WEBVTT - Mini Crush #134

0:00:00.640 --> 0:00:03.640
<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

0:00:29.440 --> 0:00:32.600
<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday. I'm Chuck.

0:00:32.680 --> 0:00:35.560
<v Speaker 1>That's an old We're both in our respective recording studios

0:00:36.080 --> 0:00:41.080
<v Speaker 1>at home. It's true at home at home. I don't know, man,

0:00:41.440 --> 0:00:43.480
<v Speaker 1>I think you're we're of the same mind. You don't

0:00:43.479 --> 0:00:45.440
<v Speaker 1>mind doing the at home thing, right, you're kind of

0:00:45.479 --> 0:00:48.680
<v Speaker 1>You've got a cool little pad down there. Mm hmm. Yeah,

0:00:49.320 --> 0:00:53.960
<v Speaker 1>it's fine. It comes and it goes with the the

0:00:54.040 --> 0:00:58.080
<v Speaker 1>dull drums and the and the anxiety. Yeah, yeah, that's fair.

0:00:58.280 --> 0:01:02.160
<v Speaker 1>Usually it's okay. But sometimes I'm like, boy, would like

0:01:02.200 --> 0:01:04.280
<v Speaker 1>to go to a restaurant. You have him into a restaurant. Yeah,

0:01:04.240 --> 0:01:06.320
<v Speaker 1>you have hims one a patio stitch. I have not.

0:01:06.800 --> 0:01:08.640
<v Speaker 1>I don't. I don't blame you. I haven't either. I've

0:01:08.680 --> 0:01:12.200
<v Speaker 1>been to a couple of bar patio things with again,

0:01:12.240 --> 0:01:16.280
<v Speaker 1>like some very closely you know, my little pod. And

0:01:16.319 --> 0:01:20.520
<v Speaker 1>there's like a story which is a bar in Cabbage Town, Atlanta.

0:01:20.600 --> 0:01:24.479
<v Speaker 1>They have outdoor patio seating six ft apart more more

0:01:24.480 --> 0:01:26.480
<v Speaker 1>than that even between the tables, and then you have

0:01:26.560 --> 0:01:29.520
<v Speaker 1>to walk up to this like outdoor counter and everyone's

0:01:29.520 --> 0:01:32.200
<v Speaker 1>wearing masks and they serve you your drinks and then

0:01:32.240 --> 0:01:34.039
<v Speaker 1>you take it back out to your table. So I've

0:01:34.040 --> 0:01:36.000
<v Speaker 1>done that a couple of times, but that's about the

0:01:36.000 --> 0:01:40.200
<v Speaker 1>extent of it. Yeah, I miss restaurants because we we

0:01:40.240 --> 0:01:42.520
<v Speaker 1>would dine out at least twice a week. No, like

0:01:42.920 --> 0:01:45.520
<v Speaker 1>there are local restaurants of course, and you know we're

0:01:45.520 --> 0:01:47.720
<v Speaker 1>getting take out from them to support them, of course,

0:01:48.240 --> 0:01:50.520
<v Speaker 1>and I donated at first. They had some little kickstarters

0:01:50.520 --> 0:01:53.320
<v Speaker 1>and stuff too, or a little go fund meats keep

0:01:53.320 --> 0:01:56.120
<v Speaker 1>that weight staff going. Really really great new one if

0:01:56.120 --> 0:01:57.760
<v Speaker 1>you haven't tried it. It's not super far from you.

0:01:57.760 --> 0:02:00.600
<v Speaker 1>It's called Little Bear and uh, really cool local chef.

0:02:00.600 --> 0:02:02.200
<v Speaker 1>He used to have a pop up thing called Eat Me,

0:02:02.240 --> 0:02:04.880
<v Speaker 1>Speak Me that was really popular. But um, they do

0:02:05.160 --> 0:02:08.880
<v Speaker 1>different nationalities every single week. And they opened literally right

0:02:08.919 --> 0:02:12.560
<v Speaker 1>before quarantine, and they pivoted super quickly to doing this

0:02:12.600 --> 0:02:16.359
<v Speaker 1>amazing curbside thing and they sell out every single day. Um.

0:02:17.000 --> 0:02:20.639
<v Speaker 1>And they it's very artisanal and beautifully you know, crafted

0:02:20.680 --> 0:02:23.120
<v Speaker 1>food that you can take home and have a nice spread. Um.

0:02:23.240 --> 0:02:25.320
<v Speaker 1>Highly recommend it for a date night with Emily if

0:02:25.320 --> 0:02:27.560
<v Speaker 1>you're if you're down, all right, I'm gonna check that

0:02:27.600 --> 0:02:31.400
<v Speaker 1>out a little bear, little bear, and and each week

0:02:31.480 --> 0:02:35.920
<v Speaker 1>it's a different cuisine. Always never repeat it, and they

0:02:35.960 --> 0:02:38.560
<v Speaker 1>never repeat and they always do something very very creative.

0:02:38.919 --> 0:02:40.519
<v Speaker 1>You got to repeat it at some point. No, there's

0:02:40.560 --> 0:02:43.120
<v Speaker 1>only so many cuisines. Well, that's true. What I'm saying

0:02:43.160 --> 0:02:45.760
<v Speaker 1>that they would never necessarily repeat the same dish. They

0:02:45.760 --> 0:02:49.240
<v Speaker 1>would be a different part of that cuisine. But so far,

0:02:49.280 --> 0:02:51.839
<v Speaker 1>I think they've done like they maybe have done. They've

0:02:51.840 --> 0:02:54.440
<v Speaker 1>definitely done something twice like Mediterranean, but they'll do something

0:02:54.480 --> 0:02:56.320
<v Speaker 1>completely different, spit on it each time they do it

0:02:56.400 --> 0:02:58.799
<v Speaker 1>really really cool. There's a new barbecue place and he's

0:02:58.840 --> 0:03:02.640
<v Speaker 1>like too there that replaced the old barbecue place that

0:03:02.760 --> 0:03:04.639
<v Speaker 1>was not so great, and the new one is pretty good.

0:03:04.720 --> 0:03:08.680
<v Speaker 1>What was the old one? The old one was should

0:03:08.680 --> 0:03:11.120
<v Speaker 1>I can't remember the name of it was not great,

0:03:11.200 --> 0:03:13.160
<v Speaker 1>but the new one, new one's pretty good. Lake and

0:03:13.160 --> 0:03:15.200
<v Speaker 1>Oak is the new one. Very cool. Right there in

0:03:15.240 --> 0:03:18.120
<v Speaker 1>the little east like downtown. There's also apparently a really

0:03:18.160 --> 0:03:21.880
<v Speaker 1>good new Cuban restaurant indicator. Someone just told me about

0:03:21.919 --> 0:03:26.080
<v Speaker 1>that that does take out mhm, I gotta try that

0:03:26.120 --> 0:03:28.800
<v Speaker 1>to Noel. I'm hungry now, I'm so hungry. Is it lunchtime,

0:03:28.880 --> 0:03:31.920
<v Speaker 1>yet we gotta do this movie Crush first. Let's let's

0:03:31.919 --> 0:03:45.200
<v Speaker 1>do this and get out of here. And I'm starving alright,

0:03:45.240 --> 0:03:47.840
<v Speaker 1>So nol, We're gonna jump right into the to the content.

0:03:47.920 --> 0:03:51.480
<v Speaker 1>This is a Crusher special mainly, actually it's not totally,

0:03:51.520 --> 0:03:53.360
<v Speaker 1>but I ganked a couple of things from the Crushers

0:03:53.400 --> 0:03:57.920
<v Speaker 1>page from a couple of my favorites, including Stellen and Carlson,

0:03:58.520 --> 0:04:02.320
<v Speaker 1>one of our oldest, oldest crush your pals. So Stellen

0:04:02.520 --> 0:04:05.240
<v Speaker 1>had a great thread here. What are some of your

0:04:05.280 --> 0:04:09.800
<v Speaker 1>famous uh favorite examples of famous people playing fictional versions

0:04:09.840 --> 0:04:12.480
<v Speaker 1>of themselves? Big fan of that, Noel, when people do that,

0:04:12.800 --> 0:04:18.960
<v Speaker 1>famous people playing fictional versions? Okay, so like yeah, like okay,

0:04:19.000 --> 0:04:20.680
<v Speaker 1>so like The Player would be full of them. You

0:04:20.720 --> 0:04:24.720
<v Speaker 1>ever seen the Robert Altman movie The Player with Tim Robbins. Yeah,

0:04:24.760 --> 0:04:28.440
<v Speaker 1>that's good. It's got You've got your how many times?

0:04:28.560 --> 0:04:31.480
<v Speaker 1>It's fabulous? Who's in it? Joel Gray is in it?

0:04:31.560 --> 0:04:34.599
<v Speaker 1>The from you know, made Cabaret famous, the the MC

0:04:35.200 --> 0:04:38.200
<v Speaker 1>and then also what's his name from Better Off Dead? Uh?

0:04:38.279 --> 0:04:43.480
<v Speaker 1>A little little Cusack John Cusacks in it. Um. It's

0:04:43.560 --> 0:04:47.719
<v Speaker 1>very full of cameos, but you're more talking about like

0:04:47.800 --> 0:04:50.800
<v Speaker 1>the hyper fictionalized version where you're like a real extra

0:04:50.960 --> 0:04:55.520
<v Speaker 1>version of yourself, like Leo, Neil Patrick, Harris and Harold

0:04:55.560 --> 0:04:59.800
<v Speaker 1>and Kumar. And that's from Daniel Cabell and that is

0:05:00.080 --> 0:05:03.839
<v Speaker 1>a perfect example. Um. I listed Matt LeBlanc from the

0:05:03.880 --> 0:05:06.640
<v Speaker 1>TV show Episodes, one of my favorite favorite shows, and

0:05:06.680 --> 0:05:09.839
<v Speaker 1>matt LeBlanc was great playing himself. He's actually playing himself.

0:05:09.880 --> 0:05:12.359
<v Speaker 1>I just thought he was a matt le Blanc esque

0:05:12.360 --> 0:05:16.240
<v Speaker 1>actor character. He really didn't need matt le Blanc. Fucking hey,

0:05:16.240 --> 0:05:18.800
<v Speaker 1>that's cool, so great. It was really really good because

0:05:18.800 --> 0:05:22.960
<v Speaker 1>he played a very kind of dumb horned up celebrity. Yeah,

0:05:23.480 --> 0:05:25.640
<v Speaker 1>keeps coming up in my recommendations and I keep giving

0:05:25.640 --> 0:05:27.479
<v Speaker 1>it a miss, but I'll check it out. It sounds fine.

0:05:27.520 --> 0:05:29.880
<v Speaker 1>It's really good show. I miss it. Oldest to Pell's

0:05:29.920 --> 0:05:32.839
<v Speaker 1>Jenna Van Valen says, Kenna Reeves and always be my

0:05:33.000 --> 0:05:36.520
<v Speaker 1>Maybe it's amazing worth watching just for him. I don't

0:05:36.560 --> 0:05:39.560
<v Speaker 1>know about that. Yes, that was a more recent Netflix

0:05:39.600 --> 0:05:43.159
<v Speaker 1>e thing. And I think he is like sort of

0:05:43.200 --> 0:05:48.159
<v Speaker 1>the the rival love interest, like somebody ends up on

0:05:48.200 --> 0:05:49.960
<v Speaker 1>a date with Kana Reeves. And I think he's like

0:05:50.000 --> 0:05:53.039
<v Speaker 1>a real kind of douchebag version of himself because everyone

0:05:53.040 --> 0:05:57.160
<v Speaker 1>knows Kanna Reeves is like a notorious sweetheart, a notorious sweetheart.

0:05:57.200 --> 0:05:59.640
<v Speaker 1>I don't need that that that doesn't jip no, but

0:05:59.720 --> 0:06:03.080
<v Speaker 1>he's you know what I'm saying. Ben Stiller an extras

0:06:03.200 --> 0:06:06.200
<v Speaker 1>that's from Kevin falcon Um Extras was one of the

0:06:06.200 --> 0:06:10.000
<v Speaker 1>best shows ever, amazing full of those types of things.

0:06:11.400 --> 0:06:14.120
<v Speaker 1>Stellen chimes in with his own. John Malkovich in being

0:06:14.560 --> 0:06:18.040
<v Speaker 1>said person, Yeah, that was great. You gotta be you know,

0:06:18.120 --> 0:06:20.719
<v Speaker 1>I think the best ones and it's kind of usually

0:06:20.720 --> 0:06:22.640
<v Speaker 1>the way it goes is they poke fun of themselves

0:06:23.720 --> 0:06:28.440
<v Speaker 1>and it's generally playing sort of a bad person in

0:06:28.480 --> 0:06:30.680
<v Speaker 1>some ways. I'm sorry, did you sort the noxious person?

0:06:30.760 --> 0:06:32.920
<v Speaker 1>Did you say Ben Stiller from extras or what? What

0:06:32.960 --> 0:06:35.400
<v Speaker 1>was your pick from extras? That that that's my favorite.

0:06:35.480 --> 0:06:39.720
<v Speaker 1>He's the director so self serious. He's doing this like genocide,

0:06:40.040 --> 0:06:42.359
<v Speaker 1>you know, a movie and something he would never in

0:06:42.360 --> 0:06:45.680
<v Speaker 1>a million years probably do, and just like such an asshole.

0:06:45.720 --> 0:06:47.919
<v Speaker 1>I love it so much. Yeah, And I think generally

0:06:47.960 --> 0:06:52.159
<v Speaker 1>when they do this, they are either specifically playing someone

0:06:52.200 --> 0:06:56.600
<v Speaker 1>else in reality from Hollywood or just a type in Hollywood,

0:06:56.640 --> 0:07:01.000
<v Speaker 1>which is always fun. Nancy uh. Winer or Wiener not

0:07:01.080 --> 0:07:05.040
<v Speaker 1>sure how you roll says, uh, not a movie. But

0:07:05.160 --> 0:07:09.159
<v Speaker 1>James Vanderbeek in Don't Trust the b in Apartment twenty three.

0:07:11.760 --> 0:07:14.000
<v Speaker 1>I haven't seen this TV show, I know, but uh,

0:07:14.280 --> 0:07:16.600
<v Speaker 1>and it's got the woman who played Jane and Breaking

0:07:16.640 --> 0:07:21.760
<v Speaker 1>Bad and also, uh, she was the superhero tough, tough,

0:07:21.840 --> 0:07:27.559
<v Speaker 1>tough woman character. Jessica johns. Oh, sure, she's great. David

0:07:27.600 --> 0:07:29.640
<v Speaker 1>Powell says the entire cast if this is the end,

0:07:30.240 --> 0:07:33.840
<v Speaker 1>especially Michael Sarah and Channing Tatum. Yeah, that was great.

0:07:34.440 --> 0:07:35.560
<v Speaker 1>They had a lot of fun on that movie. You

0:07:35.600 --> 0:07:39.680
<v Speaker 1>could tell we're soft as baby ship man. That's one

0:07:39.680 --> 0:07:43.080
<v Speaker 1>of my favorite lines from that movie. We're actors were

0:07:43.080 --> 0:07:48.880
<v Speaker 1>soft as baby shit. Jamie Armand says, curb curb your enthusiasm, certainly,

0:07:49.600 --> 0:07:52.080
<v Speaker 1>but except Larry David is really playing himself. He's not

0:07:52.120 --> 0:07:56.080
<v Speaker 1>playing like a fictionalized anything. It's kind of really who

0:07:56.120 --> 0:07:59.600
<v Speaker 1>he is. Apparently I had a dream and Larry. I

0:07:59.680 --> 0:08:01.520
<v Speaker 1>used to have Larry David dreams where I was buddies

0:08:01.560 --> 0:08:05.280
<v Speaker 1>with him. They were great. Oh man, I I wish

0:08:05.280 --> 0:08:08.040
<v Speaker 1>he was like my dad. You know, Yeah, that'd be

0:08:08.080 --> 0:08:10.720
<v Speaker 1>so it'd be great. Would I would take that in

0:08:10.720 --> 0:08:14.680
<v Speaker 1>a second esso Lopez, one of our oldest friends and

0:08:14.880 --> 0:08:18.000
<v Speaker 1>hard working admin, says Bill Murray, and Zombie Land was

0:08:18.000 --> 0:08:21.920
<v Speaker 1>amazing and uh Kiano and always be my Maybe I

0:08:21.920 --> 0:08:24.960
<v Speaker 1>gotta check that out. Zack Pointer, one of our old

0:08:24.960 --> 0:08:27.840
<v Speaker 1>pal says Hugh Jackman. And not at the museum Secret

0:08:27.880 --> 0:08:30.840
<v Speaker 1>of the Tomb. So oh, this is great. Sammy Jones

0:08:30.840 --> 0:08:34.199
<v Speaker 1>says tofer Grace in the Oceans movies, remember that and

0:08:34.240 --> 0:08:37.080
<v Speaker 1>the Celebrity Poker when Brad Pitt was teaching them how

0:08:37.080 --> 0:08:41.160
<v Speaker 1>to play poker in the basement. So good tofer Grace

0:08:41.240 --> 0:08:45.840
<v Speaker 1>is awesome. Uh Anna Ferris and Kean Peel's Keyanu. That's

0:08:45.840 --> 0:08:49.319
<v Speaker 1>from Caroline Gaston. I didn't see Kanu. I need to

0:08:49.320 --> 0:08:52.280
<v Speaker 1>see that. It was cute. It's about the good kitten, right, Yeah,

0:08:52.320 --> 0:08:54.840
<v Speaker 1>it's like a missing kitten, isn't that the deal? And

0:08:54.880 --> 0:08:57.040
<v Speaker 1>I think, yeah, Keana Reeves is eventually in it. Is

0:08:57.040 --> 0:09:00.240
<v Speaker 1>that what you're saying? Yeah, maybe I maybe didn't Anna

0:09:00.320 --> 0:09:04.080
<v Speaker 1>Feris and maybe didn't make it to the end because

0:09:04.080 --> 0:09:06.120
<v Speaker 1>I didn't see Keana or who's actually appear in that?

0:09:06.320 --> 0:09:12.480
<v Speaker 1>Notes Ann Ferris still not Kanaries. Uh. Bill Connel says

0:09:12.520 --> 0:09:18.400
<v Speaker 1>Sasha Gray and Entourage. Does that count sure? Porn actress?

0:09:18.960 --> 0:09:22.720
<v Speaker 1>She she was in some porn porn movies, adult films.

0:09:23.040 --> 0:09:24.440
<v Speaker 1>What do you call those these days? When I think

0:09:24.480 --> 0:09:29.040
<v Speaker 1>you call them adult films skin flicks. It's funny. On

0:09:29.320 --> 0:09:34.520
<v Speaker 1>the Flaphouse, they they talk about documentary shorts, short subject

0:09:34.520 --> 0:09:38.400
<v Speaker 1>documentaries for porns and stuff like that. It's very funny.

0:09:38.640 --> 0:09:42.160
<v Speaker 1>Feel like they're these very realistic documentary short documentaries online

0:09:42.160 --> 0:09:45.800
<v Speaker 1>that you can watch on various hubs. Was one of

0:09:45.840 --> 0:09:51.400
<v Speaker 1>their jokes. Us, Yeah, yeah, uh, let me see. Kyle

0:09:51.480 --> 0:09:53.760
<v Speaker 1>Raeburn always says, the entire cast of this is the end,

0:09:54.000 --> 0:09:57.080
<v Speaker 1>of course. Dan Maynard says Alice Cooper in Wayne's World,

0:09:57.679 --> 0:10:01.320
<v Speaker 1>I remember that David Bowie was an extras. That's from

0:10:01.320 --> 0:10:06.160
<v Speaker 1>Megan Murdoch. Boyd, Dude, that's pathetic, little fat man. No

0:10:06.200 --> 0:10:10.319
<v Speaker 1>one's bloody laughing a clown that. No one laughs. They

0:10:10.320 --> 0:10:15.120
<v Speaker 1>all just wish he died. So great man, classic classic,

0:10:16.800 --> 0:10:19.559
<v Speaker 1>uh and and the Danger Oven. Gail Kuentz says, I

0:10:19.640 --> 0:10:22.559
<v Speaker 1>agree about Sofa Grace getting all reds and Oceans eleven

0:10:22.640 --> 0:10:26.160
<v Speaker 1>makes me cackle every time. When he was playing poker

0:10:26.720 --> 0:10:29.880
<v Speaker 1>he got all reds. What does that mean? It's just

0:10:30.080 --> 0:10:31.720
<v Speaker 1>does that mean he just doesn't know the rules. He

0:10:31.760 --> 0:10:35.320
<v Speaker 1>does not stand again, and to say he got all reds,

0:10:35.320 --> 0:10:38.320
<v Speaker 1>it's just very funny. Yeah, tofa Grace is kind of great.

0:10:38.640 --> 0:10:41.520
<v Speaker 1>I think I'd love to get him on movie crush.

0:10:41.559 --> 0:10:43.120
<v Speaker 1>What are you doing a podcast? He has a one

0:10:43.160 --> 0:10:45.240
<v Speaker 1>he has like the Adventure Our or something like is

0:10:45.280 --> 0:10:47.600
<v Speaker 1>it with us? No, it's not with us. I don't

0:10:47.600 --> 0:10:49.760
<v Speaker 1>know who it's. I need to reach out to some

0:10:49.840 --> 0:10:54.360
<v Speaker 1>people like that because those are people that record, like

0:10:55.000 --> 0:10:57.120
<v Speaker 1>during the pandemic. It's you gotta get people who you

0:10:57.160 --> 0:11:00.199
<v Speaker 1>know have got a recording setup. Yeah, it's called their

0:11:00.200 --> 0:11:03.480
<v Speaker 1>Adventures with Grace. Yeah, I'm gonna reach out to him.

0:11:03.600 --> 0:11:05.360
<v Speaker 1>Lets you can get all to over on here. That

0:11:05.480 --> 0:11:08.400
<v Speaker 1>was a big that seventies show. Guy. It's one of

0:11:08.400 --> 0:11:11.800
<v Speaker 1>my favorite shows back late day. I would respect for that.

0:11:11.800 --> 0:11:14.840
<v Speaker 1>Did I ever tell you that? No? Yeah, of all

0:11:14.880 --> 0:11:17.120
<v Speaker 1>the things I ever got coverage And here's a little

0:11:17.160 --> 0:11:21.000
<v Speaker 1>Hollywood Insider thing. Coverage is when you submit a script

0:11:21.440 --> 0:11:24.600
<v Speaker 1>to one of the major agencies or management companies and

0:11:24.640 --> 0:11:28.040
<v Speaker 1>they have readers that read these scripts and provide coverage,

0:11:28.080 --> 0:11:33.120
<v Speaker 1>which is a three or four form page form that

0:11:33.160 --> 0:11:37.839
<v Speaker 1>you fill out about said script. That uh, where that

0:11:37.920 --> 0:11:40.920
<v Speaker 1>it is rated and ranked basically, and that determines whether

0:11:40.960 --> 0:11:43.280
<v Speaker 1>or not that script gets moved up to a higher

0:11:43.280 --> 0:11:46.080
<v Speaker 1>office to actually get read. So there are people that

0:11:46.080 --> 0:11:48.200
<v Speaker 1>are literally paid just to read scripts and write coverage.

0:11:48.720 --> 0:11:52.439
<v Speaker 1>And you submit your script. I submitted three scripts to

0:11:52.520 --> 0:11:54.720
<v Speaker 1>I c M through a friend of mine back in

0:11:54.720 --> 0:11:57.640
<v Speaker 1>the day. It's very hard just to get your scripts covered,

0:11:57.800 --> 0:11:59.920
<v Speaker 1>like for real, Like you gotta have a connection. You

0:12:00.000 --> 0:12:03.440
<v Speaker 1>can't just say, like I wrote something, can I get coverage? Uh?

0:12:03.480 --> 0:12:06.439
<v Speaker 1>And I got the best coverage of everything I've ever

0:12:06.440 --> 0:12:10.360
<v Speaker 1>written on my That seventy show spec. It was technically

0:12:10.360 --> 0:12:13.320
<v Speaker 1>the best thing I ever wrote, and it exists in

0:12:13.360 --> 0:12:16.720
<v Speaker 1>my mind as a real episode to this day. So

0:12:16.960 --> 0:12:20.439
<v Speaker 1>they get produced sometimes or what I don't know. Oh no, no, no,

0:12:20.440 --> 0:12:23.320
<v Speaker 1>no no no. Now you write a spec just to

0:12:23.480 --> 0:12:26.800
<v Speaker 1>say here, this is what I do, and am I

0:12:26.840 --> 0:12:30.520
<v Speaker 1>any good? It's like a calling card basically, And so

0:12:30.640 --> 0:12:33.000
<v Speaker 1>you write if you want to be a TV comedy writer,

0:12:33.080 --> 0:12:37.040
<v Speaker 1>you write specs on existing shows. Like I wrote a Simpsons,

0:12:37.040 --> 0:12:40.360
<v Speaker 1>I wrote a That seventies show. Um, I'm trying to

0:12:40.400 --> 0:12:44.800
<v Speaker 1>think if I wrote another spec. I don't think so,

0:12:45.760 --> 0:12:48.480
<v Speaker 1>or did I I might have written in an hour

0:12:48.559 --> 0:12:51.760
<v Speaker 1>long spec for an existing show, But those are fun

0:12:51.800 --> 0:12:53.520
<v Speaker 1>because you know the show so well, you know so

0:12:54.080 --> 0:12:56.200
<v Speaker 1>like that seventy show. I knew those characters inside now

0:12:56.200 --> 0:12:58.559
<v Speaker 1>and it came very easy to me. And all you

0:12:58.600 --> 0:13:01.000
<v Speaker 1>have to do is follow those at calm writing rules.

0:13:01.160 --> 0:13:04.680
<v Speaker 1>It's very structured and formatted. It's not that hard. Uh.

0:13:04.720 --> 0:13:06.520
<v Speaker 1>And it was pretty good. It was a Halloween episode.

0:13:07.040 --> 0:13:10.120
<v Speaker 1>It was a Halloween episode wherein Eric was that his

0:13:10.200 --> 0:13:14.880
<v Speaker 1>character's name, where he peed himself at a haunted house

0:13:15.360 --> 0:13:17.960
<v Speaker 1>and wet his pants and the title of the episode

0:13:18.040 --> 0:13:22.280
<v Speaker 1>was urine for a treat? Did you write that in reverse?

0:13:22.320 --> 0:13:28.040
<v Speaker 1>Did you need? You wanted? You? Like? Wrote that actually

0:13:28.040 --> 0:13:30.640
<v Speaker 1>came later. That's very cool that has happened though before,

0:13:31.760 --> 0:13:35.120
<v Speaker 1>kind of reverse engineer or something totally Brendan French, says

0:13:35.160 --> 0:13:39.240
<v Speaker 1>Bruce Willis and Oceans twelve. Uh And I saw another

0:13:39.280 --> 0:13:41.440
<v Speaker 1>vote for Julia Roberts in the Oceans movie. I didn't

0:13:41.480 --> 0:13:44.240
<v Speaker 1>see who put it though. Another vote for the Vanderbeek

0:13:44.280 --> 0:13:49.640
<v Speaker 1>from Amanda Kosabuki. You just call him the Vanderbeek. Yeah,

0:13:49.720 --> 0:13:54.160
<v Speaker 1>the beak, the beak ster VDB. Oh my god, you

0:13:54.200 --> 0:13:58.360
<v Speaker 1>gotta stop this madness. Everyone can't be initials. You gotta

0:13:58.400 --> 0:14:02.240
<v Speaker 1>be a certain level. Jane Vanderbig doesn't get initials. What's

0:14:02.280 --> 0:14:05.040
<v Speaker 1>your middle name? Nol Christian? I'm in c B and

0:14:05.080 --> 0:14:07.240
<v Speaker 1>that's actually that rolls off the tongue. I gotta say

0:14:07.480 --> 0:14:09.439
<v Speaker 1>so I get initials. You can call me and C

0:14:09.600 --> 0:14:12.040
<v Speaker 1>B if you wish. I'm c w B. That's not great.

0:14:12.200 --> 0:14:14.559
<v Speaker 1>It's hard, doesn't it? Like the W really MUCKs it up.

0:14:14.920 --> 0:14:16.920
<v Speaker 1>My dad called me c w growing up a little bit.

0:14:18.040 --> 0:14:20.520
<v Speaker 1>Can I call you c dub? Just remember that? No,

0:14:20.960 --> 0:14:24.800
<v Speaker 1>I will remember that from my childhood. C w uh.

0:14:24.880 --> 0:14:27.440
<v Speaker 1>Let me see Earl Verdance, says Tom Petty and the Postman.

0:14:28.160 --> 0:14:31.000
<v Speaker 1>At least they allude to the fact that he was cute. Yeah,

0:14:31.120 --> 0:14:33.360
<v Speaker 1>he's like the mayor of the town or like he

0:14:33.640 --> 0:14:35.440
<v Speaker 1>wasn't playing Tom Petty, was he? Yeah he was, they

0:14:35.440 --> 0:14:38.040
<v Speaker 1>allude to back in my former life, I was. He

0:14:38.280 --> 0:14:41.120
<v Speaker 1>makes it real. It's very subtle, but it's definitely meant

0:14:41.160 --> 0:14:44.800
<v Speaker 1>to be him. It's great and it's really good. Yeah.

0:14:45.080 --> 0:14:46.960
<v Speaker 1>I just thought of that movie yesterday. Somebody sent me

0:14:46.960 --> 0:14:50.160
<v Speaker 1>a beme. It's it's you know, I got shipped on

0:14:50.320 --> 0:14:52.520
<v Speaker 1>because it was really expensive and I don't think it

0:14:52.560 --> 0:14:54.680
<v Speaker 1>did very well because it wasn't an after water world

0:14:54.720 --> 0:14:56.800
<v Speaker 1>and he was just in this real post apocalyptic kind

0:14:56.800 --> 0:15:00.480
<v Speaker 1>of you know, bent Kevin Costner. But I liked it,

0:15:00.480 --> 0:15:03.480
<v Speaker 1>but it didn't it did not do well. Interesting well.

0:15:03.480 --> 0:15:05.120
<v Speaker 1>There was a meme about how you know all the

0:15:05.480 --> 0:15:07.320
<v Speaker 1>ship going on with the post office and the postal

0:15:07.360 --> 0:15:10.600
<v Speaker 1>service right now that that referenced the post the postman.

0:15:11.880 --> 0:15:13.800
<v Speaker 1>There's a street and Noll and I don't know if

0:15:13.800 --> 0:15:16.080
<v Speaker 1>it's an l A thing, but several friends that I

0:15:16.120 --> 0:15:18.960
<v Speaker 1>had up there admitted the same thing that there's certain

0:15:19.000 --> 0:15:21.000
<v Speaker 1>streets that when they see the street name or on

0:15:21.000 --> 0:15:24.480
<v Speaker 1>the street, they will say something out loud about the street,

0:15:24.720 --> 0:15:27.480
<v Speaker 1>like Kawanga is one of the streets. And my friend

0:15:27.560 --> 0:15:30.640
<v Speaker 1>Brett used always go Kawanga when he was on Kawanga.

0:15:30.880 --> 0:15:33.280
<v Speaker 1>And cotton Er Uh c O T n E R

0:15:33.400 --> 0:15:35.600
<v Speaker 1>is a street And every time I was on cotton Or,

0:15:35.640 --> 0:15:40.040
<v Speaker 1>I would always go Kevin Cottoner. It's so dumb, I

0:15:40.040 --> 0:15:42.040
<v Speaker 1>don't I don't do that in Atlanta. Is it an

0:15:42.160 --> 0:15:43.840
<v Speaker 1>l A thing? Noll? I don't know. Man, there's a

0:15:43.840 --> 0:15:46.480
<v Speaker 1>couple done that. Uh there's I don't know. I don't

0:15:46.520 --> 0:15:50.040
<v Speaker 1>make sounds like that. No, No, but I like it.

0:15:50.160 --> 0:15:52.160
<v Speaker 1>I don't know why I wouldn't start doing that. Now

0:15:52.240 --> 0:15:53.920
<v Speaker 1>that you've given me the idea. Maybe all let's see

0:15:53.920 --> 0:15:56.760
<v Speaker 1>what would be a good Atlanta one like pass de Leon?

0:15:57.200 --> 0:16:00.760
<v Speaker 1>Now that doesn't work, That doesn't work. Leon Palm said,

0:16:01.640 --> 0:16:05.600
<v Speaker 1>I'm curious if people do that. So if you're listening

0:16:05.640 --> 0:16:09.800
<v Speaker 1>and you do that in any town, please let me know. Well,

0:16:09.920 --> 0:16:12.240
<v Speaker 1>so like street names in l A are funny sounding

0:16:12.640 --> 0:16:21.080
<v Speaker 1>like yeah and uh yeah, what else? Yeah, I don't know,

0:16:21.280 --> 0:16:23.840
<v Speaker 1>I don't know. I got nothing, you got nothing, I

0:16:23.920 --> 0:16:26.120
<v Speaker 1>got nothing, chuck when you got a vote for the

0:16:26.160 --> 0:16:30.280
<v Speaker 1>beak from Kira Brian Hawkins, Boy, I gotta check that out.

0:16:30.360 --> 0:16:34.560
<v Speaker 1>All that was a big Dawson's creekuy h. Yeah, it

0:16:34.680 --> 0:16:38.920
<v Speaker 1>was a formative show for me, Megan, how do you

0:16:38.960 --> 0:16:43.400
<v Speaker 1>pronounce that name? Chia? Last three? Great name? Kevin Garnett

0:16:43.400 --> 0:16:46.960
<v Speaker 1>and uncut gyms totally. Well, he's just awesome though, He's like,

0:16:47.240 --> 0:16:48.800
<v Speaker 1>that's a really good job. Yeah. I didn't even I

0:16:49.280 --> 0:16:51.000
<v Speaker 1>I think I talked about this in the show. I'm

0:16:51.000 --> 0:16:56.360
<v Speaker 1>not a sports guy, and I uh basically didn't realize

0:16:56.400 --> 0:16:58.560
<v Speaker 1>he was a real person. I thought he was just

0:16:58.600 --> 0:17:02.040
<v Speaker 1>an actor. Yeah, tend the basketball there. I remember he

0:17:02.160 --> 0:17:05.520
<v Speaker 1>saying that. No, So Josh just watched that and hated it.

0:17:06.400 --> 0:17:09.440
<v Speaker 1>You know, Unca gems is so divisive and he falls

0:17:09.440 --> 0:17:11.560
<v Speaker 1>and the hated it. Can Josh didn't like it. He

0:17:11.680 --> 0:17:14.439
<v Speaker 1>hated it just because it was unpleasant. He didn't even

0:17:14.440 --> 0:17:17.760
<v Speaker 1>recognize the craft of it. I don't know, he hated it.

0:17:17.880 --> 0:17:20.800
<v Speaker 1>He's a little bit tricky though, Josh. Yeah, Well, I

0:17:20.840 --> 0:17:23.120
<v Speaker 1>just mean in terms of like he's got it down, Yeah,

0:17:23.160 --> 0:17:25.120
<v Speaker 1>penning him down, like what, Like it's hard to know

0:17:25.480 --> 0:17:27.240
<v Speaker 1>what a Josh thing is, you know what I mean, Like,

0:17:27.280 --> 0:17:30.560
<v Speaker 1>I'm surprised, you know his I agree, his taste and

0:17:30.640 --> 0:17:34.639
<v Speaker 1>entertainment is fairly enigmatic, which is good. Just go on

0:17:34.680 --> 0:17:37.800
<v Speaker 1>their toes. Can't box that guy in. I've been trying

0:17:37.840 --> 0:17:40.840
<v Speaker 1>to box him in for twelve years. Can't do it. Uh,

0:17:40.960 --> 0:17:43.600
<v Speaker 1>let's finish up here with Austin Handler, Billy Zane and

0:17:43.680 --> 0:17:50.639
<v Speaker 1>Zoo Lander. Billy Zane. Yeah, that was pretty funny in

0:17:50.720 --> 0:17:54.720
<v Speaker 1>the first one. Yeah, I don't know. Yeah, it was

0:17:54.800 --> 0:17:56.399
<v Speaker 1>very brief. It was a cameo I think during the

0:17:57.000 --> 0:17:59.639
<v Speaker 1>something like the model off. I think he was at

0:17:59.680 --> 0:18:01.320
<v Speaker 1>the party or something. Got it. I like that first

0:18:01.359 --> 0:18:03.840
<v Speaker 1>Zoe Lander. I didn't see the other one, obviously, who did?

0:18:04.520 --> 0:18:06.960
<v Speaker 1>I did, and it was an absolute retread of the

0:18:07.000 --> 0:18:09.640
<v Speaker 1>first one in like every possible way, and it just

0:18:09.680 --> 0:18:14.119
<v Speaker 1>sucked the joy right out of it. Really, that's my

0:18:14.200 --> 0:18:25.359
<v Speaker 1>hot take on zoo Lander two. Alright, so Nol, we're

0:18:25.400 --> 0:18:30.640
<v Speaker 1>gonna move on to another crusherwin. This is from Caitlin

0:18:30.720 --> 0:18:33.280
<v Speaker 1>Callaghan and this one was good, Nol. And this might

0:18:33.280 --> 0:18:35.000
<v Speaker 1>give us a chance to sing a little bit. So

0:18:35.040 --> 0:18:37.639
<v Speaker 1>if you don't like her singing, here's your chance to

0:18:37.680 --> 0:18:41.359
<v Speaker 1>tune out, so she said, And uh, what is a

0:18:41.440 --> 0:18:45.600
<v Speaker 1>song that's so associated with the movie that you can't

0:18:45.600 --> 0:18:48.119
<v Speaker 1>hear that song without thinking of that movie? You know

0:18:48.160 --> 0:18:56.439
<v Speaker 1>what I mean? Like, uh yeah, yeah, when that first

0:18:56.560 --> 0:19:00.679
<v Speaker 1>piano to jumps off this time every time? What I

0:19:00.680 --> 0:19:04.240
<v Speaker 1>think a good point, she said, Bohemian rapsody in Wayne's world,

0:19:04.280 --> 0:19:07.280
<v Speaker 1>of course, it's a very good one. And pulp fiction,

0:19:08.040 --> 0:19:16.760
<v Speaker 1>Oh yeah, sure, on exactly, Roger, pulp fiction. Tarantina's got

0:19:16.760 --> 0:19:19.240
<v Speaker 1>a lot of those. I can't hear girl You'll be

0:19:19.280 --> 0:19:21.800
<v Speaker 1>a woman soon without thinking of that scene or flowers

0:19:21.840 --> 0:19:25.199
<v Speaker 1>on the wall. Yeah, he's really he's He's got some

0:19:25.200 --> 0:19:29.760
<v Speaker 1>pretty iconic song moments, Roger Suborine says, forgetting the name

0:19:29.800 --> 0:19:32.639
<v Speaker 1>of the con um. Sorry forgetting the name at the moment,

0:19:33.320 --> 0:19:36.840
<v Speaker 1>but good fellas. When the crew is being revealed, uh

0:19:36.880 --> 0:19:41.560
<v Speaker 1>and collapsing, Yeah, that's that's Layla by uh Derek and

0:19:41.600 --> 0:19:44.240
<v Speaker 1>the Dominoes. But but isn't it like it's the cool

0:19:44.320 --> 0:19:47.240
<v Speaker 1>part at the end, the non Layla parts, like the

0:19:48.000 --> 0:19:51.879
<v Speaker 1>real schmaltzy piano part. Yeah, yeah, it's great. People forget

0:19:51.880 --> 0:19:54.040
<v Speaker 1>that those are the same song because they're so different.

0:19:54.080 --> 0:19:57.239
<v Speaker 1>It's no Nana nan on arrow. And then it has

0:19:57.320 --> 0:20:00.679
<v Speaker 1>that great sort of a reprise at the end. Dad,

0:20:03.880 --> 0:20:06.080
<v Speaker 1>it sounds like a sitcom theme, Dude, does it not?

0:20:06.200 --> 0:20:08.760
<v Speaker 1>It sounds like an eighties I can see it. Throw

0:20:08.800 --> 0:20:11.680
<v Speaker 1>some lyrics on there. Uh, let's see our old friend.

0:20:11.720 --> 0:20:16.679
<v Speaker 1>Stellan Carlson says, somebody to love Jefferson Airplane in Cape Holkai.

0:20:17.240 --> 0:20:22.240
<v Speaker 1>I'm with that. Uh huh, that great karaooky scene. I'd

0:20:22.240 --> 0:20:25.800
<v Speaker 1>really love that movie. I think I might have actually

0:20:25.840 --> 0:20:29.960
<v Speaker 1>heard that song for the first time in that movie. Really,

0:20:30.280 --> 0:20:34.120
<v Speaker 1>I mean I was young, you know, great song man,

0:20:34.200 --> 0:20:38.119
<v Speaker 1>she was. She's awesome. What a great singer. Let me

0:20:38.160 --> 0:20:44.720
<v Speaker 1>see here. Matt Jacobson. Oh yeah, name that movie, Bom

0:20:44.880 --> 0:20:58.760
<v Speaker 1>bom Bo. It's a it's a fair Oh yeah, it's

0:20:59.359 --> 0:21:01.760
<v Speaker 1>but it's really funny. Dude. My in the tower where

0:21:01.760 --> 0:21:04.200
<v Speaker 1>I grew up in Augusta, Georgia, we had like sort

0:21:04.200 --> 0:21:07.560
<v Speaker 1>of like a local Rush Limball equivalent who came on

0:21:07.800 --> 0:21:10.200
<v Speaker 1>um either before or after Rush, but like a real

0:21:10.320 --> 0:21:13.800
<v Speaker 1>right wing kind of dick head named Austin Rhodes. And

0:21:13.960 --> 0:21:16.879
<v Speaker 1>that was Oh no, that's Russia's theme. Did you know

0:21:16.920 --> 0:21:21.680
<v Speaker 1>that that's that's Rush Limball's theme. Is it really got Yep,

0:21:22.440 --> 0:21:26.280
<v Speaker 1>you can't do that. That's doing it for years. You

0:21:26.320 --> 0:21:28.640
<v Speaker 1>can't steal them. See, some of these are so associated.

0:21:28.640 --> 0:21:30.920
<v Speaker 1>He can't use them ever again. You know he can't

0:21:30.920 --> 0:21:35.080
<v Speaker 1>do it. Sean Cussan says, I'm all right from Caddysheck, yeah,

0:21:35.080 --> 0:21:36.800
<v Speaker 1>it's hard not to think of that Dance and Gopher

0:21:37.640 --> 0:21:41.040
<v Speaker 1>for sure. Zack Pointer says another one from Faerris People's

0:21:41.080 --> 0:21:44.119
<v Speaker 1>Day Off, Twist and Shout and Breakfast Club. Don't you

0:21:44.160 --> 0:21:47.240
<v Speaker 1>forget about me? Yeah? Oh boy, here we go. No

0:21:47.280 --> 0:21:50.240
<v Speaker 1>Old Sam Comber says maybe since I saw the film

0:21:50.240 --> 0:21:52.000
<v Speaker 1>many many times as a teen in the eighties. But

0:21:52.600 --> 0:21:55.919
<v Speaker 1>moving in Stereo and Somebody's Baby and Fast Times at

0:21:55.960 --> 0:22:00.000
<v Speaker 1>Ridgemont High totally. Uh don't Stop Me Now from Queen

0:22:00.520 --> 0:22:02.879
<v Speaker 1>Shaun of the Dead. That's from j Fraser. It's a

0:22:02.880 --> 0:22:06.120
<v Speaker 1>good one. I had the Tiger from Rocky three Erica

0:22:06.160 --> 0:22:08.359
<v Speaker 1>Renee bo start. Oh. Yeah, you can't hear either tiger

0:22:08.440 --> 0:22:10.920
<v Speaker 1>without thinking of Rocky. That was written for the movie

0:22:11.800 --> 0:22:14.560
<v Speaker 1>because he had the eye of the tiger. I'm wrong

0:22:14.560 --> 0:22:16.439
<v Speaker 1>about the Rush Limbaugh thing, but it was the Austin

0:22:16.520 --> 0:22:18.879
<v Speaker 1>Roads team he did. He used this that that so

0:22:18.960 --> 0:22:22.720
<v Speaker 1>I associated. I associated that song before even new Ferris

0:22:22.760 --> 0:22:26.119
<v Speaker 1>peple Are with this right wing local radio teach. You

0:22:26.160 --> 0:22:30.000
<v Speaker 1>had a reverse mind. I had a reverse Yes, killing

0:22:30.040 --> 0:22:32.119
<v Speaker 1>Moon by Echo the bunny Men from Donnie Darko. That's

0:22:32.119 --> 0:22:34.520
<v Speaker 1>from Rachel Gary. Yeah, that's another one handful of songs

0:22:34.520 --> 0:22:37.440
<v Speaker 1>from that one. Yeah again, Under the Milky Way is

0:22:37.480 --> 0:22:44.119
<v Speaker 1>another big one from Under the Milky Way, which se

0:22:44.240 --> 0:22:51.719
<v Speaker 1>I knew what I was lucking. Really great bagpipe solo

0:22:51.800 --> 0:22:56.680
<v Speaker 1>in that song, the rare bagpipe solo. Gotta love that. Yeah.

0:22:56.760 --> 0:23:00.240
<v Speaker 1>There was a sung by the group Slade called Run

0:23:00.400 --> 0:23:04.520
<v Speaker 1>Run Away that had a great bagpipe so low. I

0:23:04.520 --> 0:23:09.120
<v Speaker 1>think that was them. Yeah, our oldest suppals the coubster.

0:23:09.920 --> 0:23:13.199
<v Speaker 1>Don Kubi says sadly, It's Stuck in the Middle from

0:23:13.280 --> 0:23:16.080
<v Speaker 1>Reservoir Dogs. Yeah, it's hard not to think of that scene.

0:23:17.119 --> 0:23:23.920
<v Speaker 1>It is another Tarantino inextricably linked song. Uh. Andrew McBride

0:23:24.000 --> 0:23:27.960
<v Speaker 1>Dickie just put up a picture of the scene on

0:23:28.000 --> 0:23:31.120
<v Speaker 1>the bus Hold Me closer. Tiny Dancer from Almost Famous.

0:23:31.600 --> 0:23:33.720
<v Speaker 1>You know, No, Tiny Dancer was not a big hit

0:23:33.800 --> 0:23:36.959
<v Speaker 1>until that movie. Little known fact. I did not know that.

0:23:37.280 --> 0:23:39.240
<v Speaker 1>I think everyone thinks that Tiny Dancer was one of

0:23:39.280 --> 0:23:41.600
<v Speaker 1>Elton John's like big big hits, but it wasn't. I

0:23:41.600 --> 0:23:44.800
<v Speaker 1>think it was a charted in the thirties or something.

0:23:45.280 --> 0:23:48.080
<v Speaker 1>It wasn't unknown, but Tiny dancwer is what really pushed

0:23:48.080 --> 0:23:53.040
<v Speaker 1>it over the top. Yeah, great song. Joey Masterson says

0:23:53.119 --> 0:23:59.119
<v Speaker 1>Lindsey Buckingham's Holiday Road in The National Lampoon's Vacation Movies totally. Uh.

0:23:59.240 --> 0:24:02.720
<v Speaker 1>Tara Lee Shaw says Sweet Dreams by the Rhythmics and

0:24:02.880 --> 0:24:06.040
<v Speaker 1>X Men Apocalypse. I don't remember the usage in that

0:24:06.080 --> 0:24:09.160
<v Speaker 1>movie I saw it, but boy, I love that song. Man.

0:24:09.560 --> 0:24:12.240
<v Speaker 1>I can only think of that music video, and I've

0:24:12.240 --> 0:24:15.320
<v Speaker 1>been watching music videos lately. No, oh, dude, I've been

0:24:15.320 --> 0:24:17.320
<v Speaker 1>doing that a lot on YouTube, going down like a

0:24:17.440 --> 0:24:21.360
<v Speaker 1>YouTube rabbit hole. It's great. And there's also, like you'll

0:24:21.359 --> 0:24:24.520
<v Speaker 1>probably know what I'm talking about, there's this aesthetic of

0:24:24.640 --> 0:24:27.840
<v Speaker 1>music video that was established like in the nineties that

0:24:27.920 --> 0:24:30.280
<v Speaker 1>then was carried on by a lot of like you know,

0:24:30.400 --> 0:24:32.560
<v Speaker 1>late nineties and early two thousands bands, and it was

0:24:32.640 --> 0:24:36.600
<v Speaker 1>like that director Tar Sam Singh. It's like that kind

0:24:36.640 --> 0:24:38.919
<v Speaker 1>of like it's you're in a play and there's a

0:24:39.080 --> 0:24:42.000
<v Speaker 1>rotating a little pedestal with like a dude and an

0:24:42.000 --> 0:24:45.000
<v Speaker 1>angel costume on it, you know, with aeron, and there's

0:24:45.040 --> 0:24:49.000
<v Speaker 1>e fans on everyone blowing silky scars exactly, and it's

0:24:49.040 --> 0:24:53.560
<v Speaker 1>like Chara Scurrow kind of like Caravaggio lighting and uh yeah,

0:24:53.680 --> 0:24:55.800
<v Speaker 1>and then there's someone dressed up as like Leonardo da

0:24:55.840 --> 0:24:57.960
<v Speaker 1>Vinci or like, I don't know, it's it's I think

0:24:58.240 --> 0:25:00.520
<v Speaker 1>losing my religion was when that it's r scene, That's

0:25:00.520 --> 0:25:02.400
<v Speaker 1>what I'm saying. And that one is so like there's

0:25:02.440 --> 0:25:07.680
<v Speaker 1>a toad the wet Sprocket for all I Want. All

0:25:07.720 --> 0:25:10.280
<v Speaker 1>I Want is an absolute won to one like rip

0:25:10.320 --> 0:25:13.040
<v Speaker 1>off of of losing my religion to a comical degree.

0:25:13.080 --> 0:25:15.840
<v Speaker 1>I recommend you doing a b on that, folks. If

0:25:15.840 --> 0:25:19.960
<v Speaker 1>you want a good laugh. Oh one is to feel this,

0:25:21.119 --> 0:25:29.280
<v Speaker 1>to be this close, to feel this Sack song. God

0:25:29.720 --> 0:25:32.400
<v Speaker 1>loves Toad. There good songs. You know. That's a Monty

0:25:32.400 --> 0:25:36.479
<v Speaker 1>Python reference. Toad the wet Sprocket. Yeah. I hate that

0:25:36.560 --> 0:25:39.880
<v Speaker 1>band title though, that band name, I really do. It's

0:25:39.880 --> 0:25:43.160
<v Speaker 1>a weird one. They should never be that long. That's

0:25:43.160 --> 0:25:48.960
<v Speaker 1>just my rule. My old buddy Paul from Athens Chalky,

0:25:49.000 --> 0:25:50.600
<v Speaker 1>he still lives there. He's one of the guys that stayed.

0:25:51.240 --> 0:25:55.400
<v Speaker 1>He uh, he's an old school punk guy and garage guy.

0:25:55.680 --> 0:25:57.680
<v Speaker 1>And he was like, I remember you told me once

0:25:57.840 --> 0:26:01.200
<v Speaker 1>if your band doesn't start with and end with an,

0:26:02.040 --> 0:26:06.240
<v Speaker 1>then it's not a band name. Very simple. I get it.

0:26:06.880 --> 0:26:08.879
<v Speaker 1>Do you get it? Oh? I get it, Baby, I

0:26:08.920 --> 0:26:14.520
<v Speaker 1>get it. Do you agree, man, I'm I'm I'm ambivalent. Okay.

0:26:15.240 --> 0:26:17.480
<v Speaker 1>It sounds like a cop out. It's a total cop out, Chuck,

0:26:17.720 --> 0:26:22.800
<v Speaker 1>it's a total cop Uh. Let me see here if

0:26:22.840 --> 0:26:25.560
<v Speaker 1>you leave from Pretty in Pink. That's from Andrea McBride, Dickie.

0:26:25.680 --> 0:26:27.880
<v Speaker 1>I have not seen any of those John Hughes movies

0:26:27.880 --> 0:26:30.000
<v Speaker 1>all the way through. I haven't seen Breakfast Club. I

0:26:30.000 --> 0:26:33.080
<v Speaker 1>haven't seen Pretty in Pink, I haven't seen sixteen Candles.

0:26:33.440 --> 0:26:35.840
<v Speaker 1>I love the aesthetic and I love the music. I

0:26:35.880 --> 0:26:38.600
<v Speaker 1>love the whole vibe. But I have not seen those movies,

0:26:38.600 --> 0:26:40.320
<v Speaker 1>and I need to. I need to fill those uh

0:26:40.440 --> 0:26:45.320
<v Speaker 1>those gaps. Well, I mean, you know, you're a child

0:26:45.359 --> 0:26:49.560
<v Speaker 1>of the the nineties. It's true, and they were very

0:26:49.640 --> 0:26:52.680
<v Speaker 1>much movies of the eighties, So I get it all now.

0:26:52.760 --> 0:26:57.359
<v Speaker 1>I did see most of uh Breakfast Club, and that's fun.

0:26:57.520 --> 0:26:59.639
<v Speaker 1>It's funny. I enjoyed it. It's a good, good, good

0:26:59.680 --> 0:27:03.280
<v Speaker 1>report war between those kids and um some some funny

0:27:03.359 --> 0:27:08.040
<v Speaker 1>bits and some heart. You know, I definitely appreciate them. Yeah,

0:27:08.320 --> 0:27:10.360
<v Speaker 1>you're talk about being You're talking like you know you're

0:27:10.359 --> 0:27:12.320
<v Speaker 1>not crazy about them? Are you not crazy about it? Oh? No,

0:27:12.400 --> 0:27:14.760
<v Speaker 1>I love those covies. But I'm just saying it's I think,

0:27:15.960 --> 0:27:18.040
<v Speaker 1>I bet it's fully I bet it stuff To fully

0:27:18.080 --> 0:27:20.960
<v Speaker 1>appreciate those unless you were that age in the eighties,

0:27:21.480 --> 0:27:24.159
<v Speaker 1>same age as those characters, there was there was a

0:27:24.560 --> 0:27:26.840
<v Speaker 1>link there that's kind of hard to recreate, I think

0:27:27.000 --> 0:27:29.200
<v Speaker 1>fair enough, you know what I mean, And that's probably

0:27:29.240 --> 0:27:32.040
<v Speaker 1>true with all movies about teenagers in their day. Like

0:27:32.680 --> 0:27:36.080
<v Speaker 1>you're probably, uh can't hardly wait, like you probably can't

0:27:36.119 --> 0:27:38.480
<v Speaker 1>watch that movie without thinking which one of those people

0:27:38.520 --> 0:27:41.840
<v Speaker 1>in my Yeah, that was definitely. I mean I also

0:27:42.000 --> 0:27:43.600
<v Speaker 1>I didn't kind of kidding but kind of not. I

0:27:43.640 --> 0:27:45.760
<v Speaker 1>didn't go to one of those big high schools for

0:27:45.840 --> 0:27:48.000
<v Speaker 1>most of my high school career, so I didn't quite

0:27:48.000 --> 0:27:50.840
<v Speaker 1>have that same experience, but I definitely I went to

0:27:50.960 --> 0:27:53.520
<v Speaker 1>a massive, massive high school in Birmingham, Alabama for my

0:27:53.600 --> 0:27:56.199
<v Speaker 1>junior year, and it was like total culture shock. But

0:27:56.359 --> 0:27:58.439
<v Speaker 1>that was all of a sudden, out of the blue,

0:27:58.520 --> 0:28:02.359
<v Speaker 1>like that world, and it was very jarring for me,

0:28:02.840 --> 0:28:05.800
<v Speaker 1>um and not entirely pleasant. But it was also like, Okay,

0:28:05.880 --> 0:28:07.520
<v Speaker 1>at least I got a year of this, you know,

0:28:07.800 --> 0:28:10.640
<v Speaker 1>right right, I went to a big high school from

0:28:10.640 --> 0:28:13.199
<v Speaker 1>eighth grade to twelfth grade. We didn't have middle school then,

0:28:14.359 --> 0:28:16.040
<v Speaker 1>or at least not, you know, not where I lived.

0:28:16.240 --> 0:28:18.280
<v Speaker 1>They just called it. Oh, I see what you're saying.

0:28:18.280 --> 0:28:21.120
<v Speaker 1>That high school got it like elementary one through seven,

0:28:21.160 --> 0:28:24.359
<v Speaker 1>high school eight through twelve. And when you're an eighth

0:28:24.359 --> 0:28:27.920
<v Speaker 1>grader who looks like you're nine years old, those seniors

0:28:27.960 --> 0:28:31.640
<v Speaker 1>don't look like full grown adults. I've said the same

0:28:31.640 --> 0:28:34.000
<v Speaker 1>thing recently, like you know, memory is such a funny thing.

0:28:34.000 --> 0:28:36.080
<v Speaker 1>But when I think back to being in like fifth grade,

0:28:36.480 --> 0:28:38.160
<v Speaker 1>and I looked at seniors because I went to a

0:28:38.200 --> 0:28:40.960
<v Speaker 1>school that was fifth through twelve. It was a magnet school,

0:28:41.320 --> 0:28:45.200
<v Speaker 1>and um, I remember thinking they were like thirty year olds,

0:28:45.280 --> 0:28:46.640
<v Speaker 1>you know, like that was just And then when we

0:28:46.640 --> 0:28:49.040
<v Speaker 1>were eighteen, you didn't think you looked old at all. No,

0:28:49.280 --> 0:28:52.560
<v Speaker 1>exactly exactly, It's very strange. Here's what they did in

0:28:52.640 --> 0:28:56.640
<v Speaker 1>my situation. All as they started a middle school, they

0:28:56.640 --> 0:29:00.880
<v Speaker 1>built a middle school for my region. Uh, while I

0:29:00.920 --> 0:29:03.000
<v Speaker 1>was in eighth grade, and so when I went to

0:29:03.080 --> 0:29:05.280
<v Speaker 1>ninth grade, they put in the eighth graders. So I

0:29:05.360 --> 0:29:07.960
<v Speaker 1>was the youngest in high school in the eighth grade.

0:29:08.000 --> 0:29:09.920
<v Speaker 1>Then I was the youngest in the ninth grade, and

0:29:09.960 --> 0:29:11.880
<v Speaker 1>then the youngest in the tenth grade because then they

0:29:11.920 --> 0:29:14.760
<v Speaker 1>moved the ninth graders over. So for three straight years,

0:29:14.760 --> 0:29:17.800
<v Speaker 1>our class was the youngest class and had no one

0:29:18.360 --> 0:29:22.920
<v Speaker 1>underneath us to bully. What a sham, Just kidding, of course.

0:29:23.040 --> 0:29:26.640
<v Speaker 1>I never never bullied, never got bullied either. That's lucky

0:29:26.680 --> 0:29:29.280
<v Speaker 1>for you. I was too busy trying to be everyone's friend.

0:29:29.360 --> 0:29:31.760
<v Speaker 1>No one, No one came at me. That's good. That's good.

0:29:32.000 --> 0:29:33.600
<v Speaker 1>I had I had a I had a mixed up

0:29:33.760 --> 0:29:36.880
<v Speaker 1>year where I fell in with some kind of kind

0:29:36.920 --> 0:29:39.760
<v Speaker 1>of shitty kids and I and I'm I'm not proud

0:29:39.800 --> 0:29:41.920
<v Speaker 1>to say that. I you know, peer pressure is a thing.

0:29:41.960 --> 0:29:44.400
<v Speaker 1>I wouldn't say I directly like was a bully, but

0:29:44.440 --> 0:29:47.640
<v Speaker 1>I certainly allowed myself to be roped into some not

0:29:47.880 --> 0:29:50.880
<v Speaker 1>nice behavior, let's say. But I got over that real quick. Yeah,

0:29:50.880 --> 0:29:53.400
<v Speaker 1>you know what, and all people do regrettable things when

0:29:53.400 --> 0:29:55.360
<v Speaker 1>their kids, and uh, that's a big of you to

0:29:55.400 --> 0:29:58.160
<v Speaker 1>admit that. That's what I say. Thanks about You're you're

0:29:58.160 --> 0:30:01.000
<v Speaker 1>a good hearted guy. So I'm sure you weren't going

0:30:01.040 --> 0:30:02.800
<v Speaker 1>home and feeling great about that even back then. No,

0:30:02.960 --> 0:30:04.160
<v Speaker 1>but it's like I said, I mean, you just want

0:30:04.160 --> 0:30:06.000
<v Speaker 1>to you want to be accepted. And if the people

0:30:06.040 --> 0:30:08.880
<v Speaker 1>that happened to be accepting you are like kind of jerks,

0:30:08.960 --> 0:30:10.840
<v Speaker 1>you know, you you kind of want to there's like

0:30:10.880 --> 0:30:13.320
<v Speaker 1>mirroring going on there, you know. Yeah, it is a

0:30:13.320 --> 0:30:16.920
<v Speaker 1>tough time adolescence, man. You just you're doing anything you

0:30:16.960 --> 0:30:20.240
<v Speaker 1>can to fit in. Let me see here, Joshua fish

0:30:20.520 --> 0:30:22.920
<v Speaker 1>Uh says Highway to the danger Zone from top gun.

0:30:23.000 --> 0:30:24.880
<v Speaker 1>Of course I have that I have a forty five

0:30:24.920 --> 0:30:28.400
<v Speaker 1>of that that an amazing listener of the show sent

0:30:28.480 --> 0:30:31.560
<v Speaker 1>me in a care package along with my girl wants

0:30:31.600 --> 0:30:33.720
<v Speaker 1>to Party all the Time, Party all the time, Party

0:30:33.720 --> 0:30:37.760
<v Speaker 1>all the time, but danger Zone. That song slaps man,

0:30:38.200 --> 0:30:40.480
<v Speaker 1>but it sounds a lot like bon Jovi. It's such

0:30:40.520 --> 0:30:43.080
<v Speaker 1>a bon Jovi rip. It's hilarious how bon Jovi is

0:30:43.200 --> 0:30:46.120
<v Speaker 1>it is? I never really thought about that. I could

0:30:46.120 --> 0:30:52.080
<v Speaker 1>see that little j b j Little j b j Uh.

0:30:52.400 --> 0:30:55.000
<v Speaker 1>Jason Roberts says for me, it's just like Honey from

0:30:55.000 --> 0:30:57.960
<v Speaker 1>Auston translation also one Big Time. Whenever I hear that song,

0:30:58.000 --> 0:31:00.760
<v Speaker 1>I can instantly see the crowded streets of Tokyo, even

0:31:00.760 --> 0:31:03.720
<v Speaker 1>though I've never been there. Iconic soundtrack. That soundtrack stands

0:31:03.720 --> 0:31:07.160
<v Speaker 1>alone to turn me onto so many cool bands. Yeah,

0:31:07.200 --> 0:31:09.040
<v Speaker 1>I think Sofia Coppola has a n act for that,

0:31:09.320 --> 0:31:14.360
<v Speaker 1>in the same as Tarantino. Even though like I'm a big,

0:31:14.400 --> 0:31:17.200
<v Speaker 1>big fan of Heart and Classic Heart and the song

0:31:17.280 --> 0:31:20.200
<v Speaker 1>magic Man, even though I've heard it a gazillion times,

0:31:20.240 --> 0:31:25.040
<v Speaker 1>always reminds me of Virgin Suicide. When Josh hartnett Uh

0:31:25.280 --> 0:31:27.600
<v Speaker 1>makes his entrance into that movie to magic Man, great

0:31:27.640 --> 0:31:32.160
<v Speaker 1>moment and Hello It's Me, also a Virgin Suicide's big

0:31:32.160 --> 0:31:35.600
<v Speaker 1>big go to Todd Rundgren's Hello, It's Me, great song

0:31:36.920 --> 0:31:39.120
<v Speaker 1>the Danger of and says Sister Christian and Boogie Nights

0:31:39.360 --> 0:31:42.600
<v Speaker 1>totally where he's like all cooked up and throwing fireworks

0:31:42.600 --> 0:31:46.080
<v Speaker 1>at Mark Wahlberg. Yeah, one of Alfred Molina, friend of

0:31:46.120 --> 0:31:47.680
<v Speaker 1>the podcast who talked about this before. But he's on

0:31:47.760 --> 0:31:49.560
<v Speaker 1>a lot of the LA shows. Uh, he's been on

0:31:49.640 --> 0:31:54.640
<v Speaker 1>Daily's Eye, iis to believe, and also on the Bechtel casts.

0:31:54.840 --> 0:31:57.160
<v Speaker 1>He been on this show, No Jack, hit Up, hit

0:31:57.320 --> 0:31:59.440
<v Speaker 1>hit Up Jack. Dude, they can cook you up with

0:31:59.480 --> 0:32:01.160
<v Speaker 1>a lot of cool because he just like bug Jack.

0:32:01.200 --> 0:32:04.400
<v Speaker 1>I'm sure I know. It's I need to be better

0:32:04.400 --> 0:32:07.120
<v Speaker 1>at that. Terry Clay hosts The Silence of the Lambs

0:32:07.120 --> 0:32:10.560
<v Speaker 1>An American Girl and that's I've already mentioned this on

0:32:10.560 --> 0:32:13.920
<v Speaker 1>a previous episode, but that that that show I was

0:32:13.960 --> 0:32:16.640
<v Speaker 1>there too, the podcast where it had that that actor

0:32:17.160 --> 0:32:20.840
<v Speaker 1>who played the senator's daughter who's singing American Girl in

0:32:20.880 --> 0:32:23.680
<v Speaker 1>the car. She talks about that whole scene and about

0:32:23.680 --> 0:32:26.200
<v Speaker 1>how she originally wanted it to be like the Bad

0:32:26.240 --> 0:32:28.400
<v Speaker 1>Brains because that was the kind of music she was into,

0:32:28.720 --> 0:32:31.320
<v Speaker 1>and they decided last minute to make it American Girl

0:32:32.000 --> 0:32:33.720
<v Speaker 1>because it is such a good job of setting up

0:32:33.720 --> 0:32:36.040
<v Speaker 1>her character, like with music and with her like just

0:32:36.160 --> 0:32:38.040
<v Speaker 1>you know, not a care in the world, just pop

0:32:38.080 --> 0:32:41.360
<v Speaker 1>popping along in the car, singing this kind of very

0:32:41.400 --> 0:32:44.360
<v Speaker 1>straightforward like song about being a good old, you know,

0:32:44.880 --> 0:32:48.920
<v Speaker 1>good girl in America, and then she gets subducted. Well

0:32:48.960 --> 0:32:52.000
<v Speaker 1>and what's funny, No, that's uh. Our band does American

0:32:52.040 --> 0:32:53.520
<v Speaker 1>Girl and want. In fact, we did a whole Tom

0:32:53.520 --> 0:32:55.840
<v Speaker 1>Petty set one year right after he passed and uh

0:32:55.880 --> 0:32:58.480
<v Speaker 1>at porch Fest. But he Uh, that's one of my

0:32:58.520 --> 0:33:01.280
<v Speaker 1>favorite songs of his to sing. And it's a song

0:33:01.320 --> 0:33:04.200
<v Speaker 1>that's jaunty and upbeat, but it's one of the most

0:33:04.760 --> 0:33:10.320
<v Speaker 1>lyrically um down and rough songs that there is. And

0:33:10.360 --> 0:33:13.440
<v Speaker 1>I think people just because it's so jangly and fun,

0:33:14.000 --> 0:33:17.520
<v Speaker 1>people don't think of the lyrics. That second verse. Man,

0:33:17.600 --> 0:33:19.440
<v Speaker 1>it was kind of cold that night. She stood alone

0:33:19.480 --> 0:33:21.760
<v Speaker 1>on her balcony. She could hear the cars roll by

0:33:21.760 --> 0:33:24.160
<v Speaker 1>out on four or forty one, like rape waves crashing

0:33:24.160 --> 0:33:26.400
<v Speaker 1>on the beach, and for one desperate moment there he

0:33:26.440 --> 0:33:29.600
<v Speaker 1>crept back into her memory. God, it so painful, something

0:33:29.600 --> 0:33:31.360
<v Speaker 1>that's so close and still so far out of reach.

0:33:32.160 --> 0:33:34.600
<v Speaker 1>It's like it's brutal man. But you said it to

0:33:34.640 --> 0:33:38.160
<v Speaker 1>that like jangly little beat in uh, you don't really

0:33:38.160 --> 0:33:40.120
<v Speaker 1>think about it. I love that song, not not not

0:33:40.280 --> 0:33:42.240
<v Speaker 1>to mention, I mean lyrically, I'm with you there, But

0:33:42.560 --> 0:33:45.720
<v Speaker 1>that whole set up for that song has been mimicked

0:33:45.840 --> 0:33:50.640
<v Speaker 1>so many times. Think about that Strokes like least Na

0:33:51.000 --> 0:33:54.240
<v Speaker 1>and and other times it's it's just like a absolute

0:33:54.840 --> 0:33:57.720
<v Speaker 1>archetype of like that type of tune. I think Petty

0:33:57.840 --> 0:34:00.640
<v Speaker 1>was very cool about the Strokes thing, because I think

0:34:00.640 --> 0:34:02.840
<v Speaker 1>they acknowledged it and he was like, yeah, it's cool.

0:34:03.480 --> 0:34:08.000
<v Speaker 1>I get it right on. I miss that guy theme

0:34:08.040 --> 0:34:12.800
<v Speaker 1>from Shaft from Elliott J. Lawrence of course Chow Jessica

0:34:12.880 --> 0:34:14.640
<v Speaker 1>Hansen says the Power of Love by Hugh Lewis and

0:34:14.640 --> 0:34:17.000
<v Speaker 1>the News Back to the Future. Yeah, it's hard not

0:34:17.040 --> 0:34:20.759
<v Speaker 1>to think of that Hulu and the new Hulu and

0:34:20.800 --> 0:34:23.040
<v Speaker 1>the new and let's finish up here, Noel with what

0:34:23.200 --> 0:34:26.320
<v Speaker 1>I Know that You're Gonna love? Uh from John mechelp

0:34:26.360 --> 0:34:28.840
<v Speaker 1>one of our old friends. Where's My Mind by the

0:34:28.840 --> 0:34:31.200
<v Speaker 1>Pixies from Fight Club again. First time I ever heard

0:34:31.239 --> 0:34:34.320
<v Speaker 1>that song, and I was like, who is this buildings

0:34:34.360 --> 0:34:37.080
<v Speaker 1>coming down? Pretty great because it reminded me of something

0:34:37.120 --> 0:34:39.680
<v Speaker 1>that was familiar, but yet I knew it wasn't anything

0:34:39.719 --> 0:34:42.000
<v Speaker 1>that I knew, and then I had to I found,

0:34:42.040 --> 0:34:44.320
<v Speaker 1>I sought them out, and that's was really a turning

0:34:44.360 --> 0:34:47.759
<v Speaker 1>point for me musically in terms of my my taste. Yeah, ye,

0:34:48.480 --> 0:34:50.440
<v Speaker 1>all right, buddy, that's it for this week. I was

0:34:50.440 --> 0:34:52.799
<v Speaker 1>gonna do an up with Fuck segment, but we will

0:34:52.840 --> 0:34:55.359
<v Speaker 1>save that. So if you're on the movie Crush page,

0:34:55.440 --> 0:34:58.200
<v Speaker 1>keep adding your fox and we're gonna go over those

0:34:58.239 --> 0:35:00.840
<v Speaker 1>next time, which will be probably next week. Give us

0:35:00.880 --> 0:35:04.239
<v Speaker 1>all your fox. So thanks for listening and we'll see

0:35:04.239 --> 0:35:20.520
<v Speaker 1>you on the internet very soon. You got it. For

0:35:20.600 --> 0:35:23.000
<v Speaker 1>more podcasts for my heart Radio, visit the I Heart

0:35:23.080 --> 0:35:25.759
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:35:25.760 --> 0:35:27.279
<v Speaker 1>favorite shows. H