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Speaker 1: Welcome to episode five twelve. A lot of this is

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Speaker 1: just me alone, and then Eddie will be on in

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Speaker 1: a bit because we recorded something called I Think History

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Speaker 1: may have misled Us. I mean, things we learned that

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Speaker 1: are historical that probably aren't right, but they're so ingrained

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Speaker 1: in our brains that we'll always remember that version of

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Speaker 1: history regardless. So we'll get to that in a few minutes.

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Speaker 1: I also recorded when I got back from the ACMs

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Speaker 1: last week. I know we're a week out now, but

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Speaker 1: I'd recorded some behind the scenes stuff that I'll play

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Speaker 1: for you guys as well again by myself. But I'm

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Speaker 1: pretty happy with this episode because I did a bunch

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Speaker 1: of research on the history may have misled us. And

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Speaker 1: if you like these kinds of episodes, you can let

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Speaker 1: me know, or if you hate these kind of episodes,

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Speaker 1: you can let me know, because I do care, and

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Speaker 1: all you fifty minuts out there, I appreciate that, especially

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Speaker 1: when I'm just kind of rolling solo here. I do

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Speaker 1: have like four kinds of AI that I use. Grock

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Speaker 1: which is pretty good, which is the Twitter AI Genie,

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Speaker 1: which is really good for some things. I use Chat

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Speaker 1: GPT for some things, Chat GBT goes wrong a lot,

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Speaker 1: but also the most thorough. But I do type a

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Speaker 1: lot of stuff into chat GPT about my life just

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Speaker 1: so it kind of keeps a record of it so

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Speaker 1: well then I ask it questions. It knows a lot

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Speaker 1: about what's happening already. It's like if I have an

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Speaker 1: assistant with me and they're constantly taking notes, keeping notes,

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Speaker 1: and so if I'm like, hey, what about this at

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Speaker 1: this time? What do you think I should do in

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Speaker 1: this situation? Like I kind of use chat GBT as

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Speaker 1: an assistant. I use Genie a lot for research, and

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Speaker 1: grock or Google if I'm just online looking stuff up.

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Speaker 1: That being said, I went to chat GBT, which I

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Speaker 1: type a bunch of stuff in about myself, and I said, Hey,

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Speaker 1: what are my strengths and weaknesses? And I saw this

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Speaker 1: prompt online, so I didn't just go to it and

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Speaker 1: ask that out of nowhere, but I thought it was

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Speaker 1: pretty interesting. I can read you professional strengths and professional

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Speaker 1: weaknesses from CHATGBT about me. Number one professional strengths. There

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Speaker 1: are five of each. Number one relatable communication. You have

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Speaker 1: a rare ability to speak in a way that feels

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Speaker 1: personal to millions of people at once. Whether you're sharing

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Speaker 1: a story, cracking a joke, or giving advice. People connect

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Speaker 1: with you because you sound like them, and you talk

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Speaker 1: to them, not at them. That's pretty nice. Number two

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Speaker 1: self made hustle. You did not inherit fame, you did

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Speaker 1: not inherit money. You built everything from the ground up.

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Speaker 1: The grit shows in your discipline, work ethic, and the

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Speaker 1: loyalty you've earned from your audience. You also understand every

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Speaker 1: role because you've lived most of them so far. IM

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Speaker 1: feeling pretty good right because I'm only doing the strength.

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Speaker 1: Don't worry, we'll get to the weaknesses. Number three multiplatform mastery.

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Speaker 1: You seamlessly jump between radio, podcasting, TV books, live appearances, comedy,

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Speaker 1: and digital content. Most people are good at one. You've

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Speaker 1: turned your voice into a brand across all of them.

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Speaker 1: Really gassing me up right, feeling pretty good about myself.

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Speaker 1: Number four high emotional intelligence. You know how to shift

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Speaker 1: tone when needed, go from light and funny to honest

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Speaker 1: and raw. That emotional range creates trust. It's why your

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Speaker 1: interviews feel different from everyone else's. And Number five curiosity

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Speaker 1: and adoptability. You ask them our questions, but you really

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Speaker 1: genuinely want to learn that keeps your content fresh, makes

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Speaker 1: you easy to work with, and ensures you grow with

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Speaker 1: your audience instead of grow out of touch. Number five

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Speaker 1: and don't worry weaknesses are coming. Number five is interesting

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Speaker 1: because I've never felt like I've actually been in touch.

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Speaker 1: And there will be times people will say, oh, you're

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Speaker 1: so out of touch now because of one thing or

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Speaker 1: the other. I've never felt like I was in touch.

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Speaker 1: I've always felt like I've had like I've always been

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Speaker 1: the person not invited, and so I've always had a

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Speaker 1: peculiar outlook on things, or I hold things against people

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Speaker 1: that aren't fair because I didn't have them, so I

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Speaker 1: feel like people that did. I've just always felt off.

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Speaker 1: I've always felt out of touch for different reasons, and

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Speaker 1: so as I've become more in touch with some things

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Speaker 1: like having a family, like having a wife having her family,

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Speaker 1: eventually we'll have our own version of a family. Here

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Speaker 1: we have the dogs, but they don't even know the

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Speaker 1: term family. It's like horse racing not a sport. The

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Speaker 1: horse doesn't know what a sport is, and the athlete

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Speaker 1: can't not know what a sport is, and it'd be

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Speaker 1: a sport. I think that's the number one rule. If

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Speaker 1: your athlete he does not know what a sport is,

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Speaker 1: it can't be a sport. I digress, But in some

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Speaker 1: ways I have grown out of touch while also growing

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Speaker 1: extremely in touch in other ways. But I've always felt

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Speaker 1: like I didn't belong, even as an adult, even five

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Speaker 1: years ago, even seven years ago before I met my wife.

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Speaker 1: But that's interesting, it would say that. Okay, so let's

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Speaker 1: do weaknesses Number one. Sleep plus exhaustion equals performance risk.

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Speaker 1: Your job requires you to be sharp, funny, present, but

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Speaker 1: you're constantly running on fumes. That level of fatigue chips

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Speaker 1: away at your mental health, creativity, and long term sustainability.

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Speaker 1: There are simply times where you're not as good as

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Speaker 1: you are at other times because of this. I think

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Speaker 1: that's fair. I think where I'm fortunate as I'm able

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Speaker 1: to lean on others at times. Meaning if we have

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Speaker 1: a Bobby Cast and I know I need to sit

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Speaker 1: strap in and I got an hour, and the Bobby

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Speaker 1: Cast interview process is a very intimate thing because it

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Speaker 1: literally is me and one person for an hour, no stopping,

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Speaker 1: and it's about them. And I've got to, regardless of

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Speaker 1: how tired I am, listen, think ahead, be curious, or

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Speaker 1: at least present as curious. Some are harder than others,

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Speaker 1: like summer easier than others. But there are times where

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Speaker 1: I ain't feeling good or I don't even know what

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Speaker 1: I just asked, honestly, and that's when I lean on

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Speaker 1: my d Many times, I would say the same with

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Speaker 1: Eddie and Amy, and there's a lot of people on

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Speaker 1: that show, but I don't lean on the others. There

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Speaker 1: are times where I've had to lean on Eddie, especially

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Speaker 1: when Amy is gone, when she was physically gone for

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Speaker 1: a while because she was going through the drama with

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Speaker 1: the divorce which nobody knew about yet, or her dad dying,

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Speaker 1: or there was a time where I went to Eddie

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Speaker 1: and I was like, hey, man, I need you to

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Speaker 1: kind of be that guy that's just there and is

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Speaker 1: present and it's paying attention and can give me something back.

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Speaker 1: And amian that way most other times. But yeah, there

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Speaker 1: are times where I do get so tired, and not

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Speaker 1: just from working but also not sleeping, which is awful

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Speaker 1: that it does affect my performance, no doubt about it.

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Speaker 1: That is a weakness. Number two, trust plus delegation. Because

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Speaker 1: you've built so much by yourself, it's hard to trust

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Speaker 1: people with important parts of your brand, for example, like

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Speaker 1: hiring ahead of digital. You often default too, I'll just

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Speaker 1: do it myself, which limits growth and adds stress. Then

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Speaker 1: it goes back to number one, which is the stress,

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Speaker 1: the no sleep. That's really accurate. I've had a hard

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Speaker 1: time at delegating. I've gotten better, and I've taken half

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Speaker 1: steps back. I've taken two steps forward and two steps back.

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Speaker 1: We get together the kas attracting no remember that the cartoon.

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Speaker 1: Think his name was Scat cat Scat cat Cat Scat.

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Speaker 1: I don't know him and Paul Abdul, that's a jam

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Speaker 1: back in the day, back when I was a kid.

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Speaker 1: But yeah, like I think the hardest part for me

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Speaker 1: was when I hired scoop of Steve was actually letting

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Speaker 1: him run everything. Basically that's not on the air. He's

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Speaker 1: handling all sales meetings, he's doing making sure people are

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Speaker 1: places they need to be, people are on time, everything,

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Speaker 1: He's handling all of that guest booking, which I used

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Speaker 1: to do all that. Even giving Ray the board was

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Speaker 1: hard for me because I'd always run the board, meaning

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Speaker 1: I sit there with all the buttons to push, all

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Speaker 1: the buttons, all the sounds everything. So I've taken big steps,

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Speaker 1: but yes, when it comes to the brand two or

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Speaker 1: three times in a row doesn't go right, I I'm

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Speaker 1: just going to do it myself, and then it's hard

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Speaker 1: for me to relet it go. So yeah. Number three

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Speaker 1: weaknesses fear of vulnerability around money. Even with wealth, you

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Speaker 1: sometimes fear financial collapse. That fear can make it hard

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Speaker 1: to fully enjoy success or take strategic risks that might

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Speaker 1: be healthy. Number four overthinking intentions. You often wonder why

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Speaker 1: people like you. Is it success or is it something deeper.

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Speaker 1: That overthinking can lead to second guessing your own worth

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Speaker 1: or people's motives in both business and friendships. That's true

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Speaker 1: because I never really had people like me until I

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Speaker 1: had any success. It wasn't like I was a cool kid.

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Speaker 1: It wasn't like I was a hated kid. I was

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Speaker 1: just a nerdy kid who nobody hung out with. So

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Speaker 1: started to have some success, people were like, oh, I

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Speaker 1: like to hang out with you. Looking back, I think

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Speaker 1: a big part of it now is also that as

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Speaker 1: I had success, I was around more people that thought

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Speaker 1: like me or about the things that I thought about.

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Speaker 1: So my perspective was a bit skewed. Because it was Wow,

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Speaker 1: this is new, and now people are drawn to me.

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Speaker 1: It has to be because I'm successful, and I do

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Speaker 1: think at times that was a part of it. However

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Speaker 1: it was not all of it. What happened was I

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Speaker 1: then started to exist in a world that I had

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Speaker 1: never existed before, meaning just the media world if it

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Speaker 1: was ready or television or podcasting or comedy. But I

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Speaker 1: would be around other people that actually enjoyed it or

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Speaker 1: did it, and I was drawn to them. They were

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Speaker 1: drawn to me, and I think there was probably a

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Speaker 1: time where I was like, they wouldn't be friends with

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Speaker 1: me if I didn't have success, But in reality we

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Speaker 1: were just at the same place because we were into

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Speaker 1: the same things. And then Number five insecurity about creative validity.

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Speaker 1: Even though you've written sucessful books, hosted huge shows, and

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Speaker 1: built an empire, you sometimes doubt your creative skill. You

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Speaker 1: doubt your writing, You doubt your joke structure. Your instincts

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Speaker 1: are usually better than the people you're comparing yourself to.

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Speaker 1: You know, I some some of those that are the weaknesses.

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Speaker 1: They did find a way to compliment me still, which

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Speaker 1: is pretty nice because they know me. Because my friend,

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Speaker 1: my friend Chack gibbit. So thanks chat Gibbet. So if

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Speaker 1: you do use it, and you use it like me,

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Speaker 1: I encourage you to ask it that I didn't make

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Speaker 1: that up. I saw someone say, ask it your strengths

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Speaker 1: and weaknesses, and it did. And there's also a lot

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Speaker 1: about me online. But it obviously reads all of that,

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Speaker 1: so it's not just what I write, but it also,

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Speaker 1: you know, does searching the web and then it gives

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Speaker 1: you all that information. But that was fun, Well, that

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Speaker 1: was kind of fun. It was right on. So we're

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Speaker 1: gonna do this how we've been misled by history and

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Speaker 1: then after if you care, because it's been a week

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Speaker 1: at least and I just never had a place to

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Speaker 1: release this. So I'm gonna play back for you the

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Speaker 1: thoughts and the notes that I took from the ACMs

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Speaker 1: this year. All right, enjoy, all right. This part of

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Speaker 1: the episode is called we were Possibly Misled. Now Eddie

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Speaker 1: does not know anything about this. I brought him in

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Speaker 1: just to be my bounce back.

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Speaker 2: Hey, I love it when this happens.

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Speaker 1: Yeah, we've done this a couple of times. One we

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Speaker 1: did villains that maybe weren't actually villains. That was good,

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Speaker 1: like history taught us differently. And this one's mostly about

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Speaker 1: situations that were a little creative with the truth because

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Speaker 1: we grow up hearing stories that feel like facts. Were

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Speaker 1: taught it over and over because our parents and teachers

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Speaker 1: were taught it.

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Speaker 2: Yeah Christopher Columbus, Yeah, bad dude, real bad dude. Right,

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Speaker 2: We grew up thinking that he was the dude that

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Speaker 2: discovered America.

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Speaker 1: Oh, the guy, and I'll get to him.

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Speaker 2: Oh he's in the list.

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Speaker 1: I believe he is. So these stories all feel like

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Speaker 1: facts because again they're in our books. Dy'reing pop culture.

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Speaker 1: We see a flag, we think of Betsy Ross. Hey,

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Speaker 1: well foreshadowing. Yeah, no, you don't know the foreshadow.

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Speaker 2: But I mean there's something there. Now, does she not

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Speaker 2: do the flag?

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Speaker 1: Well maybe when you eat a piece of cake.

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Speaker 2: My gosh, Betty Crocker didn't make the cake.

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Speaker 1: Well I don't think she's even fighting that. She did

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Speaker 1: make the cake, really did a great job with it.

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Speaker 1: So I do want to start with Betsy Ross. And

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Speaker 1: Betsy Ross did what.

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Speaker 2: Saying, ain't so dude. She made the flag. She sewed

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Speaker 2: the first flag of the United States of America.

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Speaker 1: This is pretty much a staple of American history. Betsy

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Speaker 1: Ross widowed Upholsterer.

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Speaker 2: Yeah, did you know that? I mean no, I mean

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Speaker 2: I figured since she sowed the.

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Speaker 1: Flag, I did a little background on her in Philadelphia, and,

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Speaker 1: according to Lore, sits in her shop as George Washington

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Speaker 1: himself strolls in and says, miss Ross, would you create

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Speaker 1: the very first American flag? She humbly suggests five pointed stars?

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Speaker 1: Now not five pointed stars? Five pointed? Five pointed? Oh,

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Speaker 1: five pointed?

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Speaker 2: Got it?

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Speaker 1: Because the star could be I don't know, six, sure,

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Speaker 1: I don't know. I have never seen three point stars.

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Speaker 1: What about ninja star? What are they?

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Speaker 3: Oh?

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Speaker 2: Those are maybe eight? Yeah, she could have picked all

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Speaker 2: the way around it.

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Speaker 1: So she suggests a five pointed star because they're easier

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Speaker 1: to cut. In my mind, I hear as he said,

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Speaker 1: it's a great image. But the whole story is almost

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Speaker 1: entirely built on a family's story.

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Speaker 2: What do you mean?

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Speaker 1: So the first time the Bettsyer hostel appears is eighteen seventy,

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Speaker 1: nearly a century after the Revolutionary War, so we're looking

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Speaker 1: at one hundred years after Her grandson William can be

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Speaker 1: told the story. At a historical Society meeting, he says

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Speaker 1: his grandmother told him about it when he was a kid.

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Speaker 1: There are no official records. There are no letters from

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Speaker 1: George Washington, there are no receipts, there are no flags

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Speaker 1: that she ever signed. Love Betsy, there's nothing.

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Speaker 2: There is a painting of her so in the first flag, like,

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Speaker 2: did someone just make that up? I can make one

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Speaker 2: of those myself right now. Now you're telling me that

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Speaker 2: George Washington. There was no proof that George Washington, the

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Speaker 2: first president of the United States of America, walked into

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Speaker 2: Betsy's upholstery shop and said, make me a flag.

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Speaker 1: There is no direct proof like that, and there wasn't

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Speaker 1: even a story until one hundred years after the fact.

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Speaker 2: That's crazy.

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Speaker 1: What we do know Betsy Ross, she was a flagmaker.

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Speaker 1: She made flags for the Pennsylvania Navy, not for the

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Speaker 1: United States as a whole. But the first flag thing

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Speaker 1: family lore that is probably national myth.

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Speaker 2: Question for you, you think Betsy started that? I mean

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Speaker 2: say it's false, right, let's just go with a narrative

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Speaker 2: that it's not true. You think Betsy told her family

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Speaker 2: members like, I'm pull one on them real quick. Hey,

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Speaker 2: you know I made the first American flag, right, And

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Speaker 2: then all the grandkids and everyone started telling them, then

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Speaker 2: this grandson tells everyone or do you think the grandson

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Speaker 2: was like, i'll make a good story.

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Speaker 1: I'm gonna give Betsy the benefit of the doubt, and

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Speaker 1: that I don't think she probably was saying I made

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Speaker 1: the first, but she probably eventually made some flags, and

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Speaker 1: she probably made early flags. And it's easy too if

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Speaker 1: you have one of the first flags, or if someone

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Speaker 1: else made it and took it to her and said,

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Speaker 1: could you make a bit of this in bulk.

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Speaker 2: And you know, bulk not really a term, then I think.

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Speaker 1: There probably was something based on the things that I

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Speaker 1: read that made the family believe she was one of

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Speaker 1: the first. And they couldn't prove it, So why would

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Speaker 1: you just not go ahead and say she was the first?

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Speaker 1: But it was one hundred years after and it was

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Speaker 1: a family member.

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Speaker 2: And listen, don't let a good story get in the

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Speaker 2: way of the truth. And that what they say, don't

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Speaker 2: let the truth get in the way of a good story.

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Speaker 2: That's what it is. I'm dyslexic. Yeah, just switches around.

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Speaker 1: Do you like that one?

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Speaker 2: That's pretty good. I'm gonna go w she did though,

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Speaker 2: I'm gonna go she did.

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Speaker 1: I'm gonna go if she didn't, because it was one

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Speaker 1: hundred years until that even existed, that thought existed, and

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Speaker 1: it was told by a relative. So many conflicts there.

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Speaker 1: So I'm gonna go Betsy Ross did not sow the

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Speaker 1: first American flag. Probably did so some flags at the time,

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Speaker 1: and maybe an occasional American flag.

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Speaker 2: Okay, Vincent van Goh, yes, he cut off his ear. Nice,

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Speaker 2: But did he cut it off or did somebody else

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Speaker 2: cut it off?

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Speaker 1: Well, according to the story, he cut it off, okay,

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Speaker 1: full ear hawk cut it the ear because he was struggling.

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Speaker 1: I even went to the exhibit.

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Speaker 2: What do you mean he was struggling, like mentally. So

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Speaker 2: that's that's the story. Tortured artist, mentally tortured. So the

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Speaker 2: story we know is that Vince Mango is brilliant but

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Speaker 2: also very troubled, very unstable. He cuts off his entire

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Speaker 2: ear and he delivers it to a woman. I didn't

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Speaker 2: know this part. According to the legend, at a brothel.

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Speaker 2: Oh there we go, one of those girls at a brothel, like.

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Speaker 1: Bro don't date a stripper. First thing people tell you

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Speaker 1: about going to don't data stripper. That's not what they're

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Speaker 1: there for. Come on, man, you know better never data stripper.

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Speaker 1: I've heard that from a lot of people. Huh so,

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Speaker 1: and that ear was a symbol of pain, love and madness.

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Speaker 1: Except well it wasn't true. We've kind of been misled.

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Speaker 2: Oh my gosh.

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Speaker 1: Medical records show he only cut off a very small

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Speaker 1: portion of his left ear lobe. Dude, that's nothing, and

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Speaker 1: even that part might not have been entirely self inflicted.

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Speaker 1: Historians now argue that it was actually sliced off by

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Speaker 1: Paul Galgwin, his friend and fellow artist, during a fight.

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Speaker 2: Nice.

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Speaker 1: So, first of all, his whole ear wasn't gone. It

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Speaker 1: was a very sliver of his low.

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Speaker 2: The lobe is the little thing where that hangs.

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Speaker 1: Yeah, well you get pierced.

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Speaker 2: Yeah, and really I mean people, Yeah, people pierced. People

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Speaker 2: get those big circle ones.

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Speaker 1: So the two had a notoriously tense relationship. Galgan was

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Speaker 1: bad tempered, van Go was struggling mentally. After the incident,

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Speaker 1: they both covered it up, possibly to avoid scandal, but

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Speaker 1: the full ear story took off because it was more

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Speaker 1: poetic and he was struggling and he was an artist,

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Speaker 1: and it made the Van Go legend grow. It was

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Speaker 1: click bit, it fit the brand.

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Speaker 2: It was a PR move, even back in the Van

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Speaker 2: Go days, it.

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Speaker 1: Made his work more valuable because a crazy brilliant man

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Speaker 1: is much more interesting than just a brilliant man.

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Speaker 2: See that is even that's so more impressive than the

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Speaker 2: whole ear getting cut off. The fact that this was

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Speaker 2: PR and that he knew that it was gonna be

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Speaker 2: better for the image. That's next level man.

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Speaker 1: And we do have records that show it was only

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Speaker 1: a little part of his ear lob. So with Betsy Ross,

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Speaker 1: we have nothing, yeah, just hearsay, just hearsay to say

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Speaker 1: she did it. Here we have medical records to show

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Speaker 1: that it was only a part of his ear lobe.

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Speaker 2: When did When was he alive?

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Speaker 4: Van Go?

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Speaker 1: Yeah, I don't know. Seventeen hundreds, I'm guessing he was

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Speaker 1: late eighteen hundreds. There you go missed it by one hundred.

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Speaker 2: So long time ago to have medical records. PR company

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Speaker 2: working for him about a.

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Speaker 1: Company, but a firm. He died in eighteen ninety.

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Speaker 5: He shot himself in the chest.

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Speaker 1: He was struggling or did he or did someone shoot

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Speaker 1: him because they want to be value records now I'm

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Speaker 1: making it up.

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Speaker 2: And him and his buddy were fighting over a chick

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Speaker 2: at the brothel. That's what it was.

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Speaker 1: It never dated.

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Speaker 4: Hang tight, the Bobby Cast will be right back. Welcome

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Speaker 4: back to the Bobby Cast. Thomas Edison invented the light bulb.

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Speaker 2: Correct, I mean that's a fact.

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Speaker 1: We love to crown historical geniuses. Yes, Edison, the king

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Speaker 1: of invention. I watched what did I watch recently? About inventions?

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Speaker 1: Because I told you and you had known the answer

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Speaker 1: about the horse the first pictures, the first motion picture

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Speaker 1: was a horse running. Yes, what show was that on?

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Speaker 1: But I watched some documentary. I feel like it was

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Speaker 1: a TikTok It could have been now shows on TikTok's

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Speaker 1: all blur.

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Speaker 5: Also at the beginning of the movie, note by Jordan

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Speaker 5: Peele's say what they opened up with?

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Speaker 1: Yeah, that wasn't it. But I remember the whole thing

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Speaker 1: was about Thomas Edison actually just patenting a bunch of

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Speaker 1: stuff and said he invented it. Yeah, which was because

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Speaker 1: he was a crazy businessman, like a crazy businessman, so yes,

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Speaker 1: which he did that with a ton of things. So

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Speaker 1: Thomas Edison was a genius, but was like a b

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Speaker 1: business man genius. The idea of a light bulb, which

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Speaker 1: was passing electricity through a filament, was already being worked

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Speaker 1: on by people like Sir Humphrey Davey, Warren de LaRue,

402
00:21:09,240 --> 00:21:12,240
Speaker 1: Joseph Swan and Britain. Swan even had a working light

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Speaker 1: bulb way before Edison even said anything about it.

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Speaker 2: Who is that Swan? Gosh, that's the.

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Speaker 1: Guy, Joseph Swan. Edison's real invention was making it last

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Speaker 1: longer thanks to a carbonized bamboo filament, and then making

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Speaker 1: it marketable. He also tried to sue his way into

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Speaker 1: exclusive credit, which he did a lot.

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Speaker 2: Just now you want everyone to think that he's the

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Speaker 2: one that invented it.

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Speaker 1: Man, I watched some documentary about all this and I

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Speaker 1: do not remember what it is. He fought Swan and court,

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Speaker 1: he lost in England and eventually had to merge their company.

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Speaker 1: So Edison was smart, but the idea of the invented

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Speaker 1: of the light bulb from scratch did not happen. It's

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Speaker 1: like giving Steve Jobs credit for creating Apple. Sure he

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Speaker 1: was one of the people, but he wasn't the code

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Speaker 1: or the computer guy. He was a marketing guy.

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Speaker 2: Right, But who do you think of created creating Apple?

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Speaker 2: Steve John Steve Jobs one hundred percent? There we go.

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Speaker 1: Here's another one. Napoleon was short.

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Speaker 2: Yes, that's a fact.

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Speaker 1: Have a Napoleon complex.

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Speaker 2: Yes, that's a little man complex.

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Speaker 1: Right, So it's you're little, so you're going to be

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Speaker 1: extra to proved of the world that you're not weak

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Speaker 1: because you're little. So Napoleon complex does suggest just that

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Speaker 1: that short men try to overcompensate with aggression. Napoleon wasn't

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Speaker 1: actually short.

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Speaker 2: What he was even shortened?

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Speaker 1: Bill and Ted's that's true. He was about five to seven,

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Speaker 1: which was average height for a Frenchman in the eighteen hundred's. Oh,

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Speaker 1: the myth of his short stature comes from a unit

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Speaker 1: conversion mistake. First off, French inches were longer than English ones.

435
00:22:47,160 --> 00:22:51,439
Speaker 1: That's always my excuse and no, no, no, trust me, and

436
00:22:51,600 --> 00:22:54,359
Speaker 1: British newspapers exploited the difference to Mockham, so it was

437
00:22:54,480 --> 00:22:56,880
Speaker 1: bad pr Wow. They were using that to make him

438
00:22:57,119 --> 00:23:01,359
Speaker 1: look weaker by being smaller. When he appeared in public,

439
00:23:01,680 --> 00:23:04,760
Speaker 1: he often stood with his imperial guard. What's the thing

440
00:23:04,760 --> 00:23:06,040
Speaker 1: you've seen about imperial guards?

441
00:23:06,960 --> 00:23:09,440
Speaker 2: Uh, they're the ones like they're just the ones like

442
00:23:09,480 --> 00:23:13,399
Speaker 2: then stand in front of the palace. Sure, they're just

443
00:23:13,440 --> 00:23:16,919
Speaker 2: straight up, they're massive they're huge, so they have on

444
00:23:17,000 --> 00:23:19,119
Speaker 2: all the metal and or the.

445
00:23:20,600 --> 00:23:24,320
Speaker 1: Fatigue type thing, but they're they're massive, they're guards, so

446
00:23:24,359 --> 00:23:27,280
Speaker 1: that would also make him look small in comparison, So

447
00:23:27,960 --> 00:23:30,320
Speaker 1: it was basically propaganda buy his enemies. He was of

448
00:23:30,320 --> 00:23:32,160
Speaker 1: average hied he was five seven. He's taller than Ray

449
00:23:32,240 --> 00:23:38,600
Speaker 1: is here on our show and the French to English conversion,

450
00:23:38,840 --> 00:23:43,639
Speaker 1: but again back then average height, so he was not small.

451
00:23:44,560 --> 00:23:47,159
Speaker 1: But once they could get that out, they continue to

452
00:23:47,160 --> 00:23:48,639
Speaker 1: beat that drum to make him look weaker.

453
00:23:48,840 --> 00:23:51,960
Speaker 2: We've been lied to another one or now, of course

454
00:23:52,000 --> 00:23:53,480
Speaker 2: I love these I got a couple more.

455
00:23:54,000 --> 00:23:55,440
Speaker 1: The Right brothers were the first to fly.

456
00:23:55,640 --> 00:23:57,320
Speaker 2: No, that's that's one hundred percent factual.

457
00:23:57,400 --> 00:23:58,600
Speaker 1: And where did they fly? Do you remember?

458
00:23:58,800 --> 00:24:01,760
Speaker 2: Uh? Yeah, kit Hawk correct, North Carolina.

459
00:24:01,400 --> 00:24:03,119
Speaker 1: In nineteen oh three. The Wright brothers made history in

460
00:24:03,160 --> 00:24:04,280
Speaker 1: Kitty Hawk, North Carolina.

461
00:24:05,359 --> 00:24:08,600
Speaker 2: It's on the license plate. Still we all thought they

462
00:24:08,640 --> 00:24:10,960
Speaker 2: were the first to fly. Please tell me they're please

463
00:24:11,119 --> 00:24:12,639
Speaker 2: don't say that they're not, and.

464
00:24:12,720 --> 00:24:13,680
Speaker 1: Turned into the room.

465
00:24:14,080 --> 00:24:18,439
Speaker 2: Gustave Whitehead, Oh, mister Gustave Whitehead.

466
00:24:18,000 --> 00:24:24,120
Speaker 1: A German born aviation pioneer who flew a powered aircraft

467
00:24:24,160 --> 00:24:27,280
Speaker 1: in Connecticut in nineteen oh one. Now you say nineteen

468
00:24:27,320 --> 00:24:30,120
Speaker 1: oh one, when did the Right Brothers fly Kittyhog, North Carolina?

469
00:24:30,200 --> 00:24:30,920
Speaker 1: Nineteen oh three?

470
00:24:31,080 --> 00:24:34,560
Speaker 2: Oh boy, were they there? Did they hear about it?

471
00:24:34,600 --> 00:24:37,520
Speaker 1: There are newspaper articles from the time describing a successful flight,

472
00:24:37,560 --> 00:24:42,200
Speaker 1: eyewitnesses diagrams. You haven't heard of him because the Smithsonian

473
00:24:42,200 --> 00:24:45,320
Speaker 1: Institutions signed to deal with the Right Estate. No a

474
00:24:45,480 --> 00:24:48,679
Speaker 1: worrying to credit them as the first in order to

475
00:24:48,680 --> 00:24:53,160
Speaker 1: display their plane. No way. If I were a whitehead,

476
00:24:53,160 --> 00:24:57,159
Speaker 1: I'd be so pissed. They literally locked in the story. Dang,

477
00:24:57,480 --> 00:24:59,480
Speaker 1: you're giving us the plane. We now say this is

478
00:24:59,560 --> 00:25:00,679
Speaker 1: the first place I never flown.

479
00:25:01,040 --> 00:25:06,440
Speaker 2: That is crazy, even though Gustav was the first dude allegedly,

480
00:25:06,760 --> 00:25:08,080
Speaker 2: I mean according to yes.

481
00:25:08,480 --> 00:25:10,000
Speaker 1: So while Orvill and Wilbur.

482
00:25:09,720 --> 00:25:14,639
Speaker 3: Were for sure pioneers, Orble and Wilburg, it's possible that

483
00:25:14,800 --> 00:25:19,000
Speaker 3: history gave them the gold medal, even though I know

484
00:25:19,119 --> 00:25:20,119
Speaker 3: we're second or third.

485
00:25:20,480 --> 00:25:23,400
Speaker 2: This is just like the race to so many things, right,

486
00:25:23,560 --> 00:25:25,760
Speaker 2: like all of these that you mentioned, I mean, not

487
00:25:25,760 --> 00:25:28,240
Speaker 2: not every single one, but like the Edison one, it's

488
00:25:28,240 --> 00:25:31,199
Speaker 2: just a race. It's a race to put on the

489
00:25:31,240 --> 00:25:33,560
Speaker 2: stamp and lock it in that you this was your

490
00:25:33,600 --> 00:25:35,639
Speaker 2: idea that You were the first to do this in

491
00:25:35,720 --> 00:25:39,399
Speaker 2: a time where there weren't really there really wasn't documentation.

492
00:25:40,280 --> 00:25:42,639
Speaker 1: Even if you weren't, it was just do it and

493
00:25:42,680 --> 00:25:44,719
Speaker 1: it can be documented so you can show people if

494
00:25:44,720 --> 00:25:45,720
Speaker 1: they fight you about it.

495
00:25:45,720 --> 00:25:47,760
Speaker 2: You could have seen it happen with your own eyes,

496
00:25:48,040 --> 00:25:50,440
Speaker 2: roding your horse to your village cell phone to record

497
00:25:50,440 --> 00:25:53,760
Speaker 2: it and publish it first. And now you're the you're

498
00:25:53,760 --> 00:25:56,120
Speaker 2: the one that first did it. That's crazy.

499
00:25:56,560 --> 00:25:57,680
Speaker 1: You mentioned Columbus.

500
00:25:57,880 --> 00:26:02,840
Speaker 2: Yes, Christopher Columbus from Spain fourteen ninety two sailed the

501
00:26:02,880 --> 00:26:05,000
Speaker 2: Ocean Blue.

502
00:26:04,280 --> 00:26:07,399
Speaker 1: And completely missed what is now the United States. He

503
00:26:07,560 --> 00:26:11,080
Speaker 1: landed the Bahamas and later in parts of Central and

504
00:26:11,119 --> 00:26:14,880
Speaker 1: South America, but never set foot in North America. As

505
00:26:14,880 --> 00:26:19,400
Speaker 1: far as discovering America, leif Ericson beat him there by

506
00:26:19,440 --> 00:26:23,000
Speaker 1: five hundred years. And that's like, that's Canada, that's North America.

507
00:26:23,080 --> 00:26:24,000
Speaker 2: What's his name? Lee?

508
00:26:24,000 --> 00:26:29,159
Speaker 1: What Leaf Garrett? Leif Garrett was the kid lou Gar. No,

509
00:26:29,359 --> 00:26:31,119
Speaker 1: Leif Garrett was like the kids singer from like the

510
00:26:31,119 --> 00:26:35,160
Speaker 1: seventies and eighties. Leif Ericson was the explorer, beat him

511
00:26:35,160 --> 00:26:37,679
Speaker 1: by again about five hundred years and landed in what

512
00:26:37,800 --> 00:26:41,160
Speaker 1: is North America in Newfoundland, Canada.

513
00:26:41,640 --> 00:26:43,160
Speaker 2: But so still not America.

514
00:26:43,240 --> 00:26:46,920
Speaker 1: No Columbus got to South America, but leef Erikson beat

515
00:26:46,960 --> 00:26:49,520
Speaker 1: him to even the north the whole continent.

516
00:26:49,600 --> 00:26:53,240
Speaker 2: So Columbus hit the Bahamas and then went to South America,

517
00:26:53,800 --> 00:26:58,080
Speaker 2: didn't it never even came to America. So well, is

518
00:26:58,160 --> 00:27:00,600
Speaker 2: it is it a case of where they just hit

519
00:27:00,720 --> 00:27:04,320
Speaker 2: land in the Americas since it's North America, Central America,

520
00:27:04,359 --> 00:27:06,919
Speaker 2: South America. It wasn't called that though then Okay, well

521
00:27:06,960 --> 00:27:08,119
Speaker 2: he definitely didn't discover.

522
00:27:07,960 --> 00:27:10,960
Speaker 1: This because America is named after America of Vespucci, right,

523
00:27:11,520 --> 00:27:15,399
Speaker 1: and it wasn't named that at the time. The people

524
00:27:15,400 --> 00:27:18,959
Speaker 1: that are already living there the islands where Columbus landed

525
00:27:19,000 --> 00:27:24,240
Speaker 1: his boat, millions of indigenous people they actually discovered even

526
00:27:24,280 --> 00:27:26,120
Speaker 1: that land obviously. I mean they were sure they were

527
00:27:26,119 --> 00:27:28,600
Speaker 1: born there. They had been thriving for thousands of years.

528
00:27:29,000 --> 00:27:30,840
Speaker 1: He wasn't even the first European. He was just the

529
00:27:30,880 --> 00:27:34,199
Speaker 1: first on whose voyage was profitable for the Empire and

530
00:27:34,200 --> 00:27:36,960
Speaker 1: then documented. Well enough there go document said it's just

531
00:27:37,000 --> 00:27:38,919
Speaker 1: going like I did it. You have to put that

532
00:27:39,000 --> 00:27:41,840
Speaker 1: stamp on it that you did it. Then history takes over.

533
00:27:41,920 --> 00:27:43,480
Speaker 1: If we just would have had a couple of indigenous

534
00:27:43,520 --> 00:27:47,200
Speaker 1: people with cell phones back then. They could have showed

535
00:27:47,280 --> 00:27:49,960
Speaker 1: us he's a bad dude too. They like raped pillage

536
00:27:50,119 --> 00:27:52,720
Speaker 1: that took the land over, But he never was. Columbus

537
00:27:52,800 --> 00:27:56,240
Speaker 1: did not discover America. And if you're like, yeah, you

538
00:27:56,240 --> 00:27:57,720
Speaker 1: went to South America, okay, well then you have to

539
00:27:57,760 --> 00:28:03,879
Speaker 1: count North America and leif ericson found where Canada is.

540
00:28:04,280 --> 00:28:05,920
Speaker 1: South America's not think the same content as North America.

541
00:28:05,920 --> 00:28:07,119
Speaker 1: But you can put all Americans together.

542
00:28:07,280 --> 00:28:12,520
Speaker 2: Where do you stand on changing you know, textbooks and

543
00:28:13,200 --> 00:28:16,040
Speaker 2: teachings of all this stuff. The more we find out

544
00:28:16,320 --> 00:28:17,080
Speaker 2: real things.

545
00:28:16,880 --> 00:28:20,000
Speaker 1: Like this, well, I think it's interesting because textbooks aren't

546
00:28:20,040 --> 00:28:21,800
Speaker 1: really books anymore. It's all online.

547
00:28:21,920 --> 00:28:22,760
Speaker 2: Yeah, I guess that's why.

548
00:28:22,800 --> 00:28:24,680
Speaker 1: So it's very easy to change. And I think since

549
00:28:24,720 --> 00:28:27,760
Speaker 1: it is so easy to change with things that are

550
00:28:27,800 --> 00:28:30,280
Speaker 1: more true, I think we should constantly be evolving our

551
00:28:30,320 --> 00:28:33,280
Speaker 1: truth with the truth. If it weren't a book, and

552
00:28:33,320 --> 00:28:35,879
Speaker 1: you and schools are struggling financially and it's like we

553
00:28:35,880 --> 00:28:38,520
Speaker 1: should change a book every time, I would be like, no, financially,

554
00:28:38,520 --> 00:28:41,000
Speaker 1: that doesn't make sense. Yeah, But I think because this

555
00:28:41,120 --> 00:28:44,040
Speaker 1: can be changed and taught very easily, with a simple

556
00:28:44,360 --> 00:28:49,480
Speaker 1: control a select delete control copy paste from the Yeah,

557
00:28:49,960 --> 00:28:51,959
Speaker 1: I do. I think we're constantly, even in science, we're

558
00:28:52,040 --> 00:28:53,360
Speaker 1: learning things that are different all the time. We change

559
00:28:53,400 --> 00:28:57,160
Speaker 1: that constantly. Yeah, so, yeah, I think so Columbus never

560
00:28:57,600 --> 00:28:58,240
Speaker 1: was in America.

561
00:28:58,360 --> 00:29:00,400
Speaker 2: Yeah, that one. I knew a lot of my blowing

562
00:29:00,440 --> 00:29:01,440
Speaker 2: things in this list.

563
00:29:01,760 --> 00:29:03,880
Speaker 1: Albert Einstein you've heard have you ever heard?

564
00:29:03,960 --> 00:29:04,040
Speaker 2: So?

565
00:29:04,080 --> 00:29:06,320
Speaker 1: There was a couple Michael Jordan didn't make his high

566
00:29:06,360 --> 00:29:08,000
Speaker 1: school basketball team. You ever hear that one?

567
00:29:08,240 --> 00:29:08,800
Speaker 2: You ever heard that?

568
00:29:08,800 --> 00:29:10,280
Speaker 1: But he was in like ninth grade. They'd leave out

569
00:29:10,280 --> 00:29:12,560
Speaker 1: the stuff. Yeah, and that Albert einstein Feld math.

570
00:29:13,320 --> 00:29:13,880
Speaker 2: I've heard that.

571
00:29:14,080 --> 00:29:16,480
Speaker 1: Yes, so I've heard that too. It's like, don't worry

572
00:29:16,480 --> 00:29:18,720
Speaker 1: if you're bad at math. Einstein Feld math too.

573
00:29:18,840 --> 00:29:19,880
Speaker 2: Hey, that sounds good.

574
00:29:20,000 --> 00:29:23,040
Speaker 1: It's a very comforting story, but it's completely false. Einstein

575
00:29:23,080 --> 00:29:26,000
Speaker 1: was Einstein was a math prodigy. At twelve, he was

576
00:29:26,000 --> 00:29:28,280
Speaker 1: studying algebra and calculus on his own. At fifteen, he'd

577
00:29:28,320 --> 00:29:32,560
Speaker 1: mastered college level geometry. The myths started from a misreading

578
00:29:32,560 --> 00:29:35,360
Speaker 1: of a school transcript in Switzerland. A one was the

579
00:29:35,360 --> 00:29:38,000
Speaker 1: best grade and six was the worst. Someone reversed and

580
00:29:38,000 --> 00:29:40,400
Speaker 1: thought it was different, and they thought the high was

581
00:29:40,400 --> 00:29:41,440
Speaker 1: the low and the low was the high, and they

582
00:29:41,440 --> 00:29:42,920
Speaker 1: saw the low, which was actually the high, and they

583
00:29:42,960 --> 00:29:47,480
Speaker 1: gave them the low. So Einstein didn't fail math. Yeah,

584
00:29:47,560 --> 00:29:50,720
Speaker 1: your math problems or your math problems regardless.

585
00:29:50,640 --> 00:29:54,080
Speaker 2: Leave Einstein out of this. Yes, the crazy too. Did

586
00:29:54,160 --> 00:29:56,640
Speaker 2: you know he died in like the fifties. Yeah, Like

587
00:29:56,960 --> 00:29:59,760
Speaker 2: you think of Albert Einstein and this is he probably

588
00:30:00,040 --> 00:30:02,520
Speaker 2: hung out with Tomas Edison. Not true.

589
00:30:02,600 --> 00:30:05,320
Speaker 1: The two I think of in that world are Einstein

590
00:30:05,360 --> 00:30:07,720
Speaker 1: and Pablo Picasso, because he sounds like some fifteen hundred.

591
00:30:08,160 --> 00:30:09,080
Speaker 2: He was big in the sixties.

592
00:30:09,120 --> 00:30:11,040
Speaker 1: He died in like the sixties and seventies, maybe even

593
00:30:11,080 --> 00:30:13,080
Speaker 1: nineteen seventy eight or something that's.

594
00:30:12,880 --> 00:30:14,000
Speaker 2: Crazy seventy three.

595
00:30:14,160 --> 00:30:18,520
Speaker 1: Yeah, but Einstein, I knew. I've seen him in enough

596
00:30:18,520 --> 00:30:21,520
Speaker 1: black and white pictures. But secondly, whenever we watched that

597
00:30:21,600 --> 00:30:24,160
Speaker 1: movie that was about the atomic bomb, Oppenheim, Yeah, terrible.

598
00:30:24,200 --> 00:30:25,600
Speaker 1: He was basically in it. I was good.

599
00:30:26,440 --> 00:30:27,800
Speaker 2: Too much dialogue for my taste.

600
00:30:27,840 --> 00:30:30,080
Speaker 1: I'm gonna bring out Marie an Toinette again because we

601
00:30:30,120 --> 00:30:32,040
Speaker 1: had talked about her before where she's a villain and

602
00:30:32,080 --> 00:30:34,160
Speaker 1: I'm like, I don't know, guys, she came from a

603
00:30:34,200 --> 00:30:37,960
Speaker 1: bad situation, and so her line let them eat cake

604
00:30:38,320 --> 00:30:39,760
Speaker 1: is basically.

605
00:30:41,120 --> 00:30:43,280
Speaker 2: Snob let them eat cake.

606
00:30:43,160 --> 00:30:46,080
Speaker 1: Like snob central. The phrase first appeared in a book

607
00:30:46,120 --> 00:30:49,360
Speaker 1: written before she was even queen, that let them eat

608
00:30:49,360 --> 00:30:52,240
Speaker 1: cake phrase, and it was attributed to an entirely different

609
00:30:52,240 --> 00:30:55,080
Speaker 1: French noblewoman. Historians believe it was usual as propaganda during

610
00:30:55,080 --> 00:30:59,360
Speaker 1: the French Revolution to vilify her. Marie Antoinette was out

611
00:30:59,360 --> 00:31:02,880
Speaker 1: of touch. I can agree with that because she was rich. Well,

612
00:31:02,960 --> 00:31:04,640
Speaker 1: she wasn't until she married in to a guy she

613
00:31:04,640 --> 00:31:06,560
Speaker 1: didn't even want to marry. She was a kid ripped

614
00:31:06,560 --> 00:31:10,080
Speaker 1: out of her home. But the cake quote was slander,

615
00:31:10,840 --> 00:31:13,080
Speaker 1: invented to chop her head off, because that's what happened.

616
00:31:13,120 --> 00:31:13,880
Speaker 1: They chopped her head off.

617
00:31:13,880 --> 00:31:15,160
Speaker 2: Oh they're brutal.

618
00:31:15,200 --> 00:31:18,320
Speaker 1: Back then, I have two more.

619
00:31:18,760 --> 00:31:20,800
Speaker 2: They would chop people's heads off, and it was an

620
00:31:20,840 --> 00:31:22,520
Speaker 2: event on a whim, But I also want a whim

621
00:31:22,520 --> 00:31:25,920
Speaker 2: like that too, Yeah, like I'm the king, I don't

622
00:31:25,960 --> 00:31:26,560
Speaker 2: like you.

623
00:31:26,120 --> 00:31:29,240
Speaker 1: You littered bad shirt chopped their heads off.

624
00:31:29,440 --> 00:31:31,640
Speaker 2: Because it also too was entertainment for the whole town, like, hey,

625
00:31:31,680 --> 00:31:33,400
Speaker 2: they're gonna chop someone's head off at noon, let's go

626
00:31:33,520 --> 00:31:35,200
Speaker 2: I know, yeah, good point, And they all watch it.

627
00:31:35,240 --> 00:31:36,040
Speaker 2: Like it's a super Bowl.

628
00:31:36,840 --> 00:31:39,120
Speaker 1: Yeah, good point. I wonder if in like one hundred years,

629
00:31:39,120 --> 00:31:41,920
Speaker 1: it's like, yeah, they got into a stadium and just

630
00:31:41,960 --> 00:31:43,560
Speaker 1: ran each o their head first and gave themselves brain

631
00:31:43,600 --> 00:31:46,000
Speaker 1: damage over and over and fifty thousand and seventy thousand

632
00:31:46,000 --> 00:31:46,720
Speaker 1: people watching.

633
00:31:46,480 --> 00:31:48,560
Speaker 2: Them were like, yeah, yeah, yeah, they would eat chicken

634
00:31:48,600 --> 00:31:49,440
Speaker 2: wings while watching this.

635
00:31:49,440 --> 00:31:54,680
Speaker 1: Yeah, while watching people damage their brains. Shakespeare, I'm a

636
00:31:54,680 --> 00:31:58,000
Speaker 1: big believer that Shakespeare was a complete fraud. What do

637
00:31:58,040 --> 00:32:01,240
Speaker 1: you mean, I've heard these stories forever. It was a playwright,

638
00:32:02,880 --> 00:32:06,280
Speaker 1: I don't think. First of all, if you look back

639
00:32:06,320 --> 00:32:09,400
Speaker 1: at Shakespeare, nobody in his whole house could read. Oh no,

640
00:32:09,920 --> 00:32:12,000
Speaker 1: he couldn't read. He wasn't like from a rich parts.

641
00:32:12,040 --> 00:32:13,440
Speaker 1: I didn't have good, good education.

642
00:32:13,600 --> 00:32:14,680
Speaker 2: Okay, so.

643
00:32:16,640 --> 00:32:18,600
Speaker 1: This is a big rabbit hole. One and a bunch

644
00:32:18,640 --> 00:32:20,240
Speaker 1: of really famous people have spoken out about this. To

645
00:32:20,280 --> 00:32:22,280
Speaker 1: even Mark Twain, who's not alive now, was like, Shakespeare's

646
00:32:22,280 --> 00:32:24,000
Speaker 1: a fraud. He said that, yeah, but also that could

647
00:32:24,000 --> 00:32:26,120
Speaker 1: have been hater from.

648
00:32:26,200 --> 00:32:27,920
Speaker 5: From author to Oh yeah, yeah, that could have been hater,

649
00:32:28,080 --> 00:32:30,400
Speaker 5: Like plays are trash.

650
00:32:30,720 --> 00:32:31,840
Speaker 2: It's like Drake and Kendrick.

651
00:32:32,160 --> 00:32:34,239
Speaker 1: Yeah that was the first, but one was alive and

652
00:32:34,280 --> 00:32:36,960
Speaker 1: then one wasn't. But when I say Shakespeare, what do you.

653
00:32:36,920 --> 00:32:40,200
Speaker 2: Think Roman and Juliet wrote it?

654
00:32:40,280 --> 00:32:44,479
Speaker 1: So playwright invented hundreds of words too, like phrases, new words, tons,

655
00:32:44,520 --> 00:32:47,880
Speaker 1: and I can't Michae, will you look up all the

656
00:32:47,880 --> 00:32:50,880
Speaker 1: words that Shakespeare invented? Finger quotes you think, you think,

657
00:32:50,920 --> 00:32:52,400
Speaker 1: but they were put into his play. So but but

658
00:32:52,440 --> 00:32:54,080
Speaker 1: these were like crazy words we use all the time.

659
00:32:54,120 --> 00:32:56,719
Speaker 2: Now you think he'd be proud of cap No.

660
00:32:57,480 --> 00:32:59,000
Speaker 1: But some of the stuff we use all the time,

661
00:32:59,080 --> 00:33:01,080
Speaker 1: Like what Michael them up? Because I read like twenty

662
00:33:01,120 --> 00:33:02,680
Speaker 1: of them, Like, oh yeah, we say that all the time.

663
00:33:02,800 --> 00:33:06,600
Speaker 1: Let me read this. He had no university education. He

664
00:33:06,640 --> 00:33:10,200
Speaker 1: was born to a glovemaker in Stratford. He wrote detailed

665
00:33:10,200 --> 00:33:13,520
Speaker 1: plays about royalty law, medicine, foreign affairs, ancient history, but

666
00:33:13,600 --> 00:33:15,640
Speaker 1: had no experience of being around it or knowing it.

667
00:33:16,240 --> 00:33:19,720
Speaker 1: So how do you know the integral if you can't read?

668
00:33:20,640 --> 00:33:22,280
Speaker 1: So you're not even reading books about it to give

669
00:33:22,280 --> 00:33:23,360
Speaker 1: you all these ideas.

670
00:33:23,800 --> 00:33:27,080
Speaker 2: But he could write, Okay, how can you not read

671
00:33:27,120 --> 00:33:29,360
Speaker 2: and be able to write? Well, no, no, that's what they're saying, right,

672
00:33:29,440 --> 00:33:31,080
Speaker 2: So what if you had someone else write it for him?

673
00:33:31,120 --> 00:33:32,360
Speaker 2: But if it is out there like a ghostwriter.

674
00:33:33,520 --> 00:33:36,959
Speaker 1: Well, there are people who they think actually were Shakespeare.

675
00:33:37,280 --> 00:33:39,080
Speaker 1: So and I can walk through some of these theories.

676
00:33:39,360 --> 00:33:41,600
Speaker 1: Some scholars argue that he didn't write them at all.

677
00:33:41,880 --> 00:33:45,200
Speaker 1: So there are people Edward de vere the Earl of Oxford,

678
00:33:45,240 --> 00:33:48,280
Speaker 1: Francis Bacon, or even a team of ghostwriters. There's no

679
00:33:48,320 --> 00:33:52,120
Speaker 1: evidence Shakespeare even traveled ever outside of England. Whoa no

680
00:33:52,320 --> 00:33:55,640
Speaker 1: surviving manuscripts in his handwriting. He left no books and

681
00:33:55,680 --> 00:34:00,400
Speaker 1: his will, and the two theories are one. Shakespeare was

682
00:34:01,920 --> 00:34:05,280
Speaker 1: an amagamation of all of these people that would write

683
00:34:05,280 --> 00:34:07,800
Speaker 1: and use Shakespeare because it wasn't looked at as something

684
00:34:07,840 --> 00:34:09,960
Speaker 1: that royalty should do, like writing a play was not

685
00:34:10,040 --> 00:34:17,040
Speaker 1: seen like what I compare to now a basement concert,

686
00:34:17,320 --> 00:34:21,080
Speaker 1: a gross basement concert, Like you didn't really do that.

687
00:34:21,160 --> 00:34:24,719
Speaker 1: That's what the peasants did. Now, if you write a

688
00:34:24,880 --> 00:34:27,320
Speaker 1: movie or you're a great writer, it's cool, it's celebrated,

689
00:34:27,320 --> 00:34:29,040
Speaker 1: it's yeah. But it wasn't then.

690
00:34:29,920 --> 00:34:30,960
Speaker 2: Just because it was creative.

691
00:34:31,480 --> 00:34:37,160
Speaker 1: They think it was either a person that was royal

692
00:34:37,440 --> 00:34:39,839
Speaker 1: that wrote and just used Shakespeare so he could get

693
00:34:39,880 --> 00:34:41,680
Speaker 1: it out or she could get it out, or it

694
00:34:41,719 --> 00:34:43,960
Speaker 1: was a bunch of like collective writers, and they just

695
00:34:44,080 --> 00:34:48,840
Speaker 1: use Shakespeare as the person that could publish their collection

696
00:34:48,880 --> 00:34:51,719
Speaker 1: of writings altogether. But the interesting thing, and I don't

697
00:34:51,760 --> 00:34:55,239
Speaker 1: have the exact age on this, but Shakespeare died or

698
00:34:55,360 --> 00:34:57,719
Speaker 1: excuse me, he retired and like at like thirty something

699
00:34:57,719 --> 00:35:00,040
Speaker 1: and then never wrote again. But the same time, and

700
00:35:00,080 --> 00:35:01,719
Speaker 1: there's a couple of these guys that died right around then,

701
00:35:01,719 --> 00:35:03,200
Speaker 1: and they're like, oh, that was a real Shakespeare. Because

702
00:35:03,200 --> 00:35:06,560
Speaker 1: he died and Shakespeare couldn't write anymore. It's a pretty

703
00:35:06,560 --> 00:35:08,600
Speaker 1: common theory that Shakespeare wasn't actually Shakespeare.

704
00:35:08,680 --> 00:35:09,840
Speaker 2: I mean, I can get on. I can get on

705
00:35:09,920 --> 00:35:12,399
Speaker 2: with this one. I mean, I feel like this one

706
00:35:12,400 --> 00:35:13,759
Speaker 2: could totally just be real.

707
00:35:13,960 --> 00:35:18,000
Speaker 1: And again, there was no evidence of him traveling, of

708
00:35:18,080 --> 00:35:21,080
Speaker 1: him having any education learning about law or medicine or

709
00:35:21,120 --> 00:35:25,920
Speaker 1: foreign affairs. Not only that, no books, no handwriting, nothing.

710
00:35:26,200 --> 00:35:30,279
Speaker 2: But why would they choose him to be the publisher,

711
00:35:30,520 --> 00:35:32,600
Speaker 2: the so called owner of these things.

712
00:35:32,680 --> 00:35:34,359
Speaker 1: Could have been a great dude, and they're just like, hey,

713
00:35:34,360 --> 00:35:35,680
Speaker 1: we like them.

714
00:35:35,800 --> 00:35:36,480
Speaker 3: No, not even that.

715
00:35:36,480 --> 00:35:38,040
Speaker 1: It just could have been a very un liked guy.

716
00:35:38,760 --> 00:35:40,040
Speaker 1: I don't have a d at that answer.

717
00:35:40,160 --> 00:35:41,080
Speaker 2: That locked out.

718
00:35:41,800 --> 00:35:43,759
Speaker 1: I don't think he made a munch of money. Oh really,

719
00:35:44,440 --> 00:35:45,440
Speaker 1: I don't think I mean.

720
00:35:45,560 --> 00:35:48,719
Speaker 2: Goshn't think about does he have an estate? Like is

721
00:35:48,760 --> 00:35:50,480
Speaker 2: there a public domain?

722
00:35:50,520 --> 00:35:52,279
Speaker 1: By now he's public domain for sure. You can do

723
00:35:52,320 --> 00:35:55,120
Speaker 1: any of that. My words Shakespeare invented some really common ones.

724
00:35:55,160 --> 00:36:02,800
Speaker 5: Also have some phrases, words like addiction, but dazzled, eyeball, swagger, lonely, gloomy, majestic, zany, critic,

725
00:36:02,800 --> 00:36:06,880
Speaker 5: and eventful, and then phrases like break the ice, wild goose, chase,

726
00:36:07,040 --> 00:36:08,840
Speaker 5: Heart of gold, Heart on my sleeve.

727
00:36:09,440 --> 00:36:11,120
Speaker 1: Wow. All that stuff was used for the first time

728
00:36:11,120 --> 00:36:15,279
Speaker 1: in his plays Good Riddance, so so, but dazzled. I

729
00:36:15,440 --> 00:36:17,759
Speaker 1: like that he invented knock knock? Who's there in a

730
00:36:17,800 --> 00:36:19,120
Speaker 1: pickle cap?

731
00:36:20,880 --> 00:36:24,240
Speaker 4: I'm starting to believe this ain't real lit the Bobby Cast.

732
00:36:24,400 --> 00:36:29,240
Speaker 4: We'll be right back. This is the Bobby Cast.

733
00:36:29,480 --> 00:36:32,640
Speaker 1: Okay, I have one more. Who drew Mickey Mouse?

734
00:36:33,680 --> 00:36:36,919
Speaker 2: Walt Disney did. Absolutely, He was the creator of Mickey Mouse.

735
00:36:37,040 --> 00:36:40,000
Speaker 2: He even had a little relationship with him. Sexual No, no, no, no,

736
00:36:40,040 --> 00:36:42,120
Speaker 2: they were just friends. Walt Disney is the face of

737
00:36:42,280 --> 00:36:44,439
Speaker 2: the entire empire. But he did not draw Mickey Mouse.

738
00:36:45,080 --> 00:36:46,120
Speaker 2: He said he did.

739
00:36:46,280 --> 00:36:50,160
Speaker 1: The actual drawing was done by you. It works. Walt's

740
00:36:50,160 --> 00:36:53,239
Speaker 1: top animator and lifelong friend, Disney came up with the

741
00:36:53,280 --> 00:36:54,960
Speaker 1: idea and voiced Mickey, but when he came to pencil

742
00:36:55,000 --> 00:36:58,120
Speaker 1: and paper, that was spelled U be no way. Overtime,

743
00:36:58,160 --> 00:37:00,200
Speaker 1: Disney became the brand, the icon, the man who made

744
00:37:00,200 --> 00:37:01,960
Speaker 1: the mouse, but the mouse was actually drawn by somebody

745
00:37:02,000 --> 00:37:03,839
Speaker 1: who spent his life in the shadows. Yeah.

746
00:37:03,920 --> 00:37:06,520
Speaker 2: See, I believe that too, because Walt Disney's such a

747
00:37:06,560 --> 00:37:10,239
Speaker 2: good businessman. Yes, he was creative or whatever, but he

748
00:37:10,440 --> 00:37:13,080
Speaker 2: built the empire that we called Disney.

749
00:37:13,400 --> 00:37:15,320
Speaker 1: He built that city.

750
00:37:15,400 --> 00:37:19,600
Speaker 2: You know, like I don't see someone Usually the creative

751
00:37:19,840 --> 00:37:23,800
Speaker 2: isn't the really really good businessman who's gonna create the empire.

752
00:37:23,920 --> 00:37:26,040
Speaker 5: This is also a big debate with stan Lee because

753
00:37:26,080 --> 00:37:29,080
Speaker 5: he's credited with a lot of superheroes. But he comes

754
00:37:29,160 --> 00:37:31,800
Speaker 5: up with the ideas, but he has artists who actually

755
00:37:31,880 --> 00:37:34,200
Speaker 5: draw the design, so it's like who actually created them?

756
00:37:35,160 --> 00:37:38,520
Speaker 1: Well, I would say, okay, I'll give a bad, bad,

757
00:37:38,520 --> 00:37:41,839
Speaker 1: bad example my kid's book Stanley Dogg first day at school.

758
00:37:41,840 --> 00:37:43,480
Speaker 1: I didn't draw that crap. I can't draw It's awesome.

759
00:37:43,600 --> 00:37:46,000
Speaker 1: She did an awesome job. I can't when I draw

760
00:37:46,000 --> 00:37:49,080
Speaker 1: it. It is crap. Uh, but I don't claim that I

761
00:37:49,120 --> 00:37:52,440
Speaker 1: created the drawings. It even says literally says illustrated by yea.

762
00:37:52,960 --> 00:37:55,839
Speaker 2: So did they say that in the movies Mike, where

763
00:37:55,840 --> 00:37:59,960
Speaker 2: it's like stan Lee film but also created Spider Man.

764
00:38:00,040 --> 00:38:01,560
Speaker 5: And he came up with the idea he saw a

765
00:38:01,560 --> 00:38:04,080
Speaker 5: bug crawling on the walls, like they should create Spider Man.

766
00:38:04,080 --> 00:38:07,040
Speaker 5: He went to an artist called Steve Steve Didko who

767
00:38:07,080 --> 00:38:10,080
Speaker 5: actually drew Spider Man. So then they had a big debate,

768
00:38:10,200 --> 00:38:12,400
Speaker 5: and now he gets credited too. It's like Steve Didco

769
00:38:12,880 --> 00:38:15,560
Speaker 5: and stan Lee, but for the longest time it was

770
00:38:15,600 --> 00:38:16,239
Speaker 5: just stan Lee.

771
00:38:16,360 --> 00:38:20,399
Speaker 1: He deserves to get credit. Stan no Steve gipmoh, did

772
00:38:20,440 --> 00:38:23,560
Speaker 1: go yeah? He credit now but did go yeah? So,

773
00:38:25,000 --> 00:38:27,800
Speaker 1: and I think too, I think some nuance can be

774
00:38:27,880 --> 00:38:29,960
Speaker 1: used in these situations. If stan Lee is literally going,

775
00:38:29,960 --> 00:38:31,560
Speaker 1: I can't draw, but I'm gonna give you all every

776
00:38:31,600 --> 00:38:32,480
Speaker 1: little element of it.

777
00:38:32,600 --> 00:38:34,160
Speaker 5: That's how they create comics. He comes up with the

778
00:38:34,239 --> 00:38:36,560
Speaker 5: character and the story, and he has the artist designed

779
00:38:36,600 --> 00:38:38,359
Speaker 5: everything and draw everything like from their own mind.

780
00:38:38,480 --> 00:38:41,440
Speaker 2: Yeah, okay, the artist is absolutely half the creator of that.

781
00:38:41,480 --> 00:38:43,440
Speaker 5: Then he developed what's called the Marvel method, where we

782
00:38:43,480 --> 00:38:45,640
Speaker 5: are like, okay, I got these characters. Here's the idea,

783
00:38:45,719 --> 00:38:48,120
Speaker 5: here's the story. You draw all the frames and fill

784
00:38:48,160 --> 00:38:48,720
Speaker 5: in the gaps.

785
00:38:49,000 --> 00:38:50,200
Speaker 1: So that's a co write.

786
00:38:50,280 --> 00:38:51,879
Speaker 2: But what about like an architect and.

787
00:38:51,840 --> 00:38:56,120
Speaker 1: A builder, but the architects as really but also architects

788
00:38:56,200 --> 00:38:59,880
Speaker 1: not getting publishing forever on that house. True, like writing

789
00:38:59,880 --> 00:39:04,800
Speaker 1: a song or intellectual property true, because a building is

790
00:39:04,800 --> 00:39:06,800
Speaker 1: not intellectual property. A building is just property.

791
00:39:08,239 --> 00:39:09,960
Speaker 2: I just feel like that's kind of the thing with

792
00:39:10,000 --> 00:39:13,400
Speaker 2: so many businesses like McDonald's. You're like, I want a

793
00:39:13,440 --> 00:39:15,600
Speaker 2: restaurant with the best fries in the burgers. You're a

794
00:39:15,640 --> 00:39:16,759
Speaker 2: great cook, do that for.

795
00:39:16,800 --> 00:39:18,440
Speaker 1: Me, But you're only doing the cooking though you're not

796
00:39:18,520 --> 00:39:23,600
Speaker 1: doing that. He's creating the character you're talking about. Didco

797
00:39:23,800 --> 00:39:25,600
Speaker 1: DIDCO create actually Drew spider Man?

798
00:39:25,640 --> 00:39:26,359
Speaker 2: Yeah, that's not cool.

799
00:39:26,760 --> 00:39:31,000
Speaker 1: The difference would be without Dico, none of that happens,

800
00:39:31,360 --> 00:39:33,680
Speaker 1: or whomever Dicko is. He's got to find somebody to

801
00:39:33,719 --> 00:39:36,760
Speaker 1: do it, or it never happens. Like writing songs in Nashville.

802
00:39:37,040 --> 00:39:39,239
Speaker 1: Let's say you have a song idea and you're like,

803
00:39:40,640 --> 00:39:42,399
Speaker 1: got acoustic and I've written the whole song and I'm

804
00:39:42,400 --> 00:39:44,160
Speaker 1: playing all the chords on the acoustic and then you

805
00:39:44,200 --> 00:39:47,279
Speaker 1: bring the band in and they're playing little solos over it,

806
00:39:47,360 --> 00:39:49,839
Speaker 1: and what if we change the drums up? You didn't

807
00:39:49,880 --> 00:39:52,960
Speaker 1: need specifically those people to do that. But if you're like,

808
00:39:53,280 --> 00:39:55,200
Speaker 1: I have all the lyrics to the song, I kind of,

809
00:39:55,320 --> 00:39:57,239
Speaker 1: but somebody else comes in and goes, you know, let's

810
00:39:57,280 --> 00:40:00,000
Speaker 1: go this bridge should now be this? What do you

811
00:40:00,280 --> 00:40:03,200
Speaker 1: and what if you didn't start it like this, but

812
00:40:03,280 --> 00:40:05,520
Speaker 1: hit let's use this melody. You're now a co writer

813
00:40:05,640 --> 00:40:09,600
Speaker 1: on that song, sure, because nobody else could have replicated

814
00:40:09,640 --> 00:40:10,759
Speaker 1: what that other person did.

815
00:40:10,840 --> 00:40:11,959
Speaker 2: Yeah, you changed the song.

816
00:40:12,360 --> 00:40:14,680
Speaker 1: So yeah, justice for Mike Dicka.

817
00:40:15,080 --> 00:40:17,080
Speaker 2: Steve did go whatever what.

818
00:40:17,040 --> 00:40:20,960
Speaker 1: If we've now gone to fully like dissing him too? Yeah?

819
00:40:20,960 --> 00:40:22,359
Speaker 1: I overrated? What if?

820
00:40:22,400 --> 00:40:25,440
Speaker 2: What what if you sit there like what if stan

821
00:40:25,600 --> 00:40:28,000
Speaker 2: you're stan Lee or just go back to Disney you're

822
00:40:28,040 --> 00:40:30,240
Speaker 2: Walt Disney and you're like, all right, I want a mouse,

823
00:40:30,360 --> 00:40:32,560
Speaker 2: and you sit next to this artist and explain everything

824
00:40:32,560 --> 00:40:33,480
Speaker 2: that this art is different.

825
00:40:33,560 --> 00:40:35,279
Speaker 1: That would be like you wrote the song and you

826
00:40:35,320 --> 00:40:37,400
Speaker 1: have it all, and you have the chords and the progression,

827
00:40:37,400 --> 00:40:39,200
Speaker 1: and you're bringing in players to actually play and record it,

828
00:40:39,200 --> 00:40:42,320
Speaker 1: but they're adding little elements to it. He could have

829
00:40:42,400 --> 00:40:48,319
Speaker 1: got ten different people that were talented as artists as

830
00:40:48,360 --> 00:40:51,480
Speaker 1: illustrators to say and do exactly what he did. But

831
00:40:51,600 --> 00:40:53,560
Speaker 1: because he didn't tell him exactly what to do, he

832
00:40:53,640 --> 00:40:55,960
Speaker 1: just described his vision and said I need you to

833
00:40:55,960 --> 00:40:58,640
Speaker 1: add because there's so much creative creativity that goes into

834
00:40:58,680 --> 00:41:01,719
Speaker 1: the drawing that he probably didn't even mention. He gave

835
00:41:01,760 --> 00:41:04,360
Speaker 1: a Macro and got Macro and micro Steviet, did Co

836
00:41:04,480 --> 00:41:06,680
Speaker 1: came up with the colors, the blue and the red trade,

837
00:41:06,719 --> 00:41:09,520
Speaker 1: did cow that's my new justice for give you another

838
00:41:09,520 --> 00:41:11,520
Speaker 1: example place the creator of Pokemon.

839
00:41:11,680 --> 00:41:13,799
Speaker 5: He worked for a company called game Freak, and he

840
00:41:13,840 --> 00:41:16,440
Speaker 5: had this idea since he was a kid. He didn't

841
00:41:16,480 --> 00:41:19,240
Speaker 5: get really credit for creating Pokemon as far as monetary

842
00:41:19,280 --> 00:41:21,440
Speaker 5: value because he was working for that company.

843
00:41:21,760 --> 00:41:25,480
Speaker 1: They own it, Okay, so I guess I would need

844
00:41:25,520 --> 00:41:25,839
Speaker 1: to know.

845
00:41:27,800 --> 00:41:29,680
Speaker 5: He was just an employee there and they're like, we

846
00:41:29,719 --> 00:41:30,000
Speaker 5: need a.

847
00:41:29,920 --> 00:41:32,400
Speaker 1: New video game. So idea, this is different, this is

848
00:41:32,440 --> 00:41:33,239
Speaker 1: what I want to make.

849
00:41:33,640 --> 00:41:36,040
Speaker 5: But he like, it's a bill one of the biggest

850
00:41:36,080 --> 00:41:37,399
Speaker 5: media franchises in the world.

851
00:41:37,520 --> 00:41:39,560
Speaker 2: It's the employee deal though sort of.

852
00:41:40,320 --> 00:41:45,160
Speaker 1: So this is different. If you are hiring somebody and

853
00:41:45,200 --> 00:41:47,240
Speaker 1: they know the intention is to come in and create

854
00:41:47,320 --> 00:41:50,680
Speaker 1: under your umbrella, and whatever you create is theirs. I here,

855
00:41:50,760 --> 00:41:53,919
Speaker 1: here's an example. I work for a company. I create

856
00:41:53,920 --> 00:41:55,600
Speaker 1: all kinds of crap all the time. I don't own it.

857
00:41:56,160 --> 00:41:56,399
Speaker 2: Yep.

858
00:41:57,000 --> 00:42:01,080
Speaker 1: Like I sit here and I create some good craps

859
00:42:01,080 --> 00:42:03,759
Speaker 1: and bad craps and middle crap. My brain is working

860
00:42:03,800 --> 00:42:07,960
Speaker 1: all the time to think of show ideas, concepts. I

861
00:42:08,000 --> 00:42:12,440
Speaker 1: don't own it. So the Pokemon guy, depending on his contract,

862
00:42:13,640 --> 00:42:15,879
Speaker 1: if it was you create for us and we pay

863
00:42:15,920 --> 00:42:18,960
Speaker 1: you and you own it, or you don't, you buy

864
00:42:19,040 --> 00:42:21,040
Speaker 1: buy it, because I do. If I were to quit

865
00:42:21,080 --> 00:42:24,080
Speaker 1: this job today, I cannot. I don't own this audio

866
00:42:24,239 --> 00:42:27,280
Speaker 1: because I work for a company. So I would say

867
00:42:27,520 --> 00:42:29,479
Speaker 1: that I don't know his contract terms, but I would

868
00:42:29,480 --> 00:42:32,279
Speaker 1: say that would be the difference in that if it

869
00:42:32,360 --> 00:42:35,080
Speaker 1: were I signed a company with Mike Ditka. What's a

870
00:42:35,080 --> 00:42:38,560
Speaker 1: company called game Freak exactly, it's a different, different one.

871
00:42:40,160 --> 00:42:41,880
Speaker 1: In game Freaks company was, Hey, you're going to come

872
00:42:41,880 --> 00:42:43,399
Speaker 1: work here and you're going to create under us. Any

873
00:42:43,400 --> 00:42:46,400
Speaker 1: electoral property you create under our watch, is we own it.

874
00:42:46,440 --> 00:42:46,920
Speaker 2: That's what he did.

875
00:42:46,960 --> 00:42:47,880
Speaker 1: He created video games.

876
00:42:47,960 --> 00:42:49,200
Speaker 2: Yeah, yeah, but they own it.

877
00:42:49,400 --> 00:42:49,880
Speaker 1: They own it.

878
00:42:50,160 --> 00:42:53,000
Speaker 5: Ninety two billion dollar franchise he's worth about ten fifteen

879
00:42:53,000 --> 00:42:53,640
Speaker 5: million dollars.

880
00:42:53,920 --> 00:42:56,960
Speaker 2: I mean, they they probably treated him well, you know,

881
00:42:57,360 --> 00:42:58,280
Speaker 2: got on a parking spot.

882
00:42:58,280 --> 00:43:00,759
Speaker 1: Who knows, I don't know. But still that's that's this,

883
00:43:01,320 --> 00:43:03,040
Speaker 1: it's you know what I would relate it to again,

884
00:43:03,640 --> 00:43:09,080
Speaker 1: and this is controversial, but Cheetos. Oh, I don't know

885
00:43:09,120 --> 00:43:12,399
Speaker 1: that story ahead. I like the janitor that Cheetos. I'd

886
00:43:12,400 --> 00:43:13,920
Speaker 1: be curious to have you tell me that. In a second.

887
00:43:14,000 --> 00:43:16,720
Speaker 2: I don't think he did really well, there's that too, right.

888
00:43:17,280 --> 00:43:19,960
Speaker 1: This first, go ahead? What's the Cheeto story? He the

889
00:43:20,040 --> 00:43:22,240
Speaker 1: legend is that he created Cheetos. He was a janitor

890
00:43:22,280 --> 00:43:22,520
Speaker 1: there and.

891
00:43:22,520 --> 00:43:25,080
Speaker 5: Had the idea for it and flaming hot Cheetoh yeah,

892
00:43:25,120 --> 00:43:26,799
Speaker 5: flaming hot Cheetos. That he's like, hey, we have this

893
00:43:26,840 --> 00:43:30,080
Speaker 5: new flavor. We need to bring this to the company.

894
00:43:30,400 --> 00:43:33,520
Speaker 5: And he's been like touring that forever motivational speaker of

895
00:43:33,560 --> 00:43:36,640
Speaker 5: how I went from the janitor to being overseeing of

896
00:43:36,719 --> 00:43:39,640
Speaker 5: Cheetos and creating the flaming hot Cheetos. But really they're

897
00:43:39,640 --> 00:43:42,040
Speaker 5: already working on it, and do we know that? Yeah,

898
00:43:42,040 --> 00:43:43,759
Speaker 5: they were testing it. They even in the movie they

899
00:43:43,840 --> 00:43:45,640
Speaker 5: made about him, they were like, yeah, they were already

900
00:43:45,640 --> 00:43:48,280
Speaker 5: had it in the lab. It was just him more

901
00:43:48,320 --> 00:43:51,440
Speaker 5: so marketing, saying Hey, we have a whole Hispanic community

902
00:43:51,440 --> 00:43:53,560
Speaker 5: that would love this, we should market it towards them.

903
00:43:53,840 --> 00:43:57,759
Speaker 1: Really more than marketing. I didn't even Lengori do a

904
00:43:57,800 --> 00:44:00,200
Speaker 1: movie on that. Yeah, on whose side was she? On?

905
00:44:00,800 --> 00:44:01,680
Speaker 2: Y Janitor?

906
00:44:02,440 --> 00:44:04,000
Speaker 1: Even though it seems to be.

907
00:44:03,960 --> 00:44:05,520
Speaker 5: An act, even though they put that scene in the

908
00:44:05,560 --> 00:44:07,920
Speaker 5: movie where they're actually already testing it and they tell

909
00:44:07,960 --> 00:44:09,640
Speaker 5: them like, we're already kind of working on this.

910
00:44:09,600 --> 00:44:12,000
Speaker 1: But kinda, and he was the one that kicked it over.

911
00:44:12,040 --> 00:44:13,879
Speaker 1: But if and again I would and again I don't

912
00:44:13,920 --> 00:44:16,200
Speaker 1: know enough about it to but if he works for

913
00:44:16,239 --> 00:44:18,319
Speaker 1: them but not in the capacity of the creation, and

914
00:44:18,400 --> 00:44:20,320
Speaker 1: he creates something and they use it, that's different.

915
00:44:20,360 --> 00:44:22,640
Speaker 2: I mean he was employed by Freedom Lay.

916
00:44:22,600 --> 00:44:25,160
Speaker 1: And do you think he gave them like any extra

917
00:44:25,239 --> 00:44:26,440
Speaker 1: they didn't already have.

918
00:44:26,440 --> 00:44:29,160
Speaker 5: Because he was working on it in this kitchen, tried

919
00:44:29,200 --> 00:44:31,400
Speaker 5: all these different formulas and then went to them with

920
00:44:31,520 --> 00:44:33,120
Speaker 5: here is the flaming hot Cheetoh.

921
00:44:33,239 --> 00:44:35,680
Speaker 1: So probably he didn't create the whole thing, but he

922
00:44:37,000 --> 00:44:40,239
Speaker 1: ended up improving their product, which he They probably took

923
00:44:40,239 --> 00:44:43,359
Speaker 1: his intellectual property and claimed they already had it all.

924
00:44:43,760 --> 00:44:44,960
Speaker 1: I'm speculating a guess.

925
00:44:45,239 --> 00:44:47,120
Speaker 5: And then they didn't really tell him to stop like

926
00:44:47,280 --> 00:44:49,040
Speaker 5: spreading this thing. They're like, it didn't really hurt it,

927
00:44:49,080 --> 00:44:51,560
Speaker 5: like if anything, get kind of helped. But later they

928
00:44:51,560 --> 00:44:53,960
Speaker 5: came out and said, like not really true, Like we

929
00:44:54,000 --> 00:44:56,000
Speaker 5: just didn't really see any harm in him doing this

930
00:44:56,040 --> 00:44:58,279
Speaker 5: whole thing. And I would like decide it that he's

931
00:44:58,320 --> 00:45:00,840
Speaker 5: a Mexican guy. It's inspiring to me, but when you

932
00:45:00,880 --> 00:45:04,240
Speaker 5: look at the facts, then really created the story.

933
00:45:04,000 --> 00:45:07,360
Speaker 2: Was that he found a bunch of Cheetos that weren't flavored,

934
00:45:07,360 --> 00:45:09,879
Speaker 2: you know, like the actual popcorn.

935
00:45:09,320 --> 00:45:12,640
Speaker 1: Part before the even the orange or even the cheese

936
00:45:12,680 --> 00:45:13,239
Speaker 1: was put on it.

937
00:45:13,280 --> 00:45:15,440
Speaker 2: So he had a lot of that, took it home

938
00:45:15,960 --> 00:45:18,279
Speaker 2: and said, let me try to spice this up and

939
00:45:18,560 --> 00:45:21,600
Speaker 2: perfected this flavor that we now call flame and hot Cheeto,

940
00:45:21,960 --> 00:45:23,840
Speaker 2: then proposed it to the higher ups.

941
00:45:24,200 --> 00:45:24,920
Speaker 1: They loved it.

942
00:45:24,960 --> 00:45:27,680
Speaker 2: He was already employed, and then they gave him a promotion,

943
00:45:28,080 --> 00:45:32,439
Speaker 2: so he went from janitor to executive but doesn't own

944
00:45:32,520 --> 00:45:33,200
Speaker 2: any I think it was.

945
00:45:33,160 --> 00:45:36,120
Speaker 5: Also like head of marketing something too, and specifically to

946
00:45:36,320 --> 00:45:37,760
Speaker 5: like the Hispanic community.

947
00:45:37,920 --> 00:45:41,439
Speaker 1: Can't two things be true? Meaning they were already working

948
00:45:41,480 --> 00:45:43,839
Speaker 1: on it, and he worked on it himself, not knowing

949
00:45:43,840 --> 00:45:46,120
Speaker 1: they were working on it, and created a really cool taste.

950
00:45:46,560 --> 00:45:51,799
Speaker 1: And what he did actually was a great addition that

951
00:45:51,840 --> 00:45:53,799
Speaker 1: like they learned and were like, oh, wow, this is

952
00:45:53,840 --> 00:45:55,719
Speaker 1: actually good. We can use this as well. And so

953
00:45:55,760 --> 00:45:57,600
Speaker 1: he didn't admit the flaming hot cheetoh, but he actually

954
00:45:57,600 --> 00:46:01,120
Speaker 1: probably improved it. So he didn't create it, and they

955
00:46:01,160 --> 00:46:04,000
Speaker 1: also didn't make him the creator because they could say, no,

956
00:46:04,040 --> 00:46:06,080
Speaker 1: we've already created this. So it seems like maybe he

957
00:46:06,160 --> 00:46:07,920
Speaker 1: got screwed a little bit. But he also got to

958
00:46:07,920 --> 00:46:09,560
Speaker 1: promote like two things can be true at once in

959
00:46:09,560 --> 00:46:12,439
Speaker 1: the situation without knowing enough about it. I would bet

960
00:46:12,560 --> 00:46:13,200
Speaker 1: that's what happened.

961
00:46:13,200 --> 00:46:15,760
Speaker 2: And the marketing of a janitor of creating this product

962
00:46:15,800 --> 00:46:16,400
Speaker 2: is pretty.

963
00:46:16,120 --> 00:46:18,240
Speaker 1: Good, especially if it's a Hispanic product. There are marketing

964
00:46:18,239 --> 00:46:20,200
Speaker 1: to Hispanic people boom, And I don't know if that

965
00:46:20,280 --> 00:46:23,800
Speaker 1: was fully true, was it? Yeah? It was a hispanically marketed.

966
00:46:23,520 --> 00:46:26,000
Speaker 2: The first places they would put it in was Hispanic neighborhoods.

967
00:46:26,000 --> 00:46:27,799
Speaker 1: That's where it popped off first. Yeah, Then if I

968
00:46:27,840 --> 00:46:31,040
Speaker 1: were just guessing, that would be what happened. Because if

969
00:46:31,040 --> 00:46:33,640
Speaker 1: they were working out and they had proof, great, and

970
00:46:33,680 --> 00:46:35,239
Speaker 1: if he was working on it and he didn't know

971
00:46:35,280 --> 00:46:40,120
Speaker 1: they were great. They probably said, Okay, we can use

972
00:46:40,160 --> 00:46:41,960
Speaker 1: this to our advantage and there's something about this that

973
00:46:42,000 --> 00:46:43,399
Speaker 1: we should also use. And then I have to pay

974
00:46:43,440 --> 00:46:45,000
Speaker 1: for it because they can claim they already had it

975
00:46:45,600 --> 00:46:48,440
Speaker 1: because they're not going to show the ingredients, they're not

976
00:46:48,440 --> 00:46:49,799
Speaker 1: gonna show they're not going to show you how they

977
00:46:49,920 --> 00:46:51,480
Speaker 1: made it. They can just say yeah, we're already doing it.

978
00:46:51,480 --> 00:46:52,920
Speaker 2: Then why go back and be like, ah, start is

979
00:46:52,960 --> 00:46:53,239
Speaker 2: that true?

980
00:46:53,440 --> 00:46:55,120
Speaker 1: Because when it becomes a movie, it starts to make

981
00:46:55,120 --> 00:46:58,040
Speaker 1: the company look really bad. It does then get bigger

982
00:46:58,360 --> 00:47:03,240
Speaker 1: because social media year was this when he did it? Yeah, okay,

983
00:47:03,239 --> 00:47:06,160
Speaker 1: so pre social media it wouldn't spread. Who cares? And

984
00:47:06,200 --> 00:47:06,759
Speaker 1: they didn't say.

985
00:47:06,680 --> 00:47:08,319
Speaker 5: Anything until the movie came out a couple of few

986
00:47:08,400 --> 00:47:08,799
Speaker 5: years ago.

987
00:47:08,960 --> 00:47:11,239
Speaker 1: Yeah, because that is a company hurder. That hurts your

988
00:47:11,239 --> 00:47:11,880
Speaker 1: company a little bit.

989
00:47:12,160 --> 00:47:13,799
Speaker 2: It's a good movie. You should watch it now. I

990
00:47:13,800 --> 00:47:15,879
Speaker 2: don't want to watch it. We just did it.

991
00:47:16,080 --> 00:47:17,920
Speaker 1: The one comparison that I was going to make was,

992
00:47:18,239 --> 00:47:21,080
Speaker 1: and it's a controversial thing is whenever an artist like

993
00:47:21,120 --> 00:47:23,319
Speaker 1: a Taylor Swift goes, hey I own my music, I

994
00:47:23,400 --> 00:47:27,160
Speaker 1: created it, and you go And I could go back

995
00:47:27,160 --> 00:47:30,399
Speaker 1: to me here, you wouldn't have been able to create

996
00:47:30,440 --> 00:47:34,600
Speaker 1: that music, nor would it have been as successful the

997
00:47:34,600 --> 00:47:36,480
Speaker 1: way it was. It could have been a different way

998
00:47:36,480 --> 00:47:38,360
Speaker 1: as an independent artist, but even it was impossible as

999
00:47:38,360 --> 00:47:42,239
Speaker 1: an independent artist to make it. Then they paid to

1000
00:47:42,280 --> 00:47:44,399
Speaker 1: have the music done and paid you, but they also

1001
00:47:44,440 --> 00:47:46,640
Speaker 1: had to pay a promotion team. They also had to

1002
00:47:46,680 --> 00:47:49,359
Speaker 1: pay record executives. Yea, they also had to pay a

1003
00:47:49,400 --> 00:47:52,120
Speaker 1: ton of money to make that money. So even though

1004
00:47:52,160 --> 00:47:54,879
Speaker 1: you create it with your brain, you don't really own it,

1005
00:47:56,000 --> 00:47:59,440
Speaker 1: like I don't own many things that I've said, because

1006
00:47:59,480 --> 00:48:03,319
Speaker 1: they are paid me to perform this service, which is

1007
00:48:03,360 --> 00:48:10,440
Speaker 1: to create using my intellectual self. So if you're like, well, no,

1008
00:48:10,520 --> 00:48:12,160
Speaker 1: she created or she owns her own music. It doesn't

1009
00:48:12,160 --> 00:48:13,279
Speaker 1: have to be heard. It can be any artist it

1010
00:48:13,280 --> 00:48:16,160
Speaker 1: does this. You wouldn't have had that music blow up

1011
00:48:16,200 --> 00:48:17,799
Speaker 1: like that had it not been for all of the

1012
00:48:17,840 --> 00:48:20,759
Speaker 1: resources they put into the people that were spreading that music. Now,

1013
00:48:20,760 --> 00:48:22,480
Speaker 1: it's not to say the music wasn't awesome or wouldn't

1014
00:48:22,480 --> 00:48:25,040
Speaker 1: have made it, but in that situation, it that's not

1015
00:48:25,239 --> 00:48:26,640
Speaker 1: the world you live in, unfortunately.

1016
00:48:26,719 --> 00:48:27,200
Speaker 2: Yeah.

1017
00:48:27,280 --> 00:48:32,040
Speaker 1: So if you signed to a label and they pay

1018
00:48:32,160 --> 00:48:36,000
Speaker 1: you or pay for the music, to be made whatever

1019
00:48:36,000 --> 00:48:38,600
Speaker 1: the deals to that contract are. And if you go well,

1020
00:48:38,960 --> 00:48:41,640
Speaker 1: so and so Taylor, for example, was a kid, okay,

1021
00:48:41,640 --> 00:48:43,560
Speaker 1: but she had her dad who was part of it all,

1022
00:48:43,760 --> 00:48:45,920
Speaker 1: and she had representation. It's not like they found a

1023
00:48:46,000 --> 00:48:47,880
Speaker 1: kid off the street made or signed papers that's not legal.

1024
00:48:48,280 --> 00:48:52,800
Speaker 1: That's literally not legal. So that is that's a problematic

1025
00:48:53,560 --> 00:48:57,319
Speaker 1: situation for companies. Yes, to just go well, if they

1026
00:48:57,320 --> 00:48:58,799
Speaker 1: created it, they own it, even though the company it

1027
00:48:58,840 --> 00:49:01,800
Speaker 1: poured endless resources into it to make it as popular

1028
00:49:01,840 --> 00:49:05,600
Speaker 1: as it was. Straight Mike Dica came up, Dude, that

1029
00:49:05,640 --> 00:49:06,080
Speaker 1: was awesome.

1030
00:49:06,440 --> 00:49:12,400
Speaker 2: Now Sam did go right? Steve did go so close?

1031
00:49:12,480 --> 00:49:15,880
Speaker 1: We love Steve Dica Okay, cool, yeah, fine, yeah.

1032
00:49:15,640 --> 00:49:17,520
Speaker 2: Man, good list. I like that. Thank you. A little

1033
00:49:17,560 --> 00:49:18,960
Speaker 2: disappointed in things that I thought.

1034
00:49:18,800 --> 00:49:20,799
Speaker 1: Yeah, it's all sad. Yeah, well I forgot about that part. Yeah,

1035
00:49:20,800 --> 00:49:22,839
Speaker 1: we're definitely worse people than before we started, and we

1036
00:49:22,880 --> 00:49:24,040
Speaker 1: believe in just a little less.

1037
00:49:24,280 --> 00:49:27,520
Speaker 4: But yeah, thanks Hank Tight. The Bobby Cast will be

1038
00:49:27,640 --> 00:49:31,600
Speaker 4: right back. This is the Bobby Cast.

1039
00:49:31,719 --> 00:49:36,239
Speaker 1: Okay, So it's Sunday as I record this, So as

1040
00:49:36,280 --> 00:49:41,280
Speaker 1: of right now we're looking at this Sunday, May eleventh,

1041
00:49:42,640 --> 00:49:46,719
Speaker 1: and the ACM awards were at Thursday night. My mine's

1042
00:49:46,719 --> 00:49:50,040
Speaker 1: a bit of a blur because we did iHeart Country

1043
00:49:50,080 --> 00:49:52,600
Speaker 1: for two days maybe I guess three days in total.

1044
00:49:53,360 --> 00:49:54,759
Speaker 1: There was a home for one day and then had

1045
00:49:54,800 --> 00:49:56,880
Speaker 1: to go to Dallas because rehearsals were on Tuesday for

1046
00:49:56,920 --> 00:49:59,279
Speaker 1: a Thursday night show. But on Wednesday night I did

1047
00:49:59,360 --> 00:50:03,120
Speaker 1: a Brooks and Tribute a gala, and that galla was

1048
00:50:03,160 --> 00:50:07,960
Speaker 1: to raise money for Lifting Lives, which is the philanthropic

1049
00:50:08,800 --> 00:50:13,400
Speaker 1: part of ACM, And so they asked me to come

1050
00:50:13,440 --> 00:50:16,319
Speaker 1: and host it and tell some jokes. And I know

1051
00:50:16,360 --> 00:50:23,359
Speaker 1: those guys pretty well, so I went roast, and so

1052
00:50:25,719 --> 00:50:27,680
Speaker 1: I didn't really know what the room was going to be.

1053
00:50:27,719 --> 00:50:28,960
Speaker 1: And I will say when I first went out and

1054
00:50:28,960 --> 00:50:33,839
Speaker 1: started telling these jokes, it didn't go as wonderfully as

1055
00:50:33,880 --> 00:50:37,400
Speaker 1: my mind told me it might go, because the people

1056
00:50:37,400 --> 00:50:41,279
Speaker 1: in the room weren't there to watch jokes. And it

1057
00:50:41,360 --> 00:50:44,920
Speaker 1: was following an auction which went on for forever. I

1058
00:50:44,920 --> 00:50:47,520
Speaker 1: didn't know that, but the auction was like, all right,

1059
00:50:47,520 --> 00:50:50,000
Speaker 1: three hundred dollars, three hundred dollars two and with forever

1060
00:50:50,000 --> 00:50:51,680
Speaker 1: people were just ready for that to be over. So

1061
00:50:51,760 --> 00:50:53,240
Speaker 1: next thing you know, you got a guy they're talking

1062
00:50:53,280 --> 00:50:57,359
Speaker 1: telling jokes, and it was roundtables and the three back

1063
00:50:57,400 --> 00:50:59,000
Speaker 1: doors were open, and there was a bar people going

1064
00:50:59,040 --> 00:51:00,680
Speaker 1: to and fro the bar. That woe didn't throw me

1065
00:51:00,760 --> 00:51:04,000
Speaker 1: off so much, but it was not a receptive audience

1066
00:51:04,040 --> 00:51:11,879
Speaker 1: at first. Now where my lack of preparing and being

1067
00:51:11,920 --> 00:51:17,080
Speaker 1: a professional roaster slash hoster comes into play is that

1068
00:51:17,160 --> 00:51:18,960
Speaker 1: I put all my jokes that I wrote in the prompter.

1069
00:51:20,360 --> 00:51:24,440
Speaker 1: Why that's bad is you can't get to the next

1070
00:51:24,480 --> 00:51:26,520
Speaker 1: thing to talk about if you don't roll through that thing.

1071
00:51:27,120 --> 00:51:30,200
Speaker 1: It's not like a Ted talk or a PowerPoint where

1072
00:51:30,239 --> 00:51:32,840
Speaker 1: you can use your thumb and just go to the

1073
00:51:32,880 --> 00:51:35,960
Speaker 1: next joke. There's somebody running the prompter. Because there was

1074
00:51:35,960 --> 00:51:37,279
Speaker 1: also some business that I needed to say, and there

1075
00:51:37,280 --> 00:51:39,000
Speaker 1: were some things about the ACMs and Ronnie Kick cause

1076
00:51:39,000 --> 00:51:40,719
Speaker 1: they wanted me to say, which is great. But I

1077
00:51:40,760 --> 00:51:44,640
Speaker 1: had like eight or nine jokes written and if I

1078
00:51:44,680 --> 00:51:46,680
Speaker 1: thought to myself, well this is not going well, I

1079
00:51:46,719 --> 00:51:49,040
Speaker 1: need to abort mission, I couldn't because I couldn't roll

1080
00:51:49,080 --> 00:51:50,520
Speaker 1: past the jokes to see the rest of the stuff

1081
00:51:50,560 --> 00:51:52,319
Speaker 1: that I had to do. So when I went out

1082
00:51:52,320 --> 00:51:55,200
Speaker 1: and told these first jokes at first, people were like, dude,

1083
00:51:55,239 --> 00:52:00,760
Speaker 1: shut up a couple in I got some good chuckles

1084
00:52:00,800 --> 00:52:04,160
Speaker 1: because I committed. I think had I had the opportunity,

1085
00:52:04,160 --> 00:52:06,600
Speaker 1: I would have bailed, or if I had to memorize

1086
00:52:06,640 --> 00:52:09,480
Speaker 1: the jokes, I would have bailed. And maybe i'd done

1087
00:52:09,520 --> 00:52:12,279
Speaker 1: a little later. I don't know, but I didn't because

1088
00:52:12,280 --> 00:52:13,839
Speaker 1: I was committed, because they were in the prompter, because

1089
00:52:13,840 --> 00:52:15,880
Speaker 1: I'm an idiot, so I can just read you some

1090
00:52:15,920 --> 00:52:19,200
Speaker 1: of the jokes from the roast, say, everybody on Bobby Bones,

1091
00:52:20,080 --> 00:52:22,520
Speaker 1: you might know me from my radio show winning Dancing

1092
00:52:22,520 --> 00:52:24,759
Speaker 1: with the Stars, or how most of America owes me

1093
00:52:25,080 --> 00:52:28,120
Speaker 1: the gas station version of Ryan Seacrest, and that got

1094
00:52:28,160 --> 00:52:31,480
Speaker 1: a little laugh. But tonight, I'm here as a host,

1095
00:52:32,239 --> 00:52:34,319
Speaker 1: and I'm here as a fan, which is why I

1096
00:52:34,360 --> 00:52:37,280
Speaker 1: wore clone ironed my pants and text their manager Clarence

1097
00:52:37,320 --> 00:52:38,799
Speaker 1: fourteen times to make sure I was still on the

1098
00:52:38,800 --> 00:52:41,040
Speaker 1: list to get in. Now, Clarence was sitting right there

1099
00:52:41,080 --> 00:52:45,880
Speaker 1: in the front of the stage, and Clarence is their manager,

1100
00:52:46,000 --> 00:52:49,480
Speaker 1: kind of famous in the manager world. So I told

1101
00:52:49,520 --> 00:52:50,840
Speaker 1: Clarence that I was going to roast the guys a

1102
00:52:50,880 --> 00:52:52,200
Speaker 1: little tonight. He gave me in the green light, but

1103
00:52:52,200 --> 00:52:53,960
Speaker 1: also mentioned that if I go too far, I may

1104
00:52:53,960 --> 00:52:56,960
Speaker 1: not be invited back. So I guess tonight we'll call

1105
00:52:57,000 --> 00:53:00,319
Speaker 1: this my farewell set. Oh that didn't go so great,

1106
00:53:00,840 --> 00:53:04,080
Speaker 1: probably because it wasn't that funny. I'm not even blaming

1107
00:53:04,080 --> 00:53:08,520
Speaker 1: that on the crowd. Too many Clarence jokes, too inside

1108
00:53:08,520 --> 00:53:11,960
Speaker 1: and not that funny. But the difficulty in doing jokes

1109
00:53:12,040 --> 00:53:15,040
Speaker 1: that are for one event is that you can't practice

1110
00:53:15,040 --> 00:53:18,919
Speaker 1: someone anybody like I didn't get to go and before

1111
00:53:18,920 --> 00:53:22,160
Speaker 1: I recorded my special, I toured like fifteen theaters and

1112
00:53:22,200 --> 00:53:23,920
Speaker 1: I could tell what was good, what wasn't, and I

1113
00:53:23,960 --> 00:53:25,360
Speaker 1: knew it would get laughs and what it I need

1114
00:53:25,440 --> 00:53:26,680
Speaker 1: to work on because I got to do it over

1115
00:53:26,680 --> 00:53:29,319
Speaker 1: and over again. The difficult, but also the thing that's

1116
00:53:29,360 --> 00:53:33,279
Speaker 1: the most exhilarating is telling a joke that no one's

1117
00:53:33,320 --> 00:53:34,759
Speaker 1: ever heard. But I'm doing like eight or nine or

1118
00:53:34,760 --> 00:53:36,360
Speaker 1: ten jokes in a row that no one's ever heard.

1119
00:53:37,280 --> 00:53:40,359
Speaker 1: All right, back to the jokes, now, listen, these guys

1120
00:53:40,400 --> 00:53:43,160
Speaker 1: are country music legends. Brooks and Done were gods to

1121
00:53:43,200 --> 00:53:45,160
Speaker 1: be growing up, But now that I've gotten to know them,

1122
00:53:45,360 --> 00:53:48,440
Speaker 1: I've seen things like Ronnie trying to open a PDF.

1123
00:53:49,040 --> 00:53:52,280
Speaker 1: Turns out there's still country music gods, but with tech anxiety.

1124
00:53:53,120 --> 00:53:59,279
Speaker 1: This Okay, fine, I was wearing Ronnie's jacket. This is

1125
00:53:59,320 --> 00:54:02,520
Speaker 1: me talking to you, not the joke. I was wearing

1126
00:54:02,520 --> 00:54:04,560
Speaker 1: his jacket from Brooks and Done in like the nineties.

1127
00:54:04,840 --> 00:54:07,200
Speaker 1: So when I say that I have on this, yeah,

1128
00:54:07,239 --> 00:54:09,200
Speaker 1: there's some kind of patterns all over. It wasn't only flames,

1129
00:54:09,200 --> 00:54:12,000
Speaker 1: like vines or something. I don't know. Ronnie also loaned

1130
00:54:12,040 --> 00:54:14,200
Speaker 1: me a jacket to wear tonight. That's when I knew

1131
00:54:14,200 --> 00:54:16,800
Speaker 1: I'd made it when an actual country legend turned me

1132
00:54:16,840 --> 00:54:20,239
Speaker 1: into his fashion charity case. Got a couple laughs. So

1133
00:54:20,280 --> 00:54:24,319
Speaker 1: at this point I'm going, I think I can win

1134
00:54:24,360 --> 00:54:29,120
Speaker 1: this crowd, and then I go in because the jokes

1135
00:54:29,120 --> 00:54:31,799
Speaker 1: go a little harder. I say, speaking of fashion Brooks

1136
00:54:31,880 --> 00:54:35,960
Speaker 1: and Done, they do have a style. Some call that

1137
00:54:36,320 --> 00:54:39,040
Speaker 1: classic country style, and I agree. If by classic country

1138
00:54:39,080 --> 00:54:44,920
Speaker 1: you mean bedazzled youth pastor cowboy, Okay, I got some laughs,

1139
00:54:46,200 --> 00:54:49,400
Speaker 1: and I also got a oh like a couple of groans,

1140
00:54:49,800 --> 00:54:55,200
Speaker 1: which mean like ooh, like too mean or mean god,

1141
00:54:55,280 --> 00:54:58,279
Speaker 1: that's pretty funny. If I classic country you mean bedazzled

1142
00:54:58,360 --> 00:55:01,880
Speaker 1: youth pastor cowboy. I liked that joke. I thought it

1143
00:55:01,960 --> 00:55:04,839
Speaker 1: was pretty funny. Slightly blow the belt didn't hit him

1144
00:55:04,880 --> 00:55:07,600
Speaker 1: in the balls, hit him like on the very that

1145
00:55:09,080 --> 00:55:10,400
Speaker 1: I don't know what you call that bone there the

1146
00:55:10,440 --> 00:55:14,759
Speaker 1: cosicks right there on that bone above the wiener. So

1147
00:55:14,800 --> 00:55:17,360
Speaker 1: they've earned it. Though twenty number one hits. They released

1148
00:55:17,400 --> 00:55:21,840
Speaker 1: Reboot and Reboot two. By the way, those were the

1149
00:55:21,840 --> 00:55:23,279
Speaker 1: albums that they did with the other artists, and the

1150
00:55:23,280 --> 00:55:26,200
Speaker 1: other artists came and sang their songs. Got it because

1151
00:55:26,239 --> 00:55:29,120
Speaker 1: nothing says creative like re recording your old hits with

1152
00:55:29,239 --> 00:55:32,480
Speaker 1: younger artists. If you can't beat them, do it with them.

1153
00:55:33,440 --> 00:55:36,920
Speaker 1: Got a good laugh. The guys even laughed that little bit.

1154
00:55:37,520 --> 00:55:39,080
Speaker 1: And then I say, if we get a reboot three,

1155
00:55:39,160 --> 00:55:42,000
Speaker 1: we're officially the Fast and Furious franchise of country music.

1156
00:55:42,840 --> 00:55:44,440
Speaker 1: That I got a pretty good laugh because there's like,

1157
00:55:44,440 --> 00:55:48,000
Speaker 1: I don't know, ten Fast and Furious movies. And then

1158
00:55:48,000 --> 00:55:49,840
Speaker 1: I said, I do not want to see Vin Diesel

1159
00:55:49,920 --> 00:55:52,560
Speaker 1: on the remix of Red Dirt Road. Got a good laugh.

1160
00:55:53,760 --> 00:55:56,040
Speaker 1: So I got like four left in this set, and

1161
00:55:56,320 --> 00:56:01,000
Speaker 1: the crowd now understands there's content on the stage, because

1162
00:56:01,040 --> 00:56:02,839
Speaker 1: at first I don't think they understood that it was

1163
00:56:03,239 --> 00:56:08,680
Speaker 1: more talking. Let's just get to the music. Next joke.

1164
00:56:09,320 --> 00:56:13,320
Speaker 1: Four left. The guys say though it's not about money.

1165
00:56:13,360 --> 00:56:16,000
Speaker 1: But if you re record your greatest hits twice, it

1166
00:56:16,160 --> 00:56:19,439
Speaker 1: definitely ain't about the art. Got a good laugh there.

1167
00:56:19,480 --> 00:56:23,879
Speaker 1: Now they know we're in roast mode. Even outside the duo.

1168
00:56:24,000 --> 00:56:27,680
Speaker 1: They've been Busy Kicks hosted an award winning countdown show

1169
00:56:27,719 --> 00:56:30,720
Speaker 1: on the weekend for years. It was a great show

1170
00:56:31,120 --> 00:56:36,080
Speaker 1: for people who couldn't find mine. Boom, big laugh, so

1171
00:56:36,120 --> 00:56:38,000
Speaker 1: a little bit had to warm them up a little bit.

1172
00:56:38,080 --> 00:56:41,480
Speaker 1: A couple of those jokes a week up front, two

1173
00:56:41,560 --> 00:56:46,520
Speaker 1: jokes left, and all seriousness. Brooks and dunshaped an entire

1174
00:56:46,960 --> 00:56:49,799
Speaker 1: generation of country music fans. Oh, this wasn't a joke,

1175
00:56:49,800 --> 00:56:51,600
Speaker 1: by the way, This was some of the business I

1176
00:56:51,600 --> 00:56:56,040
Speaker 1: had to do. Here they're receiving the inaugural ACM Diamond

1177
00:56:56,120 --> 00:56:58,000
Speaker 1: Chairman's Award, a well earned honor for a duo who

1178
00:56:58,040 --> 00:57:00,000
Speaker 1: made country louder, cooler, and a little more boot cut.

1179
00:57:00,400 --> 00:57:02,440
Speaker 1: And then we get to the music. So that may

1180
00:57:02,440 --> 00:57:03,839
Speaker 1: have been all the jokes for the first I did

1181
00:57:03,840 --> 00:57:06,520
Speaker 1: some other jokes later where I'm it didn't make fun

1182
00:57:06,560 --> 00:57:08,000
Speaker 1: of but I did a little pokes at some of

1183
00:57:08,000 --> 00:57:11,120
Speaker 1: the people, like when Eric Church writes a love song, Mmm,

1184
00:57:11,280 --> 00:57:14,319
Speaker 1: why shoul I remember that joke, and then I introduced him,

1185
00:57:14,320 --> 00:57:19,200
Speaker 1: So Eric Church's okay, Keith Urban plays guitar like it

1186
00:57:19,280 --> 00:57:20,960
Speaker 1: just stole something from him or something like that. Did

1187
00:57:20,960 --> 00:57:24,680
Speaker 1: one of those easy jokes, which was got a pretty

1188
00:57:24,720 --> 00:57:30,160
Speaker 1: good laugh when introduced Keith Urban. Eric Church can sing

1189
00:57:30,200 --> 00:57:33,200
Speaker 1: a love can make you feel a love song, can

1190
00:57:33,240 --> 00:57:34,840
Speaker 1: make you feel a love song and also make you

1191
00:57:34,880 --> 00:57:36,080
Speaker 1: feel like you've been in a bar fight at the

1192
00:57:36,080 --> 00:57:38,000
Speaker 1: same time, something like that about when Church came out.

1193
00:57:38,040 --> 00:57:41,400
Speaker 1: I remember, But those were all the jokes that I told.

1194
00:57:41,520 --> 00:57:44,640
Speaker 1: I had another like eight or nine that I made

1195
00:57:44,680 --> 00:57:49,880
Speaker 1: about each of the artists, which were Landy Wilson, Eric Church,

1196
00:57:50,200 --> 00:57:57,480
Speaker 1: Keith Urban, Zach Topp, Cody Johnson, Pretty Start starts out

1197
00:57:57,480 --> 00:58:00,480
Speaker 1: at night, Megan Maroney, who's awesome. The way I'll say

1198
00:58:00,520 --> 00:58:03,680
Speaker 1: this about Meghan Maroney, I like Meghan a lot. She's

1199
00:58:03,720 --> 00:58:07,120
Speaker 1: super funny, and I guess I did. I knew she

1200
00:58:07,160 --> 00:58:10,040
Speaker 1: was funny because there's Bobby Casters there. You should look

1201
00:58:10,080 --> 00:58:11,840
Speaker 1: it up. It was really one of the first interviews

1202
00:58:11,840 --> 00:58:15,200
Speaker 1: she'd ever done, and I could tell then she's a

1203
00:58:15,200 --> 00:58:17,680
Speaker 1: little funny, but she definitely didn't have the confidence that

1204
00:58:17,720 --> 00:58:22,080
Speaker 1: she has now. And we sat for like twenty twenty

1205
00:58:22,160 --> 00:58:26,040
Speaker 1: five minutes before that, just in the green room, Uh,

1206
00:58:26,400 --> 00:58:28,520
Speaker 1: Meghan and myself and then Cody Johnson came in for

1207
00:58:28,560 --> 00:58:30,920
Speaker 1: a little bit and we all sat around and you

1208
00:58:31,040 --> 00:58:32,320
Speaker 1: have heard me mention this. I guess there's like a

1209
00:58:32,360 --> 00:58:37,680
Speaker 1: code or something where like all managers leave, Like my

1210
00:58:37,840 --> 00:58:41,280
Speaker 1: team walked off to another corner. It was just us

1211
00:58:41,280 --> 00:58:43,040
Speaker 1: three talking. I guess they were like giving respect to

1212
00:58:43,080 --> 00:58:44,360
Speaker 1: the people who are about to go on and perform.

1213
00:58:44,360 --> 00:58:46,040
Speaker 1: I know, I thought it was cool, but we just

1214
00:58:46,040 --> 00:58:48,240
Speaker 1: all just kind of talk. Megan and Maroney's freaking hilarious.

1215
00:58:48,360 --> 00:58:50,480
Speaker 1: I don't really know because I see her on social media,

1216
00:58:50,520 --> 00:58:51,880
Speaker 1: but I don't follow her close enough to know how

1217
00:58:51,880 --> 00:58:54,360
Speaker 1: funny she is online. But yeah, when it comes to

1218
00:58:54,400 --> 00:58:56,080
Speaker 1: fun she was telling some really funny stories that I

1219
00:58:56,080 --> 00:58:57,600
Speaker 1: I will not tell because I was in that pride,

1220
00:58:57,720 --> 00:59:01,520
Speaker 1: but funny, they like really funny. ACMs were the next night,

1221
00:59:04,440 --> 00:59:06,280
Speaker 1: And what was kind of weird about the ACMs for

1222
00:59:06,320 --> 00:59:08,240
Speaker 1: me was my third year doing the show on Amazon

1223
00:59:08,840 --> 00:59:11,240
Speaker 1: and you're one in year twopics backstage and when someone

1224
00:59:11,280 --> 00:59:13,720
Speaker 1: to win, they'd come backstage, I do a little minute

1225
00:59:13,760 --> 00:59:17,440
Speaker 1: hit with them, talk to them. They'd leave, But I

1226
00:59:17,560 --> 00:59:19,520
Speaker 1: kind of knew who was coming and it kind of

1227
00:59:19,600 --> 00:59:22,920
Speaker 1: knew what the producers wanted me to ask. Now, this year,

1228
00:59:23,000 --> 00:59:25,760
Speaker 1: Riba was hosting, and they were like, Heyribe doesn't want

1229
00:59:25,760 --> 00:59:28,080
Speaker 1: to leave the stage and think about Riba. She's always

1230
00:59:28,080 --> 00:59:32,480
Speaker 1: known for tons of outfit changes. So those times were

1231
00:59:32,600 --> 00:59:35,200
Speaker 1: used for Riba to get ready for whatever she was

1232
00:59:35,240 --> 00:59:38,400
Speaker 1: doing next. Because she performed as well she hosted, she

1233
00:59:38,640 --> 00:59:40,800
Speaker 1: dead did outfit changes, all the stuff that Reban normally

1234
00:59:40,800 --> 00:59:47,160
Speaker 1: does wonderfully. So they have me in the audience with

1235
00:59:47,680 --> 00:59:50,280
Speaker 1: no direction, and I mean that in the most complimentary

1236
00:59:50,360 --> 00:59:52,800
Speaker 1: way as to They were like, hey, just do what

1237
00:59:52,840 --> 00:59:54,919
Speaker 1: you do. And I'm like, what does that mean to you?

1238
00:59:54,960 --> 00:59:57,560
Speaker 1: Like do what I do? And they're like, you know,

1239
00:59:57,840 --> 01:00:00,160
Speaker 1: we'll give you a couple of things to say that

1240
01:00:00,560 --> 01:00:03,880
Speaker 1: you know how to get out. But talking to the camera,

1241
01:00:04,000 --> 01:00:07,280
Speaker 1: talk about the show, talk to people in the crowd.

1242
01:00:08,080 --> 01:00:10,520
Speaker 1: It's a big boost of confidence because I don't only

1243
01:00:10,680 --> 01:00:13,280
Speaker 1: know them as far as country music know them. I

1244
01:00:13,320 --> 01:00:17,000
Speaker 1: only know them from TV know them, and they're like,

1245
01:00:17,240 --> 01:00:18,959
Speaker 1: you do what you do. And I had like five

1246
01:00:19,040 --> 01:00:22,120
Speaker 1: segments through the two hours, and so that's pretty good.

1247
01:00:22,160 --> 01:00:24,000
Speaker 1: And each of the segments was like a minute minute ten,

1248
01:00:24,240 --> 01:00:27,960
Speaker 1: which is a long time on television, and there was

1249
01:00:28,080 --> 01:00:32,040
Speaker 1: no script even during rehearsal. We didn't do it up

1250
01:00:32,080 --> 01:00:34,439
Speaker 1: to time because all the artists would rehearse their song

1251
01:00:34,520 --> 01:00:36,760
Speaker 1: up to time. We even ran the full show. But

1252
01:00:36,800 --> 01:00:39,240
Speaker 1: for me, when I was rehearsing, there was nobody in

1253
01:00:39,280 --> 01:00:43,400
Speaker 1: the seats, so I could really couldn't rehearse anything because

1254
01:00:43,400 --> 01:00:46,840
Speaker 1: I didn't know what I was gonna do. So the

1255
01:00:46,880 --> 01:00:48,400
Speaker 1: show starts and all like, all right, here we go.

1256
01:00:49,240 --> 01:00:51,080
Speaker 1: We go out, and I thought it'd be funny to

1257
01:00:51,120 --> 01:00:53,760
Speaker 1: get Jelly Roll to sign a can of jelly, so

1258
01:00:53,800 --> 01:00:55,720
Speaker 1: I'm gonna keep that in my back pocket. Luckily it fit,

1259
01:00:56,120 --> 01:00:57,360
Speaker 1: and so I go out. In the first segment, Jelly

1260
01:00:57,440 --> 01:00:58,880
Speaker 1: Roll is actually sitting right there, and I was like, oh,

1261
01:00:58,880 --> 01:01:01,480
Speaker 1: we're gonna do this now. Then up segment number one,

1262
01:01:01,880 --> 01:01:04,360
Speaker 1: I took a sharpie and I blacked out the smuckers.

1263
01:01:04,440 --> 01:01:06,280
Speaker 1: They didn't tell me too, There was no brand deal.

1264
01:01:06,360 --> 01:01:07,760
Speaker 1: They didn't even know what I was gonna do. That's

1265
01:01:07,760 --> 01:01:11,640
Speaker 1: the thing, that little bit, little corny bit. I didn't

1266
01:01:11,680 --> 01:01:13,320
Speaker 1: run it by anybody. I don't know what they would

1267
01:01:13,320 --> 01:01:15,000
Speaker 1: have said, but I just put the jelly in my

1268
01:01:15,000 --> 01:01:16,520
Speaker 1: pocket and walked out and said Jelly roll, will you

1269
01:01:16,560 --> 01:01:20,000
Speaker 1: sign it? And he laughed, crowd went crazy. He signed it,

1270
01:01:20,320 --> 01:01:21,919
Speaker 1: and then I went to look for Keith Urban because

1271
01:01:21,960 --> 01:01:23,440
Speaker 1: the teas that I had to do, like the one

1272
01:01:23,440 --> 01:01:25,600
Speaker 1: piece of business in that minute and thirty second hit

1273
01:01:25,960 --> 01:01:27,600
Speaker 1: was to say, Keith Urban's being honored with a Triple

1274
01:01:27,600 --> 01:01:31,160
Speaker 1: Crown Award and he's coming up. And so I can't

1275
01:01:31,200 --> 01:01:35,640
Speaker 1: find Keith because everybody's moved and it's easier to find

1276
01:01:35,640 --> 01:01:37,560
Speaker 1: where they're sitting when there's nobody in the seats because

1277
01:01:37,560 --> 01:01:39,160
Speaker 1: there are these big head cards with their name on

1278
01:01:39,200 --> 01:01:40,840
Speaker 1: it and all the other seats are empty. But I

1279
01:01:40,840 --> 01:01:42,680
Speaker 1: couldn't find Keith. So I walked way past him and

1280
01:01:42,720 --> 01:01:44,040
Speaker 1: you can see this. It's on my Instagram too, and

1281
01:01:44,080 --> 01:01:46,920
Speaker 1: I'm like, where's Kaith and they're like, he's back behind you.

1282
01:01:47,240 --> 01:01:49,240
Speaker 1: And so I go to Keith and give him a hug,

1283
01:01:50,240 --> 01:01:51,720
Speaker 1: and then I have the jelly in my hand and

1284
01:01:51,800 --> 01:01:54,480
Speaker 1: I seen a Cole Kidman and the Cole Kitman has

1285
01:01:54,480 --> 01:01:57,120
Speaker 1: always been so nice to me. I've probably met her

1286
01:01:57,320 --> 01:02:01,480
Speaker 1: twelve or thirteen times and super kind, and there have

1287
01:02:01,520 --> 01:02:03,560
Speaker 1: been sometimes where it hasn't just been like a super

1288
01:02:03,680 --> 01:02:06,920
Speaker 1: quick meeting, like I've had conversations with her lovely, so

1289
01:02:07,000 --> 01:02:10,760
Speaker 1: I felt safe that I could bring her unto the bit,

1290
01:02:11,120 --> 01:02:12,360
Speaker 1: and so I did, and I said, oh, who cares

1291
01:02:12,360 --> 01:02:14,000
Speaker 1: about Keith, here's Nicole, and gave her a hug and

1292
01:02:14,000 --> 01:02:18,040
Speaker 1: gave her the jelly. So the bit ends. Listen, I'm

1293
01:02:18,040 --> 01:02:21,040
Speaker 1: not gonna win amy for it. Wasn't really planning it

1294
01:02:21,120 --> 01:02:24,600
Speaker 1: right then, but it happened, and the bit ends, and

1295
01:02:24,640 --> 01:02:25,840
Speaker 1: I say, hey, you don't have to keep that, Nicole.

1296
01:02:27,080 --> 01:02:28,320
Speaker 1: I'll take the jelly back. You have to hold it

1297
01:02:28,360 --> 01:02:29,680
Speaker 1: all night. So I took jelly back, and some guy

1298
01:02:29,680 --> 01:02:31,400
Speaker 1: who I thought was a TV producer comes up and goes, hey,

1299
01:02:31,440 --> 01:02:35,360
Speaker 1: we need that jelly for a photo. And I don't know why,

1300
01:02:35,360 --> 01:02:36,680
Speaker 1: so I hand it to him. It was a photographer

1301
01:02:36,720 --> 01:02:39,560
Speaker 1: that stole my jelly. Somebody stole my jelly with jelly

1302
01:02:39,600 --> 01:02:44,160
Speaker 1: roll his name on it. So nothing was rehearsed, and

1303
01:02:44,200 --> 01:02:48,360
Speaker 1: that maybe at times Wyatt looked a little wild because

1304
01:02:48,720 --> 01:02:51,160
Speaker 1: as I'm talking to the camera, things are happening behind me.

1305
01:02:51,400 --> 01:02:53,400
Speaker 1: Or there was one part where they were like, hey,

1306
01:02:53,400 --> 01:02:55,040
Speaker 1: go out to where Blake is because Blake's gonna do.

1307
01:02:57,400 --> 01:03:00,600
Speaker 1: I think maybe he was honoring somebody. I'll be there

1308
01:03:00,680 --> 01:03:05,160
Speaker 1: and Blake's but Blake wasn't there, and so I gotta pivot.

1309
01:03:05,480 --> 01:03:10,040
Speaker 1: But for those asking, nothing was rehearsed and they put

1310
01:03:10,080 --> 01:03:12,680
Speaker 1: no restrictions on me at all. But they actually didn't

1311
01:03:12,680 --> 01:03:14,520
Speaker 1: tell me what to do at all, so that can

1312
01:03:14,560 --> 01:03:16,520
Speaker 1: also be nerve wracking. At one point, there was a

1313
01:03:16,560 --> 01:03:21,720
Speaker 1: sound issue and it's going bam, and I'm sitting backstage.

1314
01:03:22,440 --> 01:03:24,320
Speaker 1: I have one of my shoes off and or new shoes.

1315
01:03:24,320 --> 01:03:25,680
Speaker 1: My feet were hurting, so I took one of my

1316
01:03:25,680 --> 01:03:27,160
Speaker 1: shoes off and then I Bobby, you have thirty seconds.

1317
01:03:27,200 --> 01:03:28,960
Speaker 1: We need you out there, and I'm thinking, no problem,

1318
01:03:29,000 --> 01:03:30,560
Speaker 1: throw my shoe on. I go out to look for

1319
01:03:30,600 --> 01:03:33,480
Speaker 1: my camera guy. Because it's mobile, there's celebrities everywhere, it's

1320
01:03:33,480 --> 01:03:35,640
Speaker 1: easy I can go talk to celebrities. They put me

1321
01:03:35,640 --> 01:03:37,720
Speaker 1: on what they call their camera on the jib, which

1322
01:03:37,760 --> 01:03:41,120
Speaker 1: is a piece of machinery in the corner of the room,

1323
01:03:41,480 --> 01:03:43,960
Speaker 1: so I could go talk to nobody. So I was

1324
01:03:44,040 --> 01:03:46,360
Speaker 1: just gonna have to talk only to a camera and

1325
01:03:46,480 --> 01:03:48,720
Speaker 1: fil which wouldn't have been a big deal if it

1326
01:03:48,760 --> 01:03:50,520
Speaker 1: was like, you have thirty seconds, we need you to

1327
01:03:50,560 --> 01:03:53,960
Speaker 1: fill for forty five seconds a minute, But it was

1328
01:03:54,040 --> 01:03:56,160
Speaker 1: we need you to fill until we get it fixed.

1329
01:03:56,840 --> 01:04:00,080
Speaker 1: So look, I've been training my whole life for that.

1330
01:04:00,080 --> 01:04:02,800
Speaker 1: That doesn't mean that it's not a little nerve wracking. Luckily,

1331
01:04:02,840 --> 01:04:04,919
Speaker 1: it happened so quick I didn't have time to get

1332
01:04:04,960 --> 01:04:06,960
Speaker 1: nervous about it. So I walk out and I had

1333
01:04:06,960 --> 01:04:11,160
Speaker 1: another bit planned later in the evening, had it presented itself,

1334
01:04:11,800 --> 01:04:14,760
Speaker 1: where I had a sticker that said hello, I'm and

1335
01:04:14,760 --> 01:04:16,400
Speaker 1: that sticker that said hello, I'm the people wear it

1336
01:04:16,440 --> 01:04:18,320
Speaker 1: says hello, I'm on, and you write your name in

1337
01:04:18,320 --> 01:04:20,720
Speaker 1: that white block under it. I wrote Lionel because Lionel

1338
01:04:20,800 --> 01:04:23,880
Speaker 1: Richie was there and he has the song Hello, and

1339
01:04:23,920 --> 01:04:25,200
Speaker 1: I was gonna do a bit with that, right, It's

1340
01:04:25,200 --> 01:04:26,560
Speaker 1: like I always wanted to do this. I'm gonna put

1341
01:04:26,560 --> 01:04:29,640
Speaker 1: it on his jacket, and so I had it in

1342
01:04:29,640 --> 01:04:32,640
Speaker 1: my coat pocket in case it were to happen. So

1343
01:04:32,680 --> 01:04:34,640
Speaker 1: they throw me on the jib camera and they go,

1344
01:04:34,760 --> 01:04:36,560
Speaker 1: everything's broken, we need you to go, and I just

1345
01:04:36,600 --> 01:04:39,520
Speaker 1: start going. It's just saying crap. I know, I started

1346
01:04:39,520 --> 01:04:41,880
Speaker 1: teasing stuff. Matthew Ramsey from Old Dominion walk by and

1347
01:04:41,920 --> 01:04:44,440
Speaker 1: said something about his chest hair. I don't even remember

1348
01:04:44,600 --> 01:04:46,920
Speaker 1: because none of it was planned, and not only that

1349
01:04:47,680 --> 01:04:49,400
Speaker 1: it was so out of my control how long I

1350
01:04:49,400 --> 01:04:50,760
Speaker 1: was going to talk on what I was talking about,

1351
01:04:51,360 --> 01:04:53,520
Speaker 1: But we got through it. I didn't have an earpiece in,

1352
01:04:53,960 --> 01:04:55,760
Speaker 1: so the producer gave me hands on the shoulders, which

1353
01:04:55,760 --> 01:04:57,880
Speaker 1: means ten seconds. We got out of it, went back

1354
01:04:57,880 --> 01:05:00,000
Speaker 1: to the room. Felt pretty good about it. But I

1355
01:05:00,080 --> 01:05:02,240
Speaker 1: the Lionel thing. Why I bring that up and I

1356
01:05:02,280 --> 01:05:04,800
Speaker 1: had it prepared was as they told me, Hey, we

1357
01:05:04,840 --> 01:05:07,240
Speaker 1: need you out there in twenty seconds, and I'm putting

1358
01:05:07,240 --> 01:05:12,760
Speaker 1: a shoe on Tom, who is my manager, him and

1359
01:05:12,800 --> 01:05:15,880
Speaker 1: Morgan number one. I said, hey, can you grab Lionel

1360
01:05:16,360 --> 01:05:17,960
Speaker 1: because I think it'd be a funny time to do

1361
01:05:18,000 --> 01:05:20,600
Speaker 1: this bit, and he goes got it, and he knows

1362
01:05:20,600 --> 01:05:24,240
Speaker 1: Lionel Lionel is the same management I am. So he

1363
01:05:24,280 --> 01:05:27,000
Speaker 1: goes up the line and goes, hey, Bobby is having

1364
01:05:27,000 --> 01:05:29,680
Speaker 1: a cover because there's a sound emergency. It's live on

1365
01:05:29,680 --> 01:05:31,760
Speaker 1: Amazon right now over in the corner. Can you come over?

1366
01:05:31,960 --> 01:05:34,080
Speaker 1: And Lionel's like, yeah, sure, absolutely, So Lionel gets up

1367
01:05:34,120 --> 01:05:35,640
Speaker 1: to come over, and as soon as he does, Jerry Jones,

1368
01:05:35,680 --> 01:05:37,920
Speaker 1: the Cowboys owner, sees Lione goes Lionel, hey, I want

1369
01:05:37,920 --> 01:05:40,760
Speaker 1: you to meet my family. No, Lionel Richie because Jerry

1370
01:05:40,800 --> 01:05:43,280
Speaker 1: Jones grabbed him, and Lionel's like, and I get it.

1371
01:05:43,520 --> 01:05:45,840
Speaker 1: You can't leave Jerry Jones. He owns the building we're

1372
01:05:45,880 --> 01:05:48,640
Speaker 1: doing so as it was ending, then Lionel comes up

1373
01:05:48,680 --> 01:05:50,320
Speaker 1: and it was lovely to see him. Love Lionel, one

1374
01:05:50,360 --> 01:05:52,960
Speaker 1: of the nicest guys ever. But I had that bit planned.

1375
01:05:53,160 --> 01:05:55,880
Speaker 1: I actually never got to do the bit because Lionel left,

1376
01:05:56,160 --> 01:05:57,240
Speaker 1: but I was going to do it then, but I

1377
01:05:57,280 --> 01:05:59,560
Speaker 1: couldn't get Lionel there in time. So but I was

1378
01:05:59,560 --> 01:06:04,720
Speaker 1: that if anything bad happens, you're covering, and something bad

1379
01:06:04,800 --> 01:06:08,240
Speaker 1: did happen, and I covered and it went well because

1380
01:06:08,280 --> 01:06:11,120
Speaker 1: it may have just looked like a sloppy segment like

1381
01:06:11,240 --> 01:06:14,400
Speaker 1: me just talking randomly. It did not look like something

1382
01:06:14,520 --> 01:06:18,320
Speaker 1: was badly broken, which temporarily it was. There was only

1383
01:06:18,360 --> 01:06:24,840
Speaker 1: one picture I wanted, and whenever I go to these events,

1384
01:06:25,240 --> 01:06:28,280
Speaker 1: I never actually want to bother people and be like,

1385
01:06:28,280 --> 01:06:30,280
Speaker 1: can I get a picture? Now? I'll take pictures with

1386
01:06:30,360 --> 01:06:34,000
Speaker 1: my friends sometimes, and maybe my friends are artists, But

1387
01:06:34,040 --> 01:06:35,520
Speaker 1: the only picture I really wanted to get was from

1388
01:06:35,600 --> 01:06:39,880
Speaker 1: Jesse Murph because my wife listens to her music a lot.

1389
01:06:40,040 --> 01:06:43,960
Speaker 1: I like her music too, but this Gucci main song

1390
01:06:44,040 --> 01:06:48,600
Speaker 1: I Love. I'll play a little bit to this, so

1391
01:06:48,680 --> 01:06:50,160
Speaker 1: I ain't gonna play much of it because I'll cut

1392
01:06:50,160 --> 01:06:54,040
Speaker 1: it off the podcast. But big fan and I said,

1393
01:06:54,080 --> 01:06:55,440
Speaker 1: if I see her, I want to get a picture,

1394
01:06:55,800 --> 01:06:57,439
Speaker 1: And so I saw her, but she was holding a pig.

1395
01:06:57,600 --> 01:07:00,240
Speaker 1: She had a baby pet pig, and I was like

1396
01:07:00,720 --> 01:07:01,920
Speaker 1: it was easy because I was like, oh, gott I

1397
01:07:01,920 --> 01:07:03,880
Speaker 1: get a picture with you in the pig. So if

1398
01:07:03,880 --> 01:07:05,320
Speaker 1: she didn't have the pick, I was gonna still gonna

1399
01:07:05,320 --> 01:07:07,040
Speaker 1: get a picture. But that was the only picture I wanted.

1400
01:07:07,040 --> 01:07:08,840
Speaker 1: I got the picture. I thought that was pretty cool.

1401
01:07:09,280 --> 01:07:12,600
Speaker 1: There was one time where I'm in the crowd and

1402
01:07:12,600 --> 01:07:14,640
Speaker 1: they wanted me to go up and tease that Brooks

1403
01:07:14,640 --> 01:07:17,360
Speaker 1: and Dunn were there, and I'm on the mic and

1404
01:07:17,400 --> 01:07:19,480
Speaker 1: I'm like, hey, anybody here a legend, raise your hand,

1405
01:07:19,520 --> 01:07:21,160
Speaker 1: and nobody raised their hand except for some people in

1406
01:07:21,160 --> 01:07:25,040
Speaker 1: the back that weren't artists. I did make a slightly

1407
01:07:25,040 --> 01:07:26,680
Speaker 1: funny joke because some guy raised his hand and said,

1408
01:07:26,680 --> 01:07:28,440
Speaker 1: you are a legend because you're like fifty two and

1409
01:07:28,440 --> 01:07:31,040
Speaker 1: you're still frosting your tips and his hair. Though that's

1410
01:07:31,040 --> 01:07:32,880
Speaker 1: pretty funny. When I watched it back, I don't remember

1411
01:07:32,880 --> 01:07:34,400
Speaker 1: saying it, but when I saw it, I was like,

1412
01:07:34,760 --> 01:07:37,960
Speaker 1: slightly ruthless, kind of funny. But I go to Ronnie

1413
01:07:37,960 --> 01:07:39,440
Speaker 1: and I'm like, hey, because they had one for Duo

1414
01:07:39,480 --> 01:07:40,720
Speaker 1: of the Year, I said, you take you win, and

1415
01:07:40,720 --> 01:07:43,920
Speaker 1: he goes, what It's kind of loud in the room,

1416
01:07:43,960 --> 01:07:46,320
Speaker 1: but I forgot, like, I think one of Ronnie's ears

1417
01:07:46,360 --> 01:07:47,720
Speaker 1: isn't as good as the other. I think I talked

1418
01:07:47,720 --> 01:07:50,240
Speaker 1: into the wrong year, basically, and then we laugh and

1419
01:07:50,280 --> 01:07:51,720
Speaker 1: I'm like, oh, I don't know why you're yelling at me,

1420
01:07:52,200 --> 01:07:57,160
Speaker 1: but that's why it seemed like he either wasn't paying attention,

1421
01:07:57,960 --> 01:07:59,840
Speaker 1: didn't know who I was, or didn't want to talk

1422
01:07:59,880 --> 01:08:04,080
Speaker 1: to he couldn't hear me. But I'm an idiot because

1423
01:08:04,120 --> 01:08:05,760
Speaker 1: I know that, and I don't know why this set

1424
01:08:05,800 --> 01:08:08,200
Speaker 1: it down, and was like, hey, I'll talk to you.

1425
01:08:08,240 --> 01:08:12,080
Speaker 1: Normally I should have went to the Goodyear. Also, Kurt

1426
01:08:12,080 --> 01:08:15,000
Speaker 1: Warner was in the audience. Kurt Warner played for the

1427
01:08:15,080 --> 01:08:20,400
Speaker 1: Rams Wonner Super Bowl Fastest Show on turf, beats Titans

1428
01:08:20,439 --> 01:08:24,760
Speaker 1: back in the day, played for the Cardinals Hall of

1429
01:08:24,760 --> 01:08:28,679
Speaker 1: Fame quarterback. The first time that I met Kurt Warner

1430
01:08:28,800 --> 01:08:34,160
Speaker 1: was virtually on Skype. Who even says Skype. Why did

1431
01:08:34,200 --> 01:08:35,439
Speaker 1: I just say Skype? I think I just read a

1432
01:08:35,439 --> 01:08:43,000
Speaker 1: story about them going bankrupt? Skype? What the heck on Zoom?

1433
01:08:44,000 --> 01:08:47,200
Speaker 1: And Matt Castle and myself interviewed him for our podcast

1434
01:08:47,240 --> 01:08:50,360
Speaker 1: Lots to say. Then, when I did NFL Honors, because

1435
01:08:50,400 --> 01:08:52,200
Speaker 1: that's the award show for the NFL players they give

1436
01:08:52,240 --> 01:08:54,479
Speaker 1: out like Rookie of the Year. It was in New

1437
01:08:54,600 --> 01:08:57,120
Speaker 1: Orleans and the super Bowl. Fox and NFL had me

1438
01:08:57,160 --> 01:08:59,519
Speaker 1: present an award to George Kittle, who's a tied endo

1439
01:08:59,520 --> 01:09:02,240
Speaker 1: the forty nine. But that show they have you sit

1440
01:09:02,320 --> 01:09:04,320
Speaker 1: up in the first few rows if you're going on camera,

1441
01:09:04,640 --> 01:09:07,519
Speaker 1: because since you have to walk backstage pretty quickly, they

1442
01:09:07,560 --> 01:09:10,160
Speaker 1: want you to be close. So I'm seated right next

1443
01:09:10,160 --> 01:09:12,280
Speaker 1: to Kurt Warner and his wife, and we were there

1444
01:09:12,320 --> 01:09:15,479
Speaker 1: for an hour and twenty minutes and they were awesome.

1445
01:09:15,520 --> 01:09:17,760
Speaker 1: We talked the whole time, and so we got to

1446
01:09:17,840 --> 01:09:21,080
Speaker 1: know each other that night. And then I'm there and

1447
01:09:21,120 --> 01:09:24,519
Speaker 1: we were going to commercial after I'd finished a segment

1448
01:09:24,920 --> 01:09:26,920
Speaker 1: and this guy comes up and hugs me. He's like,

1449
01:09:26,920 --> 01:09:29,240
Speaker 1: what's happening. It's freaking Kurt Warner and he was like,

1450
01:09:29,280 --> 01:09:30,320
Speaker 1: I saw all you wanted to say hi, and I

1451
01:09:30,400 --> 01:09:31,880
Speaker 1: was like, do what up, went back and talked to

1452
01:09:31,960 --> 01:09:35,080
Speaker 1: them again later in the night. Lovely people love them.

1453
01:09:35,120 --> 01:09:37,760
Speaker 1: They came in. Apparently Kurt Warner and Blake Shelton are

1454
01:09:37,800 --> 01:09:40,559
Speaker 1: good friends. He came in for Blake Shelton's event that

1455
01:09:40,600 --> 01:09:42,680
Speaker 1: Blake did the same night that Brooks and Dunn did

1456
01:09:42,720 --> 01:09:45,559
Speaker 1: their event. But that's my other note about the ACMs

1457
01:09:45,680 --> 01:09:48,280
Speaker 1: that Kurt Warner is awesome in general, and it was

1458
01:09:48,320 --> 01:09:50,560
Speaker 1: really cool that he was there because he's such a

1459
01:09:50,640 --> 01:09:52,920
Speaker 1: kind got him and his wife are so kind, So

1460
01:09:53,320 --> 01:09:59,759
Speaker 1: ACMs were great. I have been attached to the idea

1461
01:10:00,640 --> 01:10:02,240
Speaker 1: I want to host one of these award shows, one

1462
01:10:02,280 --> 01:10:06,840
Speaker 1: of the big ones ACMs, CMAS. I've positioned myself for

1463
01:10:06,880 --> 01:10:10,800
Speaker 1: many years, and there was one time, and right now

1464
01:10:10,840 --> 01:10:12,560
Speaker 1: I cannot tell the story. One day I will be

1465
01:10:12,600 --> 01:10:15,320
Speaker 1: able to. There was a year that they said, hey,

1466
01:10:15,320 --> 01:10:17,439
Speaker 1: we think we want you to host the show, and

1467
01:10:17,479 --> 01:10:20,479
Speaker 1: then we'll say a couple weeks before the announced there

1468
01:10:20,520 --> 01:10:22,040
Speaker 1: was a reason they had to pull me from hosting

1469
01:10:22,080 --> 01:10:30,000
Speaker 1: the show. And it was not a reason that I

1470
01:10:30,040 --> 01:10:32,559
Speaker 1: did not want to say too much. I didn't do

1471
01:10:32,600 --> 01:10:36,040
Speaker 1: anything to make them pull me off the show. But

1472
01:10:36,160 --> 01:10:39,200
Speaker 1: it really sucked because that's been one of the goals

1473
01:10:39,360 --> 01:10:43,800
Speaker 1: forever and I've made it known that I want to

1474
01:10:43,800 --> 01:10:47,680
Speaker 1: host ACMs, But when it's the sixtieth and they want

1475
01:10:47,720 --> 01:10:50,880
Speaker 1: to bring Rieba back to do the eighteenth, and that

1476
01:10:51,000 --> 01:10:54,000
Speaker 1: number eighteen wasn't as important as it was. She's hosted

1477
01:10:54,000 --> 01:10:55,519
Speaker 1: that show more than anybody else. And since it was

1478
01:10:55,560 --> 01:10:57,920
Speaker 1: the sixtieth, there was that the first year they did it,

1479
01:10:58,120 --> 01:11:00,160
Speaker 1: you know, they had Garth and they had and.

1480
01:11:02,000 --> 01:11:02,360
Speaker 2: Dolly.

1481
01:11:02,880 --> 01:11:04,720
Speaker 1: You can't really argue with it. It was Guard's first

1482
01:11:04,760 --> 01:11:06,439
Speaker 1: ever time to host, and so I'd always be like,

1483
01:11:06,479 --> 01:11:08,000
Speaker 1: all right, I'm gona wait time, wait more time, wait

1484
01:11:08,040 --> 01:11:09,559
Speaker 1: my time. I don't want to be second Banana. Those

1485
01:11:09,640 --> 01:11:11,400
Speaker 1: last two years, I tried to actually not be a

1486
01:11:11,439 --> 01:11:14,520
Speaker 1: part of the show, even though I love them, I

1487
01:11:14,600 --> 01:11:16,840
Speaker 1: lose money by going to do it, and it takes

1488
01:11:16,840 --> 01:11:19,080
Speaker 1: me away from the morning show, which I don't always

1489
01:11:19,120 --> 01:11:20,600
Speaker 1: mind because I can do it remotely, but I just

1490
01:11:20,600 --> 01:11:22,000
Speaker 1: don't a higher country and I'm like, I'm going to

1491
01:11:22,040 --> 01:11:23,960
Speaker 1: be exhausted. And if you know anything about me chat

1492
01:11:23,960 --> 01:11:26,879
Speaker 1: GBT told me earlier that I get too tired sometimes

1493
01:11:26,920 --> 01:11:29,760
Speaker 1: that I can't be functioning at the same level that

1494
01:11:29,800 --> 01:11:31,400
Speaker 1: i'd like to be functioning, or that I normally function

1495
01:11:31,479 --> 01:11:33,840
Speaker 1: because I'm too exhausted. So I said, you know, I

1496
01:11:33,840 --> 01:11:36,760
Speaker 1: don't think I'm going to do it this year. But

1497
01:11:36,880 --> 01:11:39,639
Speaker 1: our special just got picked up for the ACMs, which

1498
01:11:39,680 --> 01:11:41,800
Speaker 1: they never asked us to do. We just went and

1499
01:11:41,880 --> 01:11:44,840
Speaker 1: shot it and presented to them, said hey, would you

1500
01:11:44,840 --> 01:11:46,760
Speaker 1: want to option our special? And they said yes, we do.

1501
01:11:46,800 --> 01:11:50,360
Speaker 1: We were like, what really? So I said, Okay, I'm

1502
01:11:50,360 --> 01:11:52,800
Speaker 1: gonna do it one more year. And so I did

1503
01:11:52,800 --> 01:11:55,439
Speaker 1: it this year. And by the way, my plans is

1504
01:11:55,479 --> 01:11:57,240
Speaker 1: of an hour to not do it next year. They

1505
01:11:57,240 --> 01:11:59,040
Speaker 1: have not asked me to do it next year. It

1506
01:11:59,080 --> 01:12:00,800
Speaker 1: has not even been a converse. But my plans right

1507
01:12:00,840 --> 01:12:04,960
Speaker 1: now are probably to not do it next year. But

1508
01:12:05,000 --> 01:12:10,200
Speaker 1: I've always wanted to host it, and I was always

1509
01:12:13,040 --> 01:12:14,800
Speaker 1: I wondered if I would ever be able to show

1510
01:12:14,840 --> 01:12:17,599
Speaker 1: them how good I would be at hosting it, And

1511
01:12:18,000 --> 01:12:21,160
Speaker 1: I had opportunities this year, and I think I actually

1512
01:12:21,479 --> 01:12:24,639
Speaker 1: succeeded in those opportunities by doing a bunch of live

1513
01:12:24,680 --> 01:12:26,559
Speaker 1: stuff on the show, by things breaking down and me

1514
01:12:26,600 --> 01:12:29,240
Speaker 1: covering it, by all those people that make those decisions

1515
01:12:29,240 --> 01:12:31,240
Speaker 1: being at the Brooks and done thing when I'm telling jokes,

1516
01:12:31,439 --> 01:12:33,840
Speaker 1: so I'm not as married to the idea of that

1517
01:12:33,920 --> 01:12:35,680
Speaker 1: I'm a failure if I never get to do it,

1518
01:12:35,920 --> 01:12:38,240
Speaker 1: because I think I got to prove that I can

1519
01:12:38,360 --> 01:12:42,120
Speaker 1: do it. Now I'm just not famous enough. So I

1520
01:12:42,160 --> 01:12:44,799
Speaker 1: think that's really what it is at this point, because

1521
01:12:44,840 --> 01:12:48,519
Speaker 1: the skill set I got it. I can go live,

1522
01:12:48,560 --> 01:12:50,240
Speaker 1: I can tell jokes, I can write jokes, I know

1523
01:12:50,280 --> 01:12:55,320
Speaker 1: all the people. I have a good TV resume, I

1524
01:12:55,360 --> 01:12:57,680
Speaker 1: have a comedy special, I have everything you need to

1525
01:12:57,720 --> 01:13:00,479
Speaker 1: have to do it. I'm just not famous enough and

1526
01:13:00,520 --> 01:13:05,400
Speaker 1: they really want somebody famous that they can show in

1527
01:13:05,439 --> 01:13:08,360
Speaker 1: the promo of it. So unless I get to be

1528
01:13:08,400 --> 01:13:10,519
Speaker 1: a bit more famous, which that's not even really my

1529
01:13:10,600 --> 01:13:16,800
Speaker 1: goal anymore, probably won't host it. And I think, knowing

1530
01:13:16,840 --> 01:13:18,920
Speaker 1: I would have said that six months ago, i'd have

1531
01:13:18,920 --> 01:13:20,559
Speaker 1: been like, you're only saying that because you're a quitter

1532
01:13:20,600 --> 01:13:23,120
Speaker 1: and you're scared you're never going to get it. Therefore

1533
01:13:23,439 --> 01:13:25,200
Speaker 1: you're just gonna say I'm going to give up and

1534
01:13:25,240 --> 01:13:27,320
Speaker 1: not get it. But that is absolutely not the case.

1535
01:13:27,920 --> 01:13:30,519
Speaker 1: I was able to show every freaking skill that I

1536
01:13:30,560 --> 01:13:33,080
Speaker 1: have this year. The right people saw it, and if

1537
01:13:33,120 --> 01:13:37,280
Speaker 1: I never get chosen I'm actually okay with it because

1538
01:13:37,320 --> 01:13:41,559
Speaker 1: I only ever want the opportunity to prove myself. It's

1539
01:13:41,640 --> 01:13:43,920
Speaker 1: not that I need to get it, it's that I

1540
01:13:43,960 --> 01:13:45,400
Speaker 1: need to show I can do it to the people

1541
01:13:45,400 --> 01:13:47,080
Speaker 1: that make the decisions that will be able to give it.

1542
01:13:48,160 --> 01:13:49,960
Speaker 1: And if I can do that, because sometimes I may

1543
01:13:50,000 --> 01:13:53,280
Speaker 1: actually may not be good enough. But if I can

1544
01:13:53,280 --> 01:13:56,639
Speaker 1: do that and I get it or I don't get

1545
01:13:56,640 --> 01:14:01,479
Speaker 1: it to me, that's the win, the WI win. So

1546
01:14:01,640 --> 01:14:07,280
Speaker 1: I won. I won this year by performing at a

1547
01:14:07,360 --> 01:14:10,439
Speaker 1: high level, showing my skill set during the live show,

1548
01:14:11,479 --> 01:14:16,559
Speaker 1: and also showing that I can stand on stage, own

1549
01:14:16,640 --> 01:14:21,640
Speaker 1: the stage, rite and tell jokes that are relevant to

1550
01:14:22,960 --> 01:14:27,040
Speaker 1: the weekend the people that are their country music. So yeah,

1551
01:14:27,160 --> 01:14:29,720
Speaker 1: if I don't get it anymore, I'm okay with it.

1552
01:14:29,720 --> 01:14:31,200
Speaker 1: I'm not married to the idea that I'm a failure.

1553
01:14:31,200 --> 01:14:34,280
Speaker 1: If I don't three weeks ago, six months ago, that

1554
01:14:34,280 --> 01:14:35,920
Speaker 1: would not have been coming out of my mouth because

1555
01:14:35,920 --> 01:14:37,760
Speaker 1: I would have thought, yeah, you know what, at this point,

1556
01:14:37,760 --> 01:14:39,320
Speaker 1: I'm probably not gonna get it. But I feel like

1557
01:14:39,320 --> 01:14:42,240
Speaker 1: a total and complete failure because that was a goal

1558
01:14:42,280 --> 01:14:44,120
Speaker 1: of mine. I don't feel like a failure anymore. And

1559
01:14:44,120 --> 01:14:47,840
Speaker 1: if I never get it that kind of sucks, But

1560
01:14:47,880 --> 01:14:50,639
Speaker 1: it's not because I suck a little bit of therapy

1561
01:14:50,680 --> 01:14:53,920
Speaker 1: coming through right there too, but also because this year,

1562
01:14:53,960 --> 01:14:56,080
Speaker 1: more than any other year, I got to spread my

1563
01:14:56,120 --> 01:14:58,559
Speaker 1: wings and show that these skills that I've been developing

1564
01:14:58,560 --> 01:15:01,080
Speaker 1: over the past ten years, they're hearing ready for you.

1565
01:15:01,800 --> 01:15:05,040
Speaker 1: If eighty people say no, I'm ready to go. All right,

1566
01:15:05,080 --> 01:15:09,200
Speaker 1: that's the episode. Thank you guys, all you fifty minute clubbers.

1567
01:15:09,320 --> 01:15:11,800
Speaker 1: I appreciate it. We went way over fifty minutes this time,

1568
01:15:12,000 --> 01:15:14,280
Speaker 1: but I appreciate you guys being here and you can't

1569
01:15:14,320 --> 01:15:16,040
Speaker 1: me in the DMS. Be like, listen all fifty minutes

1570
01:15:16,080 --> 01:15:18,599
Speaker 1: and if give me your thoughts. Did you hear something

1571
01:15:18,600 --> 01:15:20,200
Speaker 1: you liked, something you didn't like? Like I love to

1572
01:15:20,280 --> 01:15:22,360
Speaker 1: know whenever I'm just talking about myself because I'm not

1573
01:15:22,400 --> 01:15:24,519
Speaker 1: reading from a script. The only notes that I had

1574
01:15:24,560 --> 01:15:26,360
Speaker 1: were from the Eddie and I segment. Whenever I put

1575
01:15:26,360 --> 01:15:31,519
Speaker 1: together all that stuff. Otherwise, I have an idea of

1576
01:15:31,520 --> 01:15:32,479
Speaker 1: what I want to talk about it, I come in

1577
01:15:32,520 --> 01:15:34,680
Speaker 1: and talk about it. Sometimes I get and tangent off

1578
01:15:34,720 --> 01:15:38,280
Speaker 1: of it. But let me know. Thanks to all you guys,

1579
01:15:38,560 --> 01:15:41,479
Speaker 1: and we will see you next week. We have Brandon

1580
01:15:41,520 --> 01:15:44,120
Speaker 1: Lancaster from Lanco, lead singer of Lanco coming up in

1581
01:15:44,120 --> 01:15:47,080
Speaker 1: the next episode. What I really like about his story,

1582
01:15:47,120 --> 01:15:49,080
Speaker 1: but I think you'll like about a story is they

1583
01:15:49,080 --> 01:15:52,639
Speaker 1: were a band and they have the song That's Gonna

1584
01:15:52,680 --> 01:15:56,400
Speaker 1: Be Your Forever you were Gonna Be My Wife Number

1585
01:15:56,439 --> 01:15:59,280
Speaker 1: one song that another song that did really well covid hit,

1586
01:15:59,320 --> 01:16:02,519
Speaker 1: lost a record, lost their management. Now they're kind of

1587
01:16:02,520 --> 01:16:06,040
Speaker 1: back at it and back on and doing well. And

1588
01:16:06,120 --> 01:16:08,240
Speaker 1: that's really hard in the creative world to be the

1589
01:16:08,280 --> 01:16:13,280
Speaker 1: shiny toy, completely lose your shine and then get it back.

1590
01:16:14,040 --> 01:16:18,960
Speaker 1: It's very difficult because you're looked at as a has

1591
01:16:19,040 --> 01:16:22,120
Speaker 1: been because there's one hundred new people coming up that

1592
01:16:22,160 --> 01:16:24,240
Speaker 1: they can go to instead. But history's really good and

1593
01:16:24,240 --> 01:16:26,000
Speaker 1: I hope you listen to the next episode. I hope

1594
01:16:26,040 --> 01:16:29,479
Speaker 1: you liked that Jessica Andrews episode, and yeah, that's what's up.

1595
01:16:29,640 --> 01:16:31,479
Speaker 1: Thank you guys, and we'll see you next time. I

1596
01:16:31,520 --> 01:16:33,280
Speaker 1: love this episode of The Bobby Cast.

1597
01:16:33,520 --> 01:16:38,360
Speaker 4: Subscribe on iHeartRadio, Apple Podcasts, or wherever you listen to podcasts.