WEBVTT - #541 - Wiz Khalifa

0:00:00.160 --> 0:00:01.000
<v Speaker 1>Yeh, what ups you boy?

0:00:01.000 --> 0:00:02.880
<v Speaker 2>Whiz Khalif for Man and make sure you check me

0:00:02.920 --> 0:00:04.800
<v Speaker 2>out on the Bootleg CAV podcast.

0:00:05.040 --> 0:00:07.440
<v Speaker 3>Hey, before we start the episode, we're gonna remind everybody, Man,

0:00:07.440 --> 0:00:09.280
<v Speaker 3>we got one of the biggest radio shows in the

0:00:09.320 --> 0:00:13.560
<v Speaker 3>country syndicated in almost one hundred cities all over. Shout

0:00:13.560 --> 0:00:16.640
<v Speaker 3>out to iHeartRadio. All right, some of the latest cities

0:00:16.680 --> 0:00:18.600
<v Speaker 3>that we've been able to add. Man, want to give

0:00:18.600 --> 0:00:20.599
<v Speaker 3>a shout out to ninety three point nine the Beat

0:00:20.760 --> 0:00:24.040
<v Speaker 3>in Honolulu. That's right, Hawaii, we over there going crazy.

0:00:24.320 --> 0:00:26.160
<v Speaker 3>I also want to give a shout out Hot ninety

0:00:26.200 --> 0:00:28.960
<v Speaker 3>eight three and Tucson. Shout out to Tucson going crazy.

0:00:29.160 --> 0:00:30.760
<v Speaker 3>Also want to give a shout out to Wild ninety

0:00:30.760 --> 0:00:34.720
<v Speaker 3>four one in Tampa going crazy. We just got Richmond.

0:00:35.000 --> 0:00:38.040
<v Speaker 3>We also just got the good folks in Bakersfield at

0:00:38.080 --> 0:00:40.320
<v Speaker 3>Hot one O four to seven. So we're going crazy

0:00:40.360 --> 0:00:43.240
<v Speaker 3>on the radio with my partner James Andre Jefferson Junior

0:00:43.280 --> 0:00:45.680
<v Speaker 3>for the Bootleg CAV Show. So make sure you tune

0:00:45.720 --> 0:00:49.240
<v Speaker 3>in and you can listen anywhere on that iHeart Radio app.

0:00:49.479 --> 0:00:55.680
<v Speaker 3>That's right, Let's get into the interview Brutleg CAV Show.

0:00:55.840 --> 0:00:58.160
<v Speaker 3>Blutlet Cab podcast. We got a special guest in here,

0:00:58.280 --> 0:01:00.920
<v Speaker 3>Christian Orgrews two. It's out right now. I just told

0:01:00.960 --> 0:01:02.680
<v Speaker 3>Will today it might be your best album.

0:01:02.920 --> 0:01:03.279
<v Speaker 1>It is.

0:01:04.080 --> 0:01:08.880
<v Speaker 3>I think in terms of official releases, mixtapes aside. I

0:01:08.880 --> 0:01:09.880
<v Speaker 3>think it's your best album.

0:01:09.959 --> 0:01:10.360
<v Speaker 1>It is.

0:01:10.800 --> 0:01:12.280
<v Speaker 3>I think it might be better than Rolling Papers.

0:01:12.440 --> 0:01:15.399
<v Speaker 1>It is. I say it on the album it's the

0:01:15.440 --> 0:01:16.120
<v Speaker 1>best one yet.

0:01:16.319 --> 0:01:18.600
<v Speaker 3>Yeah. And then like, you know what I loved about

0:01:18.600 --> 0:01:21.720
<v Speaker 3>this project? Well, first of all, I was like very

0:01:22.760 --> 0:01:27.520
<v Speaker 3>nervous because when you name something after you know, a

0:01:27.560 --> 0:01:32.160
<v Speaker 3>classic like Cushion Orange Juice, the expectations are crazy. And

0:01:32.160 --> 0:01:35.440
<v Speaker 3>then sonically I'm like, well, damn, like it's twenty twenty five,

0:01:35.520 --> 0:01:37.440
<v Speaker 3>whereas west Head's going to be at But like man,

0:01:37.560 --> 0:01:40.000
<v Speaker 3>sonically it was right in that pocket.

0:01:40.040 --> 0:01:44.000
<v Speaker 2>Production wise, like very very happy that that's the reception

0:01:44.319 --> 0:01:44.880
<v Speaker 2>of it.

0:01:44.880 --> 0:01:50.480
<v Speaker 3>It was incredible. And then for you, like when you

0:01:50.520 --> 0:01:53.360
<v Speaker 3>started working on this, was it like intentional or did

0:01:53.400 --> 0:01:55.560
<v Speaker 3>it start to just feel like, oh, I think we

0:01:55.600 --> 0:01:57.280
<v Speaker 3>could do a Cushion Orange Juice too, or was it

0:01:57.320 --> 0:01:59.080
<v Speaker 3>like we're going to do a cushion Orange Juice too.

0:01:59.160 --> 0:02:01.400
<v Speaker 3>Let's go find those, let's go, you know, let's get

0:02:01.440 --> 0:02:03.480
<v Speaker 3>with Cardo let's give it, you know, the crew.

0:02:03.360 --> 0:02:06.320
<v Speaker 2>Like, yeah, it was. It was intentional, but it's something

0:02:06.360 --> 0:02:11.280
<v Speaker 2>that took a minute because you know, I had to

0:02:11.280 --> 0:02:15.640
<v Speaker 2>figure out like what that was like for real, Chris,

0:02:15.680 --> 0:02:18.880
<v Speaker 2>Cushion Oorjers is the music, but it's the feeling as well.

0:02:19.639 --> 0:02:25.120
<v Speaker 2>And I started the concept of Cushion Oorjews too really

0:02:25.160 --> 0:02:28.440
<v Speaker 2>like around this time last year, like when I started

0:02:28.440 --> 0:02:30.520
<v Speaker 2>thinking about doing it and I announced it to my

0:02:30.639 --> 0:02:33.200
<v Speaker 2>fans because I was in the studio and I was working,

0:02:33.240 --> 0:02:35.560
<v Speaker 2>and I was going through beats and I was just

0:02:35.600 --> 0:02:37.760
<v Speaker 2>trying to figure out like what direction I wanted to

0:02:37.800 --> 0:02:41.880
<v Speaker 2>go in, and I really just felt like taking it

0:02:41.919 --> 0:02:43.960
<v Speaker 2>back to my roots. I was like, I don't really

0:02:44.000 --> 0:02:48.960
<v Speaker 2>feel like trying anything new. I liked the newer styles

0:02:49.000 --> 0:02:51.600
<v Speaker 2>of music, like I love the production and I love

0:02:51.680 --> 0:02:54.680
<v Speaker 2>the energy and things like that, but I just couldn't

0:02:54.680 --> 0:02:58.600
<v Speaker 2>see myself like doing that for my next full project.

0:02:59.040 --> 0:03:05.600
<v Speaker 2>And yeah, to me, like the most exciting full project

0:03:06.520 --> 0:03:09.520
<v Speaker 2>for my fans and for anybody who really fucks with me.

0:03:10.240 --> 0:03:12.960
<v Speaker 2>I think Cushion Orange Juice Too would just be a

0:03:13.000 --> 0:03:16.079
<v Speaker 2>no brainer because if I try to make some ship up,

0:03:16.760 --> 0:03:19.800
<v Speaker 2>you know, it might hit or it might miss. But

0:03:20.000 --> 0:03:22.160
<v Speaker 2>with Cushion Orange Juice too. That's something that the fans

0:03:22.200 --> 0:03:23.440
<v Speaker 2>been asking me to do forever.

0:03:23.560 --> 0:03:25.639
<v Speaker 3>Yeah, you're exciting, you're exciting the basis.

0:03:25.760 --> 0:03:27.920
<v Speaker 2>Yeah, and they've also asked me to do it, and

0:03:27.960 --> 0:03:29.880
<v Speaker 2>I said I would. I never would, So I was like,

0:03:29.919 --> 0:03:32.040
<v Speaker 2>I'm never doing that, Like why would I do that?

0:03:32.080 --> 0:03:33.400
<v Speaker 1>Like why would I touch a classic?

0:03:33.919 --> 0:03:37.640
<v Speaker 2>So it was kind of just me like going back

0:03:37.680 --> 0:03:39.800
<v Speaker 2>to my roots and doing exactly what I know my

0:03:39.880 --> 0:03:42.200
<v Speaker 2>fans want me to do as opposed to trying to

0:03:42.240 --> 0:03:43.280
<v Speaker 2>make up some new ship.

0:03:44.040 --> 0:03:50.720
<v Speaker 1>And yeah, it was will and yeah, it was.

0:03:50.800 --> 0:03:56.520
<v Speaker 2>It was a process of finding the sound, finding the pocket,

0:03:56.640 --> 0:04:00.800
<v Speaker 2>getting people ready for to embrace it and digest it,

0:04:01.280 --> 0:04:04.320
<v Speaker 2>and then doing the things that I know that they

0:04:04.320 --> 0:04:06.840
<v Speaker 2>were like, like you said, getting with Cardo. Cardo is

0:04:07.560 --> 0:04:11.240
<v Speaker 2>so essential to the Cushion Orange Juice sound. It wouldn't

0:04:11.240 --> 0:04:13.840
<v Speaker 2>be what it is if I don't have these Cardo

0:04:13.960 --> 0:04:14.720
<v Speaker 2>beats on there.

0:04:15.360 --> 0:04:17.719
<v Speaker 1>And there's just moments and things.

0:04:17.440 --> 0:04:21.359
<v Speaker 2>That I do or my delivery or you know, just

0:04:21.400 --> 0:04:24.160
<v Speaker 2>the way that I rap or my tone of voice.

0:04:25.480 --> 0:04:28.080
<v Speaker 3>That I think your tone is important. Yeah, yeah, I

0:04:28.120 --> 0:04:33.440
<v Speaker 3>feel like these freestyles that tone is like, yeah, it's different. Yeah,

0:04:33.480 --> 0:04:37.000
<v Speaker 3>like it feels like like fucking BLOGI.

0:04:36.720 --> 0:04:38.960
<v Speaker 2>Yeah, for sure, And that's something that I was able

0:04:39.000 --> 0:04:42.960
<v Speaker 2>to turn on, you know, just by being in touch

0:04:43.000 --> 0:04:47.280
<v Speaker 2>with the fans. Like it's not it's still my performance

0:04:47.360 --> 0:04:49.279
<v Speaker 2>voice is what you hear when I'm on stage and

0:04:49.320 --> 0:04:52.760
<v Speaker 2>things like that. But you know, there might be songs

0:04:52.800 --> 0:04:55.120
<v Speaker 2>where are like what's happening is a little bit more

0:04:55.160 --> 0:04:59.039
<v Speaker 2>laid back. There's there's songs where I can you know,

0:05:00.400 --> 0:05:04.320
<v Speaker 2>relax my voice or whatever whatever. But on this particular project,

0:05:04.400 --> 0:05:07.000
<v Speaker 2>I know, as soon as you hear it, what's gonna

0:05:07.040 --> 0:05:09.640
<v Speaker 2>sound like cushion orange juice. And it's not just me

0:05:09.880 --> 0:05:12.880
<v Speaker 2>like making this up. It's based off of my fans

0:05:12.920 --> 0:05:14.720
<v Speaker 2>in their reaction the.

0:05:14.920 --> 0:05:21.240
<v Speaker 3>Max Water Water, thank you, the Max be interlude, the

0:05:21.279 --> 0:05:23.400
<v Speaker 3>way you came in on that motherfucker.

0:05:22.920 --> 0:05:25.120
<v Speaker 1>Thank you man, it was crazy, thank you good?

0:05:25.160 --> 0:05:29.840
<v Speaker 3>Look what what how new is that? Max Be? Uh?

0:05:29.880 --> 0:05:29.960
<v Speaker 1>Like?

0:05:30.120 --> 0:05:32.880
<v Speaker 3>Was that something? Because it sounds good. Obviously it doesn't

0:05:32.880 --> 0:05:35.480
<v Speaker 3>sound like it's on the phone. It sounds like he

0:05:35.160 --> 0:05:39.000
<v Speaker 3>he probably you know, I don't know how he gets

0:05:39.000 --> 0:05:41.200
<v Speaker 3>that good, but whatever it was.

0:05:42.160 --> 0:05:43.880
<v Speaker 1>Now I appreciate it.

0:05:43.880 --> 0:05:46.559
<v Speaker 3>It's all energy drinks in there round water.

0:05:49.080 --> 0:05:50.719
<v Speaker 2>I have a big ass jug in the car if

0:05:50.760 --> 0:05:53.320
<v Speaker 2>you want to. Yeah, no, I'm glad the vocals sound

0:05:53.360 --> 0:05:53.800
<v Speaker 2>good on there.

0:05:53.839 --> 0:05:56.320
<v Speaker 1>I'm glad everybody's.

0:05:56.000 --> 0:05:57.719
<v Speaker 3>Damn near sounds like you've had it for like since

0:05:57.760 --> 0:05:58.080
<v Speaker 3>before he.

0:05:58.160 --> 0:06:04.880
<v Speaker 2>Was Nah, I mean, I definitely it's definitely a recent verse.

0:06:05.560 --> 0:06:10.680
<v Speaker 2>It's definitely something that you know, was specialized in, you know,

0:06:11.520 --> 0:06:16.680
<v Speaker 2>given to me personally from him. And I'm just glad

0:06:16.720 --> 0:06:19.000
<v Speaker 2>that it came off the right way, you know, because

0:06:19.520 --> 0:06:23.240
<v Speaker 2>that was like in my head, that was the Godfather moment,

0:06:23.560 --> 0:06:25.800
<v Speaker 2>you know, just to keep the wave alive and to

0:06:26.560 --> 0:06:29.440
<v Speaker 2>you know, show Max be his respect, but also like

0:06:29.800 --> 0:06:31.200
<v Speaker 2>bring it into now.

0:06:31.760 --> 0:06:33.839
<v Speaker 1>And like the way that I wanted to use it

0:06:33.880 --> 0:06:34.160
<v Speaker 1>in the.

0:06:34.160 --> 0:06:38.520
<v Speaker 2>Album was to keep the album flowing and not like,

0:06:39.120 --> 0:06:44.120
<v Speaker 2>you know, depend on this Max b moment, but have

0:06:44.240 --> 0:06:47.480
<v Speaker 2>it really paint the picture of the whole scenery of

0:06:47.480 --> 0:06:50.240
<v Speaker 2>what's going on. And that's why I think it does too.

0:06:50.279 --> 0:06:53.919
<v Speaker 2>It blends in as well as like stands out, you

0:06:53.920 --> 0:06:55.560
<v Speaker 2>know what I mean, because it was one of my

0:06:55.600 --> 0:06:58.240
<v Speaker 2>favorite songs from the beginning. I've had that song for

0:06:58.320 --> 0:06:58.720
<v Speaker 2>a year.

0:06:58.960 --> 0:07:01.080
<v Speaker 3>Yeah, I just feel like you came in, like it

0:07:01.160 --> 0:07:03.000
<v Speaker 3>reminds me of like when Rick Ross came in on

0:07:03.040 --> 0:07:03.760
<v Speaker 3>Devil in a New.

0:07:03.720 --> 0:07:09.240
<v Speaker 2>Dress, Like, Yeah, yeah, Sledgroing produced that one, so shout

0:07:09.279 --> 0:07:09.880
<v Speaker 2>out the Sledgeer.

0:07:10.400 --> 0:07:14.600
<v Speaker 3>You also like on this project, you have a very

0:07:14.760 --> 0:07:17.800
<v Speaker 3>very vulnerable for for whis Kalif a very vulnerable record.

0:07:17.840 --> 0:07:19.520
<v Speaker 3>The record with Rumor, the just to See You Smile

0:07:19.600 --> 0:07:23.160
<v Speaker 3>record where you dedicated to your your mother, your mom,

0:07:23.400 --> 0:07:27.240
<v Speaker 3>shot to moms and your brother who passed away. Was

0:07:27.280 --> 0:07:29.240
<v Speaker 3>that like when when you get into stud because I've

0:07:29.240 --> 0:07:30.640
<v Speaker 3>been in the studio with you, Is that the kind

0:07:30.680 --> 0:07:32.600
<v Speaker 3>of record where you could write that and record that

0:07:32.600 --> 0:07:35.400
<v Speaker 3>with the because your sessions are usually pretty vibe for

0:07:35.560 --> 0:07:38.640
<v Speaker 3>the most part. Yeah, Or is that some ship where

0:07:38.640 --> 0:07:40.120
<v Speaker 3>you got to like kind of clear the room, like

0:07:40.120 --> 0:07:42.360
<v Speaker 3>what was what was laying that down like and writing

0:07:42.400 --> 0:07:42.840
<v Speaker 3>that record?

0:07:43.080 --> 0:07:46.880
<v Speaker 2>I actually wrote that one at my house and but

0:07:47.000 --> 0:07:48.040
<v Speaker 2>I was on live.

0:07:48.120 --> 0:07:49.160
<v Speaker 1>I was on I Live.

0:07:49.960 --> 0:07:52.280
<v Speaker 2>Yeah, so it was something that I wrote in front

0:07:52.280 --> 0:07:55.400
<v Speaker 2>of people that I don't know it was like it

0:07:55.520 --> 0:07:57.480
<v Speaker 2>might have been like twenty five hundred people in the

0:07:57.560 --> 0:08:03.120
<v Speaker 2>live that day. But yeah, that was something that again

0:08:04.080 --> 0:08:07.520
<v Speaker 2>I wanted to feel confident presenting that to my fans and.

0:08:07.440 --> 0:08:11.240
<v Speaker 1>To the people who loved me. So if you're gonna

0:08:11.240 --> 0:08:11.800
<v Speaker 1>hear it later.

0:08:11.880 --> 0:08:13.880
<v Speaker 2>I want you to hear it while I'm making it

0:08:14.280 --> 0:08:16.680
<v Speaker 2>so I can know what pocket to be in and

0:08:16.720 --> 0:08:19.760
<v Speaker 2>what feels good and what was not. So that was

0:08:19.760 --> 0:08:23.080
<v Speaker 2>something that I was confident, more confident in making than

0:08:23.640 --> 0:08:27.920
<v Speaker 2>it was difficult to make. And me and Rumor we

0:08:28.040 --> 0:08:31.240
<v Speaker 2>had made. I think we did three songs in our

0:08:31.320 --> 0:08:34.960
<v Speaker 2>session that could have went towards Christian Orange Juice too,

0:08:35.120 --> 0:08:38.360
<v Speaker 2>but that one, to me, was the most meaningful and

0:08:39.520 --> 0:08:41.719
<v Speaker 2>the most It was the most It was the one

0:08:41.760 --> 0:08:44.680
<v Speaker 2>that stood out to the people who saw me recorded

0:08:44.760 --> 0:08:48.440
<v Speaker 2>the most as well. So wed I we decided on

0:08:48.480 --> 0:08:51.040
<v Speaker 2>that one, and when he gave me the hook, he

0:08:51.080 --> 0:08:54.160
<v Speaker 2>gave it to me, it was like, Yo, I know

0:08:54.200 --> 0:08:55.959
<v Speaker 2>you just had a daughter, so you know you might

0:08:55.960 --> 0:08:58.800
<v Speaker 2>be able to write the song about your daughter. And

0:09:00.120 --> 0:09:03.000
<v Speaker 2>but it just made me think about my mom more

0:09:03.040 --> 0:09:05.400
<v Speaker 2>than anything, cause she just moved out here to la

0:09:05.720 --> 0:09:07.600
<v Speaker 2>and I've been seeing her a lot, and she's been

0:09:07.640 --> 0:09:10.360
<v Speaker 2>hanging out with my kids, and it just, you know,

0:09:10.440 --> 0:09:13.160
<v Speaker 2>made me really just grateful for our relationship.

0:09:13.679 --> 0:09:15.880
<v Speaker 1>And then it also made me think about my brother

0:09:15.920 --> 0:09:16.959
<v Speaker 1>who passed.

0:09:16.600 --> 0:09:21.280
<v Speaker 2>Because during the month of February is when I was

0:09:21.280 --> 0:09:23.640
<v Speaker 2>writing a lot of this stuff and that's the month

0:09:23.679 --> 0:09:26.040
<v Speaker 2>that he passed away, and that's usually like a difficult

0:09:26.080 --> 0:09:29.840
<v Speaker 2>month for me. But as time got you know, as

0:09:30.160 --> 0:09:33.440
<v Speaker 2>more time went by, and especially this year, I was

0:09:33.480 --> 0:09:35.720
<v Speaker 2>just in a really good headspace. I was able to record,

0:09:35.840 --> 0:09:38.320
<v Speaker 2>I was able to work. I was able to you know,

0:09:38.520 --> 0:09:41.320
<v Speaker 2>play my son's birthday party, playing my mom's birthday party,

0:09:41.920 --> 0:09:44.960
<v Speaker 2>get a lot of my album you know, completed, and

0:09:45.120 --> 0:09:47.800
<v Speaker 2>do a lot of work on myself as well. So

0:09:47.880 --> 0:09:50.160
<v Speaker 2>it just felt really good to you know, kind of

0:09:50.240 --> 0:09:52.800
<v Speaker 2>just talk about you know, him too in our relationship.

0:09:53.240 --> 0:09:57.360
<v Speaker 3>What do you uh, you know, in terms of this

0:09:57.640 --> 0:10:01.720
<v Speaker 3>energy you've been on man with these freestyles, just bringing

0:10:01.800 --> 0:10:05.200
<v Speaker 3>back the nostalgic like even the style of these like

0:10:05.320 --> 0:10:08.880
<v Speaker 3>quick shoot music videos. Yeah, it just just very much

0:10:09.000 --> 0:10:12.840
<v Speaker 3>like puts me in that twenty ten eleven twelve space.

0:10:12.880 --> 0:10:16.160
<v Speaker 3>You know what inspired you to? I mean just because

0:10:16.400 --> 0:10:19.160
<v Speaker 3>I'm man, you've been in your back like in a

0:10:19.360 --> 0:10:22.400
<v Speaker 3>very very strong way. What has inspired the energy?

0:10:24.240 --> 0:10:27.560
<v Speaker 2>I knew I was getting into album mode and just

0:10:27.720 --> 0:10:32.120
<v Speaker 2>the energy of just keeping going and saying fuck it,

0:10:32.679 --> 0:10:37.120
<v Speaker 2>that's really inspirational. I know how that feels to be

0:10:37.240 --> 0:10:40.600
<v Speaker 2>inspired by that, and I know how it feels to

0:10:40.600 --> 0:10:44.720
<v Speaker 2>own that too, So I kind of just started applying

0:10:44.800 --> 0:10:47.600
<v Speaker 2>that and just said, fuck it, I'm a post, you know.

0:10:47.800 --> 0:10:50.120
<v Speaker 1>However many times a day. I'm a post.

0:10:50.160 --> 0:10:53.959
<v Speaker 2>However, whatever time I want to during the day, and

0:10:54.360 --> 0:10:58.280
<v Speaker 2>I'm gonna you know, kind of control the narrative and

0:10:59.040 --> 0:11:00.319
<v Speaker 2>allow my fans.

0:11:00.080 --> 0:11:02.520
<v Speaker 1>And people to really.

0:11:03.920 --> 0:11:06.320
<v Speaker 2>Enjoy it as much as I'm enjoying it, because when

0:11:06.360 --> 0:11:10.240
<v Speaker 2>they see me having fun and being free, then that

0:11:10.320 --> 0:11:13.840
<v Speaker 2>allows them to you know, feed off of it and

0:11:13.880 --> 0:11:15.719
<v Speaker 2>do what they do. If I hold on to it

0:11:16.200 --> 0:11:18.920
<v Speaker 2>or if I wait, or if I try to surprise them,

0:11:19.440 --> 0:11:22.079
<v Speaker 2>then they may or may not get it. But if

0:11:22.120 --> 0:11:25.080
<v Speaker 2>I get in my bag and it allows me to

0:11:25.120 --> 0:11:27.600
<v Speaker 2>practice too, Like it gives me a lot of like

0:11:27.679 --> 0:11:30.440
<v Speaker 2>practice for the things that I'm setting myself up for.

0:11:31.160 --> 0:11:34.599
<v Speaker 2>So there was only positive for me getting active and

0:11:35.000 --> 0:11:35.960
<v Speaker 2>doing stuff like that.

0:11:36.080 --> 0:11:36.240
<v Speaker 1>Yeah.

0:11:36.280 --> 0:11:38.200
<v Speaker 3>I feel like two artists these days, like they don't

0:11:38.200 --> 0:11:40.760
<v Speaker 3>even think about Like all they think about is like, well,

0:11:40.760 --> 0:11:42.440
<v Speaker 3>if I put this out, I can't I can't really

0:11:42.480 --> 0:11:45.440
<v Speaker 3>monetize it. Like for example, you don't squabble up or

0:11:45.440 --> 0:11:49.400
<v Speaker 3>the Tupac freestyle, like those are like strictly for your fans. Yeah, yeah,

0:11:50.000 --> 0:11:51.840
<v Speaker 3>like you're not able to like put that on Spotify

0:11:51.960 --> 0:11:54.120
<v Speaker 3>or I feel like a lot of artists have gotten

0:11:54.160 --> 0:11:58.600
<v Speaker 3>so far away from the idea of like getting fans excited.

0:11:58.320 --> 0:12:01.880
<v Speaker 2>Right right, because yeah, it's easy to get away from

0:12:01.920 --> 0:12:05.400
<v Speaker 2>that because everybody wants that one big moment because they're

0:12:05.440 --> 0:12:07.920
<v Speaker 2>waiting for that one thing to go viral or whatever.

0:12:08.440 --> 0:12:10.160
<v Speaker 1>And my whole thing was and.

0:12:10.520 --> 0:12:14.040
<v Speaker 2>I talked to a problem or Jason Martin about this.

0:12:14.679 --> 0:12:16.960
<v Speaker 1>It was January, and he was like, man, what's up

0:12:16.960 --> 0:12:20.199
<v Speaker 1>with the album? Man? He was like getting frustrated a

0:12:20.240 --> 0:12:20.600
<v Speaker 1>little bit.

0:12:20.640 --> 0:12:22.880
<v Speaker 2>He's like, when we put an album out, I'm like,

0:12:22.960 --> 0:12:26.520
<v Speaker 2>you gotta wait, yo, Like, it's not gonna be one

0:12:26.640 --> 0:12:30.560
<v Speaker 2>thing that pushes this over. I was like, I'm gonna

0:12:30.559 --> 0:12:33.720
<v Speaker 2>be on like my fifteenth freestyle and then people will

0:12:33.760 --> 0:12:35.880
<v Speaker 2>finally get it, you know what I'm saying. Like, I've

0:12:35.920 --> 0:12:39.680
<v Speaker 2>already planned ahead, knowing that it was gonna take fifteen

0:12:39.880 --> 0:12:43.480
<v Speaker 2>twenty however many it ended up catching on way earlier

0:12:43.520 --> 0:12:47.200
<v Speaker 2>than I thought it would, but knowing that in the

0:12:47.280 --> 0:12:49.920
<v Speaker 2>long run, you have to set it up these small

0:12:50.280 --> 0:12:53.280
<v Speaker 2>little things that end up being you know, a big,

0:12:54.480 --> 0:12:58.680
<v Speaker 2>big wave that causes motion. But yeah, I'm not depending

0:12:58.720 --> 0:13:01.600
<v Speaker 2>on the one little thing I always just wanted to

0:13:01.679 --> 0:13:04.640
<v Speaker 2>keep building it up, and that was the idea behind

0:13:04.679 --> 0:13:07.720
<v Speaker 2>Christian Orange Juice too, as well as to extend the

0:13:07.760 --> 0:13:11.320
<v Speaker 2>experience as much as possible, like not just drop one

0:13:11.400 --> 0:13:14.280
<v Speaker 2>focused track and then dropped the track list and then

0:13:14.320 --> 0:13:17.120
<v Speaker 2>put the album out, because we would have been done already. Yeah,

0:13:17.200 --> 0:13:20.040
<v Speaker 2>so we wanted to extend it. We've been working this

0:13:20.320 --> 0:13:26.839
<v Speaker 2>album since October last year, so October, November, December, January, February, March,

0:13:26.880 --> 0:13:29.080
<v Speaker 2>and we dropped in April. So we worked the whole

0:13:29.120 --> 0:13:31.839
<v Speaker 2>album for six months before we even put it out,

0:13:32.120 --> 0:13:35.400
<v Speaker 2>and we put the album cover out back then as well,

0:13:35.520 --> 0:13:38.200
<v Speaker 2>So it's been in your brains and that was the

0:13:38.280 --> 0:13:39.199
<v Speaker 2>idea behind it.

0:13:40.080 --> 0:13:43.679
<v Speaker 3>Yo. Did do you know if Kendrick heard the Squabble

0:13:43.720 --> 0:13:44.240
<v Speaker 3>up remix?

0:13:44.400 --> 0:13:45.560
<v Speaker 1>He probably did at this point.

0:13:45.720 --> 0:13:48.240
<v Speaker 3>Yeah, I feel like because I played that shit on

0:13:48.280 --> 0:13:49.560
<v Speaker 3>the radio audire so I feel.

0:13:49.320 --> 0:13:52.160
<v Speaker 1>Like, yeah, yeah, I've heard that's type. Man. I appreciate that.

0:13:52.240 --> 0:13:55.560
<v Speaker 3>Yeah, yeah, yeah, great, great, great freestyle. My favorite was

0:13:55.559 --> 0:13:56.800
<v Speaker 3>the pop one, the pop one, yea.

0:13:56.880 --> 0:13:57.800
<v Speaker 1>The prom was hard.

0:13:58.760 --> 0:14:02.600
<v Speaker 2>The freestyle's got such a great reception, Like, I'm such

0:14:02.600 --> 0:14:05.160
<v Speaker 2>a fan of that and I'm so happy that people

0:14:05.320 --> 0:14:08.040
<v Speaker 2>still receive that and that it was able to you know,

0:14:08.160 --> 0:14:09.679
<v Speaker 2>revive a feeling.

0:14:09.320 --> 0:14:11.319
<v Speaker 1>For people, because that's what it's all about.

0:14:11.480 --> 0:14:13.520
<v Speaker 2>And I feel like it sets it up for so

0:14:13.720 --> 0:14:15.720
<v Speaker 2>much more, like that was only the beginning.

0:14:16.080 --> 0:14:17.840
<v Speaker 3>Yeah, even like the cloud ship with coal.

0:14:18.040 --> 0:14:20.680
<v Speaker 2>Clouds with coal, yeah, all of them. I got a

0:14:20.680 --> 0:14:22.920
<v Speaker 2>special place in my heart for all my little babies.

0:14:23.280 --> 0:14:26.200
<v Speaker 3>So that like the col like record. Did he like

0:14:26.240 --> 0:14:27.800
<v Speaker 3>so he had sent that to you ahead of time?

0:14:27.920 --> 0:14:30.040
<v Speaker 2>Yeah, well he sent it to me to clear the

0:14:30.120 --> 0:14:33.800
<v Speaker 2>laugh because if yeah, there's like a whiskalif laugh.

0:14:34.280 --> 0:14:38.120
<v Speaker 1>And yeah, he didn't have to. He was just being

0:14:38.160 --> 0:14:40.080
<v Speaker 1>cool out of respect.

0:14:40.240 --> 0:14:42.320
<v Speaker 2>Out of respect, he showed love and was like, yo,

0:14:42.360 --> 0:14:44.440
<v Speaker 2>can we use the laugh? And then this is when

0:14:44.480 --> 0:14:46.520
<v Speaker 2>I was doing all the freestyles. I was on one.

0:14:46.560 --> 0:14:48.440
<v Speaker 2>I was like, Nigga, let me put a verse on there,

0:14:48.480 --> 0:14:50.320
<v Speaker 2>and he's like, all right, cool, So I put the

0:14:50.400 --> 0:14:52.840
<v Speaker 2>verse on there. But the same night, I just dropped

0:14:52.840 --> 0:14:56.520
<v Speaker 2>it on my Instagram like and then everybody started going crazy,

0:14:56.600 --> 0:14:59.560
<v Speaker 2>like people start picking it up, and it just created this,

0:14:59.680 --> 0:15:03.040
<v Speaker 2>you know, this whole narrative. So he ended up releasing

0:15:03.080 --> 0:15:06.160
<v Speaker 2>it on his website as well. But it was cool,

0:15:06.160 --> 0:15:06.640
<v Speaker 2>it was fun.

0:15:06.920 --> 0:15:09.120
<v Speaker 3>No he's doing a real good job of taking like

0:15:09.160 --> 0:15:12.320
<v Speaker 3>a non traditional approach to whatever we're in with him,

0:15:12.360 --> 0:15:19.000
<v Speaker 3>like this rollout, he's got blog posts and podcasts and YO,

0:15:19.200 --> 0:15:22.560
<v Speaker 3>talk to me because I've been saying this, like the

0:15:22.640 --> 0:15:27.200
<v Speaker 3>blog era of hip hop, you know, for all of

0:15:27.240 --> 0:15:30.200
<v Speaker 3>its strengths and weaknesses, to me, it was an era

0:15:30.320 --> 0:15:35.360
<v Speaker 3>where there were actually gatekeepers, but the gatekeepers had good

0:15:35.400 --> 0:15:36.480
<v Speaker 3>taste for the most part.

0:15:36.880 --> 0:15:38.479
<v Speaker 1>Who do you think we're the gatekeepers?

0:15:38.680 --> 0:15:40.320
<v Speaker 3>I just mean, like, you know, if you think about

0:15:40.360 --> 0:15:43.000
<v Speaker 3>like not right two dope boys, Like if like these

0:15:43.040 --> 0:15:45.920
<v Speaker 3>guys really, if they posted your music, they had the

0:15:45.960 --> 0:15:49.240
<v Speaker 3>power to like change your your your your momentum. There

0:15:49.360 --> 0:15:51.920
<v Speaker 3>was like a lot of those you know, whether it

0:15:52.000 --> 0:15:56.000
<v Speaker 3>was rap radar, whether it was there's so many of

0:15:56.000 --> 0:15:56.600
<v Speaker 3>those blogs.

0:15:56.680 --> 0:15:58.960
<v Speaker 2>Yeah, And I think the cool thing about that blog

0:15:59.040 --> 0:16:04.240
<v Speaker 2>era though, like it was blog era because of the blogs,

0:16:04.320 --> 0:16:06.680
<v Speaker 2>but it was bigger than the blogs though. It was

0:16:06.680 --> 0:16:09.800
<v Speaker 2>about the fans, right and it was everybody. We all

0:16:09.840 --> 0:16:13.920
<v Speaker 2>had our own fans, and the blogs were to entertain

0:16:14.000 --> 0:16:17.520
<v Speaker 2>the fans. Like we went to the blogs because that

0:16:17.680 --> 0:16:19.200
<v Speaker 2>was the underground at the time.

0:16:19.320 --> 0:16:21.280
<v Speaker 3>That was the underground for sure, and.

0:16:21.120 --> 0:16:25.320
<v Speaker 2>That was people's jobs who didn't make music. They were like, okay,

0:16:25.400 --> 0:16:27.360
<v Speaker 2>let me right, let me go and get a share.

0:16:29.000 --> 0:16:29.720
<v Speaker 3>Getting new music.

0:16:30.960 --> 0:16:36.280
<v Speaker 2>But the blog era the artists like we were on tour,

0:16:36.400 --> 0:16:40.080
<v Speaker 2>we were underground. We were just you know, in our fans' faces.

0:16:40.760 --> 0:16:45.920
<v Speaker 2>And I think that's bigger than the blogs to me. Like,

0:16:46.080 --> 0:16:48.880
<v Speaker 2>I love the blogs, but the blogs didn't make us though,

0:16:48.960 --> 0:16:52.560
<v Speaker 2>like Twitter, you know what I'm saying, YouTube and stuff

0:16:52.600 --> 0:16:55.800
<v Speaker 2>like that. That's what really really made it crack because

0:16:56.440 --> 0:16:59.240
<v Speaker 2>without that, we wouldn't have an outlet to our fans

0:16:59.560 --> 0:17:01.080
<v Speaker 2>that the picked up later.

0:17:01.320 --> 0:17:03.240
<v Speaker 3>It was almost like that was the first time that

0:17:03.480 --> 0:17:05.399
<v Speaker 3>artists had a direct to consumer.

0:17:05.680 --> 0:17:10.159
<v Speaker 2>Yeah, exactly, exactly, and that was good. Yeah, And that

0:17:10.280 --> 0:17:14.240
<v Speaker 2>was good because with the blogs, they were directly running it,

0:17:14.280 --> 0:17:16.719
<v Speaker 2>so we didn't have to go to anybody, you know,

0:17:16.800 --> 0:17:19.639
<v Speaker 2>any higher ups. We had our direct to our fans,

0:17:19.640 --> 0:17:22.080
<v Speaker 2>and then we had our direct to our media as well,

0:17:22.440 --> 0:17:24.639
<v Speaker 2>so we didn't need anybody to promote us. We were

0:17:24.680 --> 0:17:29.240
<v Speaker 2>promoting ourselves through our network. That was the blog era,

0:17:29.840 --> 0:17:32.200
<v Speaker 2>and it was cool. It was fun. We were self

0:17:32.200 --> 0:17:35.800
<v Speaker 2>sufficient and we all knew each other, We all have

0:17:35.960 --> 0:17:39.000
<v Speaker 2>respect for each other, We all you know, we all

0:17:39.040 --> 0:17:41.920
<v Speaker 2>assisted each other's come ups, you know what I mean.

0:17:41.960 --> 0:17:43.840
<v Speaker 1>I don't think like one.

0:17:44.760 --> 0:17:48.120
<v Speaker 2>You know, like even even people like Drake, he started

0:17:48.200 --> 0:17:52.560
<v Speaker 2>exactly where where we all started from, doing exactly what

0:17:52.640 --> 0:17:55.760
<v Speaker 2>we were doing. And you know, his plan is what

0:17:55.880 --> 0:17:59.560
<v Speaker 2>got him to his super duper stardom, you know what

0:17:59.600 --> 0:18:03.760
<v Speaker 2>I'm saying. And even Kendrick too, he opened up for

0:18:03.880 --> 0:18:06.480
<v Speaker 2>me and Mac on tour crazy, you know what I mean.

0:18:06.560 --> 0:18:09.320
<v Speaker 2>So he was not under us, but we were all

0:18:09.400 --> 0:18:13.040
<v Speaker 2>literally on the same you know, path for a long time,

0:18:13.080 --> 0:18:16.040
<v Speaker 2>and the trajectory of it just panned out due to

0:18:16.280 --> 0:18:20.280
<v Speaker 2>like us as individuals and shit like that. But I

0:18:20.320 --> 0:18:23.400
<v Speaker 2>think there's way more strengths to the blog era than

0:18:23.400 --> 0:18:24.480
<v Speaker 2>there are weaknesses.

0:18:24.880 --> 0:18:26.280
<v Speaker 3>No, I think it was. I mean, it's my favorite

0:18:26.280 --> 0:18:27.720
<v Speaker 3>era of music ever, so.

0:18:27.960 --> 0:18:31.040
<v Speaker 2>Other than other than the nineties, like the you know

0:18:31.040 --> 0:18:32.240
<v Speaker 2>what I mean, like the Pioneer.

0:18:32.320 --> 0:18:34.680
<v Speaker 3>I just think of like the discovery of new shit

0:18:34.960 --> 0:18:37.040
<v Speaker 3>and how excited you were to discover like new shit,

0:18:37.119 --> 0:18:39.080
<v Speaker 3>and how easy it was back in the day. Yeah

0:18:39.119 --> 0:18:41.159
<v Speaker 3>you had to go to the record store and go

0:18:41.240 --> 0:18:43.680
<v Speaker 3>to hopefully find an album used, you know what I'm saying.

0:18:43.840 --> 0:18:46.160
<v Speaker 2>I like how safe the blog era was too. We

0:18:46.200 --> 0:18:49.840
<v Speaker 2>wasn't worried about too much. We wasn't really like shooting

0:18:49.840 --> 0:18:54.080
<v Speaker 2>at each other. Nobody was killing each other, nobody was

0:18:54.400 --> 0:18:58.040
<v Speaker 2>you know, using you know, too hard a drugs. Lean

0:18:58.240 --> 0:19:00.960
<v Speaker 2>started to like come in towards the end of it,

0:19:01.040 --> 0:19:03.880
<v Speaker 2>but it wasn't really about all of that ship like before,

0:19:04.800 --> 0:19:08.320
<v Speaker 2>and it was really safe and we were promoting safe stuff.

0:19:08.320 --> 0:19:11.320
<v Speaker 2>We were promoting stuff that you know, later on in

0:19:11.359 --> 0:19:15.800
<v Speaker 2>life you could still apply these values and more. And

0:19:16.600 --> 0:19:19.240
<v Speaker 2>you know, like I said, in the nineties, people were

0:19:19.480 --> 0:19:22.680
<v Speaker 2>very diverse, and in the blog era was really diverse

0:19:22.720 --> 0:19:27.439
<v Speaker 2>as well. Like you had freaking Freddy Gibbs, and you

0:19:27.520 --> 0:19:30.720
<v Speaker 2>had flat Bush zombies, and you had you know, currency,

0:19:30.920 --> 0:19:31.240
<v Speaker 2>and you.

0:19:31.280 --> 0:19:34.280
<v Speaker 1>Had motherfucker, you had Mike Posner. Mike Posner.

0:19:34.400 --> 0:19:41.520
<v Speaker 2>Yeah, just like random everybody who was popping up in

0:19:41.520 --> 0:19:42.879
<v Speaker 2>a blog eraro was cracking, Like you.

0:19:42.920 --> 0:19:44.879
<v Speaker 3>Had a big crid in Ritz and they had like

0:19:45.000 --> 0:19:48.560
<v Speaker 3>a fuck yellow wolf. Who else was just crazy ye had?

0:19:48.680 --> 0:19:52.439
<v Speaker 1>So yeah, there's a you had. Yeah, you know.

0:19:52.560 --> 0:19:53.680
<v Speaker 3>Charles Hamilton was hard.

0:19:53.800 --> 0:19:56.640
<v Speaker 1>Charles Hamilton, great name in the blog era.

0:19:56.800 --> 0:20:00.760
<v Speaker 3>Yo pill was dope pill. Charles Hamilton, though sick, he

0:20:00.880 --> 0:20:01.720
<v Speaker 3>was one of He.

0:20:01.840 --> 0:20:02.680
<v Speaker 1>Was one of the ones.

0:20:02.680 --> 0:20:07.160
<v Speaker 3>He was very consistent, even like the the mood music

0:20:07.200 --> 0:20:08.360
<v Speaker 3>ship that Joe Butden.

0:20:08.200 --> 0:20:11.080
<v Speaker 1>Joe Budden was doing mood music so good man.

0:20:11.200 --> 0:20:13.199
<v Speaker 3>Yeah yeah, I feel like glass House is kind of

0:20:13.280 --> 0:20:16.560
<v Speaker 3>like the the quintessential like put it in, put it

0:20:16.600 --> 0:20:19.520
<v Speaker 3>on the mantle of blog era rap, thank you? Yeah,

0:20:19.520 --> 0:20:21.520
<v Speaker 3>I mean it was on two Black Classic projects.

0:20:21.600 --> 0:20:26.640
<v Speaker 2>Yeah yeah, yeah we made that at south By Southwest damn.

0:20:26.960 --> 0:20:28.520
<v Speaker 1>Rest in peace in the Airbnb.

0:20:28.640 --> 0:20:31.680
<v Speaker 3>Yeah yeah, south By Southwest used to be the ship

0:20:31.800 --> 0:20:33.800
<v Speaker 3>man ill Moore was cracking.

0:20:33.520 --> 0:20:36.080
<v Speaker 2>The ill Moore was jumping. We just used to roam

0:20:36.160 --> 0:20:38.919
<v Speaker 2>the streets the south By Southwest. That's that's she used

0:20:38.960 --> 0:20:42.480
<v Speaker 2>to be fun. I was was the blog air days.

0:20:43.640 --> 0:20:43.760
<v Speaker 1>Yo.

0:20:44.440 --> 0:20:47.760
<v Speaker 3>The headline that's going around today, you're the latest flat earther.

0:20:49.040 --> 0:20:51.840
<v Speaker 1>For real? Yeah?

0:20:51.920 --> 0:20:54.080
<v Speaker 3>I saw, she said. I heard your explanation on the

0:20:54.119 --> 0:20:59.479
<v Speaker 3>Joe Budden podcast. Yeah, so break because you have obviously

0:20:59.520 --> 0:21:03.840
<v Speaker 3>been all over the world. Do you truly think that

0:21:03.840 --> 0:21:05.520
<v Speaker 3>we live on a flat plane? Is that I'm just

0:21:05.760 --> 0:21:08.560
<v Speaker 3>I'm just trying to just watch out idea a little more.

0:21:08.880 --> 0:21:12.280
<v Speaker 2>I just believe more what I see than what I

0:21:12.440 --> 0:21:14.919
<v Speaker 2>what you're told. What I'm told, especially the older that

0:21:14.960 --> 0:21:22.120
<v Speaker 2>I get and the whole concept of space is way

0:21:22.160 --> 0:21:25.000
<v Speaker 2>too big for my imagination anyway, It's too big for

0:21:25.080 --> 0:21:27.520
<v Speaker 2>a lot of our imaginations. We would love to believe that,

0:21:27.600 --> 0:21:30.199
<v Speaker 2>we could think we know what the shape of the

0:21:30.440 --> 0:21:34.639
<v Speaker 2>world is, but the reality behind that is like, it's impossible.

0:21:35.160 --> 0:21:38.640
<v Speaker 2>So you choose what you want to believe, even if

0:21:38.680 --> 0:21:46.040
<v Speaker 2>they are facts supported by you know, scientists or uh whatever, whatever.

0:21:46.200 --> 0:21:48.800
<v Speaker 1>You believe that. You know what I'm saying, it's a belief.

0:21:48.880 --> 0:21:51.520
<v Speaker 3>It's not they haven't that. It's like most of these

0:21:51.520 --> 0:21:52.719
<v Speaker 3>people haven't been in space.

0:21:52.920 --> 0:21:56.120
<v Speaker 1>Yeah, it's just a belief. You just choose what to believe. Yeah,

0:21:56.160 --> 0:21:56.919
<v Speaker 1>that's all. So.

0:21:57.040 --> 0:21:58.840
<v Speaker 2>I don't even think that there's right or wrong. I

0:21:58.880 --> 0:22:01.760
<v Speaker 2>think that people choose what they want to believe. If

0:22:01.800 --> 0:22:06.480
<v Speaker 2>you choose to believe that what the scientists say, cool.

0:22:06.520 --> 0:22:11.280
<v Speaker 2>If you choose to travel and find out for yourself

0:22:11.880 --> 0:22:14.639
<v Speaker 2>or see as much as you can for yourself and

0:22:14.680 --> 0:22:17.960
<v Speaker 2>base your beliefs off of that, then you know that's

0:22:18.000 --> 0:22:20.200
<v Speaker 2>another choice. And that's more or less what I did.

0:22:20.760 --> 0:22:25.080
<v Speaker 2>And based off of me traveling, I've only moved flat,

0:22:25.280 --> 0:22:28.400
<v Speaker 2>I've only moved and looking at the map and how

0:22:28.480 --> 0:22:32.639
<v Speaker 2>we in the routes that we take, it doesn't seem

0:22:32.720 --> 0:22:35.440
<v Speaker 2>like we're going around anything. It just seems like we're

0:22:35.520 --> 0:22:39.960
<v Speaker 2>just going straight over you know what I mean, over

0:22:40.080 --> 0:22:43.639
<v Speaker 2>top of where it could look like a circle. It

0:22:43.640 --> 0:22:48.200
<v Speaker 2>could be circular if you rounded it out, but if

0:22:48.200 --> 0:22:52.359
<v Speaker 2>it's just one thing, it connects exactly the same.

0:22:52.840 --> 0:22:54.560
<v Speaker 1>So I just don't see the difference.

0:22:55.000 --> 0:22:58.040
<v Speaker 3>That's fair. Yeah, I also find it very peculiar that

0:22:58.040 --> 0:22:59.280
<v Speaker 3>we were able to go to the Moon in the

0:22:59.280 --> 0:23:00.840
<v Speaker 3>sixties but we have yet to do that.

0:23:00.880 --> 0:23:05.800
<v Speaker 1>Again, that's questionable. A lot of stuff is questionable.

0:23:05.400 --> 0:23:06.960
<v Speaker 3>Like I think the whole moonshit was.

0:23:07.200 --> 0:23:10.000
<v Speaker 2>When you start allowing me to question things, that's when

0:23:10.000 --> 0:23:13.919
<v Speaker 2>I start to believe other things right, And I'm not

0:23:14.119 --> 0:23:18.440
<v Speaker 2>like sold on anything, but it's just from my experience

0:23:19.119 --> 0:23:21.040
<v Speaker 2>it really don't even matter to me all like that

0:23:21.080 --> 0:23:24.760
<v Speaker 2>because I'm not leaving Earth anytime soon to find out.

0:23:24.760 --> 0:23:27.480
<v Speaker 3>Are you going to if Jeff Bezos hit you to

0:23:27.520 --> 0:23:29.240
<v Speaker 3>take the Katy Perry flight, are you doing it?

0:23:29.280 --> 0:23:32.560
<v Speaker 2>And no, I'm good man, I won't I won't gain

0:23:32.760 --> 0:23:35.919
<v Speaker 2>I won't gain anything from that. But it's just funny

0:23:35.920 --> 0:23:39.320
<v Speaker 2>to me, like how like people are so tripped out

0:23:39.359 --> 0:23:42.840
<v Speaker 2>about either the Earth being around or the Earth being flat,

0:23:43.040 --> 0:23:47.879
<v Speaker 2>Like you can argue about that all day, Like you

0:23:47.920 --> 0:23:51.879
<v Speaker 2>can't argue that that hat is black. That's that black hat, right, correct? Yeah,

0:23:51.880 --> 0:23:55.760
<v Speaker 2>so like we can't argue about that that's a fact.

0:23:55.960 --> 0:23:58.080
<v Speaker 2>It's not a fact of either, like you know what

0:23:58.119 --> 0:24:00.960
<v Speaker 2>I'm saying. It's just whatever you believe, even like you.

0:24:00.920 --> 0:24:01.639
<v Speaker 1>Know what I'm saying.

0:24:01.720 --> 0:24:06.760
<v Speaker 2>So, yeah, it might seem cool to like go back

0:24:06.760 --> 0:24:09.159
<v Speaker 2>and forth and all of this, but nobody really fucking

0:24:09.200 --> 0:24:11.200
<v Speaker 2>knows who knows who knows?

0:24:12.080 --> 0:24:16.639
<v Speaker 3>I feel like if there's like anybody who would have known,

0:24:16.680 --> 0:24:18.920
<v Speaker 3>they wouldn't They obviously probably wouldn't be here anymore because

0:24:18.920 --> 0:24:21.960
<v Speaker 3>they would have fallen off the who knows the side

0:24:22.119 --> 0:24:24.960
<v Speaker 3>who knows? The permuter triangle could be where the Earth ends,

0:24:24.960 --> 0:24:28.000
<v Speaker 3>because a lot of people disappear when there's that permute,

0:24:28.000 --> 0:24:31.800
<v Speaker 3>A little that's probably a vortex, some sort of alien.

0:24:32.119 --> 0:24:33.640
<v Speaker 1>So much stuff as possible.

0:24:34.680 --> 0:24:36.720
<v Speaker 2>They say that that that this is where we live,

0:24:36.760 --> 0:24:40.200
<v Speaker 2>and that there's so much earth. There's like ice walls

0:24:40.320 --> 0:24:43.160
<v Speaker 2>that we can't go past. Have you heard about that?

0:24:43.640 --> 0:24:46.560
<v Speaker 3>Yeah? So my producer, my producer is, do you believe

0:24:46.560 --> 0:24:48.800
<v Speaker 3>that's a flat earther? Yeah?

0:24:48.880 --> 0:24:50.879
<v Speaker 1>But do you believe in the ice walls? I don't

0:24:51.280 --> 0:24:51.760
<v Speaker 1>why not.

0:24:51.920 --> 0:24:55.200
<v Speaker 3>I don't know. See, I don't how about this, I

0:24:55.280 --> 0:24:57.560
<v Speaker 3>don't know, you don't want to how about this? I

0:24:57.960 --> 0:24:58.440
<v Speaker 3>don't know.

0:24:58.920 --> 0:24:59.800
<v Speaker 1>You don't know what.

0:25:00.320 --> 0:25:03.240
<v Speaker 3>We don't know exactly who knows? It's my whole entire

0:25:03.280 --> 0:25:06.560
<v Speaker 3>approach approach. That's my approach with religion because I'm not

0:25:06.600 --> 0:25:10.480
<v Speaker 3>a religious person. But like the people who would know

0:25:10.520 --> 0:25:13.359
<v Speaker 3>what happens to you after you die are dead, so

0:25:13.480 --> 0:25:14.800
<v Speaker 3>like we just choose.

0:25:14.600 --> 0:25:18.400
<v Speaker 1>To believe, Like I don't think that they're dead, you know.

0:25:18.359 --> 0:25:21.240
<v Speaker 3>I'm saying that those people, like whatever whatever happens once

0:25:21.280 --> 0:25:25.760
<v Speaker 3>we transition to whatever is next, how do we It's

0:25:25.760 --> 0:25:27.800
<v Speaker 3>not like we could find out firsthand what they had,

0:25:27.840 --> 0:25:30.439
<v Speaker 3>what they went through once they passed away. Like, so

0:25:30.480 --> 0:25:33.880
<v Speaker 3>I feel like most religion is you know, it's it's

0:25:33.960 --> 0:25:36.560
<v Speaker 3>it's all very similar and it's all very man made.

0:25:36.560 --> 0:25:38.240
<v Speaker 3>But like who really knows?

0:25:38.320 --> 0:25:43.640
<v Speaker 1>You know what I'm saying, and not who as in who,

0:25:43.920 --> 0:25:45.080
<v Speaker 1>but who.

0:25:49.280 --> 0:25:51.239
<v Speaker 3>You. I know you've done a lot. I know you've

0:25:51.280 --> 0:25:52.760
<v Speaker 3>done a lot of shrooms and ship do you feel

0:25:52.800 --> 0:25:54.600
<v Speaker 3>like when you've I don't know if you've had like

0:25:54.640 --> 0:25:56.960
<v Speaker 3>that like kind of spiritual breakthrough or you feel like

0:25:57.000 --> 0:26:02.359
<v Speaker 3>super small on psychedelics. I feel like that is being

0:26:02.440 --> 0:26:05.159
<v Speaker 3>like super fucked up on mushrooms. I think I ate

0:26:05.280 --> 0:26:08.240
<v Speaker 3>eighth ones and I was just I was tore back, dude.

0:26:08.600 --> 0:26:11.800
<v Speaker 3>It's like the closest thing I've ever been to like believing,

0:26:11.920 --> 0:26:13.760
<v Speaker 3>like damn, maybe there's some other shit going on.

0:26:14.160 --> 0:26:17.000
<v Speaker 2>There has to be some other shit going on. We

0:26:17.160 --> 0:26:22.800
<v Speaker 2>are a speck in the universe. That's that's for real.

0:26:23.000 --> 0:26:24.800
<v Speaker 3>That believe aliens.

0:26:24.880 --> 0:26:27.240
<v Speaker 1>Yeah, I believe in aliens. I believe that.

0:26:29.280 --> 0:26:31.200
<v Speaker 2>I read a lot of books and stuff like that,

0:26:32.119 --> 0:26:34.719
<v Speaker 2>and in some of the books they talk about like

0:26:34.800 --> 0:26:37.679
<v Speaker 2>sharing technology with aliens.

0:26:38.040 --> 0:26:41.520
<v Speaker 1>Yeah, since at least the seventies.

0:26:41.040 --> 0:26:44.320
<v Speaker 3>At least I think Roswell was before then, though, Yeah,

0:26:44.400 --> 0:26:46.800
<v Speaker 3>because I just saw like an article where they said

0:26:46.840 --> 0:26:51.920
<v Speaker 3>that they tried to reverse engineer or whatever the Roswell

0:26:51.960 --> 0:26:53.680
<v Speaker 3>crash was back then and they failed.

0:26:54.040 --> 0:26:57.159
<v Speaker 1>Yeah. But to me, it's like much cooler to believe

0:26:57.200 --> 0:26:58.879
<v Speaker 1>that shit than to not believe it.

0:26:58.880 --> 0:27:01.200
<v Speaker 3>It also makes sense it does.

0:27:00.920 --> 0:27:06.080
<v Speaker 2>To me too, bro, how this world is, because like, damn, bro,

0:27:06.920 --> 0:27:10.320
<v Speaker 2>you know, they would love to like keep us blind

0:27:10.440 --> 0:27:13.399
<v Speaker 2>and just keep us right where we're at. But the

0:27:13.480 --> 0:27:16.560
<v Speaker 2>more we start to like get the information, they're like Oh,

0:27:16.600 --> 0:27:17.359
<v Speaker 2>they won't believe it.

0:27:17.240 --> 0:27:19.679
<v Speaker 1>It just sounds fucking crazy, so they'll never believe it.

0:27:19.720 --> 0:27:21.760
<v Speaker 3>Did you know, I don't know, Like last year they

0:27:21.800 --> 0:27:26.920
<v Speaker 3>had those hearings about the UFOs and the Pentagon acknowledged. Yeah,

0:27:26.960 --> 0:27:29.960
<v Speaker 3>but during that time, there was so much political shit

0:27:30.080 --> 0:27:32.000
<v Speaker 3>just getting thrown at the wall that it just like

0:27:32.119 --> 0:27:34.480
<v Speaker 3>came and went like if that shit was like in

0:27:34.520 --> 0:27:36.920
<v Speaker 3>like ninety nine and they told us UFOs are real,

0:27:37.000 --> 0:27:39.560
<v Speaker 3>be the biggest fuck. Everybody be losing their fucking mind. Yeah,

0:27:39.640 --> 0:27:42.159
<v Speaker 3>it was just another too, like no one cared.

0:27:42.440 --> 0:27:44.240
<v Speaker 1>Here, nobody gives a fuck.

0:27:46.000 --> 0:27:49.280
<v Speaker 2>This is so much going on, and we're like, even

0:27:49.320 --> 0:27:52.680
<v Speaker 2>if they like start exposing it, people will be completely

0:27:52.680 --> 0:27:56.000
<v Speaker 2>fine with it because it's like there's so much other

0:27:56.040 --> 0:27:56.760
<v Speaker 2>shit going on.

0:27:56.800 --> 0:27:59.760
<v Speaker 3>I think we've been preconditioned with movies and TV shows

0:27:59.760 --> 0:28:02.000
<v Speaker 3>to if we found out aliens are real, we all

0:28:02.000 --> 0:28:04.399
<v Speaker 3>are kind of mentally, whether we know or not, just

0:28:04.480 --> 0:28:05.359
<v Speaker 3>kind of like okay with it.

0:28:05.840 --> 0:28:09.360
<v Speaker 2>Yeah, well I think they that they like, like you said,

0:28:09.359 --> 0:28:13.399
<v Speaker 2>they conditioned us, but they made aliens look like little roundhead,

0:28:13.560 --> 0:28:14.720
<v Speaker 2>little bug eye things.

0:28:14.840 --> 0:28:18.040
<v Speaker 3>If they like, yeah, if they will they look like

0:28:18.080 --> 0:28:19.760
<v Speaker 3>the predator, We're all freaking out.

0:28:19.800 --> 0:28:20.920
<v Speaker 1>They might look like us.

0:28:21.320 --> 0:28:22.520
<v Speaker 3>They might feel me.

0:28:23.080 --> 0:28:23.840
<v Speaker 1>You know what I'm saying.

0:28:23.840 --> 0:28:28.120
<v Speaker 2>They might look exactly like us, And that's why they

0:28:28.600 --> 0:28:30.120
<v Speaker 2>did all of that to throw us off.

0:28:30.359 --> 0:28:33.919
<v Speaker 3>If anyone's an alien, my money, if you had, you know,

0:28:34.000 --> 0:28:37.280
<v Speaker 3>the betting favorite in Vegas would probably be Elon. You

0:28:37.320 --> 0:28:39.880
<v Speaker 3>think I think he'd be the betting favorite.

0:28:40.200 --> 0:28:43.520
<v Speaker 2>He might be mixed with alien maybe, yeah, I think

0:28:43.520 --> 0:28:44.480
<v Speaker 2>he's like a hybrid.

0:28:47.920 --> 0:28:49.960
<v Speaker 3>I'm trying to think who else is very like alien like?

0:28:51.760 --> 0:28:55.840
<v Speaker 3>Kanye is not? No Victor Webmanyanna from the.

0:28:55.760 --> 0:28:59.840
<v Speaker 2>Spurs all right, shout trying to think about alien.

0:28:59.520 --> 0:29:04.120
<v Speaker 3>Like people, alien like people. Breeze could be an alien.

0:29:06.120 --> 0:29:09.920
<v Speaker 1>Trying to think of a real deal freaking alien. I

0:29:09.960 --> 0:29:12.120
<v Speaker 1>don't know, man, they hear though.

0:29:13.120 --> 0:29:15.000
<v Speaker 3>I feel like most of the tech guys are very

0:29:15.120 --> 0:29:18.800
<v Speaker 3>like like Mark Zuckerberg feels like he could be like

0:29:18.800 --> 0:29:21.240
<v Speaker 3>like inside of his brain, there's like do you remember

0:29:21.280 --> 0:29:25.000
<v Speaker 3>from the Ninja Turtles Crane like inside life on men

0:29:25.040 --> 0:29:28.280
<v Speaker 3>and yeah, and he's like driving the person and ship.

0:29:28.640 --> 0:29:30.640
<v Speaker 1>Oh yeah, that type of stuff.

0:29:32.080 --> 0:29:35.240
<v Speaker 3>Talk to me. You obviously, you know you were ahead

0:29:35.240 --> 0:29:38.040
<v Speaker 3>of the curve in terms of like doing the vlog thing.

0:29:38.080 --> 0:29:39.640
<v Speaker 3>You still do it. You still do the day to

0:29:39.680 --> 0:29:44.080
<v Speaker 3>day stuff, and then recently you've started to embrace like

0:29:44.080 --> 0:29:47.680
<v Speaker 3>the new wave of hip hop media and just media

0:29:47.720 --> 0:29:49.560
<v Speaker 3>in general, and where the attention is at the streaming shit.

0:29:51.760 --> 0:29:53.520
<v Speaker 3>What what's your thoughts on the streaming ship? I know

0:29:53.560 --> 0:29:55.320
<v Speaker 3>you were with Playboy Max and you went over to

0:29:55.560 --> 0:29:59.360
<v Speaker 3>h dd G ship. You're at DG sh right, Yep, Yeah,

0:29:59.440 --> 0:30:03.720
<v Speaker 3>that was a production. Yeah it would you ever dip

0:30:04.080 --> 0:30:06.760
<v Speaker 3>into the like you're obviously have gone on live with

0:30:06.840 --> 0:30:09.800
<v Speaker 3>fans and stuff, like an official Whiz stream on Twitch.

0:30:10.280 --> 0:30:12.840
<v Speaker 2>I would do a stream, I would fuck with one

0:30:13.360 --> 0:30:16.520
<v Speaker 2>or two, but I wouldn't become a streamer. I wouldn't

0:30:16.560 --> 0:30:17.720
<v Speaker 2>do it like full time.

0:30:18.280 --> 0:30:19.040
<v Speaker 3>It's a commitment.

0:30:19.160 --> 0:30:21.040
<v Speaker 1>It's a huge commitment.

0:30:21.200 --> 0:30:25.200
<v Speaker 2>A lot goes into it, gotta there's ups and downs

0:30:25.720 --> 0:30:28.840
<v Speaker 2>every stream, ate the one, you know what I mean.

0:30:28.920 --> 0:30:30.880
<v Speaker 3>And then you're super exposed.

0:30:30.720 --> 0:30:33.640
<v Speaker 2>Hell exposed, and it just takes all the time away

0:30:33.680 --> 0:30:35.720
<v Speaker 2>from all the other stuff that you have to do.

0:30:35.880 --> 0:30:38.720
<v Speaker 1>Which is cool if that's how you're coming up.

0:30:39.040 --> 0:30:41.880
<v Speaker 2>Yeah, because those dudes put a lot of time into it,

0:30:41.960 --> 0:30:44.760
<v Speaker 2>put a lot of effort into it, and the ones

0:30:44.800 --> 0:30:47.880
<v Speaker 2>who win are the ones who outstream each other. It's

0:30:47.920 --> 0:30:53.480
<v Speaker 2>not a popularity contest. It's a work, hard, grind contest,

0:30:53.680 --> 0:30:56.520
<v Speaker 2>and I love that for them because they're able to

0:30:56.920 --> 0:31:01.440
<v Speaker 2>you know, come from nothing and start from real humble

0:31:01.520 --> 0:31:05.680
<v Speaker 2>beginnings and based off of their work ethic and their

0:31:06.320 --> 0:31:10.320
<v Speaker 2>you know, communication with their fans, they're able to build

0:31:11.120 --> 0:31:14.600
<v Speaker 2>you know, their own companies and make other companies a

0:31:14.680 --> 0:31:16.600
<v Speaker 2>lot of money, which is cool.

0:31:16.600 --> 0:31:16.840
<v Speaker 1>I love.

0:31:17.080 --> 0:31:18.600
<v Speaker 3>I mean you were doing you were doing a game

0:31:18.800 --> 0:31:20.160
<v Speaker 3>like I've been your video game.

0:31:20.480 --> 0:31:23.520
<v Speaker 2>Yeah yeah, yeah, I've done that stuff, which is in

0:31:23.640 --> 0:31:28.440
<v Speaker 2>support of my you know, efforts to get in that world.

0:31:28.760 --> 0:31:33.240
<v Speaker 2>But for me personally, I can't see myself putting all

0:31:33.240 --> 0:31:36.720
<v Speaker 2>of that time into it because you know, that's what

0:31:36.800 --> 0:31:37.160
<v Speaker 2>they do.

0:31:37.280 --> 0:31:39.280
<v Speaker 1>Like that's like asking them, one of them to come

0:31:39.320 --> 0:31:40.600
<v Speaker 1>on tour, ye.

0:31:42.520 --> 0:31:45.160
<v Speaker 2>You know, put an album out, put an album out promoted,

0:31:45.720 --> 0:31:48.400
<v Speaker 2>go on promo tour, go on tour after it different.

0:31:48.560 --> 0:31:50.200
<v Speaker 2>They might want to do a song or two, but

0:31:50.200 --> 0:31:52.600
<v Speaker 2>they ain't trying to do all of that. So it's

0:31:52.640 --> 0:31:55.080
<v Speaker 2>the same thing. Like I think when it works for

0:31:55.120 --> 0:31:57.680
<v Speaker 2>me to pop in, I pop in, I show love.

0:31:57.760 --> 0:32:01.240
<v Speaker 2>I understand the importance of the platform and support it genuinely,

0:32:01.960 --> 0:32:04.880
<v Speaker 2>and that's pretty much how that goes.

0:32:05.600 --> 0:32:09.360
<v Speaker 3>Yo, you got to Uh, you were on a Jelly

0:32:09.400 --> 0:32:14.360
<v Speaker 3>Rolls album. Yep, you've done Stagecoach before. Would you ever

0:32:14.480 --> 0:32:18.719
<v Speaker 3>like do like a like a country esque like body

0:32:18.720 --> 0:32:21.160
<v Speaker 3>of work because a lot of rappers are doing country

0:32:21.160 --> 0:32:21.880
<v Speaker 3>songs right now.

0:32:22.760 --> 0:32:23.360
<v Speaker 1>I tried.

0:32:23.800 --> 0:32:30.000
<v Speaker 2>I recorded like a little country pack, Yeah, and I

0:32:30.120 --> 0:32:32.560
<v Speaker 2>listened to it and I just didn't. I didn't think

0:32:32.600 --> 0:32:34.600
<v Speaker 2>it was I didn't think it sounded right.

0:32:35.480 --> 0:32:39.160
<v Speaker 3>Thank you for that, buddy. I thought for sure you

0:32:39.160 --> 0:32:39.960
<v Speaker 3>were cooking something.

0:32:40.160 --> 0:32:41.880
<v Speaker 1>Yeah. Yeah, because I saw like.

0:32:41.840 --> 0:32:43.800
<v Speaker 3>You do, like a big ex of the player has

0:32:43.800 --> 0:32:45.720
<v Speaker 3>done such a good job because he's just doing him.

0:32:46.080 --> 0:32:48.720
<v Speaker 2>Thank you for putting it out. No, for sure, Yeah, no,

0:32:48.840 --> 0:32:50.640
<v Speaker 2>it wasn't it. It's not what people want from me.

0:32:50.880 --> 0:32:52.680
<v Speaker 3>Yeah. I feel like I feel like, you know, you

0:32:53.400 --> 0:32:54.960
<v Speaker 3>gotta know what people want. You gotta know what people

0:32:54.960 --> 0:32:57.280
<v Speaker 3>want from you, and you gotta, you know, be very

0:32:57.280 --> 0:32:59.960
<v Speaker 3>self aware when you're like, yo, this sounds like I'm forcunate.

0:33:00.040 --> 0:33:01.440
<v Speaker 3>It's got to be organic too, Like.

0:33:01.400 --> 0:33:02.440
<v Speaker 1>It's got to be organic.

0:33:02.480 --> 0:33:04.760
<v Speaker 2>It was fun, it was cool, and as much as

0:33:04.800 --> 0:33:07.200
<v Speaker 2>I would just love to just love my own music,

0:33:08.040 --> 0:33:10.800
<v Speaker 2>it was like, that's not what I wanted to represent

0:33:10.840 --> 0:33:14.720
<v Speaker 2>myself with. And that's not I'm people. They don't want

0:33:14.720 --> 0:33:17.880
<v Speaker 2>that from me. They want to.

0:33:19.880 --> 0:33:24.480
<v Speaker 3>One hundred. Is there a song of yours? Because you

0:33:24.680 --> 0:33:27.640
<v Speaker 3>I like the tour this summer, because you're you're doing

0:33:27.640 --> 0:33:32.000
<v Speaker 3>smaller venues. It's Taylor Gang tour. You know what I'm saying.

0:33:32.800 --> 0:33:36.200
<v Speaker 3>Chevy's opening and and Bonics will be there. Obviously Bonics

0:33:36.240 --> 0:33:39.600
<v Speaker 3>is all at all the shows, but he's on the bill.

0:33:39.760 --> 0:33:44.280
<v Speaker 3>Shouts to Bonics. Is there a song you're tired of performing?

0:33:44.440 --> 0:33:44.520
<v Speaker 1>Like?

0:33:44.560 --> 0:33:46.360
<v Speaker 3>What is the one song? If if you? I mean,

0:33:46.440 --> 0:33:48.240
<v Speaker 3>obviously you have so many big records, but there's got

0:33:48.240 --> 0:33:50.360
<v Speaker 3>to be one that where you're just like, no.

0:33:49.840 --> 0:33:52.120
<v Speaker 2>No, I don't have any songs that I'm tired of performing.

0:33:52.160 --> 0:33:55.560
<v Speaker 2>I love performing all my songs. I explained it as

0:33:56.280 --> 0:33:58.280
<v Speaker 2>there could be somebody who's been a fan of mine

0:33:58.320 --> 0:34:01.880
<v Speaker 2>for at least fifteen years. Christian Orange is fifteen years old,

0:34:02.200 --> 0:34:03.719
<v Speaker 2>So you can be a fan of mine for at

0:34:03.800 --> 0:34:08.319
<v Speaker 2>least fifteen years and not have ever been able to

0:34:08.320 --> 0:34:09.960
<v Speaker 2>be able to make it to one show.

0:34:10.320 --> 0:34:12.200
<v Speaker 1>And this might be the show that you make it to.

0:34:12.800 --> 0:34:16.359
<v Speaker 2>And if I'm tired of performing your favorite song, and

0:34:16.520 --> 0:34:18.759
<v Speaker 2>god forbid, I don't perform it or perform it with

0:34:18.840 --> 0:34:19.800
<v Speaker 2>not enough energy.

0:34:19.920 --> 0:34:23.120
<v Speaker 1>That's gonna ruin your whole experience. It's not on me,

0:34:23.200 --> 0:34:24.680
<v Speaker 1>it's on you. I got you.

0:34:24.880 --> 0:34:27.040
<v Speaker 3>Are you going to bring out any like B side

0:34:27.080 --> 0:34:31.560
<v Speaker 3>shit or any any like random for the Newtoria. Yeah.

0:34:31.719 --> 0:34:34.440
<v Speaker 2>Yeah, we're starting off like the intimate running. Then we're

0:34:34.480 --> 0:34:39.319
<v Speaker 2>gonna go do amphitheaters after. And so with the intimate run,

0:34:39.560 --> 0:34:43.279
<v Speaker 2>that's the exact point is to start with the new

0:34:43.360 --> 0:34:46.799
<v Speaker 2>music and kind of engrave that and the people show

0:34:46.840 --> 0:34:48.680
<v Speaker 2>them how to move to it, get them used to it,

0:34:48.760 --> 0:34:51.960
<v Speaker 2>and try some stuff out for the bigger stages as well,

0:34:52.600 --> 0:34:55.960
<v Speaker 2>and create that sense of urgency too. Like I was

0:34:55.960 --> 0:34:58.960
<v Speaker 2>talking with somebody and they told me that there was

0:34:58.960 --> 0:35:02.200
<v Speaker 2>a concert that only had two thousand tickets and that

0:35:02.239 --> 0:35:04.359
<v Speaker 2>they were just so pissed because they couldn't get one,

0:35:04.840 --> 0:35:05.719
<v Speaker 2>as opposed to.

0:35:05.960 --> 0:35:08.719
<v Speaker 1>Like, you know, having the option to get one. I

0:35:08.800 --> 0:35:09.799
<v Speaker 1>may or may not go.

0:35:10.120 --> 0:35:12.239
<v Speaker 2>They were like, I need to get a ticket, and

0:35:12.280 --> 0:35:15.239
<v Speaker 2>I'm like, that's that's a really good feeling. It's a

0:35:15.280 --> 0:35:18.440
<v Speaker 2>good opportunity for me to connect with fans who haven't

0:35:18.480 --> 0:35:22.399
<v Speaker 2>been to some shows, or you know, sometimes the show

0:35:22.480 --> 0:35:24.239
<v Speaker 2>may be a little too far out, or it might

0:35:24.280 --> 0:35:27.120
<v Speaker 2>cost a little bit too much money do some merge.

0:35:27.400 --> 0:35:29.960
<v Speaker 2>It just creates a really good experience that I know

0:35:30.239 --> 0:35:34.640
<v Speaker 2>lasts forever, and especially with having new music, I've had

0:35:34.640 --> 0:35:37.520
<v Speaker 2>this feeling before. I know what this this feels like,

0:35:37.520 --> 0:35:40.200
<v Speaker 2>like you said, like this being one of my best albums,

0:35:40.239 --> 0:35:43.120
<v Speaker 2>my best album actually just as far as albums, but

0:35:43.160 --> 0:35:46.719
<v Speaker 2>as far as my collection goes. I've had projects where

0:35:46.719 --> 0:35:48.719
<v Speaker 2>I've dropped them and I felt good about them. I've

0:35:48.719 --> 0:35:51.560
<v Speaker 2>had projects where I've dropped them and I wasn't, you know,

0:35:51.640 --> 0:35:55.759
<v Speaker 2>as connected to them, but knowing how Cushing Orange Juice

0:35:55.800 --> 0:36:00.400
<v Speaker 2>felt just as a whole reaction wise and plan wise,

0:36:00.440 --> 0:36:06.080
<v Speaker 2>trajectory wise, this feels, you know, very very familiar. So

0:36:06.160 --> 0:36:08.480
<v Speaker 2>I love this feeling that I'm capitalized on off of it,

0:36:08.520 --> 0:36:10.560
<v Speaker 2>and I'm doing all of the right moves to make

0:36:11.040 --> 0:36:13.520
<v Speaker 2>this whole experience what it's supposed to be, not just

0:36:13.560 --> 0:36:15.360
<v Speaker 2>the music, but make memories.

0:36:15.719 --> 0:36:20.440
<v Speaker 3>I saw a mixtape mount Rushmore floating around online. Did

0:36:20.440 --> 0:36:23.240
<v Speaker 3>you see that? Yeah, Big fifty was on there. Wayne.

0:36:23.440 --> 0:36:25.040
<v Speaker 3>I feel like you got to be on there because

0:36:25.040 --> 0:36:25.600
<v Speaker 3>I feel.

0:36:25.360 --> 0:36:27.719
<v Speaker 1>Like, yeah, for sure, Christian or Juice is.

0:36:27.640 --> 0:36:30.080
<v Speaker 3>Probably the greatest mixtape of Maybe I make the next one,

0:36:30.160 --> 0:36:33.400
<v Speaker 3>but who I mean, I think some somebody just generated

0:36:33.400 --> 0:36:35.440
<v Speaker 3>it on j GPT. But with that being said, who

0:36:35.480 --> 0:36:37.880
<v Speaker 3>would you have up there with you on the mixtape

0:36:37.880 --> 0:36:40.319
<v Speaker 3>Mount Rushmore. Let's say your era though, because I think

0:36:40.320 --> 0:36:43.920
<v Speaker 3>it's easy to say fifty fifty e fifties, like forever

0:36:44.040 --> 0:36:44.640
<v Speaker 3>up there.

0:36:46.280 --> 0:36:49.759
<v Speaker 1>Currency me Max B.

0:36:53.280 --> 0:36:57.080
<v Speaker 4>So for everybody who's on the album, Oh yeah, yeah,

0:36:57.160 --> 0:37:02.800
<v Speaker 4>yeah exactly, and you're talking about like twenty ten. Yeah,

0:37:02.880 --> 0:37:04.959
<v Speaker 4>who's stay consistent with mixtapes?

0:37:05.440 --> 0:37:09.719
<v Speaker 2>Little bee shout, Yeah, it'll be.

0:37:09.840 --> 0:37:14.120
<v Speaker 3>Had a lot of ship out. Yeah yeah, and yo,

0:37:14.640 --> 0:37:17.480
<v Speaker 3>someone needs to bring back the dance, the cook the

0:37:17.560 --> 0:37:26.400
<v Speaker 3>cooking d Yeah, and everybody was saying swag yeah, yeah

0:37:26.440 --> 0:37:28.799
<v Speaker 3>shouts a little bee man, protect a little be at

0:37:28.840 --> 0:37:32.480
<v Speaker 3>all costs. Once you said that you're gonna do ampathey

0:37:32.520 --> 0:37:35.080
<v Speaker 3>to run after the intimate run, Yeah, have you figured

0:37:35.120 --> 0:37:38.440
<v Speaker 3>out because you're the summer that's.

0:37:38.320 --> 0:37:39.120
<v Speaker 1>What you do. Yeah.

0:37:39.160 --> 0:37:43.759
<v Speaker 2>Yeah, we haven't announced it yet, but that announcements coming

0:37:43.800 --> 0:37:44.239
<v Speaker 2>real soon.

0:37:44.600 --> 0:37:47.240
<v Speaker 3>Are you How often are you doing more tie a week?

0:37:47.719 --> 0:37:49.319
<v Speaker 1>I'm still doing five days a week.

0:37:49.760 --> 0:37:50.080
<v Speaker 3>Damn.

0:37:50.120 --> 0:37:52.359
<v Speaker 2>Yeah, I'm doing muy Thai five days a week. I'm

0:37:52.360 --> 0:37:55.040
<v Speaker 2>doing hot yoga three days a week now so I'm

0:37:55.040 --> 0:37:56.200
<v Speaker 2>doing all that stuff now.

0:37:56.760 --> 0:37:59.640
<v Speaker 3>Is it like, while you're working on the album you

0:37:59.680 --> 0:38:03.000
<v Speaker 3>have late night studio sessions? Is it a bitch? Like

0:38:03.040 --> 0:38:05.799
<v Speaker 3>we'll get up the next day and still nah nah,

0:38:06.000 --> 0:38:08.080
<v Speaker 3>Like like are you napping? You got like a cool

0:38:08.160 --> 0:38:08.640
<v Speaker 3>nap hour?

0:38:08.719 --> 0:38:10.520
<v Speaker 1>Like yeah, do I get a little napping?

0:38:10.960 --> 0:38:12.400
<v Speaker 3>I feel like you kind of need it.

0:38:12.520 --> 0:38:16.080
<v Speaker 2>Yeah, I needed a little napping. After two o'clock is

0:38:16.120 --> 0:38:18.680
<v Speaker 2>when I get out of yoga. So between like I

0:38:18.719 --> 0:38:22.719
<v Speaker 2>get home around like three and I eight lunch, So

0:38:22.880 --> 0:38:25.919
<v Speaker 2>between like four and six, I get a little nap

0:38:26.280 --> 0:38:28.239
<v Speaker 2>because then I'm up and then I make sure my

0:38:28.360 --> 0:38:30.319
<v Speaker 2>kids go to sleep and all that. I'm usually I'm

0:38:30.320 --> 0:38:33.239
<v Speaker 2>awake with my kids in the morning before I go

0:38:33.320 --> 0:38:35.000
<v Speaker 2>to the gym, and I'm with them before they go

0:38:35.040 --> 0:38:38.320
<v Speaker 2>to bed, and then that's when I go to the studio.

0:38:38.880 --> 0:38:42.880
<v Speaker 3>What is the difference been, Because there's obviously there's the

0:38:42.920 --> 0:38:45.600
<v Speaker 3>experience of being a dad for the first time, yeah,

0:38:45.680 --> 0:38:49.000
<v Speaker 3>and learning everything. What has been the experience having your

0:38:49.000 --> 0:38:52.000
<v Speaker 3>second kid and and and you know now that you've

0:38:52.320 --> 0:38:54.640
<v Speaker 3>cause you're your son bashes like he a little dude,

0:38:55.200 --> 0:38:55.840
<v Speaker 3>Like he's grown.

0:38:56.440 --> 0:38:57.200
<v Speaker 1>Yeah, he's up there.

0:38:57.719 --> 0:38:59.400
<v Speaker 3>But like, what is the experience been like the second

0:38:59.400 --> 0:39:00.200
<v Speaker 3>go around for you.

0:39:00.320 --> 0:39:00.720
<v Speaker 1>It's.

0:39:02.480 --> 0:39:05.719
<v Speaker 2>It's really awesome, like for me because I'm in a

0:39:05.840 --> 0:39:09.880
<v Speaker 2>great headspace. I'm in a great space for my family,

0:39:10.360 --> 0:39:14.160
<v Speaker 2>I'm in a great space just like as a human being.

0:39:14.719 --> 0:39:18.960
<v Speaker 2>So just having that and knowing where my values are

0:39:19.040 --> 0:39:22.640
<v Speaker 2>as well being able to do all of this stuff

0:39:22.680 --> 0:39:25.200
<v Speaker 2>like you said, and then make it home to my

0:39:25.320 --> 0:39:29.319
<v Speaker 2>babies in my newborn you know what I'm saying. Like

0:39:29.960 --> 0:39:32.200
<v Speaker 2>people think that you have to sacrifice that, like you

0:39:32.239 --> 0:39:34.120
<v Speaker 2>have to like for sure, you know what I mean.

0:39:34.680 --> 0:39:36.560
<v Speaker 2>But I'm like, no, I'm doing all of this and

0:39:36.640 --> 0:39:40.840
<v Speaker 2>I'm waking up going to sleep next to this motherfucker.

0:39:40.960 --> 0:39:42.439
<v Speaker 1>So it's a beautiful thing.

0:39:42.960 --> 0:39:45.760
<v Speaker 2>Just to be able to balance that and know that

0:39:45.760 --> 0:39:48.160
<v Speaker 2>that's where my superpowers come from.

0:39:48.360 --> 0:39:50.799
<v Speaker 3>Yeah, yeah, no, I think that's dope. Yeah, Like you said,

0:39:50.840 --> 0:39:52.640
<v Speaker 3>people feel like if you have to have a certain

0:39:52.719 --> 0:39:56.560
<v Speaker 3>level of success, like your fatherhood's got to dip off, Yeah,

0:39:56.719 --> 0:39:59.600
<v Speaker 3>your personal life's got to And yeah, at times I'm

0:39:59.640 --> 0:40:02.719
<v Speaker 3>sure can but at times.

0:40:03.040 --> 0:40:06.840
<v Speaker 2>But those times are like when it's absolutely one necessary,

0:40:07.280 --> 0:40:08.480
<v Speaker 2>when there's no other option.

0:40:09.280 --> 0:40:09.759
<v Speaker 1>It's not.

0:40:11.400 --> 0:40:16.160
<v Speaker 2>You know, it's not me giving in and you know,

0:40:16.920 --> 0:40:20.400
<v Speaker 2>saying that I can do that later. Everything revolves around

0:40:20.440 --> 0:40:24.319
<v Speaker 2>that and when the time comes then of course, you know,

0:40:24.440 --> 0:40:26.600
<v Speaker 2>we do what we have to do. But for me,

0:40:28.360 --> 0:40:31.920
<v Speaker 2>I just know how important that is to do both

0:40:32.440 --> 0:40:34.120
<v Speaker 2>as opposed to just one or the other.

0:40:34.280 --> 0:40:35.839
<v Speaker 3>And you got to learn how to, like, you got

0:40:35.840 --> 0:40:37.640
<v Speaker 3>to really know how to say no to shit too.

0:40:39.400 --> 0:40:40.960
<v Speaker 2>You gotta know when to put your foot on the

0:40:41.000 --> 0:40:43.400
<v Speaker 2>guys and when to you know, just let the car cruise.

0:40:44.239 --> 0:40:47.080
<v Speaker 1>You still have motion, you know what I'm saying.

0:40:47.239 --> 0:40:49.440
<v Speaker 3>Do the baby mamas get along. Everything's kosher.

0:40:49.480 --> 0:40:50.880
<v Speaker 1>The baby mamas get along.

0:40:51.040 --> 0:40:53.680
<v Speaker 2>Everybody's everybody's Cool's one big, happy family.

0:40:54.320 --> 0:40:56.480
<v Speaker 1>As far as parenting goes.

0:40:56.280 --> 0:40:58.319
<v Speaker 3>Of course. I mean you guys have always been great

0:40:58.320 --> 0:40:58.759
<v Speaker 3>co parents.

0:40:58.920 --> 0:41:00.600
<v Speaker 1>Yeah, yeah, we're really cool.

0:41:00.680 --> 0:41:04.120
<v Speaker 2>The respect level is super duper high, the fun level

0:41:04.200 --> 0:41:12.520
<v Speaker 2>is super high, the communication is good. What else, It's

0:41:12.560 --> 0:41:14.600
<v Speaker 2>just a good team, man, Yeah, really good teams.

0:41:14.719 --> 0:41:19.120
<v Speaker 3>You've somehow hacked that shit well, everybody being these toxic

0:41:19.160 --> 0:41:21.960
<v Speaker 3>as relationships with their ex and their kids. Mom, you

0:41:22.040 --> 0:41:24.440
<v Speaker 3>and Amber have had the shit hacked for like ten years.

0:41:24.480 --> 0:41:25.399
<v Speaker 1>Not for Shure, man.

0:41:25.440 --> 0:41:29.560
<v Speaker 2>We figured it out for sure, And you know, I

0:41:29.600 --> 0:41:31.719
<v Speaker 2>wouldn't say it's not easy, but it is easy with her.

0:41:31.960 --> 0:41:33.680
<v Speaker 1>We don't we don't really go through anything.

0:41:34.640 --> 0:41:36.520
<v Speaker 3>Do you feel like like when you see, like obviously

0:41:36.520 --> 0:41:40.120
<v Speaker 3>she was a big Trump supporter, she spoke at the RNC. Yeah,

0:41:40.120 --> 0:41:42.719
<v Speaker 3>but like it was funny to see like so many

0:41:42.719 --> 0:41:46.920
<v Speaker 3>people who like fucked with Amber turn up on her online,

0:41:47.000 --> 0:41:49.080
<v Speaker 3>Like like when you see that kind of shit, does

0:41:49.080 --> 0:41:49.840
<v Speaker 3>it like bother you?

0:41:50.160 --> 0:41:52.840
<v Speaker 2>I don't really read that stuff. I don't look at

0:41:52.920 --> 0:41:58.040
<v Speaker 2>that that shiit like, I'm not into it. It's better

0:41:58.080 --> 0:42:03.040
<v Speaker 2>to just act like it doesn't exist because it's not

0:42:03.160 --> 0:42:05.320
<v Speaker 2>real life. It's the Internet. It's fair.

0:42:05.600 --> 0:42:05.799
<v Speaker 1>Yeah.

0:42:05.920 --> 0:42:07.920
<v Speaker 2>Yeah, and that's what I explained to her too, Like

0:42:08.000 --> 0:42:11.880
<v Speaker 2>when she even made that decision, I was like, you know,

0:42:12.920 --> 0:42:15.520
<v Speaker 2>if people stop fucking what you based off of what

0:42:15.600 --> 0:42:17.680
<v Speaker 2>you do, they was just looking for a reason and

0:42:17.760 --> 0:42:21.279
<v Speaker 2>not fuck with you anyway. Yeah, so it's like it's

0:42:21.320 --> 0:42:23.440
<v Speaker 2>not even worth it.

0:42:23.600 --> 0:42:27.680
<v Speaker 3>One hundred Yeah. Would you ever do another movie?

0:42:27.719 --> 0:42:30.520
<v Speaker 1>Wiz? Yes? Absolutely. I feel like I'm working on a

0:42:30.560 --> 0:42:30.920
<v Speaker 1>movie now.

0:42:30.960 --> 0:42:34.799
<v Speaker 2>It's called Moses the Black Oh really yeah yeah, it's

0:42:35.520 --> 0:42:38.920
<v Speaker 2>with Omar Ebbs and some other cast members.

0:42:39.960 --> 0:42:42.359
<v Speaker 3>I feel like you have obviously you have a you know,

0:42:42.480 --> 0:42:44.719
<v Speaker 3>a cult classic with Snoop and then you have the

0:42:44.760 --> 0:42:46.560
<v Speaker 3>really really the weird Cowboy movie.

0:42:47.160 --> 0:42:50.720
<v Speaker 2>Yeah, yeah, I have a cameo in a Cowboy movie.

0:42:51.160 --> 0:42:52.400
<v Speaker 1>It was funny though. I liked that.

0:42:52.960 --> 0:42:54.640
<v Speaker 3>You know, it's funny too, because like I looked at

0:42:54.640 --> 0:42:56.560
<v Speaker 3>that movie, like I'm sure like when we were growing up,

0:42:56.560 --> 0:42:59.200
<v Speaker 3>like you'd see like Nas would be in a movie,

0:43:00.040 --> 0:43:01.560
<v Speaker 3>like you go to Blockbuster and they just have a

0:43:01.560 --> 0:43:04.400
<v Speaker 3>picture of Nas, yeah, and then you'd rent it and

0:43:04.480 --> 0:43:07.680
<v Speaker 3>it would be like a quick cameo, die real quick.

0:43:08.320 --> 0:43:10.000
<v Speaker 3>Or then there'd be like you know, bust A rhymes

0:43:10.000 --> 0:43:11.120
<v Speaker 3>and exhibiting full clip.

0:43:11.560 --> 0:43:15.760
<v Speaker 2>Yeah, you've ever bro It's the DVD days right there,

0:43:16.120 --> 0:43:17.000
<v Speaker 2>straight to dvd.

0:43:17.200 --> 0:43:18.680
<v Speaker 3>What do you think is the worst rap movie ever?

0:43:19.520 --> 0:43:21.280
<v Speaker 3>I'm gonna say Belly too, starting the Gamers.

0:43:21.400 --> 0:43:25.320
<v Speaker 2>I didn't even watch that. What's the worst rap movie

0:43:25.360 --> 0:43:28.480
<v Speaker 2>that I've seen? I usually like all the rap movies.

0:43:28.520 --> 0:43:31.759
<v Speaker 2>I like like Kill the Season, Classic, Yeah, I like

0:43:31.880 --> 0:43:34.640
<v Speaker 2>State Property.

0:43:35.000 --> 0:43:36.440
<v Speaker 3>I Got the hook up? Was that ship?

0:43:36.520 --> 0:43:39.040
<v Speaker 1>I got the Hookup? Was hard? All master P movies

0:43:39.120 --> 0:43:40.719
<v Speaker 1>was hard. I'm about it was hard.

0:43:41.000 --> 0:43:42.920
<v Speaker 3>I'm about it was dope. Yeah, master P man he

0:43:42.960 --> 0:43:43.520
<v Speaker 3>had some ship.

0:43:43.680 --> 0:43:47.400
<v Speaker 2>Yeah yeah, yeah, Mac and Devon go to high school

0:43:47.480 --> 0:43:49.080
<v Speaker 2>was hard bro for sure.

0:43:49.280 --> 0:43:50.200
<v Speaker 1>That was a good movie.

0:43:51.040 --> 0:43:54.960
<v Speaker 3>I always say that Belly is the best worst ever.

0:43:55.360 --> 0:43:59.279
<v Speaker 2>The storyline gets a little trip, yes, but it's like

0:43:59.320 --> 0:44:01.839
<v Speaker 2>they threw all these like all your favorite like yeah

0:44:02.000 --> 0:44:04.600
<v Speaker 2>parts of your favorite, like yeah, all into.

0:44:04.440 --> 0:44:05.480
<v Speaker 1>One out of respect.

0:44:05.560 --> 0:44:07.960
<v Speaker 3>I just love it though, Oh instead of I'm just

0:44:07.960 --> 0:44:09.920
<v Speaker 3>mad Hip Williams didn't do more movies because it was

0:44:10.600 --> 0:44:11.040
<v Speaker 3>in the.

0:44:10.920 --> 0:44:14.120
<v Speaker 2>Cop like started getting the DMX to like kill the

0:44:14.200 --> 0:44:15.239
<v Speaker 2>dude like that was.

0:44:15.239 --> 0:44:17.359
<v Speaker 3>That's when it started to take a turn. They were

0:44:17.400 --> 0:44:21.799
<v Speaker 3>like like weird Malcolm X type shit going on, and

0:44:21.840 --> 0:44:26.040
<v Speaker 3>it was like there was like scarfaced remnants and then

0:44:26.040 --> 0:44:29.560
<v Speaker 3>shout out to nas who's you know? Just I love Belly,

0:44:29.600 --> 0:44:33.319
<v Speaker 3>though I love Belly. Some classic moments in that.

0:44:33.719 --> 0:44:36.360
<v Speaker 2>Oh, Snoop made like some really good The Wash that

0:44:36.440 --> 0:44:39.800
<v Speaker 2>was a good movie. Wash Bones Yeah, Bones was fire.

0:44:40.239 --> 0:44:44.959
<v Speaker 3>Yeah the wash was solid. Bones was interesting. Yeah, there's

0:44:45.040 --> 0:44:48.400
<v Speaker 3>been Yeah, shout to uh, shout to Snoop. I think, uh,

0:44:48.960 --> 0:44:51.160
<v Speaker 3>baby Boy one of the best feelings of all.

0:44:51.040 --> 0:44:54.839
<v Speaker 2>Time, baby boy bossing up? That was a good one.

0:44:54.960 --> 0:44:56.719
<v Speaker 2>Good Snoop movie you've seen bosting up?

0:44:56.840 --> 0:44:58.600
<v Speaker 3>Oh wait, was that the new one where he's that

0:44:58.680 --> 0:44:59.120
<v Speaker 3>was paid?

0:44:59.120 --> 0:44:59.960
<v Speaker 1>That was the pen movie.

0:45:00.400 --> 0:45:01.400
<v Speaker 3>Though I didn't see Boss It Up.

0:45:02.320 --> 0:45:03.000
<v Speaker 1>You should watch that.

0:45:03.160 --> 0:45:05.480
<v Speaker 3>I watched all the Member the Pimp documentaries.

0:45:05.800 --> 0:45:09.160
<v Speaker 1>Yeah, dude, Yeah, Pimp Hose down.

0:45:09.640 --> 0:45:13.000
<v Speaker 3>Down there was like, mister white folks, it was pimping.

0:45:13.080 --> 0:45:17.040
<v Speaker 1>Can they don't? They don't. They denounced themselves from that movie.

0:45:16.800 --> 0:45:18.359
<v Speaker 3>Recently, did they?

0:45:18.480 --> 0:45:20.800
<v Speaker 2>Yeah, because they said it was like, you know, pushing

0:45:21.360 --> 0:45:22.840
<v Speaker 2>poverty on America.

0:45:23.520 --> 0:45:25.600
<v Speaker 1>I don't, I don't. I don't disagree with him.

0:45:26.080 --> 0:45:28.400
<v Speaker 3>Yeah, I mean there was that era. I mean, you're

0:45:28.440 --> 0:45:29.359
<v Speaker 3>like former.

0:45:29.200 --> 0:45:30.840
<v Speaker 1>You know what I'm saying. They grew out.

0:45:30.680 --> 0:45:33.200
<v Speaker 3>Of there, they grew up. Yeah. Yeah, shout out to uh,

0:45:33.200 --> 0:45:35.399
<v Speaker 3>shout out to those guys. Se I just remember that era,

0:45:35.800 --> 0:45:39.160
<v Speaker 3>like pimping was like a fucking Godfather was on.

0:45:39.239 --> 0:45:41.560
<v Speaker 1>W w F Oh my gosh.

0:45:41.760 --> 0:45:43.160
<v Speaker 3>He had the whole train dog Like.

0:45:44.239 --> 0:45:47.759
<v Speaker 2>He'd be like, you want some hose? Don't you just

0:45:47.800 --> 0:45:48.760
<v Speaker 2>giving people hose?

0:45:49.440 --> 0:45:49.720
<v Speaker 1>Yeah?

0:45:50.120 --> 0:45:52.399
<v Speaker 3>I just saw him. I went to WrestleMania this past

0:45:52.440 --> 0:45:54.200
<v Speaker 3>weekend and he I went to an indie show and

0:45:54.280 --> 0:45:54.880
<v Speaker 3>he went.

0:45:54.719 --> 0:45:58.399
<v Speaker 1>Form being in the Nation of Domination, of being Godfather.

0:45:58.000 --> 0:46:01.040
<v Speaker 3>And before that he was Papa Shango. Oh he was guy,

0:46:01.680 --> 0:46:04.759
<v Speaker 3>but he's running. Ah, he runs cheetahs. In Vegas now

0:46:04.840 --> 0:46:08.040
<v Speaker 3>the Strip Club, the Godfather Run Cheetahs.

0:46:08.080 --> 0:46:10.040
<v Speaker 1>Man, we've got the real host trade now. I love it.

0:46:10.080 --> 0:46:12.480
<v Speaker 3>Man, is there gonna be a de lux for this?

0:46:12.560 --> 0:46:13.799
<v Speaker 3>I feel like you kind of already kind of put out

0:46:13.800 --> 0:46:16.239
<v Speaker 3>the Deluxe because there's some stuff after the outro obviously.

0:46:16.040 --> 0:46:23.000
<v Speaker 2>Yeah, its already done. You guys got everything, Cushion, Orange Juice.

0:46:23.200 --> 0:46:24.240
<v Speaker 2>I don't think I'm done.

0:46:24.080 --> 0:46:26.680
<v Speaker 1>Working for the year, though. I think I'm gonna.

0:46:28.239 --> 0:46:31.360
<v Speaker 2>Release some stuff that based off of like the freestyles

0:46:31.400 --> 0:46:33.719
<v Speaker 2>that I was doing, and then it would be cool

0:46:33.760 --> 0:46:35.759
<v Speaker 2>to do a Tailor Gang album before the end of

0:46:35.760 --> 0:46:36.080
<v Speaker 2>the year.

0:46:36.200 --> 0:46:39.480
<v Speaker 3>That'd be Dopey who always would be on the Tailor

0:46:39.480 --> 0:46:39.960
<v Speaker 3>Gang album.

0:46:40.000 --> 0:46:43.680
<v Speaker 2>These days, pretty much everybody who you heard on my

0:46:43.800 --> 0:46:45.399
<v Speaker 2>album j TI.

0:46:46.520 --> 0:46:49.040
<v Speaker 1>Yeah, pretty much every everybody.

0:46:48.640 --> 0:46:51.640
<v Speaker 2>Who you heard on on my album would be on

0:46:51.680 --> 0:46:57.319
<v Speaker 2>the Tailor Gang album, plus a few other artists maybe producers.

0:46:57.560 --> 0:47:00.879
<v Speaker 3>Are you like still actively signing new artist? Is Taylor Gang?

0:47:00.960 --> 0:47:02.400
<v Speaker 3>Or is it like I feel like you got a

0:47:02.400 --> 0:47:03.440
<v Speaker 3>lot of people you just fuck with?

0:47:03.600 --> 0:47:05.880
<v Speaker 2>Yeah, that's really what it is. I haven't signed anybody

0:47:05.920 --> 0:47:09.080
<v Speaker 2>in a minute. We've done some management deals. Those have

0:47:09.160 --> 0:47:14.560
<v Speaker 2>been more made more sense than actual record deals.

0:47:14.560 --> 0:47:15.279
<v Speaker 1>And things like that.

0:47:15.320 --> 0:47:19.040
<v Speaker 2>But now that we get into like releasing more projects,

0:47:19.080 --> 0:47:23.239
<v Speaker 2>and you know, after the success of this one, just

0:47:23.239 --> 0:47:26.000
<v Speaker 2>seeing the rollout and how it happened, it's going to

0:47:26.040 --> 0:47:28.080
<v Speaker 2>open up a lot of opportunities for us to do

0:47:28.120 --> 0:47:28.680
<v Speaker 2>some things.

0:47:29.520 --> 0:47:34.319
<v Speaker 3>What is uh, you know, obviously you're insane entrepreneur. How

0:47:34.320 --> 0:47:35.719
<v Speaker 3>did you get involved with Liquid Death?

0:47:38.200 --> 0:47:39.279
<v Speaker 1>They came to me a.

0:47:41.040 --> 0:47:47.440
<v Speaker 2>Long time ago, definitely before COVID, but just pre you know,

0:47:48.160 --> 0:47:50.920
<v Speaker 2>blow up, and it was kind of just as far

0:47:50.960 --> 0:47:56.680
<v Speaker 2>as like growing the company and adding to to to

0:47:57.000 --> 0:48:02.319
<v Speaker 2>what the already expanding business was. But just you know

0:48:02.320 --> 0:48:05.680
<v Speaker 2>what I'm saying, pushing that over the top. And there

0:48:05.760 --> 0:48:10.520
<v Speaker 2>was an investment and there was also percentages and things

0:48:10.560 --> 0:48:12.080
<v Speaker 2>like that that.

0:48:12.600 --> 0:48:14.279
<v Speaker 3>I'm shout tour boy Will who hit me up like

0:48:14.320 --> 0:48:16.120
<v Speaker 3>three days before the deadline and he was like, hey,

0:48:16.280 --> 0:48:18.239
<v Speaker 3>you got X amount of money you can get in.

0:48:18.320 --> 0:48:20.600
<v Speaker 3>I'm like, buddy, that's seventy two hours from now. Thanks

0:48:20.600 --> 0:48:21.440
<v Speaker 3>for the fucking heads up.

0:48:21.600 --> 0:48:24.320
<v Speaker 2>Yeah yeah, yeah, but it was like, yeah, it was

0:48:24.800 --> 0:48:31.760
<v Speaker 2>an investment and there's percentages that that that were you know, negotiated,

0:48:32.520 --> 0:48:34.960
<v Speaker 2>and then here we are years later and it's super

0:48:35.000 --> 0:48:38.279
<v Speaker 2>duper successful and we're happy to be part of it.

0:48:39.280 --> 0:48:41.759
<v Speaker 3>You've done so many like side hustles. So I mean

0:48:41.760 --> 0:48:44.239
<v Speaker 3>obviously the PFL was there ever an investment we haven't

0:48:44.239 --> 0:48:46.840
<v Speaker 3>heard about. It just didn't work out, of course.

0:48:49.200 --> 0:48:54.239
<v Speaker 1>Yeah, it was like what was it?

0:48:54.280 --> 0:48:57.279
<v Speaker 2>Probably like some apps that I invested in that we

0:48:57.360 --> 0:48:59.959
<v Speaker 2>thought were going to be next level, some social media

0:49:00.080 --> 0:49:00.799
<v Speaker 2>and stuff.

0:49:01.200 --> 0:49:03.759
<v Speaker 1>You know what I'm saying. Yeah, some shit that we

0:49:03.800 --> 0:49:04.279
<v Speaker 1>tried out.

0:49:04.880 --> 0:49:07.520
<v Speaker 2>It's not like anything that you know, I would like

0:49:08.280 --> 0:49:09.680
<v Speaker 2>freaking wouldn't do.

0:49:10.640 --> 0:49:12.200
<v Speaker 3>I mean with those it's like you got to shoot

0:49:12.200 --> 0:49:12.480
<v Speaker 3>a shot.

0:49:12.560 --> 0:49:13.239
<v Speaker 1>It's hit or miss.

0:49:13.320 --> 0:49:17.080
<v Speaker 2>Yeah, some stuff works, some stuff doesn't. And you know,

0:49:17.600 --> 0:49:22.479
<v Speaker 2>the narrower the scope began to be, we were able

0:49:22.520 --> 0:49:26.320
<v Speaker 2>to focus on actual, real companies that we could help grow,

0:49:26.920 --> 0:49:29.080
<v Speaker 2>as opposed to just try to like latch onto the

0:49:29.120 --> 0:49:29.640
<v Speaker 2>next thing.

0:49:30.160 --> 0:49:32.239
<v Speaker 3>Yeah, because that's gat's gambling. I mean, when you're trying

0:49:32.239 --> 0:49:34.640
<v Speaker 3>to if you're trying to find the next Twitter.

0:49:34.600 --> 0:49:36.040
<v Speaker 1>Yeah, good luck.

0:49:36.400 --> 0:49:40.080
<v Speaker 2>Yeah, it seems like you know, sometimes it seems cool.

0:49:40.160 --> 0:49:42.839
<v Speaker 2>Sometimes you just gotta get out of there before it

0:49:42.880 --> 0:49:45.399
<v Speaker 2>even turns into anything. And a lot of those situations

0:49:45.440 --> 0:49:47.719
<v Speaker 2>like that's what it was, was we were out of

0:49:47.760 --> 0:49:51.600
<v Speaker 2>there before it even you know, turned into that.

0:49:52.280 --> 0:49:55.920
<v Speaker 3>Yo, You and Currencies relationship has been so like you

0:49:55.920 --> 0:49:59.040
<v Speaker 3>guys are synonymous with each other. Your guys' careers are, like,

0:49:59.239 --> 0:50:02.799
<v Speaker 3>you know, very similar trajectory wise. You guys been working

0:50:02.800 --> 0:50:08.160
<v Speaker 3>together for over fifteen years, right, so yep, just gave

0:50:08.239 --> 0:50:11.399
<v Speaker 3>us an album a few years ago together. Talk about

0:50:11.440 --> 0:50:15.120
<v Speaker 3>y'all's friendship and just y'all's bond because Currency and You,

0:50:15.239 --> 0:50:17.560
<v Speaker 3>like you guys obviously had a very similar come up.

0:50:17.960 --> 0:50:21.560
<v Speaker 3>He continued to just run up the underground, run up

0:50:21.600 --> 0:50:27.239
<v Speaker 3>the catalog, turn into this icon culturally obviously you go

0:50:27.400 --> 0:50:29.400
<v Speaker 3>and you're you've turned in a fucking pop star, you

0:50:29.440 --> 0:50:31.320
<v Speaker 3>know what I mean? Like, but you guys always stayed

0:50:31.320 --> 0:50:34.080
<v Speaker 3>locked in with y'all's relationship, Like, man, how important is that?

0:50:34.800 --> 0:50:35.560
<v Speaker 1>Super important?

0:50:35.600 --> 0:50:40.080
<v Speaker 2>Just because that's like my real friend and besides music,

0:50:41.800 --> 0:50:44.200
<v Speaker 2>you know, it took us like two months to record

0:50:44.239 --> 0:50:46.839
<v Speaker 2>our album because we were just watching movies.

0:50:46.560 --> 0:50:47.600
<v Speaker 1>And smoking the whole time.

0:50:47.960 --> 0:50:48.480
<v Speaker 3>That's funny.

0:50:48.480 --> 0:50:50.319
<v Speaker 2>Who we didn't want to record. We just wanted to

0:50:50.320 --> 0:50:53.120
<v Speaker 2>hang out. And as long as we have that, like,

0:50:53.200 --> 0:50:56.839
<v Speaker 2>that's all we really care about. Like the music is

0:50:56.840 --> 0:51:01.319
<v Speaker 2>is a byproduct of our lifestyle. And I always see

0:51:01.400 --> 0:51:05.560
<v Speaker 2>him happy he's buying cars like every freaking week, and

0:51:06.120 --> 0:51:06.480
<v Speaker 2>that's like.

0:51:06.440 --> 0:51:07.280
<v Speaker 3>The model cars.

0:51:07.760 --> 0:51:11.960
<v Speaker 2>Like he does like a whole channel for that, like

0:51:12.000 --> 0:51:15.040
<v Speaker 2>where he like commentates and everything, and he's that's the

0:51:15.080 --> 0:51:18.680
<v Speaker 2>stuff that he's passionate about. And that's what the people

0:51:18.680 --> 0:51:22.000
<v Speaker 2>who love Spita, they love him for that because he

0:51:22.120 --> 0:51:25.080
<v Speaker 2>goes on tour and he wraps literally so he can

0:51:25.120 --> 0:51:30.719
<v Speaker 2>do that to support his Yeah yeah, yeah, and you

0:51:30.760 --> 0:51:34.560
<v Speaker 2>know that's why we love him. And for me, like

0:51:34.640 --> 0:51:38.600
<v Speaker 2>it was always my plan to like kind of you know,

0:51:38.800 --> 0:51:43.200
<v Speaker 2>navigate the industry and do the whole marketing and you

0:51:43.239 --> 0:51:45.359
<v Speaker 2>know what I'm saying, Like that was always my thing.

0:51:45.480 --> 0:51:48.719
<v Speaker 2>Like even when we met, I would be on the

0:51:48.760 --> 0:51:51.200
<v Speaker 2>couch on my computer and you know what i mean,

0:51:51.239 --> 0:51:52.360
<v Speaker 2>tapping in blah blah.

0:51:52.200 --> 0:51:53.839
<v Speaker 1>Blah, and he was just.

0:51:55.360 --> 0:51:58.839
<v Speaker 2>He would he would admire like my work ethic when

0:51:58.840 --> 0:52:02.680
<v Speaker 2>it came to that, because he understood parts of that world.

0:52:02.880 --> 0:52:04.120
<v Speaker 1>But he wasn't.

0:52:04.600 --> 0:52:06.160
<v Speaker 2>He would just put his music out and be like,

0:52:06.320 --> 0:52:08.960
<v Speaker 2>you know what I mean, it's cool, like whatever happens happens.

0:52:08.960 --> 0:52:10.879
<v Speaker 2>And the people who love him took care of him,

0:52:11.560 --> 0:52:16.680
<v Speaker 2>and I was more like we got fans in Arizona,

0:52:16.719 --> 0:52:20.800
<v Speaker 2>we got fans and blah blah blah, like the technical

0:52:20.880 --> 0:52:23.880
<v Speaker 2>you know what I'm saying. So it's like we've always

0:52:23.920 --> 0:52:27.080
<v Speaker 2>played our roles when it comes to that, and we

0:52:27.239 --> 0:52:30.560
<v Speaker 2>always will and we always include each other, you know,

0:52:30.600 --> 0:52:34.600
<v Speaker 2>and everything that we're doing, which is just because we're

0:52:34.640 --> 0:52:39.480
<v Speaker 2>more brothers than anything. And it's like with this album,

0:52:39.840 --> 0:52:43.560
<v Speaker 2>our song on there, it sounds so freaking good, you

0:52:43.600 --> 0:52:48.239
<v Speaker 2>know what I mean, because it is we never lost

0:52:48.520 --> 0:52:57.560
<v Speaker 2>that combination and no matter what worldwide record I do,

0:52:57.640 --> 0:53:00.359
<v Speaker 2>I'm always able to get back on my bro and

0:53:00.400 --> 0:53:04.759
<v Speaker 2>make that sound that people love us for. And you know,

0:53:05.040 --> 0:53:07.160
<v Speaker 2>so that's the music side of it that I'm that.

0:53:07.200 --> 0:53:10.160
<v Speaker 2>I'm really happy that people always get to enjoy in

0:53:10.239 --> 0:53:13.920
<v Speaker 2>our friendship. Ain't never going nowhere, never has and never will.

0:53:14.800 --> 0:53:19.600
<v Speaker 3>Yo. You you it was obviously speculating, and you've talked

0:53:19.600 --> 0:53:21.320
<v Speaker 3>about it because I remember when you got on the

0:53:21.360 --> 0:53:25.080
<v Speaker 3>Super High remix with Ross and Neil, I for sure

0:53:25.120 --> 0:53:26.800
<v Speaker 3>thought you were gonna sign with MMG.

0:53:26.920 --> 0:53:27.960
<v Speaker 1>Yeah, that was a crazy time.

0:53:29.400 --> 0:53:33.080
<v Speaker 3>That was a great record, by the way, Yeah, because

0:53:33.120 --> 0:53:36.120
<v Speaker 3>that was like your I would say, like your mixtape

0:53:36.120 --> 0:53:38.439
<v Speaker 3>Buzz was just so crazy at that time, G felt

0:53:38.440 --> 0:53:40.080
<v Speaker 3>like the biggest shit ever they just signed Meek Mill,

0:53:40.200 --> 0:53:44.759
<v Speaker 3>something made came out? What what was was there? Like,

0:53:45.200 --> 0:53:48.279
<v Speaker 3>obviously you you made the intentional decision to you know,

0:53:48.360 --> 0:53:50.080
<v Speaker 3>do your own thing. But was there ever like a

0:53:51.120 --> 0:53:53.680
<v Speaker 3>a like that situation or another situation that you seriously

0:53:53.719 --> 0:53:56.120
<v Speaker 3>considered doing before just deciding like now we're gonna do

0:53:56.160 --> 0:53:56.680
<v Speaker 3>this our own way.

0:53:57.360 --> 0:54:00.480
<v Speaker 2>No, I never considered signing with anybody all. Always knew

0:54:00.520 --> 0:54:05.840
<v Speaker 2>I wanted to just do Taylor Gang and build my

0:54:05.960 --> 0:54:09.919
<v Speaker 2>own way. I didn't know what it looked like, but

0:54:10.040 --> 0:54:15.000
<v Speaker 2>I definitely knew that I had put myself up there

0:54:15.040 --> 0:54:18.840
<v Speaker 2>with those guys as opposed to like being somebody like

0:54:19.440 --> 0:54:23.359
<v Speaker 2>right that they and I love Ross and that was

0:54:23.400 --> 0:54:26.799
<v Speaker 2>like a you know, it was a huge compliment for

0:54:26.920 --> 0:54:29.640
<v Speaker 2>him to want to sign me, but that was just

0:54:29.680 --> 0:54:30.600
<v Speaker 2>the wrong time to.

0:54:30.520 --> 0:54:32.680
<v Speaker 1>Try to do it because I was just so popping

0:54:32.760 --> 0:54:33.239
<v Speaker 1>on my own.

0:54:33.320 --> 0:54:33.480
<v Speaker 4>Yeah.

0:54:33.520 --> 0:54:35.759
<v Speaker 1>It was like yo, like nothing that nobody could have.

0:54:35.800 --> 0:54:38.320
<v Speaker 2>Done for me ever that I wasn't going to do

0:54:38.480 --> 0:54:41.399
<v Speaker 2>for myself. And I was very self aware of that.

0:54:41.440 --> 0:54:43.920
<v Speaker 2>And it takes like a real person to tell you that, like,

0:54:44.120 --> 0:54:46.200
<v Speaker 2>I love you, but you can't do more for me

0:54:46.280 --> 0:54:47.680
<v Speaker 2>than I'm going to do for myself.

0:54:47.920 --> 0:54:52.040
<v Speaker 3>I saw you fanning out, which was a dope moment

0:54:52.080 --> 0:54:52.399
<v Speaker 3>to see.

0:54:52.560 --> 0:54:52.759
<v Speaker 1>Yeah.

0:54:52.840 --> 0:54:55.440
<v Speaker 3>Yeah, I feel like sometimes we just get so jaded

0:54:55.440 --> 0:54:59.520
<v Speaker 3>by like going to shows enjoying shit.

0:54:59.760 --> 0:55:01.759
<v Speaker 2>Yeah, a lot of people I don't know, man, I'm

0:55:01.760 --> 0:55:04.160
<v Speaker 2>not too cool to just show my appreciation.

0:55:04.960 --> 0:55:05.800
<v Speaker 1>Wrap the words.

0:55:05.920 --> 0:55:08.480
<v Speaker 2>That's what I go to concerts for, to get loose

0:55:08.520 --> 0:55:11.839
<v Speaker 2>and to trap the words. And I want to experience

0:55:11.920 --> 0:55:14.960
<v Speaker 2>it and to see it live. You know, Wayne is

0:55:15.680 --> 0:55:19.200
<v Speaker 2>influential to a lot of different you know, generations, but

0:55:19.400 --> 0:55:22.840
<v Speaker 2>for us, he's always gonna be our goat, our allegend.

0:55:23.680 --> 0:55:26.359
<v Speaker 2>We're gonna remember, you know, the Lighter Flick. We gonna

0:55:26.360 --> 0:55:29.759
<v Speaker 2>remember the mixtapes. We remember Money on My Mind, we

0:55:29.920 --> 0:55:35.240
<v Speaker 2>remember go DJ like we're gonna remember you know everything.

0:55:34.840 --> 0:55:36.520
<v Speaker 3>My father like son, very underrated.

0:55:36.520 --> 0:55:41.840
<v Speaker 2>Come on, man, so yeah those we were singing that outloud.

0:55:42.040 --> 0:55:44.640
<v Speaker 3>Shout out to Tie too. Ty's performance look insane. Yeah,

0:55:45.719 --> 0:55:49.280
<v Speaker 3>on the screen he had Draysonatra dressed like a fucking CEO.

0:55:51.320 --> 0:55:53.480
<v Speaker 1>It was tight. He made me wear a jail outfit too.

0:55:53.840 --> 0:55:55.799
<v Speaker 3>How dope has it been? Because I feel like, you know,

0:55:55.880 --> 0:55:57.360
<v Speaker 3>Ty has been on a pretty crazy run with the

0:55:57.440 --> 0:56:01.960
<v Speaker 3>Vulture stuff Carnivals a number one how dope was it

0:56:02.000 --> 0:56:04.560
<v Speaker 3>for you to just kind of see as a friend

0:56:04.600 --> 0:56:09.600
<v Speaker 3>as like a fan, like just like that wave. Obviously

0:56:10.000 --> 0:56:14.560
<v Speaker 3>you and you have other connections, but I'm just curious, like,

0:56:14.560 --> 0:56:15.880
<v Speaker 3>what was it like for you to just see that,

0:56:15.920 --> 0:56:18.640
<v Speaker 3>because like it was it was so dope just to

0:56:18.680 --> 0:56:21.839
<v Speaker 3>see Tye go to an arena or a stadium and

0:56:22.000 --> 0:56:24.239
<v Speaker 3>just play his like they won't even perform, there's no

0:56:24.280 --> 0:56:25.000
<v Speaker 3>fucking microphone.

0:56:25.080 --> 0:56:26.120
<v Speaker 1>Yeah, it's good.

0:56:26.160 --> 0:56:30.520
<v Speaker 2>I love seeing the people that I respect and admire

0:56:31.560 --> 0:56:35.920
<v Speaker 2>get that same love, respect and admiration across the board

0:56:36.480 --> 0:56:40.680
<v Speaker 2>because aside from being you know, friends with Tie, he's

0:56:40.719 --> 0:56:46.760
<v Speaker 2>a super talented artist, Like he's alien extremely talented artist

0:56:47.680 --> 0:56:50.640
<v Speaker 2>in the studio, he's like a monster, you know. And

0:56:50.719 --> 0:56:55.480
<v Speaker 2>just to know that somebody that people consider one of

0:56:55.520 --> 0:57:01.399
<v Speaker 2>the greats and you know, uh, somebody who if they

0:57:01.440 --> 0:57:04.160
<v Speaker 2>say it's good, then the rest of the world say

0:57:04.200 --> 0:57:06.160
<v Speaker 2>it's good. You know what I'm saying talking about, Yay

0:57:07.800 --> 0:57:10.360
<v Speaker 2>have that much respect for ty and push him to

0:57:10.440 --> 0:57:14.319
<v Speaker 2>the top and push him on his platform, and I

0:57:14.320 --> 0:57:17.480
<v Speaker 2>mean that's like that's a win to me for everybody.

0:57:17.560 --> 0:57:21.439
<v Speaker 2>And I just see it as like That's why I'm

0:57:21.600 --> 0:57:22.360
<v Speaker 2>your friend.

0:57:22.160 --> 0:57:24.640
<v Speaker 1>Because I see you saw from the jump.

0:57:24.720 --> 0:57:27.000
<v Speaker 2>Yeah, I mean not even just from the jump, but

0:57:27.120 --> 0:57:29.400
<v Speaker 2>just I know what they see at you, like I

0:57:29.480 --> 0:57:32.120
<v Speaker 2>see that exact same thing. I know exactly why they

0:57:32.200 --> 0:57:34.880
<v Speaker 2>feel that way. Sorry, my phone's usually off.

0:57:37.400 --> 0:57:39.680
<v Speaker 3>Obviously You've done a lot of collab projects. Would you

0:57:39.800 --> 0:57:42.280
<v Speaker 3>do because I'm hearing you and Larry on this album,

0:57:42.280 --> 0:57:44.880
<v Speaker 3>I'm hearing the l Russell record. I know you and

0:57:44.920 --> 0:57:45.880
<v Speaker 3>the Russell I think did two?

0:57:46.600 --> 0:57:49.000
<v Speaker 1>I got we did two that day, We did three

0:57:49.000 --> 0:57:49.360
<v Speaker 1>that day.

0:57:49.400 --> 0:57:53.160
<v Speaker 3>Actually, would you do just throwing those two names out there,

0:57:53.160 --> 0:57:55.200
<v Speaker 3>because I feel like a Larry June Whiz project would

0:57:55.200 --> 0:57:57.320
<v Speaker 3>be insane? But would you do another collab project with

0:57:57.360 --> 0:57:57.840
<v Speaker 3>another artist?

0:57:57.960 --> 0:57:58.120
<v Speaker 1>Yeah?

0:57:58.120 --> 0:58:01.960
<v Speaker 2>I would definitely do another, uh collab project with an artist.

0:58:02.120 --> 0:58:05.080
<v Speaker 2>That might be the best thing for me to do

0:58:06.120 --> 0:58:07.439
<v Speaker 2>after this solo joint.

0:58:07.640 --> 0:58:11.320
<v Speaker 3>Yeah, let the solo shit, you know. Yeah, either do

0:58:11.360 --> 0:58:13.640
<v Speaker 3>the Taylor gam or do it like a low collab project.

0:58:13.680 --> 0:58:15.320
<v Speaker 1>Yeah, that might be the best thing to do.

0:58:15.840 --> 0:58:18.560
<v Speaker 3>And then you're kind of like you're like independent now right.

0:58:18.760 --> 0:58:18.960
<v Speaker 1>Yeah.

0:58:19.000 --> 0:58:21.160
<v Speaker 3>I think a lot of people know that.

0:58:21.280 --> 0:58:23.560
<v Speaker 1>Yeah, I think they know because.

0:58:23.280 --> 0:58:26.360
<v Speaker 3>You were with Atlantic forever before that Warner Time.

0:58:26.560 --> 0:58:26.760
<v Speaker 1>Yeah.

0:58:27.160 --> 0:58:31.480
<v Speaker 2>We released this album through BMG and They were really cool,

0:58:31.880 --> 0:58:37.040
<v Speaker 2>super cool with the whole process. But it's like a

0:58:37.120 --> 0:58:41.000
<v Speaker 2>licensing through BMG. BMG, so we still own it. But

0:58:43.200 --> 0:58:46.240
<v Speaker 2>excuse me. Yeah, BMG was really really cool to work well.

0:58:46.240 --> 0:58:51.320
<v Speaker 2>We did have meetings every week everything. They came to

0:58:51.360 --> 0:58:54.760
<v Speaker 2>the studio listen to the album like four times. They

0:58:54.800 --> 0:58:57.000
<v Speaker 2>waited for me to get done, all the way till

0:58:57.400 --> 0:59:00.680
<v Speaker 2>the last final day till I turned it in. Yeah,

0:59:00.800 --> 0:59:03.439
<v Speaker 2>they weren't tripping at all. It was a really good

0:59:03.480 --> 0:59:07.160
<v Speaker 2>process too for me to feel free, but to still

0:59:07.200 --> 0:59:11.880
<v Speaker 2>also use a system to get this album to where

0:59:11.880 --> 0:59:13.840
<v Speaker 2>it was supposed to be at.

0:59:13.600 --> 0:59:16.400
<v Speaker 3>Yo, is it like when you heard? Because because I

0:59:16.400 --> 0:59:19.000
<v Speaker 3>think to see you again. The biggest biggest music video

0:59:19.000 --> 0:59:20.120
<v Speaker 3>on YouTube is.

0:59:20.080 --> 0:59:21.680
<v Speaker 1>One of them. It's definitely top five.

0:59:21.960 --> 0:59:23.280
<v Speaker 3>I think it's like top two or three.

0:59:23.400 --> 0:59:24.480
<v Speaker 1>It's top three maybe.

0:59:24.720 --> 0:59:27.600
<v Speaker 3>Yeah, it's like insane. I think it's like the what

0:59:27.680 --> 0:59:28.640
<v Speaker 3>was the Asian guy's.

0:59:28.440 --> 0:59:29.720
<v Speaker 1>Name, Gangham style?

0:59:29.800 --> 0:59:31.040
<v Speaker 3>Dude, that gam style.

0:59:31.320 --> 0:59:35.760
<v Speaker 2>I think it's like either that or baby Sharks.

0:59:36.120 --> 0:59:36.920
<v Speaker 3>Those are the three.

0:59:36.720 --> 0:59:39.160
<v Speaker 1>Then yeah, yeah, yeah, that's crazy.

0:59:39.280 --> 0:59:40.040
<v Speaker 3>That is insane.

0:59:40.080 --> 0:59:40.560
<v Speaker 1>That's cool.

0:59:40.760 --> 0:59:41.959
<v Speaker 3>Yeah, that's gotta be cool.

0:59:42.480 --> 0:59:42.960
<v Speaker 1>I like that.

0:59:43.320 --> 0:59:45.720
<v Speaker 3>Yeah, and I feel like that song you could take

0:59:45.760 --> 0:59:48.160
<v Speaker 3>that like like you performed that song after Kobe passed

0:59:48.200 --> 0:59:51.240
<v Speaker 3>away and the Lakers game, which had to be a tough.

0:59:51.080 --> 0:59:53.240
<v Speaker 1>Thing that it was tough, but it was an honor

0:59:53.280 --> 0:59:53.720
<v Speaker 1>as well.

0:59:53.880 --> 0:59:59.479
<v Speaker 2>Yeah, and as that song is gonna live forever, yeah,

0:59:59.720 --> 1:00:01.120
<v Speaker 2>world worldwide.

1:00:02.200 --> 1:00:05.200
<v Speaker 3>Well, the new album is incredible. Go get it. Yes,

1:00:05.360 --> 1:00:06.360
<v Speaker 3>Vinyls on the Way.

1:00:06.520 --> 1:00:10.520
<v Speaker 2>Vinyls on the Way, Tour on the Way, Merch on

1:00:10.600 --> 1:00:16.720
<v Speaker 2>the Way. Yeah, yep, go support it. Man Cushions used

1:00:16.800 --> 1:00:18.440
<v Speaker 2>two of them things, two of them.

1:00:18.560 --> 1:00:21.880
<v Speaker 3>Let's go bulet cap show boom fire.

1:00:21.920 --> 1:00:22.480
<v Speaker 1>Nice.

1:00:24.600 --> 1:00:25.080
<v Speaker 3>To this camera.

1:00:25.280 --> 1:00:27.280
<v Speaker 1>Ye just say check me out on the Blue Leg

1:00:27.320 --> 1:00:32.040
<v Speaker 1>Cap podcast. Ready, Yo, what up your boy? Whiskalief for man? Okay,