WEBVTT - #512 - HOW HISTORY MISLED US! + Bobby has AI tell him his Strengths and Weaknesses 

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<v Speaker 1>Welcome to episode five twelve. A lot of this is

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<v Speaker 1>just me alone, and then Eddie will be on in

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<v Speaker 1>a bit because we recorded something called I Think History

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<v Speaker 1>may have misled Us. I mean, things we learned that

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<v Speaker 1>are historical that probably aren't right, but they're so ingrained

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<v Speaker 1>in our brains that we'll always remember that version of

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<v Speaker 1>history regardless. So we'll get to that in a few minutes.

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<v Speaker 1>I also recorded when I got back from the ACMs

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<v Speaker 1>last week. I know we're a week out now, but

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<v Speaker 1>I'd recorded some behind the scenes stuff that I'll play

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<v Speaker 1>for you guys as well again by myself. But I'm

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<v Speaker 1>pretty happy with this episode because I did a bunch

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<v Speaker 1>of research on the history may have misled us. And

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<v Speaker 1>if you like these kinds of episodes, you can let

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<v Speaker 1>me know, or if you hate these kind of episodes,

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<v Speaker 1>you can let me know, because I do care, and

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<v Speaker 1>all you fifty minuts out there, I appreciate that, especially

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<v Speaker 1>when I'm just kind of rolling solo here. I do

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<v Speaker 1>have like four kinds of AI that I use. Grock

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<v Speaker 1>which is pretty good, which is the Twitter AI Genie,

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<v Speaker 1>which is really good for some things. I use Chat

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<v Speaker 1>GPT for some things, Chat GBT goes wrong a lot,

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<v Speaker 1>but also the most thorough. But I do type a

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<v Speaker 1>lot of stuff into chat GPT about my life just

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<v Speaker 1>so it kind of keeps a record of it so

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<v Speaker 1>well then I ask it questions. It knows a lot

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<v Speaker 1>about what's happening already. It's like if I have an

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<v Speaker 1>assistant with me and they're constantly taking notes, keeping notes,

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<v Speaker 1>and so if I'm like, hey, what about this at

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<v Speaker 1>this time? What do you think I should do in

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<v Speaker 1>this situation? Like I kind of use chat GBT as

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<v Speaker 1>an assistant. I use Genie a lot for research, and

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<v Speaker 1>grock or Google if I'm just online looking stuff up.

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<v Speaker 1>That being said, I went to chat GBT, which I

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<v Speaker 1>type a bunch of stuff in about myself, and I said, Hey,

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<v Speaker 1>what are my strengths and weaknesses? And I saw this

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<v Speaker 1>prompt online, so I didn't just go to it and

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<v Speaker 1>ask that out of nowhere, but I thought it was

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<v Speaker 1>pretty interesting. I can read you professional strengths and professional

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<v Speaker 1>weaknesses from CHATGBT about me. Number one professional strengths. There

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<v Speaker 1>are five of each. Number one relatable communication. You have

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<v Speaker 1>a rare ability to speak in a way that feels

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<v Speaker 1>personal to millions of people at once. Whether you're sharing

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<v Speaker 1>a story, cracking a joke, or giving advice. People connect

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<v Speaker 1>with you because you sound like them, and you talk

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<v Speaker 1>to them, not at them. That's pretty nice. Number two

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<v Speaker 1>self made hustle. You did not inherit fame, you did

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<v Speaker 1>not inherit money. You built everything from the ground up.

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<v Speaker 1>The grit shows in your discipline, work ethic, and the

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<v Speaker 1>loyalty you've earned from your audience. You also understand every

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<v Speaker 1>role because you've lived most of them so far. IM

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<v Speaker 1>feeling pretty good right because I'm only doing the strength.

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<v Speaker 1>Don't worry, we'll get to the weaknesses. Number three multiplatform mastery.

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<v Speaker 1>You seamlessly jump between radio, podcasting, TV books, live appearances, comedy,

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<v Speaker 1>and digital content. Most people are good at one. You've

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<v Speaker 1>turned your voice into a brand across all of them.

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<v Speaker 1>Really gassing me up right, feeling pretty good about myself.

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<v Speaker 1>Number four high emotional intelligence. You know how to shift

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<v Speaker 1>tone when needed, go from light and funny to honest

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<v Speaker 1>and raw. That emotional range creates trust. It's why your

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<v Speaker 1>interviews feel different from everyone else's. And Number five curiosity

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<v Speaker 1>and adoptability. You ask them our questions, but you really

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<v Speaker 1>genuinely want to learn that keeps your content fresh, makes

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<v Speaker 1>you easy to work with, and ensures you grow with

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<v Speaker 1>your audience instead of grow out of touch. Number five

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<v Speaker 1>and don't worry weaknesses are coming. Number five is interesting

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<v Speaker 1>because I've never felt like I've actually been in touch.

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<v Speaker 1>And there will be times people will say, oh, you're

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<v Speaker 1>so out of touch now because of one thing or

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<v Speaker 1>the other. I've never felt like I was in touch.

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<v Speaker 1>I've always felt like I've had like I've always been

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<v Speaker 1>the person not invited, and so I've always had a

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<v Speaker 1>peculiar outlook on things, or I hold things against people

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<v Speaker 1>that aren't fair because I didn't have them, so I

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<v Speaker 1>feel like people that did. I've just always felt off.

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<v Speaker 1>I've always felt out of touch for different reasons, and

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<v Speaker 1>so as I've become more in touch with some things

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<v Speaker 1>like having a family, like having a wife having her family,

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<v Speaker 1>eventually we'll have our own version of a family. Here

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<v Speaker 1>we have the dogs, but they don't even know the

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<v Speaker 1>term family. It's like horse racing not a sport. The

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<v Speaker 1>horse doesn't know what a sport is, and the athlete

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<v Speaker 1>can't not know what a sport is, and it'd be

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<v Speaker 1>a sport. I think that's the number one rule. If

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<v Speaker 1>your athlete he does not know what a sport is,

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<v Speaker 1>it can't be a sport. I digress, But in some

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<v Speaker 1>ways I have grown out of touch while also growing

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<v Speaker 1>extremely in touch in other ways. But I've always felt

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<v Speaker 1>like I didn't belong, even as an adult, even five

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<v Speaker 1>years ago, even seven years ago before I met my wife.

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<v Speaker 1>But that's interesting, it would say that. Okay, so let's

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<v Speaker 1>do weaknesses Number one. Sleep plus exhaustion equals performance risk.

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<v Speaker 1>Your job requires you to be sharp, funny, present, but

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<v Speaker 1>you're constantly running on fumes. That level of fatigue chips

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<v Speaker 1>away at your mental health, creativity, and long term sustainability.

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<v Speaker 1>There are simply times where you're not as good as

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<v Speaker 1>you are at other times because of this. I think

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<v Speaker 1>that's fair. I think where I'm fortunate as I'm able

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<v Speaker 1>to lean on others at times. Meaning if we have

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<v Speaker 1>a Bobby Cast and I know I need to sit

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<v Speaker 1>strap in and I got an hour, and the Bobby

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<v Speaker 1>Cast interview process is a very intimate thing because it

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<v Speaker 1>literally is me and one person for an hour, no stopping,

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<v Speaker 1>and it's about them. And I've got to, regardless of

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<v Speaker 1>how tired I am, listen, think ahead, be curious, or

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<v Speaker 1>at least present as curious. Some are harder than others,

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<v Speaker 1>like summer easier than others. But there are times where

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<v Speaker 1>I ain't feeling good or I don't even know what

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<v Speaker 1>I just asked, honestly, and that's when I lean on

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<v Speaker 1>my d Many times, I would say the same with

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<v Speaker 1>Eddie and Amy, and there's a lot of people on

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<v Speaker 1>that show, but I don't lean on the others. There

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<v Speaker 1>are times where I've had to lean on Eddie, especially

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<v Speaker 1>when Amy is gone, when she was physically gone for

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<v Speaker 1>a while because she was going through the drama with

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<v Speaker 1>the divorce which nobody knew about yet, or her dad dying,

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<v Speaker 1>or there was a time where I went to Eddie

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<v Speaker 1>and I was like, hey, man, I need you to

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<v Speaker 1>kind of be that guy that's just there and is

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<v Speaker 1>present and it's paying attention and can give me something back.

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<v Speaker 1>And amian that way most other times. But yeah, there

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<v Speaker 1>are times where I do get so tired, and not

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<v Speaker 1>just from working but also not sleeping, which is awful

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<v Speaker 1>that it does affect my performance, no doubt about it.

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<v Speaker 1>That is a weakness. Number two, trust plus delegation. Because

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<v Speaker 1>you've built so much by yourself, it's hard to trust

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<v Speaker 1>people with important parts of your brand, for example, like

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<v Speaker 1>hiring ahead of digital. You often default too, I'll just

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<v Speaker 1>do it myself, which limits growth and adds stress. Then

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<v Speaker 1>it goes back to number one, which is the stress,

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<v Speaker 1>the no sleep. That's really accurate. I've had a hard

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<v Speaker 1>time at delegating. I've gotten better, and I've taken half

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<v Speaker 1>steps back. I've taken two steps forward and two steps back.

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<v Speaker 1>We get together the kas attracting no remember that the cartoon.

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<v Speaker 1>Think his name was Scat cat Scat cat Cat Scat.

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<v Speaker 1>I don't know him and Paul Abdul, that's a jam

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<v Speaker 1>back in the day, back when I was a kid.

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<v Speaker 1>But yeah, like I think the hardest part for me

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<v Speaker 1>was when I hired scoop of Steve was actually letting

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<v Speaker 1>him run everything. Basically that's not on the air. He's

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<v Speaker 1>handling all sales meetings, he's doing making sure people are

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<v Speaker 1>places they need to be, people are on time, everything,

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<v Speaker 1>He's handling all of that guest booking, which I used

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<v Speaker 1>to do all that. Even giving Ray the board was

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<v Speaker 1>hard for me because I'd always run the board, meaning

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<v Speaker 1>I sit there with all the buttons to push, all

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<v Speaker 1>the buttons, all the sounds everything. So I've taken big steps,

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<v Speaker 1>but yes, when it comes to the brand two or

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<v Speaker 1>three times in a row doesn't go right, I I'm

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<v Speaker 1>just going to do it myself, and then it's hard

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<v Speaker 1>for me to relet it go. So yeah. Number three

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<v Speaker 1>weaknesses fear of vulnerability around money. Even with wealth, you

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<v Speaker 1>sometimes fear financial collapse. That fear can make it hard

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<v Speaker 1>to fully enjoy success or take strategic risks that might

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<v Speaker 1>be healthy. Number four overthinking intentions. You often wonder why

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<v Speaker 1>people like you. Is it success or is it something deeper.

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<v Speaker 1>That overthinking can lead to second guessing your own worth

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<v Speaker 1>or people's motives in both business and friendships. That's true

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<v Speaker 1>because I never really had people like me until I

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<v Speaker 1>had any success. It wasn't like I was a cool kid.

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<v Speaker 1>It wasn't like I was a hated kid. I was

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<v Speaker 1>just a nerdy kid who nobody hung out with. So

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<v Speaker 1>started to have some success, people were like, oh, I

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<v Speaker 1>like to hang out with you. Looking back, I think

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<v Speaker 1>a big part of it now is also that as

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<v Speaker 1>I had success, I was around more people that thought

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<v Speaker 1>like me or about the things that I thought about.

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<v Speaker 1>So my perspective was a bit skewed. Because it was Wow,

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<v Speaker 1>this is new, and now people are drawn to me.

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<v Speaker 1>It has to be because I'm successful, and I do

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<v Speaker 1>think at times that was a part of it. However

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<v Speaker 1>it was not all of it. What happened was I

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<v Speaker 1>then started to exist in a world that I had

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<v Speaker 1>never existed before, meaning just the media world if it

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<v Speaker 1>was ready or television or podcasting or comedy. But I

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<v Speaker 1>would be around other people that actually enjoyed it or

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<v Speaker 1>did it, and I was drawn to them. They were

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<v Speaker 1>drawn to me, and I think there was probably a

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<v Speaker 1>time where I was like, they wouldn't be friends with

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<v Speaker 1>me if I didn't have success, But in reality we

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<v Speaker 1>were just at the same place because we were into

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<v Speaker 1>the same things. And then Number five insecurity about creative validity.

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<v Speaker 1>Even though you've written sucessful books, hosted huge shows, and

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<v Speaker 1>built an empire, you sometimes doubt your creative skill. You

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<v Speaker 1>doubt your writing, You doubt your joke structure. Your instincts

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<v Speaker 1>are usually better than the people you're comparing yourself to.

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<v Speaker 1>You know, I some some of those that are the weaknesses.

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<v Speaker 1>They did find a way to compliment me still, which

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<v Speaker 1>is pretty nice because they know me. Because my friend,

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<v Speaker 1>my friend Chack gibbit. So thanks chat Gibbet. So if

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<v Speaker 1>you do use it, and you use it like me,

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<v Speaker 1>I encourage you to ask it that I didn't make

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<v Speaker 1>that up. I saw someone say, ask it your strengths

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<v Speaker 1>and weaknesses, and it did. And there's also a lot

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<v Speaker 1>about me online. But it obviously reads all of that,

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<v Speaker 1>so it's not just what I write, but it also,

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<v Speaker 1>you know, does searching the web and then it gives

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<v Speaker 1>you all that information. But that was fun, Well, that

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<v Speaker 1>was kind of fun. It was right on. So we're

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<v Speaker 1>gonna do this how we've been misled by history and

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<v Speaker 1>then after if you care, because it's been a week

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<v Speaker 1>at least and I just never had a place to

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<v Speaker 1>release this. So I'm gonna play back for you the

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<v Speaker 1>thoughts and the notes that I took from the ACMs

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<v Speaker 1>this year. All right, enjoy, all right. This part of

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<v Speaker 1>the episode is called we were Possibly Misled. Now Eddie

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<v Speaker 1>does not know anything about this. I brought him in

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<v Speaker 1>just to be my bounce back.

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<v Speaker 2>Hey, I love it when this happens.

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<v Speaker 1>Yeah, we've done this a couple of times. One we

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<v Speaker 1>did villains that maybe weren't actually villains. That was good,

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<v Speaker 1>like history taught us differently. And this one's mostly about

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<v Speaker 1>situations that were a little creative with the truth because

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<v Speaker 1>we grow up hearing stories that feel like facts. Were

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<v Speaker 1>taught it over and over because our parents and teachers

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<v Speaker 1>were taught it.

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<v Speaker 2>Yeah Christopher Columbus, Yeah, bad dude, real bad dude. Right,

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<v Speaker 2>We grew up thinking that he was the dude that

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<v Speaker 2>discovered America.

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<v Speaker 1>Oh, the guy, and I'll get to him.

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<v Speaker 2>Oh he's in the list.

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<v Speaker 1>I believe he is. So these stories all feel like

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<v Speaker 1>facts because again they're in our books. Dy'reing pop culture.

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<v Speaker 1>We see a flag, we think of Betsy Ross. Hey,

0:12:54.920 --> 0:12:59.040
<v Speaker 1>well foreshadowing. Yeah, no, you don't know the foreshadow.

0:12:58.760 --> 0:13:01.240
<v Speaker 2>But I mean there's something there. Now, does she not

0:13:01.280 --> 0:13:01.800
<v Speaker 2>do the flag?

0:13:01.920 --> 0:13:03.840
<v Speaker 1>Well maybe when you eat a piece of cake.

0:13:03.960 --> 0:13:07.320
<v Speaker 2>My gosh, Betty Crocker didn't make the cake.

0:13:08.400 --> 0:13:10.040
<v Speaker 1>Well I don't think she's even fighting that. She did

0:13:10.080 --> 0:13:13.719
<v Speaker 1>make the cake, really did a great job with it.

0:13:14.600 --> 0:13:16.960
<v Speaker 1>So I do want to start with Betsy Ross. And

0:13:17.000 --> 0:13:18.160
<v Speaker 1>Betsy Ross did what.

0:13:18.360 --> 0:13:20.880
<v Speaker 2>Saying, ain't so dude. She made the flag. She sewed

0:13:20.920 --> 0:13:23.400
<v Speaker 2>the first flag of the United States of America.

0:13:24.080 --> 0:13:29.000
<v Speaker 1>This is pretty much a staple of American history. Betsy

0:13:29.080 --> 0:13:34.880
<v Speaker 1>Ross widowed Upholsterer.

0:13:35.559 --> 0:13:38.040
<v Speaker 2>Yeah, did you know that? I mean no, I mean

0:13:38.120 --> 0:13:39.719
<v Speaker 2>I figured since she sowed the.

0:13:39.640 --> 0:13:43.080
<v Speaker 1>Flag, I did a little background on her in Philadelphia, and,

0:13:43.360 --> 0:13:46.680
<v Speaker 1>according to Lore, sits in her shop as George Washington

0:13:46.760 --> 0:13:50.760
<v Speaker 1>himself strolls in and says, miss Ross, would you create

0:13:50.800 --> 0:13:59.200
<v Speaker 1>the very first American flag? She humbly suggests five pointed stars?

0:14:00.840 --> 0:14:04.360
<v Speaker 1>Now not five pointed stars? Five pointed? Five pointed? Oh,

0:14:04.400 --> 0:14:04.839
<v Speaker 1>five pointed?

0:14:04.840 --> 0:14:05.040
<v Speaker 2>Got it?

0:14:05.080 --> 0:14:07.200
<v Speaker 1>Because the star could be I don't know, six, sure,

0:14:07.280 --> 0:14:09.679
<v Speaker 1>I don't know. I have never seen three point stars.

0:14:09.800 --> 0:14:11.079
<v Speaker 1>What about ninja star? What are they?

0:14:11.200 --> 0:14:11.360
<v Speaker 3>Oh?

0:14:11.400 --> 0:14:14.280
<v Speaker 2>Those are maybe eight? Yeah, she could have picked all

0:14:14.280 --> 0:14:15.120
<v Speaker 2>the way around it.

0:14:15.360 --> 0:14:18.240
<v Speaker 1>So she suggests a five pointed star because they're easier

0:14:18.240 --> 0:14:24.200
<v Speaker 1>to cut. In my mind, I hear as he said,

0:14:24.640 --> 0:14:27.600
<v Speaker 1>it's a great image. But the whole story is almost

0:14:27.760 --> 0:14:29.800
<v Speaker 1>entirely built on a family's story.

0:14:29.920 --> 0:14:30.520
<v Speaker 2>What do you mean?

0:14:30.640 --> 0:14:33.320
<v Speaker 1>So the first time the Bettsyer hostel appears is eighteen seventy,

0:14:33.920 --> 0:14:37.400
<v Speaker 1>nearly a century after the Revolutionary War, so we're looking

0:14:37.440 --> 0:14:40.280
<v Speaker 1>at one hundred years after Her grandson William can be

0:14:40.480 --> 0:14:43.800
<v Speaker 1>told the story. At a historical Society meeting, he says

0:14:43.840 --> 0:14:45.840
<v Speaker 1>his grandmother told him about it when he was a kid.

0:14:45.960 --> 0:14:48.680
<v Speaker 1>There are no official records. There are no letters from

0:14:48.720 --> 0:14:51.720
<v Speaker 1>George Washington, there are no receipts, there are no flags

0:14:51.720 --> 0:14:53.560
<v Speaker 1>that she ever signed. Love Betsy, there's nothing.

0:14:53.640 --> 0:14:57.160
<v Speaker 2>There is a painting of her so in the first flag, like,

0:14:57.240 --> 0:14:59.160
<v Speaker 2>did someone just make that up? I can make one

0:14:59.160 --> 0:15:02.280
<v Speaker 2>of those myself right now. Now you're telling me that

0:15:02.400 --> 0:15:05.960
<v Speaker 2>George Washington. There was no proof that George Washington, the

0:15:06.000 --> 0:15:08.480
<v Speaker 2>first president of the United States of America, walked into

0:15:08.520 --> 0:15:11.280
<v Speaker 2>Betsy's upholstery shop and said, make me a flag.

0:15:12.000 --> 0:15:14.480
<v Speaker 1>There is no direct proof like that, and there wasn't

0:15:14.480 --> 0:15:17.440
<v Speaker 1>even a story until one hundred years after the fact.

0:15:17.640 --> 0:15:18.240
<v Speaker 2>That's crazy.

0:15:18.240 --> 0:15:21.680
<v Speaker 1>What we do know Betsy Ross, she was a flagmaker.

0:15:22.640 --> 0:15:25.120
<v Speaker 1>She made flags for the Pennsylvania Navy, not for the

0:15:25.200 --> 0:15:28.040
<v Speaker 1>United States as a whole. But the first flag thing

0:15:29.200 --> 0:15:32.560
<v Speaker 1>family lore that is probably national myth.

0:15:33.320 --> 0:15:36.320
<v Speaker 2>Question for you, you think Betsy started that? I mean

0:15:36.640 --> 0:15:38.800
<v Speaker 2>say it's false, right, let's just go with a narrative

0:15:38.840 --> 0:15:41.920
<v Speaker 2>that it's not true. You think Betsy told her family

0:15:41.920 --> 0:15:44.200
<v Speaker 2>members like, I'm pull one on them real quick. Hey,

0:15:44.200 --> 0:15:46.320
<v Speaker 2>you know I made the first American flag, right, And

0:15:46.360 --> 0:15:48.720
<v Speaker 2>then all the grandkids and everyone started telling them, then

0:15:48.760 --> 0:15:52.000
<v Speaker 2>this grandson tells everyone or do you think the grandson

0:15:52.080 --> 0:15:53.480
<v Speaker 2>was like, i'll make a good story.

0:15:53.760 --> 0:15:56.240
<v Speaker 1>I'm gonna give Betsy the benefit of the doubt, and

0:15:56.360 --> 0:15:58.240
<v Speaker 1>that I don't think she probably was saying I made

0:15:58.240 --> 0:16:01.440
<v Speaker 1>the first, but she probably eventually made some flags, and

0:16:01.520 --> 0:16:03.960
<v Speaker 1>she probably made early flags. And it's easy too if

0:16:04.000 --> 0:16:06.600
<v Speaker 1>you have one of the first flags, or if someone

0:16:06.600 --> 0:16:07.800
<v Speaker 1>else made it and took it to her and said,

0:16:07.800 --> 0:16:09.640
<v Speaker 1>could you make a bit of this in bulk.

0:16:09.400 --> 0:16:13.120
<v Speaker 2>And you know, bulk not really a term, then I think.

0:16:13.040 --> 0:16:16.480
<v Speaker 1>There probably was something based on the things that I

0:16:16.560 --> 0:16:19.440
<v Speaker 1>read that made the family believe she was one of

0:16:19.440 --> 0:16:21.400
<v Speaker 1>the first. And they couldn't prove it, So why would

0:16:21.480 --> 0:16:23.760
<v Speaker 1>you just not go ahead and say she was the first?

0:16:24.080 --> 0:16:26.200
<v Speaker 1>But it was one hundred years after and it was

0:16:26.240 --> 0:16:27.120
<v Speaker 1>a family member.

0:16:27.560 --> 0:16:29.400
<v Speaker 2>And listen, don't let a good story get in the

0:16:29.400 --> 0:16:31.080
<v Speaker 2>way of the truth. And that what they say, don't

0:16:31.160 --> 0:16:32.440
<v Speaker 2>let the truth get in the way of a good story.

0:16:32.520 --> 0:16:36.080
<v Speaker 2>That's what it is. I'm dyslexic. Yeah, just switches around.

0:16:36.080 --> 0:16:36.720
<v Speaker 1>Do you like that one?

0:16:36.800 --> 0:16:39.200
<v Speaker 2>That's pretty good. I'm gonna go w she did though,

0:16:39.640 --> 0:16:40.520
<v Speaker 2>I'm gonna go she did.

0:16:40.760 --> 0:16:43.080
<v Speaker 1>I'm gonna go if she didn't, because it was one

0:16:43.120 --> 0:16:47.160
<v Speaker 1>hundred years until that even existed, that thought existed, and

0:16:47.200 --> 0:16:50.800
<v Speaker 1>it was told by a relative. So many conflicts there.

0:16:51.600 --> 0:16:53.160
<v Speaker 1>So I'm gonna go Betsy Ross did not sow the

0:16:53.160 --> 0:16:56.640
<v Speaker 1>first American flag. Probably did so some flags at the time,

0:16:56.680 --> 0:16:58.040
<v Speaker 1>and maybe an occasional American flag.

0:16:58.120 --> 0:17:03.400
<v Speaker 2>Okay, Vincent van Goh, yes, he cut off his ear. Nice,

0:17:03.600 --> 0:17:05.400
<v Speaker 2>But did he cut it off or did somebody else

0:17:05.400 --> 0:17:05.920
<v Speaker 2>cut it off?

0:17:06.040 --> 0:17:08.120
<v Speaker 1>Well, according to the story, he cut it off, okay,

0:17:08.800 --> 0:17:11.520
<v Speaker 1>full ear hawk cut it the ear because he was struggling.

0:17:11.640 --> 0:17:12.800
<v Speaker 1>I even went to the exhibit.

0:17:12.960 --> 0:17:15.199
<v Speaker 2>What do you mean he was struggling, like mentally. So

0:17:15.480 --> 0:17:20.359
<v Speaker 2>that's that's the story. Tortured artist, mentally tortured. So the

0:17:20.359 --> 0:17:24.159
<v Speaker 2>story we know is that Vince Mango is brilliant but

0:17:24.280 --> 0:17:27.280
<v Speaker 2>also very troubled, very unstable. He cuts off his entire

0:17:27.920 --> 0:17:31.560
<v Speaker 2>ear and he delivers it to a woman. I didn't

0:17:31.560 --> 0:17:33.600
<v Speaker 2>know this part. According to the legend, at a brothel.

0:17:33.840 --> 0:17:37.840
<v Speaker 2>Oh there we go, one of those girls at a brothel, like.

0:17:37.800 --> 0:17:40.480
<v Speaker 1>Bro don't date a stripper. First thing people tell you

0:17:40.520 --> 0:17:42.880
<v Speaker 1>about going to don't data stripper. That's not what they're

0:17:42.920 --> 0:17:45.280
<v Speaker 1>there for. Come on, man, you know better never data stripper.

0:17:45.600 --> 0:17:48.280
<v Speaker 1>I've heard that from a lot of people. Huh so,

0:17:48.560 --> 0:17:52.119
<v Speaker 1>and that ear was a symbol of pain, love and madness.

0:17:52.160 --> 0:17:55.280
<v Speaker 1>Except well it wasn't true. We've kind of been misled.

0:17:55.320 --> 0:17:56.240
<v Speaker 2>Oh my gosh.

0:17:56.440 --> 0:17:59.440
<v Speaker 1>Medical records show he only cut off a very small

0:17:59.480 --> 0:18:03.800
<v Speaker 1>portion of his left ear lobe. Dude, that's nothing, and

0:18:04.000 --> 0:18:06.960
<v Speaker 1>even that part might not have been entirely self inflicted.

0:18:07.480 --> 0:18:10.080
<v Speaker 1>Historians now argue that it was actually sliced off by

0:18:10.119 --> 0:18:13.200
<v Speaker 1>Paul Galgwin, his friend and fellow artist, during a fight.

0:18:13.480 --> 0:18:13.800
<v Speaker 2>Nice.

0:18:14.040 --> 0:18:17.040
<v Speaker 1>So, first of all, his whole ear wasn't gone. It

0:18:17.119 --> 0:18:19.840
<v Speaker 1>was a very sliver of his low.

0:18:19.760 --> 0:18:21.600
<v Speaker 2>The lobe is the little thing where that hangs.

0:18:21.760 --> 0:18:22.880
<v Speaker 1>Yeah, well you get pierced.

0:18:22.920 --> 0:18:26.040
<v Speaker 2>Yeah, and really I mean people, Yeah, people pierced. People

0:18:26.080 --> 0:18:27.520
<v Speaker 2>get those big circle ones.

0:18:28.320 --> 0:18:34.000
<v Speaker 1>So the two had a notoriously tense relationship. Galgan was

0:18:34.240 --> 0:18:38.040
<v Speaker 1>bad tempered, van Go was struggling mentally. After the incident,

0:18:38.080 --> 0:18:40.760
<v Speaker 1>they both covered it up, possibly to avoid scandal, but

0:18:40.840 --> 0:18:43.520
<v Speaker 1>the full ear story took off because it was more

0:18:43.600 --> 0:18:46.840
<v Speaker 1>poetic and he was struggling and he was an artist,

0:18:46.960 --> 0:18:50.439
<v Speaker 1>and it made the Van Go legend grow. It was

0:18:50.520 --> 0:18:52.040
<v Speaker 1>click bit, it fit the brand.

0:18:52.280 --> 0:18:54.760
<v Speaker 2>It was a PR move, even back in the Van

0:18:54.800 --> 0:18:55.680
<v Speaker 2>Go days, it.

0:18:55.600 --> 0:18:59.400
<v Speaker 1>Made his work more valuable because a crazy brilliant man

0:18:59.840 --> 0:19:02.160
<v Speaker 1>is much more interesting than just a brilliant man.

0:19:02.240 --> 0:19:05.320
<v Speaker 2>See that is even that's so more impressive than the

0:19:05.359 --> 0:19:07.359
<v Speaker 2>whole ear getting cut off. The fact that this was

0:19:07.400 --> 0:19:09.719
<v Speaker 2>PR and that he knew that it was gonna be

0:19:09.720 --> 0:19:12.080
<v Speaker 2>better for the image. That's next level man.

0:19:12.200 --> 0:19:16.440
<v Speaker 1>And we do have records that show it was only

0:19:16.480 --> 0:19:19.520
<v Speaker 1>a little part of his ear lob. So with Betsy Ross,

0:19:19.520 --> 0:19:23.080
<v Speaker 1>we have nothing, yeah, just hearsay, just hearsay to say

0:19:23.080 --> 0:19:26.680
<v Speaker 1>she did it. Here we have medical records to show

0:19:26.720 --> 0:19:28.280
<v Speaker 1>that it was only a part of his ear lobe.

0:19:29.160 --> 0:19:30.960
<v Speaker 2>When did When was he alive?

0:19:31.040 --> 0:19:31.359
<v Speaker 4>Van Go?

0:19:32.560 --> 0:19:34.960
<v Speaker 1>Yeah, I don't know. Seventeen hundreds, I'm guessing he was

0:19:35.040 --> 0:19:37.480
<v Speaker 1>late eighteen hundreds. There you go missed it by one hundred.

0:19:37.640 --> 0:19:42.920
<v Speaker 2>So long time ago to have medical records. PR company

0:19:43.000 --> 0:19:44.480
<v Speaker 2>working for him about a.

0:19:44.400 --> 0:19:46.919
<v Speaker 1>Company, but a firm. He died in eighteen ninety.

0:19:46.920 --> 0:19:49.320
<v Speaker 5>He shot himself in the chest.

0:19:49.560 --> 0:19:52.120
<v Speaker 1>He was struggling or did he or did someone shoot

0:19:52.200 --> 0:19:54.200
<v Speaker 1>him because they want to be value records now I'm

0:19:54.240 --> 0:19:54.800
<v Speaker 1>making it up.

0:19:55.720 --> 0:19:57.680
<v Speaker 2>And him and his buddy were fighting over a chick

0:19:57.720 --> 0:19:59.000
<v Speaker 2>at the brothel. That's what it was.

0:19:59.160 --> 0:19:59.800
<v Speaker 1>It never dated.

0:20:00.680 --> 0:20:06.119
<v Speaker 4>Hang tight, the Bobby Cast will be right back. Welcome

0:20:06.240 --> 0:20:10.720
<v Speaker 4>back to the Bobby Cast. Thomas Edison invented the light bulb.

0:20:11.480 --> 0:20:13.119
<v Speaker 2>Correct, I mean that's a fact.

0:20:13.520 --> 0:20:17.640
<v Speaker 1>We love to crown historical geniuses. Yes, Edison, the king

0:20:17.720 --> 0:20:24.200
<v Speaker 1>of invention. I watched what did I watch recently? About inventions?

0:20:24.240 --> 0:20:26.160
<v Speaker 1>Because I told you and you had known the answer

0:20:26.200 --> 0:20:28.800
<v Speaker 1>about the horse the first pictures, the first motion picture

0:20:28.840 --> 0:20:32.000
<v Speaker 1>was a horse running. Yes, what show was that on?

0:20:32.760 --> 0:20:34.800
<v Speaker 1>But I watched some documentary. I feel like it was

0:20:34.800 --> 0:20:37.800
<v Speaker 1>a TikTok It could have been now shows on TikTok's

0:20:37.840 --> 0:20:38.160
<v Speaker 1>all blur.

0:20:38.359 --> 0:20:40.359
<v Speaker 5>Also at the beginning of the movie, note by Jordan

0:20:40.400 --> 0:20:42.280
<v Speaker 5>Peele's say what they opened up with?

0:20:42.520 --> 0:20:45.840
<v Speaker 1>Yeah, that wasn't it. But I remember the whole thing

0:20:45.920 --> 0:20:48.879
<v Speaker 1>was about Thomas Edison actually just patenting a bunch of

0:20:48.920 --> 0:20:50.960
<v Speaker 1>stuff and said he invented it. Yeah, which was because

0:20:50.960 --> 0:20:54.040
<v Speaker 1>he was a crazy businessman, like a crazy businessman, so yes,

0:20:54.080 --> 0:20:55.919
<v Speaker 1>which he did that with a ton of things. So

0:20:56.000 --> 0:20:59.879
<v Speaker 1>Thomas Edison was a genius, but was like a b

0:21:00.000 --> 0:21:03.440
<v Speaker 1>business man genius. The idea of a light bulb, which

0:21:03.520 --> 0:21:06.120
<v Speaker 1>was passing electricity through a filament, was already being worked

0:21:06.160 --> 0:21:08.800
<v Speaker 1>on by people like Sir Humphrey Davey, Warren de LaRue,

0:21:09.240 --> 0:21:12.240
<v Speaker 1>Joseph Swan and Britain. Swan even had a working light

0:21:12.240 --> 0:21:14.560
<v Speaker 1>bulb way before Edison even said anything about it.

0:21:14.600 --> 0:21:17.080
<v Speaker 2>Who is that Swan? Gosh, that's the.

0:21:17.040 --> 0:21:21.160
<v Speaker 1>Guy, Joseph Swan. Edison's real invention was making it last

0:21:21.240 --> 0:21:25.240
<v Speaker 1>longer thanks to a carbonized bamboo filament, and then making

0:21:25.280 --> 0:21:28.000
<v Speaker 1>it marketable. He also tried to sue his way into

0:21:28.080 --> 0:21:30.639
<v Speaker 1>exclusive credit, which he did a lot.

0:21:31.840 --> 0:21:34.080
<v Speaker 2>Just now you want everyone to think that he's the

0:21:34.080 --> 0:21:34.919
<v Speaker 2>one that invented it.

0:21:34.960 --> 0:21:37.320
<v Speaker 1>Man, I watched some documentary about all this and I

0:21:37.400 --> 0:21:40.640
<v Speaker 1>do not remember what it is. He fought Swan and court,

0:21:41.400 --> 0:21:44.080
<v Speaker 1>he lost in England and eventually had to merge their company.

0:21:44.200 --> 0:21:46.040
<v Speaker 1>So Edison was smart, but the idea of the invented

0:21:46.000 --> 0:21:49.160
<v Speaker 1>of the light bulb from scratch did not happen. It's

0:21:50.960 --> 0:21:55.320
<v Speaker 1>like giving Steve Jobs credit for creating Apple. Sure he

0:21:55.400 --> 0:21:57.520
<v Speaker 1>was one of the people, but he wasn't the code

0:21:57.560 --> 0:21:59.360
<v Speaker 1>or the computer guy. He was a marketing guy.

0:21:59.280 --> 0:22:01.920
<v Speaker 2>Right, But who do you think of created creating Apple?

0:22:01.960 --> 0:22:04.679
<v Speaker 2>Steve John Steve Jobs one hundred percent? There we go.

0:22:04.840 --> 0:22:08.240
<v Speaker 1>Here's another one. Napoleon was short.

0:22:08.880 --> 0:22:09.760
<v Speaker 2>Yes, that's a fact.

0:22:10.240 --> 0:22:11.400
<v Speaker 1>Have a Napoleon complex.

0:22:11.520 --> 0:22:12.920
<v Speaker 2>Yes, that's a little man complex.

0:22:13.000 --> 0:22:15.040
<v Speaker 1>Right, So it's you're little, so you're going to be

0:22:15.080 --> 0:22:16.760
<v Speaker 1>extra to proved of the world that you're not weak

0:22:16.800 --> 0:22:21.119
<v Speaker 1>because you're little. So Napoleon complex does suggest just that

0:22:21.280 --> 0:22:25.720
<v Speaker 1>that short men try to overcompensate with aggression. Napoleon wasn't

0:22:25.720 --> 0:22:26.480
<v Speaker 1>actually short.

0:22:26.560 --> 0:22:27.600
<v Speaker 2>What he was even shortened?

0:22:27.640 --> 0:22:31.600
<v Speaker 1>Bill and Ted's that's true. He was about five to seven,

0:22:32.760 --> 0:22:37.480
<v Speaker 1>which was average height for a Frenchman in the eighteen hundred's. Oh,

0:22:37.520 --> 0:22:42.160
<v Speaker 1>the myth of his short stature comes from a unit

0:22:42.280 --> 0:22:46.800
<v Speaker 1>conversion mistake. First off, French inches were longer than English ones.

0:22:47.160 --> 0:22:51.439
<v Speaker 1>That's always my excuse and no, no, no, trust me, and

0:22:51.600 --> 0:22:54.359
<v Speaker 1>British newspapers exploited the difference to Mockham, so it was

0:22:54.480 --> 0:22:56.880
<v Speaker 1>bad pr Wow. They were using that to make him

0:22:57.119 --> 0:23:01.359
<v Speaker 1>look weaker by being smaller. When he appeared in public,

0:23:01.680 --> 0:23:04.760
<v Speaker 1>he often stood with his imperial guard. What's the thing

0:23:04.760 --> 0:23:06.040
<v Speaker 1>you've seen about imperial guards?

0:23:06.960 --> 0:23:09.440
<v Speaker 2>Uh, they're the ones like they're just the ones like

0:23:09.480 --> 0:23:13.399
<v Speaker 2>then stand in front of the palace. Sure, they're just

0:23:13.440 --> 0:23:16.919
<v Speaker 2>straight up, they're massive they're huge, so they have on

0:23:17.000 --> 0:23:19.119
<v Speaker 2>all the metal and or the.

0:23:20.600 --> 0:23:24.320
<v Speaker 1>Fatigue type thing, but they're they're massive, they're guards, so

0:23:24.359 --> 0:23:27.280
<v Speaker 1>that would also make him look small in comparison, So

0:23:27.960 --> 0:23:30.320
<v Speaker 1>it was basically propaganda buy his enemies. He was of

0:23:30.320 --> 0:23:32.160
<v Speaker 1>average hied he was five seven. He's taller than Ray

0:23:32.240 --> 0:23:38.600
<v Speaker 1>is here on our show and the French to English conversion,

0:23:38.840 --> 0:23:43.639
<v Speaker 1>but again back then average height, so he was not small.

0:23:44.560 --> 0:23:47.159
<v Speaker 1>But once they could get that out, they continue to

0:23:47.160 --> 0:23:48.639
<v Speaker 1>beat that drum to make him look weaker.

0:23:48.840 --> 0:23:51.960
<v Speaker 2>We've been lied to another one or now, of course

0:23:52.000 --> 0:23:53.480
<v Speaker 2>I love these I got a couple more.

0:23:54.000 --> 0:23:55.440
<v Speaker 1>The Right brothers were the first to fly.

0:23:55.640 --> 0:23:57.320
<v Speaker 2>No, that's that's one hundred percent factual.

0:23:57.400 --> 0:23:58.600
<v Speaker 1>And where did they fly? Do you remember?

0:23:58.800 --> 0:24:01.760
<v Speaker 2>Uh? Yeah, kit Hawk correct, North Carolina.

0:24:01.400 --> 0:24:03.119
<v Speaker 1>In nineteen oh three. The Wright brothers made history in

0:24:03.160 --> 0:24:04.280
<v Speaker 1>Kitty Hawk, North Carolina.

0:24:05.359 --> 0:24:08.600
<v Speaker 2>It's on the license plate. Still we all thought they

0:24:08.640 --> 0:24:10.960
<v Speaker 2>were the first to fly. Please tell me they're please

0:24:11.119 --> 0:24:12.639
<v Speaker 2>don't say that they're not, and.

0:24:12.720 --> 0:24:13.680
<v Speaker 1>Turned into the room.

0:24:14.080 --> 0:24:18.439
<v Speaker 2>Gustave Whitehead, Oh, mister Gustave Whitehead.

0:24:18.000 --> 0:24:24.120
<v Speaker 1>A German born aviation pioneer who flew a powered aircraft

0:24:24.160 --> 0:24:27.280
<v Speaker 1>in Connecticut in nineteen oh one. Now you say nineteen

0:24:27.320 --> 0:24:30.120
<v Speaker 1>oh one, when did the Right Brothers fly Kittyhog, North Carolina?

0:24:30.200 --> 0:24:30.920
<v Speaker 1>Nineteen oh three?

0:24:31.080 --> 0:24:34.560
<v Speaker 2>Oh boy, were they there? Did they hear about it?

0:24:34.600 --> 0:24:37.520
<v Speaker 1>There are newspaper articles from the time describing a successful flight,

0:24:37.560 --> 0:24:42.200
<v Speaker 1>eyewitnesses diagrams. You haven't heard of him because the Smithsonian

0:24:42.200 --> 0:24:45.320
<v Speaker 1>Institutions signed to deal with the Right Estate. No a

0:24:45.480 --> 0:24:48.679
<v Speaker 1>worrying to credit them as the first in order to

0:24:48.680 --> 0:24:53.160
<v Speaker 1>display their plane. No way. If I were a whitehead,

0:24:53.160 --> 0:24:57.159
<v Speaker 1>I'd be so pissed. They literally locked in the story. Dang,

0:24:57.480 --> 0:24:59.480
<v Speaker 1>you're giving us the plane. We now say this is

0:24:59.560 --> 0:25:00.679
<v Speaker 1>the first place I never flown.

0:25:01.040 --> 0:25:06.440
<v Speaker 2>That is crazy, even though Gustav was the first dude allegedly,

0:25:06.760 --> 0:25:08.080
<v Speaker 2>I mean according to yes.

0:25:08.480 --> 0:25:10.000
<v Speaker 1>So while Orvill and Wilbur.

0:25:09.720 --> 0:25:14.639
<v Speaker 3>Were for sure pioneers, Orble and Wilburg, it's possible that

0:25:14.800 --> 0:25:19.000
<v Speaker 3>history gave them the gold medal, even though I know

0:25:19.119 --> 0:25:20.119
<v Speaker 3>we're second or third.

0:25:20.480 --> 0:25:23.400
<v Speaker 2>This is just like the race to so many things, right,

0:25:23.560 --> 0:25:25.760
<v Speaker 2>like all of these that you mentioned, I mean, not

0:25:25.760 --> 0:25:28.240
<v Speaker 2>not every single one, but like the Edison one, it's

0:25:28.240 --> 0:25:31.199
<v Speaker 2>just a race. It's a race to put on the

0:25:31.240 --> 0:25:33.560
<v Speaker 2>stamp and lock it in that you this was your

0:25:33.600 --> 0:25:35.639
<v Speaker 2>idea that You were the first to do this in

0:25:35.720 --> 0:25:39.399
<v Speaker 2>a time where there weren't really there really wasn't documentation.

0:25:40.280 --> 0:25:42.639
<v Speaker 1>Even if you weren't, it was just do it and

0:25:42.680 --> 0:25:44.719
<v Speaker 1>it can be documented so you can show people if

0:25:44.720 --> 0:25:45.720
<v Speaker 1>they fight you about it.

0:25:45.720 --> 0:25:47.760
<v Speaker 2>You could have seen it happen with your own eyes,

0:25:48.040 --> 0:25:50.440
<v Speaker 2>roding your horse to your village cell phone to record

0:25:50.440 --> 0:25:53.760
<v Speaker 2>it and publish it first. And now you're the you're

0:25:53.760 --> 0:25:56.120
<v Speaker 2>the one that first did it. That's crazy.

0:25:56.560 --> 0:25:57.680
<v Speaker 1>You mentioned Columbus.

0:25:57.880 --> 0:26:02.840
<v Speaker 2>Yes, Christopher Columbus from Spain fourteen ninety two sailed the

0:26:02.880 --> 0:26:05.000
<v Speaker 2>Ocean Blue.

0:26:04.280 --> 0:26:07.399
<v Speaker 1>And completely missed what is now the United States. He

0:26:07.560 --> 0:26:11.080
<v Speaker 1>landed the Bahamas and later in parts of Central and

0:26:11.119 --> 0:26:14.880
<v Speaker 1>South America, but never set foot in North America. As

0:26:14.880 --> 0:26:19.400
<v Speaker 1>far as discovering America, leif Ericson beat him there by

0:26:19.440 --> 0:26:23.000
<v Speaker 1>five hundred years. And that's like, that's Canada, that's North America.

0:26:23.080 --> 0:26:24.000
<v Speaker 2>What's his name? Lee?

0:26:24.000 --> 0:26:29.159
<v Speaker 1>What Leaf Garrett? Leif Garrett was the kid lou Gar. No,

0:26:29.359 --> 0:26:31.119
<v Speaker 1>Leif Garrett was like the kids singer from like the

0:26:31.119 --> 0:26:35.160
<v Speaker 1>seventies and eighties. Leif Ericson was the explorer, beat him

0:26:35.160 --> 0:26:37.679
<v Speaker 1>by again about five hundred years and landed in what

0:26:37.800 --> 0:26:41.160
<v Speaker 1>is North America in Newfoundland, Canada.

0:26:41.640 --> 0:26:43.160
<v Speaker 2>But so still not America.

0:26:43.240 --> 0:26:46.920
<v Speaker 1>No Columbus got to South America, but leef Erikson beat

0:26:46.960 --> 0:26:49.520
<v Speaker 1>him to even the north the whole continent.

0:26:49.600 --> 0:26:53.240
<v Speaker 2>So Columbus hit the Bahamas and then went to South America,

0:26:53.800 --> 0:26:58.080
<v Speaker 2>didn't it never even came to America. So well, is

0:26:58.160 --> 0:27:00.600
<v Speaker 2>it is it a case of where they just hit

0:27:00.720 --> 0:27:04.320
<v Speaker 2>land in the Americas since it's North America, Central America,

0:27:04.359 --> 0:27:06.919
<v Speaker 2>South America. It wasn't called that though then Okay, well

0:27:06.960 --> 0:27:08.119
<v Speaker 2>he definitely didn't discover.

0:27:07.960 --> 0:27:10.960
<v Speaker 1>This because America is named after America of Vespucci, right,

0:27:11.520 --> 0:27:15.399
<v Speaker 1>and it wasn't named that at the time. The people

0:27:15.400 --> 0:27:18.959
<v Speaker 1>that are already living there the islands where Columbus landed

0:27:19.000 --> 0:27:24.240
<v Speaker 1>his boat, millions of indigenous people they actually discovered even

0:27:24.280 --> 0:27:26.120
<v Speaker 1>that land obviously. I mean they were sure they were

0:27:26.119 --> 0:27:28.600
<v Speaker 1>born there. They had been thriving for thousands of years.

0:27:29.000 --> 0:27:30.840
<v Speaker 1>He wasn't even the first European. He was just the

0:27:30.880 --> 0:27:34.199
<v Speaker 1>first on whose voyage was profitable for the Empire and

0:27:34.200 --> 0:27:36.960
<v Speaker 1>then documented. Well enough there go document said it's just

0:27:37.000 --> 0:27:38.919
<v Speaker 1>going like I did it. You have to put that

0:27:39.000 --> 0:27:41.840
<v Speaker 1>stamp on it that you did it. Then history takes over.

0:27:41.920 --> 0:27:43.480
<v Speaker 1>If we just would have had a couple of indigenous

0:27:43.520 --> 0:27:47.200
<v Speaker 1>people with cell phones back then. They could have showed

0:27:47.280 --> 0:27:49.960
<v Speaker 1>us he's a bad dude too. They like raped pillage

0:27:50.119 --> 0:27:52.720
<v Speaker 1>that took the land over, But he never was. Columbus

0:27:52.800 --> 0:27:56.240
<v Speaker 1>did not discover America. And if you're like, yeah, you

0:27:56.240 --> 0:27:57.720
<v Speaker 1>went to South America, okay, well then you have to

0:27:57.760 --> 0:28:03.879
<v Speaker 1>count North America and leif ericson found where Canada is.

0:28:04.280 --> 0:28:05.920
<v Speaker 1>South America's not think the same content as North America.

0:28:05.920 --> 0:28:07.119
<v Speaker 1>But you can put all Americans together.

0:28:07.280 --> 0:28:12.520
<v Speaker 2>Where do you stand on changing you know, textbooks and

0:28:13.200 --> 0:28:16.040
<v Speaker 2>teachings of all this stuff. The more we find out

0:28:16.320 --> 0:28:17.080
<v Speaker 2>real things.

0:28:16.880 --> 0:28:20.000
<v Speaker 1>Like this, well, I think it's interesting because textbooks aren't

0:28:20.040 --> 0:28:21.800
<v Speaker 1>really books anymore. It's all online.

0:28:21.920 --> 0:28:22.760
<v Speaker 2>Yeah, I guess that's why.

0:28:22.800 --> 0:28:24.680
<v Speaker 1>So it's very easy to change. And I think since

0:28:24.720 --> 0:28:27.760
<v Speaker 1>it is so easy to change with things that are

0:28:27.800 --> 0:28:30.280
<v Speaker 1>more true, I think we should constantly be evolving our

0:28:30.320 --> 0:28:33.280
<v Speaker 1>truth with the truth. If it weren't a book, and

0:28:33.320 --> 0:28:35.879
<v Speaker 1>you and schools are struggling financially and it's like we

0:28:35.880 --> 0:28:38.520
<v Speaker 1>should change a book every time, I would be like, no, financially,

0:28:38.520 --> 0:28:41.000
<v Speaker 1>that doesn't make sense. Yeah, But I think because this

0:28:41.120 --> 0:28:44.040
<v Speaker 1>can be changed and taught very easily, with a simple

0:28:44.360 --> 0:28:49.480
<v Speaker 1>control a select delete control copy paste from the Yeah,

0:28:49.960 --> 0:28:51.959
<v Speaker 1>I do. I think we're constantly, even in science, we're

0:28:52.040 --> 0:28:53.360
<v Speaker 1>learning things that are different all the time. We change

0:28:53.400 --> 0:28:57.160
<v Speaker 1>that constantly. Yeah, so, yeah, I think so Columbus never

0:28:57.600 --> 0:28:58.240
<v Speaker 1>was in America.

0:28:58.360 --> 0:29:00.400
<v Speaker 2>Yeah, that one. I knew a lot of my blowing

0:29:00.440 --> 0:29:01.440
<v Speaker 2>things in this list.

0:29:01.760 --> 0:29:03.880
<v Speaker 1>Albert Einstein you've heard have you ever heard?

0:29:03.960 --> 0:29:04.040
<v Speaker 2>So?

0:29:04.080 --> 0:29:06.320
<v Speaker 1>There was a couple Michael Jordan didn't make his high

0:29:06.360 --> 0:29:08.000
<v Speaker 1>school basketball team. You ever hear that one?

0:29:08.240 --> 0:29:08.800
<v Speaker 2>You ever heard that?

0:29:08.800 --> 0:29:10.280
<v Speaker 1>But he was in like ninth grade. They'd leave out

0:29:10.280 --> 0:29:12.560
<v Speaker 1>the stuff. Yeah, and that Albert einstein Feld math.

0:29:13.320 --> 0:29:13.880
<v Speaker 2>I've heard that.

0:29:14.080 --> 0:29:16.480
<v Speaker 1>Yes, so I've heard that too. It's like, don't worry

0:29:16.480 --> 0:29:18.720
<v Speaker 1>if you're bad at math. Einstein Feld math too.

0:29:18.840 --> 0:29:19.880
<v Speaker 2>Hey, that sounds good.

0:29:20.000 --> 0:29:23.040
<v Speaker 1>It's a very comforting story, but it's completely false. Einstein

0:29:23.080 --> 0:29:26.000
<v Speaker 1>was Einstein was a math prodigy. At twelve, he was

0:29:26.000 --> 0:29:28.280
<v Speaker 1>studying algebra and calculus on his own. At fifteen, he'd

0:29:28.320 --> 0:29:32.560
<v Speaker 1>mastered college level geometry. The myths started from a misreading

0:29:32.560 --> 0:29:35.360
<v Speaker 1>of a school transcript in Switzerland. A one was the

0:29:35.360 --> 0:29:38.000
<v Speaker 1>best grade and six was the worst. Someone reversed and

0:29:38.000 --> 0:29:40.400
<v Speaker 1>thought it was different, and they thought the high was

0:29:40.400 --> 0:29:41.440
<v Speaker 1>the low and the low was the high, and they

0:29:41.440 --> 0:29:42.920
<v Speaker 1>saw the low, which was actually the high, and they

0:29:42.960 --> 0:29:47.480
<v Speaker 1>gave them the low. So Einstein didn't fail math. Yeah,

0:29:47.560 --> 0:29:50.720
<v Speaker 1>your math problems or your math problems regardless.

0:29:50.640 --> 0:29:54.080
<v Speaker 2>Leave Einstein out of this. Yes, the crazy too. Did

0:29:54.160 --> 0:29:56.640
<v Speaker 2>you know he died in like the fifties. Yeah, Like

0:29:56.960 --> 0:29:59.760
<v Speaker 2>you think of Albert Einstein and this is he probably

0:30:00.040 --> 0:30:02.520
<v Speaker 2>hung out with Tomas Edison. Not true.

0:30:02.600 --> 0:30:05.320
<v Speaker 1>The two I think of in that world are Einstein

0:30:05.360 --> 0:30:07.720
<v Speaker 1>and Pablo Picasso, because he sounds like some fifteen hundred.

0:30:08.160 --> 0:30:09.080
<v Speaker 2>He was big in the sixties.

0:30:09.120 --> 0:30:11.040
<v Speaker 1>He died in like the sixties and seventies, maybe even

0:30:11.080 --> 0:30:13.080
<v Speaker 1>nineteen seventy eight or something that's.

0:30:12.880 --> 0:30:14.000
<v Speaker 2>Crazy seventy three.

0:30:14.160 --> 0:30:18.520
<v Speaker 1>Yeah, but Einstein, I knew. I've seen him in enough

0:30:18.520 --> 0:30:21.520
<v Speaker 1>black and white pictures. But secondly, whenever we watched that

0:30:21.600 --> 0:30:24.160
<v Speaker 1>movie that was about the atomic bomb, Oppenheim, Yeah, terrible.

0:30:24.200 --> 0:30:25.600
<v Speaker 1>He was basically in it. I was good.

0:30:26.440 --> 0:30:27.800
<v Speaker 2>Too much dialogue for my taste.

0:30:27.840 --> 0:30:30.080
<v Speaker 1>I'm gonna bring out Marie an Toinette again because we

0:30:30.120 --> 0:30:32.040
<v Speaker 1>had talked about her before where she's a villain and

0:30:32.080 --> 0:30:34.160
<v Speaker 1>I'm like, I don't know, guys, she came from a

0:30:34.200 --> 0:30:37.960
<v Speaker 1>bad situation, and so her line let them eat cake

0:30:38.320 --> 0:30:39.760
<v Speaker 1>is basically.

0:30:41.120 --> 0:30:43.280
<v Speaker 2>Snob let them eat cake.

0:30:43.160 --> 0:30:46.080
<v Speaker 1>Like snob central. The phrase first appeared in a book

0:30:46.120 --> 0:30:49.360
<v Speaker 1>written before she was even queen, that let them eat

0:30:49.360 --> 0:30:52.240
<v Speaker 1>cake phrase, and it was attributed to an entirely different

0:30:52.240 --> 0:30:55.080
<v Speaker 1>French noblewoman. Historians believe it was usual as propaganda during

0:30:55.080 --> 0:30:59.360
<v Speaker 1>the French Revolution to vilify her. Marie Antoinette was out

0:30:59.360 --> 0:31:02.880
<v Speaker 1>of touch. I can agree with that because she was rich. Well,

0:31:02.960 --> 0:31:04.640
<v Speaker 1>she wasn't until she married in to a guy she

0:31:04.640 --> 0:31:06.560
<v Speaker 1>didn't even want to marry. She was a kid ripped

0:31:06.560 --> 0:31:10.080
<v Speaker 1>out of her home. But the cake quote was slander,

0:31:10.840 --> 0:31:13.080
<v Speaker 1>invented to chop her head off, because that's what happened.

0:31:13.120 --> 0:31:13.880
<v Speaker 1>They chopped her head off.

0:31:13.880 --> 0:31:15.160
<v Speaker 2>Oh they're brutal.

0:31:15.200 --> 0:31:18.320
<v Speaker 1>Back then, I have two more.

0:31:18.760 --> 0:31:20.800
<v Speaker 2>They would chop people's heads off, and it was an

0:31:20.840 --> 0:31:22.520
<v Speaker 2>event on a whim, But I also want a whim

0:31:22.520 --> 0:31:25.920
<v Speaker 2>like that too, Yeah, like I'm the king, I don't

0:31:25.960 --> 0:31:26.560
<v Speaker 2>like you.

0:31:26.120 --> 0:31:29.240
<v Speaker 1>You littered bad shirt chopped their heads off.

0:31:29.440 --> 0:31:31.640
<v Speaker 2>Because it also too was entertainment for the whole town, like, hey,

0:31:31.680 --> 0:31:33.400
<v Speaker 2>they're gonna chop someone's head off at noon, let's go

0:31:33.520 --> 0:31:35.200
<v Speaker 2>I know, yeah, good point, And they all watch it.

0:31:35.240 --> 0:31:36.040
<v Speaker 2>Like it's a super Bowl.

0:31:36.840 --> 0:31:39.120
<v Speaker 1>Yeah, good point. I wonder if in like one hundred years,

0:31:39.120 --> 0:31:41.920
<v Speaker 1>it's like, yeah, they got into a stadium and just

0:31:41.960 --> 0:31:43.560
<v Speaker 1>ran each o their head first and gave themselves brain

0:31:43.600 --> 0:31:46.000
<v Speaker 1>damage over and over and fifty thousand and seventy thousand

0:31:46.000 --> 0:31:46.720
<v Speaker 1>people watching.

0:31:46.480 --> 0:31:48.560
<v Speaker 2>Them were like, yeah, yeah, yeah, they would eat chicken

0:31:48.600 --> 0:31:49.440
<v Speaker 2>wings while watching this.

0:31:49.440 --> 0:31:54.680
<v Speaker 1>Yeah, while watching people damage their brains. Shakespeare, I'm a

0:31:54.680 --> 0:31:58.000
<v Speaker 1>big believer that Shakespeare was a complete fraud. What do

0:31:58.040 --> 0:32:01.240
<v Speaker 1>you mean, I've heard these stories forever. It was a playwright,

0:32:02.880 --> 0:32:06.280
<v Speaker 1>I don't think. First of all, if you look back

0:32:06.320 --> 0:32:09.400
<v Speaker 1>at Shakespeare, nobody in his whole house could read. Oh no,

0:32:09.920 --> 0:32:12.000
<v Speaker 1>he couldn't read. He wasn't like from a rich parts.

0:32:12.040 --> 0:32:13.440
<v Speaker 1>I didn't have good, good education.

0:32:13.600 --> 0:32:14.680
<v Speaker 2>Okay, so.

0:32:16.640 --> 0:32:18.600
<v Speaker 1>This is a big rabbit hole. One and a bunch

0:32:18.640 --> 0:32:20.240
<v Speaker 1>of really famous people have spoken out about this. To

0:32:20.280 --> 0:32:22.280
<v Speaker 1>even Mark Twain, who's not alive now, was like, Shakespeare's

0:32:22.280 --> 0:32:24.000
<v Speaker 1>a fraud. He said that, yeah, but also that could

0:32:24.000 --> 0:32:26.120
<v Speaker 1>have been hater from.

0:32:26.200 --> 0:32:27.920
<v Speaker 5>From author to Oh yeah, yeah, that could have been hater,

0:32:28.080 --> 0:32:30.400
<v Speaker 5>Like plays are trash.

0:32:30.720 --> 0:32:31.840
<v Speaker 2>It's like Drake and Kendrick.

0:32:32.160 --> 0:32:34.239
<v Speaker 1>Yeah that was the first, but one was alive and

0:32:34.280 --> 0:32:36.960
<v Speaker 1>then one wasn't. But when I say Shakespeare, what do you.

0:32:36.920 --> 0:32:40.200
<v Speaker 2>Think Roman and Juliet wrote it?

0:32:40.280 --> 0:32:44.479
<v Speaker 1>So playwright invented hundreds of words too, like phrases, new words, tons,

0:32:44.520 --> 0:32:47.880
<v Speaker 1>and I can't Michae, will you look up all the

0:32:47.880 --> 0:32:50.880
<v Speaker 1>words that Shakespeare invented? Finger quotes you think, you think,

0:32:50.920 --> 0:32:52.400
<v Speaker 1>but they were put into his play. So but but

0:32:52.440 --> 0:32:54.080
<v Speaker 1>these were like crazy words we use all the time.

0:32:54.120 --> 0:32:56.719
<v Speaker 2>Now you think he'd be proud of cap No.

0:32:57.480 --> 0:32:59.000
<v Speaker 1>But some of the stuff we use all the time,

0:32:59.080 --> 0:33:01.080
<v Speaker 1>Like what Michael them up? Because I read like twenty

0:33:01.120 --> 0:33:02.680
<v Speaker 1>of them, Like, oh yeah, we say that all the time.

0:33:02.800 --> 0:33:06.600
<v Speaker 1>Let me read this. He had no university education. He

0:33:06.640 --> 0:33:10.200
<v Speaker 1>was born to a glovemaker in Stratford. He wrote detailed

0:33:10.200 --> 0:33:13.520
<v Speaker 1>plays about royalty law, medicine, foreign affairs, ancient history, but

0:33:13.600 --> 0:33:15.640
<v Speaker 1>had no experience of being around it or knowing it.

0:33:16.240 --> 0:33:19.720
<v Speaker 1>So how do you know the integral if you can't read?

0:33:20.640 --> 0:33:22.280
<v Speaker 1>So you're not even reading books about it to give

0:33:22.280 --> 0:33:23.360
<v Speaker 1>you all these ideas.

0:33:23.800 --> 0:33:27.080
<v Speaker 2>But he could write, Okay, how can you not read

0:33:27.120 --> 0:33:29.360
<v Speaker 2>and be able to write? Well, no, no, that's what they're saying, right,

0:33:29.440 --> 0:33:31.080
<v Speaker 2>So what if you had someone else write it for him?

0:33:31.120 --> 0:33:32.360
<v Speaker 2>But if it is out there like a ghostwriter.

0:33:33.520 --> 0:33:36.959
<v Speaker 1>Well, there are people who they think actually were Shakespeare.

0:33:37.280 --> 0:33:39.080
<v Speaker 1>So and I can walk through some of these theories.

0:33:39.360 --> 0:33:41.600
<v Speaker 1>Some scholars argue that he didn't write them at all.

0:33:41.880 --> 0:33:45.200
<v Speaker 1>So there are people Edward de vere the Earl of Oxford,

0:33:45.240 --> 0:33:48.280
<v Speaker 1>Francis Bacon, or even a team of ghostwriters. There's no

0:33:48.320 --> 0:33:52.120
<v Speaker 1>evidence Shakespeare even traveled ever outside of England. Whoa no

0:33:52.320 --> 0:33:55.640
<v Speaker 1>surviving manuscripts in his handwriting. He left no books and

0:33:55.680 --> 0:34:00.400
<v Speaker 1>his will, and the two theories are one. Shakespeare was

0:34:01.920 --> 0:34:05.280
<v Speaker 1>an amagamation of all of these people that would write

0:34:05.280 --> 0:34:07.800
<v Speaker 1>and use Shakespeare because it wasn't looked at as something

0:34:07.840 --> 0:34:09.960
<v Speaker 1>that royalty should do, like writing a play was not

0:34:10.040 --> 0:34:17.040
<v Speaker 1>seen like what I compare to now a basement concert,

0:34:17.320 --> 0:34:21.080
<v Speaker 1>a gross basement concert, Like you didn't really do that.

0:34:21.160 --> 0:34:24.719
<v Speaker 1>That's what the peasants did. Now, if you write a

0:34:24.880 --> 0:34:27.320
<v Speaker 1>movie or you're a great writer, it's cool, it's celebrated,

0:34:27.320 --> 0:34:29.040
<v Speaker 1>it's yeah. But it wasn't then.

0:34:29.920 --> 0:34:30.960
<v Speaker 2>Just because it was creative.

0:34:31.480 --> 0:34:37.160
<v Speaker 1>They think it was either a person that was royal

0:34:37.440 --> 0:34:39.839
<v Speaker 1>that wrote and just used Shakespeare so he could get

0:34:39.880 --> 0:34:41.680
<v Speaker 1>it out or she could get it out, or it

0:34:41.719 --> 0:34:43.960
<v Speaker 1>was a bunch of like collective writers, and they just

0:34:44.080 --> 0:34:48.840
<v Speaker 1>use Shakespeare as the person that could publish their collection

0:34:48.880 --> 0:34:51.719
<v Speaker 1>of writings altogether. But the interesting thing, and I don't

0:34:51.760 --> 0:34:55.239
<v Speaker 1>have the exact age on this, but Shakespeare died or

0:34:55.360 --> 0:34:57.719
<v Speaker 1>excuse me, he retired and like at like thirty something

0:34:57.719 --> 0:35:00.040
<v Speaker 1>and then never wrote again. But the same time, and

0:35:00.080 --> 0:35:01.719
<v Speaker 1>there's a couple of these guys that died right around then,

0:35:01.719 --> 0:35:03.200
<v Speaker 1>and they're like, oh, that was a real Shakespeare. Because

0:35:03.200 --> 0:35:06.560
<v Speaker 1>he died and Shakespeare couldn't write anymore. It's a pretty

0:35:06.560 --> 0:35:08.600
<v Speaker 1>common theory that Shakespeare wasn't actually Shakespeare.

0:35:08.680 --> 0:35:09.840
<v Speaker 2>I mean, I can get on. I can get on

0:35:09.920 --> 0:35:12.399
<v Speaker 2>with this one. I mean, I feel like this one

0:35:12.400 --> 0:35:13.759
<v Speaker 2>could totally just be real.

0:35:13.960 --> 0:35:18.000
<v Speaker 1>And again, there was no evidence of him traveling, of

0:35:18.080 --> 0:35:21.080
<v Speaker 1>him having any education learning about law or medicine or

0:35:21.120 --> 0:35:25.920
<v Speaker 1>foreign affairs. Not only that, no books, no handwriting, nothing.

0:35:26.200 --> 0:35:30.279
<v Speaker 2>But why would they choose him to be the publisher,

0:35:30.520 --> 0:35:32.600
<v Speaker 2>the so called owner of these things.

0:35:32.680 --> 0:35:34.359
<v Speaker 1>Could have been a great dude, and they're just like, hey,

0:35:34.360 --> 0:35:35.680
<v Speaker 1>we like them.

0:35:35.800 --> 0:35:36.480
<v Speaker 3>No, not even that.

0:35:36.480 --> 0:35:38.040
<v Speaker 1>It just could have been a very un liked guy.

0:35:38.760 --> 0:35:40.040
<v Speaker 1>I don't have a d at that answer.

0:35:40.160 --> 0:35:41.080
<v Speaker 2>That locked out.

0:35:41.800 --> 0:35:43.759
<v Speaker 1>I don't think he made a munch of money. Oh really,

0:35:44.440 --> 0:35:45.440
<v Speaker 1>I don't think I mean.

0:35:45.560 --> 0:35:48.719
<v Speaker 2>Goshn't think about does he have an estate? Like is

0:35:48.760 --> 0:35:50.480
<v Speaker 2>there a public domain?

0:35:50.520 --> 0:35:52.279
<v Speaker 1>By now he's public domain for sure. You can do

0:35:52.320 --> 0:35:55.120
<v Speaker 1>any of that. My words Shakespeare invented some really common ones.

0:35:55.160 --> 0:36:02.800
<v Speaker 5>Also have some phrases, words like addiction, but dazzled, eyeball, swagger, lonely, gloomy, majestic, zany, critic,

0:36:02.800 --> 0:36:06.880
<v Speaker 5>and eventful, and then phrases like break the ice, wild goose, chase,

0:36:07.040 --> 0:36:08.840
<v Speaker 5>Heart of gold, Heart on my sleeve.

0:36:09.440 --> 0:36:11.120
<v Speaker 1>Wow. All that stuff was used for the first time

0:36:11.120 --> 0:36:15.279
<v Speaker 1>in his plays Good Riddance, so so, but dazzled. I

0:36:15.440 --> 0:36:17.759
<v Speaker 1>like that he invented knock knock? Who's there in a

0:36:17.800 --> 0:36:19.120
<v Speaker 1>pickle cap?

0:36:20.880 --> 0:36:24.240
<v Speaker 4>I'm starting to believe this ain't real lit the Bobby Cast.

0:36:24.400 --> 0:36:29.240
<v Speaker 4>We'll be right back. This is the Bobby Cast.

0:36:29.480 --> 0:36:32.640
<v Speaker 1>Okay, I have one more. Who drew Mickey Mouse?

0:36:33.680 --> 0:36:36.919
<v Speaker 2>Walt Disney did. Absolutely, He was the creator of Mickey Mouse.

0:36:37.040 --> 0:36:40.000
<v Speaker 2>He even had a little relationship with him. Sexual No, no, no, no,

0:36:40.040 --> 0:36:42.120
<v Speaker 2>they were just friends. Walt Disney is the face of

0:36:42.280 --> 0:36:44.439
<v Speaker 2>the entire empire. But he did not draw Mickey Mouse.

0:36:45.080 --> 0:36:46.120
<v Speaker 2>He said he did.

0:36:46.280 --> 0:36:50.160
<v Speaker 1>The actual drawing was done by you. It works. Walt's

0:36:50.160 --> 0:36:53.239
<v Speaker 1>top animator and lifelong friend, Disney came up with the

0:36:53.280 --> 0:36:54.960
<v Speaker 1>idea and voiced Mickey, but when he came to pencil

0:36:55.000 --> 0:36:58.120
<v Speaker 1>and paper, that was spelled U be no way. Overtime,

0:36:58.160 --> 0:37:00.200
<v Speaker 1>Disney became the brand, the icon, the man who made

0:37:00.200 --> 0:37:01.960
<v Speaker 1>the mouse, but the mouse was actually drawn by somebody

0:37:02.000 --> 0:37:03.839
<v Speaker 1>who spent his life in the shadows. Yeah.

0:37:03.920 --> 0:37:06.520
<v Speaker 2>See, I believe that too, because Walt Disney's such a

0:37:06.560 --> 0:37:10.239
<v Speaker 2>good businessman. Yes, he was creative or whatever, but he

0:37:10.440 --> 0:37:13.080
<v Speaker 2>built the empire that we called Disney.

0:37:13.400 --> 0:37:15.320
<v Speaker 1>He built that city.

0:37:15.400 --> 0:37:19.600
<v Speaker 2>You know, like I don't see someone Usually the creative

0:37:19.840 --> 0:37:23.800
<v Speaker 2>isn't the really really good businessman who's gonna create the empire.

0:37:23.920 --> 0:37:26.040
<v Speaker 5>This is also a big debate with stan Lee because

0:37:26.080 --> 0:37:29.080
<v Speaker 5>he's credited with a lot of superheroes. But he comes

0:37:29.160 --> 0:37:31.800
<v Speaker 5>up with the ideas, but he has artists who actually

0:37:31.880 --> 0:37:34.200
<v Speaker 5>draw the design, so it's like who actually created them?

0:37:35.160 --> 0:37:38.520
<v Speaker 1>Well, I would say, okay, I'll give a bad, bad,

0:37:38.520 --> 0:37:41.839
<v Speaker 1>bad example my kid's book Stanley Dogg first day at school.

0:37:41.840 --> 0:37:43.480
<v Speaker 1>I didn't draw that crap. I can't draw It's awesome.

0:37:43.600 --> 0:37:46.000
<v Speaker 1>She did an awesome job. I can't when I draw

0:37:46.000 --> 0:37:49.080
<v Speaker 1>it. It is crap. Uh, but I don't claim that I

0:37:49.120 --> 0:37:52.440
<v Speaker 1>created the drawings. It even says literally says illustrated by yea.

0:37:52.960 --> 0:37:55.839
<v Speaker 2>So did they say that in the movies Mike, where

0:37:55.840 --> 0:37:59.960
<v Speaker 2>it's like stan Lee film but also created Spider Man.

0:38:00.040 --> 0:38:01.560
<v Speaker 5>And he came up with the idea he saw a

0:38:01.560 --> 0:38:04.080
<v Speaker 5>bug crawling on the walls, like they should create Spider Man.

0:38:04.080 --> 0:38:07.040
<v Speaker 5>He went to an artist called Steve Steve Didko who

0:38:07.080 --> 0:38:10.080
<v Speaker 5>actually drew Spider Man. So then they had a big debate,

0:38:10.200 --> 0:38:12.400
<v Speaker 5>and now he gets credited too. It's like Steve Didco

0:38:12.880 --> 0:38:15.560
<v Speaker 5>and stan Lee, but for the longest time it was

0:38:15.600 --> 0:38:16.239
<v Speaker 5>just stan Lee.

0:38:16.360 --> 0:38:20.399
<v Speaker 1>He deserves to get credit. Stan no Steve gipmoh, did

0:38:20.440 --> 0:38:23.560
<v Speaker 1>go yeah? He credit now but did go yeah? So,

0:38:25.000 --> 0:38:27.800
<v Speaker 1>and I think too, I think some nuance can be

0:38:27.880 --> 0:38:29.960
<v Speaker 1>used in these situations. If stan Lee is literally going,

0:38:29.960 --> 0:38:31.560
<v Speaker 1>I can't draw, but I'm gonna give you all every

0:38:31.600 --> 0:38:32.480
<v Speaker 1>little element of it.

0:38:32.600 --> 0:38:34.160
<v Speaker 5>That's how they create comics. He comes up with the

0:38:34.239 --> 0:38:36.560
<v Speaker 5>character and the story, and he has the artist designed

0:38:36.600 --> 0:38:38.359
<v Speaker 5>everything and draw everything like from their own mind.

0:38:38.480 --> 0:38:41.440
<v Speaker 2>Yeah, okay, the artist is absolutely half the creator of that.

0:38:41.480 --> 0:38:43.440
<v Speaker 5>Then he developed what's called the Marvel method, where we

0:38:43.480 --> 0:38:45.640
<v Speaker 5>are like, okay, I got these characters. Here's the idea,

0:38:45.719 --> 0:38:48.120
<v Speaker 5>here's the story. You draw all the frames and fill

0:38:48.160 --> 0:38:48.720
<v Speaker 5>in the gaps.

0:38:49.000 --> 0:38:50.200
<v Speaker 1>So that's a co write.

0:38:50.280 --> 0:38:51.879
<v Speaker 2>But what about like an architect and.

0:38:51.840 --> 0:38:56.120
<v Speaker 1>A builder, but the architects as really but also architects

0:38:56.200 --> 0:38:59.880
<v Speaker 1>not getting publishing forever on that house. True, like writing

0:38:59.880 --> 0:39:04.800
<v Speaker 1>a song or intellectual property true, because a building is

0:39:04.800 --> 0:39:06.800
<v Speaker 1>not intellectual property. A building is just property.

0:39:08.239 --> 0:39:09.960
<v Speaker 2>I just feel like that's kind of the thing with

0:39:10.000 --> 0:39:13.400
<v Speaker 2>so many businesses like McDonald's. You're like, I want a

0:39:13.440 --> 0:39:15.600
<v Speaker 2>restaurant with the best fries in the burgers. You're a

0:39:15.640 --> 0:39:16.759
<v Speaker 2>great cook, do that for.

0:39:16.800 --> 0:39:18.440
<v Speaker 1>Me, But you're only doing the cooking though you're not

0:39:18.520 --> 0:39:23.600
<v Speaker 1>doing that. He's creating the character you're talking about. Didco

0:39:23.800 --> 0:39:25.600
<v Speaker 1>DIDCO create actually Drew spider Man?

0:39:25.640 --> 0:39:26.359
<v Speaker 2>Yeah, that's not cool.

0:39:26.760 --> 0:39:31.000
<v Speaker 1>The difference would be without Dico, none of that happens,

0:39:31.360 --> 0:39:33.680
<v Speaker 1>or whomever Dicko is. He's got to find somebody to

0:39:33.719 --> 0:39:36.760
<v Speaker 1>do it, or it never happens. Like writing songs in Nashville.

0:39:37.040 --> 0:39:39.239
<v Speaker 1>Let's say you have a song idea and you're like,

0:39:40.640 --> 0:39:42.399
<v Speaker 1>got acoustic and I've written the whole song and I'm

0:39:42.400 --> 0:39:44.160
<v Speaker 1>playing all the chords on the acoustic and then you

0:39:44.200 --> 0:39:47.279
<v Speaker 1>bring the band in and they're playing little solos over it,

0:39:47.360 --> 0:39:49.839
<v Speaker 1>and what if we change the drums up? You didn't

0:39:49.880 --> 0:39:52.960
<v Speaker 1>need specifically those people to do that. But if you're like,

0:39:53.280 --> 0:39:55.200
<v Speaker 1>I have all the lyrics to the song, I kind of,

0:39:55.320 --> 0:39:57.239
<v Speaker 1>but somebody else comes in and goes, you know, let's

0:39:57.280 --> 0:40:00.000
<v Speaker 1>go this bridge should now be this? What do you

0:40:00.280 --> 0:40:03.200
<v Speaker 1>and what if you didn't start it like this, but

0:40:03.280 --> 0:40:05.520
<v Speaker 1>hit let's use this melody. You're now a co writer

0:40:05.640 --> 0:40:09.600
<v Speaker 1>on that song, sure, because nobody else could have replicated

0:40:09.640 --> 0:40:10.759
<v Speaker 1>what that other person did.

0:40:10.840 --> 0:40:11.959
<v Speaker 2>Yeah, you changed the song.

0:40:12.360 --> 0:40:14.680
<v Speaker 1>So yeah, justice for Mike Dicka.

0:40:15.080 --> 0:40:17.080
<v Speaker 2>Steve did go whatever what.

0:40:17.040 --> 0:40:20.960
<v Speaker 1>If we've now gone to fully like dissing him too? Yeah?

0:40:20.960 --> 0:40:22.359
<v Speaker 1>I overrated? What if?

0:40:22.400 --> 0:40:25.440
<v Speaker 2>What what if you sit there like what if stan

0:40:25.600 --> 0:40:28.000
<v Speaker 2>you're stan Lee or just go back to Disney you're

0:40:28.040 --> 0:40:30.240
<v Speaker 2>Walt Disney and you're like, all right, I want a mouse,

0:40:30.360 --> 0:40:32.560
<v Speaker 2>and you sit next to this artist and explain everything

0:40:32.560 --> 0:40:33.480
<v Speaker 2>that this art is different.

0:40:33.560 --> 0:40:35.279
<v Speaker 1>That would be like you wrote the song and you

0:40:35.320 --> 0:40:37.400
<v Speaker 1>have it all, and you have the chords and the progression,

0:40:37.400 --> 0:40:39.200
<v Speaker 1>and you're bringing in players to actually play and record it,

0:40:39.200 --> 0:40:42.320
<v Speaker 1>but they're adding little elements to it. He could have

0:40:42.400 --> 0:40:48.319
<v Speaker 1>got ten different people that were talented as artists as

0:40:48.360 --> 0:40:51.480
<v Speaker 1>illustrators to say and do exactly what he did. But

0:40:51.600 --> 0:40:53.560
<v Speaker 1>because he didn't tell him exactly what to do, he

0:40:53.640 --> 0:40:55.960
<v Speaker 1>just described his vision and said I need you to

0:40:55.960 --> 0:40:58.640
<v Speaker 1>add because there's so much creative creativity that goes into

0:40:58.680 --> 0:41:01.719
<v Speaker 1>the drawing that he probably didn't even mention. He gave

0:41:01.760 --> 0:41:04.360
<v Speaker 1>a Macro and got Macro and micro Steviet, did Co

0:41:04.480 --> 0:41:06.680
<v Speaker 1>came up with the colors, the blue and the red trade,

0:41:06.719 --> 0:41:09.520
<v Speaker 1>did cow that's my new justice for give you another

0:41:09.520 --> 0:41:11.520
<v Speaker 1>example place the creator of Pokemon.

0:41:11.680 --> 0:41:13.799
<v Speaker 5>He worked for a company called game Freak, and he

0:41:13.840 --> 0:41:16.440
<v Speaker 5>had this idea since he was a kid. He didn't

0:41:16.480 --> 0:41:19.240
<v Speaker 5>get really credit for creating Pokemon as far as monetary

0:41:19.280 --> 0:41:21.440
<v Speaker 5>value because he was working for that company.

0:41:21.760 --> 0:41:25.480
<v Speaker 1>They own it, Okay, so I guess I would need

0:41:25.520 --> 0:41:25.839
<v Speaker 1>to know.

0:41:27.800 --> 0:41:29.680
<v Speaker 5>He was just an employee there and they're like, we

0:41:29.719 --> 0:41:30.000
<v Speaker 5>need a.

0:41:29.920 --> 0:41:32.400
<v Speaker 1>New video game. So idea, this is different, this is

0:41:32.440 --> 0:41:33.239
<v Speaker 1>what I want to make.

0:41:33.640 --> 0:41:36.040
<v Speaker 5>But he like, it's a bill one of the biggest

0:41:36.080 --> 0:41:37.399
<v Speaker 5>media franchises in the world.

0:41:37.520 --> 0:41:39.560
<v Speaker 2>It's the employee deal though sort of.

0:41:40.320 --> 0:41:45.160
<v Speaker 1>So this is different. If you are hiring somebody and

0:41:45.200 --> 0:41:47.240
<v Speaker 1>they know the intention is to come in and create

0:41:47.320 --> 0:41:50.680
<v Speaker 1>under your umbrella, and whatever you create is theirs. I here,

0:41:50.760 --> 0:41:53.919
<v Speaker 1>here's an example. I work for a company. I create

0:41:53.920 --> 0:41:55.600
<v Speaker 1>all kinds of crap all the time. I don't own it.

0:41:56.160 --> 0:41:56.399
<v Speaker 2>Yep.

0:41:57.000 --> 0:42:01.080
<v Speaker 1>Like I sit here and I create some good craps

0:42:01.080 --> 0:42:03.759
<v Speaker 1>and bad craps and middle crap. My brain is working

0:42:03.800 --> 0:42:07.960
<v Speaker 1>all the time to think of show ideas, concepts. I

0:42:08.000 --> 0:42:12.440
<v Speaker 1>don't own it. So the Pokemon guy, depending on his contract,

0:42:13.640 --> 0:42:15.879
<v Speaker 1>if it was you create for us and we pay

0:42:15.920 --> 0:42:18.960
<v Speaker 1>you and you own it, or you don't, you buy

0:42:19.040 --> 0:42:21.040
<v Speaker 1>buy it, because I do. If I were to quit

0:42:21.080 --> 0:42:24.080
<v Speaker 1>this job today, I cannot. I don't own this audio

0:42:24.239 --> 0:42:27.280
<v Speaker 1>because I work for a company. So I would say

0:42:27.520 --> 0:42:29.479
<v Speaker 1>that I don't know his contract terms, but I would

0:42:29.480 --> 0:42:32.279
<v Speaker 1>say that would be the difference in that if it

0:42:32.360 --> 0:42:35.080
<v Speaker 1>were I signed a company with Mike Ditka. What's a

0:42:35.080 --> 0:42:38.560
<v Speaker 1>company called game Freak exactly, it's a different, different one.

0:42:40.160 --> 0:42:41.880
<v Speaker 1>In game Freaks company was, Hey, you're going to come

0:42:41.880 --> 0:42:43.399
<v Speaker 1>work here and you're going to create under us. Any

0:42:43.400 --> 0:42:46.400
<v Speaker 1>electoral property you create under our watch, is we own it.

0:42:46.440 --> 0:42:46.920
<v Speaker 2>That's what he did.

0:42:46.960 --> 0:42:47.880
<v Speaker 1>He created video games.

0:42:47.960 --> 0:42:49.200
<v Speaker 2>Yeah, yeah, but they own it.

0:42:49.400 --> 0:42:49.880
<v Speaker 1>They own it.

0:42:50.160 --> 0:42:53.000
<v Speaker 5>Ninety two billion dollar franchise he's worth about ten fifteen

0:42:53.000 --> 0:42:53.640
<v Speaker 5>million dollars.

0:42:53.920 --> 0:42:56.960
<v Speaker 2>I mean, they they probably treated him well, you know,

0:42:57.360 --> 0:42:58.280
<v Speaker 2>got on a parking spot.

0:42:58.280 --> 0:43:00.759
<v Speaker 1>Who knows, I don't know. But still that's that's this,

0:43:01.320 --> 0:43:03.040
<v Speaker 1>it's you know what I would relate it to again,

0:43:03.640 --> 0:43:09.080
<v Speaker 1>and this is controversial, but Cheetos. Oh, I don't know

0:43:09.120 --> 0:43:12.399
<v Speaker 1>that story ahead. I like the janitor that Cheetos. I'd

0:43:12.400 --> 0:43:13.920
<v Speaker 1>be curious to have you tell me that. In a second.

0:43:14.000 --> 0:43:16.720
<v Speaker 2>I don't think he did really well, there's that too, right.

0:43:17.280 --> 0:43:19.960
<v Speaker 1>This first, go ahead? What's the Cheeto story? He the

0:43:20.040 --> 0:43:22.240
<v Speaker 1>legend is that he created Cheetos. He was a janitor

0:43:22.280 --> 0:43:22.520
<v Speaker 1>there and.

0:43:22.520 --> 0:43:25.080
<v Speaker 5>Had the idea for it and flaming hot Cheetoh yeah,

0:43:25.120 --> 0:43:26.799
<v Speaker 5>flaming hot Cheetos. That he's like, hey, we have this

0:43:26.840 --> 0:43:30.080
<v Speaker 5>new flavor. We need to bring this to the company.

0:43:30.400 --> 0:43:33.520
<v Speaker 5>And he's been like touring that forever motivational speaker of

0:43:33.560 --> 0:43:36.640
<v Speaker 5>how I went from the janitor to being overseeing of

0:43:36.719 --> 0:43:39.640
<v Speaker 5>Cheetos and creating the flaming hot Cheetos. But really they're

0:43:39.640 --> 0:43:42.040
<v Speaker 5>already working on it, and do we know that? Yeah,

0:43:42.040 --> 0:43:43.759
<v Speaker 5>they were testing it. They even in the movie they

0:43:43.840 --> 0:43:45.640
<v Speaker 5>made about him, they were like, yeah, they were already

0:43:45.640 --> 0:43:48.280
<v Speaker 5>had it in the lab. It was just him more

0:43:48.320 --> 0:43:51.440
<v Speaker 5>so marketing, saying Hey, we have a whole Hispanic community

0:43:51.440 --> 0:43:53.560
<v Speaker 5>that would love this, we should market it towards them.

0:43:53.840 --> 0:43:57.759
<v Speaker 1>Really more than marketing. I didn't even Lengori do a

0:43:57.800 --> 0:44:00.200
<v Speaker 1>movie on that. Yeah, on whose side was she? On?

0:44:00.800 --> 0:44:01.680
<v Speaker 2>Y Janitor?

0:44:02.440 --> 0:44:04.000
<v Speaker 1>Even though it seems to be.

0:44:03.960 --> 0:44:05.520
<v Speaker 5>An act, even though they put that scene in the

0:44:05.560 --> 0:44:07.920
<v Speaker 5>movie where they're actually already testing it and they tell

0:44:07.960 --> 0:44:09.640
<v Speaker 5>them like, we're already kind of working on this.

0:44:09.600 --> 0:44:12.000
<v Speaker 1>But kinda, and he was the one that kicked it over.

0:44:12.040 --> 0:44:13.879
<v Speaker 1>But if and again I would and again I don't

0:44:13.920 --> 0:44:16.200
<v Speaker 1>know enough about it to but if he works for

0:44:16.239 --> 0:44:18.319
<v Speaker 1>them but not in the capacity of the creation, and

0:44:18.400 --> 0:44:20.320
<v Speaker 1>he creates something and they use it, that's different.

0:44:20.360 --> 0:44:22.640
<v Speaker 2>I mean he was employed by Freedom Lay.

0:44:22.600 --> 0:44:25.160
<v Speaker 1>And do you think he gave them like any extra

0:44:25.239 --> 0:44:26.440
<v Speaker 1>they didn't already have.

0:44:26.440 --> 0:44:29.160
<v Speaker 5>Because he was working on it in this kitchen, tried

0:44:29.200 --> 0:44:31.400
<v Speaker 5>all these different formulas and then went to them with

0:44:31.520 --> 0:44:33.120
<v Speaker 5>here is the flaming hot Cheetoh.

0:44:33.239 --> 0:44:35.680
<v Speaker 1>So probably he didn't create the whole thing, but he

0:44:37.000 --> 0:44:40.239
<v Speaker 1>ended up improving their product, which he They probably took

0:44:40.239 --> 0:44:43.359
<v Speaker 1>his intellectual property and claimed they already had it all.

0:44:43.760 --> 0:44:44.960
<v Speaker 1>I'm speculating a guess.

0:44:45.239 --> 0:44:47.120
<v Speaker 5>And then they didn't really tell him to stop like

0:44:47.280 --> 0:44:49.040
<v Speaker 5>spreading this thing. They're like, it didn't really hurt it,

0:44:49.080 --> 0:44:51.560
<v Speaker 5>like if anything, get kind of helped. But later they

0:44:51.560 --> 0:44:53.960
<v Speaker 5>came out and said, like not really true, Like we

0:44:54.000 --> 0:44:56.000
<v Speaker 5>just didn't really see any harm in him doing this

0:44:56.040 --> 0:44:58.279
<v Speaker 5>whole thing. And I would like decide it that he's

0:44:58.320 --> 0:45:00.840
<v Speaker 5>a Mexican guy. It's inspiring to me, but when you

0:45:00.880 --> 0:45:04.240
<v Speaker 5>look at the facts, then really created the story.

0:45:04.000 --> 0:45:07.360
<v Speaker 2>Was that he found a bunch of Cheetos that weren't flavored,

0:45:07.360 --> 0:45:09.879
<v Speaker 2>you know, like the actual popcorn.

0:45:09.320 --> 0:45:12.640
<v Speaker 1>Part before the even the orange or even the cheese

0:45:12.680 --> 0:45:13.239
<v Speaker 1>was put on it.

0:45:13.280 --> 0:45:15.440
<v Speaker 2>So he had a lot of that, took it home

0:45:15.960 --> 0:45:18.279
<v Speaker 2>and said, let me try to spice this up and

0:45:18.560 --> 0:45:21.600
<v Speaker 2>perfected this flavor that we now call flame and hot Cheeto,

0:45:21.960 --> 0:45:23.840
<v Speaker 2>then proposed it to the higher ups.

0:45:24.200 --> 0:45:24.920
<v Speaker 1>They loved it.

0:45:24.960 --> 0:45:27.680
<v Speaker 2>He was already employed, and then they gave him a promotion,

0:45:28.080 --> 0:45:32.439
<v Speaker 2>so he went from janitor to executive but doesn't own

0:45:32.520 --> 0:45:33.200
<v Speaker 2>any I think it was.

0:45:33.160 --> 0:45:36.120
<v Speaker 5>Also like head of marketing something too, and specifically to

0:45:36.320 --> 0:45:37.760
<v Speaker 5>like the Hispanic community.

0:45:37.920 --> 0:45:41.439
<v Speaker 1>Can't two things be true? Meaning they were already working

0:45:41.480 --> 0:45:43.839
<v Speaker 1>on it, and he worked on it himself, not knowing

0:45:43.840 --> 0:45:46.120
<v Speaker 1>they were working on it, and created a really cool taste.

0:45:46.560 --> 0:45:51.799
<v Speaker 1>And what he did actually was a great addition that

0:45:51.840 --> 0:45:53.799
<v Speaker 1>like they learned and were like, oh, wow, this is

0:45:53.840 --> 0:45:55.719
<v Speaker 1>actually good. We can use this as well. And so

0:45:55.760 --> 0:45:57.600
<v Speaker 1>he didn't admit the flaming hot cheetoh, but he actually

0:45:57.600 --> 0:46:01.120
<v Speaker 1>probably improved it. So he didn't create it, and they

0:46:01.160 --> 0:46:04.000
<v Speaker 1>also didn't make him the creator because they could say, no,

0:46:04.040 --> 0:46:06.080
<v Speaker 1>we've already created this. So it seems like maybe he

0:46:06.160 --> 0:46:07.920
<v Speaker 1>got screwed a little bit. But he also got to

0:46:07.920 --> 0:46:09.560
<v Speaker 1>promote like two things can be true at once in

0:46:09.560 --> 0:46:12.439
<v Speaker 1>the situation without knowing enough about it. I would bet

0:46:12.560 --> 0:46:13.200
<v Speaker 1>that's what happened.

0:46:13.200 --> 0:46:15.760
<v Speaker 2>And the marketing of a janitor of creating this product

0:46:15.800 --> 0:46:16.400
<v Speaker 2>is pretty.

0:46:16.120 --> 0:46:18.240
<v Speaker 1>Good, especially if it's a Hispanic product. There are marketing

0:46:18.239 --> 0:46:20.200
<v Speaker 1>to Hispanic people boom, And I don't know if that

0:46:20.280 --> 0:46:23.800
<v Speaker 1>was fully true, was it? Yeah? It was a hispanically marketed.

0:46:23.520 --> 0:46:26.000
<v Speaker 2>The first places they would put it in was Hispanic neighborhoods.

0:46:26.000 --> 0:46:27.799
<v Speaker 1>That's where it popped off first. Yeah, Then if I

0:46:27.840 --> 0:46:31.040
<v Speaker 1>were just guessing, that would be what happened. Because if

0:46:31.040 --> 0:46:33.640
<v Speaker 1>they were working out and they had proof, great, and

0:46:33.680 --> 0:46:35.239
<v Speaker 1>if he was working on it and he didn't know

0:46:35.280 --> 0:46:40.120
<v Speaker 1>they were great. They probably said, Okay, we can use

0:46:40.160 --> 0:46:41.960
<v Speaker 1>this to our advantage and there's something about this that

0:46:42.000 --> 0:46:43.399
<v Speaker 1>we should also use. And then I have to pay

0:46:43.440 --> 0:46:45.000
<v Speaker 1>for it because they can claim they already had it

0:46:45.600 --> 0:46:48.440
<v Speaker 1>because they're not going to show the ingredients, they're not

0:46:48.440 --> 0:46:49.799
<v Speaker 1>gonna show they're not going to show you how they

0:46:49.920 --> 0:46:51.480
<v Speaker 1>made it. They can just say yeah, we're already doing it.

0:46:51.480 --> 0:46:52.920
<v Speaker 2>Then why go back and be like, ah, start is

0:46:52.960 --> 0:46:53.239
<v Speaker 2>that true?

0:46:53.440 --> 0:46:55.120
<v Speaker 1>Because when it becomes a movie, it starts to make

0:46:55.120 --> 0:46:58.040
<v Speaker 1>the company look really bad. It does then get bigger

0:46:58.360 --> 0:47:03.240
<v Speaker 1>because social media year was this when he did it? Yeah, okay,

0:47:03.239 --> 0:47:06.160
<v Speaker 1>so pre social media it wouldn't spread. Who cares? And

0:47:06.200 --> 0:47:06.759
<v Speaker 1>they didn't say.

0:47:06.680 --> 0:47:08.319
<v Speaker 5>Anything until the movie came out a couple of few

0:47:08.400 --> 0:47:08.799
<v Speaker 5>years ago.

0:47:08.960 --> 0:47:11.239
<v Speaker 1>Yeah, because that is a company hurder. That hurts your

0:47:11.239 --> 0:47:11.880
<v Speaker 1>company a little bit.

0:47:12.160 --> 0:47:13.799
<v Speaker 2>It's a good movie. You should watch it now. I

0:47:13.800 --> 0:47:15.879
<v Speaker 2>don't want to watch it. We just did it.

0:47:16.080 --> 0:47:17.920
<v Speaker 1>The one comparison that I was going to make was,

0:47:18.239 --> 0:47:21.080
<v Speaker 1>and it's a controversial thing is whenever an artist like

0:47:21.120 --> 0:47:23.319
<v Speaker 1>a Taylor Swift goes, hey I own my music, I

0:47:23.400 --> 0:47:27.160
<v Speaker 1>created it, and you go And I could go back

0:47:27.160 --> 0:47:30.399
<v Speaker 1>to me here, you wouldn't have been able to create

0:47:30.440 --> 0:47:34.600
<v Speaker 1>that music, nor would it have been as successful the

0:47:34.600 --> 0:47:36.480
<v Speaker 1>way it was. It could have been a different way

0:47:36.480 --> 0:47:38.360
<v Speaker 1>as an independent artist, but even it was impossible as

0:47:38.360 --> 0:47:42.239
<v Speaker 1>an independent artist to make it. Then they paid to

0:47:42.280 --> 0:47:44.399
<v Speaker 1>have the music done and paid you, but they also

0:47:44.440 --> 0:47:46.640
<v Speaker 1>had to pay a promotion team. They also had to

0:47:46.680 --> 0:47:49.359
<v Speaker 1>pay record executives. Yea, they also had to pay a

0:47:49.400 --> 0:47:52.120
<v Speaker 1>ton of money to make that money. So even though

0:47:52.160 --> 0:47:54.879
<v Speaker 1>you create it with your brain, you don't really own it,

0:47:56.000 --> 0:47:59.440
<v Speaker 1>like I don't own many things that I've said, because

0:47:59.480 --> 0:48:03.319
<v Speaker 1>they are paid me to perform this service, which is

0:48:03.360 --> 0:48:10.440
<v Speaker 1>to create using my intellectual self. So if you're like, well, no,

0:48:10.520 --> 0:48:12.160
<v Speaker 1>she created or she owns her own music. It doesn't

0:48:12.160 --> 0:48:13.279
<v Speaker 1>have to be heard. It can be any artist it

0:48:13.280 --> 0:48:16.160
<v Speaker 1>does this. You wouldn't have had that music blow up

0:48:16.200 --> 0:48:17.799
<v Speaker 1>like that had it not been for all of the

0:48:17.840 --> 0:48:20.759
<v Speaker 1>resources they put into the people that were spreading that music. Now,

0:48:20.760 --> 0:48:22.480
<v Speaker 1>it's not to say the music wasn't awesome or wouldn't

0:48:22.480 --> 0:48:25.040
<v Speaker 1>have made it, but in that situation, it that's not

0:48:25.239 --> 0:48:26.640
<v Speaker 1>the world you live in, unfortunately.

0:48:26.719 --> 0:48:27.200
<v Speaker 2>Yeah.

0:48:27.280 --> 0:48:32.040
<v Speaker 1>So if you signed to a label and they pay

0:48:32.160 --> 0:48:36.000
<v Speaker 1>you or pay for the music, to be made whatever

0:48:36.000 --> 0:48:38.600
<v Speaker 1>the deals to that contract are. And if you go well,

0:48:38.960 --> 0:48:41.640
<v Speaker 1>so and so Taylor, for example, was a kid, okay,

0:48:41.640 --> 0:48:43.560
<v Speaker 1>but she had her dad who was part of it all,

0:48:43.760 --> 0:48:45.920
<v Speaker 1>and she had representation. It's not like they found a

0:48:46.000 --> 0:48:47.880
<v Speaker 1>kid off the street made or signed papers that's not legal.

0:48:48.280 --> 0:48:52.800
<v Speaker 1>That's literally not legal. So that is that's a problematic

0:48:53.560 --> 0:48:57.319
<v Speaker 1>situation for companies. Yes, to just go well, if they

0:48:57.320 --> 0:48:58.799
<v Speaker 1>created it, they own it, even though the company it

0:48:58.840 --> 0:49:01.800
<v Speaker 1>poured endless resources into it to make it as popular

0:49:01.840 --> 0:49:05.600
<v Speaker 1>as it was. Straight Mike Dica came up, Dude, that

0:49:05.640 --> 0:49:06.080
<v Speaker 1>was awesome.

0:49:06.440 --> 0:49:12.400
<v Speaker 2>Now Sam did go right? Steve did go so close?

0:49:12.480 --> 0:49:15.880
<v Speaker 1>We love Steve Dica Okay, cool, yeah, fine, yeah.

0:49:15.640 --> 0:49:17.520
<v Speaker 2>Man, good list. I like that. Thank you. A little

0:49:17.560 --> 0:49:18.960
<v Speaker 2>disappointed in things that I thought.

0:49:18.800 --> 0:49:20.799
<v Speaker 1>Yeah, it's all sad. Yeah, well I forgot about that part. Yeah,

0:49:20.800 --> 0:49:22.839
<v Speaker 1>we're definitely worse people than before we started, and we

0:49:22.880 --> 0:49:24.040
<v Speaker 1>believe in just a little less.

0:49:24.280 --> 0:49:27.520
<v Speaker 4>But yeah, thanks Hank Tight. The Bobby Cast will be

0:49:27.640 --> 0:49:31.600
<v Speaker 4>right back. This is the Bobby Cast.

0:49:31.719 --> 0:49:36.239
<v Speaker 1>Okay, So it's Sunday as I record this, So as

0:49:36.280 --> 0:49:41.280
<v Speaker 1>of right now we're looking at this Sunday, May eleventh,

0:49:42.640 --> 0:49:46.719
<v Speaker 1>and the ACM awards were at Thursday night. My mine's

0:49:46.719 --> 0:49:50.040
<v Speaker 1>a bit of a blur because we did iHeart Country

0:49:50.080 --> 0:49:52.600
<v Speaker 1>for two days maybe I guess three days in total.

0:49:53.360 --> 0:49:54.759
<v Speaker 1>There was a home for one day and then had

0:49:54.800 --> 0:49:56.880
<v Speaker 1>to go to Dallas because rehearsals were on Tuesday for

0:49:56.920 --> 0:49:59.279
<v Speaker 1>a Thursday night show. But on Wednesday night I did

0:49:59.360 --> 0:50:03.120
<v Speaker 1>a Brooks and Tribute a gala, and that galla was

0:50:03.160 --> 0:50:07.960
<v Speaker 1>to raise money for Lifting Lives, which is the philanthropic

0:50:08.800 --> 0:50:13.400
<v Speaker 1>part of ACM, And so they asked me to come

0:50:13.440 --> 0:50:16.319
<v Speaker 1>and host it and tell some jokes. And I know

0:50:16.360 --> 0:50:23.359
<v Speaker 1>those guys pretty well, so I went roast, and so

0:50:25.719 --> 0:50:27.680
<v Speaker 1>I didn't really know what the room was going to be.

0:50:27.719 --> 0:50:28.960
<v Speaker 1>And I will say when I first went out and

0:50:28.960 --> 0:50:33.839
<v Speaker 1>started telling these jokes, it didn't go as wonderfully as

0:50:33.880 --> 0:50:37.400
<v Speaker 1>my mind told me it might go, because the people

0:50:37.400 --> 0:50:41.279
<v Speaker 1>in the room weren't there to watch jokes. And it

0:50:41.360 --> 0:50:44.920
<v Speaker 1>was following an auction which went on for forever. I

0:50:44.920 --> 0:50:47.520
<v Speaker 1>didn't know that, but the auction was like, all right,

0:50:47.520 --> 0:50:50.000
<v Speaker 1>three hundred dollars, three hundred dollars two and with forever

0:50:50.000 --> 0:50:51.680
<v Speaker 1>people were just ready for that to be over. So

0:50:51.760 --> 0:50:53.240
<v Speaker 1>next thing you know, you got a guy they're talking

0:50:53.280 --> 0:50:57.359
<v Speaker 1>telling jokes, and it was roundtables and the three back

0:50:57.400 --> 0:50:59.000
<v Speaker 1>doors were open, and there was a bar people going

0:50:59.040 --> 0:51:00.680
<v Speaker 1>to and fro the bar. That woe didn't throw me

0:51:00.760 --> 0:51:04.000
<v Speaker 1>off so much, but it was not a receptive audience

0:51:04.040 --> 0:51:11.879
<v Speaker 1>at first. Now where my lack of preparing and being

0:51:11.920 --> 0:51:17.080
<v Speaker 1>a professional roaster slash hoster comes into play is that

0:51:17.160 --> 0:51:18.960
<v Speaker 1>I put all my jokes that I wrote in the prompter.

0:51:20.360 --> 0:51:24.440
<v Speaker 1>Why that's bad is you can't get to the next

0:51:24.480 --> 0:51:26.520
<v Speaker 1>thing to talk about if you don't roll through that thing.

0:51:27.120 --> 0:51:30.200
<v Speaker 1>It's not like a Ted talk or a PowerPoint where

0:51:30.239 --> 0:51:32.840
<v Speaker 1>you can use your thumb and just go to the

0:51:32.880 --> 0:51:35.960
<v Speaker 1>next joke. There's somebody running the prompter. Because there was

0:51:35.960 --> 0:51:37.279
<v Speaker 1>also some business that I needed to say, and there

0:51:37.280 --> 0:51:39.000
<v Speaker 1>were some things about the ACMs and Ronnie Kick cause

0:51:39.000 --> 0:51:40.719
<v Speaker 1>they wanted me to say, which is great. But I

0:51:40.760 --> 0:51:44.640
<v Speaker 1>had like eight or nine jokes written and if I

0:51:44.680 --> 0:51:46.680
<v Speaker 1>thought to myself, well this is not going well, I

0:51:46.719 --> 0:51:49.040
<v Speaker 1>need to abort mission, I couldn't because I couldn't roll

0:51:49.080 --> 0:51:50.520
<v Speaker 1>past the jokes to see the rest of the stuff

0:51:50.560 --> 0:51:52.319
<v Speaker 1>that I had to do. So when I went out

0:51:52.320 --> 0:51:55.200
<v Speaker 1>and told these first jokes at first, people were like, dude,

0:51:55.239 --> 0:52:00.760
<v Speaker 1>shut up a couple in I got some good chuckles

0:52:00.800 --> 0:52:04.160
<v Speaker 1>because I committed. I think had I had the opportunity,

0:52:04.160 --> 0:52:06.600
<v Speaker 1>I would have bailed, or if I had to memorize

0:52:06.640 --> 0:52:09.480
<v Speaker 1>the jokes, I would have bailed. And maybe i'd done

0:52:09.520 --> 0:52:12.279
<v Speaker 1>a little later. I don't know, but I didn't because

0:52:12.280 --> 0:52:13.839
<v Speaker 1>I was committed, because they were in the prompter, because

0:52:13.840 --> 0:52:15.880
<v Speaker 1>I'm an idiot, so I can just read you some

0:52:15.920 --> 0:52:19.200
<v Speaker 1>of the jokes from the roast, say, everybody on Bobby Bones,

0:52:20.080 --> 0:52:22.520
<v Speaker 1>you might know me from my radio show winning Dancing

0:52:22.520 --> 0:52:24.759
<v Speaker 1>with the Stars, or how most of America owes me

0:52:25.080 --> 0:52:28.120
<v Speaker 1>the gas station version of Ryan Seacrest, and that got

0:52:28.160 --> 0:52:31.480
<v Speaker 1>a little laugh. But tonight, I'm here as a host,

0:52:32.239 --> 0:52:34.319
<v Speaker 1>and I'm here as a fan, which is why I

0:52:34.360 --> 0:52:37.280
<v Speaker 1>wore clone ironed my pants and text their manager Clarence

0:52:37.320 --> 0:52:38.799
<v Speaker 1>fourteen times to make sure I was still on the

0:52:38.800 --> 0:52:41.040
<v Speaker 1>list to get in. Now, Clarence was sitting right there

0:52:41.080 --> 0:52:45.880
<v Speaker 1>in the front of the stage, and Clarence is their manager,

0:52:46.000 --> 0:52:49.480
<v Speaker 1>kind of famous in the manager world. So I told

0:52:49.520 --> 0:52:50.840
<v Speaker 1>Clarence that I was going to roast the guys a

0:52:50.880 --> 0:52:52.200
<v Speaker 1>little tonight. He gave me in the green light, but

0:52:52.200 --> 0:52:53.960
<v Speaker 1>also mentioned that if I go too far, I may

0:52:53.960 --> 0:52:56.960
<v Speaker 1>not be invited back. So I guess tonight we'll call

0:52:57.000 --> 0:53:00.319
<v Speaker 1>this my farewell set. Oh that didn't go so great,

0:53:00.840 --> 0:53:04.080
<v Speaker 1>probably because it wasn't that funny. I'm not even blaming

0:53:04.080 --> 0:53:08.520
<v Speaker 1>that on the crowd. Too many Clarence jokes, too inside

0:53:08.520 --> 0:53:11.960
<v Speaker 1>and not that funny. But the difficulty in doing jokes

0:53:12.040 --> 0:53:15.040
<v Speaker 1>that are for one event is that you can't practice

0:53:15.040 --> 0:53:18.919
<v Speaker 1>someone anybody like I didn't get to go and before

0:53:18.920 --> 0:53:22.160
<v Speaker 1>I recorded my special, I toured like fifteen theaters and

0:53:22.200 --> 0:53:23.920
<v Speaker 1>I could tell what was good, what wasn't, and I

0:53:23.960 --> 0:53:25.360
<v Speaker 1>knew it would get laughs and what it I need

0:53:25.440 --> 0:53:26.680
<v Speaker 1>to work on because I got to do it over

0:53:26.680 --> 0:53:29.319
<v Speaker 1>and over again. The difficult, but also the thing that's

0:53:29.360 --> 0:53:33.279
<v Speaker 1>the most exhilarating is telling a joke that no one's

0:53:33.320 --> 0:53:34.759
<v Speaker 1>ever heard. But I'm doing like eight or nine or

0:53:34.760 --> 0:53:36.360
<v Speaker 1>ten jokes in a row that no one's ever heard.

0:53:37.280 --> 0:53:40.359
<v Speaker 1>All right, back to the jokes, now, listen, these guys

0:53:40.400 --> 0:53:43.160
<v Speaker 1>are country music legends. Brooks and Done were gods to

0:53:43.200 --> 0:53:45.160
<v Speaker 1>be growing up, But now that I've gotten to know them,

0:53:45.360 --> 0:53:48.440
<v Speaker 1>I've seen things like Ronnie trying to open a PDF.

0:53:49.040 --> 0:53:52.280
<v Speaker 1>Turns out there's still country music gods, but with tech anxiety.

0:53:53.120 --> 0:53:59.279
<v Speaker 1>This Okay, fine, I was wearing Ronnie's jacket. This is

0:53:59.320 --> 0:54:02.520
<v Speaker 1>me talking to you, not the joke. I was wearing

0:54:02.520 --> 0:54:04.560
<v Speaker 1>his jacket from Brooks and Done in like the nineties.

0:54:04.840 --> 0:54:07.200
<v Speaker 1>So when I say that I have on this, yeah,

0:54:07.239 --> 0:54:09.200
<v Speaker 1>there's some kind of patterns all over. It wasn't only flames,

0:54:09.200 --> 0:54:12.000
<v Speaker 1>like vines or something. I don't know. Ronnie also loaned

0:54:12.040 --> 0:54:14.200
<v Speaker 1>me a jacket to wear tonight. That's when I knew

0:54:14.200 --> 0:54:16.800
<v Speaker 1>I'd made it when an actual country legend turned me

0:54:16.840 --> 0:54:20.239
<v Speaker 1>into his fashion charity case. Got a couple laughs. So

0:54:20.280 --> 0:54:24.319
<v Speaker 1>at this point I'm going, I think I can win

0:54:24.360 --> 0:54:29.120
<v Speaker 1>this crowd, and then I go in because the jokes

0:54:29.120 --> 0:54:31.799
<v Speaker 1>go a little harder. I say, speaking of fashion Brooks

0:54:31.880 --> 0:54:35.960
<v Speaker 1>and Done, they do have a style. Some call that

0:54:36.320 --> 0:54:39.040
<v Speaker 1>classic country style, and I agree. If by classic country

0:54:39.080 --> 0:54:44.920
<v Speaker 1>you mean bedazzled youth pastor cowboy, Okay, I got some laughs,

0:54:46.200 --> 0:54:49.400
<v Speaker 1>and I also got a oh like a couple of groans,

0:54:49.800 --> 0:54:55.200
<v Speaker 1>which mean like ooh, like too mean or mean god,

0:54:55.280 --> 0:54:58.279
<v Speaker 1>that's pretty funny. If I classic country you mean bedazzled

0:54:58.360 --> 0:55:01.880
<v Speaker 1>youth pastor cowboy. I liked that joke. I thought it

0:55:01.960 --> 0:55:04.839
<v Speaker 1>was pretty funny. Slightly blow the belt didn't hit him

0:55:04.880 --> 0:55:07.600
<v Speaker 1>in the balls, hit him like on the very that

0:55:09.080 --> 0:55:10.400
<v Speaker 1>I don't know what you call that bone there the

0:55:10.440 --> 0:55:14.759
<v Speaker 1>cosicks right there on that bone above the wiener. So

0:55:14.800 --> 0:55:17.360
<v Speaker 1>they've earned it. Though twenty number one hits. They released

0:55:17.400 --> 0:55:21.840
<v Speaker 1>Reboot and Reboot two. By the way, those were the

0:55:21.840 --> 0:55:23.279
<v Speaker 1>albums that they did with the other artists, and the

0:55:23.280 --> 0:55:26.200
<v Speaker 1>other artists came and sang their songs. Got it because

0:55:26.239 --> 0:55:29.120
<v Speaker 1>nothing says creative like re recording your old hits with

0:55:29.239 --> 0:55:32.480
<v Speaker 1>younger artists. If you can't beat them, do it with them.

0:55:33.440 --> 0:55:36.920
<v Speaker 1>Got a good laugh. The guys even laughed that little bit.

0:55:37.520 --> 0:55:39.080
<v Speaker 1>And then I say, if we get a reboot three,

0:55:39.160 --> 0:55:42.000
<v Speaker 1>we're officially the Fast and Furious franchise of country music.

0:55:42.840 --> 0:55:44.440
<v Speaker 1>That I got a pretty good laugh because there's like,

0:55:44.440 --> 0:55:48.000
<v Speaker 1>I don't know, ten Fast and Furious movies. And then

0:55:48.000 --> 0:55:49.840
<v Speaker 1>I said, I do not want to see Vin Diesel

0:55:49.920 --> 0:55:52.560
<v Speaker 1>on the remix of Red Dirt Road. Got a good laugh.

0:55:53.760 --> 0:55:56.040
<v Speaker 1>So I got like four left in this set, and

0:55:56.320 --> 0:56:01.000
<v Speaker 1>the crowd now understands there's content on the stage, because

0:56:01.040 --> 0:56:02.839
<v Speaker 1>at first I don't think they understood that it was

0:56:03.239 --> 0:56:08.680
<v Speaker 1>more talking. Let's just get to the music. Next joke.

0:56:09.320 --> 0:56:13.320
<v Speaker 1>Four left. The guys say though it's not about money.

0:56:13.360 --> 0:56:16.000
<v Speaker 1>But if you re record your greatest hits twice, it

0:56:16.160 --> 0:56:19.439
<v Speaker 1>definitely ain't about the art. Got a good laugh there.

0:56:19.480 --> 0:56:23.879
<v Speaker 1>Now they know we're in roast mode. Even outside the duo.

0:56:24.000 --> 0:56:27.680
<v Speaker 1>They've been Busy Kicks hosted an award winning countdown show

0:56:27.719 --> 0:56:30.720
<v Speaker 1>on the weekend for years. It was a great show

0:56:31.120 --> 0:56:36.080
<v Speaker 1>for people who couldn't find mine. Boom, big laugh, so

0:56:36.120 --> 0:56:38.000
<v Speaker 1>a little bit had to warm them up a little bit.

0:56:38.080 --> 0:56:41.480
<v Speaker 1>A couple of those jokes a week up front, two

0:56:41.560 --> 0:56:46.520
<v Speaker 1>jokes left, and all seriousness. Brooks and dunshaped an entire

0:56:46.960 --> 0:56:49.799
<v Speaker 1>generation of country music fans. Oh, this wasn't a joke,

0:56:49.800 --> 0:56:51.600
<v Speaker 1>by the way, This was some of the business I

0:56:51.600 --> 0:56:56.040
<v Speaker 1>had to do. Here they're receiving the inaugural ACM Diamond

0:56:56.120 --> 0:56:58.000
<v Speaker 1>Chairman's Award, a well earned honor for a duo who

0:56:58.040 --> 0:57:00.000
<v Speaker 1>made country louder, cooler, and a little more boot cut.

0:57:00.400 --> 0:57:02.440
<v Speaker 1>And then we get to the music. So that may

0:57:02.440 --> 0:57:03.839
<v Speaker 1>have been all the jokes for the first I did

0:57:03.840 --> 0:57:06.520
<v Speaker 1>some other jokes later where I'm it didn't make fun

0:57:06.560 --> 0:57:08.000
<v Speaker 1>of but I did a little pokes at some of

0:57:08.000 --> 0:57:11.120
<v Speaker 1>the people, like when Eric Church writes a love song, Mmm,

0:57:11.280 --> 0:57:14.319
<v Speaker 1>why shoul I remember that joke, and then I introduced him,

0:57:14.320 --> 0:57:19.200
<v Speaker 1>So Eric Church's okay, Keith Urban plays guitar like it

0:57:19.280 --> 0:57:20.960
<v Speaker 1>just stole something from him or something like that. Did

0:57:20.960 --> 0:57:24.680
<v Speaker 1>one of those easy jokes, which was got a pretty

0:57:24.720 --> 0:57:30.160
<v Speaker 1>good laugh when introduced Keith Urban. Eric Church can sing

0:57:30.200 --> 0:57:33.200
<v Speaker 1>a love can make you feel a love song, can

0:57:33.240 --> 0:57:34.840
<v Speaker 1>make you feel a love song and also make you

0:57:34.880 --> 0:57:36.080
<v Speaker 1>feel like you've been in a bar fight at the

0:57:36.080 --> 0:57:38.000
<v Speaker 1>same time, something like that about when Church came out.

0:57:38.040 --> 0:57:41.400
<v Speaker 1>I remember, But those were all the jokes that I told.

0:57:41.520 --> 0:57:44.640
<v Speaker 1>I had another like eight or nine that I made

0:57:44.680 --> 0:57:49.880
<v Speaker 1>about each of the artists, which were Landy Wilson, Eric Church,

0:57:50.200 --> 0:57:57.480
<v Speaker 1>Keith Urban, Zach Topp, Cody Johnson, Pretty Start starts out

0:57:57.480 --> 0:58:00.480
<v Speaker 1>at night, Megan Maroney, who's awesome. The way I'll say

0:58:00.520 --> 0:58:03.680
<v Speaker 1>this about Meghan Maroney, I like Meghan a lot. She's

0:58:03.720 --> 0:58:07.120
<v Speaker 1>super funny, and I guess I did. I knew she

0:58:07.160 --> 0:58:10.040
<v Speaker 1>was funny because there's Bobby Casters there. You should look

0:58:10.080 --> 0:58:11.840
<v Speaker 1>it up. It was really one of the first interviews

0:58:11.840 --> 0:58:15.200
<v Speaker 1>she'd ever done, and I could tell then she's a

0:58:15.200 --> 0:58:17.680
<v Speaker 1>little funny, but she definitely didn't have the confidence that

0:58:17.720 --> 0:58:22.080
<v Speaker 1>she has now. And we sat for like twenty twenty

0:58:22.160 --> 0:58:26.040
<v Speaker 1>five minutes before that, just in the green room, Uh,

0:58:26.400 --> 0:58:28.520
<v Speaker 1>Meghan and myself and then Cody Johnson came in for

0:58:28.560 --> 0:58:30.920
<v Speaker 1>a little bit and we all sat around and you

0:58:31.040 --> 0:58:32.320
<v Speaker 1>have heard me mention this. I guess there's like a

0:58:32.360 --> 0:58:37.680
<v Speaker 1>code or something where like all managers leave, Like my

0:58:37.840 --> 0:58:41.280
<v Speaker 1>team walked off to another corner. It was just us

0:58:41.280 --> 0:58:43.040
<v Speaker 1>three talking. I guess they were like giving respect to

0:58:43.080 --> 0:58:44.360
<v Speaker 1>the people who are about to go on and perform.

0:58:44.360 --> 0:58:46.040
<v Speaker 1>I know, I thought it was cool, but we just

0:58:46.040 --> 0:58:48.240
<v Speaker 1>all just kind of talk. Megan and Maroney's freaking hilarious.

0:58:48.360 --> 0:58:50.480
<v Speaker 1>I don't really know because I see her on social media,

0:58:50.520 --> 0:58:51.880
<v Speaker 1>but I don't follow her close enough to know how

0:58:51.880 --> 0:58:54.360
<v Speaker 1>funny she is online. But yeah, when it comes to

0:58:54.400 --> 0:58:56.080
<v Speaker 1>fun she was telling some really funny stories that I

0:58:56.080 --> 0:58:57.600
<v Speaker 1>I will not tell because I was in that pride,

0:58:57.720 --> 0:59:01.520
<v Speaker 1>but funny, they like really funny. ACMs were the next night,

0:59:04.440 --> 0:59:06.280
<v Speaker 1>And what was kind of weird about the ACMs for

0:59:06.320 --> 0:59:08.240
<v Speaker 1>me was my third year doing the show on Amazon

0:59:08.840 --> 0:59:11.240
<v Speaker 1>and you're one in year twopics backstage and when someone

0:59:11.280 --> 0:59:13.720
<v Speaker 1>to win, they'd come backstage, I do a little minute

0:59:13.760 --> 0:59:17.440
<v Speaker 1>hit with them, talk to them. They'd leave, But I

0:59:17.560 --> 0:59:19.520
<v Speaker 1>kind of knew who was coming and it kind of

0:59:19.600 --> 0:59:22.920
<v Speaker 1>knew what the producers wanted me to ask. Now, this year,

0:59:23.000 --> 0:59:25.760
<v Speaker 1>Riba was hosting, and they were like, Heyribe doesn't want

0:59:25.760 --> 0:59:28.080
<v Speaker 1>to leave the stage and think about Riba. She's always

0:59:28.080 --> 0:59:32.480
<v Speaker 1>known for tons of outfit changes. So those times were

0:59:32.600 --> 0:59:35.200
<v Speaker 1>used for Riba to get ready for whatever she was

0:59:35.240 --> 0:59:38.400
<v Speaker 1>doing next. Because she performed as well she hosted, she

0:59:38.640 --> 0:59:40.800
<v Speaker 1>dead did outfit changes, all the stuff that Reban normally

0:59:40.800 --> 0:59:47.160
<v Speaker 1>does wonderfully. So they have me in the audience with

0:59:47.680 --> 0:59:50.280
<v Speaker 1>no direction, and I mean that in the most complimentary

0:59:50.360 --> 0:59:52.800
<v Speaker 1>way as to They were like, hey, just do what

0:59:52.840 --> 0:59:54.919
<v Speaker 1>you do. And I'm like, what does that mean to you?

0:59:54.960 --> 0:59:57.560
<v Speaker 1>Like do what I do? And they're like, you know,

0:59:57.840 --> 1:00:00.160
<v Speaker 1>we'll give you a couple of things to say that

1:00:00.560 --> 1:00:03.880
<v Speaker 1>you know how to get out. But talking to the camera,

1:00:04.000 --> 1:00:07.280
<v Speaker 1>talk about the show, talk to people in the crowd.

1:00:08.080 --> 1:00:10.520
<v Speaker 1>It's a big boost of confidence because I don't only

1:00:10.680 --> 1:00:13.280
<v Speaker 1>know them as far as country music know them. I

1:00:13.320 --> 1:00:17.000
<v Speaker 1>only know them from TV know them, and they're like,

1:00:17.240 --> 1:00:18.959
<v Speaker 1>you do what you do. And I had like five

1:00:19.040 --> 1:00:22.120
<v Speaker 1>segments through the two hours, and so that's pretty good.

1:00:22.160 --> 1:00:24.000
<v Speaker 1>And each of the segments was like a minute minute ten,

1:00:24.240 --> 1:00:27.960
<v Speaker 1>which is a long time on television, and there was

1:00:28.080 --> 1:00:32.040
<v Speaker 1>no script even during rehearsal. We didn't do it up

1:00:32.080 --> 1:00:34.439
<v Speaker 1>to time because all the artists would rehearse their song

1:00:34.520 --> 1:00:36.760
<v Speaker 1>up to time. We even ran the full show. But

1:00:36.800 --> 1:00:39.240
<v Speaker 1>for me, when I was rehearsing, there was nobody in

1:00:39.280 --> 1:00:43.400
<v Speaker 1>the seats, so I could really couldn't rehearse anything because

1:00:43.400 --> 1:00:46.840
<v Speaker 1>I didn't know what I was gonna do. So the

1:00:46.880 --> 1:00:48.400
<v Speaker 1>show starts and all like, all right, here we go.

1:00:49.240 --> 1:00:51.080
<v Speaker 1>We go out, and I thought it'd be funny to

1:00:51.120 --> 1:00:53.760
<v Speaker 1>get Jelly Roll to sign a can of jelly, so

1:00:53.800 --> 1:00:55.720
<v Speaker 1>I'm gonna keep that in my back pocket. Luckily it fit,

1:00:56.120 --> 1:00:57.360
<v Speaker 1>and so I go out. In the first segment, Jelly

1:00:57.440 --> 1:00:58.880
<v Speaker 1>Roll is actually sitting right there, and I was like, oh,

1:00:58.880 --> 1:01:01.480
<v Speaker 1>we're gonna do this now. Then up segment number one,

1:01:01.880 --> 1:01:04.360
<v Speaker 1>I took a sharpie and I blacked out the smuckers.

1:01:04.440 --> 1:01:06.280
<v Speaker 1>They didn't tell me too, There was no brand deal.

1:01:06.360 --> 1:01:07.760
<v Speaker 1>They didn't even know what I was gonna do. That's

1:01:07.760 --> 1:01:11.640
<v Speaker 1>the thing, that little bit, little corny bit. I didn't

1:01:11.680 --> 1:01:13.320
<v Speaker 1>run it by anybody. I don't know what they would

1:01:13.320 --> 1:01:15.000
<v Speaker 1>have said, but I just put the jelly in my

1:01:15.000 --> 1:01:16.520
<v Speaker 1>pocket and walked out and said Jelly roll, will you

1:01:16.560 --> 1:01:20.000
<v Speaker 1>sign it? And he laughed, crowd went crazy. He signed it,

1:01:20.320 --> 1:01:21.919
<v Speaker 1>and then I went to look for Keith Urban because

1:01:21.960 --> 1:01:23.440
<v Speaker 1>the teas that I had to do, like the one

1:01:23.440 --> 1:01:25.600
<v Speaker 1>piece of business in that minute and thirty second hit

1:01:25.960 --> 1:01:27.600
<v Speaker 1>was to say, Keith Urban's being honored with a Triple

1:01:27.600 --> 1:01:31.160
<v Speaker 1>Crown Award and he's coming up. And so I can't

1:01:31.200 --> 1:01:35.640
<v Speaker 1>find Keith because everybody's moved and it's easier to find

1:01:35.640 --> 1:01:37.560
<v Speaker 1>where they're sitting when there's nobody in the seats because

1:01:37.560 --> 1:01:39.160
<v Speaker 1>there are these big head cards with their name on

1:01:39.200 --> 1:01:40.840
<v Speaker 1>it and all the other seats are empty. But I

1:01:40.840 --> 1:01:42.680
<v Speaker 1>couldn't find Keith. So I walked way past him and

1:01:42.720 --> 1:01:44.040
<v Speaker 1>you can see this. It's on my Instagram too, and

1:01:44.080 --> 1:01:46.920
<v Speaker 1>I'm like, where's Kaith and they're like, he's back behind you.

1:01:47.240 --> 1:01:49.240
<v Speaker 1>And so I go to Keith and give him a hug,

1:01:50.240 --> 1:01:51.720
<v Speaker 1>and then I have the jelly in my hand and

1:01:51.800 --> 1:01:54.480
<v Speaker 1>I seen a Cole Kidman and the Cole Kitman has

1:01:54.480 --> 1:01:57.120
<v Speaker 1>always been so nice to me. I've probably met her

1:01:57.320 --> 1:02:01.480
<v Speaker 1>twelve or thirteen times and super kind, and there have

1:02:01.520 --> 1:02:03.560
<v Speaker 1>been sometimes where it hasn't just been like a super

1:02:03.680 --> 1:02:06.920
<v Speaker 1>quick meeting, like I've had conversations with her lovely, so

1:02:07.000 --> 1:02:10.760
<v Speaker 1>I felt safe that I could bring her unto the bit,

1:02:11.120 --> 1:02:12.360
<v Speaker 1>and so I did, and I said, oh, who cares

1:02:12.360 --> 1:02:14.000
<v Speaker 1>about Keith, here's Nicole, and gave her a hug and

1:02:14.000 --> 1:02:18.040
<v Speaker 1>gave her the jelly. So the bit ends. Listen, I'm

1:02:18.040 --> 1:02:21.040
<v Speaker 1>not gonna win amy for it. Wasn't really planning it

1:02:21.120 --> 1:02:24.600
<v Speaker 1>right then, but it happened, and the bit ends, and

1:02:24.640 --> 1:02:25.840
<v Speaker 1>I say, hey, you don't have to keep that, Nicole.

1:02:27.080 --> 1:02:28.320
<v Speaker 1>I'll take the jelly back. You have to hold it

1:02:28.360 --> 1:02:29.680
<v Speaker 1>all night. So I took jelly back, and some guy

1:02:29.680 --> 1:02:31.400
<v Speaker 1>who I thought was a TV producer comes up and goes, hey,

1:02:31.440 --> 1:02:35.360
<v Speaker 1>we need that jelly for a photo. And I don't know why,

1:02:35.360 --> 1:02:36.680
<v Speaker 1>so I hand it to him. It was a photographer

1:02:36.720 --> 1:02:39.560
<v Speaker 1>that stole my jelly. Somebody stole my jelly with jelly

1:02:39.600 --> 1:02:44.160
<v Speaker 1>roll his name on it. So nothing was rehearsed, and

1:02:44.200 --> 1:02:48.360
<v Speaker 1>that maybe at times Wyatt looked a little wild because

1:02:48.720 --> 1:02:51.160
<v Speaker 1>as I'm talking to the camera, things are happening behind me.

1:02:51.400 --> 1:02:53.400
<v Speaker 1>Or there was one part where they were like, hey,

1:02:53.400 --> 1:02:55.040
<v Speaker 1>go out to where Blake is because Blake's gonna do.

1:02:57.400 --> 1:03:00.600
<v Speaker 1>I think maybe he was honoring somebody. I'll be there

1:03:00.680 --> 1:03:05.160
<v Speaker 1>and Blake's but Blake wasn't there, and so I gotta pivot.

1:03:05.480 --> 1:03:10.040
<v Speaker 1>But for those asking, nothing was rehearsed and they put

1:03:10.080 --> 1:03:12.680
<v Speaker 1>no restrictions on me at all. But they actually didn't

1:03:12.680 --> 1:03:14.520
<v Speaker 1>tell me what to do at all, so that can

1:03:14.560 --> 1:03:16.520
<v Speaker 1>also be nerve wracking. At one point, there was a

1:03:16.560 --> 1:03:21.720
<v Speaker 1>sound issue and it's going bam, and I'm sitting backstage.

1:03:22.440 --> 1:03:24.320
<v Speaker 1>I have one of my shoes off and or new shoes.

1:03:24.320 --> 1:03:25.680
<v Speaker 1>My feet were hurting, so I took one of my

1:03:25.680 --> 1:03:27.160
<v Speaker 1>shoes off and then I Bobby, you have thirty seconds.

1:03:27.200 --> 1:03:28.960
<v Speaker 1>We need you out there, and I'm thinking, no problem,

1:03:29.000 --> 1:03:30.560
<v Speaker 1>throw my shoe on. I go out to look for

1:03:30.600 --> 1:03:33.480
<v Speaker 1>my camera guy. Because it's mobile, there's celebrities everywhere, it's

1:03:33.480 --> 1:03:35.640
<v Speaker 1>easy I can go talk to celebrities. They put me

1:03:35.640 --> 1:03:37.720
<v Speaker 1>on what they call their camera on the jib, which

1:03:37.760 --> 1:03:41.120
<v Speaker 1>is a piece of machinery in the corner of the room,

1:03:41.480 --> 1:03:43.960
<v Speaker 1>so I could go talk to nobody. So I was

1:03:44.040 --> 1:03:46.360
<v Speaker 1>just gonna have to talk only to a camera and

1:03:46.480 --> 1:03:48.720
<v Speaker 1>fil which wouldn't have been a big deal if it

1:03:48.760 --> 1:03:50.520
<v Speaker 1>was like, you have thirty seconds, we need you to

1:03:50.560 --> 1:03:53.960
<v Speaker 1>fill for forty five seconds a minute, But it was

1:03:54.040 --> 1:03:56.160
<v Speaker 1>we need you to fill until we get it fixed.

1:03:56.840 --> 1:04:00.080
<v Speaker 1>So look, I've been training my whole life for that.

1:04:00.080 --> 1:04:02.800
<v Speaker 1>That doesn't mean that it's not a little nerve wracking. Luckily,

1:04:02.840 --> 1:04:04.919
<v Speaker 1>it happened so quick I didn't have time to get

1:04:04.960 --> 1:04:06.960
<v Speaker 1>nervous about it. So I walk out and I had

1:04:06.960 --> 1:04:11.160
<v Speaker 1>another bit planned later in the evening, had it presented itself,

1:04:11.800 --> 1:04:14.760
<v Speaker 1>where I had a sticker that said hello, I'm and

1:04:14.760 --> 1:04:16.400
<v Speaker 1>that sticker that said hello, I'm the people wear it

1:04:16.440 --> 1:04:18.320
<v Speaker 1>says hello, I'm on, and you write your name in

1:04:18.320 --> 1:04:20.720
<v Speaker 1>that white block under it. I wrote Lionel because Lionel

1:04:20.800 --> 1:04:23.880
<v Speaker 1>Richie was there and he has the song Hello, and

1:04:23.920 --> 1:04:25.200
<v Speaker 1>I was gonna do a bit with that, right, It's

1:04:25.200 --> 1:04:26.560
<v Speaker 1>like I always wanted to do this. I'm gonna put

1:04:26.560 --> 1:04:29.640
<v Speaker 1>it on his jacket, and so I had it in

1:04:29.640 --> 1:04:32.640
<v Speaker 1>my coat pocket in case it were to happen. So

1:04:32.680 --> 1:04:34.640
<v Speaker 1>they throw me on the jib camera and they go,

1:04:34.760 --> 1:04:36.560
<v Speaker 1>everything's broken, we need you to go, and I just

1:04:36.600 --> 1:04:39.520
<v Speaker 1>start going. It's just saying crap. I know, I started

1:04:39.520 --> 1:04:41.880
<v Speaker 1>teasing stuff. Matthew Ramsey from Old Dominion walk by and

1:04:41.920 --> 1:04:44.440
<v Speaker 1>said something about his chest hair. I don't even remember

1:04:44.600 --> 1:04:46.920
<v Speaker 1>because none of it was planned, and not only that

1:04:47.680 --> 1:04:49.400
<v Speaker 1>it was so out of my control how long I

1:04:49.400 --> 1:04:50.760
<v Speaker 1>was going to talk on what I was talking about,

1:04:51.360 --> 1:04:53.520
<v Speaker 1>But we got through it. I didn't have an earpiece in,

1:04:53.960 --> 1:04:55.760
<v Speaker 1>so the producer gave me hands on the shoulders, which

1:04:55.760 --> 1:04:57.880
<v Speaker 1>means ten seconds. We got out of it, went back

1:04:57.880 --> 1:05:00.000
<v Speaker 1>to the room. Felt pretty good about it. But I

1:05:00.080 --> 1:05:02.240
<v Speaker 1>the Lionel thing. Why I bring that up and I

1:05:02.280 --> 1:05:04.800
<v Speaker 1>had it prepared was as they told me, Hey, we

1:05:04.840 --> 1:05:07.240
<v Speaker 1>need you out there in twenty seconds, and I'm putting

1:05:07.240 --> 1:05:12.760
<v Speaker 1>a shoe on Tom, who is my manager, him and

1:05:12.800 --> 1:05:15.880
<v Speaker 1>Morgan number one. I said, hey, can you grab Lionel

1:05:16.360 --> 1:05:17.960
<v Speaker 1>because I think it'd be a funny time to do

1:05:18.000 --> 1:05:20.600
<v Speaker 1>this bit, and he goes got it, and he knows

1:05:20.600 --> 1:05:24.240
<v Speaker 1>Lionel Lionel is the same management I am. So he

1:05:24.280 --> 1:05:27.000
<v Speaker 1>goes up the line and goes, hey, Bobby is having

1:05:27.000 --> 1:05:29.680
<v Speaker 1>a cover because there's a sound emergency. It's live on

1:05:29.680 --> 1:05:31.760
<v Speaker 1>Amazon right now over in the corner. Can you come over?

1:05:31.960 --> 1:05:34.080
<v Speaker 1>And Lionel's like, yeah, sure, absolutely, So Lionel gets up

1:05:34.120 --> 1:05:35.640
<v Speaker 1>to come over, and as soon as he does, Jerry Jones,

1:05:35.680 --> 1:05:37.920
<v Speaker 1>the Cowboys owner, sees Lione goes Lionel, hey, I want

1:05:37.920 --> 1:05:40.760
<v Speaker 1>you to meet my family. No, Lionel Richie because Jerry

1:05:40.800 --> 1:05:43.280
<v Speaker 1>Jones grabbed him, and Lionel's like, and I get it.

1:05:43.520 --> 1:05:45.840
<v Speaker 1>You can't leave Jerry Jones. He owns the building we're

1:05:45.880 --> 1:05:48.640
<v Speaker 1>doing so as it was ending, then Lionel comes up

1:05:48.680 --> 1:05:50.320
<v Speaker 1>and it was lovely to see him. Love Lionel, one

1:05:50.360 --> 1:05:52.960
<v Speaker 1>of the nicest guys ever. But I had that bit planned.

1:05:53.160 --> 1:05:55.880
<v Speaker 1>I actually never got to do the bit because Lionel left,

1:05:56.160 --> 1:05:57.240
<v Speaker 1>but I was going to do it then, but I

1:05:57.280 --> 1:05:59.560
<v Speaker 1>couldn't get Lionel there in time. So but I was

1:05:59.560 --> 1:06:04.720
<v Speaker 1>that if anything bad happens, you're covering, and something bad

1:06:04.800 --> 1:06:08.240
<v Speaker 1>did happen, and I covered and it went well because

1:06:08.280 --> 1:06:11.120
<v Speaker 1>it may have just looked like a sloppy segment like

1:06:11.240 --> 1:06:14.400
<v Speaker 1>me just talking randomly. It did not look like something

1:06:14.520 --> 1:06:18.320
<v Speaker 1>was badly broken, which temporarily it was. There was only

1:06:18.360 --> 1:06:24.840
<v Speaker 1>one picture I wanted, and whenever I go to these events,

1:06:25.240 --> 1:06:28.280
<v Speaker 1>I never actually want to bother people and be like,

1:06:28.280 --> 1:06:30.280
<v Speaker 1>can I get a picture? Now? I'll take pictures with

1:06:30.360 --> 1:06:34.000
<v Speaker 1>my friends sometimes, and maybe my friends are artists, But

1:06:34.040 --> 1:06:35.520
<v Speaker 1>the only picture I really wanted to get was from

1:06:35.600 --> 1:06:39.880
<v Speaker 1>Jesse Murph because my wife listens to her music a lot.

1:06:40.040 --> 1:06:43.960
<v Speaker 1>I like her music too, but this Gucci main song

1:06:44.040 --> 1:06:48.600
<v Speaker 1>I Love. I'll play a little bit to this, so

1:06:48.680 --> 1:06:50.160
<v Speaker 1>I ain't gonna play much of it because I'll cut

1:06:50.160 --> 1:06:54.040
<v Speaker 1>it off the podcast. But big fan and I said,

1:06:54.080 --> 1:06:55.440
<v Speaker 1>if I see her, I want to get a picture,

1:06:55.800 --> 1:06:57.439
<v Speaker 1>And so I saw her, but she was holding a pig.

1:06:57.600 --> 1:07:00.240
<v Speaker 1>She had a baby pet pig, and I was like

1:07:00.720 --> 1:07:01.920
<v Speaker 1>it was easy because I was like, oh, gott I

1:07:01.920 --> 1:07:03.880
<v Speaker 1>get a picture with you in the pig. So if

1:07:03.880 --> 1:07:05.320
<v Speaker 1>she didn't have the pick, I was gonna still gonna

1:07:05.320 --> 1:07:07.040
<v Speaker 1>get a picture. But that was the only picture I wanted.

1:07:07.040 --> 1:07:08.840
<v Speaker 1>I got the picture. I thought that was pretty cool.

1:07:09.280 --> 1:07:12.600
<v Speaker 1>There was one time where I'm in the crowd and

1:07:12.600 --> 1:07:14.640
<v Speaker 1>they wanted me to go up and tease that Brooks

1:07:14.640 --> 1:07:17.360
<v Speaker 1>and Dunn were there, and I'm on the mic and

1:07:17.400 --> 1:07:19.480
<v Speaker 1>I'm like, hey, anybody here a legend, raise your hand,

1:07:19.520 --> 1:07:21.160
<v Speaker 1>and nobody raised their hand except for some people in

1:07:21.160 --> 1:07:25.040
<v Speaker 1>the back that weren't artists. I did make a slightly

1:07:25.040 --> 1:07:26.680
<v Speaker 1>funny joke because some guy raised his hand and said,

1:07:26.680 --> 1:07:28.440
<v Speaker 1>you are a legend because you're like fifty two and

1:07:28.440 --> 1:07:31.040
<v Speaker 1>you're still frosting your tips and his hair. Though that's

1:07:31.040 --> 1:07:32.880
<v Speaker 1>pretty funny. When I watched it back, I don't remember

1:07:32.880 --> 1:07:34.400
<v Speaker 1>saying it, but when I saw it, I was like,

1:07:34.760 --> 1:07:37.960
<v Speaker 1>slightly ruthless, kind of funny. But I go to Ronnie

1:07:37.960 --> 1:07:39.440
<v Speaker 1>and I'm like, hey, because they had one for Duo

1:07:39.480 --> 1:07:40.720
<v Speaker 1>of the Year, I said, you take you win, and

1:07:40.720 --> 1:07:43.920
<v Speaker 1>he goes, what It's kind of loud in the room,

1:07:43.960 --> 1:07:46.320
<v Speaker 1>but I forgot, like, I think one of Ronnie's ears

1:07:46.360 --> 1:07:47.720
<v Speaker 1>isn't as good as the other. I think I talked

1:07:47.720 --> 1:07:50.240
<v Speaker 1>into the wrong year, basically, and then we laugh and

1:07:50.280 --> 1:07:51.720
<v Speaker 1>I'm like, oh, I don't know why you're yelling at me,

1:07:52.200 --> 1:07:57.160
<v Speaker 1>but that's why it seemed like he either wasn't paying attention,

1:07:57.960 --> 1:07:59.840
<v Speaker 1>didn't know who I was, or didn't want to talk

1:07:59.880 --> 1:08:04.080
<v Speaker 1>to he couldn't hear me. But I'm an idiot because

1:08:04.120 --> 1:08:05.760
<v Speaker 1>I know that, and I don't know why this set

1:08:05.800 --> 1:08:08.200
<v Speaker 1>it down, and was like, hey, I'll talk to you.

1:08:08.240 --> 1:08:12.080
<v Speaker 1>Normally I should have went to the Goodyear. Also, Kurt

1:08:12.080 --> 1:08:15.000
<v Speaker 1>Warner was in the audience. Kurt Warner played for the

1:08:15.080 --> 1:08:20.400
<v Speaker 1>Rams Wonner Super Bowl Fastest Show on turf, beats Titans

1:08:20.439 --> 1:08:24.760
<v Speaker 1>back in the day, played for the Cardinals Hall of

1:08:24.760 --> 1:08:28.679
<v Speaker 1>Fame quarterback. The first time that I met Kurt Warner

1:08:28.800 --> 1:08:34.160
<v Speaker 1>was virtually on Skype. Who even says Skype. Why did

1:08:34.200 --> 1:08:35.439
<v Speaker 1>I just say Skype? I think I just read a

1:08:35.439 --> 1:08:43.000
<v Speaker 1>story about them going bankrupt? Skype? What the heck on Zoom?

1:08:44.000 --> 1:08:47.200
<v Speaker 1>And Matt Castle and myself interviewed him for our podcast

1:08:47.240 --> 1:08:50.360
<v Speaker 1>Lots to say. Then, when I did NFL Honors, because

1:08:50.400 --> 1:08:52.200
<v Speaker 1>that's the award show for the NFL players they give

1:08:52.240 --> 1:08:54.479
<v Speaker 1>out like Rookie of the Year. It was in New

1:08:54.600 --> 1:08:57.120
<v Speaker 1>Orleans and the super Bowl. Fox and NFL had me

1:08:57.160 --> 1:08:59.519
<v Speaker 1>present an award to George Kittle, who's a tied endo

1:08:59.520 --> 1:09:02.240
<v Speaker 1>the forty nine. But that show they have you sit

1:09:02.320 --> 1:09:04.320
<v Speaker 1>up in the first few rows if you're going on camera,

1:09:04.640 --> 1:09:07.519
<v Speaker 1>because since you have to walk backstage pretty quickly, they

1:09:07.560 --> 1:09:10.160
<v Speaker 1>want you to be close. So I'm seated right next

1:09:10.160 --> 1:09:12.280
<v Speaker 1>to Kurt Warner and his wife, and we were there

1:09:12.320 --> 1:09:15.479
<v Speaker 1>for an hour and twenty minutes and they were awesome.

1:09:15.520 --> 1:09:17.760
<v Speaker 1>We talked the whole time, and so we got to

1:09:17.840 --> 1:09:21.080
<v Speaker 1>know each other that night. And then I'm there and

1:09:21.120 --> 1:09:24.519
<v Speaker 1>we were going to commercial after I'd finished a segment

1:09:24.920 --> 1:09:26.920
<v Speaker 1>and this guy comes up and hugs me. He's like,

1:09:26.920 --> 1:09:29.240
<v Speaker 1>what's happening. It's freaking Kurt Warner and he was like,

1:09:29.280 --> 1:09:30.320
<v Speaker 1>I saw all you wanted to say hi, and I

1:09:30.400 --> 1:09:31.880
<v Speaker 1>was like, do what up, went back and talked to

1:09:31.960 --> 1:09:35.080
<v Speaker 1>them again later in the night. Lovely people love them.

1:09:35.120 --> 1:09:37.760
<v Speaker 1>They came in. Apparently Kurt Warner and Blake Shelton are

1:09:37.800 --> 1:09:40.559
<v Speaker 1>good friends. He came in for Blake Shelton's event that

1:09:40.600 --> 1:09:42.680
<v Speaker 1>Blake did the same night that Brooks and Dunn did

1:09:42.720 --> 1:09:45.559
<v Speaker 1>their event. But that's my other note about the ACMs

1:09:45.680 --> 1:09:48.280
<v Speaker 1>that Kurt Warner is awesome in general, and it was

1:09:48.320 --> 1:09:50.560
<v Speaker 1>really cool that he was there because he's such a

1:09:50.640 --> 1:09:52.920
<v Speaker 1>kind got him and his wife are so kind, So

1:09:53.320 --> 1:09:59.759
<v Speaker 1>ACMs were great. I have been attached to the idea

1:10:00.640 --> 1:10:02.240
<v Speaker 1>I want to host one of these award shows, one

1:10:02.280 --> 1:10:06.840
<v Speaker 1>of the big ones ACMs, CMAS. I've positioned myself for

1:10:06.880 --> 1:10:10.800
<v Speaker 1>many years, and there was one time, and right now

1:10:10.840 --> 1:10:12.560
<v Speaker 1>I cannot tell the story. One day I will be

1:10:12.600 --> 1:10:15.320
<v Speaker 1>able to. There was a year that they said, hey,

1:10:15.320 --> 1:10:17.439
<v Speaker 1>we think we want you to host the show, and

1:10:17.479 --> 1:10:20.479
<v Speaker 1>then we'll say a couple weeks before the announced there

1:10:20.520 --> 1:10:22.040
<v Speaker 1>was a reason they had to pull me from hosting

1:10:22.080 --> 1:10:30.000
<v Speaker 1>the show. And it was not a reason that I

1:10:30.040 --> 1:10:32.559
<v Speaker 1>did not want to say too much. I didn't do

1:10:32.600 --> 1:10:36.040
<v Speaker 1>anything to make them pull me off the show. But

1:10:36.160 --> 1:10:39.200
<v Speaker 1>it really sucked because that's been one of the goals

1:10:39.360 --> 1:10:43.800
<v Speaker 1>forever and I've made it known that I want to

1:10:43.800 --> 1:10:47.680
<v Speaker 1>host ACMs, But when it's the sixtieth and they want

1:10:47.720 --> 1:10:50.880
<v Speaker 1>to bring Rieba back to do the eighteenth, and that

1:10:51.000 --> 1:10:54.000
<v Speaker 1>number eighteen wasn't as important as it was. She's hosted

1:10:54.000 --> 1:10:55.519
<v Speaker 1>that show more than anybody else. And since it was

1:10:55.560 --> 1:10:57.920
<v Speaker 1>the sixtieth, there was that the first year they did it,

1:10:58.120 --> 1:11:00.160
<v Speaker 1>you know, they had Garth and they had and.

1:11:02.000 --> 1:11:02.360
<v Speaker 2>Dolly.

1:11:02.880 --> 1:11:04.720
<v Speaker 1>You can't really argue with it. It was Guard's first

1:11:04.760 --> 1:11:06.439
<v Speaker 1>ever time to host, and so I'd always be like,

1:11:06.479 --> 1:11:08.000
<v Speaker 1>all right, I'm gona wait time, wait more time, wait

1:11:08.040 --> 1:11:09.559
<v Speaker 1>my time. I don't want to be second Banana. Those

1:11:09.640 --> 1:11:11.400
<v Speaker 1>last two years, I tried to actually not be a

1:11:11.439 --> 1:11:14.520
<v Speaker 1>part of the show, even though I love them, I

1:11:14.600 --> 1:11:16.840
<v Speaker 1>lose money by going to do it, and it takes

1:11:16.840 --> 1:11:19.080
<v Speaker 1>me away from the morning show, which I don't always

1:11:19.120 --> 1:11:20.600
<v Speaker 1>mind because I can do it remotely, but I just

1:11:20.600 --> 1:11:22.000
<v Speaker 1>don't a higher country and I'm like, I'm going to

1:11:22.040 --> 1:11:23.960
<v Speaker 1>be exhausted. And if you know anything about me chat

1:11:23.960 --> 1:11:26.879
<v Speaker 1>GBT told me earlier that I get too tired sometimes

1:11:26.920 --> 1:11:29.760
<v Speaker 1>that I can't be functioning at the same level that

1:11:29.800 --> 1:11:31.400
<v Speaker 1>i'd like to be functioning, or that I normally function

1:11:31.479 --> 1:11:33.840
<v Speaker 1>because I'm too exhausted. So I said, you know, I

1:11:33.840 --> 1:11:36.760
<v Speaker 1>don't think I'm going to do it this year. But

1:11:36.880 --> 1:11:39.639
<v Speaker 1>our special just got picked up for the ACMs, which

1:11:39.680 --> 1:11:41.800
<v Speaker 1>they never asked us to do. We just went and

1:11:41.880 --> 1:11:44.840
<v Speaker 1>shot it and presented to them, said hey, would you

1:11:44.840 --> 1:11:46.760
<v Speaker 1>want to option our special? And they said yes, we do.

1:11:46.800 --> 1:11:50.360
<v Speaker 1>We were like, what really? So I said, Okay, I'm

1:11:50.360 --> 1:11:52.800
<v Speaker 1>gonna do it one more year. And so I did

1:11:52.800 --> 1:11:55.439
<v Speaker 1>it this year. And by the way, my plans is

1:11:55.479 --> 1:11:57.240
<v Speaker 1>of an hour to not do it next year. They

1:11:57.240 --> 1:11:59.040
<v Speaker 1>have not asked me to do it next year. It

1:11:59.080 --> 1:12:00.800
<v Speaker 1>has not even been a converse. But my plans right

1:12:00.840 --> 1:12:04.960
<v Speaker 1>now are probably to not do it next year. But

1:12:05.000 --> 1:12:10.200
<v Speaker 1>I've always wanted to host it, and I was always

1:12:13.040 --> 1:12:14.800
<v Speaker 1>I wondered if I would ever be able to show

1:12:14.840 --> 1:12:17.599
<v Speaker 1>them how good I would be at hosting it, And

1:12:18.000 --> 1:12:21.160
<v Speaker 1>I had opportunities this year, and I think I actually

1:12:21.479 --> 1:12:24.639
<v Speaker 1>succeeded in those opportunities by doing a bunch of live

1:12:24.680 --> 1:12:26.559
<v Speaker 1>stuff on the show, by things breaking down and me

1:12:26.600 --> 1:12:29.240
<v Speaker 1>covering it, by all those people that make those decisions

1:12:29.240 --> 1:12:31.240
<v Speaker 1>being at the Brooks and done thing when I'm telling jokes,

1:12:31.439 --> 1:12:33.840
<v Speaker 1>so I'm not as married to the idea of that

1:12:33.920 --> 1:12:35.680
<v Speaker 1>I'm a failure if I never get to do it,

1:12:35.920 --> 1:12:38.240
<v Speaker 1>because I think I got to prove that I can

1:12:38.360 --> 1:12:42.120
<v Speaker 1>do it. Now I'm just not famous enough. So I

1:12:42.160 --> 1:12:44.799
<v Speaker 1>think that's really what it is at this point, because

1:12:44.840 --> 1:12:48.519
<v Speaker 1>the skill set I got it. I can go live,

1:12:48.560 --> 1:12:50.240
<v Speaker 1>I can tell jokes, I can write jokes, I know

1:12:50.280 --> 1:12:55.320
<v Speaker 1>all the people. I have a good TV resume, I

1:12:55.360 --> 1:12:57.680
<v Speaker 1>have a comedy special, I have everything you need to

1:12:57.720 --> 1:13:00.479
<v Speaker 1>have to do it. I'm just not famous enough and

1:13:00.520 --> 1:13:05.400
<v Speaker 1>they really want somebody famous that they can show in

1:13:05.439 --> 1:13:08.360
<v Speaker 1>the promo of it. So unless I get to be

1:13:08.400 --> 1:13:10.519
<v Speaker 1>a bit more famous, which that's not even really my

1:13:10.600 --> 1:13:16.800
<v Speaker 1>goal anymore, probably won't host it. And I think, knowing

1:13:16.840 --> 1:13:18.920
<v Speaker 1>I would have said that six months ago, i'd have

1:13:18.920 --> 1:13:20.559
<v Speaker 1>been like, you're only saying that because you're a quitter

1:13:20.600 --> 1:13:23.120
<v Speaker 1>and you're scared you're never going to get it. Therefore

1:13:23.439 --> 1:13:25.200
<v Speaker 1>you're just gonna say I'm going to give up and

1:13:25.240 --> 1:13:27.320
<v Speaker 1>not get it. But that is absolutely not the case.

1:13:27.920 --> 1:13:30.519
<v Speaker 1>I was able to show every freaking skill that I

1:13:30.560 --> 1:13:33.080
<v Speaker 1>have this year. The right people saw it, and if

1:13:33.120 --> 1:13:37.280
<v Speaker 1>I never get chosen I'm actually okay with it because

1:13:37.320 --> 1:13:41.559
<v Speaker 1>I only ever want the opportunity to prove myself. It's

1:13:41.640 --> 1:13:43.920
<v Speaker 1>not that I need to get it, it's that I

1:13:43.960 --> 1:13:45.400
<v Speaker 1>need to show I can do it to the people

1:13:45.400 --> 1:13:47.080
<v Speaker 1>that make the decisions that will be able to give it.

1:13:48.160 --> 1:13:49.960
<v Speaker 1>And if I can do that, because sometimes I may

1:13:50.000 --> 1:13:53.280
<v Speaker 1>actually may not be good enough. But if I can

1:13:53.280 --> 1:13:56.639
<v Speaker 1>do that and I get it or I don't get

1:13:56.640 --> 1:14:01.479
<v Speaker 1>it to me, that's the win, the WI win. So

1:14:01.640 --> 1:14:07.280
<v Speaker 1>I won. I won this year by performing at a

1:14:07.360 --> 1:14:10.439
<v Speaker 1>high level, showing my skill set during the live show,

1:14:11.479 --> 1:14:16.559
<v Speaker 1>and also showing that I can stand on stage, own

1:14:16.640 --> 1:14:21.640
<v Speaker 1>the stage, rite and tell jokes that are relevant to

1:14:22.960 --> 1:14:27.040
<v Speaker 1>the weekend the people that are their country music. So yeah,

1:14:27.160 --> 1:14:29.720
<v Speaker 1>if I don't get it anymore, I'm okay with it.

1:14:29.720 --> 1:14:31.200
<v Speaker 1>I'm not married to the idea that I'm a failure.

1:14:31.200 --> 1:14:34.280
<v Speaker 1>If I don't three weeks ago, six months ago, that

1:14:34.280 --> 1:14:35.920
<v Speaker 1>would not have been coming out of my mouth because

1:14:35.920 --> 1:14:37.760
<v Speaker 1>I would have thought, yeah, you know what, at this point,

1:14:37.760 --> 1:14:39.320
<v Speaker 1>I'm probably not gonna get it. But I feel like

1:14:39.320 --> 1:14:42.240
<v Speaker 1>a total and complete failure because that was a goal

1:14:42.280 --> 1:14:44.120
<v Speaker 1>of mine. I don't feel like a failure anymore. And

1:14:44.120 --> 1:14:47.840
<v Speaker 1>if I never get it that kind of sucks, But

1:14:47.880 --> 1:14:50.639
<v Speaker 1>it's not because I suck a little bit of therapy

1:14:50.680 --> 1:14:53.920
<v Speaker 1>coming through right there too, but also because this year,

1:14:53.960 --> 1:14:56.080
<v Speaker 1>more than any other year, I got to spread my

1:14:56.120 --> 1:14:58.559
<v Speaker 1>wings and show that these skills that I've been developing

1:14:58.560 --> 1:15:01.080
<v Speaker 1>over the past ten years, they're hearing ready for you.

1:15:01.800 --> 1:15:05.040
<v Speaker 1>If eighty people say no, I'm ready to go. All right,

1:15:05.080 --> 1:15:09.200
<v Speaker 1>that's the episode. Thank you guys, all you fifty minute clubbers.

1:15:09.320 --> 1:15:11.800
<v Speaker 1>I appreciate it. We went way over fifty minutes this time,

1:15:12.000 --> 1:15:14.280
<v Speaker 1>but I appreciate you guys being here and you can't

1:15:14.320 --> 1:15:16.040
<v Speaker 1>me in the DMS. Be like, listen all fifty minutes

1:15:16.080 --> 1:15:18.599
<v Speaker 1>and if give me your thoughts. Did you hear something

1:15:18.600 --> 1:15:20.200
<v Speaker 1>you liked, something you didn't like? Like I love to

1:15:20.280 --> 1:15:22.360
<v Speaker 1>know whenever I'm just talking about myself because I'm not

1:15:22.400 --> 1:15:24.519
<v Speaker 1>reading from a script. The only notes that I had

1:15:24.560 --> 1:15:26.360
<v Speaker 1>were from the Eddie and I segment. Whenever I put

1:15:26.360 --> 1:15:31.519
<v Speaker 1>together all that stuff. Otherwise, I have an idea of

1:15:31.520 --> 1:15:32.479
<v Speaker 1>what I want to talk about it, I come in

1:15:32.520 --> 1:15:34.680
<v Speaker 1>and talk about it. Sometimes I get and tangent off

1:15:34.720 --> 1:15:38.280
<v Speaker 1>of it. But let me know. Thanks to all you guys,

1:15:38.560 --> 1:15:41.479
<v Speaker 1>and we will see you next week. We have Brandon

1:15:41.520 --> 1:15:44.120
<v Speaker 1>Lancaster from Lanco, lead singer of Lanco coming up in

1:15:44.120 --> 1:15:47.080
<v Speaker 1>the next episode. What I really like about his story,

1:15:47.120 --> 1:15:49.080
<v Speaker 1>but I think you'll like about a story is they

1:15:49.080 --> 1:15:52.639
<v Speaker 1>were a band and they have the song That's Gonna

1:15:52.680 --> 1:15:56.400
<v Speaker 1>Be Your Forever you were Gonna Be My Wife Number

1:15:56.439 --> 1:15:59.280
<v Speaker 1>one song that another song that did really well covid hit,

1:15:59.320 --> 1:16:02.519
<v Speaker 1>lost a record, lost their management. Now they're kind of

1:16:02.520 --> 1:16:06.040
<v Speaker 1>back at it and back on and doing well. And

1:16:06.120 --> 1:16:08.240
<v Speaker 1>that's really hard in the creative world to be the

1:16:08.280 --> 1:16:13.280
<v Speaker 1>shiny toy, completely lose your shine and then get it back.

1:16:14.040 --> 1:16:18.960
<v Speaker 1>It's very difficult because you're looked at as a has

1:16:19.040 --> 1:16:22.120
<v Speaker 1>been because there's one hundred new people coming up that

1:16:22.160 --> 1:16:24.240
<v Speaker 1>they can go to instead. But history's really good and

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<v Speaker 1>I hope you listen to the next episode. I hope

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<v Speaker 1>you liked that Jessica Andrews episode, and yeah, that's what's up.

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<v Speaker 1>Thank you guys, and we'll see you next time. I

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<v Speaker 1>love this episode of The Bobby Cast.

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<v Speaker 4>Subscribe on iHeartRadio, Apple Podcasts, or wherever you listen to podcasts.