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Speaker 1: Hey, it's Danielle Fischl right or Strong and will Fredell.

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Speaker 1: But you know us best as Tapanga.

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Speaker 2: Sean and Eric from Boy Meets World.

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Speaker 1: And now Pod Meets World, the podcast where we've been

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Speaker 1: sitting down weekly to rewatch the show we starred in

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Speaker 1: as kids, and we've been unpacking well a lot, and.

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Speaker 3: We've been taking the show on the road with the

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Speaker 3: Kids Want to Jump Tour where Every stop in cities

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Speaker 3: across the US has been totally different and pretty hilarious,

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Speaker 3: if I do say so myself.

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Speaker 2: But we know not everyone could join us. So we're

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Speaker 2: happy to announce that our recent thirtieth anniversary of the show,

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Speaker 2: Live from the met in Philadelphia, will now be available

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Speaker 2: to stream no matter where you live.

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Speaker 1: Our biggest show yet in the hometown of the Matthews,

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Speaker 1: featuring appearances by Trina, Angela McGee, Matthew Lawrence aka Jack Hunter,

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Speaker 1: Tony Mister Turner Quinn, and Danny Harley McNulty, who makes

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Speaker 1: a very special surprise visit.

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Speaker 3: It was so much fun and now you can experience

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Speaker 3: it from the comfort of your own home.

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Speaker 2: It will be available on December eleventh at five pm Pacific.

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Speaker 2: You can learn more about how you can watch at

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Speaker 2: veeps dot Events slash Pod meets.

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Speaker 4: World December eleventh, your birthday.

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Speaker 1: That's try and this stream will be the only way

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Speaker 1: to see or hear the Philadelphia show. We won't ever

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Speaker 1: be airing it again and we won't be releasing it

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Speaker 1: as a podcast. Get all the info on streaming the

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Speaker 1: live Pod meets World show so you don't miss out.

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Speaker 1: Go to veeps, v e p s dot Events slash

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Speaker 1: pod meets World Now.

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Speaker 2: So I'm up here at Redwickshire at my parents' house

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Speaker 2: because we are we do like a pre Thanksgiving Thanksgiving

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Speaker 2: and we split our Thanksgivings into two whatever, so we

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Speaker 2: always have a first Thanksgiving with my parents and because

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Speaker 2: it's not officially Thanksgiving, friends can come for a few years.

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Speaker 2: My my old one of my oldest and bestest friends,

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Speaker 2: Ocean spelled O'shian and also strafty bright.

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Speaker 4: But also originally.

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Speaker 2: Sad.

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Speaker 4: Ocean was so sad his parents.

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Speaker 2: Actually his parents intended they named him after a song

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Speaker 2: that said like they called the wind O'Shane or whatever,

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Speaker 2: but he became Ocean anyway. He came up and we

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Speaker 2: were catching up and he's been listening to the podcast yeah,

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Speaker 2: and he shared with me. It was like really it

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Speaker 2: got kind of emotional and very nice. He was like,

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Speaker 2: I have to I have to tell you, like listening

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Speaker 2: to this. I didn't expect you know. I was just

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Speaker 2: listening hoping to, you know, because I told him that

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Speaker 2: like Strafti bride became a thing, and he was just

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Speaker 2: hoping to, like hear a little bit about what I'm

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Speaker 2: doing and what's going on. He's like, I I can't

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Speaker 2: tell you. I found this so cathartic to listen to

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Speaker 2: and to understand this whole aspect of your life that

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Speaker 2: he's like, I never He's like, I knew. I didn't

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Speaker 2: really know about it. I didn't understand it. But he's like,

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Speaker 2: but I didn't realize how emotional it was it would

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Speaker 2: be for me to appreciate this part of your life.

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Speaker 2: He's like, because when I was, like, when we were little,

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Speaker 2: all I thought about Boy Meets World was that it

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Speaker 2: took away my best friend. He's like, I just He's like,

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Speaker 2: it's just you know, I was like, oh, my buddy's

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Speaker 2: gone all the time. And when he was my best

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Speaker 2: friend and we were always in school together, and he's

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Speaker 2: like and so and he's like, and I remember like then,

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Speaker 2: if we ever went to like the mall and people

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Speaker 2: recognize you, I just remember being like, oh, I hate this,

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Speaker 2: I hate this whole thing. And now he's like, but

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Speaker 2: now I can appreciate it, and I can appreciate what

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Speaker 2: you were going through. And he's like, I found it

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Speaker 2: very cathartic and emotional. And I was like, that's that's

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Speaker 2: so sweet. Man. I was like, obviously it's the same

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Speaker 2: for me, Like you know, the coming full circle. I'm like,

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Speaker 2: so so our little Podmeats World journey has expanded beyond

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Speaker 2: just you know us and even our listeners who are

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Speaker 2: fans of Like he's never watched an episode of Boy

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Speaker 2: Meets World. He actually watched the episode last night with

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Speaker 2: me really yeah, which was really the first time, but

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Speaker 2: he had been to set. He remembers being to set

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Speaker 2: and feeling very uncomfortable and and I don't know if

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Speaker 2: I've told you guys this, but my my buddy Nathan

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Speaker 2: and also one of my best friends that I grew

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Speaker 2: up with, still has anxiety dreams about visiting me on set,

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Speaker 2: and he has dreams where something goes wrong and they

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Speaker 2: need him to step in. He has he is accurate.

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Speaker 2: But I think for you know, for all for all

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Speaker 2: of my friends or probably all of our friends visiting

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Speaker 2: on the set was kind of like what is this world?

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Speaker 2: It feels so foreign, you know, And the biggest fear

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Speaker 2: would be that they would have to like do what

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Speaker 2: I'm doing, or like step up or and yeah. So

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Speaker 2: I told that to Ocean last night. I was like, oh,

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Speaker 2: you know, Nathan has these dreams. He's just like, I've

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Speaker 2: had these weird memories too, where like I have to

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Speaker 2: stand in He's like, did I have I'm like, no,

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Speaker 2: they would never have asked you to stand and that

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Speaker 2: would have broken like a bunch of child labor laws.

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Speaker 2: But he's like, but why do I have this memory too?

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Speaker 2: He's like, I was like, you're just I was like,

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Speaker 2: I couldn't imagine you coming to visit set and everybody

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Speaker 2: and I could say see like Will being like hey,

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Speaker 2: why are you jumping on and just teasing him. He's like,

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Speaker 2: maybe that's what happened. That's probably what happened.

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Speaker 1: I wonder if the conversation about getting them to be

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Speaker 1: background actors ever came up, Considering you had your friends

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Speaker 1: over the years who that's true, I've.

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Speaker 2: Done that I would have. Yeah, And I mean that's

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Speaker 2: the thing I think if especially in the early seasons,

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Speaker 2: because we did have kid background actors that you know,

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Speaker 2: like Aaron was a background actor, but you know that

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Speaker 2: was because somebody asked for her, Like I don't think

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Speaker 2: my friends I ever would have wanted, but yeah, they

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Speaker 2: probably offered at some point and uh and then had

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Speaker 2: an It was interesting. I mean, Ocean just felt, you know,

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Speaker 2: he just remembers feeling so uncomfortable and said, feeling like

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Speaker 2: such an outsider, which totally makes sense. He's like, I

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Speaker 2: just remember being in my tied eye and so he

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Speaker 2: didn't feel strafty bright. Well he didn't feel strafty bright, no,

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Speaker 2: but now he feels strafty bright about the whole thing that.

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Speaker 1: I mean. My mom has said, you know, she listens

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Speaker 1: to every episode too, and she says like, I can't

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Speaker 1: believe how many things I learn about things that you

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Speaker 1: guys were going through or things that were going on,

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Speaker 1: and yeah, I mean it's been really great. Also, my brother,

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Speaker 1: who was there probably you know, for every tape night,

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Speaker 1: at least a lot of tape nights. My brother has

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Speaker 1: so many memories of growing up on set, and one

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Speaker 1: of the most memorable and maybe you guys remember it too.

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Speaker 1: It must have been a tape night or a tape

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Speaker 1: day because my dad.

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Speaker 4: Was there too.

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Speaker 1: Either that, or maybe it was like around some sort

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Speaker 1: of holiday week where my brother was off of school,

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Speaker 1: because my brother and my dad were there, but they

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Speaker 1: were standing in the John Adams High hallway set where

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Speaker 1: that benches over near Feenie and mister Turner's classroom outside

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Speaker 1: that area, and my brother was on my dad's shoulders.

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Speaker 1: So I was twelve when we started wey meets old.

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Speaker 1: My brother was eight. He's four years younger than me.

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Speaker 1: So my brother somewhere probably between eight and ten years old,

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Speaker 1: on my dad's shoulders, and my dad, thinking it was

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Speaker 1: going to be a good and fun idea, went to

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Speaker 1: go lift my brother off his shoulders by by just

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Speaker 1: lifting him straight up with his thighs, and my brother

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Speaker 1: was going to need to hold and my brother had

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Speaker 1: no idea what was going on. And my dad lifted

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Speaker 1: him up like this, and my brother leaned forward and

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Speaker 1: fell face first into the bench. Oh no, and like

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Speaker 1: broke his nose or something.

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Speaker 4: It was bad.

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Speaker 3: It was.

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Speaker 2: Dad must have felt.

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Speaker 4: So Dad has never felt.

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Speaker 2: Worse, especially in front of everybody, like everyone's.

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Speaker 1: My brother then bloody and it was awful, and like

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Speaker 1: my dad was like, I am so sorry, and Chris

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Speaker 1: was like, I'm sorry that I didn't stand, you know,

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Speaker 1: and he was like, I just you know, it's just

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Speaker 1: one of those moments where you like, just a truly

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Speaker 1: terrifying moment.

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Speaker 2: And and if I do that to Andy, he would

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Speaker 2: just immediately be.

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Speaker 4: Like, oh, yeah, well what kids do.

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Speaker 1: Kids definitely have a tendency to I was telling you

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Speaker 1: guys about Adler acting out when he makes mistakes, and yeah,

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Speaker 1: it really bums me out because I totally see that

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Speaker 1: he is an absolute perfectionist.

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Speaker 4: Well, did you have any Connecticut friends come.

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Speaker 3: Visits that I dropped their faces? I did, No, I

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Speaker 3: did have Connecticut. It's very it's very stranger back here again.

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Speaker 3: And yeah, it's weird to drive around the town. There's

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Speaker 3: there's a lot of very good memories, some very bad memories,

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Speaker 3: and then people that are no longer here. And one

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Speaker 3: of the guys that visited me the most is gone.

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Speaker 3: He you know, was unfortunately passed away in twenty sixteen,

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Speaker 3: and so it was, you know, I drive by his

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Speaker 3: house in his street quite a bit, you know, every

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Speaker 3: every time I'm going somewhere, and it was just this morning,

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Speaker 3: I was like, that's where we would, you know, wait

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Speaker 3: for the bus, the school bus. And but yeah, he

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Speaker 3: used to he came to this name as Jeff, and

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Speaker 3: he used to come to the set.

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Speaker 2: He came once or twice, and.

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Speaker 3: I remember most just bringing him to Disneyland and he

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Speaker 3: would come to the set and it was just kind

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Speaker 3: of he was played everything very cool. And then we

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Speaker 3: went to They were, you know, growing up back, all

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Speaker 3: my friends were big Fish fans, so they went to

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Speaker 3: every all the Fish shows, and they followed Fish around.

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Speaker 3: And we went and saw Trey Anastasio play the Greek

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Speaker 3: theater Wow out in La and he got the tickets.

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Speaker 3: He's like, I just want to thank you for having

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Speaker 3: me out in La. So I got these great tickets

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Speaker 3: and Fred Savage was there, and Fred ran over to

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Speaker 3: us and said hi, and that was the first time.

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Speaker 3: Later that night, Jeff was like, all right, that was

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Speaker 3: the first time where I was like, your life is

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Speaker 3: a lot different than I thought it was. When Fred

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Speaker 3: Savage is there and we're hanging out at a concert

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Speaker 3: and blah blah blah. So yeah, it was my friends

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Speaker 3: always tried to play it very cool. But I my

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Speaker 3: group friends I met in La you know I met

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Speaker 3: it was Jason, And those are the friends that I

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Speaker 3: had there most more than anything else. But my my

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Speaker 3: funniest story about a friend visiting the set is and

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Speaker 3: he's still a good friend of mine.

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Speaker 2: His name is Matt.

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Speaker 3: He was a year ahead of me, and he was

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Speaker 3: one of these guys that had a full beard from

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Speaker 3: the time he was like seven years old.

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Speaker 2: And so we were shooting the the.

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Speaker 3: I forget what Oh it was the Tale of the

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Speaker 3: Long Go Locket, which was a Nickelodeon Are You Afraid

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Speaker 3: of the Dark, which was which was a you know,

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Speaker 3: a big, big, famous show that people loved. And I

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Speaker 3: was up there in Montreal shooting and they said, do

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Speaker 3: you want your friend to be like the featured extra?

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Speaker 3: You know, you'll be sitting in the classroom and he'll

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Speaker 3: be right behind you. And I was like, yeah, that's great.

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Speaker 2: Love that.

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Speaker 3: So it came out and somebody actually wrote me a

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Speaker 3: letter It said that tail along Ago Glock it was

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Speaker 3: such an amazing episode. But who was the kid with

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Speaker 3: the full beard that was sitting right behind you. He's

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Speaker 3: supposed to be like in the seventh grade or whatever.

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Speaker 3: I was like, oh, yeah, that's my friend Matt.

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Speaker 2: So it was very funny. Yeah, it was having friends

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Speaker 2: on set was so strange to like combined worlds because

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Speaker 2: you hated it. Yeah. Yeah, you're trying to still be

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Speaker 2: the person you were while also being the person you're becoming.

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Speaker 2: It was a very weird coming. It was only I mean,

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Speaker 2: Sean Fox was around all the time to remember me,

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Speaker 2: but he was but he was an actor, you know,

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Speaker 2: he was exactly. It's like when you're an entertainer, when

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Speaker 2: you've done it, when you're comfortable with it, you've been

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Speaker 2: on set, you understand the culture of set. If you haven't,

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Speaker 2: it is a very mostly boring experience because you're mostly

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Speaker 2: just sitting around and kind of like not that you know,

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Speaker 2: except for tape night. Tape night is exciting, but and

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Speaker 2: single camera is incredibly boring. You're just oh, man, you're

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Speaker 2: a bunch of trailers in the middle of nowhere, sitting

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Speaker 2: around like waiting on things. So yeah, it's a weird culture.

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Speaker 2: And then of course everything happens in like a big moment, right,

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Speaker 2: It's like all go go good dude, and then everything

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Speaker 2: goes back to like let's get another breakfast burrito.

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Speaker 3: And but again, at least with sitcom, you build up

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Speaker 3: to where it's like, hey, come to show night, like

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Speaker 3: there's a thing run through.

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Speaker 2: Yeah, yeah, yeah, run through that kind of thing.

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Speaker 3: There's something you can actually look forward to and see

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Speaker 3: the entire thing being made, as opposed to yeah, you're

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Speaker 3: coming to visit from a weird set and it's yeah.

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Speaker 2: I never I never invited anybody into our tape nights,

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Speaker 2: Like I never thought that was a thing. No, I remember.

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Speaker 2: I remember like once I became friends with Adam Dirtz

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Speaker 2: and like that whole crew. I remember being at their

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Speaker 2: house at a party one time when I was like nineteen,

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Speaker 2: and their manager or their agent. It was this woman, god,

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Speaker 2: what was her name. I think her name was Jeanette.

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Speaker 2: She was really cool and we had become friendly or whatever,

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Speaker 2: and she was like we were talking and I was

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Speaker 2: talking about getting tickets to a concert that she could

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Speaker 2: get me to because she also represented like the Bee

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Speaker 2: fifty twos or something, and I was like, and she's like, well,

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Speaker 2: why go. Why don't I ever come to one of

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Speaker 2: your shows? I was like, what, I have a show?

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Speaker 2: It was like it was like, oh, oh, do you

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Speaker 2: want to come to a tape night of this kids

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Speaker 2: show him? It was like so like cold, but of course,

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Speaker 2: like they show that tape like that's like once in

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Speaker 2: a lifetime experience for somebody to be bad. And it

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Speaker 2: just never even occurred to me that like somebody would

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Speaker 2: want to come to it. It's so stupid. Like now

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Speaker 2: I'd be like, but you know what's funny, I still

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Speaker 2: do the same thing. People will be like, well, when's

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Speaker 2: Pod Meets World coming to town. I'm like, well, you

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Speaker 2: don't want to, Oh yeah, it's a show. Yeah, it

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Speaker 2: does it. When we did our show in la I

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Speaker 2: did invited a bunch of people. It was so fun.

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Speaker 2: I'm like, so now I'm just trying to make a

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Speaker 2: conscious eft because I don't think it's a thing, but

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Speaker 2: it is, like it's the show. That's the whole point

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Speaker 2: is entertainment. Yeah, so stupid. Yeah, we never looked at

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Speaker 2: that way yet.

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Speaker 4: Welcome to Pod Meets World. I'm Daniel Fischl, I'm right

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Speaker 4: or Strong, and I'm Wilfredell Well will Forredell. You've done

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Speaker 4: it again. Tell us what you've done.

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Speaker 2: Well for the third time. That's right, three is my

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Speaker 2: lucky number. I have COVID.

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Speaker 4: Uh such a.

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Speaker 1: Bummer, I mean, Will, I feel bad for you, but

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Speaker 1: I also feel bad for everyone because we are going

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Speaker 1: to have to postpone our most recent run of shows.

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Speaker 2: I am so sorry.

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Speaker 3: It is so much of a bummer to me, and

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Speaker 3: I feel a lot worse for everybody else than I

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Speaker 3: do for myself.

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Speaker 2: This is just the worst. I'm so sorry New Orleans, Atlanta,

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Speaker 2: and Durham. We're going to have to postpone our shows

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Speaker 2: that was on December eighth, ninth, and tenth. We're going

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Speaker 2: to have to push them into next year.

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Speaker 4: So please keep your tickets.

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Speaker 1: You will use these same tickets when we reschedule the

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Speaker 1: shows for next year. We do not have exact dates yet,

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Speaker 1: but when we do, you will get an email from

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Speaker 1: the venue and like I said, hold onto your tickets.

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Speaker 1: You will use these same tickets to get you in

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Speaker 1: when Will isn't going to infect us all with the COVID.

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Speaker 3: I know, I'm so sorry, and yet I still blame

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Speaker 3: both Danielle and Ryder.

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Speaker 4: I don't know how, but He's found a way to

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Speaker 4: do it. We love you.

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Speaker 1: All shows rescheduled, so today we are recapping season three,

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Speaker 1: episode twenty one, The Happiest Show on Earth.

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Speaker 4: It originally aired May tenth, nineteen ninety six.

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Speaker 1: The synopsis is after being broken up for months, Corey

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Speaker 1: realizes he's still in love with Tapanga, just in time

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Speaker 1: for her to win an essay contest, sending her to

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Speaker 1: Disney World with a honky guy from class. Corey must

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Speaker 1: now travel to Orlando to win her back with the

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Speaker 1: help of Eric and a poorly crafted doll night.

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Speaker 3: So.

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Speaker 4: It was directed by Jeff McCracken.

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Speaker 1: It was written by Mark Blutman and Howard Buskang, and

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Speaker 1: it was guest starring Lindsay Ridgeway returning as Morgan Matthews.

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Speaker 1: The debut of Andrew Keegan as Ronnie. Andrew was like

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Speaker 1: my best friend at the time. He was best Does

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Speaker 1: he come back?

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Speaker 2: You said, debut? Does he do more than one?

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Speaker 1: Ever?

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Speaker 4: I think so?

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Speaker 1: No, he debuts. He was best known for thunder Alley,

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Speaker 1: and then later I was gonna.

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Speaker 2: Say thunder Ally, How we kne him? Because thunder Ally

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Speaker 2: taped right next door the first two seasons or first season,

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Speaker 2: and I.

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Speaker 1: Actually met him at an audition I met He was

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Speaker 1: one of the first people I ever met in La auditioning.

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Speaker 1: So I had known even before he was on.

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Speaker 2: Thunder Hud You fall in love with him the moment

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Speaker 2: you met him.

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Speaker 4: So no, my mom did, as per you.

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Speaker 2: My mom for me, he was the hottest.

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Speaker 4: It was just so.

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Speaker 1: Andrew and I met at an audition and right away

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Speaker 1: he was like, hello, I'm Andrew Keaghan. And I was

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Speaker 1: like hello, Andrew Keegan, and my mom was like, Danielle,

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Speaker 1: this Andrew Keagan boy.

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Speaker 4: And I was just like, yeah, no, he's my friend.

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Speaker 4: He's my friend.

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Speaker 1: And Andrew stuck around friends with me for probably six

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Speaker 1: or seven years, thinking at some point it's gonna turn.

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Speaker 2: It's gonna happen. Point, just put my time in.

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Speaker 1: At some point I will Danielle and I will be together,

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Speaker 1: and it just never happened. But we spent a ton

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Speaker 1: of time together. He was like my best friend. He

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Speaker 1: taught me how to drive a stick shift in his

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Speaker 1: car that he was obsessed with that he like built

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Speaker 1: from scratch, and I stalled out multiple times and he.

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Speaker 2: Was like it's like Andrew did He's like it.

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Speaker 4: Yeah, exactly. He's like it's a good thing. I love

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Speaker 4: you so much because he's killing me. But yeah, Andrew

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Speaker 4: and I were.

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Speaker 2: You know what Andrew is to me? Andrew was to

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Speaker 2: me he was always like the archetype of like what

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Speaker 2: I should be as far as like a teen really

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Speaker 2: like idol. Yeah, like I always like he was and

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Speaker 2: I mean, you know, I didn't know him that well,

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Speaker 2: but like he surfed. Yeah, he was amazing with fans.

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Speaker 2: He loved like you know, like girls loved him, and

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Speaker 2: he loved being in the center of the spotlight. He

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Speaker 2: was was just like he was. He was like so

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Speaker 2: confident and happy with like that role. And I was

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Speaker 2: always so miserable. So like for me, he was the

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Speaker 2: archetype of like, oh, that's that's who I should be

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Speaker 2: if I'm going to be you know, famous, And in

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Speaker 2: this he was an angel and VICKI kid too, wasn't

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Speaker 2: he exactly? Yeah, but he was like into sports. He

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Speaker 2: could talk about like everything. He was just like he

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Speaker 2: was just great at being like a public person and

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Speaker 2: he like fit the mold. Like he was exactly what

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Speaker 2: girls wanted when they met Andrew. Like if you met

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Speaker 2: if you were in love with Andrew Keekan when you

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Speaker 2: were thirteen.

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Speaker 4: To without knowing him, and then.

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Speaker 2: And then you met him, he would make all of

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Speaker 2: your dreams come track my car. I'm gonna go with

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Speaker 2: Rideard of.

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Speaker 1: Love from Afar and then meet on a celebrity came

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Speaker 1: cruise and he would be like, I don't want to.

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Speaker 2: You, but do you know Darry Dove about David Hughes.

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Speaker 4: N you know me?

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Speaker 1: You know my pizza toppings And I made those up

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Speaker 1: for the magazine.

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Speaker 4: They're not even my real pizza toppings.

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Speaker 2: Right, And I just felt awful. Andrew was the ultimate

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Speaker 2: pin up kid, wasn't he? Yeah? He was great. Yeah,

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Speaker 2: he fit the role perfectly and loved it. Yes. Yeah.

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Speaker 2: And his brother Casey.

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Speaker 4: Was Casey was fantastic too.

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Speaker 2: I love Goes.

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Speaker 1: And then we had Hillary Tuck returning, this time as Kristen.

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Speaker 1: This is the third of three appearances for Hillary on

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Speaker 1: the show. She played different people every time. She played Samantha,

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Speaker 1: Sarah and now Kristen.

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Speaker 2: Just give her the same name. How hard is that?

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Speaker 2: Such a consistently great actor. That's awesome. Yeah, very good.

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Speaker 1: And then Stacy Keenan as Dana, best known as Dana

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Speaker 1: from Step by Step.

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Speaker 2: She was no idea she was on our show.

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Speaker 4: That I know this story for will.

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Speaker 2: I was in love with her I was in love

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Speaker 2: with her, but I was in love with her way

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Speaker 2: back before we started our show. Oh no, I was

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Speaker 2: in love with her from you guys.

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Speaker 3: My two dads was one of me and it was

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Speaker 3: one of those things where I told Michael this and

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Speaker 3: Michael literally came to me later and was like, I

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Speaker 3: hate to tell you this, but she's gonna be on

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Speaker 3: the show and you're not coming to Floorida.

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Speaker 2: Like that's how he told me.

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Speaker 1: Listen, you guys can compete over who loves her more.

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Speaker 1: I'll give it to Well because he's older, so he

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Speaker 1: had a better chance with her. But here's the thing.

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Speaker 1: She was completely unneeded in this episode, completely totally, absolutely

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Speaker 1: no idea why they shoehorned her into this in an

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Speaker 1: episode that already has us traveling to Florida with multiple

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Speaker 1: guest stars.

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Speaker 2: And already had a trainer, and that when clearly should

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Speaker 2: have been so.

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Speaker 1: Then we had Debbie Dunning as Alexandra, another ABC face.

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Speaker 1: She played Heidi on Home Improvement, taking the infamous Pamela

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Speaker 1: Anderson tool time spot on the show. She's the sexiest

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Speaker 1: dolphin trainer I've ever seen.

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Speaker 2: Obviously, you don't get around a lot. There's some sexy dolphin.

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Speaker 4: Trainer, sexier dolphin trainers.

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Speaker 2: Huh, Oh my god. Yeah, she's like she's like a

439
00:19:36,800 --> 00:19:39,440
Speaker 2: four dolphins ideas.

440
00:19:39,640 --> 00:19:43,320
Speaker 3: Oh yeah, I'm kidding. I have no of course, she's

441
00:19:43,359 --> 00:19:46,520
Speaker 3: the sexiest dolphin trainer ever. I mean really sexy dolphin.

442
00:19:46,520 --> 00:19:49,920
Speaker 3: But that's a whole different Please, I'm just saying, good

443
00:19:49,960 --> 00:19:52,760
Speaker 3: looking dolphin, Amber sleek.

444
00:19:53,200 --> 00:19:54,040
Speaker 4: We don't have her name.

445
00:19:54,080 --> 00:19:55,439
Speaker 1: I don't know why she doesn't get guests to our

446
00:19:55,480 --> 00:20:00,719
Speaker 1: credit Amber exactly. What did you guys think of the episode?

447
00:20:01,800 --> 00:20:03,439
Speaker 2: I'm gonna let you guys answer it first. If you

448
00:20:03,480 --> 00:20:05,160
Speaker 2: go first, I'll go last.

449
00:20:04,880 --> 00:20:08,040
Speaker 1: I thought it should have been a two parter. First

450
00:20:08,080 --> 00:20:13,200
Speaker 1: of all, I can't believe we jammed that whole thing

451
00:20:13,440 --> 00:20:16,199
Speaker 1: into one twenty two minute episode and it felt a

452
00:20:16,240 --> 00:20:16,879
Speaker 1: little rushed.

453
00:20:17,119 --> 00:20:19,879
Speaker 4: It did reach a little rushed, It felt a little rushed.

454
00:20:20,760 --> 00:20:23,720
Speaker 4: All of the same things we've felt before still apply.

455
00:20:24,080 --> 00:20:28,520
Speaker 1: I can't believe in one episode they managed to. It

456
00:20:28,560 --> 00:20:32,080
Speaker 1: really does speak to It's very obvious now that the

457
00:20:32,200 --> 00:20:35,600
Speaker 1: idea of the show airing week after week you were

458
00:20:35,640 --> 00:20:39,119
Speaker 1: supposed to believe a lot have a lot of time

459
00:20:39,240 --> 00:20:42,400
Speaker 1: had passed in between each one of those weeks, Like.

460
00:20:43,000 --> 00:20:43,840
Speaker 4: Boy, Meets World.

461
00:20:43,880 --> 00:20:46,480
Speaker 1: Time was not a week, like the episodes were not

462
00:20:46,800 --> 00:20:49,359
Speaker 1: last week when you saw these kids, It was sometimes

463
00:20:49,640 --> 00:20:51,680
Speaker 1: months because the last time.

464
00:20:51,560 --> 00:20:54,280
Speaker 3: That we for years or tens of years to where

465
00:20:54,320 --> 00:20:57,120
Speaker 3: Corey is now a ladies man with all these pickup lines,

466
00:20:57,160 --> 00:20:58,119
Speaker 3: who's dating all the women?

467
00:20:58,240 --> 00:21:00,400
Speaker 1: And that's exactly that's my point, is that the last

468
00:21:00,440 --> 00:21:03,120
Speaker 1: time we saw Corey, he wasn't wanting to go out

469
00:21:03,119 --> 00:21:03,560
Speaker 1: with people.

470
00:21:03,600 --> 00:21:05,640
Speaker 4: The last time Forrey in Topango was a topic of discussion.

471
00:21:05,640 --> 00:21:07,199
Speaker 1: He wasn't wanting to kiss anyone else, and then he

472
00:21:07,280 --> 00:21:08,520
Speaker 1: tried and then it wasn't good.

473
00:21:08,720 --> 00:21:12,880
Speaker 4: And now he's man with moves and lines.

474
00:21:12,520 --> 00:21:15,480
Speaker 2: And a reputation of having all these women.

475
00:21:15,600 --> 00:21:18,399
Speaker 1: It was like way hunh, right, So they wanted to

476
00:21:18,400 --> 00:21:20,800
Speaker 1: get that out there. They had to shoehorn that in

477
00:21:21,320 --> 00:21:25,120
Speaker 1: and then you know, they had There was no setup

478
00:21:25,240 --> 00:21:28,639
Speaker 1: for the fact of court to Panga and Ronnie, it

479
00:21:28,760 --> 00:21:31,119
Speaker 1: was just like just because they were in the same place,

480
00:21:31,119 --> 00:21:33,240
Speaker 1: like that had no real time to be developed.

481
00:21:33,640 --> 00:21:39,679
Speaker 3: The scenes also seemed really short and staccato and jumbled.

482
00:21:39,800 --> 00:21:43,240
Speaker 2: It was a weird week. It's about forty scenes. Yeah,

483
00:21:43,320 --> 00:21:46,320
Speaker 2: that's the thing. It's just all it's basically a montage episode,

484
00:21:46,359 --> 00:21:47,200
Speaker 2: and the.

485
00:21:47,160 --> 00:21:49,920
Speaker 1: Second part of this could have been a great season finale.

486
00:21:50,000 --> 00:21:51,760
Speaker 1: I don't even know what our season finale is. But

487
00:21:51,840 --> 00:21:52,880
Speaker 1: had this been a two.

488
00:21:52,680 --> 00:21:55,080
Speaker 2: Parter, something called Brother Brother or something, I was like,

489
00:21:55,119 --> 00:21:56,119
Speaker 2: what it was about.

490
00:21:56,240 --> 00:21:59,080
Speaker 3: Oh, this is the one where Eric leaves. That's the

491
00:21:59,080 --> 00:22:01,399
Speaker 3: one where Eric leaves. I think Brother Brother I believe.

492
00:22:01,560 --> 00:22:03,399
Speaker 2: So that's so the problem is that they were setting

493
00:22:03,440 --> 00:22:05,720
Speaker 2: up for you to have a spin off show, right, No, no, no, no,

494
00:22:05,840 --> 00:22:07,360
Speaker 2: I don't think we were there yet. Just Eric.

495
00:22:07,400 --> 00:22:10,120
Speaker 3: This is about Eric getting and not getting into college

496
00:22:10,359 --> 00:22:12,520
Speaker 3: and then leaving. I think was the end, but it was.

497
00:22:12,680 --> 00:22:15,520
Speaker 3: It wasn't leaving the show yet. Oh, okay, it was.

498
00:22:15,800 --> 00:22:17,879
Speaker 3: I think that's later. But no, I think it was

499
00:22:18,560 --> 00:22:21,960
Speaker 3: very Yeah, I I didn't. I'm getting over saying things

500
00:22:21,960 --> 00:22:24,159
Speaker 3: like I hated this episode, right because I'm talking to

501
00:22:24,160 --> 00:22:26,000
Speaker 3: the writers more. Who's like, you don't you don't realize

502
00:22:26,000 --> 00:22:27,600
Speaker 3: what we've had to do to get to And I

503
00:22:27,640 --> 00:22:28,000
Speaker 3: get it.

504
00:22:28,040 --> 00:22:30,720
Speaker 2: But this was a weird episode for me. I'll be honest.

505
00:22:30,720 --> 00:22:32,399
Speaker 3: It was just bizarre, and maybe a lot of it

506
00:22:32,440 --> 00:22:34,440
Speaker 3: is the jarring fact that we don't know any of

507
00:22:34,480 --> 00:22:38,040
Speaker 3: the sets and you're outside and it's obviously weird set

508
00:22:38,119 --> 00:22:41,080
Speaker 3: up after weird setup, and kind of you you have

509
00:22:41,160 --> 00:22:43,679
Speaker 3: to forget that the extras walking behind are people at

510
00:22:43,680 --> 00:22:45,600
Speaker 3: the park that are staring at the camera while you're

511
00:22:45,640 --> 00:22:46,720
Speaker 3: doing I mean, it takes you.

512
00:22:46,680 --> 00:22:49,000
Speaker 2: Out of it. So I just found I thought the

513
00:22:49,040 --> 00:22:51,080
Speaker 2: b story was bizarre, just the whole thing. It was

514
00:22:51,119 --> 00:22:53,080
Speaker 2: just very It was a strange episode.

515
00:22:53,200 --> 00:22:56,280
Speaker 1: I think they did the best they possibly could with

516
00:22:56,359 --> 00:22:58,679
Speaker 1: having only twenty two minutes, But had this been a

517
00:22:58,720 --> 00:23:01,480
Speaker 1: two parter, I think could have been much more enjoyable.

518
00:23:01,600 --> 00:23:01,840
Speaker 2: For me.

519
00:23:01,960 --> 00:23:04,119
Speaker 1: It just felt too rushed. I just felt like we

520
00:23:04,200 --> 00:23:06,040
Speaker 1: had to we had to accept a lot of things.

521
00:23:06,080 --> 00:23:07,600
Speaker 1: We had to race through a lot of stuff because

522
00:23:07,600 --> 00:23:10,000
Speaker 1: there were places we were supposed to get to, And

523
00:23:10,160 --> 00:23:11,560
Speaker 1: I wish it would have been a two parter?

524
00:23:11,880 --> 00:23:12,719
Speaker 4: Is it?

525
00:23:13,640 --> 00:23:13,880
Speaker 2: Yeah?

526
00:23:13,880 --> 00:23:14,080
Speaker 4: Writer?

527
00:23:14,560 --> 00:23:17,600
Speaker 2: But uh yeah, yeah. I mean I think we'll talk

528
00:23:17,600 --> 00:23:18,840
Speaker 2: about it as we get into it. But we were

529
00:23:18,880 --> 00:23:21,719
Speaker 2: overwhelmed as a production I can tell tech we are

530
00:23:21,760 --> 00:23:24,600
Speaker 2: not prepared to be on location and to deal with

531
00:23:24,680 --> 00:23:27,359
Speaker 2: what you know, doing single camera show taping is so

532
00:23:27,480 --> 00:23:30,000
Speaker 2: much harder than or just different. Let's say, let's see,

533
00:23:30,160 --> 00:23:32,040
Speaker 2: like and our production team was not ready for this.

534
00:23:32,320 --> 00:23:35,600
Speaker 2: I can tell, and we can get into details about that, uh,

535
00:23:35,760 --> 00:23:39,440
Speaker 2: and and that unfortunately just meant uh we we were

536
00:23:39,520 --> 00:23:43,640
Speaker 2: rushing through story to accommodate all the locations and all

537
00:23:43,640 --> 00:23:47,400
Speaker 2: the different setups. But I also do think that there's

538
00:23:47,440 --> 00:23:52,119
Speaker 2: some really poor choices made, like like what what are

539
00:23:52,160 --> 00:23:55,440
Speaker 2: the scenes that aren't rushed scenes with the dolphin, right,

540
00:23:55,880 --> 00:23:59,320
Speaker 2: why why are we having like dolphins scene doesn't make

541
00:23:59,440 --> 00:24:02,080
Speaker 2: multiple seas in that set, which is a horrific set

542
00:24:02,119 --> 00:24:04,679
Speaker 2: to the audio is awful, Like why are we why

543
00:24:04,760 --> 00:24:06,919
Speaker 2: are we giving all this stuff to like a Stacy

544
00:24:07,040 --> 00:24:09,320
Speaker 2: Keenan coming in for you know, and like those are

545
00:24:09,400 --> 00:24:13,200
Speaker 2: choices that we could have, you know, Like I thought

546
00:24:13,240 --> 00:24:17,119
Speaker 2: the like Corey Sean stuff in ends up being the

547
00:24:17,200 --> 00:24:19,760
Speaker 2: only stuff that takes advantage of Disney, like the space,

548
00:24:20,040 --> 00:24:22,639
Speaker 2: the Splash Mountain and yeah, like that's like, oh this

549
00:24:22,680 --> 00:24:24,879
Speaker 2: takes and then us running around and like talking to

550
00:24:24,960 --> 00:24:27,560
Speaker 2: characters otherwise, why are we at Disney World, Like what

551
00:24:27,600 --> 00:24:29,199
Speaker 2: does this have to do with Disney? Word at Epcot

552
00:24:29,280 --> 00:24:32,560
Speaker 2: mostly and I don't understand what dolphins have Like it

553
00:24:32,680 --> 00:24:35,119
Speaker 2: just didn't there were choices made to not take advantage

554
00:24:35,119 --> 00:24:37,360
Speaker 2: of like the whole Disney thing. But I wonder I'm

555
00:24:37,359 --> 00:24:39,920
Speaker 2: so curious. You know, our listeners can give us feedback,

556
00:24:39,960 --> 00:24:43,480
Speaker 2: like if you know, just if this episode is iconic

557
00:24:43,520 --> 00:24:46,520
Speaker 2: in everybody's memory because everyone loves Disney, you know, like

558
00:24:46,560 --> 00:24:48,879
Speaker 2: and just the idea of like our characters being at

559
00:24:48,880 --> 00:24:53,159
Speaker 2: Disney World. But even if you even if you just

560
00:24:53,200 --> 00:24:55,240
Speaker 2: take that concept, I don't think we did that very well.

561
00:24:55,280 --> 00:24:57,440
Speaker 2: Like I don't think we embrace the disneyness of it all.

562
00:24:57,600 --> 00:24:59,440
Speaker 2: Like even when we find out we're going to Disney World,

563
00:24:59,440 --> 00:25:01,679
Speaker 2: none of us are like happy. No one's like I

564
00:25:01,680 --> 00:25:03,880
Speaker 2: can't wait to do this at Disney World, and they're

565
00:25:03,920 --> 00:25:05,840
Speaker 2: like not nothing. It's just kind of like we're going

566
00:25:05,880 --> 00:25:08,080
Speaker 2: to a place. And then there's a dolphin there, And

567
00:25:08,240 --> 00:25:10,840
Speaker 2: I really don't understand why there's dolphins, Like what.

568
00:25:11,400 --> 00:25:13,120
Speaker 4: Their version of Sea World. It's like the.

569
00:25:13,080 --> 00:25:16,160
Speaker 3: Scene it must be at Epcot, yeah, and it must

570
00:25:16,160 --> 00:25:17,680
Speaker 3: have been that to be put in.

571
00:25:18,760 --> 00:25:21,439
Speaker 2: But yeah, but they promote it, Like why did you

572
00:25:21,520 --> 00:25:23,719
Speaker 2: choose that of all the things that, Like we never

573
00:25:23,760 --> 00:25:24,080
Speaker 2: see the.

574
00:25:24,080 --> 00:25:29,080
Speaker 1: Castle an establishing shot as an establishing shot.

575
00:25:28,880 --> 00:25:31,000
Speaker 2: Okay, but you guys are kissing in front of a

576
00:25:31,040 --> 00:25:34,080
Speaker 2: fountain like it's to be was there promoted? Like we

577
00:25:34,160 --> 00:25:36,040
Speaker 2: have to promote Epcot or we could only shoot an

578
00:25:36,040 --> 00:25:38,600
Speaker 2: Epcot or something, because the only Disney thing is like

579
00:25:38,640 --> 00:25:42,480
Speaker 2: those characters that Ben and I run into that and

580
00:25:42,680 --> 00:25:44,679
Speaker 2: especially Mountain wasn't at Epcot.

581
00:25:44,960 --> 00:25:48,080
Speaker 4: No, that's a Disney world that is part of Magical Kingdom.

582
00:25:48,880 --> 00:25:52,040
Speaker 2: Yeah, so I don't know there a bit. Yeah, I

583
00:25:52,080 --> 00:25:53,840
Speaker 2: just feel like there were a lot of weird things,

584
00:25:54,000 --> 00:25:56,520
Speaker 2: probably production demands that had nothing to do with the story,

585
00:25:56,600 --> 00:25:59,960
Speaker 2: that sort of forced the story into these like weird

586
00:26:00,040 --> 00:26:02,359
Speaker 2: awkward scenes and and and and it's just a bumber.

587
00:26:02,359 --> 00:26:05,280
Speaker 2: And then of course the engine is Corey to panga

588
00:26:05,600 --> 00:26:09,119
Speaker 2: ness and Corey's obsessiveness, which we've kind of had issues

589
00:26:09,119 --> 00:26:11,760
Speaker 2: with before. So I don't love all that, even even

590
00:26:11,760 --> 00:26:15,840
Speaker 2: if I'm willing to like accept all the like craziness

591
00:26:15,880 --> 00:26:19,320
Speaker 2: of shoehorning the story into these locations, the actual engine,

592
00:26:19,359 --> 00:26:21,080
Speaker 2: I also am kind of like that. But that's the thing.

593
00:26:21,119 --> 00:26:21,400
Speaker 2: I mean.

594
00:26:21,440 --> 00:26:24,600
Speaker 3: There are certain certainly stories that, especially back in the

595
00:26:24,640 --> 00:26:26,520
Speaker 3: day A B C, T, T, G, I F. Stuff

596
00:26:26,520 --> 00:26:30,719
Speaker 3: like that, that were clearly commercials for Disney. This didn't

597
00:26:30,760 --> 00:26:33,199
Speaker 3: even seem like that just felt like a little bit

598
00:26:33,200 --> 00:26:35,080
Speaker 3: of a commercial for Epcot a little bit, but not

599
00:26:35,160 --> 00:26:37,720
Speaker 3: even like a good not even a good commercial for

600
00:26:37,760 --> 00:26:40,040
Speaker 3: it because we never talk about like, hey, you can

601
00:26:40,080 --> 00:26:41,880
Speaker 3: go from place to place and see all the difference

602
00:26:41,920 --> 00:26:45,080
Speaker 3: cut like we never promote Disney, and like it's.

603
00:26:45,320 --> 00:26:50,240
Speaker 1: We do sleeping overnight in the park in the rise and.

604
00:26:50,160 --> 00:26:52,600
Speaker 2: Not telling your parents you're gone for two or three.

605
00:26:52,480 --> 00:26:55,359
Speaker 1: Days, telling your parents are gone, and ditching your tour

606
00:26:55,440 --> 00:26:58,480
Speaker 1: guide and hanging out with the animals when you want.

607
00:26:59,280 --> 00:27:09,240
Speaker 3: So that's yes, it was a strange episode.

608
00:27:13,280 --> 00:27:16,440
Speaker 1: Let's jump into our recap. We start in Chubby's Corey

609
00:27:16,560 --> 00:27:19,879
Speaker 1: is dancing awkwardly. In the minute I saw it, I thought, oh,

610
00:27:19,960 --> 00:27:24,240
Speaker 1: poor Ben, with those dancing scenes where there's no music

611
00:27:24,280 --> 00:27:27,000
Speaker 1: playing but you have to pretend there is. Cory is

612
00:27:27,080 --> 00:27:30,119
Speaker 1: dancing awkwardly with a mystery girl. When he says, you know, Kristin,

613
00:27:30,160 --> 00:27:33,520
Speaker 1: I don't mind paying Chubby that three dollars cover charge

614
00:27:33,520 --> 00:27:35,480
Speaker 1: if it means I can do this. He then swings

615
00:27:35,520 --> 00:27:37,800
Speaker 1: his arms and does a nineteen fifties twist, which was

616
00:27:37,960 --> 00:27:41,520
Speaker 1: definitely definitely cool in the nineties and not more in

617
00:27:41,600 --> 00:27:43,280
Speaker 1: line with the age of our riders.

618
00:27:43,720 --> 00:27:46,640
Speaker 2: No, perfectly, that's the big dance crazy quiz.

619
00:27:46,720 --> 00:27:49,240
Speaker 4: Everyone knows that the twist was big in nineteen ninety six.

620
00:27:50,440 --> 00:27:52,879
Speaker 1: Kristin laughs and says she so flattered Corey found the

621
00:27:52,880 --> 00:27:54,760
Speaker 1: time to go out with her, because since he's been single,

622
00:27:54,840 --> 00:27:56,680
Speaker 1: he's gone out with a different girl every night.

623
00:27:57,119 --> 00:28:00,120
Speaker 4: Corey responds, well, who is this, Corey.

624
00:28:00,560 --> 00:28:01,920
Speaker 2: I don't get it's also I'm sorry.

625
00:28:02,160 --> 00:28:04,879
Speaker 3: She is a phenomenal actress, but the entire scene starts

626
00:28:04,880 --> 00:28:08,000
Speaker 3: with her staring right at the camera, really really right

627
00:28:08,040 --> 00:28:09,399
Speaker 3: at that her first shot, it was like she was

628
00:28:09,400 --> 00:28:11,040
Speaker 3: looking for the light to come on. So she's just

629
00:28:11,080 --> 00:28:13,280
Speaker 3: staring right at the camera when she says her and

630
00:28:13,320 --> 00:28:14,200
Speaker 3: then looks at Ben.

631
00:28:14,080 --> 00:28:17,000
Speaker 1: That's funny, yeah, and Corey responds, well, I had to

632
00:28:17,000 --> 00:28:18,600
Speaker 1: get them out of the way to make time for

633
00:28:18,640 --> 00:28:21,000
Speaker 1: a fetching goal, like you again.

634
00:28:21,480 --> 00:28:25,080
Speaker 4: Fetching goal or very cool in the nineties. Obviously not

635
00:28:25,160 --> 00:28:26,919
Speaker 4: just in the movie Grease exactly.

636
00:28:27,480 --> 00:28:30,000
Speaker 2: Think episode every other episode where a girl has come

637
00:28:30,040 --> 00:28:31,960
Speaker 2: on to Cory or said something about how great he is,

638
00:28:32,119 --> 00:28:35,240
Speaker 2: what is his response. He's a neuro season awkwardness and

639
00:28:35,240 --> 00:28:35,960
Speaker 2: doesn't know what to do.

640
00:28:36,160 --> 00:28:38,640
Speaker 3: That's so for him to be like a Sean all

641
00:28:38,680 --> 00:28:40,520
Speaker 3: of a sudden, now he's like, he's get the perfect

642
00:28:40,600 --> 00:28:42,760
Speaker 3: ladies man, He's got this reputation, and.

643
00:28:42,720 --> 00:28:45,000
Speaker 2: Which I guess is totally fine. I mean the point

644
00:28:45,040 --> 00:28:46,960
Speaker 2: of the episode. I mean, if I just want a

645
00:28:46,960 --> 00:28:48,680
Speaker 2: little bit of a reference to it, like a little

646
00:28:48,680 --> 00:28:51,280
Speaker 2: bit of like, Corey, you've grown, You've changed, like I'm

647
00:28:51,320 --> 00:28:54,080
Speaker 2: finally upped your game, you know, or somehow. But it's not.

648
00:28:54,160 --> 00:28:57,320
Speaker 1: I feel like I feel like this is our version

649
00:28:57,400 --> 00:29:03,320
Speaker 1: of Erkele becoming Urkel. Yes, yes, it was just Corky

650
00:29:03,400 --> 00:29:05,720
Speaker 1: Dorky becoming Cory who.

651
00:29:06,400 --> 00:29:06,680
Speaker 2: Yeah.

652
00:29:07,160 --> 00:29:09,520
Speaker 3: I think we've kind of established that there are times

653
00:29:09,600 --> 00:29:12,760
Speaker 3: to jump ahead in the story. The characters will just

654
00:29:12,800 --> 00:29:15,120
Speaker 3: become whoever they need to become to drive.

655
00:29:16,400 --> 00:29:19,480
Speaker 1: Yeah, exactly, so, she says, how do I know that's

656
00:29:19,520 --> 00:29:21,520
Speaker 1: not just another line from the new Corey Matthews.

657
00:29:21,520 --> 00:29:25,320
Speaker 4: At least she references the new Corey.

658
00:29:24,400 --> 00:29:28,040
Speaker 2: Matthews that nice, But she references it if it's since

659
00:29:28,080 --> 00:29:30,800
Speaker 2: you've been singing, which is this entire season, which is

660
00:29:30,840 --> 00:29:33,720
Speaker 2: not the case. Like the entire season, Corey's been pining

661
00:29:33,720 --> 00:29:36,280
Speaker 2: for Topanga and miserable and awkward with other girls.

662
00:29:36,640 --> 00:29:39,280
Speaker 1: Corey laughs, I have no lines because your pretty blue

663
00:29:39,280 --> 00:29:42,600
Speaker 1: eyes leave me speechless. Corey asks what else the school

664
00:29:42,680 --> 00:29:44,520
Speaker 1: is saying about him? As he twirls a French fry

665
00:29:44,520 --> 00:29:46,760
Speaker 1: in between his fingers. Corey tells him they say, just

666
00:29:46,800 --> 00:29:48,600
Speaker 1: before you kiss a girl, you pass a fry from

667
00:29:48,680 --> 00:29:52,120
Speaker 1: knuckle to knuckle. Corey's intrigued, and we get yet another huh,

668
00:29:52,360 --> 00:29:53,240
Speaker 1: this is our third?

669
00:29:56,600 --> 00:29:58,800
Speaker 2: Doesn't did this gross anybody else? Like? How greasy your

670
00:29:58,800 --> 00:30:00,920
Speaker 2: fingers will get from cress a fry?

671
00:30:01,640 --> 00:30:02,160
Speaker 4: I don't like it.

672
00:30:02,280 --> 00:30:05,400
Speaker 2: I wish it's all over your I also have a

673
00:30:05,400 --> 00:30:07,600
Speaker 2: weird ear thing. I don't know why.

674
00:30:07,720 --> 00:30:11,000
Speaker 3: It's very bizarre with anything sexual and the word knuckle.

675
00:30:13,120 --> 00:30:14,560
Speaker 3: I just don't know why you don't like it?

676
00:30:14,640 --> 00:30:19,400
Speaker 2: Call me crazy. It's knuckle. You don't want to see

677
00:30:19,440 --> 00:30:23,080
Speaker 2: hot ladies hot knuckles? Yeah, no, it's it's just like, hey, baby,

678
00:30:23,240 --> 00:30:26,800
Speaker 2: how about the knuckle? Yeah exactly, Thank you. You don't

679
00:30:26,800 --> 00:30:27,920
Speaker 2: want to touch my knuckle?

680
00:30:28,320 --> 00:30:32,880
Speaker 1: Please please stop my mouth your mouth, flat mouth, flash

681
00:30:32,920 --> 00:30:36,120
Speaker 1: your knuckle. Kristen says that was nice, and he responds,

682
00:30:36,160 --> 00:30:39,040
Speaker 1: sure was to Panga. Kristen shocked, you just called me

683
00:30:39,080 --> 00:30:40,960
Speaker 1: to Panga. Corey's eyes shoot open.

684
00:30:41,160 --> 00:30:41,600
Speaker 2: Oh boy.

685
00:30:42,240 --> 00:30:44,760
Speaker 1: Shawn and Corey are in Turner's classroom. Sean yells, you

686
00:30:44,800 --> 00:30:47,040
Speaker 1: called her to Panga. You're really bad at names. Do

687
00:30:47,080 --> 00:30:48,720
Speaker 1: what I do. Write them on the palm of your hand.

688
00:30:48,760 --> 00:30:51,520
Speaker 1: He glances at his hand and had Cory.

689
00:30:51,360 --> 00:30:57,400
Speaker 2: Corey show yeah, laughed. I was like, Wow, that's the

690
00:30:57,480 --> 00:31:00,920
Speaker 2: rat Joe Clever Raho.

691
00:31:00,160 --> 00:31:04,440
Speaker 1: Not ape plus. Nothing about that joke. There's not one

692
00:31:04,480 --> 00:31:06,560
Speaker 1: bad thing, perfect.

693
00:31:06,240 --> 00:31:12,840
Speaker 2: Joke, perfect giving advice to Corey. Everything, It's Sean all

694
00:31:12,840 --> 00:31:14,760
Speaker 2: wrapped in. I love it. Great joke.

695
00:31:14,880 --> 00:31:16,719
Speaker 1: So Corey says, the real problem is no matter how

696
00:31:16,720 --> 00:31:18,520
Speaker 1: many girls he goes out with, he still ends up

697
00:31:18,560 --> 00:31:21,240
Speaker 1: thinking about Tapega. Corey admits, I made a mistake. I

698
00:31:21,240 --> 00:31:22,840
Speaker 1: thought we could be friends like you and I are.

699
00:31:22,880 --> 00:31:24,600
Speaker 1: But when I see Tapanga, I want to hug her,

700
00:31:24,640 --> 00:31:26,880
Speaker 1: hold her, kiss her, and why see you? I have

701
00:31:26,960 --> 00:31:30,240
Speaker 1: no interest in any of those things. Sean asks how

702
00:31:30,280 --> 00:31:32,920
Speaker 1: he thinks she feels about Corey, and he decides to

703
00:31:32,920 --> 00:31:34,920
Speaker 1: ask her to Panga walks in wearing a skirt and

704
00:31:35,000 --> 00:31:38,000
Speaker 1: boots like she's into Garth Brooks, and Corey says, we're.

705
00:31:37,880 --> 00:31:39,760
Speaker 2: Wearing boots and skirts this entire episode.

706
00:31:39,800 --> 00:31:42,360
Speaker 1: I had a bit of a change of change of

707
00:31:42,400 --> 00:31:45,640
Speaker 1: look here until we get to the cute little red

708
00:31:45,640 --> 00:31:48,000
Speaker 1: and white stripe thing. I don't like any of them.

709
00:31:48,080 --> 00:31:50,640
Speaker 1: I think they all are bad. Yeah, I did not

710
00:31:50,800 --> 00:31:51,320
Speaker 1: enjoy them.

711
00:31:52,080 --> 00:31:55,200
Speaker 3: But the we know is officially dead, the one we

712
00:31:55,280 --> 00:31:59,040
Speaker 3: knew from season one, it's now officially officially gone.

713
00:31:59,600 --> 00:32:02,800
Speaker 2: Care I'm so at them all. Yeah, you're there now,

714
00:32:02,840 --> 00:32:03,520
Speaker 2: you're there now.

715
00:32:03,640 --> 00:32:07,320
Speaker 1: I'm also growing out my bangs, which is why they're

716
00:32:07,360 --> 00:32:10,800
Speaker 1: not down. They're like up because I'm starting to grow

717
00:32:10,840 --> 00:32:13,200
Speaker 1: them out, so they're too long to wear curled over,

718
00:32:13,440 --> 00:32:15,800
Speaker 1: but they're not long enough to brush back with the

719
00:32:15,800 --> 00:32:16,440
Speaker 1: rest of my hair.

720
00:32:16,840 --> 00:32:20,280
Speaker 2: So I was thinking the same thing. No, you're you're

721
00:32:20,320 --> 00:32:22,920
Speaker 2: the only one that belongs in this episode. Though it

722
00:32:23,000 --> 00:32:25,840
Speaker 2: feels like like you're the only actor who feels comfortable

723
00:32:26,800 --> 00:32:29,920
Speaker 2: like you, right, I mean I don't disagree you fit in.

724
00:32:30,040 --> 00:32:32,000
Speaker 2: Like even when you're at Disney World, you kind of

725
00:32:32,040 --> 00:32:34,440
Speaker 2: like look like you belong there, you know, and you're

726
00:32:34,480 --> 00:32:37,520
Speaker 2: like you're you're objective and like dealing with Corey makes

727
00:32:37,560 --> 00:32:40,120
Speaker 2: sense to me, Like I don't know, like every time

728
00:32:40,160 --> 00:32:40,920
Speaker 2: you were on the screen, I.

729
00:32:40,880 --> 00:32:44,360
Speaker 1: Was like, yeah, yeah she should live, Yeah, there.

730
00:32:44,280 --> 00:32:46,120
Speaker 2: Will, And I I mean, Ben and I look like

731
00:32:46,560 --> 00:32:49,120
Speaker 2: we've been green screened into Disney World. Like it's just

732
00:32:49,160 --> 00:32:51,600
Speaker 2: like we don't belong there, which is kind of the point, right,

733
00:32:51,680 --> 00:32:55,440
Speaker 2: like but and then of course, like poor poor Andrew Keegan,

734
00:32:56,880 --> 00:32:59,760
Speaker 2: nothing to do, nothing to do at all? This this

735
00:33:00,640 --> 00:33:05,840
Speaker 2: is great for a very funny character Lips Lips and like,

736
00:33:05,880 --> 00:33:08,040
Speaker 2: what does he say? What is his line? Like how

737
00:33:08,080 --> 00:33:09,960
Speaker 2: funny would that be? And you know Andrew could have

738
00:33:10,000 --> 00:33:12,760
Speaker 2: pulled it off, but they gave him nothing. They literally

739
00:33:12,920 --> 00:33:15,280
Speaker 2: he's like a model. He just poses and it's such

740
00:33:15,280 --> 00:33:17,320
Speaker 2: a waste. It could have been like just a two

741
00:33:17,360 --> 00:33:20,320
Speaker 2: page scene of like what is Lips in Topanga's conversation?

742
00:33:20,480 --> 00:33:23,440
Speaker 2: Like that's funny? What if Toapanga's so over him and

743
00:33:23,480 --> 00:33:25,240
Speaker 2: he's still trying to make like that would.

744
00:33:25,000 --> 00:33:27,280
Speaker 4: Have been great had we seen any of that set up.

745
00:33:27,320 --> 00:33:28,120
Speaker 4: I would have loved that.

746
00:33:28,240 --> 00:33:29,800
Speaker 1: I would have loved for there to have been a

747
00:33:29,800 --> 00:33:35,160
Speaker 1: scene where Tapanga was like at first like oh maybe maybe.

748
00:33:34,480 --> 00:33:40,360
Speaker 3: And he's dumb as oh my god, total time machine thing.

749
00:33:40,400 --> 00:33:42,960
Speaker 3: But the opening scene should have been Lips with a

750
00:33:43,080 --> 00:33:46,080
Speaker 3: date at Chubby's, Corey with a date at Chubbies at

751
00:33:46,080 --> 00:33:48,720
Speaker 3: a different thing, and Corey's trying to imitate what Lips

752
00:33:48,760 --> 00:33:51,440
Speaker 3: is doing and it's awful the entire way around. And

753
00:33:51,480 --> 00:33:53,800
Speaker 3: you set up him, you set up that he's still awkward,

754
00:33:53,880 --> 00:33:55,480
Speaker 3: and then they're now they're on the trip together.

755
00:33:55,560 --> 00:33:57,560
Speaker 2: Yeah, and then he's right, and the guy he's trying

756
00:33:57,560 --> 00:33:59,680
Speaker 2: to learn from is now making the move something.

757
00:33:59,560 --> 00:34:01,840
Speaker 3: Exactly, so it's like he knows moving the fries back

758
00:34:01,880 --> 00:34:02,600
Speaker 3: and forth perfectly.

759
00:34:02,600 --> 00:34:04,840
Speaker 2: Corey's like, oh, like burning himself. I mean, like you

760
00:34:04,840 --> 00:34:07,280
Speaker 2: could have done all this great stuff. Do you just

761
00:34:07,320 --> 00:34:09,839
Speaker 2: have him actually like lips his coaching Cory like he's

762
00:34:09,920 --> 00:34:12,640
Speaker 2: literally like, and then he's the guy that's gonna be

763
00:34:12,680 --> 00:34:14,480
Speaker 2: with Tapangas. And that's why Corey.

764
00:34:14,480 --> 00:34:17,959
Speaker 1: Clips is saying knuckle knuckle, knuckle, knuckle knuckle.

765
00:34:17,800 --> 00:34:19,319
Speaker 2: And she's into it.

766
00:34:19,400 --> 00:34:22,280
Speaker 3: She's like lip flap, liplap, flip flaps all the way around.

767
00:34:22,400 --> 00:34:28,000
Speaker 2: Okay, flap your mouth into the shape of knuckle. Never

768
00:34:28,200 --> 00:34:30,320
Speaker 2: a more unpleasant sentence has been spoken.

769
00:34:30,560 --> 00:34:33,360
Speaker 1: So Cory says, hey to Topanga, and she responds, Hi, Corey.

770
00:34:33,520 --> 00:34:36,120
Speaker 1: Corey turns to Sean and confidently tells him she wants back,

771
00:34:36,280 --> 00:34:39,400
Speaker 1: which I thought was very cute, funny funny. Mister Turner

772
00:34:39,520 --> 00:34:41,840
Speaker 1: enters reminding everyone about the essays they wrote for the

773
00:34:41,920 --> 00:34:44,680
Speaker 1: Environmental Awards at the beginning of the year. Sean proudly

774
00:34:44,760 --> 00:34:47,440
Speaker 1: jumps up, telling Turner he finished his last night submit

775
00:34:47,520 --> 00:34:50,040
Speaker 1: this baby. Turner throws it over his shoulder and says

776
00:34:50,080 --> 00:34:51,920
Speaker 1: it's time to announce the essay winners.

777
00:34:53,000 --> 00:34:55,120
Speaker 2: That was a good bit, you know, Sharper Button. I

778
00:34:55,120 --> 00:34:58,320
Speaker 2: feel like Turner could have had a rejoinder, like something

779
00:34:58,320 --> 00:35:00,600
Speaker 2: a little more than just throwing it away like kind

780
00:35:00,600 --> 00:35:01,000
Speaker 2: of killed it.

781
00:35:01,040 --> 00:35:02,359
Speaker 1: But I know if he would have had a line

782
00:35:02,360 --> 00:35:04,839
Speaker 1: to go with the toss over the shoulder, it would

783
00:35:04,840 --> 00:35:05,759
Speaker 1: have been really good.

784
00:35:06,000 --> 00:35:06,600
Speaker 2: Yeah.

785
00:35:07,040 --> 00:35:09,239
Speaker 1: Uh so the winners will be going to Disney World

786
00:35:09,280 --> 00:35:12,680
Speaker 1: in Orlando. The first winner is Kristin Hoffman. She's the

787
00:35:12,719 --> 00:35:15,960
Speaker 1: girl from the French fry kissing scene in the Corey

788
00:35:16,040 --> 00:35:18,360
Speaker 1: tells Sean that's good for her. A week in Florida,

789
00:35:18,360 --> 00:35:20,600
Speaker 1: a little son, a little color, a little ocean air

790
00:35:20,680 --> 00:35:21,719
Speaker 1: could help her get over me.

791
00:35:22,120 --> 00:35:24,200
Speaker 4: And Roddy Ronnie Waterman.

792
00:35:23,920 --> 00:35:26,920
Speaker 1: Is the second winner, and it's the dreamy Andrew Keegan.

793
00:35:27,239 --> 00:35:29,279
Speaker 1: He's revealed for the first time ever in class and

794
00:35:29,360 --> 00:35:31,719
Speaker 1: Sean confirms, well, she'll get over you quickly enough. With

795
00:35:31,800 --> 00:35:34,680
Speaker 1: Lips Waterman on the same trip. Cory says, it's Kristin

796
00:35:34,760 --> 00:35:37,000
Speaker 1: and Lips in Orlando. He's free to spend the next

797
00:35:37,000 --> 00:35:40,200
Speaker 1: week romancing to Panga Sometimes everything in my life just

798
00:35:40,239 --> 00:35:43,640
Speaker 1: seems to go my way. And then on cue, Turner

799
00:35:43,680 --> 00:35:47,600
Speaker 1: announces the last winner is to Penga Lawrence. Tapanga is

800
00:35:47,640 --> 00:35:50,799
Speaker 1: thrilled and her and lips lock eyes, smiling at each other.

801
00:35:51,040 --> 00:35:52,400
Speaker 4: Corey turns to Sean.

802
00:35:52,440 --> 00:35:57,600
Speaker 1: I hate my stinking life, the return of stinking thinking.

803
00:35:57,960 --> 00:36:00,800
Speaker 3: How it's a shock that to Panga, the best student

804
00:36:00,840 --> 00:36:04,400
Speaker 3: in class who was a hippie, won the Environmental Award

805
00:36:04,800 --> 00:36:06,440
Speaker 3: for the writing things.

806
00:36:06,160 --> 00:36:10,360
Speaker 2: Like, everyone's like, what to Panga one, how is that possible?

807
00:36:10,400 --> 00:36:13,640
Speaker 4: At least shocked? I don't know that anyone else is necessary.

808
00:36:13,280 --> 00:36:16,560
Speaker 2: That's true. And then and you know how when you're

809
00:36:16,640 --> 00:36:21,080
Speaker 2: studying the environment you always go to Disney. That's a

810
00:36:21,080 --> 00:36:26,319
Speaker 2: whole other thing. Yeah, environment is so writer, could you

811
00:36:27,239 --> 00:36:30,360
Speaker 2: on just that you don't go to a national park,

812
00:36:30,680 --> 00:36:33,880
Speaker 2: you don't go where somewhere you're in the wild, you

813
00:36:33,880 --> 00:36:36,400
Speaker 2: don't go even to the Florida Everglades, Like there's a

814
00:36:36,440 --> 00:36:40,600
Speaker 2: million places to go to study the environment, not I

815
00:36:40,600 --> 00:36:42,719
Speaker 2: don't know if the Disney World is known for its

816
00:36:42,760 --> 00:36:44,719
Speaker 2: environmental policy, would you give us the.

817
00:36:44,880 --> 00:36:47,040
Speaker 4: Same type of corporate synergy?

818
00:36:47,080 --> 00:36:47,319
Speaker 2: Writer?

819
00:36:48,360 --> 00:36:54,080
Speaker 3: The consumer that's great mass dolphins making an essay about

820
00:36:54,080 --> 00:36:57,319
Speaker 3: anything else why why.

821
00:36:58,880 --> 00:37:00,319
Speaker 1: You want to know what's funny is that you would

822
00:37:00,320 --> 00:37:03,360
Speaker 1: think that, like having your best friend Andrew Keegan for

823
00:37:03,440 --> 00:37:06,840
Speaker 1: me on set with you this week would be so

824
00:37:07,040 --> 00:37:07,560
Speaker 1: much fun.

825
00:37:08,120 --> 00:37:11,000
Speaker 4: And it was actually not as fun as I would

826
00:37:11,000 --> 00:37:11,759
Speaker 4: have wanted it to be.

827
00:37:12,080 --> 00:37:14,680
Speaker 2: Wait at Florida or or or when we were shooting.

828
00:37:14,920 --> 00:37:17,080
Speaker 1: She was kind of fun in Florida because everything in

829
00:37:17,120 --> 00:37:18,319
Speaker 1: Florida was fun for me.

830
00:37:18,520 --> 00:37:19,680
Speaker 4: I enjoyed it.

831
00:37:19,719 --> 00:37:21,799
Speaker 1: I thought it was great, and we got to do

832
00:37:21,960 --> 00:37:25,120
Speaker 1: a bunch of fun things and it was all really nice.

833
00:37:25,360 --> 00:37:29,920
Speaker 1: But there was a weird feeling of like feelings like

834
00:37:30,080 --> 00:37:34,440
Speaker 1: split between your two worlds, Like nobody else knew Andrew

835
00:37:34,520 --> 00:37:37,040
Speaker 1: as well as I knew Andrew. So Andrew felt like

836
00:37:37,160 --> 00:37:39,359
Speaker 1: my friend, which meant I felt like I had to

837
00:37:39,560 --> 00:37:43,000
Speaker 1: be with Andrew and entertain Andrew and make sure Andrew

838
00:37:43,040 --> 00:37:44,920
Speaker 1: felt like he was a part of everything.

839
00:37:45,280 --> 00:37:49,400
Speaker 2: Wow, this is life imitating art. That's pretty that's right.

840
00:37:49,600 --> 00:37:49,839
Speaker 3: Yeah.

841
00:37:49,880 --> 00:37:52,080
Speaker 1: And then because then I felt like, well, but I

842
00:37:52,160 --> 00:37:54,040
Speaker 1: when I'm on set, like I want to be with

843
00:37:54,200 --> 00:37:58,360
Speaker 1: you know, antisocial writer and and and Ben.

844
00:37:58,400 --> 00:38:00,680
Speaker 4: And so there was a little bit of like awkwardness.

845
00:38:00,680 --> 00:38:05,240
Speaker 1: And then I also felt like responsible somehow for the show.

846
00:38:05,600 --> 00:38:08,120
Speaker 1: And so I do remember Andrew being bummed that he

847
00:38:08,160 --> 00:38:11,359
Speaker 1: didn't have a lot to do and like wanting kind

848
00:38:11,400 --> 00:38:12,000
Speaker 1: of want.

849
00:38:12,000 --> 00:38:13,720
Speaker 2: He stop eating, like the dolphin like amber.

850
00:38:14,040 --> 00:38:16,000
Speaker 4: He may have stopped eating, That's what it was.

851
00:38:16,040 --> 00:38:18,120
Speaker 3: And we're like trying to throw him like food. Now

852
00:38:18,160 --> 00:38:19,279
Speaker 3: he's just like he doesn't eat.

853
00:38:19,480 --> 00:38:20,080
Speaker 2: He doesn't eat.

854
00:38:20,480 --> 00:38:23,719
Speaker 1: Yeah, no, And I remember feeling damp for him and

855
00:38:23,760 --> 00:38:27,440
Speaker 1: like feeling guilty like somehow maybe I should do something

856
00:38:27,520 --> 00:38:28,000
Speaker 1: about it.

857
00:38:28,000 --> 00:38:29,000
Speaker 2: It was just it.

858
00:38:28,960 --> 00:38:31,200
Speaker 1: Felt like I just really couldn't wait for these two

859
00:38:31,239 --> 00:38:32,720
Speaker 1: worlds to go back to being separate.

860
00:38:32,800 --> 00:38:36,080
Speaker 2: Well, I remember you running into the rain with me. Oh, yeah,

861
00:38:36,120 --> 00:38:38,120
Speaker 2: which you don't remember, do you remember that? Yeah?

862
00:38:38,160 --> 00:38:40,160
Speaker 1: I mean I have vague memories of running in the rain,

863
00:38:40,200 --> 00:38:41,760
Speaker 1: and I think, didn't I write about it into my diary?

864
00:38:42,239 --> 00:38:48,560
Speaker 2: You did? Was running thro the sprinkl okay, Oh, I

865
00:38:48,600 --> 00:38:50,160
Speaker 2: was honest. I just remember we were sitting in a

866
00:38:50,200 --> 00:38:53,160
Speaker 2: pass van like waiting to for some reason, waiting for

867
00:38:53,200 --> 00:38:56,239
Speaker 2: the raining. Yeah yeah, And it was like, you know,

868
00:38:56,320 --> 00:38:59,600
Speaker 2: Florida pouring rain, and I remember just being like Danielle,

869
00:39:00,280 --> 00:39:02,319
Speaker 2: just go and you were like yeah, and the two

870
00:39:02,360 --> 00:39:06,240
Speaker 2: of us I got soaked and we were like spinning

871
00:39:06,320 --> 00:39:12,040
Speaker 2: in the rain in Florida, and I was like, yeah, living.

872
00:39:13,000 --> 00:39:15,680
Speaker 3: Now I have a question, a logistical question. Can either

873
00:39:15,719 --> 00:39:19,840
Speaker 3: of you remember did you shoot the Florida stuff before

874
00:39:19,960 --> 00:39:22,520
Speaker 3: the stage show or after the stage It was after?

875
00:39:23,200 --> 00:39:23,839
Speaker 4: I think it was after.

876
00:39:24,000 --> 00:39:27,160
Speaker 2: We shot the stage stuff before and then I remember

877
00:39:27,160 --> 00:39:29,239
Speaker 2: about this episode which Danielle doesn't is I convinced her

878
00:39:29,239 --> 00:39:30,800
Speaker 2: to not get a tan because she was going to

879
00:39:30,840 --> 00:39:31,760
Speaker 2: go to a tanning salon.

880
00:39:31,840 --> 00:39:34,280
Speaker 4: Wonder before we went to Florida episode.

881
00:39:34,040 --> 00:39:35,400
Speaker 2: I was going to say, you look pale with you

882
00:39:35,440 --> 00:39:38,880
Speaker 2: in your bed on. I was saving your skin. In retrospect,

883
00:39:38,920 --> 00:39:41,680
Speaker 2: I was ahead of my time. Did we have an audience?

884
00:39:43,360 --> 00:39:46,399
Speaker 4: Then it would have been like actually going you were.

885
00:39:46,280 --> 00:39:47,799
Speaker 2: Going to go to the tanning bed? Yeah?

886
00:39:48,080 --> 00:39:50,840
Speaker 3: Did we Did we actually shoot the stuff on stage

887
00:39:50,880 --> 00:39:51,840
Speaker 3: in front of an audience?

888
00:39:51,920 --> 00:39:55,960
Speaker 2: This right? No? This was all we do without the audience. Okay.

889
00:39:56,000 --> 00:39:58,799
Speaker 2: I remember doing those awkward like run throughs where we'd

890
00:39:58,840 --> 00:40:00,720
Speaker 2: have to do the scenes that were gonna being Florida

891
00:40:00,760 --> 00:40:03,239
Speaker 2: on the stage. Yea, So we did like three days

892
00:40:03,239 --> 00:40:05,919
Speaker 2: of rehearsal and because they would rewrite it and lock

893
00:40:05,960 --> 00:40:08,560
Speaker 2: the script in before we got on location, which is okay,

894
00:40:08,800 --> 00:40:11,279
Speaker 2: kind of ridiculous. But you know, and again that's why

895
00:40:11,360 --> 00:40:14,160
Speaker 2: that leads to why I think this. You know, did

896
00:40:14,320 --> 00:40:17,480
Speaker 2: Michaels in Florida with you? He must have, Honestly, I

897
00:40:17,480 --> 00:40:17,960
Speaker 2: don't remember.

898
00:40:17,960 --> 00:40:18,960
Speaker 4: I don't remember him at all.

899
00:40:19,680 --> 00:40:22,120
Speaker 2: All I remember is being stressed out and spread out

900
00:40:22,160 --> 00:40:22,800
Speaker 2: throughout the park.

901
00:40:23,080 --> 00:40:26,040
Speaker 1: You remember how nice the hotel rooms were they gave us?

902
00:40:26,239 --> 00:40:29,800
Speaker 2: Oh yeah, I wasn't there. You were there for the

903
00:40:29,840 --> 00:40:33,160
Speaker 2: twenty fifth anniversary though, which, Oh yeah, I think.

904
00:40:33,000 --> 00:40:36,040
Speaker 4: The Boardwalk Hotel, isn't that what I was?

905
00:40:36,560 --> 00:40:39,040
Speaker 2: The fifth was one of those. Yeah, yeah, I thought

906
00:40:39,080 --> 00:40:40,600
Speaker 2: we stayed at the like the one with the fish

907
00:40:40,680 --> 00:40:42,200
Speaker 2: on the top that it's gone now, it's like the

908
00:40:42,239 --> 00:40:46,279
Speaker 2: Grand Floridian or no, I thought something time too.

909
00:40:47,400 --> 00:40:51,399
Speaker 1: And we had such a nice, cool, sweet I think

910
00:40:51,400 --> 00:40:54,000
Speaker 1: there was a staircase in it even yeah, because my

911
00:40:54,040 --> 00:40:54,919
Speaker 1: whole family was there.

912
00:40:56,520 --> 00:40:58,200
Speaker 2: And then didn't we have a whole hotel room just

913
00:40:58,239 --> 00:41:00,720
Speaker 2: for school? We had like a sweet, nice school.

914
00:41:01,080 --> 00:41:03,279
Speaker 1: David comes and we got to ride. Can we talk

915
00:41:03,280 --> 00:41:04,719
Speaker 1: about all the rides we got to do? I mean,

916
00:41:04,760 --> 00:41:07,320
Speaker 1: how many times did you have to ride Space Splash Mountain?

917
00:41:08,080 --> 00:41:10,680
Speaker 2: Uh? Seven? I believe? But then Ben and I were

918
00:41:10,680 --> 00:41:13,279
Speaker 2: obsessed with the Hollywood Tower of Terror. So we made them.

919
00:41:14,160 --> 00:41:14,680
Speaker 2: I was obsessed.

920
00:41:14,719 --> 00:41:16,640
Speaker 4: Okay, so we just opened, right.

921
00:41:17,239 --> 00:41:19,600
Speaker 2: Have those photos still? Yes?

922
00:41:19,920 --> 00:41:21,919
Speaker 3: I have all the ones from like the twenty fifth

923
00:41:21,960 --> 00:41:23,960
Speaker 3: when we all just kept riding them over and over,

924
00:41:24,000 --> 00:41:26,319
Speaker 3: and I have a whole bunch of those need And

925
00:41:26,360 --> 00:41:30,359
Speaker 3: we pretended to be asleep because we have we pretended to.

926
00:41:30,320 --> 00:41:31,479
Speaker 4: Do a bunch of different things.

927
00:41:31,480 --> 00:41:34,399
Speaker 1: But when Tower of Terror had just open, I don't

928
00:41:34,400 --> 00:41:35,839
Speaker 1: even know if it was open to the public yet.

929
00:41:35,840 --> 00:41:37,280
Speaker 4: It was right, it had just opened.

930
00:41:37,600 --> 00:41:39,600
Speaker 3: It must have been, yeah, but they were, Yeah, when

931
00:41:39,600 --> 00:41:41,280
Speaker 3: we were there for the party for the opening.

932
00:41:41,280 --> 00:41:42,600
Speaker 2: That's what the first time we went was.

933
00:41:42,600 --> 00:41:44,600
Speaker 3: They invited us to the party of the for the

934
00:41:44,640 --> 00:41:46,560
Speaker 3: opening of the of the Tower Terror. Yeah, and then

935
00:41:46,840 --> 00:41:51,160
Speaker 3: the first time we all saw Lindsay wend They're confusing,

936
00:41:51,280 --> 00:41:53,439
Speaker 3: You're confusing because when they opened the Tower of Terror

937
00:41:53,440 --> 00:41:55,479
Speaker 3: in disney Land, we went to the Are you sure?

938
00:41:55,840 --> 00:41:57,000
Speaker 3: I think I think I went to the one in

939
00:41:57,000 --> 00:41:58,880
Speaker 3: Florida too. I think I went to the one in

940
00:41:58,880 --> 00:42:00,920
Speaker 3: Florida pretty sure, because that's where.

941
00:42:00,800 --> 00:42:03,440
Speaker 2: I saw Florida. It was already it had been there

942
00:42:03,440 --> 00:42:06,799
Speaker 2: a while, and we were going like to I just

943
00:42:06,840 --> 00:42:09,200
Speaker 2: remember Ben somehow had already been there and knew everything

944
00:42:09,239 --> 00:42:10,759
Speaker 2: all the rides, and he was like, we have to

945
00:42:10,800 --> 00:42:13,080
Speaker 2: do Alien Encounter, which is a great ride that used

946
00:42:13,080 --> 00:42:15,520
Speaker 2: to exist some and then Hollywood Tower of Terror, and

947
00:42:15,560 --> 00:42:16,440
Speaker 2: they were so much.

948
00:42:16,239 --> 00:42:19,839
Speaker 1: We wrote it like thirteen times in a row, over

949
00:42:19,880 --> 00:42:21,359
Speaker 1: and over and oh my gosh, it was so much,

950
00:42:21,400 --> 00:42:22,040
Speaker 1: so much fun.

951
00:42:22,080 --> 00:42:24,720
Speaker 2: Do you remember the video because that's where Lindsay Ridgeway

952
00:42:24,760 --> 00:42:27,400
Speaker 2: is the little girl in the video when you're watching

953
00:42:27,440 --> 00:42:30,239
Speaker 2: the family like and it's the creepy whatever. It's well,

954
00:42:30,239 --> 00:42:32,160
Speaker 2: you got off on the previous floor, right, remember first

955
00:42:32,239 --> 00:42:34,520
Speaker 2: you get off in the elevator moves through. Yep. But

956
00:42:34,560 --> 00:42:36,520
Speaker 2: I think that's only it was a disney Land. I

957
00:42:36,520 --> 00:42:39,040
Speaker 2: don't think it moved through in Disney World anyway. Okay,

958
00:42:39,320 --> 00:42:42,440
Speaker 2: I could. Yeah, But there was one night when I

959
00:42:42,520 --> 00:42:44,440
Speaker 2: was there with just my friends without you guys.

960
00:42:44,920 --> 00:42:46,879
Speaker 4: They brought me back to Florida.

961
00:42:47,160 --> 00:42:50,319
Speaker 2: Yeah, when I was eighteen, and we they brought us

962
00:42:50,360 --> 00:42:52,920
Speaker 2: to do the Hollywood Tower of Terror after midnight when

963
00:42:52,960 --> 00:42:56,160
Speaker 2: they were adjusting the ride. So they let us ride

964
00:42:56,200 --> 00:42:58,719
Speaker 2: it late at night because they were adding like an

965
00:42:58,719 --> 00:43:00,440
Speaker 2: extra drop, a little no, And so we.

966
00:43:00,360 --> 00:43:02,319
Speaker 4: Got there because I remember writing it at night.

967
00:43:03,120 --> 00:43:05,040
Speaker 2: Okay, then maybe that trip, but I thought that was

968
00:43:05,080 --> 00:43:07,040
Speaker 2: with my two friends. Okay, so maybe that was this

969
00:43:07,120 --> 00:43:08,319
Speaker 2: trip they brought us all in.

970
00:43:08,239 --> 00:43:10,600
Speaker 1: And yeah, either that or I was also on that

971
00:43:10,680 --> 00:43:12,480
Speaker 1: trip where the friends were there, because I seem to

972
00:43:12,480 --> 00:43:14,600
Speaker 1: remember my friend Jessica being with me. So no, I think,

973
00:43:14,600 --> 00:43:16,719
Speaker 1: because I know for a fact I wrote it at night.

974
00:43:16,960 --> 00:43:18,640
Speaker 2: I remember sometimes writer that you.

975
00:43:18,760 --> 00:43:20,520
Speaker 3: It was times they shut down the cameras so they

976
00:43:20,560 --> 00:43:22,799
Speaker 3: couldn't see anything, and you and I and Ben would

977
00:43:22,800 --> 00:43:24,960
Speaker 3: go on and the guy would strip put down the

978
00:43:25,000 --> 00:43:27,879
Speaker 3: strap so we literally wouldn't have any and you'd lie

979
00:43:27,920 --> 00:43:31,160
Speaker 3: across the seat this way, so when it dropped, you'd.

980
00:43:31,000 --> 00:43:33,960
Speaker 2: Be in the middle of the thing like this world.

981
00:43:34,000 --> 00:43:36,759
Speaker 2: Why No, I'm pretty sure everybody who worked at the

982
00:43:36,800 --> 00:43:39,400
Speaker 2: park in nineteen ninety four isn't there anymore.

983
00:43:40,880 --> 00:43:43,160
Speaker 4: Producer Jensen, I don't know, was saying, we can air it.

984
00:43:43,160 --> 00:43:43,960
Speaker 4: It's so old.

985
00:43:44,120 --> 00:43:49,400
Speaker 2: But I don't know Disney again, we consue Disney right now,

986
00:43:49,520 --> 00:43:52,720
Speaker 2: we're in danger and seriously doubt it. It was awesome,

987
00:43:52,880 --> 00:43:53,600
Speaker 2: It was so cool.

988
00:43:53,719 --> 00:43:56,560
Speaker 4: It was we would just be daring anybody in trouble

989
00:43:56,600 --> 00:43:57,320
Speaker 4: world for giving.

990
00:43:57,200 --> 00:43:59,520
Speaker 2: Us the best sitting in his desk right now looking

991
00:43:59,600 --> 00:44:06,160
Speaker 2: over somebody called my lawyer meeting. Yeah, crazy, it was

992
00:44:06,200 --> 00:44:08,160
Speaker 2: so much fun. I have a bunch of those photos.

993
00:44:08,280 --> 00:44:11,160
Speaker 4: Well, we need to post them on the world.

994
00:44:11,239 --> 00:44:24,080
Speaker 2: Yes, I have a bunch. I have a bunch. All right,

995
00:44:24,080 --> 00:44:25,400
Speaker 2: back to this great episode.

996
00:44:25,760 --> 00:44:29,720
Speaker 1: We come out of a commercial in the most jarring

997
00:44:29,840 --> 00:44:33,360
Speaker 1: way possible. Oh man, it is the most abrupt transition.

998
00:44:33,719 --> 00:44:36,160
Speaker 1: I don't care that it's a dream. It is shocking.

999
00:44:36,280 --> 00:44:39,440
Speaker 1: All of a sudden, Topanga and Ronnie are writing Dumbo together.

1000
00:44:39,719 --> 00:44:42,280
Speaker 1: Tapega's worried about her hair getting stuck in the rotor,

1001
00:44:42,480 --> 00:44:45,080
Speaker 1: and Ronnie assures her her hair is safe. He puts

1002
00:44:45,120 --> 00:44:47,400
Speaker 1: his arm around her, and we get a terrifying POV

1003
00:44:47,520 --> 00:44:50,440
Speaker 1: shot of Ronnie saying, your lips are in danger. As

1004
00:44:50,480 --> 00:44:53,280
Speaker 1: he puckers up, we realize Corey is having a nightmare,

1005
00:44:53,320 --> 00:44:56,520
Speaker 1: screaming no lips, no lips. Eric wakes up and asks

1006
00:44:56,560 --> 00:44:58,960
Speaker 1: if Corey is having that nightmare again where he's kidnapped

1007
00:44:58,960 --> 00:45:01,839
Speaker 1: by figure skaters and four to do compulsories against his will,

1008
00:45:02,160 --> 00:45:04,480
Speaker 1: and Corey admits no figure skating dreams.

1009
00:45:04,960 --> 00:45:07,680
Speaker 2: Why at first I thought there was going to be

1010
00:45:07,680 --> 00:45:10,480
Speaker 2: a callback to like hegan, Like, I thought you were

1011
00:45:10,480 --> 00:45:13,040
Speaker 2: going to say, where you're like, I do, like you

1012
00:45:13,520 --> 00:45:15,480
Speaker 2: always have these figure skating dreams, which would have made

1013
00:45:15,520 --> 00:45:17,960
Speaker 2: more sense, right, I mean that's what's too. It's like,

1014
00:45:18,000 --> 00:45:21,200
Speaker 2: why think, why pick that joke another figure skating dream?

1015
00:45:21,360 --> 00:45:23,760
Speaker 2: And don't we have the recurring joke of no clown,

1016
00:45:23,880 --> 00:45:24,759
Speaker 2: no clown.

1017
00:45:24,480 --> 00:45:26,799
Speaker 4: No him his recurring dream, so he has a lot

1018
00:45:26,840 --> 00:45:27,080
Speaker 4: of that.

1019
00:45:27,200 --> 00:45:28,920
Speaker 2: I was going to come back, but it would be

1020
00:45:28,920 --> 00:45:31,000
Speaker 2: better to just do a no clown no joke. I agree,

1021
00:45:31,080 --> 00:45:33,319
Speaker 2: you know, it was very weird. I wrote the same thing.

1022
00:45:33,880 --> 00:45:34,080
Speaker 3: Yeah.

1023
00:45:34,440 --> 00:45:38,080
Speaker 1: By the way, I actually love that he only has

1024
00:45:38,080 --> 00:45:40,440
Speaker 1: a dream every four years, so it ties into the Olympics.

1025
00:45:40,560 --> 00:45:41,920
Speaker 2: I love that, funny, Joe, So.

1026
00:45:41,960 --> 00:45:44,719
Speaker 1: Why not you pick something else in the Olympics rather

1027
00:45:44,760 --> 00:45:47,399
Speaker 1: than figure skating, considering figure skating actually ties.

1028
00:45:49,040 --> 00:45:49,279
Speaker 2: Yes.

1029
00:45:49,960 --> 00:45:52,560
Speaker 3: I also love how in every single television show, no

1030
00:45:52,600 --> 00:45:54,960
Speaker 3: matter what time it is or where you are, everyone

1031
00:45:55,040 --> 00:45:56,400
Speaker 3: only sleeps on their back.

1032
00:45:56,760 --> 00:45:58,920
Speaker 1: Exactly, and when you set up and you talk to him,

1033
00:45:58,960 --> 00:46:00,920
Speaker 1: you talk to him, he's over here, and you're just

1034
00:46:00,960 --> 00:46:01,200
Speaker 1: like that.

1035
00:46:01,239 --> 00:46:04,600
Speaker 2: But dead ahead. How everybody's in movies they always have

1036
00:46:04,640 --> 00:46:06,960
Speaker 2: the sheets right up to you exactly with full makeup,

1037
00:46:07,120 --> 00:46:10,279
Speaker 2: and you're just on your back. Yep, so great.

1038
00:46:11,040 --> 00:46:14,360
Speaker 1: So Cory who is wearing a hockey jersey to sleep,

1039
00:46:14,400 --> 00:46:16,600
Speaker 1: which seems very strange, very uncomfortable.

1040
00:46:16,840 --> 00:46:18,560
Speaker 2: I was watching my family and everybody was like, what

1041
00:46:18,680 --> 00:46:19,120
Speaker 2: is he wearing?

1042
00:46:19,280 --> 00:46:19,840
Speaker 4: Why would.

1043
00:46:22,239 --> 00:46:22,799
Speaker 2: Pajamas?

1044
00:46:23,440 --> 00:46:25,880
Speaker 4: Things are very uncomfortable, very uncomfortable.

1045
00:46:25,960 --> 00:46:28,000
Speaker 2: Maybe it's like a weighted blanket for Corey. You know,

1046
00:46:28,040 --> 00:46:35,279
Speaker 2: it's like it's like a thunder blanket, thundervest, thundervest.

1047
00:46:35,920 --> 00:46:38,840
Speaker 1: So Cory, who's wearing said hockey jersey to bed, tells

1048
00:46:38,920 --> 00:46:41,280
Speaker 1: Eric he's in a bad way and he needs his advice.

1049
00:46:41,560 --> 00:46:44,080
Speaker 1: Eric interrupts, you love Tapanga and you want her back.

1050
00:46:44,239 --> 00:46:45,800
Speaker 1: Corey grins, that's brilliant.

1051
00:46:45,880 --> 00:46:46,440
Speaker 4: How did you know?

1052
00:46:46,920 --> 00:46:49,160
Speaker 1: Eric turns on the light to reveal a giant poster

1053
00:46:49,200 --> 00:46:52,840
Speaker 1: of Topanga hanging above Corey's bed. I love that photo.

1054
00:46:52,960 --> 00:46:56,120
Speaker 1: That's my photo came from I think it is. It's

1055
00:46:56,120 --> 00:46:59,440
Speaker 1: one of the I've seen this photo of Box. I

1056
00:46:59,480 --> 00:47:00,760
Speaker 1: signed it every convention.

1057
00:47:01,760 --> 00:47:03,319
Speaker 2: It's a great photo, and I want so it was

1058
00:47:03,360 --> 00:47:04,560
Speaker 2: taken for this purpose.

1059
00:47:04,560 --> 00:47:08,000
Speaker 1: It was taken for this purpose right around Yeah, and

1060
00:47:08,040 --> 00:47:09,920
Speaker 1: I had I had not ever remembered that it was

1061
00:47:09,920 --> 00:47:10,520
Speaker 1: part of the show.

1062
00:47:10,560 --> 00:47:12,760
Speaker 4: I just always thought, oh, that's like a promo photo.

1063
00:47:12,800 --> 00:47:16,920
Speaker 3: We donk picture, Yeah, my favorites, and then he answers

1064
00:47:16,960 --> 00:47:19,200
Speaker 3: with the Corey thing that also became a Corey thing.

1065
00:47:19,400 --> 00:47:19,640
Speaker 2: Yep.

1066
00:47:19,960 --> 00:47:21,680
Speaker 1: Corey admits he had a gnawing in the pit of

1067
00:47:21,680 --> 00:47:23,399
Speaker 1: his stomach ever since he broke up with the Pega

1068
00:47:23,440 --> 00:47:24,160
Speaker 1: and it won't go away.

1069
00:47:24,200 --> 00:47:25,600
Speaker 4: Wait, what does he say? What do you mean?

1070
00:47:25,800 --> 00:47:27,879
Speaker 3: Isn't this the one where he goes, oh, he's got

1071
00:47:27,920 --> 00:47:29,640
Speaker 3: the he does this, oh, which.

1072
00:47:29,400 --> 00:47:31,719
Speaker 2: He's also used a bunch of ways down the line.

1073
00:47:31,760 --> 00:47:34,399
Speaker 2: It was like his huh but he goes, oh, it's

1074
00:47:34,440 --> 00:47:34,640
Speaker 2: just a.

1075
00:47:34,719 --> 00:47:36,960
Speaker 3: Very might be a more bend thing than Corey thing.

1076
00:47:36,960 --> 00:47:37,960
Speaker 3: He always did it all the time.

1077
00:47:38,000 --> 00:47:41,120
Speaker 2: No, I just remember the huh yeah, larous funny.

1078
00:47:41,640 --> 00:47:43,319
Speaker 1: So Corey admits he's had a gnawing in the pit

1079
00:47:43,360 --> 00:47:45,160
Speaker 1: of his stomach ever since he broke up with the Pega,

1080
00:47:45,160 --> 00:47:47,680
Speaker 1: and it won't go away. Eric siyes, you poor little

1081
00:47:47,719 --> 00:47:49,600
Speaker 1: your poor little body goes through so much.

1082
00:47:49,840 --> 00:47:51,440
Speaker 4: He tells Corey to a great one.

1083
00:47:51,520 --> 00:47:54,799
Speaker 2: I know, I love that Eric is sympathetic and it's

1084
00:47:54,840 --> 00:47:57,600
Speaker 2: like you're crazy, You're crazy. But again, this is a

1085
00:47:57,960 --> 00:48:00,400
Speaker 2: this is anti the Cory the First Sea. He was

1086
00:48:00,440 --> 00:48:04,000
Speaker 2: so cool and calm, and dancing. Here's like the Corey

1087
00:48:04,040 --> 00:48:05,520
Speaker 2: we love. We should have just started here.

1088
00:48:05,719 --> 00:48:09,800
Speaker 1: Yes, So he tells Corey to confess his feelings to Tapanga.

1089
00:48:09,880 --> 00:48:12,000
Speaker 1: Corey can't tell her because she'll be in Disney World,

1090
00:48:12,120 --> 00:48:14,319
Speaker 1: but Eric tells him to go to Florida immediately and

1091
00:48:14,360 --> 00:48:15,320
Speaker 1: win back his woman.

1092
00:48:15,520 --> 00:48:15,800
Speaker 4: Corey.

1093
00:48:15,880 --> 00:48:20,520
Speaker 2: Shock, okay again, life imitating art? Will, this is the

1094
00:48:20,560 --> 00:48:24,600
Speaker 2: advice you gave me, an amster exactly, that's like verbat him.

1095
00:48:25,719 --> 00:48:28,200
Speaker 2: I'm sitting there and that was like the next year,

1096
00:48:28,400 --> 00:48:30,680
Speaker 2: like a year from now, and like probably neither of

1097
00:48:30,760 --> 00:48:33,680
Speaker 2: us realized we were re enacting a scene from our

1098
00:48:33,680 --> 00:48:37,920
Speaker 2: TV show. And Will literally like, Will stop complaining, go

1099
00:48:38,640 --> 00:48:41,000
Speaker 2: go get her back? Man, Like that's what you said

1100
00:48:41,040 --> 00:48:43,080
Speaker 2: to me. And I was like, you're right, and you're

1101
00:48:43,120 --> 00:48:45,520
Speaker 2: totally like I think I told that story on this podcast, right,

1102
00:48:45,520 --> 00:48:47,839
Speaker 2: so we did know that. But yeah, like how cool

1103
00:48:47,920 --> 00:48:49,480
Speaker 2: is I was sitting and I was like, I've seen

1104
00:48:49,520 --> 00:48:53,319
Speaker 2: that face saying those exact same words in my personal life.

1105
00:48:53,920 --> 00:48:56,120
Speaker 4: So cool, so funny.

1106
00:48:56,200 --> 00:49:03,560
Speaker 2: Well at least it worked fifty of the time. I

1107
00:49:03,560 --> 00:49:05,640
Speaker 2: wonder if we just got really you were just really

1108
00:49:05,719 --> 00:49:15,200
Speaker 2: high and actually quoting the episode they were the TV

1109
00:49:15,280 --> 00:49:18,520
Speaker 2: show you were just saying the lines, just talking Corey,

1110
00:49:18,560 --> 00:49:20,840
Speaker 2: old time you go let her back, Corey. It's just easier.

1111
00:49:21,280 --> 00:49:24,080
Speaker 4: So Cory is shocked. He says, that's insane. What about sunscreen?

1112
00:49:24,400 --> 00:49:27,160
Speaker 1: Eric announces I have spoken, and he plops back down

1113
00:49:27,239 --> 00:49:27,759
Speaker 1: into bed.

1114
00:49:28,120 --> 00:49:29,400
Speaker 4: And then we're in the school hallway.

1115
00:49:29,480 --> 00:49:31,640
Speaker 1: Corey, carrying a Duffel bag, runs up to Eric at

1116
00:49:31,680 --> 00:49:33,960
Speaker 1: the locker and proudly tells him, I'm taking your advice.

1117
00:49:34,080 --> 00:49:36,359
Speaker 1: I'm going to Florida to get back the woman I love,

1118
00:49:36,840 --> 00:49:37,399
Speaker 1: Corey asked.

1119
00:49:37,480 --> 00:49:39,400
Speaker 2: And these two scenes are where I started to realize

1120
00:49:39,400 --> 00:49:43,400
Speaker 2: our production was overwhelmed, because did you guys notice the shadows,

1121
00:49:44,360 --> 00:49:48,000
Speaker 2: Like it's like really really poor lighting, Like they're in

1122
00:49:48,080 --> 00:49:51,200
Speaker 2: that previous scene like Corey's you got a huge shadow

1123
00:49:51,200 --> 00:49:53,720
Speaker 2: over your face, and then in this hallway scene there's

1124
00:49:53,800 --> 00:49:57,480
Speaker 2: multiple shadows. It just doesn't look well lit, like it's

1125
00:49:57,520 --> 00:50:00,360
Speaker 2: not finished. And I'm sure it's because we were rushed.

1126
00:50:00,400 --> 00:50:02,680
Speaker 2: Our production was overwhelmed, so we didn't have the time

1127
00:50:02,760 --> 00:50:04,879
Speaker 2: or the care to do what we normally did.

1128
00:50:05,320 --> 00:50:08,040
Speaker 3: And it's why were they we rushed on stage? I

1129
00:50:08,040 --> 00:50:10,239
Speaker 3: could see them being rushed in Florida, but why would

1130
00:50:10,239 --> 00:50:12,080
Speaker 3: they be rushed on stage, we might have had a

1131
00:50:12,440 --> 00:50:15,160
Speaker 3: like a DP coming in because our regular DP was

1132
00:50:15,200 --> 00:50:17,520
Speaker 3: going to scout ahead of time. I have no idea,

1133
00:50:17,800 --> 00:50:20,120
Speaker 3: but you know, like I don't know, but and I

1134
00:50:20,239 --> 00:50:20,600
Speaker 3: just know.

1135
00:50:20,719 --> 00:50:22,520
Speaker 2: I just noticed. I was like, oh, things are not

1136
00:50:22,680 --> 00:50:25,960
Speaker 2: looking up to par, even on our regular stage stuff. Huh,

1137
00:50:26,000 --> 00:50:27,759
Speaker 2: things were not looking up to par. And then we

1138
00:50:27,840 --> 00:50:30,799
Speaker 2: get to get to Florida, and to me, it was

1139
00:50:30,880 --> 00:50:34,520
Speaker 2: just like, oh God, technical mistakes left that things you

1140
00:50:34,520 --> 00:50:37,000
Speaker 2: guys see because because your director is that I didn't

1141
00:50:37,000 --> 00:50:39,880
Speaker 2: even don't really notice the shadows or anything.

1142
00:50:39,880 --> 00:50:41,919
Speaker 1: I noticed the shadows in the bedroom, but it didn't

1143
00:50:41,960 --> 00:50:44,600
Speaker 1: bother me because it's supposed to be nighttime while sleeping anyway,

1144
00:50:44,640 --> 00:50:45,120
Speaker 1: So I was like.

1145
00:50:45,080 --> 00:50:47,200
Speaker 4: Okay, it's dark and shadowy. That's fine.

1146
00:50:47,239 --> 00:50:51,239
Speaker 2: There is one interesting accomplishment that the camera was put

1147
00:50:51,280 --> 00:50:54,040
Speaker 2: into the set to get Will's coverage for your first

1148
00:50:54,040 --> 00:50:56,759
Speaker 2: coverage was you looking at the state And we never

1149
00:50:56,840 --> 00:50:58,960
Speaker 2: did that. So that's the farthest we've ever gone into

1150
00:50:59,040 --> 00:51:00,560
Speaker 2: the set to be able to shoot you in bed

1151
00:51:00,600 --> 00:51:02,560
Speaker 2: talking to Corey, which I thought was cool. I was like, oh, wow,

1152
00:51:02,600 --> 00:51:06,120
Speaker 2: there's a new angle. But yeah, other than that, like

1153
00:51:06,160 --> 00:51:07,560
Speaker 2: everything's kind of a disess.

1154
00:51:07,840 --> 00:51:10,600
Speaker 1: Yeah, so Corey asks if Eric can cover for him.

1155
00:51:10,719 --> 00:51:11,719
Speaker 4: Eric's already ahead of him.

1156
00:51:11,760 --> 00:51:14,240
Speaker 1: He pulls out a life size doll of Corey wearing

1157
00:51:14,280 --> 00:51:17,600
Speaker 1: the exact same outfit Corey's wearing now. Eric asks it,

1158
00:51:18,200 --> 00:51:21,000
Speaker 1: it's like looking into a mirror, right, Corey tells him,

1159
00:51:21,040 --> 00:51:22,880
Speaker 1: you'd have to be the biggest idiot on the planet

1160
00:51:22,880 --> 00:51:25,439
Speaker 1: to actually think that's me. Then right on cue, Sean

1161
00:51:25,520 --> 00:51:27,640
Speaker 1: runs up, saying hi to both of them, then screams

1162
00:51:27,680 --> 00:51:30,439
Speaker 1: when he sees the real Corey. Corey acknowledges to Eric,

1163
00:51:30,520 --> 00:51:32,160
Speaker 1: you really went to a lot of trouble for me,

1164
00:51:32,680 --> 00:51:34,360
Speaker 1: and there I feel like there's a little bit of

1165
00:51:34,360 --> 00:51:38,640
Speaker 1: a uh it's the joke about whether or not the

1166
00:51:38,680 --> 00:51:43,360
Speaker 1: doll is good or not doesn't feel consistent throughout the episode.

1167
00:51:44,000 --> 00:51:46,000
Speaker 2: It feels like right now, it's like they're trying to

1168
00:51:46,040 --> 00:51:47,719
Speaker 2: have it both ways. Like sometimes the joke is that

1169
00:51:47,760 --> 00:51:48,840
Speaker 2: the doll is so bad.

1170
00:51:48,719 --> 00:51:51,759
Speaker 4: Yeah, but other times Foene's convinced him.

1171
00:51:52,400 --> 00:51:53,080
Speaker 2: I was just gonna say.

1172
00:51:53,080 --> 00:51:56,200
Speaker 3: He's also in a classroom and Eric's holding him up

1173
00:51:56,280 --> 00:51:59,359
Speaker 3: while he's going through class and answering for him.

1174
00:51:59,520 --> 00:52:02,920
Speaker 4: He also had a great speech. He like gave a speech.

1175
00:52:04,840 --> 00:52:06,680
Speaker 2: Well, I think that's isn't that the joke, The joke,

1176
00:52:09,280 --> 00:52:11,400
Speaker 2: the doll is so bad. But for some reason in

1177
00:52:11,440 --> 00:52:14,080
Speaker 2: the world of boring meets world it's working. Sure.

1178
00:52:14,680 --> 00:52:18,279
Speaker 1: Sure, but like for Corey and Eric, Corey says, in

1179
00:52:18,320 --> 00:52:20,960
Speaker 1: this thing like you'd have to be an idiot. But

1180
00:52:21,000 --> 00:52:23,239
Speaker 1: then he also acknowledges you really went to a lot

1181
00:52:23,239 --> 00:52:25,200
Speaker 1: of trouble for me, which then makes me feel like

1182
00:52:25,239 --> 00:52:27,120
Speaker 1: he thinks it's good. But maybe it's just that even

1183
00:52:27,160 --> 00:52:34,200
Speaker 1: if it's bad. Okay, So Corey acknowledges you really went

1184
00:52:34,200 --> 00:52:35,640
Speaker 1: to a lot of trouble for me, and Eric says,

1185
00:52:35,640 --> 00:52:37,440
Speaker 1: I figure, you're my only brother. It's not going to

1186
00:52:37,520 --> 00:52:41,120
Speaker 1: kill me to show a little affection. Corey says his

1187
00:52:41,200 --> 00:52:43,040
Speaker 1: next step is to spend all the money he has

1188
00:52:43,080 --> 00:52:45,719
Speaker 1: on a plane ticket. Then Sean surprises him with two

1189
00:52:45,719 --> 00:52:48,080
Speaker 1: Blaine tickets he got from his uncle Nikkiy. Corey asks,

1190
00:52:48,160 --> 00:52:50,800
Speaker 1: your uncle who's in the gaming industry. Sean says yes

1191
00:52:50,920 --> 00:52:53,120
Speaker 1: and warns Corey they may have to break someone's knees

1192
00:52:53,120 --> 00:52:55,840
Speaker 1: while they're there. I love that idea, like we just

1193
00:52:55,880 --> 00:53:00,359
Speaker 1: have to do a little errand for uncle, it's it,

1194
00:53:00,400 --> 00:53:01,440
Speaker 1: that's all we imagine.

1195
00:53:01,480 --> 00:53:04,799
Speaker 4: What a trade off? Huh? So Cory asks, you're coming too.

1196
00:53:04,840 --> 00:53:07,160
Speaker 1: Shaun says, of course, After all the times Corey's been

1197
00:53:07,160 --> 00:53:09,520
Speaker 1: there for him, he at least owes him one Nearby,

1198
00:53:09,680 --> 00:53:13,360
Speaker 1: Corey sees Topanga and Ronnie, and Ronnie is carrying her suitcase.

1199
00:53:13,560 --> 00:53:17,600
Speaker 1: I strongly disliked this outfit at the time. I don't

1200
00:53:17,600 --> 00:53:18,000
Speaker 1: know why.

1201
00:53:18,120 --> 00:53:18,399
Speaker 4: I don't.

1202
00:53:18,680 --> 00:53:21,920
Speaker 1: I hated the thick white belt. The like white pleather

1203
00:53:22,640 --> 00:53:26,319
Speaker 1: belt is just I don't remember liking this outfit. I

1204
00:53:26,320 --> 00:53:28,840
Speaker 1: remember being very self conscious in it. I just the

1205
00:53:28,920 --> 00:53:30,759
Speaker 1: minute I saw it, I was like, oh gosh, that

1206
00:53:30,840 --> 00:53:34,279
Speaker 1: outfit I couldn't stand. So Corey wonders, maybe if I

1207
00:53:34,280 --> 00:53:36,399
Speaker 1: tell Tapanga how I feel before she leaves, we won't

1208
00:53:36,400 --> 00:53:38,120
Speaker 1: have to do this whole thing. So he approaches to

1209
00:53:38,200 --> 00:53:40,719
Speaker 1: Panga and gets right into it. We've been apart for

1210
00:53:40,719 --> 00:53:42,680
Speaker 1: three months now, and I don't know about you, but

1211
00:53:42,719 --> 00:53:45,800
Speaker 1: I've still got all these feelings for you, Tapanga responds,

1212
00:53:45,840 --> 00:53:47,200
Speaker 1: and I have feelings for you too, Corey.

1213
00:53:47,239 --> 00:53:48,879
Speaker 4: That's why we're always going to be friends, right.

1214
00:53:49,280 --> 00:53:51,600
Speaker 1: Cory asks she's thought about getting back together, and to

1215
00:53:51,680 --> 00:53:54,279
Speaker 1: Penga says, yeah, she's thought about it, but it's hard

1216
00:53:54,320 --> 00:53:56,680
Speaker 1: to trust him when this new Corey Matthews is running

1217
00:53:56,680 --> 00:53:59,880
Speaker 1: around and dating all these other girls. Corey explains, I

1218
00:54:00,120 --> 00:54:02,280
Speaker 1: out with all those other girls because I hated being alone.

1219
00:54:02,560 --> 00:54:04,480
Speaker 1: But even with them, I was still alone because I

1220
00:54:04,560 --> 00:54:08,759
Speaker 1: wasn't with you. Tapega smiles, telling Corey that was really sweet. Also,

1221
00:54:09,200 --> 00:54:12,440
Speaker 1: Corey may be codependent, and he's just fully.

1222
00:54:12,160 --> 00:54:15,719
Speaker 2: Maybe yeah you think so.

1223
00:54:16,080 --> 00:54:19,360
Speaker 1: Just as Topanga may be considering the proposition. Turner wheels

1224
00:54:19,360 --> 00:54:21,800
Speaker 1: a huge trunk out of his classroom and yells to Topanga,

1225
00:54:21,840 --> 00:54:24,560
Speaker 1: asking if it's hers. She responds, yeah, it's my carry

1226
00:54:24,560 --> 00:54:26,840
Speaker 1: on of hair products. She leaves, telling.

1227
00:54:26,600 --> 00:54:28,440
Speaker 2: Corey be Free by Daniel Fisher to be.

1228
00:54:30,480 --> 00:54:33,040
Speaker 4: With B three by Daniel Official hair products.

1229
00:54:33,200 --> 00:54:35,279
Speaker 3: I actually have to say, because Daniel be Free by

1230
00:54:35,360 --> 00:54:36,640
Speaker 3: Daniel Official products are so good.

1231
00:54:36,680 --> 00:54:38,200
Speaker 2: You don't need to travel with that many.

1232
00:54:38,640 --> 00:54:40,960
Speaker 3: Just a few selection items and you'll be able to

1233
00:54:41,160 --> 00:54:42,839
Speaker 3: have your hair exactly the way you want it.

1234
00:54:42,920 --> 00:54:43,759
Speaker 2: Wow. Free.

1235
00:54:43,920 --> 00:54:45,799
Speaker 1: You can really tell in this episode later that I

1236
00:54:45,840 --> 00:54:48,160
Speaker 1: did not have be Free by Daniel Fisher because even

1237
00:54:48,280 --> 00:54:52,840
Speaker 1: my hair looks terrible in Florida humidity. But with my

1238
00:54:52,840 --> 00:54:56,160
Speaker 1: beef officials, No, not with my products, thank you very much.

1239
00:54:56,280 --> 00:55:01,120
Speaker 2: With your dry shampoo Detangler, what would have used.

1240
00:55:00,960 --> 00:55:04,360
Speaker 1: Well, I also have now the bee bouncy hair curl bomb.

1241
00:55:04,480 --> 00:55:07,640
Speaker 4: Oh my gosh, what that does for Friz Let me

1242
00:55:07,719 --> 00:55:09,759
Speaker 4: tell you anyway, thanks for that.

1243
00:55:10,040 --> 00:55:11,960
Speaker 2: We're starting super Expensive by Wilfredell.

1244
00:55:12,960 --> 00:55:14,520
Speaker 4: I love great. That's gonna be amazing.

1245
00:55:14,880 --> 00:55:16,600
Speaker 2: It's going to be really good. I love it be

1246
00:55:17,239 --> 00:55:18,120
Speaker 2: chained and oppressed by.

1247
00:55:21,680 --> 00:55:24,160
Speaker 1: And then Kristen walks up to Corey. I thought about

1248
00:55:24,160 --> 00:55:26,480
Speaker 1: the other night. I was silly to run away. She explains,

1249
00:55:26,560 --> 00:55:28,840
Speaker 1: were you when he called you another woman's name? I

1250
00:55:28,840 --> 00:55:31,520
Speaker 1: don't know that you were silly. Corey ensures her running

1251
00:55:31,560 --> 00:55:34,000
Speaker 1: away was good. You should have run further. Kristen says,

1252
00:55:34,040 --> 00:55:36,040
Speaker 1: he's such a gentleman. That's why when I get back

1253
00:55:36,040 --> 00:55:38,799
Speaker 1: from Florida, I want to make things work between us.

1254
00:55:39,440 --> 00:55:41,879
Speaker 1: She then kisses him and to Panga sees it all

1255
00:55:41,920 --> 00:55:45,200
Speaker 1: standing right behind them.

1256
00:55:45,640 --> 00:55:47,200
Speaker 4: It's too bad.

1257
00:55:47,280 --> 00:55:50,279
Speaker 1: This is only one of four times or so we'll

1258
00:55:50,280 --> 00:55:51,920
Speaker 1: get to see this thing.

1259
00:55:52,760 --> 00:55:53,400
Speaker 2: Yeah.

1260
00:55:53,560 --> 00:55:56,160
Speaker 4: To Pega, box amuse, I was so alone because I

1261
00:55:56,200 --> 00:55:56,839
Speaker 4: wasn't with you.

1262
00:55:57,080 --> 00:55:59,800
Speaker 1: Corey trays, laughing about the situation, telling Tapanga she's not

1263
00:56:00,160 --> 00:56:02,920
Speaker 1: the humor here. He tries encouraging her laugh laugh with me.

1264
00:56:03,360 --> 00:56:06,200
Speaker 1: To Pega is unamused. You know what, I see you

1265
00:56:06,280 --> 00:56:09,719
Speaker 1: in a robe, wearing slippers, smoking a pipe, Corey Matthews,

1266
00:56:09,719 --> 00:56:10,680
Speaker 1: you're a playboy.

1267
00:56:11,000 --> 00:56:13,000
Speaker 4: She storms off, and Sean appears to.

1268
00:56:12,960 --> 00:56:17,840
Speaker 2: Ask storms off to go to Ronnie the lips waterman,

1269
00:56:18,040 --> 00:56:20,680
Speaker 2: right as if he's not a playboy.

1270
00:56:20,880 --> 00:56:25,719
Speaker 3: Right, Well, that's a weird reference to to give Hugh

1271
00:56:25,760 --> 00:56:28,560
Speaker 3: Hefner reference. I mean, but but I don't like.

1272
00:56:28,719 --> 00:56:32,840
Speaker 2: Now we know she's not interested in playboys, so Ronnie's

1273
00:56:32,840 --> 00:56:33,239
Speaker 2: not a threat.

1274
00:56:33,400 --> 00:56:34,479
Speaker 4: Ronnie should not be a threat.

1275
00:56:34,600 --> 00:56:37,239
Speaker 2: Corey, chill out. That's why she's not gonna like holk

1276
00:56:37,320 --> 00:56:39,040
Speaker 2: up with some dude who's a playboy boy.

1277
00:56:39,120 --> 00:56:41,040
Speaker 4: It's been a two parter.

1278
00:56:41,760 --> 00:56:45,480
Speaker 1: Maybe Corey, maybe Topega could have seen Ronnie do something

1279
00:56:45,840 --> 00:56:49,919
Speaker 1: pertaining to the to the Dolphin that made her see

1280
00:56:49,920 --> 00:56:53,520
Speaker 1: a side of him and made her think, wow, look

1281
00:56:53,560 --> 00:56:56,799
Speaker 1: at this guy interested in the environment, because supposedly he is.

1282
00:56:56,840 --> 00:56:59,040
Speaker 1: He wrote a great he wrote a great essay about it.

1283
00:56:59,160 --> 00:57:01,640
Speaker 1: So if Topega would have had time to find another

1284
00:57:01,760 --> 00:57:02,640
Speaker 1: aspect of who.

1285
00:57:02,520 --> 00:57:05,239
Speaker 2: He was, or if Ronnie, yeah made the moves onto

1286
00:57:05,239 --> 00:57:09,920
Speaker 2: Panga got just just like rebuffed and then does something

1287
00:57:10,160 --> 00:57:12,719
Speaker 2: nice and sweet that actually is authentic, and it's like oh,

1288
00:57:12,760 --> 00:57:17,160
Speaker 2: this is a real chance, there's a story.

1289
00:57:17,360 --> 00:57:20,520
Speaker 3: This doesn't also show how little Corey knows to Panga

1290
00:57:20,640 --> 00:57:23,840
Speaker 3: if he even thinks somebody like Lips Waterman is a

1291
00:57:24,400 --> 00:57:27,200
Speaker 3: threat totally. I mean, if you know Topanga well enough,

1292
00:57:27,320 --> 00:57:30,400
Speaker 3: that's not all about it's not about to Pega.

1293
00:57:30,440 --> 00:57:32,760
Speaker 2: It's about getting the girl. That's the thing, Like all

1294
00:57:32,800 --> 00:57:35,840
Speaker 2: of Corey's goal is like and because he didn't, it's

1295
00:57:35,880 --> 00:57:38,400
Speaker 2: it's all about it being under threat from another guy

1296
00:57:38,480 --> 00:57:41,040
Speaker 2: or another or her going away, and you know, Corey

1297
00:57:41,080 --> 00:57:44,360
Speaker 2: doesn't really it doesn't matter, like the Penga is a prize,

1298
00:57:44,360 --> 00:57:46,520
Speaker 2: a prize. That's kind of the problem with this whole.

1299
00:57:47,120 --> 00:57:49,080
Speaker 2: I mean again, you just have to I mean, we

1300
00:57:49,160 --> 00:57:50,880
Speaker 2: will just keep saying it. You just have to accept

1301
00:57:50,920 --> 00:57:53,160
Speaker 2: that that's the tenet of boy Me's world, right, is

1302
00:57:53,160 --> 00:57:55,720
Speaker 2: that that they were, that they are meant to be together,

1303
00:57:56,080 --> 00:57:59,760
Speaker 2: and that Corey's like job in life is to try

1304
00:57:59,760 --> 00:58:02,920
Speaker 2: and sure that destiny. Yeah, and that like he struggles

1305
00:58:02,960 --> 00:58:07,480
Speaker 2: against the world to ensure his destiny to be with Tepanga. Like,

1306
00:58:07,520 --> 00:58:10,919
Speaker 2: and that's just a weird that's a that's a that's

1307
00:58:10,960 --> 00:58:12,560
Speaker 2: the logic of what it is.

1308
00:58:12,640 --> 00:58:15,960
Speaker 1: Yeah, yeah, well you know it is the Disney World

1309
00:58:16,000 --> 00:58:18,320
Speaker 1: episode of Boy Meets World, which means we have too

1310
00:58:18,400 --> 00:58:21,439
Speaker 1: many memories to jam into one episode, so we will

1311
00:58:21,440 --> 00:58:24,120
Speaker 1: be making this a two parter. Join us next time

1312
00:58:24,280 --> 00:58:27,360
Speaker 1: for the second part of Happiest Show on Earth.

1313
00:58:28,880 --> 00:58:29,800
Speaker 4: Pod Meets World.

1314
00:58:29,680 --> 00:58:32,560
Speaker 1: Is an iHeart podcast produced and hosted by Danielle Fischel,

1315
00:58:32,640 --> 00:58:36,840
Speaker 1: Wilfredell and writer Strong. Executive producers Jensen Karp and Amy Sugarman,

1316
00:58:37,080 --> 00:58:40,520
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1317
00:58:40,600 --> 00:58:44,680
Speaker 1: Tara sudbachsch producer, Maddy Moore, engineer and Boy Meets World

1318
00:58:44,680 --> 00:58:47,760
Speaker 1: super fan Easton Allen. Our theme song is by Kyle

1319
00:58:47,840 --> 00:58:50,840
Speaker 1: Morton of Typhoon. Follow us on Instagram at Pod Meets

1320
00:58:50,840 --> 00:58:53,240
Speaker 1: World Show or email us at Pod Meets World Show

1321
00:58:53,280 --> 00:58:54,520
Speaker 1: at gmail dot com.