1
00:00:00,160 --> 00:00:03,800
Speaker 1: This episode is also available as video on YouTube. You

2
00:00:03,840 --> 00:00:06,400
Speaker 1: can visit Nora Jones channel and be sure to subscribe

3
00:00:06,440 --> 00:00:09,200
Speaker 1: while you're there. Hey, I'm Norah Jones and today I'm

4
00:00:09,200 --> 00:00:10,760
Speaker 1: playing along with Saint Vincent.

5
00:00:11,320 --> 00:00:14,080
Speaker 2: I'm just playing lo we.

6
00:00:14,240 --> 00:00:23,800
Speaker 3: Sy, I'm just playing in lone Wey.

7
00:00:25,120 --> 00:00:28,080
Speaker 1: Hey. Welcome to the show. I'm Nora. This is Sarah.

8
00:00:28,240 --> 00:00:29,720
Speaker 1: Welcome to our show. Yay.

9
00:00:30,960 --> 00:00:36,479
Speaker 4: Today we have a singer, songwriter, guitarist, producer, a person

10
00:00:36,560 --> 00:00:40,000
Speaker 4: whose work keeps evolving, but she always sounds like herself,

11
00:00:41,000 --> 00:00:45,800
Speaker 4: Grammy Winning a fellow Texan, Saint Vincent Yes, also known

12
00:00:45,840 --> 00:00:46,720
Speaker 4: as any Clark.

13
00:00:47,000 --> 00:00:49,000
Speaker 1: We had so much fun because this is our first

14
00:00:49,159 --> 00:00:52,040
Speaker 1: live podcast. That's right. We did it in front of

15
00:00:52,040 --> 00:00:55,120
Speaker 1: an audience. Yeah, which was you know, I'm used to

16
00:00:55,280 --> 00:00:58,800
Speaker 1: we're all used to performing live, but somehow talking live

17
00:00:58,960 --> 00:01:01,680
Speaker 1: is hard for me. Yeah. It was a whole new thing.

18
00:01:01,720 --> 00:01:05,600
Speaker 4: I mean it was, you know, unfolding in real time

19
00:01:05,680 --> 00:01:09,800
Speaker 4: with people seeing all the false starts and the music

20
00:01:09,880 --> 00:01:11,240
Speaker 4: stand malfunctions.

21
00:01:11,280 --> 00:01:13,800
Speaker 1: Yeah, it was really fun. It was actually really funny.

22
00:01:14,200 --> 00:01:14,400
Speaker 2: Yeah.

23
00:01:14,440 --> 00:01:17,800
Speaker 4: We tape this at the Saint Cecilia Hotel in Austin,

24
00:01:17,880 --> 00:01:21,400
Speaker 4: Texas during South By Southwest and it was a blast.

25
00:01:21,560 --> 00:01:25,240
Speaker 1: It was great. I love Annie so much. She is

26
00:01:25,240 --> 00:01:28,120
Speaker 1: someone who's evolved and changed, and I'm always kind of

27
00:01:28,120 --> 00:01:30,160
Speaker 1: curious to see what she's going to do next because

28
00:01:30,200 --> 00:01:34,720
Speaker 1: I know it's going to be interesting and beautiful and heartfelt.

29
00:01:34,800 --> 00:01:37,640
Speaker 1: And she's just one of those artists.

30
00:01:37,760 --> 00:01:43,600
Speaker 4: Yeah, and she talks about how that comes from her curiosities,

31
00:01:43,760 --> 00:01:47,400
Speaker 4: and those curiosities leading her down different paths to all

32
00:01:47,440 --> 00:01:49,080
Speaker 4: these different projects that she pursues.

33
00:01:49,160 --> 00:01:51,720
Speaker 1: I think that's super cool. Yeah, she's just a great

34
00:01:51,800 --> 00:01:55,360
Speaker 1: musician and a great hang and it was very fun.

35
00:01:55,520 --> 00:02:00,160
Speaker 4: Yeah, and as always, you'll hear beautiful duets, and one

36
00:02:00,240 --> 00:02:04,480
Speaker 4: of them surprisingly written by a children's author.

37
00:02:06,520 --> 00:02:09,200
Speaker 1: I was so surprised. Yeah, oh yeah, you didn't know that.

38
00:02:09,320 --> 00:02:09,760
Speaker 5: I didn't.

39
00:02:09,840 --> 00:02:13,239
Speaker 1: Yeah, I've known that song since the Thumb and Louis soundtrack,

40
00:02:13,280 --> 00:02:15,320
Speaker 1: but I never anyway, I'm not gonna give it away.

41
00:02:15,720 --> 00:02:19,000
Speaker 1: Go ahead, stay tuned. Yes, I hope you enjoy the

42
00:02:19,000 --> 00:02:27,800
Speaker 1: episode with Saint Vincent. Hi, Hi, thank you for joining me.

43
00:02:29,000 --> 00:02:34,440
Speaker 1: Thanks for having me baby, thanks for joining us. This

44
00:02:34,520 --> 00:02:38,520
Speaker 1: is my first time doing this podcast live. I'm usually

45
00:02:38,520 --> 00:02:40,640
Speaker 1: someone who doesn't like to talk a lot on stage,

46
00:02:40,760 --> 00:02:46,080
Speaker 1: so this is hilarious. But yeah, this podcast is special

47
00:02:46,120 --> 00:02:52,880
Speaker 1: because we play songs together during it. That's my party trick.

48
00:02:54,200 --> 00:02:55,120
Speaker 5: It's a really good trick.

49
00:02:55,320 --> 00:02:58,280
Speaker 1: Yeah. So thanks for joining me, Thanks for having me. Yeah,

50
00:02:58,320 --> 00:02:59,920
Speaker 1: I think we should start with a song.

51
00:03:00,200 --> 00:03:03,680
Speaker 5: What do you think? Okay, we're just taking requests, so

52
00:03:04,040 --> 00:03:04,480
Speaker 5: just yelling.

53
00:03:04,639 --> 00:03:05,519
Speaker 1: No, I'm just kidding.

54
00:03:06,800 --> 00:03:08,280
Speaker 5: Do you want to do melting?

55
00:03:08,480 --> 00:03:10,519
Speaker 1: Yes, okay, let's do it. This is one of my favorites.

56
00:03:10,760 --> 00:03:11,120
Speaker 5: Thanks.

57
00:03:11,240 --> 00:03:45,600
Speaker 6: Yeah, m hmmm, so sorry, miss the party, Hell the

58
00:03:45,840 --> 00:03:57,119
Speaker 6: ducks out of the moon, Jane Lusted, Crest Covid ran

59
00:03:57,280 --> 00:04:03,760
Speaker 6: into the Sadden Alabu, the rude.

60
00:04:05,760 --> 00:04:09,600
Speaker 7: The gone, But I.

61
00:04:11,280 --> 00:04:11,920
Speaker 1: Sloud.

62
00:04:16,440 --> 00:04:19,480
Speaker 5: It's just the melting of the sun.

63
00:04:20,080 --> 00:04:24,320
Speaker 2: It's just as I want to.

64
00:04:24,000 --> 00:04:26,520
Speaker 5: Watch you watch it burst.

65
00:04:27,320 --> 00:04:39,760
Speaker 8: Watch it, saying Johnie, no phony smoking.

66
00:04:39,440 --> 00:04:42,479
Speaker 9: Reds were ferries, sang the blues.

67
00:04:45,160 --> 00:04:52,000
Speaker 2: My merrily shot her hand one as.

68
00:04:51,920 --> 00:04:57,840
Speaker 10: She said, it's better than an abuse, So.

69
00:05:00,760 --> 00:05:05,800
Speaker 11: Little bens.

70
00:05:07,480 --> 00:05:08,160
Speaker 2: Equate.

71
00:05:11,640 --> 00:05:14,760
Speaker 12: It's just the melting all the song.

72
00:05:15,400 --> 00:05:18,760
Speaker 2: It's just that sun alone.

73
00:05:18,960 --> 00:05:24,640
Speaker 11: A Latgi wag it birds song, watch a bird we

74
00:05:25,160 --> 00:05:27,039
Speaker 11: always will this day.

75
00:05:27,080 --> 00:05:29,360
Speaker 1: Would call this day.

76
00:05:29,960 --> 00:05:40,320
Speaker 12: That's com It's just the melting of the sun.

77
00:06:11,800 --> 00:06:21,120
Speaker 2: Brave Tory toll a story. Police said they couldn't Grass,

78
00:06:21,520 --> 00:06:27,720
Speaker 2: the Man Brown, Nana.

79
00:06:29,560 --> 00:06:34,760
Speaker 11: Surina singing missus sippy.

80
00:06:34,520 --> 00:06:36,320
Speaker 2: Good God Dad.

81
00:06:38,400 --> 00:06:38,880
Speaker 4: For me.

82
00:06:41,600 --> 00:06:42,720
Speaker 1: The crowd.

83
00:06:45,240 --> 00:06:47,400
Speaker 2: To tell the truth.

84
00:06:48,720 --> 00:06:59,360
Speaker 1: A lad world speading.

85
00:07:01,839 --> 00:07:13,080
Speaker 2: Still it jip let it tip? Could you care given now?

86
00:07:15,560 --> 00:07:16,880
Speaker 13: With your job.

87
00:07:19,040 --> 00:07:19,480
Speaker 14: Turn it.

88
00:07:24,080 --> 00:07:24,120
Speaker 15: Go?

89
00:07:24,520 --> 00:07:29,840
Speaker 2: The world spinning now, stid.

90
00:07:29,640 --> 00:07:30,280
Speaker 13: It jo.

91
00:07:32,720 --> 00:07:34,080
Speaker 1: Let it jipe.

92
00:07:37,840 --> 00:07:40,640
Speaker 13: Go and k give it now.

93
00:07:42,920 --> 00:07:44,240
Speaker 16: With your job.

94
00:07:46,480 --> 00:07:47,400
Speaker 15: Down now.

95
00:07:53,040 --> 00:08:01,000
Speaker 2: Spending out time.

96
00:08:18,520 --> 00:08:24,840
Speaker 1: Go the world spinning down, spinning down.

97
00:08:26,960 --> 00:08:38,360
Speaker 2: Anotime go you can and give in when you're don.

98
00:08:40,360 --> 00:08:40,800
Speaker 14: Down it.

99
00:08:45,559 --> 00:08:45,839
Speaker 6: Good.

100
00:08:46,000 --> 00:09:05,040
Speaker 2: The world spinning round, spinning di ano time go you can, William.

101
00:09:17,040 --> 00:09:26,240
Speaker 1: Nor Jones, everybody, Yeah, Anna Clark, Saint Vincent's. That was fun.

102
00:09:26,480 --> 00:09:27,400
Speaker 5: That's really fun.

103
00:09:27,760 --> 00:09:28,800
Speaker 1: I could do that all night.

104
00:09:29,559 --> 00:09:31,439
Speaker 5: I think we should. We'll just we'll just loop that,

105
00:09:31,840 --> 00:09:33,800
Speaker 5: do it all night. You guys don't have anything to

106
00:09:33,840 --> 00:09:35,040
Speaker 5: do for the next couple hours, do you?

107
00:09:36,080 --> 00:09:37,720
Speaker 1: You don't have like ten other things to see?

108
00:09:37,880 --> 00:09:38,600
Speaker 15: Right? Nope?

109
00:09:40,200 --> 00:09:45,199
Speaker 1: Thank you, yeah, thank you. Tell me about your guitar please.

110
00:09:45,480 --> 00:09:46,960
Speaker 5: Oh this whole thing?

111
00:09:47,160 --> 00:09:47,360
Speaker 1: Yeah?

112
00:09:47,480 --> 00:09:49,240
Speaker 5: So oh that's bad?

113
00:09:49,320 --> 00:09:51,480
Speaker 1: Is that bad? I'm not gonna tell my piano teacher

114
00:09:51,520 --> 00:09:52,120
Speaker 1: from third grade.

115
00:09:52,440 --> 00:09:55,120
Speaker 5: No. I am curious, actually, like, is it really is

116
00:09:55,160 --> 00:09:57,719
Speaker 5: it bad etiquette to set something on a piece it

117
00:09:57,760 --> 00:09:58,440
Speaker 5: feels like bad.

118
00:09:58,559 --> 00:10:03,440
Speaker 1: It's if it's liquid. Oh but I mean this isn't

119
00:10:03,520 --> 00:10:04,720
Speaker 1: my piano, Okay, so.

120
00:10:04,760 --> 00:10:05,640
Speaker 5: I shouldn't sit on it.

121
00:10:07,520 --> 00:10:07,760
Speaker 16: Joke.

122
00:10:08,480 --> 00:10:11,439
Speaker 1: Whoa, we can edit this out now we're keeping that

123
00:10:11,840 --> 00:10:12,600
Speaker 1: keeping singer.

124
00:10:12,559 --> 00:10:17,160
Speaker 5: Thank you. No, this guitar, I I designed this guitar

125
00:10:17,679 --> 00:10:21,440
Speaker 5: and it's yeah, thinks it's with Ernie Ball and music Man.

126
00:10:21,559 --> 00:10:26,079
Speaker 5: It's as Saint Vincent Signature series guitar. I love that

127
00:10:26,160 --> 00:10:27,280
Speaker 5: you have your guitars.

128
00:10:27,480 --> 00:10:32,800
Speaker 1: That's too. I thought I've never played one one of yours. No,

129
00:10:33,000 --> 00:10:35,280
Speaker 1: I mean one of your signature guitars. I've never got

130
00:10:35,360 --> 00:10:35,760
Speaker 1: to play one.

131
00:10:35,840 --> 00:10:37,120
Speaker 5: Nor I'll give you one, just ask.

132
00:10:37,240 --> 00:10:38,920
Speaker 1: Yeah, okay, this is me asking.

133
00:10:39,679 --> 00:10:39,719
Speaker 13: No.

134
00:10:40,000 --> 00:10:43,400
Speaker 5: Yeah, it's good. They're they're very they're very ergonomic, which

135
00:10:43,400 --> 00:10:47,760
Speaker 5: I think really yeah, okay, but sexy like yeah for

136
00:10:47,880 --> 00:10:50,000
Speaker 5: a woman if I mean, if you have a breadth,

137
00:10:50,000 --> 00:10:53,880
Speaker 5: anyone who has breasts or a breast, a breast that

138
00:10:54,160 --> 00:10:56,000
Speaker 5: is gender non.

139
00:10:55,960 --> 00:10:58,880
Speaker 1: Specific, totally totally. Yeah, it's a good cutout for a breast.

140
00:10:59,000 --> 00:10:59,200
Speaker 10: Yeah.

141
00:10:59,280 --> 00:11:02,920
Speaker 1: Yeah, I love that. Yeah that A song is on

142
00:11:04,679 --> 00:11:07,280
Speaker 1: the Daddy's Home album. Yeah right, yeah, I love that

143
00:11:07,400 --> 00:11:12,040
Speaker 1: albums and I love that song and I love all

144
00:11:12,080 --> 00:11:15,800
Speaker 1: the shout outs in it. I mean, it just makes me.

145
00:11:15,960 --> 00:11:19,240
Speaker 1: It made me a little weepy today singing through it. Yeah,

146
00:11:19,840 --> 00:11:21,920
Speaker 1: and yeah, love all those women.

147
00:11:22,200 --> 00:11:24,400
Speaker 5: I know, there's so many who came before us who

148
00:11:24,559 --> 00:11:27,560
Speaker 5: just like just paved the way to make it easier

149
00:11:27,640 --> 00:11:27,920
Speaker 5: for us.

150
00:11:28,200 --> 00:11:31,760
Speaker 1: Definitely. And I love that you have Tory with Nina

151
00:11:32,080 --> 00:11:35,160
Speaker 1: in that verse. That makes me so happy. Yeah, yeah, thanks,

152
00:11:35,200 --> 00:11:36,680
Speaker 1: I was thinking about you know, you.

153
00:11:36,720 --> 00:11:41,320
Speaker 5: Know Nina's version of Everybody's Gone to the Moon. Oh, yes,

154
00:11:41,800 --> 00:11:46,280
Speaker 5: that's where I don't know that was a reference to

155
00:11:46,400 --> 00:11:49,079
Speaker 5: the first okayh not to get in the weeds, but yeah, no,

156
00:11:49,280 --> 00:11:49,920
Speaker 5: but I love it.

157
00:11:50,200 --> 00:11:52,000
Speaker 1: There's a lot of little tricks in the lyrics in

158
00:11:52,080 --> 00:11:56,080
Speaker 1: this out this song, so it's beautiful. Thanks. Yeah, it's cool.

159
00:11:57,600 --> 00:12:00,880
Speaker 1: And do you play any other instrum it's or mostly guitar?

160
00:12:01,520 --> 00:12:04,760
Speaker 1: Uh well, yeah, I dabble, right, I dabble.

161
00:12:04,880 --> 00:12:07,559
Speaker 5: I'm you know, the piano makes no sense to me,

162
00:12:07,720 --> 00:12:09,199
Speaker 5: and I don't know why I should have stuck with

163
00:12:09,960 --> 00:12:12,880
Speaker 5: To all the children in the audience, I'm sure many

164
00:12:13,280 --> 00:12:16,240
Speaker 5: like just stick with piano lessons because it will help

165
00:12:16,280 --> 00:12:19,000
Speaker 5: you out so much. I did the amount of things

166
00:12:19,040 --> 00:12:25,240
Speaker 5: I do to avoid having to play piano. It's like

167
00:12:25,720 --> 00:12:27,360
Speaker 5: like I'll go to great links to avoid playing it

168
00:12:27,360 --> 00:12:28,480
Speaker 5: because I'm not good at Yeah.

169
00:12:28,679 --> 00:12:29,640
Speaker 2: Yeah, I know what you mean.

170
00:12:29,760 --> 00:12:31,520
Speaker 1: Yeah, tell my kids to keep with it.

171
00:12:31,760 --> 00:12:33,520
Speaker 5: I will call them right now, call them right now,

172
00:12:33,559 --> 00:12:34,120
Speaker 5: let's FaceTime.

173
00:12:34,600 --> 00:12:35,880
Speaker 1: When did you start playing guitar?

174
00:12:36,240 --> 00:12:36,760
Speaker 5: I was twelve?

175
00:12:37,240 --> 00:12:37,480
Speaker 1: Really?

176
00:12:37,600 --> 00:12:37,800
Speaker 13: Yeah?

177
00:12:37,920 --> 00:12:38,920
Speaker 5: And what did you like?

178
00:12:39,080 --> 00:12:40,480
Speaker 1: What started you?

179
00:12:40,600 --> 00:12:40,839
Speaker 13: Did? You?

180
00:12:40,880 --> 00:12:43,480
Speaker 1: Were you told to take guitar lessons or no? I was,

181
00:12:43,760 --> 00:12:44,040
Speaker 1: I was.

182
00:12:44,280 --> 00:12:47,480
Speaker 5: I took violin first, but then I was like learning

183
00:12:47,559 --> 00:12:51,560
Speaker 5: how to play like Pearl Jam and Peter Frampton viol violin.

184
00:12:51,600 --> 00:12:52,440
Speaker 1: I was like, why why don't I.

185
00:12:52,520 --> 00:12:55,080
Speaker 5: Just play guitar? That's fine? And then my uncle's an

186
00:12:55,080 --> 00:12:59,280
Speaker 5: amazing jazz guitar player named Tuck Andres, So I know that. Yeah,

187
00:12:59,280 --> 00:13:00,320
Speaker 5: I talk about it cool.

188
00:13:00,440 --> 00:13:01,760
Speaker 2: Yeah, yeah, I did not know that.

189
00:13:02,920 --> 00:13:03,520
Speaker 1: Holy crap.

190
00:13:03,640 --> 00:13:09,679
Speaker 5: Yeah, another you know kind of thing. So it was

191
00:13:09,800 --> 00:13:13,079
Speaker 5: like it was possible to be a musician in my

192
00:13:13,200 --> 00:13:14,840
Speaker 5: family and have that be like, oh, that's a thing

193
00:13:14,920 --> 00:13:17,800
Speaker 5: you do and a sort of path you could could follow,

194
00:13:17,960 --> 00:13:21,800
Speaker 5: not frowned upon you have to be a lawyer or whatever.

195
00:13:22,480 --> 00:13:24,160
Speaker 1: Did you grow up seeing them play a lot?

196
00:13:24,400 --> 00:13:24,640
Speaker 9: I did?

197
00:13:24,760 --> 00:13:26,880
Speaker 5: Yeah, I would go see them. Yeah, fine, my first

198
00:13:26,960 --> 00:13:29,720
Speaker 5: gig seeing them was when they opened for Bill Cosby.

199
00:13:30,559 --> 00:13:30,800
Speaker 1: Wow.

200
00:13:31,040 --> 00:13:34,480
Speaker 5: Yeah, but I was asleep for most of it.

201
00:13:38,440 --> 00:13:47,360
Speaker 1: You're funny, and you grew up my fellow Dallas girl.

202
00:13:47,840 --> 00:13:50,000
Speaker 1: We're both from Texas. We're both from Dallas.

203
00:13:50,200 --> 00:13:54,640
Speaker 5: Dallas girls. Yeah, how many all are Texans?

204
00:13:55,720 --> 00:13:56,200
Speaker 13: Oh? Wow?

205
00:13:57,080 --> 00:13:58,040
Speaker 1: Anybody from Dallas?

206
00:13:59,120 --> 00:13:59,480
Speaker 14: Nice?

207
00:14:00,840 --> 00:14:02,920
Speaker 1: What part of Dallas? Did you grow up in a

208
00:14:03,160 --> 00:14:04,160
Speaker 1: place called Lake Highlands?

209
00:14:04,200 --> 00:14:04,840
Speaker 2: Okay? Yeah?

210
00:14:05,200 --> 00:14:05,480
Speaker 1: Cool?

211
00:14:05,880 --> 00:14:11,120
Speaker 5: Okay, Lake Higland's here representing you're But you went to

212
00:14:11,280 --> 00:14:13,080
Speaker 5: the cool arts high school?

213
00:14:13,120 --> 00:14:13,439
Speaker 1: I did?

214
00:14:13,800 --> 00:14:14,720
Speaker 5: You went to the good one?

215
00:14:14,880 --> 00:14:15,120
Speaker 10: I did?

216
00:14:15,320 --> 00:14:15,439
Speaker 16: I go?

217
00:14:15,559 --> 00:14:18,480
Speaker 1: I went to Booker T Washington, the performing arts high school.

218
00:14:18,640 --> 00:14:21,920
Speaker 1: But I grew up in Grapevine. Weirdly, I know, Wait,

219
00:14:22,040 --> 00:14:25,160
Speaker 1: what was Grapevine back then? It was tiny? It was

220
00:14:25,200 --> 00:14:28,880
Speaker 1: a little tiny town. Yeah, and then I I think

221
00:14:28,960 --> 00:14:30,960
Speaker 1: I grew up there until I was maybe fifth or

222
00:14:31,040 --> 00:14:33,840
Speaker 1: sixth grade. And then anyway, yes, did.

223
00:14:33,720 --> 00:14:36,560
Speaker 5: You move closer into that? Because like, how did? I'm

224
00:14:36,600 --> 00:14:38,360
Speaker 5: thinking of the commute? We're going to talk highways.

225
00:14:38,400 --> 00:14:40,760
Speaker 1: No, this is getting into the weeds. But yeah, we

226
00:14:40,920 --> 00:14:42,640
Speaker 1: moved to Dallas just so I could go to that

227
00:14:42,760 --> 00:14:43,680
Speaker 1: high school you did.

228
00:14:43,960 --> 00:14:45,280
Speaker 5: So, wait where did you live in Dallas?

229
00:14:45,680 --> 00:14:48,720
Speaker 1: I lived like close to the high school. So I

230
00:14:48,840 --> 00:14:51,600
Speaker 1: lived kind of near downtown, but not downtown like Oklon.

231
00:14:51,760 --> 00:14:55,880
Speaker 1: I lived in Oklhan and it was great, but like,

232
00:14:56,000 --> 00:14:58,680
Speaker 1: I didn't have a lot of friends in my neighborhood

233
00:14:58,720 --> 00:15:01,040
Speaker 1: because we really just lived there to go to the school.

234
00:15:01,560 --> 00:15:03,440
Speaker 1: Most kids were from all over the city.

235
00:15:03,920 --> 00:15:06,240
Speaker 5: So I still think that's there. Weren't that many kids

236
00:15:06,280 --> 00:15:06,800
Speaker 5: in Oaklawn.

237
00:15:07,200 --> 00:15:12,240
Speaker 1: Yeah, exactly. It was fun, but yeah, Dallas representing goddamn right.

238
00:15:12,440 --> 00:15:14,600
Speaker 1: When they asked me to do this podcast at south By,

239
00:15:15,200 --> 00:15:17,000
Speaker 1: I said, yeah, but we have to have somebody from

240
00:15:17,040 --> 00:15:21,160
Speaker 1: Texas otherwise I don't. I don't know. And then I

241
00:15:21,360 --> 00:15:24,040
Speaker 1: was so excited when you said yes, Oh my.

242
00:15:24,000 --> 00:15:26,720
Speaker 5: God, I would have I have would have said yes anytime.

243
00:15:26,880 --> 00:15:28,600
Speaker 5: It's I'm glad it's here.

244
00:15:28,680 --> 00:15:31,920
Speaker 1: Yeah, I'm glad we're Texans. Yeah, hello together. Do you

245
00:15:31,960 --> 00:15:32,920
Speaker 1: want to play another song?

246
00:15:33,120 --> 00:15:33,920
Speaker 5: Let's do it all right.

247
00:15:36,120 --> 00:15:38,240
Speaker 1: I would like to play another one of your songs

248
00:15:38,280 --> 00:15:40,200
Speaker 1: from that album that I love so so much.

249
00:15:44,040 --> 00:15:44,480
Speaker 13: I love the.

250
00:15:44,560 --> 00:15:48,000
Speaker 5: Vaudeville of full Charlie Chaplin.

251
00:15:49,920 --> 00:15:54,320
Speaker 1: This is a good one. This is at the holiday party. Yeah,

252
00:15:55,680 --> 00:15:57,240
Speaker 1: all right, you're gonna let me accompany you?

253
00:15:58,080 --> 00:15:58,560
Speaker 5: Hell yeah?

254
00:16:00,160 --> 00:16:02,080
Speaker 1: Will you give me a time? Bo so I don't.

255
00:16:04,840 --> 00:16:05,920
Speaker 15: Mm hmmmm.

256
00:16:21,280 --> 00:16:38,240
Speaker 16: At the holiday body.

257
00:16:40,880 --> 00:16:50,560
Speaker 2: Read while leave to little early remniscent goddess laughing.

258
00:16:53,360 --> 00:16:57,440
Speaker 12: And that's when I saw your face cracking.

259
00:17:00,240 --> 00:17:13,560
Speaker 11: Sense you speak, you gucci pasciform see pretend to warn

260
00:17:14,160 --> 00:17:15,240
Speaker 11: these things?

261
00:17:16,760 --> 00:17:20,080
Speaker 12: So nor will seize you not get in?

262
00:17:22,359 --> 00:17:23,240
Speaker 10: Not get in?

263
00:17:23,480 --> 00:17:24,840
Speaker 4: What do you mean.

264
00:17:37,160 --> 00:17:37,200
Speaker 5: Me?

265
00:17:46,440 --> 00:17:52,720
Speaker 2: You can hid for me?

266
00:17:54,680 --> 00:18:00,480
Speaker 13: Bad?

267
00:18:09,760 --> 00:18:11,160
Speaker 2: I go not by baby?

268
00:18:18,560 --> 00:18:22,240
Speaker 11: Are yoused to working on your screenplay?

269
00:18:25,080 --> 00:18:32,520
Speaker 5: Didn't those lights go out home Broadway? Thinking you can

270
00:18:32,960 --> 00:18:35,040
Speaker 5: just keep spend.

271
00:18:37,720 --> 00:18:38,959
Speaker 2: You won't miss?

272
00:18:39,320 --> 00:18:41,320
Speaker 14: You been missing.

273
00:18:42,520 --> 00:18:44,400
Speaker 16: A persent?

274
00:18:44,680 --> 00:18:46,119
Speaker 5: You ask me?

275
00:18:48,440 --> 00:19:01,119
Speaker 11: You little PASSI farm scene me behind these things some

276
00:19:01,520 --> 00:19:05,040
Speaker 11: normal ceesars not getting.

277
00:19:06,840 --> 00:19:08,480
Speaker 2: Not gidding when we.

278
00:19:08,880 --> 00:19:35,520
Speaker 1: Need care high, you.

279
00:19:37,000 --> 00:19:41,520
Speaker 2: Care high for me.

280
00:20:06,840 --> 00:20:08,119
Speaker 13: You can't hide it.

281
00:20:08,400 --> 00:20:09,560
Speaker 12: You can't hide.

282
00:20:09,880 --> 00:20:12,320
Speaker 2: No, you can't hide from me.

283
00:20:13,200 --> 00:20:14,359
Speaker 13: You can't hide.

284
00:20:14,760 --> 00:20:19,560
Speaker 2: You can't hide. No, you can't hide from me. You

285
00:20:19,880 --> 00:20:24,920
Speaker 2: can't hide, you can't hide. No, you can't hide from me.

286
00:20:25,800 --> 00:20:30,760
Speaker 13: You can't hide. You can't hide. No, you can't hide

287
00:20:30,840 --> 00:20:36,119
Speaker 13: from me. You can't hide, you can't hide. No, you

288
00:20:36,440 --> 00:20:41,160
Speaker 13: can't help from me. You can't hide, you can't hide,

289
00:20:42,400 --> 00:20:44,000
Speaker 13: you can't hide on me.

290
00:20:44,840 --> 00:20:45,880
Speaker 1: You can't help.

291
00:20:46,400 --> 00:20:47,520
Speaker 3: You can't help.

292
00:20:48,800 --> 00:20:54,160
Speaker 2: You can help me, You can't help you can hold.

293
00:21:30,840 --> 00:21:31,600
Speaker 1: I love that one.

294
00:21:34,080 --> 00:21:37,040
Speaker 15: I'm scud here, I'm gonna pop a squad nice. Yes,

295
00:21:37,359 --> 00:21:39,239
Speaker 15: I'm so short I can almost not see you over

296
00:21:39,280 --> 00:21:44,600
Speaker 15: the piano here. Yy Hey, I really admire you.

297
00:21:44,840 --> 00:21:47,760
Speaker 1: And I'm I'm really happy to know you, and I

298
00:21:47,840 --> 00:21:50,760
Speaker 1: really I just think it's so cool. You're always dabbling

299
00:21:50,840 --> 00:21:55,760
Speaker 1: in different things, and I think I think that's great.

300
00:21:55,960 --> 00:21:57,639
Speaker 1: Do you have just like ideas in the middle of

301
00:21:57,680 --> 00:21:59,399
Speaker 1: the night and you're like, I'm gonna do that or

302
00:22:00,160 --> 00:22:03,200
Speaker 1: is it just a combination of stuff coming to you

303
00:22:03,359 --> 00:22:06,680
Speaker 1: and you're saying yes? Is it like everything? I feel

304
00:22:06,720 --> 00:22:09,080
Speaker 1: like you architect a lot of things that are very

305
00:22:09,160 --> 00:22:13,639
Speaker 1: interesting you. It feels like you're very much creatively thinking

306
00:22:13,800 --> 00:22:18,080
Speaker 1: about big picture stuff, not only music, but like the

307
00:22:18,160 --> 00:22:23,440
Speaker 1: surrounding creative. This is a run on sentence, but you

308
00:22:23,520 --> 00:22:26,399
Speaker 1: know what I'm saying, I appreciate it. Thank you.

309
00:22:26,720 --> 00:22:29,919
Speaker 5: First of all, I think I like there's a part

310
00:22:29,960 --> 00:22:32,879
Speaker 5: of me that sort of walks through life with a

311
00:22:33,080 --> 00:22:36,159
Speaker 5: with a like a healthy disassociation where I'm like, I

312
00:22:36,280 --> 00:22:40,399
Speaker 5: don't know what, like what happens if I try this thing,

313
00:22:40,520 --> 00:22:43,080
Speaker 5: like it could be a terrible like not saying yes

314
00:22:43,200 --> 00:22:46,000
Speaker 5: to life is like a great thing I think, you know,

315
00:22:46,320 --> 00:22:51,199
Speaker 5: as an ethos, as an artist sometimes and then sometimes

316
00:22:51,359 --> 00:22:52,840
Speaker 5: you just have to be willing to like fall on

317
00:22:52,880 --> 00:22:55,880
Speaker 5: your face and for things to not not totally land,

318
00:22:56,000 --> 00:22:58,880
Speaker 5: but like, I don't know, even if it doesn't land,

319
00:22:58,960 --> 00:23:01,600
Speaker 5: it's like funny, yeah, you know what I mean, fun right.

320
00:23:01,640 --> 00:23:02,719
Speaker 1: And you always get somewhere.

321
00:23:02,960 --> 00:23:05,080
Speaker 5: You get somewhere, and you learn a lot in the process.

322
00:23:05,160 --> 00:23:07,640
Speaker 5: So I think that I think I have said yes

323
00:23:07,760 --> 00:23:11,240
Speaker 5: to a lot of things. You know. One part is

324
00:23:11,320 --> 00:23:14,960
Speaker 5: like yes, I feel passionately that I'm I really want

325
00:23:15,000 --> 00:23:17,000
Speaker 5: to do this. And then there's another side. I think

326
00:23:17,040 --> 00:23:20,560
Speaker 5: that's like I'm just curious, like what's gonna happen if

327
00:23:20,640 --> 00:23:22,680
Speaker 5: I just stand in that room and see, you know

328
00:23:22,720 --> 00:23:26,440
Speaker 5: what I mean, like see what happens? Uh? Yeah, I hope,

329
00:23:26,480 --> 00:23:27,600
Speaker 5: I hope I answered your question.

330
00:23:27,880 --> 00:23:30,080
Speaker 1: I mean I think I kind of knew the answer

331
00:23:30,240 --> 00:23:34,359
Speaker 1: because you seem like an open musician and so, but

332
00:23:34,480 --> 00:23:36,480
Speaker 1: you also seem like you have a lot of really

333
00:23:36,640 --> 00:23:40,560
Speaker 1: interesting conceptual ideas about things artistically. So I think the

334
00:23:40,640 --> 00:23:42,920
Speaker 1: combination is kind of the perfect thing, and that's what

335
00:23:43,040 --> 00:23:46,040
Speaker 1: it seems like to me. That's like a combo pack, right.

336
00:23:46,280 --> 00:23:48,280
Speaker 5: Thank you. Well, then the pr team has been really

337
00:23:48,400 --> 00:23:49,040
Speaker 5: doing your job.

338
00:23:50,240 --> 00:23:52,200
Speaker 2: That's what the army of pr.

339
00:23:53,800 --> 00:23:56,200
Speaker 5: But you're I was telling you when we were rehearsing,

340
00:23:57,400 --> 00:24:00,800
Speaker 5: and I'm I'm sure everyone and in this in the

341
00:24:01,200 --> 00:24:03,560
Speaker 5: in the crowd feels the same way. But like, there's

342
00:24:03,640 --> 00:24:07,040
Speaker 5: something about the quality of your voice that when you sing,

343
00:24:07,280 --> 00:24:10,520
Speaker 5: I just feel like I'm being held No, I just

344
00:24:10,560 --> 00:24:14,880
Speaker 5: feel like that's just heaven like. And you've always You've

345
00:24:14,920 --> 00:24:18,800
Speaker 5: always had that, and you too have been like you

346
00:24:19,200 --> 00:24:21,720
Speaker 5: dabble in all kinds of genres and do all kinds

347
00:24:21,720 --> 00:24:23,680
Speaker 5: of things, but at the end of the day, like

348
00:24:24,760 --> 00:24:29,480
Speaker 5: when anybody hears your voice, like, oh, that's more jokes like,

349
00:24:30,160 --> 00:24:32,359
Speaker 5: and that's the biggest thing as an artist I think

350
00:24:32,400 --> 00:24:33,920
Speaker 5: in the whole world, be like, well.

351
00:24:33,880 --> 00:24:36,440
Speaker 1: It is an interesting thing to try different things, but

352
00:24:36,600 --> 00:24:39,520
Speaker 1: try to stay true to your kind of core what

353
00:24:39,720 --> 00:24:42,400
Speaker 1: you are. And it's sometimes hard for people, I think,

354
00:24:42,520 --> 00:24:44,560
Speaker 1: to stay true to that while they're trying other things.

355
00:24:44,640 --> 00:24:46,520
Speaker 1: But I feel the same about you. I feel like

356
00:24:46,960 --> 00:24:52,360
Speaker 1: it's always right right on, and you're doing You're doing

357
00:24:52,440 --> 00:24:54,400
Speaker 1: so many things and I'm like, holy crap, I want

358
00:24:54,440 --> 00:24:58,000
Speaker 1: to do that. You're doing an orchestra tour. Oh yeah, yeah,

359
00:24:58,080 --> 00:24:58,640
Speaker 1: it's so cool.

360
00:24:58,880 --> 00:24:59,200
Speaker 13: I am.

361
00:24:59,440 --> 00:24:59,959
Speaker 5: How did that come?

362
00:25:00,600 --> 00:25:00,760
Speaker 1: Well?

363
00:25:00,880 --> 00:25:04,400
Speaker 5: It came about because in London there's this thing called

364
00:25:04,440 --> 00:25:07,040
Speaker 5: the BBC Proms and they have a yeah, they have

365
00:25:07,119 --> 00:25:10,280
Speaker 5: a like a series where they will invite I guess

366
00:25:10,600 --> 00:25:13,240
Speaker 5: more like pop artists or whatever to come in and

367
00:25:13,440 --> 00:25:17,359
Speaker 5: do shows. So I did one of those shows in

368
00:25:17,840 --> 00:25:23,119
Speaker 5: September and I just I loved it. I loved it.

369
00:25:23,359 --> 00:25:27,639
Speaker 5: And there they are like aspects of earlier work that

370
00:25:27,760 --> 00:25:30,440
Speaker 5: I made that I had kind of forgotten about that

371
00:25:30,560 --> 00:25:34,760
Speaker 5: were sort of like, you know, like whimsical, sort of

372
00:25:34,800 --> 00:25:37,440
Speaker 5: self really well sort of linded it yeah, linded lent

373
00:25:37,720 --> 00:25:43,400
Speaker 5: or linded itself well to that and doing the show

374
00:25:43,600 --> 00:25:47,600
Speaker 5: with like a sixty piece orchestra and these great arrangements

375
00:25:47,680 --> 00:25:49,920
Speaker 5: and these great arrangers and these great players, it was like,

376
00:25:51,200 --> 00:25:53,520
Speaker 5: oh it almost in a weird way, it felt like

377
00:25:53,560 --> 00:25:56,320
Speaker 5: a like I'm not dead, but like it felt like

378
00:25:56,359 --> 00:25:57,200
Speaker 5: a retrospective.

379
00:25:57,400 --> 00:25:57,600
Speaker 1: Yeah.

380
00:25:57,880 --> 00:26:00,280
Speaker 5: I was sort of like, oh, god, I guess I

381
00:26:00,400 --> 00:26:02,000
Speaker 5: wrote a bunch of music at something, you know.

382
00:26:02,200 --> 00:26:03,600
Speaker 1: So it's like you've been doing this for a while.

383
00:26:04,000 --> 00:26:07,000
Speaker 5: It's like a minute, Yeah, yeah, that's so cool.

384
00:26:07,359 --> 00:26:09,560
Speaker 1: And so you're doing a little tour with it, right, Yeah,

385
00:26:09,640 --> 00:26:11,960
Speaker 1: we're doing like a summer tour. So how does that work?

386
00:26:12,040 --> 00:26:14,200
Speaker 1: You pick up an orchestra in every city? Right, you

387
00:26:14,240 --> 00:26:16,199
Speaker 1: can't travel with a sixty pace orchestra.

388
00:26:16,720 --> 00:26:20,200
Speaker 5: God no, no, no, no, it's but it's it's cool.

389
00:26:20,240 --> 00:26:23,640
Speaker 5: I mean, I think like it's one of the few

390
00:26:23,800 --> 00:26:27,680
Speaker 5: like bastions of art funding. I think in the States

391
00:26:27,840 --> 00:26:30,440
Speaker 5: that's left. I probably don't don't air that because they'll

392
00:26:30,480 --> 00:26:33,440
Speaker 5: cut it. But they have these seasons that you could

393
00:26:33,560 --> 00:26:35,840
Speaker 5: that they're curating, and so you can kind of slot

394
00:26:35,920 --> 00:26:38,359
Speaker 5: in and be like, oh you could, You're gonna get

395
00:26:38,480 --> 00:26:42,080
Speaker 5: Maller's fifth, but then the next night you'll get you know,

396
00:26:42,280 --> 00:26:45,400
Speaker 5: so and so with with the orchestra. So and I'm

397
00:26:45,440 --> 00:26:49,399
Speaker 5: traveling with a little a small little band, and then

398
00:26:49,640 --> 00:26:53,840
Speaker 5: Jules Buckley who conducted the London show, so we have.

399
00:26:53,960 --> 00:26:55,000
Speaker 2: Our and then.

400
00:26:56,400 --> 00:26:58,119
Speaker 5: Yeah, yeah, we have our little team and then we

401
00:26:58,240 --> 00:27:00,879
Speaker 5: just show up and give people charts. And what's miraculous

402
00:27:00,960 --> 00:27:03,520
Speaker 5: to me, which is you're sitting there reading music. I'm like,

403
00:27:04,080 --> 00:27:06,080
Speaker 5: you just they just play it and they can read

404
00:27:06,200 --> 00:27:07,440
Speaker 5: music and then it sounds good.

405
00:27:07,520 --> 00:27:09,080
Speaker 1: Do you have to rehearse everything with them?

406
00:27:09,720 --> 00:27:09,960
Speaker 13: You do?

407
00:27:10,160 --> 00:27:12,960
Speaker 5: But it's really chill it's like quick baby, It's like

408
00:27:13,280 --> 00:27:17,040
Speaker 5: it's like a three hour sound check. Okay, you get ready,

409
00:27:17,160 --> 00:27:20,080
Speaker 5: that's a lot. You're done by nine pm. Okay, lights out.

410
00:27:20,119 --> 00:27:21,960
Speaker 5: You could be watching Law and Order, but.

411
00:27:22,040 --> 00:27:24,520
Speaker 1: You're doing the whole set, like at sound check to.

412
00:27:24,680 --> 00:27:27,639
Speaker 5: Practice, just like yeah, just to kind of dial it it.

413
00:27:27,840 --> 00:27:30,240
Speaker 5: But otherwise it's it's easy.

414
00:27:30,000 --> 00:27:31,280
Speaker 1: When you've done at nine, I'm in.

415
00:27:32,320 --> 00:27:35,439
Speaker 5: I want this and the catering is like good what.

416
00:27:36,200 --> 00:27:39,119
Speaker 1: Yeah, okay, sign me up for an orchestra.

417
00:27:39,359 --> 00:27:41,200
Speaker 5: Okay, we know who to talk to.

418
00:27:41,359 --> 00:27:44,520
Speaker 1: Yeah, that's true. That's really fun though. It's I feel

419
00:27:44,560 --> 00:27:47,480
Speaker 1: like doing different things just feeds it all and you know,

420
00:27:48,000 --> 00:27:49,240
Speaker 1: breaks it up in a nice way.

421
00:27:49,359 --> 00:27:49,560
Speaker 15: Yeah.

422
00:27:49,600 --> 00:27:50,199
Speaker 5: I think you're right.

423
00:27:50,320 --> 00:27:54,120
Speaker 1: Yeah, we're going to do something different for us both.

424
00:27:54,560 --> 00:27:56,720
Speaker 1: We're going to do a cover song. I like to

425
00:27:56,800 --> 00:27:58,760
Speaker 1: do a cover on these podcasts because it kind of

426
00:27:58,800 --> 00:28:01,800
Speaker 1: levels us out all and it's like then we get

427
00:28:01,880 --> 00:28:06,480
Speaker 1: to do something new together, you know. And we decided

428
00:28:06,560 --> 00:28:15,119
Speaker 1: on this amazing song Maryanne Faithful recorded called the Ballad

429
00:28:15,160 --> 00:28:19,920
Speaker 1: of Lucy Jordan, and I love the song. It's so

430
00:28:20,119 --> 00:28:23,920
Speaker 1: good shing and I remember so I actually just saying

431
00:28:24,000 --> 00:28:27,680
Speaker 1: this at Sundance because my one of my good friends

432
00:28:27,800 --> 00:28:31,040
Speaker 1: produced the documentary on Maryann Faithful, which you should all

433
00:28:31,119 --> 00:28:34,800
Speaker 1: see because it's really very different and beautiful and it

434
00:28:34,920 --> 00:28:38,640
Speaker 1: honors her in a really nice way. But I had

435
00:28:38,680 --> 00:28:42,240
Speaker 1: the soundtrack to Thelma and Louise and I this was

436
00:28:42,280 --> 00:28:44,200
Speaker 1: on it, and that's how I knew the song.

437
00:28:44,720 --> 00:28:46,640
Speaker 5: And thank you for introducing me to this song because

438
00:28:46,640 --> 00:28:47,120
Speaker 5: I didn't know it.

439
00:28:47,200 --> 00:28:48,280
Speaker 1: Oh, I didn't know that you didn't know it.

440
00:28:48,440 --> 00:28:50,680
Speaker 5: I mean, I don't, I'm not. That's not an apology

441
00:28:50,720 --> 00:28:53,239
Speaker 5: for what's about to happen. I just mean, I just mean,

442
00:28:53,280 --> 00:28:54,880
Speaker 5: thank you for introducing me to it, because it's so

443
00:28:55,960 --> 00:29:00,160
Speaker 5: it's just shattering. Yeah, I mean, her stuff is not

444
00:29:00,760 --> 00:29:04,280
Speaker 5: that well known to everyone, which is crazy because I

445
00:29:04,560 --> 00:29:06,280
Speaker 5: tend to think like if there was like a giant

446
00:29:06,680 --> 00:29:08,880
Speaker 5: Mount Rushmore, I feel like she's on it.

447
00:29:09,120 --> 00:29:12,280
Speaker 1: She is, but I don't feel like I don't know.

448
00:29:12,600 --> 00:29:13,520
Speaker 5: She just didn't get her do.

449
00:29:13,760 --> 00:29:17,000
Speaker 1: I don't think she got her due? But what a badass?

450
00:29:17,200 --> 00:29:17,440
Speaker 10: Yeah?

451
00:29:18,440 --> 00:29:21,960
Speaker 1: And did you know that shel Silverstein actually wrote this song?

452
00:29:22,360 --> 00:29:22,880
Speaker 5: No? I know.

453
00:29:23,040 --> 00:29:24,080
Speaker 1: Isn't that wild? Really?

454
00:29:24,240 --> 00:29:24,440
Speaker 13: Yeah?

455
00:29:24,800 --> 00:29:28,560
Speaker 1: I actually didn't know that until recently. But so that's

456
00:29:28,600 --> 00:29:31,160
Speaker 1: a fun, fun fact, fun fact. And I just love

457
00:29:31,200 --> 00:29:33,600
Speaker 1: her so much, and we're going to do the song.

458
00:29:33,680 --> 00:29:34,320
Speaker 5: Let's do it to it?

459
00:29:34,440 --> 00:29:43,040
Speaker 1: Yeah, how are you guys doing out there? Yeah?

460
00:29:47,560 --> 00:29:47,880
Speaker 4: This is.

461
00:29:51,720 --> 00:29:53,640
Speaker 1: Your aunt is like going crazy.

462
00:29:55,760 --> 00:29:56,120
Speaker 2: I don't know.

463
00:29:56,280 --> 00:29:57,719
Speaker 1: Maybe we could get some tech support.

464
00:29:58,480 --> 00:29:58,920
Speaker 13: You got it?

465
00:29:59,280 --> 00:30:03,200
Speaker 1: It looks like it's about to fall all right in love?

466
00:30:03,960 --> 00:30:04,320
Speaker 2: Let's go.

467
00:30:08,480 --> 00:30:18,600
Speaker 5: Hm, this is good. This is how I do my

468
00:30:18,720 --> 00:30:25,480
Speaker 5: music stance. It's just just creative. That's how I do Yes,

469
00:30:25,560 --> 00:30:26,120
Speaker 5: that's how I do it.

470
00:30:28,760 --> 00:30:42,960
Speaker 14: H morning sound touch lightly on the eyes, Lucy or

471
00:30:44,720 --> 00:30:50,040
Speaker 14: in white suburban bedroom in a white.

472
00:30:50,480 --> 00:31:00,760
Speaker 17: Suburban sounds, She lay then the covers, dreaming of thousand

473
00:31:01,160 --> 00:31:03,960
Speaker 17: loaves to the world.

474
00:31:04,840 --> 00:31:10,720
Speaker 11: Turns of orange and the room's spinning round.

475
00:31:14,000 --> 00:31:17,840
Speaker 2: At the age of thirty seven.

476
00:31:18,880 --> 00:31:27,040
Speaker 11: She realizes she never rides to Paris in a sports.

477
00:31:26,640 --> 00:31:30,400
Speaker 2: Car with a long way inn.

478
00:31:34,560 --> 00:31:36,760
Speaker 1: So she let the funk.

479
00:31:36,680 --> 00:31:42,800
Speaker 14: Keep bring in and she's sat there softly seen.

480
00:31:43,920 --> 00:31:45,520
Speaker 5: Little nursery ride.

481
00:31:46,280 --> 00:31:51,160
Speaker 6: She memorize in her dirties easy chair.

482
00:31:55,280 --> 00:32:04,240
Speaker 10: Her husband is off to work, amans off to school, and.

483
00:32:04,480 --> 00:32:10,200
Speaker 11: There were owned so many ways for her to spend

484
00:32:10,440 --> 00:32:10,960
Speaker 11: the day.

485
00:32:12,600 --> 00:32:20,560
Speaker 10: She could clean the house for hours, only lay the flowers,

486
00:32:21,680 --> 00:32:24,040
Speaker 10: or run naked through the.

487
00:32:24,240 --> 00:32:36,120
Speaker 2: Shady street screaming long. At the age of thirst seven.

488
00:32:37,200 --> 00:32:44,720
Speaker 3: She realizes she never arrived through Paris and a sports

489
00:32:44,880 --> 00:32:53,880
Speaker 3: car with the wall home Wall, So she let the

490
00:32:54,160 --> 00:33:02,040
Speaker 3: phone keep bringing, and she sat there soft singing. But

491
00:33:02,240 --> 00:33:09,080
Speaker 3: the nursery rived, she memorized in Daddy Easy, Easy Chair.

492
00:33:26,320 --> 00:33:33,880
Speaker 9: The evening Sir touched gently on the asa Lucy Jordan

493
00:33:35,360 --> 00:33:36,440
Speaker 9: on the rooftop.

494
00:33:36,760 --> 00:33:41,480
Speaker 2: Wish she climbed when all laught.

495
00:33:42,760 --> 00:33:50,440
Speaker 7: Got to laugh, and she bowed and curtsy to the

496
00:33:50,720 --> 00:33:56,240
Speaker 7: man who reached and offered her his hand when he

497
00:33:56,400 --> 00:34:01,400
Speaker 7: let her down to the long white girl and waited

498
00:34:02,200 --> 00:34:03,400
Speaker 7: past the ground.

499
00:34:06,880 --> 00:34:10,480
Speaker 2: At the age first sever.

500
00:34:11,680 --> 00:34:18,640
Speaker 3: She knew she found forever as she rode along through

501
00:34:18,880 --> 00:34:21,759
Speaker 3: pass with the warm.

502
00:34:21,640 --> 00:34:23,360
Speaker 10: Wind and her head.

503
00:34:58,719 --> 00:35:02,239
Speaker 1: I love that. Such is great. That's a good one.

504
00:35:02,360 --> 00:35:04,759
Speaker 1: I love how it ends on the five and it

505
00:35:04,880 --> 00:35:07,400
Speaker 1: just doesn't resolve. It does the result because she floats

506
00:35:07,480 --> 00:35:10,640
Speaker 1: off into I mean, I think she jumps off the roof.

507
00:35:10,960 --> 00:35:11,800
Speaker 1: That's my theory.

508
00:35:12,000 --> 00:35:14,879
Speaker 5: But I'm I'm like, I'm up to minds. I feel

509
00:35:14,960 --> 00:35:18,279
Speaker 5: like jump off the roof or like ends up in

510
00:35:18,880 --> 00:35:21,799
Speaker 5: an insane asylum. Yes, but either way it is great

511
00:35:21,880 --> 00:35:22,320
Speaker 5: for women.

512
00:35:25,040 --> 00:35:28,840
Speaker 1: Thanks Shelle. Yeah, No, it is such a good portrait

513
00:35:28,920 --> 00:35:31,799
Speaker 1: of like someone just losing it and the like she.

514
00:35:31,880 --> 00:35:34,600
Speaker 5: Could clean the house for hours, or rearrange the flowers, or.

515
00:35:34,640 --> 00:35:37,560
Speaker 1: Run naked through the shady street screaming all the way.

516
00:35:37,719 --> 00:35:39,319
Speaker 1: God damn. Yeah, it's so good.

517
00:35:40,719 --> 00:35:41,359
Speaker 5: It's a good one.

518
00:35:42,200 --> 00:35:43,200
Speaker 1: Thank you for joining me.

519
00:35:43,320 --> 00:35:43,560
Speaker 5: Thanks.

520
00:35:44,920 --> 00:35:47,360
Speaker 1: This is a live podcast. I usually do this in

521
00:35:47,440 --> 00:35:52,160
Speaker 1: my basement at home, and sometimes we do extra takes.

522
00:35:52,200 --> 00:35:54,200
Speaker 1: So I just do you want to do anything again?

523
00:35:54,280 --> 00:35:55,120
Speaker 1: Or are you feeling good?

524
00:35:55,760 --> 00:35:58,560
Speaker 5: I was in the moment and loving every minute of it. Okay,

525
00:35:59,120 --> 00:35:59,880
Speaker 5: so I loved it.

526
00:36:01,440 --> 00:36:06,359
Speaker 1: What do you think? All right? Good? Sarah says great.

527
00:36:06,680 --> 00:36:11,600
Speaker 1: Sarah's my beacon. Thank you everyone for joining us. Thanks,

528
00:36:12,600 --> 00:36:16,720
Speaker 1: Thanks Nora, thank you You're the best Texas Texas forever.

529
00:36:24,640 --> 00:36:25,439
Speaker 2: It was so fun.

530
00:36:25,520 --> 00:36:27,759
Speaker 1: Yeah, it was incredible. It was just fun to hang.

531
00:36:27,880 --> 00:36:30,920
Speaker 1: Can we do them all live? Well, in a way,

532
00:36:30,960 --> 00:36:34,440
Speaker 1: it's easier and harder. If you want to know what

533
00:36:34,560 --> 00:36:36,920
Speaker 1: songs we played in this episode, the first song was

534
00:36:37,239 --> 00:36:40,440
Speaker 1: called Melting of the Sun from the Saint Vincent album

535
00:36:40,920 --> 00:36:44,319
Speaker 1: Daddy's Home, released in twenty twenty one. The second song

536
00:36:44,520 --> 00:36:47,000
Speaker 1: was at the Holiday Party from the same album, and

537
00:36:47,080 --> 00:36:51,080
Speaker 1: the third song was the Ballad of Lucy Jordan. It

538
00:36:51,239 --> 00:36:54,920
Speaker 1: was written by shel Silverstein and it was recorded by

539
00:36:55,040 --> 00:36:58,640
Speaker 1: Maryanne Faithful from the album Broken English, which was released

540
00:36:58,680 --> 00:37:00,800
Speaker 1: in nineteen seventy nine. Was also on the film and

541
00:37:00,880 --> 00:37:04,439
Speaker 1: Louis soundtrack special Thanks to Saint Vincent for joining us today,

542
00:37:04,480 --> 00:37:06,960
Speaker 1: and We'll be back next week with Blake Mills and

543
00:37:07,080 --> 00:37:10,400
Speaker 1: Pino Palladino. Norah Jones is playing along as a production

544
00:37:10,560 --> 00:37:14,040
Speaker 1: of iHeart Podcasts. Visit Nora Jones channel and be sure

545
00:37:14,080 --> 00:37:16,840
Speaker 1: to subscribe while you're there. I'm your host, Norah Jones.

546
00:37:17,360 --> 00:37:21,000
Speaker 1: This episode was recorded at the Saint Cecilia Hotel in Austin, Texas.

547
00:37:21,560 --> 00:37:25,440
Speaker 1: Audio engineer Lewis Calderone, mixed by Jamie Landry, edited by

548
00:37:25,520 --> 00:37:29,680
Speaker 1: Marcus Rutledge, Additional recording by Matt Marinelli. Audio post production

549
00:37:29,800 --> 00:37:33,560
Speaker 1: and mastering by Greg toblerd artwork by Eliza Frye. Photography

550
00:37:33,680 --> 00:37:38,320
Speaker 1: by Shervin Lenz and Ismael Cantonia. The third iHeart Producers

551
00:37:38,400 --> 00:37:43,000
Speaker 1: Amir Copper, Sidney Davis, Ron Pineda and Natalie Salidi. Produced

552
00:37:43,000 --> 00:37:46,200
Speaker 1: by Nora Jones and Sarah Oda. Executive producers Aaron Wan

553
00:37:46,239 --> 00:37:50,200
Speaker 1: Kaufman and Jordan Rundag. Marketing lead Alison Kanter Graeber,