:51.160
<v Speaker 1>shrekky and to present an empty reference that makes no

0:57:51.240 --> 0:57:56.000
<v Speaker 1>sense within the story. So I sure, but yeah, I mean, well,

0:57:56.360 --> 0:57:58.040
<v Speaker 1>brad branding is like a whole other thing because like

0:57:58.040 --> 0:58:00.920
<v Speaker 1>that that's like a cultural myths like I didn't even

0:58:01.000 --> 0:58:04.360
<v Speaker 1>but didn't happen, but not that five white guys in

0:58:04.400 --> 0:58:06.520
<v Speaker 1>a room would know that. I'm sure they're like, oh,

0:58:06.560 --> 0:58:09.440
<v Speaker 1>that definitely happened, and that meant that they're like, um,

0:58:09.800 --> 0:58:14.439
<v Speaker 1>girl power, feminism. What does it look like they burn

0:58:14.520 --> 0:58:18.440
<v Speaker 1>a bra? Okay, let's put that in the movie. Done, done, done,

0:58:18.520 --> 0:58:23.160
<v Speaker 1>write it down like it's it's so yeah, it's just

0:58:23.240 --> 0:58:28.280
<v Speaker 1>like really really um lazy easy lazy lazy doesn't make sense.

0:58:28.440 --> 0:58:33.600
<v Speaker 1>Then the women storm the castle and fight, using their

0:58:33.640 --> 0:58:38.000
<v Speaker 1>specific skills to the best of their ability. I guess

0:58:38.000 --> 0:58:40.120
<v Speaker 1>in terms of like didn't hate it, Yeah, because it's

0:58:40.160 --> 0:58:42.600
<v Speaker 1>like snow snow White uses the animals. Yeah, she summons

0:58:42.600 --> 0:58:47.080
<v Speaker 1>a bunch of woodland critters and has them attacked the guards.

0:58:47.080 --> 0:58:51.080
<v Speaker 1>Cinderella uses her glass slipper as a weapon. Sleeping Beauty

0:58:51.240 --> 0:58:55.400
<v Speaker 1>passes out and trips some people with her body, and

0:58:55.440 --> 0:59:00.439
<v Speaker 1>then they all invade the castle during Charming's show, and

0:59:00.560 --> 0:59:03.040
<v Speaker 1>Fiona's like, Shrek, I'm here to save you. But then

0:59:03.160 --> 0:59:10.240
<v Speaker 1>Fiona is immediately tied up and damseled. It's up to right,

0:59:10.720 --> 0:59:13.320
<v Speaker 1>and so it's up to Shrek to like fight the villain,

0:59:13.800 --> 0:59:17.680
<v Speaker 1>and then it ends up being Dragon, who was also

0:59:18.080 --> 0:59:21.520
<v Speaker 1>basically written out of the movie, who swoops in and

0:59:21.600 --> 0:59:26.840
<v Speaker 1>lands the killing blow by knocking a tower over onto Charming. Right,

0:59:26.960 --> 0:59:31.000
<v Speaker 1>So not that she gets any like recognition for doing that,

0:59:31.400 --> 0:59:35.439
<v Speaker 1>because she's really like mommyfied by this story as well,

0:59:35.880 --> 0:59:40.040
<v Speaker 1>where like she's basically only mommy, Like she's she's now

0:59:40.120 --> 0:59:44.600
<v Speaker 1>mommy to bananas, Yes, bananas the donkey Dragon, which and

0:59:44.640 --> 0:59:47.439
<v Speaker 1>there's nothing wrong with that, but it's like, yeah, it's

0:59:47.560 --> 0:59:50.480
<v Speaker 1>I feel like it is a very tropy thing. I know,

0:59:50.600 --> 0:59:54.760
<v Speaker 1>it's a very tropy thing that once a character is

0:59:55.320 --> 0:59:59.360
<v Speaker 1>a mother. They are like and that's the whole character. Now,

1:00:00.280 --> 1:00:04.560
<v Speaker 1>mother could not possibly have another facet to their life,

1:00:05.360 --> 1:00:09.280
<v Speaker 1>and that is very much what happens to Dragon, and

1:00:09.320 --> 1:00:13.280
<v Speaker 1>then it's eventually what happens to Fiona. And don't we

1:00:13.360 --> 1:00:20.360
<v Speaker 1>love that? We do not? Um. Yeah, Ultimately it's the

1:00:20.640 --> 1:00:26.480
<v Speaker 1>veil or like the facade of women being empowered and

1:00:26.520 --> 1:00:30.920
<v Speaker 1>like doing something, having some agency, but it's all extremely

1:00:31.000 --> 1:00:33.680
<v Speaker 1>hollow because when the moment comes where they can actually

1:00:33.760 --> 1:00:37.520
<v Speaker 1>like affect the story in some significant way, such as

1:00:37.920 --> 1:00:42.680
<v Speaker 1>Fiona saving Shrek, that doesn't happen. She's tied up, she's

1:00:42.760 --> 1:00:47.120
<v Speaker 1>damned old. So just it's like super empty. It's just

1:00:47.280 --> 1:00:54.040
<v Speaker 1>a facade of empowerment for women and nothing actually meaningful

1:00:54.280 --> 1:01:00.360
<v Speaker 1>or real. Yeah, I feel the same way. Yeah, it's

1:00:59.840 --> 1:01:03.040
<v Speaker 1>it's a bummer. I do think that, Like, you know,

1:01:03.080 --> 1:01:04.840
<v Speaker 1>this movie came out in two thousand seven, and I

1:01:04.920 --> 1:01:07.880
<v Speaker 1>think if it was made today that would be less

1:01:08.040 --> 1:01:11.320
<v Speaker 1>of an issue. I do feel like children and maybe

1:01:11.400 --> 1:01:13.240
<v Speaker 1>correct me if I'm wrong, but like I think the

1:01:13.400 --> 1:01:18.240
<v Speaker 1>kids movies specifically have come a very very long way

1:01:18.280 --> 1:01:21.040
<v Speaker 1>and they last like fifteen to twenty years, and I

1:01:21.080 --> 1:01:24.120
<v Speaker 1>think like more so than a lot of genres for adults. Like,

1:01:24.240 --> 1:01:26.720
<v Speaker 1>I think it's come further than rom coms. It's come

1:01:26.760 --> 1:01:30.080
<v Speaker 1>further than action movies. I think, honestly, if I'm poking

1:01:30.080 --> 1:01:32.840
<v Speaker 1>a little fun at current movie tropes, if this movie

1:01:32.880 --> 1:01:35.040
<v Speaker 1>came out today, it would be about Shrek's childhood trauma,

1:01:35.160 --> 1:01:38.120
<v Speaker 1>and it would be about Fiona's childhood trauma, and it

1:01:38.120 --> 1:01:40.480
<v Speaker 1>would be beautiful and it would make us cry. And

1:01:40.520 --> 1:01:45.640
<v Speaker 1>that's why I'm excited for Shrek five. Um. But but yeah,

1:01:45.760 --> 1:01:49.520
<v Speaker 1>like I think that like this era is, it's so

1:01:49.640 --> 1:01:52.880
<v Speaker 1>bizarre and it makes you feel like you me much

1:01:52.920 --> 1:01:55.439
<v Speaker 1>like Queen Lilian and banging my head against a wall.

1:01:55.480 --> 1:01:57.959
<v Speaker 1>But the wall is not breaking. It remains much the same.

1:01:58.800 --> 1:02:03.600
<v Speaker 1>Because you're telling me that this is an empowered female character.

1:02:04.400 --> 1:02:09.400
<v Speaker 1>But then, but that's not what's happening. Um. But you know,

1:02:09.520 --> 1:02:13.880
<v Speaker 1>I think that I don't know, there's there's better Shreks ahead.

1:02:13.960 --> 1:02:17.240
<v Speaker 1>I can feel it. I can just feel hello, oh

1:02:17.320 --> 1:02:22.360
<v Speaker 1>my god, and that I shouldn't have said that. Yeah,

1:02:22.880 --> 1:02:26.720
<v Speaker 1>there's an emergency happen anyway. Don't get this out of

1:02:26.760 --> 1:02:31.880
<v Speaker 1>the It's an emergency. Everyone's getting scary set of Shrek

1:02:31.960 --> 1:02:35.440
<v Speaker 1>five because we're going to add a female character. Oh

1:02:35.480 --> 1:02:40.560
<v Speaker 1>my god, because Shrek five there's a set. Because Shrek

1:02:40.760 --> 1:02:44.400
<v Speaker 1>five is live action, they're doing it's Brian Darcy James

1:02:44.480 --> 1:02:49.000
<v Speaker 1>and Sutton Foster don't the musical um and it looks normal.

1:02:49.120 --> 1:02:52.959
<v Speaker 1>It doesn't look scary. Okay, So did you have anything

1:02:53.000 --> 1:02:57.640
<v Speaker 1>else to say about the hollow feminism of this movie? No,

1:02:58.080 --> 1:03:01.760
<v Speaker 1>I don't think so. Okay, We've we've talked about this

1:03:01.840 --> 1:03:07.760
<v Speaker 1>before in Shrek episodes. There are so many of the

1:03:07.880 --> 1:03:11.920
<v Speaker 1>era UM I wasn't picking up on quite as many

1:03:12.040 --> 1:03:15.520
<v Speaker 1>um gay jokes in this one. I think that there

1:03:15.560 --> 1:03:18.160
<v Speaker 1>was a queer coded stylist, which we've seen a million times.

1:03:18.160 --> 1:03:21.680
<v Speaker 1>It was very lazy troupe. But the Shrek franchise, especially

1:03:21.680 --> 1:03:27.080
<v Speaker 1>in earlier installments, excuse transphobic like all the time. And

1:03:27.360 --> 1:03:29.520
<v Speaker 1>it's tricky because it's like, I don't know how the

1:03:29.640 --> 1:03:32.880
<v Speaker 1>ugly step sisters are. I mean, they're coded as like

1:03:33.280 --> 1:03:37.120
<v Speaker 1>looking more masculine, and therefore they are ugly, like they

1:03:37.160 --> 1:03:41.200
<v Speaker 1>have masculine features, and so they're ugly and are voiced

1:03:41.280 --> 1:03:46.640
<v Speaker 1>by male voice actors exactly, and not just male voice actors.

1:03:47.080 --> 1:03:48.560
<v Speaker 1>I just want to make sure I'm getting this right.

1:03:48.600 --> 1:03:53.240
<v Speaker 1>Their voice by Larry King, and we just filled in

1:03:53.560 --> 1:03:57.000
<v Speaker 1>I did not recognize those voices, and so you're like,

1:03:57.640 --> 1:04:02.680
<v Speaker 1>and why on earth is that? I Like? I just

1:04:02.880 --> 1:04:08.640
<v Speaker 1>was like, well, like, for what I mean? I don't

1:04:08.640 --> 1:04:11.680
<v Speaker 1>think that this movie is as aggressively transphobic as the

1:04:11.760 --> 1:04:15.920
<v Speaker 1>first movie, and not as aggressively transphobic as Shrek the Musical,

1:04:15.960 --> 1:04:20.880
<v Speaker 1>which had to have several lines removed um for subsequent productions,

1:04:21.160 --> 1:04:22.840
<v Speaker 1>which I think we've talked about on the show before,

1:04:23.040 --> 1:04:25.120
<v Speaker 1>and Shrek two. This was a big part of our

1:04:25.160 --> 1:04:28.600
<v Speaker 1>discussion because Shrek two is still leaning into a lot

1:04:28.680 --> 1:04:35.520
<v Speaker 1>of very transphobic gender normative jokes, and because this is

1:04:35.560 --> 1:04:39.560
<v Speaker 1>a sidebar, but because Shrek three is called Shrek the Third,

1:04:39.920 --> 1:04:43.480
<v Speaker 1>I think Shrek two should have been called Shrek Jr.

1:04:44.080 --> 1:04:47.760
<v Speaker 1>It's only right. But we can move on from that. Um.

1:04:47.800 --> 1:04:55.480
<v Speaker 1>But yes, want bananas did get his own movie off manners. Um, Okay, No,

1:04:55.680 --> 1:04:59.560
<v Speaker 1>but I I think it's it's I think frustrating that,

1:05:00.640 --> 1:05:04.600
<v Speaker 1>from what I can remember, is the least transphobic Shrek

1:05:04.720 --> 1:05:10.920
<v Speaker 1>movie and it's still pretty transphobic. Yes, and indeed, um,

1:05:11.240 --> 1:05:14.560
<v Speaker 1>And it's baffling to me that in a movie franchise

1:05:14.680 --> 1:05:19.720
<v Speaker 1>that's all about beauty is found within that being the

1:05:20.480 --> 1:05:23.560
<v Speaker 1>sorry to say thrust again, but being the thrust of

1:05:24.280 --> 1:05:29.040
<v Speaker 1>the narrative. Do not just don't include characters from literature

1:05:29.120 --> 1:05:32.840
<v Speaker 1>who are called the ugly step sisters because like or

1:05:32.880 --> 1:05:36.520
<v Speaker 1>if you're going to include them, subvert like you know,

1:05:37.000 --> 1:05:42.240
<v Speaker 1>subvert that or like anything, just do something. But because

1:05:43.040 --> 1:05:48.800
<v Speaker 1>these ugly subsister characters are presented as not conforming to

1:05:49.000 --> 1:05:53.200
<v Speaker 1>rigid Western beauty standards, and it seems like the intention

1:05:53.480 --> 1:05:57.439
<v Speaker 1>of the joke is something along the lines of these

1:05:57.480 --> 1:06:03.320
<v Speaker 1>women are masculine and therefore ugly, right, horrible statement to

1:06:03.360 --> 1:06:07.480
<v Speaker 1>make in any movie, but especially when targeted towards children,

1:06:08.320 --> 1:06:14.479
<v Speaker 1>And why include about accepting yourself? Yeah, it's so it's

1:06:14.560 --> 1:06:16.880
<v Speaker 1>just like these movies are like it's very shriky and

1:06:16.960 --> 1:06:20.600
<v Speaker 1>for something to mean nothing because yeah, I was really

1:06:20.680 --> 1:06:23.720
<v Speaker 1>I was really frustrated about that. It's so like, I

1:06:23.800 --> 1:06:27.600
<v Speaker 1>guess I apologize if if we're not like having the

1:06:27.680 --> 1:06:30.360
<v Speaker 1>conversation that deserves if we had about like transphobia inside

1:06:30.360 --> 1:06:35.920
<v Speaker 1>of this franchise, this one for me famously uh this

1:06:36.080 --> 1:06:39.720
<v Speaker 1>person with one brain cell. So but like there was

1:06:39.800 --> 1:06:44.320
<v Speaker 1>so much like weird coding that it was like difficult

1:06:44.560 --> 1:06:48.440
<v Speaker 1>to like, there wasn't an outright like the characters were

1:06:48.480 --> 1:06:53.520
<v Speaker 1>not never declared to be anything, but uh, this woman.

1:06:53.600 --> 1:06:56.200
<v Speaker 1>But like because of all these creative choices, you're like,

1:06:56.840 --> 1:07:00.680
<v Speaker 1>the coding is there, the coding is for sure, they

1:07:00.720 --> 1:07:04.680
<v Speaker 1>absolutely and like I just yeah, it's just so fucking

1:07:05.320 --> 1:07:09.320
<v Speaker 1>ridiculous that. Yeah, like you're totally right that this franchise specifically,

1:07:10.000 --> 1:07:15.320
<v Speaker 1>it's just nothing means anything. No, Nope, this is a sidebar.

1:07:15.480 --> 1:07:19.360
<v Speaker 1>But like, also, why do people want Prince Charming to

1:07:19.440 --> 1:07:22.200
<v Speaker 1>come back? I couldn't stand him in the last movie.

1:07:22.440 --> 1:07:25.960
<v Speaker 1>Why is he back? I don't because they need a villain.

1:07:26.120 --> 1:07:29.160
<v Speaker 1>I'm not sure you know who should be back? More

1:07:29.600 --> 1:07:35.360
<v Speaker 1>is Dragon again basically written out of this movie. This

1:07:35.440 --> 1:07:37.800
<v Speaker 1>was also part of our discussion on the Shrek two

1:07:38.400 --> 1:07:42.880
<v Speaker 1>episode where she's not in the movie because someone, maybe Fiona,

1:07:43.040 --> 1:07:46.080
<v Speaker 1>is like, hey, Donkey, where's Dragon And he says, oh,

1:07:46.160 --> 1:07:50.960
<v Speaker 1>she's really moody, So I'm like distancing myself from her.

1:07:51.040 --> 1:07:55.360
<v Speaker 1>She's on her Dragon period, so you're just like, oh

1:07:55.400 --> 1:07:58.960
<v Speaker 1>my god. In this one, when Donkey is about to

1:07:58.960 --> 1:08:02.760
<v Speaker 1>embark on his ernie with Shrek, Dragon is there with

1:08:02.960 --> 1:08:07.480
<v Speaker 1>their five babies, and Donkey says something like, oh, yeah,

1:08:07.600 --> 1:08:09.840
<v Speaker 1>I don't want to leave either, but you know, Shrek

1:08:09.960 --> 1:08:14.320
<v Speaker 1>he needs me. So Donkey is just like leaving Dragon

1:08:14.600 --> 1:08:21.720
<v Speaker 1>with their many babies. He's shreking his parental responsibilities. Well,

1:08:21.840 --> 1:08:24.559
<v Speaker 1>I will say I think that Donkey appears to be

1:08:24.640 --> 1:08:28.320
<v Speaker 1>a good parent, which that is, he's very nurturing, he

1:08:28.560 --> 1:08:32.200
<v Speaker 1>seems supportive and loving. Yeah, I think it is like, again,

1:08:32.360 --> 1:08:36.639
<v Speaker 1>very trophy and shitty that it's like, well, the father

1:08:36.800 --> 1:08:41.000
<v Speaker 1>needs to go on a quest and like the stay

1:08:41.080 --> 1:08:43.719
<v Speaker 1>at home. I don't think it's even bad that Donkey

1:08:43.760 --> 1:08:45.719
<v Speaker 1>goes on a quest, but it's like, well, but we're

1:08:45.760 --> 1:08:47.960
<v Speaker 1>never going to see that in the reverse in these movies,

1:08:48.560 --> 1:08:51.519
<v Speaker 1>and that is more the issue. I was happy that

1:08:51.600 --> 1:08:56.200
<v Speaker 1>he that Donkey was enthusiastic about parenthood in opposition to Shrek,

1:08:56.720 --> 1:08:58.240
<v Speaker 1>and I was happy that he was excited to be

1:08:58.280 --> 1:09:01.000
<v Speaker 1>an uncle. Like I have no real issue with Donkey

1:09:01.040 --> 1:09:03.320
<v Speaker 1>in this movie, and that's partially because he doesn't really

1:09:03.360 --> 1:09:09.240
<v Speaker 1>do anything. He see Shrek's dick. That's that's the last

1:09:09.240 --> 1:09:13.040
<v Speaker 1>thing that happens before the title sequence. This is very true.

1:09:13.280 --> 1:09:17.280
<v Speaker 1>I also found it fascinating that so there's a moment

1:09:17.320 --> 1:09:23.240
<v Speaker 1>where Pus starts explaining sex to Shrek to be like,

1:09:23.280 --> 1:09:25.800
<v Speaker 1>this is how babies are made, and Shrek is like, yeah,

1:09:25.840 --> 1:09:30.599
<v Speaker 1>I know, because Shrek Fox, this is canon. We know this. Yeah,

1:09:31.120 --> 1:09:36.639
<v Speaker 1>but he sucked his wife raw the day her father died. Yes,

1:09:36.880 --> 1:09:41.640
<v Speaker 1>he's serious. Yeah, grow up people, and that's cannon Like

1:09:41.800 --> 1:09:45.080
<v Speaker 1>put it on the Wikipedia page, Shreck, if you had

1:09:45.080 --> 1:09:48.439
<v Speaker 1>a fun immediately after receiving the news of the death

1:09:48.400 --> 1:09:51.160
<v Speaker 1>of her father. It's how they blow off steam, and

1:09:51.200 --> 1:09:54.599
<v Speaker 1>you're rude to judge them for it. It was making love.

1:09:55.360 --> 1:10:00.720
<v Speaker 1>It's not weird anyway. Okay, So so grief can look

1:10:00.720 --> 1:10:04.640
<v Speaker 1>like anything. So pusses explaining sex and Shrek is like,

1:10:04.680 --> 1:10:07.760
<v Speaker 1>I know. But then Donkey is like, wait, how does

1:10:07.800 --> 1:10:12.880
<v Speaker 1>it work, as if Donkey doesn't understand sex or like

1:10:13.120 --> 1:10:18.360
<v Speaker 1>conceiving of babies. Meanwhile, Donkey is the father of five children,

1:10:18.880 --> 1:10:22.840
<v Speaker 1>so he presumably had sex. It does appear again, this

1:10:22.920 --> 1:10:25.960
<v Speaker 1>is a very like it appears that Donkey's kids are

1:10:26.000 --> 1:10:29.639
<v Speaker 1>all the same age, which and and Shrek eventually has

1:10:29.920 --> 1:10:33.640
<v Speaker 1>I think triplets, which leads me to another thing that

1:10:33.720 --> 1:10:37.240
<v Speaker 1>happens when five straight white guys write a movie together,

1:10:37.280 --> 1:10:39.320
<v Speaker 1>which is that they seem to believe that women give

1:10:39.360 --> 1:10:45.840
<v Speaker 1>birth in litters like like cats and dogs and um,

1:10:45.880 --> 1:10:50.080
<v Speaker 1>and I celebrate that that is a level of not knowing.

1:10:50.160 --> 1:10:52.960
<v Speaker 1>I'm like, I have to assume because they're all like

1:10:53.000 --> 1:10:56.280
<v Speaker 1>in their thirties and forties, statistically probably one of them

1:10:56.360 --> 1:11:00.360
<v Speaker 1>is a parent, And like, how could you still say that? Um,

1:11:00.439 --> 1:11:05.200
<v Speaker 1>it's really bizarre. No, not sure. No person with the

1:11:05.240 --> 1:11:09.639
<v Speaker 1>womb gives for the gist. One. It's a bunch, it's

1:11:09.680 --> 1:11:15.400
<v Speaker 1>a son of children. It's a heap what I will say.

1:11:15.439 --> 1:11:20.599
<v Speaker 1>Going back quickly to the very like trophy gendered way

1:11:20.680 --> 1:11:26.520
<v Speaker 1>in which the like Shrek and Fiona, parenthood storyline is represented,

1:11:27.160 --> 1:11:30.240
<v Speaker 1>I did appreciate that the story takes it in the

1:11:30.280 --> 1:11:35.479
<v Speaker 1>direction of Shrek not being worried about his life being ruined,

1:11:35.520 --> 1:11:38.040
<v Speaker 1>because I think so much of that like trophy narrative

1:11:38.160 --> 1:11:41.080
<v Speaker 1>is like, oh, you know, I don't want to get

1:11:41.120 --> 1:11:43.559
<v Speaker 1>married to some ball and chain, I don't want to

1:11:43.560 --> 1:11:46.120
<v Speaker 1>have kids. They're just gonna drag me down and not

1:11:46.240 --> 1:11:49.519
<v Speaker 1>let me live my like whatever dick swinging lifestyle I

1:11:49.560 --> 1:11:54.759
<v Speaker 1>want to live. But I at least appreciate that Shrek

1:11:54.840 --> 1:11:57.320
<v Speaker 1>is like, I'm not worried about my life being ruined.

1:11:57.479 --> 1:12:00.760
<v Speaker 1>I'm worried about not being a good parent and that

1:12:00.840 --> 1:12:04.880
<v Speaker 1>I'm going to like mess up my kids, right. But

1:12:04.960 --> 1:12:07.519
<v Speaker 1>his reasoning is, you know, ogres are not known for

1:12:07.600 --> 1:12:12.640
<v Speaker 1>being sweet, nurturing caregivers. But the whole premise of the

1:12:12.680 --> 1:12:19.360
<v Speaker 1>movie is that ogres are misunderstood and they are vilified

1:12:19.640 --> 1:12:23.680
<v Speaker 1>for no reason and all these things. So it's curious

1:12:23.720 --> 1:12:26.120
<v Speaker 1>why he I mean, I get why he's still why

1:12:26.120 --> 1:12:30.600
<v Speaker 1>he thinks that, And again, I understand apprehension and reluctance

1:12:30.680 --> 1:12:34.800
<v Speaker 1>as it relates to parenting. This is something though, that

1:12:35.120 --> 1:12:39.559
<v Speaker 1>people of all genders experience, which we've talked about. But

1:12:39.640 --> 1:12:41.720
<v Speaker 1>I think, yeah, again, it's like, it's not it's the

1:12:41.760 --> 1:12:44.599
<v Speaker 1>same thing with um with Donkey going on a quest,

1:12:44.640 --> 1:12:46.880
<v Speaker 1>It's not The issue isn't that he goes on a quest.

1:12:47.560 --> 1:12:51.040
<v Speaker 1>The issue is that Dragon. It would never happen that

1:12:51.120 --> 1:12:52.880
<v Speaker 1>Dragon would go on a quest. It's not an issue

1:12:52.920 --> 1:12:55.240
<v Speaker 1>that Shrek has anxieties about what kind of parents he

1:12:55.280 --> 1:12:57.439
<v Speaker 1>is going to be. Is that the franchise would never

1:12:57.479 --> 1:13:02.360
<v Speaker 1>let Fiona have those same anxieties. It's an equitable environment

1:13:02.400 --> 1:13:07.480
<v Speaker 1>for storytelling exactly. The final thing I want to say

1:13:07.840 --> 1:13:12.799
<v Speaker 1>is that Ginger there's a scene where he is scared,

1:13:13.200 --> 1:13:17.960
<v Speaker 1>surrounded by villains with weapons, and Gingi poops and what

1:13:18.080 --> 1:13:21.000
<v Speaker 1>Gingi poops out is a little purple gum drop which

1:13:21.040 --> 1:13:25.080
<v Speaker 1>is identical to the two purple gum drops on his chest.

1:13:26.000 --> 1:13:31.760
<v Speaker 1>Does that mean that Gingy wears his own poop on

1:13:32.920 --> 1:13:38.519
<v Speaker 1>his chest as nipples as two vertical nipples or or

1:13:39.400 --> 1:13:47.440
<v Speaker 1>does he poop nipples? WHOA? Okay, these are some interesting

1:13:48.120 --> 1:13:52.320
<v Speaker 1>thoughts that we have posited. Yes, don't rule it out.

1:13:53.960 --> 1:13:57.120
<v Speaker 1>There's there's a lot to think about. Okay, this is

1:13:57.240 --> 1:14:01.080
<v Speaker 1>maybe maybe maybe this is our new scabs dry scabs.

1:14:01.320 --> 1:14:03.519
<v Speaker 1>Does Gingie poop nipples? Or does he wear his ship

1:14:03.560 --> 1:14:08.360
<v Speaker 1>as nipples? It's a good questions, a valid question. Did

1:14:08.360 --> 1:14:12.599
<v Speaker 1>Shrek and Fiona actually we answer that question? Yes, And

1:14:12.720 --> 1:14:15.960
<v Speaker 1>there's a tape. I've seen the tape. Have you ever

1:14:15.960 --> 1:14:19.680
<v Speaker 1>seen the Colin Ferrell sex tape? Because I have no,

1:14:20.080 --> 1:14:24.800
<v Speaker 1>I haven't seen that one. It's good. Oh okay, nice. Well,

1:14:24.920 --> 1:14:26.519
<v Speaker 1>I guess you can leave that in the episode or not,

1:14:27.040 --> 1:14:33.120
<v Speaker 1>and I guess I'll just be surprised. All right, Okay, um,

1:14:33.360 --> 1:14:35.400
<v Speaker 1>do you have anything else you want to say? Let

1:14:35.400 --> 1:14:37.960
<v Speaker 1>me see what else? I mean? I think that like

1:14:38.000 --> 1:14:41.800
<v Speaker 1>there's probably more to, oh, I guess um, Merlin. I

1:14:41.840 --> 1:14:43.680
<v Speaker 1>feel like there's a bunch of like very of the

1:14:43.680 --> 1:14:47.559
<v Speaker 1>time mental health jokes made around Merlin, where the Justin

1:14:47.760 --> 1:14:50.280
<v Speaker 1>Timberlake character is like, oh, yeah, they sent Merlin out

1:14:50.280 --> 1:14:53.000
<v Speaker 1>here after he had a mental breakdown, and it's like

1:14:53.240 --> 1:14:56.640
<v Speaker 1>Merlin is using like mental health terms and Shrek is

1:14:56.680 --> 1:15:00.800
<v Speaker 1>like shut up, Like but then he's also using extremely

1:15:00.840 --> 1:15:05.120
<v Speaker 1>ablest language and a few examples, and he's also with

1:15:05.240 --> 1:15:10.519
<v Speaker 1>that he's insulting other characters for their struggles with mental health.

1:15:10.880 --> 1:15:14.519
<v Speaker 1>But then at the same time, like what Merlin does

1:15:15.680 --> 1:15:21.360
<v Speaker 1>is helpful in like further characterizing Justin Timberlake. But then

1:15:21.400 --> 1:15:27.439
<v Speaker 1>once Justin Timberlake uses the mental health exercise that Merlin

1:15:27.520 --> 1:15:32.080
<v Speaker 1>has him do, Merlin is then like you're a basket case.

1:15:32.120 --> 1:15:35.639
<v Speaker 1>And I was like, all right, which like, oh gosh,

1:15:35.880 --> 1:15:39.640
<v Speaker 1>And all that happens there is that we learned that

1:15:39.800 --> 1:15:45.920
<v Speaker 1>Arthur has abandonment issues because he was abandoned by his father.

1:15:46.200 --> 1:15:50.120
<v Speaker 1>Of course that would lead to trauma for a person.

1:15:50.360 --> 1:15:54.280
<v Speaker 1>But yeah, for Merlin to be like, Wow, what a nutcase,

1:15:54.560 --> 1:15:59.240
<v Speaker 1>And then it's so ridiculous. I really can't stand it.

1:16:00.000 --> 1:16:03.080
<v Speaker 1>Shrek the third, it's a stinky more like Shrek the Third.

1:16:04.080 --> 1:16:06.559
<v Speaker 1>But is it more Shrek than nipples? We don't know.

1:16:08.320 --> 1:16:11.639
<v Speaker 1>I think I smell some new merch coming. I think

1:16:11.640 --> 1:16:15.080
<v Speaker 1>I smell some nipples. I oh god, no one wants

1:16:15.120 --> 1:16:18.760
<v Speaker 1>that merch, Caitlin, Um oh subverse Okay, I did say

1:16:18.880 --> 1:16:23.559
<v Speaker 1>subversion a plot Warlock, because we usually have plot witches

1:16:24.200 --> 1:16:28.960
<v Speaker 1>a plot witch, but this time it's get Wizard, so

1:16:29.080 --> 1:16:34.160
<v Speaker 1>it doesn't do anything, but it is something that happened. Um.

1:16:34.400 --> 1:16:36.160
<v Speaker 1>And then I think. My last thought on this one

1:16:36.280 --> 1:16:40.439
<v Speaker 1>is that this movie convinced me that Fiona would be

1:16:40.920 --> 1:16:46.120
<v Speaker 1>not unreasonable to leave Shrek. I agree, Yeah, because if

1:16:46.160 --> 1:16:52.880
<v Speaker 1>I'm Fiona and my husband doesn't even say, doesn't even say, well,

1:16:52.920 --> 1:16:55.920
<v Speaker 1>you could do the job, because she we've just seen

1:16:55.920 --> 1:16:58.600
<v Speaker 1>a whole montage where she's doing the job better than him.

1:16:58.640 --> 1:17:01.360
<v Speaker 1>It's her family. Yeah, if I'm married to someone that

1:17:01.560 --> 1:17:03.320
<v Speaker 1>it doesn't even occur to them. They would rather go

1:17:03.320 --> 1:17:06.719
<v Speaker 1>on a quest and bring back justin timber Lake, then

1:17:07.080 --> 1:17:09.880
<v Speaker 1>suggest that I could do a job that I had

1:17:09.960 --> 1:17:12.519
<v Speaker 1>been doing to some extent for a huge chunk of

1:17:12.560 --> 1:17:17.559
<v Speaker 1>my life. I would not stay with that ogre. Yeah,

1:17:17.560 --> 1:17:20.200
<v Speaker 1>I wouldn't. I think that, and I certainly wouldn't let

1:17:20.240 --> 1:17:26.439
<v Speaker 1>them intred nate me. And that's and that's my feminism. Yeah,

1:17:27.200 --> 1:17:29.160
<v Speaker 1>I want to be with someone who tells me I

1:17:29.200 --> 1:17:35.559
<v Speaker 1>can do it a job, nothing else. Brave of you. Um,

1:17:35.560 --> 1:17:39.559
<v Speaker 1>thank you. Some people will say that's extreme, not me.

1:17:39.640 --> 1:17:42.160
<v Speaker 1>I support it, thank you. At the end of the day,

1:17:42.479 --> 1:17:47.720
<v Speaker 1>Shrek and Shreky in properties, I think they are being subversive.

1:17:48.080 --> 1:17:50.960
<v Speaker 1>But now that we've covered three Shrek movies, and you

1:17:51.120 --> 1:17:54.400
<v Speaker 1>better believe we're gonna at some point cover Shrek four

1:17:54.720 --> 1:17:57.519
<v Speaker 1>and make no mistake, we're still absolutely wild about this

1:17:57.640 --> 1:18:00.360
<v Speaker 1>franchise in spite of only really having negative things to

1:18:00.400 --> 1:18:07.120
<v Speaker 1>say about it. Um, it's hard to explain. You wouldn't understand.

1:18:08.040 --> 1:18:12.639
<v Speaker 1>I'm sorry that was that was needlessly combative. You might

1:18:12.720 --> 1:18:14.800
<v Speaker 1>understand that people have been listening to this show for

1:18:15.040 --> 1:18:19.439
<v Speaker 1>seven years. You wouldn't understand. I bet there are a

1:18:19.479 --> 1:18:22.320
<v Speaker 1>lot of people who would understand. I think I think so,

1:18:22.479 --> 1:18:26.479
<v Speaker 1>And I'm sorry I came in too hot and I

1:18:26.520 --> 1:18:29.760
<v Speaker 1>shouldn't have. I'm going to issue a notes ap apology

1:18:29.920 --> 1:18:32.920
<v Speaker 1>for coming in too hot on the strike the third episode.

1:18:33.040 --> 1:18:36.400
<v Speaker 1>I already forgive you, Jamie, but um, the point is

1:18:36.840 --> 1:18:40.000
<v Speaker 1>to be Shreky and is to be subversive, but not

1:18:40.160 --> 1:18:44.280
<v Speaker 1>but never in quite the right ways, never in ways

1:18:44.360 --> 1:18:50.840
<v Speaker 1>that are actually commenting on things, or like championing marginalized people,

1:18:51.479 --> 1:18:56.439
<v Speaker 1>or are using effective comedy things like that, except for

1:18:56.479 --> 1:19:01.000
<v Speaker 1>the frog thing, which apparently really stuck with general audiences. Yeah,

1:19:01.040 --> 1:19:04.120
<v Speaker 1>I did kind of. So right after the frog King

1:19:04.360 --> 1:19:11.320
<v Speaker 1>dies there's a like kind of funeral procession scene where

1:19:11.360 --> 1:19:17.880
<v Speaker 1>it's like raining and dark and sad and some is

1:19:17.920 --> 1:19:21.840
<v Speaker 1>playing and I did. I was like, damn, that is

1:19:21.880 --> 1:19:26.200
<v Speaker 1>sad about that king. It was pretty Yeah, And again,

1:19:26.560 --> 1:19:28.160
<v Speaker 1>like we were saying at the beginning of the episode,

1:19:28.280 --> 1:19:31.040
<v Speaker 1>that could have been and you can kid the movie

1:19:31.080 --> 1:19:34.840
<v Speaker 1>if I this Pixar movies exist, you know, like not

1:19:34.880 --> 1:19:36.400
<v Speaker 1>that I want Shrek to be a Pixar movie. That

1:19:36.439 --> 1:19:40.400
<v Speaker 1>would be so fun. Actually yeah, I actually don't want to,

1:19:40.520 --> 1:19:44.000
<v Speaker 1>Like I don't really want Shrek to plumb the depths really,

1:19:44.320 --> 1:19:46.719
<v Speaker 1>but like if you're going to have that whole funeral scene,

1:19:46.840 --> 1:19:51.200
<v Speaker 1>you can't like never bring that up again. Like Fiona

1:19:51.560 --> 1:19:55.160
<v Speaker 1>has lost her father, who we know because of Shrek too.

1:19:55.400 --> 1:19:59.360
<v Speaker 1>She is a very complicated relationship with there's a whole

1:19:59.479 --> 1:20:03.240
<v Speaker 1>like a huge chunk of Shrek two as about her

1:20:03.280 --> 1:20:08.040
<v Speaker 1>father being convinced by the evil fairy Prince Charming's mother,

1:20:08.520 --> 1:20:13.200
<v Speaker 1>the fairy Godmother, to force his daughter to change species again.

1:20:13.880 --> 1:20:16.360
<v Speaker 1>And then like they find out at the end of

1:20:16.400 --> 1:20:19.799
<v Speaker 1>that movie that they have this commonality where her father's

1:20:19.840 --> 1:20:23.880
<v Speaker 1>a frog. Okay, I just I'm sounding too serious for

1:20:23.920 --> 1:20:27.760
<v Speaker 1>the sentences I'm saying, no, no, no, no, keep going.

1:20:27.920 --> 1:20:31.000
<v Speaker 1>Her father's a frog, Fianna is an ogre. They choose

1:20:31.240 --> 1:20:35.720
<v Speaker 1>to stay in their natural forms. They don't want to conform, right,

1:20:36.200 --> 1:20:38.240
<v Speaker 1>This is a huge thing they have in common. And

1:20:38.280 --> 1:20:41.720
<v Speaker 1>it was a hard one thing for her dad to

1:20:41.760 --> 1:20:44.679
<v Speaker 1>be able to admit that about himself. And I believe,

1:20:44.720 --> 1:20:47.600
<v Speaker 1>if I'm remembering correctly, he owes a lot of his

1:20:47.680 --> 1:20:50.240
<v Speaker 1>willingness to be in his natural form to seeing how

1:20:50.280 --> 1:20:54.000
<v Speaker 1>happy his daughter is in her natural form. So it's

1:20:54.000 --> 1:20:57.160
<v Speaker 1>like it's a whole like I mean, and Shrek two

1:20:57.240 --> 1:21:02.880
<v Speaker 1>is like not good, but you have all that fucking raw,

1:21:03.080 --> 1:21:06.400
<v Speaker 1>grizzly material and then you kill that character and the

1:21:06.439 --> 1:21:09.200
<v Speaker 1>first ten minutes after this huge arc between them and

1:21:09.280 --> 1:21:12.840
<v Speaker 1>she's like two seconds later it's like, well I'm gregnant now,

1:21:12.880 --> 1:21:15.400
<v Speaker 1>Like it's it's it's like Fiona is always treated like

1:21:15.760 --> 1:21:19.720
<v Speaker 1>only one thing can be happening with her. Um. That

1:21:19.840 --> 1:21:23.000
<v Speaker 1>is not how Strek is treated. He's struggling with a

1:21:23.040 --> 1:21:24.840
<v Speaker 1>bunch of different things that wants, and he's on a

1:21:24.960 --> 1:21:27.920
<v Speaker 1>quest and he's da dada like. He's allowed to be

1:21:28.720 --> 1:21:34.200
<v Speaker 1>very kind of multi. Yeah, yeah, he can have more

1:21:34.200 --> 1:21:35.920
<v Speaker 1>than one thing going on at one time. But it's

1:21:35.920 --> 1:21:40.640
<v Speaker 1>like Fiona can't be grieving and shregnant and interested in

1:21:40.720 --> 1:21:43.160
<v Speaker 1>having a job. That would be too much. It's too

1:21:43.200 --> 1:21:45.840
<v Speaker 1>much to ask for. I just you know. And the

1:21:45.880 --> 1:21:49.200
<v Speaker 1>movie is only like two minutes long. There was room

1:21:49.439 --> 1:21:54.240
<v Speaker 1>ten minute long credit. Are you joking, babe? It's I

1:21:54.240 --> 1:21:56.479
<v Speaker 1>mean not that I'm gonna knock a movie for being

1:21:56.479 --> 1:21:59.200
<v Speaker 1>eighty two minutes long. That's iconic. I love it. Please

1:21:59.520 --> 1:22:03.880
<v Speaker 1>let there be more short movies. But yeah, that's to say,

1:22:04.240 --> 1:22:07.760
<v Speaker 1>make it ninety minutes and give Fiona or cut out

1:22:07.840 --> 1:22:14.080
<v Speaker 1>just a differently. I don't, Okay, we gotta get out

1:22:14.080 --> 1:22:16.360
<v Speaker 1>of here. We gotta get out of here. You might leave.

1:22:17.080 --> 1:22:21.000
<v Speaker 1>It passes the Bechtel test. It does pass when the

1:22:21.240 --> 1:22:26.439
<v Speaker 1>princesses are insulting each other incessantly, and it does pass

1:22:26.600 --> 1:22:30.080
<v Speaker 1>um when they are I believe, when they are planning

1:22:30.200 --> 1:22:35.280
<v Speaker 1>the the attack, it does also pass, so there's I

1:22:35.280 --> 1:22:38.120
<v Speaker 1>would say most of the passes are frustrating because it's

1:22:38.120 --> 1:22:43.320
<v Speaker 1>like women insulting each other at very gendered events in

1:22:43.479 --> 1:22:47.720
<v Speaker 1>very gendered ways like oh, you're not prettier, I'm prettier.

1:22:48.439 --> 1:22:51.200
<v Speaker 1>To be fair, we are always saying that to each other,

1:22:51.439 --> 1:22:55.559
<v Speaker 1>and that is true. I'm popping out shreds like a

1:22:55.600 --> 1:22:59.640
<v Speaker 1>T shirt gun at a basketball game. So you know,

1:23:00.120 --> 1:23:05.840
<v Speaker 1>like it passes the battle test. But the one true metric, yes,

1:23:06.080 --> 1:23:08.880
<v Speaker 1>oh my god. And now is it the nipple scale

1:23:08.960 --> 1:23:15.240
<v Speaker 1>or is it the ship drop ship scale? Hard to say, Okay,

1:23:15.280 --> 1:23:18.200
<v Speaker 1>so our nipple scale or the scale formerly known as

1:23:18.240 --> 1:23:23.439
<v Speaker 1>the nipple scale the artists formerly known scale zero to

1:23:23.600 --> 1:23:28.920
<v Speaker 1>five nipples. Examining the movie through an intersectional feminist lenses,

1:23:29.080 --> 1:23:31.560
<v Speaker 1>I would give Struck the third. I would give it

1:23:31.600 --> 1:23:35.240
<v Speaker 1>a half nipple, just in case there are like small

1:23:35.360 --> 1:23:40.120
<v Speaker 1>children out there, maybe little girls who saw that sequence

1:23:40.200 --> 1:23:45.600
<v Speaker 1>where it is a very hollow girl power sequence or

1:23:45.640 --> 1:23:48.800
<v Speaker 1>it ends up being hollow because it doesn't lead to

1:23:49.000 --> 1:23:52.680
<v Speaker 1>any thing really, But in two thousand seven, you know,

1:23:52.840 --> 1:23:55.400
<v Speaker 1>it's like in two thousand and seven that the pickens

1:23:55.439 --> 1:23:58.200
<v Speaker 1>are slam and maybe you know, yeah, if you've if

1:23:58.280 --> 1:24:02.680
<v Speaker 1>you found it, I powering more power to you and

1:24:03.160 --> 1:24:06.639
<v Speaker 1>you've got better options now I agree with you there. Yeah,

1:24:06.720 --> 1:24:10.120
<v Speaker 1>so just for that like little sliver of something that

1:24:10.280 --> 1:24:15.000
<v Speaker 1>could be empowering for viewers, I will give it a

1:24:15.040 --> 1:24:20.240
<v Speaker 1>half nipple. But because of everything else we discussed, it

1:24:20.280 --> 1:24:24.360
<v Speaker 1>does not deserve more than that. I feel it doesn't,

1:24:24.439 --> 1:24:27.920
<v Speaker 1>so I'll give my half nipple too. I don't know

1:24:27.960 --> 1:24:30.560
<v Speaker 1>if I should give it to Fiona, who always deserves

1:24:31.000 --> 1:24:33.320
<v Speaker 1>more than she's given in these movies, or if I

1:24:33.320 --> 1:24:37.799
<v Speaker 1>should give it to Gingi's possible gum drop nipple slash

1:24:37.920 --> 1:24:42.320
<v Speaker 1>possible piece of poop. I mean, I think you know

1:24:42.400 --> 1:24:46.840
<v Speaker 1>the answer, and it's feminists will be furious, but it's

1:24:46.880 --> 1:24:51.559
<v Speaker 1>the gum drop poop slash nipple. Yeah, it is very

1:24:51.640 --> 1:24:56.160
<v Speaker 1>much is what do you think you know? I think

1:24:56.160 --> 1:24:58.760
<v Speaker 1>I'm actually I'm gonna match you and and so that

1:24:59.520 --> 1:25:02.920
<v Speaker 1>Ginge and have a full poop nipple, full hot shit.

1:25:04.040 --> 1:25:07.679
<v Speaker 1>I will. I will bequeath the same half nipple. There's

1:25:07.720 --> 1:25:10.800
<v Speaker 1>really not this is I think allow for the franchise,

1:25:11.920 --> 1:25:14.320
<v Speaker 1>but I also don't really remember what happens in Shrek

1:25:14.400 --> 1:25:17.360
<v Speaker 1>four because someone was someone the hands inside of me

1:25:18.080 --> 1:25:23.200
<v Speaker 1>and so it may get worse. I feel like it

1:25:23.240 --> 1:25:28.559
<v Speaker 1>gets better. I think the fourth one involves time travel.

1:25:29.240 --> 1:25:31.840
<v Speaker 1>That's incredible. I can't know, or or the prequel or

1:25:31.960 --> 1:25:35.559
<v Speaker 1>the prequel it doesn't like justin Timberlake is not in it. Okay,

1:25:35.600 --> 1:25:39.040
<v Speaker 1>good and and we thank our lucky stars. Yes, he

1:25:39.120 --> 1:25:42.559
<v Speaker 1>was too busy. He was doing so set right. I

1:25:42.600 --> 1:25:47.240
<v Speaker 1>have never seen Shrek four, so I am excited to

1:25:47.240 --> 1:25:50.800
<v Speaker 1>watch it. And once again, I'll just be plugging puts

1:25:50.800 --> 1:25:56.080
<v Speaker 1>in boots the Last Wish, which was an incredible piece

1:25:56.120 --> 1:26:01.360
<v Speaker 1>of art and cinema, cinema cinema. On that note, happy

1:26:01.400 --> 1:26:09.800
<v Speaker 1>New Year to all and to all a good but

1:26:09.880 --> 1:26:18.080
<v Speaker 1>also that was subversive. That subverse notes incredible. Jamie, before you,

1:26:18.320 --> 1:26:21.320
<v Speaker 1>but before you have to all a good Shrek. Scoot

1:26:21.360 --> 1:26:23.799
<v Speaker 1>on over to our Matreon, where we have the Pinocchio

1:26:23.880 --> 1:26:28.960
<v Speaker 1>Wars about to happen, actively happening. It's coming, especially if

1:26:28.960 --> 1:26:31.559
<v Speaker 1>you enjoy um these kinds of episodes. We do them

1:26:31.560 --> 1:26:34.559
<v Speaker 1>pretty rarely on the main feed, but um, most of

1:26:34.560 --> 1:26:38.040
<v Speaker 1>our Matreon episodes are just me and Caitlin tend to

1:26:38.040 --> 1:26:41.360
<v Speaker 1>be a little looser. The movies tend to be generally

1:26:41.400 --> 1:26:44.280
<v Speaker 1>pretty light, um, except for this month when we're doing

1:26:44.439 --> 1:26:49.479
<v Speaker 1>the Pinocchio Wars, which is actually really serious. We're covering

1:26:49.560 --> 1:26:53.160
<v Speaker 1>both the bad Robert Samakis one and the allegedly good

1:26:53.360 --> 1:26:56.320
<v Speaker 1>Del Toro one. I still have yet to watch them,

1:26:56.360 --> 1:26:59.920
<v Speaker 1>but I can't wait. I love that Tom Hanks is

1:27:00.040 --> 1:27:05.200
<v Speaker 1>in his flop era. It's so interesting. He's he's flopping around.

1:27:05.200 --> 1:27:07.160
<v Speaker 1>He's about to be a man called Auto and I'm like,

1:27:07.360 --> 1:27:10.040
<v Speaker 1>I'm not seeing that. I'm gonna see Megan five times.

1:27:10.680 --> 1:27:12.960
<v Speaker 1>I already have my tickets. I have my tickets. Do

1:27:12.960 --> 1:27:15.400
<v Speaker 1>you want to go to Marrow Night? Maybe because my

1:27:15.439 --> 1:27:20.720
<v Speaker 1>ticket already? Oh wait, sorry I forgot your busy. Okay, anyway,

1:27:20.880 --> 1:27:23.080
<v Speaker 1>we'll figure it out. You'll go again, and I'll go

1:27:23.160 --> 1:27:25.479
<v Speaker 1>with you. So the Matron is five dollars a month

1:27:25.560 --> 1:27:28.080
<v Speaker 1>and you get to bonus episodes and access to a

1:27:28.080 --> 1:27:30.840
<v Speaker 1>bad catalog of well over a hundred episodes. We've been

1:27:31.000 --> 1:27:33.439
<v Speaker 1>doing the Matreon for around five years, it's true. Also,

1:27:33.520 --> 1:27:36.880
<v Speaker 1>you can follow us on social media. You certainly can

1:27:36.960 --> 1:27:39.000
<v Speaker 1>on Instagram and Twitter, and then you can go to

1:27:40.040 --> 1:27:44.800
<v Speaker 1>t public dot com slash the Bechtel Cast, where we

1:27:44.880 --> 1:27:49.040
<v Speaker 1>have none other than a brand new shreky in shirt

1:27:49.320 --> 1:27:55.320
<v Speaker 1>pillow phone case, other items, well, probably for promo images

1:27:55.320 --> 1:27:58.479
<v Speaker 1>post with our with our shreky in merch. Yeah, because

1:27:58.520 --> 1:28:01.880
<v Speaker 1>we have some brag. We also have other new designs.

1:28:02.240 --> 1:28:05.880
<v Speaker 1>We have the Flubber Mambo by Danny Elfman, which is

1:28:05.880 --> 1:28:10.719
<v Speaker 1>a design honestly I wanted and so it had to happen. Also,

1:28:10.720 --> 1:28:13.000
<v Speaker 1>I think it's a really fun design. It's great, it's wonderful.

1:28:13.120 --> 1:28:17.599
<v Speaker 1>And we have feminist icon Paddington's and much demanded. Um.

1:28:17.640 --> 1:28:20.960
<v Speaker 1>I drank tea from my feminist icon Paddington mug this

1:28:21.040 --> 1:28:23.200
<v Speaker 1>morning because I don't recognize who I am as a

1:28:23.200 --> 1:28:27.639
<v Speaker 1>person anymore drinking tea. Oh my gosh, Jamie, Yeah yeah,

1:28:27.720 --> 1:28:32.400
<v Speaker 1>I changed well, uh and that so that you can

1:28:32.400 --> 1:28:34.680
<v Speaker 1>get that over at tea public dot com, slash v

1:28:35.320 --> 1:28:41.280
<v Speaker 1>beck del cast. If you participate in Valentine's Day facori

1:28:41.520 --> 1:28:45.200
<v Speaker 1>and so forth, they're fun little gifts, give them to whoever.

1:28:45.439 --> 1:28:48.000
<v Speaker 1>I was not sure where that was going for a minute,

1:28:48.240 --> 1:28:51.240
<v Speaker 1>because I forgot I was take me on a date.

1:28:52.320 --> 1:28:54.559
<v Speaker 1>I forgot that like people love each other and they

1:28:54.560 --> 1:28:58.840
<v Speaker 1>give each other gifts romantically. For Valentine's Day, I got

1:28:58.840 --> 1:29:01.720
<v Speaker 1>a hat for the HOLID got a hat for the holidays,

1:29:02.320 --> 1:29:06.040
<v Speaker 1>and it's from It's from a livestock contest that happened

1:29:06.040 --> 1:29:10.559
<v Speaker 1>in Ventura County. Most romantic gift I've ever received. It's like, wow,

1:29:10.880 --> 1:29:13.439
<v Speaker 1>you get me, even more romantic of a gift than

1:29:13.520 --> 1:29:22.760
<v Speaker 1>the give Carl. Okay, we gotta go, We gotta go.

1:29:23.080 --> 1:29:24.480
<v Speaker 1>Bye bye bye