1 00:00:00,200 --> 00:00:02,040 Speaker 1: Oh yeahm hint. I just want to give you a 2 00:00:02,120 --> 00:00:04,960 Speaker 1: heads up. The program you are about to hear may 3 00:00:05,040 --> 00:00:08,640 Speaker 1: have some explicit language, it may not. It also depends 4 00:00:08,680 --> 00:00:11,239 Speaker 1: on where the vibes and the spirit leads us. Hope 5 00:00:11,280 --> 00:00:20,119 Speaker 1: you enjoy Welcome to Morenita, a deep dive into the 6 00:00:20,200 --> 00:00:23,320 Speaker 1: Latin X experience. With more Anita, we want to create 7 00:00:23,360 --> 00:00:26,320 Speaker 1: a community and a shared space with you while sharing 8 00:00:26,400 --> 00:00:30,440 Speaker 1: knowledge and inspiration. This show is about celebrating our culture 9 00:00:30,520 --> 00:00:34,720 Speaker 1: with guests who exemplify the best of us. I'm Darylene Castillo, 10 00:00:35,000 --> 00:00:49,800 Speaker 1: Ethane People SUSA and Happy latin X Latina Hispanic. However, 11 00:00:49,920 --> 00:00:55,160 Speaker 1: do identify Heritage Month here on mor Anita. You know 12 00:00:55,320 --> 00:00:59,440 Speaker 1: we're all about celebrating the nuances of Latinita and these 13 00:00:59,560 --> 00:01:04,000 Speaker 1: next you episodes will be no different. Yes we are loud, 14 00:01:04,160 --> 00:01:06,880 Speaker 1: Yes we are proud, but there's so much more to 15 00:01:07,000 --> 00:01:09,680 Speaker 1: us than that. We will be sitting down and chatting 16 00:01:09,680 --> 00:01:12,240 Speaker 1: with different members of the community that are doing the 17 00:01:12,319 --> 00:01:16,000 Speaker 1: damn thing and making us even prouder. We chose this 18 00:01:16,080 --> 00:01:19,120 Speaker 1: specific group of people to highlight for this special month 19 00:01:19,200 --> 00:01:23,040 Speaker 1: because they're all bringing something a bit different to the table. 20 00:01:23,360 --> 00:01:26,080 Speaker 1: The lineup we have for you guys, is truly an 21 00:01:26,080 --> 00:01:28,399 Speaker 1: incredible one. I also want to let you know that 22 00:01:28,480 --> 00:01:31,119 Speaker 1: this month, not only are we bringing the extra sass 23 00:01:31,160 --> 00:01:34,479 Speaker 1: song to these episodes, we are highlighting daily on our 24 00:01:34,520 --> 00:01:40,040 Speaker 1: Instagram page Morena podcast special leaping a businesses to support 25 00:01:40,080 --> 00:01:42,679 Speaker 1: and show love to. So head to the page to 26 00:01:42,840 --> 00:01:48,840 Speaker 1: check out the Daily Drops podcast. Today, I have the 27 00:01:48,920 --> 00:01:53,120 Speaker 1: privilege of sitting down and talking with the one and 28 00:01:53,280 --> 00:01:58,760 Speaker 1: only Unico the story Guy, Matthew. Now you may have 29 00:01:58,840 --> 00:02:03,240 Speaker 1: seen some of his very feeler and sometimes controversial TikTok's. 30 00:02:03,280 --> 00:02:08,440 Speaker 1: His storytelling focuses on folklore, horror, and pop culture. He 31 00:02:08,520 --> 00:02:13,079 Speaker 1: puts a magnifying glass on controversial topics within many things 32 00:02:13,080 --> 00:02:18,080 Speaker 1: like Marvel, d C, Comics, Disney, and so so many more. 33 00:02:18,320 --> 00:02:21,320 Speaker 1: Now Matthew the story Guy, he calls it like he 34 00:02:21,360 --> 00:02:24,720 Speaker 1: sees it and brings his opinion to the forefront, reaching 35 00:02:24,720 --> 00:02:29,040 Speaker 1: the attention of big major Hollywood studios, which also gets 36 00:02:29,080 --> 00:02:32,160 Speaker 1: him invited to some pretty awesome rooms and pretty awesome events. 37 00:02:32,600 --> 00:02:36,600 Speaker 1: But also sometimes the truth hurts and he has seen 38 00:02:37,080 --> 00:02:41,000 Speaker 1: some backlash from this. Don't worry, don't shy away from that. 39 00:02:41,400 --> 00:02:44,320 Speaker 1: Matthew keeps it real as always, and he does not 40 00:02:44,520 --> 00:02:47,680 Speaker 1: shy away from the effects of this. I want to 41 00:02:47,760 --> 00:02:51,680 Speaker 1: highlight that we do talk about the controversy surrounding Back 42 00:02:51,720 --> 00:02:55,240 Speaker 1: Girl and the shutdown of that release. Matthew has a 43 00:02:55,240 --> 00:02:57,960 Speaker 1: lot of feels about this one, as I'm sure we 44 00:02:58,040 --> 00:03:01,200 Speaker 1: all do. The reason I decided to start Latina Heritage 45 00:03:01,200 --> 00:03:05,440 Speaker 1: Month with Matthew is because storytelling within our community is 46 00:03:05,520 --> 00:03:09,640 Speaker 1: something that first centuries has been so important. Matthew and 47 00:03:09,680 --> 00:03:14,320 Speaker 1: I discuss how storytelling for the American Latina person has 48 00:03:14,320 --> 00:03:16,960 Speaker 1: shifted a bit. We both shared how we felt like 49 00:03:17,040 --> 00:03:19,920 Speaker 1: it's been a bit diminished. We discuss how many of 50 00:03:20,000 --> 00:03:23,720 Speaker 1: us American born Lapiniz knows so little about our family 51 00:03:23,840 --> 00:03:27,880 Speaker 1: history or sometimes even about our own culture. How some 52 00:03:28,000 --> 00:03:30,720 Speaker 1: of us were even taught to erase our Latin eva 53 00:03:31,080 --> 00:03:34,440 Speaker 1: to fit into American culture. Matthew and I, being the 54 00:03:34,480 --> 00:03:38,280 Speaker 1: storytellers that we are, we share this responsibility of tone 55 00:03:38,360 --> 00:03:42,200 Speaker 1: stories to regain this pride within our culture. That's the 56 00:03:42,240 --> 00:03:45,320 Speaker 1: goal here. With Morenita and with each episode that we 57 00:03:45,360 --> 00:03:48,880 Speaker 1: share with you, especially this month, Matthew does this with 58 00:03:48,960 --> 00:03:52,280 Speaker 1: each video he posts. Now take a front seat into 59 00:03:52,320 --> 00:03:59,880 Speaker 1: Matthew's story than vietle Bin on me hind that to 60 00:04:00,000 --> 00:04:02,840 Speaker 1: get TikTok has spoken, and we have gotten Matt the 61 00:04:02,880 --> 00:04:06,840 Speaker 1: story Time Guy in the room. Hi, thank you so much. 62 00:04:06,880 --> 00:04:09,520 Speaker 1: I like it. It's awesome being here. We've already talked 63 00:04:09,520 --> 00:04:11,480 Speaker 1: a little bit. You guys are all already wonderful, so 64 00:04:11,760 --> 00:04:14,040 Speaker 1: I'm excited to do this. When your name came along 65 00:04:14,160 --> 00:04:16,160 Speaker 1: to come on the show, I did go down the 66 00:04:16,240 --> 00:04:18,640 Speaker 1: rabbit hole and I created a TikTok just for you. 67 00:04:19,880 --> 00:04:22,719 Speaker 1: I want to point out that my new TikTok life 68 00:04:23,200 --> 00:04:27,000 Speaker 1: has begun because of Matt Storytime Guy. Thank you. It's 69 00:04:27,080 --> 00:04:28,720 Speaker 1: nice to hear that. I hope you're I hope you're 70 00:04:28,800 --> 00:04:31,560 Speaker 1: enjoying it. Honestly, it's a good place most of the time. 71 00:04:31,720 --> 00:04:35,080 Speaker 1: I am it's so impressed with you, because I am 72 00:04:35,160 --> 00:04:39,680 Speaker 1: just like, how does this man know all this knowledge? 73 00:04:39,839 --> 00:04:42,680 Speaker 1: And where does he get it from? I read like 74 00:04:42,680 --> 00:04:44,919 Speaker 1: I have these books behind me and like they're not decoration, 75 00:04:44,960 --> 00:04:46,760 Speaker 1: Like I I've read all of these books and this 76 00:04:46,839 --> 00:04:50,480 Speaker 1: is like maybe a tenth of all the books I have. Anyways, 77 00:04:50,520 --> 00:04:53,080 Speaker 1: Like my living room is just funk Like this is 78 00:04:53,160 --> 00:04:56,039 Speaker 1: like one tenth of everything when I have in my 79 00:04:56,080 --> 00:04:58,440 Speaker 1: living room. So it's just like I read a lot. 80 00:04:58,520 --> 00:05:01,200 Speaker 1: I'm a huge, huge book nerd. So yeah, it's just 81 00:05:01,520 --> 00:05:03,880 Speaker 1: it's it's fun to just share that information. You know, 82 00:05:04,000 --> 00:05:06,320 Speaker 1: you you go up your all life reading and like 83 00:05:06,640 --> 00:05:09,239 Speaker 1: you say, you shout into the void of Facebook or Instagram, 84 00:05:09,320 --> 00:05:11,400 Speaker 1: you like a hundred followers and your mom and your 85 00:05:11,440 --> 00:05:14,400 Speaker 1: friend be like that's interesting, sweetie. And I was like, oh, 86 00:05:14,520 --> 00:05:16,839 Speaker 1: my wifs like make a TikTok, people will actually listen, 87 00:05:16,880 --> 00:05:18,680 Speaker 1: I'm like okay, and it did. I'm like, oh, like 88 00:05:18,960 --> 00:05:21,520 Speaker 1: she's right, people actually care about my us this information. 89 00:05:22,400 --> 00:05:25,719 Speaker 1: Nobody's doing what you're doing, which is like incredible and 90 00:05:25,800 --> 00:05:29,360 Speaker 1: also like a gray avenue. And also people who love 91 00:05:29,440 --> 00:05:33,760 Speaker 1: what you love appreciate that. And you know what I'm saying, 92 00:05:33,800 --> 00:05:37,880 Speaker 1: like us weirdos appreciate something. No, It's true, and it's 93 00:05:37,920 --> 00:05:40,039 Speaker 1: like I think that's the reason I saw this because 94 00:05:40,080 --> 00:05:42,440 Speaker 1: I was like, I'm a huge Disney fan, huge comic 95 00:05:42,440 --> 00:05:44,880 Speaker 1: book fan, and like I wanted to learn more about 96 00:05:45,040 --> 00:05:47,560 Speaker 1: my heritage, my Latino heritage, because growing up it was 97 00:05:47,640 --> 00:05:49,760 Speaker 1: like my mom came from Mexico born and race, she 98 00:05:49,839 --> 00:05:52,360 Speaker 1: jumped the border. My dad's from Puerto Rico born and raised. 99 00:05:52,440 --> 00:05:55,320 Speaker 1: He came over here to California, and like when they're like, 100 00:05:55,320 --> 00:05:59,200 Speaker 1: well we're American now, no more Spanish. And that included 101 00:05:59,240 --> 00:06:01,039 Speaker 1: like a little bit of folk tales and fairy tales 102 00:06:01,040 --> 00:06:02,200 Speaker 1: when I was a kid, and you don't know, the 103 00:06:02,279 --> 00:06:04,400 Speaker 1: usual kind of stuff, but it really kind of separated 104 00:06:04,400 --> 00:06:06,640 Speaker 1: because they both ended up marrying white people, so my 105 00:06:06,720 --> 00:06:09,240 Speaker 1: Latino heritage wasn't really a thing. And when I met 106 00:06:09,279 --> 00:06:11,880 Speaker 1: my wife, who's a the Hano and Mexican, she's like, 107 00:06:11,920 --> 00:06:13,640 Speaker 1: get back into it. And I looked out there and 108 00:06:13,640 --> 00:06:16,800 Speaker 1: I'm like, where where do I go on YouTube? Where 109 00:06:16,839 --> 00:06:20,120 Speaker 1: do I go on anywhere to find like Aztec and 110 00:06:20,200 --> 00:06:23,680 Speaker 1: Mayan and Latino heritage stories. We have so many of them. 111 00:06:23,680 --> 00:06:26,320 Speaker 1: Where are they? And they were there? So I was like, 112 00:06:26,320 --> 00:06:28,159 Speaker 1: I want to fill that void because I want to 113 00:06:28,200 --> 00:06:31,479 Speaker 1: be that for someone who I wish I had. You know, 114 00:06:31,560 --> 00:06:33,680 Speaker 1: it's like that I wish I had someone like this 115 00:06:33,720 --> 00:06:35,279 Speaker 1: when I was younger, and now I can be that 116 00:06:35,320 --> 00:06:38,280 Speaker 1: for younger people, and it's so amazing to have that 117 00:06:38,640 --> 00:06:41,080 Speaker 1: to be that for someone else. So yeah, it's it's 118 00:06:41,480 --> 00:06:43,960 Speaker 1: it's crazy that all us Latinos and as misfits just 119 00:06:44,000 --> 00:06:46,520 Speaker 1: find a home together, and it's it's really wonderful and 120 00:06:46,520 --> 00:06:49,039 Speaker 1: I'm really blessed to be that and we're so grateful 121 00:06:49,120 --> 00:06:51,040 Speaker 1: for you. And I'm so grateful that I have, like 122 00:06:51,440 --> 00:06:54,080 Speaker 1: because also being a well, I don't know if you know, 123 00:06:54,240 --> 00:06:56,279 Speaker 1: I was a Disney princess at one point of my 124 00:06:56,360 --> 00:06:59,559 Speaker 1: life and my career. Nala The line came, yes, Nala 125 00:06:59,640 --> 00:07:03,120 Speaker 1: is as princess. Don't fight agree about it. Absolutely, there's 126 00:07:03,120 --> 00:07:06,320 Speaker 1: so many more Disney princesses. Yeah, we'll get there. We'll 127 00:07:06,360 --> 00:07:08,520 Speaker 1: get into that. But you know, I played Dungeons and 128 00:07:08,640 --> 00:07:11,239 Speaker 1: Dragons when I was in high school, So like, listen, 129 00:07:11,240 --> 00:07:14,800 Speaker 1: we're going to get into it right now. Because I 130 00:07:14,840 --> 00:07:17,720 Speaker 1: have come from this world where what you're selling and 131 00:07:17,760 --> 00:07:20,120 Speaker 1: what you're telling and the storytelling that you're doing, and 132 00:07:20,160 --> 00:07:22,280 Speaker 1: I just I don't know, I just really connected with 133 00:07:22,320 --> 00:07:24,680 Speaker 1: your TikTok and and I went down the rabbit hole 134 00:07:24,800 --> 00:07:27,440 Speaker 1: and I was like, I can't believe I didn't know 135 00:07:27,480 --> 00:07:30,360 Speaker 1: about this. And I was like, and this is my people. Man, 136 00:07:30,520 --> 00:07:33,640 Speaker 1: it's so cool. It's a slow climb, but it's it's happening. 137 00:07:33,680 --> 00:07:35,680 Speaker 1: I mean, we've already talked a little bit about um 138 00:07:35,800 --> 00:07:40,000 Speaker 1: where you come from and growing up and hearing the 139 00:07:40,040 --> 00:07:44,800 Speaker 1: folk stories and connecting that with your heritage Um, what 140 00:07:45,040 --> 00:07:48,520 Speaker 1: really made you get into this? What was the thing 141 00:07:48,600 --> 00:07:52,240 Speaker 1: that really fueled the fire for me? It's there's so 142 00:07:52,320 --> 00:07:54,200 Speaker 1: there's like two aspects to me, and there's two aspects 143 00:07:54,240 --> 00:07:56,200 Speaker 1: of my like channel right, it's like, let you know, 144 00:07:56,240 --> 00:07:58,960 Speaker 1: pop culture and then like folk tales and mythology, and 145 00:07:58,960 --> 00:08:00,559 Speaker 1: so like each of them, I have my own reason 146 00:08:00,600 --> 00:08:03,080 Speaker 1: to do right. So, like when it comes to Latino's 147 00:08:03,120 --> 00:08:06,440 Speaker 1: pop culture, it's I grew up in a predominantly white town. 148 00:08:06,560 --> 00:08:08,880 Speaker 1: What was the name, San Pedro? I know it's called 149 00:08:09,160 --> 00:08:11,760 Speaker 1: some I always get embarrassed because I say San Pedro 150 00:08:11,920 --> 00:08:13,720 Speaker 1: and then there's like white guys the couple, Oh, I'm 151 00:08:13,760 --> 00:08:16,000 Speaker 1: from San Pedro, and I'm like, don't do me like that, man, 152 00:08:17,080 --> 00:08:20,240 Speaker 1: don't do it. It's like saying like I'm from Los Angeles. Yeah, 153 00:08:20,240 --> 00:08:22,560 Speaker 1: I'm also from Los Angeles, and I'm like, your white 154 00:08:22,600 --> 00:08:26,280 Speaker 1: stuff down, calm down. Yeah, but yeah, So like so 155 00:08:26,320 --> 00:08:29,800 Speaker 1: I'm from San Pedro and it's, um, it's predominantly white. 156 00:08:29,800 --> 00:08:32,079 Speaker 1: It's becoming more Mexican now, but for most of my 157 00:08:32,160 --> 00:08:35,000 Speaker 1: childhood was a predominantly white Italian and so growing up, 158 00:08:35,040 --> 00:08:37,120 Speaker 1: I'm like, why doesn't anyone look like me? And I 159 00:08:37,160 --> 00:08:40,040 Speaker 1: remember falling in love with this character, Green Lantern, Kyle Rayner. 160 00:08:40,400 --> 00:08:42,600 Speaker 1: He had kind of dark skin and black hair, and 161 00:08:42,640 --> 00:08:45,280 Speaker 1: I had no idea for a decade, had no idea 162 00:08:45,360 --> 00:08:47,640 Speaker 1: that he was Latino. I was like, oh, he looks 163 00:08:47,760 --> 00:08:51,200 Speaker 1: like me, therefore I like him. And so I remember 164 00:08:51,240 --> 00:08:53,560 Speaker 1: reading his comic and falling in love with comic books 165 00:08:53,559 --> 00:08:55,920 Speaker 1: when I was about seven eight years old and thinking like, 166 00:08:56,000 --> 00:08:57,920 Speaker 1: this character is so cool and he looks like me. 167 00:08:58,080 --> 00:08:59,480 Speaker 1: So now they won't be like, you know, like I 168 00:08:59,520 --> 00:09:02,400 Speaker 1: can be me. You know, when we play superheroes and stuff, 169 00:09:02,440 --> 00:09:04,199 Speaker 1: I can be I don't have to look different. I 170 00:09:04,240 --> 00:09:07,520 Speaker 1: don't have to you know. And so that that always 171 00:09:07,520 --> 00:09:09,559 Speaker 1: held into me. And when I became a father with 172 00:09:09,679 --> 00:09:12,440 Speaker 1: my son's almost five years old now, it really like 173 00:09:12,760 --> 00:09:15,679 Speaker 1: hammered home that I wanted to find someone for him 174 00:09:15,679 --> 00:09:18,400 Speaker 1: to look up to. I wanted him to know that 175 00:09:18,440 --> 00:09:21,520 Speaker 1: feeling that I never got to have that superheroes look 176 00:09:21,559 --> 00:09:24,040 Speaker 1: like you, that like it's not just a world of 177 00:09:24,080 --> 00:09:28,320 Speaker 1: white guys and one token and one woman. Luckily, like 178 00:09:28,360 --> 00:09:30,520 Speaker 1: it's better now, but there was the stage of being 179 00:09:30,559 --> 00:09:32,800 Speaker 1: you know, I'm thirty one, so the stage of growing 180 00:09:32,880 --> 00:09:34,480 Speaker 1: up has changed with me. You look at things like 181 00:09:34,520 --> 00:09:38,959 Speaker 1: Power Rangers. Right, Prangers started off predominantly white, be it's 182 00:09:38,960 --> 00:09:41,280 Speaker 1: still an Asian and a black guy, and then it 183 00:09:41,320 --> 00:09:43,480 Speaker 1: moved up and you look at Power Rangers nowadays, like 184 00:09:43,679 --> 00:09:46,360 Speaker 1: the Red Rangers always for like the last fifteen years, 185 00:09:46,360 --> 00:09:49,079 Speaker 1: there's been neither a Pacific islander or a black guy 186 00:09:49,160 --> 00:09:51,520 Speaker 1: or Latino, like the white guys are Red Rangers anymore. 187 00:09:51,880 --> 00:09:53,680 Speaker 1: And it's like crazy to me that like we get 188 00:09:53,720 --> 00:09:56,280 Speaker 1: these things and and so for me, it's like I 189 00:09:56,320 --> 00:09:58,679 Speaker 1: want to bring attention to that. And for me, it's 190 00:09:58,679 --> 00:10:00,679 Speaker 1: like Latino's we need to be united it. We need 191 00:10:00,760 --> 00:10:02,880 Speaker 1: to stop caring about the little differences of being like 192 00:10:03,000 --> 00:10:06,120 Speaker 1: a Mexican on Puerto Rican, Like, no, we're Latino. We're 193 00:10:06,520 --> 00:10:08,680 Speaker 1: united in this. And that's the one of the reasons 194 00:10:08,720 --> 00:10:10,560 Speaker 1: I want to do pop culture and talk about it 195 00:10:10,559 --> 00:10:12,920 Speaker 1: because I'm like, look, you can love something and I 196 00:10:12,960 --> 00:10:15,120 Speaker 1: love Disney and I love Marvel Studios, and you can 197 00:10:15,160 --> 00:10:17,520 Speaker 1: love something and still be critical of it. And that's 198 00:10:17,520 --> 00:10:19,480 Speaker 1: something that I am critical of. It's you know, my 199 00:10:19,640 --> 00:10:22,320 Speaker 1: big video that got everyone all in a huff, and 200 00:10:22,360 --> 00:10:26,079 Speaker 1: I'm like, Myles Models is Latino, but he isn't really, 201 00:10:26,160 --> 00:10:28,080 Speaker 1: Like when's the last time a Latino writer wrote him, 202 00:10:28,080 --> 00:10:30,439 Speaker 1: when's the last time he was voice acted by a Latino? 203 00:10:30,640 --> 00:10:33,559 Speaker 1: When's the last time any It's just it feels like, 204 00:10:34,160 --> 00:10:35,880 Speaker 1: you know, it's like they were like, hey, let's make 205 00:10:35,920 --> 00:10:38,439 Speaker 1: a black spider Man. They went, you know what, more diversity, 206 00:10:38,520 --> 00:10:41,040 Speaker 1: slap on a Latino last name. And I'm like, and 207 00:10:41,200 --> 00:10:42,720 Speaker 1: because if the shoe was on the other foot, they 208 00:10:42,720 --> 00:10:45,600 Speaker 1: have freaking American community up in enough roar as they should, 209 00:10:45,760 --> 00:10:48,240 Speaker 1: as the Latino community should. So I'm like, we need 210 00:10:48,280 --> 00:10:50,600 Speaker 1: to fight for these raps. Latino History Month needs to 211 00:10:50,600 --> 00:10:53,320 Speaker 1: be a big thing. First off, stop calling it Hispanic 212 00:10:53,320 --> 00:10:55,640 Speaker 1: Heritage Month, you know, And that's my guy. I don't 213 00:10:55,640 --> 00:10:57,160 Speaker 1: know if you kind of keeps an eye out for that, 214 00:10:57,200 --> 00:11:00,760 Speaker 1: but like when companies use Latino or like Latin x 215 00:11:00,880 --> 00:11:03,200 Speaker 1: versus Hispanic characters with them, like they're the smart ones. 216 00:11:03,280 --> 00:11:07,079 Speaker 1: They know they have a Latino there, that's like, guys, Yeah, 217 00:11:07,400 --> 00:11:10,439 Speaker 1: I'm like Matt storytime guy for president right now. And 218 00:11:10,480 --> 00:11:12,559 Speaker 1: also I started crying, you started talking about your son, 219 00:11:12,840 --> 00:11:14,480 Speaker 1: and there's even so much in your videos and I'm 220 00:11:14,480 --> 00:11:16,360 Speaker 1: just going to touch based on this because it really 221 00:11:17,800 --> 00:11:19,679 Speaker 1: I know something that you're passionate about. It can tell 222 00:11:19,720 --> 00:11:24,240 Speaker 1: from watching your videos, but the creators of who are 223 00:11:24,280 --> 00:11:27,199 Speaker 1: creating these characters and the weight of that. And I 224 00:11:27,240 --> 00:11:30,880 Speaker 1: believe I saw something on your Instagram. Um, what was it? 225 00:11:30,920 --> 00:11:35,800 Speaker 1: The Dezi the Dozi? Yeah, these scale Yeah, can you like, 226 00:11:35,800 --> 00:11:38,560 Speaker 1: can you tappen on that? Because I just love that. Yeah. So, 227 00:11:38,640 --> 00:11:40,440 Speaker 1: like my I did this a while back, and I 228 00:11:40,480 --> 00:11:42,199 Speaker 1: really even mean to visit it. But like I always 229 00:11:42,200 --> 00:11:43,880 Speaker 1: tell people, like, there's a Desise scale when it comes 230 00:11:43,880 --> 00:11:46,480 Speaker 1: to Latino representation in Hollywood, right, So the first one 231 00:11:46,559 --> 00:11:48,120 Speaker 1: is and this is all based off of kind of 232 00:11:48,160 --> 00:11:52,720 Speaker 1: the the Bacco stale. I think the females are females 233 00:11:52,760 --> 00:11:55,360 Speaker 1: being well represented. So like, okay, Desi Arnaz is a 234 00:11:55,559 --> 00:11:58,760 Speaker 1: very famous He's one of the biggest pioneers in Hollywood 235 00:11:58,880 --> 00:12:01,560 Speaker 1: when it comes to latinos, and he was very distinctly Latin. 236 00:12:01,559 --> 00:12:03,319 Speaker 1: You know, he never tried to hide it. He never 237 00:12:03,440 --> 00:12:06,440 Speaker 1: changed his name, which nowadays that still happens and people 238 00:12:06,440 --> 00:12:08,640 Speaker 1: try to wave it. I'll be like, no, like it's 239 00:12:08,640 --> 00:12:10,880 Speaker 1: just you know, it's like you guys know what you're 240 00:12:10,880 --> 00:12:13,320 Speaker 1: doing when you do this. Desi refused to do that. 241 00:12:13,720 --> 00:12:15,840 Speaker 1: He was always proud of who he was, even when 242 00:12:15,840 --> 00:12:17,400 Speaker 1: he weared the white lady. He was still and she 243 00:12:17,559 --> 00:12:20,600 Speaker 1: was and more importantly, you're equally is important. She was 244 00:12:20,640 --> 00:12:22,840 Speaker 1: proud of that, you know. Her stories were like, oh, 245 00:12:22,840 --> 00:12:24,320 Speaker 1: we're gonna have this and they're gonna make fun of 246 00:12:24,320 --> 00:12:26,680 Speaker 1: his voice, and Lucio was like, no, no no, no, no, no, 247 00:12:26,720 --> 00:12:29,200 Speaker 1: one makes fun of my husband's voice. I can't because 248 00:12:29,200 --> 00:12:33,040 Speaker 1: I'm his wife. You guys can't, you know, and like 249 00:12:33,120 --> 00:12:34,800 Speaker 1: and so that's when I see this stuff and I'm like, 250 00:12:34,840 --> 00:12:37,200 Speaker 1: so for me, this the Desi scale is simple. Are 251 00:12:37,240 --> 00:12:40,640 Speaker 1: the Latinos in this movie? Right? Are the Latinos played 252 00:12:40,800 --> 00:12:44,280 Speaker 1: by Latinos or Spaniards because that happens way too often, 253 00:12:44,640 --> 00:12:47,319 Speaker 1: or just white people. We see in Chasam one and 254 00:12:47,400 --> 00:12:52,320 Speaker 1: Chasam two that the Latino pedro Perez when he's a 255 00:12:52,360 --> 00:12:55,120 Speaker 1: little kid, he's a Latino actor, but when they shaped 256 00:12:55,120 --> 00:12:56,760 Speaker 1: them up to be a superhero, they cast it in 257 00:12:56,800 --> 00:13:01,600 Speaker 1: Italian and you're like, why you couldn't find a buff, 258 00:13:01,600 --> 00:13:04,119 Speaker 1: handsome Latino guy. You had to look at the Italians 259 00:13:04,120 --> 00:13:06,000 Speaker 1: and everyone's just kind of like ignoring the fact that 260 00:13:06,000 --> 00:13:09,079 Speaker 1: they're like, yeah, representation, Like no, so white guy, this 261 00:13:09,280 --> 00:13:12,120 Speaker 1: is like he's like no. And then the third scale 262 00:13:12,160 --> 00:13:14,840 Speaker 1: This is when like movies and Charles go from my 263 00:13:14,960 --> 00:13:17,679 Speaker 1: respect to I bowed down to you? Is the Latino 264 00:13:17,800 --> 00:13:21,600 Speaker 1: played by the actual ethnicity nationality of that character, right, 265 00:13:21,840 --> 00:13:24,800 Speaker 1: So you like look at something like miss America right 266 00:13:24,840 --> 00:13:27,199 Speaker 1: in hers there you go on a whole tangent about 267 00:13:27,200 --> 00:13:29,680 Speaker 1: how Marvel tries to play that game on both hands 268 00:13:29,679 --> 00:13:31,559 Speaker 1: and were like, she's Latina, but we're not gonna say 269 00:13:31,559 --> 00:13:33,839 Speaker 1: where she's from but Puerto Rico. But also maybe she's 270 00:13:33,840 --> 00:13:35,920 Speaker 1: at for Latino but maybe not depends on the artist. 271 00:13:36,400 --> 00:13:39,040 Speaker 1: So it's like it's They're like, and you look at 272 00:13:39,040 --> 00:13:41,120 Speaker 1: this too, It's like, yes, we got America Chavis and 273 00:13:41,160 --> 00:13:43,840 Speaker 1: the cast of which is cool, but she's not Puerto Rican. 274 00:13:43,920 --> 00:13:46,800 Speaker 1: She's not after Latina. And whether the character isn't or 275 00:13:46,920 --> 00:13:50,160 Speaker 1: is that for Latina, which they'll never say she looks 276 00:13:50,160 --> 00:13:53,880 Speaker 1: at for Latina, that's important, right, So they didn't cast her. 277 00:13:53,920 --> 00:13:55,520 Speaker 1: And then what's worse is that this character who is 278 00:13:55,640 --> 00:13:58,840 Speaker 1: very proudly Puerto Rican. Right, I was watching the documentary 279 00:13:59,160 --> 00:14:00,880 Speaker 1: Doctor Strain, she and the Yeah, we were thinking putting 280 00:14:00,880 --> 00:14:02,480 Speaker 1: like Day of the Dead on her back instead of 281 00:14:02,480 --> 00:14:05,320 Speaker 1: the star and like sugar Skulls and I'm like, you 282 00:14:05,360 --> 00:14:08,280 Speaker 1: have the wrong, wrong Latinos man. So I'm like, y'all, 283 00:14:08,520 --> 00:14:10,640 Speaker 1: y'all are working on this movie. You don't even know 284 00:14:11,000 --> 00:14:13,439 Speaker 1: that she's not Mexican and there she's Puerto Rican. Like, 285 00:14:13,840 --> 00:14:15,719 Speaker 1: so that's the scale for me. It's like, you know, 286 00:14:15,960 --> 00:14:18,079 Speaker 1: are they actually Latino or they played by Latino and 287 00:14:18,240 --> 00:14:20,800 Speaker 1: are actually from the region, because to me, that that's 288 00:14:20,800 --> 00:14:25,040 Speaker 1: where it starts, right, It's it's it's about getting Latino representation, 289 00:14:25,640 --> 00:14:28,240 Speaker 1: getting actors who are Latino to play those and then 290 00:14:28,280 --> 00:14:31,360 Speaker 1: being proud of our own heritage Latinos. But we all 291 00:14:31,400 --> 00:14:33,240 Speaker 1: look different, and we all active from we all have 292 00:14:33,280 --> 00:14:35,240 Speaker 1: different cultures. I mean, I don't know how many different 293 00:14:35,280 --> 00:14:37,400 Speaker 1: ways there is to say fineapples, all these words. Right, 294 00:14:37,680 --> 00:14:40,080 Speaker 1: Like my my my father he used to say he 295 00:14:40,120 --> 00:14:42,360 Speaker 1: never cussed in his life, but that man says cono 296 00:14:42,480 --> 00:14:45,080 Speaker 1: every other sime, especially because he's a carpenter. And I 297 00:14:45,120 --> 00:14:47,120 Speaker 1: grew up saying like cono. And if you're like wait, 298 00:14:47,160 --> 00:14:48,960 Speaker 1: what do you say? Boy? And I'm like coryo, it's 299 00:14:48,960 --> 00:14:51,600 Speaker 1: like a damn And they're like, well, where are you 300 00:14:51,640 --> 00:14:54,400 Speaker 1: from Puerto Rico? You're Puerto Rico, that's right, you know? 301 00:14:54,400 --> 00:14:56,360 Speaker 1: Because my mom is Mexican she and she went to 302 00:14:56,600 --> 00:14:57,960 Speaker 1: you know, Puerto Rico and lived there for a little 303 00:14:57,960 --> 00:14:59,960 Speaker 1: but and she's like, what are you guys speaking another langua? 304 00:15:00,600 --> 00:15:02,600 Speaker 1: And like that's the beauty that if you're not Latino 305 00:15:02,640 --> 00:15:05,160 Speaker 1: or don't have Latino friends, you never you never knew that, 306 00:15:05,200 --> 00:15:08,360 Speaker 1: you know, you never know that even Spaniard Spanish is 307 00:15:08,400 --> 00:15:12,400 Speaker 1: not the same as Latin America called different language exactly. 308 00:15:12,440 --> 00:15:14,040 Speaker 1: People are like, oh, yeah, Spaniards And I'm like, no, 309 00:15:14,240 --> 00:15:17,080 Speaker 1: hold up, Spaniards are white. I've been to London, I've 310 00:15:17,160 --> 00:15:19,960 Speaker 1: I've met tons of Spaniards. They're wider than white, like 311 00:15:20,000 --> 00:15:22,240 Speaker 1: the English people, right, right, that's cool than that to them. 312 00:15:22,280 --> 00:15:24,320 Speaker 1: But let's not like just because they speak Spanish doesn't 313 00:15:24,320 --> 00:15:26,440 Speaker 1: mean they're part of our culture. Right. It's just a 314 00:15:26,520 --> 00:15:30,440 Speaker 1: reminder of how we can all be different but like 315 00:15:30,480 --> 00:15:33,360 Speaker 1: come together, yeah you know what I mean, and embracing 316 00:15:33,400 --> 00:15:35,680 Speaker 1: those things. And we see it. We see it so 317 00:15:35,760 --> 00:15:38,840 Speaker 1: much in the entertainment industry. Me being an actor, like 318 00:15:39,240 --> 00:15:42,320 Speaker 1: trust like I'll get a break down for things where 319 00:15:42,840 --> 00:15:47,120 Speaker 1: I'm like, Okay, I can't sell this story. Okay, I'm 320 00:15:47,120 --> 00:15:49,000 Speaker 1: like I tell my manager. I'm like, listen, I know 321 00:15:49,080 --> 00:15:52,320 Speaker 1: it said Afro Latina or if it said like indigenous, 322 00:15:52,440 --> 00:15:54,960 Speaker 1: or like little extra things like besides afric Latina that 323 00:15:54,960 --> 00:15:58,240 Speaker 1: they're looking for. But I'm like the writing is giving 324 00:15:58,960 --> 00:16:02,160 Speaker 1: something different. Yeah, I used to be a child actor 325 00:16:02,160 --> 00:16:03,600 Speaker 1: when I was a kid, and I remember my first 326 00:16:03,600 --> 00:16:06,240 Speaker 1: commercial had this whole big thing came on and we 327 00:16:06,240 --> 00:16:09,040 Speaker 1: were in Alavetta Street doing this ad for I think 328 00:16:09,040 --> 00:16:10,400 Speaker 1: it was a T and T or something of their 329 00:16:10,480 --> 00:16:13,640 Speaker 1: cross broadband you know back then, called to Mexico for free, 330 00:16:14,040 --> 00:16:16,560 Speaker 1: and I remember the director showed up ten hours late 331 00:16:17,080 --> 00:16:18,920 Speaker 1: and he was a German guy, didn't even speak he 332 00:16:18,920 --> 00:16:21,520 Speaker 1: could barely speak English, couldn't even speak Spanish, and all 333 00:16:21,560 --> 00:16:25,000 Speaker 1: of us a Latinos. So they're like what you what 334 00:16:25,600 --> 00:16:28,360 Speaker 1: where they're choosing you? And yeah, and he cut all 335 00:16:28,360 --> 00:16:30,400 Speaker 1: our rods. He's like we're running short on time, so 336 00:16:30,480 --> 00:16:32,960 Speaker 1: everyone's dialogue is gonna get cut. We're just you a 337 00:16:32,960 --> 00:16:35,480 Speaker 1: little Latino kids do this with a with a little ukulele, 338 00:16:35,880 --> 00:16:39,560 Speaker 1: and I'm like that's they don't have you go. You're like, 339 00:16:39,600 --> 00:16:43,120 Speaker 1: what is the ukulele? Yeah, it's just stuff like this. 340 00:16:43,240 --> 00:16:44,760 Speaker 1: Hollywood is just you know. I was like I don't 341 00:16:44,760 --> 00:16:46,560 Speaker 1: how many times like the reason I quit acting as 342 00:16:46,560 --> 00:16:48,160 Speaker 1: a kid. I was I don't know how many times 343 00:16:48,160 --> 00:16:51,160 Speaker 1: to say do you speak Spanish? No? Okay, no, no, 344 00:16:51,320 --> 00:16:53,200 Speaker 1: thank you? Can you pretend? Like? Can you sound like 345 00:16:53,200 --> 00:16:55,480 Speaker 1: you speak Spanish? And I'm like, as a kid, You're like, 346 00:16:56,280 --> 00:16:58,920 Speaker 1: what does that mean? I have to tell you, Matt. 347 00:16:58,960 --> 00:17:03,600 Speaker 1: It's gotten worse because now I'll get scripts where they 348 00:17:03,760 --> 00:17:08,960 Speaker 1: ask me to translate the script and I'm like, that 349 00:17:09,080 --> 00:17:16,440 Speaker 1: is not my job. It happens so often we're literally 350 00:17:17,040 --> 00:17:19,080 Speaker 1: I will do the self tape and I will say 351 00:17:19,119 --> 00:17:22,000 Speaker 1: it as written. If it's in English, you're getting it 352 00:17:22,000 --> 00:17:25,040 Speaker 1: in English. If you've given me the Spanish, great, I'll 353 00:17:25,080 --> 00:17:27,480 Speaker 1: feed that back to you. But I'm not sitting here 354 00:17:27,520 --> 00:17:30,920 Speaker 1: translating for you trying to figure out where the characters 355 00:17:31,000 --> 00:17:33,159 Speaker 1: from all. I don't speak that kind of like what 356 00:17:33,280 --> 00:17:35,760 Speaker 1: that's not my What are you doing? What are we doing? 357 00:17:36,920 --> 00:17:39,080 Speaker 1: It's the best part because it's like who else has 358 00:17:39,119 --> 00:17:41,040 Speaker 1: to do this? And honestly, I feel like this is 359 00:17:41,119 --> 00:17:43,439 Speaker 1: a Latino. What I think is that we're taught to 360 00:17:43,440 --> 00:17:47,159 Speaker 1: be too humble and the point that we don't speak up. No, 361 00:17:47,520 --> 00:17:49,520 Speaker 1: that's why we are where we are because we don't 362 00:17:49,520 --> 00:17:51,959 Speaker 1: make noise like you have to make noise. You have 363 00:17:52,040 --> 00:17:55,359 Speaker 1: to tell them no, this is offensive, like it's and 364 00:17:55,440 --> 00:17:57,440 Speaker 1: the thing is we're getting there, right. I always get 365 00:17:57,480 --> 00:18:01,359 Speaker 1: told by my wife and everyone be a passionate brown man, 366 00:18:01,440 --> 00:18:04,320 Speaker 1: don't be the angry brown man, because companies want to 367 00:18:04,359 --> 00:18:08,760 Speaker 1: work with a passionate brown man. I don't know how 368 00:18:08,800 --> 00:18:10,760 Speaker 1: many like this whole backgirl knows everybody I get. So 369 00:18:10,800 --> 00:18:12,640 Speaker 1: I've got message and coming. How can we aren't talking 370 00:18:12,640 --> 00:18:15,120 Speaker 1: about Oto? I'm like, because a moment I click record 371 00:18:15,160 --> 00:18:17,600 Speaker 1: talking about Bad Girl, I'm gonna get mad. And I 372 00:18:17,640 --> 00:18:20,119 Speaker 1: really really really really like to start. I would like 373 00:18:20,160 --> 00:18:22,240 Speaker 1: to work with d C one day and not burn 374 00:18:22,320 --> 00:18:23,960 Speaker 1: that bridge because I'm gonna burn that bridge if I 375 00:18:23,960 --> 00:18:27,520 Speaker 1: talk about Bad Girl, So like, I don't want to, 376 00:18:28,320 --> 00:18:29,840 Speaker 1: you know. And it's like because you do this, and 377 00:18:29,880 --> 00:18:31,840 Speaker 1: it's like and I've had a video go viral before 378 00:18:31,840 --> 00:18:34,160 Speaker 1: where I called Marvel Studios out and I have friends 379 00:18:34,200 --> 00:18:37,639 Speaker 1: who work for Marvel Studios and I got the message. Hey, 380 00:18:38,040 --> 00:18:41,280 Speaker 1: they just the heads up, man, they saw the video, 381 00:18:41,280 --> 00:18:42,240 Speaker 1: and I want, who do you what do you mean? 382 00:18:42,240 --> 00:18:44,840 Speaker 1: They saw it in They're like the people here where 383 00:18:44,880 --> 00:18:47,919 Speaker 1: I work that have a lot of important power and 384 00:18:48,000 --> 00:18:51,120 Speaker 1: sway saw that video and I was like, oh, and 385 00:18:51,160 --> 00:18:53,040 Speaker 1: they're like I was like, they weren't happy. No, Matt, 386 00:18:53,280 --> 00:18:55,439 Speaker 1: they were not happy because it is a business. We 387 00:18:55,520 --> 00:18:57,439 Speaker 1: are a business ourselves and stuff. And so it's like 388 00:18:57,760 --> 00:19:00,440 Speaker 1: I was doing a like I was about to set 389 00:19:00,520 --> 00:19:04,200 Speaker 1: up this big campaign with another company underneath that umbrella, 390 00:19:04,680 --> 00:19:06,920 Speaker 1: and the next day after that happened, they went, hey, 391 00:19:07,119 --> 00:19:11,000 Speaker 1: we're going a different direction with this. And then I'm like, okay, 392 00:19:11,000 --> 00:19:13,200 Speaker 1: well that's that's I understand. Like, hey, you know, like 393 00:19:13,520 --> 00:19:17,679 Speaker 1: whatever I'll see at the next red carpet cricket noise. 394 00:19:17,840 --> 00:19:19,879 Speaker 1: And it's not just that companies, other companies don't want 395 00:19:19,880 --> 00:19:22,520 Speaker 1: to see you getting angry and other kids because I'm like, oh, 396 00:19:22,600 --> 00:19:25,159 Speaker 1: what if we do something that's racist, he is going 397 00:19:25,200 --> 00:19:27,040 Speaker 1: to come after us and we don't want that. And 398 00:19:27,040 --> 00:19:28,919 Speaker 1: it's like we'll make sure you just don't do stupid 399 00:19:29,000 --> 00:19:31,600 Speaker 1: racist things towards somethinos and you won't worry, you know, hey, 400 00:19:31,720 --> 00:19:48,199 Speaker 1: just like I think just as people of color in 401 00:19:48,240 --> 00:19:52,280 Speaker 1: this industry, like it's something for me that I already know. 402 00:19:52,640 --> 00:19:55,400 Speaker 1: It's something that I will always deal with if especially 403 00:19:55,400 --> 00:19:57,800 Speaker 1: being a woman, for me personally, like if I walk 404 00:19:57,840 --> 00:19:59,760 Speaker 1: in the room and I have an opinion, honey, they 405 00:19:59,760 --> 00:20:03,280 Speaker 1: are are so mad already. It's out of my control 406 00:20:03,560 --> 00:20:06,440 Speaker 1: most of the time. Which if Latinos are being sexualized 407 00:20:06,440 --> 00:20:10,159 Speaker 1: and idolized and cared as objects, then they're being either 408 00:20:10,440 --> 00:20:12,360 Speaker 1: you know that it's her. She's got her out of there. 409 00:20:13,440 --> 00:20:15,040 Speaker 1: And that's that's the thing too, is that like And 410 00:20:15,040 --> 00:20:17,680 Speaker 1: this is what I'll say to every like it. It's 411 00:20:17,720 --> 00:20:19,480 Speaker 1: the reason I get invited because I've seen some people 412 00:20:19,480 --> 00:20:22,040 Speaker 1: be like, hey, don't talk about Marvel like that, or 413 00:20:22,040 --> 00:20:24,240 Speaker 1: don't talk about Disney like that, Like they send you 414 00:20:24,280 --> 00:20:26,360 Speaker 1: to events like you need to be grateful because there's 415 00:20:26,400 --> 00:20:29,160 Speaker 1: other people that have more followers than you that aren't 416 00:20:29,160 --> 00:20:30,920 Speaker 1: invited to these things, and you should be grateful. And 417 00:20:30,960 --> 00:20:34,280 Speaker 1: I'm like, bro, I'm I'm getting invited because I'm Latino. 418 00:20:34,320 --> 00:20:37,520 Speaker 1: There's a Latino company that's like, we get tickets to 419 00:20:37,600 --> 00:20:40,560 Speaker 1: give to Latinos to make sure these places have Latino representation. 420 00:20:40,960 --> 00:20:43,200 Speaker 1: That's how I go. They don't personally I thought they 421 00:20:43,200 --> 00:20:45,240 Speaker 1: were going to, but then that whole you know, So 422 00:20:45,359 --> 00:20:47,280 Speaker 1: that's how I get invited to events. If I'm not 423 00:20:47,320 --> 00:20:50,320 Speaker 1: loud and I'm not shouting for Latino rights, then who 424 00:20:50,440 --> 00:20:54,439 Speaker 1: is what other big content creator is constantly not just 425 00:20:54,520 --> 00:20:57,280 Speaker 1: like we're Latino doing a little dancing videos, but saying 426 00:20:57,280 --> 00:21:00,320 Speaker 1: like hey, calling out when things are unjust, where's people 427 00:21:00,320 --> 00:21:02,679 Speaker 1: fighting for Latino rights and say like, hey, you know 428 00:21:02,920 --> 00:21:05,399 Speaker 1: this movie is coming out. When Moonnight came out and 429 00:21:05,440 --> 00:21:08,280 Speaker 1: they cast it out Scaraza, and they can't They didn't 430 00:21:08,320 --> 00:21:10,359 Speaker 1: say in documentaries, they didn't say in a single article 431 00:21:10,359 --> 00:21:12,760 Speaker 1: that he's Latino, that this is the first Latino superhero 432 00:21:12,760 --> 00:21:14,800 Speaker 1: and Marvel because GE's what that looks like to me. 433 00:21:15,280 --> 00:21:18,400 Speaker 1: He's not Latino. I don't care who you cast, especially 434 00:21:18,400 --> 00:21:23,160 Speaker 1: I love Oscaraza man. That man is the most handsome, talented, amazing, 435 00:21:23,600 --> 00:21:25,639 Speaker 1: But to ignore the fact that he plays white guys 436 00:21:25,680 --> 00:21:29,359 Speaker 1: more than he plays Latinos. He's played he was Apocalypse, 437 00:21:29,400 --> 00:21:32,040 Speaker 1: Who's Egyptian, He's played Persians, He's played Egyptians, He's played 438 00:21:32,040 --> 00:21:34,080 Speaker 1: white guys, He's played everything out of the moon. He 439 00:21:34,119 --> 00:21:37,160 Speaker 1: doesn't really play Latinos though, And so for like him 440 00:21:37,160 --> 00:21:39,359 Speaker 1: getting cast and I'm being like, well, here's Latino, I'm like, no, 441 00:21:39,800 --> 00:21:41,680 Speaker 1: I don't think they know that, like the fact that 442 00:21:41,720 --> 00:21:44,680 Speaker 1: they didn't know Miss America is not Mexican sport. I'm 443 00:21:44,880 --> 00:21:46,240 Speaker 1: part of me is like, I don't think they knew 444 00:21:46,280 --> 00:21:49,080 Speaker 1: Oscaraza was Latino, or if they did, they didn't care, 445 00:21:49,480 --> 00:21:52,040 Speaker 1: which goes into the category of passing the whole thing. 446 00:21:53,080 --> 00:21:58,040 Speaker 1: That's the next episode with Nats. But yeah, and then 447 00:21:58,080 --> 00:22:01,760 Speaker 1: that's something within our community that we also is this 448 00:22:01,840 --> 00:22:04,280 Speaker 1: really unique experience and like, so that's that's what I 449 00:22:04,320 --> 00:22:06,479 Speaker 1: really like doing, is talking about these things and sharing 450 00:22:06,480 --> 00:22:09,000 Speaker 1: these things and learning more. Like it's not just me 451 00:22:09,080 --> 00:22:12,000 Speaker 1: like knowing everything. I learned more from people. People tell 452 00:22:12,040 --> 00:22:15,000 Speaker 1: me stories like the new um the movie about the 453 00:22:15,000 --> 00:22:18,359 Speaker 1: African princess that's coming out in two months. I found 454 00:22:18,359 --> 00:22:20,879 Speaker 1: out about that months ago because I was doing a 455 00:22:22,080 --> 00:22:26,480 Speaker 1: series that was called Fairytale Princesses that Disney should do 456 00:22:26,520 --> 00:22:28,840 Speaker 1: movies on. And I was doing, you know, Fete Throwners, 457 00:22:28,880 --> 00:22:32,360 Speaker 1: which is the first ever transgender fairytale princess from Romania, 458 00:22:32,800 --> 00:22:36,080 Speaker 1: doing from the Philippines, going all over the world, you know, 459 00:22:36,160 --> 00:22:40,399 Speaker 1: talking about Latin and diversity and African Asian princesses, and 460 00:22:40,400 --> 00:22:43,520 Speaker 1: someone's like, Hey, there's this African princess and she's a 461 00:22:43,560 --> 00:22:47,159 Speaker 1: real person, and she had this beautiful iconic story of 462 00:22:47,160 --> 00:22:49,640 Speaker 1: how she became this queen and this powerhouse and she's 463 00:22:49,680 --> 00:22:52,040 Speaker 1: amazing and I was like yeah, hell yeah. So I 464 00:22:52,119 --> 00:22:53,720 Speaker 1: dove into and I read and that was my next 465 00:22:53,800 --> 00:22:55,800 Speaker 1: video and it was like, I love the people able 466 00:22:55,840 --> 00:22:57,760 Speaker 1: to share these things with me that you know, we 467 00:22:57,840 --> 00:23:00,240 Speaker 1: go like, oh, this is you know when I said like, oh, 468 00:23:00,320 --> 00:23:02,240 Speaker 1: la Adona and I said, this is the origin of 469 00:23:02,280 --> 00:23:04,159 Speaker 1: la Adona. That was one of my first videos and 470 00:23:04,200 --> 00:23:07,920 Speaker 1: I stopped because I realized origin for who for my 471 00:23:07,960 --> 00:23:11,000 Speaker 1: mother from Lada from or you know who who's origin 472 00:23:11,040 --> 00:23:14,119 Speaker 1: because it changes, right, it changes. Everyone has a different 473 00:23:14,119 --> 00:23:17,439 Speaker 1: story of Latona. Absolutely. Is she vicious? Is she violet? 474 00:23:17,680 --> 00:23:20,160 Speaker 1: Some people say no, Other people, yeah, she kidnap your children, 475 00:23:20,160 --> 00:23:22,280 Speaker 1: taking the rip. Other just just she just cries, or 476 00:23:22,320 --> 00:23:25,119 Speaker 1: she drowned her kids, or she's indigenous, or her husband 477 00:23:25,200 --> 00:23:27,240 Speaker 1: left her for a Spanish woman or she didn't have 478 00:23:27,280 --> 00:23:29,480 Speaker 1: a husband or he had a family and you know 479 00:23:29,480 --> 00:23:31,480 Speaker 1: all these or she's magical or she's a demon, or 480 00:23:31,480 --> 00:23:33,480 Speaker 1: she can't get into heaven or hell blah blah. You 481 00:23:33,520 --> 00:23:36,440 Speaker 1: know it's like and that's what I love because doing 482 00:23:36,480 --> 00:23:39,159 Speaker 1: this I get to expand what it is for me 483 00:23:39,240 --> 00:23:41,359 Speaker 1: to be Latinos, and then I get to share that 484 00:23:41,440 --> 00:23:44,080 Speaker 1: and then we just keep growing this beautiful branch and 485 00:23:44,160 --> 00:23:46,520 Speaker 1: tree of what it is to be Latinos. It's like 486 00:23:46,520 --> 00:23:50,200 Speaker 1: this beautiful experience that I am so blessed to share 487 00:23:50,200 --> 00:23:52,720 Speaker 1: with other people that like, just God, I love this community. 488 00:23:52,880 --> 00:23:56,320 Speaker 1: It's necessary, it's necessary, and I talked about this multiple times. 489 00:23:56,359 --> 00:23:59,240 Speaker 1: I'm gonneat that with multiple guests. But it's like the 490 00:23:59,280 --> 00:24:02,040 Speaker 1: fact that we don't have the knowledge of our of 491 00:24:02,160 --> 00:24:06,320 Speaker 1: our family. It's very common. So what you're doing is 492 00:24:06,359 --> 00:24:09,960 Speaker 1: already battling that. And I think it's so beautiful. I 493 00:24:10,000 --> 00:24:12,480 Speaker 1: love when you mentioned your son because I can't stop 494 00:24:12,520 --> 00:24:14,480 Speaker 1: thinking about that in the stories that he's going to 495 00:24:14,520 --> 00:24:17,520 Speaker 1: be able to have and and share as he gets older. 496 00:24:18,000 --> 00:24:21,159 Speaker 1: And um, it's just the work you're doing and what 497 00:24:21,200 --> 00:24:24,000 Speaker 1: you're doing is so necessary, and I just wanted to 498 00:24:24,320 --> 00:24:27,200 Speaker 1: make sure I say that, and I also don't want 499 00:24:27,200 --> 00:24:30,080 Speaker 1: you to get mad at me, But of course I 500 00:24:30,160 --> 00:24:33,359 Speaker 1: have to ask you. Of course I have to ask 501 00:24:33,400 --> 00:24:37,239 Speaker 1: you about that. Girl. I know, I know, I know 502 00:24:37,400 --> 00:24:40,160 Speaker 1: you literally just said it, but I have to because 503 00:24:40,320 --> 00:24:42,680 Speaker 1: and honestly, let's go into it a little bit. Let's 504 00:24:42,680 --> 00:24:45,600 Speaker 1: go into it a little deeper. Let's go into HBO Max, 505 00:24:45,720 --> 00:24:51,520 Speaker 1: Let's go into chronicles. Let's go into Okay, Okay, I'm 506 00:24:51,520 --> 00:24:54,720 Speaker 1: going to try to nut shout everybody, grab your waters, 507 00:24:54,840 --> 00:24:58,200 Speaker 1: cool down for a second, grab your SPF, grab your ship. 508 00:24:59,320 --> 00:25:02,159 Speaker 1: It's gonna get that, okay. So, like, so here's the thing. Right, 509 00:25:02,200 --> 00:25:04,560 Speaker 1: I'm a huge Complic fan. My son is named Peter 510 00:25:04,640 --> 00:25:07,439 Speaker 1: after Peter Parker and Peter Pant and me and my 511 00:25:07,480 --> 00:25:09,280 Speaker 1: wife agreed if we ever had another son, he would 512 00:25:09,280 --> 00:25:13,639 Speaker 1: be named Miles after Miles Morals. I'm a huge huge 513 00:25:13,880 --> 00:25:17,120 Speaker 1: comic book nerd. And so it's like when I say that, 514 00:25:17,240 --> 00:25:20,800 Speaker 1: I am like, how do I what do I even 515 00:25:20,840 --> 00:25:23,000 Speaker 1: begin on this? Okay, so let's talk about HBO Max right. 516 00:25:23,359 --> 00:25:28,520 Speaker 1: Just so, they were bought by Discovery Discoveries, another streaming 517 00:25:28,520 --> 00:25:30,720 Speaker 1: platform that I don't know if single person owns. I 518 00:25:30,720 --> 00:25:32,679 Speaker 1: don't even like when the like Discovery Plus, I'm like, 519 00:25:32,880 --> 00:25:37,200 Speaker 1: is that out yet? Is it? What is exist? Discovery? 520 00:25:37,280 --> 00:25:40,879 Speaker 1: Like the Discovery Channel bought Warner Brothers. What where did 521 00:25:40,920 --> 00:25:44,520 Speaker 1: they get the money from? Like you know, So for me, 522 00:25:44,560 --> 00:25:47,760 Speaker 1: it's like it's all weird and it seems weird of 523 00:25:47,800 --> 00:25:50,840 Speaker 1: how they're prioritizing this, right because like you look at 524 00:25:50,920 --> 00:25:54,880 Speaker 1: their let's talk about this exclusive from like a Latino representation. Right, 525 00:25:54,920 --> 00:25:57,760 Speaker 1: So one of their big flagships movies, Fantastic B series, 526 00:25:57,880 --> 00:26:01,240 Speaker 1: right it odd you see Harry Potter Francis, I'm gonna 527 00:26:01,280 --> 00:26:03,280 Speaker 1: have in Latinos in it, right, it's all in Britain whatever. Right, 528 00:26:03,359 --> 00:26:05,639 Speaker 1: But they come to America, right and j K rolling 529 00:26:06,240 --> 00:26:07,760 Speaker 1: you look at her and she's like, I care about 530 00:26:07,760 --> 00:26:11,840 Speaker 1: diversity and representation and misfit and an all white cast 531 00:26:12,000 --> 00:26:16,000 Speaker 1: ladies and gentlemen. You're in New York City, worst, the 532 00:26:16,080 --> 00:26:19,399 Speaker 1: a Latinos, the New Yorleans brother, where's even the Italians? 533 00:26:19,520 --> 00:26:22,479 Speaker 1: The irishman. They're like, yeah, we'll get rid of them too, 534 00:26:22,640 --> 00:26:24,439 Speaker 1: And I see that. I'm like, okay, it's all right. 535 00:26:24,520 --> 00:26:27,440 Speaker 1: First movie, there's not gonna be in the Latinos. Okay. 536 00:26:27,480 --> 00:26:29,480 Speaker 1: Second movie, Oh, we're leaving them. We're going back to 537 00:26:29,480 --> 00:26:33,000 Speaker 1: white France, okay, whatever. And then they introduced black people, like, yes, 538 00:26:33,359 --> 00:26:35,960 Speaker 1: good job, there are black people in France. I appreciate 539 00:26:36,000 --> 00:26:39,240 Speaker 1: you doing that. So for the second movie they introduced 540 00:26:39,280 --> 00:26:41,359 Speaker 1: up black love interest for the two white guys, of course, 541 00:26:41,840 --> 00:26:46,240 Speaker 1: and then they kill here. Okay, I don't know why 542 00:26:46,359 --> 00:26:49,439 Speaker 1: you can't have anything nice apparently, and then we get 543 00:26:49,440 --> 00:26:53,400 Speaker 1: the fantasticas three, and there's the Brazilian and you're like, wow, Brazilian, 544 00:26:53,440 --> 00:26:55,640 Speaker 1: this is gonna take place in Brazil. And then it's 545 00:26:55,680 --> 00:26:59,359 Speaker 1: like not really, And then the ladies like apparent they 546 00:26:59,400 --> 00:27:01,440 Speaker 1: introduced this of like oh, there's not just like a 547 00:27:01,440 --> 00:27:03,320 Speaker 1: prime minister of like each country that was a prime 548 00:27:03,320 --> 00:27:06,960 Speaker 1: minister of all wizards that were just introducing just now 549 00:27:07,080 --> 00:27:09,640 Speaker 1: nine movies in and then it's like, is it gonna 550 00:27:09,680 --> 00:27:12,439 Speaker 1: be a white guy, Oh, the white guy's evil, or 551 00:27:12,480 --> 00:27:15,120 Speaker 1: is it gonna be the latina she won't say a word? 552 00:27:15,200 --> 00:27:17,560 Speaker 1: You want have a single line of the whole movie. 553 00:27:17,800 --> 00:27:19,480 Speaker 1: We get it, We get what you guys are trying 554 00:27:19,520 --> 00:27:21,560 Speaker 1: to do. I feel like white people want to tiptoe 555 00:27:21,600 --> 00:27:23,400 Speaker 1: and I just want to say this, you can make 556 00:27:23,640 --> 00:27:26,480 Speaker 1: people of color villains. It's okay to make people of 557 00:27:26,560 --> 00:27:29,760 Speaker 1: color villains. Like I hate this, Like Marvel keeps doing this, 558 00:27:29,840 --> 00:27:33,080 Speaker 1: so like we really don't want to make villains that 559 00:27:33,160 --> 00:27:36,439 Speaker 1: aren't white guys. And if they are super sympathetic, if 560 00:27:36,440 --> 00:27:38,840 Speaker 1: it's a woman, or if it's a person, super super sympathetic, 561 00:27:38,840 --> 00:27:42,720 Speaker 1: the white generic as hell super evil and I'm like, no, 562 00:27:42,840 --> 00:27:46,360 Speaker 1: it's okay. You can look at till Monger right now 563 00:27:47,480 --> 00:27:49,240 Speaker 1: it is to me, it's like, and so that's where 564 00:27:49,280 --> 00:27:53,040 Speaker 1: you go in this movie and it's like, okay, weird representation. 565 00:27:53,160 --> 00:27:55,720 Speaker 1: Or the chupa get that Boulogne out of here shows 566 00:27:55,760 --> 00:27:57,560 Speaker 1: up in the second movie. It's like a little lizard 567 00:27:57,560 --> 00:28:00,320 Speaker 1: thing and you're like, why did you guys to read 568 00:28:00,359 --> 00:28:03,520 Speaker 1: about the chupacabra, Like you guys know anything about it? 569 00:28:03,600 --> 00:28:05,720 Speaker 1: Like you couldn't even stick it to like a Latino guy. 570 00:28:05,760 --> 00:28:08,679 Speaker 1: You have to like, I don't get these things right. 571 00:28:08,680 --> 00:28:13,480 Speaker 1: I don't understand why they're doing this. But looking past 572 00:28:13,520 --> 00:28:16,600 Speaker 1: Harry Potter, right the Latino reposation a fel Max is 573 00:28:16,640 --> 00:28:19,440 Speaker 1: not that good. But the thing is, Latinos aren't even 574 00:28:19,440 --> 00:28:23,960 Speaker 1: including Latinos in their movies. Right. This Mexican director of 575 00:28:24,000 --> 00:28:27,119 Speaker 1: all time, When is the last time that man has 576 00:28:27,119 --> 00:28:30,920 Speaker 1: put a Latino in his movie since he was making 577 00:28:30,960 --> 00:28:35,280 Speaker 1: movies in Mexico like twenty years ago? What is like? 578 00:28:35,440 --> 00:28:36,920 Speaker 1: You know? And I love him and he's a wonderful 579 00:28:37,320 --> 00:28:39,880 Speaker 1: you know director and writer. Where is the why is 580 00:28:39,920 --> 00:28:42,200 Speaker 1: he abandoning the people? We look at the Asian communities, 581 00:28:42,200 --> 00:28:44,520 Speaker 1: look at African American communities, and we see that when 582 00:28:44,520 --> 00:28:47,480 Speaker 1: they make it. They bring everyone with them, right, but 583 00:28:47,560 --> 00:28:50,800 Speaker 1: Latinos we just can't. It's they're they're incapable of doing it. 584 00:28:50,960 --> 00:28:53,400 Speaker 1: They're incapable of just going like I've made it big, 585 00:28:53,840 --> 00:28:56,479 Speaker 1: let's cast some Latinos. They don't do it. And so 586 00:28:56,600 --> 00:28:58,280 Speaker 1: like we look at these movies. You look at all 587 00:28:58,280 --> 00:29:02,160 Speaker 1: this cool stuff like Pinocchio movie, He's coming out, and 588 00:29:02,240 --> 00:29:04,360 Speaker 1: of course there's no Latinos in there. In the Shape 589 00:29:04,360 --> 00:29:07,600 Speaker 1: of Water, no Latinos, and you know, it's just like this, 590 00:29:07,840 --> 00:29:10,880 Speaker 1: it's frustrating because we aren't even on our own side, right. 591 00:29:10,920 --> 00:29:12,440 Speaker 1: Everyone's like, oh, how come you're not on our side? 592 00:29:12,440 --> 00:29:14,840 Speaker 1: How come we don't show we don't even shout for ourselves, right, 593 00:29:14,880 --> 00:29:17,000 Speaker 1: And that's what frustrates me the most, is like, like 594 00:29:17,040 --> 00:29:19,600 Speaker 1: with name more in this this new you know, like 595 00:29:19,680 --> 00:29:21,560 Speaker 1: he's Latino. I said, like, I'm so proude for this 596 00:29:21,640 --> 00:29:24,320 Speaker 1: Latino and this, you know, it's part of our culture everything. 597 00:29:24,320 --> 00:29:26,560 Speaker 1: They're like, well, he's not Latino, he's indigenous. I'm like, well, 598 00:29:26,560 --> 00:29:28,360 Speaker 1: we don't know for fact what he is or what 599 00:29:28,400 --> 00:29:31,280 Speaker 1: he isn't. Yes, he's indigenous, but Latinos are indigenous, right, 600 00:29:31,320 --> 00:29:34,120 Speaker 1: that's just our history, it's our blood. Because people look 601 00:29:34,120 --> 00:29:36,479 Speaker 1: at him and they go, that's a Mexican, that's a Latino, 602 00:29:36,800 --> 00:29:38,040 Speaker 1: and that's something that we should be proud of, and 603 00:29:38,080 --> 00:29:40,240 Speaker 1: you we can't. And so when h POX keeps doing 604 00:29:40,240 --> 00:29:45,080 Speaker 1: these things like they the Gordya Chronicles, man it got 605 00:29:45,320 --> 00:29:47,720 Speaker 1: wide praise one day that one day at a time 606 00:29:47,760 --> 00:29:50,600 Speaker 1: got wide press, Centifi got wise press. These are shows 607 00:29:50,640 --> 00:29:55,840 Speaker 1: that have like percent round tomatoes. Right. The new Predator 608 00:29:55,880 --> 00:29:58,720 Speaker 1: movie The Prey has a dent on rotten tomatoes and 609 00:29:58,880 --> 00:30:02,160 Speaker 1: all indigenous cat with an indigenous producer. And not only 610 00:30:02,160 --> 00:30:04,600 Speaker 1: did they do that, they passed the Dasy test. The 611 00:30:04,720 --> 00:30:08,120 Speaker 1: indigenous actors are commention nation like they are in the movie, 612 00:30:09,440 --> 00:30:12,320 Speaker 1: what like this is amazing, but are we going to 613 00:30:12,360 --> 00:30:16,480 Speaker 1: get a Predator too? Not? How come this movie didn't 614 00:30:16,480 --> 00:30:20,280 Speaker 1: go to theaters? Yea? And when there's a movie that's 615 00:30:20,320 --> 00:30:35,640 Speaker 1: made and we can't even watch it, yeah, so yeah, 616 00:30:35,680 --> 00:30:37,840 Speaker 1: let's go. So let's get tobacco right now. I'm like, 617 00:30:38,040 --> 00:30:40,840 Speaker 1: I love the fact that d C made Blue Beetle. 618 00:30:42,280 --> 00:30:45,080 Speaker 1: They once again this is another instance of them going like, well, 619 00:30:45,520 --> 00:30:47,560 Speaker 1: we'll make a Latino cast, but the white the villain 620 00:30:47,600 --> 00:30:50,040 Speaker 1: is gonna be a white person. But it's it's like 621 00:30:50,080 --> 00:30:53,800 Speaker 1: this Latino writer, Latino director's Latino cast. And man I 622 00:30:53,840 --> 00:30:56,200 Speaker 1: cried when I saw that, like it's this is the 623 00:30:56,280 --> 00:30:58,480 Speaker 1: first movie and this is I don't know if you 624 00:30:58,520 --> 00:31:00,480 Speaker 1: ever saw her the video I've made. But the reason 625 00:31:00,520 --> 00:31:02,160 Speaker 1: I got mad at Marvel Studios because I look at 626 00:31:02,160 --> 00:31:06,440 Speaker 1: this and I go, look, Bad Bunny is a superhero. 627 00:31:06,520 --> 00:31:10,120 Speaker 1: He's getting his own movie. Bad Bunny and Sony. Sony 628 00:31:10,240 --> 00:31:14,400 Speaker 1: doesn't know their way through um like horror way. They 629 00:31:14,400 --> 00:31:17,680 Speaker 1: think it's amazed, right, they're so hit in their butts. 630 00:31:17,680 --> 00:31:19,360 Speaker 1: They don't know how to do anything. Most of the 631 00:31:19,440 --> 00:31:22,840 Speaker 1: movies flop. They they very rarely have a good successful 632 00:31:22,880 --> 00:31:25,480 Speaker 1: financial here. And yet they make a movie with Bad 633 00:31:25,520 --> 00:31:27,840 Speaker 1: Bunny and Bullet Train, and Bad Bunny goes, hey, can 634 00:31:27,880 --> 00:31:30,480 Speaker 1: I be a superhero for yours like you guys do 635 00:31:30,520 --> 00:31:33,200 Speaker 1: Marvel movies and they're like, yeah, we don't have any 636 00:31:33,320 --> 00:31:36,520 Speaker 1: Latino superheroes and they go, what we have one? He's 637 00:31:36,560 --> 00:31:38,960 Speaker 1: a Lucrador and he's like perfect, I like wrestling, Let's 638 00:31:38,960 --> 00:31:41,880 Speaker 1: do this. And so they're gonna make a movie. DC 639 00:31:42,080 --> 00:31:44,680 Speaker 1: is making a movie. We had Backer, we have Supergirl, 640 00:31:44,800 --> 00:31:47,440 Speaker 1: and you know, you get into the whole like Latino 641 00:31:47,560 --> 00:31:51,840 Speaker 1: characters versus Latino actors. Whatever, Right, we're still geting Latinos 642 00:31:51,840 --> 00:31:54,680 Speaker 1: were still getting Blue Beetle. But then you look at 643 00:31:54,720 --> 00:31:58,640 Speaker 1: Marvel and you're like, Marvel your thirty movies in where 644 00:31:58,720 --> 00:32:00,840 Speaker 1: is the Latino Superheroes? And they, oh, we have Moonnight. 645 00:32:00,840 --> 00:32:03,680 Speaker 1: But we're not gonna say he's Latino Miss America. But 646 00:32:03,720 --> 00:32:07,240 Speaker 1: we're gonna say she's an alien who travels dimensions and 647 00:32:07,760 --> 00:32:12,720 Speaker 1: isn't even from this dimension. Okay, okay, what about name More? Yeah, 648 00:32:12,880 --> 00:32:15,800 Speaker 1: nay More is you know he's the villain. Oh okay, 649 00:32:15,960 --> 00:32:18,880 Speaker 1: Like what what? What? What? Why can't we get something bad? 650 00:32:18,960 --> 00:32:22,960 Speaker 1: Money gets a freaking Sony is giving us at Magical Nutridor, 651 00:32:23,520 --> 00:32:26,520 Speaker 1: and Marvel still can't give us some movie. And so 652 00:32:26,520 --> 00:32:28,640 Speaker 1: when I see things like back or like like Pisces 653 00:32:28,680 --> 00:32:31,240 Speaker 1: me off and I'm like, yo, why you know how 654 00:32:31,280 --> 00:32:33,080 Speaker 1: bad Venom is? And yet for some and there's not 655 00:32:33,160 --> 00:32:36,880 Speaker 1: Latinos in Venom, and Latinos, especially Latino men, love the 656 00:32:36,960 --> 00:32:38,640 Speaker 1: Venom movie. I don't know what is in our blood. 657 00:32:38,840 --> 00:32:43,320 Speaker 1: We just love that the Venom with the suit. Yeah. 658 00:32:43,360 --> 00:32:46,200 Speaker 1: I don't understand. I hated those movies, but I watched them, 659 00:32:46,720 --> 00:32:48,520 Speaker 1: and look at the movies made almost a build. I 660 00:32:48,520 --> 00:32:52,040 Speaker 1: think they both made almost a billion dollars terrible movies 661 00:32:52,400 --> 00:32:53,720 Speaker 1: and they look at back and be like, yeah, do 662 00:32:53,720 --> 00:32:55,680 Speaker 1: you know there's a movie just uh, it just didn't 663 00:32:55,720 --> 00:32:58,160 Speaker 1: do good. Everything you're giving me right now, it's just 664 00:32:58,200 --> 00:33:01,480 Speaker 1: sounding like people don't want to take risks. And I 665 00:33:01,480 --> 00:33:04,920 Speaker 1: don't know what these people people they did. Yeah, I 666 00:33:04,960 --> 00:33:07,880 Speaker 1: was gonna say, listen, I've seen a lot of really 667 00:33:07,920 --> 00:33:11,720 Speaker 1: bad white white movies, all right, y'all and they and 668 00:33:11,760 --> 00:33:15,160 Speaker 1: they still up on Netflix and they're still coming to ten. 669 00:33:15,760 --> 00:33:19,680 Speaker 1: So I don't understand what is the problem with taking 670 00:33:19,680 --> 00:33:21,840 Speaker 1: the risk. I think Back Girl for me was just 671 00:33:21,920 --> 00:33:27,240 Speaker 1: like the most shocking. It doesn't make any sense because 672 00:33:27,240 --> 00:33:30,400 Speaker 1: I'm just like, the movie is made, so you're putting 673 00:33:30,440 --> 00:33:33,080 Speaker 1: it away, Well, the marketing budget, then don't give it 674 00:33:33,120 --> 00:33:37,200 Speaker 1: a freaking marketing budget. You've gone, it's fine. Latinos know 675 00:33:37,240 --> 00:33:41,480 Speaker 1: about this waiting for it? Yeah, it's a Batman movie 676 00:33:41,800 --> 00:33:44,480 Speaker 1: and it's a Latina. Michael Keaton's coming back. You didn't 677 00:33:44,480 --> 00:33:46,320 Speaker 1: think that, Michael, And like, let's just be real here, 678 00:33:46,560 --> 00:33:48,960 Speaker 1: Michael Keaton costs like twenty million dollars. He was easily 679 00:33:49,000 --> 00:33:51,440 Speaker 1: the most highest paid actor in that movie. He has 680 00:33:51,440 --> 00:33:53,479 Speaker 1: probably paid more than all the other actors combined. Right, 681 00:33:54,440 --> 00:33:58,640 Speaker 1: And you don't think that the nineteen eighty nine Batman 682 00:33:58,680 --> 00:34:01,240 Speaker 1: reprising his role with butts and seats. You don't think 683 00:34:01,240 --> 00:34:04,720 Speaker 1: that an after latina in a starring superhero role, Right, 684 00:34:04,840 --> 00:34:07,200 Speaker 1: she's gonna be the first latina main character in a 685 00:34:07,240 --> 00:34:09,560 Speaker 1: superhero movie. Right, Because they don't They didn't realize that. 686 00:34:09,560 --> 00:34:13,600 Speaker 1: They didn't realize this was the first latina superhero movie. Right. 687 00:34:14,000 --> 00:34:16,879 Speaker 1: They don't care. They don't see these things since they're 688 00:34:16,920 --> 00:34:19,480 Speaker 1: not bit, they don't look like us, and so they 689 00:34:19,600 --> 00:34:22,640 Speaker 1: just they just go, yeah, tax right off, whatever, we 690 00:34:22,640 --> 00:34:25,479 Speaker 1: don't care. And I'm like, y'all ever heard the story 691 00:34:25,520 --> 00:34:28,480 Speaker 1: of Deadpool? Are we just forgetting that? When Ryan runs 692 00:34:28,640 --> 00:34:30,239 Speaker 1: was like, hey, let's make this movie and they're like, yeah, 693 00:34:30,480 --> 00:34:33,320 Speaker 1: maybe get a sick and he's like, oh, that's interesting. 694 00:34:33,480 --> 00:34:37,560 Speaker 1: I'm gonna leak the the thing we did to the world. 695 00:34:37,640 --> 00:34:42,120 Speaker 1: I'm not gonna tell us soul and then let the fans. Yeah, 696 00:34:42,160 --> 00:34:45,680 Speaker 1: and the fans blew up and around like who who 697 00:34:45,840 --> 00:34:49,759 Speaker 1: make that video? So crazy? And they're like, man, there's 698 00:34:49,800 --> 00:34:52,280 Speaker 1: a lot of love for this. Okay, we'll make Deadpool. 699 00:34:52,360 --> 00:34:54,400 Speaker 1: Oh look, it's the highest rated R rated movie of 700 00:34:54,520 --> 00:34:57,600 Speaker 1: all time. Oh my gosh, it made a billion or 701 00:34:57,640 --> 00:35:00,799 Speaker 1: I think nine million dollars. I just don't see the 702 00:35:00,840 --> 00:35:06,200 Speaker 1: industry trusting us right now fully and wholeheartedly. And and yeah, 703 00:35:06,239 --> 00:35:10,120 Speaker 1: there's moments, especially being in the industry, like there's moments 704 00:35:10,160 --> 00:35:15,120 Speaker 1: where yeah, you see some light and you see something happening. 705 00:35:15,440 --> 00:35:18,560 Speaker 1: But and this is my worry as we continue on, 706 00:35:18,760 --> 00:35:22,680 Speaker 1: is Latino people just becoming this fad, right, and like, oh, 707 00:35:22,719 --> 00:35:24,520 Speaker 1: we have bad Bunny. We don't need anybody else. We 708 00:35:24,560 --> 00:35:27,040 Speaker 1: have Limino Miranda, we don't need anybody else, right. But 709 00:35:27,400 --> 00:35:29,680 Speaker 1: the worst part about this is is like, because I'll 710 00:35:29,719 --> 00:35:32,200 Speaker 1: be full front, I didn't like in Coma, I didn't 711 00:35:32,200 --> 00:35:35,040 Speaker 1: like the movie. You're the first person I've ever heard 712 00:35:35,080 --> 00:35:37,200 Speaker 1: say those words. I won't get into it. I was 713 00:35:37,239 --> 00:35:39,400 Speaker 1: at a red carpet and they're like, oh, yeah, you're Latino. 714 00:35:39,440 --> 00:35:41,279 Speaker 1: To I'm Latino. What's what about in count I was like, 715 00:35:41,400 --> 00:35:43,120 Speaker 1: this is off the trailers, and I was like, I 716 00:35:43,200 --> 00:35:47,840 Speaker 1: don't trust it. The writers and directors are white guys. 717 00:35:46,640 --> 00:35:49,960 Speaker 1: The Latino right and director they brought her on a 718 00:35:50,040 --> 00:35:51,880 Speaker 1: year before the movie was supposed to be released. I 719 00:35:51,880 --> 00:35:53,840 Speaker 1: don't trust that you work in a movie for especially 720 00:35:53,840 --> 00:35:56,720 Speaker 1: an animated movie, for four or five sixty years sometimes 721 00:35:57,640 --> 00:36:00,600 Speaker 1: and then all of a sudden the last year, you 722 00:36:00,600 --> 00:36:03,720 Speaker 1: bring on Latina, who's not even Colombian, she was Cuban. 723 00:36:03,880 --> 00:36:05,880 Speaker 1: Like to me, it looks like a marketing employer, like 724 00:36:06,280 --> 00:36:09,160 Speaker 1: look Latina, Like it's like, no, you guys did this 725 00:36:09,200 --> 00:36:12,319 Speaker 1: without any Latinos involved except for Lynn. And Lynn has 726 00:36:12,320 --> 00:36:15,120 Speaker 1: a whole thing of like Hollywood's like, all we need 727 00:36:15,280 --> 00:36:17,759 Speaker 1: is Lynn and the Latinos will come. It's like, but Lyn, 728 00:36:17,800 --> 00:36:21,120 Speaker 1: it's not everything. He's Puerto Rican, he's New yor Rican 729 00:36:21,200 --> 00:36:24,560 Speaker 1: Mars specifically, and well he's a talented individual, Like you 730 00:36:24,600 --> 00:36:27,600 Speaker 1: can't rely on him for everything, right, And so within Kanto, 731 00:36:27,840 --> 00:36:29,600 Speaker 1: to me that there's just little things that make it 732 00:36:29,640 --> 00:36:34,200 Speaker 1: feel like inauthentic. I have to say, and maybe I'll 733 00:36:34,360 --> 00:36:37,719 Speaker 1: maybe I'll get staked for this. I didn't see it yet. Okay, Well, 734 00:36:37,760 --> 00:36:39,560 Speaker 1: so there's some things that I noticed in the trail 735 00:36:39,600 --> 00:36:42,239 Speaker 1: that I was like, this is worrisome, Like there's red flags, right, 736 00:36:42,320 --> 00:36:43,920 Speaker 1: So it's like in Gantos, I see this stuff and 737 00:36:43,960 --> 00:36:46,960 Speaker 1: I'm just like, how come we couldn't get a casting 738 00:36:47,000 --> 00:36:49,080 Speaker 1: crew like the guy riding the next movie and who 739 00:36:49,080 --> 00:36:52,120 Speaker 1: worked on ran Last Dragon was a Mexican. Why couldn't 740 00:36:52,120 --> 00:36:54,759 Speaker 1: you get him to work on the Tncanto movie? The 741 00:36:54,920 --> 00:36:58,680 Speaker 1: last movie Disney Animated movie to have a Latino when 742 00:36:58,719 --> 00:37:02,560 Speaker 1: it was directed, written by Walt Disney, and nineteen forty three, 743 00:37:02,719 --> 00:37:08,200 Speaker 1: the Three Cabatrolls. It took them seventy years. Okay, I think, 744 00:37:08,239 --> 00:37:09,759 Speaker 1: my maso, I don't know if the math is on that. 745 00:37:10,000 --> 00:37:14,040 Speaker 1: Seventy whatever years, nineteen forty three to two thousand nineteen, 746 00:37:14,520 --> 00:37:16,919 Speaker 1: that's how long it took for Disney Animation to make 747 00:37:17,040 --> 00:37:21,440 Speaker 1: another Latino movie. And here's the crazy part. Walt Disney, 748 00:37:21,480 --> 00:37:25,200 Speaker 1: for all of his faults, traveled to Latin America. He stayed. 749 00:37:25,200 --> 00:37:27,319 Speaker 1: He went to Brazil, he went to Colombia, he went 750 00:37:27,360 --> 00:37:30,280 Speaker 1: to Mexico, and he's like, damn, I like these people. 751 00:37:30,520 --> 00:37:34,080 Speaker 1: These are some good people. He studied their music, their culture. 752 00:37:34,200 --> 00:37:36,920 Speaker 1: He loved the spend like three weeks there, loved the 753 00:37:36,960 --> 00:37:39,279 Speaker 1: whole thing. And he came back and he said, I'm 754 00:37:39,280 --> 00:37:41,680 Speaker 1: making this movie as a love letter to Latin America. 755 00:37:42,040 --> 00:37:44,080 Speaker 1: And you can watch that movie. I'm moving in nineteen 756 00:37:44,160 --> 00:37:48,200 Speaker 1: forty three, and there isn't a single harmful stereotype to Latinos. 757 00:37:48,239 --> 00:37:51,400 Speaker 1: They casted a Brazilian actor to play the Brazilian character, 758 00:37:51,560 --> 00:37:54,320 Speaker 1: a Mexican actor to play the Mexican character. It's shining 759 00:37:54,360 --> 00:37:56,640 Speaker 1: periods like it can be done with some thoughtfulness and 760 00:37:56,719 --> 00:38:01,560 Speaker 1: with some ideas and creativity rather than just just laziness. 761 00:38:01,680 --> 00:38:03,840 Speaker 1: And that's what it's all about, folks. But then also 762 00:38:03,880 --> 00:38:08,279 Speaker 1: as Latina people, we should hold some of the we 763 00:38:08,320 --> 00:38:11,040 Speaker 1: should hold all of the material being brought out about 764 00:38:11,200 --> 00:38:15,120 Speaker 1: us to a high standard. As you do and as 765 00:38:15,160 --> 00:38:18,640 Speaker 1: we all love you, we should speak on it. And 766 00:38:18,640 --> 00:38:21,120 Speaker 1: and I love I mean, you've thrown some knowledge at 767 00:38:21,160 --> 00:38:25,640 Speaker 1: me and I'm sure at our listeners today. Um, and 768 00:38:25,680 --> 00:38:29,000 Speaker 1: I also want to like, I already know you're continuing 769 00:38:29,040 --> 00:38:31,920 Speaker 1: on to tell more stories. I would love to also 770 00:38:32,040 --> 00:38:34,799 Speaker 1: hear about your possible podcast. I know that's being in 771 00:38:34,800 --> 00:38:36,879 Speaker 1: the works, but I'd love to hear more about that 772 00:38:37,200 --> 00:38:39,759 Speaker 1: and that journey for you and little plugs ur listeners 773 00:38:39,800 --> 00:38:42,719 Speaker 1: can keep some tabs on you as well. Thank you, 774 00:38:42,760 --> 00:38:44,839 Speaker 1: thank you. Yeah, So it's uh, I wouldn't be doing 775 00:38:44,920 --> 00:38:47,640 Speaker 1: a story Time presents where I guess if you like 776 00:38:47,719 --> 00:38:50,520 Speaker 1: hearing me talk, congratulations, that's what I'm just gonna be 777 00:38:50,560 --> 00:38:54,000 Speaker 1: doing ranting these kind of things. They're gonna say, Hey, 778 00:38:54,040 --> 00:38:55,919 Speaker 1: what do you love? What do I like doing? Rant 779 00:38:55,960 --> 00:38:58,120 Speaker 1: about it, talk about it. And it's just gonna be 780 00:38:58,200 --> 00:39:01,760 Speaker 1: me and a microphone and I'm gonna be ranting and chatting, 781 00:39:01,880 --> 00:39:05,359 Speaker 1: and I'll have some guests sometimes, and it's it's just 782 00:39:05,400 --> 00:39:08,760 Speaker 1: about Latino representations. Latino pop culture, whether you are Latino 783 00:39:09,040 --> 00:39:11,600 Speaker 1: or equally is important. You want to learn more about 784 00:39:11,680 --> 00:39:13,960 Speaker 1: Latino culture. You don't have to be Latinos to appreciate 785 00:39:14,080 --> 00:39:17,040 Speaker 1: Latino culture. There are tons of people who love our 786 00:39:17,080 --> 00:39:19,120 Speaker 1: culture who just want to know more about it because 787 00:39:19,120 --> 00:39:21,360 Speaker 1: they're interested in it. And that's perfectly okay if you 788 00:39:21,400 --> 00:39:22,960 Speaker 1: don't have to shy away from that. And that's why 789 00:39:23,000 --> 00:39:25,239 Speaker 1: podcasts and that's you know, that's what it's for for 790 00:39:25,360 --> 00:39:28,080 Speaker 1: people of any background, whether you know you're Latino heritage 791 00:39:28,160 --> 00:39:30,480 Speaker 1: or you don't know your Latino heritage and you want 792 00:39:30,520 --> 00:39:33,720 Speaker 1: to be like, oh, I never realized that Marvel doesn't 793 00:39:33,760 --> 00:39:37,239 Speaker 1: do Latinos properly here. You know, there are trends of 794 00:39:37,440 --> 00:39:40,480 Speaker 1: how come every Marvel comic book character that's by racial Latino, 795 00:39:40,760 --> 00:39:43,919 Speaker 1: it's always the mother lad that's Latino. It's never Latino father. 796 00:39:43,960 --> 00:39:45,600 Speaker 1: You know, it's like these little things I want to 797 00:39:45,600 --> 00:39:47,600 Speaker 1: share where you want to talk with you to really 798 00:39:47,640 --> 00:39:51,839 Speaker 1: just get your creative juices flowing to get you going, like, hey, 799 00:39:52,040 --> 00:39:54,800 Speaker 1: the industry is kind of un not too nice to people, 800 00:39:55,080 --> 00:39:57,319 Speaker 1: and especially when it comes to Latinos, they kind of 801 00:39:57,360 --> 00:39:59,719 Speaker 1: just treat them like second class citizen. So yes, thank 802 00:39:59,760 --> 00:40:01,720 Speaker 1: you for let me plug it. I'm sorry I ranto 803 00:40:01,800 --> 00:40:04,160 Speaker 1: so much on this, but I really, like you said, 804 00:40:04,480 --> 00:40:06,880 Speaker 1: you open up thing of passion and I just can't start. 805 00:40:07,360 --> 00:40:09,879 Speaker 1: We love it, That's why we wanted you here. So 806 00:40:09,960 --> 00:40:13,480 Speaker 1: excited for it, I would have it no other way. Um. 807 00:40:13,520 --> 00:40:16,600 Speaker 1: And also, if our listeners want to tap in and 808 00:40:16,680 --> 00:40:20,480 Speaker 1: find you on TikTok, find you on Instagram, what are 809 00:40:20,520 --> 00:40:23,279 Speaker 1: the social what are your tags? What are your things? Yeah, 810 00:40:23,320 --> 00:40:26,520 Speaker 1: I'm at the Storytime Guy all one word. If you 811 00:40:26,560 --> 00:40:28,919 Speaker 1: ever want to email me anything too, I'm Storytime Guy 812 00:40:29,040 --> 00:40:31,440 Speaker 1: biz at gmail dot com. Email me whatever you I 813 00:40:31,480 --> 00:40:34,080 Speaker 1: get emails all the time. There's kind old ladies. Does hey, 814 00:40:34,080 --> 00:40:37,600 Speaker 1: can you talk about this today? Do anything you want? 815 00:40:37,800 --> 00:40:40,919 Speaker 1: Email me, talk to me, message me on Instagram. So please, yes, 816 00:40:40,960 --> 00:40:43,480 Speaker 1: at the Storytime Guy, message me. I love it and 817 00:40:43,520 --> 00:40:46,200 Speaker 1: I love seeing your videos and everything, and I hope 818 00:40:46,239 --> 00:40:48,560 Speaker 1: you love seeing my videos and everything. So there you go, 819 00:40:52,719 --> 00:40:55,960 Speaker 1: Matt storytime guy. It is time for the moment we've 820 00:40:55,960 --> 00:40:58,360 Speaker 1: all been waiting for. This is our moment of speed 821 00:40:58,480 --> 00:41:01,799 Speaker 1: question rounds. So I have some questions to ask you, 822 00:41:02,000 --> 00:41:05,480 Speaker 1: and we're going to hit him. Okay, what's something that 823 00:41:05,560 --> 00:41:08,319 Speaker 1: you love that would absolutely hurt you if your son 824 00:41:08,440 --> 00:41:13,280 Speaker 1: told you it was not cool? Of the comic books? Okay, 825 00:41:13,280 --> 00:41:18,280 Speaker 1: that's good. Specific comic book, Any comic books, Any comic book. Okay, 826 00:41:18,560 --> 00:41:24,000 Speaker 1: you can only save one franchise Marvel, d C Star Wars, 827 00:41:24,400 --> 00:41:29,040 Speaker 1: Lord of the Rings Marvel. That was fast. Okay. What 828 00:41:29,200 --> 00:41:37,800 Speaker 1: reminds you of home or makes you feel at home? Food? Yes, okay, 829 00:41:37,920 --> 00:41:39,960 Speaker 1: this is my last final question because I'm just curious. 830 00:41:39,960 --> 00:41:43,759 Speaker 1: What house are you? My wife's a griffin door. I'm 831 00:41:43,760 --> 00:41:46,879 Speaker 1: a griffin door to go grips. But yeah, so learing 832 00:41:46,880 --> 00:41:48,160 Speaker 1: a griffin door, we kind of get each other a 833 00:41:48,160 --> 00:41:51,399 Speaker 1: little bit. There's a balance vibe. Matt storytime guy, thank 834 00:41:51,440 --> 00:41:53,840 Speaker 1: you so so much for being on Moranita. It's been 835 00:41:53,880 --> 00:41:56,520 Speaker 1: an absolute pleasure getting to know you. I can't wait 836 00:41:56,560 --> 00:41:59,400 Speaker 1: to keep track of you, and now now I have 837 00:41:59,520 --> 00:42:01,279 Speaker 1: my kid to I haven't figured out my name yet 838 00:42:01,360 --> 00:42:03,480 Speaker 1: or anything, but I love being able to tap in 839 00:42:03,520 --> 00:42:06,200 Speaker 1: on your stories and m and learn from you. It's 840 00:42:06,320 --> 00:42:10,160 Speaker 1: it's from one from one geek to another. It's awesome. 841 00:42:10,400 --> 00:42:12,879 Speaker 1: So thank you for that back at you, and it's 842 00:42:12,920 --> 00:42:15,440 Speaker 1: just this is wonderful. I can go on and on 843 00:42:15,440 --> 00:42:17,200 Speaker 1: and on and on and just thank you so much 844 00:42:17,239 --> 00:42:19,759 Speaker 1: for being a wonderful, wonderful host. I love this podcast, 845 00:42:20,120 --> 00:42:22,960 Speaker 1: and yes, I can't watch some more from you. Yes, 846 00:42:23,160 --> 00:42:30,560 Speaker 1: thanks so much. Matt mon Anita is a production of 847 00:42:30,600 --> 00:42:34,680 Speaker 1: Sonato and partnership with I Heart Radios Michael Uda podcast Network. 848 00:42:35,000 --> 00:42:37,640 Speaker 1: For more podcasts from I Heart Radio, visit the I 849 00:42:37,760 --> 00:42:41,040 Speaker 1: Heart Radio app, Apple podcast, or wherever you listen to 850 00:42:41,040 --> 00:42:41,960 Speaker 1: your favorite shows.