WEBVTT - Openly Gleek (feat. Ty Mitchell)

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<v Speaker 1>I'm going to create an environment that is so toxic,

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<v Speaker 1>and they really did. They really did create an environment

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<v Speaker 1>that was so toxic and yet fruitful. I'm starting a

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<v Speaker 1>rumor that Kate Bush is a gleek. You know, Um,

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<v Speaker 1>I don't know, I don't know if that's that's if

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<v Speaker 1>that's true, but we love to say shitty things for

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<v Speaker 1>attention here on like a virgin. That's true, and this

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<v Speaker 1>episode will be no different because we're talking about Glee.

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<v Speaker 1>We're just we were warming up right before we're doing

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<v Speaker 1>our our scales. O. Wait, wait, we need to actually

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<v Speaker 1>do a kind of red leather, yellow leather, red leather.

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<v Speaker 1>What was what sells seashells by the seashore? What did

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<v Speaker 1>you do to that? Really ugly? Should we do a

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<v Speaker 1>quick ground that thought? You? Neque New York, New York?

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<v Speaker 1>You know, that's really moment. Yeah, this is really cursed,

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<v Speaker 1>which is very appropriate because today we're talking about Glee,

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<v Speaker 1>the seminole Ryan Murphy TV show, and we have none

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<v Speaker 1>other than the first openly gay porn star and writer

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<v Speaker 1>Tie Mitchell here today to talk with us all about

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<v Speaker 1>Glee It's impact on TV culture, queer representation. Because this

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<v Speaker 1>is like a Virgin the show where we give yesterday's

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<v Speaker 1>pop culture today's takes. I'm ros Dam and I'm fran Toronto.

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<v Speaker 1>This Pride month, we were blessed by what I will

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<v Speaker 1>say is one of the best gay albums of all

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<v Speaker 1>time and definitely an album of the year, from um

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<v Speaker 1>Muna's self titled second album, Muna Um. I'm in love

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<v Speaker 1>with it. I've been listening to it NonStop. Actually on

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<v Speaker 1>the flight to New York from l A. I just

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<v Speaker 1>had it playing on a loop while I was sleeping

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<v Speaker 1>for the entire flight. So now I feel like it

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<v Speaker 1>has settled into my very bones. And I'm gonna say

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<v Speaker 1>my favorite track right now currently is Nurse High Too.

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<v Speaker 1>It's so good, it's like really synthy. Um. I really

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<v Speaker 1>like how their production has evolved, especially like I think

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<v Speaker 1>the songwriting and like the musicians ship has always been there.

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<v Speaker 1>But I think maybe because you know, mun As signed

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<v Speaker 1>to Phoebe Bridges label Satisfactory Records, and I think maybe

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<v Speaker 1>like getting them like like helping them out with production

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<v Speaker 1>was maybe part of that, or just maybe they have

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<v Speaker 1>access to like a better studio now. I don't know,

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<v Speaker 1>but just realized that saddest factory is a double entendo

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<v Speaker 1>for satisfactory. I didn't know that good if I did not, anyway,

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<v Speaker 1>that's very Phoebe. But yeah, it's very Phoebe. Um again

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<v Speaker 1>Runners high Runners hide for me. I mean it feels

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<v Speaker 1>very like fruit fru or like image and heat a

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<v Speaker 1>little bit, which is the biggest compliment, biggest we can give.

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<v Speaker 1>And then like my other fave, Solid with like those

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<v Speaker 1>harmonized vocals that they are so known for, reminds me

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<v Speaker 1>of very like Um, very like Wilson Phillips, like Um

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<v Speaker 1>eighties nineties era, like girl rock, you know girl in

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<v Speaker 1>quotes rock. Um right, it would definitely play at like

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<v Speaker 1>a wedding scene in a queer movie. Yeah, they them

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<v Speaker 1>rock if you will Um and I yeah, I mean,

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<v Speaker 1>I I love I'm so excited about it. I remember Um,

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<v Speaker 1>after shooting the Silk Fun music video with them, they

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<v Speaker 1>had like a bonfire at Naomi and Joe's house. Um,

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<v Speaker 1>and I remember we were talking about the album and

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<v Speaker 1>what they were excited about. This is eons ago and

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<v Speaker 1>I had been listening to Silk Fun all day, so

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<v Speaker 1>I was like addicted to it because it's such an

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<v Speaker 1>earworm and I mean that and it's a term of endearment,

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<v Speaker 1>and um, they were They were like, oh, we want

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<v Speaker 1>to show you this other song just to see what

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<v Speaker 1>you think. And they played what I Want and I

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<v Speaker 1>remember being like, oh, this is like such a bop

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<v Speaker 1>and they were like, well, Silk Chifn is for the

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<v Speaker 1>girls and what I Want is for the boys. We

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<v Speaker 1>love the musical binary love binaries. Yes, Um, that's very

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<v Speaker 1>exciting speaking of something that's for the girls. It was

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<v Speaker 1>just announced that Emma Roberts is joining The Spider Man

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<v Speaker 1>SeeU in Madam Webb alongside Dakota Johnson and Sydney Sweeney.

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<v Speaker 1>So Sony really said, gays, you will be watching this

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<v Speaker 1>superhero movie whether you like it or not, right, And

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<v Speaker 1>I mean I'm here for Sydney Sweeney obviously. Um, Emma

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<v Speaker 1>Roberts has never been my girl. Like, I really can't

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<v Speaker 1>tell the difference between her and all the other blonde

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<v Speaker 1>cast members of American Horror Story, right, who are all

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<v Speaker 1>who are all nepotism babies. Emma Roberts is Julia Roberts's niece,

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<v Speaker 1>Reilly Lord is Carrie Fisher's daughter. Um, Tessa Familia is

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<v Speaker 1>vera familiar sister, like they are all just related to

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<v Speaker 1>someone famous. They all look exactly the same. But I'm

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<v Speaker 1>totally behind this casting. I love that, like because I

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<v Speaker 1>think Spider Man is like a very just like boy

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<v Speaker 1>centric superhero universe. Um, except you know, we got Spy

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<v Speaker 1>or Gwen into the spider verse. But I really loved

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<v Speaker 1>the idea of like force feminizing spider Man, state sanctions

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<v Speaker 1>and spider Man it's like your favorite superhero absolutely without

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<v Speaker 1>a die. I mean, is that just because he's a twink?

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<v Speaker 1>I mean, I I it's probably because he shoots come

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<v Speaker 1>out of his hands, but I feel like for me, Yeah,

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<v Speaker 1>sorry for the visual, but I think you know I

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<v Speaker 1>love an underdog story. I have no shame in loving

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<v Speaker 1>Spider Man, even though it has been done to death. Well, um,

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<v Speaker 1>something that did not make me shoot come out of

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<v Speaker 1>my hands, but did make me feel really ashamed of

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<v Speaker 1>my love. That was um to two weeks ago. I

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<v Speaker 1>did something really dark, which was I watched the entire

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<v Speaker 1>final season of Love Victor in twenty four hours the

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<v Speaker 1>day it was released. Wait, I don't know that you

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<v Speaker 1>watched at all. With the whole over ours in twenty

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<v Speaker 1>four hours, that's really half an hour episodes. It's very easy. Yeah,

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<v Speaker 1>I did it in two sittings. I did once watch

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<v Speaker 1>a season of Love Victor in one sitting as well.

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<v Speaker 1>Really a story that I told about our live show

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<v Speaker 1>this this past this yesterday. It was, okay, I'll give

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<v Speaker 1>I'll give the abre I'm going to I'm going to

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<v Speaker 1>create editions, but I would love to hear you. Okay,

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<v Speaker 1>France took too much ammodium and was no, no, no, no,

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<v Speaker 1>no no, no, give me storytelling value. I'm going to

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<v Speaker 1>break it down. Fran, do it, Phoebe Maker do it.

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<v Speaker 1>Fran was okay, I'm gonna do it. Okay. So Fran

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<v Speaker 1>was on Fire Island wanted to bottom and so took

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<v Speaker 1>an ammonium but accidentally took two um and so had

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<v Speaker 1>a hard brick of ship in there and there colon

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<v Speaker 1>and there were no doctors on Fire Island famously has

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<v Speaker 1>no doctors. So had to spend eight hours sitting in

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<v Speaker 1>front of a TV watching Love Victor reclined, unable to

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<v Speaker 1>recline because reclining or laying down in any capacity hurt.

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<v Speaker 1>Because however, the you know, amorphous rock like turd was

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<v Speaker 1>adjusted into like my upper or lower intestine had like

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<v Speaker 1>it felt like the way it was large, like hurt

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<v Speaker 1>if I would move and also couldn't eat, could only

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<v Speaker 1>sit and watch Love Victor. I had to face time

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<v Speaker 1>a doctor and the doctor was like, do not under

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<v Speaker 1>any circumstances, so that only gatorade. All that to say,

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<v Speaker 1>Love Victor was um good. Well, maybe if I have

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<v Speaker 1>a medical emergency that keeps me in bed against my

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<v Speaker 1>will for eight hours, then I will I will watch it. Um.

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<v Speaker 1>The stupidest part of it, though, is that in the

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<v Speaker 1>final episode, Victor gets an award from his school for

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<v Speaker 1>being gay, which I don't think is a good thing,

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<v Speaker 1>although the show kind of frames that is like this

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<v Speaker 1>is kind of bad, but like ultimately kind of good

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<v Speaker 1>and like, I don't know, I want a scholarship for

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<v Speaker 1>being gay in high school. Basically I didn't even apply

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<v Speaker 1>for it and I got it, but they were just

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<v Speaker 1>kind of like, how much money was it? Actually? I

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<v Speaker 1>also don't think he got I don't think he got money.

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<v Speaker 1>He just got an award. Oh well, that's fucking stupid.

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<v Speaker 1>I something that I remember about the Love Victor franchises,

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<v Speaker 1>they try to paint them as like a working class family,

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<v Speaker 1>and that that just was not I mean, if you

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<v Speaker 1>any context clues, like in the show, you would know

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<v Speaker 1>that they are probably pretty middle class. Another thing I watched,

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<v Speaker 1>unfortunately was Elvis. Oh, you didn't like it? It was

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<v Speaker 1>so bad. Really. First of all, it's two hours and

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<v Speaker 1>forty minutes long. Well, I mean, it is bass and

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<v Speaker 1>it's just so disinterested in being about Elvis's life and

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<v Speaker 1>is much more interested in just being a bas Lerman movie. Yeah,

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<v Speaker 1>I'm such a bass stand so that doesn't sound that

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<v Speaker 1>bad to me. No, But like it's style over substance,

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<v Speaker 1>but the style isn't good. I love things that are

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<v Speaker 1>style over something, but the style has to be good.

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<v Speaker 1>The styles not was not good. You didn't like the

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<v Speaker 1>the Casey Musgraves cover, No, because what the point when

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<v Speaker 1>that happens? Like, I want to hear the actual song

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<v Speaker 1>in this Elvis biopic, not a cover of it, And

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<v Speaker 1>that was another problem I had with it. So the

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<v Speaker 1>movie ends when Elvis dies and then there's like a

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<v Speaker 1>clip montage of the real Elvis, which I hate when

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<v Speaker 1>that's done in biopics because it just makes me think

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<v Speaker 1>I should have just watched a documentary. And I also

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<v Speaker 1>think it undercuts the performance of the actor who's been

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<v Speaker 1>playing this character for the last almost three hours and

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<v Speaker 1>the movie did he die on the toilet? No, what

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<v Speaker 1>I didn't even know that that happened. All they say

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<v Speaker 1>is that he had a heart attack. Literally for me, like,

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<v Speaker 1>I think it's one of the most well known facts

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<v Speaker 1>of Elvis that he died from. I had no idea.

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<v Speaker 1>Well he did um after probably eating one of those

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<v Speaker 1>disgusting peanut butter and bacon sandwiches. Like peanut butter and bacon.

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<v Speaker 1>That sounds incredible. I mean that he would famously like

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<v Speaker 1>send a private jet to go pick up this like

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<v Speaker 1>special sandwich that was made at some sandwich shop that

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<v Speaker 1>had it was a full French baguette that was scooped

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<v Speaker 1>out and filled with a pound of peanut butter, a

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<v Speaker 1>pound of bacon, bananas, and I think honey or something

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<v Speaker 1>like that, and fried. I want one of those. Yeah,

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<v Speaker 1>I mean it is actually before I thought it was

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<v Speaker 1>really good. We should make them on Fire Island this

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<v Speaker 1>week and then maybe you'll be full of shit again.

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<v Speaker 1>Well I would never take two emmodium as the box

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<v Speaker 1>instructed ever again. Okay, Basilerman maybe had the second highest

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<v Speaker 1>anticipated film of this weekend after Buzz Lightyear. The Light

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<v Speaker 1>Year movie which you saw. I did see. Um, I've

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<v Speaker 1>been seeing a lot of movies just because I have

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<v Speaker 1>a lot more time on my hands. And now that

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<v Speaker 1>is you have the mc stuffs rewards membership, you are

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<v Speaker 1>cashing in. Mom. So I saw a light Year. It

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<v Speaker 1>was fine. It was not great, it was not bad.

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<v Speaker 1>It was just a totally fine animated movie. Um. I

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<v Speaker 1>don't have a lot of nostalgia tied to toy story. No.

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<v Speaker 1>I mean a lot of people say, like, oh, it's

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<v Speaker 1>one of the greatest animated films ever created. But and

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<v Speaker 1>it's I guess, like the the um framing of it

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<v Speaker 1>is kind of interesting because they said, like the way

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<v Speaker 1>they frame it is that this is the movie that

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<v Speaker 1>Andy saw. That the toy interesting. So like at the

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<v Speaker 1>beginning of the movie, it says Andy saw, like his

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<v Speaker 1>favorite movie, this is that movie. I love that they

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<v Speaker 1>are trying to convince us that there was a movie

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<v Speaker 1>that had one a black person in it and to

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<v Speaker 1>a gay kiss, a gay gay lesbian, a black lesbian,

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<v Speaker 1>a black gay character. I don't listen. I know that

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<v Speaker 1>there was this whole controversy about the gay kiss. I

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<v Speaker 1>don't even remember if they kissed in the movie. That

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<v Speaker 1>fucking sucks. But also it's not surprising at all. But

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<v Speaker 1>I do remember, like what I thought was nice about

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<v Speaker 1>it was that, So the whole story is that buzz.

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<v Speaker 1>It's like going on these missions and they only take

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<v Speaker 1>a couple of minutes for him, but on the planet

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<v Speaker 1>that he's coming from, it takes like four years. So

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<v Speaker 1>when he comes back for the first time, his like

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<v Speaker 1>partner is like, oh, I got married while you were gone,

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<v Speaker 1>and he says, oh, who is what's her name? Like,

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<v Speaker 1>and there's no kind of like mo like weird moment.

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<v Speaker 1>He it's just like very casual, which I really appreciated,

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<v Speaker 1>Like I think that is a good representation, especially in

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<v Speaker 1>a kids movie. And they show her with her wife

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<v Speaker 1>and like her her son and like eventual grandchild. Um.

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<v Speaker 1>But this is like the first gay kiss in a

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<v Speaker 1>Disney I'm just so tired of Disney being like this

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<v Speaker 1>is our first game, like this is our first rim

0:12:42.000 --> 0:12:44.680
<v Speaker 1>job scene in the Pixar movie, and every single time

0:12:44.679 --> 0:12:48.120
<v Speaker 1>it's like a gay time's like headline Instagram post. And

0:12:48.160 --> 0:12:50.400
<v Speaker 1>I saw one the other day that was like Disney

0:12:50.440 --> 0:12:55.200
<v Speaker 1>to premiere the first openly gay teen romance, and I

0:12:55.240 --> 0:12:57.560
<v Speaker 1>was like, well, first of all that would suggest that

0:12:57.600 --> 0:13:03.440
<v Speaker 1>they were closeted and stealth teen romances in previous Disney film.

0:13:03.520 --> 0:13:05.920
<v Speaker 1>None of this, None of these words are in the Bible.

0:13:06.000 --> 0:13:09.480
<v Speaker 1>Like I'm so done with the first, Like you know what,

0:13:09.559 --> 0:13:12.920
<v Speaker 1>this is the first fucking on air felching on a

0:13:13.000 --> 0:13:29.800
<v Speaker 1>podcast about Buckle Up Virgins for the Virgins listening yesterday,

0:13:29.840 --> 0:13:34.600
<v Speaker 1>we are talking about Glee, the Fox Ryan Murphy TV

0:13:34.720 --> 0:13:38.960
<v Speaker 1>show that had an ironclad grip on pop culture in

0:13:39.160 --> 0:13:45.080
<v Speaker 1>the like early the Obama era, the Obama Oh my god,

0:13:45.160 --> 0:13:48.200
<v Speaker 1>if if you exactly, if you want, if you want

0:13:48.200 --> 0:13:51.800
<v Speaker 1>to encapsulation of what the Obama era was like in media,

0:13:52.080 --> 0:13:53.840
<v Speaker 1>it was Glee. I feel that way. I feel that

0:13:53.840 --> 0:13:56.400
<v Speaker 1>Glee is the quintess Glee and True Blood are the

0:13:56.480 --> 0:14:01.040
<v Speaker 1>quintessential cultural products of the Obama. We should have done

0:14:01.040 --> 0:14:02.760
<v Speaker 1>this episode on True Blood. I mean, we can talk

0:14:02.760 --> 0:14:05.320
<v Speaker 1>about True Blood too, but they're kind of two sides

0:14:05.320 --> 0:14:08.599
<v Speaker 1>of the same coin, and they are absolutely in conversation

0:14:08.640 --> 0:14:11.880
<v Speaker 1>with each other. Well because they're both like really really

0:14:11.960 --> 0:14:17.880
<v Speaker 1>off the rails kind of like psychotic, yes, psychotically told um,

0:14:17.920 --> 0:14:23.520
<v Speaker 1>you know, drama soaps that appealed to you know, also

0:14:23.560 --> 0:14:25.600
<v Speaker 1>anyone who doesn't know, Ty, can you give like a

0:14:25.680 --> 0:14:29.320
<v Speaker 1>t l DR very brief summary of what Glee is about.

0:14:29.760 --> 0:14:35.760
<v Speaker 1>Glee is a musical comedy on that aired on Fox

0:14:36.840 --> 0:14:42.080
<v Speaker 1>about a high school glee club made up of losers

0:14:42.160 --> 0:14:46.760
<v Speaker 1>and rejects and then very quickly also popular people competing

0:14:46.880 --> 0:14:50.960
<v Speaker 1>for various titles that got higher in stakes as the

0:14:50.960 --> 0:14:56.640
<v Speaker 1>show went on, and who were continually um attempted to

0:14:56.640 --> 0:15:00.680
<v Speaker 1>sabotage at sabotage by Plankton asque super Lynd played by

0:15:00.720 --> 0:15:07.120
<v Speaker 1>Jane Lynch, Sue Sylvester say her name, Um. Yeah. The

0:15:07.160 --> 0:15:10.520
<v Speaker 1>inciting incident of it is that the cool kid at

0:15:10.560 --> 0:15:15.760
<v Speaker 1>school gets blackmailed by his teacher into joining the glee club,

0:15:16.000 --> 0:15:21.320
<v Speaker 1>thus creating this sort of tension between the rejects and

0:15:21.480 --> 0:15:24.520
<v Speaker 1>the cool kid, and Lea Michelle is a reject and

0:15:24.600 --> 0:15:27.880
<v Speaker 1>the guy is the cool kid. Yes, Um and more

0:15:27.960 --> 0:15:31.360
<v Speaker 1>cool people joined the glee club because the cheerleading coach,

0:15:31.360 --> 0:15:35.160
<v Speaker 1>Sue Sylvester sends them in as like um spies, but

0:15:35.240 --> 0:15:37.440
<v Speaker 1>then you know they actually like it. It ran for

0:15:37.520 --> 0:15:42.440
<v Speaker 1>five seasons six seven. I believe I only watched two.

0:15:42.480 --> 0:15:44.920
<v Speaker 1>I want to be clear about that going into the beginning.

0:15:45.360 --> 0:15:47.520
<v Speaker 1>I have only watched two seasons of Glee. I have

0:15:47.920 --> 0:15:51.440
<v Speaker 1>watched clips of other seasons of it, but that was

0:15:51.760 --> 0:15:56.720
<v Speaker 1>all I could do. I'm going to um muscle through

0:15:56.720 --> 0:15:58.640
<v Speaker 1>a blanket statement that y'all can you know, help me

0:15:58.920 --> 0:16:01.080
<v Speaker 1>maybe fix if it's an act. But I feel like

0:16:01.440 --> 0:16:05.240
<v Speaker 1>Glee came onto the scene at like another wave of

0:16:05.280 --> 0:16:10.240
<v Speaker 1>like gay representation post Will and Grace that was trying

0:16:10.280 --> 0:16:13.600
<v Speaker 1>to that. That I think created a new era of

0:16:13.640 --> 0:16:17.640
<v Speaker 1>like gaze on TV that were not Jack. You know,

0:16:18.000 --> 0:16:20.200
<v Speaker 1>there was a lot of Jack I think still in

0:16:20.240 --> 0:16:23.640
<v Speaker 1>the show. Yeah, because Chris Colfer's character like is just

0:16:23.720 --> 0:16:26.080
<v Speaker 1>a different version of that kind of gay. But the

0:16:26.080 --> 0:16:29.560
<v Speaker 1>thing about Ryan Murphy's comedic stylings is that he really

0:16:29.880 --> 0:16:33.120
<v Speaker 1>was maybe not Ryan Murphy specifically, but the Glees comedic

0:16:33.160 --> 0:16:37.000
<v Speaker 1>stillings were like very like crass. They weren't afraid to

0:16:37.080 --> 0:16:41.040
<v Speaker 1>make like really inappropriate jokes. I think that a lot

0:16:41.160 --> 0:16:44.520
<v Speaker 1>was incredibly problematic and afraid to do that. That's the

0:16:44.600 --> 0:16:49.440
<v Speaker 1>thing is the show developed a social conscience over the

0:16:49.440 --> 0:16:51.400
<v Speaker 1>course of its run, and that's why that's part of

0:16:51.440 --> 0:16:53.320
<v Speaker 1>why I feel like it's really quinte essentially like an

0:16:53.400 --> 0:16:57.400
<v Speaker 1>Obama Obama agricultural product, is that the show kind of

0:16:58.640 --> 0:17:02.440
<v Speaker 1>became reactive to itself and to feedback to it, and

0:17:02.520 --> 0:17:05.639
<v Speaker 1>became a show that was very self aware about a

0:17:05.640 --> 0:17:09.840
<v Speaker 1>certain kind of responsibility towards representation. Yes, yes, because I

0:17:09.880 --> 0:17:13.520
<v Speaker 1>do think when it started, I remember the first episode

0:17:13.640 --> 0:17:18.359
<v Speaker 1>previewed a couple of months before the actual season premiered.

0:17:18.480 --> 0:17:22.199
<v Speaker 1>I think it was maybe like before the finale of

0:17:22.359 --> 0:17:26.120
<v Speaker 1>a season of American Idol or something. It was American

0:17:26.160 --> 0:17:29.000
<v Speaker 1>Idol Area, And I remember watching it with my roommate

0:17:29.080 --> 0:17:33.000
<v Speaker 1>and we thought it was the coolest, most transgressive thing ever.

0:17:33.160 --> 0:17:36.159
<v Speaker 1>And I do think the early episodes of that show

0:17:36.960 --> 0:17:41.159
<v Speaker 1>are pretty radical for what was on TV at the time,

0:17:41.280 --> 0:17:44.560
<v Speaker 1>and like the kind of jokes they were making, um,

0:17:44.600 --> 0:17:48.760
<v Speaker 1>the audience that they were catering to, the identities that

0:17:48.800 --> 0:17:51.440
<v Speaker 1>they were centering. But you're right, and that it became

0:17:51.920 --> 0:17:57.480
<v Speaker 1>too self aware, um, and too scared of saying the

0:17:57.520 --> 0:18:00.760
<v Speaker 1>wrong thing. I can only speak for like the first season,

0:18:01.240 --> 0:18:04.480
<v Speaker 1>I feel like the gay characters in the show, we're

0:18:04.520 --> 0:18:08.000
<v Speaker 1>like pretty neutered, like because it was like still for

0:18:08.080 --> 0:18:11.840
<v Speaker 1>like a really young audience, neutered and tortured. Like the

0:18:12.000 --> 0:18:15.720
<v Speaker 1>whole season two is about Kurt being bullied. Yeah, it's

0:18:15.720 --> 0:18:18.080
<v Speaker 1>a lot of like bullying stuff. However, I remember, I

0:18:18.119 --> 0:18:20.520
<v Speaker 1>think very it gets better in my mind. I remember

0:18:20.560 --> 0:18:22.560
<v Speaker 1>hating the show when it like when I watched that

0:18:22.600 --> 0:18:25.160
<v Speaker 1>after I'm finishing the first season. But I do remember

0:18:25.200 --> 0:18:29.680
<v Speaker 1>feeling like I hadn't really watched something that had multiple

0:18:29.720 --> 0:18:33.480
<v Speaker 1>gay characters, and also like characters that or rather storylines

0:18:33.520 --> 0:18:36.080
<v Speaker 1>that were invested in the romance were like in something

0:18:36.080 --> 0:18:39.720
<v Speaker 1>like Will and Grace, like or other sitcom sitcom you

0:18:39.840 --> 0:18:42.560
<v Speaker 1>kind of vibes it's like they will never talk about

0:18:42.720 --> 0:18:44.880
<v Speaker 1>sex and there was like no kissing really on Will

0:18:44.880 --> 0:18:46.720
<v Speaker 1>and Grace or whatever. Obviously that was like the dawn

0:18:46.760 --> 0:18:49.320
<v Speaker 1>of like a lot of gay people on TV. But

0:18:49.440 --> 0:18:51.800
<v Speaker 1>kurt storyline was really I mean, I think if you

0:18:51.800 --> 0:18:53.760
<v Speaker 1>follow kurt storyline over the course of the show, you

0:18:53.800 --> 0:18:55.680
<v Speaker 1>do see that kind of self awareness in the sense

0:18:55.720 --> 0:18:58.240
<v Speaker 1>that like Kurt starts out as like bullied, and then

0:18:58.240 --> 0:19:00.320
<v Speaker 1>the bullying gets worse, and then his relationship with father

0:19:00.359 --> 0:19:04.359
<v Speaker 1>gets strained, and then he meets Blaine from the Warblers,

0:19:04.480 --> 0:19:09.360
<v Speaker 1>and we get to watch a gay character get everything

0:19:09.400 --> 0:19:12.320
<v Speaker 1>that he wants, basically, like he restores his relationship with

0:19:12.359 --> 0:19:16.199
<v Speaker 1>his dad, he has a boyfriend who is beautiful, he

0:19:16.359 --> 0:19:20.640
<v Speaker 1>like goes off to the Warblers Dalton Academy and like

0:19:20.880 --> 0:19:23.520
<v Speaker 1>gets to gets to have like a community of like

0:19:23.720 --> 0:19:27.160
<v Speaker 1>young gay kids or or at least gay tolerant people.

0:19:28.160 --> 0:19:30.720
<v Speaker 1>He moves off to New York with Leah Michelle like

0:19:31.280 --> 0:19:35.680
<v Speaker 1>becomes friends with Sarah Jessica Parker. Wait, does Sarah Jessica

0:19:35.720 --> 0:19:39.560
<v Speaker 1>Parker play herself? She comes and sings Let's have a

0:19:39.640 --> 0:19:44.280
<v Speaker 1>Kiki mashed up with the Turkey Lurkey song for herself

0:19:44.440 --> 0:19:47.480
<v Speaker 1>or she playing a character? She always plays herself, really,

0:19:50.200 --> 0:19:54.000
<v Speaker 1>she kind of does. There were some great guest stars,

0:19:54.040 --> 0:19:58.640
<v Speaker 1>Like I know Kate Hudson was on it for a minute,

0:19:59.200 --> 0:20:02.760
<v Speaker 1>Me and he leaks. First season, you had Adena and

0:20:03.000 --> 0:20:06.600
<v Speaker 1>Kristen Adina Menzel playing Liam Michelle's mother was one of

0:20:06.680 --> 0:20:11.159
<v Speaker 1>the best casting choices I think ever. Demilovado, Lindsay Lohan,

0:20:11.320 --> 0:20:14.639
<v Speaker 1>Perez Hilton, Britney Spears was on this. She was on

0:20:14.680 --> 0:20:17.159
<v Speaker 1>the Britney episode, like very briefly, just they let her

0:20:17.240 --> 0:20:23.439
<v Speaker 1>make a quick cameo and the conservators of the conservatorship, um,

0:20:23.520 --> 0:20:25.240
<v Speaker 1>we were going to watch an episode of Glee the

0:20:25.240 --> 0:20:28.920
<v Speaker 1>other night. It's famously not on any streaming platform for

0:20:28.920 --> 0:20:31.239
<v Speaker 1>a while. Yeah, it was removed and now it's not

0:20:31.320 --> 0:20:34.280
<v Speaker 1>anywhere streamable. But I really wanted to watch the Madonna episode,

0:20:34.280 --> 0:20:36.439
<v Speaker 1>which I do think is the best episode of Glee

0:20:36.600 --> 0:20:38.639
<v Speaker 1>of the two seasons that I've watched. What happens in

0:20:38.640 --> 0:20:40.560
<v Speaker 1>that episode, it's just they do a bunch of Madonna

0:20:40.600 --> 0:20:44.200
<v Speaker 1>numbers and it's amazing. Nothing further was Madonna that when

0:20:44.240 --> 0:20:45.879
<v Speaker 1>they did that was the like a virgin? Was that

0:20:45.880 --> 0:20:50.280
<v Speaker 1>when they did like a virgin? Whenever they yes, they

0:20:50.520 --> 0:20:53.040
<v Speaker 1>they do like a Virgin? Yeah, it would have been

0:20:53.080 --> 0:20:55.480
<v Speaker 1>so perfect for this podcast. I know, right we had

0:20:55.520 --> 0:20:58.879
<v Speaker 1>watched it. What was like your first impression of the show, Like,

0:20:58.920 --> 0:21:00.760
<v Speaker 1>when did you watch it as it came out? Do

0:21:00.800 --> 0:21:03.520
<v Speaker 1>you remember what we were saying? So I I was

0:21:03.640 --> 0:21:07.639
<v Speaker 1>in high school. I was I was a debate kid obviously,

0:21:08.040 --> 0:21:12.399
<v Speaker 1>Oh my god, that's such a good fact about you.

0:21:12.440 --> 0:21:15.800
<v Speaker 1>And when to have a particularly strong theater program at

0:21:15.800 --> 0:21:17.919
<v Speaker 1>my high school, there was just like it wasn't funded

0:21:17.920 --> 0:21:19.760
<v Speaker 1>at all. There was a high turnover on the people

0:21:19.800 --> 0:21:21.640
<v Speaker 1>who were teaching it, and there was just not very

0:21:21.680 --> 0:21:23.680
<v Speaker 1>much interest. So we didn't really have much of a

0:21:23.720 --> 0:21:26.760
<v Speaker 1>theater program. We did like one musical in the whole

0:21:26.760 --> 0:21:29.399
<v Speaker 1>four years that I was there, and I kept wanting

0:21:29.440 --> 0:21:32.960
<v Speaker 1>to apply to the theater magnet school, and like would

0:21:33.000 --> 0:21:35.439
<v Speaker 1>kind of get started application every year and then like

0:21:35.600 --> 0:21:37.240
<v Speaker 1>not go through with it because I just wanted to

0:21:37.280 --> 0:21:39.080
<v Speaker 1>stay at my same high school with all my friends.

0:21:39.119 --> 0:21:41.160
<v Speaker 1>But I did become really close friends with a bunch

0:21:41.160 --> 0:21:42.760
<v Speaker 1>of people who were at theater program, and so I

0:21:42.800 --> 0:21:47.879
<v Speaker 1>was kind of like living vicariously like through these like

0:21:48.560 --> 0:21:53.000
<v Speaker 1>gleaked up theater friends and also through like drawing parallels

0:21:53.040 --> 0:21:55.679
<v Speaker 1>between my whole like debate team experience in Glee. But

0:21:55.720 --> 0:21:58.360
<v Speaker 1>I was like in I was in high school, as

0:21:58.440 --> 0:22:01.600
<v Speaker 1>Glee was happening, I would come to my like English

0:22:01.600 --> 0:22:05.000
<v Speaker 1>class and sit next to my English teacher and gag

0:22:05.080 --> 0:22:08.439
<v Speaker 1>about Glee every week. Um, so you were a Glee

0:22:08.480 --> 0:22:10.359
<v Speaker 1>I was. I was fully a Glee. I was fully

0:22:10.400 --> 0:22:12.280
<v Speaker 1>in it. I loved it. I was obsessed with it.

0:22:12.440 --> 0:22:14.040
<v Speaker 1>And then when I went to college, was around the

0:22:14.080 --> 0:22:17.840
<v Speaker 1>same time that it was like season four, season three

0:22:17.880 --> 0:22:20.000
<v Speaker 1>probably happened, and it did start to get like the

0:22:20.080 --> 0:22:24.040
<v Speaker 1>humor started to get not as good, and the like

0:22:24.560 --> 0:22:27.439
<v Speaker 1>social message became stronger and stronger. Can we have a

0:22:27.440 --> 0:22:30.800
<v Speaker 1>brief aside to talk about the relationships between gay people

0:22:30.880 --> 0:22:34.399
<v Speaker 1>and their English teachers because I came out. My English

0:22:34.400 --> 0:22:36.560
<v Speaker 1>teacher was maybe the fourth or fifth person I ever

0:22:36.600 --> 0:22:40.480
<v Speaker 1>came out too. Like period, I had a like, let's

0:22:40.480 --> 0:22:42.840
<v Speaker 1>have a Kiki kind of relationship. What was your English teacher?

0:22:42.920 --> 0:22:46.200
<v Speaker 1>Like missed of all was my ap lit teacher and

0:22:46.440 --> 0:22:49.880
<v Speaker 1>a loose cannon. And she was a total blast. And

0:22:49.960 --> 0:22:52.840
<v Speaker 1>she like seated me next to her, not because she

0:22:52.920 --> 0:22:55.879
<v Speaker 1>had to watch me, but because we would gab like

0:22:56.040 --> 0:22:58.720
<v Speaker 1>most of the glass because I was like I was

0:22:58.760 --> 0:23:00.359
<v Speaker 1>like bored most of the time, because I was just

0:23:00.359 --> 0:23:02.440
<v Speaker 1>like finished my work. She once famously said that I

0:23:02.480 --> 0:23:04.800
<v Speaker 1>could shoot out an a or like a nine a

0:23:04.920 --> 0:23:09.120
<v Speaker 1>p essay. You know, I'm sure you could. I'm sure

0:23:09.160 --> 0:23:11.680
<v Speaker 1>it was probably not kind of pedagogy to like very

0:23:11.760 --> 0:23:15.400
<v Speaker 1>very clearly like like call out like a better student

0:23:15.400 --> 0:23:17.920
<v Speaker 1>than everyone else. I had a I had an English teacher.

0:23:18.040 --> 0:23:19.840
<v Speaker 1>This was an English teacher that I was had like

0:23:19.880 --> 0:23:22.440
<v Speaker 1>a really good relationship with. But my my last APT

0:23:22.480 --> 0:23:26.760
<v Speaker 1>teacher teacher, his last year of teaching English at our school,

0:23:27.000 --> 0:23:29.880
<v Speaker 1>he just like was over it. And his whole thing

0:23:31.080 --> 0:23:33.040
<v Speaker 1>it was so amazing. His name is Mr. Brown. His

0:23:33.119 --> 0:23:36.800
<v Speaker 1>whole thing was that he was an atheist and if

0:23:36.840 --> 0:23:38.800
<v Speaker 1>you went into his class, and this is we were

0:23:38.840 --> 0:23:41.080
<v Speaker 1>in the Midwest, where like atheism is like kind of

0:23:41.119 --> 0:23:44.120
<v Speaker 1>a little like not everyone believes in God, but like

0:23:44.400 --> 0:23:46.560
<v Speaker 1>it's taboo to be an atheist, Like that's kind of

0:23:46.560 --> 0:23:50.280
<v Speaker 1>culturally where I was, UM, And if you had to

0:23:50.280 --> 0:23:52.280
<v Speaker 1>take a class from Mr Brown, you were told ahead

0:23:52.280 --> 0:23:54.280
<v Speaker 1>of time that he was an atheist and like be

0:23:54.320 --> 0:23:56.720
<v Speaker 1>prepared for that or whatever. And in his last year

0:23:57.200 --> 0:24:00.960
<v Speaker 1>he was fully arguing with Christian high schoolers about the

0:24:00.960 --> 0:24:04.160
<v Speaker 1>existence of God. I was just like, and only now

0:24:04.480 --> 0:24:07.280
<v Speaker 1>am I Like that is kind of crazy, Like that

0:24:07.400 --> 0:24:11.440
<v Speaker 1>is a crazy thing to do as a full grown man.

0:24:11.480 --> 0:24:13.720
<v Speaker 1>Teacher would be like, I don't remember any of my

0:24:13.800 --> 0:24:16.560
<v Speaker 1>English teachers names, but like, I think it's interesting that

0:24:16.600 --> 0:24:18.399
<v Speaker 1>you talk about, you know, how you were a debate

0:24:18.480 --> 0:24:21.720
<v Speaker 1>kid and that gave you sort of like an understanding

0:24:21.880 --> 0:24:24.720
<v Speaker 1>of what was being enacted on the screen. I was

0:24:24.760 --> 0:24:29.360
<v Speaker 1>a theater kid, so obviously, like Glee was deeply triggering

0:24:29.359 --> 0:24:32.920
<v Speaker 1>and traumatizing for me because some it was playing out

0:24:32.960 --> 0:24:35.760
<v Speaker 1>so much of like what was going on social, socioculturally

0:24:35.840 --> 0:24:40.480
<v Speaker 1>in my life in high school. Um. I never did

0:24:40.560 --> 0:24:43.000
<v Speaker 1>choir or anything, though, so it was like a little

0:24:43.000 --> 0:24:47.240
<v Speaker 1>different but like they did put on shows sometimes, and

0:24:47.320 --> 0:24:49.960
<v Speaker 1>like they did so many show tunes and some of

0:24:50.000 --> 0:24:53.200
<v Speaker 1>them were amazing, Like the Glee cast version of some

0:24:53.320 --> 0:24:57.840
<v Speaker 1>songs are great, Um, don't ran on My Parade? Like

0:24:58.240 --> 0:25:00.879
<v Speaker 1>that is one of Lea Michelle's shining moments in life.

0:25:01.280 --> 0:25:07.440
<v Speaker 1>Or her performance of My Man incredible, really really good

0:25:07.520 --> 0:25:11.320
<v Speaker 1>my Man? What is transcendent about it? I don't even

0:25:11.640 --> 0:25:15.520
<v Speaker 1>She's just so good. It's just really good. Are we

0:25:15.600 --> 0:25:19.119
<v Speaker 1>all still today able to say, like Leah Michelle is

0:25:19.160 --> 0:25:22.960
<v Speaker 1>so good it's a rude it's incredibly talented. She is

0:25:23.000 --> 0:25:26.320
<v Speaker 1>so fierce enough, just barely fierce enough to get away

0:25:26.320 --> 0:25:30.480
<v Speaker 1>with how rude she is barely Yeah, but it's is

0:25:30.520 --> 0:25:32.159
<v Speaker 1>it like the fact that she's difficult to work with,

0:25:32.200 --> 0:25:35.440
<v Speaker 1>that she doesn't have work anymore. Well, she did her

0:25:35.560 --> 0:25:38.840
<v Speaker 1>post Glee work was still in the Ryan Murphy verse.

0:25:39.240 --> 0:25:42.760
<v Speaker 1>She did Scream Queens, and she was great on Scream Queens.

0:25:42.840 --> 0:25:45.000
<v Speaker 1>I didn't know she did Scream Queen. Yeah. That's another thing,

0:25:45.040 --> 0:25:47.760
<v Speaker 1>is that Ryan Murphy's reputation when Glee came out was

0:25:47.800 --> 0:25:51.680
<v Speaker 1>that he was edgy because his prior work was and popular.

0:25:51.800 --> 0:25:55.840
<v Speaker 1>He wasn't yet known as like that faggot. If you actually, like,

0:25:56.160 --> 0:25:58.679
<v Speaker 1>if you're looking at the chronology of Ryan Murphy and

0:25:58.720 --> 0:26:01.679
<v Speaker 1>you want to see the thing most clearly led to Glee,

0:26:01.840 --> 0:26:05.239
<v Speaker 1>It is Popular, which is a show, a show that

0:26:05.359 --> 0:26:09.200
<v Speaker 1>was on the WB for two seasons, um, and is

0:26:09.240 --> 0:26:12.760
<v Speaker 1>about a popular girl and an unpopular girl whose parents

0:26:12.760 --> 0:26:16.520
<v Speaker 1>get married so they become step sisters. And it is

0:26:16.720 --> 0:26:22.199
<v Speaker 1>so good. Um. What's what's her name? One? Yeah, the

0:26:22.200 --> 0:26:24.719
<v Speaker 1>one she's in a lot of the rhyme. Yeah. She

0:26:24.720 --> 0:26:27.080
<v Speaker 1>she plays this character Mary Cherry, which is really funny

0:26:27.119 --> 0:26:32.840
<v Speaker 1>because of the other Mary Cherry. Um, and she's so good. Ums.

0:26:33.560 --> 0:26:39.159
<v Speaker 1>Like I've always wondered, like, what is Ryan Murphy's like you?

0:26:39.359 --> 0:26:42.080
<v Speaker 1>I guess you see these adult creators who are so

0:26:42.160 --> 0:26:46.040
<v Speaker 1>clearly working out their own trauma in their work, and

0:26:46.040 --> 0:26:49.320
<v Speaker 1>it's like, when is Ryan Murphy going to get over

0:26:49.440 --> 0:26:52.120
<v Speaker 1>whatever happened to him in high school? He was from Indiana,

0:26:52.320 --> 0:26:55.760
<v Speaker 1>that must be said, that is a lot of trauma

0:26:55.840 --> 0:27:00.200
<v Speaker 1>built in. That's a gay filmmaker, think to Stevens did too,

0:27:00.760 --> 0:27:03.439
<v Speaker 1>but he just coming back to Alan Ball did that

0:27:03.520 --> 0:27:05.320
<v Speaker 1>with six ft Under worked out a lot of his

0:27:05.440 --> 0:27:07.159
<v Speaker 1>like gay stuff. I think that's just like and he

0:27:07.200 --> 0:27:11.720
<v Speaker 1>did it like gay artists have been and I don't know,

0:27:11.760 --> 0:27:14.520
<v Speaker 1>I don't think that's a terrible thing. That's the thing too,

0:27:14.600 --> 0:27:17.800
<v Speaker 1>is that we look back at Glee as like cringe

0:27:17.840 --> 0:27:22.440
<v Speaker 1>e thing that kids watched, when like, at least those

0:27:22.480 --> 0:27:24.639
<v Speaker 1>first two seasons, it was such a parody. It was

0:27:24.640 --> 0:27:27.359
<v Speaker 1>such a parody of high school show. It was like

0:27:27.440 --> 0:27:30.439
<v Speaker 1>it was it was making fun of itself and of

0:27:30.520 --> 0:27:36.119
<v Speaker 1>the entire genre of like high school dramas. It was

0:27:36.160 --> 0:27:38.720
<v Speaker 1>like very much laughing at itself and at the genre

0:27:38.800 --> 0:27:42.680
<v Speaker 1>is getting into until it's like, for some reason wasn't

0:27:42.880 --> 0:27:44.480
<v Speaker 1>or wasn't doing it as success And a lot of

0:27:44.480 --> 0:27:47.680
<v Speaker 1>the jokes are dated now. I just I remember watching

0:27:47.720 --> 0:27:50.280
<v Speaker 1>the show as it aired and feeling like whoa, Like

0:27:50.359 --> 0:27:52.800
<v Speaker 1>that's a really in the no joke, Like that is

0:27:52.840 --> 0:27:55.960
<v Speaker 1>a joke that I like, very clearly understand because it's

0:27:55.960 --> 0:27:57.560
<v Speaker 1>something that I went through, Like makes fun of something

0:27:57.600 --> 0:27:59.080
<v Speaker 1>that I went through. A lot of the writing was

0:27:59.240 --> 0:28:02.000
<v Speaker 1>very smart, but a lot of it was also very okay.

0:28:02.040 --> 0:28:04.800
<v Speaker 1>If you had to be in when Santana calls Rachel,

0:28:05.960 --> 0:28:07.639
<v Speaker 1>if you had to be in one of the groups

0:28:07.920 --> 0:28:13.720
<v Speaker 1>New Directions Vocal Adrenaline, the cheer Squad, which one would

0:28:13.760 --> 0:28:15.479
<v Speaker 1>you want? Are these all the clicks? These are all

0:28:15.520 --> 0:28:17.639
<v Speaker 1>the different glee class I would be in the Warblers.

0:28:17.680 --> 0:28:19.760
<v Speaker 1>I would be one. Are the Warblers. They're the one

0:28:20.040 --> 0:28:22.080
<v Speaker 1>that at the prep school that that Kurt was in.

0:28:22.920 --> 0:28:25.800
<v Speaker 1>Is the raven clause? Is he still dating Darren Chris

0:28:25.800 --> 0:28:27.400
<v Speaker 1>when he goes to the Warblers? Or are they over?

0:28:27.400 --> 0:28:29.600
<v Speaker 1>But that's when they meet. Oh that's when they meet.

0:28:30.160 --> 0:28:34.840
<v Speaker 1>Oh it's so And Blaine is singing Teenage Dream with

0:28:34.960 --> 0:28:37.560
<v Speaker 1>that was a moment too, And like Kurt just happens

0:28:37.600 --> 0:28:41.000
<v Speaker 1>to stumble upon the Warblers singing Teenage Dream and Blaine

0:28:41.040 --> 0:28:44.560
<v Speaker 1>is like swinging, like winking and smiling like at Kurt.

0:28:44.640 --> 0:28:46.440
<v Speaker 1>It's like, I mean good. And then when they break

0:28:46.520 --> 0:28:49.640
<v Speaker 1>up three years later or two years later, Blaine like

0:28:49.760 --> 0:28:53.960
<v Speaker 1>does this like kind of drunk, like really pathetic, like

0:28:54.200 --> 0:28:58.120
<v Speaker 1>reprise of Teenage Dream at this Beano bar in New York.

0:28:59.120 --> 0:29:02.479
<v Speaker 1>At this stage it is like I'm cleaking out. I'm

0:29:02.480 --> 0:29:18.000
<v Speaker 1>cleanking out, guys cleaking When you think about devices to explain,

0:29:18.440 --> 0:29:23.920
<v Speaker 1>like the constant performances of musical numbers in a TV

0:29:24.040 --> 0:29:27.080
<v Speaker 1>show like a glee club club is a good conceit

0:29:27.200 --> 0:29:29.080
<v Speaker 1>Like it does make sense that they would be singing

0:29:29.120 --> 0:29:31.760
<v Speaker 1>a lot. But the thing is like they were doing

0:29:31.960 --> 0:29:34.880
<v Speaker 1>these full musical numbers or like, I think a thing

0:29:34.920 --> 0:29:37.200
<v Speaker 1>that always annoyed me was that they would be rehearsing

0:29:37.640 --> 0:29:39.840
<v Speaker 1>and then like Rachel would just look over at the

0:29:39.920 --> 0:29:42.600
<v Speaker 1>band that was always playing with them, when the band

0:29:42.600 --> 0:29:45.440
<v Speaker 1>would always already like have an arrangement of the song

0:29:45.560 --> 0:29:49.720
<v Speaker 1>ready to go, and everyone like a companist. Okay, and

0:29:49.760 --> 0:29:52.360
<v Speaker 1>that's that's what it is you have to do they

0:29:52.400 --> 0:29:55.000
<v Speaker 1>have like did they have a songbook they were working on?

0:29:55.080 --> 0:29:58.240
<v Speaker 1>I'm sure where was the budget for all the costumes

0:29:58.280 --> 0:30:00.640
<v Speaker 1>that they did or the song license You still had

0:30:00.640 --> 0:30:03.480
<v Speaker 1>to pay for licensing if you performed these on like

0:30:03.560 --> 0:30:06.520
<v Speaker 1>the stage, but at least but Glee was like and

0:30:06.520 --> 0:30:09.640
<v Speaker 1>and in terms of licensing, like they must have spent

0:30:09.720 --> 0:30:11.920
<v Speaker 1>so much money licensing those songs for the show. But

0:30:12.000 --> 0:30:16.160
<v Speaker 1>like also the Glee music was an economy unto itself

0:30:16.200 --> 0:30:19.440
<v Speaker 1>because this album sold, They did tours. Did you ever

0:30:19.480 --> 0:30:22.680
<v Speaker 1>go see a tour time at all? I never went to.

0:30:23.080 --> 0:30:25.760
<v Speaker 1>I don't do concerts on Oh there we go. I

0:30:26.360 --> 0:30:30.440
<v Speaker 1>feel like there's a short king. I feel like the

0:30:30.440 --> 0:30:33.200
<v Speaker 1>the thing to me, I think the reason I didn't

0:30:33.240 --> 0:30:36.800
<v Speaker 1>like the show like around the time it was out,

0:30:37.000 --> 0:30:39.440
<v Speaker 1>was in large part of the music. Actually, like I

0:30:39.480 --> 0:30:41.600
<v Speaker 1>think the music was a barrier to entry for me

0:30:41.640 --> 0:30:43.440
<v Speaker 1>because that was the whole point of the show, I know,

0:30:43.520 --> 0:30:45.600
<v Speaker 1>but I had moved on from that because I was

0:30:45.640 --> 0:30:48.320
<v Speaker 1>like a theater kid, and by the time the show

0:30:48.400 --> 0:30:52.280
<v Speaker 1>was really coming out, I feel like I was, um,

0:30:52.320 --> 0:30:55.440
<v Speaker 1>I don't know, hating hating theater and hating musicals. Were

0:30:55.480 --> 0:30:58.480
<v Speaker 1>you weren't you close? Uh No, I wasn't close. Or

0:30:58.720 --> 0:31:01.840
<v Speaker 1>maybe actually I don't remember. I need to, Actually I should.

0:31:03.000 --> 0:31:05.400
<v Speaker 1>I need to learn what my actual life timeline is

0:31:05.480 --> 0:31:07.600
<v Speaker 1>is what I should remember. I feel like by the

0:31:07.640 --> 0:31:13.240
<v Speaker 1>time Glee was out, I was really invested in the thing,

0:31:13.360 --> 0:31:16.280
<v Speaker 1>in like cultural things that I knew that I could

0:31:16.280 --> 0:31:19.480
<v Speaker 1>get better than my peers because I was gay and

0:31:19.520 --> 0:31:21.560
<v Speaker 1>so like A big reason that I was so into

0:31:21.640 --> 0:31:24.120
<v Speaker 1>Lady Gaga when I was in high school is because

0:31:24.640 --> 0:31:27.400
<v Speaker 1>I could be like I I felt that I could

0:31:27.400 --> 0:31:30.120
<v Speaker 1>get the references and understand this, that I had some

0:31:30.200 --> 0:31:34.320
<v Speaker 1>kind of like affinity towards this thing, Like I get

0:31:34.320 --> 0:31:36.920
<v Speaker 1>this in a way that the other people around me didn't,

0:31:37.040 --> 0:31:39.800
<v Speaker 1>and that actually made me feel really good about myself.

0:31:40.000 --> 0:31:41.520
<v Speaker 1>It made me feel like I was really good at

0:31:41.560 --> 0:31:45.720
<v Speaker 1>something or had some kind of like, um, exceptionalism to

0:31:46.280 --> 0:31:48.400
<v Speaker 1>like my personality, And I think Glee was really similar.

0:31:48.440 --> 0:31:50.720
<v Speaker 1>Even though it was a hit show. I felt like,

0:31:50.760 --> 0:31:52.320
<v Speaker 1>you know, I could keep key with my English teacher

0:31:52.360 --> 0:31:54.320
<v Speaker 1>about it in a way that like I was more

0:31:54.400 --> 0:31:59.920
<v Speaker 1>grown and more like sophisticated. But at the time, because

0:32:00.080 --> 0:32:03.720
<v Speaker 1>I was like, it wasn't there Also, Um, the Glee

0:32:03.760 --> 0:32:07.120
<v Speaker 1>Project wasn't that where people like auditioned to be on

0:32:07.240 --> 0:32:09.000
<v Speaker 1>Glee and it has a reality show, have a friend

0:32:09.000 --> 0:32:12.280
<v Speaker 1>that was on it. That's how Oliviard rigo No, no, no,

0:32:12.400 --> 0:32:15.320
<v Speaker 1>She's difference all the musical the series. Um, but the

0:32:15.360 --> 0:32:18.720
<v Speaker 1>Glee Project was a reality show where kids were competing

0:32:18.760 --> 0:32:21.960
<v Speaker 1>to be on Glee. And um, that's where Alex Newell

0:32:22.080 --> 0:32:25.960
<v Speaker 1>is from. Like Tony nominee Alex Newell, the Glee Project

0:32:26.040 --> 0:32:29.880
<v Speaker 1>invented Alex Newell because Alex eventually went on the show

0:32:29.960 --> 0:32:32.600
<v Speaker 1>to write Yeah. I think so. I wasn't watching at

0:32:32.640 --> 0:32:34.800
<v Speaker 1>that point, but I think they were one of the

0:32:34.800 --> 0:32:38.080
<v Speaker 1>ones who made it onto Glee. Um and Glee, I

0:32:38.120 --> 0:32:40.440
<v Speaker 1>mean as far as I know from what I've seen online,

0:32:40.440 --> 0:32:43.040
<v Speaker 1>because I think every couple of weeks there's a thing

0:32:43.040 --> 0:32:45.400
<v Speaker 1>on Twitter where someone clips out a scene from Gleen

0:32:45.560 --> 0:32:48.240
<v Speaker 1>is like can you believe this happened? Um, And a

0:32:48.280 --> 0:32:50.719
<v Speaker 1>lot of times it's like it is really crazy, Like

0:32:50.800 --> 0:32:53.840
<v Speaker 1>the one I saw recently was Sue Sylvester doing super Base,

0:32:54.080 --> 0:32:56.840
<v Speaker 1>which like is crazy in and of itself. But my

0:32:56.880 --> 0:32:59.480
<v Speaker 1>favorite version of that is the video where someone has

0:32:59.720 --> 0:33:04.320
<v Speaker 1>edited Vulk from Suspiria onto it. But I do think

0:33:04.440 --> 0:33:07.320
<v Speaker 1>the show got a lot gayer as the years went

0:33:07.400 --> 0:33:10.960
<v Speaker 1>on in terms of like I think one of the

0:33:11.000 --> 0:33:13.400
<v Speaker 1>reasons that teenagers really liked it is because it was

0:33:13.440 --> 0:33:16.680
<v Speaker 1>one of the few shows on TV that had queer

0:33:16.680 --> 0:33:21.200
<v Speaker 1>relationships on it, Like Santana and Brittany haven't had a

0:33:21.240 --> 0:33:24.720
<v Speaker 1>huge stand um and still due to this day, you know,

0:33:24.800 --> 0:33:28.000
<v Speaker 1>Kurt and Blaine, like they were in the fan fiction world,

0:33:28.400 --> 0:33:32.400
<v Speaker 1>they were huge. I never read any Glee fan fiction,

0:33:32.520 --> 0:33:36.040
<v Speaker 1>but they were like a monolith and it was highly

0:33:36.160 --> 0:33:40.000
<v Speaker 1>it was satisfying, you know, And I don't really feel

0:33:40.040 --> 0:33:41.600
<v Speaker 1>that I guess I don't know in this weird way,

0:33:41.600 --> 0:33:44.760
<v Speaker 1>I like this Ryan Murphy apologist because like the this

0:33:45.000 --> 0:33:49.840
<v Speaker 1>like Ryan Murphy self describes his style as Barroke, and

0:33:49.960 --> 0:33:53.600
<v Speaker 1>I think that like as as queer people. We do.

0:33:53.760 --> 0:33:57.200
<v Speaker 1>We've gotten fatigued with the right maximal style and really

0:33:57.240 --> 0:34:01.280
<v Speaker 1>tired of it. But I think that there is something

0:34:01.800 --> 0:34:11.000
<v Speaker 1>there about feeling squeamish about really really highly visible gay

0:34:11.040 --> 0:34:16.200
<v Speaker 1>style in in a mainstream place where everyone can see it,

0:34:16.239 --> 0:34:19.560
<v Speaker 1>and that there's something embarrassing about that for us as

0:34:19.600 --> 0:34:21.080
<v Speaker 1>queer people. And I don't know, I think it's as

0:34:21.080 --> 0:34:24.120
<v Speaker 1>simple as like internalized homophobia, but that it's it's for

0:34:24.200 --> 0:34:25.759
<v Speaker 1>some it's for the same reason that we kind of

0:34:25.800 --> 0:34:28.920
<v Speaker 1>have a hard time standing gay recording artists. Is like

0:34:28.960 --> 0:34:33.080
<v Speaker 1>we have a hard time standing a show runner who

0:34:33.320 --> 0:34:41.160
<v Speaker 1>is so unapologetically and and um clearly gay in all

0:34:41.239 --> 0:34:45.480
<v Speaker 1>the ways that he works that we're like embarrassing really

0:34:45.680 --> 0:34:49.600
<v Speaker 1>was like a pinnacle of like diversity, at least at

0:34:49.600 --> 0:34:52.520
<v Speaker 1>the time. I think that we have things that are like,

0:34:52.719 --> 0:34:56.120
<v Speaker 1>you know, a lot more intersectional now. But like all

0:34:56.160 --> 0:34:58.160
<v Speaker 1>of his projects, I mean, if I were to give

0:34:58.280 --> 0:35:00.879
<v Speaker 1>Ryan Murphy credit on anything, he did set like new

0:35:01.000 --> 0:35:05.080
<v Speaker 1>standards on casting, Like he was always casting like disabled actors,

0:35:05.120 --> 0:35:07.880
<v Speaker 1>he was always casting queer people, but he was also

0:35:07.920 --> 0:35:10.839
<v Speaker 1>always casting straight people to play queer people. Yes, I mean,

0:35:10.880 --> 0:35:12.680
<v Speaker 1>but that you know, I mean that was just like

0:35:12.760 --> 0:35:16.800
<v Speaker 1>also like a casting standard unfortunately, like in the early aughts. Still,

0:35:16.840 --> 0:35:19.400
<v Speaker 1>I mean and Darren Chris even I feel like that

0:35:19.400 --> 0:35:21.160
<v Speaker 1>was the beginning of Darren Chris, like playing gay and

0:35:21.239 --> 0:35:23.960
<v Speaker 1>projects and then when he said he vowed to never

0:35:24.080 --> 0:35:27.680
<v Speaker 1>play a gay character again after doing it, like after

0:35:27.680 --> 0:35:30.759
<v Speaker 1>winning an Emmy for it, that's what he said. Enough,

0:35:30.840 --> 0:35:33.960
<v Speaker 1>But to your point, Hi, I feel like, um that

0:35:34.000 --> 0:35:36.319
<v Speaker 1>whole Like, yeah, I agree, It's not as simple as

0:35:36.360 --> 0:35:39.719
<v Speaker 1>hating yourself. It's kind of like there's a kind of like,

0:35:40.000 --> 0:35:44.719
<v Speaker 1>um fear that happens when representation quote unquote of sorts

0:35:44.760 --> 0:35:48.440
<v Speaker 1>like hits a mass popularity, because all of a sudden,

0:35:48.480 --> 0:35:51.960
<v Speaker 1>you're like, oh, everyone doesn't think that like this is

0:35:52.280 --> 0:35:54.719
<v Speaker 1>me or that like immediately you kind of fear being

0:35:54.719 --> 0:35:58.600
<v Speaker 1>flattened because that's what you don't want. You're queer, Like yes, yes,

0:35:58.719 --> 0:36:02.000
<v Speaker 1>yes you want to. I'm sure you honestly, Hummel. I

0:36:02.040 --> 0:36:04.360
<v Speaker 1>hate to invoke this, but I'm thinking a lot about

0:36:05.320 --> 0:36:10.360
<v Speaker 1>the Fire Island TV show that debuted on Logo like

0:36:10.400 --> 0:36:12.439
<v Speaker 1>a few years ago. Do you remember like the kind

0:36:12.440 --> 0:36:16.160
<v Speaker 1>of media like craze around that, like the the the

0:36:16.320 --> 0:36:19.560
<v Speaker 1>overwhelming sentiment and like the thing pieces and the things

0:36:19.600 --> 0:36:22.479
<v Speaker 1>that people were saying on social media was like this

0:36:22.600 --> 0:36:27.360
<v Speaker 1>is like a symbol of gay America's moral decline or whatever,

0:36:27.440 --> 0:36:30.880
<v Speaker 1>like they it would felt like shut up, like they

0:36:31.280 --> 0:36:33.759
<v Speaker 1>really treated it like it was not see propaganda. I

0:36:33.800 --> 0:36:40.000
<v Speaker 1>was like, I was like, girls, I'm sure nothing. I'm

0:36:40.040 --> 0:36:42.560
<v Speaker 1>not here to defend the Fire Island TV show. But

0:36:43.040 --> 0:36:46.520
<v Speaker 1>the reasons people were the reasons people were mad about

0:36:46.520 --> 0:36:49.239
<v Speaker 1>the Fire Island TV show was like hor phobia. It

0:36:49.360 --> 0:36:52.360
<v Speaker 1>was like people feeling like this was a flattening of

0:36:52.440 --> 0:36:54.879
<v Speaker 1>like a gay man could be. You know, I feel

0:36:54.880 --> 0:36:56.279
<v Speaker 1>like it was a lot of well, it's like it's

0:36:56.320 --> 0:36:59.200
<v Speaker 1>this feeling of they're going to make us look bad. Yeah,

0:36:59.520 --> 0:37:01.960
<v Speaker 1>I don't know to think about that tie. Did you

0:37:02.000 --> 0:37:04.040
<v Speaker 1>see the Fire Island TV show problem? I want to

0:37:04.040 --> 0:37:05.640
<v Speaker 1>get well, no, I think you're I think you're getting it.

0:37:05.760 --> 0:37:10.560
<v Speaker 1>This weird um like riddle with representation that we've had

0:37:10.600 --> 0:37:13.239
<v Speaker 1>to kind of deal with, especially over the past like

0:37:13.760 --> 0:37:17.160
<v Speaker 1>ten years, as so much of our community has like

0:37:17.400 --> 0:37:21.600
<v Speaker 1>shifted its attention from political goals towards um like I

0:37:21.640 --> 0:37:26.800
<v Speaker 1>guess a pathetic like concerns um that like how what

0:37:26.920 --> 0:37:31.359
<v Speaker 1>does what does representation that makes us happy? Like all

0:37:31.440 --> 0:37:34.760
<v Speaker 1>happy actually look like is that possible? And like is it?

0:37:34.840 --> 0:37:38.640
<v Speaker 1>Is it even that I think crucial in an error

0:37:38.680 --> 0:37:41.319
<v Speaker 1>when you can pull up TikTok and see gaye as

0:37:41.360 --> 0:37:43.520
<v Speaker 1>many gay people as you want, doing as many different

0:37:43.520 --> 0:37:46.160
<v Speaker 1>things and looking as the most specific kind of queer

0:37:46.200 --> 0:37:49.560
<v Speaker 1>people as well, like just every single like person has

0:37:49.560 --> 0:37:50.799
<v Speaker 1>a lane on too. And I don't mean to say

0:37:50.840 --> 0:37:54.319
<v Speaker 1>that representation doesn't matter obviously, I think it's kind of that,

0:37:54.560 --> 0:37:57.879
<v Speaker 1>but I think we still as a culture really put

0:37:57.920 --> 0:38:02.400
<v Speaker 1>a lot of steak in them in mainstream representation, and

0:38:02.440 --> 0:38:06.200
<v Speaker 1>like it's it's about what who is visible to the

0:38:06.239 --> 0:38:09.359
<v Speaker 1>most people and also what kind of resources are they

0:38:09.400 --> 0:38:13.080
<v Speaker 1>getting for that visibility. So like I do think that

0:38:13.120 --> 0:38:17.520
<v Speaker 1>people see more value in like the Billy Eichner rom

0:38:17.560 --> 0:38:22.799
<v Speaker 1>com than like two boys kissing on TikTok, even if

0:38:22.800 --> 0:38:24.600
<v Speaker 1>it gets a million views. I think a lot of

0:38:24.640 --> 0:38:27.080
<v Speaker 1>people are usually kind of just mad at the wrong

0:38:27.120 --> 0:38:29.400
<v Speaker 1>things as well. Like I think that with something like

0:38:29.480 --> 0:38:33.600
<v Speaker 1>Fire Island, it's like people for the TV show, I

0:38:33.600 --> 0:38:37.440
<v Speaker 1>mean it's like people are mad that Like what they're

0:38:37.480 --> 0:38:39.800
<v Speaker 1>really mad about is like we have a very limited

0:38:39.800 --> 0:38:42.920
<v Speaker 1>amount of resources for mainstream media still, and like logo

0:38:43.480 --> 0:38:46.560
<v Speaker 1>is like the place that makes gay stuff still and

0:38:46.600 --> 0:38:49.239
<v Speaker 1>so to put all your two for Kelly Rippau, who

0:38:49.280 --> 0:38:51.000
<v Speaker 1>produced the show, to be like, yes, this is the

0:38:51.000 --> 0:38:52.799
<v Speaker 1>show that needs attention right now. I think where we

0:38:52.840 --> 0:38:55.000
<v Speaker 1>get anxious around the amount of space it takes up

0:38:55.080 --> 0:38:57.880
<v Speaker 1>or the resources that it gets sometimes. And also I

0:38:57.920 --> 0:39:01.640
<v Speaker 1>think like with that show specific like Fire Island is

0:39:01.800 --> 0:39:04.560
<v Speaker 1>like a sacred queer space in a lot of ways,

0:39:04.600 --> 0:39:08.799
<v Speaker 1>and I think it did feel like sort of commoditizing,

0:39:09.560 --> 0:39:12.600
<v Speaker 1>like the the worst part of something that is very

0:39:12.600 --> 0:39:15.399
<v Speaker 1>special to a lot of people for you know, like

0:39:15.840 --> 0:39:19.560
<v Speaker 1>mainstream entertainment. Um. And I know my gripes with Glee

0:39:20.080 --> 0:39:24.040
<v Speaker 1>were definitely internalized homophobia, Like I'm I used to I

0:39:24.120 --> 0:39:26.320
<v Speaker 1>used to write like a column for like my local

0:39:26.320 --> 0:39:28.520
<v Speaker 1>newspaper or whatever, and I remember writing about how much

0:39:28.560 --> 0:39:31.400
<v Speaker 1>I hate Glee, And I'm sure that, like, if I

0:39:31.440 --> 0:39:33.640
<v Speaker 1>were to revisit that column, it was probably riddled with

0:39:34.040 --> 0:39:36.680
<v Speaker 1>internalized homophobia. But I think the crux of what I

0:39:36.719 --> 0:39:40.040
<v Speaker 1>was mad about was a lack of like multiplicity of

0:39:40.120 --> 0:39:43.680
<v Speaker 1>perspective in like queer media at the time, even though

0:39:43.719 --> 0:39:47.200
<v Speaker 1>we weren't really calling things queer yet. Um. But I

0:39:47.239 --> 0:39:51.959
<v Speaker 1>don't know, I feel like that you're you talking about,

0:39:52.000 --> 0:39:55.520
<v Speaker 1>Like what what even makes like positive representation which is

0:39:55.520 --> 0:39:57.600
<v Speaker 1>like an artifice, Like that's like not a real thing.

0:39:58.320 --> 0:40:02.319
<v Speaker 1>It is usually like measured by this authenticity factor, like

0:40:02.400 --> 0:40:05.560
<v Speaker 1>people always say that something has to be authentic or whatever,

0:40:05.840 --> 0:40:08.560
<v Speaker 1>but like authentic to who you know what I mean?

0:40:09.040 --> 0:40:10.680
<v Speaker 1>And I think that that's where people get caught up.

0:40:10.760 --> 0:40:12.799
<v Speaker 1>Is like when they look at something like Lee, it's like,

0:40:13.040 --> 0:40:14.680
<v Speaker 1>well that doesn't represent me, and it's like, well, it

0:40:14.760 --> 0:40:17.000
<v Speaker 1>was never meant to really represent you. It's like meant

0:40:17.000 --> 0:40:20.560
<v Speaker 1>to represent right, it was a sad it's it's really stirical,

0:40:20.800 --> 0:40:22.680
<v Speaker 1>like it's really making fun of itself. I don't know.

0:40:22.840 --> 0:40:24.880
<v Speaker 1>Sometimes I do feel like the logical endpoint of like

0:40:24.960 --> 0:40:29.040
<v Speaker 1>our representation discourse is like I don't feel represented until

0:40:29.280 --> 0:40:34.799
<v Speaker 1>I am cast. Actually, we need more representation for me.

0:40:35.920 --> 0:40:39.080
<v Speaker 1>You need to We need more trans people in the

0:40:39.080 --> 0:40:41.319
<v Speaker 1>writer's room, and by that I mean me. I want

0:40:41.360 --> 0:40:43.040
<v Speaker 1>to be in the writer's room on TV shows. I'm

0:40:43.160 --> 0:40:46.000
<v Speaker 1>very bookable. I need more people to read my pilot.

0:40:46.360 --> 0:40:48.600
<v Speaker 1>I have a sample I have a sample stack that

0:40:48.680 --> 0:40:51.399
<v Speaker 1>everyone should be reading. And that is when representation will

0:40:51.440 --> 0:40:54.400
<v Speaker 1>be fixed. We need more queer stories, pleased buy my

0:40:54.560 --> 0:40:59.759
<v Speaker 1>book that I'm writing. But sometimes I am really surprised

0:40:59.800 --> 0:41:03.080
<v Speaker 1>at what people do get excited about representationally, like that

0:41:03.120 --> 0:41:06.120
<v Speaker 1>show am Stoppers, which, like I feel like if that

0:41:06.160 --> 0:41:08.239
<v Speaker 1>had come out ten years ago, we would all be

0:41:08.640 --> 0:41:11.880
<v Speaker 1>passing around a tweet or a Facebook post about like

0:41:11.960 --> 0:41:16.799
<v Speaker 1>here's another white But I think the funny thing had Stoppers. Ever,

0:41:17.280 --> 0:41:20.239
<v Speaker 1>the meme of this was my hard stopper and all

0:41:20.360 --> 0:41:23.720
<v Speaker 1>of the things that like like satirical or otherwise people

0:41:24.120 --> 0:41:28.880
<v Speaker 1>like found representative of them when they like needed it

0:41:28.960 --> 0:41:33.000
<v Speaker 1>during a very formative time. I honestly think all the

0:41:33.040 --> 0:41:36.320
<v Speaker 1>time about that tweet from I hate summarizing tweets on

0:41:36.320 --> 0:41:38.080
<v Speaker 1>the podcast I'm doing something that is a pet peep

0:41:38.120 --> 0:41:39.839
<v Speaker 1>of mind, but there was a tweet that was like,

0:41:40.320 --> 0:41:42.359
<v Speaker 1>kids are so lucky to have little naz these days.

0:41:42.400 --> 0:41:44.439
<v Speaker 1>Back then, all I had was this and it's Kurt

0:41:44.520 --> 0:41:49.799
<v Speaker 1>doing single Ladies on, which is so tea and it.

0:41:49.920 --> 0:41:53.520
<v Speaker 1>But I think that tweet actually really perfectly encapsulates a

0:41:53.520 --> 0:41:55.120
<v Speaker 1>lot of things we're talking about, which is that, like,

0:41:55.360 --> 0:41:58.080
<v Speaker 1>the problem is that the possibility of a little nas

0:41:58.280 --> 0:42:00.760
<v Speaker 1>X really like I mean, I don't know if media

0:42:00.880 --> 0:42:03.440
<v Speaker 1>was like ready for that in the early ats or whatever.

0:42:03.480 --> 0:42:06.880
<v Speaker 1>I mean, maybe that's stupid to say, but like, um,

0:42:06.920 --> 0:42:09.359
<v Speaker 1>now to where we've grown up to and to all

0:42:09.360 --> 0:42:11.120
<v Speaker 1>the different kinds of things that we've seen along the way,

0:42:11.160 --> 0:42:14.160
<v Speaker 1>and also even in the way that Glee became increasingly

0:42:14.200 --> 0:42:16.759
<v Speaker 1>more I don't want to say intersectional, because I feel

0:42:16.800 --> 0:42:18.759
<v Speaker 1>like that is like over intellectualizing it, but like it

0:42:18.880 --> 0:42:22.200
<v Speaker 1>just brought in even more kinds of queer and trans

0:42:22.280 --> 0:42:24.080
<v Speaker 1>and black and brown people that you would not have

0:42:24.160 --> 0:42:26.719
<v Speaker 1>imagined on mainstream TV. And that was huge for a

0:42:26.760 --> 0:42:28.959
<v Speaker 1>show that was pretty much the biggest show on TV

0:42:29.600 --> 0:42:31.799
<v Speaker 1>for a long time. But you know, it bucks me

0:42:32.040 --> 0:42:35.400
<v Speaker 1>that when we talk about representation, especially que representation, we

0:42:35.440 --> 0:42:38.319
<v Speaker 1>always do this thing where we kind of project our

0:42:38.360 --> 0:42:41.719
<v Speaker 1>own childhood's onto people who are young now, Like we're

0:42:41.719 --> 0:42:44.839
<v Speaker 1>always talking about how we need this kind of representation

0:42:45.200 --> 0:42:50.080
<v Speaker 1>for that twelve year old kid in Ohio who doesn't

0:42:50.120 --> 0:42:52.880
<v Speaker 1>have anyone, and I'm like, I actually don't know what

0:42:53.080 --> 0:42:55.719
<v Speaker 1>that person's life is like. I don't know what a

0:42:56.120 --> 0:43:02.280
<v Speaker 1>what a preteens, like queer preteens like access to different

0:43:02.360 --> 0:43:06.520
<v Speaker 1>kinds of representation, especially on social media platforms, is like,

0:43:06.640 --> 0:43:09.080
<v Speaker 1>and what they actually need. And it kind of bugs

0:43:09.120 --> 0:43:12.440
<v Speaker 1>me that we have we we project knowing what young people.

0:43:13.719 --> 0:43:15.959
<v Speaker 1>But but but the thing is, and we have talked

0:43:15.960 --> 0:43:19.520
<v Speaker 1>about this on the podcast before, like they do want

0:43:19.560 --> 0:43:22.560
<v Speaker 1>it on TV, and they do get they do get

0:43:22.600 --> 0:43:27.600
<v Speaker 1>really mad. Like as someone who has run a social

0:43:27.640 --> 0:43:31.759
<v Speaker 1>media account, as someone who also like, we know what

0:43:32.040 --> 0:43:35.240
<v Speaker 1>the people who we know what people who watch shows

0:43:35.320 --> 0:43:39.840
<v Speaker 1>with queer characters, how much they make their whole personalities

0:43:39.880 --> 0:43:42.920
<v Speaker 1>about those shows and those characters, and when those characters

0:43:42.920 --> 0:43:46.280
<v Speaker 1>are killed off or the shows are canceled, they treat

0:43:46.400 --> 0:43:49.080
<v Speaker 1>that like the end of the world. Because I think

0:43:49.120 --> 0:43:52.919
<v Speaker 1>a lot of young kids, especially um, the Internet has

0:43:52.960 --> 0:43:56.560
<v Speaker 1>given them access to queerness in a way that we

0:43:56.600 --> 0:43:59.080
<v Speaker 1>didn't have when we were growing up, and so rather

0:43:59.160 --> 0:44:03.479
<v Speaker 1>than seeking it out in real life, they're centering their

0:44:03.560 --> 0:44:06.560
<v Speaker 1>whole understanding of queerness around the media they consume, so

0:44:06.600 --> 0:44:10.560
<v Speaker 1>that when it fails them it is even more devastating

0:44:10.680 --> 0:44:13.359
<v Speaker 1>than it was for us, because we just assumed that

0:44:13.400 --> 0:44:16.480
<v Speaker 1>we would never be represented in media, so we didn't

0:44:16.600 --> 0:44:19.319
<v Speaker 1>like put too much weight in it. There's definitely a

0:44:19.320 --> 0:44:23.120
<v Speaker 1>population of like what you're describing, which is like tender

0:44:23.160 --> 0:44:25.719
<v Speaker 1>queers and people that subscribe to them. To us, like

0:44:25.800 --> 0:44:28.520
<v Speaker 1>newsletter but I feel like what Tie is saying, and

0:44:28.680 --> 0:44:30.920
<v Speaker 1>what I kind of agree with, is that a twelve

0:44:31.000 --> 0:44:35.200
<v Speaker 1>year old in Ohio, you know, now has access to

0:44:35.239 --> 0:44:38.640
<v Speaker 1>TikTok or whatever they have. They have access to so

0:44:38.680 --> 0:44:41.600
<v Speaker 1>many different kinds of selves that I think you would

0:44:41.680 --> 0:44:45.719
<v Speaker 1>become disillusioned to pretty quickly. So like the stage we're

0:44:45.719 --> 0:44:48.960
<v Speaker 1>at now, Like I feel very um salty about queer

0:44:48.960 --> 0:44:52.520
<v Speaker 1>representation most of the time, I'm pretty like, you know, disillusioned, disheartened.

0:44:52.520 --> 0:44:54.960
<v Speaker 1>But it's taken a lot of representation up into this

0:44:55.040 --> 0:44:57.400
<v Speaker 1>point to get me to feel the kind of synicism

0:44:57.400 --> 0:45:00.239
<v Speaker 1>I feel now. But when you start, when you're like ten,

0:45:00.840 --> 0:45:04.280
<v Speaker 1>like or twelve or whatever, I feel like they're probably

0:45:04.320 --> 0:45:06.959
<v Speaker 1>cynical before they even leave high school. And I feel

0:45:07.000 --> 0:45:08.840
<v Speaker 1>like a lot of people I have a lot of

0:45:08.880 --> 0:45:12.560
<v Speaker 1>queer people who are in high school right now. I think, um,

0:45:12.600 --> 0:45:14.520
<v Speaker 1>I think a lot of them are tender queers. But

0:45:14.560 --> 0:45:17.760
<v Speaker 1>I also think there's a lot of people that you know, don't,

0:45:18.160 --> 0:45:21.000
<v Speaker 1>will never, don't feel anymore like being queer is any

0:45:21.040 --> 0:45:23.560
<v Speaker 1>kind of novelty, and maybe don't even care about like

0:45:23.680 --> 0:45:25.440
<v Speaker 1>labels in general. I think it's a stute. I mean,

0:45:25.480 --> 0:45:27.040
<v Speaker 1>I will, I will push back against the idea that

0:45:27.080 --> 0:45:29.920
<v Speaker 1>every twelve year old and where you know, wherever, not everything.

0:45:30.040 --> 0:45:31.920
<v Speaker 1>But the thing is that if the kids who are

0:45:31.960 --> 0:45:34.320
<v Speaker 1>like not allowed to have smartphones or something are also

0:45:34.760 --> 0:45:37.520
<v Speaker 1>because there have homophoblic parents are also probably not allowed

0:45:37.560 --> 0:45:41.000
<v Speaker 1>to watch Heart Star Heart Stoppers on Netflix. So you know,

0:45:41.040 --> 0:45:43.640
<v Speaker 1>so that's like a there is something that actually must

0:45:43.640 --> 0:45:48.600
<v Speaker 1>be done for those kids that representation actually isn't sufficient

0:45:48.680 --> 0:45:51.239
<v Speaker 1>for um. But you know, I hear what you're saying that,

0:45:51.280 --> 0:45:55.319
<v Speaker 1>like we do actually know something about about queer kids

0:45:55.320 --> 0:45:58.080
<v Speaker 1>and what they need. What sucks about that is that

0:45:58.440 --> 0:46:04.600
<v Speaker 1>kids have horrible t east between shows that are like

0:46:05.800 --> 0:46:10.520
<v Speaker 1>bad but kids love them, and show and like media

0:46:10.640 --> 0:46:16.560
<v Speaker 1>that is like sophisticated and like interesting and rare, I guess,

0:46:16.719 --> 0:46:29.120
<v Speaker 1>but like kids don't have access to them. I would

0:46:29.160 --> 0:46:30.759
<v Speaker 1>love to talk about the Ryan Murphy of it all.

0:46:31.440 --> 0:46:34.400
<v Speaker 1>I like, I like The Politician. Actually I did too,

0:46:34.840 --> 0:46:40.600
<v Speaker 1>the Politician. I enjoyed it, especially season two with Judith. Yeah,

0:46:40.640 --> 0:46:42.040
<v Speaker 1>I mean, and I feel like I go into it

0:46:42.200 --> 0:46:47.120
<v Speaker 1>knowing that this is a highly stylized showrunner who had who,

0:46:47.160 --> 0:46:50.759
<v Speaker 1>and that I'm going into it expecting that things are

0:46:50.800 --> 0:46:55.560
<v Speaker 1>going to be bizarre and baroque and over the top

0:46:55.960 --> 0:46:59.000
<v Speaker 1>and ridiculous. And so when people are like, can you

0:46:59.040 --> 0:47:02.120
<v Speaker 1>believe this happened Hungly, It's like, yeah, that is Ryan

0:47:02.160 --> 0:47:04.520
<v Speaker 1>Murphy stuck. Can you believe this happened in American horror story?

0:47:05.000 --> 0:47:07.319
<v Speaker 1>Like can you believe this? You know? Can you believe

0:47:07.360 --> 0:47:09.399
<v Speaker 1>this happened on men dot com? It's like asking that

0:47:10.680 --> 0:47:19.600
<v Speaker 1>I really liked feud Um Betty and Joan Um and

0:47:20.200 --> 0:47:23.840
<v Speaker 1>I I liked Ratchet, I thought, I mean, I enjoyed

0:47:23.920 --> 0:47:26.439
<v Speaker 1>watching most of it. I couldn't get through the gore.

0:47:26.840 --> 0:47:28.920
<v Speaker 1>I thought it was way too much gore. But that's

0:47:28.920 --> 0:47:31.279
<v Speaker 1>just a personal taste thing. Um. I also thought that

0:47:31.280 --> 0:47:34.600
<v Speaker 1>Andy Warhol docuseries was was pretty good, even though the

0:47:35.160 --> 0:47:39.279
<v Speaker 1>choice to do the AI voice was very strange. UM,

0:47:39.320 --> 0:47:42.360
<v Speaker 1>but the politician, like I liked it once they weren't

0:47:42.360 --> 0:47:45.239
<v Speaker 1>in high school anymore, and I just didn't understand why

0:47:45.320 --> 0:47:47.000
<v Speaker 1>so much of it had to be set in high school.

0:47:47.000 --> 0:47:50.120
<v Speaker 1>And it's like, just move on from that part of

0:47:50.160 --> 0:47:53.680
<v Speaker 1>your trauma. So you mentioned Popular earlier. I feel like

0:47:53.960 --> 0:47:56.560
<v Speaker 1>he loves like underdogs. He loves like an underdog story.

0:47:56.680 --> 0:47:58.440
<v Speaker 1>And I think that there's a through line from like

0:47:58.560 --> 0:48:01.120
<v Speaker 1>popular to like Niptop or maybe not even Niptuck, maybe

0:48:01.160 --> 0:48:05.600
<v Speaker 1>like Glee, but also like Pose and The Politician, where

0:48:05.680 --> 0:48:08.360
<v Speaker 1>there's this kind of like underdoggy thing that he's always

0:48:08.600 --> 0:48:10.920
<v Speaker 1>kind of pulling through and pulling out of narrative. Well,

0:48:10.960 --> 0:48:14.040
<v Speaker 1>I did see myself representing Niptuck because fam Ka, Jessa

0:48:14.160 --> 0:48:18.560
<v Speaker 1>played a secret a secret trans woman. Doesn't she get murdered?

0:48:18.760 --> 0:48:20.799
<v Speaker 1>You know, she does not get murdered, but she does

0:48:21.040 --> 0:48:24.600
<v Speaker 1>like she has sex with one of the main character sons,

0:48:24.640 --> 0:48:27.000
<v Speaker 1>and it's like this whole thing where they find out

0:48:27.000 --> 0:48:30.280
<v Speaker 1>that she's trans. It's like, oh my god. Doesn't Willem

0:48:30.320 --> 0:48:33.520
<v Speaker 1>also play a trans woman? William was on Niptuck, Yes,

0:48:33.800 --> 0:48:37.480
<v Speaker 1>playing trans Um. I don't know. It's so funny to

0:48:37.520 --> 0:48:39.120
<v Speaker 1>think about the question of like when was the first

0:48:39.160 --> 0:48:41.560
<v Speaker 1>time you saw yourself represented on screen, because like it

0:48:41.960 --> 0:48:45.480
<v Speaker 1>for me, it was. I don't think if I answered

0:48:45.520 --> 0:48:47.919
<v Speaker 1>that question in your real way, it would not be

0:48:48.560 --> 0:48:52.440
<v Speaker 1>like a queer person, a trans person. It would be

0:48:52.640 --> 0:48:58.200
<v Speaker 1>like just someone who more like energetically. No, it would

0:48:58.239 --> 0:49:03.040
<v Speaker 1>be like Queen momby in Return oz Return to oz Um.

0:49:03.080 --> 0:49:04.960
<v Speaker 1>You know, like, it's not gonna be like the first

0:49:04.960 --> 0:49:08.560
<v Speaker 1>time I saw myself represented on screen was like Alexis

0:49:08.600 --> 0:49:13.239
<v Speaker 1>and ugly Betty. You know, I mean, you know, I

0:49:13.280 --> 0:49:15.280
<v Speaker 1>don't know. I don't know that I've ever seen myself

0:49:15.280 --> 0:49:17.799
<v Speaker 1>represented on screen, and I don't know. Maybe that is

0:49:17.840 --> 0:49:23.560
<v Speaker 1>like a very like narcissistic um like presumption about how

0:49:23.600 --> 0:49:26.960
<v Speaker 1>exceptional I am. But I guess I don't look for

0:49:27.000 --> 0:49:29.600
<v Speaker 1>it either. I don't. I don't. I have seen so

0:49:29.640 --> 0:49:32.640
<v Speaker 1>many people and characters on screen that I want to

0:49:32.760 --> 0:49:36.279
<v Speaker 1>be that, I want to have sex with that, and

0:49:36.520 --> 0:49:38.759
<v Speaker 1>those two seem to go hand in hand when you're

0:49:38.760 --> 0:49:42.560
<v Speaker 1>a faggot, I guess, you know, And I think like

0:49:42.680 --> 0:49:48.120
<v Speaker 1>watching Glee, I remember, um, like seeing a character like Blaine,

0:49:48.480 --> 0:49:52.360
<v Speaker 1>and I think internalizing this idea that, oh, I want

0:49:52.440 --> 0:49:55.520
<v Speaker 1>to be like that kind of gay, I want to

0:49:55.560 --> 0:50:00.520
<v Speaker 1>be handsome, talented, heart throbby like I like I. And

0:50:00.560 --> 0:50:03.080
<v Speaker 1>I didn't even necessarily think, oh this is possible because

0:50:03.120 --> 0:50:06.279
<v Speaker 1>blames here, but that like I would kind of I

0:50:06.320 --> 0:50:11.680
<v Speaker 1>think consume characters and queer representation in terms of like, um,

0:50:11.760 --> 0:50:13.680
<v Speaker 1>who can I emulate one day? Who would I want

0:50:13.719 --> 0:50:16.080
<v Speaker 1>to kind of grow up to be? You know, what

0:50:16.200 --> 0:50:18.920
<v Speaker 1>I saw myself represented on screen was Pam and true Blood.

0:50:19.320 --> 0:50:25.279
<v Speaker 1>You succeeded. Yeah, thank you, Pam. Pam is a vampire

0:50:25.640 --> 0:50:29.760
<v Speaker 1>who is just like has the most bone dry, sarcastic,

0:50:30.400 --> 0:50:34.600
<v Speaker 1>dead pan wit is a huge fucking bitch m and

0:50:35.080 --> 0:50:38.160
<v Speaker 1>like people and eats people and it's like evil and

0:50:38.280 --> 0:50:42.719
<v Speaker 1>has like very fierce looks. Um, she's amazing. But the

0:50:42.719 --> 0:50:45.560
<v Speaker 1>flip side of the whole like queer people I want

0:50:45.600 --> 0:50:48.480
<v Speaker 1>to be thing is that I also would resent those

0:50:48.520 --> 0:50:51.000
<v Speaker 1>same characters because I wasn't there, and so that I

0:50:51.000 --> 0:50:54.080
<v Speaker 1>feel like happens more often than seeing myself on screen,

0:50:54.400 --> 0:50:56.839
<v Speaker 1>is I see people that make me feel bad about

0:50:56.880 --> 0:51:01.160
<v Speaker 1>myself because I don't look like them or I don't

0:51:01.360 --> 0:51:04.480
<v Speaker 1>have you know, Like it's weird how we go back

0:51:04.520 --> 0:51:06.440
<v Speaker 1>and forth between like I hate you and I want

0:51:06.440 --> 0:51:08.319
<v Speaker 1>to be you, and I feel like people do feel

0:51:08.360 --> 0:51:11.480
<v Speaker 1>that way about porn a lot. I feel that about

0:51:11.480 --> 0:51:13.760
<v Speaker 1>people I want to back with. Definitely, it's the perils

0:51:13.800 --> 0:51:17.000
<v Speaker 1>I think of like queer representation and success is because

0:51:17.360 --> 0:51:20.000
<v Speaker 1>like I definitely know this, This is my experience with

0:51:20.040 --> 0:51:23.239
<v Speaker 1>seeing other trans women, especially like a lot of us

0:51:23.239 --> 0:51:25.840
<v Speaker 1>are like just measuring ourselves up to each other and

0:51:25.920 --> 0:51:29.839
<v Speaker 1>like why why does she like look better than me?

0:51:30.040 --> 0:51:32.640
<v Speaker 1>Or like she's had more surgery than I have, or

0:51:32.680 --> 0:51:36.239
<v Speaker 1>like she's getting attention that I'm not getting, like and

0:51:36.280 --> 0:51:38.799
<v Speaker 1>I think that is very much a queer experience because

0:51:38.840 --> 0:51:42.080
<v Speaker 1>like they're so there's so much less for us to

0:51:42.200 --> 0:51:45.360
<v Speaker 1>get that we are jealous of anyone who gets a

0:51:45.400 --> 0:51:48.239
<v Speaker 1>little bit more than us. I think that's maybe a

0:51:48.239 --> 0:51:51.200
<v Speaker 1>big part of where people feel embarrassed by Glee is

0:51:51.239 --> 0:51:53.560
<v Speaker 1>that Glee, for all its satire, is also a wish

0:51:53.600 --> 0:51:56.920
<v Speaker 1>fulfillment fantasy. It's like it is a high school experience

0:51:57.000 --> 0:52:02.560
<v Speaker 1>that is like very fairy tale in the sense that

0:52:02.600 --> 0:52:05.440
<v Speaker 1>you have this community of kids who come from all

0:52:05.480 --> 0:52:09.600
<v Speaker 1>different parts of the school who are inspired to work

0:52:09.680 --> 0:52:13.720
<v Speaker 1>together and sing really well and get to sing whenever

0:52:13.760 --> 0:52:17.120
<v Speaker 1>they want and get to express themselves whenever they want

0:52:17.120 --> 0:52:20.360
<v Speaker 1>and however they want um and even all fall in

0:52:20.400 --> 0:52:22.840
<v Speaker 1>love with each other in various combinations in the process,

0:52:23.280 --> 0:52:26.120
<v Speaker 1>even though they're you know, getting slushies thrown at them.

0:52:26.160 --> 0:52:28.959
<v Speaker 1>There is this this fantasy come true that's taking place

0:52:28.960 --> 0:52:31.960
<v Speaker 1>in the show that I think can produce this knee

0:52:32.000 --> 0:52:37.600
<v Speaker 1>jerk um resentment that maybe you were feeling for him. Yeah,

0:52:37.640 --> 0:52:40.040
<v Speaker 1>And I think all of that is exacerbated by like

0:52:40.120 --> 0:52:42.680
<v Speaker 1>scarcity mentality especially I mean at the time, it's like

0:52:42.719 --> 0:52:44.520
<v Speaker 1>there was a dearth of cond of like you know,

0:52:44.640 --> 0:52:48.040
<v Speaker 1>queer content in general, and so it's just like, really

0:52:48.160 --> 0:52:50.239
<v Speaker 1>this thing, which wasn't my reaction the whole way through.

0:52:50.239 --> 0:52:52.560
<v Speaker 1>I remember loving like the first half of that season,

0:52:52.600 --> 0:52:56.640
<v Speaker 1>but now that we you know, scarcity obviously still like multiplicity,

0:52:56.680 --> 0:52:59.840
<v Speaker 1>intersectionality still needed, but like less of a problem now

0:53:00.239 --> 0:53:02.040
<v Speaker 1>I think it'll be I'll be curious to know how

0:53:02.040 --> 0:53:07.040
<v Speaker 1>like the representation conversation evolves. But I mean, honestly should

0:53:07.080 --> 0:53:10.560
<v Speaker 1>have a reboot. And I'm just but it was innovative

0:53:10.600 --> 0:53:13.560
<v Speaker 1>at the time for Kurt to be a character who

0:53:13.880 --> 0:53:17.160
<v Speaker 1>succeeds and gets his needs met because Ryan Murphy was

0:53:17.200 --> 0:53:20.560
<v Speaker 1>intervening on a whole period of queer representation where quick

0:53:20.600 --> 0:53:23.719
<v Speaker 1>characters were very tragic, with really the only exception being

0:53:23.719 --> 0:53:26.719
<v Speaker 1>Will and Grace, and even then, um, there were there

0:53:26.760 --> 0:53:30.400
<v Speaker 1>were other problems, and everyone hated Will and Grace for

0:53:30.440 --> 0:53:33.279
<v Speaker 1>not being tragic because it emerged right now. It was

0:53:33.320 --> 0:53:35.759
<v Speaker 1>such a huge hit. Well that too, Yeah it was.

0:53:35.880 --> 0:53:37.880
<v Speaker 1>It was a massive hit. But like sent like the

0:53:38.320 --> 0:53:41.719
<v Speaker 1>critics at the time, we're like, this show has is

0:53:41.760 --> 0:53:44.880
<v Speaker 1>like a um to yuppie and then aesthetizing of like

0:53:44.960 --> 0:53:48.160
<v Speaker 1>what queerness is, and and it came right after the

0:53:48.239 --> 0:53:51.200
<v Speaker 1>AIDS like kind of the in the wake of what

0:53:51.239 --> 0:53:53.480
<v Speaker 1>was the worst of the AIDS crisis, and so a

0:53:53.480 --> 0:53:57.520
<v Speaker 1>lot of activists were really still trying to keep people alive.

0:53:57.680 --> 0:54:00.000
<v Speaker 1>And so for Will and Grace to have the audacity

0:54:00.160 --> 0:54:02.920
<v Speaker 1>to be joyful, I think a lot of like, you know,

0:54:03.080 --> 0:54:05.000
<v Speaker 1>people you know that feel type of way about that

0:54:05.320 --> 0:54:08.839
<v Speaker 1>are going to be extremely mad. But I feel like,

0:54:09.080 --> 0:54:13.479
<v Speaker 1>um that that show very specifically was like we're not

0:54:13.560 --> 0:54:15.279
<v Speaker 1>going to talk about AIDS, you know what I mean,

0:54:15.320 --> 0:54:18.320
<v Speaker 1>Like they came into it with that as a partial

0:54:18.400 --> 0:54:20.640
<v Speaker 1>mission for the show. So of course people are going

0:54:20.719 --> 0:54:23.160
<v Speaker 1>to be, you know, mad that it's not representing or

0:54:23.200 --> 0:54:24.880
<v Speaker 1>not like kind of representing the thing that was important

0:54:24.880 --> 0:54:28.920
<v Speaker 1>in the time. Um. Tie, if you had to perform

0:54:28.960 --> 0:54:33.080
<v Speaker 1>a song on Glee, your Glee Cast version, what would

0:54:33.120 --> 0:54:35.280
<v Speaker 1>it be? Oh my god, I've thought about this so

0:54:35.320 --> 0:54:39.279
<v Speaker 1>many times. I think mine would be, um I write,

0:54:39.320 --> 0:54:41.839
<v Speaker 1>since not tragedies by panic of the disco, that's good?

0:54:42.840 --> 0:54:46.520
<v Speaker 1>Has that happened on Glee? They did? I'm gonna google

0:54:46.600 --> 0:54:49.680
<v Speaker 1>right now. Mine would be probably like running up that hill.

0:54:49.760 --> 0:54:54.000
<v Speaker 1>Glee Cast version. What would that even sound like? I mean,

0:54:54.000 --> 0:54:57.600
<v Speaker 1>they basically did that at post because like Running Up

0:54:57.640 --> 0:54:59.640
<v Speaker 1>the Hill was like a motif for the first season.

0:54:59.719 --> 0:55:02.600
<v Speaker 1>But it's not like someone was doing a karaoke cover

0:55:02.680 --> 0:55:05.000
<v Speaker 1>of it. No, but that did not stop Ryan Murphy

0:55:05.040 --> 0:55:07.719
<v Speaker 1>from making characters, you know, break out into the song

0:55:07.760 --> 0:55:12.759
<v Speaker 1>at any moment on post post Nightmare. I would have

0:55:12.800 --> 0:55:14.920
<v Speaker 1>to do I hate this part by the Pussycat Dolls.

0:55:17.920 --> 0:55:20.040
<v Speaker 1>That's so good. Did you do it over last show

0:55:20.080 --> 0:55:22.160
<v Speaker 1>as well? Well? Yeah, the well in the whole Glee

0:55:22.200 --> 0:55:25.200
<v Speaker 1>Club would also be the Pussycat Dolls and we would

0:55:25.200 --> 0:55:27.040
<v Speaker 1>be on the stage, but the stage would have water

0:55:27.160 --> 0:55:29.319
<v Speaker 1>on it. Who who would be in the number with you?

0:55:29.320 --> 0:55:30.880
<v Speaker 1>Would it be the whole club or would you have

0:55:31.000 --> 0:55:33.520
<v Speaker 1>a selection of backup girls? It would be the It

0:55:33.520 --> 0:55:36.040
<v Speaker 1>would be the whole club, right because I mean the

0:55:36.080 --> 0:55:40.360
<v Speaker 1>pussy Got Dolls is like seven people, right, Like, I

0:55:40.400 --> 0:55:43.040
<v Speaker 1>guess it would be in the It would definitely be

0:55:43.080 --> 0:55:45.440
<v Speaker 1>like at regionals or something. No, it would have been

0:55:45.480 --> 0:55:47.360
<v Speaker 1>inspired by by some story. I mean, I guess it

0:55:47.360 --> 0:55:51.279
<v Speaker 1>could be both, Like would what's like what's the costume situation? Like,

0:55:51.280 --> 0:55:57.480
<v Speaker 1>what are you wearing very very scantily clad vinyl probably

0:55:57.800 --> 0:56:01.880
<v Speaker 1>or like it's still school appropriate, not well appropriate, I mean,

0:56:02.760 --> 0:56:05.840
<v Speaker 1>was ever school appropriate? Yeah, we need to Euphoria Glee

0:56:05.880 --> 0:56:09.400
<v Speaker 1>crossover episode is what we need. I mean honestly that

0:56:09.520 --> 0:56:11.840
<v Speaker 1>the Rose hates somebody talking about you before you, but honestly,

0:56:11.840 --> 0:56:14.520
<v Speaker 1>the play within a play in Euphoria was kind of gleey. Well,

0:56:14.560 --> 0:56:17.560
<v Speaker 1>Euphoria is kind of a musical too. It's just a

0:56:17.640 --> 0:56:22.239
<v Speaker 1>jukebox musical where everyone lip sings instead of singing songs. Yeah, yeah, yeah,

0:56:22.239 --> 0:56:24.560
<v Speaker 1>it has its most Season two was just like a

0:56:24.680 --> 0:56:27.720
<v Speaker 1>lip sync every episode. I'm so glad I didn't watch

0:56:27.719 --> 0:56:31.160
<v Speaker 1>season two. You would, you would, you would love it

0:56:31.239 --> 0:56:34.239
<v Speaker 1>was awful. That doesn't matter. Would you ever do a

0:56:34.280 --> 0:56:36.520
<v Speaker 1>porn in which you had to sing? Oh? We should

0:56:36.560 --> 0:56:39.640
<v Speaker 1>do a porn We should do a porn parody of Glee.

0:56:40.280 --> 0:56:42.600
<v Speaker 1>I want to that has to exist. I'm gonna I'm

0:56:42.600 --> 0:56:46.560
<v Speaker 1>gonna check right now and there there's definitely enough fan

0:56:46.640 --> 0:56:53.120
<v Speaker 1>fiction porn of curtain Blaine, Right, that's right, there seems

0:56:53.160 --> 0:56:57.839
<v Speaker 1>to be. I can't really find anything. It doesn't look

0:56:57.840 --> 0:56:59.560
<v Speaker 1>like I should not be using the I heart WiFi

0:56:59.640 --> 0:57:04.759
<v Speaker 1>to do I'll pitch it. Yeah, you should. You should

0:57:04.760 --> 0:57:07.040
<v Speaker 1>write the script, Rose, who will you play in the

0:57:07.080 --> 0:57:10.960
<v Speaker 1>Glee parody porn? Um, I'll be an executive producer. Okay,

0:57:11.480 --> 0:57:19.400
<v Speaker 1>then I'll be I'll be Shoe Shoe something that I know.

0:57:19.720 --> 0:57:22.360
<v Speaker 1>I'll actually I'll be I'll be Jane Lynch. I do

0:57:22.480 --> 0:57:25.480
<v Speaker 1>feel like I have Leah Michelle energy, like I do

0:57:25.680 --> 0:57:30.280
<v Speaker 1>try really hard, you know, like I related to that

0:57:30.640 --> 0:57:34.160
<v Speaker 1>element of like her character and also real life personality

0:57:34.400 --> 0:57:37.040
<v Speaker 1>was that like she against all odds, would try her,

0:57:37.280 --> 0:57:41.200
<v Speaker 1>made her, made her what she wanted very clear. So

0:57:41.680 --> 0:57:45.680
<v Speaker 1>tire you, Kurt in the porn parody of Glee? No,

0:57:45.920 --> 0:57:48.840
<v Speaker 1>I mean in the interest of getting more scenes? Yes?

0:57:50.920 --> 0:57:53.040
<v Speaker 1>Or are you I kind of think No, I think

0:57:53.120 --> 0:58:04.520
<v Speaker 1>you're Rachel and Rachel yea, yeah, you're Rachel. What do

0:58:04.600 --> 0:58:07.080
<v Speaker 1>y'all want to see us discussed next? Because honestly, we

0:58:07.200 --> 0:58:11.240
<v Speaker 1>have no idea. We are really running load. It could

0:58:11.280 --> 0:58:15.920
<v Speaker 1>be a book, a movie, a cultural phenomenon, a moment

0:58:15.920 --> 0:58:19.120
<v Speaker 1>of celebrity, something that was just very specifically interesting to

0:58:19.200 --> 0:58:22.240
<v Speaker 1>you as a baby queer or you know, siss Hett.

0:58:22.360 --> 0:58:24.720
<v Speaker 1>If you are out there, um, you can call us

0:58:24.720 --> 0:58:27.040
<v Speaker 1>to confess at three to three penance. That's three to

0:58:27.240 --> 0:58:29.840
<v Speaker 1>three seven three six two six to three, but you

0:58:29.840 --> 0:58:33.240
<v Speaker 1>can also leave suggestions as a review on Apple podcast,

0:58:33.440 --> 0:58:36.400
<v Speaker 1>as an Instagram story just like anyway you want to

0:58:36.400 --> 0:58:39.640
<v Speaker 1>reach us. You know there are middling degrees of success,

0:58:39.880 --> 0:58:43.320
<v Speaker 1>and also tag our burner Instagram account at Like a

0:58:43.400 --> 0:58:46.360
<v Speaker 1>Virgin fore which is probably the best way to get

0:58:46.400 --> 0:58:48.480
<v Speaker 1>to us. Yes, we do check the d M. We

0:58:48.560 --> 0:58:51.240
<v Speaker 1>do not always respond to them. Yeah, yeah, I don't

0:58:51.240 --> 0:58:53.080
<v Speaker 1>know if we're Yeah, I don't know if we're all tiny,

0:58:53.120 --> 0:58:56.080
<v Speaker 1>but we will see. Um. I'm your co host fran Toronto.

0:58:56.240 --> 0:58:58.280
<v Speaker 1>You can find me at Frans squish code wherever you

0:58:58.320 --> 0:59:00.920
<v Speaker 1>want social I'm ros dum you. You can find me

0:59:00.960 --> 0:59:06.400
<v Speaker 1>at Rose Damn you on Instagram, TikTok, Twitter, LinkedIn, LinkedIn

0:59:06.560 --> 0:59:09.960
<v Speaker 1>farmers only, farmers only. Um, what was that? What's the

0:59:10.000 --> 0:59:12.880
<v Speaker 1>Jewish dating app called j j Jada. I'm not on

0:59:12.960 --> 0:59:16.680
<v Speaker 1>jaded Unfortunately. You can subscribe to Like a Virgin anywhere

0:59:16.720 --> 0:59:20.320
<v Speaker 1>you listen and uh leave us a review obviously. Like

0:59:20.400 --> 0:59:22.600
<v Speaker 1>a Virgin is an i Heeart radio production. Our producer

0:59:22.680 --> 0:59:26.560
<v Speaker 1>is pb Inter the Winter with support from Lindsay Hoffman,

0:59:26.640 --> 0:59:29.800
<v Speaker 1>Julian Weller, Jess Crane, Chitch and Nikki E Tour until

0:59:29.840 --> 0:59:35.680
<v Speaker 1>next week. See you later virgins don't Stop Believe and

0:59:36.160 --> 0:59:38.000
<v Speaker 1>I was about to seeing Seasons of Love, but Don't

0:59:38.040 --> 0:59:40.680
<v Speaker 1>Stop Believing as much better. Well, that's like the definitive

0:59:40.680 --> 0:59:42.840
<v Speaker 1>Glee song. Yeah, is it really? Yeah, it's the song

0:59:42.880 --> 0:59:47.120
<v Speaker 1>you did in the first episode, Don't Stop Believe in