1 00:00:08,760 --> 00:00:12,840 Speaker 1: Misspelling with Tory spelling an iHeartRadio podcast. 2 00:00:15,360 --> 00:00:19,200 Speaker 2: Okay, only the finest here at misspelling. So I invited 3 00:00:19,440 --> 00:00:23,000 Speaker 2: my partner Pasha on to do my podcast. But it's 4 00:00:23,000 --> 00:00:26,079 Speaker 2: our first day on the lot. So we're in camera 5 00:00:26,079 --> 00:00:28,280 Speaker 2: blocking today, so it's like makeshift and I tried to 6 00:00:28,280 --> 00:00:30,200 Speaker 2: set up the best I could, but I only brought 7 00:00:30,200 --> 00:00:33,200 Speaker 2: one mic, So sorry. 8 00:00:32,920 --> 00:00:36,120 Speaker 3: Buddy, Sure good, thank you for having me. 9 00:00:36,800 --> 00:00:39,600 Speaker 2: Ah, what's happening today? 10 00:00:40,560 --> 00:00:46,080 Speaker 4: Well, today is camera blocking, which means we're blocking cameras. No, 11 00:00:46,240 --> 00:00:49,040 Speaker 4: it's the first day that we are on set. We 12 00:00:49,240 --> 00:00:52,680 Speaker 4: are actually going to be dancing our routine that we're 13 00:00:52,680 --> 00:00:56,120 Speaker 4: prepared for the very first time on the actual dance floor. 14 00:00:56,520 --> 00:01:01,040 Speaker 4: And yeah, with cameras pointing at us, so we'll know 15 00:01:01,880 --> 00:01:03,280 Speaker 4: how we look on camera today. 16 00:01:03,960 --> 00:01:05,600 Speaker 2: Oh you finally get to see what I look like 17 00:01:05,640 --> 00:01:06,680 Speaker 2: when I'm facing away from it. 18 00:01:07,319 --> 00:01:12,040 Speaker 3: Yes, yes, yeah, are you excited? I'm going to give 19 00:01:12,080 --> 00:01:13,000 Speaker 3: you the Mike. 20 00:01:15,240 --> 00:01:20,000 Speaker 2: I let him lead. You can tell Mike excited. Well, 21 00:01:20,920 --> 00:01:25,320 Speaker 2: so this is crazy. On camera blocking day, we get 22 00:01:25,360 --> 00:01:29,720 Speaker 2: three passes, so it's not like as an actor. It's 23 00:01:29,800 --> 00:01:33,720 Speaker 2: camera blocking like let's say you're doing like a multi 24 00:01:33,800 --> 00:01:35,680 Speaker 2: cam like a comedy show and you're gonna tape in 25 00:01:35,680 --> 00:01:37,720 Speaker 2: front of a live audience, like camera blocking day. The 26 00:01:37,800 --> 00:01:41,280 Speaker 2: day before would be just all technical, so we would 27 00:01:41,319 --> 00:01:43,119 Speaker 2: just come in camera block and you can do it 28 00:01:43,160 --> 00:01:46,120 Speaker 2: as many times as possible. But here at Dancing with 29 00:01:46,160 --> 00:01:49,440 Speaker 2: the Stars camera blocking, each couple gets three passes to 30 00:01:49,520 --> 00:01:50,840 Speaker 2: do it, and then that's it. 31 00:01:52,520 --> 00:01:54,520 Speaker 3: Yeah, we do it three times. 32 00:01:56,520 --> 00:02:01,600 Speaker 4: Our director, you know, he tries different angles and then 33 00:02:01,720 --> 00:02:04,280 Speaker 4: by the third time they know, you know, which angles 34 00:02:04,280 --> 00:02:06,200 Speaker 4: they want to use. The next day during the left show, 35 00:02:06,800 --> 00:02:11,240 Speaker 4: we do have a couple more passes. Tomorrow morning, on 36 00:02:11,320 --> 00:02:14,000 Speaker 4: the actual show day, then we have a full dress rehearsal. 37 00:02:14,320 --> 00:02:17,760 Speaker 4: I mean by that time, the camera angles already decided. 38 00:02:18,040 --> 00:02:20,040 Speaker 4: But it's the first time when we get to actually 39 00:02:20,080 --> 00:02:22,959 Speaker 4: try to dance in our costumes. You're dancing in your dress, 40 00:02:23,440 --> 00:02:28,920 Speaker 4: I'm dancing in my suit, you know, full out with hair, makeup, 41 00:02:29,600 --> 00:02:34,079 Speaker 4: you know, the whole shill. Even even the pretend judges. 42 00:02:34,160 --> 00:02:36,440 Speaker 4: We even have, you know, somebody sitting in the spot 43 00:02:37,360 --> 00:02:40,640 Speaker 4: and giving us fake critiques. You know, that's like a 44 00:02:40,720 --> 00:02:43,000 Speaker 4: dress rehearsal to pretend it's a real live show. 45 00:02:43,680 --> 00:02:44,320 Speaker 3: We do that. 46 00:02:44,520 --> 00:02:47,160 Speaker 4: We do a full thing beginning to end. How it 47 00:02:47,240 --> 00:02:49,600 Speaker 4: would be live, you know, just so we kind of 48 00:02:49,639 --> 00:02:51,840 Speaker 4: understand the flow the whole show. 49 00:02:51,919 --> 00:02:53,240 Speaker 3: Yeah, the entire show. 50 00:02:53,840 --> 00:02:58,080 Speaker 4: So we're basically tomorrow we do two shows, the show 51 00:02:58,160 --> 00:03:02,639 Speaker 4: stimulation and then an actual will show, you know, live one. 52 00:03:02,840 --> 00:03:05,920 Speaker 2: So if we do like a multi cam studio audience, 53 00:03:05,960 --> 00:03:09,640 Speaker 2: we do the same thing. We do one show like 54 00:03:09,800 --> 00:03:12,880 Speaker 2: early in the day. It's just like for everyone address rehearsal. 55 00:03:13,400 --> 00:03:17,120 Speaker 2: But the difference is sometimes if that show is better, 56 00:03:17,360 --> 00:03:20,520 Speaker 2: they'll actually air that one then the live one. But 57 00:03:20,600 --> 00:03:21,800 Speaker 2: here there's no chance. 58 00:03:21,840 --> 00:03:24,760 Speaker 4: No, no, I mean, first to imagine if they pan 59 00:03:24,919 --> 00:03:28,920 Speaker 4: to the to the judges and Derek, Carrie, Anne and 60 00:03:28,919 --> 00:03:34,080 Speaker 4: Bruno not there. Yeah, yeah, it's we're definitely airing the live, 61 00:03:34,160 --> 00:03:39,520 Speaker 4: live show. And sometimes the thing is it's interesting to 62 00:03:39,520 --> 00:03:45,000 Speaker 4: see sometimes the dress rehearsal goes really well and then 63 00:03:45,280 --> 00:03:48,200 Speaker 4: something happens during the live show, you know, like you 64 00:03:48,240 --> 00:03:52,040 Speaker 4: can I'm not saying anything, but I mean it happened before, right, 65 00:03:52,560 --> 00:03:56,080 Speaker 4: you know, people trip on a dress or slip or 66 00:03:56,840 --> 00:04:02,080 Speaker 4: something happens, or get nervous. The routine all goes the 67 00:04:02,160 --> 00:04:07,680 Speaker 4: other way around. Sometimes sometimes the sometimes ress rehearsal goes 68 00:04:07,840 --> 00:04:12,560 Speaker 4: really bad and then the live show is just absolutely perfect. 69 00:04:12,600 --> 00:04:16,200 Speaker 4: So let's go with that one. Yes, well, no, I would. 70 00:04:16,320 --> 00:04:20,000 Speaker 4: I would want to have a good dress run and 71 00:04:20,480 --> 00:04:22,119 Speaker 4: a great live show. 72 00:04:22,920 --> 00:04:24,839 Speaker 2: Okay, so we'll go with that one. 73 00:04:24,960 --> 00:04:26,720 Speaker 4: Yeah, that's that's the one I'm choosing you. 74 00:04:27,360 --> 00:04:31,599 Speaker 2: Oh my gosh. So right now we're doing the podcast 75 00:04:31,880 --> 00:04:34,440 Speaker 2: and in a few minutes we're going to go in 76 00:04:34,520 --> 00:04:36,840 Speaker 2: and do our walk out correct. 77 00:04:37,040 --> 00:04:42,960 Speaker 4: Correct. So what we're doing first thing today is we're 78 00:04:43,000 --> 00:04:47,359 Speaker 4: going to rehearse the pros, are rehearsing the opening number 79 00:04:47,480 --> 00:04:50,839 Speaker 4: that we're going to be dancing tomorrow, and then we 80 00:04:51,000 --> 00:04:56,240 Speaker 4: do the walkdowns with our celebrities, you know, our first 81 00:04:57,040 --> 00:04:59,320 Speaker 4: appearance as a couple to the world during the live show. 82 00:04:59,400 --> 00:05:02,080 Speaker 4: You know how we going to walk down those legendary 83 00:05:02,200 --> 00:05:03,479 Speaker 4: dancing with the star stairs. 84 00:05:03,680 --> 00:05:06,240 Speaker 2: And I told Pasha that I'm really freaked out. That's 85 00:05:06,240 --> 00:05:08,119 Speaker 2: the part that's freaking me out the most is walking 86 00:05:08,120 --> 00:05:09,000 Speaker 2: down the stairs. 87 00:05:09,320 --> 00:05:12,120 Speaker 3: And do you want to tell everybody why that fixs 88 00:05:12,120 --> 00:05:12,360 Speaker 3: you out? 89 00:05:13,040 --> 00:05:17,599 Speaker 2: Because sometimes when I'm walking downstairs, my brain's like, oh, 90 00:05:17,839 --> 00:05:20,600 Speaker 2: take one step, but then my foot takes two steps. 91 00:05:20,960 --> 00:05:25,520 Speaker 4: Guys, you see what I'm dealing with you right? Sorry, 92 00:05:25,560 --> 00:05:27,159 Speaker 4: take one step? Okay? One? 93 00:05:27,240 --> 00:05:27,440 Speaker 3: Two? 94 00:05:28,640 --> 00:05:31,039 Speaker 2: How long have we known each other now a couple of. 95 00:05:31,080 --> 00:05:34,000 Speaker 4: Couple of weeks two weeks. 96 00:05:33,760 --> 00:05:37,640 Speaker 3: I mean what yeah? Two two three, three, two? No, 97 00:05:37,640 --> 00:05:38,799 Speaker 3: no more than one for sure. 98 00:05:39,839 --> 00:05:42,920 Speaker 2: Okay, So now let's say two and a half weeks 99 00:05:42,920 --> 00:05:47,080 Speaker 2: in of knowing me. Yeah, do you have any insight 100 00:05:47,600 --> 00:05:49,360 Speaker 2: into how my brain works? 101 00:05:50,040 --> 00:05:53,880 Speaker 4: Guys, it's very interesting. I have no idea. I have 102 00:05:54,200 --> 00:06:03,440 Speaker 4: no idea. I was hoping I have no idea, But honestly, 103 00:06:03,560 --> 00:06:06,719 Speaker 4: it would be very interesting, you know, to get inside 104 00:06:06,720 --> 00:06:09,120 Speaker 4: your brain, you know, for a day, just so I 105 00:06:09,200 --> 00:06:12,919 Speaker 4: understand how it works, so that then I can, you know, 106 00:06:13,120 --> 00:06:15,840 Speaker 4: be a better teacher. Because it was very interesting how 107 00:06:15,880 --> 00:06:20,719 Speaker 4: you said on the very first meet you said, I 108 00:06:20,720 --> 00:06:24,040 Speaker 4: don't like numbers, and we count all the dancing. You said, 109 00:06:24,400 --> 00:06:28,880 Speaker 4: I don't I'm not great with directions to like left 110 00:06:28,920 --> 00:06:31,560 Speaker 4: or right. I was like, oh my god. But honestly, 111 00:06:32,080 --> 00:06:36,560 Speaker 4: somehow you still, you know, learn the entire routine, and 112 00:06:37,240 --> 00:06:39,360 Speaker 4: you know, found your own way. You know, what you're 113 00:06:39,400 --> 00:06:44,360 Speaker 4: really good at. I think is tell me one thing. No, no, 114 00:06:44,400 --> 00:06:47,720 Speaker 4: I'll tell you exactly what it is. It's when I 115 00:06:47,839 --> 00:06:49,640 Speaker 4: kind of like paint a picture for you. I give 116 00:06:49,680 --> 00:06:55,479 Speaker 4: you like an associative, you know, like idea you Like 117 00:06:55,560 --> 00:06:58,159 Speaker 4: you said, you're very visual, right, Like you visualize it, 118 00:06:58,240 --> 00:07:01,000 Speaker 4: you see it, and then you like try slate into movement, 119 00:07:01,160 --> 00:07:03,920 Speaker 4: you know, like sometimes we do an R movement and 120 00:07:03,960 --> 00:07:08,200 Speaker 4: I will say, like eagles swings right, and you write 121 00:07:08,240 --> 00:07:10,320 Speaker 4: away picture it and you do it and you commit 122 00:07:10,400 --> 00:07:13,560 Speaker 4: to it. Yeah, And I think, like, I mean, you're 123 00:07:13,720 --> 00:07:16,080 Speaker 4: you're an actor, you're an artist. I think you have 124 00:07:16,160 --> 00:07:20,360 Speaker 4: a very artistic way of seeing things and doing things, 125 00:07:20,800 --> 00:07:24,600 Speaker 4: you know, not maybe like an engineer or like a mathematician. 126 00:07:24,680 --> 00:07:29,680 Speaker 4: You know. I think like it's very painty, very melodic, 127 00:07:30,040 --> 00:07:36,559 Speaker 4: very artistic, very very very interesting. Yeah, thank you, you're welcome. 128 00:07:38,920 --> 00:07:41,600 Speaker 2: Yeah, it's really weird. Like I don't like numbers and 129 00:07:41,960 --> 00:07:46,480 Speaker 2: I am terrible at math, but I can remember like 130 00:07:47,720 --> 00:07:52,280 Speaker 2: weird numbers, like. 131 00:07:50,880 --> 00:07:55,160 Speaker 4: Like people's birthdays and stuff like that. 132 00:07:55,240 --> 00:08:03,920 Speaker 2: Okay, I know your birthday May twenty eight, Torres Gemini, Yep. No, 133 00:08:04,080 --> 00:08:07,160 Speaker 2: Like I don't know if someone's like there, I don't 134 00:08:07,200 --> 00:08:11,200 Speaker 2: know some random number like there were what we were 135 00:08:11,240 --> 00:08:13,800 Speaker 2: talking at. This is a bad example. Wait, but we 136 00:08:13,800 --> 00:08:16,800 Speaker 2: were talking yesterday about that documentary and it was like, oh, 137 00:08:16,840 --> 00:08:20,320 Speaker 2: there were fifty one bodies or whatever, Like I'll remember 138 00:08:20,360 --> 00:08:20,800 Speaker 2: that number. 139 00:08:22,080 --> 00:08:26,160 Speaker 4: What about some murder documentary fifty one bodies? 140 00:08:27,760 --> 00:08:30,840 Speaker 2: Oh my god, yeah, I'll remember that. But and I'll 141 00:08:30,880 --> 00:08:34,720 Speaker 2: remember like dates, and I'll remember Yeah, I have a 142 00:08:34,760 --> 00:08:36,760 Speaker 2: really really good memory. It's just when you tell me 143 00:08:36,840 --> 00:08:38,760 Speaker 2: direction and stuff in the moment, I can't do it. 144 00:08:39,320 --> 00:08:43,280 Speaker 4: You know when they say, like guys they can't remember 145 00:08:43,360 --> 00:08:46,440 Speaker 4: like any bversaries. But then they'll remember how many goals 146 00:08:46,520 --> 00:08:49,760 Speaker 4: their favorite football teams last season and all like yeah, 147 00:08:49,800 --> 00:08:51,760 Speaker 4: so that's me. No, No, I'm just saying, you know, 148 00:08:51,760 --> 00:08:55,600 Speaker 4: I think it's it's like it's like a selective, selective thing. 149 00:08:55,640 --> 00:08:57,160 Speaker 4: You know, when you kind of like things that like 150 00:08:57,320 --> 00:09:00,600 Speaker 4: interest you, you you remember, you know, like you're interested 151 00:09:00,640 --> 00:09:02,840 Speaker 4: in maybe in that documentary that you watched, to remember 152 00:09:02,880 --> 00:09:04,600 Speaker 4: all the numbers from. 153 00:09:04,480 --> 00:09:09,400 Speaker 2: That maybe like oh pretty much like I don't know, 154 00:09:09,440 --> 00:09:11,440 Speaker 2: like a year from now, we could go back and 155 00:09:11,600 --> 00:09:15,360 Speaker 2: remember like conversations and I'll remember like jokes you made 156 00:09:15,480 --> 00:09:20,080 Speaker 2: or like things like random like very specific things. I'll 157 00:09:20,080 --> 00:09:25,480 Speaker 2: remember exactly what you said like during the entire conversation. Now, 158 00:09:25,520 --> 00:09:26,640 Speaker 2: do you think I'm even weirder? 159 00:09:26,800 --> 00:09:31,080 Speaker 4: No? No, No, I think it's it's also I think 160 00:09:31,120 --> 00:09:34,960 Speaker 4: like teaching over the years, you know, because I mean, 161 00:09:35,040 --> 00:09:37,559 Speaker 4: I've been teaching since I was fifteen years old, right, 162 00:09:37,600 --> 00:09:39,800 Speaker 4: Like that's how I was like making money when I 163 00:09:39,880 --> 00:09:44,560 Speaker 4: lived in New York. So I've taught everybody from little 164 00:09:44,640 --> 00:09:49,240 Speaker 4: kids to senior years, people who were trying to do 165 00:09:49,360 --> 00:09:52,120 Speaker 4: dancing professionally to people who were doing it as a hobby, 166 00:09:53,080 --> 00:09:56,040 Speaker 4: waiting couples. And it's just interesting because everybody learns a 167 00:09:56,040 --> 00:09:58,560 Speaker 4: different way, you know. And I feel like for me, 168 00:09:58,640 --> 00:10:02,480 Speaker 4: that was the most excited thing is to find, you know, 169 00:10:02,600 --> 00:10:04,960 Speaker 4: what would work, what kind of explanation would work for 170 00:10:05,000 --> 00:10:07,880 Speaker 4: that person. And you just find, you know, a variety 171 00:10:08,040 --> 00:10:11,160 Speaker 4: of so many different characters and so many different people 172 00:10:11,160 --> 00:10:14,000 Speaker 4: that learn, you know, and remember things in such a 173 00:10:14,000 --> 00:10:16,680 Speaker 4: different way. So, I mean, I think it's interesting because 174 00:10:16,720 --> 00:10:20,120 Speaker 4: like we're all different, you know, we all see things differently, 175 00:10:20,200 --> 00:10:24,000 Speaker 4: well remember things differently. Me personally, I have like a 176 00:10:24,040 --> 00:10:28,280 Speaker 4: photographic memory, you know, So for you what is it? 177 00:10:28,360 --> 00:10:30,200 Speaker 4: Is there like words for the type that you have, 178 00:10:30,720 --> 00:10:30,959 Speaker 4: Like I. 179 00:10:30,880 --> 00:10:33,640 Speaker 2: Thought it was photographic, but I guess it's oh maybe 180 00:10:33,679 --> 00:10:34,040 Speaker 2: it is two. 181 00:10:34,080 --> 00:10:36,000 Speaker 4: I don't know, is it. I don't know when you 182 00:10:36,040 --> 00:10:38,080 Speaker 4: remember those things, like do you remember like as a 183 00:10:38,080 --> 00:10:40,720 Speaker 4: picture or do you remember it as a like when 184 00:10:40,760 --> 00:10:42,439 Speaker 4: you're say in the details, like what I said, so 185 00:10:42,520 --> 00:10:46,320 Speaker 4: you remember the the words the joke, or like. 186 00:10:48,480 --> 00:10:52,240 Speaker 2: I'll just remember, but yeah, I could play it back 187 00:10:52,240 --> 00:10:53,959 Speaker 2: in my head like watching a. 188 00:10:53,920 --> 00:10:54,959 Speaker 4: Movie like a recording. 189 00:10:55,160 --> 00:10:59,079 Speaker 2: Yeah, okay, yeah, yeah, like every day we're rehearsal. 190 00:10:59,559 --> 00:11:03,640 Speaker 4: But but but but but but your video goes like 191 00:11:03,760 --> 00:11:06,960 Speaker 4: with audio, right, like with the joke being said. Yeah, 192 00:11:07,040 --> 00:11:10,559 Speaker 4: you see. For me, it's more like I think it's 193 00:11:10,600 --> 00:11:12,880 Speaker 4: without the audio. I think it's like still images, you 194 00:11:12,920 --> 00:11:16,040 Speaker 4: know what I mean. I remember like like still images. 195 00:11:16,200 --> 00:11:18,880 Speaker 4: I mean, yeah, they may be moving, you know, but 196 00:11:19,480 --> 00:11:23,640 Speaker 4: I don't think it's like a movie with like with audio. 197 00:11:24,720 --> 00:11:27,400 Speaker 2: Hmm. Interesting, But I can't remember the dance moves. That 198 00:11:27,440 --> 00:11:31,000 Speaker 2: way sucks for you. 199 00:11:31,040 --> 00:11:34,000 Speaker 4: No, yeah, whatever whatever works for you. You know what, listen, 200 00:11:34,080 --> 00:11:38,400 Speaker 4: you learned the first dance, right, so you did it 201 00:11:38,480 --> 00:11:42,199 Speaker 4: somehow whatever, whatever, I don't, you use, whichever technique you use, 202 00:11:42,520 --> 00:11:44,600 Speaker 4: doesn't matter. If nobody knows how you learned, As long. 203 00:11:44,480 --> 00:11:46,480 Speaker 2: As you do, I don't know, it's all credit to you. 204 00:11:46,920 --> 00:11:50,320 Speaker 2: It's so interesting because they videotape us every rehearsal, like 205 00:11:50,480 --> 00:11:53,040 Speaker 2: everything is on camera. But then when you see the 206 00:11:53,400 --> 00:11:56,960 Speaker 2: see it on TV it's like what thirty seconds, like 207 00:11:57,040 --> 00:11:59,840 Speaker 2: nothings like the behind the scenes. 208 00:11:59,600 --> 00:12:02,600 Speaker 4: Oh yeah, yeah, yeah, yeah, behind the scenes in the package, 209 00:12:02,679 --> 00:12:05,880 Speaker 4: which is before the dance. It's just a tiny little thing. 210 00:12:05,720 --> 00:12:10,480 Speaker 2: You know, but they record everything hours every day. That 211 00:12:10,520 --> 00:12:12,160 Speaker 2: part is really interesting. 212 00:12:11,760 --> 00:12:18,280 Speaker 4: To me because, look, it is a reality TV and 213 00:12:20,040 --> 00:12:22,880 Speaker 4: every step that would take is being recorded because you 214 00:12:22,960 --> 00:12:25,600 Speaker 4: never know, you know, like what's gonna happen at which moment. 215 00:12:25,640 --> 00:12:29,240 Speaker 4: You know, like you can't predict when you're gonna say something, 216 00:12:29,440 --> 00:12:33,040 Speaker 4: or when I don't know when somebody's gonna trip, or 217 00:12:33,040 --> 00:12:38,520 Speaker 4: when somebody's gonna break down from you know, the pressure 218 00:12:38,559 --> 00:12:40,880 Speaker 4: of it all or opposite, you know, like have a 219 00:12:40,920 --> 00:12:43,920 Speaker 4: breakthrough moment of when couldn't get the step and now yes, 220 00:12:43,960 --> 00:12:46,680 Speaker 4: I finally got it an excitement. It's like, I feel like, 221 00:12:46,720 --> 00:12:50,680 Speaker 4: if you don't record non stop, you'll never get those 222 00:12:50,679 --> 00:12:51,720 Speaker 4: special moments. You know. 223 00:12:51,960 --> 00:12:55,080 Speaker 2: It's true, but that could be another show within the show. 224 00:12:55,679 --> 00:12:57,840 Speaker 4: That should be a hope, that should be I mean, yeah, 225 00:12:57,960 --> 00:12:58,760 Speaker 4: I wouldn't. 226 00:12:58,400 --> 00:13:00,520 Speaker 2: Want to follow that part because it's so. 227 00:13:01,240 --> 00:13:03,240 Speaker 4: We just need to then have them air it not 228 00:13:03,320 --> 00:13:06,280 Speaker 4: for two hours, but like sixteen hours from yere, sixteen 229 00:13:06,280 --> 00:13:06,800 Speaker 4: hour from here. 230 00:13:07,640 --> 00:13:09,040 Speaker 2: No, but they could just put on one of their 231 00:13:09,080 --> 00:13:13,040 Speaker 2: other be on Disney Plus or on Hulu. Should we 232 00:13:13,040 --> 00:13:24,520 Speaker 2: tell them? Imagine when I'm what do you think? What 233 00:13:24,600 --> 00:13:26,160 Speaker 2: do I say when I mess up the most? 234 00:13:26,200 --> 00:13:26,320 Speaker 4: Like? 235 00:13:26,360 --> 00:13:27,720 Speaker 2: What's the number one thing I say? 236 00:13:27,880 --> 00:13:29,640 Speaker 4: It's I don't know if I'm allowed to say it 237 00:13:29,640 --> 00:13:30,080 Speaker 4: on camera? 238 00:13:30,200 --> 00:13:34,600 Speaker 2: We could say anything in here? Yeah, what do I 239 00:13:34,640 --> 00:13:36,520 Speaker 2: say the most? 240 00:13:36,800 --> 00:13:40,480 Speaker 4: I think? Actually? You know what you do? You make sounds? 241 00:13:41,920 --> 00:13:44,520 Speaker 4: That's what actually don't Actually, And now that I'm really 242 00:13:44,559 --> 00:13:46,880 Speaker 4: playing it back in my head and I'm watching the 243 00:13:46,960 --> 00:13:49,560 Speaker 4: movie with the audio, You're actually not saying. You just 244 00:13:49,600 --> 00:13:54,640 Speaker 4: go like hmm or like like different sounds. 245 00:13:54,720 --> 00:14:06,000 Speaker 2: Yeah, yeah, I get Yeah, I do make sounds like that. 246 00:14:06,280 --> 00:14:09,040 Speaker 2: Yeah yeah. 247 00:14:09,200 --> 00:14:12,839 Speaker 4: Is that gross? No? And then you usually when you 248 00:14:12,920 --> 00:14:15,280 Speaker 4: get something right and you're very excited, you laugh. 249 00:14:16,520 --> 00:14:20,480 Speaker 2: I do, yeah, like my happy dance, like my happy laugh? 250 00:14:20,600 --> 00:14:20,800 Speaker 4: Yeah. 251 00:14:21,880 --> 00:14:27,040 Speaker 2: Interesting? Wow? Am I the only girl to ever do that? 252 00:14:27,520 --> 00:14:29,600 Speaker 2: To huff and puff and blow the house downe? 253 00:14:30,240 --> 00:14:33,600 Speaker 4: No? No, I think honestly that could be another show 254 00:14:33,880 --> 00:14:38,240 Speaker 4: is to have, you know, not to have like the 255 00:14:38,440 --> 00:14:43,520 Speaker 4: entire audio of what's happening while we're dancing, right, because 256 00:14:44,280 --> 00:14:48,600 Speaker 4: as pros, right, we sometimes we count. Sometimes we have 257 00:14:48,680 --> 00:14:51,400 Speaker 4: some kind of keywords. Right as we dance. In the 258 00:14:51,440 --> 00:14:54,440 Speaker 4: middle of the dance, we're saying things like I don't know, 259 00:14:54,600 --> 00:14:58,240 Speaker 4: straighten your leg, or we call some moves like I 260 00:14:58,280 --> 00:15:01,160 Speaker 4: don't know, this is butterfly whatever, you know, we come 261 00:15:01,240 --> 00:15:04,320 Speaker 4: up with the names, or right now, this is the 262 00:15:04,400 --> 00:15:07,120 Speaker 4: lock step, or we count like one, two, three, whatever 263 00:15:07,120 --> 00:15:09,960 Speaker 4: it is. Right. So imagine if we had like instead 264 00:15:10,000 --> 00:15:14,440 Speaker 4: of the track plane, just that, you know, like the 265 00:15:14,600 --> 00:15:17,920 Speaker 4: entire time, just like what is actually happening, what we're saying, 266 00:15:18,360 --> 00:15:21,400 Speaker 4: and how you're laughing about it at the same time. 267 00:15:22,720 --> 00:15:24,880 Speaker 4: Oh my gosh, that could be a cool remix. 268 00:15:25,640 --> 00:15:27,360 Speaker 2: But you always say that you're saying things to me, 269 00:15:27,400 --> 00:15:28,520 Speaker 2: But I say, I never hear you. 270 00:15:32,000 --> 00:15:34,200 Speaker 4: I think you do. I think you do because I 271 00:15:34,200 --> 00:15:37,720 Speaker 4: do it. Yeah, I think I think somewhere like subconscious 272 00:15:37,720 --> 00:15:40,480 Speaker 4: because I think you're so busy thinking yourself. Yes, but 273 00:15:40,520 --> 00:15:43,000 Speaker 4: then somewhere there in the back of your head, like 274 00:15:43,120 --> 00:15:43,920 Speaker 4: I think you hear me. 275 00:15:45,680 --> 00:15:47,360 Speaker 2: That's so weird because I always ask, I'm like, are 276 00:15:47,360 --> 00:15:49,040 Speaker 2: you going to say things? You're like I do the 277 00:15:49,080 --> 00:15:51,840 Speaker 2: whole time, and I don't hear a word. 278 00:15:52,600 --> 00:15:55,920 Speaker 4: I think. Same thing with when we're dancing, like depends 279 00:15:55,960 --> 00:15:59,080 Speaker 4: on the camera. Sometimes there's literally somebody on the floor 280 00:16:00,280 --> 00:16:03,200 Speaker 4: with us, you know, like with camera on the dance 281 00:16:03,200 --> 00:16:05,240 Speaker 4: floor with us, right like as we're dancing, if it's 282 00:16:05,240 --> 00:16:09,200 Speaker 4: a steady for example. And the funny thing is we're 283 00:16:09,240 --> 00:16:11,960 Speaker 4: so absorbed in the dance in the moment that you 284 00:16:12,000 --> 00:16:15,240 Speaker 4: don't even notice, you know, and then you like look back, 285 00:16:15,400 --> 00:16:18,560 Speaker 4: of course you see a good camera angle, and then 286 00:16:18,600 --> 00:16:21,040 Speaker 4: whoever stad in the audience they see that, you know, 287 00:16:22,560 --> 00:16:27,440 Speaker 4: the cameramen ran out onto the floor, you know, and 288 00:16:27,640 --> 00:16:30,240 Speaker 4: was maybe even running around us with the camera. But 289 00:16:30,480 --> 00:16:34,360 Speaker 4: like from my perspective, interestingly enough, like when I'm dancing, 290 00:16:34,640 --> 00:16:39,160 Speaker 4: like I I don't even like, you know, like I 291 00:16:39,160 --> 00:16:40,360 Speaker 4: don't even feel them there. 292 00:16:40,520 --> 00:16:40,920 Speaker 2: Really. 293 00:16:41,040 --> 00:16:43,520 Speaker 4: Yeah, it's interesting because you're so absorbed in you know, 294 00:16:43,560 --> 00:16:46,960 Speaker 4: in your body and what's happening that you know, you 295 00:16:47,120 --> 00:16:50,640 Speaker 4: kind of like lose I feel like you lose the judges, 296 00:16:50,680 --> 00:16:52,840 Speaker 4: you lose the audience. You know, you're just so busy 297 00:16:52,920 --> 00:16:55,880 Speaker 4: with with dancing. You know, there's just so many things 298 00:16:55,960 --> 00:16:57,920 Speaker 4: we need to do, and you know in those in 299 00:16:58,000 --> 00:17:04,359 Speaker 4: that time, I'm getting nervous. I mean, it's normal, guys. 300 00:17:04,359 --> 00:17:08,320 Speaker 4: We had a whole conversation yesterday to like mentally prepare 301 00:17:08,320 --> 00:17:15,760 Speaker 4: ourselves about being nervous, right, And I told Torri, I said, 302 00:17:15,440 --> 00:17:18,920 Speaker 4: this is something she's doing outside of her comfort zone 303 00:17:19,080 --> 00:17:24,040 Speaker 4: right beyond, and this is something that's my comfort zone 304 00:17:24,080 --> 00:17:26,040 Speaker 4: because I've been doing this since I was ten years 305 00:17:26,040 --> 00:17:31,080 Speaker 4: old and I competed, my competed my entire life, and 306 00:17:32,160 --> 00:17:36,359 Speaker 4: you know, did for many years the live TV show 307 00:17:36,680 --> 00:17:40,160 Speaker 4: and tours, you know, performing live in front of the audience, 308 00:17:40,680 --> 00:17:43,119 Speaker 4: And to this day, every single time I need to 309 00:17:43,200 --> 00:17:45,080 Speaker 4: go and perform, I get nervous. And I don't know, 310 00:17:45,119 --> 00:17:47,480 Speaker 4: I feel like it's and I don't think I'm the 311 00:17:47,520 --> 00:17:49,639 Speaker 4: only one. I feel like everybody does, you know, I 312 00:17:49,640 --> 00:17:51,560 Speaker 4: think like it's it's enormous. So we have this whole 313 00:17:51,600 --> 00:17:55,639 Speaker 4: conversation yesterday that yes, I'm in my comfort zone and 314 00:17:55,680 --> 00:17:59,720 Speaker 4: I still get nervous. So props to all the celebs. 315 00:17:59,760 --> 00:18:02,600 Speaker 4: You know, like, you know, you guys are coming from 316 00:18:02,760 --> 00:18:05,399 Speaker 4: all walks of life. You know, somebody's coming from acting, 317 00:18:05,440 --> 00:18:10,240 Speaker 4: somebody's coming from sports, somebody's coming from reality TV or 318 00:18:10,400 --> 00:18:14,080 Speaker 4: you know something else, and you're putting yourself out there, 319 00:18:14,280 --> 00:18:17,639 Speaker 4: you know. So it's I think it's like such a 320 00:18:19,040 --> 00:18:20,640 Speaker 4: you know, it's like if I had to do right now, 321 00:18:20,680 --> 00:18:22,960 Speaker 4: something out of my comfort zone. I had to learn 322 00:18:23,000 --> 00:18:25,760 Speaker 4: it in a week and perform in front of like 323 00:18:25,800 --> 00:18:27,240 Speaker 4: millions of people. I freak out. 324 00:18:27,400 --> 00:18:30,520 Speaker 2: Probably oh wait, okay, for me will. 325 00:18:30,440 --> 00:18:34,480 Speaker 4: Be out on my comfort zone for sure singing because 326 00:18:34,680 --> 00:18:38,879 Speaker 4: I cannot sing. If my life depends on I just 327 00:18:40,040 --> 00:18:45,359 Speaker 4: can't sing for sure? Are you telling deaf? Honestly, I 328 00:18:45,359 --> 00:18:50,080 Speaker 4: don't even know. First of all, again, I've never really tried. 329 00:18:50,400 --> 00:18:52,760 Speaker 4: I've never really tried to learning in the car. I 330 00:18:52,880 --> 00:18:57,119 Speaker 4: just don't shower. I don't sing in the shower. I 331 00:18:57,280 --> 00:18:59,720 Speaker 4: do sing in the car, but I kind of sing 332 00:18:59,720 --> 00:19:03,879 Speaker 4: a lot on just mouthing the words, you know, the lyrics, 333 00:19:04,040 --> 00:19:05,920 Speaker 4: and they like to like, you know, for me, it's 334 00:19:05,960 --> 00:19:09,680 Speaker 4: more about like how the words hit the beat, I guess, 335 00:19:09,680 --> 00:19:11,480 Speaker 4: like as a dancer. For me, it's like mos staying 336 00:19:11,480 --> 00:19:14,280 Speaker 4: in the pocket, you know, and feeling the the rhythm 337 00:19:14,320 --> 00:19:19,639 Speaker 4: of the song like that. Can you rapin? Really? Yeah? 338 00:19:19,760 --> 00:19:21,040 Speaker 2: I would think you could. 339 00:19:21,840 --> 00:19:28,560 Speaker 4: I mean again, I've never a freestyle yet about it now. Yeah, 340 00:19:28,600 --> 00:19:33,440 Speaker 4: So I imagine if I had just I just did 341 00:19:33,480 --> 00:19:34,119 Speaker 4: you get nervous? 342 00:19:34,200 --> 00:19:35,120 Speaker 2: That feeling you just got. 343 00:19:35,960 --> 00:19:38,800 Speaker 4: I just thought that if I had to Somebody said 344 00:19:38,840 --> 00:19:42,480 Speaker 4: you have to go and compete in like freestyle rap battle. 345 00:19:42,280 --> 00:19:44,640 Speaker 2: Like right now, live audience. 346 00:19:44,800 --> 00:19:47,040 Speaker 4: Yeah, I would be like, I have no idea what 347 00:19:47,119 --> 00:19:55,119 Speaker 4: to even start, burned down in flames, for sure, but 348 00:19:55,200 --> 00:19:57,520 Speaker 4: I would do some cool dance moves as I'm doing it. 349 00:19:57,760 --> 00:19:59,679 Speaker 4: For sure, I wouldn't say any thing, but I'd be like, 350 00:20:00,280 --> 00:20:02,159 Speaker 4: let's do a dance battle instead. 351 00:20:10,240 --> 00:20:14,679 Speaker 2: Oh my gosh. I keep it really hopeful today and 352 00:20:14,720 --> 00:20:17,040 Speaker 2: I'm really nervous now until nauseous. 353 00:20:18,280 --> 00:20:22,280 Speaker 4: Yeah, yeah, I mean, I don't blame you. I get it. 354 00:20:22,359 --> 00:20:26,320 Speaker 4: I get it, I get it, but it's exciting at 355 00:20:26,320 --> 00:20:29,400 Speaker 4: the same time. We also, yesterday you want to tell, 356 00:20:31,800 --> 00:20:35,679 Speaker 4: we did Show and Tell. So Show and Tell is 357 00:20:36,280 --> 00:20:38,840 Speaker 4: you know, we're at the studio. We have several rooms 358 00:20:38,880 --> 00:20:41,720 Speaker 4: in the studio, and of course because we have several rooms, 359 00:20:41,720 --> 00:20:44,359 Speaker 4: we have several couples practicing at the same time in 360 00:20:44,400 --> 00:20:50,000 Speaker 4: each room. Right, So sometimes you know, be close to 361 00:20:50,119 --> 00:20:53,120 Speaker 4: the show day, you know, we see who is around 362 00:20:53,160 --> 00:20:55,560 Speaker 4: and we invite everybody into the same room so we 363 00:20:55,640 --> 00:20:58,959 Speaker 4: can all show each other, you know, what we've prepared 364 00:20:59,119 --> 00:21:06,040 Speaker 4: for this week's dance. Right, So, yesterday Reggie and Emma 365 00:21:06,160 --> 00:21:09,560 Speaker 4: win in the studio and Gladden Brooks were at the 366 00:21:09,600 --> 00:21:12,400 Speaker 4: studio at the same time, practicing with us, so we 367 00:21:12,440 --> 00:21:14,560 Speaker 4: all decided to do a little show and tell, you know, 368 00:21:14,680 --> 00:21:19,639 Speaker 4: show each other with dances again, just spend some time together, 369 00:21:19,680 --> 00:21:21,760 Speaker 4: you know. And so everybody's in the same boat, right, 370 00:21:21,800 --> 00:21:28,119 Speaker 4: everybody's nervous first performance, and Torri when I said let's 371 00:21:28,119 --> 00:21:30,280 Speaker 4: do it, she was like she was a bit what 372 00:21:30,440 --> 00:21:34,280 Speaker 4: is the right word, like hesitant, like a little nervous, right, 373 00:21:34,440 --> 00:21:38,399 Speaker 4: But then she did it and I said no, and 374 00:21:38,440 --> 00:21:41,520 Speaker 4: then then she like you should have seen her face, 375 00:21:41,800 --> 00:21:46,000 Speaker 4: like there was euphoria. 376 00:21:44,840 --> 00:21:49,159 Speaker 1: When after after Yeah, but you know, you enjoyed it, 377 00:21:49,280 --> 00:21:53,040 Speaker 1: you know, you know, you enjoyed the process, like the camaraderie, 378 00:21:53,280 --> 00:21:58,280 Speaker 1: the friendship, the excitement, you know, and the nerves, I think, 379 00:21:58,320 --> 00:21:59,120 Speaker 1: the whole thing together. 380 00:21:59,560 --> 00:22:02,240 Speaker 2: Play Rock paper scissors to see who went first, second, 381 00:22:02,240 --> 00:22:02,720 Speaker 2: and third. 382 00:22:03,800 --> 00:22:07,080 Speaker 4: Yeah, I posted the story yes steady asking everybody that's 383 00:22:07,200 --> 00:22:08,680 Speaker 4: that's the right answer right there. 384 00:22:08,760 --> 00:22:13,520 Speaker 2: And I reposted it and everyone's like, what are they doing? Yeah? 385 00:22:13,560 --> 00:22:16,239 Speaker 2: And I lost both times, so I went third. We 386 00:22:16,280 --> 00:22:18,200 Speaker 2: went third, which was good though. 387 00:22:19,560 --> 00:22:22,479 Speaker 4: Yeah, you saw everybody dance before you went on and 388 00:22:22,520 --> 00:22:25,120 Speaker 4: then you went. I mean, honestly, I guess it depends 389 00:22:25,160 --> 00:22:28,000 Speaker 4: on a person, right, I guess. 390 00:22:27,440 --> 00:22:30,080 Speaker 2: I don't know. I just feel like and we've all 391 00:22:30,119 --> 00:22:33,600 Speaker 2: been getting to know each other because we're rehearsing every 392 00:22:33,680 --> 00:22:37,120 Speaker 2: day and everyone is so supportive. That was great too, 393 00:22:37,240 --> 00:22:40,640 Speaker 2: Like after we were all done just being able, everyone 394 00:22:40,760 --> 00:22:43,600 Speaker 2: was hugging each other and congratulating. It was just great. 395 00:22:44,000 --> 00:22:48,920 Speaker 2: Like I like that part, Like there's no competitiveness even 396 00:22:48,960 --> 00:22:50,280 Speaker 2: though it's a competition. 397 00:22:51,240 --> 00:22:53,919 Speaker 4: You know what I think, I think because it is 398 00:22:53,920 --> 00:22:58,639 Speaker 4: a competition, right, but within the competition, everybody's really just 399 00:22:58,680 --> 00:23:01,760 Speaker 4: trying to survive and do their personal best, because again, 400 00:23:02,640 --> 00:23:06,080 Speaker 4: you're not all competing in one thing that you all 401 00:23:06,560 --> 00:23:09,000 Speaker 4: are comfortable in, right. Everybody comes and I feel like 402 00:23:09,080 --> 00:23:12,200 Speaker 4: everybody understands each other, like, hey, I'm in the same 403 00:23:12,240 --> 00:23:15,840 Speaker 4: boat with you, Like this is not comfortable for me, right, yes, 404 00:23:16,040 --> 00:23:18,480 Speaker 4: So I feel like it creates this camaraderie. And you know, 405 00:23:18,520 --> 00:23:21,480 Speaker 4: when you hear people say like, oh, this feels like 406 00:23:21,520 --> 00:23:24,159 Speaker 4: one big family, it truly is. And this was only 407 00:23:24,200 --> 00:23:28,720 Speaker 4: a small little thing that you experienced with three couples 408 00:23:28,760 --> 00:23:32,159 Speaker 4: in the studio, But just imagine what it's going to 409 00:23:32,200 --> 00:23:35,760 Speaker 4: be like. What it's going to be like, you know, 410 00:23:35,800 --> 00:23:40,560 Speaker 4: on a live show when everybody's there, right, like, when 411 00:23:40,600 --> 00:23:45,399 Speaker 4: everybody's there supporting each other and you know, the whole group. 412 00:23:45,680 --> 00:23:47,840 Speaker 4: So when they say like, oh, like we become like 413 00:23:47,960 --> 00:23:52,000 Speaker 4: one big family over the season. So yes, as I 414 00:23:52,080 --> 00:23:54,400 Speaker 4: was saying too, like before we go and do our 415 00:23:54,640 --> 00:23:59,680 Speaker 4: actual camera block right now, yesterday was for me to 416 00:23:59,720 --> 00:24:04,400 Speaker 4: see from the outside, you know, like how how excited 417 00:24:04,520 --> 00:24:07,720 Speaker 4: you wear after the show? And Tell? Now, I'm even 418 00:24:07,760 --> 00:24:10,120 Speaker 4: more excited for you to do the actual life show 419 00:24:10,240 --> 00:24:15,879 Speaker 4: because it's that but a hundred times more exciting, you know, 420 00:24:16,040 --> 00:24:19,280 Speaker 4: like now you see everybody. Now everybody's in costumes and 421 00:24:19,320 --> 00:24:24,399 Speaker 4: there are lights and camera and audience and guys, this 422 00:24:24,440 --> 00:24:26,680 Speaker 4: is exactly what she was doing yesterday before the show, 423 00:24:26,720 --> 00:24:29,920 Speaker 4: and Tell exactly the same. But then she came out 424 00:24:29,960 --> 00:24:31,360 Speaker 4: and she was euphoric. 425 00:24:31,000 --> 00:24:36,320 Speaker 2: So freaking out. Yeah no, because this is like it's 426 00:24:36,359 --> 00:24:40,479 Speaker 2: so much pressure and my like, I know, I know, 427 00:24:40,880 --> 00:24:44,400 Speaker 2: but for me, like my biggest thing is I don't 428 00:24:44,400 --> 00:24:47,959 Speaker 2: want to let you down me duh. 429 00:24:48,280 --> 00:24:50,600 Speaker 4: You well, first of all. 430 00:24:50,800 --> 00:24:53,439 Speaker 2: We're in this together, right, like where are we now? 431 00:24:53,920 --> 00:25:01,240 Speaker 4: First of all, already you already did so much and 432 00:25:01,240 --> 00:25:05,840 Speaker 4: I'm already so proud of you. Five kids shows up 433 00:25:06,440 --> 00:25:14,080 Speaker 4: every day rehearses totally like ten to fifteen minutes, like yeah, 434 00:25:14,240 --> 00:25:17,680 Speaker 4: they all know, yeah, but you know what I mean, 435 00:25:17,760 --> 00:25:22,040 Speaker 4: you show up. You you're committed. You know, no matter 436 00:25:22,119 --> 00:25:26,359 Speaker 4: whether you were like sore tired, you know, you just 437 00:25:26,440 --> 00:25:29,359 Speaker 4: show up when you do your things. So it's already 438 00:25:29,760 --> 00:25:31,679 Speaker 4: too late. You already didn't let me down. You already 439 00:25:31,680 --> 00:25:34,040 Speaker 4: showed up and you did your personal best. That's all 440 00:25:34,080 --> 00:25:34,639 Speaker 4: I can ask for. 441 00:25:34,840 --> 00:25:39,440 Speaker 2: So my best friend Jess, thank you. My best friend 442 00:25:39,520 --> 00:25:41,680 Speaker 2: Jess says she wants to at some point in life 443 00:25:41,760 --> 00:25:46,520 Speaker 2: pick your brain because she doesn't know how you get 444 00:25:46,520 --> 00:25:57,560 Speaker 2: me to focus. And I was and she was like, wait, 445 00:25:58,080 --> 00:26:00,600 Speaker 2: what do you mean. I was like, She's like, and 446 00:26:00,680 --> 00:26:05,480 Speaker 2: you don't procrastinate, like take breaks and like tell stories. 447 00:26:05,560 --> 00:26:08,280 Speaker 2: And I was like no, and she's like, well, I 448 00:26:08,280 --> 00:26:11,200 Speaker 2: don't understand, Like in every other like this is you, 449 00:26:11,320 --> 00:26:13,159 Speaker 2: how does he get you to focus? And I was like, 450 00:26:13,200 --> 00:26:13,679 Speaker 2: I don't know. 451 00:26:16,400 --> 00:26:17,080 Speaker 3: I don't know either. 452 00:26:17,840 --> 00:26:22,560 Speaker 4: I mean for me, you've been like you've been focused again. 453 00:26:22,600 --> 00:26:25,720 Speaker 4: I think it's also the pressure of time, because you 454 00:26:25,880 --> 00:26:30,000 Speaker 4: know that we have to perform live in several days. 455 00:26:30,200 --> 00:26:34,000 Speaker 3: So I think the pressure is there, and maybe the. 456 00:26:33,960 --> 00:26:36,399 Speaker 4: Pressure is what you know, what's that extra focus and 457 00:26:36,480 --> 00:26:37,200 Speaker 4: extra education. 458 00:26:37,840 --> 00:26:43,440 Speaker 2: No, I honestly, I honestly I think it's you. Yeah, 459 00:26:43,480 --> 00:26:44,600 Speaker 2: Like I don't. 460 00:26:44,359 --> 00:26:47,200 Speaker 3: Get I'm going to take the credit for think you. 461 00:26:47,240 --> 00:26:51,160 Speaker 2: No, I'm serious, Like, I don't know personality wise, if 462 00:26:51,160 --> 00:26:54,520 Speaker 2: I would have been suited for another dance pro what 463 00:26:54,720 --> 00:27:04,360 Speaker 2: I even, I don't We'll never know. Mhm, like pro 464 00:27:04,520 --> 00:27:08,160 Speaker 2: swap instead of wife swap. Pro swap they did that. 465 00:27:08,200 --> 00:27:10,879 Speaker 4: There was there was like a sea where they did crush. 466 00:27:11,840 --> 00:27:16,720 Speaker 4: There was like there was swapping partners in the middle 467 00:27:16,720 --> 00:27:20,440 Speaker 4: of the season for a week or something. Yeah. I 468 00:27:20,480 --> 00:27:22,359 Speaker 4: wasn't on at that time yet, so I don't know, 469 00:27:22,680 --> 00:27:26,119 Speaker 4: like I haven't experienced it, but I know they did. 470 00:27:26,000 --> 00:27:26,640 Speaker 3: Something like that. 471 00:27:26,720 --> 00:27:30,439 Speaker 4: So all right, sorry, we yeah, we need to go 472 00:27:30,520 --> 00:27:32,000 Speaker 4: otherwise we're going to miss out blocking. 473 00:27:32,760 --> 00:27:34,560 Speaker 2: Oh and by the way, in this podcast, we don't 474 00:27:34,640 --> 00:27:37,919 Speaker 2: end it. You just end I mean on something funny. 475 00:27:37,960 --> 00:27:43,200 Speaker 4: Typically, Well, I'm not a finding person. I'm very serious 476 00:27:43,560 --> 00:27:44,120 Speaker 4: and dull. 477 00:27:44,280 --> 00:27:49,560 Speaker 3: So please wait wait, So that's so? That is it? 478 00:27:49,680 --> 00:27:53,280 Speaker 2: Like in a nutshell is basically I like hope and 479 00:27:53,359 --> 00:27:58,440 Speaker 2: navigate people through humor. And when I came in, I test, 480 00:27:58,560 --> 00:28:01,240 Speaker 2: you know, read the room. I always test to figure 481 00:28:01,280 --> 00:28:04,800 Speaker 2: out somebody like what they their personality is and how 482 00:28:04,800 --> 00:28:06,639 Speaker 2: far I can go with the humor, what type of humor? 483 00:28:07,440 --> 00:28:12,159 Speaker 2: And I think I didn't feel like I could push 484 00:28:12,240 --> 00:28:16,440 Speaker 2: my humor too far because we were rehearsing, like when 485 00:28:16,480 --> 00:28:19,080 Speaker 2: we're not rehearsing. So I think that helped me, like 486 00:28:19,119 --> 00:28:22,080 Speaker 2: get focused. Do you think I'm competitive? 487 00:28:23,000 --> 00:28:27,719 Speaker 4: I think you're competitive. I think you are very competitive. 488 00:28:28,160 --> 00:28:31,280 Speaker 4: I think so, yeah, crazy, Yeah, I think you're very. 489 00:28:31,119 --> 00:28:33,240 Speaker 3: Competitive right now. 490 00:28:33,240 --> 00:28:37,080 Speaker 4: I'm not sure if it's with the outside world or 491 00:28:37,119 --> 00:28:43,200 Speaker 4: with yourself, but the amount of dedication you were putting 492 00:28:43,280 --> 00:28:48,720 Speaker 4: in to improve feels like you're a competitive person. So again, 493 00:28:48,840 --> 00:28:50,880 Speaker 4: whether it's you know you're competing just with yourself to 494 00:28:50,920 --> 00:28:52,880 Speaker 4: be better, or whether you feel like there's a competition 495 00:28:52,880 --> 00:28:55,400 Speaker 4: from the outside that I don't know yet, but I 496 00:28:55,440 --> 00:28:57,600 Speaker 4: do feel you're competitive. Yeah, so. 497 00:28:59,160 --> 00:29:04,360 Speaker 2: Yeah competitive. Once I'm in something, I'm in it. Okay, Wait, 498 00:29:04,400 --> 00:29:05,880 Speaker 2: so we're gonna go to stage right now? Do we 499 00:29:05,880 --> 00:29:07,920 Speaker 2: get to find out what order we're in right now? 500 00:29:08,120 --> 00:29:08,520 Speaker 2: Right now? 501 00:29:08,600 --> 00:29:08,800 Speaker 3: Yeah? 502 00:29:08,880 --> 00:29:09,720 Speaker 2: Do you know already? 503 00:29:09,800 --> 00:29:11,840 Speaker 3: I don't, I really, I don't. 504 00:29:11,880 --> 00:29:15,760 Speaker 4: I swear, you know, I swear I wouldn't swear if 505 00:29:15,800 --> 00:29:18,680 Speaker 4: I didn't know I'm telling you, I don't know how. 506 00:29:18,640 --> 00:29:23,440 Speaker 2: Come Alan new because oh he already did rehearsal. Okay, Okay, 507 00:29:23,480 --> 00:29:25,720 Speaker 2: we're going right now. And I'm really scared because there's 508 00:29:25,760 --> 00:29:28,160 Speaker 2: twelve couples. And I was like, I don't want to 509 00:29:28,200 --> 00:29:32,120 Speaker 2: go first, and I don't want to go last. There's 510 00:29:32,120 --> 00:29:35,160 Speaker 2: thirteen couples. That's bad luck. 511 00:29:36,400 --> 00:29:37,400 Speaker 4: No it's not. 512 00:29:37,520 --> 00:29:40,640 Speaker 2: We'll get rid of one after the first week. I'm 513 00:29:40,720 --> 00:29:43,920 Speaker 2: just kidding. Okay, So I don't want to go first, 514 00:29:43,960 --> 00:29:46,280 Speaker 2: I don't want to go last. Okay, let's go. 515 00:29:46,240 --> 00:29:47,959 Speaker 4: Find out, all right. 516 00:29:47,960 --> 00:29:50,320 Speaker 2: Oh my god, I hope it's an even number. You know, 517 00:29:50,360 --> 00:29:51,640 Speaker 2: I hate odd numbers.