WEBVTT - Goosebumps Author R.L. Stine Interview

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<v Speaker 1>Hello, My name is Jason Getsepsion, and welcome back to

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<v Speaker 1>x R endition of the podcast where we dive deep

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<v Speaker 1>the dear favorite shows, movies, comics, and pop culture. Coming

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<v Speaker 1>to you from My Heart podcast, but we're bringing you

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<v Speaker 1>to action packed episodes a week Tuesdays and Thursdays. In

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<v Speaker 1>today's episode, Rosie and I sit down with the prolific,

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<v Speaker 1>iconic spooky master himself, R. Al Stein, the mind behind

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<v Speaker 1>Goosebumps among many other spooky tones. So without further ado,

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<v Speaker 1>here's our chat with the great R.

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<v Speaker 2>Al Stein.

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<v Speaker 3>Today we are joined by one of the most prolific

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<v Speaker 3>horror writers in the world. He has more than four

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<v Speaker 3>hundred million English language books in print. He is terrified

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<v Speaker 3>and inspired many children with the Goosebump series and many

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<v Speaker 3>Fair Street books. Today, we are so honored to have R.

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<v Speaker 3>L Stein joining us on x ray Vision.

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<v Speaker 4>Thank you very much, Rosie, nice to be here.

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<v Speaker 1>Shark Knight tell us about Shark Knight.

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<v Speaker 4>Shark Knight, It's about sharks was originally called Shark Week.

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<v Speaker 4>Oh at the Discovery channel k Shark Week. No one's

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<v Speaker 4>allowed to use it, wow, So I had to change

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<v Speaker 4>the name to Shark Knight. Basically, it's a It's a

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<v Speaker 4>middle grade scary, funny book like Goosebumps, only longer and

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<v Speaker 4>with illustrations about a boy whose mother is making a

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<v Speaker 4>documentary for the Danger Channel and she's doing a show

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<v Speaker 4>called Shark Knight and her son Leo, ends up on

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<v Speaker 4>the bottom of an enormous tank and they're about to

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<v Speaker 4>lower a hammerhead shark into the tank, and he's supposed

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<v Speaker 4>to interact with the shark for this Danger Channel show.

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<v Speaker 4>But things. I don't want to spoil it here.

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<v Speaker 1>But no, no, no, you don't.

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<v Speaker 4>Go wrong, the wrong shark, the wrong everything. And then

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<v Speaker 4>it gets very, very crazy once he's out of the

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<v Speaker 4>tank and fleeing for his life.

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<v Speaker 3>I really enjoyed Shark Knight. I was lucky enough to

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<v Speaker 3>read it, and I wanted to ask you. You know,

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<v Speaker 3>you've built a career on telling stories for kids. You

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<v Speaker 3>mentioned this is the middle grade story, So why do

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<v Speaker 3>you think it's important to have horror stories that kids

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<v Speaker 3>can read.

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<v Speaker 4>I just like to scare kids. You know, it's a

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<v Speaker 4>living right good job. It's a good job. Hey, we

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<v Speaker 4>all like scary stories, yeah, age, we all like it.

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<v Speaker 4>You know it helps us. You want to be serious

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<v Speaker 4>helps us face our fears realize we can overcome things.

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<v Speaker 4>Kids like scary stories, I think largely because they know

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<v Speaker 4>they're safe while they're reading them. They're having these creepy adventures.

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<v Speaker 4>They're fighting ghosts and monsters, but they're in their room

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<v Speaker 4>reading at the same time. And I think that's one

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<v Speaker 4>reason why my books have been so popular.

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<v Speaker 1>Where do these ideas come from? When do you you know,

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<v Speaker 1>you're sitting around and then get this idea about a

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<v Speaker 1>scary tower in London or a big shark and a tank.

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<v Speaker 1>Where do these ideas come from? And then how do

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<v Speaker 1>you know? Oh, that's that one.

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<v Speaker 4>That book actually came from the Tower of London. I

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<v Speaker 4>was in the tower and the idea for doing that

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<v Speaker 4>Goosebumps book A Night in Terror Tower came to me there.

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<v Speaker 4>I don't know. You don't know your idea possible question

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<v Speaker 4>to answer. Authors all have their pat answers about how

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<v Speaker 4>they get ideas, but you can't really you don't know.

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<v Speaker 4>One day I was, yeah, no, it's true. Or you

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<v Speaker 4>sit down and you think, and you think and you

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<v Speaker 4>think until you have an idea. You don't know a

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<v Speaker 4>lot of authors say, well, you start with the question,

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<v Speaker 4>what if what if this happened? But that's garbage. You

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<v Speaker 4>It's true. You don't start with a question what if.

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<v Speaker 4>If you're asking what if, you already have to know

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<v Speaker 4>what the answer is. One day, I was walking my

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<v Speaker 4>dog in Riverside Park in New York and these words

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<v Speaker 4>popped into my head, say cheese and die. Where'd that

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<v Speaker 4>come from? Where? What? All of a sudden I got

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<v Speaker 4>these words in my head? And then you start thinking.

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<v Speaker 4>Most of my books start with the title. Oh, yeah,

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<v Speaker 4>I'm backwards for most authors, but what if there's an

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<v Speaker 4>evil camera? What if the camera takes pictures of bad

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<v Speaker 4>things that happen in the future. What if kids just

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<v Speaker 4>you know? And that leads me. Having that title led

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<v Speaker 4>me to the story of say Jee's and Die. Most

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<v Speaker 4>authors come up with an idea for a story, and

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<v Speaker 4>then they write, They write, and later on they think

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<v Speaker 4>of a title. But I have to start with the title.

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<v Speaker 4>I always have to. Sometimes I'll have an idea for

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<v Speaker 4>a story and I can't think of a good title,

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<v Speaker 4>so I throw out the idea.

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<v Speaker 3>It's true, Well, that makes sense because all the Goosebump

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<v Speaker 3>stories do have very catchy titles.

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<v Speaker 4>You're good, Yeah, they're a good title. That's my main talent.

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<v Speaker 3>So what was your origin story as a horror writer?

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<v Speaker 3>When did that become something that you wanted to do

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<v Speaker 3>because you started doing humor books, And when did you

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<v Speaker 3>kind of get into the mindset that you're going to

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<v Speaker 3>start scaring choice.

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<v Speaker 4>It's embarrassing. It's an embarrassing story. Now, it wasn't my idea.

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<v Speaker 4>That's my idea to write scary books. Almost everything that's

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<v Speaker 4>happened to me has been an accident in there, stumbled

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<v Speaker 4>into it. All I cared about was being funny humor

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<v Speaker 4>magazine for kids for ten years called Bananas. I wrote

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<v Speaker 4>dozens of joke books, and I just, you know, that

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<v Speaker 4>was my life's dream, having my own humor magazine because

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<v Speaker 4>I was a huge, mad fan. And you know, when

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<v Speaker 4>I was a kid, and after Bananas folded, I thought

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<v Speaker 4>I coast the rest of my life. I figured I'd

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<v Speaker 4>done it. I had no idea what was in store.

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<v Speaker 4>I'd always liked horror. When my brother and I were

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<v Speaker 4>kids back in Ohio, we would go to this little

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<v Speaker 4>movie theater every Saturday morning. They had a Tom and

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<v Speaker 4>Jerry cartoon festival and a horror movie, so we saw

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<v Speaker 4>all the great horror movies back then, The Brain that

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<v Speaker 4>Wouldn't Die and Walks among Us, A Creature from the

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<v Speaker 4>Black Lagoon and Taratal, all those films, and I'd always

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<v Speaker 4>enjoyed horror. I never planned to write it. And one

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<v Speaker 4>day I was having lunch with my friend Jeane Fiwell,

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<v Speaker 4>who was the pub editorial director at Scholastic, and she

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<v Speaker 4>arrived at lunch angry and she said she'd had a conversation.

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<v Speaker 4>She'd had a fight with someone who wrote te in horror,

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<v Speaker 4>who show remained nameless. She said, I'm never working with

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<v Speaker 4>him again. You could write a good teen horror novel,

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<v Speaker 4>go home and write a book called blind Date, right.

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<v Speaker 4>She even gave me the title, and I didn't know

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<v Speaker 4>what she was talking about. Had no what's a teen

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<v Speaker 4>horror novel? I didn't know, but I was at that

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<v Speaker 4>point in my career where you know, you say yes

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<v Speaker 4>to everything, let me say no no. I ran into

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<v Speaker 4>the bookstore and I bought books by Christopher Pike, and

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<v Speaker 4>by Lois Duncan and Diane Howe and Richie Tankersley Cusick.

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<v Speaker 4>They were all writing teen horror novels, and I read

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<v Speaker 4>their books to find out what it was all about.

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<v Speaker 4>And then I tried to figure out what I could

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<v Speaker 4>do a little different so I wouldn't be just like them.

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<v Speaker 4>And I decided to be a little younger and cleaner

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<v Speaker 4>and not have you know, they had like cocaine and

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<v Speaker 4>things in their book, and I decided, you know, I'm

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<v Speaker 4>from Ohio, right, I don't, And I wrote Blind Day.

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<v Speaker 4>It took me three months. I can't imagine spending three

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<v Speaker 4>months on a book. You handed it in and it

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<v Speaker 4>was a number one best seller. That wait, what I

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<v Speaker 4>never read on the bestseller list. And then a year later,

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<v Speaker 4>Gene Firewall asked me to do another one, and I

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<v Speaker 4>wrote a book called Twisted and it was a number

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<v Speaker 4>one bestseller and I thought, forget the funny stuff, forget that.

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<v Speaker 4>And I've been scary ever since. But it's kind of

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<v Speaker 4>embarrassing since it wasn't my idea.

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<v Speaker 1>Well, you know, sometimes you need you need a little

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<v Speaker 1>direction to understand what it is that you're really really

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<v Speaker 1>good at.

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<v Speaker 4>And I didn't know, you know, I went into schools

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<v Speaker 4>and I'd say to kids, why do you like these books?

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<v Speaker 4>And they all said, we like to be scared, we

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<v Speaker 4>like to be scared. I didn't, you know, I just

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<v Speaker 4>didn't know, and it was a great It was a

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<v Speaker 4>great thing to find out, believe me.

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<v Speaker 1>Right, Oh, you're so amazingly prolific. And here you are

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<v Speaker 1>with a new book, Shark Knight, just released earlier this month.

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<v Speaker 1>What is your process like? How do you how do

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<v Speaker 1>you manage to churn out so much material?

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<v Speaker 4>I'm just a machine. No, I just love it. I

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<v Speaker 4>still love it. I've written book. I still it's the

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<v Speaker 4>best part of my day every you know, I'm like

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<v Speaker 4>a factor. I write every day from ten to one.

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<v Speaker 4>Those are good hours, right, you'd kill hours ten to one? Sure,

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<v Speaker 4>and I write, you know, I make sure. I used

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<v Speaker 4>to write two thousand words a day, and it's like

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<v Speaker 4>ten pages. I can't quite do that. I've slowed down.

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<v Speaker 4>But I can do seven maybe, and just do it

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<v Speaker 4>every day and not quit until I've done my pages

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<v Speaker 4>for the day. But as I say, it's the best

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<v Speaker 4>part of my day. The rest of my life's pretty horrible.

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<v Speaker 4>You can laugh, I'm being serious. You can laugh. But

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<v Speaker 4>that's how I do it. And I wouldn't know what

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<v Speaker 4>else to do all day. If I didn't write in

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<v Speaker 4>the morning, what would I do? I wouldn't know. I've

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<v Speaker 4>done it for so long. Yeah, that's how That's how

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<v Speaker 4>I do it, and I just you know, I do

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<v Speaker 4>it because I love it, And now that I'm really old,

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<v Speaker 4>I do it to prove to myself that I can

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<v Speaker 4>still do it. I just signed on for six more

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<v Speaker 4>Goosebumps books. There I'm going to be one hundred and twelve.

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<v Speaker 4>I'll still be writing for ten year olds. The dam Yeah,

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<v Speaker 4>I don't know where I'll be sending them from, but

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<v Speaker 4>six more. And now I'm doing these books for Blackstone,

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<v Speaker 4>my new publisher. Shark Knight is the second book I've

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<v Speaker 4>done for them. I did one last year called Slime

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<v Speaker 4>Doesn't Pay.

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<v Speaker 3>Still gonna have those titles, Yes, very good title. So

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<v Speaker 3>something that's been I mean, is another unique part of

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<v Speaker 3>your success with Goosebumps. In your book, You've gotten to

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<v Speaker 3>see these things come to life in all these different formats.

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<v Speaker 3>There's been movies and video games, and you yourself have

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<v Speaker 3>gotten to write comic books. And what was that like,

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<v Speaker 3>that transition from doing pros to comic books. Was that

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<v Speaker 3>something you'd always wanted to do? Were you a fan

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<v Speaker 3>of comic books? Or was it just another step in

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<v Speaker 3>the well got to keep writing?

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<v Speaker 4>No, I love it. When I was a kid, I

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<v Speaker 4>was a comic book fanatic. People always ask me what

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<v Speaker 4>my favorite children's books. When I was a kid, I

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<v Speaker 4>didn't read books. I like comic books. And my friends

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<v Speaker 4>and I would carry around big stacks of comics and

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<v Speaker 4>we would read them under a tree in my front

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<v Speaker 4>yard and trade. We're always training comics and carrying our

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<v Speaker 4>comics around. And when I was a kid, there were

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<v Speaker 4>these easy horror comics that I looked from the Crypt

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<v Speaker 4>and the Vault of Horror. I just I love those

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<v Speaker 4>and I've always I didn't start reading books till I

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<v Speaker 4>was like nine or ten. And I tell this story

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<v Speaker 4>about my mom dropped me off at a little library

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<v Speaker 4>on main Street in my town in Columbus, and the

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<v Speaker 4>librarian was waiting for me and she said, Bobby, I

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<v Speaker 4>know you like comics. I have something else here I

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<v Speaker 4>think you will like. And she took me to a

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<v Speaker 4>shelf of Ray Bradbury's stories, and that changed my life.

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<v Speaker 4>Those stories were so imaginative and so beautifully written, and

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<v Speaker 4>all had great twist endings and great Bradbury really and

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<v Speaker 4>that librarian really turned me into a reader. That's when

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<v Speaker 4>I first started, you know, reading stuff, but now to

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<v Speaker 4>be able. These people from Boom Studios came to me

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<v Speaker 4>and we were talking, and for me, it's you know,

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<v Speaker 4>I've always loved comics and be able to write them.

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<v Speaker 4>I've been doing horror comics for adults. Oh you see

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<v Speaker 4>horror comic type stuff called stuff of Nightmares, and it's

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<v Speaker 4>been it's just fun. And I'm doing a new series

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<v Speaker 4>for them called The Graveyard Club, which is ya horror

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<v Speaker 4>and that's that's coming out in September, the first one.

0:14:53.160 --> 0:14:56.440
<v Speaker 4>So it's just fun. And comics are easier to write

0:14:56.440 --> 0:15:05.120
<v Speaker 4>than books because you don't have to describe anything. I'm

0:15:05.240 --> 0:15:08.440
<v Speaker 4>terrible a description. I have no writer's eye. I don't

0:15:08.480 --> 0:15:12.200
<v Speaker 4>know flowers, I don't think these, I don't know anything.

0:15:13.360 --> 0:15:17.440
<v Speaker 4>But when you're writing a comic book, you say he

0:15:17.520 --> 0:15:21.880
<v Speaker 4>walked through the jungle. The artist has to do the jungle.

0:15:24.120 --> 0:15:26.800
<v Speaker 4>You don't have to describe the plants or what's going

0:15:26.840 --> 0:15:29.640
<v Speaker 4>on in the jungle. The artist does it. And so

0:15:29.760 --> 0:15:32.720
<v Speaker 4>it's kind of like writing a TV script or a

0:15:33.160 --> 0:15:36.320
<v Speaker 4>script because mainly you write the dialogue and then the

0:15:36.440 --> 0:15:39.680
<v Speaker 4>artist has to fill it all in. So it's fun.

0:15:40.280 --> 0:15:43.040
<v Speaker 1>We'll be back with more spooky conversations with ral Stein.

0:15:43.840 --> 0:16:02.160
<v Speaker 1>A quick word from our sponsors. Do you remember what

0:16:02.280 --> 0:16:06.880
<v Speaker 1>the first thing either you read or you saw that

0:16:07.000 --> 0:16:08.560
<v Speaker 1>really scared you was.

0:16:09.320 --> 0:16:11.600
<v Speaker 4>Yeah, see, you're not gonna believe You're too young to

0:16:11.680 --> 0:16:16.160
<v Speaker 4>believe this. I grew up with radio. See, you can't

0:16:16.200 --> 0:16:19.680
<v Speaker 4>tell that to people now. You can't tell people, you know.

0:16:19.720 --> 0:16:23.240
<v Speaker 4>I didn't have television until I was nine, and I

0:16:23.280 --> 0:16:27.720
<v Speaker 4>would listen to all the dramas and horror stories and

0:16:27.840 --> 0:16:31.600
<v Speaker 4>cowboy stories on the radio. I'm still to this day.

0:16:31.640 --> 0:16:36.920
<v Speaker 4>I love radio. And I had this little radio by

0:16:36.960 --> 0:16:41.680
<v Speaker 4>my bed and I would listen at night. I'd have

0:16:41.760 --> 0:16:45.600
<v Speaker 4>it on and then this voice would come on, this

0:16:45.800 --> 0:16:48.760
<v Speaker 4>deep voice that I'd be lying there, I'm a little kid,

0:16:49.160 --> 0:16:56.520
<v Speaker 4>and this voice would say, and now tale calculated to

0:16:56.720 --> 0:17:02.040
<v Speaker 4>keep you in suspense, this horrible, frightening voice. And I

0:17:02.120 --> 0:17:04.640
<v Speaker 4>turned the radio off and said, oh no, no, no,

0:17:04.720 --> 0:17:07.280
<v Speaker 4>turn off and turn it off. That's the first time

0:17:07.359 --> 0:17:10.879
<v Speaker 4>I was scared by something, that voice on the radio.

0:17:11.880 --> 0:17:16.960
<v Speaker 1>You mentioned your your two thousand words a day from

0:17:17.000 --> 0:17:21.159
<v Speaker 1>ten to one again, wonderful better than bankers hours. Yes,

0:17:22.760 --> 0:17:26.120
<v Speaker 1>How do you, as someone who is so prolific, how

0:17:26.119 --> 0:17:29.200
<v Speaker 1>do you manage to not to just keep going. How

0:17:29.200 --> 0:17:31.960
<v Speaker 1>do you manage to not stop and let me read

0:17:31.960 --> 0:17:32.400
<v Speaker 1>that back?

0:17:32.440 --> 0:17:32.879
<v Speaker 4>And oh no?

0:17:32.960 --> 0:17:34.960
<v Speaker 1>And then and then how do you manage to keep

0:17:35.000 --> 0:17:36.359
<v Speaker 1>pushing the plot forward?

0:17:36.400 --> 0:17:40.440
<v Speaker 4>And I don't read it back? Yeah, you don't go back.

0:17:41.520 --> 0:17:47.080
<v Speaker 4>You keep going. I don't know. I you know. I.

0:17:47.320 --> 0:17:50.040
<v Speaker 4>It's just you have to love it. You have to

0:17:50.080 --> 0:17:55.920
<v Speaker 4>love it and keep going. And I love being prolific.

0:17:56.600 --> 0:17:59.920
<v Speaker 4>I mean, I'm very proud of that. A lot of

0:18:00.119 --> 0:18:04.720
<v Speaker 4>people take that as a criticism, but I love turning out.

0:18:04.760 --> 0:18:09.840
<v Speaker 4>I worked in magazine when I was a scholastic. I

0:18:09.880 --> 0:18:13.639
<v Speaker 4>worked in weekly magazine. I got used to that pace.

0:18:14.240 --> 0:18:18.240
<v Speaker 4>And for me, the pace of getting a book out

0:18:18.359 --> 0:18:22.240
<v Speaker 4>is very slow. You know, a little Goosebumps book, right,

0:18:22.240 --> 0:18:25.640
<v Speaker 4>one hundred and twenty page book takes some nine months

0:18:25.680 --> 0:18:26.400
<v Speaker 4>to get it out.

0:18:27.119 --> 0:18:30.439
<v Speaker 3>Yeah, that's ridiculous, No, it is.

0:18:30.840 --> 0:18:33.439
<v Speaker 4>We did Shark Knight. This is why Shark Knight was

0:18:33.720 --> 0:18:39.359
<v Speaker 4>a miracle, because they came to me at Anthony at

0:18:39.400 --> 0:18:42.879
<v Speaker 4>Blackstone and he said, we'd like to do a second

0:18:42.920 --> 0:18:46.400
<v Speaker 4>book with you, and we'll bring it out in twenty

0:18:46.520 --> 0:18:49.880
<v Speaker 4>twenty five. I said, Anthony, I'm not sure I want

0:18:49.920 --> 0:18:54.320
<v Speaker 4>to live that long. I have to live. Had long

0:18:54.359 --> 0:18:56.719
<v Speaker 4>to see the book. Can't we bring it out in

0:18:56.760 --> 0:19:01.199
<v Speaker 4>twenty twenty four? And I, I mean, I don't know

0:19:01.200 --> 0:19:03.879
<v Speaker 4>if you'll be impressed by this or not, but I

0:19:04.000 --> 0:19:07.480
<v Speaker 4>handed the book in on April first, and the book

0:19:07.520 --> 0:19:10.720
<v Speaker 4>came out on July second, which powerful.

0:19:11.320 --> 0:19:11.639
<v Speaker 1>Wow.

0:19:11.760 --> 0:19:15.960
<v Speaker 4>Yes, unbelievably fast. And look at it. It's fully illustrated.

0:19:16.920 --> 0:19:20.639
<v Speaker 4>It's great. The covers. Fact, it's a great package, filled

0:19:20.680 --> 0:19:26.679
<v Speaker 4>with illustrations. Used good paper, rare you don't get you know,

0:19:26.720 --> 0:19:31.879
<v Speaker 4>you look, post Bumps is on toilet paper. I didn't

0:19:31.920 --> 0:19:38.720
<v Speaker 4>say that, did I. No one's listening, right anyway, that's

0:19:38.760 --> 0:19:43.280
<v Speaker 4>a miracle these days, well to July, and it shows

0:19:43.320 --> 0:19:46.200
<v Speaker 4>that can be done. Books can be published. You don't

0:19:46.240 --> 0:19:48.600
<v Speaker 4>need nine months to do a little well.

0:19:49.000 --> 0:19:51.600
<v Speaker 3>You can do more books. Speed it up and you

0:19:51.600 --> 0:19:52.840
<v Speaker 3>could be even more prolific.

0:19:53.000 --> 0:19:54.760
<v Speaker 4>Yeah, right right.

0:19:56.040 --> 0:20:00.159
<v Speaker 1>You mentioned the cover for Shark Knight. I think one

0:20:00.200 --> 0:20:05.040
<v Speaker 1>of the things, as an avid reader of Goosebumps, one

0:20:05.080 --> 0:20:07.719
<v Speaker 1>of the very first things that attracted me to your

0:20:07.720 --> 0:20:11.359
<v Speaker 1>books were the covers. Yeah, these really spooky covers, the

0:20:11.480 --> 0:20:16.439
<v Speaker 1>wonderful lettering and the bumps and the bumps and the bumps.

0:20:16.440 --> 0:20:20.280
<v Speaker 1>Of course it was and so what was that process

0:20:20.480 --> 0:20:23.400
<v Speaker 1>like of developing that art style. How much of us, say,

0:20:23.440 --> 0:20:25.520
<v Speaker 1>did you have and what would appear on the covers

0:20:25.520 --> 0:20:26.040
<v Speaker 1>of your books?

0:20:26.119 --> 0:20:32.399
<v Speaker 4>They didn't. Tim Jacobis painted the first hundred Goosebumps covers. Wow,

0:20:32.880 --> 0:20:36.159
<v Speaker 4>he's amazing, he's the best. He's just and you know

0:20:36.280 --> 0:20:38.639
<v Speaker 4>the covers were much scarier than the books.

0:20:41.119 --> 0:20:42.600
<v Speaker 1>Yeah, yeah, I know.

0:20:42.720 --> 0:20:44.600
<v Speaker 4>Some kids told me they had to turn the book

0:20:44.640 --> 0:20:49.159
<v Speaker 4>upside down at night so the cover show. You know,

0:20:49.280 --> 0:20:52.879
<v Speaker 4>they wouldn't see the cover. But Tim and I actually didn't.

0:20:52.960 --> 0:20:55.640
<v Speaker 4>They try to keep the author and the artist apart.

0:20:56.280 --> 0:20:58.919
<v Speaker 4>And I didn't meet Tim for three years. We've been

0:20:59.000 --> 0:21:02.320
<v Speaker 4>working Wow, three years. I finally met him. We're good

0:21:02.359 --> 0:21:08.919
<v Speaker 4>pals now and we actually do bookstore talks together. But

0:21:09.359 --> 0:21:11.360
<v Speaker 4>the way it worked would be I would be writing

0:21:11.400 --> 0:21:17.280
<v Speaker 4>a book and I would send him a little paragraph, say,

0:21:18.000 --> 0:21:20.920
<v Speaker 4>this book is about it takes place in the Everglades

0:21:21.000 --> 0:21:24.480
<v Speaker 4>in Florida, a kid suspects that one of the neighbors

0:21:24.560 --> 0:21:27.800
<v Speaker 4>is a werewolf, and then he would paint the cover

0:21:27.920 --> 0:21:31.280
<v Speaker 4>from that. We working side. That's all. You would have,

0:21:32.640 --> 0:21:36.159
<v Speaker 4>just a little thing. And he got it right every time,

0:21:36.600 --> 0:21:42.359
<v Speaker 4>every except once, always got it right, and it was

0:21:42.640 --> 0:21:46.200
<v Speaker 4>you know amazing, and Jim is the only Goosebumps artist

0:21:46.240 --> 0:21:50.080
<v Speaker 4>we ever had cover art who got that it wasn't

0:21:50.200 --> 0:21:54.080
<v Speaker 4>straight horror, that it was right for me, and his

0:21:54.800 --> 0:21:58.719
<v Speaker 4>had the humor as well as the horror. We've had

0:21:58.800 --> 0:22:01.879
<v Speaker 4>other good artists, and we have someone new now. You know,

0:22:01.960 --> 0:22:07.080
<v Speaker 4>Goosebumps is now called Goosebump's House of Shivers. Only once

0:22:07.200 --> 0:22:10.119
<v Speaker 4>Tim didn't get it right, and that was in the

0:22:10.160 --> 0:22:15.280
<v Speaker 4>book Say Cheese and I. It was about an evil

0:22:15.359 --> 0:22:20.040
<v Speaker 4>camera taking these pictures, and his cover painting came in

0:22:21.080 --> 0:22:24.040
<v Speaker 4>and it was a scene of skeletons barbecuing.

0:22:24.840 --> 0:22:25.960
<v Speaker 3>Yes, that's the one.

0:22:26.320 --> 0:22:29.360
<v Speaker 4>I reminder it so nothing to do with the book.

0:22:31.359 --> 0:22:34.719
<v Speaker 3>I thought the idea was like somebody had taken the picture. Yes,

0:22:35.320 --> 0:22:37.560
<v Speaker 3>and then they saw that. I think once you read

0:22:37.560 --> 0:22:38.840
<v Speaker 3>the book, it made said no.

0:22:39.119 --> 0:22:44.760
<v Speaker 4>Well I had no, it didn't and they couldn't ask

0:22:44.880 --> 0:22:48.080
<v Speaker 4>him to change the painting right. So they called me

0:22:48.200 --> 0:22:50.879
<v Speaker 4>up and said, Bob, can you add a scene of

0:22:50.920 --> 0:22:58.800
<v Speaker 4>skeletons barbecuing in the book? Right? So I added a

0:22:58.880 --> 0:23:04.040
<v Speaker 4>dream sequence that the boy goes to sleep and he

0:23:04.160 --> 0:23:08.800
<v Speaker 4>dreams about skeleton's barbecuing. And that's how that's how we

0:23:08.840 --> 0:23:13.240
<v Speaker 4>made all the other covers are fine.

0:23:13.480 --> 0:23:15.480
<v Speaker 1>What does R. L. Stein read? Now?

0:23:15.840 --> 0:23:19.280
<v Speaker 4>What are the things that I read? Most mysteries and

0:23:19.359 --> 0:23:26.800
<v Speaker 4>thrillers mostly I'm in International Thriller Writers. Actually, I was

0:23:26.840 --> 0:23:30.320
<v Speaker 4>on the board of the Thriller Writers for eleven years,

0:23:30.920 --> 0:23:33.439
<v Speaker 4>and I got to hang out with the Lee Child

0:23:33.520 --> 0:23:37.360
<v Speaker 4>and Michael Connolly and they're all friends of mine. Harlan Coben,

0:23:37.880 --> 0:23:39.800
<v Speaker 4>those are the people I read, and I know them

0:23:39.800 --> 0:23:43.560
<v Speaker 4>all now, which is really wonderful. I was talking. I

0:23:43.600 --> 0:23:47.320
<v Speaker 4>was down on Saint Croix on the beach, and this

0:23:47.359 --> 0:23:50.119
<v Speaker 4>woman said, oh, what did you bring to read? And

0:23:50.160 --> 0:23:53.119
<v Speaker 4>I said, well, I brought this Nero Wolf mystery, and

0:23:53.200 --> 0:23:57.320
<v Speaker 4>I brought this old British mystery and I brought She said, oh,

0:23:57.440 --> 0:24:02.680
<v Speaker 4>beach reading. I realized that's what I read all year.

0:24:05.040 --> 0:24:06.800
<v Speaker 4>I read.

0:24:07.920 --> 0:24:08.600
<v Speaker 1>A Good Way to Live.

0:24:08.680 --> 0:24:10.960
<v Speaker 4>The best thing I read all summer is a book

0:24:11.000 --> 0:24:15.480
<v Speaker 4>called Shanghai by an author named Joseph Cannon k A

0:24:15.880 --> 0:24:23.560
<v Speaker 4>N O. N. He's just an amazing uh spy author,

0:24:23.720 --> 0:24:28.480
<v Speaker 4>spy novelist, thriller writer. Now that the car has gone,

0:24:28.960 --> 0:24:34.760
<v Speaker 4>Joseph is the best we have. I it's it's just you.

0:24:34.840 --> 0:24:38.080
<v Speaker 4>It's hypnotic when you read it. It's an amazing book.

0:24:38.680 --> 0:24:45.600
<v Speaker 1>I just I just purchased it.

0:24:46.000 --> 0:24:48.960
<v Speaker 3>Get your commission, you get.

0:24:50.560 --> 0:24:54.000
<v Speaker 1>Well Back in a moment. More spooky talk with R. L.

0:24:54.080 --> 0:25:06.800
<v Speaker 2>Stein.

0:25:11.040 --> 0:25:16.440
<v Speaker 3>So you read thrillers, you read, you know, mysteries. Do

0:25:16.480 --> 0:25:19.879
<v Speaker 3>you read any horror or is that more saved for

0:25:20.000 --> 0:25:20.560
<v Speaker 3>what you write?

0:25:21.560 --> 0:25:24.960
<v Speaker 4>We're just talking between us, right, yeah, yeah, yeah, I'm

0:25:24.960 --> 0:25:31.440
<v Speaker 4>not really into horror. I know. It's really true though,

0:25:31.520 --> 0:25:36.080
<v Speaker 4>I mean, I don't really read I'm a big Stephen King. Yeah,

0:25:36.400 --> 0:25:41.119
<v Speaker 4>maybe one out of every three Stephen King books. But

0:25:41.240 --> 0:25:45.320
<v Speaker 4>I don't read other horror. It's not what I'm you know.

0:25:45.520 --> 0:25:50.679
<v Speaker 4>I like detective novels, and you know, I like old mysteries,

0:25:50.760 --> 0:25:54.400
<v Speaker 4>old British mysteries and that kind of thing. I don't

0:25:54.440 --> 0:25:55.640
<v Speaker 4>really read much horror.

0:25:56.440 --> 0:25:59.879
<v Speaker 3>Yeah, just terrorize children with your own imagination.

0:26:00.440 --> 0:26:06.240
<v Speaker 4>But right now, it's no, It's true. Most people don't

0:26:06.359 --> 0:26:06.919
<v Speaker 4>like horror.

0:26:08.560 --> 0:26:09.200
<v Speaker 1>I know.

0:26:09.440 --> 0:26:11.879
<v Speaker 4>Listen, this is strange. I mean, if you think about

0:26:11.960 --> 0:26:16.560
<v Speaker 4>mystery writers on the bestseller list, there are dozens of them.

0:26:17.000 --> 0:26:20.879
<v Speaker 4>People tell a lot of you know, right, thrillers, the

0:26:21.000 --> 0:26:28.600
<v Speaker 4>Michael Connolly's and Karen Slaughter, But how many best selling

0:26:28.720 --> 0:26:33.960
<v Speaker 4>horror writers can you name? They're only four. No, it's

0:26:34.000 --> 0:26:38.720
<v Speaker 4>strange though, dozens of mystery writers that do well, but

0:26:38.760 --> 0:26:42.240
<v Speaker 4>they're only four or five horror writers that do well,

0:26:42.920 --> 0:26:46.320
<v Speaker 4>which is it's interesting to me. I don't know if

0:26:46.359 --> 0:26:50.840
<v Speaker 4>anyone is interested. But you know, once you get past

0:26:50.840 --> 0:26:56.840
<v Speaker 4>Stephen King and Dean Koonts and King's son and maybe

0:26:56.920 --> 0:27:02.280
<v Speaker 4>a couple other people, that's it. There's people don't read them.

0:27:03.480 --> 0:27:07.320
<v Speaker 1>You know what. What's the parallel I see between you

0:27:07.400 --> 0:27:11.320
<v Speaker 1>and Stephen King, who you've been compared to in terms

0:27:11.320 --> 0:27:13.680
<v Speaker 1>of your horror work. And the thing that I think

0:27:13.760 --> 0:27:16.920
<v Speaker 1>drew me that I like about your both of your

0:27:16.920 --> 0:27:21.400
<v Speaker 1>works is you take the simplest idea and then you

0:27:21.480 --> 0:27:25.159
<v Speaker 1>just dedicate all of this wonderful talent and energy to

0:27:25.280 --> 0:27:28.000
<v Speaker 1>bringing this very simple idea to life. When Stephen King,

0:27:28.040 --> 0:27:31.439
<v Speaker 1>it will just be like Haunted Hotel, you know, with you,

0:27:31.560 --> 0:27:35.840
<v Speaker 1>it'll be Haunted amusement park. These are very very simple ideas,

0:27:35.880 --> 0:27:38.960
<v Speaker 1>and yet you know, all of the creativity and talent

0:27:39.000 --> 0:27:42.880
<v Speaker 1>and just bringing that, you know, just you know, building

0:27:42.920 --> 0:27:45.840
<v Speaker 1>up that wonderfully simple idea is what makes it so

0:27:46.320 --> 0:27:48.720
<v Speaker 1>accessible and scary. And I think that's the thing I

0:27:49.560 --> 0:27:50.600
<v Speaker 1>appreciated both of you.

0:27:50.880 --> 0:27:54.600
<v Speaker 4>Funny you mentioned an amusement park that I only met

0:27:54.720 --> 0:27:58.840
<v Speaker 4>Stephen King once and one he never comes down from Maine.

0:28:00.359 --> 0:28:02.560
<v Speaker 4>I met him at the Eger Awards a few years

0:28:02.600 --> 0:28:06.720
<v Speaker 4>ago and we had a really nice talk, and then

0:28:06.760 --> 0:28:10.560
<v Speaker 4>he accused me of taking every amusement park plot and

0:28:13.960 --> 0:28:19.400
<v Speaker 4>for anyone else. And you know, I said, I said,

0:28:19.640 --> 0:28:23.440
<v Speaker 4>this was I said, Steve, you know a magazine once

0:28:23.560 --> 0:28:30.760
<v Speaker 4>called me a literary training bra for you, which is true,

0:28:31.359 --> 0:28:32.400
<v Speaker 4>and he said, yes.

0:28:32.320 --> 0:28:32.560
<v Speaker 1>I know.

0:28:36.119 --> 0:28:36.320
<v Speaker 4>Yeah.

0:28:36.320 --> 0:28:38.480
<v Speaker 3>I mean something as well that I think has always

0:28:39.120 --> 0:28:43.040
<v Speaker 3>stuck with me about your work, is you managed to

0:28:44.320 --> 0:28:47.240
<v Speaker 3>couch these kind of you know, it's a kid's horror book,

0:28:47.280 --> 0:28:50.400
<v Speaker 3>but then at the end you will have a terrifying,

0:28:51.720 --> 0:28:56.360
<v Speaker 3>existentially horrifying kind of twist. I think a lot about

0:28:57.200 --> 0:29:00.800
<v Speaker 3>the kids who go to the films udio to try

0:29:00.920 --> 0:29:03.200
<v Speaker 3>out the new theme park, and then at the end

0:29:03.320 --> 0:29:06.800
<v Speaker 3>you learn that they are actually robots who were made

0:29:06.960 --> 0:29:12.120
<v Speaker 3>to test the theme park that existentially terrified me as

0:29:12.160 --> 0:29:16.040
<v Speaker 3>a child. Oh yes, so do you kind of when

0:29:16.120 --> 0:29:19.880
<v Speaker 3>you're telling the stories, do you always have that Ray

0:29:20.000 --> 0:29:24.280
<v Speaker 3>Bradbury's style, Twilight Zone style kind of shocking twist that

0:29:24.400 --> 0:29:26.200
<v Speaker 3>you want to leave the audience with. Is that a

0:29:26.320 --> 0:29:27.920
<v Speaker 3>major part of what you try to do.

0:29:28.080 --> 0:29:32.880
<v Speaker 4>All I care about or twists, that's all I care about.

0:29:33.400 --> 0:29:36.600
<v Speaker 4>There has to be one, And I think that's why

0:29:36.760 --> 0:29:40.360
<v Speaker 4>kids like it so much so much. Olden's literature is

0:29:40.480 --> 0:29:44.600
<v Speaker 4>so linear, goes in a straight line. You know where

0:29:44.640 --> 0:29:47.720
<v Speaker 4>it's going to go. Yeah, I have to have one

0:29:47.840 --> 0:29:51.440
<v Speaker 4>place or maybe two or three in every Goosebumps book

0:29:52.120 --> 0:29:56.960
<v Speaker 4>where there's some twist, something shocking for the reader and

0:29:57.080 --> 0:30:00.160
<v Speaker 4>they say, oh no, I had no idea that that's

0:30:00.200 --> 0:30:05.480
<v Speaker 4>what was happening. Oh no, that changes everything really important

0:30:05.560 --> 0:30:10.200
<v Speaker 4>to me. That's like, you know, it's in the Goosebumps

0:30:10.280 --> 0:30:17.160
<v Speaker 4>movie where Jack Black played me the first and Jack

0:30:17.240 --> 0:30:20.320
<v Speaker 4>and I are like twins, right of course. Yes, And

0:30:20.720 --> 0:30:24.280
<v Speaker 4>at the end of the film he's teaching a class

0:30:24.800 --> 0:30:28.240
<v Speaker 4>as me and he says a line that I wish

0:30:28.360 --> 0:30:32.360
<v Speaker 4>I had written because it's perfect, and I wish I

0:30:32.440 --> 0:30:36.680
<v Speaker 4>had written it. Jack says, every story has a beginning,

0:30:37.320 --> 0:30:42.080
<v Speaker 4>a middle, and a twist. Yeah, right, it's just perfect.

0:30:42.640 --> 0:30:46.000
<v Speaker 1>Before we let you go, what is the secret from

0:30:46.040 --> 0:30:49.320
<v Speaker 1>the master? What's the what's the secret to a good twist?

0:30:49.440 --> 0:30:51.200
<v Speaker 1>How do you set it up? How do you execute it?

0:30:51.800 --> 0:30:56.720
<v Speaker 4>Oh no, I knew the dog. The dog would answer

0:30:56.840 --> 0:31:00.920
<v Speaker 4>that question. Yeah, hold on a minute.

0:31:02.520 --> 0:31:08.440
<v Speaker 1>That's the twist. That's the twist, the twisters.

0:31:11.320 --> 0:31:16.000
<v Speaker 4>Hey, he's too tall. Look, he's a dog that tall.

0:31:18.480 --> 0:31:22.720
<v Speaker 4>You were good most of the time. Okay, that's all right,

0:31:23.080 --> 0:31:25.560
<v Speaker 4>that's okay, that's all right.

0:31:26.480 --> 0:31:30.320
<v Speaker 3>He said your thirty minutes is up. It's time for

0:31:30.400 --> 0:31:30.800
<v Speaker 3>a walk.

0:31:34.120 --> 0:31:39.720
<v Speaker 4>He's usually pretty good, but he's just too tall. What

0:31:39.840 --> 0:31:40.800
<v Speaker 4>were we talking about?

0:31:41.280 --> 0:31:41.760
<v Speaker 3>Twists?

0:31:41.880 --> 0:31:42.040
<v Speaker 4>Oh?

0:31:42.440 --> 0:31:43.680
<v Speaker 1>Twt What makes a good twist?

0:31:45.640 --> 0:31:48.000
<v Speaker 4>This has to be planned very early in the book,

0:31:49.720 --> 0:31:52.160
<v Speaker 4>very early. What what the twists are going to be?

0:31:52.400 --> 0:31:55.840
<v Speaker 4>So that I can keep the kids from real guessing. So,

0:31:56.000 --> 0:31:59.560
<v Speaker 4>I mean, those get they get planned very early. And

0:32:00.200 --> 0:32:03.400
<v Speaker 4>you know, a good twist is when somebody turns out

0:32:03.920 --> 0:32:07.160
<v Speaker 4>not to be who they said they were, that kind

0:32:07.200 --> 0:32:11.040
<v Speaker 4>of thing, or you know, as you say, when the

0:32:11.720 --> 0:32:14.120
<v Speaker 4>protagonist turns out to be a robot.

0:32:16.080 --> 0:32:17.120
<v Speaker 1>Curely terrifying.

0:32:17.240 --> 0:32:18.160
<v Speaker 3>I still think about it.

0:32:20.520 --> 0:32:21.640
<v Speaker 4>Well, r L.

0:32:21.800 --> 0:32:24.000
<v Speaker 1>Thank you so much for joining us. It's been a delight.

0:32:24.160 --> 0:32:28.720
<v Speaker 1>Shark Knight is out now wherever you get books. Thank

0:32:28.760 --> 0:32:29.800
<v Speaker 1>you so much for joining us.

0:32:30.040 --> 0:32:32.440
<v Speaker 4>Right, this was really I really had fun. It's great

0:32:32.480 --> 0:32:34.160
<v Speaker 4>to talk. Thank you, Thank you so much.

0:32:34.320 --> 0:32:36.240
<v Speaker 3>So did we thank you so much.

0:32:37.280 --> 0:32:39.880
<v Speaker 1>On tomorrow's episode of Extra Division, I'll be joined by

0:32:39.960 --> 0:32:43.000
<v Speaker 1>Danny Fernandez to break down the first four episodes of

0:32:43.120 --> 0:32:47.960
<v Speaker 1>the Incredible Batman Cape Crusader on Amazon Prime Video. And

0:32:48.120 --> 0:32:51.800
<v Speaker 1>next week we're grabbing onto your face and dropping four

0:32:53.160 --> 0:32:58.800
<v Speaker 1>absolutely parasitic episodes covering the Aliad universe directly into your

0:32:58.880 --> 0:33:02.200
<v Speaker 1>ear holes. Can't escape, you must give birth to these.

0:33:02.680 --> 0:33:10.560
<v Speaker 1>That's it for the episode. X ray Vision is hosted

0:33:10.640 --> 0:33:14.440
<v Speaker 1>by Jason Concepcion and Rosie Knight and is a production

0:33:14.560 --> 0:33:18.640
<v Speaker 1>of iHeart Podcasts. Our executive producers are Joelle Smith and

0:33:18.840 --> 0:33:24.040
<v Speaker 1>Aaron Kaufman. Our supervising producer is a Boo Zafar. Our

0:33:24.080 --> 0:33:28.560
<v Speaker 1>producers are Carmen Laurent and Mia Taylor. Our theme song

0:33:28.680 --> 0:33:29.920
<v Speaker 1>is by Brian Basquez.

0:33:30.480 --> 0:33:34.760
<v Speaker 3>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:33:35.120 --> 0:33:37.200
<v Speaker 3>and Heidi our disco moderata