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Speaker 1: Look maher, oh, I see you. My own look over

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Speaker 1: there is that the culture? Yes, Wow, lost culture, ding

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Speaker 1: Dong Lost Culture. It's a very dropped in episode of

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Speaker 1: lost culture. I might say for myself.

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Speaker 2: It's a pining episode because we're in the pine we are.

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Speaker 1: This is the sequel to an Honest Conversation, our episode

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Speaker 1: from two years ago where we debuted Charra's art era. Wow,

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Speaker 1: that was the debut. Would you say that we're in

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Speaker 1: our Charis art this week?

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Speaker 2: I would say we were in our Typhlosian era.

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Speaker 1: What's that? Explained to all the readers, Katie's publicists and

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Speaker 1: finalists and me.

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Speaker 2: So, Sinda Quill is the sort of fire starter Pokemon

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Speaker 2: in generation two.

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Speaker 1: These are one of the new girls that I don't

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Speaker 1: know about.

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Speaker 2: Yeah, well she's been around, Sinda Quill. Generation Generation two

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Speaker 2: was you know, a while back, plus yours. You know,

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Speaker 2: I know you're a pearist syndicual Quilava type flosion. By

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Speaker 2: the way, my voice.

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Speaker 1: Is so sexual future, no putrid, it's putrid.

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Speaker 2: Well, I guess one man's putrid is another man's sexual.

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Speaker 2: And that's the roctually rule of culture.

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Speaker 1: Which one is that rule of culture? Number seventy two.

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Speaker 2: One man's futud is another man's cultural sexual Yes, it

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Speaker 2: is speaking of Putrid.

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Speaker 1: It's day five or six of the Fire Island Pines

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Speaker 1: trip yright. That's right, which is really when you become

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Speaker 1: aware of sharing a toilet with a bunch of people.

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Speaker 2: I've shared a toilet with Matt Rogers for an extended

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Speaker 2: period of time, and I've never felt more connected to you.

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Speaker 1: You know, I really try to keep it cute for

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Speaker 1: you in there, so.

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Speaker 2: Do I I really really, I'm like, let me wipe

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Speaker 2: a little. I'm not wiped the bowl. Well, I'm wiping

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Speaker 2: the I'm sorry readers. Katy's publicist s filist.

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Speaker 1: I'm having sensitive girls. That was of this.

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Speaker 2: If the seat is up and I see a little

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Speaker 2: bit of you know, stuff on the rim, tw poop.

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Speaker 2: It's not even poop necessarily, I'm saying. If the seat

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Speaker 2: is up and I see like, tw piss, I'm seeing

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Speaker 2: piss on the porcelain, I hate that. I take a

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Speaker 2: little wat of TP, I wipe it, and I go

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Speaker 2: I want my sister to have a nice experience in here.

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Speaker 1: Right. Well, you know that I'm not good for the

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Speaker 1: environment and the water system because I always flush p

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Speaker 1: that's not good. No, I know I always flush PE

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Speaker 1: and I still use flushable wipes. Bowen looks so disappointed.

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Speaker 1: He's like, I'm not although enjoy it.

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Speaker 2: I'm sad again.

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Speaker 1: Don't tell my boy friend it's not what he's made.

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Speaker 1: What was I made? Of course?

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Speaker 2: Queens lock, the voice, the tiktoks and say that has

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Speaker 2: really swept the world.

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Speaker 1: I'm having an incredible time belting new belting and all

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Speaker 1: the new music. This week we got Queenie Lock, we

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Speaker 1: have Selena Gomes Alvy Single.

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Speaker 2: Student is really good.

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Speaker 1: I have to say I'm bopping, popping, locking, dropping, Queeney locking.

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Speaker 2: Queensa locking.

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Speaker 1: You know, I went on the Selena Gomess Spotify and

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Speaker 1: almost bought a Selena Gomes T shirt.

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Speaker 2: Now talk about this because I was with you right

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Speaker 2: when you were about to add to car and then

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Speaker 2: we had to like go and get up and get

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Speaker 2: breakfast or something, and You're like, I'll do it later,

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Speaker 2: and I was like, yes, please, and then for some

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Speaker 2: reason you bailed.

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Speaker 1: Here's what happened. I really wanted to buy for the

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Speaker 1: very first time in my life, Selena Gomez merch. I

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Speaker 1: don't know what happened I just said I need the

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Speaker 1: T shirt. I just wanted it. So I got on

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Speaker 1: to the Spotify and you can they linked to the

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Speaker 1: artist merch store, only.

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Speaker 2: Some of the merchant, not all of them merch. So

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Speaker 2: it's best practice is to just go to the artist's

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Speaker 2: web page directly. They keep going go right to.

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Speaker 1: The source, and that's what's best practice is. But I

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Speaker 1: wasn't doing best practices yesterday when I went to go

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Speaker 1: buy the Clena Go measure and then here's what happened. Usually,

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Speaker 1: I have my debit card memorized so I can just

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Speaker 1: put it in, but I had some debit card fraud.

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Speaker 1: Should I sorry about this?

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Speaker 2: The person kept buying gift cards, which is such a

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Speaker 2: clever way to really circumvent nine.

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Speaker 1: Two hundred and ten dollars like Nike gift cards, and

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Speaker 1: I was like, oh God, and now I have to

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Speaker 1: call and cancel the card and do the whole thing,

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Speaker 1: which I heard is only a twenty second conversation with Chase.

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Speaker 1: I heard they're great about this.

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Speaker 2: Thank you, Chase, Thank you Chase. Can we just say

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Speaker 2: enough about oh hating on banks? They do a great service.

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Speaker 1: Banks are incredible, They do a great service. It's actually

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Speaker 1: real culture. Number six banks are incredible. They do a

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Speaker 1: great service.

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Speaker 2: Who else is going to hold your money, girl, And

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Speaker 2: you know it's gonna be there. You know when there's

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Speaker 2: a crash, they will have the money then because they

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Speaker 2: because yesterday there was a crash. One of the members

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Speaker 2: of my church, daughter had a crash when when I

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Speaker 2: last night, she was ejected from the sun roof. She

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Speaker 2: fell down into a neighborhood.

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Speaker 1: Did she live?

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Speaker 2: No, we're your seatbelt.

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Speaker 1: We're quoting Mary m Cosby, who's re entered the world stage.

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Speaker 1: As it were.

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Speaker 2: First of all, I missed you deeply last week, as

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Speaker 2: we I can't believe I wasn't here for like the

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Speaker 2: best episode of last Coach.

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Speaker 1: I did feel some type of way about it.

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Speaker 2: It had nothing to do with you not being there.

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Speaker 2: Let me guarantee you that.

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Speaker 1: I just like wanted to connect with Sarah and I

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Speaker 1: said to her, I was like, you have to come back.

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Speaker 2: She's coming back, no question.

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Speaker 1: I actually think she might be the quickest return guest

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Speaker 1: ever of all time. She's coming back, I think really soon.

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Speaker 2: Okay, next week she has a movie out, but she

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Speaker 2: can't promote it, which we can promote this.

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Speaker 1: No, we can't. We can't. We can't because it's our friend.

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Speaker 1: Did you hear what you just said? We can promote this,

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Speaker 1: We can't promote at all. I'm sorry, I'm sorry. I'm

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Speaker 1: saying struck company. Struck.

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Speaker 2: It's the kind of the worst drug company of them all.

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Speaker 1: This is not of promotion. This is emotion for information.

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Speaker 2: It is you're so not invited to my bar mitzvah,

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Speaker 2: my bot mitzvah.

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Speaker 1: Who's in that.

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Speaker 2: Sandler and his girls?

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Speaker 1: Holy shit?

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Speaker 2: And Sarah is playing the person who tutors them. They're

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Speaker 2: you know, Tora passages or whatever not or whatever. I

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Speaker 2: just I haven't seen the movie yet, but oh my goodness,

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Speaker 2: the reviews are luminous. Everyone's saying that Sarah is the highlight.

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Speaker 1: We can't. We can't keep talking, we can't keep promoting it,

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Speaker 1: we can't keep promoting. Well, this isn't promotion, it's just fact.

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Speaker 1: It's just well. The strike is entering its forty fifth year,

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Speaker 1: and you know, we're we're barely hanging on. In a way,

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Speaker 1: I'm starting to get really anxious, anxious, trying to chatter.

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Speaker 1: My teeth are chattering. Look at me as I By

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Speaker 1: the way, we're in sort of a dark room dark

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Speaker 1: room together. And Bowe and I have been sharing a bed,

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Speaker 1: a toilet, and a memory.

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Speaker 2: Can I say we have I even really proud of

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Speaker 2: the way that we have cohabitated. Incredible roommates, great roommates.

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Speaker 2: We've shared a bed in a very peaceful, considerate way.

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Speaker 2: I've been playing white noise.

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Speaker 1: Can you play a little bit of your white noise

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Speaker 1: for the readers.

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Speaker 2: It's not even white noise.

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Speaker 1: It's it's like, it feels like it's like very.

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Speaker 2: Fluid soundscapes on an app called end del E N

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Speaker 2: D E L and they have a sleep soundscape.

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Speaker 1: Just listen to this, you guys. And it's just every

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Speaker 1: night he plays this.

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Speaker 2: Hold on not yet, not yet, not yet, not yet?

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Speaker 1: This isn't It sounds like Taylor Swift is about to

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Speaker 1: hit the stage. Imagine this.

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Speaker 2: I'm already relying.

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Speaker 1: It feels like you're Asanda Aveda I aware something. Can

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Speaker 1: we play it the whole time? Sure might?

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Speaker 2: We might be droopy eyed mama the whole.

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Speaker 1: Time during the pod. Okay, okay, so this is the

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Speaker 1: episode of the podcast where we really drop in and

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Speaker 1: this is also going to be a sleep podcast.

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Speaker 2: Yes, okay, so good I know it's nice. We've been

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Speaker 2: really good roommates. Wouldn't you say, is.

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Speaker 1: That gonna get mad at us for this? I? Okay,

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Speaker 1: should we turn it off? Turn it off? All right?

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Speaker 1: As good as in theory it would have been. I

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Speaker 1: just I don't want.

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Speaker 2: To give engineer Doug a headache. He doesn't deserve it.

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Speaker 1: No, I do want to say a couple things about

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Speaker 1: the culture that I was experiencing while I was on

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Speaker 1: my short sabbatical. Yes, I went to go see Kelly Clarkson.

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Speaker 1: Do you want to explain to everyone what happened.

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Speaker 2: Yeah, there's a degree of shame or disappointment here for

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Speaker 2: me personally. Matt had for months playing a big trip

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Speaker 2: with a lot of friends to go see Kelly Clarkson

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Speaker 2: in Las Vegas. We'd even mentioned it on the podcast

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Speaker 2: that I was going to go. I was so excited.

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Speaker 2: We told her to her face that we're going to

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Speaker 2: go see her in Vegas. Yeah, you lied to Kelly.

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Speaker 1: Who lied to her several times?

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Speaker 2: Several times. Somebody lied to her, and that was me. I,

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Speaker 2: as you all know.

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Speaker 1: Was.

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Speaker 2: Truly, truly, truly devastated by a bacterial infection.

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Speaker 1: Yeah.

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Speaker 2: I've never felt sicker in my life.

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Speaker 1: I mean, it reminded me of last year the Pines

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Speaker 1: when I got and I'm just gonna come out and

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Speaker 1: say this whole fever.

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Speaker 2: It's an illness.

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Speaker 1: I have been shy about saying exactly what happened, but

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Speaker 1: I got a whole fever.

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Speaker 2: He got whole fever, which is a fever you get

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Speaker 2: from consuming a hole in a way, yeah, is it

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Speaker 2: fair to say that? Is that too much information?

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Speaker 1: I think that Basically what I'm saying is it has been.

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Speaker 1: It has been that in the past I have performed

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Speaker 1: a rim job on some hot guys. Hot guys you

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Speaker 1: get sometimes, very rarely, you get sick from it. And

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Speaker 1: this happened to me last year. And honestly, what you

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Speaker 1: were describing like seemed to me like whole fever. It's not.

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Speaker 2: I have not gone anywhere near a hole in so long.

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Speaker 2: And can we just say it's a miracle that we

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Speaker 2: don't get whole fever more? As a community, we're down

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Speaker 2: there and we come out on scathed.

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Speaker 1: Again and again and again.

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Speaker 2: Zack Alfish, that's God wants us down there, Yeah, because

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Speaker 2: he would make us sick every damn time. And it

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Speaker 2: doesn't happen.

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Speaker 1: It wouldn't feel so good if God didn't want it

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Speaker 1: to period period, And that's actually real the coachure number

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Speaker 1: ninety one. It wouldn't feel so good if God didn't

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Speaker 1: want to stay. But anyway, I did go to see

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Speaker 1: Kelly clark.

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Speaker 2: So yes, I was so sad to miss it. Tell

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Speaker 2: us everything, you guys.

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Speaker 1: This Kelly Clarkson Vegas show was well. First of all,

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Speaker 1: I went to the last one on purpose because I

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Speaker 1: knew that that would be a special one. And yes,

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Speaker 1: any Kelly clarkson'stan knows that this was the two ease

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Speaker 1: set list. We had happier than ever, her cover of

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Speaker 1: Billie Eilish, which she discussed on this podcast. We had

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Speaker 1: Sobern Wow, which is one of the great Kelly Clarkson

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Speaker 1: lost singles.

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Speaker 2: Talk about what makes you?

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Speaker 1: Why do you think she did it at the show

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Speaker 1: because she knew that it was a special light. Yeah,

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Speaker 1: she knew that it was the last night of the

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Speaker 1: tour and that she had been fans have been clamoring

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Speaker 1: to hear this one for a very long time. I included.

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Speaker 1: I know she also did the song, didn't I she did?

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Speaker 1: Didn't so good? So good?

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Speaker 2: Did she go.

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Speaker 1: Yep, she did, Dina.

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Speaker 2: I love that kind of a glitch to the matrix.

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Speaker 1: I mean, just she sang a moment like this, come

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Speaker 1: on a song. She does not like to sing, but

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Speaker 1: I think she said, you know what, I'm giving it

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Speaker 1: to these Vegas people.

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Speaker 2: These fucking baggy people. M you included.

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Speaker 1: Oh yeah, I've never been bagging. You were baggy. I

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Speaker 1: have to say I have. I'm on like this is

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Speaker 1: August twenty ninth. Pretty much this entire month, I've been

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Speaker 1: on vacation because i haven't had the time, so I've

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Speaker 1: just swushed it all into August. I want you to

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Speaker 1: know I'm ready to have a vacation from vacation.

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Speaker 2: Does that mean work?

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Speaker 1: I guess I am gonna have to get to work soon. Yeah.

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Speaker 2: And I don't want you to think about it that

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Speaker 2: too much right now though you're on vacation.

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Speaker 1: I'm on vacation right now. But hey, readers, that you

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Speaker 1: hit me. You never be on vacation, but you can't

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Speaker 1: stop thinking about work, and then you think what's wrong

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Speaker 1: with me? I just enjoy nothing's wrong. It's the world, sweetie.

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Speaker 2: It's the world, and I hate how it works out

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Speaker 2: that way. If it's not work, it's kids. If it's

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Speaker 2: not kids, then it's not kids. Then it's the marriage.

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Speaker 1: Then if it's not the marriage, it's the environment. Honey,

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Speaker 1: talk about how little of the beaches. The beach is disappearing.

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Speaker 1: Beach is disappearing in the pines. It's not a good sight.

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Speaker 2: And there was there was a shark sighting.

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Speaker 1: This was good. So yesterday we were on the beach

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Speaker 1: sort of trying to enjoy the sun, the surf of

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Speaker 1: the sand. There was a I'm gonna say one of

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Speaker 1: the craziest gay guys in America.

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Speaker 2: One of the craziest and most tongue gay guys in age,

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Speaker 2: huge penis, was flopping around with his genitalia, running around

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Speaker 2: screaming to everyone, there are sharks in the water.

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Speaker 1: There are sharks in the water. Yeah, imagine just like

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Speaker 1: a crazy guy that he sort of had like dyed

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Speaker 1: blonde hair running around. He had such a big penis

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Speaker 1: and wasn't uncut.

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Speaker 2: I was being polite and not looking because he came

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Speaker 2: up to me and Patrick with an interest of our face.

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Speaker 1: And I heard what he said to you. He said,

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Speaker 1: you better be careful the sharks in the water.

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Speaker 2: And I chose to believe him. So then we were all,

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Speaker 2: as the kids say, sad, and we were sad for him,

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Speaker 2: but we were studying the water and the waves, and

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Speaker 2: half hour goes by and we were like, I don't

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Speaker 2: think there's a shark.

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Speaker 1: We thought maybe he was just a crazy guy who

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Speaker 1: was screaming shark.

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Speaker 2: And and people were gathering like there was There was

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Speaker 2: a group of gays like gathering around him as he

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Speaker 2: was pointing and screaming.

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Speaker 1: And then some people were like, I think I see it.

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Speaker 1: I think I see it, and he kept remember, he

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Speaker 1: kept like describing how big it was.

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Speaker 2: Yeah, he said, I saw the whole body, the whole body,

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Speaker 2: and he like did his whole wingspan, kind of stretched

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Speaker 2: his arms out. Why yeah, And we were like, there's

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Speaker 2: no way.

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Speaker 1: So then he runs down the beach, I guess to

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Speaker 1: alert Cherry Grove and all of your terry grow He

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Speaker 1: went for really far down the beach and nude, nude, nude,

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Speaker 1: and the dick was swinging in the air, and so

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Speaker 1: all the gaze us included where sat a bunch of

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Speaker 1: them are standing. We're sort of looking at it the

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Speaker 1: ocean like I don't think we see a thing. And

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Speaker 1: it was very much a situation of we've heard of

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Speaker 1: the boy who cried wolf, but you haven't heard of

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Speaker 1: the fasts who cried shark. The title of app for

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Speaker 1: this is the facts like who cried shark? This episode?

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Speaker 2: And we dedicate this to that legend because guess what happened.

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Speaker 1: We saw it with our own eyes.

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Speaker 2: We saw the fin pop out and the scream. We

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Speaker 2: scroam who?

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Speaker 1: I said? And I turned to some gaze that were

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Speaker 1: seated probably about fifteen yards away. I said, did you

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Speaker 1: see that? Before I even could finish the sentence, they said, oh,

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Speaker 1: we saw it.

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Speaker 2: Oh, we saw we saw it. And this shark was

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Speaker 2: It was in shallow waters. It was in shallow waters.

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Speaker 2: It was I guess technically a sand shark like not

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Speaker 2: Jaws size, but big, big enough to like bite your

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Speaker 2: ankle off.

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Speaker 1: I think it could take your ankle.

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Speaker 2: It could take your ankle.

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Speaker 1: It would be an uncomfortable rest of the trip if

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Speaker 1: you had added an encounter with this baby shark I think,

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Speaker 1: which is a bop. By the way, thank you for.

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Speaker 2: Saying that it's time that it crossed over.

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Speaker 1: Well should we say what we saw on TikTok tell?

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Speaker 1: Can I ask you a question? You are a TikTok early,

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Speaker 1: Not really.

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Speaker 2: I look at it like once a month truly. Okay,

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Speaker 2: but you're becoming more of a TikTok early because this

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Speaker 2: morning we woke up and all we did was just

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Speaker 2: swipe through z ways. Well, I love to watch the

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Speaker 2: zey on TikTok. She gets it.

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Speaker 1: I mean I'm coming out as like a z way

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Speaker 1: stand for sure, we've been staying. I mean, it's not

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Speaker 1: even like I have to come out, but I'm just saying, Okay,

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Speaker 1: I'm gonna type into TikTok right now, something a little

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Speaker 1: bit special, which is Nicki minaj baby shark. All right,

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Speaker 1: you're not gonna believe a capability of a and I

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Speaker 1: know we're fighting them in the Great War right now.

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Speaker 1: So this is yoo, your money, yoo.

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Speaker 3: I'm gonna get these kids how much, beat the Mike

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Speaker 3: Trump and peach these kids how to be a boss.

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Speaker 1: Bitch.

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Speaker 3: Im na teach these kids. I'm by a Gucci bol

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Speaker 3: just beat these kids. These girls almostings and maybe you

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Speaker 3: must don too. Your man sawmma picks some me want

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Speaker 3: a new booth nanky on a baby shark tracks? Who

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Speaker 3: do I'm trying to find myself a jetty?

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Speaker 1: Start do do do when you can spit?

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Speaker 3: When backslaw, I got my nails going, No, I got

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Speaker 3: a sharp claws that he hit the cookie and I

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Speaker 3: now we got a shark. Joe. I tell Basis, I

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00:16:33,920 --> 00:16:36,320
Speaker 3: looked and send me the aaddy. Think you got buns

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Speaker 3: and you're making me the petty.

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Speaker 1: You're professive to.

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Speaker 3: These girls that teach them how to be a patty?

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Speaker 3: Who needs a baby sharp? And you got a baby daddy?

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Speaker 2: I mean, I mean, how does it do that? Can

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Speaker 2: you explain to me? I can't.

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Speaker 1: I can't.

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00:16:48,120 --> 00:16:51,480
Speaker 2: Possibly I'm not smart enough. There are articles that can

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Speaker 2: do a much better job than me.

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Speaker 1: One thing Bowen has been saying to me lately is

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Speaker 1: like look it up, and you've said the same to me. No,

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Speaker 1: I always try to explain it, even if I don't

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Speaker 1: know what I'm talking about. I always at least.

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Speaker 2: Want That's the reason why we're in this mess.

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Speaker 1: What's this mess?

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Speaker 2: This mess is this people who don't know what they say,

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Speaker 2: trying to explain things.

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Speaker 1: People who don't know what they say trying to explain things.

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Speaker 2: That is why we're in this mess.

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Speaker 1: That's true. Oh my god, Now what do you get

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Speaker 1: pulled up.

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00:17:20,720 --> 00:17:23,879
Speaker 2: What I have pulled up. For some reason, Baby Shark

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00:17:24,320 --> 00:17:28,000
Speaker 2: reminded me of well you playing that beat that like

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00:17:28,080 --> 00:17:32,560
Speaker 2: sort of remixed today remixed AI thing. By now it

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Speaker 2: will have been announced that we have our London date

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Speaker 2: in September September twenty seven.

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Speaker 1: We're going on a euro tour, a small euro This

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Speaker 1: is exciting stuff.

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Speaker 2: September twenty second will be in London, followed by September

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Speaker 2: twenty fourth will be in Berlin, and then the next

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Speaker 2: day September twenty fifth will be in Amsterdam at BAM Chicago.

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Speaker 2: We're so excited.

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Speaker 1: Should we call this our Lundy Lundy Lundee Tour? Yes,

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Speaker 1: last culture is thus Lundy Lunde life the tour, even

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Speaker 1: though it's three different cities in Europe tour.

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Speaker 2: I think that's a great idea. I think that could

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Speaker 2: be very very good. People remember it, and I'll remember it.

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Speaker 2: We haven't been on tour in a while now, we

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Speaker 2: haven't been on touring years.

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Speaker 1: It's because and the only reason why we're able to

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Speaker 1: go is because we're on strike, so and Bowen Yang

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00:18:22,800 --> 00:18:25,200
Speaker 1: has off from Saturday Night Live, or so we think.

399
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Speaker 1: Unless the AMPTP comes out of nowhere, unless Carol Lombardini

400
00:18:30,240 --> 00:18:33,240
Speaker 1: comes swinging her big old dick and she uses it

401
00:18:33,320 --> 00:18:36,400
Speaker 1: for good, not evil. Carol Lombardini used your big dick

402
00:18:36,480 --> 00:18:38,840
Speaker 1: for good, not evil. Please.

403
00:18:39,720 --> 00:18:42,720
Speaker 2: Part of me feels sorry for the woman, because who

404
00:18:42,720 --> 00:18:46,760
Speaker 2: wants that fucking job to like be like the rep

405
00:18:46,840 --> 00:18:50,600
Speaker 2: for like all these fucking crazy people. I googled her

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00:18:50,760 --> 00:18:52,760
Speaker 2: and it wasn't what I expected. I haven't seen it

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00:18:52,880 --> 00:18:54,560
Speaker 2: just her face, you mean ya.

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00:18:54,760 --> 00:18:57,399
Speaker 1: I'm just saying, I'm not saying it either way. I

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Speaker 1: googled Carol Lombardini.

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00:18:59,520 --> 00:19:02,760
Speaker 2: Actually, no, actually this is exactly what I pictured her

411
00:19:02,800 --> 00:19:03,159
Speaker 2: to look like.

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00:19:03,200 --> 00:19:05,720
Speaker 1: Can you tilt the camera towards me so I can see, Yeah,

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00:19:05,760 --> 00:19:06,320
Speaker 1: you know what I'm saying.

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Speaker 2: This is a Carol and this is a Lombardini down. Yeah,

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00:19:09,240 --> 00:19:12,760
Speaker 2: she's both first and last name, like God created. I

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00:19:12,840 --> 00:19:15,280
Speaker 2: closed my eyes and this is what I picture. A

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Speaker 2: woman named Carol Lombardini who is the negotiator for every

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Speaker 2: major studio in Hollywood.

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00:19:20,520 --> 00:19:24,119
Speaker 1: She looks like Patti Lapone's sister that wasn't talented, so

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Speaker 1: she became the negotiator for the.

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00:19:25,760 --> 00:19:27,320
Speaker 2: AMPTP say that one more time.

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00:19:27,680 --> 00:19:31,440
Speaker 1: She looks like Patti Lapone's sister, who wasn't she became

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00:19:31,520 --> 00:19:33,360
Speaker 1: the negotiator for the AMPTP.

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Speaker 2: The way, you were so right about that, that's why

425
00:19:37,240 --> 00:19:40,640
Speaker 2: I needed you to repeat. Yeah, that's by the way.

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00:19:40,880 --> 00:19:42,280
Speaker 2: Let's talk about Patty Lapone.

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00:19:42,480 --> 00:19:45,320
Speaker 1: She tore up the ice Palace the other night. Everyone,

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00:19:45,359 --> 00:19:46,040
Speaker 1: I mean, we.

429
00:19:46,040 --> 00:19:48,280
Speaker 2: Got all the hits, we got Metal Lark, we got everything,

430
00:19:48,520 --> 00:19:52,600
Speaker 2: Roses we got. Don't cry for me, Argentina, but some people.

431
00:19:52,480 --> 00:19:54,639
Speaker 1: Don't cry for me. Argentina was such a moment.

432
00:19:54,840 --> 00:19:57,920
Speaker 2: I mean, all these fags new to hum with her

433
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Speaker 2: by the end, and I could have cried when.

434
00:19:59,680 --> 00:20:03,200
Speaker 1: She goes, have I said too much? There is nothing

435
00:20:03,240 --> 00:20:08,160
Speaker 1: more I can think of to say to you. You're

436
00:20:08,200 --> 00:20:11,000
Speaker 1: giving Patty. All you need to do is look at

437
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Speaker 1: me to know.

438
00:20:20,040 --> 00:20:23,800
Speaker 2: And she goes, this one's just because just because she

439
00:20:23,840 --> 00:20:25,800
Speaker 2: did songs from a hat, she pulled out little numbers.

440
00:20:26,359 --> 00:20:28,359
Speaker 2: Of course, did that cold school assm did it perfectly.

441
00:20:28,400 --> 00:20:30,680
Speaker 2: She did that thing where she pulls out the number,

442
00:20:30,720 --> 00:20:34,000
Speaker 2: looks at it. Yeah, I was in the show on

443
00:20:34,040 --> 00:20:36,720
Speaker 2: Broadway and stuff said, and then just leads it, launched

444
00:20:36,760 --> 00:20:39,000
Speaker 2: into it. I would say, and I'm saying this, this

445
00:20:39,040 --> 00:20:41,199
Speaker 2: is not a pejorative and I swear to god this

446
00:20:41,280 --> 00:20:43,720
Speaker 2: is not a pejorative, but we discussed it last night

447
00:20:44,720 --> 00:20:47,800
Speaker 2: flat maybe fifteen to twenty percent of the time. Guess

448
00:20:47,840 --> 00:20:51,440
Speaker 2: what I thought this during the show. I thought, oh yes,

449
00:20:51,520 --> 00:20:53,840
Speaker 2: I remember now, perfect is boring.

450
00:20:54,119 --> 00:20:58,679
Speaker 1: Perfect is so boring. You want the little imperfections, you

451
00:20:58,720 --> 00:21:02,720
Speaker 1: really do. I'm not just saying that perfect is overrated. Also,

452
00:21:02,760 --> 00:21:04,480
Speaker 1: it's gotta be hard to like hear yourself in there.

453
00:21:04,480 --> 00:21:07,320
Speaker 1: And the fact that she was so fucking good, Oh god,

454
00:21:07,760 --> 00:21:10,840
Speaker 1: oh my god, oh my god, god.

455
00:21:11,680 --> 00:21:14,280
Speaker 2: She you know what she does so well what perform

456
00:21:14,680 --> 00:21:17,240
Speaker 2: perform one And I can't be the first person to

457
00:21:17,280 --> 00:21:18,720
Speaker 2: say it, to point this out, but she's so good

458
00:21:18,720 --> 00:21:22,080
Speaker 2: at like holding the space and the silence and like,

459
00:21:22,440 --> 00:21:24,960
Speaker 2: you know, when the person is not singing in the song.

460
00:21:25,760 --> 00:21:28,360
Speaker 2: She's so good at being present and grounded that she's

461
00:21:28,400 --> 00:21:31,159
Speaker 2: like comfortable, so at ease just staring out into the audience.

462
00:21:31,240 --> 00:21:31,440
Speaker 1: Yep.

463
00:21:31,800 --> 00:21:35,080
Speaker 2: While like there's an instrumental solo or something, it's.

464
00:21:34,960 --> 00:21:37,160
Speaker 1: Hard to remain connected and not look like corny.

465
00:21:37,440 --> 00:21:39,600
Speaker 2: She did that on Colbert when she'd sing Ladies Who

466
00:21:39,680 --> 00:21:42,000
Speaker 2: Lunch and she I think she must have asked Stephen

467
00:21:42,080 --> 00:21:45,200
Speaker 2: to sit across from at the table, and during like

468
00:21:45,240 --> 00:21:47,119
Speaker 2: the instrumental parts, the two of them are just staring

469
00:21:47,160 --> 00:21:49,320
Speaker 2: at each other and it's so intense and beautiful, and

470
00:21:49,320 --> 00:21:50,959
Speaker 2: I'm like, that's fucking Patty.

471
00:21:51,400 --> 00:21:54,680
Speaker 1: Yeah, she was unbelievable. It is that like when someone

472
00:21:55,040 --> 00:21:57,320
Speaker 1: is doing musical theater and they have to stand and

473
00:21:57,320 --> 00:21:59,560
Speaker 1: sort of like just look at the audience. That can

474
00:21:59,600 --> 00:22:01,560
Speaker 1: be a very tough moment of the audience. That is

475
00:22:01,600 --> 00:22:06,520
Speaker 1: a challenge. But she was just in it. She was ugh.

476
00:22:07,040 --> 00:22:09,240
Speaker 1: I said, this woman doesn't even need an equity card,

477
00:22:09,520 --> 00:22:14,080
Speaker 1: and it's their loss. Really, equities lost, Equities lost, Hey, actors, equity,

478
00:22:14,640 --> 00:22:15,679
Speaker 1: you lost this one.

479
00:22:15,880 --> 00:22:18,919
Speaker 2: You just walked down on the best mind pussy you

480
00:22:18,960 --> 00:22:20,520
Speaker 2: ever had. I'm just quoting Sarah Sherman.

481
00:22:20,840 --> 00:22:25,480
Speaker 1: And now we're attacking a union. We're Carol Lombardini. Call

482
00:22:25,560 --> 00:22:28,040
Speaker 1: me Carrol, Call me Carrol, because I think the actor's

483
00:22:28,040 --> 00:22:31,000
Speaker 1: equity is a loser. Here, stop it. I think you're

484
00:22:31,040 --> 00:22:32,959
Speaker 1: all losers what you did to Patty.

485
00:22:33,320 --> 00:22:38,280
Speaker 2: Now you've seen all the divas this summer, Patty.

486
00:22:38,359 --> 00:22:42,920
Speaker 1: Beyonce, Taylor, Kelly, who else I saw earlier in the year.

487
00:22:42,960 --> 00:22:46,040
Speaker 1: I saw Adele, I did see Mariah at World Pride.

488
00:22:46,040 --> 00:22:48,320
Speaker 1: I saw Kylie minogat World Pride. I can't believe that

489
00:22:48,359 --> 00:22:51,679
Speaker 1: was this year, im Pride right at La Pride? Yeah? Sorry?

490
00:22:51,880 --> 00:22:57,760
Speaker 1: What else? I saw? Chapel Roan Upstart, Oh my god,

491
00:22:57,920 --> 00:23:01,640
Speaker 1: I've seen oh my god, I mean just numerous countless

492
00:23:01,680 --> 00:23:04,760
Speaker 1: and I'll be seeing it Adele again in November. Yeah.

493
00:23:05,080 --> 00:23:08,560
Speaker 1: I want you all to know that it won't be

494
00:23:08,720 --> 00:23:11,720
Speaker 1: like this every year. I'm having my year of big concerts.

495
00:23:12,080 --> 00:23:13,080
Speaker 2: Why do you say this?

496
00:23:13,320 --> 00:23:15,600
Speaker 1: Because I feel like it was like this every year?

497
00:23:15,680 --> 00:23:18,200
Speaker 1: Then what well, because I don't think we're gonna have

498
00:23:18,320 --> 00:23:20,159
Speaker 1: a every year where all the girls are out on

499
00:23:20,160 --> 00:23:21,320
Speaker 1: the road at all times. You know what I was

500
00:23:21,359 --> 00:23:23,400
Speaker 1: thinking next year is like, who's gonna be on tour

501
00:23:23,480 --> 00:23:23,920
Speaker 1: next year?

502
00:23:24,160 --> 00:23:24,240
Speaker 2: Like?

503
00:23:24,320 --> 00:23:25,960
Speaker 1: Nobody? They all went on tour.

504
00:23:25,840 --> 00:23:27,760
Speaker 2: This year, literally Taylor and Beyonce.

505
00:23:28,160 --> 00:23:29,560
Speaker 1: Oh, I guess you're right, they will be.

506
00:23:31,160 --> 00:23:33,360
Speaker 2: They are extending their tours, right, But like.

507
00:23:33,320 --> 00:23:34,720
Speaker 1: Who are the new girls that are going to go

508
00:23:34,720 --> 00:23:35,320
Speaker 1: out on the road?

509
00:23:35,600 --> 00:23:39,520
Speaker 2: Nikki, we got Pink Fredy to Nicky she wants to

510
00:23:39,520 --> 00:23:41,800
Speaker 2: tour again. You can tell she said as much.

511
00:23:42,040 --> 00:23:44,520
Speaker 1: You know who said they don't want to tour? Who? Miley?

512
00:23:44,800 --> 00:23:47,720
Speaker 2: That's right, that's right. Well, Miley has an interest. I

513
00:23:47,800 --> 00:23:50,280
Speaker 2: relate to Miley in this way for once. By the way,

514
00:23:50,320 --> 00:23:52,960
Speaker 2: I love Miley, it's just like I've you don't relate

515
00:23:53,000 --> 00:23:56,280
Speaker 2: to her. I've never had a way in interesting. I've

516
00:23:56,280 --> 00:23:59,360
Speaker 2: always loved the music, but I've never been like, oh,

517
00:23:59,680 --> 00:24:01,679
Speaker 2: we have this in common, which is not what I

518
00:24:01,680 --> 00:24:03,760
Speaker 2: want to look for in all my popstares obviously, But

519
00:24:03,800 --> 00:24:06,480
Speaker 2: with Miley fine, she said something so true.

520
00:24:06,720 --> 00:24:08,120
Speaker 1: What does she say that was so true?

521
00:24:08,240 --> 00:24:12,320
Speaker 2: She said, if you are out on stage, if you're

522
00:24:12,359 --> 00:24:15,119
Speaker 2: like really flexing your ego on that kind of schedule,

523
00:24:16,359 --> 00:24:19,800
Speaker 2: you need to balance that with the same amount of rest.

524
00:24:20,840 --> 00:24:23,240
Speaker 2: She's like, you need to like actually like close shut

525
00:24:23,240 --> 00:24:25,480
Speaker 2: out the world for as like the equal amount of

526
00:24:25,520 --> 00:24:26,359
Speaker 2: time and intensity.

527
00:24:26,520 --> 00:24:26,920
Speaker 1: Mmmm.

528
00:24:27,040 --> 00:24:29,160
Speaker 2: Anyway, I'm sorry, I'm getting serious on the pod.

529
00:24:29,280 --> 00:24:33,119
Speaker 1: You're getting so serious. It's supposed to be fun, you know.

530
00:24:33,359 --> 00:24:37,640
Speaker 2: But I think the best entertainment I've seen this summer.

531
00:24:38,359 --> 00:24:41,440
Speaker 2: I'm not Fireland cough that's okay, hopefully not a whole

532
00:24:41,440 --> 00:24:42,040
Speaker 2: favor cough.

533
00:24:42,280 --> 00:24:43,080
Speaker 1: No, no, no, no.

534
00:24:43,359 --> 00:24:46,520
Speaker 2: The best entertainment I've seen this summer, and it's recency bias,

535
00:24:46,520 --> 00:24:50,000
Speaker 2: but I'm ready to say it. We saw a double

536
00:24:50,040 --> 00:24:53,480
Speaker 2: header last night, a double headed double header Head of

537
00:24:53,560 --> 00:24:58,959
Speaker 2: Lettuce at Cherry's on the Bay, then promptly at eleven

538
00:24:59,000 --> 00:25:04,399
Speaker 2: pm Busted Queen Queen. Those were two of the best

539
00:25:04,440 --> 00:25:07,879
Speaker 2: shows I've seen all year. I'm not joking. Their command

540
00:25:08,000 --> 00:25:12,639
Speaker 2: of the audience is unmatched. I'm telling you, absolutely the

541
00:25:12,680 --> 00:25:16,960
Speaker 2: funniest girls out here. Site specific queens. They can work

542
00:25:16,960 --> 00:25:19,320
Speaker 2: in any venue, but they work the best on Fire Island.

543
00:25:19,400 --> 00:25:22,680
Speaker 1: Heada let Us and Busted. That's my drag race top two.

544
00:25:23,040 --> 00:25:24,239
Speaker 1: And I would want to see it.

545
00:25:24,359 --> 00:25:29,160
Speaker 2: I want to see it. I mean, these two, these

546
00:25:29,240 --> 00:25:32,200
Speaker 2: two are so important. We just ran into some gaze

547
00:25:32,200 --> 00:25:33,560
Speaker 2: this morning. We were like, oh, we wanted it. We

548
00:25:33,560 --> 00:25:35,080
Speaker 2: were supposed to see her, but our house.

549
00:25:34,880 --> 00:25:35,159
Speaker 1: You know what.

550
00:25:35,160 --> 00:25:36,720
Speaker 2: We try to convince our house. But they were like

551
00:25:36,720 --> 00:25:40,720
Speaker 2: they didn't want to, They didn't get it. Whatever you do,

552
00:25:40,920 --> 00:25:44,640
Speaker 2: if you are on Fire Island next year or into

553
00:25:44,680 --> 00:25:47,160
Speaker 2: the fall, if the Queens are still here and they

554
00:25:47,160 --> 00:25:48,639
Speaker 2: are performing.

555
00:25:48,200 --> 00:25:50,080
Speaker 1: Till October, Busted said, Bust.

556
00:25:49,800 --> 00:25:52,760
Speaker 2: It's here till October, till Pumpkin spic season, she said,

557
00:25:53,560 --> 00:25:56,520
Speaker 2: And you owe it to yourself. I mean, you really do.

558
00:25:56,600 --> 00:25:59,080
Speaker 2: I cannot be more emphatic.

559
00:25:59,080 --> 00:26:02,320
Speaker 1: No, he cannot be more emphatic he is standing up.

560
00:26:02,680 --> 00:26:06,120
Speaker 2: I'm standing I was in Have you ever seen me happier?

561
00:26:06,560 --> 00:26:07,520
Speaker 1: No, you were having a one.

562
00:26:07,720 --> 00:26:09,280
Speaker 2: I was so happy last night.

563
00:26:09,520 --> 00:26:12,359
Speaker 1: When's the happiest I've ever seen you? Bow and yang? Oh?

564
00:26:12,400 --> 00:26:15,640
Speaker 1: I know when you got the call about Saturday Night Live.

565
00:26:15,640 --> 00:26:17,520
Speaker 2: And you weren't there with me, girl, Yeah.

566
00:26:17,320 --> 00:26:18,760
Speaker 1: When you got I was there when you got the

567
00:26:18,800 --> 00:26:21,359
Speaker 1: call and you were beaming. No, you said, this is

568
00:26:21,400 --> 00:26:26,040
Speaker 1: my dream, this is this was not You looked at

569
00:26:26,119 --> 00:26:29,920
Speaker 1: me and you said, I can't believe my dream came true.

570
00:26:30,160 --> 00:26:31,080
Speaker 1: This didn't happen.

571
00:26:32,480 --> 00:26:38,120
Speaker 2: I I mean no, no, no, oh yeah, I'm telling you.

572
00:26:38,200 --> 00:26:41,639
Speaker 2: One of the happiest moments I've ever had that you

573
00:26:41,720 --> 00:26:44,240
Speaker 2: were there for was last night, not last well, last

574
00:26:44,320 --> 00:26:46,879
Speaker 2: night was up there. But I think we did. I

575
00:26:46,880 --> 00:26:49,840
Speaker 2: think we did a similar doublehead like three years ago.

576
00:26:50,080 --> 00:26:50,639
Speaker 1: Uh huh.

577
00:26:50,760 --> 00:26:53,639
Speaker 2: That was when like it was raining outside, so like

578
00:26:53,800 --> 00:26:56,919
Speaker 2: Bust didn't feel comfortable ending the show, and so she

579
00:26:57,240 --> 00:26:59,439
Speaker 2: kept us there in the ice palace. God bless her

580
00:26:59,440 --> 00:27:02,360
Speaker 2: and her shell her for like three and a half hours.

581
00:27:02,359 --> 00:27:05,040
Speaker 2: She just performed and she must have done Zadaran's the

582
00:27:05,119 --> 00:27:08,639
Speaker 2: Zaturian's jingle. If you tipper the right price, she will

583
00:27:08,720 --> 00:27:11,639
Speaker 2: do the Zadarian's jingle. The right price is twenty dollars,

584
00:27:11,640 --> 00:27:13,919
Speaker 2: by the way, Sometimes it's more. Sometimes she's not in

585
00:27:13,960 --> 00:27:16,879
Speaker 2: the mood. That was the first time where she played

586
00:27:16,880 --> 00:27:20,440
Speaker 2: it no less than thirty five times in one night,

587
00:27:20,800 --> 00:27:24,199
Speaker 2: and I cried with joy and you were there for that,

588
00:27:24,240 --> 00:27:27,000
Speaker 2: and that is one of the one of my happiest

589
00:27:27,040 --> 00:27:28,359
Speaker 2: moments ever in my life.

590
00:27:28,480 --> 00:27:31,320
Speaker 1: Yes, can I ask you a question about the Fire

591
00:27:31,359 --> 00:27:33,280
Speaker 1: Island movie? Can we get a little critical about it?

592
00:27:33,440 --> 00:27:36,120
Speaker 1: And we're not voting and we're actually being very critical critical.

593
00:27:36,480 --> 00:27:39,240
Speaker 1: I feel like they didn't they the people that made

594
00:27:39,280 --> 00:27:43,959
Speaker 1: that movie. They didn't tackle who are those people? I

595
00:27:44,000 --> 00:27:48,160
Speaker 1: believe the director was and on Searchlight the writer, star

596
00:27:48,160 --> 00:27:51,720
Speaker 1: Wars Joel Kimbooster. Yes, Bow and Yang was in the movie.

597
00:27:52,119 --> 00:27:53,400
Speaker 2: Torrian Miller was in the movie.

598
00:27:53,520 --> 00:27:55,760
Speaker 1: Trian most for this.

599
00:27:55,960 --> 00:27:57,239
Speaker 2: Yes, yes, that's Torrian's Well.

600
00:27:57,920 --> 00:28:00,840
Speaker 1: They didn't talk about planters Punch culture enough.

601
00:28:01,760 --> 00:28:04,000
Speaker 2: I think it's one of those things that it would

602
00:28:04,080 --> 00:28:07,840
Speaker 2: take another twenty minutes for a character to explain what

603
00:28:07,920 --> 00:28:08,240
Speaker 2: it was.

604
00:28:08,920 --> 00:28:12,000
Speaker 1: So do you know what's in the Planter's Punch? I

605
00:28:12,119 --> 00:28:15,399
Speaker 1: can't claim to all I should ask today when we

606
00:28:15,440 --> 00:28:16,159
Speaker 1: go to tea.

607
00:28:16,200 --> 00:28:19,040
Speaker 2: All I know is that these girls behind the bar

608
00:28:19,240 --> 00:28:26,600
Speaker 2: are fitting three different little fucking nozzle things. Yeah in

609
00:28:26,640 --> 00:28:30,439
Speaker 2: their hand. Yeah, they're juggle laying back there. Yeah, it's

610
00:28:30,480 --> 00:28:34,680
Speaker 2: surc to celest it's gotta be rum vodka and something.

611
00:28:34,359 --> 00:28:40,240
Speaker 1: Rum vodka and kill no but likendin Yeah, grenadine for sure,

612
00:28:40,240 --> 00:28:42,560
Speaker 1: maybe a little oj in there. It's a soup.

613
00:28:42,680 --> 00:28:44,720
Speaker 2: And then what did me in last night was that

614
00:28:44,760 --> 00:28:46,600
Speaker 2: we the whole table got rocket fuels.

615
00:28:46,640 --> 00:28:49,360
Speaker 1: Oh yeah, I kept ordering everyone rocket fuels, which is,

616
00:28:49,360 --> 00:28:51,800
Speaker 1: by the way, a pinicolotta with a Ricardi one fifty

617
00:28:51,840 --> 00:28:55,520
Speaker 1: one floater devastating. Yeah, and I was devo. You shouldn't

618
00:28:55,560 --> 00:28:58,480
Speaker 1: have three, and so I did have three. Sody points

619
00:28:58,480 --> 00:28:59,840
Speaker 1: it out the other day. I have a kind of

620
00:28:59,840 --> 00:29:01,360
Speaker 1: a famous line. Do you want to know what it is?

621
00:29:01,440 --> 00:29:03,440
Speaker 1: I think when I like a cocktail and I sip it,

622
00:29:03,480 --> 00:29:04,800
Speaker 1: I said, oh my god, I love that. I'm going

623
00:29:04,880 --> 00:29:05,600
Speaker 1: to have three of those.

624
00:29:06,080 --> 00:29:10,000
Speaker 2: I've heard you say that many times, many times. When

625
00:29:10,040 --> 00:29:11,440
Speaker 2: are we getting your famous bloodies?

626
00:29:11,960 --> 00:29:13,840
Speaker 1: Oh? I guess I forgot to make them. That's okay,

627
00:29:13,880 --> 00:29:16,320
Speaker 1: that's okay, you're well I have to say something. So

628
00:29:16,560 --> 00:29:18,800
Speaker 1: it's something that's been passed on in generations in my

629
00:29:18,880 --> 00:29:21,640
Speaker 1: family is like our ability to make bloodies. And then

630
00:29:21,680 --> 00:29:25,240
Speaker 1: I feel like, and this is not something that I

631
00:29:25,280 --> 00:29:27,520
Speaker 1: brought up on the episode where we had Patrick Rodgers

632
00:29:27,560 --> 00:29:31,600
Speaker 1: on a couple weeks ago. But he sipped it one

633
00:29:31,640 --> 00:29:33,760
Speaker 1: of my bloodies, and he said he looked at me

634
00:29:33,800 --> 00:29:35,320
Speaker 1: and said, hmm bright.

635
00:29:36,400 --> 00:29:38,520
Speaker 2: Now do you think he meant that in a pejorative way.

636
00:29:38,600 --> 00:29:40,360
Speaker 1: I think he was saying there was too much brine

637
00:29:40,440 --> 00:29:42,960
Speaker 1: in there, maybe too much pickle juice, too too much

638
00:29:43,040 --> 00:29:46,000
Speaker 1: lime juice, maybe, et cetera. I don't mind a bright bloody.

639
00:29:46,120 --> 00:29:49,240
Speaker 1: I want mine to be a little bit bright. Yeah, definitely,

640
00:29:49,480 --> 00:29:51,240
Speaker 1: But I've been scared to make it for everyone, Nor

641
00:29:51,280 --> 00:29:52,960
Speaker 1: do I think everyone deserves it. If I'm just going

642
00:29:53,000 --> 00:29:54,480
Speaker 1: to be criticized.

643
00:29:54,000 --> 00:29:58,400
Speaker 2: Matt, you cannot let one person's opinion, yeah, get in

644
00:29:58,440 --> 00:29:59,880
Speaker 2: the way of your.

645
00:30:00,440 --> 00:30:03,160
Speaker 1: Because otherwise, if I let one person's opinion get in

646
00:30:03,200 --> 00:30:04,800
Speaker 1: the way of my talent, I would wake up every

647
00:30:04,880 --> 00:30:09,200
Speaker 1: day paralyzed, suffering. Hey, let me look at me right now.

648
00:30:09,320 --> 00:30:12,040
Speaker 1: And I want you to hear this. There's people out

649
00:30:12,080 --> 00:30:15,880
Speaker 1: there that just don't like you, and they never will

650
00:30:16,480 --> 00:30:19,800
Speaker 1: and you can't stop for them. Neither can I there

651
00:30:19,800 --> 00:30:22,320
Speaker 1: are people out there bone they just don't they like,

652
00:30:23,000 --> 00:30:24,320
Speaker 1: they don't get us.

653
00:30:24,760 --> 00:30:27,720
Speaker 2: I think they might be right, though. What if they're right?

654
00:30:28,480 --> 00:30:32,200
Speaker 1: That's what I ask myself. What if these people are right? No, see,

655
00:30:32,240 --> 00:30:37,280
Speaker 1: you're letting them get to you. I think there's a

656
00:30:37,320 --> 00:30:38,200
Speaker 1: possibility it was.

657
00:30:38,360 --> 00:30:41,560
Speaker 2: No, I've never had a bad bloody of yours. You

658
00:30:41,640 --> 00:30:44,720
Speaker 2: cannot believe these men I find. Do you have me

659
00:30:44,800 --> 00:30:45,760
Speaker 2: to confront you right now?

660
00:30:45,840 --> 00:30:48,520
Speaker 1: Then? Please? When you book a house that's really far

661
00:30:48,560 --> 00:30:50,960
Speaker 1: away from the pantry, it makes it impossible for me

662
00:30:51,000 --> 00:30:51,680
Speaker 1: to make my bloody.

663
00:30:51,800 --> 00:30:54,240
Speaker 2: I'm not in control of this, Matt.

664
00:30:54,320 --> 00:30:58,560
Speaker 1: How are you serious when you book one house, When

665
00:30:58,600 --> 00:31:02,400
Speaker 1: you book a house that's really for away from the cry,

666
00:31:02,800 --> 00:31:05,360
Speaker 1: I will I refuse to carry groceries that far.

667
00:31:05,640 --> 00:31:08,400
Speaker 2: Mah, you can't they deliver you, fool?

668
00:31:08,480 --> 00:31:10,600
Speaker 1: No, they don't. Yes, do they deliver you?

669
00:31:10,640 --> 00:31:12,440
Speaker 2: Pay five dollars, they'll deliver it.

670
00:31:12,520 --> 00:31:15,480
Speaker 1: Seriously, Oh, I'm getting on the website right after it.

671
00:31:15,600 --> 00:31:17,800
Speaker 2: Says if you weren't even in the damn movie.

672
00:31:18,280 --> 00:31:20,720
Speaker 1: Well, they didn't go into the pines adult enough in

673
00:31:20,760 --> 00:31:23,280
Speaker 1: that movie. This is just me being critical of the movie.

674
00:31:23,320 --> 00:31:25,600
Speaker 1: I'm not promoting the movie. I didn't think there was

675
00:31:25,760 --> 00:31:29,680
Speaker 1: enough in the pantry. No, and there wasn't enough Planter's

676
00:31:29,760 --> 00:31:31,360
Speaker 1: punch culture, and there wasn't.

677
00:31:31,240 --> 00:31:32,640
Speaker 2: Enough busted culture.

678
00:31:33,200 --> 00:31:36,280
Speaker 1: Yeah. I would have loved to see some uhst, some

679
00:31:36,320 --> 00:31:39,080
Speaker 1: real working girl queens because they got the one from

680
00:31:39,200 --> 00:31:43,800
Speaker 1: drag Race Peppermint, and I said, you know, this feels

681
00:31:43,840 --> 00:31:46,200
Speaker 1: like a money grab. You know, this feels like they

682
00:31:46,200 --> 00:31:47,840
Speaker 1: wanted to get a big star, and I would have

683
00:31:47,920 --> 00:31:52,880
Speaker 1: loved to see more authenticity. It's my biggest criticism. Well,

684
00:31:52,920 --> 00:31:56,160
Speaker 1: there's always the sequel. Do you think that that will happen?

685
00:31:56,200 --> 00:31:58,200
Speaker 1: What do you think is that, Hey, this is just me,

686
00:31:58,600 --> 00:32:00,840
Speaker 1: not promoting the movie, just me as a journalists. What

687
00:32:00,920 --> 00:32:02,400
Speaker 1: do you think the odds are that will get a

688
00:32:02,440 --> 00:32:03,560
Speaker 1: sequel to fire Isolence?

689
00:32:04,040 --> 00:32:06,200
Speaker 2: I can't talk about that at this time. I am

690
00:32:06,240 --> 00:32:10,840
Speaker 2: on strike. Oh okay, now what There's a lot in

691
00:32:10,840 --> 00:32:13,720
Speaker 2: the county love this picture. Oh yeah, we're in a

692
00:32:13,760 --> 00:32:16,840
Speaker 2: house where there's a lot of lovely, tasteful Tom of

693
00:32:16,880 --> 00:32:19,760
Speaker 2: Finland and Stevie Nicks mixed with some Stevie Nick's print.

694
00:32:19,840 --> 00:32:22,240
Speaker 1: Yeah, there's a lot of really good art in this house. Yeah.

695
00:32:22,960 --> 00:32:26,640
Speaker 1: The gase like really really really really did a great job.

696
00:32:26,720 --> 00:32:29,360
Speaker 1: If we're gonna see erotic art. I would say I

697
00:32:29,400 --> 00:32:32,840
Speaker 1: love butt centric and nut penis centric. That's personally how

698
00:32:32,880 --> 00:32:36,480
Speaker 1: I feel. I love like an artful ass like this

699
00:32:36,560 --> 00:32:38,920
Speaker 1: guy right here. I aspire to be like him. I

700
00:32:38,920 --> 00:32:42,200
Speaker 1: think you're very close. You think so got the mustache.

701
00:32:42,800 --> 00:32:45,320
Speaker 1: I might be back in my mustache bag. Huh you

702
00:32:45,320 --> 00:32:47,360
Speaker 1: think I got that ass? I think you have something

703
00:32:47,360 --> 00:32:51,000
Speaker 1: close to that ass. Really? Yeah, stop looking at my

704
00:32:51,160 --> 00:32:55,240
Speaker 1: butt on vacation. I'm caught in the act. Bone is

705
00:32:55,280 --> 00:32:56,800
Speaker 1: always sort of trying to finger me.

706
00:32:57,480 --> 00:33:02,760
Speaker 2: No, hey, I think you've brought back fingering into the culture.

707
00:33:02,960 --> 00:33:08,280
Speaker 1: I love it. Can I say I open invitation to anyone?

708
00:33:08,720 --> 00:33:12,960
Speaker 1: Get No, Matt, you don't mean that you know bowen Yang.

709
00:33:13,360 --> 00:33:15,480
Speaker 1: One thing that you don't know about bowen Yang everyone

710
00:33:15,640 --> 00:33:16,840
Speaker 1: is he is. Uh.

711
00:33:17,080 --> 00:33:18,080
Speaker 2: I'm in a prude era.

712
00:33:18,320 --> 00:33:21,160
Speaker 1: You're not in your prudo, You're in your imask era.

713
00:33:21,520 --> 00:33:23,080
Speaker 2: Honey, game change.

714
00:33:23,760 --> 00:33:26,760
Speaker 1: Have you ever worn the Meredith marks? I feel I have.

715
00:33:26,880 --> 00:33:29,200
Speaker 2: I have, and then I got a little. This is

716
00:33:29,200 --> 00:33:32,200
Speaker 2: not a knock on Meredith or the manufacturing. I'm just like,

717
00:33:32,560 --> 00:33:33,840
Speaker 2: I'm used to what I'm used to.

718
00:33:34,080 --> 00:33:36,800
Speaker 1: Right right right, and these industrial grade.

719
00:33:36,600 --> 00:33:39,960
Speaker 2: No, it's not it's this iemask has perfect cushioning on.

720
00:33:40,000 --> 00:33:41,360
Speaker 1: Like my orbital bone.

721
00:33:41,600 --> 00:33:46,040
Speaker 2: And there's a nice sort of concave thing for your

722
00:33:46,080 --> 00:33:47,960
Speaker 2: eyeball so that they're not pressed down.

723
00:33:48,040 --> 00:33:50,600
Speaker 1: They're really taking over, Like I was just on vacation

724
00:33:50,720 --> 00:33:53,360
Speaker 1: with my sister and she wears them, and then she

725
00:33:53,400 --> 00:33:54,080
Speaker 1: had an extra pair.

726
00:33:54,160 --> 00:33:57,440
Speaker 2: So you can't trust the way the sunlight comes in.

727
00:33:58,960 --> 00:34:01,320
Speaker 2: You're really right, and so I need I need to

728
00:34:01,520 --> 00:34:03,360
Speaker 2: really eliminate variables here.

729
00:34:03,560 --> 00:34:04,440
Speaker 1: Yeah, you know what I mean.

730
00:34:05,240 --> 00:34:08,319
Speaker 2: Please don't criticize and expose me this way.

731
00:34:09,200 --> 00:34:11,440
Speaker 1: No, it wasn't a criticism. I just want the readers

732
00:34:11,440 --> 00:34:13,560
Speaker 1: to get to know you as well as I do.

733
00:34:13,719 --> 00:34:16,480
Speaker 1: I'm an open book. Imagine this. I get to share

734
00:34:16,560 --> 00:34:20,560
Speaker 1: a bed with Bowen Yang, and I will way to

735
00:34:20,600 --> 00:34:23,640
Speaker 1: tell all I some booty sounds in the night.

736
00:34:23,840 --> 00:34:24,279
Speaker 2: Come on.

737
00:34:25,520 --> 00:34:28,120
Speaker 1: He just rolled his eyes and said, come on. He said,

738
00:34:28,160 --> 00:34:30,000
Speaker 1: don't tell them about my body.

739
00:34:31,000 --> 00:34:34,239
Speaker 2: I'm gonna have to release an album booty sounds. Oh

740
00:34:34,239 --> 00:34:34,719
Speaker 2: my god, an.

741
00:34:34,600 --> 00:34:37,920
Speaker 1: Album called That's really good double on Tiger.

742
00:34:38,960 --> 00:34:41,480
Speaker 2: I can't believe I get to share a bed with

743
00:34:41,920 --> 00:34:48,440
Speaker 2: the Matt Rogers, sort of the big heart throb gay America.

744
00:34:48,560 --> 00:34:50,680
Speaker 1: You think I'm the big heart throb of Gay America.

745
00:34:50,719 --> 00:34:52,400
Speaker 1: I think it feels like too much to take on.

746
00:34:52,880 --> 00:34:54,960
Speaker 1: I think you are. I think you're wearing that mantle.

747
00:34:55,120 --> 00:34:57,440
Speaker 1: Oh my god, I know what's gonna happen. Now. I'm

748
00:34:57,480 --> 00:35:01,720
Speaker 1: gonna get into drugs. No, no, I can see it. Now.

749
00:35:02,120 --> 00:35:03,919
Speaker 1: My head's gonna get big. I'm gonna get a little

750
00:35:03,920 --> 00:35:07,600
Speaker 1: bit of success and I'm gonna get into drugs. Oh no,

751
00:35:08,440 --> 00:35:12,640
Speaker 1: first wed then cocaine. Before you know it, I'll be

752
00:35:12,680 --> 00:35:17,719
Speaker 1: on the beach with naked hung fags sharks. One thing

753
00:35:17,760 --> 00:35:19,600
Speaker 1: I'll say, And I do want you to direct this.

754
00:35:20,480 --> 00:35:22,880
Speaker 1: I do. I would like to write. I want to

755
00:35:22,880 --> 00:35:25,120
Speaker 1: write a short film for myself where I just run

756
00:35:25,560 --> 00:35:27,000
Speaker 1: like I'm like a little bit of a queen on

757
00:35:27,040 --> 00:35:29,040
Speaker 1: the beach, running with my dick, flying in the wind,

758
00:35:29,120 --> 00:35:31,719
Speaker 1: screaming shark shark, shark, shark shark, and you think the

759
00:35:31,760 --> 00:35:34,520
Speaker 1: whole thing is like sort of like a comedy about

760
00:35:34,560 --> 00:35:36,360
Speaker 1: like this flop on the beach. I want it to

761
00:35:36,360 --> 00:35:39,279
Speaker 1: be called the Gester Flop. And then at the end

762
00:35:39,320 --> 00:35:44,080
Speaker 1: there is a vicious shark attack and literally and it's

763
00:35:44,120 --> 00:35:47,520
Speaker 1: the movie ends, and it just like sort of pans

764
00:35:47,560 --> 00:35:50,080
Speaker 1: out from me on the beach and I just start screaming,

765
00:35:50,440 --> 00:35:54,920
Speaker 1: I told you, I told you. I don't you.

766
00:35:57,719 --> 00:36:00,000
Speaker 2: I I told you?

767
00:36:01,760 --> 00:36:02,760
Speaker 1: Oh my god.

768
00:36:03,480 --> 00:36:07,080
Speaker 2: And then the credits roll as you still scream yeah.

769
00:36:07,120 --> 00:36:09,360
Speaker 1: And all you hear as the credits are rolling and

770
00:36:09,400 --> 00:36:15,000
Speaker 1: there's no music, it's just the sounds of me whimpering, sobbing.

771
00:36:15,160 --> 00:36:18,080
Speaker 2: I told you, now, what's going on in the Is

772
00:36:18,080 --> 00:36:20,640
Speaker 2: it just a tight shot on you? We're not seeing

773
00:36:20,719 --> 00:36:22,080
Speaker 2: like the victims of the attack?

774
00:36:22,320 --> 00:36:25,040
Speaker 1: No, I think we see it in graphic detail. What

775
00:36:25,080 --> 00:36:26,880
Speaker 1: I would like you to think about as the director

776
00:36:26,920 --> 00:36:28,560
Speaker 1: of this movie, and I do think it's gonna win

777
00:36:28,640 --> 00:36:30,719
Speaker 1: awards because I think it's actually important. I think it's

778
00:36:30,719 --> 00:36:32,960
Speaker 1: about how sometimes.

779
00:36:32,320 --> 00:36:36,960
Speaker 2: Like belief in truth is so affected by who it's

780
00:36:37,000 --> 00:36:37,680
Speaker 2: coming from.

781
00:36:37,560 --> 00:36:40,080
Speaker 1: Right exactly, And that is the classic Boy who Cried Wolf.

782
00:36:40,120 --> 00:36:41,960
Speaker 1: And really this is an adaptation of The Boy who

783
00:36:41,960 --> 00:36:45,440
Speaker 1: Cried Wolf, just like Fire Island. And this is not promotional,

784
00:36:46,400 --> 00:36:51,040
Speaker 1: this is just on Facebook. It was an adaptation of Salesman. Yeah.

785
00:36:51,120 --> 00:36:52,880
Speaker 1: Well yes, And we can talk about the ways that

786
00:36:52,960 --> 00:36:55,800
Speaker 1: succeeded and it failed. For example, I thought there should

787
00:36:55,800 --> 00:36:57,560
Speaker 1: have been a lot more planners, should be a lot

788
00:36:57,560 --> 00:36:59,880
Speaker 1: more plans. But I want this film to be in

789
00:37:00,000 --> 00:37:03,760
Speaker 1: adaptation of The Boy Who Cried Wolf starring me and

790
00:37:03,480 --> 00:37:06,200
Speaker 1: I just want it to be about.

791
00:37:06,680 --> 00:37:09,760
Speaker 2: Belief, belief, faith and who.

792
00:37:09,680 --> 00:37:13,040
Speaker 1: We listen to. And you know what they say, look.

793
00:37:13,040 --> 00:37:16,440
Speaker 2: To the Hung, mister Rogers said, in times of disaster,

794
00:37:16,760 --> 00:37:17,760
Speaker 2: look for the Hung.

795
00:37:17,680 --> 00:37:20,240
Speaker 1: Look for the Hung. Where it is they who speak

796
00:37:20,280 --> 00:37:27,320
Speaker 1: the truth. Only the Hung, only the Hunghu, Only the

797
00:37:27,400 --> 00:37:31,839
Speaker 1: Hung will inherit the earth can run, can run the Hu.

798
00:37:32,360 --> 00:37:35,240
Speaker 1: We're mixing a lot of culture here, run down the beach.

799
00:37:35,520 --> 00:37:37,320
Speaker 2: This is the thing we do best on those cultures.

800
00:37:37,440 --> 00:37:40,640
Speaker 2: Just we take our threads of culture and we really

801
00:37:40,640 --> 00:37:51,000
Speaker 2: braid them into gorgeous little pleats.

802
00:37:54,320 --> 00:37:56,800
Speaker 1: Do you want to talk about how you have become

803
00:37:56,840 --> 00:37:58,719
Speaker 1: a great fan of the show The Morning Show? And

804
00:37:58,760 --> 00:38:00,480
Speaker 1: I would like to know what you think of the

805
00:38:00,480 --> 00:38:02,239
Speaker 1: trailer for season three. Have you gotten to through the

806
00:38:02,239 --> 00:38:02,880
Speaker 1: second season?

807
00:38:03,040 --> 00:38:04,480
Speaker 2: I'm midway through the second season.

808
00:38:04,600 --> 00:38:06,600
Speaker 1: Tell them what you told me about the first season

809
00:38:06,640 --> 00:38:07,319
Speaker 1: of The Morning Show.

810
00:38:08,640 --> 00:38:13,040
Speaker 2: I was in my pure illness delirium, feeling like there

811
00:38:13,120 --> 00:38:14,680
Speaker 2: was no hope left in the world.

812
00:38:14,600 --> 00:38:17,759
Speaker 1: Which is the perfect place to be in to receive.

813
00:38:17,640 --> 00:38:20,240
Speaker 2: Truly and for me to press play on the Morning

814
00:38:20,239 --> 00:38:21,640
Speaker 2: Show and be like, all right, let me give you

815
00:38:21,680 --> 00:38:25,719
Speaker 2: this show a try to be taken back to like

816
00:38:26,600 --> 00:38:31,600
Speaker 2: twenty eighteen. Maybe I guess that's like the time in

817
00:38:31,640 --> 00:38:33,799
Speaker 2: which this this is a period piece and this is

818
00:38:33,800 --> 00:38:34,880
Speaker 2: the year it takes place.

819
00:38:35,080 --> 00:38:36,200
Speaker 1: It was the year of me Too.

820
00:38:36,400 --> 00:38:40,600
Speaker 2: It was the year of me Too. And the way

821
00:38:40,680 --> 00:38:46,160
Speaker 2: it hooked me I have not experienced since Damon Lindelof's Watchman.

822
00:38:46,719 --> 00:38:47,480
Speaker 1: Oh My.

823
00:38:47,960 --> 00:38:50,440
Speaker 2: I was like, I'm in I don't know what it was,

824
00:38:50,880 --> 00:38:52,560
Speaker 2: but I think, oh, I have a feeling that the

825
00:38:52,560 --> 00:38:55,160
Speaker 2: moment that it hooked me was the build up to

826
00:38:55,480 --> 00:38:59,799
Speaker 2: Reese Wetherspoon is Bradley Jackson talking in her drawl and

827
00:39:00,120 --> 00:39:04,160
Speaker 2: her red hair, very like as southern women have, walking

828
00:39:04,840 --> 00:39:10,400
Speaker 2: walking up to walking up to Jennifer Aniston, Alex.

829
00:39:10,920 --> 00:39:11,759
Speaker 1: What's your last name?

830
00:39:12,160 --> 00:39:15,879
Speaker 2: Levy, Levy walking up to Jennifer Aniston, the moment when

831
00:39:15,920 --> 00:39:21,360
Speaker 2: they first meet, so loaded, so well performed, the writing,

832
00:39:21,920 --> 00:39:23,840
Speaker 2: you know.

833
00:39:23,080 --> 00:39:24,960
Speaker 1: Touch and go, but in the most beautiful way.

834
00:39:25,680 --> 00:39:29,520
Speaker 2: Absolutely, you never know what you're gonna get, and it's

835
00:39:29,920 --> 00:39:32,759
Speaker 2: I prefer that too, and in just like that, which

836
00:39:32,800 --> 00:39:34,040
Speaker 2: we'll get too later, where I'm like.

837
00:39:34,000 --> 00:39:36,920
Speaker 1: Congrats on their third season. By the way, they're coming back.

838
00:39:37,000 --> 00:39:37,960
Speaker 2: We need to talk about this.

839
00:39:38,160 --> 00:39:40,680
Speaker 1: I mean, there's so much more story to tell. What

840
00:39:40,800 --> 00:39:43,440
Speaker 1: I really what I think every episode of and just

841
00:39:43,560 --> 00:39:46,479
Speaker 1: like that is wow, more there really was so much

842
00:39:46,520 --> 00:39:47,480
Speaker 1: more story to tell.

843
00:39:47,600 --> 00:39:51,120
Speaker 2: Yeah, yeah, really I needed more. I needed more.

844
00:39:51,160 --> 00:39:53,760
Speaker 1: I need a five year plan for these two characters

845
00:39:53,760 --> 00:39:56,319
Speaker 1: that I at this point don't care about. I have

846
00:39:56,400 --> 00:39:59,560
Speaker 1: to say, I am so excited to see how episode

847
00:39:59,560 --> 00:40:02,640
Speaker 1: to episod so they turned Nya into a different character.

848
00:40:02,600 --> 00:40:06,279
Speaker 2: And she's so beautiful to see a character have her

849
00:40:06,440 --> 00:40:11,120
Speaker 2: mind completely wiped clean and rebooted every episode so that

850
00:40:11,160 --> 00:40:12,440
Speaker 2: she's a new human being.

851
00:40:13,040 --> 00:40:15,320
Speaker 1: I think the third graders are doing something really smart

852
00:40:15,320 --> 00:40:15,600
Speaker 1: with her.

853
00:40:15,719 --> 00:40:18,840
Speaker 2: I blame the third graders and not Miss Karen Pittman. No,

854
00:40:19,080 --> 00:40:21,520
Speaker 2: back to the Morning Show is brilliant.

855
00:40:21,680 --> 00:40:26,280
Speaker 1: Karen Pittman is blameless. It's a Rula culture number ninety one, Karen.

856
00:40:26,400 --> 00:40:30,600
Speaker 1: Karen Pittman is blameless. Honey, she's not in the writer's room.

857
00:40:30,640 --> 00:40:35,239
Speaker 1: If she were, then would change nothing, Karen. If they

858
00:40:35,239 --> 00:40:36,799
Speaker 1: give you the opportunity to go into the writer's room,

859
00:40:36,840 --> 00:40:37,760
Speaker 1: change nothing, Karen.

860
00:40:37,960 --> 00:40:38,800
Speaker 2: It's not you.

861
00:40:38,800 --> 00:40:40,200
Speaker 1: You know, she's a poem yanks dam.

862
00:40:40,719 --> 00:40:44,080
Speaker 2: She's very lovely on social media. Yeah, I love the girl.

863
00:40:44,320 --> 00:40:46,320
Speaker 1: Hey, I just want to reach out to Karen and

864
00:40:46,360 --> 00:40:48,279
Speaker 1: say I want to talk to you too. Karen, you

865
00:40:48,360 --> 00:40:52,200
Speaker 1: and Matt would get along swimmingly. She should come on, Karen,

866
00:40:52,200 --> 00:40:55,440
Speaker 1: You're invited. And here's the thing, we're tossed out. Everything

867
00:40:55,440 --> 00:40:58,080
Speaker 1: we've said about both shows you're on. We just want

868
00:40:58,120 --> 00:40:59,200
Speaker 1: to have a conversation. Girl.

869
00:40:59,680 --> 00:41:02,760
Speaker 2: It's just but I actually I really do feel differently

870
00:41:02,760 --> 00:41:04,320
Speaker 2: about the Morning Show than I do about and just

871
00:41:04,360 --> 00:41:06,839
Speaker 2: say the Morning Show. No, the Morning Show has The

872
00:41:06,880 --> 00:41:08,960
Speaker 2: Morning Show saved saved me in that moment and that

873
00:41:09,160 --> 00:41:12,000
Speaker 2: deep dark moment, that dark knight of the soul. I

874
00:41:12,120 --> 00:41:14,319
Speaker 2: was saved by the Morning Show. I was like, thank God,

875
00:41:14,400 --> 00:41:15,240
Speaker 2: this show excess.

876
00:41:15,440 --> 00:41:17,799
Speaker 1: It was. You don't even understand. Actually, I think the

877
00:41:17,840 --> 00:41:21,680
Speaker 1: readers do understand more than anyone. How excited I was

878
00:41:21,719 --> 00:41:24,400
Speaker 1: when you texted me and said that you were finally

879
00:41:24,440 --> 00:41:25,000
Speaker 1: watching it.

880
00:41:25,120 --> 00:41:27,239
Speaker 2: That was you were pacing. You were pacing.

881
00:41:27,560 --> 00:41:30,160
Speaker 1: I literally I was responding to bones text and I

882
00:41:30,200 --> 00:41:33,120
Speaker 1: realized I was up out of my chair pacing around.

883
00:41:33,440 --> 00:41:36,120
Speaker 1: I was like, this is so exciting. You know, I've

884
00:41:36,160 --> 00:41:39,279
Speaker 1: watched the first season like through four times. I will

885
00:41:39,360 --> 00:41:39,960
Speaker 1: just watch it.

886
00:41:40,080 --> 00:41:42,719
Speaker 2: That's so interesting to me because I don't encounter a

887
00:41:42,719 --> 00:41:45,240
Speaker 2: lot of shows anymore that have a lot of rewatchability.

888
00:41:46,040 --> 00:41:50,400
Speaker 2: To me, I still revert to my Grey's Anatomy episodes,

889
00:41:50,920 --> 00:41:55,000
Speaker 2: like stuff from like fifteen years. I don't nothing in

890
00:41:55,040 --> 00:41:57,360
Speaker 2: the last ten years has been like, let me rewatch.

891
00:41:57,480 --> 00:41:59,080
Speaker 1: You want to know what though? The Morning Show is

892
00:41:59,160 --> 00:42:00,600
Speaker 1: kind of giving earlier anatomy.

893
00:42:00,920 --> 00:42:04,720
Speaker 2: Absolutely in many ways, in many ways, in many ways.

894
00:42:04,320 --> 00:42:07,520
Speaker 1: In the pulp of it, yeah, the workplace of it all.

895
00:42:07,760 --> 00:42:10,000
Speaker 1: No one can stop fucking each other. Did I ever

896
00:42:10,040 --> 00:42:13,240
Speaker 1: tell you what my mom used to say about Grey's

897
00:42:13,239 --> 00:42:16,719
Speaker 1: Anatomy early seasons when we watched together. She'd say, and

898
00:42:16,719 --> 00:42:19,719
Speaker 1: this is my Katrina impression. She go, you know what,

899
00:42:20,560 --> 00:42:24,799
Speaker 1: this show is crazy. This one's having sex with that one. Now,

900
00:42:24,920 --> 00:42:29,200
Speaker 1: this one's having sex with that one. It's like enough enough,

901
00:42:30,239 --> 00:42:33,280
Speaker 1: this one's sleeping with that one. Now they're all sleeping

902
00:42:33,280 --> 00:42:33,839
Speaker 1: with each other.

903
00:42:34,160 --> 00:42:35,920
Speaker 2: Katrina doesn't know about gay culture.

904
00:42:35,960 --> 00:42:37,560
Speaker 1: I said, my mom would hate the gay community, and

905
00:42:37,640 --> 00:42:39,680
Speaker 1: she would hate the gay community. You know what my

906
00:42:39,680 --> 00:42:42,560
Speaker 1: mom said about Gray's Anatomy, She said, I hate faggots.

907
00:42:42,960 --> 00:42:48,759
Speaker 2: No, that doesn't seem like meng She wouldn't say that,

908
00:42:49,200 --> 00:42:51,160
Speaker 2: but my mom, she.

909
00:42:51,239 --> 00:42:54,000
Speaker 1: Told me that well, I never told you this, but

910
00:42:54,040 --> 00:42:55,600
Speaker 1: the first time I ever met Meng, she looked me

911
00:42:55,600 --> 00:42:59,160
Speaker 1: in the eyes and in a perfect English accent, because

912
00:42:59,160 --> 00:43:01,239
Speaker 1: she's been lying to you, she said, I.

913
00:43:01,200 --> 00:43:03,319
Speaker 2: Hate that she's been lying to me about what he.

914
00:43:05,440 --> 00:43:06,520
Speaker 1: She doesn't speak like that.

915
00:43:07,360 --> 00:43:08,040
Speaker 2: Oh my god.

916
00:43:08,280 --> 00:43:11,600
Speaker 1: She looked at me up and down. She said, I faggots.

917
00:43:11,920 --> 00:43:16,560
Speaker 1: I'm really sorry. I'm sus I'm so sorry. So I

918
00:43:16,560 --> 00:43:18,280
Speaker 1: had to say to your mom, seous.

919
00:43:19,200 --> 00:43:20,960
Speaker 2: And then she said, I'm just well.

920
00:43:21,000 --> 00:43:24,320
Speaker 1: Just flying with you, fucking faggot. Oh, she's she doubled

921
00:43:24,320 --> 00:43:26,839
Speaker 1: down on the word yeah, and I went and she said,

922
00:43:26,880 --> 00:43:29,800
Speaker 1: get used to it. Clown. She called you a clown.

923
00:43:30,239 --> 00:43:32,200
Speaker 1: That was the worst thing. She said, Oh my god,

924
00:43:32,960 --> 00:43:36,200
Speaker 1: perfect English, perfect English. My god. I gotta call her,

925
00:43:36,680 --> 00:43:39,959
Speaker 1: confront her, confront her. I heard you are a liar. Mom.

926
00:43:40,200 --> 00:43:42,239
Speaker 2: Do you wanna know what she said about great anatomy? Yes,

927
00:43:43,680 --> 00:43:48,680
Speaker 2: she was so hung up about Sandra. Oh, to be honest, oh, really,

928
00:43:49,080 --> 00:43:51,200
Speaker 2: like she doesn't look like a doctor. I was like, mom,

929
00:43:51,239 --> 00:43:56,239
Speaker 2: what do you mean? She goes, she's too confident, She's

930
00:43:56,320 --> 00:43:59,239
Speaker 2: like she's too like comfortable, like she doesn't look like

931
00:43:59,239 --> 00:44:01,520
Speaker 2: a doctor. And then she like widen out the school.

932
00:44:01,640 --> 00:44:03,360
Speaker 2: She was like, none of these people look like doctors,

933
00:44:03,360 --> 00:44:03,879
Speaker 2: like a little mom.

934
00:44:03,840 --> 00:44:06,040
Speaker 1: They're actors, actors who played doctors.

935
00:44:05,840 --> 00:44:09,080
Speaker 2: Really good looking people and sometimes doctors are and sometimes

936
00:44:09,080 --> 00:44:11,680
Speaker 2: they aren't. But that's okay. Either way, it's okay, and

937
00:44:11,719 --> 00:44:14,560
Speaker 2: it's this is a TV show. And she said, I

938
00:44:14,560 --> 00:44:17,080
Speaker 2: don't believe them. That one looks forty. She's an intern.

939
00:44:17,640 --> 00:44:18,160
Speaker 1: She was right.

940
00:44:18,800 --> 00:44:21,799
Speaker 2: Who was she talking about the tr night, I don't know.

941
00:44:22,480 --> 00:44:25,080
Speaker 1: So she didn't like the show. She stopped watching it.

942
00:44:25,400 --> 00:44:28,560
Speaker 2: She liked the show. I think we tried to get

943
00:44:28,560 --> 00:44:30,760
Speaker 2: her back on, especially during Code Black.

944
00:44:31,400 --> 00:44:35,000
Speaker 1: Oh no, so that was you and Yang watching television

945
00:44:35,239 --> 00:44:37,320
Speaker 1: with your mother. Well, and that was the show you

946
00:44:37,320 --> 00:44:39,080
Speaker 1: would all watch together, because that's very much how it

947
00:44:39,080 --> 00:44:39,960
Speaker 1: wasn't well.

948
00:44:40,000 --> 00:44:44,439
Speaker 2: I think Yang went off to college. Like season two

949
00:44:44,640 --> 00:44:46,239
Speaker 2: was her senior year of high school. So like we

950
00:44:46,280 --> 00:44:48,000
Speaker 2: got like season two and then she went to college.

951
00:44:48,040 --> 00:44:49,920
Speaker 2: And then I would probably watch it season three and

952
00:44:49,960 --> 00:44:53,279
Speaker 2: four at home with my mom, and I try to

953
00:44:53,280 --> 00:44:55,360
Speaker 2: hook my mom into it by being like, look, mom,

954
00:44:55,480 --> 00:44:59,160
Speaker 2: like the main character's mom has Alzheimer's Like yeah, no, La,

955
00:44:59,280 --> 00:45:01,640
Speaker 2: La has grand my hes alzheimer is, Like, we should

956
00:45:01,640 --> 00:45:02,480
Speaker 2: watch the show and.

957
00:45:02,480 --> 00:45:05,360
Speaker 1: It's just like, this is not real. And I was like, yeah, well,

958
00:45:05,360 --> 00:45:08,520
Speaker 1: it's a television the television show that's so fascinating. I'm

959
00:45:08,520 --> 00:45:11,240
Speaker 1: actually just sitting here thinking to myself, how the fuck

960
00:45:11,320 --> 00:45:13,720
Speaker 1: did my mother not know I was gay? I referred

961
00:45:13,719 --> 00:45:17,520
Speaker 1: to Desperate Housewives as quote my show back then, like

962
00:45:17,560 --> 00:45:20,360
Speaker 1: a fifty eight year old woman. It's always in hindsight

963
00:45:20,440 --> 00:45:23,400
Speaker 1: that you realize what the gay culture is, especially in

964
00:45:23,400 --> 00:45:26,040
Speaker 1: that era. I don't know. It was called Desperate Housewives,

965
00:45:26,040 --> 00:45:28,080
Speaker 1: and the whole bit was like its fore women like

966
00:45:28,280 --> 00:45:30,600
Speaker 1: just stayed with emotional duress. And I was a teen

967
00:45:30,760 --> 00:45:32,360
Speaker 1: boy being like this is my show.

968
00:45:32,480 --> 00:45:37,239
Speaker 2: But here's the thing. It was on Network TV on Sundays,

969
00:45:37,480 --> 00:45:40,319
Speaker 2: Like you could easily sort of take cover behind that

970
00:45:40,440 --> 00:45:44,160
Speaker 2: because it was like, well, everyone's watching it, right truly, I.

971
00:45:44,200 --> 00:45:47,440
Speaker 1: Mean everyone did watch it. You gotta look at the numbers.

972
00:45:47,880 --> 00:45:49,839
Speaker 1: Look at the numbers, you see they were over twenty mil.

973
00:45:49,960 --> 00:45:52,080
Speaker 1: We could take cover behind American Idol because everyone was

974
00:45:52,080 --> 00:45:55,439
Speaker 1: watching it. We could take cover behind how Desperate Housewives? Yeah?

975
00:45:55,600 --> 00:45:56,080
Speaker 2: What else?

976
00:45:56,640 --> 00:45:57,000
Speaker 1: Lost?

977
00:45:57,400 --> 00:46:00,759
Speaker 2: Lost? Absolutely? I wasn't a lot girl, as you know.

978
00:46:01,200 --> 00:46:05,080
Speaker 1: Yeah, that's all I know is I think you would

979
00:46:05,080 --> 00:46:06,080
Speaker 1: have loved Lost all I.

980
00:46:06,040 --> 00:46:07,440
Speaker 2: Know is we have to go back. I saw the

981
00:46:07,440 --> 00:46:10,400
Speaker 2: first season and you weren't hooked. I was hooked. But

982
00:46:10,440 --> 00:46:14,640
Speaker 2: back then, kids, you had to get the DVDs and

983
00:46:14,680 --> 00:46:15,880
Speaker 2: those were expensive.

984
00:46:16,040 --> 00:46:18,000
Speaker 1: Well, then they would do reruns. They would do summer reruns.

985
00:46:18,040 --> 00:46:20,200
Speaker 1: I told you about the moment of culture that made

986
00:46:20,200 --> 00:46:23,400
Speaker 1: me psychic. Culture was for me summer reruns. It was

987
00:46:23,640 --> 00:46:27,080
Speaker 1: season one, episode six of Lost called House of the

988
00:46:27,120 --> 00:46:30,000
Speaker 1: Rising Sun. It was it was Daniel Dakim and Young

989
00:46:30,040 --> 00:46:31,800
Speaker 1: ginkm It was Young Jin Kim's episode.

990
00:46:31,840 --> 00:46:33,440
Speaker 2: It was What's she doing?

991
00:46:33,680 --> 00:46:35,600
Speaker 1: She was on a show called Mistresses for a while

992
00:46:35,640 --> 00:46:37,880
Speaker 1: on ABC, so she did work, but she didn't go

993
00:46:37,920 --> 00:46:41,600
Speaker 1: on to a big career like DDK, not like d DK.

994
00:46:41,840 --> 00:46:44,880
Speaker 1: D DK the stud one of the nicest men in

995
00:46:44,920 --> 00:46:45,320
Speaker 1: the world.

996
00:46:45,400 --> 00:46:50,440
Speaker 2: By yeah, oh, I'm sure he's reached out, loved Fire Island.

997
00:46:50,760 --> 00:46:51,839
Speaker 2: Really we can't.

998
00:46:51,920 --> 00:46:54,240
Speaker 1: This is well, that's not promotional, that's just facts.

999
00:46:54,560 --> 00:46:56,399
Speaker 2: He had nice things to say about he did.

1000
00:46:56,400 --> 00:46:58,400
Speaker 1: Well, what kind of the things did he say? Sure,

1001
00:47:00,000 --> 00:47:03,880
Speaker 1: it's weird. He reaches first phone and then looks at

1002
00:47:03,920 --> 00:47:06,680
Speaker 1: me and goes, this is weird. Oh wait, I wanted

1003
00:47:06,680 --> 00:47:09,480
Speaker 1: to ask one more thing. Oh, one thing that's going

1004
00:47:09,560 --> 00:47:11,439
Speaker 1: on in the pop culture that we haven't really talked

1005
00:47:11,440 --> 00:47:14,040
Speaker 1: about with each other because I was on a break

1006
00:47:14,080 --> 00:47:16,000
Speaker 1: and it's really heated up in the last couple of weeks.

1007
00:47:16,040 --> 00:47:19,640
Speaker 1: But what are your thoughts on this reality reckoning and

1008
00:47:19,680 --> 00:47:22,840
Speaker 1: the Bethany Frankel movement to take down Bravo and Andy

1009
00:47:22,920 --> 00:47:25,719
Speaker 1: Cohen and what seems like all of reality television.

1010
00:47:25,840 --> 00:47:30,320
Speaker 2: We briefly talked about this with Sarah. With Sarah, Yeah,

1011
00:47:30,400 --> 00:47:33,480
Speaker 2: I haven't done too much reading up on it. Part

1012
00:47:33,480 --> 00:47:36,799
Speaker 2: of me feels like it's Bethany paying up the ass

1013
00:47:36,800 --> 00:47:39,920
Speaker 2: and pr just to like get this movement going. But

1014
00:47:40,000 --> 00:47:42,480
Speaker 2: I think it's really hard for people to see this

1015
00:47:42,640 --> 00:47:45,120
Speaker 2: and not go like this cell feels kind of self

1016
00:47:45,200 --> 00:47:48,520
Speaker 2: serving for one person, yeah, for two people or however

1017
00:47:48,560 --> 00:47:50,640
Speaker 2: many people, it's if it's Bethany and Nini, it's like.

1018
00:47:50,600 --> 00:47:52,480
Speaker 1: I have no idea who it is actually. But she's

1019
00:47:52,520 --> 00:47:54,279
Speaker 1: certainly like come out and been out from but she

1020
00:47:54,360 --> 00:47:56,680
Speaker 1: claims to have over one hundred people that are like

1021
00:47:56,760 --> 00:47:58,440
Speaker 1: in the industry that she's going to come out with

1022
00:47:58,480 --> 00:48:01,120
Speaker 1: and like take these people down. And now she started

1023
00:48:01,160 --> 00:48:03,040
Speaker 1: to say things like I am a woman with nothing

1024
00:48:03,080 --> 00:48:07,040
Speaker 1: to lose. She like once you're on TikTok, like in

1025
00:48:07,080 --> 00:48:09,240
Speaker 1: a close up saying, I am a woman with nothing

1026
00:48:09,280 --> 00:48:10,200
Speaker 1: to lose and there's.

1027
00:48:10,040 --> 00:48:13,480
Speaker 2: Nothing and you're frightening than that with you and you're

1028
00:48:13,520 --> 00:48:14,120
Speaker 2: it's untrue.

1029
00:48:14,160 --> 00:48:19,000
Speaker 1: You're a wealthy person. Yeah, but power. Here's my problem

1030
00:48:19,000 --> 00:48:21,640
Speaker 1: with it. It's like if you just watch her videos,

1031
00:48:21,640 --> 00:48:24,440
Speaker 1: her rants and everything, and she's like talking about the

1032
00:48:24,440 --> 00:48:27,160
Speaker 1: state of things, it's like one thing that she is

1033
00:48:27,280 --> 00:48:31,000
Speaker 1: not doing is owning up to like her responsibility in

1034
00:48:31,080 --> 00:48:33,719
Speaker 1: any of it. Right, She's like, you sign these contracts

1035
00:48:33,719 --> 00:48:36,840
Speaker 1: and then it's unbelievable what they're able to do. It's like, yeah,

1036
00:48:36,880 --> 00:48:42,279
Speaker 1: based on a contract that you signed, Okay, so you

1037
00:48:42,280 --> 00:48:45,320
Speaker 1: were able to read it beforehand. Yeah, you were able

1038
00:48:45,400 --> 00:48:48,719
Speaker 1: to have a lawyer look at it. Then don't sign it, right.

1039
00:48:48,760 --> 00:48:52,000
Speaker 1: And also it's like these people are harassed on talk

1040
00:48:52,040 --> 00:48:54,920
Speaker 1: shows and it's all about getting you to say something

1041
00:48:54,960 --> 00:48:57,920
Speaker 1: bad about other people. It's like, oh, okay, what about

1042
00:48:57,920 --> 00:49:01,000
Speaker 1: the option where you don't go on the show. This

1043
00:49:01,040 --> 00:49:03,839
Speaker 1: is what I would say. If you don't want to

1044
00:49:03,880 --> 00:49:10,160
Speaker 1: be a reality star, get another job, babe, do something else.

1045
00:49:10,520 --> 00:49:13,439
Speaker 1: No one is putting a gun to your head and

1046
00:49:13,560 --> 00:49:16,120
Speaker 1: forcing you to be on reality television. That's where I

1047
00:49:16,160 --> 00:49:18,920
Speaker 1: think this whole thing falls apart. It's not like you

1048
00:49:18,960 --> 00:49:23,080
Speaker 1: guys are like encamped and like forced to be on

1049
00:49:23,120 --> 00:49:26,680
Speaker 1: reality television. Don't go on it, and you won't be

1050
00:49:26,719 --> 00:49:28,880
Speaker 1: put in positions that you feel are unfair.

1051
00:49:29,120 --> 00:49:32,200
Speaker 2: What's the reckoning that she's saying is that she's like

1052
00:49:32,560 --> 00:49:34,839
Speaker 2: people are finding out how exploitative it is, because it's

1053
00:49:35,000 --> 00:49:35,759
Speaker 2: we've known that.

1054
00:49:35,960 --> 00:49:38,399
Speaker 1: I feel, I mean, anyone that's not an idiot has

1055
00:49:38,520 --> 00:49:41,560
Speaker 1: understood that this is a game of exploitation from the

1056
00:49:41,680 --> 00:49:42,280
Speaker 1: very beginning.

1057
00:49:42,440 --> 00:49:44,520
Speaker 2: I don't want to go into like what about isn't,

1058
00:49:44,560 --> 00:49:50,000
Speaker 2: but it's like every contract is exploitative in almost any situation,

1059
00:49:50,320 --> 00:49:52,760
Speaker 2: right as far as entertainment goes correct.

1060
00:49:52,800 --> 00:49:54,799
Speaker 1: And also it's just like, I mean, here's the thing.

1061
00:49:55,080 --> 00:49:57,040
Speaker 1: You make a deal, right, and even if that deal

1062
00:49:57,080 --> 00:49:59,439
Speaker 1: is with the devil, it's still a deal. You still

1063
00:49:59,440 --> 00:50:02,360
Speaker 1: got something out of it. And I just don't understand, Like,

1064
00:50:02,880 --> 00:50:06,160
Speaker 1: so she's essentially used these platforms to get her own platform.

1065
00:50:06,400 --> 00:50:09,000
Speaker 1: So now she's got this huge mouthpiece and everything, and

1066
00:50:09,040 --> 00:50:12,120
Speaker 1: she's just making all these vague claims that when you

1067
00:50:12,360 --> 00:50:15,880
Speaker 1: actually boil it down, I can't believe lawyers are actually

1068
00:50:15,920 --> 00:50:18,319
Speaker 1: telling her like you have a case, and you're right,

1069
00:50:18,400 --> 00:50:25,080
Speaker 1: because she literally doesn't. Because when you legally contractually opt

1070
00:50:25,160 --> 00:50:27,600
Speaker 1: into something, those are the terms of the.

1071
00:50:27,520 --> 00:50:29,640
Speaker 2: Contract you signed them.

1072
00:50:29,680 --> 00:50:32,000
Speaker 1: And so if you want to say, like these contracts

1073
00:50:32,000 --> 00:50:34,160
Speaker 1: need to change, like people need to be aware of

1074
00:50:34,200 --> 00:50:36,440
Speaker 1: what's in them, a I bet a lot more people

1075
00:50:36,480 --> 00:50:37,600
Speaker 1: are aware than you think.

1076
00:50:37,719 --> 00:50:40,040
Speaker 2: Yeah, and be what even is changing?

1077
00:50:41,560 --> 00:50:43,920
Speaker 1: I just don't understand what the endgame is or what

1078
00:50:44,080 --> 00:50:46,279
Speaker 1: the case is. Yeah.

1079
00:50:46,320 --> 00:50:49,360
Speaker 2: My big question is I can vaguely understand the case.

1080
00:50:49,480 --> 00:50:51,560
Speaker 2: I don't know all the ins and outs, but I

1081
00:50:51,560 --> 00:50:53,040
Speaker 2: don't know what the endgame is at all.

1082
00:50:53,320 --> 00:50:56,480
Speaker 1: I think it just she wants to end reality television.

1083
00:50:56,760 --> 00:50:57,680
Speaker 2: Yeah that's interesting.

1084
00:50:57,760 --> 00:51:00,239
Speaker 1: Yeah, I mean has anyone actually asked her like is

1085
00:51:00,239 --> 00:51:02,640
Speaker 1: your endgame here? I wonder?

1086
00:51:03,920 --> 00:51:06,040
Speaker 2: Yeah, I don't know about her.

1087
00:51:06,560 --> 00:51:07,399
Speaker 1: I don't know about her.

1088
00:51:07,480 --> 00:51:08,680
Speaker 2: You either know about her.

1089
00:51:09,040 --> 00:51:12,080
Speaker 1: Also, it's like if you actually watch the Old Housewives,

1090
00:51:12,080 --> 00:51:15,200
Speaker 1: it's like watching her talk to Kelly ben Simone, like

1091
00:51:15,320 --> 00:51:17,040
Speaker 1: watching what she did to the way, and it's like,

1092
00:51:17,320 --> 00:51:19,759
Speaker 1: you're gonna be the one to be like we need

1093
00:51:19,800 --> 00:51:23,719
Speaker 1: to stop like the terrorism of reality television. You were

1094
00:51:23,719 --> 00:51:27,279
Speaker 1: the biggest reality You've ruined. You were a villain on

1095
00:51:27,360 --> 00:51:28,160
Speaker 1: these shows.

1096
00:51:28,520 --> 00:51:31,960
Speaker 2: Yeah, yeah, so I just think it's rich. Yeah, you've

1097
00:51:32,040 --> 00:51:34,000
Speaker 2: runed many of these women's lives.

1098
00:51:33,760 --> 00:51:38,280
Speaker 1: Anyway, I guess. Listen to Bethany's podcast, the biggest podcast

1099
00:51:38,320 --> 00:51:49,759
Speaker 1: in the world. Love that for her. It's time for

1100
00:51:49,840 --> 00:51:50,600
Speaker 1: I don't think Sohney.

1101
00:51:50,760 --> 00:51:53,160
Speaker 2: You think so, yeah, don't you. You kind of went

1102
00:51:53,200 --> 00:51:56,759
Speaker 2: off on a big one with her. Yeah, I applaud you.

1103
00:51:57,360 --> 00:51:59,760
Speaker 1: Hey, listen, I'm gonna do it. I don't think so Honey.

1104
00:52:00,120 --> 00:52:05,040
Speaker 1: And this one might get a little gnarly. Okay, okay, okay.

1105
00:52:05,320 --> 00:52:06,600
Speaker 1: This is I don't think Sonny. This is our one

1106
00:52:06,640 --> 00:52:10,759
Speaker 1: minute second where we take something a minute that something

1107
00:52:10,760 --> 00:52:11,240
Speaker 1: in culture.

1108
00:52:11,880 --> 00:52:13,799
Speaker 2: This is not rogers. Don't think Sonny. And as time

1109
00:52:13,840 --> 00:52:14,440
Speaker 2: starts now, I.

1110
00:52:14,440 --> 00:52:17,000
Speaker 1: Don't think so Honey. Feet and what can happen to them?

1111
00:52:17,640 --> 00:52:19,640
Speaker 1: I look down at my feet and I'm just gonna

1112
00:52:19,640 --> 00:52:22,040
Speaker 1: bravely come out here and say it. I am recovering

1113
00:52:22,040 --> 00:52:25,919
Speaker 1: from athletes's foot and being on vacation has done something

1114
00:52:25,920 --> 00:52:29,000
Speaker 1: absolutely horrible and disgusting to my feet. If you are

1115
00:52:29,080 --> 00:52:31,320
Speaker 1: interested in feet, you're gonna want to stay away from mine.

1116
00:52:31,920 --> 00:52:34,040
Speaker 1: If you are a padietary sort of foot doctor, I

1117
00:52:34,120 --> 00:52:36,960
Speaker 1: really need you to tell me what's a good I

1118
00:52:37,000 --> 00:52:40,440
Speaker 1: guess foot cream because I cannot get rid of my

1119
00:52:40,480 --> 00:52:42,359
Speaker 1: athlete's foot. I think it has something to do with

1120
00:52:42,440 --> 00:52:45,680
Speaker 1: my thirty seconds. What I've been told is a little

1121
00:52:45,680 --> 00:52:48,600
Speaker 1: bit of a dirty shower. I think I need to

1122
00:52:48,640 --> 00:52:51,680
Speaker 1: get one of these girls to clean the shower. I

1123
00:52:51,719 --> 00:52:56,040
Speaker 1: don't think feet look good, smell good, are good. One

1124
00:52:56,040 --> 00:52:57,920
Speaker 1: time during the pandemic, I was swifting up with a

1125
00:52:57,960 --> 00:52:59,799
Speaker 1: guy and I put his big toe in my mouth,

1126
00:52:59,840 --> 00:53:01,560
Speaker 1: and we looked at each other in the eyes and

1127
00:53:01,600 --> 00:53:03,759
Speaker 1: both realize that feet were not going to be for

1128
00:53:03,840 --> 00:53:05,759
Speaker 1: either of us for the rest of my life and his.

1129
00:53:06,480 --> 00:53:08,759
Speaker 1: I also just want to say that if that boy

1130
00:53:08,840 --> 00:53:11,080
Speaker 1: is out there, you better be really thankful my foot

1131
00:53:11,120 --> 00:53:13,160
Speaker 1: is not in your mouth right now, because woo.

1132
00:53:13,000 --> 00:53:15,280
Speaker 2: Baby, ooh baby, that's one minute.

1133
00:53:15,400 --> 00:53:16,960
Speaker 1: I don't think you tried.

1134
00:53:17,080 --> 00:53:18,799
Speaker 2: I'm glad you tried it, though on him.

1135
00:53:19,840 --> 00:53:21,040
Speaker 1: Have you done foot?

1136
00:53:21,280 --> 00:53:22,640
Speaker 2: I've not done foot. But every now and then I

1137
00:53:22,680 --> 00:53:24,720
Speaker 2: look at someone's foot and go, that's a good foot.

1138
00:53:24,920 --> 00:53:26,200
Speaker 1: Who do you think it is? The best foot in

1139
00:53:26,200 --> 00:53:26,560
Speaker 1: the house.

1140
00:53:27,000 --> 00:53:29,400
Speaker 2: You're gonna think I'm crazy. What I think you've got

1141
00:53:29,480 --> 00:53:34,279
Speaker 2: really good feet? I'm not like this is insane. You

1142
00:53:34,320 --> 00:53:35,040
Speaker 2: want you to look at it?

1143
00:53:35,160 --> 00:53:37,279
Speaker 1: You and Patrick Rotters have good feet, can you hear?

1144
00:53:38,000 --> 00:53:40,680
Speaker 1: Look in between my toes. I'm not going to do that.

1145
00:53:40,920 --> 00:53:42,759
Speaker 1: Come and I am doing all that. I want you

1146
00:53:42,800 --> 00:53:45,000
Speaker 1: to come here. Just get up and look at them.

1147
00:53:45,040 --> 00:53:47,440
Speaker 1: He's getting over and you can touch them. Look in between.

1148
00:53:48,040 --> 00:53:52,520
Speaker 1: Look see now, I'm really I take it. Now. Look

1149
00:53:52,520 --> 00:53:58,120
Speaker 1: at the other one. Yeah, that's a good one, is it?

1150
00:53:58,200 --> 00:54:01,319
Speaker 1: Aren't they horrible? They're literally so bad.

1151
00:54:01,760 --> 00:54:03,960
Speaker 2: Matt, Matt has some rush for you. I think I

1152
00:54:04,000 --> 00:54:07,320
Speaker 2: think they're rotted and gutted. I think mine are quite nice.

1153
00:54:07,640 --> 00:54:09,080
Speaker 1: I always thought you had good feet. You have a

1154
00:54:09,120 --> 00:54:09,680
Speaker 1: thick foot.

1155
00:54:10,000 --> 00:54:12,520
Speaker 2: You know who is a gorgeous foot with gorgeous arch,

1156
00:54:13,040 --> 00:54:16,800
Speaker 2: A gorgeous arch. Aaron Jackson, Aaron who has a funny story.

1157
00:54:16,800 --> 00:54:19,399
Speaker 2: He had a dance teacher in college who walked around

1158
00:54:19,440 --> 00:54:21,239
Speaker 2: the room, looked at Aaron's feet, looked at his arch

1159
00:54:21,239 --> 00:54:22,840
Speaker 2: and went, what a waist?

1160
00:54:24,200 --> 00:54:25,920
Speaker 1: Where is he? Can we get him in here?

1161
00:54:26,000 --> 00:54:29,440
Speaker 2: Let's get him in here, Aaron? Aaron, Maybe he's by

1162
00:54:29,440 --> 00:54:31,440
Speaker 2: the pool. Maybe maybe he went on an.

1163
00:54:31,160 --> 00:54:32,439
Speaker 1: Around and see if he's by the pool.

1164
00:54:34,040 --> 00:54:35,360
Speaker 2: Whereas he is not by the pool.

1165
00:54:35,360 --> 00:54:38,520
Speaker 1: Oh, Jesus. All right, hold on, all right, So Bowen

1166
00:54:38,600 --> 00:54:44,120
Speaker 1: is gonna go grab Aaron. Is Aaron here? Aaron? Did

1167
00:54:44,200 --> 00:54:48,839
Speaker 1: they leave? Eric? Okay, so he's just gonna go grab

1168
00:54:48,880 --> 00:54:52,800
Speaker 1: Aaron Jackson because Aaron left?

1169
00:54:53,520 --> 00:54:54,640
Speaker 2: Left?

1170
00:54:56,040 --> 00:54:59,440
Speaker 1: Is no one here? People here? Oh, but none of

1171
00:54:59,440 --> 00:55:02,040
Speaker 1: them have good I don't want to bother them. Who

1172
00:55:02,080 --> 00:55:05,960
Speaker 1: was up there? Who? I think Patrick? Patrick was up there?

1173
00:55:06,000 --> 00:55:07,799
Speaker 1: Patrick was up there? Was Dave up there?

1174
00:55:07,880 --> 00:55:08,520
Speaker 2: I think Dave.

1175
00:55:08,760 --> 00:55:11,480
Speaker 1: Oh, Dave has to catch the faery. Oh no, oh,

1176
00:55:11,560 --> 00:55:12,719
Speaker 1: we have to we better wrap up.

1177
00:55:12,719 --> 00:55:13,319
Speaker 2: We better wrap up.

1178
00:55:13,480 --> 00:55:14,959
Speaker 1: So boone's gonna do is I don't think so, honey.

1179
00:55:15,000 --> 00:55:17,240
Speaker 1: And then we have to take a bye of our friend. Okay, So, Bowen,

1180
00:55:17,320 --> 00:55:18,640
Speaker 1: this is your I don't think so money. This is

1181
00:55:18,640 --> 00:55:21,640
Speaker 1: your chance to really against something in culture that's just

1182
00:55:21,680 --> 00:55:25,440
Speaker 1: not for you. You ready, bon Yang? Time starts now, I.

1183
00:55:25,400 --> 00:55:29,560
Speaker 2: Don't think so, honey. Towels in the laundry. This is

1184
00:55:29,640 --> 00:55:32,280
Speaker 2: how just to relate this to Matt's I don't think so, honey.

1185
00:55:32,280 --> 00:55:35,560
Speaker 2: This is how mold starts. This is where mold begins,

1186
00:55:36,040 --> 00:55:38,480
Speaker 2: and it doesn't end there, because it doesn't end anywhere.

1187
00:55:38,520 --> 00:55:40,840
Speaker 2: Only God getting molled out is one of the hardest

1188
00:55:40,920 --> 00:55:46,400
Speaker 2: things that humanity has ever attempted to do, because towels

1189
00:55:46,440 --> 00:55:52,280
Speaker 2: in the laundry are undriable. No dryer in the world

1190
00:55:52,480 --> 00:55:56,280
Speaker 2: can get towels just right. I don't care how state

1191
00:55:56,280 --> 00:55:57,520
Speaker 2: of the art it is. I don't care what kind

1192
00:55:57,560 --> 00:56:02,719
Speaker 2: of whirlpool you know, fuck it and ooster. I don't

1193
00:56:02,760 --> 00:56:04,200
Speaker 2: know what the appliances are anymore.

1194
00:56:05,440 --> 00:56:07,239
Speaker 1: These towels.

1195
00:56:07,440 --> 00:56:09,760
Speaker 2: I think we got to figure out solutions and towels

1196
00:56:09,800 --> 00:56:14,320
Speaker 2: because these towels, these terry towels, are impossible.

1197
00:56:14,920 --> 00:56:18,840
Speaker 1: They are scourge on domestic life. We need a new solution,

1198
00:56:19,040 --> 00:56:21,280
Speaker 1: mean absorbent towels that can dry easily.

1199
00:56:22,120 --> 00:56:24,280
Speaker 2: We have the technology. The government's haiding it from us.

1200
00:56:24,480 --> 00:56:26,920
Speaker 1: And that's one minute. You came for the government.

1201
00:56:28,040 --> 00:56:29,320
Speaker 2: It's always about them.

1202
00:56:29,680 --> 00:56:29,919
Speaker 1: Ooh.

1203
00:56:29,960 --> 00:56:33,200
Speaker 2: Someone last night was that head of lettuce and had

1204
00:56:33,239 --> 00:56:36,280
Speaker 2: asked what they did, and then this person you know, answered,

1205
00:56:36,680 --> 00:56:39,640
Speaker 2: in an appropriately vague way, said she said infrastructure. He

1206
00:56:39,680 --> 00:56:45,360
Speaker 2: said government, and the whole room went ooh, the government's

1207
00:56:45,440 --> 00:56:47,640
Speaker 2: not having a good moment right now, mm hmm.

1208
00:56:47,680 --> 00:56:51,040
Speaker 1: And then he said infrastructure specifically, and had said there

1209
00:56:51,120 --> 00:56:52,320
Speaker 1: is no infrastructure.

1210
00:56:52,360 --> 00:56:53,880
Speaker 2: This whole country's falling apart.

1211
00:56:54,080 --> 00:56:57,080
Speaker 1: Yeah, And when she said that she ate how many

1212
00:56:57,160 --> 00:57:03,120
Speaker 1: letters are and devoured ate plus four bo eight And

1213
00:57:03,160 --> 00:57:07,040
Speaker 1: with that thought, we're going to wrap up this episode,

1214
00:57:07,360 --> 00:57:10,920
Speaker 1: which is called Fags. He's a shark, the fact who

1215
00:57:10,920 --> 00:57:14,080
Speaker 1: cried shark, the fact who cried shark. Yeah, I'm proud

1216
00:57:14,080 --> 00:57:15,400
Speaker 1: of this episode.

1217
00:57:15,040 --> 00:57:18,760
Speaker 2: Very proud of this episode. I think it was honest, honest, real.

1218
00:57:19,160 --> 00:57:21,360
Speaker 2: It was an honest conversation, but honest in a different

1219
00:57:21,360 --> 00:57:23,880
Speaker 2: way than you know, Charles art Era honest conversation was

1220
00:57:23,960 --> 00:57:28,360
Speaker 2: this was we're on vacation. We're a little bit fried

1221
00:57:28,640 --> 00:57:31,000
Speaker 2: from our month. We've had big months, both of us.

1222
00:57:31,160 --> 00:57:32,920
Speaker 1: And we've seen and done so much. Did I talk

1223
00:57:32,960 --> 00:57:33,760
Speaker 1: about Kelly enough?

1224
00:57:33,920 --> 00:57:35,200
Speaker 2: I think you talked about Kelly.

1225
00:57:35,200 --> 00:57:36,960
Speaker 1: It was. It was one of the best concerts I've

1226
00:57:36,960 --> 00:57:39,240
Speaker 1: ever seen in my life, and I was so emotional throughout.

1227
00:57:39,240 --> 00:57:41,040
Speaker 1: You can go to my Instagram and see how emotional

1228
00:57:41,080 --> 00:57:42,480
Speaker 1: I was. I was weeping. The only thing that would

1229
00:57:42,480 --> 00:57:45,320
Speaker 1: have made it better was my sister's presence. We'll have more,

1230
00:57:45,360 --> 00:57:47,520
Speaker 1: but the bacteria got them, the bacteria got me. But

1231
00:57:47,600 --> 00:57:51,240
Speaker 1: we will have more opportunities to go to concerts. I

1232
00:57:51,280 --> 00:57:53,200
Speaker 1: love you so much. I'm so glad you're with me.

1233
00:57:53,400 --> 00:57:56,160
Speaker 1: I love you, dear do you have been my dearest roommate.

1234
00:57:56,960 --> 00:57:58,600
Speaker 1: I'm so proud of us for being and we have

1235
00:57:58,720 --> 00:58:02,160
Speaker 1: still one more day. Can't wait. We end every episode

1236
00:58:02,200 --> 00:58:11,480
Speaker 1: with a song When did oh enjoy me? I'm sad again.

1237
00:58:13,800 --> 00:58:20,920
Speaker 1: Don't tell my boy friend it's not one he made

1238
00:58:21,280 --> 00:58:28,160
Speaker 1: for what when I made? Hear more of that? Just

1239
00:58:28,200 --> 00:58:31,560
Speaker 1: go on TikTok, honey, everyone's doing it by at Queenielock.

1240
00:58:31,920 --> 00:58:34,440
Speaker 1: The voice