WEBVTT - #63 - Wayno

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<v Speaker 1>You got a banger, all right, so check it out. Man,

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<v Speaker 1>We have got Wayno on the podcast. Welcome to the

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<v Speaker 1>Blue le Cap Podcast. Hope everyone's having a great fucking day.

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<v Speaker 1>Wayno is somebody who you probably know from everyday struggle

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<v Speaker 1>with academics. He held that seat down for over three years.

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<v Speaker 1>He's also been around in hip hop for years. He

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<v Speaker 1>was an an R. Rockefeller in the early two thousands.

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<v Speaker 1>He managed Dave East for some years, and he's just

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<v Speaker 1>all in all the solid fucking duty. Just launched his

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<v Speaker 1>podcast on which we're gonna be talking about. This is

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<v Speaker 1>one of my favorite interviews I've done in a long time.

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<v Speaker 1>We just shoot the shit for an hour forty five

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<v Speaker 1>something close to that about hip hop, about his career,

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<v Speaker 1>about some of the history has been a part of

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<v Speaker 1>his tell some crazy stories man. So Wayno Is on

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<v Speaker 1>the podcast today. While you're listening, though, head on over

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<v Speaker 1>And let's get into this episode with WAYNEO. Legendary interview,

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<v Speaker 1>great conversation, press play, relax, and let me know your

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<v Speaker 1>thoughts on this one. Don't forget to rate the podcast

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<v Speaker 1>on iTunes. If you're listening on iTunes, man rate that

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<v Speaker 1>motherfucker for me. Please appreciate it. All right, let's get

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<v Speaker 1>into It's the Boutlet Cap Podcast. Yo, Boutlet Cap Podcast

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<v Speaker 1>Special guests. Man, the Homie Waino is here. Brother, Welcome, Welcome. Man.

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<v Speaker 1>We've been trying to make it happen for a while

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<v Speaker 1>for a while, and I gotta I gotta go on

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<v Speaker 1>record and apologize for my lateness today. Oh you're good man.

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<v Speaker 1>I mean it's cool, but at the same time, it's like, bro,

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<v Speaker 1>like I'm the person that, like everybody in my family knows,

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<v Speaker 1>I don't play with time and I don't play with

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<v Speaker 1>people time. So it's like I just have to stress

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<v Speaker 1>that it's all good, man, it's all good. Congrats on

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<v Speaker 1>the new podcast. I checked out the first episode and

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<v Speaker 1>then I checked out some of the third episode that

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<v Speaker 1>just dropped yesterday. What give me like kind of the cause?

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<v Speaker 1>You could have went a few different ways with like

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<v Speaker 1>coming out of uh doing every day Struggle. I like

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<v Speaker 1>the direction you took, but like kind of you know,

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<v Speaker 1>introspective conversations. I think that what's dope is like there's

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<v Speaker 1>so many gems in these early episodes already just based

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<v Speaker 1>on your background and like how you've lived your life

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<v Speaker 1>and stuff, But like what made you go that direction?

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<v Speaker 1>Not and not kind of go something similar to what

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<v Speaker 1>you just came out of, because like, all right, so

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<v Speaker 1>every day Struggle. I'm not trying to minimize nobody who's

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<v Speaker 1>been a journalist that they haven't like that never was

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<v Speaker 1>my dream, right, It never was my dream to be

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<v Speaker 1>on a sh show. I never wanted to be on camera,

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<v Speaker 1>none of that. It's just like it kind of was

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<v Speaker 1>the luck of the draw. I mean, it came at

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<v Speaker 1>the right time and once I got into doing Once

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<v Speaker 1>I got into doing content, a lot of people don't

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<v Speaker 1>know that, Like, Bro, I'm the person that stays at

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<v Speaker 1>the barbershop for two hours because we're gonna talk about basketball, right,

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<v Speaker 1>We're gonna talk about family. We just that's what we

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<v Speaker 1>do in the barbershop. So I was like, I want

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<v Speaker 1>to bring my perspective or the things that I'm into

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<v Speaker 1>and the things I care about as opposed to just

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<v Speaker 1>talking about music all day. Music is my life. It

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<v Speaker 1>will never go anywhere, right, And for the people who

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<v Speaker 1>are fans of my music commentary, I got shit coming

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<v Speaker 1>for that. But for what I wanted to do with

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<v Speaker 1>Wayno's with hear Me at Waaenno was basically talk about

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<v Speaker 1>what's going on in the world, share my perspective and

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<v Speaker 1>share my stories so that people don't people think I

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<v Speaker 1>dropped on the earth like when I did every day strougle. Right.

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<v Speaker 1>For people who didn't know, like who you were, Like,

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<v Speaker 1>they were like, who is this guy? Yeah, But even

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<v Speaker 1>even with saying that who is this Guy's like, it's

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<v Speaker 1>a story to who this guy? It's not just mut

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<v Speaker 1>it just like you know, me being a parent, me

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<v Speaker 1>being a husband, me being a father, me being my

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<v Speaker 1>mother's son. It's all these different things. That I wanted

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<v Speaker 1>to talk to with people so that they could realize

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<v Speaker 1>like who I am and feel like look at me

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<v Speaker 1>and say, oh shit, like if he did it, I

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<v Speaker 1>could do it, or if he did it, like shit,

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<v Speaker 1>his story might inspire me where I'm at and make

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<v Speaker 1>me want to go on my path and do what

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<v Speaker 1>I want to do. So that's why I did it. Yeah,

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<v Speaker 1>because I had known you, because we had conversations about

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<v Speaker 1>Davies when you were working with Dave, and then I

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<v Speaker 1>saw you on There was that weird stretch after Joe

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<v Speaker 1>Budden left Every Day Struggle when they had Star on there,

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<v Speaker 1>and that shit was whack because it was almost like

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<v Speaker 1>they're kind of both the same dude. There was like

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<v Speaker 1>no voice or reason in the room. I'll say about

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<v Speaker 1>star Bro. A lot of you know, the thing was Start.

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<v Speaker 1>A lot of people get Star fla Bro. I when

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<v Speaker 1>I was in high school, I used to wake up

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<v Speaker 1>early in the morning his Star No. I mean he's

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<v Speaker 1>a radio legend. Yeah, But I think the thing is

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<v Speaker 1>is that like because even me, I didn't know nothing

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<v Speaker 1>about what I'm doing now right I started, But like

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<v Speaker 1>Star I love Start for who he is. I loved

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<v Speaker 1>him talk crazy but it's not the same platform. It's

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<v Speaker 1>not the same platform. And I think when you have

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<v Speaker 1>him and academics, it's almost like there's no like waste

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<v Speaker 1>of reason in the room. That's really your academics. He

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<v Speaker 1>does have voice of reason, but everybody wants to combat it.

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<v Speaker 1>I think the thing is is, like, you know, we

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<v Speaker 1>accept the message depending on the messaging, and like some

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<v Speaker 1>of the messages that he may have, if you be

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<v Speaker 1>around him and you sit with him and you know him,

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<v Speaker 1>it makes sense. But if you don't know him, you're like,

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<v Speaker 1>who the fuck is he to say something? Why should

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<v Speaker 1>he have the right to It should be me, or

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<v Speaker 1>it should be somebody else, So it should be And

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<v Speaker 1>he says a lot of shit. That means he said

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<v Speaker 1>a lot of shit that don't make sense to me.

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<v Speaker 1>That's my brother, though I'll fuck with no matter what. Yeah,

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<v Speaker 1>I think for me, like the academics thing, I think

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<v Speaker 1>that I've always had a lot of respect for somebody

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<v Speaker 1>who literally built up a platform from their bedroom, right, right,

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<v Speaker 1>you know what I mean? And you're right, Like he's

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<v Speaker 1>had some wild shit that he'll say, Like, but you

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<v Speaker 1>know what I learned from about the wild ship that

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<v Speaker 1>he says, you gotta remember, Bro. It's like I always

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<v Speaker 1>look at life as like life is a movie and

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<v Speaker 1>everybody's playing roles in different roles. A lot of people

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<v Speaker 1>don't know the roles that they're playing. He's fully aware

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<v Speaker 1>of the role he's playing, and he knows how to

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<v Speaker 1>leans into it. He leans into it. He knows how

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<v Speaker 1>to entertain within that role. See when I got Bro,

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<v Speaker 1>when I got on every day struggle, I never entertained

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<v Speaker 1>nobody in my life. Like I come from the hood.

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<v Speaker 1>Like I don't say that as a mindset. It's not

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<v Speaker 1>place I come from the hood. I come from like

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<v Speaker 1>a certain type of background. So I don't understand. I

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<v Speaker 1>understand being entertained, but I understand how to entertain. And

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<v Speaker 1>that's what I learned from academics, Like you know what

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<v Speaker 1>I mean. Like a lot of the silly shit he does,

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<v Speaker 1>he'll he'll wrap that around a message. But you you

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<v Speaker 1>looking at all the other ship and you by the

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<v Speaker 1>time you get to it, you're like, h he kind

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<v Speaker 1>of got a point, But fuck him because we don't

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<v Speaker 1>like him. That's all it really is. Bro. People just

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<v Speaker 1>don't like him, but they don't know him. Yeah, I

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<v Speaker 1>think that you know with him. I think there's just

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<v Speaker 1>a few things that happened. I think that Freddi Gibbs thing,

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<v Speaker 1>Gibbs the foot he should have about to give ship. Bro.

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<v Speaker 1>It's like we was a we did Complex con and

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<v Speaker 1>we went to a party, me and him, and this

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<v Speaker 1>is the first time we had ever been outside altogether

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<v Speaker 1>because act don't go nowhere like people I'm gonna run

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<v Speaker 1>that You're not running down him, no, because he don't

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<v Speaker 1>go anywhere. So we went to this party it was

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<v Speaker 1>on sunset and gives us this way he was there

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<v Speaker 1>and gives us really cool like it wasn't no no bullshit.

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<v Speaker 1>But this is prior to prior, prior to the crazes, craziness,

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<v Speaker 1>prior to the craziness. But I feel like Gibbs is

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<v Speaker 1>smart in that space too, because he knows how to initate.

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<v Speaker 1>Like he leaned into it, Bro into it. Man. He

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<v Speaker 1>made the T shirts and he did the game of

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<v Speaker 1>thrown ship. He put my face and that's like the

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<v Speaker 1>memes was funny, Like it just was funny, you know

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<v Speaker 1>what I mean? But act like you gotta remember, Bro,

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<v Speaker 1>it's you take a dude who Yeah, he he built

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<v Speaker 1>his you want to call it the empire. You want

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<v Speaker 1>to call it some fun shit, whatever, you got to

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<v Speaker 1>call it the empire. Man, you got to give that

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<v Speaker 1>man his respect. Everybody got a different definition, right. But

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<v Speaker 1>whatever he built, he built it himself. And not only

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<v Speaker 1>The thing that I respect about academics is before he

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<v Speaker 1>went and bought himself this big old crazy house, he

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<v Speaker 1>bought his mother house, right, you know what I mean.

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<v Speaker 1>They came here from Jamaica. You know what I'm saying,

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<v Speaker 1>Like he got good family. Like if you meet his

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<v Speaker 1>I never met his mom, but his brother is my guy,

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<v Speaker 1>you know what I mean. You meet people around him,

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<v Speaker 1>you'd be like, how the funk he turned? Like that?

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<v Speaker 1>He just wanted to be entertainer. But he's like a wrestler. Bro.

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<v Speaker 1>I was gonna say, he's like the Paul Hayman of

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<v Speaker 1>hip hop, Like he just got that. You know, he's

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<v Speaker 1>talking all that ship. But you know what's crazy about

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<v Speaker 1>that conversation. You know how people always say rap is

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<v Speaker 1>wrestling because they call it fake. Wrestling is more than

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<v Speaker 1>realing rap than me. It's way more real and rap.

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<v Speaker 1>Because I don't disagree, because because I'm a big wrestling fan,

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<v Speaker 1>So it is wrestlers. You actually get fucked up in

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<v Speaker 1>wrestling breaker Lane, I went, I took my son. I

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<v Speaker 1>was surprised my son at Monday Monday Night Raw like

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<v Speaker 1>five years ago. The most entertaining shit IVE ever been

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<v Speaker 1>in bad especially for sitting like like the but it

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<v Speaker 1>was nobody. It's amazing. But the reason why I said,

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<v Speaker 1>because like the problem with a lot of artists is

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<v Speaker 1>that they don't know that they're playing a role, you

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<v Speaker 1>know what I mean, Like they you think that you're

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<v Speaker 1>doing all this real ship when you're really trying to

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<v Speaker 1>sell a product. Did you see Joe Rogan talking with

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<v Speaker 1>Undertaker about I watched that whole podcast that ship was

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<v Speaker 1>because you couldn't tell me when I was a kid

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<v Speaker 1>that Undertaker wasn't a demon possessing Paul Barrow was controlling

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<v Speaker 1>them with the earth of course, like I really believed that.

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<v Speaker 1>But think about like well he was talking about like

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<v Speaker 1>when he he purposely when he would leave and like

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<v Speaker 1>be in hotel rooms, he would purposely wear all black. Yeah,

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<v Speaker 1>he leaned into the no matter what. So probably the

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<v Speaker 1>thing I had. The reason why I'm saying that is

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<v Speaker 1>because it's like if a rapper, if an altercation happens

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<v Speaker 1>and a rapper who raps a certain way doesn't react

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<v Speaker 1>a certain way. Ayboy, all he faked he is, and

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<v Speaker 1>he that if we was across the street and shots

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<v Speaker 1>started flying and I seen on Schwarz Nigga, I'm not

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<v Speaker 1>looking for him to pull out the Desert Eagle and

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<v Speaker 1>start clapping, you know what I'm saying. Yeah, he played,

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<v Speaker 1>He plays his role, and I feel like not enough

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<v Speaker 1>artists they don't have the freedom to just play their role. Well,

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<v Speaker 1>that's that's that's an interesting conversation about that, right. I

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<v Speaker 1>just we just released the interview with two eleven who

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<v Speaker 1>used to be even from c Yeah. So he just

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<v Speaker 1>actually put out a whole project, was like Gibbs on

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<v Speaker 1>like nine records. It's like a little key like a

0:10:09.880 --> 0:10:12.520
<v Speaker 1>Freddie Gibbs collap album. But we were talking about the

0:10:12.600 --> 0:10:16.240
<v Speaker 1>g Z Gucci versus battle and and he's got his

0:10:16.320 --> 0:10:19.960
<v Speaker 1>problems with g Z, and he was saying essentially that

0:10:20.000 --> 0:10:22.319
<v Speaker 1>GZ played himself, and I was like, well, look on

0:10:22.360 --> 0:10:25.800
<v Speaker 1>the other side of the coin, Jez. You know, g

0:10:26.000 --> 0:10:30.120
<v Speaker 1>Z kind of showed a whole generation that you know,

0:10:30.679 --> 0:10:35.240
<v Speaker 1>it's it's not very touchy, it's very touchy because someone died,

0:10:35.360 --> 0:10:39.960
<v Speaker 1>somebody See that's the thing, right, Like everybody talks about

0:10:39.960 --> 0:10:42.240
<v Speaker 1>what they would do in that situation, until in that situation,

0:10:42.640 --> 0:10:46.040
<v Speaker 1>I've never My first friend that I ever had in

0:10:46.080 --> 0:10:47.880
<v Speaker 1>life is tatted on my on my arm he got murdered.

0:10:48.720 --> 0:10:50.560
<v Speaker 1>I don't know how I would feel if I saw

0:10:50.640 --> 0:10:53.840
<v Speaker 1>his killer, right, I don't. I know that. I know

0:10:53.920 --> 0:10:55.520
<v Speaker 1>for a fact, I'm not trying to go to jail

0:10:55.840 --> 0:10:57.640
<v Speaker 1>just to just to just to think that I'm making

0:10:57.720 --> 0:11:00.480
<v Speaker 1>people happier, to give myself some satisfaction by taking his life.

0:11:00.559 --> 0:11:02.319
<v Speaker 1>You got kids to worry about. I got a lot

0:11:02.320 --> 0:11:04.920
<v Speaker 1>of shit. You got, you got your livelihood, your career, everything.

0:11:05.000 --> 0:11:07.080
<v Speaker 1>So I'm not like I can't speak That's one thing

0:11:07.120 --> 0:11:08.960
<v Speaker 1>I can't do. I can't speak for why, jeez, he

0:11:08.960 --> 0:11:10.360
<v Speaker 1>felt like he should have did that. But I know

0:11:10.400 --> 0:11:12.520
<v Speaker 1>why Gucci did it. You know what I'm saying. I

0:11:12.600 --> 0:11:14.840
<v Speaker 1>understand why he did it because if I'm on the

0:11:14.840 --> 0:11:16.440
<v Speaker 1>other side of the coin, I probably would have did

0:11:16.480 --> 0:11:20.080
<v Speaker 1>the same shit he did. Yeah, I think that, Like

0:11:20.160 --> 0:11:24.640
<v Speaker 1>you said, like, there's there's like especially with these there's

0:11:24.720 --> 0:11:26.480
<v Speaker 1>you know a lot of these kids in these younger generations,

0:11:26.559 --> 0:11:28.120
<v Speaker 1>like you look like what's going on in Jacksonville with

0:11:28.160 --> 0:11:32.720
<v Speaker 1>the hip hop ship right now so insane, Kep. I

0:11:32.800 --> 0:11:34.240
<v Speaker 1>just say it as a black man, this shit this

0:11:34.320 --> 0:11:37.400
<v Speaker 1>heartens me to see. Like like when I was growing

0:11:37.480 --> 0:11:39.640
<v Speaker 1>up listening to music, we grew up on the same music.

0:11:40.040 --> 0:11:42.720
<v Speaker 1>I never heard nobody like like when it was when

0:11:42.840 --> 0:11:44.560
<v Speaker 1>artists with this each other. They might have had a

0:11:44.559 --> 0:11:47.080
<v Speaker 1>problem backstage or something, but it was more centered around

0:11:47.120 --> 0:11:49.040
<v Speaker 1>you can it was more centered around the hip hop,

0:11:49.640 --> 0:11:52.560
<v Speaker 1>the bar. It's just like and sometimes there'd be some

0:11:52.600 --> 0:11:55.720
<v Speaker 1>personal shit involved me, but it was never like I'm

0:11:55.720 --> 0:11:58.000
<v Speaker 1>a But the thing about it is is what I

0:11:58.080 --> 0:11:59.800
<v Speaker 1>be finding out with a lot of these stories is like,

0:12:00.280 --> 0:12:02.760
<v Speaker 1>all right, these kids be getting into a lot of

0:12:02.760 --> 0:12:04.760
<v Speaker 1>this shit. When I was fourteen, I got into a

0:12:04.760 --> 0:12:08.120
<v Speaker 1>lot of stupid shit, but like these kids, it'd be

0:12:08.320 --> 0:12:11.720
<v Speaker 1>like y'all played basketball together, y'all used to sleep at

0:12:11.760 --> 0:12:14.760
<v Speaker 1>each other's house or his hont is your mom best friend,

0:12:14.760 --> 0:12:18.880
<v Speaker 1>and y'all had and then y'all now y'all just super murderers,

0:12:18.920 --> 0:12:20.800
<v Speaker 1>like you know what I mean. And the thing about

0:12:20.840 --> 0:12:23.480
<v Speaker 1>it is like nobody don't talk about like the post

0:12:23.480 --> 0:12:28.199
<v Speaker 1>trauma with these kids go through. No everybody sit here

0:12:28.360 --> 0:12:31.040
<v Speaker 1>act like they just just murdering killer. They not talking

0:12:31.040 --> 0:12:33.240
<v Speaker 1>about like the piece of theirself they lose when they

0:12:33.320 --> 0:12:35.000
<v Speaker 1>might have did some shit like that, you know what

0:12:35.000 --> 0:12:38.280
<v Speaker 1>I mean, they're waking up. Then I think about like

0:12:38.320 --> 0:12:42.880
<v Speaker 1>the young and age kid who put out the record, Bro,

0:12:43.480 --> 0:12:46.000
<v Speaker 1>it's so crazy, but I've met him in interview him

0:12:46.000 --> 0:12:49.000
<v Speaker 1>and he seems like a nice, genuinely like sweet kid.

0:12:49.640 --> 0:12:51.360
<v Speaker 1>And then he puts out and then the other kid

0:12:51.360 --> 0:12:54.800
<v Speaker 1>puts out a record on the graveyard of hit Like

0:12:54.920 --> 0:12:57.240
<v Speaker 1>it's like, it's crazy, like where the hell don't know?

0:12:57.240 --> 0:12:59.600
<v Speaker 1>But you know what's crazy most of the artists that

0:12:59.640 --> 0:13:01.720
<v Speaker 1>I meet, because this is the thing. I've been in

0:13:01.720 --> 0:13:04.080
<v Speaker 1>this ship, bro, I was I was really brought up

0:13:04.080 --> 0:13:06.800
<v Speaker 1>in this ship around state property. I'm saying. So it's like,

0:13:07.000 --> 0:13:09.320
<v Speaker 1>which we'll get to, yeah, but I would just say

0:13:09.360 --> 0:13:11.400
<v Speaker 1>this before we get to that. Beanie Seagull might be

0:13:11.400 --> 0:13:13.199
<v Speaker 1>the toughest person I ever met my life, you know

0:13:13.200 --> 0:13:14.880
<v Speaker 1>what I mean. When he when he was at that time,

0:13:15.679 --> 0:13:18.800
<v Speaker 1>but who he was to everybody when we came out

0:13:18.840 --> 0:13:20.360
<v Speaker 1>the house, because I lived with Beanie Siegua when he

0:13:20.360 --> 0:13:22.079
<v Speaker 1>was in the house arrest, who he was we came

0:13:22.120 --> 0:13:24.320
<v Speaker 1>out the house was a different person. Than when I

0:13:24.400 --> 0:13:26.880
<v Speaker 1>knew him, how I knew him, how his mother knew him,

0:13:26.920 --> 0:13:29.240
<v Speaker 1>how his kid knew him. So I understand that, like

0:13:29.679 --> 0:13:33.120
<v Speaker 1>a lot in hip hop, we got this fucking this

0:13:33.280 --> 0:13:35.720
<v Speaker 1>wall built up that we don't want to break down,

0:13:35.720 --> 0:13:38.680
<v Speaker 1>that we ain't got no feelings, we ain't got no remorse,

0:13:38.760 --> 0:13:40.160
<v Speaker 1>we ain't got none of that, and that shit ain't

0:13:40.200 --> 0:13:41.400
<v Speaker 1>the case. And I feel like a lot of that

0:13:41.440 --> 0:13:43.320
<v Speaker 1>ship as me being a black man, is at the

0:13:43.320 --> 0:13:45.319
<v Speaker 1>detriment of the black man, you know what I mean,

0:13:45.360 --> 0:13:47.840
<v Speaker 1>Because it's like I would hate to see younger age

0:13:47.880 --> 0:13:50.960
<v Speaker 1>sort of whoever the other kid he's beefing with, Yeah,

0:13:52.640 --> 0:13:55.480
<v Speaker 1>you're right, yeah, so I would confuse him, my yankee,

0:13:56.120 --> 0:13:58.520
<v Speaker 1>But I would hate to see one of them go

0:13:58.640 --> 0:14:01.320
<v Speaker 1>down for some crazy because at the end is bro,

0:14:01.400 --> 0:14:03.559
<v Speaker 1>you're hurting, your mom's like you, and an opportunity. You

0:14:03.600 --> 0:14:06.480
<v Speaker 1>got an opportunity where you can build some shit. Music

0:14:06.520 --> 0:14:11.200
<v Speaker 1>has changed so many people on this planet's lives where

0:14:11.200 --> 0:14:14.800
<v Speaker 1>it's like you got the opportunity to like really change

0:14:14.800 --> 0:14:17.200
<v Speaker 1>your life for generations. I don't know if they care

0:14:17.240 --> 0:14:19.160
<v Speaker 1>about that, orenough, because it's hard to tell a young

0:14:19.200 --> 0:14:20.880
<v Speaker 1>brother to see that. For I didn't see that far

0:14:20.880 --> 0:14:22.640
<v Speaker 1>when I was like young, but I'll just be like,

0:14:22.880 --> 0:14:24.840
<v Speaker 1>let's move your mic in the middle of you. Okay,

0:14:25.080 --> 0:14:27.280
<v Speaker 1>boom there we go. All right, okay better, But like

0:14:29.040 --> 0:14:32.400
<v Speaker 1>I'm just like, yo, bro, y'all gotta start noticing that

0:14:32.480 --> 0:14:35.240
<v Speaker 1>you have value when these record labels sign you and

0:14:35.280 --> 0:14:37.160
<v Speaker 1>give you all that money, which ain't no money to

0:14:37.200 --> 0:14:40.600
<v Speaker 1>them all. That's cute, right, but you have value. That's

0:14:40.640 --> 0:14:42.240
<v Speaker 1>the only reason why they fucking with you. Because you

0:14:42.240 --> 0:14:44.560
<v Speaker 1>have value. Now, that value that they see in you,

0:14:44.560 --> 0:14:46.440
<v Speaker 1>you need to take that and build on that and

0:14:46.480 --> 0:14:49.960
<v Speaker 1>filter that into your family. Because bro, nothing's realid and

0:14:50.040 --> 0:14:52.520
<v Speaker 1>putting your loved ones in a box, right, nothing's REALI

0:14:52.560 --> 0:14:55.520
<v Speaker 1>than that shit. And if you leaning towards that type

0:14:55.560 --> 0:14:58.080
<v Speaker 1>of shit, you ain't for nothing but destruction. Yeah. I

0:14:58.160 --> 0:15:00.760
<v Speaker 1>just saw a clip of Master He on the Breakfast

0:15:00.800 --> 0:15:02.440
<v Speaker 1>Club that I thought was dope, and he was kind

0:15:02.440 --> 0:15:06.560
<v Speaker 1>of talking about how there was a lot of people

0:15:06.680 --> 0:15:09.080
<v Speaker 1>who were saying, like, you know, did he had some

0:15:09.120 --> 0:15:11.880
<v Speaker 1>responsibility for Black rob like you know, ship like that.

0:15:11.960 --> 0:15:14.680
<v Speaker 1>But then he kind of took that into the conversation

0:15:14.800 --> 0:15:18.800
<v Speaker 1>of like, you know, the bigger labels, the you know,

0:15:18.800 --> 0:15:21.120
<v Speaker 1>the Jimmy I Beans or the machines that are behind

0:15:21.160 --> 0:15:25.120
<v Speaker 1>a lot of these artists, like they're not stepping in

0:15:25.160 --> 0:15:27.280
<v Speaker 1>and like, you know, think about someone like NBA young

0:15:27.320 --> 0:15:29.840
<v Speaker 1>boy who's who? Like like who? Like? You know what

0:15:29.880 --> 0:15:32.280
<v Speaker 1>I mean? Like son, you know what I used to

0:15:32.280 --> 0:15:33.840
<v Speaker 1>give and be a young boy a lot of flak

0:15:33.920 --> 0:15:35.680
<v Speaker 1>until I watched that interview he did with injury they

0:15:36.440 --> 0:15:38.800
<v Speaker 1>and with hearing about that. That kid's story. He don't

0:15:38.840 --> 0:15:41.160
<v Speaker 1>know his father right, he don't got the best relationship

0:15:41.200 --> 0:15:43.880
<v Speaker 1>with his mother. He's raised by his grandmother. Can't he help?

0:15:44.000 --> 0:15:46.360
<v Speaker 1>And I when I say help, he need to show

0:15:46.400 --> 0:15:48.280
<v Speaker 1>to the lean on he needed. And it ain't just

0:15:48.280 --> 0:15:52.000
<v Speaker 1>about the big homies everybody who it's like some yeah,

0:15:52.040 --> 0:15:54.440
<v Speaker 1>it don't first of all, like everybody was a big

0:15:54.480 --> 0:15:56.320
<v Speaker 1>homie and a gangster or something like that. Like you

0:15:56.360 --> 0:15:58.840
<v Speaker 1>just need a voice of reason around you and you

0:15:58.880 --> 0:16:01.000
<v Speaker 1>don't need to it don'ts need a person that need

0:16:01.040 --> 0:16:03.280
<v Speaker 1>to have money. The problem with artists is they don't

0:16:03.280 --> 0:16:04.800
<v Speaker 1>a lot of them don't want to. They don't want

0:16:04.800 --> 0:16:06.520
<v Speaker 1>to be helped, you know what I mean. A lot

0:16:06.560 --> 0:16:08.160
<v Speaker 1>of them feel like they don't need to help. And

0:16:08.200 --> 0:16:10.120
<v Speaker 1>I'm not speaking for NBAM. I don't know what he

0:16:10.360 --> 0:16:14.240
<v Speaker 1>of course brace that hasn't But like the ship with

0:16:14.240 --> 0:16:17.800
<v Speaker 1>with Black Rob and all that and everybody holding, how

0:16:17.800 --> 0:16:21.680
<v Speaker 1>can you hold did he responsible for somebody he gave

0:16:21.680 --> 0:16:26.200
<v Speaker 1>an opportunity to years ago? Yeah right he twenty one

0:16:26.280 --> 0:16:28.720
<v Speaker 1>years ago is when Life Story came out, right, Yeah,

0:16:28.800 --> 0:16:30.680
<v Speaker 1>so I was a teenager at that time. I remember

0:16:30.680 --> 0:16:34.840
<v Speaker 1>buying that album. Man, So he gave this guy opportunity.

0:16:34.840 --> 0:16:37.720
<v Speaker 1>And I again I can't speak for specifically with his

0:16:37.800 --> 0:16:39.640
<v Speaker 1>because I don't know Black Rob story. Of course. All

0:16:39.720 --> 0:16:42.480
<v Speaker 1>I'm saying is that you can't be held like just

0:16:42.480 --> 0:16:44.840
<v Speaker 1>because you the guy with that's the problem. Everybody can

0:16:45.040 --> 0:16:46.680
<v Speaker 1>look at his money and be like out in his pocket.

0:16:46.720 --> 0:16:48.400
<v Speaker 1>Well you should have put him in rehab, or you

0:16:48.400 --> 0:16:49.680
<v Speaker 1>should have put him in this, or you should put

0:16:49.720 --> 0:16:50.920
<v Speaker 1>him in that, or you should have gave him this

0:16:51.040 --> 0:16:53.280
<v Speaker 1>or gave him That's like brow, how much do you

0:16:53.320 --> 0:16:57.640
<v Speaker 1>want for yourself? Yeah? Also like if like everybody who

0:16:57.640 --> 0:16:59.640
<v Speaker 1>did He's ever worked with ends up having like some

0:16:59.680 --> 0:17:02.200
<v Speaker 1>real issues in life, like you can't like like that's

0:17:02.200 --> 0:17:05.920
<v Speaker 1>so canarity? Charity can put you in poverty? Well that's

0:17:05.960 --> 0:17:08.240
<v Speaker 1>just a crazy thing to expect from anybody, let alone

0:17:08.280 --> 0:17:10.600
<v Speaker 1>Like did he or anybody like, yo, just be you know,

0:17:10.680 --> 0:17:12.320
<v Speaker 1>like how many artists did he ever worked with? You

0:17:12.359 --> 0:17:14.600
<v Speaker 1>know what I'm saying, Like, I mean, it's been a lot,

0:17:14.640 --> 0:17:17.040
<v Speaker 1>but I'm saying, but like if it's if he's responsible

0:17:17.040 --> 0:17:19.080
<v Speaker 1>for you can't be held to the standard of everything

0:17:19.080 --> 0:17:22.359
<v Speaker 1>that did not work. Cannot bros. It's no different than

0:17:22.400 --> 0:17:25.920
<v Speaker 1>a basketball team, right, It's like okay, like like all right,

0:17:26.320 --> 0:17:29.480
<v Speaker 1>who's the Delonte West? Mark Cuban, Shout out to him.

0:17:29.480 --> 0:17:31.080
<v Speaker 1>Shout out to Mark. You didn't need to do that.

0:17:31.119 --> 0:17:32.399
<v Speaker 1>He didn't need to do that, but he did it.

0:17:32.520 --> 0:17:35.639
<v Speaker 1>He did it. But everybody like, why don't Lebron go

0:17:35.680 --> 0:17:37.480
<v Speaker 1>get him? Why don't this person go get him? Why

0:17:37.480 --> 0:17:39.720
<v Speaker 1>don't that? First of all, you don't know if he's

0:17:39.760 --> 0:17:44.520
<v Speaker 1>tried to or not, right. Secondly, that's not his responsibility.

0:17:45.000 --> 0:17:48.880
<v Speaker 1>But thirdly, if Lebron's mom slept with Delonte West, that's

0:17:48.880 --> 0:17:51.800
<v Speaker 1>the whole numb that's off the table. I don't hypothetically

0:17:51.960 --> 0:17:57.200
<v Speaker 1>hypothetically hypothetically, but everybody that doesn't have it always talks

0:17:57.240 --> 0:17:58.960
<v Speaker 1>about what they would do it. They lie. But I

0:17:59.119 --> 0:18:01.119
<v Speaker 1>even go call you a liar. You don't know what

0:18:01.119 --> 0:18:03.160
<v Speaker 1>you would do unless you have out there people be like, yo,

0:18:03.160 --> 0:18:05.119
<v Speaker 1>if I had ten million out, yeah right, If you

0:18:05.240 --> 0:18:07.960
<v Speaker 1>got ten million, you got five million in taxes, yep,

0:18:08.080 --> 0:18:10.320
<v Speaker 1>you got five million dollars, you got five million, then

0:18:10.320 --> 0:18:12.880
<v Speaker 1>you got to figure. So we think of these because

0:18:12.880 --> 0:18:15.000
<v Speaker 1>we traink to believe that these numbers are so large

0:18:15.000 --> 0:18:16.919
<v Speaker 1>and it's so much. But when you get to those levels,

0:18:16.920 --> 0:18:20.560
<v Speaker 1>the level responsibility heightens, so it's like, yeah, you want

0:18:20.600 --> 0:18:22.240
<v Speaker 1>to live like this, you want to keep maintaining living

0:18:22.280 --> 0:18:24.760
<v Speaker 1>like this. You can't be helping everybody because you're trying

0:18:24.760 --> 0:18:26.520
<v Speaker 1>to maintain you on yours. I think that's the biggest

0:18:26.520 --> 0:18:30.040
<v Speaker 1>downfall of most artists that we see is that you'll

0:18:30.040 --> 0:18:31.720
<v Speaker 1>see them. I'll see them come up to the radio

0:18:31.720 --> 0:18:34.640
<v Speaker 1>station and they'll have twenty motherfuckers with them and they're

0:18:34.640 --> 0:18:37.879
<v Speaker 1>from like down South, So you know, that's twenty plane tickets,

0:18:38.240 --> 0:18:40.480
<v Speaker 1>that's Lord knows how many hotel rooms, how much is

0:18:40.480 --> 0:18:43.560
<v Speaker 1>the airbnb? How much is everyone's food? You know all

0:18:43.600 --> 0:18:48.159
<v Speaker 1>that up. Only people I keep around me is people

0:18:48.200 --> 0:18:51.240
<v Speaker 1>that I work with and when I'm working right right,

0:18:51.320 --> 0:18:53.959
<v Speaker 1>because like a lot of my friends don't do it.

0:18:53.960 --> 0:18:55.639
<v Speaker 1>I like my real friends that I grew up with

0:18:55.880 --> 0:18:58.439
<v Speaker 1>don't do what I do. But it's like, I'm not

0:18:58.480 --> 0:19:00.879
<v Speaker 1>just going to keep you with me for shitting. Like

0:19:00.960 --> 0:19:03.520
<v Speaker 1>if you if you're around me, you gotta be working

0:19:03.560 --> 0:19:05.880
<v Speaker 1>on something. You can't just be sitting around. And I'm

0:19:05.920 --> 0:19:07.200
<v Speaker 1>just saying, well, what you're gonna do, man, what you

0:19:08.480 --> 0:19:12.120
<v Speaker 1>want to know? I'll take care of course, if it's

0:19:12.119 --> 0:19:14.000
<v Speaker 1>something that we all are working to us. But I'm

0:19:14.040 --> 0:19:17.000
<v Speaker 1>not just doing that. I'm also not a rapper, that's fair.

0:19:17.359 --> 0:19:21.040
<v Speaker 1>I'm also not a rapper, that's fair. You know, now

0:19:21.040 --> 0:19:22.920
<v Speaker 1>that you're on the executive side, you're doing the A

0:19:23.000 --> 0:19:26.240
<v Speaker 1>and R thing for for Asylum, which is under Warner Brothers.

0:19:27.400 --> 0:19:30.440
<v Speaker 1>Asylum just got revamped last year because I remember you

0:19:30.480 --> 0:19:32.800
<v Speaker 1>years ago, a couple of years okay, okay, okay, because

0:19:32.800 --> 0:19:34.320
<v Speaker 1>before it was like I remember, it's like bun b

0:19:34.440 --> 0:19:37.800
<v Speaker 1>and Mike Jones and Mike Jones Webby, Yeah, Boosy was

0:19:37.840 --> 0:19:41.639
<v Speaker 1>dead diplomats at point, That's right. Cam was over there,

0:19:42.640 --> 0:19:45.840
<v Speaker 1>was it? K Killless season was on there? Season over there.

0:19:46.160 --> 0:19:50.080
<v Speaker 1>I think the diplomatic community too, is on it. What

0:19:50.280 --> 0:19:54.160
<v Speaker 1>is your kind of thought process of like, because Asylum

0:19:54.240 --> 0:19:58.520
<v Speaker 1>is kind of like there's some independent ish vibes over there,

0:19:58.520 --> 0:20:01.919
<v Speaker 1>even though it's under a major, but you've been in

0:20:01.960 --> 0:20:04.320
<v Speaker 1>the industry for so long. I always tell artists like,

0:20:05.119 --> 0:20:08.480
<v Speaker 1>whenever you're gonna sign, like you know, don't worry about

0:20:08.480 --> 0:20:10.119
<v Speaker 1>the advance as much because I think a lot of

0:20:10.119 --> 0:20:14.800
<v Speaker 1>times people will rush to whoever's got the biggest upfront bag. Yeah,

0:20:14.840 --> 0:20:17.000
<v Speaker 1>so the thing what my fun I was gonna say, Well,

0:20:17.280 --> 0:20:19.600
<v Speaker 1>like to me, like, that's most of the time, it's

0:20:19.640 --> 0:20:21.960
<v Speaker 1>a mistake because if you if you take that back

0:20:22.000 --> 0:20:25.359
<v Speaker 1>too early, the deal is probably really shitty and you

0:20:25.400 --> 0:20:27.720
<v Speaker 1>gotta be you gotta pay that money back. But you

0:20:27.760 --> 0:20:29.600
<v Speaker 1>got to pay all money back, like like, it depends

0:20:29.680 --> 0:20:31.399
<v Speaker 1>where you're at in life. It depends on where you're

0:20:31.440 --> 0:20:34.320
<v Speaker 1>in life, because I can't tell I can't tell a

0:20:34.359 --> 0:20:37.320
<v Speaker 1>young brother that assisted that's from Harlem, where I'm from,

0:20:37.720 --> 0:20:42.600
<v Speaker 1>or from Louisiana, or from Orlando or Chicago, in any

0:20:42.600 --> 0:20:45.400
<v Speaker 1>place where it's poverty at don't take no money because

0:20:45.440 --> 0:20:47.760
<v Speaker 1>I don't know what your circumstances is. And when somebody

0:20:47.760 --> 0:20:50.240
<v Speaker 1>waving that in front of you, it's like, shit, what

0:20:50.280 --> 0:20:52.680
<v Speaker 1>am I to do? So I learned this from my

0:20:52.960 --> 0:20:57.080
<v Speaker 1>good friend Steve Carlos STEVEO. Yeah, when you do a deal,

0:20:57.440 --> 0:20:58.640
<v Speaker 1>you got to do a deal, like right now, I'm

0:20:58.640 --> 0:21:02.040
<v Speaker 1>trying to buy a house, right, so good luck. Oh

0:21:02.200 --> 0:21:07.200
<v Speaker 1>it's crazy, it's crazy. You should wait. I'm waiting. Fucked

0:21:07.240 --> 0:21:09.680
<v Speaker 1>up right now? Is fucked up? You gotta you gotta,

0:21:09.680 --> 0:21:11.760
<v Speaker 1>you gotta, you gotta. The thing is, while it might

0:21:11.800 --> 0:21:13.840
<v Speaker 1>be fucked up for others, I don't have the same

0:21:13.880 --> 0:21:16.000
<v Speaker 1>situation everybody fair enough, So certain things work for me

0:21:16.040 --> 0:21:19.200
<v Speaker 1>that might not work for everybody. You gotta get in

0:21:19.240 --> 0:21:20.639
<v Speaker 1>where you fit in. You got to figure out what

0:21:20.680 --> 0:21:22.719
<v Speaker 1>works for you best. When you do a deal, you

0:21:22.720 --> 0:21:24.359
<v Speaker 1>have to do You got to understand first and foremost,

0:21:24.359 --> 0:21:25.880
<v Speaker 1>when you sign a deal, it's not just a deal

0:21:25.920 --> 0:21:28.399
<v Speaker 1>for you. That's a lot of artists think that, like

0:21:28.400 --> 0:21:31.440
<v Speaker 1>when they sign a deal, it's my deal. No, it's

0:21:31.560 --> 0:21:34.400
<v Speaker 1>both parties. It's for both parties. So when you're when

0:21:34.400 --> 0:21:37.800
<v Speaker 1>you when you sign for that bread and you you

0:21:37.840 --> 0:21:40.240
<v Speaker 1>all right, you got you got your your check, you

0:21:40.280 --> 0:21:42.639
<v Speaker 1>could go get your nice car, you watch you have

0:21:42.640 --> 0:21:44.240
<v Speaker 1>a nice night at the club. You can do whatever

0:21:44.440 --> 0:21:46.000
<v Speaker 1>whatever you want to do, move your mom, whatever the

0:21:46.040 --> 0:21:49.199
<v Speaker 1>case may be. You have to You have to immediately

0:21:49.359 --> 0:21:51.600
<v Speaker 1>put yourself in a position or put people around you.

0:21:51.600 --> 0:21:55.439
<v Speaker 1>That's learned that know business or teaching you business, because

0:21:55.440 --> 0:21:58.520
<v Speaker 1>if not, you're gonna get fucked over. It's like if I,

0:21:58.680 --> 0:22:02.320
<v Speaker 1>like were talking about the house. I've been trying to

0:22:02.320 --> 0:22:06.119
<v Speaker 1>buy one for a long time now. But if I

0:22:06.200 --> 0:22:08.840
<v Speaker 1>go sign a bad deal for a house, right, you

0:22:08.880 --> 0:22:11.320
<v Speaker 1>think the bank gives a fuck. They're gonna get this back,

0:22:11.600 --> 0:22:14.639
<v Speaker 1>regardless whether they put my shit in foreclosure. If I

0:22:14.640 --> 0:22:16.080
<v Speaker 1>can't afford it one day and they put my shit

0:22:16.119 --> 0:22:18.040
<v Speaker 1>in foreclosure and somebody buys it out and gets it

0:22:18.200 --> 0:22:20.359
<v Speaker 1>or I pay it off, they gonna get there's the

0:22:20.359 --> 0:22:22.440
<v Speaker 1>big corporation is gonna get this. But you got to

0:22:22.520 --> 0:22:24.639
<v Speaker 1>learn how to work within the system. So I always

0:22:24.680 --> 0:22:26.320
<v Speaker 1>tell people that, like, if you're gonna do a deal,

0:22:27.320 --> 0:22:30.160
<v Speaker 1>it's not about that events, it's about the terms. About

0:22:30.160 --> 0:22:32.960
<v Speaker 1>the terms, it's about what's on paper. If I tell you, keV,

0:22:33.280 --> 0:22:35.560
<v Speaker 1>I'm moving out to La kind of fucked up, but

0:22:35.600 --> 0:22:37.080
<v Speaker 1>I need a place to stay, You're like, you know, wainit. No,

0:22:37.160 --> 0:22:39.359
<v Speaker 1>I got you you come stay. We got this room,

0:22:39.520 --> 0:22:41.760
<v Speaker 1>but you like it ain't no all right? If you ain't,

0:22:41.760 --> 0:22:43.520
<v Speaker 1>if you ain't gonna pay no bills in here. I

0:22:43.560 --> 0:22:45.920
<v Speaker 1>need you to pick my kids from school. I need

0:22:45.960 --> 0:22:48.080
<v Speaker 1>you to wash my cars. I need you to do

0:22:48.160 --> 0:22:49.760
<v Speaker 1>launching on Sundays when I want to go to the

0:22:49.800 --> 0:22:52.800
<v Speaker 1>game and watch the game and shit, And I'm like no,

0:22:53.000 --> 0:22:54.639
<v Speaker 1>I'm like, now, I ain't doing all that shit. And you,

0:22:54.760 --> 0:22:56.920
<v Speaker 1>like you the one that you need the fucking place

0:22:56.960 --> 0:22:59.240
<v Speaker 1>to stay, not me. So a lot of people don't

0:22:59.280 --> 0:23:01.480
<v Speaker 1>approach it with a certain type of mindset. Also, I

0:23:01.520 --> 0:23:04.120
<v Speaker 1>think it's like based on the leverage, Like you said,

0:23:04.119 --> 0:23:06.720
<v Speaker 1>it's it depends on who you are on your leverage.

0:23:06.720 --> 0:23:09.600
<v Speaker 1>So it's like, I know we've been talking about Gibbs, right,

0:23:09.640 --> 0:23:12.000
<v Speaker 1>So it was like when Gibbs did his deal, I

0:23:12.000 --> 0:23:15.000
<v Speaker 1>don't know none of his business, but I knew that

0:23:15.760 --> 0:23:18.160
<v Speaker 1>when he did a deal with Warner, he had done

0:23:18.200 --> 0:23:20.119
<v Speaker 1>so much groundwork and he puts so much work in

0:23:20.600 --> 0:23:22.159
<v Speaker 1>that he knew that the deal. Like me from the

0:23:22.200 --> 0:23:24.240
<v Speaker 1>outside looking at him, like, oh nah, he gonna be good.

0:23:24.280 --> 0:23:27.280
<v Speaker 1>You know, he's not taking the deal because he's turned

0:23:27.280 --> 0:23:30.640
<v Speaker 1>out somebody, right, he's taking sense. It makes sense business

0:23:30.680 --> 0:23:33.040
<v Speaker 1>wise for the business he's trying to run. And then

0:23:33.040 --> 0:23:35.920
<v Speaker 1>it's like I can't tell you the amount of kids

0:23:35.960 --> 0:23:38.399
<v Speaker 1>brought I've tried to sign and the deal might not

0:23:38.520 --> 0:23:41.080
<v Speaker 1>be as much money, but it's better on the term side.

0:23:41.119 --> 0:23:42.720
<v Speaker 1>And then they go across the street and sign this

0:23:42.800 --> 0:23:46.040
<v Speaker 1>crazy fucking deal for all his money and nothing ever happens.

0:23:46.920 --> 0:23:49.600
<v Speaker 1>The problem with these artists that they don't know is that,

0:23:49.640 --> 0:23:52.560
<v Speaker 1>like the these are Fortune five hundred companies. They fucking

0:23:53.040 --> 0:23:56.280
<v Speaker 1>When you think of Warner, don't think of Cardi B's

0:23:56.320 --> 0:24:00.600
<v Speaker 1>at Atlantic, think about the intellectual property of Batman in Greenland? Right?

0:24:01.040 --> 0:24:03.080
<v Speaker 1>You think they give a fuck about you streaming? You

0:24:03.160 --> 0:24:06.000
<v Speaker 1>just said you're not even a branch on the tree.

0:24:06.000 --> 0:24:08.480
<v Speaker 1>You a leaf on the tree. Now, if if they

0:24:08.480 --> 0:24:10.840
<v Speaker 1>could keep this business model running and going based on

0:24:10.840 --> 0:24:12.520
<v Speaker 1>how good you do. The thing about it is they

0:24:12.520 --> 0:24:16.120
<v Speaker 1>give you a million dollar deal. Guess what big big

0:24:16.200 --> 0:24:18.560
<v Speaker 1>labels could lose thirty million dollars in the lights ain't

0:24:18.560 --> 0:24:20.280
<v Speaker 1>gonna cut off. The water is still gonna run, It's

0:24:20.280 --> 0:24:22.680
<v Speaker 1>still gonna flush. But you feel special about that million.

0:24:23.200 --> 0:24:25.080
<v Speaker 1>If you get a million dollar deal, I tell all

0:24:25.119 --> 0:24:28.120
<v Speaker 1>of you go, if you fortunate enough to have somebody

0:24:28.200 --> 0:24:30.680
<v Speaker 1>give you a million, which is not a million, they're

0:24:30.680 --> 0:24:33.000
<v Speaker 1>probably gonna put five hundred thousand in your pocket. You

0:24:33.080 --> 0:24:34.840
<v Speaker 1>got to pay everybody that's in your business. And then

0:24:34.960 --> 0:24:37.160
<v Speaker 1>the other five hundred gonna go to making your project.

0:24:37.560 --> 0:24:40.000
<v Speaker 1>Figure out how to make that five hundred that's working

0:24:40.040 --> 0:24:43.520
<v Speaker 1>towards your project work for you. Get some producers, sign them,

0:24:43.760 --> 0:24:46.119
<v Speaker 1>get a studio, build it. That's what I tell everybody.

0:24:46.119 --> 0:24:48.159
<v Speaker 1>I'm like, yo, do not let like, like, the biggest

0:24:48.160 --> 0:24:51.760
<v Speaker 1>mistake I see artists doing is like getting into like

0:24:51.800 --> 0:24:54.440
<v Speaker 1>one of the like pair amount and they're in there

0:24:54.440 --> 0:24:56.920
<v Speaker 1>for twelve hours, and half of that time is fucking

0:24:56.960 --> 0:24:59.679
<v Speaker 1>off eating food, smoking, And it's like, yo, like you

0:24:59.680 --> 0:25:02.919
<v Speaker 1>could just you got that budget, take your money and

0:25:02.960 --> 0:25:05.000
<v Speaker 1>make your own spot. Whatever they're paying for, they're paying

0:25:05.000 --> 0:25:09.320
<v Speaker 1>for the brand. It's like it's like I buy, I like,

0:25:09.560 --> 0:25:11.720
<v Speaker 1>I buy. I'm not a big fan of like design

0:25:11.760 --> 0:25:14.080
<v Speaker 1>and shiit, but like every now and like, I like,

0:25:14.280 --> 0:25:16.840
<v Speaker 1>I love Louis Waton trainers, right Joints, that virgies just

0:25:16.840 --> 0:25:18.560
<v Speaker 1>that I love it. It's like one of my favorite

0:25:18.560 --> 0:25:20.560
<v Speaker 1>sneakers right now. But I would never buy a pair

0:25:20.560 --> 0:25:23.280
<v Speaker 1>of Louis Vaitton socks. I don't never buy the socks

0:25:23.359 --> 0:25:26.479
<v Speaker 1>right because I feel like, man, socks ain't that important

0:25:26.520 --> 0:25:28.680
<v Speaker 1>for me to spend eight hundred dollars on right now,

0:25:28.680 --> 0:25:31.600
<v Speaker 1>Sneakers is all subjected I'm not a sneakerhead. I have

0:25:31.640 --> 0:25:35.840
<v Speaker 1>a love for sneakers, two different things different. I'm not

0:25:35.880 --> 0:25:38.160
<v Speaker 1>spending that on but it's people who will buy that

0:25:38.440 --> 0:25:39.919
<v Speaker 1>just so that can show them because they rep in

0:25:39.960 --> 0:25:42.320
<v Speaker 1>a brand. You care so much about the brand and

0:25:42.359 --> 0:25:44.359
<v Speaker 1>brand and brand and brand and brand as opposed to

0:25:44.400 --> 0:25:46.440
<v Speaker 1>getting the work done. And that's the difference in the studio. Shit,

0:25:46.920 --> 0:25:48.840
<v Speaker 1>you can you can record in the same mics as

0:25:48.840 --> 0:25:50.760
<v Speaker 1>the smaller studio as you can in a large studio.

0:25:50.920 --> 0:25:52.320
<v Speaker 1>Now the person Noel you can bring in, that's a

0:25:52.359 --> 0:25:54.800
<v Speaker 1>whole different conversation, right, And that's when you start working

0:25:54.840 --> 0:25:57.440
<v Speaker 1>with a major label or not, or you know what

0:25:57.440 --> 0:26:00.480
<v Speaker 1>I mean, a production company that comes in and grabs

0:26:00.480 --> 0:26:02.439
<v Speaker 1>a guy or not. Like you gotta you gotta do

0:26:02.520 --> 0:26:04.520
<v Speaker 1>what works best for you. Nobody deals is like social

0:26:04.560 --> 0:26:07.400
<v Speaker 1>Security numbers. Everybody got them. They all different. Yep, that's fair, man,

0:26:07.480 --> 0:26:11.760
<v Speaker 1>that's fair. So let's talk about for people who don't know. Obviously,

0:26:11.840 --> 0:26:14.120
<v Speaker 1>you came into well, you were working in the mail

0:26:14.160 --> 0:26:17.679
<v Speaker 1>room at at the Deaf Jam building originally, right, you

0:26:17.720 --> 0:26:21.320
<v Speaker 1>got fired, got fire, and then you ended up chasing

0:26:21.359 --> 0:26:23.520
<v Speaker 1>down Beanie's mom. You had her number, No, you had

0:26:23.520 --> 0:26:25.800
<v Speaker 1>her number. That's not how I got in though, but okay,

0:26:25.840 --> 0:26:28.080
<v Speaker 1>but you you would, Okay, So how'd you get into

0:26:27.920 --> 0:26:32.640
<v Speaker 1>to Rockefeller? The way I got in the Rockefeller was Onmia.

0:26:32.800 --> 0:26:34.720
<v Speaker 1>I always say this, and I never worked with her

0:26:34.720 --> 0:26:38.240
<v Speaker 1>per se, but omy Ellie McIntosh, she ran Jay Z's

0:26:38.280 --> 0:26:42.720
<v Speaker 1>fan club fan fan Her sister Darren McIntosh worked at Rockefeller.

0:26:42.800 --> 0:26:44.600
<v Speaker 1>They from Brooklyn. They all came up with Jay and

0:26:44.640 --> 0:26:46.960
<v Speaker 1>all of them. What I did was is like I

0:26:47.040 --> 0:26:48.959
<v Speaker 1>was the youngest person in the mill room. So I

0:26:49.040 --> 0:26:51.800
<v Speaker 1>was like, I think seventeen or eighteen at the time.

0:26:51.960 --> 0:26:53.639
<v Speaker 1>I was seventeen going on eighteen when I got a

0:26:53.680 --> 0:26:56.040
<v Speaker 1>mill room. So the rest of the milling room is like,

0:26:56.080 --> 0:26:57.440
<v Speaker 1>we got a few rappers in there, you know what

0:26:57.480 --> 0:26:59.960
<v Speaker 1>I'm saying. We got to everybody's like twenty five and older.

0:27:00.080 --> 0:27:01.960
<v Speaker 1>But I'm the young guy. So when I come upstairs,

0:27:02.280 --> 0:27:04.880
<v Speaker 1>like I'm I'm I'm always I've always had a personality

0:27:04.880 --> 0:27:06.520
<v Speaker 1>to help, and it's been at it's been at my

0:27:06.520 --> 0:27:09.160
<v Speaker 1>my uh, at my advantage and of my detriot. Yeah

0:27:09.280 --> 0:27:12.000
<v Speaker 1>me too. But like so I'm the I'm the kid

0:27:12.000 --> 0:27:15.160
<v Speaker 1>who's like, I'm so inquisitive because I seen a movie

0:27:15.160 --> 0:27:19.119
<v Speaker 1>backstage and now like when I've seen Backstade, I'm seeing

0:27:19.160 --> 0:27:20.760
<v Speaker 1>I'm in the build, I see Tai walking in one

0:27:20.760 --> 0:27:22.440
<v Speaker 1>they I see Leney, I've seeing these people. Part of

0:27:22.440 --> 0:27:24.520
<v Speaker 1>that movie was shot in my hometown in Phoenix, and

0:27:24.560 --> 0:27:25.960
<v Speaker 1>I was at that show when I was like wow,

0:27:26.400 --> 0:27:28.400
<v Speaker 1>So I was like I was at that con right, right, right,

0:27:28.520 --> 0:27:29.800
<v Speaker 1>So I went to see it with my friends in

0:27:29.840 --> 0:27:33.720
<v Speaker 1>the movies. But like I'm like, I'm asking everybody like

0:27:33.720 --> 0:27:35.600
<v Speaker 1>how can I like, how can I help? And AMI's like, yo,

0:27:35.640 --> 0:27:37.639
<v Speaker 1>you know, it's a fan club. So they shipping our

0:27:37.680 --> 0:27:40.280
<v Speaker 1>t shirts, they shipping out CDs whatever that people will

0:27:40.280 --> 0:27:41.720
<v Speaker 1>shout out to the days of fan clubs, to the

0:27:41.800 --> 0:27:43.840
<v Speaker 1>fan clubs, the real fan right, you know what I mean,

0:27:44.080 --> 0:27:46.880
<v Speaker 1>you re real dope ship. You know what I'm saying.

0:27:47.400 --> 0:27:48.639
<v Speaker 1>You got to write a letter to get in the

0:27:48.640 --> 0:27:51.399
<v Speaker 1>fan club. So I would help with shipping. So I

0:27:51.440 --> 0:27:53.480
<v Speaker 1>would help with shipping. Omie used to give me tickets

0:27:53.520 --> 0:27:55.080
<v Speaker 1>to go to like Jay concerts and shit like that.

0:27:55.119 --> 0:27:57.840
<v Speaker 1>And then I built the rapport with like I was

0:27:57.920 --> 0:28:00.480
<v Speaker 1>on the floors that I had was the Royalty Department

0:28:00.480 --> 0:28:02.560
<v Speaker 1>and murdered Ink was on that floor because there was

0:28:02.600 --> 0:28:06.080
<v Speaker 1>a Universal building. And then you had what was the

0:28:06.080 --> 0:28:09.040
<v Speaker 1>other floors. I had to bring a lot of in

0:28:09.080 --> 0:28:10.840
<v Speaker 1>the office because people wasn't using the email like that.

0:28:11.160 --> 0:28:13.000
<v Speaker 1>So it's in an office mail so it'd be like

0:28:13.000 --> 0:28:15.360
<v Speaker 1>only be like, yo, take the second floor. Yeah, take

0:28:15.400 --> 0:28:17.480
<v Speaker 1>this to my sister at Rockefeller right now. So I

0:28:17.560 --> 0:28:20.239
<v Speaker 1>go up the Rockefeller go up there. And I had

0:28:20.240 --> 0:28:22.320
<v Speaker 1>built a rapport with them to where I had after

0:28:22.359 --> 0:28:24.920
<v Speaker 1>I got fired from the mail room and I was

0:28:24.920 --> 0:28:26.400
<v Speaker 1>trying to figure out my next steps. I was working

0:28:26.440 --> 0:28:27.719
<v Speaker 1>at a little sneaker store on my hood and all

0:28:27.760 --> 0:28:29.600
<v Speaker 1>that shit, and I quit that after I try I'm like, yo,

0:28:29.640 --> 0:28:31.320
<v Speaker 1>I need to do this music shit. I just hit

0:28:31.359 --> 0:28:33.359
<v Speaker 1>people up, like yo, can I. I didn't know what

0:28:33.400 --> 0:28:35.480
<v Speaker 1>the internship was. Ro dropped out high school in ninth grade,

0:28:35.480 --> 0:28:37.240
<v Speaker 1>so I didn't know. I didn't know what career even meant.

0:28:37.600 --> 0:28:39.000
<v Speaker 1>So I was just like, yo, can I help. I

0:28:39.120 --> 0:28:40.920
<v Speaker 1>just helped, and I just sat around in the mill room.

0:28:41.000 --> 0:28:42.600
<v Speaker 1>He was like the intern without even knowing he was

0:28:42.640 --> 0:28:44.800
<v Speaker 1>the intern I was. I was just sitting in the office.

0:28:44.840 --> 0:28:46.800
<v Speaker 1>And then I was sitting in the office, just sitting

0:28:46.800 --> 0:28:49.000
<v Speaker 1>there doing whatever. Go get the food, Go get the sneakers,

0:28:49.000 --> 0:28:52.160
<v Speaker 1>go get whatever, and then I got an internship, and

0:28:52.200 --> 0:28:55.360
<v Speaker 1>then the internship ran a little bit. The beanie calling

0:28:55.400 --> 0:28:58.560
<v Speaker 1>his mom shit that happened within that, and then I

0:28:58.600 --> 0:29:01.080
<v Speaker 1>ended up getting assistant in office. I was working on

0:29:01.160 --> 0:29:03.600
<v Speaker 1>my man they face Gary Wow, who he just started

0:29:03.600 --> 0:29:07.000
<v Speaker 1>the podcast, but he was what a damon bigs homies

0:29:07.040 --> 0:29:09.760
<v Speaker 1>that he grew up with from down Sam Manhattan Ship.

0:29:10.680 --> 0:29:14.280
<v Speaker 1>The days of interning and like really like really just

0:29:14.320 --> 0:29:16.040
<v Speaker 1>like looking down and work, because that's how I got

0:29:16.040 --> 0:29:18.000
<v Speaker 1>into it. I worked for free for two years of

0:29:18.040 --> 0:29:20.400
<v Speaker 1>the radio station before I got like actually on the radio.

0:29:20.480 --> 0:29:22.360
<v Speaker 1>Oh yeah, absolutely, you gotta put your work in. But

0:29:22.400 --> 0:29:24.400
<v Speaker 1>that shit is gone. Man. You know these kids because

0:29:25.280 --> 0:29:28.920
<v Speaker 1>we're like entitlement generation is in full effect, no super entitlement.

0:29:29.000 --> 0:29:31.280
<v Speaker 1>And I mean everybody needs to get money or they

0:29:31.280 --> 0:29:33.960
<v Speaker 1>got to see immediate payoff or they're not. They're like yoah,

0:29:33.960 --> 0:29:35.480
<v Speaker 1>that shit is crazy. That's why I don't be like,

0:29:35.600 --> 0:29:39.440
<v Speaker 1>like my kids ship they get shipped. But then I'd

0:29:39.440 --> 0:29:41.680
<v Speaker 1>be like, man, I ain't giving y'all like that, gotta

0:29:41.720 --> 0:29:44.760
<v Speaker 1>work for that. Like this ship is an incentivized and

0:29:45.160 --> 0:29:49.080
<v Speaker 1>your allowance is an incentivized business. Allowance is a business.

0:29:49.080 --> 0:29:51.240
<v Speaker 1>For me. What I'm saying like, my business manager has

0:29:51.280 --> 0:29:53.400
<v Speaker 1>to cut my kids allowance. So it's like, oh, you

0:29:53.400 --> 0:29:56.800
<v Speaker 1>you're not cleaning up. You're not cleaning up, you ain't

0:29:56.800 --> 0:29:58.720
<v Speaker 1>cleaning your room, or you didn't take out the garbage,

0:29:58.880 --> 0:30:00.520
<v Speaker 1>and now your allowance is not enough of you to

0:30:00.520 --> 0:30:02.440
<v Speaker 1>get them piers of sneakers. So now you want me

0:30:02.480 --> 0:30:03.880
<v Speaker 1>to go buy your pier sneakers. Now I ain't doing

0:30:03.880 --> 0:30:06.000
<v Speaker 1>that ship fun that fuck that you got work for

0:30:06.000 --> 0:30:11.040
<v Speaker 1>yours all day. Man. So once you got into the

0:30:11.040 --> 0:30:13.280
<v Speaker 1>A and R position, I know you said, you know,

0:30:13.320 --> 0:30:15.840
<v Speaker 1>I think state property. I always. I got to interview

0:30:15.880 --> 0:30:17.320
<v Speaker 1>being a couple of years ago, and that was like

0:30:17.360 --> 0:30:19.320
<v Speaker 1>a real highlight for me because he was kind of

0:30:19.400 --> 0:30:20.880
<v Speaker 1>exactly who I thought he was going to be. One

0:30:20.920 --> 0:30:26.240
<v Speaker 1>of did not disappoint. And then even like I just

0:30:26.280 --> 0:30:29.200
<v Speaker 1>had Young Chris on the show last My Dog. Yeah,

0:30:29.240 --> 0:30:31.520
<v Speaker 1>he came in freestyle called a body. He's you know,

0:30:31.560 --> 0:30:33.040
<v Speaker 1>he's one of the best that ever do that. Bro.

0:30:33.200 --> 0:30:35.840
<v Speaker 1>He came while while they came up to the station, Yeah,

0:30:35.880 --> 0:30:37.680
<v Speaker 1>Young Chris with him, and I was like, while, he's

0:30:37.720 --> 0:30:40.000
<v Speaker 1>my guy, but I was like, yo, fucking young Chris.

0:30:41.080 --> 0:30:45.760
<v Speaker 1>Low Key so influential is mixtape run so underrated, Like

0:30:45.800 --> 0:30:48.000
<v Speaker 1>those mixtapes that he put out, like kind of post

0:30:48.080 --> 0:30:51.040
<v Speaker 1>the Rockefeller Error were so underrated. That was that was.

0:30:51.120 --> 0:30:53.400
<v Speaker 1>That was me and him, man, because I was telling them,

0:30:53.440 --> 0:30:54.800
<v Speaker 1>I was telling them about you, brother. I was telling

0:30:54.840 --> 0:30:57.280
<v Speaker 1>them about the mixtape ship. Nobody listening. Fifty Cent came

0:30:57.320 --> 0:30:59.040
<v Speaker 1>and did all the ship. Then I was telling him

0:30:59.080 --> 0:31:01.200
<v Speaker 1>about the internet shit I was on. I was on

0:31:01.280 --> 0:31:03.320
<v Speaker 1>all hip hop. I was on sohh. I was in

0:31:03.360 --> 0:31:05.840
<v Speaker 1>the forums, you know what I mean. I used to be.

0:31:05.960 --> 0:31:08.760
<v Speaker 1>I learned forum shit by forum days. I was on

0:31:09.000 --> 0:31:10.720
<v Speaker 1>the first while I learned forums before I got into

0:31:10.760 --> 0:31:13.320
<v Speaker 1>music was being on Nike Talk, Yeah, Nike to. I

0:31:13.400 --> 0:31:14.840
<v Speaker 1>used to be in there talking about sneakers and ship.

0:31:15.080 --> 0:31:18.440
<v Speaker 1>Do you remember the forum of Realist nwords dot com. Yeah,

0:31:18.520 --> 0:31:20.760
<v Speaker 1>oh my god. I got all my mixtapes and albums

0:31:20.760 --> 0:31:23.000
<v Speaker 1>off of there. That like when I started bootlegging mixtapes

0:31:23.040 --> 0:31:24.960
<v Speaker 1>and CDs when I was like sixteen at the swap meet,

0:31:25.000 --> 0:31:27.040
<v Speaker 1>I got everything off of there. Yeah yeah, yeah, bro.

0:31:27.360 --> 0:31:30.520
<v Speaker 1>The admin's name was Porky. He had all the ship. Yeah.

0:31:30.560 --> 0:31:32.520
<v Speaker 1>I know. I learned a lot of but that ship

0:31:32.680 --> 0:31:34.680
<v Speaker 1>was like I was always I was like the real

0:31:34.880 --> 0:31:37.920
<v Speaker 1>early hip hop Internet day, Okay, player chat rooms and

0:31:37.960 --> 0:31:40.360
<v Speaker 1>shit all that shit. Bro, man, Yo, they because they

0:31:40.360 --> 0:31:42.440
<v Speaker 1>had forums on Black Planet day like people would be

0:31:42.440 --> 0:31:43.959
<v Speaker 1>on social media, but they didn't know that they had

0:31:44.000 --> 0:31:45.920
<v Speaker 1>forums for shit. So you go on. I used to

0:31:45.960 --> 0:31:47.720
<v Speaker 1>be in the Yahoo when I'm fifteen. I was in

0:31:47.840 --> 0:31:51.240
<v Speaker 1>Yahoo those chat rooms. I was buying Jordan's online when

0:31:51.240 --> 0:31:53.320
<v Speaker 1>I was like fourteen years old. Bro, there was like

0:31:53.360 --> 0:31:56.320
<v Speaker 1>a whole chat room era of just like my childhood.

0:31:56.560 --> 0:31:58.520
<v Speaker 1>Like my older cousin was like nineteen and he was

0:31:58.520 --> 0:32:03.440
<v Speaker 1>getting pussy off of chat rooms. It got wow wow bro.

0:32:03.520 --> 0:32:06.280
<v Speaker 1>And you can't even send pictures check to mill you

0:32:06.320 --> 0:32:11.680
<v Speaker 1>a picture? Yeah, that ship is crazy. Nah. But your

0:32:11.800 --> 0:32:15.040
<v Speaker 1>run with Rockefeller, you were kind of what year did

0:32:15.080 --> 0:32:18.240
<v Speaker 1>you officially start, Like, were you like actually started to

0:32:18.240 --> 0:32:20.440
<v Speaker 1>get a check from Rockefeller? What year was that? Two

0:32:20.480 --> 0:32:23.400
<v Speaker 1>thousand and two? Like the end of two thousand and two,

0:32:23.440 --> 0:32:26.440
<v Speaker 1>but I was there like two thousand, I think, like

0:32:27.120 --> 0:32:29.320
<v Speaker 1>around the end of two thousand and one. And also

0:32:29.400 --> 0:32:32.000
<v Speaker 1>I got a credit Shary Bryant, she's the president of

0:32:32.000 --> 0:32:35.000
<v Speaker 1>the Rock Nation right now. But me and Shary is

0:32:35.680 --> 0:32:37.200
<v Speaker 1>close to age, you know what I mean. She is

0:32:37.240 --> 0:32:39.080
<v Speaker 1>like a year or two younger than me, but not

0:32:39.400 --> 0:32:45.400
<v Speaker 1>at but but but Shary Bro Shary was she was

0:32:45.440 --> 0:32:48.240
<v Speaker 1>like an assistant to Carlen who was Dame j and

0:32:48.280 --> 0:32:50.520
<v Speaker 1>Biggs assistant and she was a kid and she was

0:32:50.600 --> 0:32:53.880
<v Speaker 1>running ship bro and like that was the person I called.

0:32:53.920 --> 0:32:56.320
<v Speaker 1>But Shary is from Harlem, so that was the person

0:32:56.320 --> 0:32:57.960
<v Speaker 1>I called. And Axek just come in to to the office

0:32:58.000 --> 0:33:00.040
<v Speaker 1>and help. And she gave me she opened up that

0:33:00.120 --> 0:33:02.240
<v Speaker 1>door for me. Wow. I mean she told me like, yeah,

0:33:02.280 --> 0:33:04.560
<v Speaker 1>come in. I pissed off mad times though because I

0:33:04.560 --> 0:33:06.120
<v Speaker 1>was doing it I was supposed to be doing but

0:33:06.880 --> 0:33:08.080
<v Speaker 1>it worked out in it. I feel like you were

0:33:08.160 --> 0:33:11.560
<v Speaker 1>kind of around the era of when like there was

0:33:11.600 --> 0:33:17.480
<v Speaker 1>probably some background issues maybe starting to fester because I

0:33:17.480 --> 0:33:21.480
<v Speaker 1>mean Fellers, But we didn't, Bro, We really found that

0:33:21.520 --> 0:33:24.040
<v Speaker 1>shit out like in the media. We didn't. Like, we

0:33:24.040 --> 0:33:26.440
<v Speaker 1>didn't we had no idea. Like because I tell you

0:33:26.520 --> 0:33:28.800
<v Speaker 1>one thing, Bro, like one thing about Rockefeller. That shit

0:33:28.920 --> 0:33:30.600
<v Speaker 1>was like it really was like a family if you

0:33:30.720 --> 0:33:32.560
<v Speaker 1>was really because you had the people that worked there,

0:33:32.760 --> 0:33:35.120
<v Speaker 1>and then you had the people who was like not

0:33:35.160 --> 0:33:36.560
<v Speaker 1>too much like family, and you had the people that

0:33:36.640 --> 0:33:38.960
<v Speaker 1>was really like family. Family, Like we was really tight

0:33:39.040 --> 0:33:43.880
<v Speaker 1>knit and like I would be around Dame and Beans

0:33:43.920 --> 0:33:46.640
<v Speaker 1>because we had were doing when we shooting Stay Property too.

0:33:46.880 --> 0:33:48.560
<v Speaker 1>I'm with Beans every single day, you know what I mean,

0:33:48.560 --> 0:33:51.120
<v Speaker 1>because I ended up becoming from being an an R

0:33:51.200 --> 0:33:54.480
<v Speaker 1>being like his personal assistant slash and R. So I'm

0:33:54.520 --> 0:33:56.960
<v Speaker 1>around him all day and Dame is there and Bigs

0:33:57.000 --> 0:33:59.040
<v Speaker 1>and we laughing, joking, and then later on that night,

0:33:59.080 --> 0:34:00.920
<v Speaker 1>I might have got to go Toline and I see

0:34:01.000 --> 0:34:04.120
<v Speaker 1>Jay and bleaking them and it's the same type of love.

0:34:04.120 --> 0:34:06.440
<v Speaker 1>And I'm a kid, so I'm green. I'm just like

0:34:07.080 --> 0:34:08.880
<v Speaker 1>I'm in heaven, bro, Like these are dudes that I

0:34:08.920 --> 0:34:11.000
<v Speaker 1>watched growing up and now I'm working with them. So

0:34:11.040 --> 0:34:13.120
<v Speaker 1>it's like you never think it's gonna end, you know

0:34:13.120 --> 0:34:15.360
<v Speaker 1>what I mean. So did you see that obviously? I

0:34:15.360 --> 0:34:17.800
<v Speaker 1>mean the Drink Champs interview with Cam was pretty legendary

0:34:17.840 --> 0:34:20.680
<v Speaker 1>to Yeah, Cam, that's another Cam was a person that

0:34:20.719 --> 0:34:22.800
<v Speaker 1>gave me an opportunity to bro. Oh really, yeah, I

0:34:22.840 --> 0:34:24.759
<v Speaker 1>don't think I was, but Cam, like one day I

0:34:24.840 --> 0:34:27.920
<v Speaker 1>was in the office and Cam he walked in the

0:34:28.000 --> 0:34:29.879
<v Speaker 1>office and like him and Jim walked in the office

0:34:29.880 --> 0:34:31.279
<v Speaker 1>at the same time, and they look like they just

0:34:31.800 --> 0:34:33.719
<v Speaker 1>arguing and some shit. Yeah, and then he was like.

0:34:34.120 --> 0:34:36.560
<v Speaker 1>He was like, yo, shorty, can't turn to me. He's like, yo, shorty,

0:34:36.640 --> 0:34:39.800
<v Speaker 1>how much money you make at Rockefeller a week? I

0:34:39.840 --> 0:34:42.120
<v Speaker 1>said two hundred dollars. He's like, come to diplomats like

0:34:42.160 --> 0:34:44.440
<v Speaker 1>you four hundred. I was like all right, like immedia.

0:34:44.480 --> 0:34:47.040
<v Speaker 1>I was like, all right, bro. So I get back

0:34:47.040 --> 0:34:49.120
<v Speaker 1>to my block that night, I'm telling everybody, yo, this

0:34:49.160 --> 0:34:52.120
<v Speaker 1>one come home with me is out and I'm from Harlem. Yeah.

0:34:52.120 --> 0:34:53.799
<v Speaker 1>So I got this tattoo on my hand because Kim

0:34:53.840 --> 0:34:55.760
<v Speaker 1>had diplomat on his hand, just keeping it full disclosed,

0:34:55.760 --> 0:34:56.840
<v Speaker 1>you know what I mean. Like I was influenced by

0:34:56.880 --> 0:34:58.960
<v Speaker 1>these court So I get to the hood and I'm

0:34:59.000 --> 0:35:01.440
<v Speaker 1>telling everybody old Ca and gave me his number that

0:35:01.480 --> 0:35:03.960
<v Speaker 1>I'm calling him a hundred times and he ain't answered.

0:35:03.960 --> 0:35:05.920
<v Speaker 1>But what had got me this ship with Cam was

0:35:06.239 --> 0:35:08.560
<v Speaker 1>my mom was a job developer. So she worked at

0:35:08.600 --> 0:35:12.120
<v Speaker 1>this company in the hood that like helped people in

0:35:12.160 --> 0:35:16.239
<v Speaker 1>the hood get skills to go on job interviews. So

0:35:16.320 --> 0:35:18.120
<v Speaker 1>you you come into this program, you don't know how

0:35:18.120 --> 0:35:19.680
<v Speaker 1>to talk, you know, know, how I look a person

0:35:19.719 --> 0:35:21.239
<v Speaker 1>in their eyes, shake their hand. They teach you all

0:35:21.280 --> 0:35:25.359
<v Speaker 1>of that. They teaching you like skills like word word, uh,

0:35:25.600 --> 0:35:27.359
<v Speaker 1>whatever that ship is. I don't even know Microsoft word

0:35:27.400 --> 0:35:29.839
<v Speaker 1>all that ship. And this dude that he had helped

0:35:29.880 --> 0:35:32.799
<v Speaker 1>with he had came home from from jail, was like

0:35:32.840 --> 0:35:35.680
<v Speaker 1>an older dude from Cam Block, so he would always

0:35:35.920 --> 0:35:37.640
<v Speaker 1>he knew me because I used to come come after,

0:35:37.719 --> 0:35:39.520
<v Speaker 1>you know, after school, go see my mom, get some

0:35:39.520 --> 0:35:41.759
<v Speaker 1>money for lunch, shit like that. And one day he

0:35:41.920 --> 0:35:43.879
<v Speaker 1>asked me, like what I'm doing and I told him

0:35:43.960 --> 0:35:45.719
<v Speaker 1>and he's like, Kim told you, how are you. I'm

0:35:45.760 --> 0:35:49.440
<v Speaker 1>like yeah. He called Caim and he called and Kim

0:35:49.520 --> 0:35:51.880
<v Speaker 1>answered because I was calling him a hundred times, and

0:35:52.160 --> 0:35:54.960
<v Speaker 1>he called Kim and Kim answered, and he was like, Yo,

0:35:55.440 --> 0:35:57.360
<v Speaker 1>you know that kid that you met up at Rockefeller's

0:35:57.400 --> 0:35:58.960
<v Speaker 1>name ain't no. I had braids at the time he

0:35:58.960 --> 0:36:00.759
<v Speaker 1>got the Brais's like yeah, yeah, He's like yo, he

0:36:00.920 --> 0:36:02.560
<v Speaker 1>like look out for him. His mom looked out for me.

0:36:02.600 --> 0:36:04.560
<v Speaker 1>He was like I got you, I got you. And

0:36:04.600 --> 0:36:06.520
<v Speaker 1>that's how like Caim he ended up calling me. I

0:36:06.520 --> 0:36:09.200
<v Speaker 1>was working for diplomats for like two months wow, and

0:36:09.400 --> 0:36:11.759
<v Speaker 1>went back to Rockefeller. It was like I was doing well.

0:36:11.760 --> 0:36:13.360
<v Speaker 1>He had told like Cam had told the story in

0:36:13.440 --> 0:36:16.839
<v Speaker 1>the drink Champs that there might have been some sort

0:36:16.840 --> 0:36:20.120
<v Speaker 1>of animosity between him and Beanie. It was like, bro,

0:36:20.280 --> 0:36:22.360
<v Speaker 1>is that something you being so close to being? Like,

0:36:22.440 --> 0:36:25.200
<v Speaker 1>was that something that was real? Hell yeah, bro, they was, Yo,

0:36:25.880 --> 0:36:28.680
<v Speaker 1>let me tell you something all right. Look, so you

0:36:28.719 --> 0:36:31.560
<v Speaker 1>see how like right now, like Drake is the best,

0:36:31.600 --> 0:36:33.840
<v Speaker 1>like he great at subs, like he great at like

0:36:33.960 --> 0:36:36.360
<v Speaker 1>underlying ship. Yeah he might him and Hope might be

0:36:36.360 --> 0:36:39.960
<v Speaker 1>the two best. Yes, like you got to study that, bro,

0:36:40.160 --> 0:36:42.680
<v Speaker 1>Jay was the best. It's ship that I could tell

0:36:42.719 --> 0:36:44.719
<v Speaker 1>you that Jay talking about people that you would never

0:36:44.880 --> 0:36:47.560
<v Speaker 1>know because he used to tell like Chris Young. Chris

0:36:47.640 --> 0:36:50.400
<v Speaker 1>was really close to Ja, so he would hear some

0:36:50.440 --> 0:36:54.760
<v Speaker 1>people might say Jay got some flow, but listen, everybody

0:36:54.840 --> 0:36:56.879
<v Speaker 1>get me of course, of course, of course, but look

0:36:58.160 --> 0:36:59.759
<v Speaker 1>he would Chris would be like yo, like we'd being

0:37:00.040 --> 0:37:02.600
<v Speaker 1>in the in the room and J player ship and

0:37:02.600 --> 0:37:05.200
<v Speaker 1>then he'd go tell Chris some and chrisy be like, yo,

0:37:05.760 --> 0:37:08.080
<v Speaker 1>Jay said that line is about such and such a

0:37:08.560 --> 0:37:10.480
<v Speaker 1>So they was always throwing shots and ship, you know

0:37:10.480 --> 0:37:12.719
<v Speaker 1>what I mean, like little subtle shit. But yeah, it

0:37:12.840 --> 0:37:16.319
<v Speaker 1>ended up coming to a head, bro, because like, like no,

0:37:16.440 --> 0:37:18.080
<v Speaker 1>they didn't really know that like a lot of people

0:37:18.120 --> 0:37:20.000
<v Speaker 1>at Rockefeller didn't know. Jay didn't know I was from

0:37:20.040 --> 0:37:22.000
<v Speaker 1>Harlem until I got the tached on my hand because

0:37:22.040 --> 0:37:23.160
<v Speaker 1>I used to be a christ of them all the time.

0:37:23.160 --> 0:37:24.600
<v Speaker 1>He's like, I thought you was from Philly. So my

0:37:24.680 --> 0:37:27.200
<v Speaker 1>nickname was Hall in Philly. Yeah, they used to call

0:37:27.200 --> 0:37:28.480
<v Speaker 1>they didn't give me that nickname. It was Hall in

0:37:28.520 --> 0:37:29.879
<v Speaker 1>Philly because I used to be with the Philly dudes

0:37:29.880 --> 0:37:32.680
<v Speaker 1>all the time. But like it got a little when

0:37:32.840 --> 0:37:35.319
<v Speaker 1>he was Cam's right when it when it came to

0:37:35.320 --> 0:37:39.799
<v Speaker 1>that that executive position. Yeah, Beans wasn't jagging a ship.

0:37:40.280 --> 0:37:42.480
<v Speaker 1>I mean it was, but yeah, because it seemed as

0:37:42.480 --> 0:37:46.799
<v Speaker 1>if nobody, like like Cam be in the getting that

0:37:46.840 --> 0:37:48.920
<v Speaker 1>position at Rockefeller kind of hit everybody out of it.

0:37:48.960 --> 0:37:52.560
<v Speaker 1>I mean it would, yeah, it definitely would. Like you think,

0:37:52.920 --> 0:37:55.840
<v Speaker 1>all right, Bean's been here since ninety eight. Yeah, bleak

0:37:55.920 --> 0:37:58.759
<v Speaker 1>been there since before they had the logo. You know

0:37:58.760 --> 0:38:01.120
<v Speaker 1>what I'm saying. And here cut Kim. He been here

0:38:01.160 --> 0:38:03.319
<v Speaker 1>for two years. But Camp, I ain't gonna lie, and

0:38:03.560 --> 0:38:06.920
<v Speaker 1>Cam turned that ship up. Cam took full advantage of

0:38:06.960 --> 0:38:09.400
<v Speaker 1>his opportunity, you know what I mean. He took that

0:38:09.480 --> 0:38:11.480
<v Speaker 1>shit he was saying about how they made the office.

0:38:11.600 --> 0:38:14.320
<v Speaker 1>He made his own office, Like even even down to

0:38:14.440 --> 0:38:16.040
<v Speaker 1>coming in the office and ask me how much I

0:38:16.080 --> 0:38:17.719
<v Speaker 1>may get paid and he's like, I give you four

0:38:17.760 --> 0:38:19.719
<v Speaker 1>hundred dollars. And then I was in his I would

0:38:19.719 --> 0:38:21.239
<v Speaker 1>come to his crib. He had a crib in Jersey.

0:38:21.280 --> 0:38:22.880
<v Speaker 1>I was gonna go to like this condo he had

0:38:22.920 --> 0:38:25.000
<v Speaker 1>in Jersey and just burn CDs all day. Wow, you

0:38:25.040 --> 0:38:27.960
<v Speaker 1>know I mean mixtape, Yeah, the Diplomat mixtapes. I was burnt.

0:38:28.040 --> 0:38:30.000
<v Speaker 1>If you had a Diplomat mix tape, I probably burned

0:38:30.000 --> 0:38:33.200
<v Speaker 1>at least five thousand. You have the Tower, Yeah, the Tower, Yeah, Duke.

0:38:33.239 --> 0:38:35.080
<v Speaker 1>The guy had all them shits, like five of them

0:38:35.080 --> 0:38:37.560
<v Speaker 1>ships and they burning five at a time. And I'm

0:38:37.640 --> 0:38:39.480
<v Speaker 1>just but they got boring for me. I wanted to

0:38:39.480 --> 0:38:40.880
<v Speaker 1>be in the studio. So that's why I kind of

0:38:40.920 --> 0:38:43.560
<v Speaker 1>gave up on that ship. But you know, yeah, like

0:38:43.640 --> 0:38:45.600
<v Speaker 1>Cam turn that shit up for two years, and now

0:38:45.680 --> 0:38:47.920
<v Speaker 1>that makes sense. Somebody come. They put the work in

0:38:48.000 --> 0:38:50.760
<v Speaker 1>on the executive side where you break. Cam put Joel's

0:38:50.760 --> 0:38:53.279
<v Speaker 1>on his first single, his first two singles like if

0:38:53.320 --> 0:38:55.200
<v Speaker 1>you Wasn't from Harlem, listening to the DJ clue in

0:38:55.239 --> 0:38:58.120
<v Speaker 1>case Lay and Fucking who Else. Around that time, I

0:38:58.160 --> 0:39:00.440
<v Speaker 1>can't remember with DJ Envy, you didn't know who Jewell's

0:39:00.600 --> 0:39:01.759
<v Speaker 1>was like that, you know what I mean. But he

0:39:01.840 --> 0:39:04.640
<v Speaker 1>put him because Juel's Jewels was known for rapping in

0:39:04.640 --> 0:39:06.120
<v Speaker 1>the hood, you know what I mean. But he put

0:39:06.160 --> 0:39:08.680
<v Speaker 1>duels on on and broke him as an artist before

0:39:08.719 --> 0:39:11.240
<v Speaker 1>he had his first single. So he's doing the executive

0:39:11.239 --> 0:39:13.360
<v Speaker 1>side of things. So yeah, he deserved that position. But

0:39:13.840 --> 0:39:17.400
<v Speaker 1>that's a hard phillis well when you're Beans and yeah,

0:39:18.680 --> 0:39:21.600
<v Speaker 1>yeah you said that you were roommates when you live

0:39:21.640 --> 0:39:24.279
<v Speaker 1>with Beanie when he was on house arrest, and I

0:39:24.600 --> 0:39:27.239
<v Speaker 1>always have the shots and I got DJ Damagees from Philly.

0:39:28.239 --> 0:39:31.640
<v Speaker 1>We'll always butt heads on the Greatest of All Time

0:39:31.680 --> 0:39:33.640
<v Speaker 1>talks and he'll always put Beanie like in his top

0:39:33.680 --> 0:39:35.680
<v Speaker 1>ten and I'm like, bro, You're from Philly, so I

0:39:35.719 --> 0:39:40.480
<v Speaker 1>respect it and listen and listen like Beanie's got classics,

0:39:40.560 --> 0:39:43.840
<v Speaker 1>and I think he's historically underrated. In that conversation, absolutely,

0:39:44.120 --> 0:39:46.440
<v Speaker 1>Derek Angeletti said the really ship about Beans one time.

0:39:46.480 --> 0:39:48.880
<v Speaker 1>He's like, yo, he like a real life dinosaur. He

0:39:49.000 --> 0:39:50.759
<v Speaker 1>like you know how like you hear about it like

0:39:50.800 --> 0:39:52.520
<v Speaker 1>you hear his stories about the dinosaur. But if that

0:39:52.560 --> 0:39:54.359
<v Speaker 1>ship if a Raptor walked in his room right now,

0:39:54.400 --> 0:39:57.000
<v Speaker 1>everybody be like, oh shit, that's that's it. He's like

0:39:57.040 --> 0:39:58.920
<v Speaker 1>that's who he is. He like he a really like

0:39:59.719 --> 0:40:01.120
<v Speaker 1>not that and so you know how the Balancer of

0:40:01.160 --> 0:40:02.680
<v Speaker 1>he was like he old and not nothing like that.

0:40:02.840 --> 0:40:06.120
<v Speaker 1>He just was like it's like a myth until you

0:40:06.160 --> 0:40:10.800
<v Speaker 1>meet him. And I bro the what's that the Public

0:40:10.880 --> 0:40:13.560
<v Speaker 1>Enemy mixtape? I remember that Green Lantern was the DJ,

0:40:13.680 --> 0:40:16.080
<v Speaker 1>right yeah, I got yeah, I did that mixtape. I

0:40:16.120 --> 0:40:18.160
<v Speaker 1>learned I saw I saw that mixtape with the Swami.

0:40:19.640 --> 0:40:21.919
<v Speaker 1>I learned how to how I got my name bout

0:40:21.960 --> 0:40:25.120
<v Speaker 1>leg and everybody. We was in a crib. That's we

0:40:25.120 --> 0:40:27.400
<v Speaker 1>was in a crib and we was like I had

0:40:27.480 --> 0:40:29.279
<v Speaker 1>learned how to record, right like I learned pro tow.

0:40:29.320 --> 0:40:31.680
<v Speaker 1>Its just the basics of it. And he had this

0:40:32.160 --> 0:40:34.440
<v Speaker 1>freestyle of a Public Enemy beat. And then I was

0:40:34.480 --> 0:40:36.120
<v Speaker 1>just sitting in the crib one day and I was like, Yo,

0:40:36.160 --> 0:40:38.200
<v Speaker 1>you should call your ship like public Enemy. I said,

0:40:38.200 --> 0:40:40.920
<v Speaker 1>we should make like the It was a picture that

0:40:40.960 --> 0:40:43.000
<v Speaker 1>he we did for like a state property photo shoot,

0:40:43.160 --> 0:40:45.960
<v Speaker 1>and it was like it almost mimicked like the what

0:40:46.080 --> 0:40:47.960
<v Speaker 1>was that the Public Enemy logo? I was like, we

0:40:47.960 --> 0:40:49.759
<v Speaker 1>should make it like the logo, but just have you

0:40:50.200 --> 0:40:51.600
<v Speaker 1>in the joint. And he was like, all right, we're

0:40:51.600 --> 0:40:53.359
<v Speaker 1>gonna do it. And then the reason why we did

0:40:53.400 --> 0:40:55.000
<v Speaker 1>the ship with green Land is because we was listening

0:40:55.080 --> 0:40:58.600
<v Speaker 1>to champions Hit every day Green Lanterns mixtape, but him

0:40:58.600 --> 0:41:00.719
<v Speaker 1>and him and Kiss had in rec side. But Bro,

0:41:00.800 --> 0:41:03.120
<v Speaker 1>we was listening Beans. We just listening that shit every day.

0:41:03.120 --> 0:41:05.680
<v Speaker 1>Beings like, yah, I gotta, I gotta, I'll do kiss

0:41:05.680 --> 0:41:08.040
<v Speaker 1>Bro Like He's like, Yo, this kisshit is crazy. We gotta.

0:41:08.280 --> 0:41:10.480
<v Speaker 1>So we did. We did that, and I an artist,

0:41:10.600 --> 0:41:12.080
<v Speaker 1>you know I have a great make me and the crib.

0:41:12.120 --> 0:41:14.480
<v Speaker 1>You me and him in the crib? Bro? What because

0:41:14.520 --> 0:41:16.880
<v Speaker 1>that was uh, you know, I don't know what it

0:41:17.000 --> 0:41:19.520
<v Speaker 1>what it was about Beans? You know, I know he

0:41:19.560 --> 0:41:22.239
<v Speaker 1>had some issues with his voice later on, but like

0:41:22.400 --> 0:41:24.840
<v Speaker 1>you know, he had his legal problems, but it seems

0:41:24.880 --> 0:41:27.680
<v Speaker 1>like shit just kind of hit a wall for Beanie.

0:41:29.080 --> 0:41:32.640
<v Speaker 1>What do you think happened to like his career. I

0:41:32.719 --> 0:41:36.279
<v Speaker 1>think that the Rockefeller split up. I think well, I'll

0:41:36.280 --> 0:41:41.760
<v Speaker 1>say I'll say honestly, Bro, and Beans like he'll respect

0:41:41.800 --> 0:41:43.520
<v Speaker 1>this because like I love him, bro, like I'm Muslim.

0:41:43.600 --> 0:41:45.160
<v Speaker 1>I took my ship hot to his living room, Like

0:41:45.200 --> 0:41:46.920
<v Speaker 1>that's how close we are. We might not see each

0:41:46.960 --> 0:41:49.439
<v Speaker 1>other the time, but that's my brother life. I say,

0:41:49.480 --> 0:41:53.239
<v Speaker 1>from my perspective is that he never really took the

0:41:53.280 --> 0:41:55.959
<v Speaker 1>time to learn the business. Now, he was a great

0:41:56.000 --> 0:41:59.040
<v Speaker 1>asset to the business, but as far as like, I

0:41:59.080 --> 0:42:01.399
<v Speaker 1>always had this thing in my mind where I felt

0:42:01.440 --> 0:42:03.879
<v Speaker 1>like when Jay said he got rid of was gonna

0:42:03.920 --> 0:42:05.719
<v Speaker 1>get rid of Rockefeller, he would have gave all the

0:42:05.719 --> 0:42:08.480
<v Speaker 1>Philly he loved him bro Like, I seen Jay show

0:42:08.560 --> 0:42:11.240
<v Speaker 1>more favoritism to the Philly dudes than the Brooklyn dudes sometimes,

0:42:11.239 --> 0:42:13.440
<v Speaker 1>you know what I mean, through like bleak Lives, I

0:42:13.480 --> 0:42:16.360
<v Speaker 1>have felt that way. Though from a fan's perspective, I

0:42:16.360 --> 0:42:19.160
<v Speaker 1>think Jay was just he really loved like the grittiness

0:42:19.160 --> 0:42:21.239
<v Speaker 1>of their rap style and how real it was and

0:42:21.320 --> 0:42:23.799
<v Speaker 1>their perspective. But think about it, everyone, I mean, young

0:42:23.920 --> 0:42:27.120
<v Speaker 1>young guns dropped out, Freeway dropped out, like you know,

0:42:27.800 --> 0:42:29.719
<v Speaker 1>I think I just think that beans and then not.

0:42:29.920 --> 0:42:31.360
<v Speaker 1>I don't want to just say he didn't learn it.

0:42:31.440 --> 0:42:33.959
<v Speaker 1>I felt like, you know, he didn't have I can't

0:42:33.960 --> 0:42:35.799
<v Speaker 1>say he didn't have the right personnel because it's people

0:42:35.840 --> 0:42:38.799
<v Speaker 1>that I know that was around him. But again, I

0:42:38.840 --> 0:42:40.520
<v Speaker 1>was a kid at that time. I can't speak for

0:42:40.520 --> 0:42:43.520
<v Speaker 1>how they was handling business because I just when I

0:42:43.560 --> 0:42:45.080
<v Speaker 1>wasn't supposed to be in the room, I walk out.

0:42:45.280 --> 0:42:47.239
<v Speaker 1>Still to this day, Bro, if I if I came

0:42:47.280 --> 0:42:48.880
<v Speaker 1>into your studio and you was having a conversation, I

0:42:48.880 --> 0:42:50.719
<v Speaker 1>don't even walk in the room. I know, like if

0:42:50.760 --> 0:42:52.880
<v Speaker 1>you tell, if you give me the if I if

0:42:52.920 --> 0:42:54.520
<v Speaker 1>it's permissible for me to be there, I'll be there.

0:42:54.560 --> 0:42:57.239
<v Speaker 1>But I stayed at my place. So a lot of

0:42:57.239 --> 0:43:00.319
<v Speaker 1>shit that was going on. When certain conversations be had,

0:43:00.360 --> 0:43:02.239
<v Speaker 1>I walk out because it ain't my place to be

0:43:02.239 --> 0:43:04.880
<v Speaker 1>in there. So I yeah, I think with beans, at

0:43:04.960 --> 0:43:07.480
<v Speaker 1>least from a fan's perspective perspective, it just kind of

0:43:07.480 --> 0:43:11.040
<v Speaker 1>felt like he didn't leave the streets all the way alone.

0:43:11.480 --> 0:43:15.719
<v Speaker 1>And that's another to his detriment. Possibly this is why

0:43:15.719 --> 0:43:19.480
<v Speaker 1>I be saying about the streets. Man, it's like we

0:43:20.000 --> 0:43:22.160
<v Speaker 1>you love the streets when you've growing up, well when

0:43:22.160 --> 0:43:23.880
<v Speaker 1>you when you're young, and like if you live in

0:43:23.880 --> 0:43:26.239
<v Speaker 1>that life, but when you get older. But I guarantee

0:43:27.080 --> 0:43:29.200
<v Speaker 1>everybody and I got you. I got homies that like

0:43:29.840 --> 0:43:33.279
<v Speaker 1>did fifteen years in prison, biggest gangster in the jail,

0:43:33.320 --> 0:43:36.040
<v Speaker 1>biggest gangster in the street and they like, man, I'm

0:43:36.040 --> 0:43:39.239
<v Speaker 1>not doing no like I made a mistake. What I mean,

0:43:39.320 --> 0:43:41.759
<v Speaker 1>I can't change it. But that shit is a mistake, Bro,

0:43:41.800 --> 0:43:46.840
<v Speaker 1>and I and the marketing aspect of music that involves

0:43:46.880 --> 0:43:49.399
<v Speaker 1>the streets is it looks it looks cool, it looks

0:43:49.440 --> 0:43:52.920
<v Speaker 1>cool to you facing and and also it helps sell records.

0:43:53.080 --> 0:43:56.279
<v Speaker 1>It does, but it does. But I don't know, Man,

0:43:56.719 --> 0:43:59.080
<v Speaker 1>that shit is. Music is a hard thing for me

0:43:59.120 --> 0:44:01.400
<v Speaker 1>to deal with sometimes cause I be feeling like sometimes

0:44:01.400 --> 0:44:04.120
<v Speaker 1>that I'm I'm a part of the shit that I

0:44:04.120 --> 0:44:06.839
<v Speaker 1>don't agree with a lot. Because as much as I'm

0:44:06.840 --> 0:44:09.040
<v Speaker 1>saying all of this like righteous sound and shit, I

0:44:09.080 --> 0:44:11.160
<v Speaker 1>still love songs about people killing people, of course, you

0:44:11.200 --> 0:44:14.520
<v Speaker 1>know what I mean. Like, I just I don't know.

0:44:14.560 --> 0:44:17.759
<v Speaker 1>It's like, you know when people say, oh you, what's

0:44:17.800 --> 0:44:24.080
<v Speaker 1>the word contradicting? Being contradicted and being a hypocrite, hypocritical shit,

0:44:24.400 --> 0:44:26.520
<v Speaker 1>being a hypocrite. I feel like that's almost a part

0:44:26.520 --> 0:44:28.680
<v Speaker 1>of being human, because like you feel different times, you

0:44:28.760 --> 0:44:31.480
<v Speaker 1>feel different ways of different times. You don't always Sometimes, Bro,

0:44:31.560 --> 0:44:32.960
<v Speaker 1>I wake up and I want the world to end,

0:44:32.960 --> 0:44:34.759
<v Speaker 1>and sometimes I want to save the world, you know

0:44:34.800 --> 0:44:36.359
<v Speaker 1>what I mean? But it's just how I deal with it,

0:44:36.640 --> 0:44:38.600
<v Speaker 1>especially being in the music industry. Like it said, you

0:44:38.640 --> 0:44:42.120
<v Speaker 1>could totally feel that, like man, like you know, I

0:44:42.120 --> 0:44:44.440
<v Speaker 1>don't like the way this shit is going, but still

0:44:44.520 --> 0:44:47.920
<v Speaker 1>enjoy a record that like the Pop Smoke shit bro

0:44:48.040 --> 0:44:51.080
<v Speaker 1>That shit made me not want to sign no gang

0:44:51.120 --> 0:44:53.120
<v Speaker 1>banger ever again. I never I mean I didn't sign

0:44:53.200 --> 0:44:56.160
<v Speaker 1>Pop Smoke, but the guys that he was signed to,

0:44:56.280 --> 0:44:59.960
<v Speaker 1>like Rico Beats, that's one of my closest in music,

0:45:00.280 --> 0:45:02.880
<v Speaker 1>like and beyond music. That's my man. Like he a producer,

0:45:02.920 --> 0:45:05.480
<v Speaker 1>but me and Rico we met at a time before

0:45:05.520 --> 0:45:07.880
<v Speaker 1>I even met East, and we was trying to like

0:45:07.920 --> 0:45:09.719
<v Speaker 1>we just befriended each other and we was trying to

0:45:09.719 --> 0:45:11.879
<v Speaker 1>figure out what I thing was gonna be. And then

0:45:11.880 --> 0:45:14.880
<v Speaker 1>I had got East. He still was producing, he had

0:45:14.920 --> 0:45:17.839
<v Speaker 1>got his job at Death Gym. We signed a few acts,

0:45:17.920 --> 0:45:20.320
<v Speaker 1>they didn't work. Shit was And then when he found Pop,

0:45:21.239 --> 0:45:23.640
<v Speaker 1>it felt like a win for me because seeing him

0:45:23.760 --> 0:45:26.719
<v Speaker 1>so happy and seeing him now he's buying jewelry every week.

0:45:27.520 --> 0:45:29.959
<v Speaker 1>It was such a celebration. And then like I only

0:45:30.000 --> 0:45:32.600
<v Speaker 1>met Pop one time, but like I had a conversation

0:45:32.680 --> 0:45:36.440
<v Speaker 1>with him in a DM one time, and like just

0:45:36.440 --> 0:45:38.480
<v Speaker 1>seeing the trajectory he was on, and he saluted me

0:45:38.520 --> 0:45:40.399
<v Speaker 1>forgetting the job at Asylumn. He like, yo, big bro,

0:45:40.520 --> 0:45:41.960
<v Speaker 1>Like that's amazing because he told me he was to

0:45:41.960 --> 0:45:44.080
<v Speaker 1>watch every day struggle. He's like, that's dope. And it's

0:45:44.120 --> 0:45:46.040
<v Speaker 1>that third when that shit happened with him. I didn't

0:45:46.040 --> 0:45:47.840
<v Speaker 1>even know the kid personally, but that shit happened, I

0:45:47.880 --> 0:45:50.799
<v Speaker 1>was like, all right, what are we doing with And

0:45:50.880 --> 0:45:53.600
<v Speaker 1>to be fair, he didn't even get killed over no

0:45:53.680 --> 0:45:57.560
<v Speaker 1>gang shit, no, but he got killed from that lifestyle lifestyle.

0:45:57.680 --> 0:46:00.480
<v Speaker 1>So it's just like, what the fuck are we What

0:46:00.520 --> 0:46:02.120
<v Speaker 1>are your yeah, I mean, what are your thoughts about?

0:46:02.520 --> 0:46:04.160
<v Speaker 1>You know? Because right now I just I just spent

0:46:04.200 --> 0:46:05.920
<v Speaker 1>the whole week out New York and I was shooting

0:46:05.960 --> 0:46:10.000
<v Speaker 1>with Dusty Locine, Ross Wish and Ron Suno. But the

0:46:10.360 --> 0:46:14.319
<v Speaker 1>whole Brooklyn gang ship is crazy, bro. I mean, I'll

0:46:14.320 --> 0:46:16.520
<v Speaker 1>tell you this. When it comes to gangs, Brooklyn always

0:46:16.520 --> 0:46:19.440
<v Speaker 1>been crazy because like when when Blood, like when Blood

0:46:19.760 --> 0:46:21.920
<v Speaker 1>popped off in New York and Cribbman popped off in

0:46:21.960 --> 0:46:24.400
<v Speaker 1>New York, like first of all in New York. But

0:46:24.440 --> 0:46:26.520
<v Speaker 1>these guys are getting like like if you listen to

0:46:26.520 --> 0:46:31.160
<v Speaker 1>these records like between the the woo's and the and

0:46:31.200 --> 0:46:32.759
<v Speaker 1>all that shit. I don't know. So look, I'm just

0:46:32.760 --> 0:46:34.879
<v Speaker 1>speaking like from when I was when I was a teenager, bro,

0:46:35.000 --> 0:46:37.520
<v Speaker 1>Like if you was a crip in New York, it

0:46:37.680 --> 0:46:40.279
<v Speaker 1>was tough because New York is a blood like you know, Yeah,

0:46:40.320 --> 0:46:41.799
<v Speaker 1>I always think of New York as like wrong. I

0:46:41.840 --> 0:46:44.880
<v Speaker 1>just think of Jim Jones like l A. L A

0:46:45.120 --> 0:46:48.000
<v Speaker 1>is a cryp for sure, city New York. But the

0:46:48.040 --> 0:46:50.400
<v Speaker 1>thing about the ship in New York is in prison,

0:46:50.880 --> 0:46:53.600
<v Speaker 1>bloods run everything. Crips ain't the same with the crip.

0:46:53.760 --> 0:46:55.560
<v Speaker 1>So the thing is is like for me on the

0:46:55.600 --> 0:47:00.640
<v Speaker 1>outside looking in, I see what I seen in the

0:47:00.760 --> 0:47:03.360
<v Speaker 1>nineties now, like in the nineties when game ship popped

0:47:03.360 --> 0:47:04.879
<v Speaker 1>off in New York because it was coming from out

0:47:04.920 --> 0:47:07.880
<v Speaker 1>of jails. Bloods came from out of jail. When it

0:47:07.960 --> 0:47:10.080
<v Speaker 1>came to the streets, it was bad because the people

0:47:10.120 --> 0:47:13.920
<v Speaker 1>was adapting a jail mentality before going to jail, so

0:47:14.120 --> 0:47:17.719
<v Speaker 1>and and how they acted militant all that shit. And

0:47:17.760 --> 0:47:21.040
<v Speaker 1>then like seeing these kids now, I just be like, yo, bro,

0:47:21.960 --> 0:47:24.360
<v Speaker 1>even when I think about these like when when I

0:47:24.400 --> 0:47:26.560
<v Speaker 1>be talking to dudes from from La Yeah, and like

0:47:26.920 --> 0:47:30.160
<v Speaker 1>some of them like they they gangsters respect gangsters around glow,

0:47:30.480 --> 0:47:32.360
<v Speaker 1>but like they a lot of them that don't jack,

0:47:33.000 --> 0:47:35.520
<v Speaker 1>like you know, bloods or crips over there. I'd be like, Yo,

0:47:36.120 --> 0:47:38.759
<v Speaker 1>that's y'all fault. Like that's your kids, bro, Like that's

0:47:39.320 --> 0:47:43.120
<v Speaker 1>that's offspring of you. So it's like seeing this ship, bro,

0:47:43.360 --> 0:47:44.960
<v Speaker 1>it just a lot of it rubs me the wrong way.

0:47:44.960 --> 0:47:47.840
<v Speaker 1>In Brooklyn, you got little kids getting hit with strays

0:47:47.880 --> 0:47:49.839
<v Speaker 1>and ship. That shit just happened while we were out there.

0:47:49.880 --> 0:47:54.680
<v Speaker 1>We were just in uh where where did it happen at? No, No,

0:47:54.760 --> 0:47:57.040
<v Speaker 1>I was in Brooklyn. There was some some some kid

0:47:57.080 --> 0:47:58.839
<v Speaker 1>got hit. There was a shootout and some I think

0:47:59.160 --> 0:48:03.040
<v Speaker 1>little girl in the chest, yeah right, little boys something Yeah,

0:48:03.120 --> 0:48:05.160
<v Speaker 1>right outside of a liquor store. Oh no, bro. But

0:48:05.200 --> 0:48:08.279
<v Speaker 1>that's the thing. It's like I don't know because you know,

0:48:08.400 --> 0:48:10.759
<v Speaker 1>I don't. I don't sit on like I'm born in

0:48:10.800 --> 0:48:13.480
<v Speaker 1>eighty two. My generation be acting like we sit on

0:48:13.520 --> 0:48:16.280
<v Speaker 1>this this pedestal where we had everything right when we didn't.

0:48:16.600 --> 0:48:18.640
<v Speaker 1>You know, of course there was just not social media.

0:48:19.000 --> 0:48:20.799
<v Speaker 1>It was not social media. But it's like even the

0:48:20.880 --> 0:48:23.600
<v Speaker 1>rationalization of like why things were done, it's still don't

0:48:23.640 --> 0:48:26.480
<v Speaker 1>make no sense. But it's like now, it's like it's

0:48:26.520 --> 0:48:28.759
<v Speaker 1>even I think it's even worse now because it's like

0:48:29.800 --> 0:48:34.280
<v Speaker 1>the name recognition amongst your peers. I got a fourteen

0:48:34.320 --> 0:48:35.520
<v Speaker 1>I got a ninety year old daughter. I got a

0:48:35.520 --> 0:48:37.720
<v Speaker 1>fourteen year old son. So it's like I be telling

0:48:37.760 --> 0:48:40.080
<v Speaker 1>my son all the time, bro, like like our a

0:48:40.080 --> 0:48:42.000
<v Speaker 1>friend that went to jail for attempting murder and he

0:48:42.160 --> 0:48:44.160
<v Speaker 1>just was telling me, he like, owayne, I belonged to

0:48:44.200 --> 0:48:45.960
<v Speaker 1>myself for the first time. He just got off of

0:48:46.000 --> 0:48:48.799
<v Speaker 1>papers and he like, I just I belong to myself

0:48:48.840 --> 0:48:51.000
<v Speaker 1>for the first three years. How crazy is that? And

0:48:51.040 --> 0:48:52.880
<v Speaker 1>I'm telling my son, I'm like, Yo, do you hear it?

0:48:52.920 --> 0:48:54.960
<v Speaker 1>I say, Bro, I tell my son, like, yo, he

0:48:55.000 --> 0:48:57.600
<v Speaker 1>shot somebody when he was eighteen and he's just forty

0:48:57.719 --> 0:49:00.799
<v Speaker 1>and he's now finally free of the system. He's forty. Bro.

0:49:01.040 --> 0:49:03.120
<v Speaker 1>I'm like, you don't, that's not a path you see

0:49:03.200 --> 0:49:06.160
<v Speaker 1>because his friend, Yo, Bro, my son certain kids that

0:49:06.239 --> 0:49:08.759
<v Speaker 1>was on his basketball au team. I didn't see any

0:49:08.800 --> 0:49:10.759
<v Speaker 1>instagrams they be carrying him as this shit. I'm be like,

0:49:10.840 --> 0:49:13.239
<v Speaker 1>this is crazy fuck And I don't even know why,

0:49:13.360 --> 0:49:15.520
<v Speaker 1>but I know that a lot It plays into the

0:49:15.560 --> 0:49:18.440
<v Speaker 1>music and the lifestyle. And it's a lot of misinformation

0:49:18.960 --> 0:49:21.160
<v Speaker 1>that that spread. I mean, it's a lot of misinformation.

0:49:21.239 --> 0:49:22.840
<v Speaker 1>I just be trying to do my part because I

0:49:22.840 --> 0:49:25.920
<v Speaker 1>feel like you change the world by changing one person's perspective.

0:49:26.320 --> 0:49:27.920
<v Speaker 1>Is that something that you still kind of carry with

0:49:27.960 --> 0:49:29.360
<v Speaker 1>you as far as like the type of artists you

0:49:29.440 --> 0:49:31.600
<v Speaker 1>look to look to sign because you said, like after

0:49:31.640 --> 0:49:33.120
<v Speaker 1>Pop had died, you kind of were like, I don't

0:49:33.120 --> 0:49:36.759
<v Speaker 1>want to but I love authenticity. You also want to

0:49:36.800 --> 0:49:38.640
<v Speaker 1>do your job. I want to do my job, but

0:49:39.239 --> 0:49:40.840
<v Speaker 1>that's the tough thing about being in the music. You

0:49:40.840 --> 0:49:44.120
<v Speaker 1>gotta do it all. Yeah, you got it. Like now.

0:49:44.480 --> 0:49:48.200
<v Speaker 1>At the same time, like from a business standpoint, the

0:49:48.280 --> 0:49:50.640
<v Speaker 1>problem with businessman. Business ain't got nothing to do with

0:49:51.000 --> 0:49:54.520
<v Speaker 1>feelings or morals. There's nothing to do with morals, has

0:49:54.560 --> 0:49:57.879
<v Speaker 1>nothing to do with feelings because the same like, that's

0:49:57.880 --> 0:50:00.000
<v Speaker 1>why people that be vegan be tweaking out about chickens,

0:50:00.360 --> 0:50:03.040
<v Speaker 1>you feel me like, because they feelings and their morals

0:50:03.080 --> 0:50:05.759
<v Speaker 1>is in it when they're talking about life. Some people

0:50:05.760 --> 0:50:08.640
<v Speaker 1>don't think like that, but I feel like rap is

0:50:08.680 --> 0:50:11.839
<v Speaker 1>almost like a fucking slaughter house. Yeah, it's crazy, it is,

0:50:11.920 --> 0:50:14.560
<v Speaker 1>bro it is because it's like I'll just be on

0:50:14.640 --> 0:50:16.080
<v Speaker 1>some ship like this, Like I'll be trying to tell

0:50:16.120 --> 0:50:17.640
<v Speaker 1>every young artist that I know be in the street.

0:50:17.640 --> 0:50:19.200
<v Speaker 1>I'll be like, yo, listen, bro, Like you don't want

0:50:19.200 --> 0:50:21.720
<v Speaker 1>to go down that path. Bro. Like even with beans

0:50:22.239 --> 0:50:26.120
<v Speaker 1>when he got the shot that he took that he

0:50:26.200 --> 0:50:29.120
<v Speaker 1>lost his voice, it wasn't even intended for him. Were

0:50:29.120 --> 0:50:30.960
<v Speaker 1>you around at that time? I wasn't around him at

0:50:31.000 --> 0:50:33.600
<v Speaker 1>that time. I mean we always, I always, I always

0:50:33.600 --> 0:50:35.399
<v Speaker 1>speak to him. I speak to him once a year

0:50:35.400 --> 0:50:38.800
<v Speaker 1>at least, But like, I wasn't around him at that time.

0:50:39.120 --> 0:50:41.319
<v Speaker 1>I'm also like younger than him, so like I mean

0:50:41.360 --> 0:50:43.480
<v Speaker 1>he did. I didn't really have too much influence on

0:50:43.520 --> 0:50:45.279
<v Speaker 1>telling him what to do, of course, But at the

0:50:45.280 --> 0:50:47.880
<v Speaker 1>same time, it's like that wasn't even intended for him.

0:50:47.880 --> 0:50:50.680
<v Speaker 1>But you see how shit happens just being around that ship.

0:50:51.040 --> 0:50:52.600
<v Speaker 1>You never know. You can wake up to you can

0:50:52.640 --> 0:50:54.200
<v Speaker 1>wake up today and it could be you gotta you

0:50:54.200 --> 0:50:56.719
<v Speaker 1>gotta watch, you gotta watch the You gotta watch what

0:50:56.760 --> 0:50:58.719
<v Speaker 1>you put out in his world. Bro, you gotta watch

0:50:58.719 --> 0:51:00.400
<v Speaker 1>what you put out in his world. That's a fact.

0:51:01.520 --> 0:51:04.239
<v Speaker 1>Were you around during the Kiss Beanie ship? Yeah, you

0:51:04.280 --> 0:51:06.919
<v Speaker 1>know the craziest shit is I always, I mean, listen,

0:51:07.040 --> 0:51:09.840
<v Speaker 1>oh wow, I always. I've talked to Kiss about it.

0:51:09.840 --> 0:51:11.399
<v Speaker 1>I've talked to Beanie about it, and I always say

0:51:11.440 --> 0:51:16.040
<v Speaker 1>that that's probably the closest back and forth because I

0:51:16.120 --> 0:51:18.320
<v Speaker 1>depending on where someone's from or who you ask or

0:51:18.320 --> 0:51:21.040
<v Speaker 1>who they're I thought both of them one. I thought

0:51:21.080 --> 0:51:23.680
<v Speaker 1>that we was going to die or we was gonna

0:51:23.760 --> 0:51:25.480
<v Speaker 1>kill one of them. I switched because at the end,

0:51:25.520 --> 0:51:28.800
<v Speaker 1>because because at that time, nobody was realer than Beanie Siegull.

0:51:29.000 --> 0:51:32.240
<v Speaker 1>Let me on the Locks and Yonkers. Beans. I love Beans.

0:51:32.239 --> 0:51:35.920
<v Speaker 1>Beans had us train us the Young Guns like I was.

0:51:36.080 --> 0:51:37.839
<v Speaker 1>You could basically say the Young Guns was a gang

0:51:37.880 --> 0:51:40.319
<v Speaker 1>within state property bro because they was from their own

0:51:40.360 --> 0:51:43.120
<v Speaker 1>part of town in Philly. They had us train Bro

0:51:43.200 --> 0:51:46.120
<v Speaker 1>like like Beans had us trained and I. I used

0:51:46.160 --> 0:51:49.279
<v Speaker 1>to really sit here, like, oh, Jade, Kiss is one

0:51:49.320 --> 0:51:51.959
<v Speaker 1>of my favorite reps, Like the Locks broke. I don't

0:51:51.960 --> 0:51:54.520
<v Speaker 1>know the man I would be without the Locks. Real

0:51:54.560 --> 0:51:56.440
<v Speaker 1>ship I'm talking about we all the streets is like

0:51:57.200 --> 0:51:58.839
<v Speaker 1>the words is in my DNA and who I am

0:51:58.880 --> 0:52:01.320
<v Speaker 1>as a person, So like I used to be sitting

0:52:01.320 --> 0:52:02.560
<v Speaker 1>here like we had a we had a we had

0:52:02.600 --> 0:52:06.400
<v Speaker 1>a situation one time with them though happened. We was

0:52:06.440 --> 0:52:10.279
<v Speaker 1>in you remember Sonny, she used to be on ninety seven.

0:52:10.320 --> 0:52:13.520
<v Speaker 1>She's Sunday like h G TV show food and all that.

0:52:13.960 --> 0:52:18.239
<v Speaker 1>But Sonny had a birthday party in Brooklyn and and

0:52:18.280 --> 0:52:20.920
<v Speaker 1>she had this birthday party in Brooklyn and Jada was

0:52:20.960 --> 0:52:23.080
<v Speaker 1>hosting it. But she wanted the young guys at the time,

0:52:23.120 --> 0:52:25.400
<v Speaker 1>we had can Start, Won't Stop, so we they was

0:52:25.400 --> 0:52:27.480
<v Speaker 1>hot that everybody was booking them, so she wanted to

0:52:27.520 --> 0:52:30.239
<v Speaker 1>do Can't Start, Won't Stop. So we we had a

0:52:30.320 --> 0:52:33.080
<v Speaker 1>show in v A, and they was like, by the

0:52:33.080 --> 0:52:34.719
<v Speaker 1>time we get there, maybe kissing them and be out

0:52:34.719 --> 0:52:38.080
<v Speaker 1>of there. So we get up to we get the VA.

0:52:38.239 --> 0:52:42.440
<v Speaker 1>I mean, we get to Brooklyn from va and some

0:52:42.480 --> 0:52:45.240
<v Speaker 1>Philly dudes came and all that ship or whatever and

0:52:45.640 --> 0:52:53.560
<v Speaker 1>pauls and uh that was crazy. But we get there

0:52:53.640 --> 0:52:56.520
<v Speaker 1>and kissing. Somebody from Sunny's team came to our car

0:52:56.600 --> 0:52:59.840
<v Speaker 1>and was like, hey, jad kiss is still here. Kuja

0:53:00.120 --> 0:53:03.600
<v Speaker 1>wait until he leaves to come in like and they

0:53:03.680 --> 0:53:05.760
<v Speaker 1>was like, yo, we don't want no problems. So Chris

0:53:05.840 --> 0:53:07.640
<v Speaker 1>was like yeah right, and then Chris sat there and

0:53:07.680 --> 0:53:10.879
<v Speaker 1>while we're sitting there, like all these cars pull up

0:53:11.080 --> 0:53:14.240
<v Speaker 1>and we see like jay Hood get out. Fucking Styles

0:53:14.320 --> 0:53:16.480
<v Speaker 1>was locked up at the time, but jay Hood was there,

0:53:17.120 --> 0:53:21.000
<v Speaker 1>a fucking chic and a bunch of dudes, right, So

0:53:21.320 --> 0:53:23.919
<v Speaker 1>Chris was like, fuck that, we're going in there, right.

0:53:24.400 --> 0:53:29.800
<v Speaker 1>So they they go into the they going to the club.

0:53:30.360 --> 0:53:34.600
<v Speaker 1>They're all walking out with kiss and uh Chris, Chris

0:53:34.600 --> 0:53:36.520
<v Speaker 1>and Eve manager was like, yo, don't say nothing, Like,

0:53:36.560 --> 0:53:38.839
<v Speaker 1>don't say nothing of them. Let them get ahead, yo.

0:53:38.880 --> 0:53:40.799
<v Speaker 1>They came outside and we on the line way to

0:53:40.800 --> 0:53:43.000
<v Speaker 1>get searched. I don't know who it was, but one

0:53:43.040 --> 0:53:45.080
<v Speaker 1>of them was like, man, fuck all that deep block nigga.

0:53:45.120 --> 0:53:47.759
<v Speaker 1>What your niggas will do? Right? So then we get

0:53:47.760 --> 0:53:50.440
<v Speaker 1>into this spat going back and forth and then like

0:53:50.560 --> 0:53:52.520
<v Speaker 1>Chris is standing there, he getting searched in the like

0:53:52.960 --> 0:53:55.239
<v Speaker 1>jay Hood, him, him and jay Hood is like saying

0:53:55.239 --> 0:53:56.960
<v Speaker 1>shit through each other and all that, like this ain't

0:53:57.000 --> 0:53:59.640
<v Speaker 1>no social media. Nobody's seen this happen. We get in

0:53:59.680 --> 0:54:03.080
<v Speaker 1>the room, we get into the studio and were getting there.

0:54:04.440 --> 0:54:06.319
<v Speaker 1>I don't know what to this dude from Philly who

0:54:06.320 --> 0:54:08.080
<v Speaker 1>he was. I seen him one time that day. I

0:54:08.160 --> 0:54:10.440
<v Speaker 1>never seen him again. It was all of us in

0:54:10.440 --> 0:54:12.000
<v Speaker 1>the room. He said. It was like fifteen of us

0:54:12.040 --> 0:54:13.719
<v Speaker 1>in the room. He said, yo, who and he ain't

0:54:13.760 --> 0:54:16.839
<v Speaker 1>bring a burner? Like four or five people raise their hand.

0:54:16.840 --> 0:54:18.560
<v Speaker 1>He said, I got burner for everybody who ain't bring one.

0:54:19.440 --> 0:54:22.000
<v Speaker 1>He bro, I swear, I thought we was gonna die

0:54:22.040 --> 0:54:25.239
<v Speaker 1>that night. Man. He like, Yo, when we come outside,

0:54:25.600 --> 0:54:28.440
<v Speaker 1>we're not letting nothing. We're going all the way right.

0:54:28.480 --> 0:54:32.080
<v Speaker 1>I'm like what, I'm like the fuck? I'm like, all right,

0:54:32.360 --> 0:54:34.640
<v Speaker 1>did he give you a burner? I'm not gonna say

0:54:34.680 --> 0:54:36.720
<v Speaker 1>if what he gave me or he didn't. Okay, okay,

0:54:36.880 --> 0:54:42.319
<v Speaker 1>But we walk outside. I think by that time they

0:54:42.320 --> 0:54:45.719
<v Speaker 1>had left, and then we go to baseline. We had fun.

0:54:45.920 --> 0:54:48.359
<v Speaker 1>That was it. But like, damn, bro, I thought like

0:54:48.560 --> 0:54:50.919
<v Speaker 1>we had a couple. Yeah, we had a couple, like little.

0:54:51.239 --> 0:54:53.080
<v Speaker 1>The crazy thing about that is like I didn't know.

0:54:53.160 --> 0:54:54.879
<v Speaker 1>I didn't know Jada kiss at the time. Jada kiss

0:54:54.920 --> 0:54:57.319
<v Speaker 1>my man. I love kiss his son j One, that's

0:54:57.360 --> 0:54:58.839
<v Speaker 1>my man. I love him, chic all of them bro

0:54:58.920 --> 0:55:04.919
<v Speaker 1>like Styles. Ironically, when Styles and Styles came home, who

0:55:04.960 --> 0:55:08.120
<v Speaker 1>called my phone? I think Green Lantin called my phone

0:55:08.520 --> 0:55:11.680
<v Speaker 1>and Styles on the phone. He's like, y'all got Styles

0:55:11.719 --> 0:55:14.400
<v Speaker 1>be on the phone, and he like he won't to

0:55:14.400 --> 0:55:16.319
<v Speaker 1>talk to Mac, and I put them on the phone.

0:55:16.320 --> 0:55:17.839
<v Speaker 1>They spoke on my phone, you know what I mean.

0:55:17.840 --> 0:55:21.200
<v Speaker 1>And then from there, years later, me and Styles we

0:55:21.320 --> 0:55:23.960
<v Speaker 1>built our brotherhood. I love Styles, I love his wife,

0:55:24.000 --> 0:55:26.000
<v Speaker 1>his son. Yeah, you know what I mean. Like it's

0:55:26.120 --> 0:55:28.279
<v Speaker 1>just crazy how life works out. But yeah, it's a

0:55:28.320 --> 0:55:30.160
<v Speaker 1>few times, bro. But I always think back to that

0:55:30.239 --> 0:55:33.680
<v Speaker 1>time that Jada went to the power show in Philly,

0:55:33.719 --> 0:55:36.239
<v Speaker 1>like the big Summer Jam or whatever. Yeah, yeah, we

0:55:36.280 --> 0:55:38.960
<v Speaker 1>did that. We did that before Jay and I's did

0:55:39.000 --> 0:55:42.680
<v Speaker 1>they ship Nobody the same thing at ninety seven Summer

0:55:42.719 --> 0:55:45.480
<v Speaker 1>Jam in New York. We did it at Powerhouse. Okay,

0:55:45.680 --> 0:55:49.319
<v Speaker 1>so the thing was we did kiss, was doing Powerhouse

0:55:49.480 --> 0:55:53.080
<v Speaker 1>in Philly. In Philly, Yeah, nobody knew Beans was dead.

0:55:53.160 --> 0:55:55.759
<v Speaker 1>Beans put on a Halloween mass and he walked out

0:55:55.800 --> 0:55:57.960
<v Speaker 1>on the stage and when he was just at the

0:55:58.000 --> 0:56:01.520
<v Speaker 1>same show, not not the one you talking about when

0:56:01.520 --> 0:56:04.239
<v Speaker 1>he dissed them. This is years later. That happened in

0:56:04.280 --> 0:56:08.399
<v Speaker 1>like two. This happened in like five, when five, when

0:56:08.440 --> 0:56:11.960
<v Speaker 1>Beans came home, we do Powerhouse and Kiss. This is

0:56:11.960 --> 0:56:15.200
<v Speaker 1>what I'm saying. People be thinking that Jay took everything

0:56:15.200 --> 0:56:17.200
<v Speaker 1>from them, But like Jay did, I declare war. After

0:56:17.200 --> 0:56:20.040
<v Speaker 1>that when he brought out nas So when Beans, it

0:56:20.080 --> 0:56:24.160
<v Speaker 1>was on Halloween, we came out Beans. He opened up

0:56:24.160 --> 0:56:25.960
<v Speaker 1>his jacket and everybody's in the aspe chain and he

0:56:26.000 --> 0:56:28.440
<v Speaker 1>took the mask off and then they did reservoir dogs.

0:56:28.800 --> 0:56:31.400
<v Speaker 1>That's the first time that they had done something together.

0:56:31.480 --> 0:56:33.920
<v Speaker 1>This is before Jay and Nis reconciled they ship. So

0:56:33.960 --> 0:56:35.960
<v Speaker 1>that was when they reconciled their ship. That's when they

0:56:36.040 --> 0:56:38.840
<v Speaker 1>reconciled they ship. But they had talked prior they reconciled

0:56:38.840 --> 0:56:42.680
<v Speaker 1>their ship. When when when Beans had came home, do

0:56:42.760 --> 0:56:46.960
<v Speaker 1>you remember, like uh man, just that back and forth

0:56:47.160 --> 0:56:50.399
<v Speaker 1>just bars wise was so crazy, like two freestyles were

0:56:50.440 --> 0:56:52.520
<v Speaker 1>so crazy, Like no, but you don't remember all the

0:56:52.560 --> 0:56:55.239
<v Speaker 1>ones in between. Nah, I just remember the two big

0:56:55.280 --> 0:56:57.400
<v Speaker 1>ones because I mean, as I was on Naster download

0:56:57.920 --> 0:57:00.319
<v Speaker 1>D when he said when Beans is like he's said,

0:57:00.360 --> 0:57:02.960
<v Speaker 1>this cat still live in his mother house and my

0:57:03.040 --> 0:57:06.120
<v Speaker 1>basement bigger than his mother house. And I ain't talking

0:57:06.160 --> 0:57:09.239
<v Speaker 1>about my mother house on my brother house. I'm talking

0:57:09.239 --> 0:57:14.839
<v Speaker 1>about the other house. You ain't never hear that, nah, bro. Now,

0:57:14.880 --> 0:57:18.040
<v Speaker 1>they was going crazy. They was going my favorite this

0:57:18.160 --> 0:57:21.560
<v Speaker 1>and all of that was styles on Wait a minute, yeah,

0:57:21.640 --> 0:57:25.560
<v Speaker 1>I feel like like at that time, unless MP had

0:57:25.560 --> 0:57:27.680
<v Speaker 1>gotten into a bee for somebody, it was like probably

0:57:27.680 --> 0:57:30.560
<v Speaker 1>the too craziest like people you would think were someone

0:57:30.920 --> 0:57:33.480
<v Speaker 1>someone's gonna die. Yeah, I know, I really, Bro, I was.

0:57:33.800 --> 0:57:37.600
<v Speaker 1>It's like it's like it's like being on a battlefield

0:57:37.600 --> 0:57:38.960
<v Speaker 1>almost like I don't know what it is to be

0:57:39.000 --> 0:57:41.600
<v Speaker 1>on a battlefield in war, but I know, Bro, Like

0:57:41.800 --> 0:57:45.080
<v Speaker 1>we came into a lot of clothes, Like I love

0:57:45.120 --> 0:57:47.200
<v Speaker 1>state property all y'all because y'all put my life in

0:57:47.240 --> 0:57:50.160
<v Speaker 1>danger mad times. I love all of them though, but Bro,

0:57:50.280 --> 0:57:54.080
<v Speaker 1>working with them was dangerous. Bro, what was the original

0:57:54.200 --> 0:57:57.640
<v Speaker 1>like origin of their issue? Who stay property of? Yeah?

0:57:57.680 --> 0:58:00.880
<v Speaker 1>Of kissing Beanie? I don't know. I don't fucking know.

0:58:01.640 --> 0:58:03.800
<v Speaker 1>I have no idea, Bro, I have no idea. I

0:58:03.880 --> 0:58:07.600
<v Speaker 1>just knew that whatever whatever when I worked at when

0:58:07.640 --> 0:58:09.240
<v Speaker 1>I worked with beans in them, whatever they was with,

0:58:09.320 --> 0:58:11.720
<v Speaker 1>you better be with that. Whatever he on, you better

0:58:11.760 --> 0:58:13.280
<v Speaker 1>be on that too. You ain't you can't be around

0:58:13.360 --> 0:58:15.360
<v Speaker 1>us if you ain't so crazy too, because talking to

0:58:15.440 --> 0:58:17.760
<v Speaker 1>damn it, she was always like, dude, everyone's favorite rapper

0:58:17.800 --> 0:58:19.720
<v Speaker 1>that is not being Seagull from Philly and that era

0:58:19.840 --> 0:58:21.560
<v Speaker 1>was the kiss Absolutely he was like he was like

0:58:21.560 --> 0:58:27.720
<v Speaker 1>the biggest dude in Philly, like people love kiss is

0:58:27.760 --> 0:58:30.200
<v Speaker 1>like fucking. I would not call him a guy. I

0:58:30.200 --> 0:58:32.320
<v Speaker 1>don't use that term with people with men. But like

0:58:32.640 --> 0:58:37.240
<v Speaker 1>he was, like yeah, Bro, he was. I would just

0:58:37.280 --> 0:58:39.440
<v Speaker 1>say everybody that come from that error, Bro, Jada kissed

0:58:39.440 --> 0:58:40.760
<v Speaker 1>me is a lot to us if you was born

0:58:40.760 --> 0:58:42.480
<v Speaker 1>in the eighties and you grew up in the nineties. Bro.

0:58:43.200 --> 0:58:46.080
<v Speaker 1>The whole locks though, Bro, like the Locks man, Like,

0:58:46.080 --> 0:58:49.800
<v Speaker 1>like my tattoo on my neck, it stands for respect

0:58:49.800 --> 0:58:51.760
<v Speaker 1>over money. Style said that shit in a freestyle. That's

0:58:51.800 --> 0:58:54.120
<v Speaker 1>why I tattooed that shit on my neck. I live

0:58:54.200 --> 0:58:55.880
<v Speaker 1>by their words, bro, because you know it was the

0:58:55.920 --> 0:58:58.880
<v Speaker 1>Locks for me was this It's like I'm coming outside,

0:58:59.080 --> 0:59:01.440
<v Speaker 1>I don't have the relate ship with my father that

0:59:01.520 --> 0:59:05.880
<v Speaker 1>I should have, and I'm going to school and coming

0:59:05.880 --> 0:59:08.080
<v Speaker 1>home and trying to navigate life as a teenager in

0:59:08.080 --> 0:59:10.600
<v Speaker 1>the nineties when the streets is crazy. I listened to

0:59:10.600 --> 0:59:13.560
<v Speaker 1>the Locks all day. They teaching me about honoring cold

0:59:13.640 --> 0:59:16.080
<v Speaker 1>and all that shit. Aside from what I'm learning with

0:59:16.120 --> 0:59:18.480
<v Speaker 1>my homies, you know what I'm saying, Like they taught

0:59:18.480 --> 0:59:21.560
<v Speaker 1>me honoring Cold like their music, so they mean everything

0:59:21.600 --> 0:59:26.439
<v Speaker 1>to us, Like, however, Houston people feel for fucking one

0:59:26.520 --> 0:59:29.240
<v Speaker 1>being PIMPSI for U GK. Yeah, that's how New York

0:59:29.360 --> 0:59:30.640
<v Speaker 1>if you was born at that time, that's how we

0:59:30.640 --> 0:59:34.840
<v Speaker 1>feel about the Locks. Locks is an so that's the

0:59:34.920 --> 0:59:37.720
<v Speaker 1>highest And I love Wutin Clan to death, but they're

0:59:37.760 --> 0:59:40.479
<v Speaker 1>not the same for me as the Locks. And yeah,

0:59:40.720 --> 0:59:43.240
<v Speaker 1>I love the Loes. Yeah, the Locks definitely had more

0:59:44.000 --> 0:59:48.080
<v Speaker 1>I feel like practical life lessons absolutely bro absolutely in

0:59:48.120 --> 0:59:51.040
<v Speaker 1>their music. We were talking earlier. We were talking about

0:59:51.040 --> 0:59:53.200
<v Speaker 1>our love for Loupe. I was talking about like my

0:59:53.200 --> 0:59:56.640
<v Speaker 1>favorite rappers, which is different than the greatest Rappers list. Yeah,

0:59:56.680 --> 0:59:58.920
<v Speaker 1>and my favorite rapper list always pisses people off. But

0:59:58.960 --> 1:00:00.920
<v Speaker 1>you were like, yo, I had Loupe in my top

1:00:00.920 --> 1:00:02.680
<v Speaker 1>five for a minutes at some point in time, Like

1:00:03.040 --> 1:00:05.320
<v Speaker 1>who else is in your top five? It always changes,

1:00:05.720 --> 1:00:08.000
<v Speaker 1>Like right now, who's your top five favorite rappers? Right

1:00:08.560 --> 1:00:10.959
<v Speaker 1>all time favorite? Right now? This is it, right now,

1:00:11.560 --> 1:00:14.320
<v Speaker 1>the best, right now, just right now, like that you

1:00:14.400 --> 1:00:16.560
<v Speaker 1>actually fuck with, not not like that I actually fun

1:00:16.680 --> 1:00:19.800
<v Speaker 1>with all right, So look I'll be taking like I

1:00:19.800 --> 1:00:23.600
<v Speaker 1>ain't on front, bro. I never met Drinke and we

1:00:23.600 --> 1:00:25.080
<v Speaker 1>we ain't the best of friends. Drake that might not

1:00:25.160 --> 1:00:28.680
<v Speaker 1>like me too much, but whatever, Drake the best. He

1:00:28.840 --> 1:00:37.320
<v Speaker 1>the best right now, Rapper, that's fair? After that ship, Rapper,

1:00:39.920 --> 1:00:42.280
<v Speaker 1>I gotta put I put a little baby in there.

1:00:43.680 --> 1:00:47.480
<v Speaker 1>Gotta give a little baby in there. And this is

1:00:47.480 --> 1:00:49.360
<v Speaker 1>the first time I've ever done like a current drink

1:00:49.360 --> 1:00:51.080
<v Speaker 1>because my top five is always my top five all

1:00:51.080 --> 1:00:57.480
<v Speaker 1>the time. But I put like, hmmm, rapper. See, I

1:00:57.480 --> 1:00:58.840
<v Speaker 1>don't know where to put him at, but I gotta

1:00:58.840 --> 1:01:01.720
<v Speaker 1>put Conway in there. Conway is my favorite guy in Grisella,

1:01:01.760 --> 1:01:03.760
<v Speaker 1>and I love all three, yeah, but not Conway. There's

1:01:03.800 --> 1:01:06.960
<v Speaker 1>something about Knyway's ability to convey pain on songs that like,

1:01:08.000 --> 1:01:10.840
<v Speaker 1>it's Conway. You know what I love about Conway? Conway

1:01:12.000 --> 1:01:14.800
<v Speaker 1>he knows how to flow, he knows how to like,

1:01:15.320 --> 1:01:17.760
<v Speaker 1>he got punch lines, he gott he got got it all, man,

1:01:17.760 --> 1:01:19.520
<v Speaker 1>he got it all. But Benny. But I feel like

1:01:20.120 --> 1:01:22.680
<v Speaker 1>right there, it's certain versus that Benny got thats just

1:01:22.800 --> 1:01:27.000
<v Speaker 1>like guys don't bleed. That's that verse on that Benny

1:01:27.160 --> 1:01:31.560
<v Speaker 1>is is like god level MC as well. They're both Jedi. Yeah,

1:01:31.560 --> 1:01:33.720
<v Speaker 1>they're both Jedi. See, I don't so I don't have

1:01:33.760 --> 1:01:35.200
<v Speaker 1>like like what I'm saying like, I don't have a

1:01:35.280 --> 1:01:38.760
<v Speaker 1>ranking of like rappers right now because it's like, all right,

1:01:38.760 --> 1:01:40.320
<v Speaker 1>what about the all time list? Do you say that

1:01:40.320 --> 1:01:43.680
<v Speaker 1>that's pro consistent? Yeah? This is your favorite? Yeah, not

1:01:43.720 --> 1:01:54.400
<v Speaker 1>like Jay all the time. Biggie uh J biggie nas

1:01:55.360 --> 1:01:59.960
<v Speaker 1>Wayne and Kendrick, thank you, thank you for the Kendrick love.

1:02:00.600 --> 1:02:02.760
<v Speaker 1>But I ain't gonna lie. I'm I'm I'm boycott and

1:02:02.840 --> 1:02:05.360
<v Speaker 1>Kendrick because he hasn't put out. Let me tell you

1:02:05.400 --> 1:02:07.880
<v Speaker 1>something you can't You can't imagine that aunt of fun

1:02:07.960 --> 1:02:10.200
<v Speaker 1>would I do with academics, bro? That amount of arguments

1:02:10.200 --> 1:02:13.320
<v Speaker 1>I have people Kendrick. I have screaming matches about Kendrick

1:02:13.360 --> 1:02:16.600
<v Speaker 1>Lamar and Lebron James all the time. But Kendrick, but like,

1:02:17.160 --> 1:02:19.840
<v Speaker 1>I just love especially you being in New York. I

1:02:19.880 --> 1:02:22.040
<v Speaker 1>bet you got heads with hell people about Kendrick. I

1:02:22.040 --> 1:02:24.440
<v Speaker 1>feel like, not really, just because the thing about New

1:02:24.520 --> 1:02:28.959
<v Speaker 1>York is, see you got Wayne over Kendrick Hell. Yeah?

1:02:29.640 --> 1:02:34.760
<v Speaker 1>Really yeah, bro, Wayne, Yo, this is the thing, man,

1:02:34.760 --> 1:02:37.440
<v Speaker 1>It's like, and I'm my thing is Kendrick's never missed.

1:02:37.440 --> 1:02:43.800
<v Speaker 1>Wayne's missed a lot. Missing is all subjective, right, not really?

1:02:43.920 --> 1:02:47.600
<v Speaker 1>But Wayne's got some black eyes on this. He does,

1:02:47.680 --> 1:02:50.120
<v Speaker 1>but he's got classes, but so do Tupac. I got

1:02:50.120 --> 1:02:52.720
<v Speaker 1>a lot of a lot of misses. Yeah, yeah, there's

1:02:52.720 --> 1:02:54.920
<v Speaker 1>a lot, which is why, which is why Tupac's not

1:02:55.000 --> 1:02:57.960
<v Speaker 1>in my top he's in my top tennis. But but

1:02:58.080 --> 1:03:01.040
<v Speaker 1>like I got, I to put Wayne in Tupac in

1:03:01.040 --> 1:03:05.400
<v Speaker 1>the same tier, nahn. Wayne is a better, way better

1:03:05.480 --> 1:03:08.600
<v Speaker 1>rapper than Tupac. He's a way better rapper. I don't.

1:03:08.720 --> 1:03:10.520
<v Speaker 1>It's people that's probably sent me death threats for that.

1:03:10.520 --> 1:03:13.280
<v Speaker 1>I don't give a fuck. Yo, listen, I've someone threat

1:03:13.360 --> 1:03:16.320
<v Speaker 1>I said Tupac was overrated as an MC. I didn't

1:03:16.360 --> 1:03:18.720
<v Speaker 1>say his music was overrated. I'm a huge POC fan,

1:03:19.120 --> 1:03:21.760
<v Speaker 1>huge had posters of them on my walls. Did but

1:03:22.240 --> 1:03:24.920
<v Speaker 1>I said that ship. I forget what interview was. And

1:03:25.240 --> 1:03:28.120
<v Speaker 1>motherfuckers was dming my wife threatening to kill her dog.

1:03:28.240 --> 1:03:30.919
<v Speaker 1>She had to make her page private. So so so look,

1:03:30.960 --> 1:03:33.200
<v Speaker 1>so people don't play about Tupac. Now, people don't play

1:03:33.200 --> 1:03:35.160
<v Speaker 1>about Tupac. But I love Tupac too. But at the

1:03:35.200 --> 1:03:38.920
<v Speaker 1>same time, it's like I stack people getting their feelings

1:03:38.920 --> 1:03:42.360
<v Speaker 1>about Pac in their fit. It's two people, Pac and Kobe.

1:03:42.400 --> 1:03:44.920
<v Speaker 1>You can't say nothing about because people I love Kobe's

1:03:44.920 --> 1:03:46.840
<v Speaker 1>one of my favorite I love Kobe too. But I'm

1:03:46.880 --> 1:03:49.040
<v Speaker 1>just saying, like, you know, Kobe fans don't people I

1:03:49.080 --> 1:03:51.800
<v Speaker 1>don't know they not because I'm one of them people people,

1:03:52.320 --> 1:03:55.320
<v Speaker 1>I'm one of them. I'm definitely not problem. I'm definitely

1:03:55.880 --> 1:03:58.280
<v Speaker 1>I'm definitely one of them people that was buying Kobe's

1:03:58.480 --> 1:04:00.120
<v Speaker 1>when they was on sale and nobody was wearing for

1:04:00.280 --> 1:04:02.480
<v Speaker 1>nobody was wearing them. Yeah I was. I actually got

1:04:02.520 --> 1:04:04.360
<v Speaker 1>a pair of elite Kobe's like that because the dude

1:04:04.360 --> 1:04:06.440
<v Speaker 1>that a house of who was like, Yo, you're the

1:04:06.440 --> 1:04:08.400
<v Speaker 1>only person I ever seen body shits and wearing you

1:04:08.440 --> 1:04:09.960
<v Speaker 1>can get him? And it was only like ten peers.

1:04:10.120 --> 1:04:13.200
<v Speaker 1>But yeah, the Tupac Tupac fans are very emotional. They are,

1:04:13.240 --> 1:04:17.440
<v Speaker 1>but like I feel like, but Pak is a great artist.

1:04:17.480 --> 1:04:22.480
<v Speaker 1>But see all time. It's hard to do all time

1:04:22.520 --> 1:04:24.240
<v Speaker 1>because I gotta put Kanye. I don't know if he

1:04:24.240 --> 1:04:28.440
<v Speaker 1>ain't Kanye is, But Kanye is in a class of

1:04:28.440 --> 1:04:30.960
<v Speaker 1>Michael Jackson. I don't think that Tupac's in the class Mark.

1:04:31.040 --> 1:04:32.720
<v Speaker 1>I think Kanye is in classic Let me ask you

1:04:32.720 --> 1:04:35.120
<v Speaker 1>if you agree this. I think Kanye has the best

1:04:35.160 --> 1:04:40.520
<v Speaker 1>discography in hip hop history? Fuck, who's got a better

1:04:40.560 --> 1:04:44.840
<v Speaker 1>disco history? Yes? Who's got a better discography? I think

1:04:44.880 --> 1:04:46.960
<v Speaker 1>the only miss was Jesus Is King, And I mean yeah,

1:04:46.960 --> 1:04:51.000
<v Speaker 1>he had some Jesus trash as juice for sure that

1:04:51.040 --> 1:04:52.520
<v Speaker 1>he could have went. He could have went like O

1:04:52.720 --> 1:04:56.040
<v Speaker 1>D Traps, like trapped soul meets gospel, and it would

1:04:56.040 --> 1:04:57.600
<v Speaker 1>have been hard. I ran through that album once and

1:04:57.640 --> 1:05:01.120
<v Speaker 1>never touched it again. Kanye fan, how you mess up

1:05:01.120 --> 1:05:03.080
<v Speaker 1>with clips on? We ain't gonna go there, all right?

1:05:03.120 --> 1:05:05.320
<v Speaker 1>So look so yeah, I ain't gonna front. He might

1:05:06.320 --> 1:05:08.360
<v Speaker 1>got it? Bro? Who else got I mean? I think

1:05:08.560 --> 1:05:12.160
<v Speaker 1>I think close. I think the closest is Kendrick because

1:05:12.200 --> 1:05:16.560
<v Speaker 1>Kendrick has no but Kendrick don't have the amount. Bro. Listen,

1:05:16.680 --> 1:05:20.160
<v Speaker 1>Kendrick don't have the amount. Take Out Classics, take away Classics,

1:05:20.280 --> 1:05:25.840
<v Speaker 1>and ghost Faces up there too. Take Out Classics, take

1:05:25.880 --> 1:05:29.120
<v Speaker 1>out the classic word. Games got a nice discography. Game

1:05:29.160 --> 1:05:31.240
<v Speaker 1>is one of the best rappers ever. If I wanted

1:05:31.240 --> 1:05:32.920
<v Speaker 1>somebody to rap for twenty four hours straight because I

1:05:32.920 --> 1:05:34.600
<v Speaker 1>was trying to win a prize, I'll go the game.

1:05:35.040 --> 1:05:38.480
<v Speaker 1>Game rapper all day about anything but a right. I

1:05:38.520 --> 1:05:42.920
<v Speaker 1>love it, bro and I can't run away from it. Bro,

1:05:44.280 --> 1:05:47.880
<v Speaker 1>gott stop playing with Drake. Bro see nah, Bro, I'm

1:05:47.880 --> 1:05:50.240
<v Speaker 1>gonna keep it. Listen, And it's hard for me. It

1:05:50.320 --> 1:05:53.800
<v Speaker 1>took me a long time because it's hard to listen.

1:05:53.840 --> 1:05:57.000
<v Speaker 1>It's hard to put As a jay Z fan, it's

1:05:57.040 --> 1:06:00.560
<v Speaker 1>hard to put anybody on the same level as Drake's

1:06:00.600 --> 1:06:04.880
<v Speaker 1>up there. I equate Drake to the jay Z shit

1:06:05.000 --> 1:06:07.920
<v Speaker 1>like this, Mike, to me, Michael Joan the greatest player

1:06:08.040 --> 1:06:13.480
<v Speaker 1>person ever touches basketball, right, But Steph Stephen Stephen Curry

1:06:13.560 --> 1:06:16.880
<v Speaker 1>is the greatest person to ever shoot a basketball. Right.

1:06:17.560 --> 1:06:20.800
<v Speaker 1>That's how I equate the Drake whole ship, because it's

1:06:20.880 --> 1:06:23.959
<v Speaker 1>like and not that I'm Drake's the greatest hit maker ever,

1:06:24.120 --> 1:06:26.000
<v Speaker 1>but this is what I'm saying. But but, but at

1:06:26.000 --> 1:06:28.120
<v Speaker 1>the same time, I don't think anyone can perform more

1:06:28.200 --> 1:06:29.920
<v Speaker 1>hits in a row than Drake. You know, it's the

1:06:29.960 --> 1:06:32.160
<v Speaker 1>realist ship. You haven't been with a joke show. Of course,

1:06:32.480 --> 1:06:33.880
<v Speaker 1>I only been the one, And I'm kind of a

1:06:33.960 --> 1:06:37.160
<v Speaker 1>Drake hater low key like historically, I've never been a hater.

1:06:37.440 --> 1:06:39.240
<v Speaker 1>I may not agree with his actions, I'll say that

1:06:39.400 --> 1:06:41.160
<v Speaker 1>I don't hate him. I wouldn't say a hater, but

1:06:41.160 --> 1:06:42.640
<v Speaker 1>I have of him as an artist. I don't know him.

1:06:42.760 --> 1:06:45.400
<v Speaker 1>I just don't. But Bro, I went to the Summer

1:06:45.480 --> 1:06:48.320
<v Speaker 1>sixteen ship. I went to the Summer sixteen ship with

1:06:48.400 --> 1:06:50.760
<v Speaker 1>him and him the future yep, I remember that Bro

1:06:51.160 --> 1:06:54.640
<v Speaker 1>in Madison Square guard like floating, Yeah, because that wasn't

1:06:54.640 --> 1:06:59.680
<v Speaker 1>the Ferrari, it was m Bro. I was dead. I

1:06:59.760 --> 1:07:02.120
<v Speaker 1>was in in the Rise of right. Everybody's and everybody

1:07:02.160 --> 1:07:03.920
<v Speaker 1>industry is in the Riser. I was standing next to

1:07:03.960 --> 1:07:08.360
<v Speaker 1>Charlomagne and me, and Charlomagne was like, damn right. Then

1:07:08.400 --> 1:07:09.720
<v Speaker 1>he did this ship like you know you've been you

1:07:09.720 --> 1:07:11.080
<v Speaker 1>know how Jay used to do this shit where he

1:07:11.120 --> 1:07:12.600
<v Speaker 1>used to be like he plays songs and cut him off,

1:07:12.600 --> 1:07:15.040
<v Speaker 1>play songs, cut them off. Bro. So I was waiting

1:07:15.040 --> 1:07:16.640
<v Speaker 1>for Drake to do worst Behavior. I'm like, well, now,

1:07:16.720 --> 1:07:18.360
<v Speaker 1>oh you remember he did that during that show where

1:07:18.360 --> 1:07:20.560
<v Speaker 1>he's like it was like I couldn't believe it. No,

1:07:20.640 --> 1:07:22.120
<v Speaker 1>I couldn't believe it. I s would have got you know,

1:07:22.200 --> 1:07:25.480
<v Speaker 1>he did, And that was I was waiting for worst behavior. Yo.

1:07:25.560 --> 1:07:28.120
<v Speaker 1>He put on worst Behavior, and I'm and the great

1:07:28.160 --> 1:07:30.840
<v Speaker 1>thing about being in the rises you can see everything right.

1:07:31.160 --> 1:07:33.800
<v Speaker 1>And I was looking he played that ship for fifteen second.

1:07:33.800 --> 1:07:35.400
<v Speaker 1>He's like, not fucking turn that shit off. I was

1:07:35.440 --> 1:07:38.320
<v Speaker 1>like what And I can't remember what song he played

1:07:38.360 --> 1:07:41.040
<v Speaker 1>after that, but I was like, nah, bro, like, well

1:07:41.080 --> 1:07:43.480
<v Speaker 1>that's like on the tour he did with Migos where

1:07:43.480 --> 1:07:46.480
<v Speaker 1>he was running across the fucking basketball basketball he was

1:07:46.480 --> 1:07:49.960
<v Speaker 1>just run quick. He just did quick features like tan

1:07:50.080 --> 1:07:51.800
<v Speaker 1>in a row and like was like, I just want

1:07:51.800 --> 1:07:54.120
<v Speaker 1>to remind y'all like, oh yeah, it was all, but

1:07:54.160 --> 1:07:56.320
<v Speaker 1>this is what I'm saying. I think like the thing

1:07:56.360 --> 1:07:59.600
<v Speaker 1>is like all right, look yeah, if you a Jay

1:07:59.720 --> 1:08:03.480
<v Speaker 1>fan and you I'm a Biggie fan J fan. We

1:08:03.520 --> 1:08:06.240
<v Speaker 1>also didn't mention Jay's best just discography and hip hop history,

1:08:06.240 --> 1:08:10.120
<v Speaker 1>which is crazy. He's no but he he's him and

1:08:10.200 --> 1:08:14.000
<v Speaker 1>Kanye for being fair or Drake, but I put Kanye

1:08:14.040 --> 1:08:16.040
<v Speaker 1>gets a slight edge just because of producing. He gets

1:08:16.040 --> 1:08:19.280
<v Speaker 1>a slight edge, right, I agree? But yeah, J right, Like,

1:08:19.280 --> 1:08:21.120
<v Speaker 1>because I was having this debate with academics and he

1:08:21.120 --> 1:08:22.680
<v Speaker 1>was talking about hits and he was like, where I'm

1:08:22.680 --> 1:08:24.000
<v Speaker 1>from is not a hit? I'm like, how's it not

1:08:24.040 --> 1:08:26.280
<v Speaker 1>a hit? Right? I'm like, because bro, see you, I

1:08:26.520 --> 1:08:28.960
<v Speaker 1>understand how he could say that But the reason why

1:08:28.960 --> 1:08:30.720
<v Speaker 1>he says that is because you in the era with

1:08:30.800 --> 1:08:32.599
<v Speaker 1>fifty cent have fucked up everything with the sales shit,

1:08:32.880 --> 1:08:35.519
<v Speaker 1>where y'all equate how you interpret music based on what

1:08:35.560 --> 1:08:38.280
<v Speaker 1>it sells. So when well, I didn't know what gold

1:08:38.280 --> 1:08:41.120
<v Speaker 1>of platinum even meant at all. I didn't know that

1:08:41.160 --> 1:08:42.920
<v Speaker 1>it meant selling a million when I was a kid,

1:08:43.479 --> 1:08:45.920
<v Speaker 1>Like think about fucking dark and hell is hot, bro,

1:08:46.479 --> 1:08:48.679
<v Speaker 1>I didn't know, you know, dark, Flesh of my Flesh,

1:08:48.680 --> 1:08:50.479
<v Speaker 1>Blood on my Blood. So three hundred and eighty seven

1:08:50.520 --> 1:08:52.400
<v Speaker 1>thousand records the first week and did not have a

1:08:52.439 --> 1:08:54.920
<v Speaker 1>single or a video that was both in the same year,

1:08:55.280 --> 1:08:57.720
<v Speaker 1>both in this is what I'm saying. It's like, so

1:08:57.840 --> 1:08:59.960
<v Speaker 1>I didn't know nothing about the sale shit, But people

1:09:00.200 --> 1:09:06.479
<v Speaker 1>like X ship was like Billboard. I'm like, so you

1:09:06.680 --> 1:09:10.840
<v Speaker 1>let these people have no face, their system determined what's

1:09:10.840 --> 1:09:13.080
<v Speaker 1>the best ship? Ever? Nah? Like you know what I mean,

1:09:13.240 --> 1:09:16.519
<v Speaker 1>because I'm like, yo, Like, if Jay had to go

1:09:16.640 --> 1:09:18.840
<v Speaker 1>hit for hit with somebody, he could go all day.

1:09:18.880 --> 1:09:21.960
<v Speaker 1>But but one thing, I say, separate drink. But Drake,

1:09:22.160 --> 1:09:24.000
<v Speaker 1>nobody can go hit for him with Drake. The problem

1:09:24.040 --> 1:09:25.960
<v Speaker 1>with Drake is Drake gonna start pulling them ships from

1:09:25.960 --> 1:09:30.599
<v Speaker 1>half court, like Steph, you're gonna start pulling that shit

1:09:30.600 --> 1:09:33.200
<v Speaker 1>from half court. And I still put I still have

1:09:33.760 --> 1:09:36.000
<v Speaker 1>in my book Jay over Drake. Of course, of course

1:09:36.120 --> 1:09:40.040
<v Speaker 1>he's I think with Drake, I think I think Drake

1:09:40.720 --> 1:09:43.720
<v Speaker 1>is kind of like you said, how Steph Curry kind

1:09:43.720 --> 1:09:45.360
<v Speaker 1>of came through and it's just like not fair with

1:09:45.439 --> 1:09:47.880
<v Speaker 1>the change he changed the way the game's played, to

1:09:47.960 --> 1:09:52.240
<v Speaker 1>change with the games. I think Drake has some things

1:09:52.240 --> 1:09:56.040
<v Speaker 1>you could say about him. Obviously the writing ship, you know, yeah.

1:09:56.439 --> 1:09:58.200
<v Speaker 1>I also look at the way he responded to that

1:09:58.280 --> 1:10:00.519
<v Speaker 1>and kind of like low Ki had me his career

1:10:00.520 --> 1:10:02.640
<v Speaker 1>in a little chocol for a while, you know, like

1:10:04.080 --> 1:10:06.000
<v Speaker 1>and but then I look at Drake and the push

1:10:06.080 --> 1:10:08.120
<v Speaker 1>a thing, and how I was so disappointed that Drake

1:10:08.200 --> 1:10:10.960
<v Speaker 1>never replied to push his fucking freestyles. Bro I ain't

1:10:10.960 --> 1:10:13.880
<v Speaker 1>gonna lie though. It's like it was like he was

1:10:13.920 --> 1:10:16.479
<v Speaker 1>in a very tough position. But I always used to say,

1:10:16.479 --> 1:10:17.800
<v Speaker 1>you know what I always just say about Drake. I

1:10:17.840 --> 1:10:19.559
<v Speaker 1>used to before him and push you at his issues.

1:10:19.680 --> 1:10:21.400
<v Speaker 1>I used to always say, like he needed to do

1:10:21.439 --> 1:10:24.240
<v Speaker 1>a takeover, just attack everybody, he needed to just make

1:10:24.240 --> 1:10:26.280
<v Speaker 1>a record. I always wanted Drake to make kind of

1:10:26.320 --> 1:10:29.880
<v Speaker 1>like Kendrick's controllers, but he didn't. Kendrick then attack people, right,

1:10:29.920 --> 1:10:32.760
<v Speaker 1>but he definitely he caught everybody. He was being nice. Yeah,

1:10:33.000 --> 1:10:35.080
<v Speaker 1>it was. It was a polite Hey guys, I'm better

1:10:35.120 --> 1:10:38.040
<v Speaker 1>than y'all. But I really feel like I don't know Kendrick,

1:10:38.120 --> 1:10:40.160
<v Speaker 1>but I really feel like Kendrick believed that nobody could

1:10:40.160 --> 1:10:42.880
<v Speaker 1>fuck with him. I think that's still nobody. I don't

1:10:43.040 --> 1:10:46.000
<v Speaker 1>I feel like rapping, but at the same time, that's

1:10:46.000 --> 1:10:48.280
<v Speaker 1>what I'm saying. It's like when you start getting in

1:10:48.320 --> 1:10:51.080
<v Speaker 1>the bars and quotables and hip hop is not just

1:10:51.160 --> 1:10:54.960
<v Speaker 1>based on that. It's based on everything. It's based on everything.

1:10:54.960 --> 1:10:56.599
<v Speaker 1>It's based on your presence and all that. And like

1:10:56.760 --> 1:10:59.240
<v Speaker 1>it's like, now, bro, it's like the NBA. I'd be like, yo,

1:10:59.240 --> 1:11:01.800
<v Speaker 1>they might as well just make the NBA the Christmas Game,

1:11:01.840 --> 1:11:03.920
<v Speaker 1>the All Star Game in the playoffs because nobody plays

1:11:03.960 --> 1:11:06.240
<v Speaker 1>no more. I know, y'all got injuries and ship, but

1:11:06.280 --> 1:11:08.880
<v Speaker 1>nobody don't fucking play this ship is crazy. And it's

1:11:08.960 --> 1:11:10.960
<v Speaker 1>like that's how feeling about hip hop now. It's like

1:11:11.240 --> 1:11:14.160
<v Speaker 1>people don't play as much as they used to. It's like, uh,

1:11:15.040 --> 1:11:18.000
<v Speaker 1>we're growing up after we get a Woo Tang album,

1:11:18.040 --> 1:11:20.400
<v Speaker 1>and then we get all these albums in between, and

1:11:20.439 --> 1:11:22.679
<v Speaker 1>then another woos Sang album and more albums in between,

1:11:22.760 --> 1:11:26.360
<v Speaker 1>and then another Wooing album. They still holding his face locks.

1:11:26.520 --> 1:11:30.679
<v Speaker 1>They did the same ship Locks album, Jadakiss Styles Chic,

1:11:31.320 --> 1:11:35.360
<v Speaker 1>then d Block compilation, Jada Kiss again, and Styles and Chic.

1:11:36.160 --> 1:11:38.280
<v Speaker 1>They kept doing They kept doing it all our favorite

1:11:38.280 --> 1:11:41.360
<v Speaker 1>sucking the dog paumd Bro snooping them like snoop after

1:11:41.400 --> 1:11:43.280
<v Speaker 1>he brought the dog Panty brought I had. I bought

1:11:43.280 --> 1:11:45.960
<v Speaker 1>that east side of his album Aum was fired, Eastide

1:11:45.960 --> 1:11:50.320
<v Speaker 1>I Sleeping Goldie Logan Trading. They had dress on it,

1:11:50.400 --> 1:11:51.639
<v Speaker 1>you know what I'm saying. But I bought that east

1:11:51.640 --> 1:11:54.840
<v Speaker 1>side of the album. Like they kept it consistent consistent.

1:11:54.920 --> 1:11:57.840
<v Speaker 1>Now it's like the incause you want to be like

1:11:57.880 --> 1:12:01.080
<v Speaker 1>you consistent when you drop, but you dropped. It's like

1:12:01.080 --> 1:12:03.040
<v Speaker 1>a solar clips, you know what I mean. Now, it's

1:12:03.040 --> 1:12:05.679
<v Speaker 1>like we gotta wait so long and yeah, but that's

1:12:05.720 --> 1:12:07.960
<v Speaker 1>the only thing with Like, I hope this next Kendrick

1:12:08.000 --> 1:12:11.479
<v Speaker 1>album is crazy, I think. But that's the though. It's

1:12:11.960 --> 1:12:14.160
<v Speaker 1>it's a gifting occurs because it's like for me, I

1:12:14.160 --> 1:12:16.960
<v Speaker 1>don't I'm not expecting, like, I don't think that Kendrick

1:12:17.000 --> 1:12:19.280
<v Speaker 1>can outdo himself. I just think that every time he

1:12:19.360 --> 1:12:21.519
<v Speaker 1>does something that hasn't been done, he doesn't out Like

1:12:21.520 --> 1:12:24.720
<v Speaker 1>I don't feel like good Caad Mass City, Good Kid Mass.

1:12:24.720 --> 1:12:26.320
<v Speaker 1>He is one of the greatest albums of all time,

1:12:26.479 --> 1:12:30.439
<v Speaker 1>facts or in any genre. I agree, but like when

1:12:30.439 --> 1:12:33.080
<v Speaker 1>you get to to Pimple Butterfly, I can't compare it

1:12:33.160 --> 1:12:36.040
<v Speaker 1>to because there he was doing something totally different Butterfly

1:12:36.240 --> 1:12:38.160
<v Speaker 1>the way he did it on a high level. Yeah,

1:12:38.640 --> 1:12:40.920
<v Speaker 1>then damn, damn a classic album. I'm give a fuck

1:12:40.960 --> 1:12:42.960
<v Speaker 1>with nobody saying I think. I mean, I think all

1:12:43.000 --> 1:12:46.280
<v Speaker 1>three Kendrick albums are classics. And let's not in Section eighty.

1:12:46.360 --> 1:12:48.479
<v Speaker 1>Let's not like that was sweet. Section eighty was officially

1:12:48.520 --> 1:12:50.840
<v Speaker 1>an album as well, so you couldn't get that. You

1:12:50.840 --> 1:12:53.080
<v Speaker 1>had to buy that on iTunes. And like I said,

1:12:53.080 --> 1:12:56.280
<v Speaker 1>like I don't with these artists, it's like we want

1:12:56.280 --> 1:12:58.920
<v Speaker 1>to be entertained, so we don't know, like them sitting

1:12:58.920 --> 1:13:03.080
<v Speaker 1>in stool one hundred hours like oh fuck, trying a

1:13:03.080 --> 1:13:04.920
<v Speaker 1>bunch of shit and saying, I don't know if I'm

1:13:04.920 --> 1:13:07.400
<v Speaker 1>a like Lauren Hill bro it was a reason why

1:13:07.439 --> 1:13:09.080
<v Speaker 1>she on even made one album. She can never do

1:13:09.120 --> 1:13:12.120
<v Speaker 1>that shit again. You could never do it again. And

1:13:12.160 --> 1:13:14.320
<v Speaker 1>that piece of art, though, is one of the greatest

1:13:14.439 --> 1:13:15.800
<v Speaker 1>of all time. But if that's the art that we

1:13:15.840 --> 1:13:17.439
<v Speaker 1>have to accept for and that's what we have, I'm

1:13:17.479 --> 1:13:20.599
<v Speaker 1>cool with that. Do you think Drake? I think everyone

1:13:20.640 --> 1:13:22.679
<v Speaker 1>would say that Take Care is a classic? Not everyone,

1:13:22.720 --> 1:13:26.559
<v Speaker 1>because I personally don't think he's got an undeniable classic. Yeah,

1:13:26.640 --> 1:13:29.360
<v Speaker 1>take his not take his undeniable classic, bro, I'm saying

1:13:29.400 --> 1:13:32.520
<v Speaker 1>just I feel like it's a undeniable I think that

1:13:33.600 --> 1:13:36.639
<v Speaker 1>no, no no, but listen, but listen, Like, I think that

1:13:38.280 --> 1:13:41.919
<v Speaker 1>there's not a consensus amongst everyone that that's a classic.

1:13:42.240 --> 1:13:45.200
<v Speaker 1>I think that I think that I would say it's

1:13:45.240 --> 1:13:50.760
<v Speaker 1>a classic personally, but I don't think it's a consensus, right,

1:13:51.320 --> 1:13:53.679
<v Speaker 1>Like I feel like there's albums like nobody's ever gonna

1:13:53.680 --> 1:13:56.080
<v Speaker 1>tell you Get richard Ie Trent isn't a classic, Like

1:13:56.479 --> 1:13:59.040
<v Speaker 1>anybody who you respecting hip hop would never ever say,

1:13:59.240 --> 1:14:02.800
<v Speaker 1>but they're not tell you why it's our standard. We're

1:14:02.800 --> 1:14:04.840
<v Speaker 1>from the same I'm only a couple years older than you,

1:14:04.920 --> 1:14:07.160
<v Speaker 1>but we're from the same era of when we learned

1:14:07.200 --> 1:14:09.559
<v Speaker 1>this idea of what the classic was, and then we

1:14:09.640 --> 1:14:12.000
<v Speaker 1>think about our classics. I used to think like, if

1:14:12.080 --> 1:14:14.559
<v Speaker 1>you can't make something the same as the infamous, it's

1:14:14.560 --> 1:14:17.040
<v Speaker 1>not classic. If you can't make the same as reasonable doubt,

1:14:17.080 --> 1:14:20.719
<v Speaker 1>it's not classic. And that's content is the subject matter

1:14:20.800 --> 1:14:22.840
<v Speaker 1>is the singles and all of that only built for

1:14:22.920 --> 1:14:26.360
<v Speaker 1>Cuban links. Music has changed, but I think since since

1:14:26.439 --> 1:14:28.840
<v Speaker 1>Drakes come out, there's been classic albums that have came out.

1:14:29.320 --> 1:14:33.640
<v Speaker 1>So even though it's like two records on there, it's like,

1:14:33.680 --> 1:14:35.760
<v Speaker 1>what my beautiful dark twist of fantasy good can mad say?

1:14:35.800 --> 1:14:39.360
<v Speaker 1>I mean, we just talked about Kendricks, right, So it's

1:14:39.439 --> 1:14:42.200
<v Speaker 1>other people records on there, like freestyles, but so Far

1:14:42.360 --> 1:14:46.679
<v Speaker 1>Gone Bro So Far Gone is a classic body of work.

1:14:47.000 --> 1:14:50.760
<v Speaker 1>I mean undeniable, that's undeniable. I think that when Drake

1:14:50.840 --> 1:14:53.720
<v Speaker 1>came out with the singing shit, everybody was like, oh

1:14:53.800 --> 1:14:55.519
<v Speaker 1>he saw for he is so he that So they

1:14:55.640 --> 1:14:57.599
<v Speaker 1>was because hip hop was in a weird ass space.

1:14:58.160 --> 1:15:01.080
<v Speaker 1>So it's like they say he not hip hop. Like

1:15:01.120 --> 1:15:04.680
<v Speaker 1>people consider Drake like you still got an army of

1:15:04.880 --> 1:15:08.680
<v Speaker 1>like a fucking organization or army of people that still say, well,

1:15:08.760 --> 1:15:13.120
<v Speaker 1>Drake's not hip hop because he sings right, and I

1:15:13.240 --> 1:15:16.120
<v Speaker 1>just look at it. I didn't wasn't in that crowd,

1:15:16.120 --> 1:15:17.960
<v Speaker 1>but I used to look at it like, well, he

1:15:18.040 --> 1:15:20.439
<v Speaker 1>need to just make a whole album rapping, but he

1:15:20.800 --> 1:15:24.599
<v Speaker 1>doesn't because it'd be nice though. Why though, but because

1:15:24.640 --> 1:15:27.200
<v Speaker 1>look we rusted that chompipe and I was like, this

1:15:27.240 --> 1:15:29.559
<v Speaker 1>is great. He's shutting people up. Yeah, but I feel

1:15:29.600 --> 1:15:33.480
<v Speaker 1>like Russ got more to proved than Drake. Definitely, Yeah,

1:15:33.200 --> 1:15:36.120
<v Speaker 1>thats bro. Anybody who meet Russ, if you never knew

1:15:36.120 --> 1:15:37.679
<v Speaker 1>who was, Like if I took rest of my hood,

1:15:37.720 --> 1:15:41.559
<v Speaker 1>somebody I wouldn't say, like, they'd be like, yo, cool guy.

1:15:41.640 --> 1:15:42.920
<v Speaker 1>But you know, I just mean like, if no one

1:15:43.000 --> 1:15:44.519
<v Speaker 1>knew who he was, they'd be like, why you got

1:15:44.520 --> 1:15:46.360
<v Speaker 1>this white boy with long hair? Yeah? But then you

1:15:46.400 --> 1:15:48.559
<v Speaker 1>hear he grap his ass off. But that's what I'm saying.

1:15:48.600 --> 1:15:51.760
<v Speaker 1>It's like he got more approved than Drake. You're saying

1:15:51.800 --> 1:15:53.679
<v Speaker 1>Drake doesn't have to do that because he's already got.

1:15:53.760 --> 1:15:56.880
<v Speaker 1>I feel like, I feel like for the people who

1:15:56.960 --> 1:16:00.400
<v Speaker 1>feel like he had, he's never gonna make them happy.

1:16:00.680 --> 1:16:04.920
<v Speaker 1>They're never go yeah, because like honestly, even with me,

1:16:05.120 --> 1:16:07.759
<v Speaker 1>because me and academics have had a lot of Drake debates,

1:16:07.840 --> 1:16:10.200
<v Speaker 1>especially with the whole ship and all of that, and like,

1:16:10.680 --> 1:16:12.800
<v Speaker 1>I had to start looking. I took a lot of

1:16:12.840 --> 1:16:15.720
<v Speaker 1>my Like I love Drake as an artist, Like I've

1:16:15.720 --> 1:16:18.240
<v Speaker 1>listened to every one of his albums, all of them, Like,

1:16:18.400 --> 1:16:20.040
<v Speaker 1>I mean, the only one I don't like is What's

1:16:20.040 --> 1:16:22.240
<v Speaker 1>the first one? Thank Me Later? I don't like that album.

1:16:22.560 --> 1:16:24.559
<v Speaker 1>It had like four joints on it. I wasn't crazy

1:16:24.560 --> 1:16:29.080
<v Speaker 1>about more Life. I always crazy about life neither. But like,

1:16:30.240 --> 1:16:32.000
<v Speaker 1>but I hate I hate the fact that, if you're

1:16:32.000 --> 1:16:34.320
<v Speaker 1>reading this too late, is oh no, that's a mixtape.

1:16:34.320 --> 1:16:37.479
<v Speaker 1>No it's not. It's a fucking album. I can't enjoy

1:16:37.479 --> 1:16:43.280
<v Speaker 1>that album the way everyone else does because, Bro, but

1:16:43.280 --> 1:16:46.519
<v Speaker 1>but that album is like some of his best, especially

1:16:46.760 --> 1:16:49.559
<v Speaker 1>just rapping. We just don't know who wrote it, you

1:16:49.600 --> 1:16:51.040
<v Speaker 1>know what I'm saying. I know, but I ain't on

1:16:51.120 --> 1:16:54.320
<v Speaker 1>front nowadays the people that everybody writing for them, I don't.

1:16:54.520 --> 1:16:56.439
<v Speaker 1>I got over that, Bro, I had to get over it.

1:16:56.439 --> 1:16:58.439
<v Speaker 1>It's tough. I had to get over it, because Bro,

1:16:58.560 --> 1:17:01.280
<v Speaker 1>it's a different era when you being come on, bro,

1:17:01.280 --> 1:17:03.160
<v Speaker 1>you be in these studios. Well also you know how

1:17:03.160 --> 1:17:05.519
<v Speaker 1>it is because you you're in studio sessions, and you

1:17:05.640 --> 1:17:08.479
<v Speaker 1>realize everyone gets help, everybody, whether it's the homie in

1:17:08.520 --> 1:17:11.639
<v Speaker 1>the corner who's like feed you in line. Because but

1:17:11.640 --> 1:17:13.600
<v Speaker 1>but we come from that era of like if you

1:17:13.720 --> 1:17:15.080
<v Speaker 1>was in the if you was in the lunch room,

1:17:15.120 --> 1:17:18.280
<v Speaker 1>and you think Kendrick's getting help, I don't know. I

1:17:18.320 --> 1:17:20.000
<v Speaker 1>don't know, man, I don't think. I don't know. Bro,

1:17:20.080 --> 1:17:21.960
<v Speaker 1>I'm gonna keep it a hundred. I'm not I would.

1:17:21.960 --> 1:17:24.719
<v Speaker 1>I wouldn't say he is. Probably I would probably shut

1:17:24.720 --> 1:17:26.200
<v Speaker 1>the thugs in on the inside, like you know what

1:17:26.240 --> 1:17:27.880
<v Speaker 1>I mean. Yeah, my argument because I'm glad you say

1:17:27.960 --> 1:17:29.920
<v Speaker 1>Kendrick's in your top five because I always tell people

1:17:29.920 --> 1:17:32.320
<v Speaker 1>who have Biggie in their top five as well. I'm like, look,

1:17:32.920 --> 1:17:35.640
<v Speaker 1>Biggie deserves to be in that conversation. But while he

1:17:35.960 --> 1:17:39.240
<v Speaker 1>we got two albums from him, and they were both classics,

1:17:40.000 --> 1:17:43.719
<v Speaker 1>Kendrick we've got if I can argue section eighty's a classic,

1:17:43.760 --> 1:17:46.439
<v Speaker 1>but let's say take it section eighty three. He's got

1:17:46.439 --> 1:17:49.439
<v Speaker 1>three undenials not missed. He hasn't missed. So if you're

1:17:49.439 --> 1:17:52.000
<v Speaker 1>gonna put Biggie in that conversation off a two albums,

1:17:52.000 --> 1:17:54.000
<v Speaker 1>you gotta put Kendrick in that conversation with the greatest

1:17:54.000 --> 1:17:57.640
<v Speaker 1>all time. Yeah. Absolutely, But I see the thing is

1:17:57.760 --> 1:18:02.840
<v Speaker 1>is like, bro, we all realized how great people are

1:18:02.840 --> 1:18:05.080
<v Speaker 1>when they're gone. You know what I'm saying, Like, we

1:18:05.120 --> 1:18:07.519
<v Speaker 1>all realized how great people are when they're going. It's like,

1:18:08.040 --> 1:18:11.080
<v Speaker 1>you look at DMX, right, and I wouldn't be mad

1:18:11.120 --> 1:18:13.240
<v Speaker 1>if somebody had DMX's they number one on they Top five.

1:18:13.280 --> 1:18:16.240
<v Speaker 1>Of course, when I was a kid for two years

1:18:16.280 --> 1:18:18.840
<v Speaker 1>as a child, probably three years, DMX was my favorite

1:18:18.880 --> 1:18:20.519
<v Speaker 1>rapper in the world. I'm not even gonna lie and

1:18:20.600 --> 1:18:23.519
<v Speaker 1>admit this to you. The Hard Knocked Life Tour, that

1:18:23.600 --> 1:18:27.040
<v Speaker 1>Backstage movie when I was there, we probably stayed for

1:18:27.120 --> 1:18:29.599
<v Speaker 1>two of jay Z's songs and then went home. Bro,

1:18:30.840 --> 1:18:34.040
<v Speaker 1>we were there to see DMX. I did not understand

1:18:34.080 --> 1:18:35.840
<v Speaker 1>for the life of me why DMX was going on

1:18:35.880 --> 1:18:38.880
<v Speaker 1>before jay Z, and at that time that was volume two.

1:18:38.880 --> 1:18:40.920
<v Speaker 1>Hold yeah, that he had had them records. It was

1:18:41.360 --> 1:18:42.840
<v Speaker 1>it was they toil and he had them records, right.

1:18:43.080 --> 1:18:44.640
<v Speaker 1>That's like I remember jay came out, he had the

1:18:44.680 --> 1:18:47.639
<v Speaker 1>car on stage, and I was like my cousin was like, hey,

1:18:47.640 --> 1:18:48.880
<v Speaker 1>you want to go home and beat the traffic? And

1:18:48.880 --> 1:18:50.800
<v Speaker 1>I was like we already saw DMX, metha Man and

1:18:50.840 --> 1:18:53.160
<v Speaker 1>Redmond were just flying through the fucking sky. Let's go home.

1:18:53.840 --> 1:18:57.000
<v Speaker 1>That's like, bro, like, who I like, what's this? That's like,

1:18:57.000 --> 1:18:59.080
<v Speaker 1>I don't give nobody say like Future in my top ten.

1:18:59.200 --> 1:19:01.479
<v Speaker 1>I don't even know my top this Future in it. Really,

1:19:01.640 --> 1:19:04.400
<v Speaker 1>I swear to guy, Bro, I don't care what nobody say.

1:19:04.800 --> 1:19:06.920
<v Speaker 1>Ain't no Dick Ryan and none of that. I love Future,

1:19:06.960 --> 1:19:09.040
<v Speaker 1>I know, I love I love Future, but I want

1:19:09.040 --> 1:19:11.280
<v Speaker 1>to put I mean, I think for what he does,

1:19:11.320 --> 1:19:12.640
<v Speaker 1>he's the greatest of all time. I don't know if

1:19:12.640 --> 1:19:15.280
<v Speaker 1>there's a better club like club rapper you just want.

1:19:15.400 --> 1:19:17.040
<v Speaker 1>But see this the thing. I don't even want to

1:19:17.040 --> 1:19:20.880
<v Speaker 1>put him in club rapper because that's people always equate Future.

1:19:20.920 --> 1:19:24.040
<v Speaker 1>That's just a club rapper Future. His music is street ship.

1:19:24.640 --> 1:19:28.679
<v Speaker 1>So he got some bro I know, but I'm talking

1:19:28.680 --> 1:19:31.280
<v Speaker 1>about he got songs with like one of my favorite

1:19:31.560 --> 1:19:35.200
<v Speaker 1>songs from Futures made myself like Streets Calling that mixtape,

1:19:35.240 --> 1:19:37.920
<v Speaker 1>Streets Calling got mad Future shit on it where he rapping,

1:19:38.479 --> 1:19:41.200
<v Speaker 1>and people never got onto that because they just got

1:19:41.200 --> 1:19:43.280
<v Speaker 1>on the fucking at the same damn time and it

1:19:43.320 --> 1:19:45.240
<v Speaker 1>was just held on it that and never listen to shit.

1:19:45.840 --> 1:19:48.280
<v Speaker 1>If you got the tolerance or the time to listen

1:19:48.360 --> 1:19:50.680
<v Speaker 1>to future, canny fuck with Kendrick as a rapper. No,

1:19:51.080 --> 1:19:53.360
<v Speaker 1>not saying that by no means, but if you listen

1:19:53.360 --> 1:19:56.120
<v Speaker 1>to what he's saying and you like rap, you'd be like, oh,

1:19:56.120 --> 1:19:57.840
<v Speaker 1>he got some ship in there, same as Thug. I

1:19:57.840 --> 1:20:00.360
<v Speaker 1>feel the same way about Thug. I put low key

1:20:00.400 --> 1:20:04.559
<v Speaker 1>put Thug above future. No, no, no, no, I'll take

1:20:04.600 --> 1:20:08.280
<v Speaker 1>futures catalog. I just think that. I just think young

1:20:08.360 --> 1:20:13.400
<v Speaker 1>Thug has I mean, futures are very versus how artists,

1:20:13.439 --> 1:20:15.640
<v Speaker 1>but I feel like I've heard Thug like some of

1:20:15.680 --> 1:20:18.400
<v Speaker 1>his inflections and ship. I just don't know if anyone

1:20:18.439 --> 1:20:20.559
<v Speaker 1>else can pull off some of the ship young Thug does.

1:20:20.840 --> 1:20:23.000
<v Speaker 1>They can't. People can do it. People can do a

1:20:23.080 --> 1:20:26.639
<v Speaker 1>cheap future impersonation. It's to me, no, they can't. Bro

1:20:27.080 --> 1:20:30.679
<v Speaker 1>they can't. To me, Thug is like so the way

1:20:30.720 --> 1:20:35.080
<v Speaker 1>he changes the beats for real, don't that's fair? Future

1:20:35.120 --> 1:20:37.479
<v Speaker 1>like listening to Gangland, and like I said, I'm not saying,

1:20:37.520 --> 1:20:40.639
<v Speaker 1>listen to Gangland and say this verse is not better

1:20:40.680 --> 1:20:43.200
<v Speaker 1>than conways. I've been waiting for someone to put future

1:20:43.240 --> 1:20:45.760
<v Speaker 1>up in the verses too. I'm like, man, who play

1:20:45.760 --> 1:20:47.400
<v Speaker 1>with him? I don't know who. I don't know who

1:20:47.439 --> 1:20:49.720
<v Speaker 1>could bro. People don't even You see when he was

1:20:49.720 --> 1:20:51.840
<v Speaker 1>making that room about Travis Scott and then the meme start,

1:20:51.880 --> 1:20:54.240
<v Speaker 1>Oh yeah, Travis to get washed and I love Travis,

1:20:54.280 --> 1:20:58.000
<v Speaker 1>but not against future future Brow Travis and young Thug

1:20:58.040 --> 1:21:02.800
<v Speaker 1>would be good. That would be a good one. Travis, Travis, Travis,

1:21:03.200 --> 1:21:06.120
<v Speaker 1>but future Bro they can't follow the future. So you

1:21:06.120 --> 1:21:08.280
<v Speaker 1>got them top ten all time? Hell yeah, I got

1:21:09.080 --> 1:21:12.320
<v Speaker 1>because my ratchet. But that's what I'm saying, your personal favorites.

1:21:13.760 --> 1:21:15.880
<v Speaker 1>That's your favorite, like like in your favorites, it's not

1:21:15.920 --> 1:21:18.439
<v Speaker 1>necessarily like who you think is the greatest of all time. Yeah,

1:21:18.439 --> 1:21:20.479
<v Speaker 1>it's not what I think is just your favorite. Yeah,

1:21:20.479 --> 1:21:22.519
<v Speaker 1>he's my He's one of my favorite artists ever. But

1:21:22.600 --> 1:21:26.040
<v Speaker 1>so is Ludacris. So is t I Man, Ludacris, so

1:21:26.160 --> 1:21:29.400
<v Speaker 1>is Young Buck would have loved album Young Bucks first

1:21:29.400 --> 1:21:32.280
<v Speaker 1>two second album, The World was one of the most

1:21:32.320 --> 1:21:36.040
<v Speaker 1>slept on albums ever made. The World is fucking was

1:21:36.080 --> 1:21:37.920
<v Speaker 1>that they had the prices on my head record was

1:21:37.920 --> 1:21:40.400
<v Speaker 1>that on the first the first Yeah, but the second

1:21:40.479 --> 1:21:44.000
<v Speaker 1>album had some ships and that no one no one

1:21:44.000 --> 1:21:46.679
<v Speaker 1>ever talks about Buck the world, Bro, Buck the World

1:21:46.880 --> 1:21:49.400
<v Speaker 1>is hard. That was one that's probably one of the

1:21:49.439 --> 1:21:51.679
<v Speaker 1>saddest things in hip hop for me was that young

1:21:51.720 --> 1:21:54.840
<v Speaker 1>Buck never really kind of like he should have kept going.

1:21:54.920 --> 1:21:57.880
<v Speaker 1>Man Luda was that dude though. I'm so glad to

1:21:57.880 --> 1:22:00.280
<v Speaker 1>hear Luda on that new record with Conway and that

1:22:00.280 --> 1:22:04.400
<v Speaker 1>ship was yeah, and he held his own Nah, absolutely absolutely.

1:22:04.479 --> 1:22:07.040
<v Speaker 1>I mean Luda, Bro. I think Luda is a mask.

1:22:07.240 --> 1:22:10.559
<v Speaker 1>Like people don't be knowing. It's like I equate Lula

1:22:10.640 --> 1:22:12.479
<v Speaker 1>like ice cube. Bro, He's the same thing as ice cube.

1:22:12.920 --> 1:22:14.960
<v Speaker 1>Like when my when my son seeing straight out of Compton,

1:22:15.400 --> 1:22:18.479
<v Speaker 1>he was like, that's ice cube, Like he couldn't believe it.

1:22:18.479 --> 1:22:21.360
<v Speaker 1>He was like, that's how you got it from Yeah,

1:22:21.479 --> 1:22:24.120
<v Speaker 1>from Friday. We did that Friday all. I'm like, yeah,

1:22:24.280 --> 1:22:26.439
<v Speaker 1>all about the Benjamin Like, yeah, that's ice Cube. Like

1:22:26.840 --> 1:22:28.400
<v Speaker 1>they don't but I would have. I would have took

1:22:28.400 --> 1:22:30.120
<v Speaker 1>the same route Lula, did you know what I mean?

1:22:30.160 --> 1:22:33.320
<v Speaker 1>But Luda? People act like man Luda when he did

1:22:34.080 --> 1:22:36.479
<v Speaker 1>What's the Ship that Ron Browns did for him? Blow

1:22:36.479 --> 1:22:39.719
<v Speaker 1>it out your ass like dumb joints LU the first album,

1:22:41.160 --> 1:22:47.160
<v Speaker 1>the first than Red Light DISTRICTT. What's the drink? Chicken? Yeah, chicken, beer,

1:22:47.200 --> 1:22:50.880
<v Speaker 1>chicken and beer. Luda had bro he hits, hits, hits, hits,

1:22:52.720 --> 1:22:56.720
<v Speaker 1>any corrap with you? What's so this new podcast is

1:22:57.600 --> 1:22:59.240
<v Speaker 1>just one of the new things that you have coming.

1:22:59.439 --> 1:23:02.400
<v Speaker 1>It's just one new things. I don't I don't really

1:23:02.439 --> 1:23:05.760
<v Speaker 1>talk about like inkas dry on certain shit. But I

1:23:05.800 --> 1:23:09.600
<v Speaker 1>don't let I let the work speak for itself. You know,

1:23:10.240 --> 1:23:12.800
<v Speaker 1>I do got some shit coming. I'm just I'm I'm

1:23:12.840 --> 1:23:15.840
<v Speaker 1>still learning, bro, Like you know, the media career is

1:23:15.840 --> 1:23:18.720
<v Speaker 1>giving me a new life and I'm only three years in.

1:23:19.240 --> 1:23:23.080
<v Speaker 1>I'm set, I'm on my music. Shit, I'm twenty in, right,

1:23:23.160 --> 1:23:27.519
<v Speaker 1>I mean I started at shit eighteen, so I'm twenty in.

1:23:27.560 --> 1:23:31.080
<v Speaker 1>I'm thirty eight. Not consistent, but I'm still like making

1:23:31.160 --> 1:23:33.920
<v Speaker 1>up for the lost time I had. So I'm learning

1:23:33.960 --> 1:23:37.040
<v Speaker 1>new shit. I'm working with new people. I got different perspectives.

1:23:37.040 --> 1:23:40.040
<v Speaker 1>I'm building new things, new ideas. I'm building a merch

1:23:40.120 --> 1:23:43.320
<v Speaker 1>line for my company, Try and Go Offense, which was

1:23:43.520 --> 1:23:45.240
<v Speaker 1>you know, my label, That's what Dave was signed to

1:23:45.840 --> 1:23:48.320
<v Speaker 1>as a a management client, but I changed it to

1:23:48.439 --> 1:23:52.720
<v Speaker 1>not just management and production company, to an aspirational inspirational

1:23:53.080 --> 1:23:55.800
<v Speaker 1>lifestyle brand because like I want to inspire, you know,

1:23:55.880 --> 1:23:59.080
<v Speaker 1>I mean I want to aspire to inspire, Like it's

1:23:59.160 --> 1:24:02.000
<v Speaker 1>my duty for me to make people feel like they can.

1:24:02.280 --> 1:24:04.240
<v Speaker 1>That's why I started my podcast. I look at I think,

1:24:04.240 --> 1:24:07.160
<v Speaker 1>what's about your podcast is it's kind of needed in

1:24:07.200 --> 1:24:08.960
<v Speaker 1>this space. I think we get a lot of that

1:24:09.000 --> 1:24:12.920
<v Speaker 1>from like Wallow's Instagram. Yeah, I love it. Real quick,

1:24:12.920 --> 1:24:13.920
<v Speaker 1>I tell you about that, you know what I mean.

1:24:13.960 --> 1:24:16.080
<v Speaker 1>Times Wallow cursed me out about doing the podcast. BROA

1:24:16.320 --> 1:24:18.599
<v Speaker 1>Wallow was on my ass. Bro, I'll tell you one

1:24:18.600 --> 1:24:22.200
<v Speaker 1>time Wallow And of course I met him through social media,

1:24:22.240 --> 1:24:23.840
<v Speaker 1>but we got a lot of mutual friends in Philly,

1:24:23.880 --> 1:24:26.400
<v Speaker 1>a lot of mutual friends. And Wallow called me one

1:24:26.439 --> 1:24:28.240
<v Speaker 1>day and was like, wait, no, I'm telling you right now, Bro,

1:24:28.280 --> 1:24:30.360
<v Speaker 1>you're leaving so much money on the table. And he like,

1:24:30.439 --> 1:24:32.000
<v Speaker 1>not just the money, but bro, he like, it's all

1:24:32.040 --> 1:24:33.759
<v Speaker 1>these different things that you could do once you start.

1:24:33.880 --> 1:24:36.559
<v Speaker 1>And he was telling me, but Willow talk fast, and

1:24:36.600 --> 1:24:39.439
<v Speaker 1>he he gave me one call like every couple months,

1:24:39.760 --> 1:24:41.360
<v Speaker 1>and he left me with that, and I was like,

1:24:41.720 --> 1:24:42.920
<v Speaker 1>how do I do it? And I was scared to

1:24:42.920 --> 1:24:44.320
<v Speaker 1>do it. I'm not gonna lie, bro, I'm not gonna

1:24:44.320 --> 1:24:47.519
<v Speaker 1>act like I was, like, I'm just this invincible person

1:24:47.600 --> 1:24:52.679
<v Speaker 1>that has no flaws and has no what's that insecurities about? Shit?

1:24:52.760 --> 1:24:54.680
<v Speaker 1>Like are they gonna like it? Do they like me?

1:24:55.040 --> 1:24:57.080
<v Speaker 1>Does everybody just like academics on the show and don't

1:24:57.120 --> 1:24:58.360
<v Speaker 1>fuck with me at all? I know he has his

1:24:58.400 --> 1:25:00.320
<v Speaker 1>fan base, but I never built mine. And then I

1:25:00.320 --> 1:25:01.400
<v Speaker 1>was like, you know what, fuck it, I'm gonna just

1:25:01.479 --> 1:25:03.160
<v Speaker 1>jump off this diving board to see what happens. And

1:25:03.200 --> 1:25:05.400
<v Speaker 1>we've been doing. You know, hear Me Out with Wayne

1:25:05.400 --> 1:25:08.840
<v Speaker 1>O is every Thursday. I'm saying Instagram is hear me

1:25:08.880 --> 1:25:11.439
<v Speaker 1>out with Wayne O? It's the twitters hear me out?

1:25:11.520 --> 1:25:14.240
<v Speaker 1>I mean, hear me wayno. And we're just gonna go,

1:25:14.520 --> 1:25:15.880
<v Speaker 1>you know what I mean. We're gonna go and I'm

1:25:15.880 --> 1:25:18.040
<v Speaker 1>gonna have like I will have. I would love to

1:25:18.040 --> 1:25:19.760
<v Speaker 1>have you on a on a podcast, but we do.

1:25:20.040 --> 1:25:21.720
<v Speaker 1>It's not gonna be so much centered around you. I

1:25:21.800 --> 1:25:23.240
<v Speaker 1>might just bro you a father like, you know what

1:25:23.240 --> 1:25:25.640
<v Speaker 1>I mean, we might just talk and talk about the

1:25:25.640 --> 1:25:28.000
<v Speaker 1>things that our kids is into. How you feel about

1:25:28.000 --> 1:25:29.880
<v Speaker 1>this issue versus me. What I'm saying, I think it's

1:25:29.880 --> 1:25:32.400
<v Speaker 1>that's missing like and I think that, Like I said,

1:25:32.439 --> 1:25:35.439
<v Speaker 1>we get a lot of that from Wallow and from Billy,

1:25:35.800 --> 1:25:38.080
<v Speaker 1>and from Gilly and and and and I wish they

1:25:38.120 --> 1:25:40.200
<v Speaker 1>would do they. I used to love the podcast with

1:25:40.280 --> 1:25:43.639
<v Speaker 1>No Interviews, and I've been killing the interview us because

1:25:43.640 --> 1:25:46.760
<v Speaker 1>they make people so comfortable. Bro there, I tell them

1:25:46.840 --> 1:25:49.719
<v Speaker 1>this all the time, Like their interviews are my favorite.

1:25:49.760 --> 1:25:51.760
<v Speaker 1>I mean, obviously, drink Champs is on a crazy run.

1:25:51.840 --> 1:25:58.000
<v Speaker 1>I love bro Like the cam and the Pharrell interview

1:25:58.000 --> 1:25:59.880
<v Speaker 1>are like two of my favorite interviews ever. I hope

1:25:59.880 --> 1:26:01.160
<v Speaker 1>I get to do a drink and I don't even

1:26:01.200 --> 1:26:02.479
<v Speaker 1>drink like that, but I hope I get to do

1:26:02.520 --> 1:26:05.800
<v Speaker 1>a drink Champs one day, because like when Noori came

1:26:05.840 --> 1:26:08.080
<v Speaker 1>to the the Rockefeller, remember he was signed the Rockefeller. Yo.

1:26:08.200 --> 1:26:10.840
<v Speaker 1>Norri was one of the funniest people I've ever met

1:26:10.880 --> 1:26:13.840
<v Speaker 1>in my life. Though, Oh, because that was like that

1:26:13.960 --> 1:26:16.600
<v Speaker 1>was like when it was like Rockefeller, like reggaetone, like no,

1:26:16.680 --> 1:26:18.599
<v Speaker 1>that was before that. That was before that he signed

1:26:18.640 --> 1:26:20.920
<v Speaker 1>to Regular. That was when Dame Dame has signed them,

1:26:21.080 --> 1:26:23.599
<v Speaker 1>Games Chain and all that, and then he was already there.

1:26:24.160 --> 1:26:27.280
<v Speaker 1>Basically he was signed to Death Jim and Death Jim

1:26:27.439 --> 1:26:31.519
<v Speaker 1>wasn't really moving so and Rockefeller we had distro through

1:26:31.560 --> 1:26:33.519
<v Speaker 1>death jam. So it's just like all right, we could

1:26:33.560 --> 1:26:34.920
<v Speaker 1>take it on and you know what I mean, do

1:26:34.960 --> 1:26:37.080
<v Speaker 1>whatever with him and put the Rockefeller brand around and

1:26:37.120 --> 1:26:39.800
<v Speaker 1>all that. And it's just like I was when I

1:26:39.840 --> 1:26:42.040
<v Speaker 1>was around norriy. I was twenty one, So I don't

1:26:42.080 --> 1:26:44.960
<v Speaker 1>forget nothing that happened because these are like the this

1:26:45.120 --> 1:26:46.920
<v Speaker 1>is fucking Nori, you know what I mean. It's the

1:26:46.960 --> 1:26:49.639
<v Speaker 1>greatest time of my life being around his guys. It's

1:26:49.760 --> 1:26:52.080
<v Speaker 1>mad stories I got would be being around Norry that

1:26:52.080 --> 1:26:56.000
<v Speaker 1>he might not remember. Norri's Yeah. Norri is uh like

1:26:56.040 --> 1:26:58.679
<v Speaker 1>the sweetest dude. But he's also like when you think

1:26:58.720 --> 1:27:00.680
<v Speaker 1>of like some of the stories he's been involved with,

1:27:01.200 --> 1:27:03.599
<v Speaker 1>you're like, we want to Like I always say him,

1:27:03.840 --> 1:27:05.759
<v Speaker 1>him and Fat Joe are like some of the biggest

1:27:05.760 --> 1:27:09.280
<v Speaker 1>goons to ever fucking vat. Yeah, Fat Joe. Fat Joe

1:27:09.400 --> 1:27:12.160
<v Speaker 1>was went to kindergarten with my sister. Yeah, I just

1:27:12.200 --> 1:27:15.200
<v Speaker 1>all I've heard so many like vocal stories about Fat Joe.

1:27:15.200 --> 1:27:16.920
<v Speaker 1>I used to work with DJ DJ christ John when

1:27:16.920 --> 1:27:18.200
<v Speaker 1>I was when I was on the radio on Tampa.

1:27:18.240 --> 1:27:20.840
<v Speaker 1>He used to tell me the craziest Forest projects. Bro

1:27:21.160 --> 1:27:24.120
<v Speaker 1>Fat Joe's story how they would move was like some

1:27:24.200 --> 1:27:28.040
<v Speaker 1>real terrorists the name but the name called terrorst Squad,

1:27:28.200 --> 1:27:31.599
<v Speaker 1>Like Jesus, like, we don't take these brands serious until

1:27:31.640 --> 1:27:35.959
<v Speaker 1>it say smacks mighty head off. Yeah, man state property

1:27:36.240 --> 1:27:39.000
<v Speaker 1>that that that's property of the state. Beans was calling

1:27:39.000 --> 1:27:40.920
<v Speaker 1>the ship criminal records. But I'm just saying, look what

1:27:40.960 --> 1:27:44.559
<v Speaker 1>you manifest when you do that. Feel fortunately, fortunately d

1:27:44.680 --> 1:27:47.559
<v Speaker 1>block you know, d block cell block like it's it's

1:27:48.439 --> 1:27:50.880
<v Speaker 1>I get why because it was authentic to the to

1:27:50.920 --> 1:27:52.519
<v Speaker 1>the artist and a person. But at the same time,

1:27:52.560 --> 1:27:54.559
<v Speaker 1>it's like, now we're getting older, we're not looking at

1:27:54.600 --> 1:27:56.519
<v Speaker 1>it like that. Hey, what was the biggest time you

1:27:56.640 --> 1:27:59.400
<v Speaker 1>ever kind of disagreed with some academic state where you

1:27:59.439 --> 1:28:02.800
<v Speaker 1>kind of had to like, you know nine the six

1:28:02.960 --> 1:28:05.439
<v Speaker 1>nine thing. Yeah, did you guys have off of the

1:28:05.479 --> 1:28:07.880
<v Speaker 1>record conversations about it? We had mad conversations about it,

1:28:07.880 --> 1:28:09.519
<v Speaker 1>but we had we had one conversation. We had one

1:28:09.520 --> 1:28:11.599
<v Speaker 1>conversation that got a little crazy. They had to take

1:28:11.600 --> 1:28:13.840
<v Speaker 1>a lot of it out. I was wild on video.

1:28:15.160 --> 1:28:17.240
<v Speaker 1>But that's only the reason why is because it's like

1:28:17.840 --> 1:28:21.360
<v Speaker 1>it's certain brothers and sisters that like, you know, they

1:28:21.520 --> 1:28:24.400
<v Speaker 1>attached theyself to that. You know that that brotherhood and

1:28:24.479 --> 1:28:29.759
<v Speaker 1>I know them and we're tight, and like seeing seeing

1:28:30.040 --> 1:28:35.120
<v Speaker 1>how he was treating that whole thing, seeing how sixnin

1:28:35.240 --> 1:28:38.120
<v Speaker 1>was treating that whole ship, I always felt that six

1:28:38.240 --> 1:28:40.759
<v Speaker 1>nine could have been like the most successful artists without

1:28:40.840 --> 1:28:43.120
<v Speaker 1>doing that. But also he was around a bunch of

1:28:43.160 --> 1:28:45.160
<v Speaker 1>dudes that didn't know business. You know what I'm saying,

1:28:45.200 --> 1:28:48.360
<v Speaker 1>Like these dudes is they they they serious people in

1:28:48.360 --> 1:28:51.000
<v Speaker 1>the street that never been in They've been around music,

1:28:51.040 --> 1:28:53.240
<v Speaker 1>but never had the ball in their hand. So it's

1:28:53.280 --> 1:28:57.640
<v Speaker 1>like I felt like, yeah, he used them, they used them,

1:28:57.680 --> 1:28:59.080
<v Speaker 1>but he used them like it ain't it ain't one

1:28:59.120 --> 1:29:02.080
<v Speaker 1>side like yeah, And the thing about it is, bro

1:29:02.439 --> 1:29:05.840
<v Speaker 1>it ain't even about I don't agree when it comes

1:29:05.880 --> 1:29:08.200
<v Speaker 1>to like, you know, I ain't in the street right now.

1:29:08.200 --> 1:29:09.800
<v Speaker 1>I don't give a fuck about who snitching on who

1:29:10.000 --> 1:29:11.240
<v Speaker 1>know why? Because I ain't in the street. That ain't

1:29:11.240 --> 1:29:14.160
<v Speaker 1>my lifestyle. But like I've been in situations where I

1:29:14.200 --> 1:29:15.840
<v Speaker 1>had to stop talking to friends I grew up with

1:29:15.960 --> 1:29:17.880
<v Speaker 1>because they chose a certain life when I was trying

1:29:17.880 --> 1:29:20.000
<v Speaker 1>to live a certain life. So that rubs me a

1:29:20.000 --> 1:29:23.240
<v Speaker 1>certain way. I got friends that did fifteen some years

1:29:23.240 --> 1:29:24.800
<v Speaker 1>because somebody told on them. You know what I mean,

1:29:25.160 --> 1:29:27.960
<v Speaker 1>It's not even about just that, it's about the prevention.

1:29:28.520 --> 1:29:31.080
<v Speaker 1>It's about not putting yourself in a situation to do that.

1:29:31.120 --> 1:29:33.280
<v Speaker 1>So I would never I'm not gonna tell no kid

1:29:33.760 --> 1:29:35.800
<v Speaker 1>if he get locked up, where he or she should do.

1:29:36.160 --> 1:29:38.040
<v Speaker 1>That's for them to decide. What I'm gonna tell you is,

1:29:38.439 --> 1:29:42.800
<v Speaker 1>how about we get you more focused on things that

1:29:42.960 --> 1:29:45.360
<v Speaker 1>will not put you in a position to get locked up.

1:29:45.600 --> 1:29:48.559
<v Speaker 1>That's what I'm about, being proactive, not reactive. Because once

1:29:48.880 --> 1:29:51.839
<v Speaker 1>once a kid goes to jail or a kid passes,

1:29:51.920 --> 1:29:54.840
<v Speaker 1>everybody's all sad and everybody got all this that and

1:29:54.880 --> 1:29:56.960
<v Speaker 1>the third we need more prevention. And I felt like

1:29:58.080 --> 1:30:01.759
<v Speaker 1>with dudes, you know, was doing whatever was like just perpetual,

1:30:01.840 --> 1:30:03.800
<v Speaker 1>like you was. Yeah, a lot of a lot of

1:30:03.800 --> 1:30:06.720
<v Speaker 1>people turned up on the gang ship because when they

1:30:06.760 --> 1:30:09.320
<v Speaker 1>did it, they heightened it on a mainstream level, and

1:30:09.360 --> 1:30:11.519
<v Speaker 1>a lot of kids is looking at it like he

1:30:11.560 --> 1:30:13.320
<v Speaker 1>ain't like that, and I don't really like that, So

1:30:13.560 --> 1:30:15.240
<v Speaker 1>I'm really going to do it, you know what I'm saying.

1:30:15.280 --> 1:30:17.600
<v Speaker 1>And now they they catching indictments and all of that,

1:30:17.640 --> 1:30:19.080
<v Speaker 1>So what does it bring for real, Like you know

1:30:19.080 --> 1:30:21.639
<v Speaker 1>what I mean, That shit don't bring nothing but pain facts.

1:30:21.800 --> 1:30:24.320
<v Speaker 1>That's crazy. Yeah. I always thought that, like because because

1:30:24.320 --> 1:30:27.080
<v Speaker 1>because just kind of who you are and and and

1:30:27.080 --> 1:30:29.240
<v Speaker 1>and you know, even just watching the show on a

1:30:29.240 --> 1:30:30.880
<v Speaker 1>regular basis, like you can kind of tell like the

1:30:30.880 --> 1:30:33.479
<v Speaker 1>morals you stand on. Yeah. I just I just thought

1:30:33.479 --> 1:30:35.920
<v Speaker 1>that there was some some academic ship and again it

1:30:36.040 --> 1:30:38.440
<v Speaker 1>was it was got a number of respect for academics. Yeah,

1:30:38.640 --> 1:30:41.200
<v Speaker 1>outside of the Freddie Gibs shit happened and him him

1:30:41.240 --> 1:30:42.720
<v Speaker 1>bringing up Fred's kids and not so well when we

1:30:42.720 --> 1:30:44.840
<v Speaker 1>get friends my brother, but I respect like the career

1:30:44.880 --> 1:30:46.760
<v Speaker 1>he's built up. But I just figured that there was

1:30:46.800 --> 1:30:49.000
<v Speaker 1>a had to be a few things where you was like, bro,

1:30:49.240 --> 1:30:52.160
<v Speaker 1>like what is it? Well, no, it's well hmmm, let

1:30:52.160 --> 1:30:54.439
<v Speaker 1>me think it's different. I can't think of everything, Bro,

1:30:54.520 --> 1:30:56.599
<v Speaker 1>we did? You know? You and I did probably three

1:30:56.680 --> 1:30:58.920
<v Speaker 1>hundred something. I was on Everyday Struggle longer than Joe

1:30:58.960 --> 1:31:01.760
<v Speaker 1>Bud was and that's facts. So so I did three

1:31:01.840 --> 1:31:05.240
<v Speaker 1>hundred something episodes of that shit. So I can't remember everything. Bro.

1:31:05.320 --> 1:31:09.479
<v Speaker 1>I'm talking Monday through Thursday, every morning at seven in

1:31:09.520 --> 1:31:11.320
<v Speaker 1>the morning. A lot of that shit is a blur

1:31:11.800 --> 1:31:13.920
<v Speaker 1>and and some shit you can see and some shit

1:31:14.000 --> 1:31:16.160
<v Speaker 1>you want. But the thing about me is is like

1:31:16.680 --> 1:31:18.720
<v Speaker 1>it's a lot of shit that we didn't agree on, Bro,

1:31:18.880 --> 1:31:20.679
<v Speaker 1>But but at the same time, it's like we knew

1:31:20.680 --> 1:31:22.200
<v Speaker 1>that we came there to do a job. We came

1:31:22.240 --> 1:31:24.720
<v Speaker 1>there to entertain. I felt like, you know, for me,

1:31:24.800 --> 1:31:26.120
<v Speaker 1>I was on that show for three years. You know

1:31:26.160 --> 1:31:28.360
<v Speaker 1>what I'm saying for me to I'm grateful to Complex.

1:31:28.400 --> 1:31:30.559
<v Speaker 1>I'm working for the Deska because the desker's who got

1:31:30.600 --> 1:31:32.680
<v Speaker 1>me on that show and a co signed it, and

1:31:32.720 --> 1:31:37.080
<v Speaker 1>that's what spit ahead of my media career. And I've

1:31:37.240 --> 1:31:39.760
<v Speaker 1>and like you, it worked. It ain't like they brought

1:31:39.800 --> 1:31:42.240
<v Speaker 1>you on like and well. The thing is, Bro, is

1:31:42.240 --> 1:31:44.559
<v Speaker 1>that I'm a sponge. Like if you could hear you

1:31:44.600 --> 1:31:46.600
<v Speaker 1>hear me talk about my Rockefeller days. I got in

1:31:46.600 --> 1:31:48.960
<v Speaker 1>the room, I learned, I sat around, I played my part,

1:31:49.000 --> 1:31:51.639
<v Speaker 1>I sat in the corner, I was the person. Yeah,

1:31:51.880 --> 1:31:54.600
<v Speaker 1>So I looked at it from the perspective of this,

1:31:54.720 --> 1:31:57.800
<v Speaker 1>it's like I got in there for all the shit,

1:31:57.920 --> 1:31:59.920
<v Speaker 1>even with the bullshit that me It's a lot of

1:32:00.040 --> 1:32:02.000
<v Speaker 1>conversations that I had with act with act told me

1:32:02.080 --> 1:32:04.760
<v Speaker 1>how to handle business in the media. Space. So when

1:32:04.800 --> 1:32:07.200
<v Speaker 1>I did my deals, He's like, YO, make sure it's

1:32:07.880 --> 1:32:10.280
<v Speaker 1>make sure you he told me, Bro, he instilled summing

1:32:10.280 --> 1:32:11.680
<v Speaker 1>for me. I'm grateful for me that, you know what

1:32:11.680 --> 1:32:13.960
<v Speaker 1>I'm saying. And him and me, you know, it's like

1:32:14.000 --> 1:32:15.519
<v Speaker 1>it's like almost like the same shit you're saying what

1:32:15.560 --> 1:32:17.120
<v Speaker 1>you was like, like, meet Bro, I've know Meek since

1:32:17.120 --> 1:32:19.680
<v Speaker 1>he was sixteen, and I fuck woul Act, but Meet

1:32:20.040 --> 1:32:22.320
<v Speaker 1>I got real genuine love for me because I knew

1:32:22.360 --> 1:32:23.880
<v Speaker 1>him when he caught this, when he caught the troup

1:32:23.880 --> 1:32:26.040
<v Speaker 1>before you. I'm kind of glad the clubhouse thing happened

1:32:26.040 --> 1:32:28.679
<v Speaker 1>because it kind of I hate clubhouse. Bro. I haven't

1:32:28.680 --> 1:32:30.400
<v Speaker 1>had clubhouse on my phone for a while. I haven't.

1:32:30.400 --> 1:32:32.519
<v Speaker 1>I haven't used it in like five months. That's a wrap. Yeah,

1:32:32.560 --> 1:32:35.160
<v Speaker 1>it's over for me for that, but but like it's

1:32:35.240 --> 1:32:39.599
<v Speaker 1>just I love balance. I feel like, you can't we

1:32:39.680 --> 1:32:41.639
<v Speaker 1>can't have all the things. I can't have the morals

1:32:41.680 --> 1:32:43.240
<v Speaker 1>that I stand on and this, that and the third

1:32:43.320 --> 1:32:46.880
<v Speaker 1>and teach and educate if I don't have examples of

1:32:46.920 --> 1:32:49.320
<v Speaker 1>other people and not specifically Act, but other people that

1:32:49.360 --> 1:32:51.360
<v Speaker 1>be out here shocking the fucking food. You know what

1:32:51.360 --> 1:32:53.400
<v Speaker 1>I'm saying, so I could be able to show examples

1:32:53.479 --> 1:32:55.360
<v Speaker 1>like yo, listen, I ain't gonna tell you what to do,

1:32:55.840 --> 1:32:58.040
<v Speaker 1>but if you want to do it, just make sure

1:32:58.080 --> 1:33:00.559
<v Speaker 1>you do it your way. Don't feel a pressure, feeling

1:33:00.560 --> 1:33:02.040
<v Speaker 1>like you got to be this person in that What

1:33:02.080 --> 1:33:04.240
<v Speaker 1>was the Was there ever a crazy moment where you

1:33:04.280 --> 1:33:07.960
<v Speaker 1>guys had interviews at complex and things kind of got weird,

1:33:08.280 --> 1:33:13.200
<v Speaker 1>weird with the artists with artists and act YG YG

1:33:13.360 --> 1:33:15.880
<v Speaker 1>came in because that was right after like like six

1:33:16.040 --> 1:33:19.000
<v Speaker 1>nine was going crazy and I remember that. And the

1:33:19.080 --> 1:33:20.960
<v Speaker 1>thing is is like I I gotta rapport with them,

1:33:21.040 --> 1:33:22.519
<v Speaker 1>with YG and them, you know what I mean, Like

1:33:22.560 --> 1:33:24.200
<v Speaker 1>I funk would be more, you know what I mean. Yeah,

1:33:24.280 --> 1:33:27.599
<v Speaker 1>he's my guy. Push push your rod, like I funck

1:33:27.680 --> 1:33:29.160
<v Speaker 1>with a lot of his dudes, you know what I'm saying.

1:33:29.200 --> 1:33:31.840
<v Speaker 1>And like when I when I every every room, I

1:33:31.880 --> 1:33:34.360
<v Speaker 1>walk into him being myself saying. So when I come

1:33:34.400 --> 1:33:36.320
<v Speaker 1>in there, I speak to everybody. I ain't just speak

1:33:36.320 --> 1:33:37.840
<v Speaker 1>to YG. I came in there, I said, but up

1:33:37.840 --> 1:33:40.120
<v Speaker 1>to his homies before I saw him something. It's early

1:33:40.160 --> 1:33:42.120
<v Speaker 1>in the morning. That brother's doing y'all good. Flight was cool,

1:33:42.120 --> 1:33:46.080
<v Speaker 1>all right, cool? They came in so ACT came in,

1:33:46.360 --> 1:33:48.800
<v Speaker 1>you know what I mean. Usually the artists that like

1:33:49.439 --> 1:33:51.880
<v Speaker 1>don't funk with act, they usually sit next to me.

1:33:52.520 --> 1:33:54.720
<v Speaker 1>It's they usually sit next to me. So why G?

1:33:54.920 --> 1:33:56.599
<v Speaker 1>You know he said with me? You know what I mean?

1:33:56.600 --> 1:33:58.880
<v Speaker 1>It was cool, but like why was waiting to see

1:33:58.880 --> 1:34:00.280
<v Speaker 1>if he was going to play with him? You know

1:34:00.320 --> 1:34:03.519
<v Speaker 1>what I mean? But ultimately, like, why G? He's a

1:34:03.560 --> 1:34:05.360
<v Speaker 1>real good guy, bro, Like I went to one of

1:34:05.439 --> 1:34:08.120
<v Speaker 1>his his brother, his brother's birthday party one time, met

1:34:08.120 --> 1:34:10.559
<v Speaker 1>as his mom, his pops and up. People be looking

1:34:10.600 --> 1:34:12.280
<v Speaker 1>at these artists and they just think that they these

1:34:12.320 --> 1:34:14.479
<v Speaker 1>reckless dudes because he chose a certain way of life.

1:34:14.479 --> 1:34:16.639
<v Speaker 1>He's a good brother, feel me. Like, so I wanted

1:34:16.640 --> 1:34:18.080
<v Speaker 1>to ask you because you've worked with you worked with

1:34:18.160 --> 1:34:21.880
<v Speaker 1>Dave early on, and Dave's one of my favorite artists.

1:34:21.920 --> 1:34:26.519
<v Speaker 1>In saying MC, women love him right right killing it

1:34:26.560 --> 1:34:29.080
<v Speaker 1>on the acting. He's kind of like the full package.

1:34:29.120 --> 1:34:31.760
<v Speaker 1>But for some reason, he's never kind of gone over

1:34:31.800 --> 1:34:34.760
<v Speaker 1>the hump at being like a commercial success. Why do

1:34:34.800 --> 1:34:36.439
<v Speaker 1>you think that is, like in your opinion for being

1:34:36.439 --> 1:34:39.320
<v Speaker 1>someone wh's been so close to him. I mean, this

1:34:39.400 --> 1:34:41.400
<v Speaker 1>is a record business. You gotta make records, you know

1:34:41.400 --> 1:34:43.320
<v Speaker 1>what I mean, I feel like like Dave has he

1:34:43.360 --> 1:34:45.960
<v Speaker 1>has all the qualities to make him be over that.

1:34:46.080 --> 1:34:48.360
<v Speaker 1>But like I just feel like because I still, you know,

1:34:48.400 --> 1:34:50.040
<v Speaker 1>I tune into this shiit like me and Dave don't

1:34:50.280 --> 1:34:51.880
<v Speaker 1>first and all, like me and Dave don't have a

1:34:51.920 --> 1:34:53.639
<v Speaker 1>bad report, right, I mean, like it was a point

1:34:53.640 --> 1:34:56.519
<v Speaker 1>in time where we weren't speaking. But regardless of that,

1:34:56.640 --> 1:34:58.200
<v Speaker 1>Dave had reached out to me when I lost my

1:34:58.240 --> 1:35:01.120
<v Speaker 1>father because him and my father had their own relationship

1:35:01.560 --> 1:35:04.840
<v Speaker 1>and he was he was very sincere his approach, and

1:35:05.360 --> 1:35:07.439
<v Speaker 1>I took Dave to become Muslim. He's gonna be my

1:35:07.479 --> 1:35:09.840
<v Speaker 1>brother forever. He's my brother here in and in after life.

1:35:09.840 --> 1:35:12.519
<v Speaker 1>So I loved it. But I always felt like Dave

1:35:15.080 --> 1:35:18.240
<v Speaker 1>I always for me. My vision for him was to

1:35:18.760 --> 1:35:21.160
<v Speaker 1>always be bigger. I don't know what the vision that

1:35:21.200 --> 1:35:23.519
<v Speaker 1>he had for himself once I stopped working with him,

1:35:23.680 --> 1:35:25.080
<v Speaker 1>you know what I'm saying. So I don't know what

1:35:25.200 --> 1:35:28.840
<v Speaker 1>transpired after that. We went on separate ways. But like

1:35:29.439 --> 1:35:32.760
<v Speaker 1>I just felt like Dave has an insane ability. He's

1:35:32.840 --> 1:35:34.639
<v Speaker 1>he's a dope rapper. That's why I was fucking with him,

1:35:34.640 --> 1:35:36.120
<v Speaker 1>you know what I mean? Yeah, I mean looking like

1:35:36.439 --> 1:35:38.759
<v Speaker 1>I just I feel like he checks all the boxes,

1:35:38.880 --> 1:35:40.960
<v Speaker 1>checks all the boxes. But I mean, you gotta remember, bro,

1:35:41.080 --> 1:35:43.720
<v Speaker 1>everybody's not like everybody's not meant to be what we

1:35:43.760 --> 1:35:45.920
<v Speaker 1>want them to be. And you see that in sports

1:35:45.960 --> 1:35:47.680
<v Speaker 1>before you see the music, you know what I mean,

1:35:47.760 --> 1:35:50.559
<v Speaker 1>Like all the time, Bro, you know how many number

1:35:50.560 --> 1:35:52.720
<v Speaker 1>one picks I was living and dying, buying and then

1:35:52.840 --> 1:35:57.040
<v Speaker 1>like they end up not being mohammed. But you know

1:35:57.080 --> 1:35:58.760
<v Speaker 1>they reclassified him because he was older, he was lying

1:35:58.800 --> 1:36:00.640
<v Speaker 1>by his age and all that shit. Yeah, but like

1:36:00.840 --> 1:36:02.759
<v Speaker 1>but but yeah, even him, like when he's at UCLA,

1:36:02.960 --> 1:36:07.400
<v Speaker 1>Andrew Wiggins, Andrew Andrew Wiggan Yo, I swech I wanted

1:36:07.400 --> 1:36:11.240
<v Speaker 1>the Sons to tank for Wiggins. Bro Dante ExHAM hex

1:36:11.320 --> 1:36:13.960
<v Speaker 1>him from He's from Australia. He's from Australia. But let

1:36:13.960 --> 1:36:16.040
<v Speaker 1>me tell you something, bro, it wasn't a person I

1:36:16.320 --> 1:36:18.639
<v Speaker 1>want a hundred dollar bet off of off of Andrew

1:36:18.680 --> 1:36:20.040
<v Speaker 1>Wiggins when he came to the league because I was

1:36:20.040 --> 1:36:21.760
<v Speaker 1>betting one of the East homies. He said that he

1:36:21.760 --> 1:36:24.160
<v Speaker 1>went average fourteen points. I was like, I said, he's

1:36:24.160 --> 1:36:26.400
<v Speaker 1>gonna get his fourteen points off of fast? I said's

1:36:26.400 --> 1:36:27.920
<v Speaker 1>gonna get eight points off of Fast Break the Kids

1:36:27.920 --> 1:36:30.559
<v Speaker 1>a freak athlete, Like, you can't fuck that package up.

1:36:30.600 --> 1:36:32.920
<v Speaker 1>But I feel like he still has the ability. Some

1:36:32.960 --> 1:36:36.360
<v Speaker 1>people unlock it later on lebron Shoe was instant. Mellows instant,

1:36:36.520 --> 1:36:39.320
<v Speaker 1>Zach Lavine's unlocked it. Later on, Yeah, Zach Lavine unlocked

1:36:39.320 --> 1:36:41.120
<v Speaker 1>it later on you know what I'm saying, like like

1:36:41.200 --> 1:36:43.960
<v Speaker 1>Donovan Mitchell, like, are you are you a Nick fan? No,

1:36:44.000 --> 1:36:48.599
<v Speaker 1>I'm a Lakers fan. No really, that's interesting, that's convenient. No,

1:36:48.600 --> 1:36:50.479
<v Speaker 1>no, no no it's not. I mean, second greatest franchise of

1:36:50.479 --> 1:36:52.360
<v Speaker 1>all time. But I sucked through the tough time. See

1:36:52.439 --> 1:36:54.320
<v Speaker 1>anybody was like I was watching when it was void

1:36:54.640 --> 1:36:57.479
<v Speaker 1>and Eddie Jones, Nick van X absolutely bro listen. I

1:36:57.560 --> 1:36:59.760
<v Speaker 1>used to tape the memories kids. But I used to

1:36:59.760 --> 1:37:02.240
<v Speaker 1>take the NBA draft. We couldn't go on Instagram and

1:37:02.280 --> 1:37:04.040
<v Speaker 1>just re see it. Used to take that ship. I

1:37:04.120 --> 1:37:07.880
<v Speaker 1>used to remember when when NBA Live and have the

1:37:07.960 --> 1:37:10.639
<v Speaker 1>rookies ris to write down every single rookie and look

1:37:10.680 --> 1:37:13.840
<v Speaker 1>at all their attributes and create them on live and ship. Bro.

1:37:13.880 --> 1:37:16.120
<v Speaker 1>I was a fun I'm a basketball fan. I love

1:37:16.400 --> 1:37:19.280
<v Speaker 1>My love for the for the Lakers came not just

1:37:19.360 --> 1:37:23.200
<v Speaker 1>from they didn't come from the convenience of Shaq and Kobe.

1:37:23.400 --> 1:37:25.040
<v Speaker 1>It came from Phil Jackson. That's why I name my

1:37:25.120 --> 1:37:28.160
<v Speaker 1>company Triangle Offense, because I started that. You were kind

1:37:28.160 --> 1:37:30.639
<v Speaker 1>of a later Laker fan, man, I was, but I was,

1:37:30.680 --> 1:37:33.200
<v Speaker 1>I said, was a kid before you were a Laker fan.

1:37:33.200 --> 1:37:35.639
<v Speaker 1>Were you a Nick fan? No? I was a Bulls fan. Yeah,

1:37:35.680 --> 1:37:37.720
<v Speaker 1>I was. I mean, but I was. I'm a Suns fan.

1:37:37.760 --> 1:37:41.240
<v Speaker 1>I'm from Phoenix. But why use a Oh that's tough. No, no,

1:37:41.280 --> 1:37:43.599
<v Speaker 1>because as a kid, it was just Michael Jeordan's Michael Jordan.

1:37:43.720 --> 1:37:45.160
<v Speaker 1>But that's why I be telling people. So it's like

1:37:45.400 --> 1:37:47.640
<v Speaker 1>when you meet a kid that's eight years old, you'd

1:37:47.640 --> 1:37:50.599
<v Speaker 1>be like, who's your favorite team? It's the Golden State

1:37:50.640 --> 1:37:52.479
<v Speaker 1>Wars when they was seventy three and nine, because they

1:37:52.479 --> 1:37:54.840
<v Speaker 1>the best. It's marketing, it's the best thing. But like,

1:37:55.120 --> 1:37:58.840
<v Speaker 1>I'm a Laker fan. Laker fan, do you think like, like,

1:37:59.400 --> 1:38:00.960
<v Speaker 1>you know, I'm so much of a Lagka fan. I

1:38:01.040 --> 1:38:04.439
<v Speaker 1>was against Lebron coming to the Lagas at first. You're

1:38:04.479 --> 1:38:06.760
<v Speaker 1>one of those Kobe guys. Man, you have your side

1:38:06.800 --> 1:38:08.640
<v Speaker 1>of the of the war and it's Kobe. I had

1:38:08.680 --> 1:38:11.479
<v Speaker 1>a lot of Lebron Kobe arguments. Bro, Well you've had

1:38:11.479 --> 1:38:14.719
<v Speaker 1>that Lebron argue. I had almost fist fight arguments about

1:38:14.760 --> 1:38:17.400
<v Speaker 1>Lebron Kobe Bro. So it's like when you had Kobe's

1:38:17.439 --> 1:38:20.160
<v Speaker 1>better than Lebron. Huh, you're saying Kobe's better than Lebron.

1:38:21.439 --> 1:38:23.640
<v Speaker 1>I don't think he's a better athlete. I'm talking about that,

1:38:24.040 --> 1:38:27.280
<v Speaker 1>just better all time, all time. Great conversation. You're putting

1:38:27.320 --> 1:38:30.280
<v Speaker 1>Kobe over Lebron all time? Okay, all right, do you

1:38:30.320 --> 1:38:32.920
<v Speaker 1>see at least you're reasonable. You're reasonable. I'm not because

1:38:33.200 --> 1:38:36.120
<v Speaker 1>Lebron bro. Like Steve Kurt said the relationship about Lebron

1:38:36.160 --> 1:38:38.679
<v Speaker 1>one time, he's like, yo, you know how hard it

1:38:38.720 --> 1:38:40.599
<v Speaker 1>is to get to the finals? He like even if

1:38:40.640 --> 1:38:42.840
<v Speaker 1>he's lost, Like like, even if he's lost, you know

1:38:42.840 --> 1:38:44.840
<v Speaker 1>how hard it is to get It's people that seeing

1:38:44.880 --> 1:38:46.560
<v Speaker 1>the finals on the bench one time and didn't have

1:38:46.600 --> 1:38:48.760
<v Speaker 1>a career after that. I always tell people, like the

1:38:48.840 --> 1:38:51.920
<v Speaker 1>year he went, it was at five and then they

1:38:51.960 --> 1:38:55.080
<v Speaker 1>had him was seven when Eric Snow was the point going.

1:38:55.560 --> 1:38:58.519
<v Speaker 1>But that's the second worst team to a AIS team

1:38:59.040 --> 1:39:01.439
<v Speaker 1>as team was rough by the way, both both teams

1:39:01.479 --> 1:39:05.400
<v Speaker 1>had Eric and Aaron McK I think probably yeah, and Aaron,

1:39:05.800 --> 1:39:09.880
<v Speaker 1>but like so, and he went through the Pistons in

1:39:09.920 --> 1:39:13.719
<v Speaker 1>the Eastern Conference finals. They wasn't they were still the Pistons, though,

1:39:14.520 --> 1:39:16.120
<v Speaker 1>come on, we're not gonna do to Michael Jordan. And

1:39:16.160 --> 1:39:18.280
<v Speaker 1>it was the Pistons he went to. Know it was

1:39:18.280 --> 1:39:21.519
<v Speaker 1>the Pistons that beat the Lakers, who had Karl Malone

1:39:21.520 --> 1:39:23.880
<v Speaker 1>and Gary Payton. It was I know, but as a

1:39:23.960 --> 1:39:26.879
<v Speaker 1>rookie was as a lot of factors why that championship

1:39:26.920 --> 1:39:28.400
<v Speaker 1>the way that today? The thing I will say about

1:39:28.479 --> 1:39:31.800
<v Speaker 1>Lebron is Lebron has the greatest championship. I agree twenty

1:39:31.840 --> 1:39:34.320
<v Speaker 1>sixteen that was the greatest. And I could have went

1:39:34.360 --> 1:39:36.600
<v Speaker 1>to that ship, bro, Really, I could have went to

1:39:36.640 --> 1:39:39.360
<v Speaker 1>a game. We was on tour. Fred, you remember that

1:39:39.800 --> 1:39:42.479
<v Speaker 1>we was on tour. I've known Rich Paul since like

1:39:42.600 --> 1:39:45.160
<v Speaker 1>two thousand and two, two thousand and three. I've known, right,

1:39:46.000 --> 1:39:47.400
<v Speaker 1>I've never met Lebron in my life though, that's the

1:39:47.439 --> 1:39:50.120
<v Speaker 1>crazy thing. But I've known Respaul for maya. So some

1:39:50.120 --> 1:39:52.599
<v Speaker 1>little girl. We end up we on we I'm managing

1:39:52.680 --> 1:39:55.800
<v Speaker 1>Dave we on tour and we're in we in Cleveland

1:39:56.439 --> 1:39:59.200
<v Speaker 1>and we got a show in Columbus the next day.

1:39:59.560 --> 1:40:01.720
<v Speaker 1>And this little girl. She keeps looking or whatever, and

1:40:01.760 --> 1:40:03.559
<v Speaker 1>then Rich Paul walks in. I'm like, oh shit, Rich

1:40:03.600 --> 1:40:05.519
<v Speaker 1>was good. Nobody knew what Rich looked like at that time,

1:40:05.560 --> 1:40:07.960
<v Speaker 1>like that unless you really really right. So I chop

1:40:07.960 --> 1:40:10.000
<v Speaker 1>it up a Rich you know. He's like, Yo, that's

1:40:10.000 --> 1:40:11.599
<v Speaker 1>my daughter. He's like, yo, could she take a picture

1:40:11.640 --> 1:40:14.479
<v Speaker 1>with Dave. I'm like, yeah, they take a picture. So

1:40:14.520 --> 1:40:16.360
<v Speaker 1>he like, Yo, what y'all doing tonight? I'm like, yeah,

1:40:16.360 --> 1:40:17.840
<v Speaker 1>we about to go to Columbus. We got a show.

1:40:17.840 --> 1:40:19.280
<v Speaker 1>He like, man, come to the game. I think I

1:40:19.320 --> 1:40:21.040
<v Speaker 1>think they might have been down one. I think it was.

1:40:21.160 --> 1:40:23.840
<v Speaker 1>I think they was down though. Was they down? Was

1:40:23.880 --> 1:40:25.760
<v Speaker 1>it three? It wasn't three to one? I can't I

1:40:25.800 --> 1:40:27.800
<v Speaker 1>can't remember what the series was at. But they was

1:40:27.840 --> 1:40:29.080
<v Speaker 1>at home. And he's like, yo, come to the game

1:40:29.120 --> 1:40:30.840
<v Speaker 1>to night. I'm like, nah, because the show that we

1:40:30.880 --> 1:40:32.400
<v Speaker 1>had he was getting some bread. I'm not missing that

1:40:32.760 --> 1:40:34.640
<v Speaker 1>the show. I needed that show. So he's like, all right,

1:40:34.640 --> 1:40:36.280
<v Speaker 1>but that we could have went to that fucking we

1:40:36.320 --> 1:40:38.360
<v Speaker 1>could have went to that that ship, bro. But also

1:40:38.400 --> 1:40:39.960
<v Speaker 1>it's like, we had like how many peoples with us,

1:40:39.960 --> 1:40:44.320
<v Speaker 1>like fifteen people. I don't think anyone's ever faced harder

1:40:44.320 --> 1:40:47.760
<v Speaker 1>competition in the finals than Lebron. Yes and no, so well,

1:40:48.000 --> 1:40:50.360
<v Speaker 1>yes and no, because you know what people people always like, Oh,

1:40:50.520 --> 1:40:52.439
<v Speaker 1>Michael jord play against Jeff Wrna Sack, you know what

1:40:52.439 --> 1:40:54.840
<v Speaker 1>I mean. It's like, but John Stocked the one of

1:40:54.840 --> 1:40:56.640
<v Speaker 1>the toughest white boys in touch a basket. I just

1:40:56.720 --> 1:40:59.040
<v Speaker 1>but I just think of like Lebron had to go

1:40:59.120 --> 1:41:03.800
<v Speaker 1>against the first era of the peak Spurs in seven, right,

1:41:04.000 --> 1:41:08.880
<v Speaker 1>then he had to go against Kawhi Spurs. This is

1:41:08.920 --> 1:41:13.360
<v Speaker 1>what the heat. Then then against the Warriors. They wasn't

1:41:13.400 --> 1:41:16.120
<v Speaker 1>Kawhi Spurs when they won. Yeah, but Kawhi was that

1:41:16.160 --> 1:41:18.680
<v Speaker 1>motherfucker it was, But they wasn't. They wasn't like we

1:41:19.040 --> 1:41:21.799
<v Speaker 1>nobody even thought that Kawhi. So he played the Spurs

1:41:21.840 --> 1:41:25.800
<v Speaker 1>three times in the finals, he played the thunder that

1:41:25.920 --> 1:41:30.439
<v Speaker 1>had three future MVPs. OKC is the worst basketball organization

1:41:30.479 --> 1:41:31.920
<v Speaker 1>of all time. The fact they never got a ring

1:41:32.040 --> 1:41:34.200
<v Speaker 1>is crazy. Not even that, bro not even that. The

1:41:34.240 --> 1:41:36.840
<v Speaker 1>fact that they paid Sergey Bakab but instead of James

1:41:37.200 --> 1:41:40.120
<v Speaker 1>James for two million dollars, James Harden went sixty sixty

1:41:40.160 --> 1:41:42.280
<v Speaker 1>five and they offered him sixty three. And they said

1:41:42.280 --> 1:41:45.479
<v Speaker 1>that they didn't want a decision in Oklahoma City and

1:41:45.479 --> 1:41:47.000
<v Speaker 1>they let him go. But think about it. So he

1:41:47.040 --> 1:41:49.840
<v Speaker 1>played that team, which in retrospect is one of the

1:41:49.880 --> 1:41:53.840
<v Speaker 1>most talented rosters ever. Now they had Reggie Jackson on

1:41:53.880 --> 1:41:55.759
<v Speaker 1>that It was mad people in that team, the Warriors

1:41:55.800 --> 1:42:00.320
<v Speaker 1>four straight years three No, it was four, right, it

1:42:00.400 --> 1:42:03.600
<v Speaker 1>was four. It was four. Yeah, so four lost and

1:42:03.640 --> 1:42:06.320
<v Speaker 1>then they won and then they lost again twice. Mind you.

1:42:06.439 --> 1:42:09.840
<v Speaker 1>The first year that he lost, Kyrie and Love weren't playing.

1:42:09.880 --> 1:42:12.880
<v Speaker 1>He had Matthew him the m v P. Anyway, and

1:42:12.880 --> 1:42:15.080
<v Speaker 1>Andrea Goodala you got the m v P because Steph

1:42:15.200 --> 1:42:17.599
<v Speaker 1>was kind of whatever. And look, step that's the one

1:42:17.640 --> 1:42:20.760
<v Speaker 1>think about Steph too, Yo, Steph doesn't have never I

1:42:20.880 --> 1:42:23.160
<v Speaker 1>just had this argument with this motherfucker. Only does he

1:42:23.240 --> 1:42:25.599
<v Speaker 1>not but listen, but I love Steph Curry. That only

1:42:25.600 --> 1:42:27.640
<v Speaker 1>does he never got a finals MVP. Only does he

1:42:27.720 --> 1:42:30.640
<v Speaker 1>have done? I have a finals MVP. He doesn't. He

1:42:30.640 --> 1:42:32.280
<v Speaker 1>has a lot of clutch shots in the season, he

1:42:32.280 --> 1:42:35.080
<v Speaker 1>don't have those in the finals. Just was yelling at

1:42:35.080 --> 1:42:39.040
<v Speaker 1>this motherfucker about them. He's not the goat. He's not.

1:42:39.600 --> 1:42:41.960
<v Speaker 1>He's changed the worst. He's the most influent. I think

1:42:42.000 --> 1:42:46.440
<v Speaker 1>Steph Curry, And I'm not talking about culture. He's the greatest.

1:42:47.520 --> 1:42:50.000
<v Speaker 1>I don't know if anyone's ever influenced the way basketball's

1:42:50.040 --> 1:42:54.799
<v Speaker 1>played like he has. Yes, who Michael Jordan, Bro, But

1:42:54.800 --> 1:42:57.559
<v Speaker 1>but think about the last eight years. No, the whole

1:42:57.600 --> 1:42:59.839
<v Speaker 1>game has changed with the way people should get analyst,

1:43:00.280 --> 1:43:02.280
<v Speaker 1>you play me in the way people played play ball

1:43:02.320 --> 1:43:04.200
<v Speaker 1>when he was a kid. Yeah, Bro, do you remember

1:43:04.240 --> 1:43:05.560
<v Speaker 1>the trouble you would get in if you shot a

1:43:05.640 --> 1:43:08.800
<v Speaker 1>fucking three? You would get your coach on your head. Yo,

1:43:09.280 --> 1:43:11.360
<v Speaker 1>not even on a fast break, because nobody shot threes

1:43:11.360 --> 1:43:13.000
<v Speaker 1>on fast breaks. But I'm talking about I remember when

1:43:13.160 --> 1:43:17.040
<v Speaker 1>General as a bad shot and I shot a three

1:43:17.080 --> 1:43:18.720
<v Speaker 1>from the corner. I did, and it was in the

1:43:18.720 --> 1:43:21.000
<v Speaker 1>first quarter. I didn't play again the whole game now,

1:43:21.080 --> 1:43:23.639
<v Speaker 1>and I almost made it. I almost made the ship.

1:43:23.960 --> 1:43:26.759
<v Speaker 1>He's just created a whole He's changed basketball. He has,

1:43:27.240 --> 1:43:28.880
<v Speaker 1>I think more than anyone as far as just how

1:43:28.880 --> 1:43:32.960
<v Speaker 1>it's lell how it's played. Yes, I'm gonna tell you

1:43:33.000 --> 1:43:38.160
<v Speaker 1>how because because of Lebron James and Lebron's Lebron's my

1:43:38.240 --> 1:43:41.920
<v Speaker 1>personal favorite player ever. Because of Lebron James being the height,

1:43:42.080 --> 1:43:44.640
<v Speaker 1>he's the size of Carmelone. He's a monster. He's the

1:43:44.640 --> 1:43:46.479
<v Speaker 1>size of car malone, and he runs as fast as

1:43:46.479 --> 1:43:48.640
<v Speaker 1>Allen Iverson. It's crazy. So that's what I'm saying. So

1:43:49.640 --> 1:43:53.719
<v Speaker 1>after I feel like after Lebron is when AAU, because

1:43:53.720 --> 1:43:56.200
<v Speaker 1>you know, the ship is a ground up business. Where

1:43:56.240 --> 1:43:58.360
<v Speaker 1>AAU started looking at kids because when we were kids,

1:43:58.360 --> 1:43:59.960
<v Speaker 1>if he was the tallest kid or you was tall,

1:44:00.080 --> 1:44:02.320
<v Speaker 1>is standing in and do this jump up and down

1:44:02.760 --> 1:44:04.880
<v Speaker 1>catch re bounds. You can't even take a shot for real,

1:44:05.200 --> 1:44:08.200
<v Speaker 1>right facts Now the big man has to know how

1:44:08.200 --> 1:44:10.000
<v Speaker 1>to dribble down, the big man has to know how

1:44:10.040 --> 1:44:12.160
<v Speaker 1>to pass. They train the kids to know everything. And

1:44:12.200 --> 1:44:15.240
<v Speaker 1>I think that that's because Lebron. That's fair, that's fair.

1:44:15.479 --> 1:44:17.920
<v Speaker 1>That's because Lebron. I always say, if I ask somebody

1:44:17.920 --> 1:44:20.160
<v Speaker 1>who's the greatest of all time and their answer isn't

1:44:20.200 --> 1:44:22.320
<v Speaker 1>either Michael Jordan or Lebron James, then they don't know

1:44:22.320 --> 1:44:24.559
<v Speaker 1>what the fuck they're talking about, right, because who else

1:44:24.680 --> 1:44:27.880
<v Speaker 1>is a Kareem maybe? And I don't give a fuck

1:44:27.920 --> 1:44:32.120
<v Speaker 1>what people think about the feelings of this situation. Kevin

1:44:32.200 --> 1:44:34.920
<v Speaker 1>Durant might go down as the greatest scorer. I think

1:44:35.560 --> 1:44:38.720
<v Speaker 1>him or James Harden James Harden too, but Kevin. The

1:44:38.800 --> 1:44:41.760
<v Speaker 1>thing about Kevin Durant is I think the only edge

1:44:41.760 --> 1:44:45.080
<v Speaker 1>he has on on James is his height because at

1:44:45.120 --> 1:44:47.639
<v Speaker 1>his height, he's another one that changed the game too,

1:44:48.160 --> 1:44:51.000
<v Speaker 1>where Au started looking at kids like, oh now, we

1:44:51.040 --> 1:44:53.400
<v Speaker 1>gotta start telling these kids. You know what I mean,

1:44:53.880 --> 1:44:55.840
<v Speaker 1>it's crazy to think that we're like alive to watch

1:44:55.960 --> 1:44:57.760
<v Speaker 1>both of them play at the same time. Hard like

1:44:58.120 --> 1:44:59.880
<v Speaker 1>probably the two they're gonna probably go down to two

1:45:00.160 --> 1:45:05.799
<v Speaker 1>to scorn. But that's why Braun is like people, well, Kobe,

1:45:06.240 --> 1:45:10.000
<v Speaker 1>That's why I always quate Wayne to Kobe because Wayne,

1:45:10.560 --> 1:45:15.760
<v Speaker 1>I mean, Broun has played in so Broun Drake Yeah, okay, absolutely,

1:45:15.880 --> 1:45:19.719
<v Speaker 1>j Jordan, yeah yeah, but Bron Wayne is definitely Kobe

1:45:19.720 --> 1:45:23.240
<v Speaker 1>because Wayne Wayne got a song that's enough. Nobody can

1:45:23.240 --> 1:45:26.040
<v Speaker 1>do a verses against Wayne. Bro, It's impossible. You can't know.

1:45:26.200 --> 1:45:29.880
<v Speaker 1>Don't tell me, no, Bro. I was at the Drake

1:45:29.960 --> 1:45:31.479
<v Speaker 1>versus Wayne to it and I was like, Damn, Drake

1:45:31.520 --> 1:45:34.720
<v Speaker 1>got wayboard just joints. But Bro, I don't know who

1:45:34.760 --> 1:45:37.400
<v Speaker 1>selected his records, but Bro, but Wayne has a record,

1:45:37.400 --> 1:45:39.479
<v Speaker 1>and think about basketball, No, he's got a record in

1:45:39.560 --> 1:45:42.719
<v Speaker 1>every real quick real quick think about basketball. Think about

1:45:42.720 --> 1:45:45.800
<v Speaker 1>Wayne's music in every basketball era. No, you're right, hit

1:45:45.880 --> 1:45:48.479
<v Speaker 1>record He's had. He's had records in every era, in

1:45:48.560 --> 1:45:51.280
<v Speaker 1>every era. I do not disagree every era. Bro I

1:45:51.280 --> 1:45:54.120
<v Speaker 1>don't like Drake is gonna be the evol version of

1:45:54.160 --> 1:45:57.439
<v Speaker 1>Wayne I mean as an artist, is what I mean?

1:45:57.760 --> 1:45:59.880
<v Speaker 1>Who do you think fully healthy? You think the Lakers

1:45:59.880 --> 1:46:01.760
<v Speaker 1>are are taking it this year? If they're fully al

1:46:01.800 --> 1:46:05.599
<v Speaker 1>absolutely kd my Man, but dragging that book and ship

1:46:05.600 --> 1:46:08.120
<v Speaker 1>and it ain't got J James And there's no defense.

1:46:08.560 --> 1:46:10.840
<v Speaker 1>There's no defense in the NBA period, No but but

1:46:10.840 --> 1:46:13.240
<v Speaker 1>but except for on the Lakers because they're fucking top

1:46:13.240 --> 1:46:15.400
<v Speaker 1>five defensive team without a D and Lebron since since

1:46:15.400 --> 1:46:21.200
<v Speaker 1>they've been out. Yo, Frank Vogel, low key, listen, Frank Fogel,

1:46:21.240 --> 1:46:24.479
<v Speaker 1>I was like, but but but nah, he was firing Indiana.

1:46:24.520 --> 1:46:27.160
<v Speaker 1>But but That's what I was about to say. If.

1:46:28.360 --> 1:46:32.280
<v Speaker 1>I hate the word if, but because there was a

1:46:32.280 --> 1:46:34.960
<v Speaker 1>point in time where poor George bro I love Poor

1:46:35.000 --> 1:46:37.160
<v Speaker 1>George is my fair play? Not no more Lucat Luca

1:46:37.200 --> 1:46:41.160
<v Speaker 1>the down lucas me and you are fucking I always

1:46:41.160 --> 1:46:44.000
<v Speaker 1>tell everybody Luca might go down as the greatest of

1:46:44.040 --> 1:46:46.400
<v Speaker 1>all time. Lucas definitely gonna be the greatest white man

1:46:46.439 --> 1:46:50.040
<v Speaker 1>to play basketball ever, Like it's year three. But but

1:46:50.040 --> 1:46:52.040
<v Speaker 1>but he gotta win some though he always got he will.

1:46:52.160 --> 1:46:57.240
<v Speaker 1>But but but that Pacers team, Bro, they had to

1:46:57.280 --> 1:47:00.560
<v Speaker 1>go up against Miami, they gave him hell. Bro, I

1:47:00.600 --> 1:47:02.880
<v Speaker 1>get upset when I'm playing too K online and somebody

1:47:02.960 --> 1:47:05.360
<v Speaker 1>picks Miami and I got I get it up set, bro,

1:47:05.400 --> 1:47:10.000
<v Speaker 1>because I hate that. But that Indiana team was that

1:47:10.200 --> 1:47:13.320
<v Speaker 1>top to bottom. That's when Danny Granger wasn't sweet. Granger

1:47:13.479 --> 1:47:16.719
<v Speaker 1>was nice. This was Roy Roy Hibbert was decent before

1:47:16.720 --> 1:47:19.320
<v Speaker 1>the big Man was extinct. And and and then remember

1:47:19.320 --> 1:47:22.400
<v Speaker 1>when Roy Hibbert found his groove for Lance Stevenson was

1:47:22.439 --> 1:47:26.920
<v Speaker 1>a nice all around hill. Georgia was given the people help, No, no,

1:47:26.960 --> 1:47:28.960
<v Speaker 1>the Pacers I remember, I remember I was like legit

1:47:29.080 --> 1:47:30.680
<v Speaker 1>scared for Lebron one of those years. I think when

1:47:30.680 --> 1:47:32.559
<v Speaker 1>they met in the Eastern Conference finals, I was like

1:47:33.040 --> 1:47:37.519
<v Speaker 1>that ship went with David West. David they fight everybody.

1:47:37.640 --> 1:47:40.200
<v Speaker 1>I would like to see David West and uh celebrity

1:47:40.760 --> 1:47:42.760
<v Speaker 1>and and and uh what's the ol g on the

1:47:42.760 --> 1:47:45.680
<v Speaker 1>fucking heat it's been on? There hasling. That would be

1:47:45.720 --> 1:47:48.000
<v Speaker 1>a fight that would be a real like I paid

1:47:48.000 --> 1:47:50.360
<v Speaker 1>money to see HASLM versus. Yeah, because that David West

1:47:50.479 --> 1:47:51.920
<v Speaker 1>is like a black belter, So I already got like

1:47:51.960 --> 1:47:54.000
<v Speaker 1>serious might be saying it, but I ain't see no action.

1:47:54.560 --> 1:47:56.880
<v Speaker 1>That's fair man. Well look, man, I appreciate you coming through.

1:47:58.240 --> 1:48:01.080
<v Speaker 1>Your podcast is every Thursday, Every Thursday, hear Me Out

1:48:01.120 --> 1:48:04.000
<v Speaker 1>with Wayne. It's on all platforms. Please make sure that

1:48:04.080 --> 1:48:07.800
<v Speaker 1>you rate and review. That's important. Rates and reviews are

1:48:07.920 --> 1:48:10.920
<v Speaker 1>very very important. Even more hit the like on the YouTube,

1:48:11.080 --> 1:48:13.320
<v Speaker 1>the likes. Share it. All I really care about is

1:48:13.320 --> 1:48:14.840
<v Speaker 1>if you see it and you like it, you should

1:48:14.840 --> 1:48:17.160
<v Speaker 1>like some resonates. Share it, you know what I mean?

1:48:17.200 --> 1:48:19.760
<v Speaker 1>Please just share it. My ship is rooted in the

1:48:19.840 --> 1:48:21.880
<v Speaker 1>people because I am one of them. There it is,

1:48:21.920 --> 1:48:24.479
<v Speaker 1>I man. We'll go go go support and Triangle offense

1:48:24.520 --> 1:48:27.439
<v Speaker 1>dot com. No, no, no, no no, get your it's not

1:48:27.479 --> 1:48:29.639
<v Speaker 1>out yet. It's not when it's coming, when it comes

1:48:29.640 --> 1:48:31.640
<v Speaker 1>with me and you do a little fifteen minutes, you

1:48:31.680 --> 1:48:33.360
<v Speaker 1>know what I mean. We talked some basketball again. It

1:48:33.400 --> 1:48:34.599
<v Speaker 1>is because I feel like we could do a whole

1:48:34.600 --> 1:48:36.640
<v Speaker 1>hour with basketball, for sure, But we do that and

1:48:36.680 --> 1:48:39.120
<v Speaker 1>we do some Triangle offenship. But the merchants coming. Everybody

1:48:39.160 --> 1:48:41.479
<v Speaker 1>who just if you fuck with Wayne. No, thank you, keV.

1:48:41.640 --> 1:48:43.519
<v Speaker 1>I really appreciate it. We're trying to make this happen.

1:48:44.080 --> 1:48:44.639
<v Speaker 1>Thank perfect