1
00:00:00,120 --> 00:00:02,480
Speaker 1: Right now. The nephew is here with the prank phone.

2
00:00:02,480 --> 00:00:06,199
Speaker 1: Call for it today. What you got now? Apartment three sixteen?

3
00:00:07,680 --> 00:00:13,720
Speaker 1: Like that, I got food in my mouth. Hello, I'm

4
00:00:13,960 --> 00:00:16,920
Speaker 1: trying to reach a deal. Are you deal? How you doing? Man?

5
00:00:16,960 --> 00:00:20,119
Speaker 1: My name is Bonn dude. Uh, you're living trying to

6
00:00:20,120 --> 00:00:22,200
Speaker 1: make sure I got the right dude when you're living Court?

7
00:00:22,320 --> 00:00:26,880
Speaker 1: Right apartments? Yeah? Going on? Okay, you live an apartment

8
00:00:26,920 --> 00:00:30,160
Speaker 1: of three sixteen right, yeah, it's something I need to

9
00:00:30,160 --> 00:00:33,519
Speaker 1: be worried. What's going on? No? No, no, everything cool

10
00:00:33,560 --> 00:00:36,840
Speaker 1: with your apartment. Man. Uh, I got your number from

11
00:00:37,440 --> 00:00:41,919
Speaker 1: lady at the at the least in office regarding what's in?

12
00:00:42,040 --> 00:00:45,160
Speaker 1: What's in regards to well, actually, what's going That happened

13
00:00:45,159 --> 00:00:48,360
Speaker 1: me is I'm moved took court and what I wanted

14
00:00:48,360 --> 00:00:51,479
Speaker 1: to do, you know, Uh see me in every apartment

15
00:00:51,479 --> 00:00:54,920
Speaker 1: I've always had. I've always lived in an apartment three

16
00:00:54,960 --> 00:00:58,240
Speaker 1: six teams and I know you in three sixteen, so

17
00:00:58,960 --> 00:01:01,400
Speaker 1: they you know, into the office game, you know, because

18
00:01:01,440 --> 00:01:03,440
Speaker 1: I don't want to move nowhere else where. I can't

19
00:01:03,480 --> 00:01:06,080
Speaker 1: be in room three sixteen. I gotta be you know,

20
00:01:06,080 --> 00:01:08,600
Speaker 1: it's just real superstarius, I know, but I kind of

21
00:01:08,800 --> 00:01:13,720
Speaker 1: gotta help you say your name Vaughan? Yeah, yeah, And

22
00:01:13,800 --> 00:01:16,400
Speaker 1: who gave you my number again? One of the ladies

23
00:01:16,400 --> 00:01:18,040
Speaker 1: at the least in office when I was over there.

24
00:01:18,440 --> 00:01:22,640
Speaker 1: Who was it? I can't really remember her name? Man, uh,

25
00:01:23,200 --> 00:01:26,600
Speaker 1: a little little little well listen, cut this and I'm

26
00:01:26,600 --> 00:01:28,360
Speaker 1: gonna tell you like this. Man, don't call me for

27
00:01:28,400 --> 00:01:30,360
Speaker 1: nothing like that. Man, Now, I ain't moving out of

28
00:01:30,360 --> 00:01:32,559
Speaker 1: my apartment. Man, I've been standing up for for years.

29
00:01:32,760 --> 00:01:34,480
Speaker 1: When I moved out to the problem and I moved

30
00:01:34,520 --> 00:01:39,120
Speaker 1: in the house understanding all this got going with you?

31
00:01:39,200 --> 00:01:41,959
Speaker 1: Whatever it is at three sixteen, you one three too,

32
00:01:42,760 --> 00:01:47,680
Speaker 1: that's on you, man, Ain't I gotta stay in three sixteen? Man,

33
00:01:47,960 --> 00:01:49,720
Speaker 1: see that, That's what I'm trying to say. I didn't

34
00:01:49,760 --> 00:01:52,800
Speaker 1: sign the least, so I'm stuck with it. I got

35
00:01:52,880 --> 00:01:55,160
Speaker 1: to get that apartment. So I'm gonna trying to tell

36
00:01:55,200 --> 00:01:57,600
Speaker 1: you would you like to what's your apartment? Would you

37
00:01:57,640 --> 00:01:59,720
Speaker 1: like to move to? And I don't only get them

38
00:01:59,760 --> 00:02:04,440
Speaker 1: to move your stuff? Nothing ain't nothing moving on. Think

39
00:02:04,720 --> 00:02:07,680
Speaker 1: moving them numbers. You can add them up, divide them,

40
00:02:07,720 --> 00:02:09,680
Speaker 1: do whatever you want to them. But I ain't move.

41
00:02:10,680 --> 00:02:12,640
Speaker 1: So you're gonna have to get that to your head man,

42
00:02:12,919 --> 00:02:15,400
Speaker 1: and really I'm because I don't know. I gave you

43
00:02:15,440 --> 00:02:18,880
Speaker 1: my number was like this. I meant working called me

44
00:02:19,360 --> 00:02:21,680
Speaker 1: because I don't even know no Vaughn, No, no, you

45
00:02:21,720 --> 00:02:24,000
Speaker 1: don't know me that. I asked them who was in

46
00:02:24,080 --> 00:02:26,600
Speaker 1: three six teams. They told me none of your business

47
00:02:26,600 --> 00:02:29,320
Speaker 1: going three sixteen. Man, Hey, listen, man, I'm trying to

48
00:02:29,360 --> 00:02:32,360
Speaker 1: do this as respectful as possible. You know, like I said,

49
00:02:32,400 --> 00:02:36,240
Speaker 1: I really can't function unless I'm living in disrespect me

50
00:02:36,320 --> 00:02:39,239
Speaker 1: then doing disrespects for then because I'm gonnahow do this?

51
00:02:39,440 --> 00:02:42,600
Speaker 1: You called me with like this. I don't get favorite now.

52
00:02:42,560 --> 00:02:44,800
Speaker 1: I don't care if that was your favorite scripture. Okay,

53
00:02:44,960 --> 00:02:48,880
Speaker 1: tell me like that. Man. Now you're gonna make this hard, Okay,

54
00:02:48,960 --> 00:02:50,360
Speaker 1: so let me let me tell you this to you.

55
00:02:50,480 --> 00:02:52,320
Speaker 1: I already told the lady I want to be in

56
00:02:52,360 --> 00:02:54,600
Speaker 1: three six things. She told me I needed to deal

57
00:02:54,639 --> 00:02:57,200
Speaker 1: with Dale. Now I'm trying to deal with you in

58
00:02:57,200 --> 00:02:59,960
Speaker 1: a polite weight, okay, because like I said, I can't function.

59
00:03:00,120 --> 00:03:03,480
Speaker 1: Man left an apartment three sixteen. I can't. I can't

60
00:03:03,480 --> 00:03:05,880
Speaker 1: even get them go to work. I cannot function. Okay,

61
00:03:06,080 --> 00:03:09,160
Speaker 1: I have to have that apartment. No, it sound like

62
00:03:09,200 --> 00:03:11,520
Speaker 1: you got a problem on your hands. Man, whatever your

63
00:03:11,560 --> 00:03:15,920
Speaker 1: problem is, that's your problem, ain't you me? Com you

64
00:03:15,960 --> 00:03:18,440
Speaker 1: know like that? Like I say, I've been staying in

65
00:03:18,520 --> 00:03:21,440
Speaker 1: three or six teens, I'm gonna stay in three sixteen

66
00:03:21,520 --> 00:03:23,839
Speaker 1: U till I moved to a house. You need sign

67
00:03:23,919 --> 00:03:27,400
Speaker 1: something else to do? And really I'm stopping that gave

68
00:03:27,440 --> 00:03:29,919
Speaker 1: you my number to call me with is I can't

69
00:03:29,960 --> 00:03:34,680
Speaker 1: believe it's what you're talking to. You talking to me.

70
00:03:35,440 --> 00:03:37,320
Speaker 1: You come at me with them, come at me with

71
00:03:37,360 --> 00:03:41,520
Speaker 1: a numbers? Look like you man, three or six teens?

72
00:03:41,960 --> 00:03:45,720
Speaker 1: What excuse me? Do what you're saying? You called me

73
00:03:45,800 --> 00:03:48,320
Speaker 1: with this? I tell you what, man, come at me

74
00:03:48,400 --> 00:03:51,080
Speaker 1: or come at my phone that you don't see it? Man,

75
00:03:51,160 --> 00:03:53,200
Speaker 1: you understand what I'm saying. Hey man, I'm trying to

76
00:03:53,200 --> 00:03:56,880
Speaker 1: handle this respectively. Man, okay, all right, I'm trying to

77
00:03:56,920 --> 00:03:59,680
Speaker 1: do listen to him. So I'm trying to tell you honestly, dog,

78
00:03:59,840 --> 00:04:02,840
Speaker 1: I cannot function outside of them three numbers. I have

79
00:04:03,040 --> 00:04:05,839
Speaker 1: to live in apartment three sixteen. It ain't my business. Man.

80
00:04:06,360 --> 00:04:08,800
Speaker 1: I don't want have to come move you, but I do.

81
00:04:08,960 --> 00:04:11,320
Speaker 1: Come on. What's running back? Which say? I said I

82
00:04:11,320 --> 00:04:15,040
Speaker 1: don't want to have to move yo said that down

83
00:04:15,640 --> 00:04:18,440
Speaker 1: that me what you you're gonna come U? I want? Hey,

84
00:04:18,520 --> 00:04:21,440
Speaker 1: a matter of fact, come come on, come move three sixteen,

85
00:04:21,520 --> 00:04:24,680
Speaker 1: three sixteen I had for you. Come on, man, I'm

86
00:04:24,720 --> 00:04:28,080
Speaker 1: gonna come move my man, come on to tea in silid,

87
00:04:28,160 --> 00:04:30,880
Speaker 1: Come on, move yet all kind of going on the

88
00:04:30,880 --> 00:04:34,280
Speaker 1: world with numbers. They got three other six five days.

89
00:04:34,600 --> 00:04:37,160
Speaker 1: I mean, it works. You want I'm on my nine

90
00:04:37,160 --> 00:04:39,320
Speaker 1: to five and you come in with you buy three sixteen.

91
00:04:39,560 --> 00:04:42,159
Speaker 1: I'm gonna move somebody. That's all I got to say. Man,

92
00:04:42,320 --> 00:04:44,440
Speaker 1: it's gonna be you for I did before I deal

93
00:04:44,520 --> 00:04:46,200
Speaker 1: with you, though, I'm gonna get at least and I

94
00:04:46,279 --> 00:04:50,440
Speaker 1: was even giving you my number. Hey man, I'm I'm

95
00:04:50,440 --> 00:04:52,840
Speaker 1: just trying to tell you I have to stay under

96
00:04:52,880 --> 00:04:56,039
Speaker 1: them numbers, man, I have to. I'm superstitious like that.

97
00:04:56,160 --> 00:04:57,880
Speaker 1: I know, I know everybody ain't like that, but I

98
00:04:57,920 --> 00:04:59,719
Speaker 1: just happen to be like that. You know what, nobody

99
00:04:59,760 --> 00:05:02,720
Speaker 1: ain't that, man. I ain't got time to be dealing. Really,

100
00:05:02,720 --> 00:05:05,520
Speaker 1: everybody got time. You set up listen like this, and

101
00:05:05,720 --> 00:05:08,320
Speaker 1: you looked at Christian other than I've been out the

102
00:05:08,440 --> 00:05:11,200
Speaker 1: job looking what what apartment number did they give you?

103
00:05:11,360 --> 00:05:13,960
Speaker 1: They gave me like three twenty nine or something like that.

104
00:05:14,000 --> 00:05:16,240
Speaker 1: I don't. I can't stay there, man. That's why I'm

105
00:05:16,240 --> 00:05:18,760
Speaker 1: gonna meet you. Man. Me see at three twenty nine,

106
00:05:19,040 --> 00:05:22,800
Speaker 1: six o'clock tonight. How about them numbers? Okay, so how

107
00:05:22,800 --> 00:05:26,880
Speaker 1: about these numbers right here? They selling? Sell them twenty nine, Steve,

108
00:05:27,680 --> 00:05:30,680
Speaker 1: I mean the seing selling pointing nine, Steve Eye sell

109
00:05:30,720 --> 00:05:33,559
Speaker 1: them seven nine. You ain't never heard that number before?

110
00:05:34,160 --> 00:05:37,240
Speaker 1: What's what it's found? For me? That's the number to

111
00:05:37,320 --> 00:05:40,280
Speaker 1: the Steve Harvey Morning Show. Because this is nephew Tommy

112
00:05:40,480 --> 00:05:43,280
Speaker 1: and you just got pranked by your co worker? Limdo

113
00:05:45,000 --> 00:05:51,440
Speaker 1: I mean make that it's It's sounds crazy and I'll

114
00:05:51,480 --> 00:05:55,680
Speaker 1: believe it for us six and be rolled. Got me

115
00:05:55,760 --> 00:05:57,719
Speaker 1: about to take off and go to the Lisa off

116
00:05:57,760 --> 00:06:01,000
Speaker 1: and College height. Now when you say got me now,

117
00:06:01,600 --> 00:06:05,040
Speaker 1: ain't you got a co worker a Linda Linda at

118
00:06:07,080 --> 00:06:13,640
Speaker 1: covering for Linda right now? I wonder a long man?

119
00:06:14,160 --> 00:06:17,960
Speaker 1: God had me going many. I got one more thing

120
00:06:18,000 --> 00:06:22,400
Speaker 1: to ask you. Man. There you are work for real,

121
00:06:22,480 --> 00:06:27,000
Speaker 1: ain't you? Yeah? Hey man, what's the bad radio show

122
00:06:27,000 --> 00:06:31,160
Speaker 1: in the land? Man, Steve rother Maring show? All right, man,

123
00:06:31,200 --> 00:06:32,920
Speaker 1: get back to work. Man, Your phone off the hook

124
00:06:32,960 --> 00:06:37,039
Speaker 1: over there, all right, I don't want to left. When

125
00:06:37,080 --> 00:06:41,159
Speaker 1: you hold a title of the king of stupidity, I

126
00:06:41,240 --> 00:06:43,600
Speaker 1: want to know if I'm holding it well? Un do

127
00:06:43,720 --> 00:06:46,600
Speaker 1: I walk proud with it? Do you feel the honor

128
00:06:46,680 --> 00:06:50,839
Speaker 1: of it? You see me? Huh? Showed us back? Should

129
00:06:50,880 --> 00:06:54,160
Speaker 1: I have a cape with ass on it for stupidity?

130
00:06:54,320 --> 00:06:56,520
Speaker 1: Just the king and the rowalty of that? Do you

131
00:06:56,560 --> 00:07:01,200
Speaker 1: feel me? Anybody, man, get missed here? Anybody whip me

132
00:07:01,240 --> 00:07:08,720
Speaker 1: on this note? You say whip Yeah, No, it's anybody.

133
00:07:10,360 --> 00:07:16,920
Speaker 1: It is anybody along with me on board? You got

134
00:07:16,920 --> 00:07:19,720
Speaker 1: any support, anybody you did have to go back to

135
00:07:19,760 --> 00:07:27,840
Speaker 1: a w anybody with anybody along quickly come be with

136
00:07:28,120 --> 00:07:32,840
Speaker 1: me at Chuckles Comedy Club, Memphis, Tennessee barba Q and

137
00:07:32,960 --> 00:07:36,320
Speaker 1: the Nephew. You get your tickets and come watch Stupidity.

138
00:07:36,480 --> 00:07:41,040
Speaker 1: It is best tickets our own seal right now. Shortly

139
00:07:41,120 --> 00:07:45,480
Speaker 1: after that, Lexington, Kentucky. I'm on my way April fifth,

140
00:07:45,680 --> 00:07:49,800
Speaker 1: six seven. The name of the club what Comedy All Broadway.

141
00:07:49,920 --> 00:07:52,560
Speaker 1: When you walk in, you'll see my uncle picture sitting

142
00:07:52,600 --> 00:07:55,600
Speaker 1: on the wall. Man. They told me to be up

143
00:07:55,640 --> 00:07:57,480
Speaker 1: there the next time I come, So I hope when

144
00:07:57,480 --> 00:08:03,840
Speaker 1: I get it. But but timing. You don't have comedy

145
00:08:03,840 --> 00:08:07,200
Speaker 1: head shots, don't you know, because y'all everything y'all do

146
00:08:07,280 --> 00:08:09,960
Speaker 1: is electronic. Now, well it's all electronic now they don't.

147
00:08:10,000 --> 00:08:12,280
Speaker 1: They don't have those black and whites like the see

148
00:08:12,320 --> 00:08:14,600
Speaker 1: you see you had to send the eight by ten

149
00:08:14,720 --> 00:08:18,400
Speaker 1: to the club. That's why I'm on the walls. Other

150
00:08:18,480 --> 00:08:22,320
Speaker 1: than the fact that I'm a legend. Of course, dude

151
00:08:22,360 --> 00:08:24,280
Speaker 1: that goes without saying, well, I just want to say

152
00:08:24,280 --> 00:08:26,800
Speaker 1: it to him. I know you are a legend. You

153
00:08:26,840 --> 00:08:28,920
Speaker 1: don't have to tell me. I know that you're But

154
00:08:28,960 --> 00:08:31,160
Speaker 1: I was thinking, maybe that's why you I'm gonna go

155
00:08:31,200 --> 00:08:33,440
Speaker 1: to Kenko, get my printch keep my pitch printed. I

156
00:08:33,440 --> 00:08:35,040
Speaker 1: better be on the wall. A by the time I leave,

157
00:08:36,679 --> 00:08:39,079
Speaker 1: they're gonna put you. You're gonna be in the press,

158
00:08:39,080 --> 00:08:42,720
Speaker 1: Scott Pits on the wall. It's gonna be worse, probably

159
00:08:42,720 --> 00:08:46,320
Speaker 1: on the end. You're listening to show