WEBVTT - Mister Pasha

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<v Speaker 1>Misspelling with Tory spelling an iHeartRadio podcast.

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<v Speaker 2>Okay, only the finest here at misspelling. So I invited

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<v Speaker 2>my partner Pasha on to do my podcast. But it's

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<v Speaker 2>our first day on the lot. So we're in camera

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<v Speaker 2>blocking today, so it's like makeshift and I tried to

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<v Speaker 2>set up the best I could, but I only brought

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<v Speaker 2>one mic, So sorry.

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<v Speaker 3>Buddy, Sure good, thank you for having me.

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<v Speaker 2>Ah, what's happening today?

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<v Speaker 4>Well, today is camera blocking, which means we're blocking cameras. No,

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<v Speaker 4>it's the first day that we are on set. We

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<v Speaker 4>are actually going to be dancing our routine that we're

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<v Speaker 4>prepared for the very first time on the actual dance floor.

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<v Speaker 4>And yeah, with cameras pointing at us, so we'll know

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<v Speaker 4>how we look on camera today.

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<v Speaker 2>Oh you finally get to see what I look like

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<v Speaker 2>when I'm facing away from it.

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<v Speaker 3>Yes, yes, yeah, are you excited? I'm going to give

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<v Speaker 3>you the Mike.

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<v Speaker 2>I let him lead. You can tell Mike excited. Well,

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<v Speaker 2>so this is crazy. On camera blocking day, we get

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<v Speaker 2>three passes, so it's not like as an actor. It's

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<v Speaker 2>camera blocking like let's say you're doing like a multi

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<v Speaker 2>cam like a comedy show and you're gonna tape in

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<v Speaker 2>front of a live audience, like camera blocking day. The

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<v Speaker 2>day before would be just all technical, so we would

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<v Speaker 2>just come in camera block and you can do it

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<v Speaker 2>as many times as possible. But here at Dancing with

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<v Speaker 2>the Stars camera blocking, each couple gets three passes to

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<v Speaker 2>do it, and then that's it.

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<v Speaker 3>Yeah, we do it three times.

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<v Speaker 4>Our director, you know, he tries different angles and then

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<v Speaker 4>by the third time they know, you know, which angles

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<v Speaker 4>they want to use. The next day during the left show,

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<v Speaker 4>we do have a couple more passes. Tomorrow morning, on

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<v Speaker 4>the actual show day, then we have a full dress rehearsal.

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<v Speaker 4>I mean by that time, the camera angles already decided.

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<v Speaker 4>But it's the first time when we get to actually

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<v Speaker 4>try to dance in our costumes. You're dancing in your dress,

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<v Speaker 4>I'm dancing in my suit, you know, full out with hair, makeup,

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<v Speaker 4>you know, the whole shill. Even even the pretend judges.

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<v Speaker 4>We even have, you know, somebody sitting in the spot

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<v Speaker 4>and giving us fake critiques. You know, that's like a

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<v Speaker 4>dress rehearsal to pretend it's a real live show.

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<v Speaker 3>We do that.

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<v Speaker 4>We do a full thing beginning to end. How it

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<v Speaker 4>would be live, you know, just so we kind of

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<v Speaker 4>understand the flow the whole show.

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<v Speaker 3>Yeah, the entire show.

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<v Speaker 4>So we're basically tomorrow we do two shows, the show

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<v Speaker 4>stimulation and then an actual will show, you know, live one.

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<v Speaker 2>So if we do like a multi cam studio audience,

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<v Speaker 2>we do the same thing. We do one show like

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<v Speaker 2>early in the day. It's just like for everyone address rehearsal.

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<v Speaker 2>But the difference is sometimes if that show is better,

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<v Speaker 2>they'll actually air that one then the live one. But

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<v Speaker 2>here there's no chance.

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<v Speaker 4>No, no, I mean, first to imagine if they pan

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<v Speaker 4>to the to the judges and Derek, Carrie, Anne and

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<v Speaker 4>Bruno not there. Yeah, yeah, it's we're definitely airing the live,

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<v Speaker 4>live show. And sometimes the thing is it's interesting to

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<v Speaker 4>see sometimes the dress rehearsal goes really well and then

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<v Speaker 4>something happens during the live show, you know, like you

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<v Speaker 4>can I'm not saying anything, but I mean it happened before, right,

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<v Speaker 4>you know, people trip on a dress or slip or

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<v Speaker 4>something happens, or get nervous. The routine all goes the

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<v Speaker 4>other way around. Sometimes sometimes the sometimes ress rehearsal goes

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<v Speaker 4>really bad and then the live show is just absolutely perfect.

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<v Speaker 4>So let's go with that one. Yes, well, no, I would.

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<v Speaker 4>I would want to have a good dress run and

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<v Speaker 4>a great live show.

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<v Speaker 2>Okay, so we'll go with that one.

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<v Speaker 4>Yeah, that's that's the one I'm choosing you.

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<v Speaker 2>Oh my gosh. So right now we're doing the podcast

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<v Speaker 2>and in a few minutes we're going to go in

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<v Speaker 2>and do our walk out correct.

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<v Speaker 4>Correct. So what we're doing first thing today is we're

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<v Speaker 4>going to rehearse the pros, are rehearsing the opening number

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<v Speaker 4>that we're going to be dancing tomorrow, and then we

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<v Speaker 4>do the walkdowns with our celebrities, you know, our first

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<v Speaker 4>appearance as a couple to the world during the live show.

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<v Speaker 4>You know how we going to walk down those legendary

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<v Speaker 4>dancing with the star stairs.

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<v Speaker 2>And I told Pasha that I'm really freaked out. That's

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<v Speaker 2>the part that's freaking me out the most is walking

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<v Speaker 2>down the stairs.

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<v Speaker 3>And do you want to tell everybody why that fixs

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<v Speaker 3>you out?

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<v Speaker 2>Because sometimes when I'm walking downstairs, my brain's like, oh,

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<v Speaker 2>take one step, but then my foot takes two steps.

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<v Speaker 4>Guys, you see what I'm dealing with you right? Sorry,

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<v Speaker 4>take one step? Okay? One?

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<v Speaker 3>Two?

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<v Speaker 2>How long have we known each other now a couple of.

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<v Speaker 4>Couple of weeks two weeks.

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<v Speaker 3>I mean what yeah? Two two three, three, two? No,

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<v Speaker 3>no more than one for sure.

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<v Speaker 2>Okay, So now let's say two and a half weeks

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<v Speaker 2>in of knowing me. Yeah, do you have any insight

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<v Speaker 2>into how my brain works?

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<v Speaker 4>Guys, it's very interesting. I have no idea. I have

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<v Speaker 4>no idea. I was hoping I have no idea, But honestly,

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<v Speaker 4>it would be very interesting, you know, to get inside

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<v Speaker 4>your brain, you know, for a day, just so I

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<v Speaker 4>understand how it works, so that then I can, you know,

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<v Speaker 4>be a better teacher. Because it was very interesting how

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<v Speaker 4>you said on the very first meet you said, I

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<v Speaker 4>don't like numbers, and we count all the dancing. You said,

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<v Speaker 4>I don't I'm not great with directions to like left

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<v Speaker 4>or right. I was like, oh my god. But honestly,

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<v Speaker 4>somehow you still, you know, learn the entire routine, and

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<v Speaker 4>you know, found your own way. You know, what you're

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<v Speaker 4>really good at. I think is tell me one thing. No, no,

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<v Speaker 4>I'll tell you exactly what it is. It's when I

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<v Speaker 4>kind of like paint a picture for you. I give

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<v Speaker 4>you like an associative, you know, like idea you Like

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<v Speaker 4>you said, you're very visual, right, Like you visualize it,

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<v Speaker 4>you see it, and then you like try slate into movement,

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<v Speaker 4>you know, like sometimes we do an R movement and

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<v Speaker 4>I will say, like eagles swings right, and you write

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<v Speaker 4>away picture it and you do it and you commit

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<v Speaker 4>to it. Yeah, And I think, like, I mean, you're

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<v Speaker 4>you're an actor, you're an artist. I think you have

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<v Speaker 4>a very artistic way of seeing things and doing things,

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<v Speaker 4>you know, not maybe like an engineer or like a mathematician.

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<v Speaker 4>You know. I think like it's very painty, very melodic,

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<v Speaker 4>very artistic, very very very interesting. Yeah, thank you, you're welcome.

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<v Speaker 2>Yeah, it's really weird. Like I don't like numbers and

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<v Speaker 2>I am terrible at math, but I can remember like

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<v Speaker 2>weird numbers, like.

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<v Speaker 4>Like people's birthdays and stuff like that.

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<v Speaker 2>Okay, I know your birthday May twenty eight, Torres Gemini, Yep. No,

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<v Speaker 2>Like I don't know if someone's like there, I don't

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<v Speaker 2>know some random number like there were what we were

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<v Speaker 2>talking at. This is a bad example. Wait, but we

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<v Speaker 2>were talking yesterday about that documentary and it was like, oh,

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<v Speaker 2>there were fifty one bodies or whatever, Like I'll remember

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<v Speaker 2>that number.

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<v Speaker 4>What about some murder documentary fifty one bodies?

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<v Speaker 2>Oh my god, yeah, I'll remember that. But and I'll

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<v Speaker 2>remember like dates, and I'll remember Yeah, I have a

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<v Speaker 2>really really good memory. It's just when you tell me

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<v Speaker 2>direction and stuff in the moment, I can't do it.

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<v Speaker 4>You know when they say, like guys they can't remember

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<v Speaker 4>like any bversaries. But then they'll remember how many goals

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<v Speaker 4>their favorite football teams last season and all like yeah,

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<v Speaker 4>so that's me. No, No, I'm just saying, you know,

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<v Speaker 4>I think it's it's like it's like a selective, selective thing.

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<v Speaker 4>You know, when you kind of like things that like

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<v Speaker 4>interest you, you you remember, you know, like you're interested

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<v Speaker 4>in maybe in that documentary that you watched, to remember

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<v Speaker 4>all the numbers from.

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<v Speaker 2>That maybe like oh pretty much like I don't know,

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<v Speaker 2>like a year from now, we could go back and

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<v Speaker 2>remember like conversations and I'll remember like jokes you made

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<v Speaker 2>or like things like random like very specific things. I'll

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<v Speaker 2>remember exactly what you said like during the entire conversation. Now,

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<v Speaker 2>do you think I'm even weirder?

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<v Speaker 4>No? No, No, I think it's it's also I think

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<v Speaker 4>like teaching over the years, you know, because I mean,

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<v Speaker 4>I've been teaching since I was fifteen years old, right,

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<v Speaker 4>Like that's how I was like making money when I

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<v Speaker 4>lived in New York. So I've taught everybody from little

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<v Speaker 4>kids to senior years, people who were trying to do

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<v Speaker 4>dancing professionally to people who were doing it as a hobby,

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<v Speaker 4>waiting couples. And it's just interesting because everybody learns a

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<v Speaker 4>different way, you know. And I feel like for me,

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<v Speaker 4>that was the most excited thing is to find, you know,

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<v Speaker 4>what would work, what kind of explanation would work for

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<v Speaker 4>that person. And you just find, you know, a variety

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<v Speaker 4>of so many different characters and so many different people

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<v Speaker 4>that learn, you know, and remember things in such a

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<v Speaker 4>different way. So, I mean, I think it's interesting because

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<v Speaker 4>like we're all different, you know, we all see things differently,

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<v Speaker 4>well remember things differently. Me personally, I have like a

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<v Speaker 4>photographic memory, you know, So for you what is it?

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<v Speaker 4>Is there like words for the type that you have,

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<v Speaker 4>Like I.

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<v Speaker 2>Thought it was photographic, but I guess it's oh maybe

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<v Speaker 2>it is two.

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<v Speaker 4>I don't know, is it. I don't know when you

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<v Speaker 4>remember those things, like do you remember like as a

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<v Speaker 4>picture or do you remember it as a like when

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<v Speaker 4>you're say in the details, like what I said, so

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<v Speaker 4>you remember the the words the joke, or like.

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<v Speaker 2>I'll just remember, but yeah, I could play it back

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<v Speaker 2>in my head like watching a.

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<v Speaker 4>Movie like a recording.

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<v Speaker 2>Yeah, okay, yeah, yeah, like every day we're rehearsal.

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<v Speaker 4>But but but but but but your video goes like

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<v Speaker 4>with audio, right, like with the joke being said. Yeah,

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<v Speaker 4>you see. For me, it's more like I think it's

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<v Speaker 4>without the audio. I think it's like still images, you

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<v Speaker 4>know what I mean. I remember like like still images.

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<v Speaker 4>I mean, yeah, they may be moving, you know, but

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<v Speaker 4>I don't think it's like a movie with like with audio.

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<v Speaker 2>Hmm. Interesting, But I can't remember the dance moves. That

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<v Speaker 2>way sucks for you.

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<v Speaker 4>No, yeah, whatever whatever works for you. You know what, listen,

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<v Speaker 4>you learned the first dance, right, so you did it

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<v Speaker 4>somehow whatever, whatever, I don't, you use, whichever technique you use,

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<v Speaker 4>doesn't matter. If nobody knows how you learned, As long.

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<v Speaker 2>As you do, I don't know, it's all credit to you.

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<v Speaker 2>It's so interesting because they videotape us every rehearsal, like

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<v Speaker 2>everything is on camera. But then when you see the

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<v Speaker 2>see it on TV it's like what thirty seconds, like

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<v Speaker 2>nothings like the behind the scenes.

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<v Speaker 4>Oh yeah, yeah, yeah, yeah, behind the scenes in the package,

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<v Speaker 4>which is before the dance. It's just a tiny little thing.

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<v Speaker 2>You know, but they record everything hours every day. That

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<v Speaker 2>part is really interesting.

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<v Speaker 4>To me because, look, it is a reality TV and

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<v Speaker 4>every step that would take is being recorded because you

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<v Speaker 4>never know, you know, like what's gonna happen at which moment.

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<v Speaker 4>You know, like you can't predict when you're gonna say something,

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<v Speaker 4>or when I don't know when somebody's gonna trip, or

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<v Speaker 4>when somebody's gonna break down from you know, the pressure

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<v Speaker 4>of it all or opposite, you know, like have a

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<v Speaker 4>breakthrough moment of when couldn't get the step and now yes,

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<v Speaker 4>I finally got it an excitement. It's like, I feel like,

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<v Speaker 4>if you don't record non stop, you'll never get those

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<v Speaker 4>special moments. You know.

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<v Speaker 2>It's true, but that could be another show within the show.

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<v Speaker 4>That should be a hope, that should be I mean, yeah,

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<v Speaker 4>I wouldn't.

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<v Speaker 2>Want to follow that part because it's so.

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<v Speaker 4>We just need to then have them air it not

0:13:03.320 --> 0:13:06.280
<v Speaker 4>for two hours, but like sixteen hours from yere, sixteen

0:13:06.280 --> 0:13:06.800
<v Speaker 4>hour from here.

0:13:07.640 --> 0:13:09.040
<v Speaker 2>No, but they could just put on one of their

0:13:09.080 --> 0:13:13.040
<v Speaker 2>other be on Disney Plus or on Hulu. Should we

0:13:13.040 --> 0:13:24.520
<v Speaker 2>tell them? Imagine when I'm what do you think? What

0:13:24.600 --> 0:13:26.160
<v Speaker 2>do I say when I mess up the most?

0:13:26.200 --> 0:13:26.320
<v Speaker 4>Like?

0:13:26.360 --> 0:13:27.720
<v Speaker 2>What's the number one thing I say?

0:13:27.880 --> 0:13:29.640
<v Speaker 4>It's I don't know if I'm allowed to say it

0:13:29.640 --> 0:13:30.080
<v Speaker 4>on camera?

0:13:30.200 --> 0:13:34.600
<v Speaker 2>We could say anything in here? Yeah, what do I

0:13:34.640 --> 0:13:36.520
<v Speaker 2>say the most?

0:13:36.800 --> 0:13:40.480
<v Speaker 4>I think? Actually? You know what you do? You make sounds?

0:13:41.920 --> 0:13:44.520
<v Speaker 4>That's what actually don't Actually, And now that I'm really

0:13:44.559 --> 0:13:46.880
<v Speaker 4>playing it back in my head and I'm watching the

0:13:46.960 --> 0:13:49.560
<v Speaker 4>movie with the audio, You're actually not saying. You just

0:13:49.600 --> 0:13:54.640
<v Speaker 4>go like hmm or like like different sounds.

0:13:54.720 --> 0:14:06.000
<v Speaker 2>Yeah, yeah, I get Yeah, I do make sounds like that.

0:14:06.280 --> 0:14:09.040
<v Speaker 2>Yeah yeah.

0:14:09.200 --> 0:14:12.839
<v Speaker 4>Is that gross? No? And then you usually when you

0:14:12.920 --> 0:14:15.280
<v Speaker 4>get something right and you're very excited, you laugh.

0:14:16.520 --> 0:14:20.480
<v Speaker 2>I do, yeah, like my happy dance, like my happy laugh?

0:14:20.600 --> 0:14:20.800
<v Speaker 4>Yeah.

0:14:21.880 --> 0:14:27.040
<v Speaker 2>Interesting? Wow? Am I the only girl to ever do that?

0:14:27.520 --> 0:14:29.600
<v Speaker 2>To huff and puff and blow the house downe?

0:14:30.240 --> 0:14:33.600
<v Speaker 4>No? No, I think honestly that could be another show

0:14:33.880 --> 0:14:38.240
<v Speaker 4>is to have, you know, not to have like the

0:14:38.440 --> 0:14:43.520
<v Speaker 4>entire audio of what's happening while we're dancing, right, because

0:14:44.280 --> 0:14:48.600
<v Speaker 4>as pros, right, we sometimes we count. Sometimes we have

0:14:48.680 --> 0:14:51.400
<v Speaker 4>some kind of keywords. Right as we dance. In the

0:14:51.440 --> 0:14:54.440
<v Speaker 4>middle of the dance, we're saying things like I don't know,

0:14:54.600 --> 0:14:58.240
<v Speaker 4>straighten your leg, or we call some moves like I

0:14:58.280 --> 0:15:01.160
<v Speaker 4>don't know, this is butterfly whatever, you know, we come

0:15:01.240 --> 0:15:04.320
<v Speaker 4>up with the names, or right now, this is the

0:15:04.400 --> 0:15:07.120
<v Speaker 4>lock step, or we count like one, two, three, whatever

0:15:07.120 --> 0:15:09.960
<v Speaker 4>it is. Right. So imagine if we had like instead

0:15:10.000 --> 0:15:14.440
<v Speaker 4>of the track plane, just that, you know, like the

0:15:14.600 --> 0:15:17.920
<v Speaker 4>entire time, just like what is actually happening, what we're saying,

0:15:18.360 --> 0:15:21.400
<v Speaker 4>and how you're laughing about it at the same time.

0:15:22.720 --> 0:15:24.880
<v Speaker 4>Oh my gosh, that could be a cool remix.

0:15:25.640 --> 0:15:27.360
<v Speaker 2>But you always say that you're saying things to me,

0:15:27.400 --> 0:15:28.520
<v Speaker 2>But I say, I never hear you.

0:15:32.000 --> 0:15:34.200
<v Speaker 4>I think you do. I think you do because I

0:15:34.200 --> 0:15:37.720
<v Speaker 4>do it. Yeah, I think I think somewhere like subconscious

0:15:37.720 --> 0:15:40.480
<v Speaker 4>because I think you're so busy thinking yourself. Yes, but

0:15:40.520 --> 0:15:43.000
<v Speaker 4>then somewhere there in the back of your head, like

0:15:43.120 --> 0:15:43.920
<v Speaker 4>I think you hear me.

0:15:45.680 --> 0:15:47.360
<v Speaker 2>That's so weird because I always ask, I'm like, are

0:15:47.360 --> 0:15:49.040
<v Speaker 2>you going to say things? You're like I do the

0:15:49.080 --> 0:15:51.840
<v Speaker 2>whole time, and I don't hear a word.

0:15:52.600 --> 0:15:55.920
<v Speaker 4>I think. Same thing with when we're dancing, like depends

0:15:55.960 --> 0:15:59.080
<v Speaker 4>on the camera. Sometimes there's literally somebody on the floor

0:16:00.280 --> 0:16:03.200
<v Speaker 4>with us, you know, like with camera on the dance

0:16:03.200 --> 0:16:05.240
<v Speaker 4>floor with us, right like as we're dancing, if it's

0:16:05.240 --> 0:16:09.200
<v Speaker 4>a steady for example. And the funny thing is we're

0:16:09.240 --> 0:16:11.960
<v Speaker 4>so absorbed in the dance in the moment that you

0:16:12.000 --> 0:16:15.240
<v Speaker 4>don't even notice, you know, and then you like look back,

0:16:15.400 --> 0:16:18.560
<v Speaker 4>of course you see a good camera angle, and then

0:16:18.600 --> 0:16:21.040
<v Speaker 4>whoever stad in the audience they see that, you know,

0:16:22.560 --> 0:16:27.440
<v Speaker 4>the cameramen ran out onto the floor, you know, and

0:16:27.640 --> 0:16:30.240
<v Speaker 4>was maybe even running around us with the camera. But

0:16:30.480 --> 0:16:34.360
<v Speaker 4>like from my perspective, interestingly enough, like when I'm dancing,

0:16:34.640 --> 0:16:39.160
<v Speaker 4>like I I don't even like, you know, like I

0:16:39.160 --> 0:16:40.360
<v Speaker 4>don't even feel them there.

0:16:40.520 --> 0:16:40.920
<v Speaker 2>Really.

0:16:41.040 --> 0:16:43.520
<v Speaker 4>Yeah, it's interesting because you're so absorbed in you know,

0:16:43.560 --> 0:16:46.960
<v Speaker 4>in your body and what's happening that you know, you

0:16:47.120 --> 0:16:50.640
<v Speaker 4>kind of like lose I feel like you lose the judges,

0:16:50.680 --> 0:16:52.840
<v Speaker 4>you lose the audience. You know, you're just so busy

0:16:52.920 --> 0:16:55.880
<v Speaker 4>with with dancing. You know, there's just so many things

0:16:55.960 --> 0:16:57.920
<v Speaker 4>we need to do, and you know in those in

0:16:58.000 --> 0:17:04.359
<v Speaker 4>that time, I'm getting nervous. I mean, it's normal, guys.

0:17:04.359 --> 0:17:08.320
<v Speaker 4>We had a whole conversation yesterday to like mentally prepare

0:17:08.320 --> 0:17:15.760
<v Speaker 4>ourselves about being nervous, right, And I told Torri, I said,

0:17:15.440 --> 0:17:18.920
<v Speaker 4>this is something she's doing outside of her comfort zone

0:17:19.080 --> 0:17:24.040
<v Speaker 4>right beyond, and this is something that's my comfort zone

0:17:24.080 --> 0:17:26.040
<v Speaker 4>because I've been doing this since I was ten years

0:17:26.040 --> 0:17:31.080
<v Speaker 4>old and I competed, my competed my entire life, and

0:17:32.160 --> 0:17:36.359
<v Speaker 4>you know, did for many years the live TV show

0:17:36.680 --> 0:17:40.160
<v Speaker 4>and tours, you know, performing live in front of the audience,

0:17:40.680 --> 0:17:43.119
<v Speaker 4>And to this day, every single time I need to

0:17:43.200 --> 0:17:45.080
<v Speaker 4>go and perform, I get nervous. And I don't know,

0:17:45.119 --> 0:17:47.480
<v Speaker 4>I feel like it's and I don't think I'm the

0:17:47.520 --> 0:17:49.639
<v Speaker 4>only one. I feel like everybody does, you know, I

0:17:49.640 --> 0:17:51.560
<v Speaker 4>think like it's it's enormous. So we have this whole

0:17:51.600 --> 0:17:55.639
<v Speaker 4>conversation yesterday that yes, I'm in my comfort zone and

0:17:55.680 --> 0:17:59.720
<v Speaker 4>I still get nervous. So props to all the celebs.

0:17:59.760 --> 0:18:02.600
<v Speaker 4>You know, like, you know, you guys are coming from

0:18:02.760 --> 0:18:05.399
<v Speaker 4>all walks of life. You know, somebody's coming from acting,

0:18:05.440 --> 0:18:10.240
<v Speaker 4>somebody's coming from sports, somebody's coming from reality TV or

0:18:10.400 --> 0:18:14.080
<v Speaker 4>you know something else, and you're putting yourself out there,

0:18:14.280 --> 0:18:17.639
<v Speaker 4>you know. So it's I think it's like such a

0:18:19.040 --> 0:18:20.640
<v Speaker 4>you know, it's like if I had to do right now,

0:18:20.680 --> 0:18:22.960
<v Speaker 4>something out of my comfort zone. I had to learn

0:18:23.000 --> 0:18:25.760
<v Speaker 4>it in a week and perform in front of like

0:18:25.800 --> 0:18:27.240
<v Speaker 4>millions of people. I freak out.

0:18:27.400 --> 0:18:30.520
<v Speaker 2>Probably oh wait, okay, for me will.

0:18:30.440 --> 0:18:34.480
<v Speaker 4>Be out on my comfort zone for sure singing because

0:18:34.680 --> 0:18:38.879
<v Speaker 4>I cannot sing. If my life depends on I just

0:18:40.040 --> 0:18:45.359
<v Speaker 4>can't sing for sure? Are you telling deaf? Honestly, I

0:18:45.359 --> 0:18:50.080
<v Speaker 4>don't even know. First of all, again, I've never really tried.

0:18:50.400 --> 0:18:52.760
<v Speaker 4>I've never really tried to learning in the car. I

0:18:52.880 --> 0:18:57.119
<v Speaker 4>just don't shower. I don't sing in the shower. I

0:18:57.280 --> 0:18:59.720
<v Speaker 4>do sing in the car, but I kind of sing

0:18:59.720 --> 0:19:03.879
<v Speaker 4>a lot on just mouthing the words, you know, the lyrics,

0:19:04.040 --> 0:19:05.920
<v Speaker 4>and they like to like, you know, for me, it's

0:19:05.960 --> 0:19:09.680
<v Speaker 4>more about like how the words hit the beat, I guess,

0:19:09.680 --> 0:19:11.480
<v Speaker 4>like as a dancer. For me, it's like mos staying

0:19:11.480 --> 0:19:14.280
<v Speaker 4>in the pocket, you know, and feeling the the rhythm

0:19:14.320 --> 0:19:19.639
<v Speaker 4>of the song like that. Can you rapin? Really? Yeah?

0:19:19.760 --> 0:19:21.040
<v Speaker 2>I would think you could.

0:19:21.840 --> 0:19:28.560
<v Speaker 4>I mean again, I've never a freestyle yet about it now. Yeah,

0:19:28.600 --> 0:19:33.440
<v Speaker 4>So I imagine if I had just I just did

0:19:33.480 --> 0:19:34.119
<v Speaker 4>you get nervous?

0:19:34.200 --> 0:19:35.120
<v Speaker 2>That feeling you just got.

0:19:35.960 --> 0:19:38.800
<v Speaker 4>I just thought that if I had to Somebody said

0:19:38.840 --> 0:19:42.480
<v Speaker 4>you have to go and compete in like freestyle rap battle.

0:19:42.280 --> 0:19:44.640
<v Speaker 2>Like right now, live audience.

0:19:44.800 --> 0:19:47.040
<v Speaker 4>Yeah, I would be like, I have no idea what

0:19:47.119 --> 0:19:55.119
<v Speaker 4>to even start, burned down in flames, for sure, but

0:19:55.200 --> 0:19:57.520
<v Speaker 4>I would do some cool dance moves as I'm doing it.

0:19:57.760 --> 0:19:59.679
<v Speaker 4>For sure, I wouldn't say any thing, but I'd be like,

0:20:00.280 --> 0:20:02.159
<v Speaker 4>let's do a dance battle instead.

0:20:10.240 --> 0:20:14.679
<v Speaker 2>Oh my gosh. I keep it really hopeful today and

0:20:14.720 --> 0:20:17.040
<v Speaker 2>I'm really nervous now until nauseous.

0:20:18.280 --> 0:20:22.280
<v Speaker 4>Yeah, yeah, I mean, I don't blame you. I get it.

0:20:22.359 --> 0:20:26.320
<v Speaker 4>I get it, I get it, but it's exciting at

0:20:26.320 --> 0:20:29.400
<v Speaker 4>the same time. We also, yesterday you want to tell,

0:20:31.800 --> 0:20:35.679
<v Speaker 4>we did Show and Tell. So Show and Tell is

0:20:36.280 --> 0:20:38.840
<v Speaker 4>you know, we're at the studio. We have several rooms

0:20:38.880 --> 0:20:41.720
<v Speaker 4>in the studio, and of course because we have several rooms,

0:20:41.720 --> 0:20:44.359
<v Speaker 4>we have several couples practicing at the same time in

0:20:44.400 --> 0:20:50.000
<v Speaker 4>each room. Right, So sometimes you know, be close to

0:20:50.119 --> 0:20:53.120
<v Speaker 4>the show day, you know, we see who is around

0:20:53.160 --> 0:20:55.560
<v Speaker 4>and we invite everybody into the same room so we

0:20:55.640 --> 0:20:58.959
<v Speaker 4>can all show each other, you know, what we've prepared

0:20:59.119 --> 0:21:06.040
<v Speaker 4>for this week's dance. Right, So, yesterday Reggie and Emma

0:21:06.160 --> 0:21:09.560
<v Speaker 4>win in the studio and Gladden Brooks were at the

0:21:09.600 --> 0:21:12.400
<v Speaker 4>studio at the same time, practicing with us, so we

0:21:12.440 --> 0:21:14.560
<v Speaker 4>all decided to do a little show and tell, you know,

0:21:14.680 --> 0:21:19.639
<v Speaker 4>show each other with dances again, just spend some time together,

0:21:19.680 --> 0:21:21.760
<v Speaker 4>you know. And so everybody's in the same boat, right,

0:21:21.800 --> 0:21:28.119
<v Speaker 4>everybody's nervous first performance, and Torri when I said let's

0:21:28.119 --> 0:21:30.280
<v Speaker 4>do it, she was like she was a bit what

0:21:30.440 --> 0:21:34.280
<v Speaker 4>is the right word, like hesitant, like a little nervous, right,

0:21:34.440 --> 0:21:38.399
<v Speaker 4>But then she did it and I said no, and

0:21:38.440 --> 0:21:41.520
<v Speaker 4>then then she like you should have seen her face,

0:21:41.800 --> 0:21:46.000
<v Speaker 4>like there was euphoria.

0:21:44.840 --> 0:21:49.159
<v Speaker 1>When after after Yeah, but you know, you enjoyed it,

0:21:49.280 --> 0:21:53.040
<v Speaker 1>you know, you know, you enjoyed the process, like the camaraderie,

0:21:53.280 --> 0:21:58.280
<v Speaker 1>the friendship, the excitement, you know, and the nerves, I think,

0:21:58.320 --> 0:21:59.120
<v Speaker 1>the whole thing together.

0:21:59.560 --> 0:22:02.240
<v Speaker 2>Play Rock paper scissors to see who went first, second,

0:22:02.240 --> 0:22:02.720
<v Speaker 2>and third.

0:22:03.800 --> 0:22:07.080
<v Speaker 4>Yeah, I posted the story yes steady asking everybody that's

0:22:07.200 --> 0:22:08.680
<v Speaker 4>that's the right answer right there.

0:22:08.760 --> 0:22:13.520
<v Speaker 2>And I reposted it and everyone's like, what are they doing? Yeah?

0:22:13.560 --> 0:22:16.239
<v Speaker 2>And I lost both times, so I went third. We

0:22:16.280 --> 0:22:18.200
<v Speaker 2>went third, which was good though.

0:22:19.560 --> 0:22:22.479
<v Speaker 4>Yeah, you saw everybody dance before you went on and

0:22:22.520 --> 0:22:25.120
<v Speaker 4>then you went. I mean, honestly, I guess it depends

0:22:25.160 --> 0:22:28.000
<v Speaker 4>on a person, right, I guess.

0:22:27.440 --> 0:22:30.080
<v Speaker 2>I don't know. I just feel like and we've all

0:22:30.119 --> 0:22:33.600
<v Speaker 2>been getting to know each other because we're rehearsing every

0:22:33.680 --> 0:22:37.120
<v Speaker 2>day and everyone is so supportive. That was great too,

0:22:37.240 --> 0:22:40.640
<v Speaker 2>Like after we were all done just being able, everyone

0:22:40.760 --> 0:22:43.600
<v Speaker 2>was hugging each other and congratulating. It was just great.

0:22:44.000 --> 0:22:48.920
<v Speaker 2>Like I like that part, Like there's no competitiveness even

0:22:48.960 --> 0:22:50.280
<v Speaker 2>though it's a competition.

0:22:51.240 --> 0:22:53.919
<v Speaker 4>You know what I think, I think because it is

0:22:53.920 --> 0:22:58.639
<v Speaker 4>a competition, right, but within the competition, everybody's really just

0:22:58.680 --> 0:23:01.760
<v Speaker 4>trying to survive and do their personal best, because again,

0:23:02.640 --> 0:23:06.080
<v Speaker 4>you're not all competing in one thing that you all

0:23:06.560 --> 0:23:09.000
<v Speaker 4>are comfortable in, right. Everybody comes and I feel like

0:23:09.080 --> 0:23:12.200
<v Speaker 4>everybody understands each other, like, hey, I'm in the same

0:23:12.240 --> 0:23:15.840
<v Speaker 4>boat with you, Like this is not comfortable for me, right, yes,

0:23:16.040 --> 0:23:18.480
<v Speaker 4>So I feel like it creates this camaraderie. And you know,

0:23:18.520 --> 0:23:21.480
<v Speaker 4>when you hear people say like, oh, this feels like

0:23:21.520 --> 0:23:24.159
<v Speaker 4>one big family, it truly is. And this was only

0:23:24.200 --> 0:23:28.720
<v Speaker 4>a small little thing that you experienced with three couples

0:23:28.760 --> 0:23:32.159
<v Speaker 4>in the studio, But just imagine what it's going to

0:23:32.200 --> 0:23:35.760
<v Speaker 4>be like. What it's going to be like, you know,

0:23:35.800 --> 0:23:40.560
<v Speaker 4>on a live show when everybody's there, right, like, when

0:23:40.600 --> 0:23:45.399
<v Speaker 4>everybody's there supporting each other and you know, the whole group.

0:23:45.680 --> 0:23:47.840
<v Speaker 4>So when they say like, oh, like we become like

0:23:47.960 --> 0:23:52.000
<v Speaker 4>one big family over the season. So yes, as I

0:23:52.080 --> 0:23:54.400
<v Speaker 4>was saying too, like before we go and do our

0:23:54.640 --> 0:23:59.680
<v Speaker 4>actual camera block right now, yesterday was for me to

0:23:59.720 --> 0:24:04.400
<v Speaker 4>see from the outside, you know, like how how excited

0:24:04.520 --> 0:24:07.720
<v Speaker 4>you wear after the show? And Tell? Now, I'm even

0:24:07.760 --> 0:24:10.120
<v Speaker 4>more excited for you to do the actual life show

0:24:10.240 --> 0:24:15.879
<v Speaker 4>because it's that but a hundred times more exciting, you know,

0:24:16.040 --> 0:24:19.280
<v Speaker 4>like now you see everybody. Now everybody's in costumes and

0:24:19.320 --> 0:24:24.399
<v Speaker 4>there are lights and camera and audience and guys, this

0:24:24.440 --> 0:24:26.680
<v Speaker 4>is exactly what she was doing yesterday before the show,

0:24:26.720 --> 0:24:29.920
<v Speaker 4>and Tell exactly the same. But then she came out

0:24:29.960 --> 0:24:31.360
<v Speaker 4>and she was euphoric.

0:24:31.000 --> 0:24:36.320
<v Speaker 2>So freaking out. Yeah no, because this is like it's

0:24:36.359 --> 0:24:40.479
<v Speaker 2>so much pressure and my like, I know, I know,

0:24:40.880 --> 0:24:44.400
<v Speaker 2>but for me, like my biggest thing is I don't

0:24:44.400 --> 0:24:47.959
<v Speaker 2>want to let you down me duh.

0:24:48.280 --> 0:24:50.600
<v Speaker 4>You well, first of all.

0:24:50.800 --> 0:24:53.439
<v Speaker 2>We're in this together, right, like where are we now?

0:24:53.920 --> 0:25:01.240
<v Speaker 4>First of all, already you already did so much and

0:25:01.240 --> 0:25:05.840
<v Speaker 4>I'm already so proud of you. Five kids shows up

0:25:06.440 --> 0:25:14.080
<v Speaker 4>every day rehearses totally like ten to fifteen minutes, like yeah,

0:25:14.240 --> 0:25:17.680
<v Speaker 4>they all know, yeah, but you know what I mean,

0:25:17.760 --> 0:25:22.040
<v Speaker 4>you show up. You you're committed. You know, no matter

0:25:22.119 --> 0:25:26.359
<v Speaker 4>whether you were like sore tired, you know, you just

0:25:26.440 --> 0:25:29.359
<v Speaker 4>show up when you do your things. So it's already

0:25:29.760 --> 0:25:31.679
<v Speaker 4>too late. You already didn't let me down. You already

0:25:31.680 --> 0:25:34.040
<v Speaker 4>showed up and you did your personal best. That's all

0:25:34.080 --> 0:25:34.639
<v Speaker 4>I can ask for.

0:25:34.840 --> 0:25:39.440
<v Speaker 2>So my best friend Jess, thank you. My best friend

0:25:39.520 --> 0:25:41.680
<v Speaker 2>Jess says she wants to at some point in life

0:25:41.760 --> 0:25:46.520
<v Speaker 2>pick your brain because she doesn't know how you get

0:25:46.520 --> 0:25:57.560
<v Speaker 2>me to focus. And I was and she was like, wait,

0:25:58.080 --> 0:26:00.600
<v Speaker 2>what do you mean. I was like, She's like, and

0:26:00.680 --> 0:26:05.480
<v Speaker 2>you don't procrastinate, like take breaks and like tell stories.

0:26:05.560 --> 0:26:08.280
<v Speaker 2>And I was like no, and she's like, well, I

0:26:08.280 --> 0:26:11.200
<v Speaker 2>don't understand, Like in every other like this is you,

0:26:11.320 --> 0:26:13.159
<v Speaker 2>how does he get you to focus? And I was like,

0:26:13.200 --> 0:26:13.679
<v Speaker 2>I don't know.

0:26:16.400 --> 0:26:17.080
<v Speaker 3>I don't know either.

0:26:17.840 --> 0:26:22.560
<v Speaker 4>I mean for me, you've been like you've been focused again.

0:26:22.600 --> 0:26:25.720
<v Speaker 4>I think it's also the pressure of time, because you

0:26:25.880 --> 0:26:30.000
<v Speaker 4>know that we have to perform live in several days.

0:26:30.200 --> 0:26:34.000
<v Speaker 3>So I think the pressure is there, and maybe the.

0:26:33.960 --> 0:26:36.399
<v Speaker 4>Pressure is what you know, what's that extra focus and

0:26:36.480 --> 0:26:37.200
<v Speaker 4>extra education.

0:26:37.840 --> 0:26:43.440
<v Speaker 2>No, I honestly, I honestly I think it's you. Yeah,

0:26:43.480 --> 0:26:44.600
<v Speaker 2>Like I don't.

0:26:44.359 --> 0:26:47.200
<v Speaker 3>Get I'm going to take the credit for think you.

0:26:47.240 --> 0:26:51.160
<v Speaker 2>No, I'm serious, Like, I don't know personality wise, if

0:26:51.160 --> 0:26:54.520
<v Speaker 2>I would have been suited for another dance pro what

0:26:54.720 --> 0:27:04.360
<v Speaker 2>I even, I don't We'll never know. Mhm, like pro

0:27:04.520 --> 0:27:08.160
<v Speaker 2>swap instead of wife swap. Pro swap they did that.

0:27:08.200 --> 0:27:10.879
<v Speaker 4>There was there was like a sea where they did crush.

0:27:11.840 --> 0:27:16.720
<v Speaker 4>There was like there was swapping partners in the middle

0:27:16.720 --> 0:27:20.440
<v Speaker 4>of the season for a week or something. Yeah. I

0:27:20.480 --> 0:27:22.359
<v Speaker 4>wasn't on at that time yet, so I don't know,

0:27:22.680 --> 0:27:26.119
<v Speaker 4>like I haven't experienced it, but I know they did.

0:27:26.000 --> 0:27:26.640
<v Speaker 3>Something like that.

0:27:26.720 --> 0:27:30.439
<v Speaker 4>So all right, sorry, we yeah, we need to go

0:27:30.520 --> 0:27:32.000
<v Speaker 4>otherwise we're going to miss out blocking.

0:27:32.760 --> 0:27:34.560
<v Speaker 2>Oh and by the way, in this podcast, we don't

0:27:34.640 --> 0:27:37.919
<v Speaker 2>end it. You just end I mean on something funny.

0:27:37.960 --> 0:27:43.200
<v Speaker 4>Typically, Well, I'm not a finding person. I'm very serious

0:27:43.560 --> 0:27:44.120
<v Speaker 4>and dull.

0:27:44.280 --> 0:27:49.560
<v Speaker 3>So please wait wait, So that's so? That is it?

0:27:49.680 --> 0:27:53.280
<v Speaker 2>Like in a nutshell is basically I like hope and

0:27:53.359 --> 0:27:58.440
<v Speaker 2>navigate people through humor. And when I came in, I test,

0:27:58.560 --> 0:28:01.240
<v Speaker 2>you know, read the room. I always test to figure

0:28:01.280 --> 0:28:04.800
<v Speaker 2>out somebody like what they their personality is and how

0:28:04.800 --> 0:28:06.639
<v Speaker 2>far I can go with the humor, what type of humor?

0:28:07.440 --> 0:28:12.159
<v Speaker 2>And I think I didn't feel like I could push

0:28:12.240 --> 0:28:16.440
<v Speaker 2>my humor too far because we were rehearsing, like when

0:28:16.480 --> 0:28:19.080
<v Speaker 2>we're not rehearsing. So I think that helped me, like

0:28:19.119 --> 0:28:22.080
<v Speaker 2>get focused. Do you think I'm competitive?

0:28:23.000 --> 0:28:27.719
<v Speaker 4>I think you're competitive. I think you are very competitive.

0:28:28.160 --> 0:28:31.280
<v Speaker 4>I think so, yeah, crazy, Yeah, I think you're very.

0:28:31.119 --> 0:28:33.240
<v Speaker 3>Competitive right now.

0:28:33.240 --> 0:28:37.080
<v Speaker 4>I'm not sure if it's with the outside world or

0:28:37.119 --> 0:28:43.200
<v Speaker 4>with yourself, but the amount of dedication you were putting

0:28:43.280 --> 0:28:48.720
<v Speaker 4>in to improve feels like you're a competitive person. So again,

0:28:48.840 --> 0:28:50.880
<v Speaker 4>whether it's you know you're competing just with yourself to

0:28:50.920 --> 0:28:52.880
<v Speaker 4>be better, or whether you feel like there's a competition

0:28:52.880 --> 0:28:55.400
<v Speaker 4>from the outside that I don't know yet, but I

0:28:55.440 --> 0:28:57.600
<v Speaker 4>do feel you're competitive. Yeah, so.

0:28:59.160 --> 0:29:04.360
<v Speaker 2>Yeah competitive. Once I'm in something, I'm in it. Okay, Wait,

0:29:04.400 --> 0:29:05.880
<v Speaker 2>so we're gonna go to stage right now? Do we

0:29:05.880 --> 0:29:07.920
<v Speaker 2>get to find out what order we're in right now?

0:29:08.120 --> 0:29:08.520
<v Speaker 2>Right now?

0:29:08.600 --> 0:29:08.800
<v Speaker 3>Yeah?

0:29:08.880 --> 0:29:09.720
<v Speaker 2>Do you know already?

0:29:09.800 --> 0:29:11.840
<v Speaker 3>I don't, I really, I don't.

0:29:11.880 --> 0:29:15.760
<v Speaker 4>I swear, you know, I swear I wouldn't swear if

0:29:15.800 --> 0:29:18.680
<v Speaker 4>I didn't know I'm telling you, I don't know how.

0:29:18.640 --> 0:29:23.440
<v Speaker 2>Come Alan new because oh he already did rehearsal. Okay, Okay,

0:29:23.480 --> 0:29:25.720
<v Speaker 2>we're going right now. And I'm really scared because there's

0:29:25.760 --> 0:29:28.160
<v Speaker 2>twelve couples. And I was like, I don't want to

0:29:28.200 --> 0:29:32.120
<v Speaker 2>go first, and I don't want to go last. There's

0:29:32.120 --> 0:29:35.160
<v Speaker 2>thirteen couples. That's bad luck.

0:29:36.400 --> 0:29:37.400
<v Speaker 4>No it's not.

0:29:37.520 --> 0:29:40.640
<v Speaker 2>We'll get rid of one after the first week. I'm

0:29:40.720 --> 0:29:43.920
<v Speaker 2>just kidding. Okay, So I don't want to go first,

0:29:43.960 --> 0:29:46.280
<v Speaker 2>I don't want to go last. Okay, let's go.

0:29:46.240 --> 0:29:47.959
<v Speaker 4>Find out, all right.

0:29:47.960 --> 0:29:50.320
<v Speaker 2>Oh my god, I hope it's an even number. You know,

0:29:50.360 --> 0:29:51.640
<v Speaker 2>I hate odd numbers.