1
00:00:00,040 --> 00:00:08,080
Speaker 1: Okay, Garrett, take Are you ready? Are you ready? Am

2
00:00:08,080 --> 00:00:12,840
Speaker 1: I ready? I say we do it? Are you scared?

3
00:00:13,720 --> 00:00:15,720
Speaker 1: I'm not scared either. Why do you ask if I

4
00:00:15,760 --> 00:00:17,479
Speaker 1: was scared? I want to know what I'm dealing with

5
00:00:17,520 --> 00:00:19,599
Speaker 1: here today. You know what you're I've been with you

6
00:00:19,640 --> 00:00:22,360
Speaker 1: for the last four hours. Let's launch this son of

7
00:00:22,440 --> 00:00:26,360
Speaker 1: a bitch. You ready, ladies and gentlemen. On the count

8
00:00:26,360 --> 00:00:28,680
Speaker 1: of three, let's say it together, and we're gonna say,

9
00:00:28,680 --> 00:00:34,080
Speaker 1: what too, three launch this bitch? You're ready? You're with

10
00:00:34,159 --> 00:00:36,680
Speaker 1: me talking to me. Everybody that's listening, we're all gonna

11
00:00:36,680 --> 00:00:38,800
Speaker 1: say it together. Right now, it's just me listening. We're

12
00:00:38,840 --> 00:00:41,960
Speaker 1: all gonna say it together. Same time. We're gonna say.

13
00:00:42,040 --> 00:00:48,320
Speaker 1: We're gonna say one to three, let's launch this She

14
00:00:48,320 --> 00:00:53,000
Speaker 1: would say, ship or bitch? Bitch or ship? What do

15
00:00:53,040 --> 00:00:58,560
Speaker 1: you feel launched a ship or launched this bitch? Why

16
00:00:58,560 --> 00:01:03,480
Speaker 1: do we say bitch? Right? Yeah, let's launch this rocket. No,

17
00:01:04,040 --> 00:01:07,000
Speaker 1: let's launch this ship. I'm about to hit the button

18
00:01:07,000 --> 00:01:10,119
Speaker 1: if you don't alright, on account of three, we're gonna say,

19
00:01:10,560 --> 00:01:17,000
Speaker 1: let's launch let's launch this ship. Got it? That is

20
00:01:17,000 --> 00:01:20,040
Speaker 1: why we have meetings, Okay, meetings about the meetings. We

21
00:01:20,080 --> 00:01:26,360
Speaker 1: should have had a meeting about this. Okay, here we go, one, two, three,

22
00:01:27,040 --> 00:01:33,959
Speaker 1: let's launch this ship. What would you talk about on

23
00:01:34,000 --> 00:01:47,240
Speaker 1: your on your podcasts show? All right, ladies and gentlemen,

24
00:01:47,280 --> 00:01:50,480
Speaker 1: boys and girls, children of all ages, come on in.

25
00:01:50,640 --> 00:01:53,440
Speaker 1: Let's all sit around the radio and let's listen to

26
00:01:53,560 --> 00:01:56,800
Speaker 1: the fifteen minute morning show, the Elvis Durant fifteen Minute

27
00:01:56,800 --> 00:02:00,440
Speaker 1: Morning Joe Podcast. Yes, I'm great, T. I got Garrett

28
00:02:00,480 --> 00:02:03,240
Speaker 1: over there, and we all know that when you hear

29
00:02:03,280 --> 00:02:06,360
Speaker 1: Greg T's voice and Garrett's voice together and it's not

30
00:02:06,440 --> 00:02:09,720
Speaker 1: the five am pre morning show, then one thing is happening,

31
00:02:10,400 --> 00:02:13,040
Speaker 1: and that one thing that's happening right now is an interview,

32
00:02:13,400 --> 00:02:17,200
Speaker 1: an interview with a celebrity in another room. So you know,

33
00:02:17,280 --> 00:02:20,640
Speaker 1: we did this last week and you decided to create

34
00:02:20,680 --> 00:02:24,079
Speaker 1: a totem pole of of people of importance. Yes, and

35
00:02:24,160 --> 00:02:27,160
Speaker 1: it was noticed by a lot of people listening that

36
00:02:27,639 --> 00:02:31,679
Speaker 1: where you ranked everyone on the show based off of

37
00:02:31,840 --> 00:02:34,000
Speaker 1: you rattling off their names. Right, Well, they're all the

38
00:02:34,040 --> 00:02:36,640
Speaker 1: important people and we're not. I mean, that's that's what

39
00:02:36,720 --> 00:02:40,720
Speaker 1: happens here. You've got Elvis Durant, obviously it's his show, right,

40
00:02:40,760 --> 00:02:43,360
Speaker 1: So he's the man. Right, Okay, then you got I

41
00:02:43,360 --> 00:02:45,840
Speaker 1: guess you would go to straight Nate because Nate is

42
00:02:45,880 --> 00:02:50,160
Speaker 1: our what we call. He carries the name executive producer.

43
00:02:50,240 --> 00:02:53,200
Speaker 1: So Nate's number two on yeah, because don't think think

44
00:02:53,240 --> 00:02:56,320
Speaker 1: about the word executive. There's nobody else on our show

45
00:02:56,320 --> 00:02:58,440
Speaker 1: with that title executive. I'll argue on that one. I

46
00:02:58,480 --> 00:03:01,200
Speaker 1: think I would put Danielle and Gandhi number two and three,

47
00:03:01,360 --> 00:03:05,320
Speaker 1: you can't because Nate is Elvis's right hand man. I'll

48
00:03:05,320 --> 00:03:09,040
Speaker 1: go Nate. I'll go Nate number four. All right, I think,

49
00:03:09,240 --> 00:03:12,000
Speaker 1: listen to me. I I understand what you're saying. I

50
00:03:12,040 --> 00:03:14,480
Speaker 1: really do, Like I totally get what you're saying because

51
00:03:14,480 --> 00:03:18,120
Speaker 1: you're you're thinking of the characters on the show of Importance,

52
00:03:18,760 --> 00:03:22,760
Speaker 1: and you're right. But the president, he said the followed,

53
00:03:23,040 --> 00:03:28,160
Speaker 1: But the president, who's would be Elvis, needs a vice president.

54
00:03:28,600 --> 00:03:32,040
Speaker 1: The vice president or even at least a secretary that

55
00:03:32,200 --> 00:03:36,880
Speaker 1: is executive producer, straight Nate. So really Nate's number two

56
00:03:37,160 --> 00:03:39,800
Speaker 1: because he's involved in all the meetings behind closed doors.

57
00:03:40,200 --> 00:03:44,040
Speaker 1: He's involved with all the salespeople, all the higher ups,

58
00:03:44,480 --> 00:03:48,040
Speaker 1: all the syndicating companies. So that's why he is the

59
00:03:48,120 --> 00:03:52,040
Speaker 1: number two guy. He has to be. Then who would

60
00:03:52,040 --> 00:03:54,400
Speaker 1: you put number three? Then I would go to the girls.

61
00:03:54,640 --> 00:03:57,400
Speaker 1: Then I would go to Danielle Gandi Ghandi. Danielle doesn't matter, no, no,

62
00:03:57,480 --> 00:04:00,400
Speaker 1: no solid numbers. Okay, then I can sing go to

63
00:04:00,480 --> 00:04:03,440
Speaker 1: Danielle only because danility, Yes, seniority, she's been here since

64
00:04:03,520 --> 00:04:05,440
Speaker 1: day one that the show started. So I'm gonna go

65
00:04:05,440 --> 00:04:08,800
Speaker 1: to Danielle a seniority based off of that, she should

66
00:04:08,800 --> 00:04:11,960
Speaker 1: be in front of Nate. No, because that's a character

67
00:04:12,040 --> 00:04:15,840
Speaker 1: though characters on the business level, Nate is number two

68
00:04:15,920 --> 00:04:19,000
Speaker 1: because he's Elvis's righting in man. Elvis calls him privately,

69
00:04:19,279 --> 00:04:22,719
Speaker 1: they'll have private conversation. So just because Elvis calls Nate privately,

70
00:04:22,760 --> 00:04:25,320
Speaker 1: that makes him number two. Well they will, they'll discuss

71
00:04:26,120 --> 00:04:29,800
Speaker 1: which direction the show is going, who's doing what? He

72
00:04:29,880 --> 00:04:32,840
Speaker 1: gets everything done the way Elvis wants it done. So

73
00:04:32,880 --> 00:04:36,120
Speaker 1: I'm thinking that he's the number two guy. You know what,

74
00:04:36,160 --> 00:04:38,000
Speaker 1: maybe you want to text into us or you want

75
00:04:38,040 --> 00:04:40,400
Speaker 1: to know not texting, how do how does the audience

76
00:04:40,440 --> 00:04:44,080
Speaker 1: respond to the fifteen minute morning show? Send us tweets

77
00:04:44,080 --> 00:04:46,680
Speaker 1: on Instagram? Alright, so d ms and tweets, you know,

78
00:04:46,680 --> 00:04:51,320
Speaker 1: feel free to join your email, Oh, email right, and

79
00:04:51,360 --> 00:04:54,800
Speaker 1: tell us what your thought is. Is Nate guy number

80
00:04:54,800 --> 00:04:57,200
Speaker 1: two or or or number two on the totem pole

81
00:04:57,520 --> 00:04:59,320
Speaker 1: of the Elvis during Morning Show? Or does it go

82
00:04:59,440 --> 00:05:02,880
Speaker 1: to Danielle because she's been here forever? And then gandhi?

83
00:05:02,920 --> 00:05:05,120
Speaker 1: All right, so we got through four. Now where would

84
00:05:05,160 --> 00:05:10,480
Speaker 1: you go five? So then five, I'm gonna say, is uh,

85
00:05:10,600 --> 00:05:12,960
Speaker 1: I guess that's where we scary. I'm gonna say that

86
00:05:13,000 --> 00:05:16,240
Speaker 1: five is scary because Elvis really needs Scary to do.

87
00:05:16,680 --> 00:05:18,800
Speaker 1: He does a lot of editing. He has to be

88
00:05:18,839 --> 00:05:22,320
Speaker 1: a part of some meetings. Um, he has to be

89
00:05:22,360 --> 00:05:26,119
Speaker 1: a part of the the production part of the morning show.

90
00:05:26,360 --> 00:05:29,400
Speaker 1: This ginormous board, what do you want to call an

91
00:05:29,440 --> 00:05:32,760
Speaker 1: electronic board? Nobody knows what a board meets with the

92
00:05:32,760 --> 00:05:34,479
Speaker 1: comment and the word let the audience know what it

93
00:05:34,520 --> 00:05:39,640
Speaker 1: is control panel? Right, So, like scary has to do

94
00:05:39,680 --> 00:05:43,960
Speaker 1: a lot of that stuff and like sound effects, music stuff,

95
00:05:44,120 --> 00:05:45,920
Speaker 1: that all has to come through scary. So I'm gonna

96
00:05:45,920 --> 00:05:49,200
Speaker 1: say scaries and the phone taps like scary is expected

97
00:05:49,240 --> 00:05:52,120
Speaker 1: to you know, crank call people. With the exception of

98
00:05:52,160 --> 00:05:57,480
Speaker 1: meetings you just described straight, Nate, you said little meetings

99
00:05:57,720 --> 00:06:00,600
Speaker 1: because Elvis doesn't really confide in he read the way

100
00:06:00,600 --> 00:06:04,240
Speaker 1: he does with straight Nate. Hold on one second. This

101
00:06:04,279 --> 00:06:06,600
Speaker 1: is a phone call I'm getting from Apple. Hold on

102
00:06:06,600 --> 00:06:11,240
Speaker 1: one minute. Hello, Hey, this is Angel. Give it all

103
00:06:11,560 --> 00:06:15,160
Speaker 1: as Yes, Angel, you know what, for some reason, it's

104
00:06:15,240 --> 00:06:18,520
Speaker 1: taking a little longer than I thought. But my other apps,

105
00:06:18,720 --> 00:06:20,279
Speaker 1: see I got I got a new phone. My buddies

106
00:06:20,320 --> 00:06:22,760
Speaker 1: here with me. I got a new phone. So Apple

107
00:06:22,839 --> 00:06:25,640
Speaker 1: is so cool. Apple calls back to like, let you know,

108
00:06:25,760 --> 00:06:28,320
Speaker 1: like they're here. They're waiting for me to turn it on,

109
00:06:28,880 --> 00:06:31,080
Speaker 1: like to actually access it with my phone number, but

110
00:06:31,120 --> 00:06:33,600
Speaker 1: they can't right now because everything has to be updated.

111
00:06:33,839 --> 00:06:36,960
Speaker 1: So she is I'll talk. This is the third time

112
00:06:36,960 --> 00:06:39,480
Speaker 1: Angels calling back. I love the way Apple works things.

113
00:06:39,880 --> 00:06:42,279
Speaker 1: The Apple is on point. I love how you're putting

114
00:06:42,279 --> 00:06:47,599
Speaker 1: the podcast. Okay, So Angel, okay, so you make the call.

115
00:06:47,640 --> 00:06:52,200
Speaker 1: How much longer do you think it's gonna take? Oh Um,

116
00:06:52,240 --> 00:06:54,160
Speaker 1: I couldn't say. It depends on how much this you

117
00:06:54,200 --> 00:06:55,560
Speaker 1: know that needs to be backed up because it wasn't

118
00:06:55,600 --> 00:06:58,520
Speaker 1: a lot of pictures and that went to apps. So

119
00:06:58,680 --> 00:07:01,599
Speaker 1: depending pun um, I need be called back another half

120
00:07:01,600 --> 00:07:04,160
Speaker 1: an hour, possibly if it because you said we're in

121
00:07:04,200 --> 00:07:07,080
Speaker 1: the last step right, a couple of apps. Yeah, so

122
00:07:07,120 --> 00:07:10,280
Speaker 1: then I would well, okay, here's what I would say,

123
00:07:10,480 --> 00:07:13,720
Speaker 1: in your best knowledge of you know, of working there

124
00:07:13,720 --> 00:07:16,080
Speaker 1: an Apple, how long do you think because I mean,

125
00:07:16,200 --> 00:07:17,880
Speaker 1: what do I know? I'm gonna go on what you think?

126
00:07:17,920 --> 00:07:21,600
Speaker 1: I think you are. You're a lot smarter than I am. Well,

127
00:07:21,600 --> 00:07:24,520
Speaker 1: I'm not directly Apple, I'm we're reson. I'm actually reson

128
00:07:24,560 --> 00:07:28,960
Speaker 1: wireless okay, Rison right, so um if we have like

129
00:07:29,000 --> 00:07:31,360
Speaker 1: another you know, some more apps, I mean I would say,

130
00:07:31,520 --> 00:07:33,560
Speaker 1: you know, hopefully let's in a half an hour. Okay,

131
00:07:33,560 --> 00:07:36,640
Speaker 1: so why don't we go with a half an hour then? Okay,

132
00:07:36,840 --> 00:07:39,160
Speaker 1: no problem at all. It's got you covered here. I'll

133
00:07:39,160 --> 00:07:41,559
Speaker 1: give you a call back um in about thirty minutes,

134
00:07:41,560 --> 00:07:43,600
Speaker 1: then we'll go from there. Do you hear that that's

135
00:07:43,600 --> 00:07:45,840
Speaker 1: the best customer service I've ever received my whole life.

136
00:07:45,840 --> 00:07:48,440
Speaker 1: In very rude no, I'm not. She's amazing, Angel, Thank

137
00:07:48,480 --> 00:07:51,440
Speaker 1: you so much, No, thank you for hanging in there.

138
00:07:51,480 --> 00:07:53,000
Speaker 1: I will talk to you shortly because I want to

139
00:07:53,000 --> 00:07:55,280
Speaker 1: make sure to experience with Fred was a great one,

140
00:07:55,280 --> 00:07:57,840
Speaker 1: and we'll get this red as rain for you. Seriously,

141
00:07:57,880 --> 00:08:01,040
Speaker 1: I'm telling you, Angel, no customer service ever talks to

142
00:08:01,080 --> 00:08:06,440
Speaker 1: me like this, You are amazing. Oh my god, thank

143
00:08:06,440 --> 00:08:07,680
Speaker 1: you so much. All right, I'll talk to you in

144
00:08:07,760 --> 00:08:13,080
Speaker 1: half an hour. Bye bye. I mean seriously, that is

145
00:08:13,080 --> 00:08:17,440
Speaker 1: amazing customers, but apologized to everyone. Listen, it's a side note.

146
00:08:17,440 --> 00:08:19,280
Speaker 1: It was a side note. I have a new iPhone

147
00:08:19,440 --> 00:08:21,000
Speaker 1: and I'm trying to get an updated right now. That's

148
00:08:21,000 --> 00:08:24,000
Speaker 1: what's going on. Okay, So back to the total pole. Yes,

149
00:08:24,440 --> 00:08:27,360
Speaker 1: so again, so I think it's scary is number five?

150
00:08:27,440 --> 00:08:31,680
Speaker 1: There's right, but you also described mostly everything straight Nate

151
00:08:31,720 --> 00:08:35,080
Speaker 1: does well, yes, but Elvis has privateness. If that's the case,

152
00:08:35,200 --> 00:08:39,839
Speaker 1: that puts Scary at number three. No, no, no, it's not.

153
00:08:40,080 --> 00:08:42,480
Speaker 1: I'm telling you. The way I'm saying is because Scary

154
00:08:42,520 --> 00:08:44,560
Speaker 1: I'm just look at yours. Because when you talked about

155
00:08:44,600 --> 00:08:47,200
Speaker 1: this briefly last week, everyone jumped on it because a

156
00:08:47,200 --> 00:08:49,520
Speaker 1: lot of times that Elvis will tell Nate and then

157
00:08:49,600 --> 00:08:52,720
Speaker 1: Nate will go tell Scary. So Scary has to really

158
00:08:52,720 --> 00:08:55,760
Speaker 1: do what Nate said, and then Scary tells you. No,

159
00:08:55,800 --> 00:08:58,960
Speaker 1: Scary doesn't tell me anything. No. Uh, we're different, we

160
00:08:59,000 --> 00:09:01,199
Speaker 1: have different we're different roles like that. It's different roles.

161
00:09:01,360 --> 00:09:04,400
Speaker 1: So I'm gonna say it scares number five. Okay, then

162
00:09:05,640 --> 00:09:10,920
Speaker 1: a list of importance. Um, I guess Brodie. Brodie is

163
00:09:11,000 --> 00:09:14,040
Speaker 1: very important because Brodie is very creative. He is the

164
00:09:14,120 --> 00:09:18,160
Speaker 1: creative producer director of the show, and he also hires

165
00:09:18,200 --> 00:09:20,840
Speaker 1: all the interns. So I think Brodie is very important.

166
00:09:20,840 --> 00:09:22,720
Speaker 1: I mean Brodie has to write Elvis like all kinds

167
00:09:22,720 --> 00:09:24,959
Speaker 1: of liners. He has to write him jokes. He has

168
00:09:25,000 --> 00:09:29,600
Speaker 1: to write them, um, you know, funny things to say information.

169
00:09:30,160 --> 00:09:32,600
Speaker 1: So I think Brodie then goes to number six. Okay,

170
00:09:32,800 --> 00:09:35,400
Speaker 1: where do you fall? Well, we're getting down there at

171
00:09:35,440 --> 00:09:39,160
Speaker 1: that point. Then you have, uh who else is important?

172
00:09:39,240 --> 00:09:43,199
Speaker 1: I guess Maybe then there's I don't know you and I.

173
00:09:43,200 --> 00:09:45,600
Speaker 1: I guess me you and Sam like we're kind of

174
00:09:45,640 --> 00:09:49,840
Speaker 1: like in there maybe like well, I mean I don't know.

175
00:09:49,880 --> 00:09:51,760
Speaker 1: I mean I'm the jokester of the show, so maybe

176
00:09:51,800 --> 00:09:54,800
Speaker 1: I'm number seven. Right. You bring him the sound, but

177
00:09:54,840 --> 00:09:56,480
Speaker 1: you do phone taps. I don't really do a lot

178
00:09:56,480 --> 00:09:58,840
Speaker 1: of phone taps, so I would say that that's more important.

179
00:09:58,840 --> 00:10:01,960
Speaker 1: Plus you also have Elvis's ear on information on information

180
00:10:02,120 --> 00:10:03,840
Speaker 1: when a guest comes in, you know a lot more

181
00:10:04,040 --> 00:10:06,120
Speaker 1: about the guests that I do. But I wouldn't put

182
00:10:06,160 --> 00:10:08,040
Speaker 1: you as low as you do well, I would think

183
00:10:08,040 --> 00:10:10,280
Speaker 1: that maybe you're a little bit more important. Maybe and

184
00:10:10,400 --> 00:10:12,240
Speaker 1: you do a lot of shifts over here at at

185
00:10:12,240 --> 00:10:14,840
Speaker 1: the radio station. You cover overnight shift, but that has

186
00:10:14,880 --> 00:10:16,280
Speaker 1: nothing to do about the morning show. I don't even

187
00:10:16,280 --> 00:10:18,000
Speaker 1: cover any overnight chefs, have nothing to do about the

188
00:10:18,000 --> 00:10:19,679
Speaker 1: morning show. I'm gonna say you're ahead of me. You're

189
00:10:19,679 --> 00:10:21,679
Speaker 1: a number seven. No, I think you're higher up on

190
00:10:21,720 --> 00:10:23,440
Speaker 1: the list. A right, I'm saying you're number seven, so

191
00:10:23,520 --> 00:10:25,400
Speaker 1: I'm still not there. I would put you. I would

192
00:10:25,440 --> 00:10:27,360
Speaker 1: put you. Wait, we have to go to number eight.

193
00:10:27,600 --> 00:10:29,280
Speaker 1: Hold on that this is your list, but I would

194
00:10:29,280 --> 00:10:33,160
Speaker 1: put you in your list at least behind at at

195
00:10:33,280 --> 00:10:36,960
Speaker 1: five maybe, well, okay, let's okay, that's fine, you can

196
00:10:37,040 --> 00:10:39,000
Speaker 1: say that, but let's get let's keep going. So at

197
00:10:39,040 --> 00:10:43,640
Speaker 1: number eight, I'm gonna well, you know what, Scotty B

198
00:10:43,880 --> 00:10:46,079
Speaker 1: is very important. Scotty B is one of our chief

199
00:10:46,120 --> 00:10:48,520
Speaker 1: engineers of the show. He has to make sure that

200
00:10:48,559 --> 00:10:51,160
Speaker 1: the satellites are running. He has to make sure that

201
00:10:51,760 --> 00:10:53,960
Speaker 1: everybody records all the pieces that they have to record.

202
00:10:54,320 --> 00:10:57,839
Speaker 1: He takes care of our traffic. Our traffic department talks

203
00:10:57,840 --> 00:11:01,560
Speaker 1: to Scotty B. They coordinate all the tray affic together, Um,

204
00:11:01,640 --> 00:11:05,000
Speaker 1: Scotty B. Make sure that all the contests are all loaded,

205
00:11:05,360 --> 00:11:08,240
Speaker 1: that all the winners are right. Scotty B has got

206
00:11:08,240 --> 00:11:11,400
Speaker 1: a very important job. So you're getting down to ye.

207
00:11:11,720 --> 00:11:15,640
Speaker 1: I think Scotty B is at number eight. Josh Jake, Oh, Josh,

208
00:11:15,800 --> 00:11:19,920
Speaker 1: coaster boy, Josh, he is our imaging director, Josh Jake

209
00:11:20,000 --> 00:11:26,560
Speaker 1: And Diamond. Well, okay, wait, so okay imaging Oh a Diamond, Diamond.

210
00:11:27,520 --> 00:11:29,240
Speaker 1: When you rattle this off off the top of your head,

211
00:11:29,280 --> 00:11:31,920
Speaker 1: you don't think about everyone, you know, when you call

212
00:11:32,040 --> 00:11:36,520
Speaker 1: one hundred, you answer to Diamond. And it's Diamond's responsibility

213
00:11:36,760 --> 00:11:39,920
Speaker 1: to weed through the crappy calls and then to put

214
00:11:39,960 --> 00:11:42,400
Speaker 1: on a good call. Because if we have bad phone calls,

215
00:11:42,480 --> 00:11:44,720
Speaker 1: we're gonna have a bad show. So Diamond is very

216
00:11:44,760 --> 00:11:47,800
Speaker 1: important to put on good phone calls. Diamond could come

217
00:11:47,840 --> 00:11:51,160
Speaker 1: in there like round nine. Maybe she's right there behind

218
00:11:51,200 --> 00:11:54,160
Speaker 1: Scotty B. You're putting Jake at the bottom. Well, Jake

219
00:11:54,200 --> 00:11:57,679
Speaker 1: does editing for Elvis Duran dot com like videos content,

220
00:11:58,280 --> 00:12:01,959
Speaker 1: but that's not got Kathleen to web girl Kathleen who

221
00:12:02,040 --> 00:12:05,480
Speaker 1: runs the website. But again I would say web Girl

222
00:12:05,600 --> 00:12:10,600
Speaker 1: Kathleen and Jake, I would say anything past six, six

223
00:12:10,640 --> 00:12:13,000
Speaker 1: through the rest is arguable. You know what, maybe I

224
00:12:13,040 --> 00:12:14,880
Speaker 1: can go above them because they need content. And if

225
00:12:14,880 --> 00:12:16,800
Speaker 1: you go to Elvis during dot com you see tons

226
00:12:16,800 --> 00:12:18,920
Speaker 1: of great t videos. That's why I say you're right.

227
00:12:19,040 --> 00:12:21,520
Speaker 1: Number five is no. I would think that you maybe

228
00:12:21,559 --> 00:12:24,160
Speaker 1: I'm about maybe I'm at number ten, I'm ten most

229
00:12:24,200 --> 00:12:26,959
Speaker 1: important person. You're the tenth most important. I think I'm

230
00:12:27,000 --> 00:12:29,400
Speaker 1: the tenth most important person. You're very good. You're very

231
00:12:29,440 --> 00:12:33,880
Speaker 1: good at knocking yourself. I think you're there at number five.

232
00:12:34,040 --> 00:12:37,719
Speaker 1: Solid number five, you got Elvis. But okay, if you're

233
00:12:37,720 --> 00:12:39,480
Speaker 1: talking about characters on the show, No, I'm just talking

234
00:12:39,480 --> 00:12:41,600
Speaker 1: about the show in general. But it's hard to say

235
00:12:41,640 --> 00:12:44,520
Speaker 1: because we all different responsibilities. Bro correct, I understand that.

236
00:12:44,559 --> 00:12:46,480
Speaker 1: But at the end of the day, though, it's it

237
00:12:46,559 --> 00:12:51,479
Speaker 1: goes back to the founding, uh you know, okays founding forefathers,

238
00:12:51,559 --> 00:12:56,640
Speaker 1: the the the the President's you know, if that's the case,

239
00:12:56,760 --> 00:12:59,120
Speaker 1: if there was a table and we were sitting on

240
00:12:59,240 --> 00:13:02,280
Speaker 1: the table of um, of how long we've been here

241
00:13:02,320 --> 00:13:04,640
Speaker 1: and see see you're judging based off of how long

242
00:13:04,679 --> 00:13:07,960
Speaker 1: I'm just saying overall importance, well maybe of how Okay,

243
00:13:08,040 --> 00:13:10,040
Speaker 1: of how important you are to the audience on the air,

244
00:13:10,160 --> 00:13:13,679
Speaker 1: not just the audience overall, the overall package. But Elvis

245
00:13:13,679 --> 00:13:16,199
Speaker 1: could do the show without me. I mean, that's why

246
00:13:16,200 --> 00:13:18,040
Speaker 1: you're at number five and six and not number one.

247
00:13:18,520 --> 00:13:20,680
Speaker 1: He doesn't really need me though, you know, saying that's

248
00:13:20,720 --> 00:13:23,559
Speaker 1: why I didn't put you on one or two. Guy, Yes,

249
00:13:23,600 --> 00:13:26,880
Speaker 1: I mean I'm I'm flunky and guy and put you

250
00:13:26,880 --> 00:13:28,600
Speaker 1: out one or two. I put you right number five,

251
00:13:29,160 --> 00:13:35,000
Speaker 1: number five. So Elvis somewhere in there, Danielle Gandhi net scary.

252
00:13:35,360 --> 00:13:38,080
Speaker 1: So I'm kind of funnier than scary though. Again five

253
00:13:38,200 --> 00:13:39,959
Speaker 1: or six? All right now, now you're talking about five

254
00:13:40,040 --> 00:13:43,560
Speaker 1: or six, one to three, I put your five five.

255
00:13:43,640 --> 00:13:46,480
Speaker 1: You just put your yourself at six, then I guess

256
00:13:46,520 --> 00:13:47,760
Speaker 1: I would be five. I think I'm a little more

257
00:13:47,760 --> 00:13:51,760
Speaker 1: important than scarious, Yeah, because scary says awful things sometimes

258
00:13:51,840 --> 00:13:53,439
Speaker 1: that the only people that doesn't like I don't know

259
00:13:53,480 --> 00:13:55,200
Speaker 1: upset any the order you did too today you said

260
00:13:55,200 --> 00:13:58,200
Speaker 1: you hated Meryl Streep, but you're what, why is that

261
00:13:58,320 --> 00:14:00,760
Speaker 1: such a big deal? I don't understand. See, you don't

262
00:14:00,760 --> 00:14:03,760
Speaker 1: even hung up on that because you can't deal to

263
00:14:03,840 --> 00:14:06,520
Speaker 1: not like Meryl Streep. As an actress. You can't tell

264
00:14:06,559 --> 00:14:09,360
Speaker 1: me why you hate her. I don't. Okay, hate is

265
00:14:09,360 --> 00:14:13,360
Speaker 1: a strong word, but it's like, okay, I dislike Meryl Streep. Okay,

266
00:14:13,400 --> 00:14:17,600
Speaker 1: here this Meryl Streep is a talent. Meryl Streep is

267
00:14:17,640 --> 00:14:23,240
Speaker 1: a Hollywood Hall of Famer, Meryl Streep has award. I

268
00:14:23,240 --> 00:14:27,280
Speaker 1: think that she is always granted the Red carpet for

269
00:14:27,360 --> 00:14:30,400
Speaker 1: everything that she does. No matter what she does, she's

270
00:14:30,480 --> 00:14:33,640
Speaker 1: always either in like either she's in the uh, the

271
00:14:33,880 --> 00:14:37,200
Speaker 1: the best actress category or she's in the best Supporting

272
00:14:37,200 --> 00:14:39,560
Speaker 1: Actress category. And I just don't think that she needs

273
00:14:39,600 --> 00:14:42,200
Speaker 1: to be a part of everything all the time. Don't

274
00:14:42,200 --> 00:14:43,720
Speaker 1: you have an actor and actress that you don't like?

275
00:14:44,240 --> 00:14:47,080
Speaker 1: Tell me now, you don't have one actor actress that

276
00:14:47,120 --> 00:14:50,680
Speaker 1: you don't like. There's got to be I don't want

277
00:14:50,680 --> 00:14:52,640
Speaker 1: to see that movie where you say that where you go,

278
00:14:52,720 --> 00:14:54,120
Speaker 1: I don't want to see that movie because he's in it.

279
00:14:54,480 --> 00:14:56,600
Speaker 1: There's gotta be all right, let's go through the list,

280
00:14:56,720 --> 00:14:58,280
Speaker 1: you know what? Right now, Ladies and gentlemen, if you

281
00:14:58,280 --> 00:15:00,640
Speaker 1: want to chime in on this subject, is there an

282
00:15:00,640 --> 00:15:05,440
Speaker 1: actor or actress that you don't like because of whatever

283
00:15:05,480 --> 00:15:09,960
Speaker 1: reason in Hollywood? Whatever reason. It is the Bridges of

284
00:15:10,000 --> 00:15:13,480
Speaker 1: Madison County, the Devil Wears Parade. She was fattist in

285
00:15:13,520 --> 00:15:19,800
Speaker 1: that she was okay, Sophie's choice. She was going to

286
00:15:19,800 --> 00:15:22,480
Speaker 1: the post. She was gonna post. Shall I keep on going?

287
00:15:22,480 --> 00:15:25,080
Speaker 1: The Iron Lady Cramer versus Crazy right there, the Iron

288
00:15:25,200 --> 00:15:28,000
Speaker 1: Lady right there. I will not see the Iron Lady.

289
00:15:28,240 --> 00:15:31,560
Speaker 1: I will not watch her in that role she is.

290
00:15:31,880 --> 00:15:34,000
Speaker 1: I will not watch her in the iron lady role

291
00:15:34,040 --> 00:15:36,480
Speaker 1: because she's not the Iron Lady. She's not who is

292
00:15:37,040 --> 00:15:40,000
Speaker 1: She's not. I will not give her that. I will

293
00:15:40,040 --> 00:15:45,680
Speaker 1: not into the woods. She was an adaptation, Yes, The Hours,

294
00:15:46,000 --> 00:15:50,240
Speaker 1: Falling in Love, Hope Springs, silk Wood, One True Thing,

295
00:15:50,400 --> 00:15:54,840
Speaker 1: Angels in America, Angels America, Never sewn movie, the Saw?

296
00:15:55,400 --> 00:15:58,080
Speaker 1: Can I keep on going? I'm allowed to dislike in her,

297
00:15:58,360 --> 00:16:00,320
Speaker 1: but you don't know why you dislike her. I think

298
00:16:00,320 --> 00:16:02,440
Speaker 1: she's a very nice person. And look, I already said,

299
00:16:02,440 --> 00:16:06,320
Speaker 1: she's a Hall of Famer in Hollywood. Where's the dislike?

300
00:16:06,720 --> 00:16:08,840
Speaker 1: Because she has to win everything has to be a

301
00:16:08,880 --> 00:16:11,640
Speaker 1: part of she win everything because Hollywood rolls the red

302
00:16:11,680 --> 00:16:14,280
Speaker 1: carpet out for because she's talented. You know we are

303
00:16:14,280 --> 00:16:18,080
Speaker 1: going to agree to disagree that you're back to number ten.

304
00:16:18,160 --> 00:16:21,200
Speaker 1: You're back to number ten on your number ten on

305
00:16:21,200 --> 00:16:23,680
Speaker 1: the tour. Like number two run and already, Elvin, you

306
00:16:23,720 --> 00:16:28,320
Speaker 1: are number two. Goodbye, guy to jop the Show, the

307
00:16:28,440 --> 00:16:42,440
Speaker 1: fifteen minute Morning Show. God damn it, come on.