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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers.

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Speaker 1: He's a legendary queen's rapper, Hang segues your boy, and

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Speaker 1: he's a Miami hip hop pioneer. What d J e

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Speaker 1: f f N Together they drink it up with some

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Speaker 1: of the biggest players in music and sports, I mean

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Speaker 1: the most professional unprofessional podcast. This is Drinks Chap Ready

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Speaker 1: to War. Every day is New Year's e and Yang

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Speaker 1: Yang Yang Yang Yang Yang Yang. This your point and

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Speaker 1: put up? Is that crazy hood Cuban d J E

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Speaker 1: F and this is just drink chance, motherfucking podcast, Make

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Speaker 1: something y know, man, we had some crazy guests in

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Speaker 1: the last week. We haven't been able to update our

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Speaker 1: drink Champs Army. I don't want to call them fans

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Speaker 1: to us. They were fans the Army, they're part of us. So, um,

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Speaker 1: what was the past guests we just had? We had

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Speaker 1: Kenny Anderson, we had Havoc, we had Murder Murder made on,

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Speaker 1: we had Ray kuon and fifty part one and two. Man,

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Speaker 1: we did one point eight with him total because you

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Speaker 1: know one and um. So we're just giving this and

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Speaker 1: we launched the videos, the full videos, which bands have

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Speaker 1: been going crazy for yan funnily finally did it. Hopefully

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Speaker 1: by the time this comes out, well no, no, this

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Speaker 1: is this won't be um. But we're also gonna give

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Speaker 1: you the throwback Thursdays. You didn't want to call it

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Speaker 1: that I hate I don't know, I don't know. You

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Speaker 1: just said he just hate calling and throw back Thursday.

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Speaker 1: But we're gonna rewind, gonna get the new episodes on Tuesdays,

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Speaker 1: Video Tuesdays, and then Thursdays we're gonna give you the

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Speaker 1: older videos starting with day one. Yeah, starting with day one,

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Speaker 1: we're gonna go back and go backwards on these motherfucker's

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Speaker 1: they feel me. But tonight's guests, you know, um currency

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Speaker 1: was the first guy to come in here and turn

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Speaker 1: it into the champ. But he was hands he's uh understood,

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Speaker 1: the smoke King, the smoke Champ and over this legend

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Speaker 1: that we had, I'm talking about this legend I'm talking about. Uh.

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Speaker 1: He was very easy to work with as well, very easy,

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Speaker 1: crazy the way actually hit hit me, you know what

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Speaker 1: I'm saying to uh hook to hook it up anyway.

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Speaker 1: And then he didn't want to leave, Yeah, he didn't.

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Speaker 1: We actually he was very comfortable. Yeah, so we Um,

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Speaker 1: I say, without further dude, let's just let's get into it.

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Speaker 1: Man Snoop dog Man, the god father, the king of

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Speaker 1: the West Coast on the Drink and he drink with

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Speaker 1: us and we got fun up that night. Let's do it.

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Speaker 1: Let's go as it sounds. Let this hay Hank sand Green,

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Speaker 1: I hope your so this is your boy and o

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Speaker 1: R what up is d J E f N And

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Speaker 1: this motherfucker drink Chance podcast makes something And right now

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Speaker 1: we got the West Coast on motherfucker who took death

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Speaker 1: Row super legend on his fucking back and rolled it.

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Speaker 1: Then when your niggas trying to front, he went to

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Speaker 1: New Orleans and got motherfucking pole Boy Sandwiches and went

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Speaker 1: platinum on your motherfucker's And then he went back to

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Speaker 1: the West Coast and showed y'all niggas who's real king

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Speaker 1: of the motherfucking West Coast. And right now we're talking

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Speaker 1: about the legendary, the honorable, the dude who steps up

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Speaker 1: for black people and black people's rights and gangsters and

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Speaker 1: gangster's affiliated life. Right now we're talking about the legendary,

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Speaker 1: the honorable Snoop Dog made some so Snoop so Snoop.

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Speaker 1: I'm gonna start off by saying, you know, I've seen

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Speaker 1: this march that you guys recently just did. Um it

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Speaker 1: was you in Game and the reason why it was

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Speaker 1: so acceptable and so relatable to me because both of

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Speaker 1: you and Game, uh both are part of the same

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Speaker 1: culture and I'm a part of and then but in

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Speaker 1: your hood, it's it's a separation that that that that

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Speaker 1: divides y'all, but y'all came together. So I want you

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Speaker 1: to break that down for us because you know, well

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Speaker 1: you know a lot of times we brand watched not

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Speaker 1: to know because you know, it's a blueprint, that's you know,

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Speaker 1: printing before we've been able to read walk a tongue.

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Speaker 1: So it's up to us to break the chains and

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Speaker 1: to put a new you know, blueprint and new protocol

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Speaker 1: and effect. And that's what happened, you know, many years ago,

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Speaker 1: me and Gang for us, the relationship when he was

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Speaker 1: just a young homie, and you know, always trying to

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Speaker 1: guide him and lead him and direct him and give

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Speaker 1: him information on life because I did never want to

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Speaker 1: see him go down the wrong path that I went

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Speaker 1: down as a youngster because I didn't have nobody giving

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Speaker 1: me no advice, so I was always giving him advice.

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Speaker 1: And you know, one day we just said, you know what,

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Speaker 1: we fed out with all of this, you know, police

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Speaker 1: brutality and all the ship that's going on. We was

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Speaker 1: really fucking fed up to where we really wanted to

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Speaker 1: do something. So when he called me, I was ready

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Speaker 1: for him to tell me, let's go funk up some ship.

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Speaker 1: But you know, he hit me with some you know,

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Speaker 1: it was his idea. Was he called me and he

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Speaker 1: was distraught. I really wasn't even paying attention to the

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Speaker 1: news and ship because it was niggas getting killed every day,

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Speaker 1: so it was like it was like, okay, whatever, But

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Speaker 1: then it would hit him so hard in the heart.

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Speaker 1: And when he called me, he was like, dog, I'm lost,

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Speaker 1: I don't know what to do. Always come to you.

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Speaker 1: I want to funk up some ship. I'm like, nigga,

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Speaker 1: I do too. Then I was like, damn, I can't

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Speaker 1: leave him like that. I never let him down the

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Speaker 1: dark alley. I always gave him a light. So I

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Speaker 1: was like, look, call me back when you figure out

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Speaker 1: what you want to do, put a plan together, get

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Speaker 1: some protocol and some structure and whatever you want to do.

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Speaker 1: Hit me up. He hit me about two or three

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Speaker 1: in the morning. Was like, we're gonna meet up downtown

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Speaker 1: l at five in the morning and let's just figure

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Speaker 1: it out when we get there. And when we got there,

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Speaker 1: I came there and my gang of tire ready to

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Speaker 1: go to war. Yes, yes, yes, he was. And once

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Speaker 1: we got there, then he figured out what he wanted

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Speaker 1: to do. Once we got there, then he laid the

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Speaker 1: plan down and ran down the speech and said, we

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Speaker 1: want to go to you know, the police defarming to

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Speaker 1: reinduce to ourselves and let him introduce themselves to us

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Speaker 1: and build some sort of dialogue, and the department was

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Speaker 1: a part of that from the beginning. No, let me

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Speaker 1: tell you, let me tell you how the spirit work

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Speaker 1: game figuring out what we was gonna do. When we

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Speaker 1: got there in the morning, his spirit was, this is

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Speaker 1: what we're gonna do. We're not gonna go down there

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Speaker 1: and we're not gonna master them. We're gonna talk to

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Speaker 1: him a better relationship. So as we're walking down there,

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Speaker 1: the police escorting us, because we built the relationship with

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Speaker 1: them before we even started. They escorting us to the

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Speaker 1: you know, headquarters. When we get there. We don't even know,

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Speaker 1: but that's a graduation for all of the new recruits

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Speaker 1: that's about which you guys didn't even know that was

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Speaker 1: going down. It's amazing that these is the new guys

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Speaker 1: that are about to hit the streets and they need

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Speaker 1: to get an understanding with us who are own the streets,

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Speaker 1: not just me physically, but the people who actually live

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Speaker 1: in these communities that you're gonna be pulling over and

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Speaker 1: talking to, so build a bond with them. And it

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Speaker 1: was just beautiful that that happened. And then the mayor

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Speaker 1: and the chief of police was there when they heard

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Speaker 1: me and game came in peace. There was like, you

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Speaker 1: know what, we want them to come talk to us

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Speaker 1: behind closed doors, and they let us come behind closed doors,

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Speaker 1: and we vented and we converged, and we set up

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Speaker 1: a day in the time to re establish a relationship.

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Speaker 1: And we followed up and they did some more things

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Speaker 1: two or three days ago. So it's building that dialogue

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Speaker 1: between the community, the leaders, and the police and the mayor.

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Speaker 1: And that's what needs to be happening, you know what

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Speaker 1: I'm saying. So that your opinion and your opinion right um,

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Speaker 1: is that what you you feel like it should be happening,

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Speaker 1: is the communication. Because when I grew right slope, Um,

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Speaker 1: I grew up and the nigga that was patrolling the

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Speaker 1: hood was also the nigga that was fucking Tamarraw. Yeah

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Speaker 1: you know what I'm saying. Like, but now the nigga

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Speaker 1: that's patrolling in the hood come from you know, Buck Creo,

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Speaker 1: you know, you know whatever not come around. So here,

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Speaker 1: don't you don't understand our dialogue. You don't understand our

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Speaker 1: car communication. Like I grew up with police, not saying

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Speaker 1: that I work with them, but we had somebody from

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Speaker 1: the hood who always had an understanding with them to

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Speaker 1: where they wouldn't just come in there and just bogard

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Speaker 1: and just beat dogs to us if they wanted somebody,

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Speaker 1: the homelies would be like, look, we ain't gonna help

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Speaker 1: you getting, but we damn sure not gonna, you know,

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Speaker 1: do nothing to prevent you from getting. And at the

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Speaker 1: same time, it's like, now if you don't have no communication,

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Speaker 1: the police are scared when they put lumpthing on the mac,

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Speaker 1: but just drawing down when it should be. Let's get

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Speaker 1: an understanding. This man is trying to go home whoever

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Speaker 1: he is. He may have a family just like you.

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Speaker 1: So let's communicate what he first, to find out what

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Speaker 1: he's going through, because you don't have to always had

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Speaker 1: a negative approach, because you never know this man may

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Speaker 1: be going through the same ship you're going through. Now,

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Speaker 1: is this something you guys are gonna do ongoing or

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Speaker 1: is it just the one time? It was? It was

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Speaker 1: a spurred the moment for me, you know, because like

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Speaker 1: I said, I was ready to do something bad, but

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Speaker 1: the spirit told me to do something right and through

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Speaker 1: that we build a relationship with the police department. So

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Speaker 1: now it's dialogue going on in l A and that's

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Speaker 1: half the battle because before another shooting happens in l A,

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Speaker 1: we'll have some sort of communication with the Chief, with

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Speaker 1: the mayor. So it's like, look, even if we do

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Speaker 1: get like some of the hombies that was there, and

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Speaker 1: now they can say that, look, I got the mayor's member,

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Speaker 1: I got the chief members, so hold on before you

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Speaker 1: bust on me. And it's like just that small second,

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Speaker 1: it's all it takes to take somebody life or to

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Speaker 1: save somebody. Just the images alone from that that meeting

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Speaker 1: was crazy. Yeah, let's pick that up right now. I

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Speaker 1: speak some noyers for the goddamn and I also want

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Speaker 1: to set out Beastball Liquors. They provided the liquor right now,

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Speaker 1: driving some rose. He didn't drink roll and he drinking

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Speaker 1: it out a drink Champion cup. You know, best motherfucking

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Speaker 1: liquors man. You know what I'm saying. They got about

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Speaker 1: four locations in Miami. You know what I mean kinda

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Speaker 1: too we can do. You know what I'm saying, I

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Speaker 1: don't know this pronounced that range, the Ranger and then

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Speaker 1: Florida City. Man, go check out my people at best.

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Speaker 1: But I'm looking at yo snoop man so listen, man,

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Speaker 1: Mary Jane, let's talk about that right now. You know

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Speaker 1: what I mean, because we did talk about you know

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Speaker 1: that's positive. Let's make some noise, Snoop being positive. Let's

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Speaker 1: go down. Yea. Yeah, they said the last level of

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Speaker 1: hustling is preaching. You know what I'm saying. So, but

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Speaker 1: but Mary Jane, I'm I'm a I'm a weak conn

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Speaker 1: the store. I from all my week guys to come

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Speaker 1: over here and make sure they treat you like a

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Speaker 1: guinea pig. Listen, just listen. We got the California and

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Speaker 1: nobody there. Do you remember what he was in the

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Speaker 1: hotel room. I was doing the What What documentary? We

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Speaker 1: came up there and listen to a smoke. You know,

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Speaker 1: my my old g homies was like, yo, you let

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Speaker 1: Snoop smoke to shut out of y'all. Like yo, we

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Speaker 1: would be quit. He was like, Yo, we don't want

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Speaker 1: to smoke no more. And you remember that he was

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Speaker 1: in the old town. Yeah nigga smoked us out. Man,

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Speaker 1: all my old niggas, they wouldn't talk to me no more.

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Speaker 1: Yeah yeah, yeah, yeah, you were satisfying customers. So we've

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Speaker 1: seen the Reincarnation UM movie and you. You also went

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Speaker 1: out there with your own weed as well. Is that

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Speaker 1: something that Snoop has to do is bring your own weed?

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Speaker 1: You know what, certain parts of the world don't have

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Speaker 1: my flavor, and I gotta It's like, you know, you

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Speaker 1: can't eat you can't eat what they eat if you

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Speaker 1: used to eating what they eats. Write somebody who gotta

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Speaker 1: roll with his own chef, I gotta roll with his

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Speaker 1: own personal trainer. That's like my chef and my personal

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Speaker 1: trainer all in one. The gangster Dumbo god for that

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Speaker 1: goddamn so was Miami creepy ever? Any good way? I'm

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Speaker 1: m me good crip. No, Miamie got good good I

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Speaker 1: ain't know go front like maybe like four years ago,

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Speaker 1: Miamie store stepping that game up. When a lot of

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Speaker 1: players start are migrating out here, and you know, when

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Speaker 1: you migrate out here, and it's a certain thing that

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Speaker 1: you used to, that you accustomed to, so you gotta

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Speaker 1: have it your special way. So Miami started getting and

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Speaker 1: you start getting and then when you start seeing those

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Speaker 1: big rappers out here in those NBA players, you know

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Speaker 1: what comes with that good money and good way, and

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Speaker 1: then the bad bitch is coming in you know there

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Speaker 1: it is there. Let me get down is hot, let

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Speaker 1: me pick up Mr Lead start rock poling. You know

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Speaker 1: my people's right there. But the Snoop, let's break down.

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Speaker 1: It's Mary Jane, because I've been you know, you know,

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Speaker 1: first off, your mom, you like, at the end of

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Speaker 1: the day, I am the second uncle with hip hop.

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Speaker 1: I might be the third. I think it might be

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Speaker 1: Uncle Luke, Uncle Snoop and then yeah, yeah, yeah, yeah,

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Speaker 1: I told Uncle Murder you the uncle. You're the little uncle.

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Speaker 1: But that's why Murder. That's fine, You're coming. The first

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Speaker 1: is uncle. And so now so I always followed your career.

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Speaker 1: Me and you, you know contraverty popular belief when you

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Speaker 1: know the l A, l A and the New York

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Speaker 1: Me and you has always been rock solid and always

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Speaker 1: You've always been a great guy. But I've always a man.

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Speaker 1: Your entrepreneurial um, I don't know if that's the word.

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Speaker 1: That's what I was going for. Your mogul skills. And

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Speaker 1: I also just impeate you with the mogul with the

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Speaker 1: compound out in l A. We're gonna be in l

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Speaker 1: A on August twenty seven, Bigger. Now you're on tour.

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Speaker 1: We already were That's why we're trying trying to get

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Speaker 1: your l A trying to get but this married Jane

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Speaker 1: being Now for dude like me, who who who is

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Speaker 1: not as smart? I can't google, but Mary Jane works

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Speaker 1: for me because I'm bozo. I'm a bozo. But Mary Jane,

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Speaker 1: it shows me you where the dispensaries. No, this is

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Speaker 1: this is bigger than the half, like this is explaining that.

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Speaker 1: I want you to explain that to the people. Well,

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Speaker 1: Mary Jane dies comment. Isn't isn't the Encyclopedia of cannabis.

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Speaker 1: It's basically giving you everything you want to know about it,

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Speaker 1: the intro to the end though um information blogs, you know,

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Speaker 1: television series, uh, dispensaries, location, straight, what it does for you,

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Speaker 1: the style of it, the best shop, the best pop,

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Speaker 1: the best hop. I mean, it's it's information. It's the

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Speaker 1: information hotline. Like I said, it's the encyclopedia because it

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Speaker 1: covers every aspect of cannabis and it's given to you

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Speaker 1: by yours truly, so you know it's the truth. Let's

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Speaker 1: make some lloyd to that. God then my time Mary

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Speaker 1: Jane dot com. Yet Mary M E R R Y,

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Speaker 1: you know not married, but marry. I'm telling because we're

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Speaker 1: very married. That's a Christmas It's an application. It's website,

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Speaker 1: is stuff everything, it's all. He only does heroin. He

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Speaker 1: doesn't man. So so so let me just break it

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Speaker 1: down for you. So now the Mary Jane at you

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Speaker 1: go on there and it shows you where you like

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Speaker 1: you you put in a zip cold I believe right,

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Speaker 1: something like that, like you put it in like where

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Speaker 1: you at, and then it shows you with what what what?

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Speaker 1: What what what? And if it you know, I don't

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Speaker 1: want to show if. I don't want to say if.

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Speaker 1: If you're in a legal state, but it doesn't matter.

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Speaker 1: They take care of you where you don't take care

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Speaker 1: of you whatever you have. Because I see, I see,

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Speaker 1: I seem big. I don't go. I sit there. I

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Speaker 1: was like, God, damn it, Jesus, let Jesus, let me

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Speaker 1: let you figure it out. How the fun do I

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Speaker 1: be a part of this? And this is something crazy

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Speaker 1: because it's Google for weed. That's the better way because

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Speaker 1: you don't smoke. So I gotta break it down for

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Speaker 1: you like that. It's Google for we like you know

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Speaker 1: how you want to google who got the best tacos?

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Speaker 1: It's it's pretty much the same thing. Yep, ye for

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Speaker 1: weed or more. Yeah, it's better. Yeah, I would say

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Speaker 1: Google because it covers everything Google. So also, now you're

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Speaker 1: on you on um. I gotta meet this guy there.

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Speaker 1: You know, I've never met with Khalifa. This is my guy. Spoke,

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Speaker 1: we spoke, we kicked it, but I've never spoken. He

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Speaker 1: has the one of the worst um um Internet scenes

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Speaker 1: I've ever seen in life. He kicked somebody out with

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Speaker 1: the blood. Did you ever see that footage? Yeah? Yeah,

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Speaker 1: Well he listened to the studio session. I'm looking because

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Speaker 1: I'm a fan of Whisker Leifa. I'm looking, and he

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Speaker 1: stops the whole studio session and listening session. He stops

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Speaker 1: and all that said, yo, you you gotta walk out.

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Speaker 1: So I said this Nick, gotta have a cigarette of

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Speaker 1: song and this thing I had a blood. I said,

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Speaker 1: talk to you listen. So what do you think about

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Speaker 1: the joints versus the blunts? Well, I'm one of the

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Speaker 1: originators of the joint movement. That's what Currency said on

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Speaker 1: this show. That's what Currency said. Keep your motherfucking blunt

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Speaker 1: in't your pocket low? Because about the zig zact smoke.

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Speaker 1: That's the curious. Yeah, let's make some noise. Super Yes,

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Speaker 1: I know my ship. You know what I'm saying. But

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Speaker 1: at the same time, it's like when I was introduced

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Speaker 1: to the blunt. First person to ever attroduced me to

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Speaker 1: a blood was Bushwick Bill, but we were working on

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Speaker 1: the Chronic album. That is intelligent as a motherfucker knowledge.

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Speaker 1: So yeah, so he get us hard with the blood.

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Speaker 1: I'm like, okay, that's cool. The next time was at

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Speaker 1: the Poetic Justice rap party. Tuparc rolled up a blood

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Speaker 1: from them to nigging smoking blunts with me. Then I

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Speaker 1: begin saying, man, I like to wear that taste. So

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Speaker 1: then I started trying to roll a blood and they're

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Speaker 1: from there. It became over woman because the zig zag.

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Speaker 1: When I smoked a zig zag, I will get high

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Speaker 1: fast as fun. But when I was smoking blunt, it

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Speaker 1: was like it was like slowly but surely it was.

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Speaker 1: It became my cup of tea. I don't know why.

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Speaker 1: You know what I'm saying, Like from beard to hard

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Speaker 1: hard liquor or whatever whatever your cup of tea is.

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Speaker 1: When you find what your ship is, you roll with

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Speaker 1: it and you are because we old tell us real quick. Ok.

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Speaker 1: We was on tour right just when the niggl was

350
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Speaker 1: a young nigger, so we only was sucking with saving

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Speaker 1: gin the tanger away. We walked up in the store

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Speaker 1: nigg and we've seen some blue gin niggles like cud

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Speaker 1: they got some crip gin cul So we bought this

354
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Speaker 1: ship and started drinking. And I think it's like nine proof.

355
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Speaker 1: How many proofs is? It knows how many proofs funked up? Proof?

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Speaker 1: Say what it is? Once we've seen that was like

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Speaker 1: nigga ninety we take. Yeah, we didn't mix it with no.

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Speaker 1: We were straight drinking cript. That's not and juice. No,

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Speaker 1: that's bombay, that's what. That's crip juice. Now now did

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Speaker 1: you say that right? You said crip juice right now.

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Speaker 1: I'm gonna be honest. My first time be into l A,

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Speaker 1: I color coded everywhere I walked, meaning if I was

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Speaker 1: on La Sienega, I dressed according to Las Naga. If

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Speaker 1: I was on you know, Roscoe's Peak, and I forget

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Speaker 1: what was the other thing, Okay, Yeah, if I was

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Speaker 1: on there, I dressed cold. The only time I never

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Speaker 1: dressed coach is when I went to Long Beach because

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Speaker 1: it was a full city of and y'all nick is red.

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Speaker 1: Whatever the fun you want to, let's make some noise

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Speaker 1: for long reasons. Look, let me tell you how I

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Speaker 1: mad uh. Let's I meet nas. I'm on Coner right,

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Speaker 1: I'm in Guardina with my own boys from shotgun. This.

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Speaker 1: When you say Guardina, you took my Long Beach. No,

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Speaker 1: Guardina is a city outside the Long Beach. When they

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00:19:51,760 --> 00:19:54,000
Speaker 1: got gangs over there too. I've seen the hotel on

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00:19:54,080 --> 00:20:00,240
Speaker 1: there for a hundred must be bad if but I

377
00:20:00,280 --> 00:20:04,359
Speaker 1: see the hotel, I've not staying there. And it's like

378
00:20:04,520 --> 00:20:08,960
Speaker 1: early nineties too. It's like, so I'm out there, you

379
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Speaker 1: know what I'm saying, hanging with my own boys from

380
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Speaker 1: a shotgun. So it's just yeah, it's just it's a

381
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Speaker 1: long street that we're on. We all stand out there

382
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Speaker 1: like seven eight deep. So a white van pull up,

383
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Speaker 1: cousin a white van, fifteen passenger van, and the nigga

384
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Speaker 1: jump out with an all red sweatsuit with one leg

385
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Speaker 1: of his sweatpants lifted all the way up, with some

386
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Speaker 1: boots on, and he running across the street. One matt

387
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Speaker 1: And if you don't pay attention like a nigga, fel

388
00:20:35,720 --> 00:20:37,960
Speaker 1: just come to a drive. But he really just coming

389
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Speaker 1: say what's up? So my niggas is like going to

390
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Speaker 1: get their thing. I'm like, hold on cause that's the

391
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Speaker 1: rapper from New York name Nasuse was this. It's like,

392
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Speaker 1: let's let's make some noise. Yeah, and it's the first

393
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Speaker 1: time I meet Cup. So he run over to Meach

394
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Speaker 1: and Guardina another niggas. But it's like if you're riding

395
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Speaker 1: down the street you see one of your niggas that

396
00:21:05,040 --> 00:21:07,159
Speaker 1: you've seen on TV, and you're like, nigga, pull over,

397
00:21:07,240 --> 00:21:08,800
Speaker 1: let me how that snoop dog. I know this nigg

398
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Speaker 1: is gonna say what's up? Not knowing you got on already.

399
00:21:14,680 --> 00:21:16,920
Speaker 1: You know what I'm saying. You dropped out a passenger

400
00:21:17,040 --> 00:21:20,320
Speaker 1: van nigger. It looks real suspicious. So when I when

401
00:21:20,359 --> 00:21:22,040
Speaker 1: I shake his head, I'm like, check this out because

402
00:21:22,760 --> 00:21:26,920
Speaker 1: next time you here on my number, you got to

403
00:21:27,119 --> 00:21:37,800
Speaker 1: come you addressing. I'm not gonna man, I'm not gonna lie.

404
00:21:37,880 --> 00:21:40,600
Speaker 1: My first time going to l A UM, I was

405
00:21:40,760 --> 00:21:42,800
Speaker 1: taught the cold, you know what I'm saying. So I

406
00:21:42,920 --> 00:21:45,520
Speaker 1: was taught to like because you gotta realize we had

407
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Speaker 1: the l A l A y'all had, y'all had the

408
00:21:47,680 --> 00:21:49,680
Speaker 1: new York, New York. First, then we had the l

409
00:21:49,720 --> 00:21:52,119
Speaker 1: A l A and we thought it was termed more

410
00:21:52,320 --> 00:21:55,720
Speaker 1: than the two greats died. And then we all pieced

411
00:21:55,760 --> 00:21:57,119
Speaker 1: it out, but a lot of people didn't know we

412
00:21:57,240 --> 00:21:59,680
Speaker 1: pieced it out. So we was But at the same

413
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Speaker 1: time open. When I was coming to l A, I

414
00:22:02,280 --> 00:22:05,760
Speaker 1: was already taught the color codes, or I was already

415
00:22:05,840 --> 00:22:08,040
Speaker 1: in I was hanging with mac ten So I knew

416
00:22:08,080 --> 00:22:10,800
Speaker 1: when I go to Englewood, it's a certain type of place.

417
00:22:10,880 --> 00:22:12,760
Speaker 1: That's a certain type of place when I go to

418
00:22:13,359 --> 00:22:16,000
Speaker 1: when I corrupting them and I go by a tray

419
00:22:16,040 --> 00:22:18,920
Speaker 1: and them blocking, you know what I mean? Like I know, like,

420
00:22:19,320 --> 00:22:21,159
Speaker 1: but you know what the on top of all of that,

421
00:22:21,320 --> 00:22:26,480
Speaker 1: what you're talking about, yo, gangster, you and Capone and

422
00:22:26,600 --> 00:22:29,640
Speaker 1: mob deep, I'm gonna get your folk niggas that let's

423
00:22:29,680 --> 00:22:37,080
Speaker 1: let's y'all, y'all folk niggas. Gangster was so gagster. Then

424
00:22:37,160 --> 00:22:40,080
Speaker 1: one thing about the art of war, when you do

425
00:22:40,359 --> 00:22:43,080
Speaker 1: with somebody, you clash with somebody, it earns your respect.

426
00:22:43,880 --> 00:22:46,080
Speaker 1: You know, through the battle, you learn out of respect

427
00:22:46,480 --> 00:22:48,760
Speaker 1: your enemy, and your enemy becomes your friend. And that's

428
00:22:48,800 --> 00:22:50,800
Speaker 1: that one, because you know they'll go where you'll go,

429
00:22:51,119 --> 00:22:53,200
Speaker 1: and you realize we both on the same side. That's

430
00:22:53,280 --> 00:22:59,879
Speaker 1: what it was, the side of black power side black niggers.

431
00:23:00,119 --> 00:23:05,600
Speaker 1: Listen you black power to motheruck. She is black, a

432
00:23:05,600 --> 00:23:10,560
Speaker 1: lot of black. Yeah, she is black. So so all right.

433
00:23:10,760 --> 00:23:13,320
Speaker 1: But but before you posted any longer, because we know

434
00:23:13,440 --> 00:23:15,000
Speaker 1: what you do when this is the first day of

435
00:23:15,080 --> 00:23:17,240
Speaker 1: your tour. Let me tell you something. This is actually

436
00:23:17,240 --> 00:23:21,600
Speaker 1: the first day. Tomorrow's the first the first stop. Yeah,

437
00:23:22,000 --> 00:23:24,280
Speaker 1: it's the first. But listen, let's just let's just be

438
00:23:24,400 --> 00:23:28,240
Speaker 1: clear how how how much the big homie he stopped

439
00:23:28,280 --> 00:23:29,960
Speaker 1: his ship and he said, Yo, I want to do

440
00:23:30,080 --> 00:23:32,639
Speaker 1: it before the first tour because let me just tell

441
00:23:32,680 --> 00:23:34,959
Speaker 1: you something, Snoop. We don't like to interview people when

442
00:23:34,960 --> 00:23:37,240
Speaker 1: they're on a promo one because we're bigger than this

443
00:23:37,400 --> 00:23:40,879
Speaker 1: fake to get some love trying to be on the

444
00:23:40,960 --> 00:23:43,680
Speaker 1: air because he's pushing to promote something. We're just doing

445
00:23:43,720 --> 00:23:45,879
Speaker 1: this on the trength overdue. I've been watching y'all do

446
00:23:46,000 --> 00:23:48,960
Speaker 1: interviews with all of my homeboys. I'm like, when them

447
00:23:48,960 --> 00:23:58,719
Speaker 1: I listen to not only that man, you know, um,

448
00:23:59,200 --> 00:24:01,680
Speaker 1: you know what, I'm not gonna lie to you. We've

449
00:24:01,680 --> 00:24:03,960
Speaker 1: been sitting here waiting this room for you, and we

450
00:24:04,040 --> 00:24:06,720
Speaker 1: had a whole Snoop Dog playing list, and we all

451
00:24:06,840 --> 00:24:09,480
Speaker 1: sat here and we just listened to your heads and

452
00:24:09,640 --> 00:24:12,280
Speaker 1: we didn't care because you know what, you know, you're

453
00:24:12,840 --> 00:24:15,920
Speaker 1: I hate when people call your West Coast legend because

454
00:24:16,000 --> 00:24:20,360
Speaker 1: you're bigger than that. You're just Ship. I don't even

455
00:24:20,640 --> 00:24:24,600
Speaker 1: know if this is a word of superiority. D make

456
00:24:24,640 --> 00:24:28,600
Speaker 1: it up, make it up. Listen and and you know what, yo,

457
00:24:28,760 --> 00:24:31,320
Speaker 1: let me tell you something. I said this on the podcast.

458
00:24:31,400 --> 00:24:33,280
Speaker 1: I don't know if I said this on the podcast,

459
00:24:33,640 --> 00:24:37,520
Speaker 1: but I said Puff. I have never seen Puff, not

460
00:24:37,800 --> 00:24:40,960
Speaker 1: once hate like I seen him do fucked up Ship,

461
00:24:41,320 --> 00:24:44,240
Speaker 1: but I need to see them hate and Snoop. You

462
00:24:44,359 --> 00:24:48,040
Speaker 1: are the only other person in this universe that I

463
00:24:48,160 --> 00:24:53,919
Speaker 1: have never, ever, ever once see have a hating bone

464
00:24:54,400 --> 00:24:56,080
Speaker 1: in your body. Let's make some noise for that. God

465
00:24:56,160 --> 00:24:59,679
Speaker 1: damn it. I'm gonna tell you the first day I've

466
00:24:59,680 --> 00:25:01,719
Speaker 1: seen you, the first thing I ever met you, right,

467
00:25:02,040 --> 00:25:05,080
Speaker 1: all right, this is exactly how it happened. Boom um.

468
00:25:05,560 --> 00:25:08,040
Speaker 1: I said it with corrupt here and if you need another,

469
00:25:08,359 --> 00:25:09,920
Speaker 1: we got one role for you. That's o G. You

470
00:25:09,960 --> 00:25:12,560
Speaker 1: ain't talking og like I'm gonna give you one. I

471
00:25:12,640 --> 00:25:15,120
Speaker 1: gave you home Bolt Campbell. What is it. I'm Bot

472
00:25:15,160 --> 00:25:18,080
Speaker 1: Campbell County. I'm gonna give you, give me stories. Let's

473
00:25:18,080 --> 00:25:19,960
Speaker 1: do it. Let's do it. So this is the first

474
00:25:20,040 --> 00:25:23,600
Speaker 1: time I did l A l A. Right, they did,

475
00:25:24,240 --> 00:25:27,200
Speaker 1: They did New York. We did in l A l A. Okay,

476
00:25:27,240 --> 00:25:31,560
Speaker 1: you got one already, but godmady, Okay, let me leave

477
00:25:31,640 --> 00:25:34,399
Speaker 1: this over here so I know, and then boom right,

478
00:25:34,520 --> 00:25:37,359
Speaker 1: So then we fly to l A. We fly to

479
00:25:37,640 --> 00:25:41,720
Speaker 1: l A. Um, it's the Source Awards weekend, right, Um,

480
00:25:42,640 --> 00:25:44,920
Speaker 1: so everybody got to go back home. Now. When they're

481
00:25:44,920 --> 00:25:48,320
Speaker 1: going back home with U, my record label hit me

482
00:25:48,400 --> 00:25:52,680
Speaker 1: and say, yo, you got the number one uh album

483
00:25:53,560 --> 00:25:55,480
Speaker 1: in the world. I said, yeah, this is the only

484
00:25:55,520 --> 00:25:59,040
Speaker 1: place you're not doing good is l A. So I said, damn.

485
00:25:59,080 --> 00:26:00,920
Speaker 1: I'm in l A at the time. So I'm like damn.

486
00:26:01,480 --> 00:26:07,879
Speaker 1: And um. They went to the top floor of the Mangyans. No,

487
00:26:08,040 --> 00:26:12,240
Speaker 1: this is, this is, this is this is this is

488
00:26:12,320 --> 00:26:17,400
Speaker 1: when ship is on fight. So he comes and then

489
00:26:17,560 --> 00:26:20,240
Speaker 1: uh they went to the hotel and they bring us

490
00:26:20,280 --> 00:26:23,320
Speaker 1: to like the champagne, the bitches, the service of Champagne

491
00:26:23,440 --> 00:26:25,479
Speaker 1: and all this crazy ship. I'm in l A. I'm

492
00:26:25,520 --> 00:26:28,359
Speaker 1: looking at the view. I'm like, all right, cool. And

493
00:26:28,520 --> 00:26:31,640
Speaker 1: then they said you gotta stay out here a couple

494
00:26:31,760 --> 00:26:36,040
Speaker 1: more days. But everybody had got robbed. I'm talking about

495
00:26:36,080 --> 00:26:39,000
Speaker 1: Martin Lawrence. They were listen when they were at Martin Lawrence.

496
00:26:39,040 --> 00:26:42,720
Speaker 1: It's a problem, like this is the funniest new world

497
00:26:43,119 --> 00:26:45,760
Speaker 1: that it was bad about that. You're like, y'all got

498
00:26:45,800 --> 00:26:50,240
Speaker 1: to get that back Martin. It's like, I'm like, I

499
00:26:52,040 --> 00:26:54,840
Speaker 1: get that back home, gonna figure this out. That's how

500
00:26:54,960 --> 00:26:58,520
Speaker 1: fund up it was l A at that time. And

501
00:26:59,200 --> 00:27:01,280
Speaker 1: you know what happened. It was when I stayed them

502
00:27:01,359 --> 00:27:05,920
Speaker 1: extra days. You know, uh my, my, I'm calling my

503
00:27:06,000 --> 00:27:08,639
Speaker 1: big homie, my big homie corrupt. You know what I'm saying,

504
00:27:08,920 --> 00:27:11,400
Speaker 1: uh my big homie dad because a couple of years

505
00:27:11,440 --> 00:27:13,399
Speaker 1: older than me, I'm thirty eight day. I don't want

506
00:27:13,440 --> 00:27:15,280
Speaker 1: to say what age day? You know what I'm saying.

507
00:27:16,720 --> 00:27:18,680
Speaker 1: And they say, they say, because I was about to

508
00:27:18,880 --> 00:27:21,639
Speaker 1: thrond on listen cause you're good, and I'm like, you know,

509
00:27:22,760 --> 00:27:24,920
Speaker 1: you know, we we this is It wasn't called a

510
00:27:24,960 --> 00:27:27,200
Speaker 1: sprinter back then. Back in the days we had it

511
00:27:27,280 --> 00:27:29,680
Speaker 1: was called a limo bus. So we had a limo

512
00:27:29,800 --> 00:27:32,639
Speaker 1: bus and Shock even walked in our ship, and my

513
00:27:32,760 --> 00:27:35,000
Speaker 1: niggas held me down from DPG And I would never

514
00:27:35,080 --> 00:27:37,359
Speaker 1: forget that every again in my life. But then let

515
00:27:37,400 --> 00:27:38,800
Speaker 1: me let me get back to the first day I've

516
00:27:38,800 --> 00:27:40,760
Speaker 1: ever met you. So the first day I even't met you,

517
00:27:41,560 --> 00:27:43,360
Speaker 1: l A l a comes out. I've never I've never

518
00:27:43,440 --> 00:27:46,679
Speaker 1: seen none of you guys. We spoke and and then

519
00:27:46,720 --> 00:27:49,159
Speaker 1: if you go to Power ninety six or what was

520
00:27:50,240 --> 00:27:53,960
Speaker 1: one or six? Big Boy was there and they tell me, yo, normal,

521
00:27:53,960 --> 00:27:56,640
Speaker 1: you gotta go upstairs by yourself. So I'm like, all right, cool,

522
00:27:56,840 --> 00:27:59,040
Speaker 1: I got all my niggers downstairs. I'm like, all right, cool,

523
00:27:59,080 --> 00:28:01,919
Speaker 1: I go upstairs by this of it's Snoop, it's dass,

524
00:28:02,080 --> 00:28:09,960
Speaker 1: It's it's fucking Shock ship. I walk into the negas

525
00:28:09,960 --> 00:28:12,960
Speaker 1: like what's But I ain't a lot of you. My nigga,

526
00:28:13,080 --> 00:28:18,879
Speaker 1: my balls, My balls was in my little pinky. It

527
00:28:19,000 --> 00:28:21,400
Speaker 1: was a little baky too, But I acted tough though

528
00:28:21,440 --> 00:28:28,399
Speaker 1: I ain't like I'm not gonna yo. And and and

529
00:28:28,560 --> 00:28:31,560
Speaker 1: that was it was beautiful because my whole point of

530
00:28:31,640 --> 00:28:34,200
Speaker 1: bringing up this whole story is I never ever heard

531
00:28:34,320 --> 00:28:37,760
Speaker 1: Snoop hate on the nigger, never ever in your life,

532
00:28:37,920 --> 00:28:39,720
Speaker 1: not even sure night when he was trying to kill me.

533
00:28:43,440 --> 00:28:45,160
Speaker 1: You want to talk about that all I mean, you know,

534
00:28:45,240 --> 00:28:47,320
Speaker 1: we learned that, we learned to live and forgive. You know,

535
00:28:47,880 --> 00:28:49,800
Speaker 1: me and him got a great relationship now, so we

536
00:28:49,880 --> 00:28:52,400
Speaker 1: could have passed that. And like I say, one thing

537
00:28:52,480 --> 00:28:56,320
Speaker 1: about my life. You know, um, I know what I'm

538
00:28:56,360 --> 00:28:58,360
Speaker 1: here for. I know what I'm called to do. And

539
00:28:58,520 --> 00:29:01,200
Speaker 1: knowing that, knowing that I'm a prophet, knowing that I

540
00:29:01,280 --> 00:29:03,480
Speaker 1: speak the truth, knowing and I got so much to deliver.

541
00:29:04,240 --> 00:29:06,560
Speaker 1: The devil gonna show up in many you know, faces

542
00:29:06,600 --> 00:29:09,240
Speaker 1: and fastest, and he's gonna always comfortable within because he

543
00:29:09,280 --> 00:29:11,000
Speaker 1: could never get to me from the outside. He could

544
00:29:11,040 --> 00:29:13,760
Speaker 1: only get in from the inside. So he's always gonna

545
00:29:13,800 --> 00:29:16,480
Speaker 1: show you that face and he's gonna give you that deception.

546
00:29:16,880 --> 00:29:18,840
Speaker 1: But at the same time as my job to continue

547
00:29:18,880 --> 00:29:21,600
Speaker 1: being me and to educate and elevator, not to try

548
00:29:21,680 --> 00:29:24,080
Speaker 1: to persecute when he down or to kick him when

549
00:29:24,080 --> 00:29:25,960
Speaker 1: he down, with to lift him up. And they gave

550
00:29:26,040 --> 00:29:27,719
Speaker 1: him a spirit of love that he gave me when

551
00:29:27,760 --> 00:29:30,520
Speaker 1: I didn't have a position to be a rapper, to

552
00:29:30,560 --> 00:29:32,680
Speaker 1: be a voice, to be what I am. So I

553
00:29:32,760 --> 00:29:34,719
Speaker 1: always took that in mind. And you know, even when

554
00:29:34,760 --> 00:29:37,000
Speaker 1: I was able to build my team up and be

555
00:29:37,080 --> 00:29:39,040
Speaker 1: strong enough to where I could do something to him,

556
00:29:39,440 --> 00:29:40,880
Speaker 1: I didn't want nothing to happen to him. You know

557
00:29:40,880 --> 00:29:44,240
Speaker 1: what I'm saying. Because what was the worst time during

558
00:29:44,240 --> 00:29:47,480
Speaker 1: the no limit time, no hell nog no limitause he

559
00:29:47,520 --> 00:29:49,760
Speaker 1: wasn't playing. You know what I'm saying that he wanted

560
00:29:49,800 --> 00:29:54,000
Speaker 1: to get at you. Oh he didn't want none, no way.

561
00:29:54,400 --> 00:29:57,760
Speaker 1: Jim Niggas was really no limits soldiers. He wanted he

562
00:29:57,840 --> 00:29:59,800
Speaker 1: wanted to actually when I was in the blind, when

563
00:29:59,840 --> 00:30:02,320
Speaker 1: I and had no help, when I had no team,

564
00:30:02,960 --> 00:30:05,000
Speaker 1: and when he could stack a team. You know, And

565
00:30:05,080 --> 00:30:07,800
Speaker 1: I'm telling this story because people need to know certain

566
00:30:07,880 --> 00:30:09,960
Speaker 1: things about my life. But I went through and what

567
00:30:10,080 --> 00:30:12,560
Speaker 1: I had to persevere and how I stayed strong and

568
00:30:12,640 --> 00:30:15,760
Speaker 1: stayed peace and didn't revert back to what gave me

569
00:30:15,840 --> 00:30:18,080
Speaker 1: a murder a murder case earlier in my career was

570
00:30:18,760 --> 00:30:21,280
Speaker 1: you know, foolishness. As far as I was consigning being

571
00:30:21,320 --> 00:30:24,440
Speaker 1: able to be blessed to get past that, I couldn't

572
00:30:24,520 --> 00:30:28,000
Speaker 1: put myself in that position to do that again. Speake

573
00:30:28,040 --> 00:30:34,880
Speaker 1: some noise for that. Got that so snoop we talked

574
00:30:35,240 --> 00:30:37,320
Speaker 1: and we talked about you on tour right now, we

575
00:30:37,400 --> 00:30:40,800
Speaker 1: talked about that, correct, No, no, no, we didn't get

576
00:30:40,800 --> 00:30:43,000
Speaker 1: a depth in that. So tell us what's go on

577
00:30:43,080 --> 00:30:45,400
Speaker 1: this tour right now? Let's get into that. Well, me

578
00:30:45,480 --> 00:30:48,800
Speaker 1: and where is like my baby brother. So anytime you

579
00:30:48,920 --> 00:30:50,680
Speaker 1: go on the road with somebody that loved you, didn't

580
00:30:50,680 --> 00:30:52,320
Speaker 1: see the footage where he kicked in the guy out

581
00:30:52,360 --> 00:30:54,840
Speaker 1: for smoking a blood man because me and then we

582
00:30:55,040 --> 00:30:57,720
Speaker 1: we we owned that page. We used to do zaggs together.

583
00:30:57,880 --> 00:31:00,760
Speaker 1: We gotta have a blood conversation with him at some point. Man,

584
00:31:04,320 --> 00:31:09,080
Speaker 1: can't wait, give us together? Oh yeah, I can't wait.

585
00:31:10,080 --> 00:31:11,880
Speaker 1: But when he drew the mine, you know, he was

586
00:31:11,960 --> 00:31:14,360
Speaker 1: like he ain't working with it no more. Him and

587
00:31:14,440 --> 00:31:16,840
Speaker 1: two chains and their fifty other niggas Like who you

588
00:31:16,880 --> 00:31:23,680
Speaker 1: want to with? Um? Just me win Kok like groceries. Right, yeah,

589
00:31:23,840 --> 00:31:30,720
Speaker 1: let's make some noise for the bit that eagle. I'm like, So, Snoop,

590
00:31:30,760 --> 00:31:32,560
Speaker 1: you know, you know a foul show. I don't know

591
00:31:32,600 --> 00:31:35,880
Speaker 1: if you know. Shout out to Kevin Gates, to Kevin Gates,

592
00:31:39,080 --> 00:31:42,160
Speaker 1: Katy Dredges, Kevin Gates. He got two phones, So Sloop,

593
00:31:42,200 --> 00:31:45,920
Speaker 1: it's a foul question. It's a foul question, but we

594
00:31:46,080 --> 00:31:48,760
Speaker 1: have to ask everybody this, especially the legend. Go ahead,

595
00:31:49,320 --> 00:31:56,120
Speaker 1: do you he asked, No, never have never win? You know?

596
00:31:57,600 --> 00:32:00,360
Speaker 1: Let you said you did? I said, I'm I'm willing

597
00:32:00,400 --> 00:32:03,320
Speaker 1: to try. Listen to eat the bodies like g series

598
00:32:03,520 --> 00:32:08,600
Speaker 1: has been fantastic. Like I've been thinking that my wife

599
00:32:08,680 --> 00:32:11,280
Speaker 1: was here, remember when he was here? Like, listen, so

600
00:32:11,400 --> 00:32:14,880
Speaker 1: you never ate the booten the ghoceries. No, man, like

601
00:32:15,720 --> 00:32:20,040
Speaker 1: I'm I'm very pleasurable in the bedroom to my wife.

602
00:32:20,200 --> 00:32:21,520
Speaker 1: You know what. I'm staying to where I need to be.

603
00:32:22,240 --> 00:32:25,160
Speaker 1: But as far as like being like over, you know,

604
00:32:25,560 --> 00:32:30,640
Speaker 1: extraordinarily freaky, I'm I have limits. You know what I'm saying, dudes,

605
00:32:30,680 --> 00:32:32,320
Speaker 1: And don't you know what I'm saying, because the Holy

606
00:32:32,400 --> 00:32:33,920
Speaker 1: Wilde do his job, so I don't have to do

607
00:32:34,000 --> 00:32:36,080
Speaker 1: all that. I don't know what he just said, but

608
00:32:36,160 --> 00:32:47,040
Speaker 1: it was a body, So that's listen my man man. No, no, no,

609
00:32:47,080 --> 00:32:50,880
Speaker 1: I'm not going to the story. Do you want me to? No,

610
00:32:52,400 --> 00:32:55,800
Speaker 1: you have to just go first, So s listen. You

611
00:32:55,840 --> 00:33:00,160
Speaker 1: see my man bed, you see his bid? Do you

612
00:33:00,320 --> 00:33:03,840
Speaker 1: die my hair? Do I die my hair? Now? My

613
00:33:03,920 --> 00:33:08,000
Speaker 1: ship stelversion, motherfucker, let me show you. Okay, look, you're

614
00:33:08,040 --> 00:33:10,400
Speaker 1: gonna make him feel mad comfortable. Let's make some noise

615
00:33:10,440 --> 00:33:17,320
Speaker 1: for ef. Somebody else in this game severs. Motherfucker. Okay, snoop,

616
00:33:17,560 --> 00:33:19,960
Speaker 1: I'm sorry because he brought it up. It's only because

617
00:33:20,040 --> 00:33:23,080
Speaker 1: he brought it up. My hairds. You want me to

618
00:33:23,160 --> 00:33:24,960
Speaker 1: wear just for me and for ship. I'm like, I

619
00:33:25,040 --> 00:33:29,120
Speaker 1: don'na with this showing my ship. No different comments. Okay, snoop,

620
00:33:29,200 --> 00:33:31,480
Speaker 1: this is this is a story we ran on this

621
00:33:31,600 --> 00:33:34,480
Speaker 1: podcast way too much. But it's there's the last time,

622
00:33:35,000 --> 00:33:37,000
Speaker 1: the last time each other the story. All right, this

623
00:33:37,200 --> 00:33:38,840
Speaker 1: is my friend. This is the last time you till

624
00:33:38,840 --> 00:33:40,959
Speaker 1: the story. All right. You know you're very serious right now.

625
00:33:42,880 --> 00:33:44,800
Speaker 1: This is the last time each other the story. All right, listen,

626
00:33:45,080 --> 00:33:48,440
Speaker 1: and then I'm gonna smoke your blunt you gave me. Listen, snoop. Okay,

627
00:33:48,760 --> 00:33:50,280
Speaker 1: this is my friend, This is my this is one

628
00:33:50,320 --> 00:33:52,280
Speaker 1: of mym this is one of my closest friends. Right.

629
00:33:52,680 --> 00:33:55,719
Speaker 1: He doesn't think he's petty. I'm petty as a motherfucker, snoop. Right,

630
00:33:57,000 --> 00:33:59,600
Speaker 1: you've been getting money since ninety two. I've been getting

631
00:33:59,600 --> 00:34:02,200
Speaker 1: money so ninety seven great Richard than me. Goddamn, it

632
00:34:02,240 --> 00:34:06,400
Speaker 1: makes a noise for you being rich. But this is

633
00:34:06,480 --> 00:34:09,560
Speaker 1: my friend, right, he doesn't think he's petty, Okay? His

634
00:34:09,800 --> 00:34:17,560
Speaker 1: girl x X girl went to the Cisco video, right, okay?

635
00:34:17,680 --> 00:34:32,440
Speaker 1: That was yeah. Listen, I want you to ask because

636
00:34:32,719 --> 00:34:35,719
Speaker 1: fifty fifty already agree with me, right, but I want

637
00:34:35,719 --> 00:34:37,560
Speaker 1: to see if you agree with me. He doesn't think

638
00:34:37,600 --> 00:34:40,880
Speaker 1: he's petty. I said that he's petty, all right. His

639
00:34:41,120 --> 00:34:46,320
Speaker 1: girl went to the thong. Excuse me, the thong was

640
00:34:46,719 --> 00:34:49,920
Speaker 1: she was going to the thong and she asked them,

641
00:34:50,040 --> 00:34:54,640
Speaker 1: she said, she told him, I'm going to story. I'm sorry, snoop,

642
00:34:54,640 --> 00:34:58,080
Speaker 1: I'm playing with the facts, okay, drum facts. So he

643
00:34:58,239 --> 00:35:01,520
Speaker 1: found out his girl's going to the Cisco video and

644
00:35:01,800 --> 00:35:04,880
Speaker 1: he cut off. Was he petty? Or was he right?

645
00:35:05,840 --> 00:35:10,200
Speaker 1: That's petty? Don't he told the wrong story? He told me.

646
00:35:10,640 --> 00:35:12,200
Speaker 1: Now you want me to tell you the other videos

647
00:35:12,280 --> 00:35:16,360
Speaker 1: she went to? Which one? Everybody fucking me? Come on?

648
00:35:16,440 --> 00:35:26,640
Speaker 1: Come on, come on. She also went to the okay,

649
00:35:26,760 --> 00:35:34,680
Speaker 1: come on video? So who do you want? Okay? And

650
00:35:34,800 --> 00:35:38,600
Speaker 1: now doing all this process. He texted me the other

651
00:35:38,719 --> 00:35:41,200
Speaker 1: day and he said she also went to come on

652
00:35:44,200 --> 00:35:52,399
Speaker 1: your video? Right? He cut it off, Earli, He didn't

653
00:35:52,400 --> 00:35:54,960
Speaker 1: make the right decisions. He did because she, as you

654
00:35:55,040 --> 00:35:57,560
Speaker 1: can see her track record prove that she was moving

655
00:35:57,640 --> 00:36:02,320
Speaker 1: her way up to a Snoop Dogg video. Hold on,

656
00:36:02,800 --> 00:36:07,160
Speaker 1: if she was, and she would have made it a

657
00:36:07,239 --> 00:36:10,080
Speaker 1: Scoop Doog video, they got dick down. Let's just keep

658
00:36:10,080 --> 00:36:17,800
Speaker 1: it because behind door number one there's one day exactly

659
00:36:18,040 --> 00:36:22,239
Speaker 1: I knew that I was out. Let's make some noise

660
00:36:22,280 --> 00:36:25,879
Speaker 1: for EF and not care about you know what, because

661
00:36:26,120 --> 00:36:27,880
Speaker 1: I'm thinking about the player right which was told to

662
00:36:27,920 --> 00:36:30,399
Speaker 1: me a long time ago. It's not about how hard

663
00:36:30,960 --> 00:36:33,239
Speaker 1: or hard tough your heart is, because your heart could

664
00:36:33,239 --> 00:36:35,239
Speaker 1: be broken when you were playing. You gotta have a

665
00:36:35,320 --> 00:36:37,360
Speaker 1: stomach for this ship did You'll be able to do

666
00:36:37,480 --> 00:36:39,319
Speaker 1: anything if you've got a tough stomach. So make sure

667
00:36:39,360 --> 00:36:41,000
Speaker 1: you're tied up on your stomach because you've a funk

668
00:36:41,000 --> 00:36:44,640
Speaker 1: about your heart. So let's let's just break that down.

669
00:36:44,719 --> 00:36:47,839
Speaker 1: Because one of the last times I've seen you wasn

670
00:36:48,000 --> 00:36:51,440
Speaker 1: Bishop don Jong crib let me. You want me remind you?

671
00:36:52,239 --> 00:36:54,799
Speaker 1: Was it? Was it the Man Show? He was doing

672
00:36:54,880 --> 00:36:59,759
Speaker 1: the Man Jimmy Yes, and I can look for Jimmy Kimber.

673
00:36:59,920 --> 00:37:02,480
Speaker 1: Was Jimmy Kimble. He was a little nigga back. Yeah,

674
00:37:02,520 --> 00:37:10,239
Speaker 1: he was a little he was. He was the passenger seat.

675
00:37:10,719 --> 00:37:13,400
Speaker 1: He was still dinting homebirl Superman. No, he didn't even know.

676
00:37:13,480 --> 00:37:19,080
Speaker 1: The bitch was nothing man and um what happened was

677
00:37:19,560 --> 00:37:23,160
Speaker 1: I went to sea school. It was some crazy ship

678
00:37:23,239 --> 00:37:25,520
Speaker 1: in New York. And then we went and I went

679
00:37:25,560 --> 00:37:27,279
Speaker 1: to l A and he said, you're come to the

680
00:37:27,360 --> 00:37:30,080
Speaker 1: Bishop crib and Bishop Man already gave me a famous

681
00:37:30,120 --> 00:37:33,960
Speaker 1: player car. I'm not gonna lie. From the story of

682
00:37:34,040 --> 00:37:36,200
Speaker 1: your girl, I can tell you never got a fas player.

683
00:37:37,840 --> 00:37:41,200
Speaker 1: I love you, Come on let me, but it's a

684
00:37:41,239 --> 00:37:43,680
Speaker 1: famous player call. It's a gold car with a serial

685
00:37:43,800 --> 00:37:47,840
Speaker 1: number that yeah to you and you only I and

686
00:37:47,960 --> 00:37:51,040
Speaker 1: I had that. Let's make some noise for me having

687
00:37:51,040 --> 00:37:57,600
Speaker 1: to And the last time I see you wasing Bishop

688
00:37:57,719 --> 00:38:01,040
Speaker 1: on crib, you invited me, and I'm not gonna lie.

689
00:38:01,160 --> 00:38:05,120
Speaker 1: That's the only time, because see I'm I'm a rose guy.

690
00:38:05,400 --> 00:38:08,759
Speaker 1: I'm a and that's the only times don't want He

691
00:38:08,840 --> 00:38:13,440
Speaker 1: has so much champagne, more wet, more wet, Oh my god,

692
00:38:13,800 --> 00:38:15,600
Speaker 1: the king of more away. He was buying the mind

693
00:38:16,760 --> 00:38:19,000
Speaker 1: a case and get like, yeah, that's when we had

694
00:38:19,040 --> 00:38:20,959
Speaker 1: a little homie that was getting at and I'm gonna

695
00:38:20,960 --> 00:38:23,480
Speaker 1: be honest. That's the only time I thought in my

696
00:38:23,640 --> 00:38:25,640
Speaker 1: mind I smoked you out because you quit at the

697
00:38:25,680 --> 00:38:28,880
Speaker 1: one point you don't remember. Okay, let's make some noise.

698
00:38:28,880 --> 00:38:35,359
Speaker 1: I didn't give me New York And it was second time. Yeah, yeah, yeah,

699
00:38:35,400 --> 00:38:38,440
Speaker 1: because I ain't gonna lie. Slooper was looking at me like,

700
00:38:38,680 --> 00:38:41,600
Speaker 1: because you you you, you don't have to buy no more.

701
00:38:41,680 --> 00:38:44,600
Speaker 1: And I bought every weed, everything that had weed. And

702
00:38:44,680 --> 00:38:46,879
Speaker 1: then and it was doing a show called The Man Show.

703
00:38:47,000 --> 00:38:51,359
Speaker 1: It was The Man Show, That's what it was. Jimmy Kim. Yeah,

704
00:38:51,640 --> 00:38:56,719
Speaker 1: I was there with my brother and your noy. Buying

705
00:38:56,760 --> 00:38:59,160
Speaker 1: tickets online for sports and contents has been a confusing

706
00:38:59,200 --> 00:39:01,719
Speaker 1: process for a long long time. Today, it's always been

707
00:39:01,760 --> 00:39:03,600
Speaker 1: hard to find the best deals for the gamer show

708
00:39:03,680 --> 00:39:05,479
Speaker 1: you want to go to, and none of these older

709
00:39:05,520 --> 00:39:08,160
Speaker 1: ticket sites want to change something. But See Geek is different.

710
00:39:08,760 --> 00:39:11,920
Speaker 1: They came a long way and created amazing app and

711
00:39:12,040 --> 00:39:14,120
Speaker 1: website that makes it easier for the fans to buy

712
00:39:14,160 --> 00:39:16,520
Speaker 1: and sell tickets. It's the first place I go to

713
00:39:16,800 --> 00:39:19,960
Speaker 1: when I want to see my amazing polygraph friends. You

714
00:39:20,040 --> 00:39:22,399
Speaker 1: feel that it goes straight to seek Geek and they'd

715
00:39:22,440 --> 00:39:24,080
Speaker 1: be doing it up like how they're supposed to do?

716
00:39:24,160 --> 00:39:26,200
Speaker 1: What up at all? Didn't didn't you use it for

717
00:39:26,280 --> 00:39:28,360
Speaker 1: the Snoop concert? I use it for the Snoop concert.

718
00:39:28,480 --> 00:39:30,440
Speaker 1: I use it for the Amber Rolls talk show, and

719
00:39:30,520 --> 00:39:33,239
Speaker 1: I use it for Jenny Jones. And you know what

720
00:39:33,280 --> 00:39:35,360
Speaker 1: I mean when it was popping back down. You Seek

721
00:39:35,520 --> 00:39:38,560
Speaker 1: does all the price comparison for you, searching multiple ticket

722
00:39:38,600 --> 00:39:40,880
Speaker 1: sites and ensuring that you get the best possible deal.

723
00:39:41,400 --> 00:39:44,000
Speaker 1: Seeking does all the work, and you save time and money.

724
00:39:44,200 --> 00:39:46,560
Speaker 1: You immediately see the under priced seats and be able

725
00:39:46,600 --> 00:39:49,160
Speaker 1: to find the best deals to fit your budget. And

726
00:39:49,360 --> 00:39:51,719
Speaker 1: you know to our listeners they're given away twenty dollar

727
00:39:51,800 --> 00:39:54,360
Speaker 1: rebate and you know with U what is it? We

728
00:39:54,400 --> 00:39:57,200
Speaker 1: gotta we gotta promo code were drink Chance Army. If

729
00:39:57,280 --> 00:39:59,919
Speaker 1: you download the sea Ki app, one of the settings sad,

730
00:40:00,040 --> 00:40:03,600
Speaker 1: click out of promo, enter promo code drink Champs. That's

731
00:40:03,640 --> 00:40:06,560
Speaker 1: d R I N K C H A MPs. In

732
00:40:06,719 --> 00:40:09,479
Speaker 1: case you're buzzed right now, see will send you twenty

733
00:40:09,560 --> 00:40:12,320
Speaker 1: lollars after you've made your first ticket purchase, and you

734
00:40:12,400 --> 00:40:14,600
Speaker 1: can take that twenty dollars and get more of a bus.

735
00:40:14,719 --> 00:40:21,719
Speaker 1: Let's make some noise for that makes the Welcome to

736
00:40:21,840 --> 00:40:25,799
Speaker 1: play a new podcast network featuring radio and TV personalities

737
00:40:25,920 --> 00:40:29,759
Speaker 1: talking business, sports, tech, entertainment, and more. Play it at

738
00:40:29,840 --> 00:40:34,480
Speaker 1: play dot It. We're back to Drink Champs Radio with

739
00:40:34,719 --> 00:40:37,360
Speaker 1: Rapper n R E and d J e f N.

740
00:40:39,320 --> 00:40:43,759
Speaker 1: Let's just take it back your first out. I'm gonna

741
00:40:43,800 --> 00:40:50,640
Speaker 1: be honest. We loved in w A so much in

742
00:40:50,760 --> 00:40:52,520
Speaker 1: the East Coast. Now I'm gonna speak from a New

743
00:40:52,600 --> 00:40:54,560
Speaker 1: York perspective as the e f N. I would love

744
00:40:54,600 --> 00:40:59,279
Speaker 1: to speak from Miami perspective, but we loved n w

745
00:40:59,480 --> 00:41:02,120
Speaker 1: A so much. And then when the police had came

746
00:41:02,160 --> 00:41:04,800
Speaker 1: out and the ship was happening, and didn't remember the

747
00:41:04,880 --> 00:41:09,640
Speaker 1: first cop ever killed was in Queens with Fat Cat

748
00:41:09,719 --> 00:41:12,880
Speaker 1: and Patti Mason the parole officer. The first cop that

749
00:41:12,960 --> 00:41:17,640
Speaker 1: ever got killed was in Queens, the contrary to popular belief,

750
00:41:17,680 --> 00:41:20,480
Speaker 1: would ever be And then the police came out and

751
00:41:20,680 --> 00:41:23,319
Speaker 1: and I'm gonna just speak for me for me when

752
00:41:23,360 --> 00:41:26,319
Speaker 1: that first time I heard first first time I had

753
00:41:26,480 --> 00:41:31,640
Speaker 1: straight out of Compton. I was scared of Compton because

754
00:41:31,920 --> 00:41:35,840
Speaker 1: I thought Compton was a jail. Because I remember the

755
00:41:36,239 --> 00:41:40,239
Speaker 1: last time I heard something was Raker's Island and they

756
00:41:40,360 --> 00:41:44,719
Speaker 1: symbolized Racer's Island from uh cooji wrap. So when I

757
00:41:44,800 --> 00:41:47,279
Speaker 1: heard straight out of Compton, I thought these things was

758
00:41:47,360 --> 00:41:50,759
Speaker 1: talking about jail right, this is real ship, this is

759
00:41:50,800 --> 00:41:53,200
Speaker 1: my own personal life. I'm not speaking for the East Coast.

760
00:41:53,239 --> 00:41:59,280
Speaker 1: I'm speaking for me. And then we got to realize

761
00:41:59,640 --> 00:42:02,440
Speaker 1: what w A was and the n W and did

762
00:42:02,520 --> 00:42:05,200
Speaker 1: we realized gang banging. We realized this, this was something

763
00:42:05,239 --> 00:42:10,680
Speaker 1: totally different, and then it disappeared for quite some time,

764
00:42:12,239 --> 00:42:16,120
Speaker 1: and then all of a sudden, it's this record called

765
00:42:16,200 --> 00:42:22,759
Speaker 1: deep Cover. Mm hmmm, classic. How How did I don't know?

766
00:42:22,960 --> 00:42:24,279
Speaker 1: Just take it from there for me? This is the

767
00:42:24,440 --> 00:42:28,279
Speaker 1: blunt you roll for me, because I'm I'm smoking deep

768
00:42:28,360 --> 00:42:31,759
Speaker 1: Cover was. It was a situation where we was in

769
00:42:32,200 --> 00:42:34,440
Speaker 1: you remember the time period I'm talking about. What I'm

770
00:42:34,440 --> 00:42:37,360
Speaker 1: talking about where n w A And then you just

771
00:42:37,800 --> 00:42:39,480
Speaker 1: burst out of nowhere, and I wanted you to take

772
00:42:39,520 --> 00:42:41,359
Speaker 1: it from there our apologize. I don't want to cut

773
00:42:41,440 --> 00:42:44,320
Speaker 1: you off. They killing me for this. It wasn't like nowhere.

774
00:42:44,320 --> 00:42:47,120
Speaker 1: It was like I was on the sideline watching in

775
00:42:47,400 --> 00:42:50,800
Speaker 1: w Ain't getting ready getting my ship together before I

776
00:42:50,920 --> 00:42:54,000
Speaker 1: let you go. Now in the movie, it was like

777
00:42:54,120 --> 00:42:56,480
Speaker 1: you just walked in the crib and deep Cover was playing.

778
00:42:56,640 --> 00:42:59,040
Speaker 1: Was that like, did that happen in real life? We

779
00:42:59,160 --> 00:43:02,080
Speaker 1: just walked in the crib a deep couple in the

780
00:43:02,160 --> 00:43:06,239
Speaker 1: studio in the movie. That's how it was predicted. Well,

781
00:43:06,320 --> 00:43:08,680
Speaker 1: some some of the movie was you know, of course

782
00:43:08,880 --> 00:43:12,480
Speaker 1: made to be a movie, but life actuality. You know,

783
00:43:13,080 --> 00:43:15,680
Speaker 1: there was a scenario where we were staying with Dre

784
00:43:15,760 --> 00:43:18,439
Speaker 1: at his house, the same little house that you're seeing

785
00:43:18,480 --> 00:43:20,120
Speaker 1: it in w Ware where you know what the g

786
00:43:20,320 --> 00:43:23,000
Speaker 1: things saying was, well, he didn't have no furniture. It

787
00:43:23,080 --> 00:43:26,600
Speaker 1: was just a studio. And one morning he was on

788
00:43:26,719 --> 00:43:29,439
Speaker 1: his way to gonna work out, and before he left

789
00:43:29,480 --> 00:43:30,880
Speaker 1: he was like he put his beat up and he

790
00:43:31,000 --> 00:43:33,080
Speaker 1: was like, I need you to write something to a

791
00:43:33,200 --> 00:43:35,759
Speaker 1: sugar on courting and tell you what it's about. So

792
00:43:35,880 --> 00:43:38,480
Speaker 1: when he leaves, suld call me about an hour later

793
00:43:38,480 --> 00:43:41,319
Speaker 1: and he liked, Doggie dog Um. I got these people

794
00:43:41,360 --> 00:43:44,200
Speaker 1: on the phone from Sony. It's it's a movie called

795
00:43:44,239 --> 00:43:46,560
Speaker 1: deep Cover. It's about an undercover police officer. I need

796
00:43:46,600 --> 00:43:50,880
Speaker 1: you to freestyle for about you know, seconds, and then

797
00:43:50,920 --> 00:43:52,920
Speaker 1: I want you to you know, cut it off, cut

798
00:43:53,000 --> 00:43:55,200
Speaker 1: it off, like you're cutting it down and I'm gonna

799
00:43:55,239 --> 00:43:56,680
Speaker 1: just tell you I'm gonna call you back. I'm like,

800
00:43:56,719 --> 00:43:59,200
Speaker 1: all right, cool, So he called me back. I put

801
00:43:59,239 --> 00:44:00,719
Speaker 1: the beat on. He like, I got him on the phone,

802
00:44:00,800 --> 00:44:03,120
Speaker 1: let him here. So I started busting a little bit,

803
00:44:03,239 --> 00:44:04,800
Speaker 1: busting a little bit, busting a little bit, and I

804
00:44:04,920 --> 00:44:07,120
Speaker 1: turn it down like he's like, we're gonna call you

805
00:44:07,200 --> 00:44:09,479
Speaker 1: all back. Boom, he called me back. He's like, Nigga

806
00:44:09,560 --> 00:44:12,640
Speaker 1: writes the song. It's about an undercover police officer. It's

807
00:44:12,680 --> 00:44:15,640
Speaker 1: called Deep Color Cold. So I write the whole song,

808
00:44:16,760 --> 00:44:19,719
Speaker 1: Drake come back. He listened to what he's like on

809
00:44:19,880 --> 00:44:22,880
Speaker 1: what he like it, um like Nigga would fucking So

810
00:44:23,000 --> 00:44:25,640
Speaker 1: we ended up saying this ship this Nigga don't like it.

811
00:44:25,719 --> 00:44:29,759
Speaker 1: He hates the record. So he laid down. We do

812
00:44:29,880 --> 00:44:32,160
Speaker 1: our ship. He put his little twist on it. A

813
00:44:32,239 --> 00:44:35,680
Speaker 1: couple of weeks later, Nigga tell me, yeah, we're gonna

814
00:44:35,800 --> 00:44:39,439
Speaker 1: um do a photo shoot. Come pick up a couple

815
00:44:39,560 --> 00:44:41,040
Speaker 1: hundred dollars. So they give me like two or three

816
00:44:41,080 --> 00:44:43,399
Speaker 1: hundred dollars. I'll go to the swap me by White

817
00:44:43,440 --> 00:44:45,920
Speaker 1: Sex High White Sox had was this swap me on

818
00:44:46,080 --> 00:44:48,680
Speaker 1: Slawson and Crunch. No I went to comptence. Wat Me

819
00:44:50,120 --> 00:44:53,200
Speaker 1: from Long Beach Compton was closer, So I went to

820
00:44:53,440 --> 00:44:55,320
Speaker 1: to the comptence while I mean it, bought the outfit

821
00:44:55,440 --> 00:44:57,279
Speaker 1: that I had on, thinking it was gonna be a

822
00:44:57,360 --> 00:44:59,279
Speaker 1: photo shoot. Then when I get there, Niggas is like

823
00:45:00,080 --> 00:45:02,120
Speaker 1: you nigs like okay, and the first scene is I'm

824
00:45:02,160 --> 00:45:03,920
Speaker 1: like and the last time you spoke to him, he

825
00:45:04,000 --> 00:45:07,319
Speaker 1: said he hated it. He hate the record to this day.

826
00:45:07,600 --> 00:45:13,600
Speaker 1: Oh my god, don't we only performed that record probably

827
00:45:13,840 --> 00:45:17,839
Speaker 1: ten times my whole life. I got it one time

828
00:45:18,760 --> 00:45:22,160
Speaker 1: the fun He don't never be that. He don't like

829
00:45:22,320 --> 00:45:25,040
Speaker 1: that record, like that's not one of his and he

830
00:45:25,080 --> 00:45:27,520
Speaker 1: don't understand that that record, like you said, that's the

831
00:45:27,640 --> 00:45:31,480
Speaker 1: birth of that of the rebirth because me as a

832
00:45:31,640 --> 00:45:37,120
Speaker 1: child in New York, that was our ship. Like we

833
00:45:37,400 --> 00:45:40,480
Speaker 1: kind of in my era, we kind of related to

834
00:45:40,680 --> 00:45:44,239
Speaker 1: n w Ay more than what African bambaba. And the

835
00:45:44,320 --> 00:45:46,880
Speaker 1: next claim was the one at that time like I

836
00:45:47,040 --> 00:45:49,560
Speaker 1: kind of identify with l A l A. I'm excuse

837
00:45:49,640 --> 00:45:52,880
Speaker 1: me what l A music? Other n ways more me.

838
00:45:53,080 --> 00:45:55,080
Speaker 1: I'm just saying me, I can't claim the East Coat

839
00:45:55,200 --> 00:45:57,640
Speaker 1: right now. I got to claim me. And then that

840
00:45:58,000 --> 00:46:02,239
Speaker 1: that that that tension was, that attention was voided. But

841
00:46:02,320 --> 00:46:04,760
Speaker 1: then out the blue comes to this deep Cover record

842
00:46:04,800 --> 00:46:07,839
Speaker 1: because that was big on the East Coast. Deep Cover huge. Listen,

843
00:46:08,160 --> 00:46:10,799
Speaker 1: I'm telling you, I know it's bigger in New York

844
00:46:10,880 --> 00:46:13,719
Speaker 1: than it Wasn't that like, it wasn't really that big

845
00:46:13,880 --> 00:46:19,000
Speaker 1: that I'm telling you to this day, this seventeen thousand

846
00:46:19,239 --> 00:46:23,000
Speaker 1: remakes of deep Cover in New York right now, I

847
00:46:23,120 --> 00:46:25,520
Speaker 1: believe it, like I'm telling that record was to say,

848
00:46:25,560 --> 00:46:28,200
Speaker 1: that's the first record that I was ever on. So

849
00:46:28,760 --> 00:46:31,520
Speaker 1: you gotta understand when the story getting big. You know,

850
00:46:31,640 --> 00:46:34,239
Speaker 1: people were telling me, man that record, and that's when

851
00:46:34,320 --> 00:46:37,920
Speaker 1: your MTV raps motherfucking five five Freddy, and then they

852
00:46:38,000 --> 00:46:43,280
Speaker 1: had Drake and Dr Drake and we made the motherfucking

853
00:46:43,360 --> 00:46:46,479
Speaker 1: countdown Nigger. That's when I knew it was popping because

854
00:46:46,680 --> 00:46:50,239
Speaker 1: if you get on the count down, count that was different. Man,

855
00:46:50,360 --> 00:46:52,160
Speaker 1: knock it off, if you get on the countdown over

856
00:46:52,200 --> 00:46:55,560
Speaker 1: there on the East because it wasn't number dodds in fact,

857
00:46:55,680 --> 00:47:00,239
Speaker 1: videos a P M. D. It was nigga, nigga. It

858
00:47:00,440 --> 00:47:03,960
Speaker 1: was all heat nigger legends. There wasn't no new booties,

859
00:47:04,040 --> 00:47:07,080
Speaker 1: wasn't popping back so when the deep cover, when a

860
00:47:07,160 --> 00:47:09,920
Speaker 1: deep cover record actually hit, did you knew you was

861
00:47:10,360 --> 00:47:12,879
Speaker 1: about to be a star or that wasn't the moment yet?

862
00:47:13,040 --> 00:47:16,759
Speaker 1: When was the moment that you knew, Like, Nigga, I

863
00:47:16,920 --> 00:47:19,279
Speaker 1: made the cause in the movie, in the movie, right,

864
00:47:19,719 --> 00:47:22,239
Speaker 1: let's just let's just knock this out because I'm gonna

865
00:47:22,280 --> 00:47:24,240
Speaker 1: be honest. When I looked at it in the movie

866
00:47:24,440 --> 00:47:27,120
Speaker 1: and I looked when you walked in and show the

867
00:47:27,239 --> 00:47:29,040
Speaker 1: night jumped up and I was like, told us new

868
00:47:29,040 --> 00:47:30,359
Speaker 1: to get out of here. And he was like, na,

869
00:47:30,680 --> 00:47:33,200
Speaker 1: I like to be because I said, that's fake. That's

870
00:47:33,239 --> 00:47:37,120
Speaker 1: not snoop because I know you. That wasn't fake the

871
00:47:37,160 --> 00:47:39,239
Speaker 1: way we when we met that so he told you

872
00:47:39,360 --> 00:47:42,040
Speaker 1: to lead a studio. And when we when we the

873
00:47:42,120 --> 00:47:45,840
Speaker 1: first time we made contact was tension. Oh you know

874
00:47:45,880 --> 00:47:49,280
Speaker 1: what I'm saying, because it was like because he blood

875
00:47:49,360 --> 00:47:52,719
Speaker 1: so so you walked in the studio, wored me and

876
00:47:52,800 --> 00:47:57,399
Speaker 1: Warrang warrangy bro, that was wrang okay, that was wrange Okay.

877
00:47:57,440 --> 00:48:01,319
Speaker 1: So Warrang brings me into the studio and he right here,

878
00:48:01,400 --> 00:48:03,120
Speaker 1: he don't know who I am, and I'm talking the

879
00:48:03,200 --> 00:48:05,600
Speaker 1: way I'm talking, and he says something about the way

880
00:48:05,640 --> 00:48:07,320
Speaker 1: I'm talking, and I'm like, when nigga, who is you?

881
00:48:07,520 --> 00:48:09,799
Speaker 1: And he's like, well, hold on, and it's like Drake

882
00:48:09,920 --> 00:48:12,880
Speaker 1: like wait a minute, He's like he here to do music.

883
00:48:13,239 --> 00:48:15,520
Speaker 1: And then they put the music on and then when

884
00:48:15,520 --> 00:48:18,279
Speaker 1: the music come on, the nigga start busting. You know,

885
00:48:18,400 --> 00:48:21,120
Speaker 1: one plus one equls two. I'm the company this to artist.

886
00:48:21,200 --> 00:48:22,719
Speaker 1: Let me go ahead, get a relationship. I like this

887
00:48:22,800 --> 00:48:25,439
Speaker 1: nigga because he got hard. I like this nigga because

888
00:48:25,440 --> 00:48:27,480
Speaker 1: this nigga hard. So it was like it was like

889
00:48:27,600 --> 00:48:30,000
Speaker 1: I said, still sharp and still there wasn't no busters,

890
00:48:30,040 --> 00:48:32,640
Speaker 1: but no punks, wasn't no no ween. He's no bound

891
00:48:32,719 --> 00:48:35,800
Speaker 1: down or none of that. I ain't gonna lie. That

892
00:48:35,960 --> 00:48:38,399
Speaker 1: ship just made my day. Just now make some noise.

893
00:48:42,360 --> 00:48:44,800
Speaker 1: When I seemed that, I said, there, but you know

894
00:48:44,960 --> 00:48:48,120
Speaker 1: what you're talking about the beginning of your career. Yeah,

895
00:48:48,600 --> 00:48:51,440
Speaker 1: they don't have nothing loose. Wow, I'm trying to get

896
00:48:51,480 --> 00:48:53,120
Speaker 1: in one fitting, you know what I'm saying. It's like

897
00:48:53,239 --> 00:48:56,000
Speaker 1: I wasn't trying to be extra out, but at the

898
00:48:56,080 --> 00:48:58,600
Speaker 1: same time, I'm trying to get in one fitting. I'm

899
00:48:58,640 --> 00:49:00,640
Speaker 1: here to do some rapping. Nigga, don't try to check me,

900
00:49:00,760 --> 00:49:02,799
Speaker 1: nigga when I'm here to I'm asked to be here,

901
00:49:03,600 --> 00:49:06,080
Speaker 1: Nigga want me to be here. So the first record

902
00:49:06,200 --> 00:49:09,239
Speaker 1: Yeah ever worked on was the Chronic. The first song

903
00:49:09,360 --> 00:49:16,800
Speaker 1: we ever worked on was g Thing. He gave me

904
00:49:16,920 --> 00:49:33,160
Speaker 1: the beat, go doom doom, doom, boom boom that beat,

905
00:49:33,400 --> 00:49:35,160
Speaker 1: and I took it to my house. I was, I

906
00:49:35,200 --> 00:49:36,600
Speaker 1: didn't even have a house. I was staying with my

907
00:49:36,880 --> 00:49:40,040
Speaker 1: my cousin on tenth and Lawn, me dads and about

908
00:49:40,120 --> 00:49:43,279
Speaker 1: seven her kids. So I wrote that motherfuck on tenth

909
00:49:43,320 --> 00:49:46,520
Speaker 1: and Lawn, took it back to the studio. He liked it.

910
00:49:47,520 --> 00:49:50,319
Speaker 1: Ended up going to jail for three months. I had

911
00:49:50,360 --> 00:49:54,200
Speaker 1: to wait, and when I got out, recorded it, recorded

912
00:49:54,280 --> 00:49:57,239
Speaker 1: that song. Then the deep cover situation happened. Okay, hold on,

913
00:49:57,520 --> 00:49:59,440
Speaker 1: you went to jail for three months. That means you

914
00:49:59,560 --> 00:50:02,400
Speaker 1: was patty. We need we need to know what what

915
00:50:02,560 --> 00:50:04,239
Speaker 1: what petty ship you did to go to jail for

916
00:50:04,360 --> 00:50:08,080
Speaker 1: three less? Alright, I was on probation run okay, joint

917
00:50:08,120 --> 00:50:12,680
Speaker 1: the stitching probable. He was already on already need to

918
00:50:12,680 --> 00:50:17,560
Speaker 1: get on, and I was. I was selling cocaine now recovering.

919
00:50:17,760 --> 00:50:23,319
Speaker 1: Let's fast forward back have ain't drug. Goddamnit. It makes

920
00:50:23,320 --> 00:50:28,080
Speaker 1: a noise, sloop. Let's pick up hold on, hold, let's

921
00:50:28,080 --> 00:50:29,840
Speaker 1: pick up the best buy liquors. Man. You know what

922
00:50:29,840 --> 00:50:33,680
Speaker 1: I'm saying. Let me let you think it's got me

923
00:50:33,800 --> 00:50:38,520
Speaker 1: drinking with Joe Snoop man, it's it's no way we

924
00:50:38,560 --> 00:50:40,400
Speaker 1: can repay you. I also want to pick up my

925
00:50:40,480 --> 00:50:42,600
Speaker 1: boy farm assist. Man. You know what I mean. He

926
00:50:42,640 --> 00:50:45,719
Speaker 1: got the plug at the Tetra High dro Club, but

927
00:50:45,840 --> 00:50:48,359
Speaker 1: I had Snoop. Please finish that story, please, what we're

928
00:50:48,360 --> 00:50:52,320
Speaker 1: talking about. I'm so fucked up too. I just go, oh, no,

929
00:50:52,640 --> 00:50:55,200
Speaker 1: why he was petty for going to jail for okay, yeah, yeah,

930
00:50:55,239 --> 00:50:59,640
Speaker 1: three months ex recovering ex drug jeller. Right. So now

931
00:50:59,760 --> 00:51:03,919
Speaker 1: this time, I'm I'm on probation, right, so I'm working

932
00:51:03,960 --> 00:51:06,800
Speaker 1: with Dr Dre. My probation officer know what's happening, but

933
00:51:06,960 --> 00:51:09,120
Speaker 1: he don't know what's happening because I'm nothing came out.

934
00:51:09,120 --> 00:51:12,000
Speaker 1: I'm talking about. He was working with Dr Dre on parole.

935
00:51:12,160 --> 00:51:15,560
Speaker 1: Let's make some noise for him. Yeah that and this

936
00:51:15,719 --> 00:51:17,560
Speaker 1: is when this is down, you know, this is when

937
00:51:17,640 --> 00:51:21,520
Speaker 1: Drey was leaving Ruthless records are trying to figure out

938
00:51:21,600 --> 00:51:23,839
Speaker 1: what he was. Don't do you get what I'm saying.

939
00:51:23,840 --> 00:51:26,880
Speaker 1: So it's that stage right there. So now I'm working

940
00:51:26,960 --> 00:51:29,399
Speaker 1: with Dre and doing my thing with him, writing behind

941
00:51:29,480 --> 00:51:31,360
Speaker 1: the scenes, trying to create whatever we're gonna create. We

942
00:51:31,400 --> 00:51:33,400
Speaker 1: didn't even call it Death Roll records. We call Future

943
00:51:33,440 --> 00:51:37,920
Speaker 1: Shock Records. Right now, So I got after after Math, No,

944
00:51:38,200 --> 00:51:42,720
Speaker 1: this is before this, after Rufe when he leaves Ruthless,

945
00:51:42,920 --> 00:51:46,479
Speaker 1: before y'all hear about the conflict with him and easy.

946
00:51:46,600 --> 00:51:48,120
Speaker 1: This is when they're trying to figure out how he

947
00:51:48,200 --> 00:51:52,759
Speaker 1: gonna leave. He didn't even left yet. He trying to

948
00:51:52,840 --> 00:51:55,279
Speaker 1: figure out how the fun he gonna leave. So now

949
00:51:55,360 --> 00:51:58,680
Speaker 1: I'm on probation. So now I got a toothache. So

950
00:51:59,680 --> 00:52:02,279
Speaker 1: I ain't got no money to go to Dennis. So

951
00:52:02,440 --> 00:52:05,880
Speaker 1: my auntie, she's appeal lady. So she gave me Cody

952
00:52:06,120 --> 00:52:09,000
Speaker 1: and some other ship. Hold on time about the pell lady. Yeah,

953
00:52:09,120 --> 00:52:19,200
Speaker 1: she got everything everything, everything, she got burger es and

954
00:52:19,400 --> 00:52:28,439
Speaker 1: two bells. That's what was Luke Kimia everything, she got everything, man,

955
00:52:30,640 --> 00:52:32,680
Speaker 1: So she gave me this TV couple of things. I

956
00:52:32,760 --> 00:52:35,000
Speaker 1: take them around. I'm good. I'm like, WHOA, So I

957
00:52:35,080 --> 00:52:37,839
Speaker 1: go pee in the bottle, not knowing that I'm gonna

958
00:52:37,880 --> 00:52:40,520
Speaker 1: test dirty because these are prescribed drugs that have not

959
00:52:40,640 --> 00:52:43,759
Speaker 1: been prescribed to me. So when I give my test

960
00:52:43,840 --> 00:52:46,320
Speaker 1: back to probation officer, like, you know, Mr Brodess, you

961
00:52:46,360 --> 00:52:48,640
Speaker 1: got a dirty test. I know you ain't doing no

962
00:52:48,800 --> 00:52:51,759
Speaker 1: cocaine because it ain't cocaine. You know, because I'm I'm

963
00:52:51,880 --> 00:52:55,880
Speaker 1: as drug offender, as a register as a drug offender.

964
00:52:55,960 --> 00:52:57,600
Speaker 1: Now you can't be around in none of that ship.

965
00:52:57,719 --> 00:53:01,040
Speaker 1: So he says, it says that you have colin. What happened?

966
00:53:01,040 --> 00:53:02,440
Speaker 1: I said, man, I had a toothing. He like, well,

967
00:53:02,440 --> 00:53:04,120
Speaker 1: I'm gonna take you to the judge and see what

968
00:53:04,160 --> 00:53:06,960
Speaker 1: the judge say. The judge was like, you violated three

969
00:53:07,040 --> 00:53:12,239
Speaker 1: months off I go in the middle of getting my

970
00:53:12,320 --> 00:53:15,280
Speaker 1: career started and hoping that Dre don't be like funking

971
00:53:15,360 --> 00:53:17,520
Speaker 1: this nigga going to jail. I ain't working with this nigga.

972
00:53:17,520 --> 00:53:19,520
Speaker 1: But he held on so he wasn't petty at all.

973
00:53:19,520 --> 00:53:23,719
Speaker 1: I apologize for making noise for that. You retracted a

974
00:53:23,760 --> 00:53:29,360
Speaker 1: petticoat How were you trying? So now let's take it

975
00:53:29,480 --> 00:53:33,040
Speaker 1: to that first album. Okay, so the chronic album happens.

976
00:53:33,760 --> 00:53:37,640
Speaker 1: How much is the chronic cell ship about five six billion.

977
00:53:40,120 --> 00:53:43,680
Speaker 1: You're already on tour. No, that's the that's the thing.

978
00:53:43,800 --> 00:53:46,880
Speaker 1: We didn't go. We did a seven day tour for

979
00:53:47,000 --> 00:53:53,520
Speaker 1: the Chronic run dmc uh, Ghetto Boys and Dr Dre

980
00:53:53,640 --> 00:53:57,160
Speaker 1: and Snooped Dog, and that motherfucker lasted seven days because

981
00:53:57,200 --> 00:53:59,520
Speaker 1: on the seventh day of Christmas, my true love gave

982
00:53:59,600 --> 00:54:02,200
Speaker 1: to me all the bloods and the crypts that we

983
00:54:02,280 --> 00:54:06,479
Speaker 1: had with Nigga niggas. No, no, we was. We was cool.

984
00:54:06,840 --> 00:54:09,239
Speaker 1: We was on the road together. But the niggas that

985
00:54:09,360 --> 00:54:13,040
Speaker 1: every city we ran into, it was a problem because

986
00:54:13,080 --> 00:54:15,319
Speaker 1: it was like, you can't take all these rough, tough

987
00:54:15,400 --> 00:54:17,640
Speaker 1: bloods and crypt together. We can't fight each other. But

988
00:54:17,800 --> 00:54:22,040
Speaker 1: nig we for the funk y'all. And it was like afterwards,

989
00:54:22,080 --> 00:54:25,160
Speaker 1: weren't being the hotels and ship nig the holes are coming,

990
00:54:25,200 --> 00:54:27,879
Speaker 1: a couple of niggas coming and just just go all bad.

991
00:54:28,560 --> 00:54:32,200
Speaker 1: And by the seventh day, Nigga was in my room chilling.

992
00:54:32,280 --> 00:54:34,719
Speaker 1: I had a couple of females in there and then

993
00:54:34,800 --> 00:54:39,160
Speaker 1: Shug knocked on my daughter. But the TV on Channel four,

994
00:54:39,719 --> 00:54:42,280
Speaker 1: I'll putting on the Channel four Niggative News was outside

995
00:54:42,400 --> 00:54:44,960
Speaker 1: Nigga with the police and everything. Yeah, we're about to

996
00:54:44,960 --> 00:54:46,920
Speaker 1: come in here and get these niggas out of here

997
00:54:47,000 --> 00:54:51,719
Speaker 1: right now. We got them surrounded. And then that's why

998
00:54:51,760 --> 00:54:54,080
Speaker 1: I love his gangster head, because that nigga found the

999
00:54:54,120 --> 00:54:55,880
Speaker 1: way to get me, him and Dr Dre out of

1000
00:54:55,920 --> 00:54:59,200
Speaker 1: that motherfucking We ran through a back window, ran across

1001
00:54:59,320 --> 00:55:02,640
Speaker 1: the freeway. Nigga, you got us some motherfucking rental cord,

1002
00:55:02,800 --> 00:55:04,960
Speaker 1: drove to the next day, got a private plane and

1003
00:55:05,000 --> 00:55:18,080
Speaker 1: flew to Yeah, Ni night was a cold gangster. Can

1004
00:55:18,120 --> 00:55:21,680
Speaker 1: I get a five ro goddamn it wrong? Can I

1005
00:55:21,760 --> 00:55:23,840
Speaker 1: shot you out? Come on? Come on, wrong listen. We

1006
00:55:23,920 --> 00:55:26,319
Speaker 1: got me and people listening. I'm lying, but they got

1007
00:55:26,400 --> 00:55:31,719
Speaker 1: like four people. Come on, half you know what I'm saying? Uh?

1008
00:55:31,960 --> 00:55:36,160
Speaker 1: Ted chung everybody? Uh what's the what's the but Ron

1009
00:55:36,239 --> 00:55:38,359
Speaker 1: shot your people out? Man? Just shot yourself out man,

1010
00:55:38,640 --> 00:55:42,960
Speaker 1: shout out to me, run out where you listen. Let

1011
00:55:43,000 --> 00:55:44,279
Speaker 1: me tell you something. You know why I had to

1012
00:55:44,560 --> 00:55:47,759
Speaker 1: do that minute interview because people don't get close to

1013
00:55:47,840 --> 00:55:51,319
Speaker 1: the dog man, you know the all I we are

1014
00:55:51,400 --> 00:55:54,719
Speaker 1: so honored at the drink champ because he and let

1015
00:55:54,760 --> 00:55:56,920
Speaker 1: me just tell you something, he hit me and it

1016
00:55:56,960 --> 00:55:59,200
Speaker 1: was like, Nigga, he look, nigga, you ain't you ain't

1017
00:55:59,200 --> 00:56:03,840
Speaker 1: inviting me because I was like, yo, you know, you

1018
00:56:03,920 --> 00:56:06,480
Speaker 1: know it's it's snooped like sometimes he don't. He don't

1019
00:56:06,520 --> 00:56:08,920
Speaker 1: even forget that he snooped dog. So when he hit

1020
00:56:08,960 --> 00:56:11,359
Speaker 1: me with that message, I was like, holy, I think,

1021
00:56:11,360 --> 00:56:14,479
Speaker 1: I think I screenshot at this ship. This makes a noise,

1022
00:56:14,719 --> 00:56:21,799
Speaker 1: new noise. So old. So you did that? You did

1023
00:56:21,880 --> 00:56:27,080
Speaker 1: the Chronic tour which was seven days? Ye, then we stopped.

1024
00:56:27,320 --> 00:56:30,800
Speaker 1: It was over with seven days? How was this approach?

1025
00:56:31,200 --> 00:56:34,279
Speaker 1: Because the Chronic sold how much? I forget like maybe

1026
00:56:34,360 --> 00:56:37,120
Speaker 1: six millions? I was about to say seven so sick,

1027
00:56:37,719 --> 00:56:40,360
Speaker 1: So six millions. So now, and how old are you

1028
00:56:40,480 --> 00:56:46,839
Speaker 1: at this time? Two? I am twenty years old? Now,

1029
00:56:46,960 --> 00:56:50,040
Speaker 1: how the funk do they tell you getting the studio?

1030
00:56:51,320 --> 00:56:54,239
Speaker 1: Because you at this point you fucking everything. I don't

1031
00:56:54,280 --> 00:56:56,799
Speaker 1: even fun. I was twenty years old with a flat,

1032
00:56:57,040 --> 00:56:58,880
Speaker 1: reckless and makes a noise for you sucking every day.

1033
00:57:01,120 --> 00:57:04,680
Speaker 1: How how did they get you in the studio to

1034
00:57:04,960 --> 00:57:08,919
Speaker 1: make this classic? First? It's crazy because twenty years old,

1035
00:57:09,200 --> 00:57:11,280
Speaker 1: I don't give a funk. And when you black, twenty

1036
00:57:11,480 --> 00:57:14,080
Speaker 1: is thirty right. When you're black, right and you're from

1037
00:57:14,120 --> 00:57:17,680
Speaker 1: the hood. But when you black and got money still

1038
00:57:17,800 --> 00:57:20,800
Speaker 1: twenty is fifteen. Yeah, but I remember I didn't have money.

1039
00:57:21,480 --> 00:57:23,680
Speaker 1: This is this is being twenty with no money. But

1040
00:57:23,760 --> 00:57:26,439
Speaker 1: you're coming off the Chronic album. You didn't have no money.

1041
00:57:26,480 --> 00:57:29,400
Speaker 1: That was Dr Dre's album. That wasn't my record. Remember

1042
00:57:29,440 --> 00:57:31,400
Speaker 1: I was working for High. I was the I was

1043
00:57:31,480 --> 00:57:34,240
Speaker 1: the ping, you know, the ping behind the scenes which

1044
00:57:34,400 --> 00:57:36,760
Speaker 1: enabled me. This is where I think the blessing felt

1045
00:57:36,840 --> 00:57:39,120
Speaker 1: like it failed. When we was creating there for a record,

1046
00:57:39,200 --> 00:57:41,120
Speaker 1: we didn't have no roster, who was coming out, what

1047
00:57:41,280 --> 00:57:43,640
Speaker 1: was going next, and what was in order? It was

1048
00:57:43,840 --> 00:57:46,560
Speaker 1: it was pecking order. We put ourselves in possession, meaning

1049
00:57:46,640 --> 00:57:51,200
Speaker 1: that once Dre album was being worked on, whoever was

1050
00:57:51,320 --> 00:57:53,600
Speaker 1: the dopest, the hardest, the one that people wanted to

1051
00:57:53,600 --> 00:57:56,520
Speaker 1: see in here next was gonna position themselves to get

1052
00:57:56,560 --> 00:57:58,880
Speaker 1: a solo dem And that's what I was pushing for.

1053
00:57:59,000 --> 00:58:01,800
Speaker 1: I wasn't never doing nothing but that. That's why I

1054
00:58:01,840 --> 00:58:04,160
Speaker 1: wrote the best material for him. I gave him the

1055
00:58:04,240 --> 00:58:05,840
Speaker 1: best ship. I didn't go in there half hearted. I

1056
00:58:05,880 --> 00:58:08,720
Speaker 1: went in their whole hearted and gave him the best

1057
00:58:08,800 --> 00:58:10,240
Speaker 1: of me. So when it was time for me to

1058
00:58:10,320 --> 00:58:12,040
Speaker 1: do my record, he gave me the best of him.

1059
00:58:12,440 --> 00:58:15,160
Speaker 1: And then next after that was the Dog Fail because

1060
00:58:15,240 --> 00:58:19,200
Speaker 1: Corrupting Dads was pushing the hardest on my record. So

1061
00:58:19,240 --> 00:58:21,320
Speaker 1: it was like everybody was pushing and we was pushing

1062
00:58:21,400 --> 00:58:24,560
Speaker 1: each other to where the blueprint was laying out as

1063
00:58:24,640 --> 00:58:28,360
Speaker 1: we went. It was never written in stone. Dre Snoop

1064
00:58:28,760 --> 00:58:30,680
Speaker 1: Murder was the case Dog Pound. It was like, you

1065
00:58:30,800 --> 00:58:34,160
Speaker 1: know what, Dre album, We're gonna figure everything else once

1066
00:58:34,240 --> 00:58:37,560
Speaker 1: we get past this first Yeah, And what happened was

1067
00:58:38,400 --> 00:58:43,840
Speaker 1: I was so so so so because I totally saw

1068
00:58:43,960 --> 00:58:47,240
Speaker 1: to cut you off. But ye'all was all on that album.

1069
00:58:47,840 --> 00:58:50,520
Speaker 1: But it was the chosen one. I wasn't the chosen

1070
00:58:50,560 --> 00:58:52,040
Speaker 1: when I was the one that I was the one

1071
00:58:52,080 --> 00:58:56,080
Speaker 1: that worked the hartist Like then nobody came when you

1072
00:58:56,160 --> 00:58:58,840
Speaker 1: say Warring broke me out to the studios. Arg was

1073
00:58:59,880 --> 00:59:03,480
Speaker 1: was the plug. He was the plug. War was the

1074
00:59:03,520 --> 00:59:06,240
Speaker 1: plug with connecting us. He was the plug with some

1075
00:59:06,400 --> 00:59:08,360
Speaker 1: of them samples on the Chronic album. He was the

1076
00:59:08,440 --> 00:59:11,720
Speaker 1: plug with the skits and like he was the plug,

1077
00:59:11,880 --> 00:59:14,560
Speaker 1: like you know what I'm saying, Like he was really active.

1078
00:59:14,640 --> 00:59:16,920
Speaker 1: That's why he was able to put a solo record

1079
00:59:16,960 --> 00:59:21,440
Speaker 1: out without Dr Dre without Death to save deaf Jam Records.

1080
00:59:22,120 --> 00:59:25,560
Speaker 1: Let's not get death part fucked up, to save deaf

1081
00:59:25,680 --> 00:59:28,240
Speaker 1: Jam Records and get Russell them a whole new check

1082
00:59:28,320 --> 00:59:31,400
Speaker 1: again and put them back in the game. Because the

1083
00:59:31,600 --> 00:59:34,600
Speaker 1: rap game wasn't favorable for deaf Jam at that time.

1084
00:59:34,720 --> 00:59:37,760
Speaker 1: Death Row swallowed everything up and Warren G was like

1085
00:59:37,920 --> 00:59:41,080
Speaker 1: a plug into the death Row system without dealing with

1086
00:59:41,200 --> 00:59:44,800
Speaker 1: Shure Night. You get what I'm saying. And that's real

1087
00:59:44,920 --> 00:59:47,880
Speaker 1: business right there, and Russell theon identified with that, and

1088
00:59:48,200 --> 00:59:51,200
Speaker 1: it's it's proven that that was a move that put

1089
00:59:51,880 --> 00:59:54,920
Speaker 1: def Jam back in play to give Nigga's deals again

1090
00:59:55,040 --> 00:59:57,320
Speaker 1: and for niggas to eat again because they were back

1091
00:59:58,200 --> 01:00:01,720
Speaker 1: as considered being hot because they had Orange three or

1092
01:00:01,720 --> 01:00:04,600
Speaker 1: four million record selling on his own without without them,

1093
01:00:05,280 --> 01:00:08,560
Speaker 1: basically without us, but with us, because we were just

1094
01:00:08,680 --> 01:00:13,840
Speaker 1: behind the scene. We just wasn't visible. So now long

1095
01:00:14,000 --> 01:00:18,760
Speaker 1: beach right This first album, this first album, I heard

1096
01:00:18,840 --> 01:00:21,880
Speaker 1: that she said after the Chronic. No, first I heard

1097
01:00:21,920 --> 01:00:24,200
Speaker 1: that you said in the Chronic you all stayed at

1098
01:00:24,240 --> 01:00:28,720
Speaker 1: the same house and ye and then um, now going

1099
01:00:28,800 --> 01:00:34,000
Speaker 1: to this first album, first album, got an apartment in Hollywood,

1100
01:00:34,920 --> 01:00:37,880
Speaker 1: one dare room. We called it the dog pound five

1101
01:00:37,920 --> 01:00:41,680
Speaker 1: hulls a month from rent. I'm barely paying in Hollywood,

1102
01:00:41,840 --> 01:00:49,200
Speaker 1: in Hollywood right now, like that Frank right in the corner.

1103
01:00:49,480 --> 01:00:55,080
Speaker 1: It's still availbum down right now, right now, right now.

1104
01:00:55,320 --> 01:00:57,040
Speaker 1: And if we're gonna tell the listen that we're gonna

1105
01:00:57,040 --> 01:01:02,120
Speaker 1: be the next Snoop Dog, we can we Twitter, Mr

1106
01:01:02,240 --> 01:01:10,120
Speaker 1: Le We're gonna say this. It's y'all to y'all new artists. Ahead,

1107
01:01:10,640 --> 01:01:15,240
Speaker 1: listen because that first album, because I just wanna now

1108
01:01:15,320 --> 01:01:18,720
Speaker 1: I'm gonna represent for the whole New York all these

1109
01:01:18,760 --> 01:01:20,560
Speaker 1: other moments. I didn't then I would like you to

1110
01:01:20,640 --> 01:01:25,360
Speaker 1: represent for Miami. But when you dropped that first album,

1111
01:01:26,360 --> 01:01:30,160
Speaker 1: everybody related to you and you was I don't think

1112
01:01:30,200 --> 01:01:36,480
Speaker 1: you would uh initially try to identify with every ghetto

1113
01:01:36,560 --> 01:01:40,120
Speaker 1: in America, but you identified with your ghetto. And what

1114
01:01:40,240 --> 01:01:45,080
Speaker 1: happened was it identified with everybody across the globe. So

1115
01:01:45,240 --> 01:01:46,640
Speaker 1: I want to I want you to take us to

1116
01:01:46,760 --> 01:01:50,920
Speaker 1: that first album. First album was heavy Man because me

1117
01:01:51,040 --> 01:01:53,280
Speaker 1: and Dr Dre was together every day, Like we would

1118
01:01:53,320 --> 01:01:56,640
Speaker 1: really ride together. We would be in the vehicle he

1119
01:01:56,680 --> 01:01:59,920
Speaker 1: had the beings back then, um he would pick me up.

1120
01:02:00,320 --> 01:02:02,280
Speaker 1: We would roll together. We would stay to night together.

1121
01:02:02,760 --> 01:02:04,800
Speaker 1: We were doing all kind of fly ship like it

1122
01:02:04,880 --> 01:02:08,040
Speaker 1: would be two girls, right, I give you one scenario

1123
01:02:08,520 --> 01:02:12,680
Speaker 1: just because we're personal like this, And they didn't put

1124
01:02:12,720 --> 01:02:14,080
Speaker 1: this in the movie. So I was like, all right,

1125
01:02:14,120 --> 01:02:18,000
Speaker 1: I'll put it in. I'll put it in my mover there.

1126
01:02:18,400 --> 01:02:21,480
Speaker 1: So we for example, we had two girls, right, and

1127
01:02:22,200 --> 01:02:25,880
Speaker 1: these two bitches stayed together. So but they stayed forward though,

1128
01:02:26,520 --> 01:02:28,439
Speaker 1: so I didn't hand the car. So we go see

1129
01:02:28,480 --> 01:02:30,320
Speaker 1: them together right now. All while we're writing to go

1130
01:02:30,440 --> 01:02:33,520
Speaker 1: see them, I got a cassette on Planet Dramatics Marvin

1131
01:02:33,600 --> 01:02:36,520
Speaker 1: gay Phone all kinds of old ships. When we get there,

1132
01:02:37,160 --> 01:02:38,760
Speaker 1: he going his side of the room and going on

1133
01:02:38,800 --> 01:02:41,280
Speaker 1: my side. We meet back up like six of them

1134
01:02:41,320 --> 01:02:43,760
Speaker 1: owing six of the moaning the living room boom, jump

1135
01:02:43,840 --> 01:02:46,160
Speaker 1: back in the car and ride back to the studio

1136
01:02:46,240 --> 01:02:49,360
Speaker 1: and make a record. That's how Doggies Down was created

1137
01:02:49,640 --> 01:02:51,880
Speaker 1: for like four or five of the records. Some of

1138
01:02:51,960 --> 01:02:53,800
Speaker 1: them record was created based off of a night that

1139
01:02:53,920 --> 01:02:56,800
Speaker 1: we had. You know, later on that day, my nigga

1140
01:02:56,880 --> 01:02:59,400
Speaker 1: Dr Dre came through with a gang of tanger right.

1141
01:03:00,160 --> 01:03:02,840
Speaker 1: Some of that ship was really happening, and it was

1142
01:03:02,920 --> 01:03:04,840
Speaker 1: like it was translated into the music, and then some

1143
01:03:04,960 --> 01:03:06,920
Speaker 1: of the records that we made on Doggy Stayle was

1144
01:03:07,040 --> 01:03:12,960
Speaker 1: just the song Jeez and Hustlers. He said, going there

1145
01:03:12,960 --> 01:03:15,920
Speaker 1: and might check. I might check, and what I might

1146
01:03:16,040 --> 01:03:18,200
Speaker 1: check is what you're here on the album. It's a

1147
01:03:18,280 --> 01:03:22,200
Speaker 1: whole one. Take free staff, no going back, no doubles,

1148
01:03:22,320 --> 01:03:26,040
Speaker 1: just whatever the funk came out, came out. When I

1149
01:03:26,160 --> 01:03:27,400
Speaker 1: was done with it, was like, all right, let me

1150
01:03:27,440 --> 01:03:29,160
Speaker 1: write it. He was like, you ain't writing ship. That

1151
01:03:29,280 --> 01:03:33,120
Speaker 1: motherfucker's dope. I'm like for real and like, yeah, played

1152
01:03:33,120 --> 01:03:34,600
Speaker 1: it back from me, let me hear, and I was like,

1153
01:03:34,720 --> 01:03:37,320
Speaker 1: fucking came out just like that. Same with the Ship,

1154
01:03:37,360 --> 01:03:39,640
Speaker 1: isn't it. So these are two records that I didn't

1155
01:03:39,640 --> 01:03:42,160
Speaker 1: even write. I just went in there and just might check.

1156
01:03:42,240 --> 01:03:46,560
Speaker 1: Might check one too, stopped hopping like a rabbit. Oh

1157
01:03:46,600 --> 01:03:48,240
Speaker 1: I do right. But some of the songs that I

1158
01:03:48,360 --> 01:03:54,040
Speaker 1: have done have just came spontaneous, and that's just how

1159
01:03:54,120 --> 01:03:57,560
Speaker 1: the funk they go. It's just it is what it is. Like,

1160
01:03:57,680 --> 01:04:00,600
Speaker 1: I know the craziest records on mix tapes because that's

1161
01:04:00,760 --> 01:04:07,080
Speaker 1: my Minami. Yeah, Dogy Style Remix. I love that record.

1162
01:04:07,160 --> 01:04:09,000
Speaker 1: When I was a mixing, I was like I needed

1163
01:04:09,040 --> 01:04:11,320
Speaker 1: to hunt the record down. I got it, put it

1164
01:04:11,360 --> 01:04:13,560
Speaker 1: on my mixtape. I was the craziest in Minami with

1165
01:04:13,600 --> 01:04:17,680
Speaker 1: my ship the Doggy Star remix. Man, that motherfucker never

1166
01:04:17,800 --> 01:04:20,080
Speaker 1: came out. I love that because I don't remember it.

1167
01:04:21,000 --> 01:04:23,440
Speaker 1: I love that you gonna bring it down. Yeah, I

1168
01:04:23,480 --> 01:04:25,640
Speaker 1: mean it's it is. It's a remix, and it's just

1169
01:04:26,000 --> 01:04:31,120
Speaker 1: it's totally different from the original. The record is crazy.

1170
01:04:31,200 --> 01:04:32,920
Speaker 1: You know, he's the only thing that will remember that

1171
01:04:33,080 --> 01:04:38,840
Speaker 1: sloop because listen, you know he brought caress One. He

1172
01:04:39,000 --> 01:04:49,919
Speaker 1: brought caress One a bracelet from Jesus in fourteen thirty one. Yeah,

1173
01:04:50,360 --> 01:04:56,840
Speaker 1: he remembers everything. So that first album. Okay, you go

1174
01:04:57,000 --> 01:04:59,640
Speaker 1: in the studio because now that row was the ship. Right,

1175
01:05:00,000 --> 01:05:02,840
Speaker 1: we're popping now, we like we lightweight popping. The chronic

1176
01:05:02,920 --> 01:05:05,880
Speaker 1: got us lightweight popping because one thing is for showing

1177
01:05:05,920 --> 01:05:09,240
Speaker 1: two things. For certain the East Coast wasn't really like

1178
01:05:10,000 --> 01:05:16,439
Speaker 1: fucking wood West Coast entirely until my record came out,

1179
01:05:17,160 --> 01:05:22,640
Speaker 1: Like that was your entirely true, right, because you know

1180
01:05:22,800 --> 01:05:26,880
Speaker 1: why we understood in w way, But then there was

1181
01:05:26,960 --> 01:05:30,720
Speaker 1: people in between, y'all, Like, you know, that's what I forget.

1182
01:05:30,800 --> 01:05:33,200
Speaker 1: The East coast might be misrepresented because it's the East

1183
01:05:33,240 --> 01:05:37,120
Speaker 1: Coast as New York and then down south miamis. Yeah,

1184
01:05:37,160 --> 01:05:39,800
Speaker 1: but what one thing about the West coast? The East

1185
01:05:39,840 --> 01:05:42,960
Speaker 1: coast to us has always been New York. That's the mecca.

1186
01:05:43,640 --> 01:05:46,800
Speaker 1: Like we've always looked for them for approval. If they

1187
01:05:46,840 --> 01:05:48,760
Speaker 1: don't give you the stamp up approval, if you can't

1188
01:05:48,760 --> 01:05:53,920
Speaker 1: get on High ninety seven, Angie Martinegze, don't give you

1189
01:05:53,920 --> 01:05:57,440
Speaker 1: an interview, and and love and Dr Dre fair Fire Freddie,

1190
01:05:57,440 --> 01:06:00,560
Speaker 1: don't say what's happen to you? If the ship they

1191
01:06:00,640 --> 01:06:04,280
Speaker 1: got to happen, you understand me? Oh you ate official

1192
01:06:04,440 --> 01:06:06,320
Speaker 1: like a refree with a whistle, and that we felt

1193
01:06:06,360 --> 01:06:10,040
Speaker 1: like that from the south to but I was considered

1194
01:06:10,080 --> 01:06:11,920
Speaker 1: the East and I don't even know. No, we couldn't

1195
01:06:11,920 --> 01:06:14,240
Speaker 1: get New York was then, but the West coast because

1196
01:06:14,480 --> 01:06:22,280
Speaker 1: of the East. Just leave one a let me get

1197
01:06:22,280 --> 01:06:28,960
Speaker 1: away with it, Let me get away. So, Okay, this

1198
01:06:29,120 --> 01:06:31,160
Speaker 1: album comes out. How you work on your first album,

1199
01:06:32,480 --> 01:06:37,720
Speaker 1: this Source Awards happened. I'm gonna be honest. I was

1200
01:06:37,800 --> 01:06:40,960
Speaker 1: in jail when the Social Wards came out. But I

1201
01:06:41,080 --> 01:06:44,240
Speaker 1: have to pick you up because one day I was

1202
01:06:44,360 --> 01:06:52,000
Speaker 1: in Harrisburg, Pennsylvania, and I go to the stage. Promoters say,

1203
01:06:52,080 --> 01:06:54,240
Speaker 1: we don't go the rest of your money. So I

1204
01:06:54,360 --> 01:06:57,600
Speaker 1: was like, alright, cool, so I'm gonna leave. I leave.

1205
01:06:58,360 --> 01:07:01,520
Speaker 1: The promoter gets on the show says, Nora, don't funk

1206
01:07:01,600 --> 01:07:06,320
Speaker 1: with y'all. He said, you don't have enough money for

1207
01:07:06,480 --> 01:07:09,440
Speaker 1: him to perform, and he throws down the mic. So

1208
01:07:10,560 --> 01:07:13,200
Speaker 1: I go, I was going outside anyway. All the crowd

1209
01:07:13,400 --> 01:07:16,280
Speaker 1: come and they brushed my car. So I get off

1210
01:07:16,320 --> 01:07:18,360
Speaker 1: the car and I'm like you, I think it's a

1211
01:07:18,600 --> 01:07:28,720
Speaker 1: low for no And everybody was like, yall, nobody didn't

1212
01:07:28,760 --> 01:07:30,400
Speaker 1: do that. But I got that from you. But that

1213
01:07:30,600 --> 01:07:36,600
Speaker 1: most that moment in East Coast history because we loved

1214
01:07:36,680 --> 01:07:40,120
Speaker 1: you and we that's why y'all didn't kill nobody. Yeah,

1215
01:07:42,120 --> 01:07:44,880
Speaker 1: we're gonna keep it one hunting. Everybody always asked me

1216
01:07:44,920 --> 01:07:48,040
Speaker 1: about that scenario, that situation. But the truth of the

1217
01:07:48,080 --> 01:07:50,200
Speaker 1: matter is that a lot of lines could have been

1218
01:07:50,240 --> 01:07:53,520
Speaker 1: tooking if that strategic play wouldn't play. You know what

1219
01:07:53,560 --> 01:07:56,080
Speaker 1: I'm saying, Because it was a gangster speaking to gangster,

1220
01:07:56,080 --> 01:07:58,960
Speaker 1: just getting the respect in the mutual respect of you know,

1221
01:07:59,080 --> 01:08:02,040
Speaker 1: let us get up out of the safely because we

1222
01:08:02,200 --> 01:08:04,960
Speaker 1: understand the dynamics of what's going on and what's taking place,

1223
01:08:05,400 --> 01:08:08,400
Speaker 1: but let's not you know, you have some casualties and

1224
01:08:08,480 --> 01:08:11,400
Speaker 1: some unnecessary motherfucker's that don't need to be and that's

1225
01:08:11,440 --> 01:08:14,360
Speaker 1: what it was. And in the order war. Anytime you know,

1226
01:08:14,600 --> 01:08:16,960
Speaker 1: countries go to war, they always have a conversation. It's

1227
01:08:16,960 --> 01:08:20,200
Speaker 1: always two leaders or two motherfucker's that's gonna chop it

1228
01:08:20,280 --> 01:08:22,360
Speaker 1: up before they actually pushed the button and do their thing.

1229
01:08:22,920 --> 01:08:24,960
Speaker 1: And they never just dropped the bomb like he was.

1230
01:08:25,840 --> 01:08:28,240
Speaker 1: You knew East Coast had love for you. I did

1231
01:08:28,400 --> 01:08:31,599
Speaker 1: knew it. But if you're confidence in what you said

1232
01:08:31,640 --> 01:08:35,560
Speaker 1: it you was like, yeah, I got I was in

1233
01:08:35,720 --> 01:08:42,400
Speaker 1: jail like that, nigga, know what you're talking about? No, no, no,

1234
01:08:42,640 --> 01:08:45,519
Speaker 1: I'm listening. Because at the end of the day, he

1235
01:08:45,680 --> 01:08:48,519
Speaker 1: was he was West Coast made. He could have rolled

1236
01:08:48,560 --> 01:08:50,559
Speaker 1: out with the blood, he could have rolled out with snoop.

1237
01:08:50,800 --> 01:08:53,519
Speaker 1: But you gotta realize in which the man did it.

1238
01:08:53,720 --> 01:08:57,439
Speaker 1: He came out by itself. He didn't have um yakota mean,

1239
01:08:58,160 --> 01:09:01,560
Speaker 1: but yeah, did have a could have mean because the

1240
01:09:01,960 --> 01:09:05,200
Speaker 1: move was because you know what, listen, it's just like

1241
01:09:05,360 --> 01:09:09,479
Speaker 1: what I did. I knew some of the most records

1242
01:09:09,520 --> 01:09:12,679
Speaker 1: I ever sold is in this area. There's no way

1243
01:09:13,560 --> 01:09:17,360
Speaker 1: this little I mean, there's no way, like I mean honestly,

1244
01:09:17,520 --> 01:09:20,000
Speaker 1: like you had to say to yourself, there's no way,

1245
01:09:20,120 --> 01:09:25,000
Speaker 1: like everybody here bought my record. You had to sell

1246
01:09:25,080 --> 01:09:28,160
Speaker 1: eight hundred thousand at least just in New York. Man.

1247
01:09:28,200 --> 01:09:30,600
Speaker 1: They loved me, man, and they loved you, and I

1248
01:09:30,760 --> 01:09:32,840
Speaker 1: felt that like the first time I felt the New

1249
01:09:32,920 --> 01:09:35,519
Speaker 1: York love. I did a show called The Rosie Perrey Show,

1250
01:09:36,479 --> 01:09:39,600
Speaker 1: and that motherfucker it was E. P. M D. And

1251
01:09:39,720 --> 01:09:43,760
Speaker 1: it was Pete Rocket cl s Moove U. And I

1252
01:09:43,840 --> 01:09:46,120
Speaker 1: swear to god, I was so infatuated with the fact

1253
01:09:46,200 --> 01:09:48,840
Speaker 1: that I was actually performing with them niggas, and I

1254
01:09:49,000 --> 01:09:51,080
Speaker 1: was I even put some boots on nigga I don't

1255
01:09:51,080 --> 01:09:54,719
Speaker 1: even wear. I was like, I'm dressed like these niggas.

1256
01:09:54,800 --> 01:09:56,400
Speaker 1: Nigger come out here and suck it up. And when

1257
01:09:56,439 --> 01:09:58,720
Speaker 1: I finished doing my ship, the niggas came up my

1258
01:09:58,840 --> 01:10:01,720
Speaker 1: trailer nigger and we smoked and we chopped it up.

1259
01:10:01,760 --> 01:10:04,160
Speaker 1: And that's when I really said, you know what, New

1260
01:10:04,280 --> 01:10:07,080
Speaker 1: York funk with us, Because these niggas came in the

1261
01:10:07,160 --> 01:10:10,599
Speaker 1: trailer and they're talking. We loved you, and that's why

1262
01:10:10,640 --> 01:10:12,479
Speaker 1: I was glad. Like at that moment, like I said,

1263
01:10:12,479 --> 01:10:15,120
Speaker 1: I was in jail, but at that moment, I was

1264
01:10:15,240 --> 01:10:22,880
Speaker 1: so glad of your stands because you wasn't speaking for

1265
01:10:23,360 --> 01:10:25,960
Speaker 1: a West Coast nigga. You were speaking for an artist.

1266
01:10:26,640 --> 01:10:28,760
Speaker 1: And what I mean by that is, if you love me,

1267
01:10:28,880 --> 01:10:31,920
Speaker 1: you love me, you don't. That's like, that's like yo,

1268
01:10:32,080 --> 01:10:36,280
Speaker 1: if I performing a k k K rally, nigga, if

1269
01:10:36,320 --> 01:10:38,599
Speaker 1: you fucking my music, my music, just let me leave

1270
01:10:38,640 --> 01:10:42,240
Speaker 1: about it. Just look you fucking my I'm anna performing.

1271
01:10:42,360 --> 01:10:44,080
Speaker 1: Let me get the fun funk out out of here.

1272
01:10:44,680 --> 01:10:47,400
Speaker 1: You know what I'm saying. But um, snoop man. You

1273
01:10:47,479 --> 01:10:53,160
Speaker 1: know your your history is so historic history, it's so

1274
01:10:54,680 --> 01:11:01,760
Speaker 1: impeccable in my opinion, it's like, you know, uh, continuously

1275
01:11:02,280 --> 01:11:05,320
Speaker 1: you have made yourself relevant. You just dropped a new album.

1276
01:11:05,520 --> 01:11:07,880
Speaker 1: Yeah cool, Let's let's get into that new album. Now.

1277
01:11:07,920 --> 01:11:11,400
Speaker 1: It's cool aid and it's purposely spelled with a seat. Yeah,

1278
01:11:14,680 --> 01:11:17,680
Speaker 1: lets anything here, let's break that down. Let's break that down.

1279
01:11:17,760 --> 01:11:19,800
Speaker 1: What's going on in this new album? But this new

1280
01:11:19,840 --> 01:11:22,000
Speaker 1: album is just me finding my way back home again,

1281
01:11:22,080 --> 01:11:24,840
Speaker 1: you know, um, getting back on my gangster ship you

1282
01:11:24,880 --> 01:11:28,400
Speaker 1: know what I'm saying, Um, what did Jamaica? And I

1283
01:11:28,479 --> 01:11:31,519
Speaker 1: found a beautiful spirit within myself that I needed to find.

1284
01:11:31,720 --> 01:11:36,240
Speaker 1: I did reggae thro you did Jamaica met the Last,

1285
01:11:37,800 --> 01:11:41,320
Speaker 1: The Last, the Last? Yeah, yeah, yeah, yeah yeah, but

1286
01:11:41,400 --> 01:11:43,040
Speaker 1: it was it was you know what, as the kid,

1287
01:11:43,120 --> 01:11:46,160
Speaker 1: I grew up loving reggae music and I wanted I

1288
01:11:46,200 --> 01:11:47,800
Speaker 1: wanted to know why I loved it, right, So when

1289
01:11:47,840 --> 01:11:50,559
Speaker 1: I went to Jamaica, I was talking to the night

1290
01:11:50,600 --> 01:11:54,440
Speaker 1: Beingie Temple, and I was giving the instructures and information

1291
01:11:54,520 --> 01:11:56,640
Speaker 1: on what I was and who I was. And I

1292
01:11:56,760 --> 01:11:59,639
Speaker 1: tuned in and tapped into what I was, some history

1293
01:11:59,680 --> 01:12:02,080
Speaker 1: that the Erica never gave me. But you did bring

1294
01:12:02,160 --> 01:12:04,320
Speaker 1: your old weed. I had to do that because you

1295
01:12:04,960 --> 01:12:07,040
Speaker 1: heard that. You heard that Jamaica had dirt. Let's keep

1296
01:12:07,040 --> 01:12:09,640
Speaker 1: it round. I did too that we wasn't dirt. It

1297
01:12:09,760 --> 01:12:11,840
Speaker 1: just was from the ground that was organic and it

1298
01:12:11,960 --> 01:12:13,840
Speaker 1: had no chemicals. I was going to tell you, I

1299
01:12:13,880 --> 01:12:18,360
Speaker 1: was gonna say, tipically gardens I went to get I

1300
01:12:18,400 --> 01:12:22,160
Speaker 1: don't know, but then I had to start because you

1301
01:12:22,240 --> 01:12:30,519
Speaker 1: went do listen, listen, yo, listen due this listen. I

1302
01:12:30,680 --> 01:12:33,479
Speaker 1: was about to say, I'm watching Snoop ship, and I'm like, damn,

1303
01:12:33,760 --> 01:12:35,880
Speaker 1: I did that. I did everything this niker did. But

1304
01:12:35,960 --> 01:12:38,040
Speaker 1: I said, y'all this think it ain't going to tivity

1305
01:12:38,120 --> 01:12:42,200
Speaker 1: gardens the next scene. Just think about gard in there.

1306
01:12:45,880 --> 01:12:50,599
Speaker 1: Your weed said you hit and then you usually at nighttime, man,

1307
01:12:50,640 --> 01:12:53,519
Speaker 1: you need to go home. I said, fun, I'm showing

1308
01:12:53,600 --> 01:12:56,400
Speaker 1: up at nighttimes. Yeah, that's right, that's to night you

1309
01:12:56,560 --> 01:12:58,800
Speaker 1: never it was some uncomfortable parts that it looked like,

1310
01:12:59,240 --> 01:13:01,640
Speaker 1: come on, man. It was because you gotta understand when

1311
01:13:01,640 --> 01:13:04,360
Speaker 1: you're really when you expose yourself, when you put yourself

1312
01:13:04,520 --> 01:13:07,479
Speaker 1: into people's face with no security, you gotta deal with him.

1313
01:13:07,479 --> 01:13:09,320
Speaker 1: And a lot of times motherfucker's don't be mad, they

1314
01:13:09,400 --> 01:13:13,640
Speaker 1: just be frustrated. They'd be venting. So if one of

1315
01:13:13,640 --> 01:13:16,439
Speaker 1: the niggas, he loved me so much, he loved two

1316
01:13:16,520 --> 01:13:18,760
Speaker 1: pots so much, and he just didn't know how to

1317
01:13:18,840 --> 01:13:21,160
Speaker 1: express itself, and he was trying to get me to

1318
01:13:21,560 --> 01:13:23,880
Speaker 1: come to his barbershop, but he didn't understand I'm not

1319
01:13:24,000 --> 01:13:26,800
Speaker 1: here to see you, I'm here to see duos in

1320
01:13:26,880 --> 01:13:30,040
Speaker 1: them because so I don't due respect. I'm gonna check

1321
01:13:30,080 --> 01:13:31,640
Speaker 1: you before they do, because if they check you, you

1322
01:13:31,680 --> 01:13:35,439
Speaker 1: ain't gonna live. So I checked him fold him because

1323
01:13:35,520 --> 01:13:37,760
Speaker 1: the way they was gonna check him, it was gonna

1324
01:13:37,800 --> 01:13:40,439
Speaker 1: be unpleasant checking. You know the stand I'm saying like,

1325
01:13:40,479 --> 01:13:42,880
Speaker 1: if you got guests at your house, let somebody show out.

1326
01:13:43,520 --> 01:13:46,200
Speaker 1: When you got guests, how are you gonna do him? Exactly,

1327
01:13:46,720 --> 01:13:48,240
Speaker 1: You're gonna walk him in the back of the tool

1328
01:13:48,320 --> 01:13:50,760
Speaker 1: share to give him some real good You understand me.

1329
01:13:55,640 --> 01:14:00,960
Speaker 1: You just broke We both broke up. And um Tupac,

1330
01:14:01,960 --> 01:14:03,800
Speaker 1: I don't even want to ask you the first time

1331
01:14:03,840 --> 01:14:06,880
Speaker 1: you met Tupac. I want to ask you Tupac on

1332
01:14:07,120 --> 01:14:10,160
Speaker 1: death row. Hey, yo, hat, stop that right there. We

1333
01:14:10,200 --> 01:14:12,439
Speaker 1: can't give them no more. We gotta They gotta wait

1334
01:14:12,439 --> 01:14:16,000
Speaker 1: for another week. I'm a cent, sir. Let's let's sit.

1335
01:14:16,320 --> 01:14:19,080
Speaker 1: Don't award on this skimp you alright, listen, man, stay

1336
01:14:19,120 --> 01:14:21,280
Speaker 1: to it for next week. We got slop Dal Double

1337
01:14:21,360 --> 01:14:23,920
Speaker 1: J and in in between the week, we're gonna hit

1338
01:14:24,000 --> 01:14:28,400
Speaker 1: y'all with some random episode. Just join some real legend drinks. Stay, motherfucker,

1339
01:14:28,479 --> 01:14:54,120
Speaker 1: we're getting drunk. Get drunk. An let's go find all

1340
01:14:54,120 --> 01:14:57,000
Speaker 1: your favorite movies and shows. Factor with Acidity just speaking

1341
01:14:57,040 --> 01:14:59,080
Speaker 1: to the excellent voice for most to search Acrost Live

1342
01:14:59,160 --> 01:15:02,200
Speaker 1: TV on a man. Even Netflix and Prime Video Now.

1343
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Speaker 1: or visit the store today to learn more. Restrictions supplied