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Speaker 1: What's intimidating to me about the clock is that it

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Speaker 1: is just wrong from the very beginning, because Kevin starts

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Speaker 1: the clock very slowly lurches forward to set the clock,

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Speaker 1: like what's incorporated in the time that we're now looking

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Speaker 1: at has been the entire process of setting up the

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Speaker 1: clos well.

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Speaker 2: I think that I have more content than I do,

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Speaker 2: and content just king yes, And here I am a

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Speaker 2: slowly peasant not with not enough content because it's being

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Speaker 2: stolen from me by Kevin's creaky hips. You hear him,

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Speaker 2: don't you When he has to lean over with the

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Speaker 2: clock to put the clock down, and it's like I'm

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Speaker 2: watching the fucking numbers. It's like, it's just this is

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Speaker 2: my life, like so much of my life. I have

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Speaker 2: an actual quantifiable image of how much of my life

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Speaker 2: is just me observing Kevin's creaky.

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Speaker 3: Asshold hips fucking struggle to get a clock down in

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Speaker 3: front of them when he remembers to do it, to

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Speaker 3: get it in front of his little board there, and

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Speaker 3: this is shit.

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Speaker 1: He doesn't do anything with this ship. This is the

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Speaker 1: heir to Bartelt Insurance, and it's like he was the

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Speaker 1: Bartel Boy is like the original Bartel boy.

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Speaker 4: Actually, yeah, oh my goodness, and you decided to come

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Speaker 4: to a Headgum.

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Speaker 1: That's right.

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Speaker 5: And Chris, if you need anything at all, say the word.

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Speaker 1: But this is like just so you know before you say,

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Speaker 1: I actually would not recommend saying any words. No, because

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Speaker 1: what they like, they're there there. Their whole premise is

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Speaker 1: that like money that goes into his hips, for example,

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Speaker 1: is out of his pocket, right, you know what I mean?

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Speaker 1: And so like they're like, why would anytime you want

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Speaker 1: like medical care and stuff, They're like, why would you?

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Speaker 1: Why would you want to do that?

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Speaker 4: Well, when I walked in with the way heaven, Kevin

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Speaker 4: was facing me, but his his legs are almost facing

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Speaker 4: the other direction. Yes, he's like, how off his lumbar?

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Speaker 6: He is?

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Speaker 1: Well, he has a playmobile? Yeah, hinge right there. So

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Speaker 1: his that's actually normal his his that's.

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Speaker 4: The creek where you're getting those kind of yeah, Metrono,

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Speaker 4: I'm hearing it too. No, I know it's kind of

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Speaker 4: like a one.

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Speaker 2: To think about it less, and I know I brought

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Speaker 2: it up, but it's like, yeah, the amount of time

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Speaker 2: I've spent envisioning like sort of internal structures Kevin's body just.

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Speaker 1: Based on like the sounds I hear with your eyes

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Speaker 1: find them?

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Speaker 5: Yeah, kind of I get lost, man, because it's like.

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Speaker 2: It's a puzzle, right, Like it's like not all of

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Speaker 2: it makes sense, Like what I have, the information I

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Speaker 2: have doesn't fit.

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Speaker 1: Yeah. Yeah, So like.

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Speaker 2: It's like the it's it's contemplating the concept of infinity.

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Speaker 2: Like I go, like, what's the very end of the universe?

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Speaker 2: Like how far is it? And then I picture that

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Speaker 2: and I go, well, then how is it the end?

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Speaker 4: Well, it's a lot.

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Speaker 2: I'm inside of glass jar, you know. But then what's

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Speaker 2: outside the jar? Who's holding it? Something that we I

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Speaker 2: suppose we talk we talk about we talk about men

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Speaker 2: in black So the end of men and black people

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Speaker 2: haven't seen it in a while or fresher memory.

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Speaker 5: It is Christ holding a jar. Within that jar, humanity and.

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Speaker 4: The stars, aliens playing with the alien baby with the marvels.

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Speaker 1: It zooms.

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Speaker 4: I guess I've stopped the movie, but it goes out

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Speaker 4: a little further to christmazing.

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Speaker 2: Yes, inside old snorks the white name like Smuckers.

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Speaker 1: It's got to be good. Which snork is on it?

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Speaker 1: Which snork is on the I just remember which?

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Speaker 4: It's all star? Wait, no, Daphne's on it, Okay, is

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Speaker 4: now remind me of snorks? Snorks?

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Speaker 1: The snorks are a race of sea creature.

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Speaker 6: Uh.

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Speaker 2: They are smurf like in their society, and that snork

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Speaker 2: replaces a lot of words that you would snork, yeah,

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Speaker 2: snork of a snork.

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Speaker 1: Yeah yeah, the species species a race, but they are

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Speaker 1: a race. Like that's very like explicitly laid out of

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Speaker 1: the Yeah, well it is. And there's there's.

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Speaker 2: Yeah in the story of the show. There's like Aki

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Speaker 2: is a pet octopus. There's all Star Reggie Daphne.

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Speaker 1: Uh I wrong, all.

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Speaker 4: Stars name is all Star right, the bad guy that

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Speaker 4: doesn't seem to fit in. Daphne is kind of like

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Speaker 4: a nice English name.

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Speaker 1: She's human, She's just straight up human. Okay. It was

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Speaker 1: Daphne Zuniga if you remember her, Yeah, yeah, okay, she

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Speaker 1: just ended up under there somehow. And the snorks have

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Speaker 1: a little tutor like a little spout up top. It's

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Speaker 1: a snorkel, but they are It doesn't take away water

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Speaker 1: are always underwater excreet stuff. Is that like, is it

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Speaker 1: like a bowl? We will never know because underwater it

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Speaker 1: doesn't know, there's no bubbles coming out.

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Speaker 2: What's their weight how much they we Well, they're in water,

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Speaker 2: so as you know, the the weight, like if you

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Speaker 2: stand on a scale underwater, it's not gonna be the

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Speaker 2: same weight that we would have out here.

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Speaker 1: So like you've got them if I got them on

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Speaker 1: dry land.

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Speaker 2: Yeah, hang on the back of the napkin, just scratching

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Speaker 2: out a little quick math.

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Speaker 1: For any of them, I guess, and looks a little

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Speaker 1: smaller than All Stars. But yeah, they're.

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Speaker 4: Eight hundred pounds okay, okay, oh okay, I.

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Speaker 5: Thought you're they're filming them from far away.

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Speaker 4: Okay, okay, So that means interesting because they.

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Speaker 1: Always described in the filming the animation still like.

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Speaker 4: A black bear, the sides of like a bad tide

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Speaker 4: of a black I think.

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Speaker 2: So.

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Speaker 4: Yeah.

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Speaker 1: In the opening sequence they do say like All Stars

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Speaker 1: says like, hey, I'm All Stars six six to twenty. Yeah,

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Speaker 1: and like they all do their their heads which is

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Speaker 1: all in the six four to six ten to.

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Speaker 4: Get their strain, and they're like a centered frame. But

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Speaker 4: that's under water water, so cartoons should do that. Then

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Speaker 4: they should say you're.

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Speaker 1: Because often you don't have like any other context.

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Speaker 4: Well here's double NBA light you know, or like you know,

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Speaker 4: with that, really.

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Speaker 1: Where they went to college. They should all say where

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Speaker 1: they went to college as well.

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Speaker 4: Do you remember this?

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Speaker 2: I mean they're scared of another animal and this animal No,

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Speaker 2: I don't remember anything.

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Speaker 4: I don't know.

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Speaker 1: Well I wasn't asking you.

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Speaker 2: But they're scared of another animal and this animal's name

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Speaker 2: and you got you. You wonder who named them. I

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Speaker 2: think it was the snorks. But the animal is called

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Speaker 2: the snork eater.

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Speaker 4: Yeah, this is a big fear they have.

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Speaker 2: You imagine I can't walking around and it's just like, yeah,

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Speaker 2: there's a fucking Chris eater.

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Speaker 4: I'd be scared.

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Speaker 2: Yeah, that was, but this might make you more comfortable.

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Speaker 2: There's actually an animal named the snork eater eater.

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Speaker 1: Within the world.

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Speaker 4: Talk about an ecosystem, right, talk about I mean the

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Speaker 4: circle of life, you know, like it's like I can't

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Speaker 4: I'm trying to be fun.

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Speaker 5: As if the snorks eat that, then we really could

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Speaker 5: close the infinity.

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Speaker 1: Yeah.

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Speaker 2: Yeah, that's like thinking about Kevin's hips. There's something sexy

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Speaker 2: about it, you know when you think about.

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Speaker 5: That's why we broadcast kind of relaxed.

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Speaker 4: You can kind of like close your eyes and relax

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Speaker 4: when you think about that.

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Speaker 1: But the rest of the network is doing well, so

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Speaker 1: we're we're struggling here with the clock is. Yeah, you've

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Speaker 1: been on we started with Headguns. The network's doing well.

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Speaker 5: They've gone some other shows, some bigger shows.

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Speaker 1: Yeah.

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Speaker 4: No, it's incredibly quiet in the in the in the general,

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Speaker 4: in the shared space out there.

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Speaker 1: They they leave the space for the creativity to exist.

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Speaker 4: It's like a pediatrician's office.

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Speaker 1: I sat down.

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Speaker 5: Today, Kevin was sitting on the couch.

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Speaker 1: I walked in.

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Speaker 2: Kevin sort of greeted me. I said, I said, like, hey, babe,

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Speaker 2: something played and I sat down and I.

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Speaker 5: Think said one sentence. And there was a woman next.

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Speaker 2: To us to the table who was on her computer,

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Speaker 2: and she kind of looked turned, saw me, picked her computer,

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Speaker 2: walked into a different office, closed the door, and.

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Speaker 4: That's when I walked in.

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Speaker 1: The script they were running it was it was a

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Speaker 1: very like, yeah, shows all the time, and so like

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Speaker 1: there's not a lot of time to like be silly,

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Speaker 1: like we're actually like running a real business here. They

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Speaker 1: just added a show. I saw. It's either there's two

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Speaker 1: new posters. Yeah, there's one for a show called touch Grass,

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Speaker 1: which nobody told me about. Nobody decided was not aware

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Speaker 1: of it?

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Speaker 4: Is that? Like, is that about like the you got

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Speaker 4: offline thing?

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Speaker 1: And I, again, no one has decided that I was.

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Speaker 1: We learned from the poster. Yeah, that's how we find out.

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Speaker 1: But I do draw inspiration from that, and I'm sort

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Speaker 1: of wondering how we can because I'm trying to got

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Speaker 1: on like my phone. It's like I'm trying to get

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Speaker 1: off my phone like everyone else, and I'm trying to

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Speaker 1: touch grass. If we could figure out a way to

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Speaker 1: get the podcast out there in a way that is

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Speaker 1: also getting people off their phones, and so it's like

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Speaker 1: a book from them. Wondering speaker like you know player piano.

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Speaker 4: Oh that's brilliant, a player some kind of thing that

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Speaker 4: just plays.

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Speaker 2: Like we talked about it beforehand. And I also was

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Speaker 2: involved in the player piano idea.

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Speaker 4: Oh sew no, I love that. Ye you know how

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Speaker 4: we are the world how everyone had to listen to

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Speaker 4: her at the same time. Yes, that's what this could be.

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Speaker 4: It could And I think I saw your hand in

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Speaker 4: the player piano. Really good that you advocated for yourself.

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Speaker 2: Thanks, because I just I saw how much you liked it,

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Speaker 2: and I just felt like maybe Hayes was going to

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Speaker 2: get all of the kind of shine off of that, which,

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Speaker 2: by the way, Hayes was crucial and coming to the

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Speaker 2: idea of a player piano, and that's it just didn't

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Speaker 2: happen exactly without you know, without both of us. I

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Speaker 2: think that's what's so cool about us. Yeah, yeah, it's like,

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Speaker 2: you know, uh, Hayes, yes, okay, great, me.

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Speaker 4: Sure all right? First what yes, oh yeah, yes, okay.

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Speaker 2: Okay, great me sure, all right. But Sean and Hayes,

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Speaker 2: you know, that's how you really end up house a

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Speaker 2: player piano.

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Speaker 1: No, absolutely, but one's so big that like everyone in

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Speaker 1: the world can hear it, or there's so many, but

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Speaker 1: how do you start them all at the same time?

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Speaker 1: That way?

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Speaker 4: Remember Lived Free or Die where the terrorist hacked either

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Speaker 4: the traffic lights or serious.

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Speaker 1: XM radio Live Free or Die Hard?

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Speaker 4: You mean sorry, yeah, yeah, no, I just wanted to

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Speaker 4: be clear for.

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Speaker 5: I knew it's not a sorry thing. It's like yeah, yeah, yeah, that's.

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Speaker 4: Right, course, yeah of course, yeah, Well I think you

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Speaker 4: got you guys could probably do something like that where

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Speaker 4: you hacked Serious ExM or like the prius, like the

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Speaker 4: seat belt or the backup camp and that's like a

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Speaker 4: little little like clip of one of yours.

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Speaker 2: In this town when you're the tesla uh uh uh

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Speaker 2: uh interface you know, and get in there replace the

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Speaker 2: uh fart machine that comes with that car.

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Speaker 1: You know. You know about this, you hear about this

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Speaker 1: that that that.

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Speaker 4: That set me back about like about a month. I

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Speaker 4: just covers it up.

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Speaker 1: On the bed.

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Speaker 2: Yeah, when I've found that about the ye something, Yeah,

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Speaker 2: was supposed to be.

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Speaker 1: For New Hampshire. What Lord of the Rings was for

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Speaker 1: New Zealand. And then the actual movie comes out, there's

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Speaker 1: barely anything about New Hampshire. No, it's not said in

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Speaker 1: New Hampshire.

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Speaker 4: It's just using the licensed plate motto. It's just a

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Speaker 4: play on.

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Speaker 1: Live when it's adding a word to it.

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Speaker 2: Not to pile on you for leaving it out before,

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Speaker 2: but it's it's the LEAs of play model.

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Speaker 1: But that's not the entire title.

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Speaker 4: Yeah, totally totally.

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Speaker 1: So while we're working that out, I don't know. I

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Speaker 1: mean the numbers are. I think as we're adding more

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Speaker 1: shows to the network, people are finding out about different

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Speaker 1: things to listen to, and this was sort of an

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Speaker 1: unforeseen consequence of competition of people are now.

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Speaker 5: That we had not necessarily expected there to be competition.

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Speaker 4: It seems like you guys, because that environment the way,

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Speaker 4: the way I got to know you was over zoom,

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Speaker 4: and you were very comfortable. Over zoom, you were probably

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Speaker 4: more And now that you've had to come to the

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Speaker 4: office and you see all the posters, I think that's probably.

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Speaker 2: The second I'm wilting. I mean, yeah, it's driving you

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Speaker 2: to me. I'm a hothouse flower.

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Speaker 5: These damp posters are going to be the end of me.

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Speaker 1: Yeah, I'm looking behind me. What the I saw you

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Speaker 1: swatting for that one?

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Speaker 4: I saw you swatting at like a bear, doing a

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Speaker 4: bear swat of like a some.

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Speaker 2: Cute you got bears on the brain today, friend, eight

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Speaker 2: hundred pounds straight to black bear. The idea of a

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Speaker 2: swat bear only.

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Speaker 1: For you, because I I mean, we have posters. It's

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Speaker 1: not like we aren't familiar with posters. When you're zuming

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Speaker 1: on to see these posters, well, I mean, and the

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Speaker 1: posters I have are not like competing, but they're not

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Speaker 1: trying to take my audience away. It's a alien. Try

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Speaker 1: to pass me a big fatty yeah, take me to

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Speaker 1: your dealer, like right, that's like literally the opposite of

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Speaker 1: trying to take my listeners away.

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Speaker 4: One of the promo pieces is an alien passing a

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Speaker 4: blunt two camera.

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Speaker 1: It's not this is the thing the posters. It's not

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Speaker 1: a promo piece. It's just a poster. It's just a

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Speaker 1: fucking kick ass poster.

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Speaker 4: Yeah, sorry, sorry, sorry, I think a.

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Speaker 2: Posters of being stuff that's just like cool to think about.

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Speaker 2: Alien with a fatty right, Ferrari Testarosa, you know stuff

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Speaker 2: that I can actually like just trip out on.

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Speaker 4: How many times have you seen Ferrari? But is that

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Speaker 4: what it's called? The one where there's no dialogue but

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Speaker 4: it's Adam Drive die Hard.

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Speaker 1: Yeah? How many times have I seen it? Yeah? Zero?

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Speaker 2: Okay, I gotta be honest with you. I'm excited to

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Speaker 2: see it. What's going on for me right now is

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Speaker 2: at this stage it's got to be about the work. Well, right,

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Speaker 2: I mean, that would be a treat, that would be

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Speaker 2: a reward for me achieving something with this show that

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Speaker 2: I could be proud of, that could go on a poster.

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Speaker 2: Maybe that would get hung up, and that's not that's

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Speaker 2: hopefully happening now with this episode. But that's not what

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Speaker 2: I've done to date. And so until that happens, I

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Speaker 2: don't get my dessert, I don't get to watch my Ferrari.

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Speaker 1: What you've done.

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Speaker 4: And the last I saw you was on the one

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Speaker 4: on one when you were protesting the Barbie snub.

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Speaker 1: Yeah, well it's just didn't fucking direct itself.

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Speaker 4: Yeah, go ahead, Well you were, well I just saw

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Speaker 4: you you head out the sun roof just and you're

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Speaker 4: you have the your Vanity played his Eye podcast, right, yeah,

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Speaker 4: and you were you were protesting like when it has.

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Speaker 1: A comma drawn after that, Well, they don't let you

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Speaker 1: do a car. It's a rebis, it's a it's an.

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Speaker 2: Eyeball, it's a paw, it's the letter D, and it's

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Speaker 2: a fishing rod, which doesn't Yeah, yeah, many people are

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Speaker 2: getting a lot.

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Speaker 1: Yeah, people think it's iclaw rod.

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Speaker 4: But what you but them is understanding that you had

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Speaker 4: was you thought when people are talking about the Barbie movie,

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Speaker 4: you thought that they were talking about Mark Maron's review

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Speaker 4: of the Barbie Movie on TikTok, and that's what you

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Speaker 4: thought had to snub.

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Speaker 1: Yeah, well, can we just say and you brought a

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Speaker 1: clip of that, correct, can we yeah?

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Speaker 4: Of course? Can we er it? Can we have to

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Speaker 4: read that it's shot on like an iPhone eight. Yeah, okay,

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Speaker 4: it's only like it's like one megabyte.

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Speaker 2: Yeah, and I and I was, look, I see a

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Speaker 2: fucking protest. It's like, I'm probably gonna get involved, right, Like,

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Speaker 2: let's face it, there's a lot to be frustrated by.

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Speaker 2: I'm not gonna be up on all of it. Yeah,

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Speaker 2: but yeah, I mean people seem to be you know,

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Speaker 2: talking about Barbie the Mark Bron review. Of course I'm

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Speaker 2: familiar with it. I know what you're referencing, so like, uh,

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Speaker 2: I it's easy for me to engage.

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Speaker 4: Yeah.

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Speaker 1: Uh.

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Speaker 5: And I I just thought like, well that must be

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Speaker 5: related to what they're doing out here.

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Speaker 4: So I got out of my.

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Speaker 5: Son roof and then that's where you saw me. Yeah,

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Speaker 5: and then did we talk?

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Speaker 1: No, that's right now I'm remembering.

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Speaker 4: Yeah.

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Speaker 1: Yeah, well you I mean, I think what you were

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Speaker 1: trying to do, because, like you said, he was protesting,

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00:17:20,000 --> 00:17:22,680
Speaker 1: but he was still in his car and he was

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Speaker 1: trying to block the one on one in a way

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Speaker 1: that like you actually get attention and so drift the

348
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Speaker 1: car so it could cover multiple lanes. Ended up I

349
00:17:34,680 --> 00:17:37,240
Speaker 1: think drifting in a way that just took you gently

350
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Speaker 1: down the cold water exit. Yeah, you ended up at

351
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Speaker 1: Tappia Brothers Farms.

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00:17:43,480 --> 00:17:48,240
Speaker 4: Yeah, yeah, yeah, I mean and you seemed really mad.

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Speaker 2: Well I am still yeah, you know, and it's uh,

354
00:17:57,160 --> 00:17:59,239
Speaker 2: I bury it under a lot of stuff. But if

355
00:17:59,280 --> 00:18:03,120
Speaker 2: we're gonna really get in there, like yeah, I thought

356
00:18:03,200 --> 00:18:06,920
Speaker 2: that the Mark Maren review of Barbie got snubbed and

357
00:18:07,160 --> 00:18:10,240
Speaker 2: it was just a fucking bridge too far from the

358
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Speaker 2: last straw. There's been a lot of things, a lot

359
00:18:14,440 --> 00:18:19,040
Speaker 2: of things that haven't gone marked way, that haven't gone

360
00:18:19,320 --> 00:18:22,760
Speaker 2: My way, that haven't gone Sorry to bring you into this,

361
00:18:22,880 --> 00:18:28,800
Speaker 2: Hayes haven't gone Hayes's way, Chris, No, there's.

362
00:18:28,680 --> 00:18:30,280
Speaker 4: A lot of things. Well, it depends what you're about

363
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Speaker 4: to say.

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Speaker 1: It was very similar to uh, Mike's way. Are you

365
00:18:37,920 --> 00:18:44,480
Speaker 1: familiar with Mike's way? Oh the words splttice tomatoes.

366
00:18:46,040 --> 00:18:46,720
Speaker 4: That's the same.

367
00:18:48,119 --> 00:18:51,840
Speaker 1: Spread oil and pepper oil.

368
00:18:52,880 --> 00:18:57,400
Speaker 4: Yeah. So okay, So the universe that you guys occupy

369
00:18:57,520 --> 00:19:00,560
Speaker 4: is dense with U. Okay, So my way is.

370
00:19:03,200 --> 00:19:07,600
Speaker 1: To Mike's way, but mine is salt pepper, and I

371
00:19:07,880 --> 00:19:12,000
Speaker 1: basically like turkey dust turkey as a condiment.

372
00:19:13,160 --> 00:19:16,280
Speaker 4: Like a spice turkey powder. You can get onion powder, but.

373
00:19:16,400 --> 00:19:19,480
Speaker 1: Yeah, you can. You can powder pretty much anything.

374
00:19:19,640 --> 00:19:19,840
Speaker 4: Yeah.

375
00:19:20,400 --> 00:19:23,199
Speaker 2: Yeah, look, I mean you just yeah, basically they they

376
00:19:23,320 --> 00:19:27,280
Speaker 2: grind up the jerky and don't up with turkey.

377
00:19:27,520 --> 00:19:29,440
Speaker 1: Yeah, not before I've had my turkeys.

378
00:19:29,480 --> 00:19:31,119
Speaker 4: That classic Times Square T shirt you can buy. I

379
00:19:31,119 --> 00:19:32,760
Speaker 4: don't talk to me till I've had my turkey powder.

380
00:19:33,320 --> 00:19:33,560
Speaker 1: Yeah.

381
00:19:34,080 --> 00:19:37,720
Speaker 4: No. The Pilgrims used to schwack. They used used to

382
00:19:37,800 --> 00:19:38,600
Speaker 4: shwack that ship.

383
00:19:38,800 --> 00:19:39,760
Speaker 1: Yeah, they used to.

384
00:19:40,240 --> 00:19:42,200
Speaker 4: That's how they kept the shoes so shiny.

385
00:19:42,640 --> 00:19:46,640
Speaker 5: Chopped highway lines of that ship, oh god.

386
00:19:47,000 --> 00:19:48,440
Speaker 4: And putting the belt buckles on.

387
00:19:49,480 --> 00:19:52,520
Speaker 2: Yeah, talking about drifting off the cold water exit. No,

388
00:19:52,680 --> 00:19:54,840
Speaker 2: they were going somewhere they need.

389
00:19:55,040 --> 00:19:58,440
Speaker 1: You need a belt buckle on your hat. When you're

390
00:19:58,440 --> 00:20:02,639
Speaker 1: having too many ideas, sack you gotta cinch that.

391
00:20:03,080 --> 00:20:05,440
Speaker 4: Too many business hmm.

392
00:20:06,320 --> 00:20:08,800
Speaker 1: If I have this, Kevin to win, I love to

393
00:20:08,880 --> 00:20:11,520
Speaker 1: win at business man. So it seems like you asked

394
00:20:11,560 --> 00:20:15,480
Speaker 1: for water, but we're not very specific in your request.

395
00:20:15,880 --> 00:20:18,439
Speaker 4: Yeah. I was brought and it was fog and there

396
00:20:18,520 --> 00:20:20,800
Speaker 4: was a lot. I was brought in every kind of

397
00:20:22,200 --> 00:20:24,000
Speaker 4: and and someone brought to me shaking.

398
00:20:24,280 --> 00:20:27,800
Speaker 1: You can't still and sparkling? Can I utually have that instead?

399
00:20:28,200 --> 00:20:34,440
Speaker 1: Can I have that instead of Chris. He didn't have

400
00:20:34,520 --> 00:20:38,040
Speaker 1: to have but he, but he if he has won

401
00:20:38,119 --> 00:20:38,560
Speaker 1: that Chris.

402
00:20:39,040 --> 00:20:42,439
Speaker 4: I'm leaving like it, like almost like in a noir,

403
00:20:42,720 --> 00:20:44,960
Speaker 4: like what a what a woman would leave.

404
00:20:45,160 --> 00:20:48,840
Speaker 1: Except around not just one part of the rib. Yeah.

405
00:20:49,280 --> 00:20:51,399
Speaker 4: They called me the three sixty drinkers.

406
00:20:52,160 --> 00:20:56,560
Speaker 1: And how many people were drinking this what kind of

407
00:20:56,960 --> 00:21:00,119
Speaker 1: Yeah it looks like the true detectives and counting some

408
00:21:00,280 --> 00:21:05,399
Speaker 1: sort of ceremonial ritual. Yeah, my god, Yeah, this was

409
00:21:05,480 --> 00:21:06,359
Speaker 1: no suicide.

410
00:21:07,520 --> 00:21:10,960
Speaker 4: There must be sixteen. They were hot, hot ass women

411
00:21:11,119 --> 00:21:15,840
Speaker 4: looking out of this. I mean, these are like red lips.

412
00:21:15,880 --> 00:21:20,119
Speaker 4: These are like Dick Tracy era, you know, kissers on here.

413
00:21:20,480 --> 00:21:22,479
Speaker 1: Do you worry that those were there before?

414
00:21:23,440 --> 00:21:25,680
Speaker 4: No, because I have a clear enage of I remember

415
00:21:25,760 --> 00:21:30,520
Speaker 4: thinking that's a really clean glass as I zoned out briefly,

416
00:21:31,440 --> 00:21:32,000
Speaker 4: just briefly.

417
00:21:32,400 --> 00:21:36,520
Speaker 1: So they're cleaning the glasses really nice. The uh, it's

418
00:21:36,600 --> 00:21:39,720
Speaker 1: really everything except the numbers, like the listener numbers.

419
00:21:39,480 --> 00:21:41,840
Speaker 2: The listener numbers. Yeah, so you said you mentioned that

420
00:21:41,920 --> 00:21:44,320
Speaker 2: I seemed angry when you saw me. Yea, And I

421
00:21:44,440 --> 00:21:47,840
Speaker 2: am still angry, and you know, I'm really angry at myself.

422
00:21:48,560 --> 00:21:49,080
Speaker 4: Thanks man.

423
00:21:49,280 --> 00:21:53,040
Speaker 1: I'm mad at myself. Thanks Sean, and it's and it's me.

424
00:21:53,400 --> 00:21:55,080
Speaker 4: Yeah, I really appreciate you saying that.

425
00:21:55,560 --> 00:21:59,920
Speaker 2: Yeah, I appreciate you appreciating it because like sometimes I

426
00:22:00,160 --> 00:22:02,120
Speaker 2: say it and I just get nothing back.

427
00:22:02,520 --> 00:22:04,840
Speaker 1: Yeah, you know, but with you, I got a little bit.

428
00:22:05,119 --> 00:22:07,439
Speaker 4: Sometimes dudes don't know how to react to that kind of.

429
00:22:07,600 --> 00:22:11,359
Speaker 2: Like it's a it's a thing, isn't it to some

430
00:22:13,080 --> 00:22:16,400
Speaker 2: toxic doudelarity, Hm.

431
00:22:17,320 --> 00:22:21,840
Speaker 1: I do want to propose something, uh, And I spelled

432
00:22:21,840 --> 00:22:26,960
Speaker 1: that fanatically in my head and I I think i's

433
00:22:27,000 --> 00:22:29,199
Speaker 1: a g in it Is it a J.

434
00:22:31,359 --> 00:22:34,440
Speaker 4: D D E G E L A R I T y.

435
00:22:34,880 --> 00:22:41,040
Speaker 4: It's one of the most complicated cutelarity. Do you mean

436
00:22:41,080 --> 00:22:47,040
Speaker 4: a sentence origin toxic doutularity? Thank you Doutelarity.

437
00:22:48,200 --> 00:22:52,000
Speaker 1: I remember us talking about this at the very beginning,

438
00:22:52,280 --> 00:22:57,800
Speaker 1: like if things weren't uh working the way we needed

439
00:22:57,840 --> 00:23:01,800
Speaker 1: them to, that this would be break glass. And you know,

440
00:23:01,840 --> 00:23:04,399
Speaker 1: in case of emergency came.

441
00:23:06,119 --> 00:23:09,360
Speaker 4: The stalk was happening. Yes, you guys were thirty five,

442
00:23:09,560 --> 00:23:10,840
Speaker 4: thirty six, yes.

443
00:23:13,680 --> 00:23:18,600
Speaker 1: And and and that what I what inspired us at

444
00:23:18,640 --> 00:23:22,920
Speaker 1: the time to do this was the post nine to eleven,

445
00:23:23,200 --> 00:23:27,040
Speaker 1: like Nelly and everybody getting together and like doing that

446
00:23:27,200 --> 00:23:30,920
Speaker 1: big song about like the word like healing the world,

447
00:23:31,119 --> 00:23:33,440
Speaker 1: Like it wasn't weird the world, but like it was

448
00:23:33,560 --> 00:23:34,840
Speaker 1: bigger than that it was.

449
00:23:35,400 --> 00:23:37,840
Speaker 2: It was. I think it was more impactful, and I

450
00:23:38,720 --> 00:23:41,480
Speaker 2: believe I can't remember if this happened or if I

451
00:23:41,560 --> 00:23:43,960
Speaker 2: just thought it should happen. But Nelly pulled one of

452
00:23:44,000 --> 00:23:45,879
Speaker 2: the band aids off his face and put it on

453
00:23:46,080 --> 00:23:51,080
Speaker 2: the globe and like really tried to heal the world.

454
00:23:52,119 --> 00:23:56,680
Speaker 4: And he screamed. He took it off. He screamed so

455
00:23:56,920 --> 00:24:00,200
Speaker 4: loud for so long. I remember, oh yeah, and just

456
00:24:00,280 --> 00:24:01,440
Speaker 4: a beam of light.

457
00:24:03,680 --> 00:24:06,639
Speaker 1: His cheek and it was like a car cyclops thing

458
00:24:06,760 --> 00:24:07,200
Speaker 1: or something.

459
00:24:07,359 --> 00:24:10,760
Speaker 4: Daily fell back, just just like shaking.

460
00:24:11,640 --> 00:24:15,080
Speaker 1: It was the cover of What's going On with Diddy?

461
00:24:15,240 --> 00:24:21,640
Speaker 1: Jermaine Dupree, Oh yeah, Corno when Aaron Lewis from Stained

462
00:24:22,640 --> 00:24:27,920
Speaker 1: all the Backstreet Boys, Uncle Christina Aguilera, No he, I

463
00:24:28,040 --> 00:24:33,159
Speaker 1: don't think he was allowed to participate. Yeah, Brittany Destney's child,

464
00:24:34,040 --> 00:24:36,480
Speaker 1: joh Rule. That's the part I really remember, when he

465
00:24:36,600 --> 00:24:39,040
Speaker 1: was like, what's going on in the world? Filled with bad?

466
00:24:39,359 --> 00:24:41,200
Speaker 1: Where's the love for which we break?

467
00:24:41,800 --> 00:24:44,359
Speaker 4: Yeah? I totally remember that. He just kind of stole

468
00:24:44,400 --> 00:24:44,720
Speaker 4: the show.

469
00:24:45,240 --> 00:24:47,639
Speaker 1: Yeah, uh, and so we're like, hey, how do we

470
00:24:47,760 --> 00:24:50,280
Speaker 1: contribute to like we obviously if we had been asked

471
00:24:50,320 --> 00:24:52,440
Speaker 1: to participating in that, like that would have What would

472
00:24:52,480 --> 00:24:55,720
Speaker 1: you have done, as like with a verse, I mean

473
00:24:55,840 --> 00:24:57,720
Speaker 1: I think we would That was our question, and I

474
00:24:57,800 --> 00:24:59,600
Speaker 1: think the answer was we would have done this podcast.

475
00:25:00,040 --> 00:25:03,720
Speaker 4: Yeah, you would have done like an hour thirty yes, yeah, yes,

476
00:25:04,160 --> 00:25:05,639
Speaker 4: and they would have to cut that down to like

477
00:25:05,840 --> 00:25:08,200
Speaker 4: maybe a one two second clip.

478
00:25:08,520 --> 00:25:10,880
Speaker 1: Yeah. I meant it would have been up to them.

479
00:25:11,000 --> 00:25:13,200
Speaker 2: You know, I wouldn't necessarily be in the edit with them,

480
00:25:13,280 --> 00:25:15,720
Speaker 2: but yeah, we would have done like an hour thirty podcast.

481
00:25:17,080 --> 00:25:20,040
Speaker 2: There would have been thirty eight minutes of usable content

482
00:25:20,160 --> 00:25:22,680
Speaker 2: from that. It would have been you know, it would

483
00:25:22,680 --> 00:25:26,960
Speaker 2: have jumped around a lot, let's face it. But yeah,

484
00:25:27,119 --> 00:25:29,240
Speaker 2: I mean whatever they decided to put in the song,

485
00:25:29,280 --> 00:25:31,560
Speaker 2: I don't think anybody'd be mad at a longer song.

486
00:25:33,320 --> 00:25:36,560
Speaker 1: At that time, it's like, yeah, maybe like we didn't

487
00:25:36,560 --> 00:25:39,560
Speaker 1: even actually take some time to like, yeah, our phones

488
00:25:39,600 --> 00:25:40,640
Speaker 1: weren't what they are now.

489
00:25:41,000 --> 00:25:42,440
Speaker 4: No, I mean I think that would have been really

490
00:25:42,520 --> 00:25:45,600
Speaker 4: good for like for me as a middle schooler to

491
00:25:45,760 --> 00:25:47,840
Speaker 4: see you know, Britney spears like at a time where

492
00:25:47,880 --> 00:25:52,320
Speaker 4: I'm looking you know, two celebrities and pop stars. It's

493
00:25:52,520 --> 00:25:55,240
Speaker 4: it's you know, it's Britney, it's Gwen, it's Bono. And

494
00:25:55,320 --> 00:25:58,800
Speaker 4: then it's you guys, guys that are not old. Yeah,

495
00:25:58,960 --> 00:26:01,960
Speaker 4: it's you guys sitting especially at the time, Yeah, and

496
00:26:02,359 --> 00:26:05,000
Speaker 4: talking with I don't know who would have get who would.

497
00:26:05,080 --> 00:26:08,760
Speaker 2: They guessed that question right at that time, that time

498
00:26:08,960 --> 00:26:12,800
Speaker 2: in two thousand and two. I mean, I hate to

499
00:26:12,840 --> 00:26:14,920
Speaker 2: say it. We probably would have tried to get Kevin Spacey.

500
00:26:17,600 --> 00:26:19,399
Speaker 2: I mean we probably would have at least tried.

501
00:26:19,720 --> 00:26:25,520
Speaker 1: Sure, you know, he's probably that time, like David Gale.

502
00:26:25,600 --> 00:26:28,000
Speaker 1: Probably he's in characters, is David Gail.

503
00:26:28,200 --> 00:26:31,960
Speaker 2: Yeah, he's writing his own ticket. So if we get

504
00:26:32,080 --> 00:26:35,960
Speaker 2: on cast appearance, I hate to say that now knowing

505
00:26:36,160 --> 00:26:38,520
Speaker 2: we didn't do it, and it would it would not

506
00:26:38,720 --> 00:26:41,080
Speaker 2: have aged well. And I don't know that we could

507
00:26:41,119 --> 00:26:43,680
Speaker 2: have gotten him because David Gaale, I guess wouldn't want

508
00:26:43,720 --> 00:26:44,320
Speaker 2: to do the show.

509
00:26:45,040 --> 00:26:47,760
Speaker 4: I appreciate you being transparent that you would probably realistically

510
00:26:47,760 --> 00:26:50,640
Speaker 4: would have been probably it would have been disgraced actor

511
00:26:50,720 --> 00:26:51,400
Speaker 4: Kevin Spacey.

512
00:26:51,880 --> 00:26:56,080
Speaker 1: I also sort of I mean, like and again because

513
00:26:56,160 --> 00:26:59,040
Speaker 1: Mark hadn't really done this, like Marin had like he

514
00:26:59,160 --> 00:27:03,800
Speaker 1: was just punch effect yeah exactly. Could we have done

515
00:27:03,920 --> 00:27:06,160
Speaker 1: sort of like the equivalent of like his Dane Cook

516
00:27:06,200 --> 00:27:07,280
Speaker 1: episode with Bin Laden and.

517
00:27:07,600 --> 00:27:12,000
Speaker 2: Just like, yeah, just laid it out. O, here's why

518
00:27:12,080 --> 00:27:16,600
Speaker 2: we're mad at you exactly, just like, hey, part of

519
00:27:16,680 --> 00:27:19,440
Speaker 2: us was jealous of you. Yes, you know what I mean,

520
00:27:19,800 --> 00:27:23,080
Speaker 2: and like, uh, you know you had figured something out,

521
00:27:24,480 --> 00:27:27,960
Speaker 2: but then also saying like there was an element of us.

522
00:27:30,080 --> 00:27:31,240
Speaker 1: Feeling like you were.

523
00:27:33,200 --> 00:27:37,320
Speaker 5: Like you hadn't paid your dues right right, and we're telling.

524
00:27:37,680 --> 00:27:43,320
Speaker 4: Mad and you rose to this insane fame.

525
00:27:44,160 --> 00:27:46,359
Speaker 5: And then he's going and then he's going like, dude,

526
00:27:46,440 --> 00:27:48,000
Speaker 5: like thank you for saying that to me.

527
00:27:48,680 --> 00:27:50,000
Speaker 4: I had this crazy.

528
00:27:51,280 --> 00:27:52,160
Speaker 1: You ye.

529
00:27:54,200 --> 00:27:55,000
Speaker 4: Are you kidding me?

530
00:27:55,359 --> 00:27:58,320
Speaker 1: Like you're like you were the guy when I was

531
00:27:58,359 --> 00:27:58,879
Speaker 1: coming up.

532
00:27:59,119 --> 00:28:01,560
Speaker 4: So we are the world. It's the versus the verses

533
00:28:01,640 --> 00:28:03,440
Speaker 4: and is this are you guys ending it or you

534
00:28:03,560 --> 00:28:04,199
Speaker 4: in between that.

535
00:28:04,440 --> 00:28:05,040
Speaker 3: We are the world.

536
00:28:05,160 --> 00:28:06,320
Speaker 1: That's what's going on. What's going on?

537
00:28:06,440 --> 00:28:08,640
Speaker 4: Sorry, it's what's going on? And then it's you guys

538
00:28:08,760 --> 00:28:10,399
Speaker 4: in the middle of this or like it's like a

539
00:28:10,480 --> 00:28:12,879
Speaker 4: verse what's going on? Or done you're talking to Ben Laden.

540
00:28:13,280 --> 00:28:16,200
Speaker 1: I actually think it should be I actually think it

541
00:28:16,200 --> 00:28:18,520
Speaker 1: should be the beginning.

542
00:28:18,400 --> 00:28:21,240
Speaker 4: So like, oh, so you got to go through an

543
00:28:21,280 --> 00:28:22,000
Speaker 4: hour and right now.

544
00:28:22,160 --> 00:28:24,879
Speaker 1: It starts right now, like like what's going on?

545
00:28:25,040 --> 00:28:27,440
Speaker 2: It starts like people are probably not going to be

546
00:28:27,520 --> 00:28:29,800
Speaker 2: that down to listen to the whole podcast between.

547
00:28:29,640 --> 00:28:33,240
Speaker 4: Us and so they need to know that there is

548
00:28:33,640 --> 00:28:36,119
Speaker 4: Britney coming. If they know that, they got all of

549
00:28:36,200 --> 00:28:37,040
Speaker 4: the yeah out of the way.

550
00:28:37,160 --> 00:28:40,920
Speaker 5: So I think you'll probably benefit us and them play in.

551
00:28:40,920 --> 00:28:44,040
Speaker 1: The beginning because the song already begins with like kind

552
00:28:44,120 --> 00:28:47,440
Speaker 1: of a podcast. I think I think Diddy goes, yeah,

553
00:28:47,600 --> 00:28:51,080
Speaker 1: what's going on? And Jermaine dupri goes tell me yeah,

554
00:28:51,120 --> 00:28:54,320
Speaker 1: And so already this was like, no, that's it, that's conversational.

555
00:28:54,480 --> 00:28:56,960
Speaker 5: I mean that really was a precursor to like what

556
00:28:57,080 --> 00:28:57,680
Speaker 5: we do now.

557
00:28:57,840 --> 00:29:00,160
Speaker 1: Yeah, you two don't listen, but I'll tell you if

558
00:29:00,200 --> 00:29:02,000
Speaker 1: that's how the something like where we can sort of

559
00:29:02,040 --> 00:29:02,880
Speaker 1: plug in the podcast.

560
00:29:03,240 --> 00:29:05,400
Speaker 4: But and I remember just Chimber like looking in a

561
00:29:05,560 --> 00:29:08,560
Speaker 4: cularly looking at a camera lens as a reflective He's

562
00:29:08,600 --> 00:29:10,240
Speaker 4: like looking at him. You know when you can tell

563
00:29:10,240 --> 00:29:13,120
Speaker 4: when someone's looking at themselves, not looking into a camera. Yeah,

564
00:29:13,120 --> 00:29:15,920
Speaker 4: that's what I remember of JT in the beginning of

565
00:29:16,080 --> 00:29:16,800
Speaker 4: this and.

566
00:29:16,880 --> 00:29:19,880
Speaker 1: If we had gotten in there, I mean, it was

567
00:29:20,160 --> 00:29:24,280
Speaker 1: like this podcast would never exist, probably because we would

568
00:29:24,320 --> 00:29:27,520
Speaker 1: have like said what we needed to say there. Yeah,

569
00:29:27,880 --> 00:29:29,920
Speaker 1: and so now we've had to do that. We were

570
00:29:29,920 --> 00:29:31,719
Speaker 1: built for that moment, you know what I mean.

571
00:29:31,880 --> 00:29:34,160
Speaker 2: And now we've kind of been chasing our tails because

572
00:29:34,200 --> 00:29:37,640
Speaker 2: we missed our window and we're here. We've been tapping

573
00:29:37,680 --> 00:29:40,680
Speaker 2: on the glass for five hundred yeah, from episodes and.

574
00:29:42,400 --> 00:29:45,320
Speaker 1: Okay, yeah, there is a little conversation piece at the beginning,

575
00:29:45,400 --> 00:29:45,560
Speaker 1: So we.

576
00:29:45,640 --> 00:29:49,800
Speaker 4: Just do that for an hour twenty hour thirty yeah, or.

577
00:29:49,920 --> 00:29:53,640
Speaker 1: Like minus fucking seventy eight seconds for like you imagine.

578
00:29:54,480 --> 00:29:57,280
Speaker 1: Actually it would have been greaty have Kevin's two thousand

579
00:29:57,280 --> 00:29:59,000
Speaker 1: and two hips?

580
00:30:00,960 --> 00:30:04,800
Speaker 4: Were your hips better or worse than two? Way worse?

581
00:30:05,040 --> 00:30:08,600
Speaker 1: Okay? Yeah, this is the result of That's what precipitated

582
00:30:08,720 --> 00:30:12,040
Speaker 1: the playmobile mechanism being inserted. I guess.

583
00:30:12,080 --> 00:30:21,719
Speaker 4: Okay, So so you're saying correct me if I'm wrong. Hey,

584
00:30:21,840 --> 00:30:25,440
Speaker 4: you're saying that you guys are hurting for listeners, you

585
00:30:25,600 --> 00:30:28,480
Speaker 4: think because you're seeing all the let's not sure, and

586
00:30:28,600 --> 00:30:30,920
Speaker 4: so this is fun. You're a fun because you're seeing

587
00:30:30,960 --> 00:30:33,360
Speaker 4: all the other offices we are sprouting.

588
00:30:32,960 --> 00:30:35,480
Speaker 1: Up absolutely busy bone.

589
00:30:35,640 --> 00:30:39,680
Speaker 2: We are getting hammer fucked by the goddamn touch Grass podcast.

590
00:30:39,800 --> 00:30:41,360
Speaker 2: We don't know who hosts it, we don't know what

591
00:30:41,520 --> 00:30:46,880
Speaker 2: it's about. I'm getting piled drive by that fucking thing.

592
00:30:47,000 --> 00:30:50,520
Speaker 4: Man. Yeah, yeah, I mean it sounds like anxiety, you know, especially,

593
00:30:50,760 --> 00:30:53,240
Speaker 4: And here's why I say it may be anxiety, is

594
00:30:53,560 --> 00:30:55,960
Speaker 4: that you seeing these posters it's not doesn't seem to

595
00:30:56,000 --> 00:30:57,760
Speaker 4: be any actual data that you guys are getting. And

596
00:30:57,880 --> 00:31:01,240
Speaker 4: then that leads both of you to note eleven and

597
00:31:01,840 --> 00:31:07,360
Speaker 4: thinking about if only we had done something, released a podcast, you.

598
00:31:07,400 --> 00:31:10,360
Speaker 1: Know, we wouldn't be in this pickle. Yeah, but I

599
00:31:10,440 --> 00:31:14,640
Speaker 1: think there's a way forward here, and I do want

600
00:31:14,680 --> 00:31:18,320
Speaker 1: to talk to you about this. Oh, I think what

601
00:31:18,600 --> 00:31:20,719
Speaker 1: can turn the ship around?

602
00:31:22,720 --> 00:31:22,760
Speaker 3: You?

603
00:31:23,440 --> 00:31:24,520
Speaker 1: Are you leaving?

604
00:31:25,440 --> 00:31:28,120
Speaker 4: I was thinking I was seeing how fast I could

605
00:31:28,160 --> 00:31:29,640
Speaker 4: get I was hoping.

606
00:31:29,440 --> 00:31:30,400
Speaker 1: We can talk about it now.

607
00:31:30,800 --> 00:31:34,360
Speaker 4: Yeah, Oh okay, okay, I can leave later.

608
00:31:36,280 --> 00:31:38,120
Speaker 1: I think it's time for us to get out the

609
00:31:38,480 --> 00:31:42,520
Speaker 1: costume chest. What are you talking about. I think we

610
00:31:42,640 --> 00:31:45,000
Speaker 1: need to get the costume chest. We have a costume

611
00:31:45,120 --> 00:31:48,600
Speaker 1: chest that we prepared at the very beginning of this

612
00:31:48,800 --> 00:31:51,640
Speaker 1: process not to use in the first episode, sort of

613
00:31:51,720 --> 00:31:53,480
Speaker 1: like a go bag, but it's just like not to

614
00:31:53,520 --> 00:31:56,000
Speaker 1: maybe use in the first year. But if we ever

615
00:31:56,160 --> 00:31:57,360
Speaker 1: needed it, we.

616
00:31:57,440 --> 00:32:00,440
Speaker 4: Needed a costume chest like the way that like a

617
00:32:00,640 --> 00:32:03,320
Speaker 4: college improv group would have tryout, so they would have

618
00:32:03,480 --> 00:32:06,080
Speaker 4: like a like like a like a like a pile,

619
00:32:06,160 --> 00:32:08,360
Speaker 4: like a like a hula hoop and stuff like that.

620
00:32:08,760 --> 00:32:16,840
Speaker 1: Just options that we could from very some very powerful

621
00:32:17,560 --> 00:32:24,680
Speaker 1: totems where the power I think is such that it's

622
00:32:24,760 --> 00:32:29,360
Speaker 1: not totally under our control if we if we utilize

623
00:32:29,400 --> 00:32:32,800
Speaker 1: the same for a college improv troupe, where this is

624
00:32:32,920 --> 00:32:39,840
Speaker 1: this power can elevate you to such incredible heights on stage,

625
00:32:40,520 --> 00:32:44,680
Speaker 1: but it can also turn on you, slip away from you,

626
00:32:45,520 --> 00:32:51,280
Speaker 1: and effectively, uh, turn itself on the whole universe completely.

627
00:32:51,440 --> 00:32:55,040
Speaker 1: It's like that paper clip, Like you know the paper clip,

628
00:32:55,400 --> 00:32:57,240
Speaker 1: like if you what if you invented a paper clip

629
00:32:57,280 --> 00:32:58,560
Speaker 1: that eats everybody.

630
00:32:59,240 --> 00:33:00,960
Speaker 4: I think we may have run in different cultures. He

631
00:33:01,200 --> 00:33:05,280
Speaker 4: I mean, from snork to the paper clap. I don't

632
00:33:05,680 --> 00:33:08,480
Speaker 4: all these analogies are so far beyond me.

633
00:33:08,920 --> 00:33:14,800
Speaker 1: My dad was a talking scientist, so he's like he

634
00:33:15,280 --> 00:33:23,200
Speaker 1: like the science of saying things beautifully clearly a talking scientist, yes,

635
00:33:23,440 --> 00:33:27,840
Speaker 1: like he understood the science of talking very nicely and well,

636
00:33:28,280 --> 00:33:30,720
Speaker 1: and that I sometimes forget so like when I'm explaining

637
00:33:30,800 --> 00:33:33,800
Speaker 1: a concept like I was. I've been steeped in this

638
00:33:33,920 --> 00:33:37,400
Speaker 1: since I was since I was like the like the

639
00:33:37,560 --> 00:33:44,560
Speaker 1: tiniest baby at all. Yeah, yeah, exactly. And my daddy

640
00:33:44,720 --> 00:33:51,160
Speaker 1: is not water not too hot. Of course, that's too hot.

641
00:33:51,640 --> 00:33:54,080
Speaker 1: Most of the time. That's too hot. It doesn't have

642
00:33:54,160 --> 00:33:54,800
Speaker 1: to be that hot.

643
00:33:55,240 --> 00:33:58,240
Speaker 4: Oh you're so that's so true. Yeah, especially when you

644
00:33:58,320 --> 00:34:01,520
Speaker 4: buy it from a place. Yeah, it's like unlivable. Yeah,

645
00:34:01,640 --> 00:34:03,680
Speaker 4: it takes like a day. It's so cool.

646
00:34:03,800 --> 00:34:07,280
Speaker 1: This is stupid, but I get this thing. It's so hot.

647
00:34:07,480 --> 00:34:10,640
Speaker 1: Like are you You're an idiot?

648
00:34:11,280 --> 00:34:15,399
Speaker 4: Why did you do that? You guys talking about uh sorry,

649
00:34:15,680 --> 00:34:16,040
Speaker 4: I got.

650
00:34:17,800 --> 00:34:21,000
Speaker 5: Sorry, No, I just are you talking about like tea water?

651
00:34:23,080 --> 00:34:26,719
Speaker 1: This ship is this is the most dumb ass ship.

652
00:34:27,360 --> 00:34:31,000
Speaker 2: Yeah, I just I really, as you say, when I

653
00:34:31,160 --> 00:34:34,080
Speaker 2: get that handed to me, I really look forward to it,

654
00:34:34,160 --> 00:34:35,600
Speaker 2: you know, a day and a half from them, when

655
00:34:35,640 --> 00:34:39,600
Speaker 2: I get my one good sip, the one the fucking

656
00:34:40,000 --> 00:34:44,520
Speaker 2: it's it's it's yeah, thirty six hours of this yeah,

657
00:34:44,600 --> 00:34:48,440
Speaker 2: and then and then and then it's ah, and then

658
00:34:48,440 --> 00:34:48,879
Speaker 2: the next tip.

659
00:34:48,920 --> 00:34:52,200
Speaker 1: He's like, well and then it's too cold, so I please, yeah,

660
00:34:52,280 --> 00:34:54,320
Speaker 1: can I I'll take one tea please, I'm gonna be

661
00:34:54,440 --> 00:34:58,320
Speaker 1: thirsty this Friday and it's on like a Wednesday.

662
00:34:58,960 --> 00:35:00,840
Speaker 4: Yeah, totally thing a half.

663
00:35:03,040 --> 00:35:07,799
Speaker 1: Dude. I'm so glad that you're you are leaving.

664
00:35:09,239 --> 00:35:12,360
Speaker 4: No, no, no, no, I'm not leaving. You gotta stay many.

665
00:35:13,280 --> 00:35:17,319
Speaker 4: We found this, I know we found this. Yeah, and so.

666
00:35:17,440 --> 00:35:21,719
Speaker 1: I think one by one we can just pull some

667
00:35:21,880 --> 00:35:24,800
Speaker 1: of these items out from the costume chest and you

668
00:35:24,920 --> 00:35:31,040
Speaker 1: can talk. You've done this, You've adorned wigs. I mean

669
00:35:31,080 --> 00:35:33,120
Speaker 1: I thought I was over inspired us.

670
00:35:33,360 --> 00:35:36,480
Speaker 4: Yeah, yeah, okay, okay, yeah, if you want to drag

671
00:35:36,520 --> 00:35:38,879
Speaker 4: me back into the costume chest, let's do it. Let's

672
00:35:38,880 --> 00:35:39,040
Speaker 4: do it.

673
00:35:39,040 --> 00:35:41,160
Speaker 1: Where's the check It's right here. You want me to

674
00:35:41,200 --> 00:35:42,719
Speaker 1: get No, it's right in front of us. It's been

675
00:35:42,719 --> 00:35:43,600
Speaker 1: in front of us the whole time.

676
00:35:43,719 --> 00:35:47,000
Speaker 4: Yeah, of course, of course. Okay, okay, and so.

677
00:35:47,080 --> 00:35:51,640
Speaker 1: We crack it open. That's Kevin walking over to open that.

678
00:35:57,080 --> 00:35:57,279
Speaker 4: Yeah.

679
00:35:57,840 --> 00:35:59,799
Speaker 1: Yeah, sorry, Kevin is shaking like a dog.

680
00:36:00,000 --> 00:36:04,440
Speaker 4: Oh my god, Oh my god. Oh that that's was

681
00:36:04,440 --> 00:36:05,080
Speaker 4: coming from Kevin.

682
00:36:05,400 --> 00:36:12,120
Speaker 1: His wooden hips. He just sanded them this morning. Okay,

683
00:36:12,480 --> 00:36:17,320
Speaker 1: pull something out. M H. Spider I don't want to

684
00:36:17,360 --> 00:36:20,759
Speaker 1: kill it, be sad to kill it.

685
00:36:22,680 --> 00:36:24,120
Speaker 4: If you kill a spider, if you kill a black

686
00:36:24,160 --> 00:36:28,279
Speaker 4: widow spider the venom, does the venom get really like

687
00:36:28,760 --> 00:36:29,600
Speaker 4: you then get.

688
00:36:29,480 --> 00:36:32,160
Speaker 1: The it's a mercy to me, that's an act of mercy,

689
00:36:32,239 --> 00:36:37,080
Speaker 1: of course. But you ever since her husband passed, she's

690
00:36:37,120 --> 00:36:41,640
Speaker 1: been hoping that something would. Yes, she's she's the courage

691
00:36:41,680 --> 00:36:47,120
Speaker 1: to do it herself. She's mourning. Yeah, yeah, uh no,

692
00:36:47,320 --> 00:36:47,759
Speaker 1: you're fine.

693
00:36:48,280 --> 00:36:51,400
Speaker 2: Okay, Just to answer your because when I scientific, how

694
00:36:51,440 --> 00:36:55,440
Speaker 2: does the venom yeah, that must must be yeah thing

695
00:36:56,080 --> 00:37:00,480
Speaker 2: they pierced the skin. I suppose, yes, I suppose of

696
00:37:00,560 --> 00:37:05,800
Speaker 2: you crumbled up a black widow's remains onto an open wound,

697
00:37:06,600 --> 00:37:08,560
Speaker 2: you may receive some.

698
00:37:08,800 --> 00:37:11,480
Speaker 1: Sort of like electric reaction. You sort of buy that,

699
00:37:11,840 --> 00:37:15,920
Speaker 1: but you know, okay, I'm not that stressed about it.

700
00:37:16,040 --> 00:37:19,319
Speaker 6: For you, I would say, please don't do that, Chris,

701
00:37:19,960 --> 00:37:23,360
Speaker 6: because we need you, okay right now, we need you

702
00:37:24,360 --> 00:37:26,160
Speaker 6: right your voice.

703
00:37:27,360 --> 00:37:30,520
Speaker 1: We're gonna need that. It's an election year.

704
00:37:32,080 --> 00:37:39,120
Speaker 2: I can't have you, you know, Okay, Yes, we might

705
00:37:39,200 --> 00:37:42,440
Speaker 2: find another what's going on type situation that has to

706
00:37:42,560 --> 00:37:43,080
Speaker 2: be tackled.

707
00:37:43,200 --> 00:37:49,120
Speaker 1: I not want to be doing that without Chris. So hey, guys,

708
00:37:49,320 --> 00:37:52,759
Speaker 1: costume me Travis Kelsey and me, Taylor Swift and me, Chris,

709
00:37:57,719 --> 00:38:03,520
Speaker 1: You've got announcement to make. We're getting married, right, that'd

710
00:38:03,600 --> 00:38:04,080
Speaker 1: be huge?

711
00:38:04,239 --> 00:38:06,800
Speaker 4: Come on, Yeah, I could see I could see myself

712
00:38:06,880 --> 00:38:10,600
Speaker 4: in a in a three situation with Yeah, okay, so

713
00:38:10,880 --> 00:38:12,000
Speaker 4: getting totally shafted.

714
00:38:12,320 --> 00:38:16,319
Speaker 1: I but I pulled out here just.

715
00:38:16,400 --> 00:38:18,560
Speaker 5: Never getting to pick what where you go to a

716
00:38:18,600 --> 00:38:19,439
Speaker 5: restaurant or something.

717
00:38:19,480 --> 00:38:21,440
Speaker 4: They wouldn't even make the news. It would be like

718
00:38:22,120 --> 00:38:24,440
Speaker 4: I'd clearly be in a throuple with him, and no, no,

719
00:38:24,680 --> 00:38:28,480
Speaker 4: not even Vulture would talk about it. He would be like, clearly,

720
00:38:28,600 --> 00:38:29,239
Speaker 4: I'm like in the.

721
00:38:29,320 --> 00:38:33,439
Speaker 1: Pictures Travis Taylor and friend pictured.

722
00:38:33,160 --> 00:38:38,960
Speaker 4: Here, Travis Travis Taylor and uh and the the other

723
00:38:39,000 --> 00:38:41,279
Speaker 4: one in their relationship. Yes, and they wouldn't and no

724
00:38:41,320 --> 00:38:41,799
Speaker 4: one's been.

725
00:38:42,440 --> 00:38:45,520
Speaker 1: Anople yeah yes and third spouse.

726
00:38:45,800 --> 00:38:50,040
Speaker 4: Wait, so this costume chest I'm seeing. I mean, it's

727
00:38:50,160 --> 00:38:53,080
Speaker 4: pretty funny what you're doing with the pool noodle right now, Sean.

728
00:38:53,719 --> 00:38:56,400
Speaker 5: Hey, you know I just saw it in the shape

729
00:38:56,480 --> 00:38:59,959
Speaker 5: gave me an idea, what if this was a feather boa.

730
00:39:01,680 --> 00:39:05,480
Speaker 4: And the way you've been slinking around, uh huh with it.

731
00:39:05,680 --> 00:39:08,920
Speaker 4: I can almost see I mean talk about the red lipstick.

732
00:39:09,360 --> 00:39:10,799
Speaker 1: You know, I am moving.

733
00:39:10,960 --> 00:39:16,680
Speaker 4: It's a feminine way of moving, moving around, yes, kind

734
00:39:16,719 --> 00:39:17,759
Speaker 4: of touching us.

735
00:39:18,480 --> 00:39:22,400
Speaker 5: Yeah, I mean I'm doing almost like a little bit

736
00:39:22,440 --> 00:39:23,960
Speaker 5: of a song stress.

737
00:39:24,600 --> 00:39:25,640
Speaker 4: You're doing a little Maryland.

738
00:39:25,640 --> 00:39:29,560
Speaker 1: I'm not singing. Okays, it's funny, like that's that's fine,

739
00:39:29,560 --> 00:39:31,239
Speaker 1: it's fine to do that. For a second, that's not

740
00:39:31,880 --> 00:39:37,160
Speaker 1: what the pool noodle wash that is supposed to be

741
00:39:37,800 --> 00:39:44,200
Speaker 1: a character proper a very wide fish. It's there is

742
00:39:44,280 --> 00:39:51,759
Speaker 1: a Gospelly's second, I just want like, if we're going

743
00:39:52,000 --> 00:39:53,600
Speaker 1: if this is going to work, it's going to have

744
00:39:53,760 --> 00:39:57,480
Speaker 1: to like we're gonna have to stick to the costume. Seriously.

745
00:39:58,080 --> 00:39:59,640
Speaker 1: They can't be repurposed.

746
00:39:59,840 --> 00:40:05,440
Speaker 4: Like noodles became Marcone, it became thank you, Yeah, thank you.

747
00:40:07,800 --> 00:40:11,879
Speaker 4: But so you're saying the intention theodle.

748
00:40:10,840 --> 00:40:14,160
Speaker 1: Was supposed to be for it's a it's a big noodle,

749
00:40:14,200 --> 00:40:17,080
Speaker 1: and it's supposed to be for the world biggest Italian man.

750
00:40:18,560 --> 00:40:22,239
Speaker 1: It's supposed to be what the world's biggest Italian man. Yes,

751
00:40:22,440 --> 00:40:27,520
Speaker 1: that's that's eating spaghetti for the biggest Italian.

752
00:40:27,160 --> 00:40:29,600
Speaker 4: Which leads you with the task of mining a giant

753
00:40:29,680 --> 00:40:35,120
Speaker 4: invisible fork and then imagining well, sir, how many pieces

754
00:40:35,160 --> 00:40:38,040
Speaker 4: of spaghetti are in a traditional Italian dish of spaghetti?

755
00:40:38,120 --> 00:40:41,239
Speaker 1: How many pieces of spaghetti? Many pieces? Yea, in a

756
00:40:41,320 --> 00:40:42,200
Speaker 1: traditional one?

757
00:40:42,480 --> 00:40:47,000
Speaker 2: Okay, all right back in the nap can man, let

758
00:40:47,040 --> 00:40:48,719
Speaker 2: me spill that out of your numbers here.

759
00:40:50,680 --> 00:40:53,320
Speaker 1: It's a heaping a portion.

760
00:40:53,360 --> 00:40:56,160
Speaker 4: Regular, not like a nice restaurant where it's like six pieces.

761
00:40:56,200 --> 00:40:57,680
Speaker 4: I'm talking like, you know, it's full.

762
00:40:57,800 --> 00:41:04,880
Speaker 1: It's regular, normal, normal, guys. Depends on the region. The

763
00:41:05,040 --> 00:41:07,600
Speaker 1: traditional In Toscanino, they they cut it up.

764
00:41:10,080 --> 00:41:14,239
Speaker 2: It's sorry to I feel like asking for clarification family party.

765
00:41:14,280 --> 00:41:22,520
Speaker 4: When I'm talking to Sean. It truly is hard to

766
00:41:22,600 --> 00:41:26,840
Speaker 4: remember that we were on camera, that we're being recorded.

767
00:41:35,400 --> 00:41:38,000
Speaker 1: Is it bauce.

768
00:41:42,719 --> 00:41:43,000
Speaker 4: On the.

769
00:41:49,120 --> 00:41:49,400
Speaker 1: Button?

770
00:41:51,040 --> 00:41:51,400
Speaker 4: Easy?

771
00:41:53,719 --> 00:41:56,279
Speaker 2: Is it a boy on the pstito? Because that could

772
00:41:56,360 --> 00:42:05,040
Speaker 2: affect how many noodles fit. It's gotta be it's the

773
00:42:05,160 --> 00:42:11,160
Speaker 2: number between one and ten. You said, no, I know, okay,

774
00:42:11,239 --> 00:42:12,440
Speaker 2: I'm not sure I understood.

775
00:42:15,680 --> 00:42:19,799
Speaker 4: And that's how it would have been helpful. I talk

776
00:42:19,840 --> 00:42:22,440
Speaker 4: about Lord of the Rings with Bulgy, you know, yes,

777
00:42:22,600 --> 00:42:25,960
Speaker 4: And was the bravest of my god when Bulk and

778
00:42:26,040 --> 00:42:28,960
Speaker 4: Easy yes yes, jumped off of that thing.

779
00:42:30,200 --> 00:42:34,040
Speaker 1: Oh my god, into into the pit.

780
00:42:34,440 --> 00:42:39,680
Speaker 4: Yes, yeah, yeah, and my nun chucks and he had

781
00:42:39,719 --> 00:42:44,080
Speaker 4: but one seaweed snack and he's jumping into the pit

782
00:42:44,239 --> 00:42:48,160
Speaker 4: of two years, two years, pit of two years with

783
00:42:48,320 --> 00:42:52,400
Speaker 4: one but with but one seaweed snack. Yes, oh, both easy.

784
00:42:52,640 --> 00:42:52,920
Speaker 1: It's a.

785
00:42:54,400 --> 00:43:00,560
Speaker 2: It's a kin to suicide yet from from at the

786
00:43:00,719 --> 00:43:07,040
Speaker 2: Triumph of Bognesi, Yes, return, yes, and it has a

787
00:43:07,239 --> 00:43:08,279
Speaker 2: little corner.

788
00:43:08,120 --> 00:43:13,319
Speaker 4: Of the seaweeds yeah left, yes, And who played Bolganesy

789
00:43:13,440 --> 00:43:18,439
Speaker 4: but JK Simmons, Simmons, they put him back. They sent

790
00:43:18,560 --> 00:43:21,560
Speaker 4: him back there, well the green screen, JK. And then

791
00:43:21,600 --> 00:43:24,439
Speaker 4: they put him back into the remastered so we see

792
00:43:24,480 --> 00:43:27,440
Speaker 4: Bolganese and this is over scenes that are already happening.

793
00:43:27,480 --> 00:43:29,439
Speaker 4: So there's no they're not adding anything.

794
00:43:29,680 --> 00:43:32,600
Speaker 1: And when the movie came out originally in the early

795
00:43:32,680 --> 00:43:36,000
Speaker 1: two thousands, they were like, we will fill someone into

796
00:43:36,040 --> 00:43:38,200
Speaker 1: the space. We will take care. We know we're missing

797
00:43:38,320 --> 00:43:42,719
Speaker 1: and we know JK. Simmons now like and like, yeah,

798
00:43:42,840 --> 00:43:45,960
Speaker 1: we're projecting forward in time. He will be prepared.

799
00:43:46,080 --> 00:43:48,200
Speaker 4: He's not and he's not bald enough.

800
00:43:48,239 --> 00:43:52,320
Speaker 1: There's still a couple big yeah sprigs like a baby,

801
00:43:52,600 --> 00:43:54,320
Speaker 1: A couple of sprouts at.

802
00:43:54,440 --> 00:43:57,600
Speaker 4: Parly hair in a couple of little piggies.

803
00:43:57,360 --> 00:43:58,680
Speaker 1: And they couldn't get rid of him.

804
00:44:00,080 --> 00:44:02,120
Speaker 4: This one and then finally this one went to market.

805
00:44:02,440 --> 00:44:04,120
Speaker 1: They were resilient as boges.

806
00:44:04,400 --> 00:44:08,279
Speaker 2: I mean, these these last few piggies, but at lag

807
00:44:08,400 --> 00:44:10,960
Speaker 2: last we did eliminate them. And now we have the

808
00:44:11,160 --> 00:44:13,440
Speaker 2: movie as I always intended to watch.

809
00:44:13,320 --> 00:44:17,120
Speaker 4: It, and thank god Bolganesy found his laptop in the

810
00:44:17,680 --> 00:44:18,279
Speaker 4: in the two.

811
00:44:18,239 --> 00:44:18,800
Speaker 1: Year pit.

812
00:44:20,160 --> 00:44:23,840
Speaker 2: And was able to order was able to order seamless. No,

813
00:44:24,280 --> 00:44:26,640
Speaker 2: that's obviously not part of the movie.

814
00:44:26,520 --> 00:44:28,600
Speaker 4: But I mean, you are having a little bit of

815
00:44:28,680 --> 00:44:31,400
Speaker 4: fun with it. You're creative life. I do think that

816
00:44:31,480 --> 00:44:37,239
Speaker 4: should be part of the show. We're adding fun, a

817
00:44:37,280 --> 00:44:39,400
Speaker 4: little fun now and then Okay.

818
00:44:39,320 --> 00:44:42,320
Speaker 2: It's obviously serious analysis of the Lord of the Rings

819
00:44:42,400 --> 00:44:44,480
Speaker 2: we edit, but I do think that we should be

820
00:44:44,520 --> 00:44:45,360
Speaker 2: able to joke around.

821
00:44:45,560 --> 00:44:51,120
Speaker 1: So I found here a Civil War uniform, Yeah, with

822
00:44:51,280 --> 00:44:54,959
Speaker 1: mutton chops. Oh I'm looking. Yeah, those are mutton shops.

823
00:44:54,960 --> 00:44:59,160
Speaker 1: Those are mutton chops. And so people are like, oh,

824
00:44:59,400 --> 00:45:01,399
Speaker 1: is it like the South? Like, no, it's not the South.

825
00:45:01,640 --> 00:45:03,799
Speaker 1: It's like, is it the North, No, it's not the North.

826
00:45:04,600 --> 00:45:10,720
Speaker 1: This was a new state that we sort of devised

827
00:45:10,760 --> 00:45:12,520
Speaker 1: at the time because we were talking about us solved

828
00:45:12,600 --> 00:45:15,840
Speaker 1: war and it's like, obviously the South is bad, but

829
00:45:16,000 --> 00:45:18,279
Speaker 1: like the North was like big. Everyone was being kind

830
00:45:18,280 --> 00:45:20,840
Speaker 1: of crazy, so like who could have shown up and

831
00:45:21,000 --> 00:45:25,439
Speaker 1: resolved this? So this is a civil war uniform from

832
00:45:25,480 --> 00:45:28,840
Speaker 1: a state that we created called pentaton Mexico.

833
00:45:29,640 --> 00:45:31,240
Speaker 4: Pentaton Mexico, yes.

834
00:45:32,239 --> 00:45:38,240
Speaker 1: And the premises what if Pentatonics were what if basically

835
00:45:38,360 --> 00:45:42,560
Speaker 1: every resident of an entire state work in We're in Ponics,

836
00:45:43,040 --> 00:45:49,720
Speaker 1: So Utah yes, well eventually Utah DIMIs yeah, yeah, exactly.

837
00:45:50,239 --> 00:45:51,800
Speaker 1: And at the time we were doing this, we hadn't

838
00:45:51,840 --> 00:45:54,200
Speaker 1: like we didn't really know what was going on in

839
00:45:54,280 --> 00:45:57,920
Speaker 1: a lot of the middle part of the country at

840
00:45:57,960 --> 00:46:01,560
Speaker 1: the time. I mean really that up stuff there, and

841
00:46:01,600 --> 00:46:04,239
Speaker 1: they were doing their own thing and they have to

842
00:46:04,400 --> 00:46:07,640
Speaker 1: traverse the whole range like we got we're trying to

843
00:46:07,680 --> 00:46:08,440
Speaker 1: do a podcast.

844
00:46:08,600 --> 00:46:10,080
Speaker 4: Yeah yeah, yeah, yeah yeah yeah.

845
00:46:10,480 --> 00:46:15,160
Speaker 1: And so it's a state of like two point five

846
00:46:15,239 --> 00:46:17,960
Speaker 1: million people or something like that, they're all in Pentatonics.

847
00:46:18,040 --> 00:46:21,040
Speaker 4: It's mostly bison walking west right in that part of

848
00:46:21,080 --> 00:46:23,320
Speaker 4: the state at that time. Yeah, So that's kind of

849
00:46:23,520 --> 00:46:24,080
Speaker 4: a constant.

850
00:46:24,520 --> 00:46:27,800
Speaker 1: So you're trying to traverse the range and it's like

851
00:46:27,880 --> 00:46:29,840
Speaker 1: trying to get down the sidewalk in New York, Like,

852
00:46:29,920 --> 00:46:33,320
Speaker 1: does anyone know how to walk in this freaking city

853
00:46:34,400 --> 00:46:36,279
Speaker 1: at least bison or like coming to.

854
00:46:39,560 --> 00:46:39,840
Speaker 4: And so.

855
00:46:41,800 --> 00:46:45,960
Speaker 1: What if an entire state of Pentatonics were able to,

856
00:46:46,440 --> 00:46:48,320
Speaker 1: like as they're like getting ready to fight and stuff,

857
00:46:48,360 --> 00:46:54,440
Speaker 1: they were like, hey, all of them in harmony but

858
00:46:54,600 --> 00:46:58,320
Speaker 1: with a little swack. Yes, there's one guy, yeah, the

859
00:46:58,400 --> 00:46:59,359
Speaker 1: most charactermatic guy.

860
00:46:59,480 --> 00:47:03,200
Speaker 4: Yes, yes, totally bald y.

861
00:47:06,719 --> 00:47:08,799
Speaker 2: Yeah, he's got this like bro he's got wears one

862
00:47:08,840 --> 00:47:10,840
Speaker 2: of those collars so he can make throat noises.

863
00:47:11,080 --> 00:47:14,040
Speaker 4: Yeah, but at the time like a like a priest callar.

864
00:47:14,239 --> 00:47:16,200
Speaker 1: Some of them they wear like a.

865
00:47:18,360 --> 00:47:21,360
Speaker 2: It will look like sort of almost like an S

866
00:47:21,480 --> 00:47:24,600
Speaker 2: and M thing, but it is for a cappella singing its.

867
00:47:26,719 --> 00:47:27,920
Speaker 4: Yeah, it helps them.

868
00:47:28,080 --> 00:47:30,960
Speaker 1: And they're all wearing like for their music. All the

869
00:47:31,040 --> 00:47:34,640
Speaker 1: Pentatonics are wearing what Ethan Hawk's character and first reform

870
00:47:37,520 --> 00:47:42,879
Speaker 1: at the end of the movie. Yeah, Ethan Hawking first movie.

871
00:47:43,280 --> 00:47:47,600
Speaker 2: Remember, Oh he's he's rotting from the inside. There's blood

872
00:47:47,680 --> 00:47:50,960
Speaker 2: coming out of him, and so he is wearing like

873
00:47:52,360 --> 00:47:54,439
Speaker 2: do we want to say, he's wearing a suicide vest

874
00:47:55,719 --> 00:47:58,680
Speaker 2: which keeps now. I feel like it keeps coming up

875
00:47:58,680 --> 00:48:01,640
Speaker 2: because I talked about books and now where, and so

876
00:48:01,760 --> 00:48:04,279
Speaker 2: it feels like we're circling around this and I do

877
00:48:04,440 --> 00:48:10,920
Speaker 2: want to say to be responsible, like if anyone out

878
00:48:10,960 --> 00:48:19,000
Speaker 2: there is depressed, listen to what's going on, like look.

879
00:48:18,920 --> 00:48:19,680
Speaker 4: For the helpers.

880
00:48:20,560 --> 00:48:25,480
Speaker 5: Nelly was there, was there, you know, Britney.

881
00:48:28,360 --> 00:48:32,000
Speaker 4: Yeah, so Macy Gray probably wasn't actually allowed in the build.

882
00:48:32,120 --> 00:48:35,120
Speaker 4: She probably tried to get in and they probably said, actually,

883
00:48:35,800 --> 00:48:38,360
Speaker 4: we're good, Macy, like we have all the verses filled.

884
00:48:39,400 --> 00:48:43,080
Speaker 1: Right. Yeah, I didn't remember her name being listed off.

885
00:48:43,280 --> 00:48:45,800
Speaker 4: Oh no, I think that's around the end of her tenure.

886
00:48:45,840 --> 00:48:50,839
Speaker 4: But okay, So so Pentatonics are kind of going their walk.

887
00:48:51,000 --> 00:48:54,720
Speaker 4: It's almost like the it's almost like sorry pentaton Xico.

888
00:48:55,440 --> 00:48:58,319
Speaker 4: It almost reminds me of the band that leads the band.

889
00:48:58,440 --> 00:49:10,840
Speaker 1: Yes, and in front is miming a flute. Yes, the

890
00:49:10,960 --> 00:49:14,239
Speaker 1: little drummer is like doing drum motions. But they aren't

891
00:49:14,320 --> 00:49:15,200
Speaker 1: carrying any and.

892
00:49:15,200 --> 00:49:17,480
Speaker 4: They're all wearing like Express for men tight jeans.

893
00:49:17,560 --> 00:49:21,759
Speaker 1: Yes, yes, and they're just getting down the crest they

894
00:49:21,920 --> 00:49:24,920
Speaker 1: crest over the hill and yes, basically what they're all

895
00:49:24,960 --> 00:49:28,520
Speaker 1: in a line and so basically one cannonball and they

896
00:49:28,600 --> 00:49:29,399
Speaker 1: do them all out.

897
00:49:30,800 --> 00:49:34,200
Speaker 2: But the blast of the cannonball perfectly provides like a

898
00:49:34,320 --> 00:49:38,080
Speaker 2: big drum sound that does fit into the which just

899
00:49:38,200 --> 00:49:43,000
Speaker 2: makes everyone kind of pause and recognize the message of Pentaton, Mexico.

900
00:49:43,320 --> 00:49:45,960
Speaker 4: And then and then as that goes boom, it's just

901
00:49:46,040 --> 00:49:49,000
Speaker 4: a small town. It's just a small town. And then

902
00:49:49,120 --> 00:49:54,080
Speaker 4: he gets he gets mowed down, and then another one

903
00:49:54,480 --> 00:49:59,359
Speaker 4: living in a lonely world, and then they just keep

904
00:49:59,400 --> 00:50:03,799
Speaker 4: getting the train go in anything.

905
00:50:06,880 --> 00:50:10,160
Speaker 1: You know, and both the North and South sort of

906
00:50:10,320 --> 00:50:15,880
Speaker 1: converge on Pentaton, Mexico. They forget what it was like

907
00:50:16,120 --> 00:50:19,080
Speaker 1: what they were fighting about, like they just needed to

908
00:50:19,080 --> 00:50:22,839
Speaker 1: get something out of their system and it and Xico

909
00:50:22,960 --> 00:50:26,919
Speaker 1: appeared and they crested the hill and they were all, yeah,

910
00:50:27,080 --> 00:50:27,400
Speaker 1: oh so.

911
00:50:27,400 --> 00:50:28,920
Speaker 4: It's kind of small depended on Mexico.

912
00:50:29,000 --> 00:50:33,640
Speaker 1: This state, No, the the state is huge. They they

913
00:50:33,840 --> 00:50:37,759
Speaker 1: marched over to like to this battle where there was

914
00:50:37,760 --> 00:50:39,279
Speaker 1: a hill. Yeah, got you, got you.

915
00:50:40,520 --> 00:50:43,120
Speaker 2: I feel bad because that's such a like fleshed out

916
00:50:44,040 --> 00:50:46,640
Speaker 2: idea from this costume box. And I see the costume

917
00:50:46,719 --> 00:50:49,000
Speaker 2: that I put in there, which is just called braceist Stathum,

918
00:50:49,800 --> 00:50:53,440
Speaker 2: and I'm going, like I didn't really think it through,

919
00:50:53,560 --> 00:50:56,840
Speaker 2: Like the whole story of like the war and the canniball,

920
00:50:56,920 --> 00:51:00,440
Speaker 2: and that's like such so rich and detail that I'm

921
00:51:00,480 --> 00:51:02,560
Speaker 2: going like, bracest Stath, I'm like, I don't even really

922
00:51:02,640 --> 00:51:03,680
Speaker 2: have like an impression.

923
00:51:03,760 --> 00:51:07,440
Speaker 4: I guess he's like idea if Jason Statham had orthodontist.

924
00:51:07,040 --> 00:51:10,440
Speaker 1: Work where I was coming from, that kind of you

925
00:51:10,560 --> 00:51:13,279
Speaker 1: to say would undo. At the time, that was a

926
00:51:13,360 --> 00:51:14,720
Speaker 1: really feel a little different.

927
00:51:14,880 --> 00:51:18,160
Speaker 4: Yeah, I'm going to kick thee out, and you just

928
00:51:18,280 --> 00:51:24,880
Speaker 4: got a full powder first taught powder expender. His moms

929
00:51:25,000 --> 00:51:32,960
Speaker 4: one of me rubble bands just like, yeah, rubber bands. Yeah,

930
00:51:33,280 --> 00:51:35,480
Speaker 4: remember when you did you think it was kind of

931
00:51:35,520 --> 00:51:37,959
Speaker 4: hot in middle school and you had the rubber bands.

932
00:51:38,040 --> 00:51:40,280
Speaker 4: I felt kind of sexy when I had the rubber

933
00:51:40,360 --> 00:51:41,320
Speaker 4: bands attached.

934
00:51:41,760 --> 00:51:48,239
Speaker 1: You could do like a little but little yeah, yeah,

935
00:51:48,640 --> 00:51:59,960
Speaker 1: dueling band, just go, go go. I remember when I remember,

936
00:52:04,719 --> 00:52:11,520
Speaker 1: oh yeah, right, yeah, totally yeah. And like the fact

937
00:52:11,560 --> 00:52:15,879
Speaker 1: that you've basically got to trebischets in there.

938
00:52:16,239 --> 00:52:17,560
Speaker 4: Wow wow.

939
00:52:17,719 --> 00:52:21,239
Speaker 1: Yeah, I mean the fireower you're you're attacking.

940
00:52:21,160 --> 00:52:26,239
Speaker 2: Like, yeah, blasting paper wasps. Talk about a cannon ball?

941
00:52:27,560 --> 00:52:29,400
Speaker 2: Mm y'all ever shoot paper wasps.

942
00:52:30,320 --> 00:52:32,759
Speaker 1: I've hit the fucking bus driver's hand with one one

943
00:52:34,640 --> 00:52:38,239
Speaker 1: while he was driving, he reached up to adjust the

944
00:52:38,320 --> 00:52:41,359
Speaker 1: mirror right at the moment that I was. I mean,

945
00:52:41,440 --> 00:52:43,600
Speaker 1: you couldn't you know, one in a million, But.

946
00:52:45,400 --> 00:52:48,360
Speaker 4: Yeah, you must have been crowned king of the fucking community.

947
00:52:49,239 --> 00:52:50,160
Speaker 1: Nobody knew about me.

948
00:52:50,320 --> 00:52:52,160
Speaker 4: Man, you were doing this solo.

949
00:52:52,520 --> 00:52:55,080
Speaker 1: I had to fucking I had to high. I'd be like,

950
00:52:55,160 --> 00:52:59,120
Speaker 1: who did that? That's crazy.

951
00:52:59,200 --> 00:53:01,920
Speaker 2: I'm as mad as a bus driver is about this happening.

952
00:53:02,600 --> 00:53:04,720
Speaker 2: Maybe matter, what was that switch?

953
00:53:04,800 --> 00:53:05,120
Speaker 1: One of you?

954
00:53:05,920 --> 00:53:06,080
Speaker 2: Was this?

955
00:53:06,520 --> 00:53:08,880
Speaker 4: Did you claim to have been identical to Elijah would

956
00:53:09,080 --> 00:53:11,080
Speaker 4: at a certain point no, that, oh I did it.

957
00:53:11,160 --> 00:53:12,800
Speaker 4: And there was someone that you said you were in

958
00:53:12,880 --> 00:53:15,759
Speaker 4: a store and your mom's friend claimed that you were

959
00:53:15,800 --> 00:53:16,959
Speaker 4: a famous traveler actor.

960
00:53:17,080 --> 00:53:21,160
Speaker 1: Come on, make me humiliate, But you really did tell

961
00:53:21,200 --> 00:53:24,000
Speaker 1: me the story? I did probably tell you this story. Yeah,

962
00:53:24,280 --> 00:53:28,440
Speaker 1: I think I worked at a dry cleaner.

963
00:53:29,800 --> 00:53:34,560
Speaker 2: And a woman brought her daughter to the dry cleaner

964
00:53:34,680 --> 00:53:38,080
Speaker 2: to show me to her daughter because they had watched

965
00:53:38,120 --> 00:53:39,719
Speaker 2: the film A Walk to Remember, and she said, I

966
00:53:39,760 --> 00:53:41,879
Speaker 2: think the boy the drag cleaner looks like Shane West.

967
00:53:45,160 --> 00:53:50,520
Speaker 2: And I of course knew this young woman, popular girl

968
00:53:50,560 --> 00:53:53,000
Speaker 2: from the grade above me. And it was home on

969
00:53:53,120 --> 00:53:55,719
Speaker 2: Christmas break from college, which of course I was not attending.

970
00:53:57,360 --> 00:53:59,919
Speaker 2: I was just being shown and we had to be like, yeah,

971
00:53:59,920 --> 00:54:01,680
Speaker 2: I know who this is, I've I've seen him.

972
00:54:01,800 --> 00:54:02,440
Speaker 1: Was not impressed.

973
00:54:02,520 --> 00:54:07,560
Speaker 2: Then she just yeah, she just was like okay, all right,

974
00:54:07,680 --> 00:54:10,200
Speaker 2: thanks mom, and it was like see and then it

975
00:54:10,400 --> 00:54:11,239
Speaker 2: was like all right.

976
00:54:11,360 --> 00:54:16,799
Speaker 1: Then they left. You were George Bailey people. Someone had

977
00:54:16,800 --> 00:54:20,040
Speaker 1: to stick around the town. But imagine a whirl without

978
00:54:20,120 --> 00:54:25,279
Speaker 1: you pants where a mom breaks her daughter into the

979
00:54:25,360 --> 00:54:29,600
Speaker 1: dry cleaners and there's nobody there looking like Shane West.

980
00:54:29,840 --> 00:54:32,400
Speaker 4: That that that hope that they had driving to the

981
00:54:32,520 --> 00:54:34,880
Speaker 4: driving to the dry cleaner, that they were going to

982
00:54:35,040 --> 00:54:39,400
Speaker 4: see Shane West working at the dry cleaner. That that

983
00:54:39,680 --> 00:54:43,880
Speaker 4: that is a gift, you know that the other the

984
00:54:43,960 --> 00:54:44,600
Speaker 4: otherwise what not?

985
00:54:44,719 --> 00:54:47,880
Speaker 1: That's true? Yeah, I guess I did. I just provided that.

986
00:54:48,000 --> 00:54:50,240
Speaker 2: You know, this was before all these phones and stuff,

987
00:54:50,400 --> 00:54:54,640
Speaker 2: so like, yeah, they haven't have much to look at like.

988
00:54:54,680 --> 00:54:59,160
Speaker 1: You can now, you know, right, yeah right, it's so

989
00:54:59,239 --> 00:55:02,640
Speaker 1: easy looking to drive you wanted to look at Shane West.

990
00:55:02,680 --> 00:55:04,680
Speaker 1: We can just do it and we don't remember that

991
00:55:04,920 --> 00:55:06,960
Speaker 1: like that was not at our disposal. We had to

992
00:55:07,080 --> 00:55:09,040
Speaker 1: go to the DRIC leaders and have somewhere of the town.

993
00:55:09,280 --> 00:55:10,160
Speaker 4: Look at a boy who.

994
00:55:10,040 --> 00:55:11,799
Speaker 2: Looked at you know, I may have said it before,

995
00:55:11,880 --> 00:55:13,839
Speaker 2: but at the dry cleaner, you know, you got all

996
00:55:13,880 --> 00:55:17,080
Speaker 2: these everybody's name is stable to their ticket, and you

997
00:55:17,280 --> 00:55:18,440
Speaker 2: look at a lot of names.

998
00:55:19,320 --> 00:55:22,280
Speaker 5: And there's one customer whose name I remember.

999
00:55:22,360 --> 00:55:24,000
Speaker 1: And he never came in.

1000
00:55:24,160 --> 00:55:25,879
Speaker 2: But I was always hoping to come in and see

1001
00:55:25,920 --> 00:55:28,279
Speaker 2: him because in my imagination, as we talk about like

1002
00:55:28,360 --> 00:55:32,279
Speaker 2: the hope that you have for something, I just thought

1003
00:55:32,320 --> 00:55:34,560
Speaker 2: there'd be a real character entering. And he just his

1004
00:55:34,680 --> 00:55:36,800
Speaker 2: clothes stayed on the shelf the whole time. Never was

1005
00:55:36,840 --> 00:55:41,080
Speaker 2: there when he came in. But the name was Merle Jupiter. Wow,

1006
00:55:43,560 --> 00:55:45,719
Speaker 2: just the idea of what meral Jupiter. I mean, that's

1007
00:55:45,719 --> 00:55:49,080
Speaker 2: something for the costume box, huh, Like, what's your meral Jupiter.

1008
00:55:49,239 --> 00:55:51,239
Speaker 4: Well, it's a sorcerer's hat that we have right here

1009
00:55:51,360 --> 00:55:54,520
Speaker 4: is my moral Jupiter with a with a with like

1010
00:55:54,640 --> 00:55:56,760
Speaker 4: a necklace of a solar system.

1011
00:55:57,440 --> 00:55:58,280
Speaker 1: That's moral Jupiter.

1012
00:55:58,520 --> 00:56:01,319
Speaker 4: And also a weight like there's a stick in here.

1013
00:56:01,400 --> 00:56:04,960
Speaker 4: It's that's to break my legs, to make me, make

1014
00:56:05,080 --> 00:56:09,320
Speaker 4: me about waste time, and that is my world Jupiter,

1015
00:56:09,600 --> 00:56:11,239
Speaker 4: going were my call?

1016
00:56:13,640 --> 00:56:14,200
Speaker 1: Where's that?

1017
00:56:14,719 --> 00:56:18,520
Speaker 4: I can't seem to remember landa dry and that's my

1018
00:56:18,640 --> 00:56:19,280
Speaker 4: world Jupiter.

1019
00:56:19,640 --> 00:56:23,200
Speaker 1: Okay, well that that actually that makes me glad that

1020
00:56:23,280 --> 00:56:25,799
Speaker 1: I brought it up. Then I didn't realize you had one. Yeah,

1021
00:56:26,000 --> 00:56:29,239
Speaker 1: these are I'm not going to be able to get

1022
00:56:29,280 --> 00:56:30,840
Speaker 1: away with this, I guess because people can see it

1023
00:56:30,880 --> 00:56:34,120
Speaker 1: on camera, one by one, these drink powder pockets. The

1024
00:56:34,719 --> 00:56:37,640
Speaker 1: packets have been falling out of my pocket over the

1025
00:56:37,680 --> 00:56:40,080
Speaker 1: course of the show. Do you have a pure one

1026
00:56:40,160 --> 00:56:46,520
Speaker 1: over there? Raw? You mean now they stopped ordering the raw. Yeah,

1027
00:56:46,560 --> 00:56:47,960
Speaker 1: there's one that's raw flavored.

1028
00:56:48,440 --> 00:56:49,440
Speaker 4: What are you talking about.

1029
00:56:51,280 --> 00:56:51,320
Speaker 2: It?

1030
00:56:51,640 --> 00:56:52,200
Speaker 4: I never had.

1031
00:56:52,239 --> 00:56:53,840
Speaker 1: It's like original.

1032
00:56:54,960 --> 00:56:57,960
Speaker 4: It's for like a real you know, survivalist. Yes, yeah, yeah,

1033
00:56:58,200 --> 00:56:59,279
Speaker 4: just wants to taste.

1034
00:56:59,040 --> 00:57:06,720
Speaker 1: None of this ruty water, caramel flavor, grape fruit.

1035
00:57:07,440 --> 00:57:09,960
Speaker 4: Give me raw.

1036
00:57:10,080 --> 00:57:11,239
Speaker 1: I'm not in here every day.

1037
00:57:11,360 --> 00:57:12,399
Speaker 4: Do you have rought chicken breast?

1038
00:57:13,040 --> 00:57:17,920
Speaker 1: Yes, it's powder. You can powder anything, unrefrigerated chicken breas,

1039
00:57:18,280 --> 00:57:23,920
Speaker 1: unrefrigerated chicken breast, chicken sushi, chicken sashimi, flavoring chicken.

1040
00:57:24,320 --> 00:57:27,440
Speaker 4: There's a great chicken sushi place popping up down the

1041
00:57:27,440 --> 00:57:28,800
Speaker 4: street from We gotta go.

1042
00:57:28,960 --> 00:57:31,640
Speaker 1: More competition for us. It's exactly perfect.

1043
00:57:32,440 --> 00:57:35,000
Speaker 2: So when I pivot away from podcasting when we put

1044
00:57:35,040 --> 00:57:36,560
Speaker 2: a poster If my restaurant is

1045
00:57:36,640 --> 00:57:44,080
Speaker 1: Also Jesus Cross All, bye bye bye bye bye