WEBVTT - Questlove Supreme: Fab Morvan of Milli Vanilli

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Ladies and gentlemen, Welcome to another episode of Quest Love Supreme.

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<v Speaker 2>I'm quest Love your host. I got to remind myself

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<v Speaker 2>that we're now also not just a radio podcast, that

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<v Speaker 2>we are a visual podcast on our YouTube channel. I

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<v Speaker 2>should pluck it more. Yeah. So I'm in my red room, februm.

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<v Speaker 2>We're here with the team Supreme right now. Six Steve,

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<v Speaker 2>what's up man? How are you doing, amir? How's how's

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<v Speaker 2>it feeling to be back at work? It feels really good.

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<v Speaker 3>I missed my fallin family and very excited.

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<v Speaker 2>About the five star review that we got in downbeatfore

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<v Speaker 2>the Plumb bodrights Man. And we did it. We did

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<v Speaker 2>be magazine for the Plumb album. Yes, absolutely, I'm walking

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<v Speaker 2>on air. Nice Laya. How goes it?

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<v Speaker 4>It is going well, friend, I am excited about this conversations.

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<v Speaker 2>Are you you recovered from our la assault?

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<v Speaker 4>Yes, I'm just recovering from your depart suriously. Yeah.

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<v Speaker 2>Yeah, it took a while.

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<v Speaker 4>Right, Yeah, I'm glad I wasn't alone with that.

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<v Speaker 2>I'm paid Bill. What's up man, how's life on the street.

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<v Speaker 2>Life on the street is good? I got back from our

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<v Speaker 2>trip to l A. I was home for a day

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<v Speaker 2>and I went to Spain and Portugal for a week.

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<v Speaker 2>So I'm a little like for you, what's what's what's

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<v Speaker 2>going on? I haven't been on vacation in like a year.

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<v Speaker 2>For those who have children, you take vocations. I do,

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<v Speaker 2>but once a year. And so I went to Spain

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<v Speaker 2>Portugal and I sat on a chair and I drank

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<v Speaker 2>and ate and it.

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<v Speaker 5>Was fantastic, and I recommend Portugal.

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<v Speaker 2>It's beautiful. And now back I got back yesterday taking

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<v Speaker 2>a break. Font Takeolo is recovering from his wait is

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<v Speaker 2>it Charlotte or where do they do?

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<v Speaker 6>Baby?

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<v Speaker 4>Door?

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<v Speaker 2>Baby?

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<v Speaker 4>Yeah? Okay, y'all block party, I know virtually.

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<v Speaker 2>Well, let's get to it. This is pretty much an

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<v Speaker 2>episode I've been waiting for a long time to do.

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<v Speaker 2>We always said we shad this guest on our show,

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<v Speaker 2>but I didn't think it could ever happen. As half

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<v Speaker 2>of a Mammoth Mammoth duo, our guest Today sort of

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<v Speaker 2>came crashing into our lives in late nineteen eighty eight

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<v Speaker 2>with an unescapable single entitled girl you Know It's True.

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<v Speaker 2>Soon after that, four other Mammoth singles, all went to

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<v Speaker 2>the top of the charts, millions of hit singles, millions

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<v Speaker 2>of hit albums later, you know, him and his partner

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<v Speaker 2>basically ruled nineteen eighty nine with an iron fist, pretty

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<v Speaker 2>much rode their success all the way to the bank. Subsequently,

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<v Speaker 2>they were hit with probably one of the craziest music

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<v Speaker 2>scandals that rocked an entire industry, which is kind of

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<v Speaker 2>ironic considering in hindsight some thirty five years later they

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<v Speaker 2>were actually pioneers and pretty much how the music industry

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<v Speaker 2>is today. Like you know, I know that oftentimes, especially

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<v Speaker 2>in the last ten years, there's been you hear this

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<v Speaker 2>word called fake outrage. We heard a lot of politics,

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<v Speaker 2>but you know, haven't been alive during that period. The

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<v Speaker 2>sort of shocking scandal of what this gentleman has went through.

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<v Speaker 2>It's pretty much the standard norm now, matter of fact,

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<v Speaker 2>it's it's it is the norm. So you know, so

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<v Speaker 2>many people no even with I mean, you know, the

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<v Speaker 2>number one number one activities TikTok like you know what

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<v Speaker 2>I mean. Like, so we basically gravitate and participate in

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<v Speaker 2>the practice that some thirty five years ago we were

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<v Speaker 2>like aghast and sort of shocked to do and now

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<v Speaker 2>you know it's the standard, and so it's kind of

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<v Speaker 2>weird how you can be in a scandal one second

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<v Speaker 2>and sort of a martyr minute. But you know, I

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<v Speaker 2>will basically say that our guests literally face the music

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<v Speaker 2>and really work to ship the narrative, especially after losing

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<v Speaker 2>his partner Rob Palaitis and now thirty five years later,

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<v Speaker 2>after a girl. You know it's true, he's getting to

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<v Speaker 2>tell his story, tell his truth and really getting the

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<v Speaker 2>last word in with a very very powerful documentary simply

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<v Speaker 2>titled Milli Vanilli. It'll be it on a paramount plus

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<v Speaker 2>a mind blown you know, thank god that we get

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<v Speaker 2>to say welcome to the Quest of Supreme, Sir fab Marvin,

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<v Speaker 2>thank you very joining us today. Man, how you doing?

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<v Speaker 3>Pleasure? Man, it's a pleasure to be here. And we

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<v Speaker 3>won't get down. We're going to talk. We're gonna chump

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<v Speaker 3>it up and get into it. And I'm so pleased

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<v Speaker 3>that I know when I've seen your koreer, I've seen

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<v Speaker 3>you grow, I've seen you involve, and for you to

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<v Speaker 3>first introduction was amazing. You know, ftatless, you're right and

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<v Speaker 3>you're right about what happened thirty five years ago and

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<v Speaker 3>bringing it back fast forward here and it is the norm,

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<v Speaker 3>and it is normal, and nobody is actually flinching to

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<v Speaker 3>anything because now everybody's in kuts. Everybody's working together and

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<v Speaker 3>it's all about I get it's a music industry. It's

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<v Speaker 3>about that paper, but it's become and turned into like, wow,

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<v Speaker 3>the veil, the magical veil is like shifted. You don't

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<v Speaker 3>know until it's time to really do it right. And

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<v Speaker 3>that's where it comes down to. If you can do it,

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<v Speaker 3>do it. If you can't and don't try to, they

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<v Speaker 3>won't find you out. Well.

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<v Speaker 2>You know, now we're in a place where as I

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<v Speaker 2>spoke to Steve earlier about being back to work, I

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<v Speaker 2>mean right now we're about to go a step past that.

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<v Speaker 2>Not even three months ago, someone had admitted or enlisted

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<v Speaker 2>for consideration of a Grammy. A weekend in Drake song

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<v Speaker 2>that doesn't exist, So you know, the first AI song

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<v Speaker 2>is about to get now. And what's really crazy is

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<v Speaker 2>can I say it? I think I like that AI

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<v Speaker 2>song better than any song on the current Drake record

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<v Speaker 2>right now. But that's also because you know, there's a

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<v Speaker 2>certain texture that I like the music that that that

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<v Speaker 2>particular AI song with Drake and Weekend is that isn't

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<v Speaker 2>on the Drake record. But I have so many questions

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<v Speaker 2>to ask. Number one, So you grew up where you

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<v Speaker 2>in France?

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<v Speaker 3>Or yeah, I grew up in Paris, in the center

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<v Speaker 3>of Paris in the twentieth part. That's where I grew up,

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<v Speaker 3>and that was my playground, you know, just beginning and

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<v Speaker 3>come from a creole household. Okay, So we grew up

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<v Speaker 3>with all kinds of music, you know, so summer and

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<v Speaker 3>gay and then my dad was playing what He's reading

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<v Speaker 3>and James Brown, my mom was playing Maria Kallis in

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<v Speaker 3>some classical music. It was always kind of a popoi

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<v Speaker 3>at home musically.

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<v Speaker 2>I'm curious. Well, the thing that I was really curious

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<v Speaker 2>about was I always wanted to know, especially this being

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<v Speaker 2>the fiftieth anniversary of hip hop culture, I want to know, you,

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<v Speaker 2>being sort of the first generation of European people to

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<v Speaker 2>receive hip hop from the States as it's coming in

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<v Speaker 2>the eighties, how did that get translated to you or

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<v Speaker 2>how did that come over to France and to Germany

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<v Speaker 2>to all those parts of Europe.

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<v Speaker 3>Well, it came as in different forms. You know, we

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<v Speaker 3>all know, you know that hip hop is graffiti. You know,

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<v Speaker 3>it's the art of poetry, and it's street dancing and

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<v Speaker 3>it's the rap and all started to appear in various

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<v Speaker 3>parts of Paris. So you had the graffiti. You started

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<v Speaker 3>to appear. Of course, because we had the movies. You know,

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<v Speaker 3>we had Crush Grooving. That movie got over there, and

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<v Speaker 3>we were trying and emulate everything, and like, okay, so

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<v Speaker 3>you got graffiti, you have the dancing, you have pop clock,

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<v Speaker 3>you got the floor as well, and then you got

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<v Speaker 3>you got the DJ that's doing the blog party and

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<v Speaker 3>we're all looking at it. You're like wow. And some

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<v Speaker 3>people were migrating tours what they felt like Okay, that's

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<v Speaker 3>me or that's me, and some people, you know, went

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<v Speaker 3>everywhere and experimented. And if you go if you look

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<v Speaker 3>at the effect of hip hop throughout the world, you

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<v Speaker 3>will see that there's a dance scene of graffiti. There's

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<v Speaker 3>still like the forefathers of you know, like crazy legs.

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<v Speaker 3>You have the Italian crazy legs, you have the German

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<v Speaker 3>crazy legs. So hip hop just spread out to us

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<v Speaker 3>like crazy. And for me being a black kid, you know,

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<v Speaker 3>and the majority of hip hop at the time, it

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<v Speaker 3>was it looked brown and dark and it looked like me.

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<v Speaker 3>So it was like, oh, okay, so that's that's you know,

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<v Speaker 3>I was connecting with it. In America. I'd be in

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<v Speaker 3>the land of opportunity and like Hollywood and you know, entertainment,

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<v Speaker 3>so we would really focus on what was going on

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<v Speaker 3>and that was for the youth that was my youth.

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<v Speaker 2>Was it was it sort of like I mean, was

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<v Speaker 2>it mainstream as in like these movies are in the

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<v Speaker 2>theater or was it contraband because you know, the short

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<v Speaker 2>time that I lived, the short time that I lived

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<v Speaker 2>in Europe during like the roots formative years, like our

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<v Speaker 2>first three years, we were in Europe a lot, and

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<v Speaker 2>you know the way that they would collect you know,

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<v Speaker 2>there was always like a friend or a cousin in

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<v Speaker 2>the United States that would send tapes over, you know,

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<v Speaker 2>of radio shows and whatnot, and movies were hard to

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<v Speaker 2>come by, like you need to be connected to someone

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<v Speaker 2>that could send you these things or whatever. So how

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<v Speaker 2>would you guys get the music and the culture if

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<v Speaker 2>it's not like done firsthand? Like I know that at

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<v Speaker 2>least the way the stories explained in the movie that

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<v Speaker 2>both you and Rob were, you know, kind of sort

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<v Speaker 2>of lone wolves and basically like lone black people singular

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<v Speaker 2>black people and otherwise like non black environment. So how

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<v Speaker 2>are you guys able to receive this information?

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<v Speaker 3>Well, as a kid in France was very difficult to

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<v Speaker 3>get it. But when I moved to Germany, I was

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<v Speaker 3>taken to I lived in different places, but I went

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<v Speaker 3>to those clubs, and those clubs were full of American

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<v Speaker 3>gis because the American bases were based in Germany. So

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<v Speaker 3>I end going to like those clubs where you know,

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<v Speaker 3>they were doing the you know, the press man they had,

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<v Speaker 3>they d had the quiet gloves and they would do

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<v Speaker 3>people would get on the floor and like you know,

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<v Speaker 3>it was like for us, it was like for rob

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<v Speaker 3>and I was like whoa, it was like being in

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<v Speaker 3>America because there's nothing but America in the club. So

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<v Speaker 3>from there, we we got a lot there in Germany,

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<v Speaker 3>but in France you really had to look forward. You

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<v Speaker 3>had to go to record store. I didn't have the money,

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<v Speaker 3>so maybe we put our money together. We get the records,

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<v Speaker 3>we get the sets, but to get the videos that

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<v Speaker 3>was another mission because at that time, there was no

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<v Speaker 3>MTV during that time, early on it was it was

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<v Speaker 3>not MTV wasn't there yet.

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<v Speaker 4>How did you know what the look was that went

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<v Speaker 4>with the music.

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<v Speaker 3>There was always some reports about America. You have to

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<v Speaker 3>get to look for it. There was some music report

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<v Speaker 3>and remember seeing the Furious five, you know, with the

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<v Speaker 3>hats and the outfit, and I was like, whoa, that

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<v Speaker 3>looked hard, but you know, we were tracking acted by

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<v Speaker 3>it because they look like us. To me, they look

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<v Speaker 3>like And then Jackson five came into the fold, you know,

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<v Speaker 3>and that was a different form, you know, and then

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<v Speaker 3>earth Fire, and then of course the Godfather James Brown,

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<v Speaker 3>and I had a tape I had recorded on television

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<v Speaker 3>of James Brown explaining how we made music and how

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<v Speaker 3>those dances, how we made those dances and they were

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<v Speaker 3>connected to certain grooves, and how we worked with the

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<v Speaker 3>band and that was really really interesting, but it was

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<v Speaker 3>difficult to understand. So I always had to get a dictionary.

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<v Speaker 3>It would take me a long time to figure it

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<v Speaker 3>all out, but I would figure it out.

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<v Speaker 2>What was the scene like for Americans to come over

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<v Speaker 2>and tour? Like how often would you see shows or

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<v Speaker 2>artists of that caliber?

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<v Speaker 3>Well, you know, I used to when we were in

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<v Speaker 3>p Ice, you know, in Munich, Germany, a lot of

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<v Speaker 3>bands came through, so I saw Charlie Wilson, the Gap Band,

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<v Speaker 3>for example. And then it's funny because we years later,

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<v Speaker 3>we ended up meeting each other a few times. So

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<v Speaker 3>that was someone that I was exposed to the music

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<v Speaker 3>and it was very, very very powerful. Whitney Houston Prince

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<v Speaker 3>Prince came two or three times and we were invited

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<v Speaker 3>to go and see the show. You know, it was

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<v Speaker 3>only got sent Rom and that was amazing because we

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<v Speaker 3>saw him in the big stadium. And then he used

0:13:29.760 --> 0:13:32.480
<v Speaker 3>to do those small shows and I got a chance

0:13:32.480 --> 0:13:32.959
<v Speaker 3>to see.

0:13:32.760 --> 0:13:36.400
<v Speaker 2>A few of those after shows, okay after.

0:13:36.200 --> 0:13:38.400
<v Speaker 3>Shows, and you were close in the front, and that

0:13:38.679 --> 0:13:42.920
<v Speaker 3>was just that was some crazy stuff to be able

0:13:42.960 --> 0:13:44.960
<v Speaker 3>to watch it from very close like that.

0:13:45.240 --> 0:13:50.600
<v Speaker 2>Could you tell our audience how you first connected and

0:13:51.200 --> 0:13:52.720
<v Speaker 2>met your partner Rob.

0:13:53.559 --> 0:13:55.880
<v Speaker 3>Yeah. The first time we met when when I got

0:13:55.920 --> 0:13:58.080
<v Speaker 3>to Munich, I didn't know nobody and I was there

0:13:58.160 --> 0:14:01.840
<v Speaker 3>with a couple of friends. But the first time, I uh,

0:14:02.679 --> 0:14:05.520
<v Speaker 3>it was a few times. But the first time where

0:14:05.520 --> 0:14:08.480
<v Speaker 3>I noticed that it was very competitive between each other

0:14:08.760 --> 0:14:12.800
<v Speaker 3>was at a university show and it was breakdancing on stage.

0:14:13.280 --> 0:14:15.600
<v Speaker 3>I had met him short, I had met him shortly

0:14:15.720 --> 0:14:20.360
<v Speaker 3>before that, and he came across kind of arrogance and

0:14:20.440 --> 0:14:22.920
<v Speaker 3>I knew why because we were on this turf and

0:14:22.960 --> 0:14:24.920
<v Speaker 3>it was like, who was a black those black guys

0:14:24.960 --> 0:14:27.160
<v Speaker 3>because there were there were no black guys in Munich

0:14:27.160 --> 0:14:29.680
<v Speaker 3>at the time. So it was like, Okay, this dude

0:14:29.720 --> 0:14:33.280
<v Speaker 3>is coming too my turf. And that night I heard

0:14:33.280 --> 0:14:35.720
<v Speaker 3>about the party where he was going to be performing,

0:14:35.800 --> 0:14:38.200
<v Speaker 3>and we were invited by this dance school that I

0:14:38.280 --> 0:14:43.520
<v Speaker 3>was that I ended up working for eventually, and he

0:14:43.640 --> 0:14:46.720
<v Speaker 3>did his thing on the floor and rocked it. And

0:14:46.760 --> 0:14:51.000
<v Speaker 3>then at the end of this this this thing, this

0:14:51.000 --> 0:14:54.160
<v Speaker 3>discography on the floor, he stood up and just pointed

0:14:54.200 --> 0:14:56.840
<v Speaker 3>straight at me and I was like, oh, man, I

0:14:56.920 --> 0:14:59.520
<v Speaker 3>might do straight, Like what do you want to fight something?

0:15:00.320 --> 0:15:00.720
<v Speaker 3>Some the way?

0:15:00.760 --> 0:15:04.400
<v Speaker 4>It was, yeah, can I ask you? Because something is

0:15:04.480 --> 0:15:06.880
<v Speaker 4>lost in the fact that you are a man from

0:15:06.920 --> 0:15:10.000
<v Speaker 4>Paris and you moved to Munich. How did you didn't

0:15:10.040 --> 0:15:11.840
<v Speaker 4>maneuver and why would you decide to go somewhere where

0:15:11.880 --> 0:15:13.680
<v Speaker 4>you know the language and don't know it at all?

0:15:14.760 --> 0:15:18.080
<v Speaker 3>Well what happened was I studied German for one year

0:15:18.120 --> 0:15:21.280
<v Speaker 3>in school, but I love language. It's always been very

0:15:21.320 --> 0:15:23.720
<v Speaker 3>good with God. So I had that. And then when

0:15:23.760 --> 0:15:26.040
<v Speaker 3>I went to Germany's because some of my friends were

0:15:26.120 --> 0:15:31.080
<v Speaker 3>dancing and were teaching in Germany. So they were like, hey,

0:15:31.120 --> 0:15:32.600
<v Speaker 3>you want you should come down. You know you're going

0:15:32.640 --> 0:15:34.840
<v Speaker 3>to make some money. I was like, really cool, because

0:15:34.880 --> 0:15:37.360
<v Speaker 3>before you had the Dutch mark, you had the guilders,

0:15:37.360 --> 0:15:39.800
<v Speaker 3>you had the French francs, but the Dutch mark was

0:15:39.840 --> 0:15:44.640
<v Speaker 3>always it was always, it was always strongled. So when

0:15:44.640 --> 0:15:46.040
<v Speaker 3>they told me, yo, you want to go over there,

0:15:46.040 --> 0:15:49.040
<v Speaker 3>I was like, yeah, I experienced something else. So I

0:15:49.120 --> 0:15:53.720
<v Speaker 3>went over there and I studied, I started teaching, and

0:15:53.800 --> 0:15:56.000
<v Speaker 3>then I was like, you know what, I want to

0:15:56.040 --> 0:15:58.800
<v Speaker 3>travel Paris Is. Paris been a little place where I

0:15:58.880 --> 0:16:01.640
<v Speaker 3>was really truly happy and there was with a group

0:16:01.680 --> 0:16:05.080
<v Speaker 3>of people that I was having fun with. And when

0:16:05.080 --> 0:16:08.800
<v Speaker 3>I when when I turned eighteen, I was like I'm out.

0:16:08.880 --> 0:16:11.480
<v Speaker 3>And then because I was, I was of age, you know,

0:16:11.520 --> 0:16:14.200
<v Speaker 3>I was, I was no longer in mind and I

0:16:14.240 --> 0:16:17.400
<v Speaker 3>could travel by myself. I was. I made some mistakes.

0:16:17.760 --> 0:16:20.400
<v Speaker 3>I ended up on the street, you know, no money,

0:16:20.440 --> 0:16:23.080
<v Speaker 3>having to call mommy and I agage send some money,

0:16:23.880 --> 0:16:27.080
<v Speaker 3>all proud, but then I had to call her and

0:16:27.480 --> 0:16:31.200
<v Speaker 3>I stayed and I kept going to the library to

0:16:31.280 --> 0:16:35.320
<v Speaker 3>learn the language, to teach myself, and eventually people didn't

0:16:35.360 --> 0:16:37.440
<v Speaker 3>know that I spoke. So when it was stomp to

0:16:37.480 --> 0:16:41.160
<v Speaker 3>negotiate for the dance shows, I could hear people talking.

0:16:42.160 --> 0:16:44.280
<v Speaker 3>I mean they were still so disrespectful, you know, it

0:16:44.400 --> 0:16:47.320
<v Speaker 3>was like, well, you know, and then I would you know,

0:16:47.840 --> 0:16:53.000
<v Speaker 3>I would yeah, I would be like hey, huh good.

0:16:53.600 --> 0:16:58.000
<v Speaker 3>So so that was a real learning curve because I

0:16:58.040 --> 0:17:00.760
<v Speaker 3>was a shy kid, and so you had to like

0:17:01.120 --> 0:17:04.200
<v Speaker 3>kind of put my chest up and kind of say

0:17:04.240 --> 0:17:07.200
<v Speaker 3>my piece, and that was very difficult. But when I

0:17:07.280 --> 0:17:10.840
<v Speaker 3>met Rob, who was my older brother, then he was

0:17:11.000 --> 0:17:13.080
<v Speaker 3>taken on the slack. He was like he spoke the

0:17:13.160 --> 0:17:16.960
<v Speaker 3>language and knew the people, and it became a little easier.

0:17:17.000 --> 0:17:20.359
<v Speaker 3>But Rob was gangster. He was like, ooh, my dude,

0:17:20.440 --> 0:17:21.000
<v Speaker 3>didn't care.

0:17:21.960 --> 0:17:25.600
<v Speaker 2>Wow. When you were younger, even before you went to Germany,

0:17:25.680 --> 0:17:29.159
<v Speaker 2>like what did your parents do, what was like your

0:17:29.200 --> 0:17:31.760
<v Speaker 2>home situation like, and what was it that you wanted

0:17:31.800 --> 0:17:34.240
<v Speaker 2>to do when you got older? When you were when

0:17:34.240 --> 0:17:37.320
<v Speaker 2>you were a kid like eight, nine, ten eleven.

0:17:37.520 --> 0:17:39.800
<v Speaker 3>You know, growing up growing up in parents, my parents

0:17:39.800 --> 0:17:42.719
<v Speaker 3>being Caribbean and Creole, we used to go on vacation

0:17:42.960 --> 0:17:47.520
<v Speaker 3>every other year back to the roots and no point attended.

0:17:47.960 --> 0:17:52.119
<v Speaker 3>And my my my grandfather was an accordion on his

0:17:52.320 --> 0:17:56.720
<v Speaker 3>player and during the summer it was Carnival, so he

0:17:56.760 --> 0:17:59.160
<v Speaker 3>would play those shows. So I would go and see

0:17:59.200 --> 0:18:01.680
<v Speaker 3>the shows. He would be doing soloing and I was

0:18:01.760 --> 0:18:06.880
<v Speaker 3>like wow. And certainly my parents returning to children, there

0:18:06.920 --> 0:18:10.720
<v Speaker 3>was that that wall between parents and children would disappear

0:18:10.880 --> 0:18:15.480
<v Speaker 3>because of music. And I noticed that really quickly and

0:18:15.480 --> 0:18:16.920
<v Speaker 3>I was like, oh, man, I want to get down

0:18:16.960 --> 0:18:19.520
<v Speaker 3>with that. That's what I want to do. My mom

0:18:19.600 --> 0:18:26.439
<v Speaker 3>was like what island from welp and French at the end.

0:18:26.440 --> 0:18:28.840
<v Speaker 3>And my dad is from another island called the Saints,

0:18:28.840 --> 0:18:32.600
<v Speaker 3>and my grandfather came from off the coast. There's some

0:18:33.240 --> 0:18:36.800
<v Speaker 3>cluster of island off the coast of Calcutta, India, and they

0:18:36.920 --> 0:18:41.639
<v Speaker 3>migrated to the Caribbean. So you know, so when you create,

0:18:41.720 --> 0:18:43.400
<v Speaker 3>you know, it's like you put everything in the park.

0:18:43.760 --> 0:18:46.720
<v Speaker 3>That's why my brother's got green eyes and he's three

0:18:46.760 --> 0:18:47.560
<v Speaker 3>shades lighter.

0:18:47.400 --> 0:18:52.000
<v Speaker 2>And night, including you, because I feel like this is

0:18:52.320 --> 0:18:59.480
<v Speaker 2>you from nineteen eighty eight talking like yeah, you're still

0:19:00.160 --> 0:19:05.199
<v Speaker 2>to say, it's still like you're in your twenties. I

0:19:05.200 --> 0:19:05.920
<v Speaker 2>need your secret.

0:19:07.160 --> 0:19:09.760
<v Speaker 3>Music is a secret, you know, really and really loving

0:19:09.760 --> 0:19:13.240
<v Speaker 3>yourself and surrounding yourself from good people and loving what

0:19:13.280 --> 0:19:16.040
<v Speaker 3>you do and trying to steep as well as you

0:19:16.119 --> 0:19:20.280
<v Speaker 3>can working out eating. Well, there's basics, you know, the basics,

0:19:20.280 --> 0:19:24.119
<v Speaker 3>but if you practice, you know, and with with with time,

0:19:24.200 --> 0:19:27.679
<v Speaker 3>now we've learned about intermediate fasting. We know more about

0:19:27.920 --> 0:19:30.160
<v Speaker 3>you know, because of the Internet. We we've now been

0:19:30.200 --> 0:19:33.359
<v Speaker 3>able to grab onto the stuff, the knowledge. It's the

0:19:33.440 --> 0:19:35.680
<v Speaker 3>age of information. So you can if you want to

0:19:35.720 --> 0:19:38.640
<v Speaker 3>learn how to play an NPC, if you school you too,

0:19:39.119 --> 0:19:41.200
<v Speaker 3>that's all and you're going to figure it out.

0:19:41.560 --> 0:19:41.959
<v Speaker 4>That's it.

0:19:42.040 --> 0:19:45.040
<v Speaker 3>You can figure out anything software. You want to paint

0:19:45.080 --> 0:19:47.200
<v Speaker 3>your house, you want to make a table, you go

0:19:47.320 --> 0:19:49.399
<v Speaker 3>to figure out. We didn't have that. So when it

0:19:49.440 --> 0:19:51.840
<v Speaker 3>came to playing instruments or you know, I remember I

0:19:51.880 --> 0:19:55.480
<v Speaker 3>had an NPC, the manual was so thick. I was like, man,

0:19:55.520 --> 0:19:57.600
<v Speaker 3>I tried to play with that thing, but it was

0:19:57.680 --> 0:20:01.479
<v Speaker 3>discouraging because I could only play corners the machine. And

0:20:01.800 --> 0:20:05.600
<v Speaker 3>that's now what they got. They got everything nice, Like

0:20:06.440 --> 0:20:08.640
<v Speaker 3>if you want to do something, you can do it now.

0:20:09.400 --> 0:20:11.480
<v Speaker 3>You know, to drive.

0:20:16.280 --> 0:20:19.679
<v Speaker 2>The first show that you I guess became a professional

0:20:19.720 --> 0:20:22.000
<v Speaker 2>that dance show. Can you describe what that show was

0:20:22.080 --> 0:20:23.639
<v Speaker 2>like or what the name of that show was?

0:20:25.119 --> 0:20:29.479
<v Speaker 3>Oh man, So that was I was doing that in

0:20:29.520 --> 0:20:33.119
<v Speaker 3>my French counterparts. We came from Paris with that was

0:20:33.480 --> 0:20:36.719
<v Speaker 3>first and they were professional dancers and I was just

0:20:36.800 --> 0:20:39.399
<v Speaker 3>new to the group. So they had certain types of

0:20:39.400 --> 0:20:45.280
<v Speaker 3>giographies that we rehearsed all the time, and one of

0:20:45.320 --> 0:20:49.280
<v Speaker 3>them was a slow motion like it was like a

0:20:49.560 --> 0:20:51.679
<v Speaker 3>like a race and Olympic a race in The music

0:20:52.440 --> 0:20:57.040
<v Speaker 3>was from Evangelists. I don't know if you go Evangelists.

0:20:57.640 --> 0:20:59.520
<v Speaker 3>He did the music for a blade runner. He did

0:20:59.560 --> 0:21:00.840
<v Speaker 3>this sound trifle.

0:21:00.480 --> 0:21:06.879
<v Speaker 6>Baby Yeah angelic and we would start in slow motion

0:21:07.240 --> 0:21:11.320
<v Speaker 6>and then it would go into uh, like a boxing

0:21:11.440 --> 0:21:13.480
<v Speaker 6>match because we were doing sports, and we would do

0:21:13.600 --> 0:21:15.760
<v Speaker 6>soccer all in slow motion, and then it would go

0:21:15.840 --> 0:21:20.600
<v Speaker 6>to I think muscle from Donna Ross and there it

0:21:20.720 --> 0:21:23.840
<v Speaker 6>was kind of like you know, in Box of shorts.

0:21:23.880 --> 0:21:25.479
<v Speaker 3>We ended up in the box of shorts, and then

0:21:25.520 --> 0:21:28.760
<v Speaker 3>we would go into this you know, motion and carography

0:21:29.080 --> 0:21:31.800
<v Speaker 3>and dance and and it would be done at summer

0:21:32.760 --> 0:21:35.480
<v Speaker 3>and so on. We picked the music that we felt

0:21:35.520 --> 0:21:39.800
<v Speaker 3>like felt good, and I would finish with Michael Jackson

0:21:40.560 --> 0:21:43.120
<v Speaker 3>really because I had I had a Jay car at

0:21:43.160 --> 0:21:44.840
<v Speaker 3>the time, you know, I said, so we put the

0:21:44.880 --> 0:21:47.639
<v Speaker 3>product in the hair, and I would I would go

0:21:47.760 --> 0:21:51.360
<v Speaker 3>back and change, put my my pants, put the socks

0:21:51.400 --> 0:21:55.359
<v Speaker 3>on the shoes, and it would be Billy Jean. You know.

0:21:55.520 --> 0:21:58.680
<v Speaker 3>Of course, you know, everybody was a fan, and I

0:21:58.720 --> 0:22:01.520
<v Speaker 3>was a big fan too, So I thought, yeah, maybe

0:22:01.520 --> 0:22:03.720
<v Speaker 3>we should add that at the end to just create

0:22:03.840 --> 0:22:07.760
<v Speaker 3>like climax. And then just like James Brown, at the

0:22:07.840 --> 0:22:11.120
<v Speaker 3>end of my performance, one of the guys would come

0:22:11.240 --> 0:22:14.200
<v Speaker 3>and put a cape over my back and I would

0:22:14.280 --> 0:22:16.280
<v Speaker 3>leave the stage, you know, because I had seen James

0:22:16.280 --> 0:22:20.359
<v Speaker 3>Brown do that, I was like, oh, that's cool, that's crazy.

0:22:21.520 --> 0:22:24.879
<v Speaker 2>So can you explain the process, Like, how do you

0:22:24.920 --> 0:22:29.520
<v Speaker 2>guys meet the attention of Frank Farrion? I guess for

0:22:29.640 --> 0:22:33.400
<v Speaker 2>our listeners who might not be aware of Frank Farrian

0:22:33.960 --> 0:22:38.679
<v Speaker 2>impresario kind of what you would say, I guess a

0:22:38.720 --> 0:22:42.280
<v Speaker 2>manager or a producer who kind of brought forth to

0:22:42.400 --> 0:22:48.320
<v Speaker 2>world acts like meat Loaf, not to mention Bony m

0:22:49.160 --> 0:22:53.080
<v Speaker 2>as well, well, he did the like I know, it

0:22:53.160 --> 0:22:56.119
<v Speaker 2>took meat Loaf like twelve thirteen years to make a

0:22:56.200 --> 0:22:58.919
<v Speaker 2>follow up to bat out of Hell. So I know

0:22:58.960 --> 0:23:04.480
<v Speaker 2>that who produced the first one. Steve Todd Rundgren produced

0:23:04.520 --> 0:23:07.000
<v Speaker 2>that bad out of Help Meet Loof album, right, So

0:23:07.240 --> 0:23:10.280
<v Speaker 2>the follow up record, I know that Frank Farian produced

0:23:10.280 --> 0:23:13.359
<v Speaker 2>that or had a hand in it.

0:23:13.520 --> 0:23:16.560
<v Speaker 4>That's so odd for him after watching his documentary considering

0:23:16.600 --> 0:23:19.159
<v Speaker 4>like meat Loaf visually was not what you would have

0:23:19.200 --> 0:23:22.000
<v Speaker 4>thought would sell, but he really cared about those things.

0:23:22.040 --> 0:23:24.959
<v Speaker 2>That's yeah, Well that's why I want to know, Like,

0:23:25.400 --> 0:23:29.120
<v Speaker 2>just in general, I don't know much about Frank Farian

0:23:29.200 --> 0:23:32.560
<v Speaker 2>as a starmaker or as a producer in any of

0:23:32.560 --> 0:23:35.240
<v Speaker 2>those things. So could you tell us, like how how

0:23:35.280 --> 0:23:36.240
<v Speaker 2>you guys first met him?

0:23:36.880 --> 0:23:40.000
<v Speaker 3>Well, how we met is because we used to play

0:23:40.040 --> 0:23:44.520
<v Speaker 3>soccer in Munich, Germany in summer and the majority of

0:23:44.560 --> 0:23:47.840
<v Speaker 3>those guys who were connected to the music industry, especially

0:23:47.920 --> 0:23:49.960
<v Speaker 3>one of them was Benoble Hide and it was a

0:23:49.960 --> 0:23:53.760
<v Speaker 3>guitar player Studio Kat, who used to do vocals for

0:23:53.840 --> 0:23:56.800
<v Speaker 3>Frank and play guite. Frank and we were close to

0:23:56.840 --> 0:24:01.000
<v Speaker 3>each other and we would try we were trying with

0:24:01.160 --> 0:24:03.760
<v Speaker 3>different producers in the city of Munich, you know, try

0:24:03.800 --> 0:24:06.120
<v Speaker 3>to get into music industry. And he was a friend

0:24:06.119 --> 0:24:09.400
<v Speaker 3>of ours and we told him, Hey, you know, we'd

0:24:09.440 --> 0:24:12.080
<v Speaker 3>love to find the right people in the music industry.

0:24:12.160 --> 0:24:16.600
<v Speaker 3>Maybe you can hook us up. And we started to

0:24:16.680 --> 0:24:21.320
<v Speaker 3>put a band together, performed in the city, and this

0:24:21.400 --> 0:24:24.399
<v Speaker 3>guy also was part of the band. We rehearsed for

0:24:24.400 --> 0:24:27.320
<v Speaker 3>two weeks and performed in Pis in this club that

0:24:27.440 --> 0:24:31.120
<v Speaker 3>was a very known place at the time, and from

0:24:31.160 --> 0:24:35.280
<v Speaker 3>there people heard, they heard about us, and then it

0:24:35.359 --> 0:24:39.000
<v Speaker 3>went all the way back to Frank and then Vava.

0:24:40.960 --> 0:24:43.840
<v Speaker 3>It came to our, It came to us and we

0:24:43.960 --> 0:24:47.720
<v Speaker 3>got the number and I called. I didn't know. I

0:24:47.760 --> 0:24:51.040
<v Speaker 3>didn't know who Frank was. I knew Bunny m m hm,

0:24:51.560 --> 0:24:55.080
<v Speaker 3>and but I grew up on you know, Ciron.

0:24:57.040 --> 0:25:01.480
<v Speaker 2>Yeah, uh our listen and base wouldn't know that as

0:25:01.520 --> 0:25:06.200
<v Speaker 2>the rocket in the pocket breakbeat that most hip hopthes

0:25:06.400 --> 0:25:10.120
<v Speaker 2>spun in the seventies. But yes, from France, that's right.

0:25:10.200 --> 0:25:11.960
<v Speaker 3>And that was like, you know, I used to listen

0:25:11.960 --> 0:25:18.360
<v Speaker 3>to and I was listening to a bunch of out

0:25:18.440 --> 0:25:20.600
<v Speaker 3>there stuff. But then Bonniem came around. I was like, oh,

0:25:20.680 --> 0:25:24.760
<v Speaker 3>that's cool too. So when when Rob told me, hey,

0:25:24.800 --> 0:25:28.199
<v Speaker 3>that's Frank Farn, that's Frank Finer producer, I was like, Okay,

0:25:28.359 --> 0:25:30.040
<v Speaker 3>I don't know who he is, you know, you know

0:25:30.080 --> 0:25:32.000
<v Speaker 3>Bonny m and I remember going to parties with the

0:25:32.080 --> 0:25:35.040
<v Speaker 3>kids and Boniem was playing, but I was more into

0:25:36.119 --> 0:25:41.159
<v Speaker 3>disco summer and that. But then when he told me

0:25:41.800 --> 0:25:44.280
<v Speaker 3>how big this guy was, I was like, wow, let's go.

0:25:44.640 --> 0:25:48.959
<v Speaker 3>Then let's go, and we ended up going to the

0:25:49.000 --> 0:25:53.720
<v Speaker 3>studio and that studio. You know, I watched a lot

0:25:53.720 --> 0:25:56.479
<v Speaker 3>of doc as a kid about music. And when we

0:25:56.520 --> 0:25:59.879
<v Speaker 3>got into the studio, it looked just like the studios

0:26:00.560 --> 0:26:05.240
<v Speaker 3>from America. It was it was there was consoles, it

0:26:05.280 --> 0:26:07.800
<v Speaker 3>was it was like the real like our boy gear,

0:26:08.000 --> 0:26:11.959
<v Speaker 3>like in the square, the whole wall, and it was

0:26:12.040 --> 0:26:15.280
<v Speaker 3>four rooms like that. There was no one. There was

0:26:15.440 --> 0:26:21.879
<v Speaker 3>four SSL NI console, best micro for everything and in

0:26:22.320 --> 0:26:25.760
<v Speaker 3>every room it was at least five people working. So

0:26:25.800 --> 0:26:27.880
<v Speaker 3>it was like a factory. So we went in there

0:26:28.280 --> 0:26:30.200
<v Speaker 3>and then to top it off, you get all the

0:26:30.960 --> 0:26:37.200
<v Speaker 3>gold records on the wall. So we young naive, didn't

0:26:37.200 --> 0:26:41.320
<v Speaker 3>know anything and never signed any contracts before, don't have

0:26:41.400 --> 0:26:46.440
<v Speaker 3>a manager and an attorney, nothing, no, no experience with

0:26:46.480 --> 0:26:51.119
<v Speaker 3>in that regards. So going in there was like man,

0:26:52.080 --> 0:26:55.679
<v Speaker 3>we made it like we were the right home, you know.

0:26:55.840 --> 0:27:00.000
<v Speaker 3>So we met Frank and we had a conversation about

0:27:00.200 --> 0:27:07.840
<v Speaker 3>music is assistant slash slash slash And because I said

0:27:07.880 --> 0:27:12.200
<v Speaker 3>slash slash slash, because she was. She was handling the business.

0:27:12.440 --> 0:27:15.960
<v Speaker 3>She was the she was the she was the charmer.

0:27:16.359 --> 0:27:18.879
<v Speaker 3>You know, she was like you know, she she would

0:27:18.920 --> 0:27:21.800
<v Speaker 3>like you know many blind used parking speak in a

0:27:21.880 --> 0:27:25.560
<v Speaker 3>very soft voice, and you know he trusted her. Frank

0:27:25.600 --> 0:27:27.960
<v Speaker 3>would never be in a room too long. We speak

0:27:28.000 --> 0:27:30.960
<v Speaker 3>with you, then you'd be out and then she take over.

0:27:32.520 --> 0:27:35.439
<v Speaker 3>I just wanted to say hi so shortly that we

0:27:35.520 --> 0:27:39.959
<v Speaker 3>never really had big contact with him, but he said hi.

0:27:40.119 --> 0:27:43.200
<v Speaker 4>Was this is the head. Yeah, young lady that's in

0:27:43.240 --> 0:27:46.000
<v Speaker 4>the doctor.

0:27:46.040 --> 0:27:46.600
<v Speaker 2>What's her name?

0:27:47.000 --> 0:27:47.240
<v Speaker 3>Yeah?

0:27:48.359 --> 0:27:50.160
<v Speaker 2>And great Yeah, yeah, Angrid. Yeah.

0:27:50.640 --> 0:27:53.760
<v Speaker 3>She would do the stuff. She organized everything.

0:27:54.119 --> 0:27:57.520
<v Speaker 2>Yeah. I wanted to know just the kind of basis

0:27:57.520 --> 0:28:00.960
<v Speaker 2>of operations, like, so, what do they explaining to you

0:28:01.000 --> 0:28:03.720
<v Speaker 2>at the time that you know, you guys have a look,

0:28:03.760 --> 0:28:06.320
<v Speaker 2>we could make you guys the big stars, Like oh, like,

0:28:06.440 --> 0:28:09.280
<v Speaker 2>are they telling you at this moment we can sell

0:28:09.320 --> 0:28:12.000
<v Speaker 2>trillions of records or are they just basically saying like, look,

0:28:12.280 --> 0:28:14.280
<v Speaker 2>let's just make a hit single and see what happens.

0:28:15.600 --> 0:28:18.320
<v Speaker 3>No, it was none of that, as because you know

0:28:19.920 --> 0:28:23.280
<v Speaker 3>now inside twenty twenty. The first meeting we had was

0:28:23.359 --> 0:28:26.800
<v Speaker 3>to look what we look like, because they heard about us,

0:28:26.880 --> 0:28:31.000
<v Speaker 3>what they look like, what are they about? You know,

0:28:31.080 --> 0:28:33.719
<v Speaker 3>So we just spoke about music, you know, and like

0:28:33.760 --> 0:28:35.800
<v Speaker 3>I said, Frank was there very shortly, so it was

0:28:35.840 --> 0:28:39.800
<v Speaker 3>more in contact with Ingrid and we just talked about

0:28:39.800 --> 0:28:41.760
<v Speaker 3>our dreams and what we would do. We were we're

0:28:41.800 --> 0:28:44.360
<v Speaker 3>the same, you know, just like a regular artist who

0:28:44.400 --> 0:28:47.040
<v Speaker 3>gets an opportunity, so you try to sell yourself. You're like, yeah,

0:28:47.160 --> 0:28:50.360
<v Speaker 3>you know, you know, we really want to work with you.

0:28:50.480 --> 0:28:54.720
<v Speaker 3>We say, we performed, you know, Rob played played guitar

0:28:55.560 --> 0:28:58.920
<v Speaker 3>with some basic blues chords, and we would try to

0:28:58.920 --> 0:29:01.120
<v Speaker 3>write all the time, you know. So we talked about

0:29:01.320 --> 0:29:03.960
<v Speaker 3>you know, the fact that yeah, Rob played guitar very well,

0:29:03.960 --> 0:29:06.840
<v Speaker 3>but we said he played guitar, we sing harmonies together.

0:29:07.040 --> 0:29:10.080
<v Speaker 3>You know. It was not that long. They were busy.

0:29:10.160 --> 0:29:12.400
<v Speaker 3>Said okay, it was a pleasure to meet you. But

0:29:12.480 --> 0:29:14.440
<v Speaker 3>what was cool is they pay for the rental cars.

0:29:14.480 --> 0:29:17.880
<v Speaker 3>So I was like, oh nice, you know, so you know,

0:29:17.920 --> 0:29:20.760
<v Speaker 3>we met to spend any money to get there, so

0:29:20.880 --> 0:29:23.680
<v Speaker 3>that that was cool. So even the meeting was short,

0:29:24.320 --> 0:29:26.880
<v Speaker 3>We're like, okay, so we'll call you, We keep in touch.

0:29:27.000 --> 0:29:29.880
<v Speaker 3>We got the numbers, you know, and like you know,

0:29:30.000 --> 0:29:32.560
<v Speaker 3>and this we were told they talked to Ingrid, she's

0:29:32.600 --> 0:29:37.160
<v Speaker 3>the one to talk to. But Frank, no access anytime.

0:29:37.160 --> 0:29:39.920
<v Speaker 4>Did anybody comment on your actual singing voices? That's what

0:29:39.960 --> 0:29:41.640
<v Speaker 4>I was wondering, is y'all were going through this part

0:29:41.640 --> 0:29:42.280
<v Speaker 4>of the process.

0:29:43.400 --> 0:29:45.440
<v Speaker 3>No, no, no, it was just the first meeting. Then

0:29:45.520 --> 0:29:49.680
<v Speaker 3>after that, through the months, we you know, we were like, okay,

0:29:49.880 --> 0:29:51.640
<v Speaker 3>we're going to get in business with this dude. We

0:29:51.720 --> 0:29:55.120
<v Speaker 3>know we got money. We were doing you know, we

0:29:55.120 --> 0:29:58.080
<v Speaker 3>were performing, but it was not bringing the money. So

0:29:58.120 --> 0:30:00.600
<v Speaker 3>we were like, okay, since we know we're gonna work

0:30:00.600 --> 0:30:03.280
<v Speaker 3>with them, maybe we should call them and ask for

0:30:03.720 --> 0:30:05.440
<v Speaker 3>you know, a little bit of money, like you know.

0:30:06.120 --> 0:30:09.240
<v Speaker 3>And they were always very nice and say, okay, yeah, yeah, yeah,

0:30:09.360 --> 0:30:13.320
<v Speaker 3>here's some money. We didn't know that that money wasn't free,

0:30:13.560 --> 0:30:17.040
<v Speaker 3>so we kept calling, We kept calling, we kept getting

0:30:17.240 --> 0:30:20.520
<v Speaker 3>because we had to pay our rents, you know, hook

0:30:20.560 --> 0:30:24.640
<v Speaker 3>up that hair, you know, eat, the basics being that much.

0:30:25.120 --> 0:30:29.400
<v Speaker 3>So then finally we were able to come to the studio,

0:30:30.480 --> 0:30:35.200
<v Speaker 3>you know, and first it played us first of all,

0:30:35.440 --> 0:30:38.440
<v Speaker 3>before doing all that we'd signed a contract because we

0:30:38.800 --> 0:30:41.520
<v Speaker 3>came a few times in between and we signed a

0:30:41.560 --> 0:30:44.440
<v Speaker 3>recording contract. So that's why the money that we have

0:30:44.520 --> 0:30:49.280
<v Speaker 3>been we've been receiving, you know, prior was becoming Okay,

0:30:49.360 --> 0:30:54.880
<v Speaker 3>it's official, signed the contract. There is no no manager, no,

0:30:55.880 --> 0:31:00.520
<v Speaker 3>you know, no attorney. And today was a talking to

0:31:00.520 --> 0:31:05.360
<v Speaker 3>someone and it just popped on my head that we

0:31:05.400 --> 0:31:10.840
<v Speaker 3>were given the last two pages of the contract. We

0:31:10.880 --> 0:31:13.640
<v Speaker 3>were never given the contract like, hey, here's the contract,

0:31:13.960 --> 0:31:15.880
<v Speaker 3>go check it out like this. No, they gave us

0:31:15.880 --> 0:31:21.360
<v Speaker 3>the last two pages. I didn't stan that contract was

0:31:21.400 --> 0:31:25.720
<v Speaker 3>in German, so we had to so, hey, here it is.

0:31:25.960 --> 0:31:28.400
<v Speaker 3>The money was there. It's like yo, cash, he's on

0:31:28.440 --> 0:31:31.400
<v Speaker 3>the table. I won't get We're gonna some paper. So

0:31:31.480 --> 0:31:36.560
<v Speaker 3>we just signed. That's just like that. So we thought like, man,

0:31:37.520 --> 0:31:40.840
<v Speaker 3>it's cool. And then after that we kept asking for

0:31:40.920 --> 0:31:43.680
<v Speaker 3>some money because it took so long in order to

0:31:43.720 --> 0:31:46.240
<v Speaker 3>get to the studio. Until we got to the studio,

0:31:47.440 --> 0:31:51.520
<v Speaker 3>and then I didn't know much about because the studio

0:31:51.520 --> 0:31:53.960
<v Speaker 3>that we worked at they used to have like task them.

0:31:54.800 --> 0:31:57.640
<v Speaker 3>They they didn't have like the knees with the tapes.

0:31:58.360 --> 0:32:00.920
<v Speaker 3>When we come to the studio, all the tape hanging

0:32:00.960 --> 0:32:04.160
<v Speaker 3>on the wall. It was like, oh, oh is that.

0:32:04.320 --> 0:32:06.560
<v Speaker 3>It was like like, oh yes, because you know we

0:32:07.240 --> 0:32:12.320
<v Speaker 3>know where everything is. Oh cool. But when they played

0:32:12.360 --> 0:32:16.960
<v Speaker 3>the track, I'm sure they mute the vocals because the

0:32:17.040 --> 0:32:17.960
<v Speaker 3>vocals everything was.

0:32:18.320 --> 0:32:21.880
<v Speaker 4>So y'all sang these songs. Oh God, y'all sang these songs.

0:32:22.160 --> 0:32:25.560
<v Speaker 3>No no, no, no no. Listen. The songs were the recorded

0:32:25.560 --> 0:32:27.960
<v Speaker 3>The singers were already on the because they were recording

0:32:28.040 --> 0:32:30.760
<v Speaker 3>music ahead of time. So if I would have known

0:32:31.320 --> 0:32:34.480
<v Speaker 3>about how as to your works it picks to your works,

0:32:34.480 --> 0:32:39.000
<v Speaker 3>it could have seen like, oh, lead vocals, backgrounds, here, harmonies.

0:32:39.720 --> 0:32:41.320
<v Speaker 3>I didn't know. So when we came to the studio,

0:32:41.360 --> 0:32:44.080
<v Speaker 3>they just they did what they did. I'm sure they muted.

0:32:44.120 --> 0:32:47.360
<v Speaker 3>Andy said, hey, it's track, and then it was just instrumental.

0:32:48.520 --> 0:32:52.440
<v Speaker 2>Okay, so wa I didn't play the vocal Okay, I

0:32:52.480 --> 0:32:52.960
<v Speaker 2>get it now.

0:32:53.120 --> 0:32:57.240
<v Speaker 3>Yeah no. So but that track was banging. I mean

0:32:57.280 --> 0:32:59.640
<v Speaker 3>you had like you know, you had the main that

0:32:59.800 --> 0:33:03.360
<v Speaker 3>was plaw. It's like for us, you know, when you're young,

0:33:04.000 --> 0:33:08.240
<v Speaker 3>your imagination runs wild. So we saw ourselves like on

0:33:08.480 --> 0:33:11.600
<v Speaker 3>stage and doing this thing. Robbays looking at me like

0:33:11.640 --> 0:33:14.800
<v Speaker 3>we were smiling, like he was like, yo, we're good.

0:33:16.040 --> 0:33:19.440
<v Speaker 3>But we never talked until this point. Nobody came no

0:33:20.400 --> 0:33:23.200
<v Speaker 3>vocal coach because you know, everybody wants to vocal coach.

0:33:24.080 --> 0:33:26.880
<v Speaker 3>I mean, you know a lot of people were I

0:33:26.960 --> 0:33:29.880
<v Speaker 3>didn't know that. But there's a coach, there's a songwriter,

0:33:30.280 --> 0:33:32.680
<v Speaker 3>there's and you take people even though they don't have

0:33:32.760 --> 0:33:35.480
<v Speaker 3>the talent at that moment, they got a little son something.

0:33:36.160 --> 0:33:38.640
<v Speaker 3>Some people invest and they believe in them, and then

0:33:39.040 --> 0:33:42.320
<v Speaker 3>after an album of two like yo, they're good, they're

0:33:42.320 --> 0:33:45.080
<v Speaker 3>pretty sweet. But it was none of that because the

0:33:45.120 --> 0:33:47.400
<v Speaker 3>only thing that was interested in from the beginning was

0:33:47.440 --> 0:33:51.160
<v Speaker 3>to use the visuals. That's all because he did it

0:33:51.640 --> 0:33:55.840
<v Speaker 3>with Bunny him they may explained Frank Fyon sang the

0:33:55.960 --> 0:33:59.680
<v Speaker 3>vocal of Bobby Firell got.

0:33:59.520 --> 0:34:03.480
<v Speaker 2>The blind from Yeah, I did not know that.

0:34:03.600 --> 0:34:08.480
<v Speaker 3>So Frank did the vocals for Bobby Farrell and that's

0:34:08.480 --> 0:34:14.760
<v Speaker 3>where he found his formula, Like, oh that works. Also,

0:34:15.200 --> 0:34:18.920
<v Speaker 3>the one thing I heard was that, and you know, Frank,

0:34:18.960 --> 0:34:21.480
<v Speaker 3>it was an artist was trying to make it and

0:34:21.520 --> 0:34:24.719
<v Speaker 3>the music that he was making. The label were like, hey,

0:34:24.920 --> 0:34:29.360
<v Speaker 3>now he can make black music, you're white. And you

0:34:29.360 --> 0:34:31.960
<v Speaker 3>know what happened? Like so as an artist. He was like, oh,

0:34:32.040 --> 0:34:35.799
<v Speaker 3>so I can't do black music because I'm white, all right, Dan,

0:34:36.440 --> 0:34:39.680
<v Speaker 3>so figured you figured it out. He got his formula,

0:34:40.040 --> 0:34:42.879
<v Speaker 3>you got the girls, he got the guy, and then

0:34:42.880 --> 0:34:45.160
<v Speaker 3>he did the vocals from the guy. And then he

0:34:45.280 --> 0:34:49.400
<v Speaker 3>kept working and kept working. He kept working. Then years

0:34:49.440 --> 0:34:52.120
<v Speaker 3>past and moving and it comes around, well he can't

0:34:52.160 --> 0:34:54.840
<v Speaker 3>do that. So what he's gonna do. He's gonna go

0:34:54.920 --> 0:34:58.319
<v Speaker 3>get people that he works with in his studio, have

0:34:58.440 --> 0:35:02.920
<v Speaker 3>them come at night military operation. We are in Munich.

0:35:03.000 --> 0:35:07.480
<v Speaker 3>We don't know nothing. They got the guys. But the

0:35:07.520 --> 0:35:11.160
<v Speaker 3>thing is they were already looking, they were preparing us

0:35:11.120 --> 0:35:13.360
<v Speaker 3>stuff in advance. We just came into the foe. We

0:35:13.520 --> 0:35:16.959
<v Speaker 3>just fell into the trap, not knowing that the sole

0:35:17.040 --> 0:35:19.920
<v Speaker 3>thing they were willing to they wanted to use was

0:35:19.960 --> 0:35:24.000
<v Speaker 3>the face. So singing was that never came into play.

0:35:24.680 --> 0:35:28.040
<v Speaker 3>So when we heard the track and we were smiling,

0:35:29.040 --> 0:35:33.120
<v Speaker 3>then he took us through another room and then he

0:35:33.200 --> 0:35:35.720
<v Speaker 3>kind of put it on us and he started talking

0:35:35.719 --> 0:35:40.160
<v Speaker 3>to Rob in German. Because through the years I was

0:35:40.200 --> 0:35:44.080
<v Speaker 3>more like an after the fact, I was never I

0:35:44.120 --> 0:35:47.320
<v Speaker 3>guess I never was really truly respected.

0:35:47.400 --> 0:35:49.960
<v Speaker 4>I never felt you didn't have the green ass.

0:35:50.960 --> 0:35:54.440
<v Speaker 3>Well, yeah, I was missing something. So it was always

0:35:54.440 --> 0:35:56.600
<v Speaker 3>they were talking to him and they would relate everything

0:35:56.640 --> 0:35:59.520
<v Speaker 3>to me, and he would then you relate everything to me,

0:36:00.040 --> 0:36:02.480
<v Speaker 3>and he was getting pissed. Rubb was like a firecracker,

0:36:02.600 --> 0:36:06.040
<v Speaker 3>so I could see him like, oh, my dude's getting mad, Like, yo,

0:36:06.280 --> 0:36:09.400
<v Speaker 3>we were feeling good a second ago. You messed it

0:36:09.440 --> 0:36:12.919
<v Speaker 3>all up. I'm thinking you said something wrong and we

0:36:13.040 --> 0:36:15.840
<v Speaker 3>lose We lost that thing. The dude walked away pissed,

0:36:16.840 --> 0:36:19.080
<v Speaker 3>pissed because we didn't want to do it, and Rubb

0:36:19.160 --> 0:36:21.080
<v Speaker 3>was like, no, we're not doing that. So Rubb was

0:36:21.080 --> 0:36:26.840
<v Speaker 3>already saying we're not doing that. But then you know Ingrid,

0:36:27.400 --> 0:36:31.319
<v Speaker 3>like that, the voice of reason comes, like I think

0:36:31.360 --> 0:36:34.480
<v Speaker 3>it's in Mogli. You know, there's the I think it's

0:36:34.480 --> 0:36:36.440
<v Speaker 3>a snake in Mogli that comes in like.

0:36:37.920 --> 0:36:39.719
<v Speaker 2>M sweet talk.

0:36:42.960 --> 0:36:45.880
<v Speaker 3>And makes you look at reality. Hey, you got some money,

0:36:46.719 --> 0:36:46.960
<v Speaker 3>you know?

0:36:47.960 --> 0:36:50.800
<v Speaker 4>Hey, But fab in retrospect, when you look at Ingrid

0:36:50.920 --> 0:36:53.879
<v Speaker 4>and Washington's documentary and knowing the history of like where

0:36:53.960 --> 0:36:57.399
<v Speaker 4>Rob comes from as an orphan, adopted child and all that,

0:36:58.480 --> 0:37:00.960
<v Speaker 4>don't you think she fed right in to all of that,

0:37:01.040 --> 0:37:03.080
<v Speaker 4>like she became this also kind of like she said

0:37:03.080 --> 0:37:06.759
<v Speaker 4>in the documentary. Yeah, but she said we loved each

0:37:06.800 --> 0:37:09.239
<v Speaker 4>other with no sex, so not even just a mother.

0:37:09.280 --> 0:37:10.800
<v Speaker 4>It's a little sicker than that, a mirror because she

0:37:10.960 --> 0:37:14.359
<v Speaker 4>like mother. But but he hot though, you know, but

0:37:14.400 --> 0:37:15.319
<v Speaker 4>we not. It was.

0:37:16.880 --> 0:37:20.640
<v Speaker 3>Listen, I don't be I when I saw that, I

0:37:20.719 --> 0:37:22.799
<v Speaker 3>was like, it made me feel weird because I know

0:37:22.920 --> 0:37:26.799
<v Speaker 3>Rubb was gangster, and let me tell you, Rubb was.

0:37:28.520 --> 0:37:30.680
<v Speaker 3>It was always gangster. But when with the drugs it

0:37:30.760 --> 0:37:34.600
<v Speaker 3>became he switched, it was not the same person that

0:37:34.640 --> 0:37:39.799
<v Speaker 3>I knew. And then it was about it became by him,

0:37:39.840 --> 0:37:44.360
<v Speaker 3>you know, because it became you know, he became an addict,

0:37:44.480 --> 0:37:47.000
<v Speaker 3>so then it was not the same dude that I

0:37:47.000 --> 0:37:49.360
<v Speaker 3>grew up with who had my back and all that.

0:37:49.480 --> 0:37:52.799
<v Speaker 3>So maybe it was just you know, taking care of

0:37:53.680 --> 0:37:54.279
<v Speaker 3>you know, of.

0:37:54.880 --> 0:37:57.480
<v Speaker 4>So many words for this in twenty twenty three, with

0:37:57.520 --> 0:37:59.800
<v Speaker 4>the traumas and knowing like a little bit of a

0:37:59.840 --> 0:38:04.480
<v Speaker 4>round history and it was inevitable if it wasn't nurtured correctly, that.

0:38:05.719 --> 0:38:08.400
<v Speaker 3>He had a baby, he had a big void, you know.

0:38:08.840 --> 0:38:12.439
<v Speaker 3>And obviously when you go into entertainment like like I did,

0:38:12.440 --> 0:38:14.640
<v Speaker 3>and it was you know, you want to be loved

0:38:14.680 --> 0:38:16.839
<v Speaker 3>and what you don't get that stuff at home, You're

0:38:16.880 --> 0:38:19.600
<v Speaker 3>going to go and get it like in another way.

0:38:19.719 --> 0:38:22.399
<v Speaker 3>And when people say, oh I love you, Oh you're

0:38:22.440 --> 0:38:25.440
<v Speaker 3>the best, you know, and that when we got that,

0:38:25.440 --> 0:38:27.960
<v Speaker 3>that's part of the seduction because we did that for

0:38:27.960 --> 0:38:32.240
<v Speaker 3>a single. And then obviously we sunned and a contract

0:38:32.239 --> 0:38:35.959
<v Speaker 3>for five albums, which we didn't understand that concept because

0:38:35.960 --> 0:38:38.960
<v Speaker 3>we never seen a contract. We just know. We just

0:38:39.000 --> 0:38:41.400
<v Speaker 3>thought it was two pages, but it was a full,

0:38:41.800 --> 0:38:46.920
<v Speaker 3>full on contract. Your clauses and you know and all that.

0:38:51.760 --> 0:38:55.160
<v Speaker 2>Can you explain the basis of how you guys came

0:38:55.200 --> 0:38:56.880
<v Speaker 2>to the name Milli Vanilli.

0:38:58.000 --> 0:39:01.759
<v Speaker 3>Okay, so the name Millie anally was. You know, there

0:39:01.800 --> 0:39:05.120
<v Speaker 3>was a group called Pretty Polity that was from London

0:39:05.719 --> 0:39:09.719
<v Speaker 3>and we loved we loved their sounds and we loved

0:39:10.200 --> 0:39:12.440
<v Speaker 3>the way it rolled on the tongue was pretty Polity.

0:39:12.600 --> 0:39:15.440
<v Speaker 3>That's cool. So we're trying to find something. So we

0:39:15.960 --> 0:39:19.720
<v Speaker 3>and then we were thinking, okay, ice cream, dark dude,

0:39:20.040 --> 0:39:23.440
<v Speaker 3>live dude, like ice cream. It was kind of cheap,

0:39:23.600 --> 0:39:27.720
<v Speaker 3>didn't dark and we like, oh, nearly's cool, Million's dope.

0:39:28.280 --> 0:39:33.920
<v Speaker 3>And then somehow this ingriaged little name was Milli. And

0:39:34.000 --> 0:39:36.920
<v Speaker 3>then when we how we mixed it all up and

0:39:37.000 --> 0:39:39.520
<v Speaker 3>it was like MILLI van nearly and then it had

0:39:39.600 --> 0:39:42.560
<v Speaker 3>this ring to it. It had Italian, it kind of

0:39:42.640 --> 0:39:46.280
<v Speaker 3>sang and it's tough. It was like and people always

0:39:46.360 --> 0:39:48.439
<v Speaker 3>ask are you million? Are you nearly?

0:39:49.480 --> 0:39:53.360
<v Speaker 2>Yeah? I initially thought that one was million, one was vadilli.

0:39:54.160 --> 0:39:56.520
<v Speaker 3>That's right, that's right, that's right, and and that's how

0:39:57.160 --> 0:39:59.600
<v Speaker 3>it came about, you know, like that, and we just

0:39:59.719 --> 0:40:03.200
<v Speaker 3>rolle it. And then what happened was we did as

0:40:03.360 --> 0:40:08.239
<v Speaker 3>first trial. I'll tell you like, because I'm sure you're

0:40:08.239 --> 0:40:09.719
<v Speaker 3>gonna ask me the question like, so how did you

0:40:10.280 --> 0:40:14.200
<v Speaker 3>who picked what and why? Because you know, obviously we

0:40:14.280 --> 0:40:17.040
<v Speaker 3>didn't sing on the record, so it's like, why did

0:40:17.120 --> 0:40:18.839
<v Speaker 3>you pick that? And what did you pick that? Well?

0:40:19.520 --> 0:40:22.719
<v Speaker 3>Truth and matter is that Rob was like, I ain't

0:40:22.760 --> 0:40:26.840
<v Speaker 3>trying to do much, so oh Rob.

0:40:30.800 --> 0:40:33.800
<v Speaker 2>It's smart. Was the video the first thing that you

0:40:33.880 --> 0:40:36.960
<v Speaker 2>guys did as the unit, No.

0:40:37.000 --> 0:40:39.480
<v Speaker 3>No, no, first it was we did first we did

0:40:39.520 --> 0:40:42.120
<v Speaker 3>a I think it was a trialout and we went

0:40:42.160 --> 0:40:45.239
<v Speaker 3>to a radio station that was regional and we did

0:40:45.280 --> 0:40:49.080
<v Speaker 3>this thing and there was no talk of video. And

0:40:49.160 --> 0:40:51.799
<v Speaker 3>then that that thing that we did at a TV

0:40:51.920 --> 0:40:56.640
<v Speaker 3>studio basic after picking up the parts. That thing kind

0:40:56.680 --> 0:41:00.799
<v Speaker 3>of it went like wildfire into region and that's when

0:41:00.960 --> 0:41:04.560
<v Speaker 3>Frank was like, well and we got something there, you know.

0:41:04.680 --> 0:41:07.360
<v Speaker 3>And then they started to like test the record and

0:41:07.920 --> 0:41:10.800
<v Speaker 3>play the record in the clubs, in black clubs in

0:41:10.920 --> 0:41:14.879
<v Speaker 3>Frankfurt and in the club called Funkadelic where Frank used

0:41:14.920 --> 0:41:17.320
<v Speaker 3>to go in with the vinyl because he had a

0:41:17.480 --> 0:41:21.040
<v Speaker 3>Furman No, I forgot the name of that, that vinyl

0:41:21.120 --> 0:41:24.120
<v Speaker 3>machine where you can print vinyl. Yeah, he had one

0:41:24.160 --> 0:41:28.920
<v Speaker 3>of them. Yeah, and then we test press, go to

0:41:29.000 --> 0:41:31.759
<v Speaker 3>the club and we'd come back and be like so

0:41:31.920 --> 0:41:34.560
<v Speaker 3>then when when you had it right and funk the

0:41:34.640 --> 0:41:39.560
<v Speaker 3>lick was mostly dark skinned people mostly, so it's all Americans,

0:41:39.600 --> 0:41:41.960
<v Speaker 3>and you know, like he was like, yo, I got it,

0:41:42.239 --> 0:41:44.799
<v Speaker 3>I got it. But you know that was done by

0:41:44.880 --> 0:41:48.560
<v Speaker 3>new marks, you know, right, that was a cover so

0:41:49.440 --> 0:41:51.680
<v Speaker 3>it was not too difficult to like, Okay, you already

0:41:51.719 --> 0:41:55.120
<v Speaker 3>have something that is obviously great. But he blew it up.

0:41:55.680 --> 0:41:58.640
<v Speaker 3>You know, he had a bigger, better equipment, but it

0:41:58.880 --> 0:42:02.120
<v Speaker 3>kind of duplicated it actually what it was. But I

0:42:02.200 --> 0:42:04.640
<v Speaker 3>can't take take it away from him. That first she

0:42:04.760 --> 0:42:07.479
<v Speaker 3>had the instinctive pick that one or somebody else picked

0:42:07.520 --> 0:42:08.680
<v Speaker 3>it and brought it to him.

0:42:09.239 --> 0:42:16.239
<v Speaker 2>Right, Okay, So at what point do you realize, like,

0:42:16.520 --> 0:42:21.200
<v Speaker 2>oh shit, this is going to be major Because even then,

0:42:21.360 --> 0:42:24.080
<v Speaker 2>like you guys weren't on Aris director yets in the States,

0:42:24.280 --> 0:42:27.120
<v Speaker 2>Like oh no, it started out as an ndie labeled

0:42:27.160 --> 0:42:28.800
<v Speaker 2>thing and sort of just rose its way up to

0:42:28.880 --> 0:42:32.080
<v Speaker 2>the top. At what point do you realize, like, oh god,

0:42:32.239 --> 0:42:34.720
<v Speaker 2>this is going to be something?

0:42:36.440 --> 0:42:38.920
<v Speaker 3>Well, it was we were we were living at a

0:42:39.040 --> 0:42:43.200
<v Speaker 3>friend's house, you know. We it was like a very

0:42:43.239 --> 0:42:46.839
<v Speaker 3>small apartment, and they had the showco Formula one form

0:42:46.920 --> 0:42:50.000
<v Speaker 3>the lines and then it was a Saturday because on

0:42:50.040 --> 0:42:52.640
<v Speaker 3>Saturday the Charles would come up and we were there

0:42:52.719 --> 0:42:57.239
<v Speaker 3>just watching it and here we were. It was like

0:42:58.560 --> 0:43:01.080
<v Speaker 3>and we used to watch the shows regularly, you know,

0:43:01.239 --> 0:43:03.719
<v Speaker 3>like and we used to dance behind some of the

0:43:03.800 --> 0:43:06.840
<v Speaker 3>people that used to perform on that show as backup dancers.

0:43:08.080 --> 0:43:11.640
<v Speaker 3>And then there we look at the TV. We hear

0:43:11.719 --> 0:43:14.200
<v Speaker 3>a song. We were like, oh my god. We started

0:43:14.280 --> 0:43:19.160
<v Speaker 3>breaking stuff in that apartment through excitement. It was like

0:43:19.560 --> 0:43:21.359
<v Speaker 3>it was like hearing your song for the first time

0:43:21.400 --> 0:43:24.080
<v Speaker 3>on the radio. It was the snippets, but we were

0:43:24.120 --> 0:43:27.640
<v Speaker 3>in the charts because they were playing the chorus of

0:43:27.760 --> 0:43:30.640
<v Speaker 3>each song from the bottom, like the entry. So I

0:43:30.719 --> 0:43:34.000
<v Speaker 3>think they were doing the top twenty and I think

0:43:34.360 --> 0:43:38.320
<v Speaker 3>we were. We were number twenty there. But then it

0:43:38.440 --> 0:43:42.640
<v Speaker 3>went we went quick, like super quick, and then it

0:43:42.719 --> 0:43:45.640
<v Speaker 3>started to get organized and we had to be that

0:43:45.760 --> 0:43:47.840
<v Speaker 3>we were sent on the road. And then there was

0:43:48.000 --> 0:43:50.560
<v Speaker 3>like suddenly we had in grid around and there was

0:43:50.600 --> 0:43:54.200
<v Speaker 3>a car, there was car service, then there was hotel,

0:43:54.320 --> 0:43:55.320
<v Speaker 3>and it was planes.

0:43:55.880 --> 0:43:58.760
<v Speaker 4>And then it was like, okay, are you curious about

0:43:58.840 --> 0:44:01.719
<v Speaker 4>the actual voices that are you're hearing? Like do you

0:44:01.840 --> 0:44:04.080
<v Speaker 4>ever wonder who is? It?

0:44:05.440 --> 0:44:08.120
<v Speaker 3>Always always curious. As a matter of fact, I ended

0:44:08.200 --> 0:44:12.399
<v Speaker 3>up working the past seven years. Six years. I worked

0:44:12.400 --> 0:44:18.080
<v Speaker 3>with John Davies who passed away. Okay, that's cool, you know, Yes,

0:44:18.200 --> 0:44:19.600
<v Speaker 3>we were on the road. I've been on the road.

0:44:19.640 --> 0:44:21.920
<v Speaker 3>I performed the songs with the band without the band tape.

0:44:22.520 --> 0:44:24.000
<v Speaker 3>You know, I've been doing that for years.

0:44:24.400 --> 0:44:28.560
<v Speaker 2>It's super common now, Like right now, I'm a shit.

0:44:28.640 --> 0:44:31.920
<v Speaker 2>I just came from a Duran Durant show and I

0:44:32.000 --> 0:44:36.680
<v Speaker 2>swear to god, there were at least eight MacBook pros

0:44:37.920 --> 0:44:43.680
<v Speaker 2>with like at least five terrorbyte hard drives backstage. So

0:44:44.560 --> 0:44:47.400
<v Speaker 2>what was the technology like back then, because in my

0:44:47.640 --> 0:44:52.560
<v Speaker 2>mind I didn't start seeing at least like the blatant

0:44:52.600 --> 0:44:56.520
<v Speaker 2>technology at least until the early aughts like ninety eight,

0:44:56.680 --> 0:45:00.120
<v Speaker 2>ninety nine, two thousand, where there's pro tools and that

0:45:00.200 --> 0:45:02.480
<v Speaker 2>sort of thing. So what was what was the process

0:45:02.800 --> 0:45:06.160
<v Speaker 2>like and preparing for performances back then?

0:45:07.200 --> 0:45:10.719
<v Speaker 3>Well, the process is what happened was we got the

0:45:10.840 --> 0:45:13.560
<v Speaker 3>tapes because we did one hundred and seven cities shows

0:45:13.640 --> 0:45:16.880
<v Speaker 3>in eight months. So the process is we got the

0:45:16.960 --> 0:45:20.879
<v Speaker 3>twenty four track tapes, went to the studio and then

0:45:21.000 --> 0:45:25.640
<v Speaker 3>the engineer, music supervisors were in the room and then

0:45:26.040 --> 0:45:29.520
<v Speaker 3>they say, okay, we need this, we need this, we

0:45:29.640 --> 0:45:32.600
<v Speaker 3>need this, and then they transferred that to a fair light.

0:45:34.120 --> 0:45:38.240
<v Speaker 3>Oh okay, we went through a fair light. But before

0:45:38.400 --> 0:45:41.560
<v Speaker 3>that we went into I think it was for the

0:45:41.719 --> 0:45:45.719
<v Speaker 3>MTV tour, we did I think an Oberheim, like the

0:45:45.840 --> 0:45:46.799
<v Speaker 3>big Oberheim.

0:45:46.920 --> 0:45:49.120
<v Speaker 2>And then the so everything goes in the keyboard.

0:45:49.760 --> 0:45:51.120
<v Speaker 3>Yeah, everything goes in a keyboard.

0:45:52.120 --> 0:45:54.120
<v Speaker 2>So is it triggered or is it like to the

0:45:54.160 --> 0:45:56.359
<v Speaker 2>point where because the thing is, I don't know if

0:45:56.640 --> 0:45:58.800
<v Speaker 2>back in eighty nine to ninety if there's in ears

0:45:59.520 --> 0:46:01.560
<v Speaker 2>where you hear or the count off and all those things.

0:46:02.920 --> 0:46:05.560
<v Speaker 3>Now the count off was like it was a drummer

0:46:05.880 --> 0:46:09.320
<v Speaker 3>count off was drummer dark, dark dark, and then.

0:46:10.239 --> 0:46:11.480
<v Speaker 2>And they would just have to play to.

0:46:13.200 --> 0:46:15.880
<v Speaker 3>The tape. They played the tape even the band. The

0:46:15.920 --> 0:46:19.440
<v Speaker 3>band was playing, you know, but we knew that. We

0:46:19.520 --> 0:46:22.200
<v Speaker 3>knew that after like a couple of bars, like okay,

0:46:22.880 --> 0:46:27.279
<v Speaker 3>let's it. So it was rehearsed as well. So a

0:46:27.360 --> 0:46:29.640
<v Speaker 3>lot of work went went into it. You know. It

0:46:29.800 --> 0:46:32.279
<v Speaker 3>was because it had to be seamless in order to

0:46:32.400 --> 0:46:38.840
<v Speaker 3>be believable, you know. And I just loved the process

0:46:38.880 --> 0:46:41.200
<v Speaker 3>of creating the show. We we created the visuals, we

0:46:41.960 --> 0:46:45.120
<v Speaker 3>you know, we the band. We even added sections because

0:46:45.160 --> 0:46:49.080
<v Speaker 3>we thought because we listened to everything when you came

0:46:49.440 --> 0:46:51.920
<v Speaker 3>when we came into our room before a show, it

0:46:52.120 --> 0:46:55.040
<v Speaker 3>was from a CDC to get band to Cooling the Gang,

0:46:55.160 --> 0:46:59.080
<v Speaker 3>to the Beatles to led Zeppelin into sex pistols. It

0:46:59.200 --> 0:47:02.960
<v Speaker 3>was everything. Because in Europe the charts was you know,

0:47:03.120 --> 0:47:06.400
<v Speaker 3>everything went into the same charts. There was no separation.

0:47:07.600 --> 0:47:13.200
<v Speaker 3>So I remember we added a van Halen solo in

0:47:13.480 --> 0:47:15.319
<v Speaker 3>the middle of So we would come up with those

0:47:15.360 --> 0:47:17.680
<v Speaker 3>ideas like for example, I had simple because I had

0:47:17.880 --> 0:47:22.600
<v Speaker 3>a Chai. I had a small Achai nine hundred yeah,

0:47:22.600 --> 0:47:24.720
<v Speaker 3>there was the end of nine hundred, there was a thousand,

0:47:24.840 --> 0:47:27.319
<v Speaker 3>and then he went up and I would I would

0:47:27.360 --> 0:47:29.359
<v Speaker 3>watch movies in l A and I we're like, oh,

0:47:29.560 --> 0:47:35.080
<v Speaker 3>I saw Ben Her and Ben Her at the yeah,

0:47:35.200 --> 0:47:38.799
<v Speaker 3>and I said, told the musical director listen, I want

0:47:38.840 --> 0:47:41.160
<v Speaker 3>to I want to start the show with this. And

0:47:41.200 --> 0:47:43.799
<v Speaker 3>I was like, are you sure, said yeah, yeah, yeah, yeah,

0:47:44.000 --> 0:47:46.960
<v Speaker 3>I'm sure. And I was a fan of classical music.

0:47:47.520 --> 0:47:51.200
<v Speaker 3>So when we did the first time, man, it was

0:47:51.360 --> 0:47:57.200
<v Speaker 3>like it was like the arena and the crowd went crazy,

0:47:57.239 --> 0:47:59.959
<v Speaker 3>and I was like, oh, we're keeping that because it didn't.

0:48:00.160 --> 0:48:02.640
<v Speaker 3>They were like, are you sure, I can't. We're sure.

0:48:02.920 --> 0:48:04.560
<v Speaker 3>We put the bills here. You know, we're the boss,

0:48:04.640 --> 0:48:08.759
<v Speaker 3>so just trust and then it worked. So we would

0:48:08.880 --> 0:48:12.760
<v Speaker 3>add little things to make the show, make the show better,

0:48:12.880 --> 0:48:17.080
<v Speaker 3>because that's how we could really affect because the vocals

0:48:17.120 --> 0:48:18.960
<v Speaker 3>were like that was like glop.

0:48:19.360 --> 0:48:21.640
<v Speaker 2>I was going to say, I remember, so I used

0:48:21.680 --> 0:48:26.920
<v Speaker 2>to religiously record every award show and every just basic

0:48:27.120 --> 0:48:30.000
<v Speaker 2>music television show. I mean, now, of course, you know,

0:48:30.160 --> 0:48:32.880
<v Speaker 2>with what we have now, you can just go on

0:48:33.000 --> 0:48:36.759
<v Speaker 2>YouTube and see stuff. But I'd religiously record these things.

0:48:36.920 --> 0:48:41.080
<v Speaker 2>And what I remember most about the Grammy performance was

0:48:41.200 --> 0:48:47.400
<v Speaker 2>like the first four bars, you guys, actually the drums

0:48:47.440 --> 0:48:52.359
<v Speaker 2>were straight out of Compton, And I remember I was like, yo,

0:48:52.640 --> 0:48:54.360
<v Speaker 2>like you know, I'm in back then when I was

0:48:54.719 --> 0:48:59.719
<v Speaker 2>seventeen years old and when Gary Sandling's like, ladies don't

0:48:59.719 --> 0:49:03.400
<v Speaker 2>know and I'm here in the opening tracks straight out

0:49:03.440 --> 0:49:06.600
<v Speaker 2>of Compton, Like I remember, me and my cousins were

0:49:06.640 --> 0:49:09.919
<v Speaker 2>like super high, like what's going on there? Like y'all,

0:49:10.040 --> 0:49:13.279
<v Speaker 2>y'all came out with this sonic It was like a

0:49:13.400 --> 0:49:18.560
<v Speaker 2>sonic assault. And every performance I saw you guys do

0:49:18.920 --> 0:49:21.160
<v Speaker 2>it was like your life depended on it. Like I've

0:49:21.280 --> 0:49:26.080
<v Speaker 2>never seen two hyper people in my life, like really

0:49:26.200 --> 0:49:27.120
<v Speaker 2>really sell this problem.

0:49:27.360 --> 0:49:31.000
<v Speaker 3>So for me and listen, listen to n w A

0:49:31.120 --> 0:49:32.120
<v Speaker 3>as well all day.

0:49:32.880 --> 0:49:37.839
<v Speaker 4>Oh that's true.

0:49:38.120 --> 0:49:42.400
<v Speaker 3>Yeah, And but Sonny Cleeton had so much powers that

0:49:42.520 --> 0:49:45.239
<v Speaker 3>we were like, yo, we're trying to make our show

0:49:45.320 --> 0:49:49.680
<v Speaker 3>as strong as possible. So that's my simple thing was cool,

0:49:50.280 --> 0:49:52.160
<v Speaker 3>you know, so if we could hear something that would

0:49:52.480 --> 0:49:56.960
<v Speaker 3>help us, you know, stimulate the crowd, something that was familiar, man,

0:49:57.040 --> 0:50:00.560
<v Speaker 3>we take that. You know. It was just like you know,

0:50:01.239 --> 0:50:03.400
<v Speaker 3>as a matter of fact, back in the day, we

0:50:03.480 --> 0:50:06.880
<v Speaker 3>will we were going to go into engineering school. But

0:50:07.520 --> 0:50:09.719
<v Speaker 3>we had to pay We had to pay something, and

0:50:10.440 --> 0:50:12.600
<v Speaker 3>that money went somewhere else. But we could have gone

0:50:12.600 --> 0:50:16.360
<v Speaker 3>to engineering school while money ran out.

0:50:17.360 --> 0:50:19.759
<v Speaker 2>By the time that at least in America we get

0:50:20.080 --> 0:50:24.200
<v Speaker 2>uh the album. I mean, the thing is that many

0:50:24.280 --> 0:50:28.080
<v Speaker 2>people don't know is that around the world the album

0:50:28.239 --> 0:50:32.200
<v Speaker 2>was all or nothing. Yeah, and I you know, I

0:50:32.320 --> 0:50:36.400
<v Speaker 2>guess for America, I didn't even know. It's so crazy

0:50:36.520 --> 0:50:39.920
<v Speaker 2>that I had no clue that Diane Warren wrote, uh

0:50:41.000 --> 0:50:46.840
<v Speaker 2>wrote blame it on the rain. So yeah, I was

0:50:47.040 --> 0:50:49.759
<v Speaker 2>curious as did did Kevin not want to participate in

0:50:49.840 --> 0:50:50.400
<v Speaker 2>the document?

0:50:51.600 --> 0:50:55.799
<v Speaker 3>Oh? Man, you know politics mine, That's so like, that's

0:50:55.840 --> 0:50:57.520
<v Speaker 3>all I can think of. You know, it must there

0:50:57.560 --> 0:51:00.360
<v Speaker 3>must have been some political thing that played to because

0:51:01.040 --> 0:51:03.080
<v Speaker 3>why not Kevin? You know, as a matter of fact,

0:51:03.760 --> 0:51:04.920
<v Speaker 3>Bill Petuwez says.

0:51:04.800 --> 0:51:07.600
<v Speaker 2>High, why did you feel that now was the time

0:51:08.800 --> 0:51:12.080
<v Speaker 2>to tell the story? How long was the process? And

0:51:12.200 --> 0:51:14.200
<v Speaker 2>to you make a miss project?

0:51:14.840 --> 0:51:17.560
<v Speaker 3>No, you had nothing to do with the time. Is

0:51:18.120 --> 0:51:22.160
<v Speaker 3>just the wrong people came by always it was always

0:51:22.239 --> 0:51:26.759
<v Speaker 3>the wrong one. Their approach was like it was like

0:51:27.000 --> 0:51:31.600
<v Speaker 3>sensationalizing the thing and almost like fictional like nah, and

0:51:31.680 --> 0:51:36.280
<v Speaker 3>you could tell, like, because I'm pretty good at engaging people,

0:51:36.760 --> 0:51:39.239
<v Speaker 3>you know, my manager Kimalo as well, And every time

0:51:39.280 --> 0:51:43.120
<v Speaker 3>we set it with people, you felt like it wasn't kosher,

0:51:43.200 --> 0:51:45.400
<v Speaker 3>it wasn't good. It was like, nah, man, they just

0:51:45.440 --> 0:51:47.000
<v Speaker 3>see it's a great story and they want to be

0:51:47.080 --> 0:51:50.040
<v Speaker 3>attached to it. But I didn't feel the genuine and

0:51:50.480 --> 0:51:51.480
<v Speaker 3>passion to it.

0:51:52.120 --> 0:51:54.520
<v Speaker 4>Were you pitched a lot? Was it a lot of projects?

0:51:54.560 --> 0:51:58.480
<v Speaker 3>How oh man? Through the years. First of all, we

0:51:58.560 --> 0:52:02.239
<v Speaker 3>went through the movie that felt apart. Then it was

0:52:02.280 --> 0:52:04.759
<v Speaker 3>all kind of like then it was Brett Ratner who

0:52:04.800 --> 0:52:07.239
<v Speaker 3>was supposed to do our movie, and then because of

0:52:07.360 --> 0:52:11.320
<v Speaker 3>what happened to him, I fell apart. And then I

0:52:11.520 --> 0:52:13.640
<v Speaker 3>was getting tired of it. I gave up on the

0:52:13.760 --> 0:52:17.080
<v Speaker 3>idea of doing this, whether it was TV series where

0:52:17.120 --> 0:52:19.399
<v Speaker 3>there is documentary, I gave up on it. I said,

0:52:19.600 --> 0:52:22.960
<v Speaker 3>I said. My manager said, Kim Marvel, I said, you

0:52:23.080 --> 0:52:27.759
<v Speaker 3>do your thing. I'm going to go to Europe. I

0:52:27.880 --> 0:52:31.120
<v Speaker 3>need to get out of the US and and really

0:52:31.400 --> 0:52:34.799
<v Speaker 3>just go and do you know, like get away, because

0:52:34.880 --> 0:52:37.200
<v Speaker 3>if I would have, I don't feel like if I stay,

0:52:37.680 --> 0:52:40.799
<v Speaker 3>I'm not going to be right. I don't matter much time.

0:52:41.320 --> 0:52:45.120
<v Speaker 3>So I left, she pursued it. She she she met

0:52:45.160 --> 0:52:48.520
<v Speaker 3>people and then one day she said, listen, I think

0:52:48.600 --> 0:52:53.440
<v Speaker 3>we got a live one. And then we met and

0:52:53.640 --> 0:52:58.080
<v Speaker 3>he was this dude. I could feel it was passionate everything,

0:52:58.120 --> 0:53:00.320
<v Speaker 3>because you know, I don't usually trust for people's so

0:53:01.280 --> 0:53:05.759
<v Speaker 3>I heard, I listened, I say cool, but I felt

0:53:05.800 --> 0:53:08.680
<v Speaker 3>like he was cool. But you never know. But then

0:53:09.320 --> 0:53:12.120
<v Speaker 3>I was told he told me go watch something that

0:53:12.200 --> 0:53:17.400
<v Speaker 3>I did and it's called Delt. It's about a blind magician.

0:53:19.040 --> 0:53:22.239
<v Speaker 3>So I'm looking at this thing, not knowing what it

0:53:22.480 --> 0:53:24.880
<v Speaker 3>was because he told me, yeah, it's called DELT. So

0:53:24.960 --> 0:53:28.480
<v Speaker 3>I figured it out. I'm watching and in the first

0:53:28.520 --> 0:53:32.200
<v Speaker 3>five minutes, this dude shuffles cards around and I'm like, okay,

0:53:33.239 --> 0:53:37.240
<v Speaker 3>and then in one second they go to his face

0:53:37.320 --> 0:53:42.480
<v Speaker 3>and my dude is blind. Wow, a blind magician. And

0:53:42.560 --> 0:53:46.000
<v Speaker 3>then they followed this dude for four years and they

0:53:46.040 --> 0:53:50.480
<v Speaker 3>had to go through a lot of footage and the story.

0:53:50.600 --> 0:53:54.320
<v Speaker 3>The way they weaved the whole story was magnificent. It

0:53:54.440 --> 0:53:58.239
<v Speaker 3>was very subtle, but you could feel each characters. You

0:53:58.320 --> 0:54:01.279
<v Speaker 3>could feel the pain of eating. And I was like, well,

0:54:01.320 --> 0:54:04.840
<v Speaker 3>if they were able to do that with with this story,

0:54:05.120 --> 0:54:07.279
<v Speaker 3>And I was looking at my story where it's bang

0:54:07.360 --> 0:54:10.120
<v Speaker 3>bang fireworks bam bam. And I was like, I'd be

0:54:10.160 --> 0:54:14.520
<v Speaker 3>interesting to have to go through the motions and massage

0:54:14.560 --> 0:54:16.799
<v Speaker 3>this thing and make because of art. There is an

0:54:16.960 --> 0:54:20.000
<v Speaker 3>art to making a good documentary, but also to report.

0:54:20.760 --> 0:54:22.920
<v Speaker 3>And what they did they did a lot of investigative

0:54:23.120 --> 0:54:27.560
<v Speaker 3>journalists just and they found out stuff that I had

0:54:27.680 --> 0:54:30.920
<v Speaker 3>no idea about. I was like, oh wow, so that's

0:54:31.000 --> 0:54:33.440
<v Speaker 3>why the more we work together, I was like, man,

0:54:33.560 --> 0:54:36.880
<v Speaker 3>my dude is passionate, like crazy. He was like he

0:54:36.960 --> 0:54:39.719
<v Speaker 3>wanted to get then you get it. And even the

0:54:39.840 --> 0:54:43.200
<v Speaker 3>way he interviewed the record executive, it was just.

0:54:43.239 --> 0:54:45.520
<v Speaker 4>About to say that fab the way that he interviewed

0:54:45.520 --> 0:54:48.000
<v Speaker 4>those record executives and made them and asked them, so

0:54:48.600 --> 0:54:50.719
<v Speaker 4>why were their names on it when they got to

0:54:50.760 --> 0:54:52.920
<v Speaker 4>America but this album before their names weren't on it.

0:54:53.000 --> 0:54:55.080
<v Speaker 4>Things make this make sense.

0:54:56.360 --> 0:54:58.200
<v Speaker 3>He worked and he worked, and he could hear it

0:54:58.800 --> 0:55:03.840
<v Speaker 3>and tell the ca be cared, and he's genuinely cared.

0:55:04.360 --> 0:55:09.440
<v Speaker 3>He understood what happened to us, because when you're bigger

0:55:09.480 --> 0:55:12.759
<v Speaker 3>than life like this, people desensitize to the fact that

0:55:13.840 --> 0:55:17.360
<v Speaker 3>no human being he's stop, he's got money, what is

0:55:17.440 --> 0:55:20.960
<v Speaker 3>he care like, man a little, I can make those jokes. Man,

0:55:21.280 --> 0:55:23.960
<v Speaker 3>don't stop crying, baby, You're like a baby, you know.

0:55:24.120 --> 0:55:28.839
<v Speaker 3>And we were like whoa assaulted verbally so much when

0:55:29.120 --> 0:55:33.359
<v Speaker 3>when Rob tried to jump out the window, they make

0:55:33.480 --> 0:55:37.320
<v Speaker 3>jokes about it like, oh so cause and effect, Robbing

0:55:37.400 --> 0:55:40.680
<v Speaker 3>the end died of a broken heart. It broke his heart,

0:55:40.840 --> 0:55:43.520
<v Speaker 3>like and then he was doing drugs. So on top

0:55:43.560 --> 0:55:46.200
<v Speaker 3>of that, when you're not riding the head like this,

0:55:46.400 --> 0:55:51.200
<v Speaker 3>you know, you know, emotionally, your emotional intelligence, if you

0:55:51.360 --> 0:55:54.280
<v Speaker 3>ever had some goes out the dough boom, he's gone,

0:55:55.280 --> 0:55:57.760
<v Speaker 3>he said. And you'll never come back from that, especially

0:55:57.760 --> 0:56:03.480
<v Speaker 3>if you mess up with your brain, you know. So,

0:56:03.640 --> 0:56:06.360
<v Speaker 3>and they were not nice at all. It was so

0:56:06.640 --> 0:56:11.080
<v Speaker 3>brutal and me, lucky me, I was like, yo, I'm

0:56:11.120 --> 0:56:13.680
<v Speaker 3>going to give it up. I don't think it's for me.

0:56:13.880 --> 0:56:16.000
<v Speaker 3>It was a social thing. But I could tell if

0:56:16.040 --> 0:56:18.440
<v Speaker 3>I would go any further, I would fell off the

0:56:18.719 --> 0:56:22.399
<v Speaker 3>edge and to come back from there, you know, because

0:56:22.400 --> 0:56:26.040
<v Speaker 3>I've seen it in La, walking in La, or even

0:56:26.080 --> 0:56:28.360
<v Speaker 3>in New York when I lived in New York, like

0:56:29.480 --> 0:56:31.200
<v Speaker 3>oh damn. I lived in New York for about a

0:56:31.360 --> 0:56:35.319
<v Speaker 3>year a year or so, and I saw people from

0:56:35.400 --> 0:56:39.640
<v Speaker 3>the past, and I was like, dangn I'm like, wow,

0:56:39.920 --> 0:56:43.880
<v Speaker 3>don't let this happen to you, you know. So I

0:56:44.000 --> 0:56:48.360
<v Speaker 3>took my health very seriously, and actually my doctors told me, listen,

0:56:49.360 --> 0:56:55.279
<v Speaker 3>remember those words. He said, success comes and goes, but

0:56:55.400 --> 0:56:57.920
<v Speaker 3>the one thing people remember is your face. If you

0:56:58.000 --> 0:57:01.960
<v Speaker 3>don't look the same, you know, they're gonna look like, oh,

0:57:02.640 --> 0:57:07.320
<v Speaker 3>you know, the same Spanish. Poor dude, he's done, it's cooked,

0:57:07.440 --> 0:57:11.560
<v Speaker 3>he's finished. But if you focus on yourself and you

0:57:11.760 --> 0:57:16.640
<v Speaker 3>keep on growing, you might have a chance to kind

0:57:16.680 --> 0:57:18.720
<v Speaker 3>of look like what you look like. And if you

0:57:18.840 --> 0:57:21.600
<v Speaker 3>work on yourself, you might make something out of yourself.

0:57:21.960 --> 0:57:23.760
<v Speaker 3>Because you noticed I was not right, I was doing

0:57:23.760 --> 0:57:27.000
<v Speaker 3>the wrong things. But like he was kind of like

0:57:27.120 --> 0:57:29.640
<v Speaker 3>a father figure, and he tried to talk some sense

0:57:29.680 --> 0:57:32.480
<v Speaker 3>into me and saying, hey, you know, you might have

0:57:32.520 --> 0:57:35.760
<v Speaker 3>another shot someday. Don't throw it all out the door.

0:57:36.600 --> 0:57:39.320
<v Speaker 3>Make sure your health is right, you know. And I

0:57:39.440 --> 0:57:42.840
<v Speaker 3>realized that I knew that when you take care of

0:57:42.920 --> 0:57:45.480
<v Speaker 3>your health, well, you know, things are better, Your mind

0:57:45.600 --> 0:57:48.720
<v Speaker 3>is better, more clear, right, you know, things are difference

0:57:53.520 --> 0:57:53.760
<v Speaker 3>for you.

0:57:54.160 --> 0:57:59.600
<v Speaker 2>Was there period where you just absolutely positively wanted nothing

0:57:59.680 --> 0:58:03.800
<v Speaker 2>to do the story where like you just went years

0:58:03.920 --> 0:58:10.560
<v Speaker 2>without you know, doing it or I mean, now, it's

0:58:10.760 --> 0:58:12.880
<v Speaker 2>really great to see you embrace the story.

0:58:14.160 --> 0:58:18.240
<v Speaker 3>And the reason why I've embraced the story now is

0:58:18.320 --> 0:58:22.400
<v Speaker 3>because before it was very difficult for me to just

0:58:23.200 --> 0:58:27.520
<v Speaker 3>because I was so fragile emotionally, and everything said about me.

0:58:27.640 --> 0:58:29.840
<v Speaker 3>It was like I was being bullied and you know,

0:58:30.080 --> 0:58:32.200
<v Speaker 3>like all kinds of insult and I was like, wow,

0:58:33.240 --> 0:58:37.400
<v Speaker 3>it's tough to take. So I told myself, Okay, I'm

0:58:37.440 --> 0:58:40.560
<v Speaker 3>not gonna go back to Europe. Music is really my love.

0:58:41.400 --> 0:58:46.240
<v Speaker 3>Music is my friend, my father, my mother, my confident.

0:58:46.960 --> 0:58:48.960
<v Speaker 3>So I'm just gonna go and hang out with music,

0:58:49.600 --> 0:58:52.880
<v Speaker 3>make her proud because music and French music is feminine.

0:58:52.920 --> 0:58:55.800
<v Speaker 3>It's a woman. I'm gonna work with her. I'm gonna

0:58:55.800 --> 0:58:58.760
<v Speaker 3>make her proud. I'm gonna keep looking myself and at

0:58:58.800 --> 0:59:03.600
<v Speaker 3>some point I'm gonna be secure enough to not have

0:59:04.040 --> 0:59:07.720
<v Speaker 3>none of that touch me anymore. But I got to

0:59:07.760 --> 0:59:10.920
<v Speaker 3>do my work. So I went to songwriting, I went

0:59:11.000 --> 0:59:14.600
<v Speaker 3>to playing guitar, got into producing, and I've been making

0:59:14.720 --> 0:59:17.760
<v Speaker 3>music ever since. I never stopped, I never stopped creating,

0:59:17.920 --> 0:59:21.680
<v Speaker 3>making making making. People have no idea, but when I'm

0:59:21.760 --> 0:59:25.040
<v Speaker 3>gonna come. I'm gonna come that door when it opens up,

0:59:25.080 --> 0:59:28.840
<v Speaker 3>and I'm releasing music. Man, I'm just gonna people are

0:59:28.840 --> 0:59:33.040
<v Speaker 3>gonna be like, oh and nothing and nothing's gonna stop

0:59:33.080 --> 0:59:35.800
<v Speaker 3>me from doing that. And age is nothing but a

0:59:35.880 --> 0:59:39.400
<v Speaker 3>number because it's all about the work. As a matter

0:59:39.440 --> 0:59:45.920
<v Speaker 3>of fact, when you age, life gives you music. That's it.

0:59:46.640 --> 0:59:50.520
<v Speaker 3>If you haven't lived, what do you talk about? Yeah,

0:59:51.320 --> 0:59:54.400
<v Speaker 3>talk about pain. You don't go pain when you're twenty

0:59:54.880 --> 0:59:58.600
<v Speaker 3>twenty one, you know. Now you know I'm a model,

0:59:58.800 --> 1:00:03.320
<v Speaker 3>you know, moddel sixty six. I'm straight up.

1:00:03.840 --> 1:00:05.680
<v Speaker 4>I was like, as a dad, you must be awesome.

1:00:05.720 --> 1:00:08.480
<v Speaker 4>We're dealing with bullies and whatnot, because it's like kids,

1:00:09.320 --> 1:00:11.640
<v Speaker 4>like if anybody knows how to deal.

1:00:11.560 --> 1:00:14.960
<v Speaker 3>With this, Yeah, but none of that is happening. You know.

1:00:15.680 --> 1:00:18.240
<v Speaker 3>We do it up that we're lucky. We're lucky where

1:00:18.240 --> 1:00:20.320
<v Speaker 3>we are. And as a matter of fact, for me,

1:00:20.960 --> 1:00:23.200
<v Speaker 3>not that I have my little ones looking up to daddy.

1:00:23.920 --> 1:00:27.560
<v Speaker 3>I gotta walk that straight line, you know. But for

1:00:27.720 --> 1:00:29.960
<v Speaker 3>a long time I didn't have children. I always wanted

1:00:30.000 --> 1:00:32.440
<v Speaker 3>to have a family because I didn't have my family

1:00:32.560 --> 1:00:36.400
<v Speaker 3>was broken. So I thought, if I have children, one

1:00:36.520 --> 1:00:39.040
<v Speaker 3>day I'm gonna do it right, and I'm gonna be

1:00:39.080 --> 1:00:44.280
<v Speaker 3>able to live like relives that what I missed on.

1:00:45.240 --> 1:00:48.800
<v Speaker 3>And that's why now when I create and I have

1:00:48.920 --> 1:00:54.000
<v Speaker 3>much but children around, man, the intent behind everything I

1:00:54.160 --> 1:00:58.560
<v Speaker 3>do is love. It's love for my children, it's love

1:00:58.680 --> 1:01:00.880
<v Speaker 3>for the world. I love people in general. And the

1:01:01.000 --> 1:01:05.000
<v Speaker 3>first songs that I started translating about Marley's song, so

1:01:05.480 --> 1:01:09.240
<v Speaker 3>about Marley is my my number one? My two go

1:01:10.160 --> 1:01:13.680
<v Speaker 3>had dictionary the lyrics, the liner notes the credits who

1:01:13.720 --> 1:01:16.600
<v Speaker 3>played what? Because I come from that. I come from

1:01:16.800 --> 1:01:21.040
<v Speaker 3>reading the information in the records? Who played what? You know?

1:01:21.680 --> 1:01:22.680
<v Speaker 4>Have you been to the island?

1:01:23.520 --> 1:01:24.000
<v Speaker 3>Never one?

1:01:24.240 --> 1:01:25.360
<v Speaker 4>You need to touch that fan?

1:01:25.880 --> 1:01:28.480
<v Speaker 5>How do you see yourself explaining to your children when

1:01:28.520 --> 1:01:31.920
<v Speaker 5>they google you one day, like, what's the life lesson that?

1:01:32.360 --> 1:01:35.320
<v Speaker 5>When they see like you're this unbelievable career that you've

1:01:35.360 --> 1:01:37.160
<v Speaker 5>had and the ups and down, the ebbs and flows

1:01:37.200 --> 1:01:39.320
<v Speaker 5>of it, is it just is it just a story

1:01:39.360 --> 1:01:42.120
<v Speaker 5>of perseverance. I feel like it's so much more. You know,

1:01:42.720 --> 1:01:45.400
<v Speaker 5>after watching that documentary, you know.

1:01:45.480 --> 1:01:47.960
<v Speaker 3>What I did, and I did it for my for

1:01:48.080 --> 1:01:50.720
<v Speaker 3>my I did It's It's funny how things happen in life.

1:01:50.760 --> 1:01:54.880
<v Speaker 3>But during COVID, my fans were like trying to reach out,

1:01:54.960 --> 1:01:56.680
<v Speaker 3>and I was like, how am I going to stay

1:01:56.720 --> 1:02:00.520
<v Speaker 3>in touch with the people? You know? And then certainly

1:02:00.640 --> 1:02:04.360
<v Speaker 3>the question keep asking keep coming, like hey, how do

1:02:04.400 --> 1:02:07.960
<v Speaker 3>you stay fit? How do you stay positive? I know

1:02:08.160 --> 1:02:10.080
<v Speaker 3>you went through hell, but I'm looking at you now

1:02:10.240 --> 1:02:14.040
<v Speaker 3>you're good. And I was like, yeah, that's right. Maybe

1:02:14.080 --> 1:02:17.200
<v Speaker 3>I should share because my partner is a health coach,

1:02:17.280 --> 1:02:19.320
<v Speaker 3>and I'm not doing that on my own. You know,

1:02:19.360 --> 1:02:21.880
<v Speaker 3>I have someone that that you know. Of course, my

1:02:21.960 --> 1:02:25.240
<v Speaker 3>manager before that you know, helped me go with that mountain.

1:02:25.800 --> 1:02:28.480
<v Speaker 3>But when I came to Europe, you know, and I

1:02:28.560 --> 1:02:31.160
<v Speaker 3>met my partner and you know, she's a health coach,

1:02:31.200 --> 1:02:34.000
<v Speaker 3>and she helped me also deal with like some things

1:02:34.040 --> 1:02:36.720
<v Speaker 3>that I was dealing with and the health and the

1:02:37.640 --> 1:02:41.520
<v Speaker 3>eating abbit and realizing that, you know, health is really

1:02:41.720 --> 1:02:43.840
<v Speaker 3>the number one that's what you got to focus on.

1:02:44.000 --> 1:02:50.280
<v Speaker 3>So during COVID, people were asking me about explaining what

1:02:50.440 --> 1:02:55.160
<v Speaker 3>I believe in, like how does health play into my recovery?

1:02:55.760 --> 1:02:57.880
<v Speaker 3>And then because the questions were really good because I

1:02:57.960 --> 1:03:01.680
<v Speaker 3>used to do this Q and A called FABS Fundly

1:03:01.760 --> 1:03:04.240
<v Speaker 3>blog and I did about seventy episode from an hour

1:03:04.360 --> 1:03:07.720
<v Speaker 3>to an hour forty minutes just answering questions. Then I said,

1:03:07.760 --> 1:03:10.440
<v Speaker 3>you know what I'm gonna I'm gonna create. I'm going

1:03:10.520 --> 1:03:12.760
<v Speaker 3>to write down my system because I have a system,

1:03:13.360 --> 1:03:16.720
<v Speaker 3>but I never give it a name. So it's called

1:03:17.440 --> 1:03:21.600
<v Speaker 3>fab Millie, so because my my family is involved, so

1:03:21.720 --> 1:03:25.600
<v Speaker 3>it's fab fab million M I L L Y. And

1:03:25.680 --> 1:03:28.440
<v Speaker 3>then what I did, I created fourteen icons. I'm born

1:03:28.480 --> 1:03:32.200
<v Speaker 3>on the fourteenth, so I created fourteen icons that I drew,

1:03:33.280 --> 1:03:39.640
<v Speaker 3>and then I went to the list perseverance, you know, love, health, breathing,

1:03:40.200 --> 1:03:43.120
<v Speaker 3>and I took the time to write everything very specifically,

1:03:43.280 --> 1:03:46.640
<v Speaker 3>so if you go to family dot com, it's like, hey,

1:03:47.000 --> 1:03:50.880
<v Speaker 3>take this, it might help you out. And that's that's

1:03:51.280 --> 1:03:55.040
<v Speaker 3>But I did that for my children because I did

1:03:55.080 --> 1:03:57.040
<v Speaker 3>it with them. And as I was drawing the stuff,

1:03:57.040 --> 1:03:59.400
<v Speaker 3>I would ask my son, my oldest because we go

1:03:59.560 --> 1:04:02.880
<v Speaker 3>from ten and seven and two. I said, what's that?

1:04:03.800 --> 1:04:05.920
<v Speaker 3>And it was like and he would call out everything.

1:04:06.000 --> 1:04:08.640
<v Speaker 3>I'm like, damn, because I had this thing, and I

1:04:08.760 --> 1:04:10.440
<v Speaker 3>believe in the here and the now that you can

1:04:10.480 --> 1:04:15.160
<v Speaker 3>affect the future by being here now, so the present

1:04:16.440 --> 1:04:18.600
<v Speaker 3>even in the present, So I create this, you know,

1:04:18.720 --> 1:04:23.000
<v Speaker 3>the icon in Google when you I'm here, h And

1:04:23.120 --> 1:04:27.240
<v Speaker 3>then my son is like, yeah, now I'm here now,

1:04:28.120 --> 1:04:31.040
<v Speaker 3>you know, And it would always kind of get very

1:04:31.160 --> 1:04:33.960
<v Speaker 3>close and love, love is a is a key and

1:04:34.040 --> 1:04:37.120
<v Speaker 3>then he said yeah, love is the key in my head.

1:04:37.200 --> 1:04:40.520
<v Speaker 3>I said love, you know, and the key to unlook

1:04:40.520 --> 1:04:43.320
<v Speaker 3>club And he said love is the key and I

1:04:43.480 --> 1:04:48.240
<v Speaker 3>was like, wow, man. So when children we when we

1:04:48.360 --> 1:04:53.360
<v Speaker 3>think we raise children, they raise us to turn into

1:04:53.440 --> 1:04:56.280
<v Speaker 3>whatever we're supposed to become. They make us better. We

1:04:56.480 --> 1:04:59.120
<v Speaker 3>raise them too, but then I have to return the

1:04:59.240 --> 1:05:03.640
<v Speaker 3>favor when they make me better. So all this, you know,

1:05:03.800 --> 1:05:07.080
<v Speaker 3>that's why I talk a lot about love. And as

1:05:07.120 --> 1:05:11.720
<v Speaker 3>a kid, sociology was some very interesting subject, how society

1:05:11.840 --> 1:05:16.720
<v Speaker 3>evolves humanity. And I read George Orwell at a young

1:05:16.800 --> 1:05:20.440
<v Speaker 3>age and now you see where we are. It's like damn,

1:05:21.040 --> 1:05:25.120
<v Speaker 3>we're going there, like wow, well it's changing. You know.

1:05:25.280 --> 1:05:28.720
<v Speaker 3>Now we've got AI for we got eminem you know,

1:05:28.840 --> 1:05:32.040
<v Speaker 3>but it's not a mainem you say AI, Like what right?

1:05:32.480 --> 1:05:35.400
<v Speaker 3>You know? I mean? Now they know people went on strike,

1:05:35.600 --> 1:05:38.840
<v Speaker 3>the writers. Finally it's over, but they were fighting because

1:05:38.880 --> 1:05:41.479
<v Speaker 3>you know there was some you know, AI was coming

1:05:41.680 --> 1:05:43.120
<v Speaker 3>was going to come over, and there you know, if

1:05:43.200 --> 1:05:48.240
<v Speaker 3>you allow that to happen, it's over. So I would say,

1:05:49.080 --> 1:05:51.640
<v Speaker 3>you know, people have gotten if you look, if you

1:05:51.720 --> 1:05:55.560
<v Speaker 3>look at the arts where it's music, and especially music,

1:05:56.520 --> 1:06:01.240
<v Speaker 3>because I remember, you know, watching Frank Sinatra Franklin. I

1:06:01.360 --> 1:06:04.640
<v Speaker 3>realized that when they will go to the studio, they

1:06:04.760 --> 1:06:09.960
<v Speaker 3>sing once or twice. And then when I would go

1:06:10.080 --> 1:06:14.040
<v Speaker 3>to the studio, thence I realized, like, oh, I don't worry,

1:06:14.120 --> 1:06:17.960
<v Speaker 3>We're gonna fly it. Like right, yeah, we're gonna fly it,

1:06:18.720 --> 1:06:20.960
<v Speaker 3>you know. So you know, so now when you listen

1:06:21.040 --> 1:06:24.840
<v Speaker 3>to songs, you do your verse, and the verse could

1:06:24.880 --> 1:06:28.000
<v Speaker 3>be cut up in so many pieces, and then you

1:06:28.240 --> 1:06:32.200
<v Speaker 3>fly the chorus, then you fly the chorus again. It's

1:06:32.320 --> 1:06:36.880
<v Speaker 3>so no wonder people get tired of those songs because

1:06:36.880 --> 1:06:40.600
<v Speaker 3>there's nothing. So I try to prod myself in trying

1:06:40.680 --> 1:06:43.439
<v Speaker 3>to sing one of the harmonies in the second verse

1:06:44.160 --> 1:06:48.160
<v Speaker 3>a little different, little different timber, so that when you listen,

1:06:49.160 --> 1:06:51.560
<v Speaker 3>at least I put the intent behind it, and maybe

1:06:51.600 --> 1:06:54.120
<v Speaker 3>they will read it. They'll have antennas, are going to say,

1:06:54.520 --> 1:06:57.760
<v Speaker 3>oh I like it, And maybe the spirit doesn't shut

1:06:57.880 --> 1:07:00.080
<v Speaker 3>down the minute you hear the second chorus, because you

1:07:00.240 --> 1:07:02.040
<v Speaker 3>heard the first one is the exact same of the

1:07:02.160 --> 1:07:05.880
<v Speaker 3>second one. You know, so that that the world has changed,

1:07:06.000 --> 1:07:07.000
<v Speaker 3>you know, and I have a.

1:07:07.040 --> 1:07:09.840
<v Speaker 2>Lot of insight. Man, this is this is important. I

1:07:09.840 --> 1:07:14.000
<v Speaker 2>don't think I've heard an in depth interview about you

1:07:14.080 --> 1:07:18.400
<v Speaker 2>because normally people are just so help and on you know,

1:07:19.840 --> 1:07:22.360
<v Speaker 2>just like two or three particular years in your life

1:07:22.440 --> 1:07:25.040
<v Speaker 2>and you know, really don't get into that. But it's

1:07:25.120 --> 1:07:27.680
<v Speaker 2>it's really enlightening to hear you say that.

1:07:28.280 --> 1:07:31.000
<v Speaker 3>But the thing is, you amuse you know, I followed you,

1:07:31.920 --> 1:07:35.000
<v Speaker 3>and you know I've I've heard what you guys did

1:07:35.080 --> 1:07:37.880
<v Speaker 3>and what you did for others. You know, they didn't

1:07:37.920 --> 1:07:40.600
<v Speaker 3>do only you, you did others, and it was always

1:07:40.720 --> 1:07:47.880
<v Speaker 3>mentioned like, oh so you guys are the standard, you know,

1:07:48.000 --> 1:07:51.440
<v Speaker 3>and for me, like coming here, I know that I

1:07:51.560 --> 1:07:55.640
<v Speaker 3>can have this type of conversation. Some I'm not interested,

1:07:56.040 --> 1:07:58.720
<v Speaker 3>not of what I'm talking about right now because it's

1:07:58.800 --> 1:08:01.600
<v Speaker 3>not relevant to them. They don't get it. So finally

1:08:01.640 --> 1:08:05.160
<v Speaker 3>I'm here sitting with you, and I can I can

1:08:06.040 --> 1:08:09.520
<v Speaker 3>explain kind of my journey because people don't know me

1:08:09.600 --> 1:08:12.840
<v Speaker 3>as a producer as a songwriter, but they're about to do,

1:08:13.760 --> 1:08:16.160
<v Speaker 3>you know. But it's it's it's a process and I'm

1:08:16.200 --> 1:08:19.599
<v Speaker 3>sitting on a lot of music, lots of music because

1:08:19.600 --> 1:08:22.840
<v Speaker 3>I never stopped. And when I heard Pharrell and when

1:08:22.920 --> 1:08:27.960
<v Speaker 3>interviews say don't stop, don't stop, don't stop making whether

1:08:28.040 --> 1:08:30.400
<v Speaker 3>or not you sign or nuts sign you in the box,

1:08:30.880 --> 1:08:35.240
<v Speaker 3>they want so that one right, and I heard it,

1:08:35.280 --> 1:08:38.839
<v Speaker 3>I was like, yeah, right, And now today with the podcast,

1:08:39.200 --> 1:08:43.080
<v Speaker 3>you know, I also listened to Rick Rubin very closely,

1:08:43.960 --> 1:08:48.000
<v Speaker 3>and it's also you know, of course the track record,

1:08:48.080 --> 1:08:52.639
<v Speaker 3>you know, and his approach is very interesting, how you've

1:08:52.720 --> 1:08:55.000
<v Speaker 3>used music and how you should go into it. And

1:08:55.360 --> 1:08:58.240
<v Speaker 3>when I listened to all those things, I was like, oh, man,

1:08:58.280 --> 1:09:01.559
<v Speaker 3>I'm gonna write path. You know, I'm gonna write up.

1:09:01.640 --> 1:09:02.760
<v Speaker 3>I'm not thinking when I do.

1:09:02.920 --> 1:09:06.680
<v Speaker 2>I just make I just I just make so for you,

1:09:07.720 --> 1:09:12.360
<v Speaker 2>I've not soured your relationship with music at all, Like

1:09:12.479 --> 1:09:16.120
<v Speaker 2>this hasn't none of none of that you went through

1:09:16.760 --> 1:09:19.360
<v Speaker 2>has soured you in your passion of music.

1:09:20.920 --> 1:09:20.960
<v Speaker 4>No.

1:09:21.120 --> 1:09:24.360
<v Speaker 3>You know why because I music was, like I said,

1:09:24.439 --> 1:09:27.040
<v Speaker 3>my mother, my father, my best friend, confident. Because when

1:09:27.040 --> 1:09:31.080
<v Speaker 3>every time I put music on, man, I'm good. Whether

1:09:31.120 --> 1:09:36.240
<v Speaker 3>I put Bob Morley, James Brown, Mike with Jackson, Charlie Wilson,

1:09:37.400 --> 1:09:40.160
<v Speaker 3>all those guys. You know, it elevated me. So I

1:09:40.280 --> 1:09:42.320
<v Speaker 3>have to listen to the science and be like, yo,

1:09:43.439 --> 1:09:46.120
<v Speaker 3>that's what that makes me. That's going to carry my

1:09:46.240 --> 1:09:49.280
<v Speaker 3>whole life. If I do anything else that I don't like,

1:09:49.600 --> 1:09:53.679
<v Speaker 3>I'm gonna be miserable. So I gotta just face the music.

1:09:54.560 --> 1:09:57.720
<v Speaker 3>Hang with music. I don't know what's gonna happen. But

1:09:58.240 --> 1:10:02.680
<v Speaker 3>I read this thing where they say uncertainty is the

1:10:02.840 --> 1:10:07.200
<v Speaker 3>photo ground for creativity and and and and that is

1:10:07.439 --> 1:10:10.560
<v Speaker 3>really relevant because when I listen to the Masters, you know,

1:10:10.720 --> 1:10:15.840
<v Speaker 3>like quinnc saying like, yeah, accidents are necessary m in

1:10:15.960 --> 1:10:21.840
<v Speaker 3>a track. Yeah, but also but also in life, you know,

1:10:22.400 --> 1:10:25.880
<v Speaker 3>falling is good and if you recover, it's gonna teach

1:10:25.920 --> 1:10:28.600
<v Speaker 3>you something. It's gonna make you grow into something that

1:10:28.760 --> 1:10:33.000
<v Speaker 3>you would have never become if you didn't fall. So

1:10:33.160 --> 1:10:37.000
<v Speaker 3>for me, I embraised this whole thing. And I and

1:10:37.120 --> 1:10:41.599
<v Speaker 3>I said, I forgive Frank Farner because Frank Faron if

1:10:41.640 --> 1:10:43.880
<v Speaker 3>I would have stayed because that and that's that's what

1:10:44.000 --> 1:10:47.600
<v Speaker 3>I think Rob didn't do. He couldn't, you know, But

1:10:48.240 --> 1:10:51.559
<v Speaker 3>I forgive. I had to forgive, you know, I had

1:10:51.600 --> 1:10:56.360
<v Speaker 3>to forgive this man. I had to forgive myself as well.

1:10:56.720 --> 1:10:59.800
<v Speaker 3>I had to do that because if I didn't, I

1:11:00.120 --> 1:11:03.800
<v Speaker 3>be going in circle like hating myself. And it's about

1:11:03.840 --> 1:11:08.960
<v Speaker 3>your self esteem. If your self esteem is affected, man,

1:11:09.160 --> 1:11:12.280
<v Speaker 3>you're done. But I was lucky because as a kid,

1:11:12.439 --> 1:11:17.320
<v Speaker 3>I went to a psychiatrist my parents were divorcing, and

1:11:17.720 --> 1:11:21.680
<v Speaker 3>then allowed me to express myself and he told me,

1:11:22.400 --> 1:11:26.000
<v Speaker 3>go ahead and draw your emotions. So I painted too,

1:11:26.680 --> 1:11:30.120
<v Speaker 3>and when I was trying to recover fully, I would draw.

1:11:31.200 --> 1:11:34.200
<v Speaker 3>So on the road I noticed that things were not right,

1:11:34.320 --> 1:11:37.360
<v Speaker 3>so I would draw, and I have all of them.

1:11:37.400 --> 1:11:42.799
<v Speaker 3>It's like five pieces of little papers. But in those drawings,

1:11:43.040 --> 1:11:47.639
<v Speaker 3>I would speak what I felt, and then I would

1:11:47.680 --> 1:11:49.519
<v Speaker 3>go back to my room and I would think. I

1:11:49.640 --> 1:11:53.600
<v Speaker 3>was like, man, I'm I'll get out of there. I

1:11:53.720 --> 1:11:56.360
<v Speaker 3>have no clue, but I know I have to get

1:11:56.400 --> 1:11:59.280
<v Speaker 3>out of the wise. My dream was to become a

1:11:59.360 --> 1:12:02.320
<v Speaker 3>single song. That was it. That's what I want to do.

1:12:02.600 --> 1:12:05.679
<v Speaker 3>But taking that route, like, how do I go back

1:12:05.760 --> 1:12:09.760
<v Speaker 3>the other way and have people say it's okay? Bro?

1:12:11.000 --> 1:12:13.439
<v Speaker 3>I didn't know where you would it would lead me.

1:12:13.520 --> 1:12:18.160
<v Speaker 3>But I know that my love for music, the love

1:12:18.240 --> 1:12:22.240
<v Speaker 3>for myself, we take me places. And then I would

1:12:22.280 --> 1:12:24.280
<v Speaker 3>have to just go and and you know, but I

1:12:24.360 --> 1:12:29.280
<v Speaker 3>believe in a higher power, the power of divine energy,

1:12:29.400 --> 1:12:33.080
<v Speaker 3>that that is there and that nothing is an accident,

1:12:33.680 --> 1:12:37.000
<v Speaker 3>like everything is meant to happen for a certain reason.

1:12:37.200 --> 1:12:40.720
<v Speaker 3>For one reason or another, You're meant to go to

1:12:40.880 --> 1:12:42.120
<v Speaker 3>go through what you go through.

1:12:42.920 --> 1:12:45.160
<v Speaker 4>So you think this movie will be the thing to

1:12:45.280 --> 1:12:46.880
<v Speaker 4>get the rest of the world caught up to where

1:12:46.920 --> 1:12:49.400
<v Speaker 4>you are. Because I felt that. I felt like after

1:12:49.479 --> 1:12:51.960
<v Speaker 4>watching this, I wanted to say like, I'm sorry and

1:12:52.000 --> 1:12:54.080
<v Speaker 4>all the things that I laughter.

1:12:54.600 --> 1:12:57.680
<v Speaker 3>Yeah, I'm a patient man, you know, And I know

1:12:57.840 --> 1:13:00.680
<v Speaker 3>that it's going to go in installment because for me

1:13:02.840 --> 1:13:06.360
<v Speaker 3>three years, I've been putting all my creativity in separate

1:13:06.439 --> 1:13:09.320
<v Speaker 3>boxes because I do different things. So I know that,

1:13:10.120 --> 1:13:14.559
<v Speaker 3>like my mom used to say, it's things as it's

1:13:14.680 --> 1:13:18.880
<v Speaker 3>turn So you know, I gotta stay healthy. I got

1:13:18.960 --> 1:13:22.040
<v Speaker 3>to make sure that the realisticity of my brain is correct,

1:13:22.600 --> 1:13:25.559
<v Speaker 3>and I'll be able to work forever if that works,

1:13:26.880 --> 1:13:30.560
<v Speaker 3>if everything, if everything works, nothing hurts, I'm good. So

1:13:30.680 --> 1:13:32.320
<v Speaker 3>that means I'll be able to do what I keep doing.

1:13:32.680 --> 1:13:35.360
<v Speaker 3>I know pop music, being on stages, yon in sport,

1:13:35.920 --> 1:13:38.040
<v Speaker 3>I know that, but it's one of the reasons why

1:13:38.080 --> 1:13:41.120
<v Speaker 3>I kept me young. Because I'm on stage. I perform

1:13:41.200 --> 1:13:43.559
<v Speaker 3>those songs I do with the band, I do seventy

1:13:43.600 --> 1:13:47.000
<v Speaker 3>five minutes. With tape shows, I do forty forty five minutes,

1:13:47.439 --> 1:13:49.720
<v Speaker 3>and oftentimes there's no dancers. It's just me.

1:13:51.080 --> 1:13:52.760
<v Speaker 4>Well we have any of your original music, because I

1:13:52.800 --> 1:13:55.680
<v Speaker 4>know you ended with you singing you know the hit.

1:13:55.800 --> 1:14:00.120
<v Speaker 3>But I'm doing something right now because I'm working know

1:14:00.240 --> 1:14:03.640
<v Speaker 3>something right now that's gonna m I don't want to

1:14:03.640 --> 1:14:05.639
<v Speaker 3>talk about it right now, but I'm doing something that's

1:14:05.680 --> 1:14:10.679
<v Speaker 3>gonna to close the circle. I'm sure. I'm sure West

1:14:10.800 --> 1:14:14.200
<v Speaker 3>understand what I'm saying by closing the circle. I'm doing

1:14:14.320 --> 1:14:16.200
<v Speaker 3>this and I'm trying to find the right home, the

1:14:16.280 --> 1:14:18.960
<v Speaker 3>right label as well, you know, so I got to

1:14:18.960 --> 1:14:21.120
<v Speaker 3>make the right moves us.

1:14:21.600 --> 1:14:23.680
<v Speaker 2>That's what's up. That's what's up.

1:14:24.439 --> 1:14:28.120
<v Speaker 3>Yeah, it's true any way, many ways to go about it,

1:14:28.200 --> 1:14:30.200
<v Speaker 3>you know. But I know I got some I got

1:14:30.280 --> 1:14:33.320
<v Speaker 3>some good stuff. I know it because every time I

1:14:33.439 --> 1:14:38.880
<v Speaker 3>played for for Peers, they look at they don't look

1:14:38.880 --> 1:14:39.800
<v Speaker 3>at me the same like.

1:14:39.880 --> 1:14:41.680
<v Speaker 4>Okay, good because that's important as time y'all didn't do

1:14:41.720 --> 1:14:42.439
<v Speaker 4>this the last time.

1:14:42.920 --> 1:14:44.639
<v Speaker 2>This is that's that's important.

1:14:44.680 --> 1:14:46.800
<v Speaker 4>Okay, that's important, Okay.

1:14:47.120 --> 1:14:50.280
<v Speaker 2>But yeah, I just want to say, man, like, I

1:14:50.400 --> 1:14:56.559
<v Speaker 2>really appreciate you, uh one, taking time out not only

1:14:56.680 --> 1:15:02.080
<v Speaker 2>to share your story, but just to basically I'm glad

1:15:02.200 --> 1:15:06.760
<v Speaker 2>that all of this wasn't done in vain, especially for

1:15:06.880 --> 1:15:10.839
<v Speaker 2>your your your partner Rob, Like, I'm glad you survived

1:15:10.880 --> 1:15:14.400
<v Speaker 2>this and really got to tell the story, and you

1:15:14.520 --> 1:15:16.400
<v Speaker 2>know it really just got the message out there, like

1:15:17.160 --> 1:15:20.479
<v Speaker 2>the importance of your health and forgiveness and loving yourself

1:15:20.520 --> 1:15:24.000
<v Speaker 2>and and raising your family. I just think that's beautiful. Man.

1:15:24.479 --> 1:15:26.360
<v Speaker 2>You know, I can't wait for the world to see

1:15:26.400 --> 1:15:29.680
<v Speaker 2>this documentary and and yeah, I.

1:15:29.720 --> 1:15:31.559
<v Speaker 4>Just wanted to say this. I don't think that anybody

1:15:31.600 --> 1:15:33.520
<v Speaker 4>has said anything about this as far as his documentary.

1:15:33.520 --> 1:15:35.439
<v Speaker 4>I wanted to say John David's name again, you said

1:15:35.479 --> 1:15:37.679
<v Speaker 4>his name. I know he's passed, but I also wanted

1:15:37.680 --> 1:15:40.160
<v Speaker 4>to say Charles shaw name. And I wanted to say

1:15:40.200 --> 1:15:42.560
<v Speaker 4>that one thing that I'm that I noticed in this

1:15:42.720 --> 1:15:46.679
<v Speaker 4>story was a deep colorism situation and about the beauties

1:15:46.720 --> 1:15:49.879
<v Speaker 4>of blackness. And I just got to say to those brothers,

1:15:50.080 --> 1:15:53.240
<v Speaker 4>like much respect and love to y'all. Y'all are beautiful men.

1:15:53.320 --> 1:15:55.400
<v Speaker 4>Like I just I couldn't get that out of my head.

1:15:55.439 --> 1:15:57.920
<v Speaker 4>They were such the opposite of what you guys looked like,

1:15:58.360 --> 1:16:00.800
<v Speaker 4>and it was it was hurtful that this white man

1:16:00.880 --> 1:16:02.800
<v Speaker 4>decided that that was the beauty that he wanted to

1:16:02.840 --> 1:16:04.680
<v Speaker 4>put on display because it was closer to his own

1:16:04.760 --> 1:16:06.599
<v Speaker 4>face exactly.

1:16:06.680 --> 1:16:09.400
<v Speaker 3>But you know what he did too, He played us

1:16:09.439 --> 1:16:12.400
<v Speaker 3>all and you know they have this divide and conquerors,

1:16:12.439 --> 1:16:15.520
<v Speaker 3>so in order to make sure that we'll move accordingly,

1:16:16.720 --> 1:16:20.920
<v Speaker 3>he kept us support right. Yeah, we didn't know, you know.

1:16:21.080 --> 1:16:23.800
<v Speaker 3>And as a matter of fact, like when in the

1:16:23.920 --> 1:16:29.800
<v Speaker 3>documentary when Charles Shaw supposedly went to told someone and

1:16:29.960 --> 1:16:32.120
<v Speaker 3>Frank called him to the studio and said, you know,

1:16:32.240 --> 1:16:36.600
<v Speaker 3>you out and this guy he got his money that

1:16:36.880 --> 1:16:41.479
<v Speaker 3>someone has been generating. I don't know how much I

1:16:41.600 --> 1:16:42.599
<v Speaker 3>do get nothing.

1:16:44.240 --> 1:16:44.799
<v Speaker 2>It's crazy.

1:16:46.400 --> 1:16:49.160
<v Speaker 3>So you know, my and I feel for him because

1:16:49.160 --> 1:16:51.719
<v Speaker 3>you know, I feel and I see it in his eyes,

1:16:51.760 --> 1:16:53.200
<v Speaker 3>and I know I'm going to talk to him at

1:16:53.280 --> 1:16:55.720
<v Speaker 3>some point, you know, because he's in Europe. But you know,

1:16:56.040 --> 1:16:58.960
<v Speaker 3>it's being kind of crazy. And with this documentary it's

1:16:59.000 --> 1:17:02.480
<v Speaker 3>been also very good for everyone to do it therapeutic

1:17:03.000 --> 1:17:06.920
<v Speaker 3>because we realize it healing. And you played a soul

1:17:07.080 --> 1:17:10.200
<v Speaker 3>against each other. Oh my god. And then of course

1:17:10.640 --> 1:17:12.400
<v Speaker 3>Charles Shaw. You know, some people went out to the

1:17:12.439 --> 1:17:15.680
<v Speaker 3>present said, man, those guys didn't saying I understand now,

1:17:15.840 --> 1:17:18.960
<v Speaker 3>but back then I took it like yo, you no,

1:17:19.960 --> 1:17:21.400
<v Speaker 3>you know, but it was just trying. It was a

1:17:21.439 --> 1:17:24.400
<v Speaker 3>cry for help, you know, because nobody would listen to him.

1:17:25.280 --> 1:17:27.840
<v Speaker 2>I didn't know how much i'd sugar. That's the thing, like,

1:17:27.960 --> 1:17:29.800
<v Speaker 2>I want to ask so much about the documentary, but

1:17:29.880 --> 1:17:33.360
<v Speaker 2>what I don't want to do is spoiler alerted. Yeah

1:17:33.760 --> 1:17:37.439
<v Speaker 2>before that's why. But yeah, it was it's important to

1:17:37.479 --> 1:17:38.160
<v Speaker 2>ask that question.

1:17:39.080 --> 1:17:39.240
<v Speaker 3>You know.

1:17:39.520 --> 1:17:40.080
<v Speaker 2>That's crazy.

1:17:40.200 --> 1:17:40.360
<v Speaker 3>Man.

1:17:40.680 --> 1:17:44.680
<v Speaker 2>Well, thank you, thank you, thank you so much for.

1:17:45.000 --> 1:17:48.000
<v Speaker 3>Yeah, man, I'm so glad that I was able to

1:17:48.560 --> 1:17:52.240
<v Speaker 3>come here, you know, and that you you provided the platform,

1:17:52.320 --> 1:17:55.800
<v Speaker 3>but also to to just ask me, because you know,

1:17:55.920 --> 1:17:59.120
<v Speaker 3>it's about asking. When you ask the right question, when

1:17:59.200 --> 1:18:02.439
<v Speaker 3>someone asked you the right question, then it allows you

1:18:02.520 --> 1:18:07.120
<v Speaker 3>in your space for you to just like, okay, show yourself, right,

1:18:07.240 --> 1:18:09.720
<v Speaker 3>you know, and and in time, you know, you're not

1:18:09.960 --> 1:18:13.479
<v Speaker 3>allowed to. It's very difficult to get a chance to

1:18:13.560 --> 1:18:16.400
<v Speaker 3>go show yourself. And then your show is a place

1:18:16.439 --> 1:18:20.840
<v Speaker 3>where people go to because they know that Ah, I'm

1:18:20.880 --> 1:18:24.400
<v Speaker 3>gonna see him. That's that you know, you go here

1:18:24.479 --> 1:18:27.320
<v Speaker 3>to hear him, to see him for real. Because we

1:18:27.479 --> 1:18:31.040
<v Speaker 3>know you're gonna go in, You're gonna ask questions. You

1:18:31.160 --> 1:18:33.880
<v Speaker 3>got to answer those questions. And because.

1:18:35.880 --> 1:18:39.360
<v Speaker 4>That's a circle back and because we care, Yeah, we

1:18:39.479 --> 1:18:40.040
<v Speaker 4>definitely care.

1:18:40.640 --> 1:18:40.840
<v Speaker 3>Well.

1:18:41.320 --> 1:18:44.599
<v Speaker 2>Thank you brother. I appreciate on be having fan Ticclo

1:18:45.080 --> 1:18:47.519
<v Speaker 2>and uh sick Steve and m pay Bill and like

1:18:47.720 --> 1:18:51.720
<v Speaker 2>Ia and man. Thank you for Breze for for doing

1:18:51.800 --> 1:18:56.120
<v Speaker 2>this with us. Please see that Milli Vanilli why documentary?

1:18:56.200 --> 1:18:58.320
<v Speaker 2>I believe it's one Paramount Plus, is it not? It

1:18:58.360 --> 1:19:03.680
<v Speaker 2>will be on Paramount Plus streaming here in the States worldwide.

1:19:03.680 --> 1:19:05.600
<v Speaker 2>I'm certain that it's streaming somewhere. But thank you very

1:19:05.680 --> 1:19:07.680
<v Speaker 2>much for doing this and we'll see you on the

1:19:07.720 --> 1:19:10.000
<v Speaker 2>next go round of Quest Love Suprema Peace.

1:19:11.000 --> 1:19:14.560
<v Speaker 4>Hey, thank y'all for listening to Quest Love Supreme. This

1:19:14.800 --> 1:19:17.519
<v Speaker 4>podcast is hosted by an Afro, a mount, a rapper,

1:19:18.200 --> 1:19:20.559
<v Speaker 4>an engineer, and a man with too many jobs aka

1:19:20.800 --> 1:19:22.719
<v Speaker 4>a mere quest Love Thompson. Why are you a Saint?

1:19:22.760 --> 1:19:26.880
<v Speaker 4>Clair Fonte, Coleman, Sugar, Steve Mandel, and unpaid Bill Sherman.

1:19:27.720 --> 1:19:31.280
<v Speaker 4>The executive producers who get paid the Big Bucks, a

1:19:31.400 --> 1:19:35.040
<v Speaker 4>mere quest, Love Thompson, Sean g and Brian Calhoun ask

1:19:35.120 --> 1:19:38.080
<v Speaker 4>them for Money. Produced by the people who do all

1:19:38.120 --> 1:19:41.800
<v Speaker 4>the real work Ritney Benjamin, Jake Payne and Yes, Why

1:19:41.920 --> 1:19:44.640
<v Speaker 4>You in Saint Clair? Edited by another person who does

1:19:44.680 --> 1:19:48.040
<v Speaker 4>the real work, Alex Conroy and those who approved the

1:19:48.080 --> 1:19:52.040
<v Speaker 4>real work. Produced for iHeart by Noel Brown and Mike Johnson.

1:19:52.720 --> 1:19:53.479
<v Speaker 4>Thanks yaw.

1:19:56.600 --> 1:19:56.800
<v Speaker 2>Quest.

1:19:56.840 --> 1:20:01.439
<v Speaker 1>Love Supreme is a production of iHeartRadio. For more podcasts

1:20:01.479 --> 1:20:05.800
<v Speaker 1>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

1:20:05.840 --> 1:20:07.160
<v Speaker 1>you listen to your favorite shows.