1
00:00:00,240 --> 00:00:02,320
Speaker 1: There's no better time to save on temper Pedic than

2
00:00:02,400 --> 00:00:05,360
Speaker 1: during Mattress firms Black Friday sale. For a limited time

3
00:00:05,440 --> 00:00:08,080
Speaker 1: save up to six hundred dollars on select temper Pedic

4
00:00:08,119 --> 00:00:11,600
Speaker 1: adjustable mattress sets plus get three hundred dollars in bonus cash.

5
00:00:11,800 --> 00:00:14,280
Speaker 1: Do it towards your choice of sleep accessories. And no

6
00:00:14,400 --> 00:00:17,200
Speaker 1: one has more temper Pedic than Mattress Firm. So don't

7
00:00:17,239 --> 00:00:20,240
Speaker 1: wait to take on the most highly recommended bet in America.

8
00:00:20,520 --> 00:00:23,520
Speaker 1: Feel the comfort of tempera peeding yourself at Mattress Firm

9
00:00:23,760 --> 00:00:25,880
Speaker 1: off dog with qualifying purchas restricching the point I ought

10
00:00:25,880 --> 00:00:28,080
Speaker 1: to participating matations over for up detail for the Mattress

11
00:00:28,080 --> 00:00:31,400
Speaker 1: Firm dot Com question everything. Hey, yes, yes to bank.

12
00:00:31,560 --> 00:00:33,839
Speaker 1: Hey Selly Wilson, rap right off and me and my

13
00:00:33,920 --> 00:00:36,560
Speaker 1: partner Beat Miller, And you know we got the premiere

14
00:00:36,600 --> 00:00:38,800
Speaker 1: website out there, rapp right on dot com And now

15
00:00:38,840 --> 00:00:41,520
Speaker 1: I'm about to take over the podcast game. We're gonna

16
00:00:41,560 --> 00:00:44,199
Speaker 1: sit down with the coaches most important voices, give you

17
00:00:44,240 --> 00:00:46,960
Speaker 1: that news and information at opinion, the only opinion that

18
00:00:46,960 --> 00:00:51,080
Speaker 1: matt is may hear rap right off. Listen up here

19
00:00:51,120 --> 00:00:56,800
Speaker 1: we go, Yeah, rap Ratear Podcast Yo, Ellia Wilson, Ryan

20
00:00:56,840 --> 00:01:00,520
Speaker 1: Bata Miller, this is gonna be a spect one Vita excited.

21
00:01:00,720 --> 00:01:05,080
Speaker 1: I'm still drunk from Made in America America. Man, what

22
00:01:05,160 --> 00:01:08,240
Speaker 1: a week? Do you say so yourself? Yes, yeah, you've

23
00:01:08,240 --> 00:01:11,800
Speaker 1: never seen dot until he's in that unlimited access to

24
00:01:11,840 --> 00:01:15,280
Speaker 1: do say, mold, I really wasn't that bad? Yo? Come on, man,

25
00:01:16,400 --> 00:01:19,000
Speaker 1: you know you're funked up before sundown. I've been worse.

26
00:01:19,240 --> 00:01:22,560
Speaker 1: Ye are you getting worse? Do you still do a

27
00:01:22,640 --> 00:01:24,399
Speaker 1: thing when you like pass out and then you still

28
00:01:24,640 --> 00:01:27,840
Speaker 1: have a second win you take a little nap. I've

29
00:01:27,880 --> 00:01:29,600
Speaker 1: never seen you do. I never seen nobody do that

30
00:01:29,640 --> 00:01:31,319
Speaker 1: be that can't do this thing when he parties and

31
00:01:31,360 --> 00:01:33,720
Speaker 1: like he'll get so drunk he'll literally pass out. You

32
00:01:33,720 --> 00:01:35,480
Speaker 1: think he caught the l Like he'll be not on

33
00:01:35,480 --> 00:01:37,800
Speaker 1: the couch and you think he's done for the night,

34
00:01:37,840 --> 00:01:39,480
Speaker 1: and then he'll get like a good baby without a

35
00:01:39,480 --> 00:01:41,840
Speaker 1: half hour nap or something twenty minutes you need a

36
00:01:41,840 --> 00:01:46,400
Speaker 1: little little He's back at it like that n happened,

37
00:01:46,640 --> 00:01:49,080
Speaker 1: like you never left, but I had no naps this weekend. Man,

38
00:01:49,360 --> 00:01:51,960
Speaker 1: that was a great So you've been have you been

39
00:01:52,040 --> 00:01:54,880
Speaker 1: all the main in America? Maybe I missed the first one,

40
00:01:54,960 --> 00:01:57,440
Speaker 1: but yeah, I like this one. I think this is

41
00:01:57,520 --> 00:02:00,240
Speaker 1: up there with the first one. I enjoyed it. I

42
00:02:00,280 --> 00:02:02,960
Speaker 1: mean I was working, as Jay told you, right, oh man,

43
00:02:03,040 --> 00:02:05,400
Speaker 1: I'm working, Yeah, I said, I said, Jay, Man, you

44
00:02:05,480 --> 00:02:10,320
Speaker 1: got Elliott working. Yeah, he gotta work. Said all right,

45
00:02:11,280 --> 00:02:13,160
Speaker 1: he said the whole podcast that should be these one

46
00:02:13,200 --> 00:02:15,000
Speaker 1: liners that jay Z says to people that just the

47
00:02:15,000 --> 00:02:17,560
Speaker 1: funk with you. Because he met Big Homie for the

48
00:02:17,600 --> 00:02:19,920
Speaker 1: first time. Yes, jay Z, I introduced him. He's like,

49
00:02:20,120 --> 00:02:23,639
Speaker 1: I said, uh, big Homie, come meets This is Paul Donal,

50
00:02:23,639 --> 00:02:26,600
Speaker 1: who's one of our bloggers. Yeah, I said, yo, big

51
00:02:26,639 --> 00:02:31,560
Speaker 1: HOMEI meet Big Home. We know I'm Big Homie, but

52
00:02:31,639 --> 00:02:33,920
Speaker 1: you know Jay's over here. So basically, he thinks all

53
00:02:34,000 --> 00:02:36,880
Speaker 1: the rapper that guys just stold his names be dot

54
00:02:37,040 --> 00:02:40,040
Speaker 1: big Homie. Don't have to tell you that story. You

55
00:02:40,240 --> 00:02:42,480
Speaker 1: tell the people that story. Okay, So we're on the ride.

56
00:02:42,560 --> 00:02:43,920
Speaker 1: Let me tell you all. So Daniel said that she

57
00:02:43,960 --> 00:02:46,000
Speaker 1: thinks she's totally wrong and you definitely took the name

58
00:02:46,040 --> 00:02:49,799
Speaker 1: from Jake. Oh my god, So why would you even

59
00:02:49,840 --> 00:02:51,680
Speaker 1: deny that? She don't even understand while you with that.

60
00:02:51,800 --> 00:02:54,360
Speaker 1: So I'm on to rise, so he come here right quick.

61
00:02:54,400 --> 00:02:57,040
Speaker 1: It's him and Mike Kaiser from Atlantic Records. It says

62
00:02:57,320 --> 00:02:59,639
Speaker 1: ak little Burger. Yes. She says he was a big

63
00:02:59,680 --> 00:03:04,720
Speaker 1: fan of podcast tell us. Yeah. He says, yeah about

64
00:03:04,760 --> 00:03:07,560
Speaker 1: that name. You know when you get that from I said,

65
00:03:07,639 --> 00:03:09,600
Speaker 1: J had since I was like fourteen, you know, I

66
00:03:09,720 --> 00:03:11,760
Speaker 1: gave him a backstory. He's like, yeah, he got that

67
00:03:11,800 --> 00:03:14,800
Speaker 1: from me. And then you know, ka is laughing and stuff.

68
00:03:15,320 --> 00:03:18,919
Speaker 1: I'm like, Yo, you guys have had this conversation. It's like, Yo,

69
00:03:19,160 --> 00:03:21,760
Speaker 1: when you was fifteen, you couldn't come off the porch.

70
00:03:22,120 --> 00:03:23,680
Speaker 1: I'm like, Jay, what do you I was, I was

71
00:03:23,720 --> 00:03:25,519
Speaker 1: in high school. What are you talkingt do I stay

72
00:03:25,600 --> 00:03:28,560
Speaker 1: your parents? Nah? Then he got at me because the

73
00:03:28,639 --> 00:03:31,160
Speaker 1: Daylight Soul and he's like, you you know about Daylight Soul.

74
00:03:31,280 --> 00:03:33,880
Speaker 1: I'm like, I'm not a really big Daylight so fan.

75
00:03:33,919 --> 00:03:35,840
Speaker 1: And now that you get out of here, I love

76
00:03:35,920 --> 00:03:39,440
Speaker 1: Daylight Soul and my festival, I said, I said, I

77
00:03:39,480 --> 00:03:41,600
Speaker 1: said that was what I said. That was a keep

78
00:03:41,600 --> 00:03:43,880
Speaker 1: it real move. I don't do keep it real moves.

79
00:03:45,160 --> 00:03:47,080
Speaker 1: And then at that moment I had to walk off.

80
00:03:47,120 --> 00:03:50,320
Speaker 1: I said, you know what he kept I didn't get

81
00:03:50,640 --> 00:03:54,200
Speaker 1: this section because I was working, but you keep it entertaining. Man.

82
00:03:54,240 --> 00:03:55,520
Speaker 1: It was a lot of good moments. And then we

83
00:03:55,560 --> 00:03:58,600
Speaker 1: had a Nicki Minaj moment. We have to talk awkward

84
00:03:58,640 --> 00:04:01,440
Speaker 1: moments with rappers. Yeah that I read it for FAB

85
00:04:01,480 --> 00:04:03,440
Speaker 1: like a fabulous We gotta get an interview. I think

86
00:04:03,440 --> 00:04:05,080
Speaker 1: I was drunk at this time. Then we came out

87
00:04:05,120 --> 00:04:07,040
Speaker 1: of a little bit more aggressive. You should apologize to

88
00:04:07,080 --> 00:04:10,400
Speaker 1: Fab of the podcast. I came at Fab aggressive because

89
00:04:10,440 --> 00:04:12,560
Speaker 1: what was it? Because he thought was he assulted because

90
00:04:12,600 --> 00:04:14,720
Speaker 1: we asked if he could do it with Lenny s right.

91
00:04:14,760 --> 00:04:16,400
Speaker 1: I don't know. I don't think he knew that we

92
00:04:16,600 --> 00:04:19,920
Speaker 1: reached out to him. He said whatever I told him.

93
00:04:19,960 --> 00:04:21,640
Speaker 1: We wanted him to do it when we were saw

94
00:04:21,680 --> 00:04:24,400
Speaker 1: him at the title of press conference. Remember that that

95
00:04:24,560 --> 00:04:27,760
Speaker 1: said we were starting to a podcast. But you don't

96
00:04:28,560 --> 00:04:31,800
Speaker 1: don't remember being this heavy doc Knight Dog Knights in

97
00:04:31,800 --> 00:04:34,800
Speaker 1: the building too, rap right off family um beat us

98
00:04:34,800 --> 00:04:36,799
Speaker 1: on this mission. Man. He's so proud of his podcast.

99
00:04:36,800 --> 00:04:39,200
Speaker 1: He used to be rolling doing good like you ready

100
00:04:39,240 --> 00:04:41,680
Speaker 1: to do a podcast? What's up? Maybe we're doing this ready?

101
00:04:41,800 --> 00:04:43,800
Speaker 1: Podcast was good? You're ready to get going to this

102
00:04:43,920 --> 00:04:46,600
Speaker 1: like anybody was like hot be that just run up

103
00:04:46,600 --> 00:04:49,039
Speaker 1: on you all crazy talking about let's get this podcast.

104
00:04:49,080 --> 00:04:51,119
Speaker 1: But when when we saw Nikki, she was going rested

105
00:04:51,120 --> 00:04:54,560
Speaker 1: the book. She was going outstairs with nobody guard. I say,

106
00:04:54,880 --> 00:04:57,440
Speaker 1: we said hi, Nikki, she just pretended we didn't exist.

107
00:04:57,600 --> 00:04:59,840
Speaker 1: Nikki curved us. It was so sweet. I'm like, damn,

108
00:05:00,040 --> 00:05:02,400
Speaker 1: you know, man and her Man. You know, he may

109
00:05:02,400 --> 00:05:04,680
Speaker 1: not be feeling us, Man, you know, but I was

110
00:05:04,680 --> 00:05:06,680
Speaker 1: feeling a lot of the sets during Made in America,

111
00:05:06,720 --> 00:05:08,320
Speaker 1: you know, the future set was really I think he

112
00:05:08,640 --> 00:05:10,680
Speaker 1: killed it, man, I think he owned Made in America

113
00:05:10,720 --> 00:05:13,120
Speaker 1: this week. Wait before we that's a great segue, but

114
00:05:13,160 --> 00:05:14,599
Speaker 1: I want to go off that because first we have

115
00:05:14,640 --> 00:05:16,279
Speaker 1: to talk about we didn't talk about the last episode,

116
00:05:16,279 --> 00:05:18,920
Speaker 1: which is mac miller talk about the last time. Even

117
00:05:18,960 --> 00:05:20,920
Speaker 1: though that would have been a great segue, let's try

118
00:05:20,920 --> 00:05:24,359
Speaker 1: it again. I could go back and edit that, but

119
00:05:24,960 --> 00:05:26,960
Speaker 1: I think we talked about the previous episode because we

120
00:05:27,000 --> 00:05:29,080
Speaker 1: also changed our strategy with this too, which I want

121
00:05:29,080 --> 00:05:31,799
Speaker 1: to talk about. It was really your fault, what's your idea?

122
00:05:32,000 --> 00:05:33,760
Speaker 1: Because he was like, well, what happened was we had

123
00:05:33,760 --> 00:05:36,360
Speaker 1: did mcmiller, we had taped it on a Friday. This

124
00:05:36,400 --> 00:05:39,120
Speaker 1: is before the big labor day weekend, and actually that

125
00:05:39,160 --> 00:05:40,719
Speaker 1: morning I woke up and I was like, I saw

126
00:05:40,720 --> 00:05:42,920
Speaker 1: the Rosenthoughts had mc miller as a guest that was

127
00:05:42,960 --> 00:05:44,840
Speaker 1: gonna come out next Tuesday. And I was like, you know,

128
00:05:44,839 --> 00:05:47,960
Speaker 1: if the Homies, it's the real and I was like, damn,

129
00:05:48,040 --> 00:05:49,880
Speaker 1: Like we're gonna go head to head on this. Like

130
00:05:49,920 --> 00:05:51,600
Speaker 1: I was like, you know, sometimes you gotta figure out

131
00:05:51,600 --> 00:05:53,039
Speaker 1: that you want to go ahead the head or not

132
00:05:53,200 --> 00:05:56,080
Speaker 1: beat us, Like fuck it, I got questions, We're doing it.

133
00:05:56,160 --> 00:05:57,400
Speaker 1: I'm like, all right, so let's do it. So we

134
00:05:57,440 --> 00:05:59,800
Speaker 1: did mcmillery. We had this great interview and then we

135
00:06:00,040 --> 00:06:02,479
Speaker 1: lef and I think you emailed me and he was like,

136
00:06:02,520 --> 00:06:04,320
Speaker 1: so we're just gonna wait to put it out on Tuesday.

137
00:06:04,800 --> 00:06:07,360
Speaker 1: And I'm like, I mean, I was like, you're right.

138
00:06:07,880 --> 00:06:09,520
Speaker 1: I was like, we should just put it out. We're

139
00:06:09,560 --> 00:06:12,440
Speaker 1: seth steps like on vacation, we should put out of something.

140
00:06:12,480 --> 00:06:16,039
Speaker 1: But doing live, what do we have seth We have

141
00:06:16,120 --> 00:06:18,120
Speaker 1: Brian the other Brian Bryan Well, he says lit the

142
00:06:18,200 --> 00:06:23,480
Speaker 1: coursing Brian corson, we have Pat Pats shoot all and

143
00:06:23,520 --> 00:06:25,560
Speaker 1: we hit the big wings of CBS and we said, hey,

144
00:06:25,560 --> 00:06:27,280
Speaker 1: can we put this podcast out earlier and they all

145
00:06:27,320 --> 00:06:30,120
Speaker 1: had this back they said, of course, and then boom

146
00:06:30,240 --> 00:06:32,120
Speaker 1: it was out on Friday, like we have recorded it,

147
00:06:32,400 --> 00:06:34,440
Speaker 1: and then we're hitting dark night like we're your photos

148
00:06:34,440 --> 00:06:36,839
Speaker 1: families like, oh I was, I'm not my home. Man't

149
00:06:36,839 --> 00:06:39,880
Speaker 1: to put the photos out. So we love that. Man.

150
00:06:39,920 --> 00:06:42,159
Speaker 1: We have the freedom to just you know, put stuff out.

151
00:06:42,160 --> 00:06:44,600
Speaker 1: We want and be aggressive in terms of beat that

152
00:06:44,720 --> 00:06:47,120
Speaker 1: being aggressive and booking being aggressive and how he wants

153
00:06:47,120 --> 00:06:49,440
Speaker 1: to launch episodes. Man, you just a competitive They think

154
00:06:49,480 --> 00:06:52,920
Speaker 1: I'm a competitive monster. Beat that. What's up with you? Man? Man,

155
00:06:54,080 --> 00:07:00,560
Speaker 1: that's bea SMO is the only thing he didn't work on. Man,

156
00:07:00,640 --> 00:07:03,280
Speaker 1: that's true, right, Yeah, this guy doesn't do any interviews. Man,

157
00:07:03,320 --> 00:07:05,800
Speaker 1: this is a very special podcast, very rare. This guy

158
00:07:05,839 --> 00:07:08,360
Speaker 1: don't do interviews. Man, I haven't seen when I try

159
00:07:08,360 --> 00:07:10,320
Speaker 1: to do my research, and it just does a lot

160
00:07:10,320 --> 00:07:12,800
Speaker 1: of powerful moves. Man, I don't want to give nothing

161
00:07:12,800 --> 00:07:14,640
Speaker 1: away if I say something, so I mean the people

162
00:07:14,680 --> 00:07:16,840
Speaker 1: are watching in the which they had a camera because

163
00:07:16,840 --> 00:07:20,720
Speaker 1: this guy's fucking visual baby, the visual kitty. Right now,

164
00:07:20,760 --> 00:07:23,119
Speaker 1: I don't want to give it away. Man, It's about

165
00:07:23,160 --> 00:07:25,440
Speaker 1: to be the coolest podcast in the world, the coolest

166
00:07:25,520 --> 00:07:30,640
Speaker 1: podcast to Bay. Yeah, I wish we had sound effects.

167
00:07:31,000 --> 00:07:35,680
Speaker 1: Real groovy. Man, let's go, let's go. Don't do no interviews, man,

168
00:07:35,680 --> 00:07:38,120
Speaker 1: I don't do interviews, fun interviews. But you know it.

169
00:07:38,640 --> 00:07:45,360
Speaker 1: Elliott Wilson, I'm like skinning like you. I did a

170
00:07:45,360 --> 00:07:47,640
Speaker 1: little documentary with Future that did a little made a

171
00:07:47,640 --> 00:07:49,640
Speaker 1: little noise. Man, we made noise with that. Man. Thank

172
00:07:49,680 --> 00:07:51,320
Speaker 1: you made a lot of noise. You made a lot

173
00:07:51,360 --> 00:07:54,120
Speaker 1: of noise from me. I appreciate that. Man. That was

174
00:07:54,200 --> 00:07:57,480
Speaker 1: like a really big thing. Um. I didn't realize how

175
00:07:57,680 --> 00:08:00,520
Speaker 1: much people were into that, you know. Yeah, and uh,

176
00:08:01,000 --> 00:08:02,920
Speaker 1: because people don't know the story, didn't know the story,

177
00:08:02,960 --> 00:08:04,960
Speaker 1: you know. And then the Magic City thing came out

178
00:08:04,960 --> 00:08:11,880
Speaker 1: at the same time. So it's like Chomania likesomania. Man,

179
00:08:11,960 --> 00:08:16,360
Speaker 1: it's a blessing to get out from prison. And are

180
00:08:16,360 --> 00:08:18,120
Speaker 1: you going We're going right there, We're going right there.

181
00:08:18,520 --> 00:08:21,680
Speaker 1: That's insane. I'll wake up and think about that every day. Wow,

182
00:08:21,880 --> 00:08:23,960
Speaker 1: that's insane. Yea said that somebody saw somebody hit you

183
00:08:24,040 --> 00:08:26,120
Speaker 1: on Twitter and they were saying that about that, Like,

184
00:08:26,200 --> 00:08:28,520
Speaker 1: you must feel great going through that situation and coming

185
00:08:28,560 --> 00:08:31,040
Speaker 1: out so strong, and you said somebody, you smile all

186
00:08:31,080 --> 00:08:33,920
Speaker 1: the time. Now, yeah, man, i'd be smiling. I'm dancing.

187
00:08:34,640 --> 00:08:39,040
Speaker 1: That's why it's hard to yeah, you fuck that ship.

188
00:08:41,080 --> 00:08:44,640
Speaker 1: This guy wasn't jelling dudy forty six nights True story.

189
00:08:44,720 --> 00:08:47,520
Speaker 1: Like the American Citizen and the American Citizens stuff. I'm

190
00:08:47,520 --> 00:08:50,200
Speaker 1: not only American. They're telling them to get all these years,

191
00:08:50,800 --> 00:08:52,320
Speaker 1: you know what I mean. So you just don't know

192
00:08:52,400 --> 00:08:55,720
Speaker 1: what's gonna happen, and you just pray, if you pray,

193
00:08:55,760 --> 00:08:57,800
Speaker 1: if you're into that, and you just pray that if

194
00:08:57,800 --> 00:08:59,760
Speaker 1: you ever could get out of this man did you

195
00:09:00,040 --> 00:09:03,439
Speaker 1: to go so hard? And you're not even gonna care

196
00:09:03,440 --> 00:09:05,880
Speaker 1: with the one things because they're not gonna understand what

197
00:09:05,920 --> 00:09:08,560
Speaker 1: you just went through, the motivation. You don't even understand

198
00:09:08,559 --> 00:09:10,679
Speaker 1: how happening I am and why I'm smiling so much.

199
00:09:10,720 --> 00:09:12,840
Speaker 1: You would never be understanding. But it still it wants

200
00:09:12,840 --> 00:09:16,280
Speaker 1: a party you that doesn't fully understand it. Like I'm confused,

201
00:09:16,480 --> 00:09:18,959
Speaker 1: you know what I'm saying, Because it's like I look

202
00:09:19,040 --> 00:09:22,400
Speaker 1: at it as it was a sacrifice. If somebody would

203
00:09:22,440 --> 00:09:24,679
Speaker 1: have told me, oh, you're gonna go to h You're

204
00:09:24,679 --> 00:09:26,360
Speaker 1: gonna be the only American you're gonna be in Dubie

205
00:09:26,400 --> 00:09:31,360
Speaker 1: sitting in the prison and the worst conditions in human possibility,

206
00:09:32,280 --> 00:09:34,439
Speaker 1: and you it's gonna be worse than your worst nightmare.

207
00:09:34,720 --> 00:09:36,440
Speaker 1: But you're gonna go for fifty six. Now you gonna

208
00:09:36,440 --> 00:09:39,000
Speaker 1: get out, and you're gonna turn up. It doesn't happen

209
00:09:39,120 --> 00:09:40,920
Speaker 1: like that. You know what I'm saying. You're in there

210
00:09:40,920 --> 00:09:43,040
Speaker 1: and you don't even know you're gonna get out at all.

211
00:09:43,360 --> 00:09:47,880
Speaker 1: Were you ever locked up prior to that, dude? I

212
00:09:48,000 --> 00:09:50,840
Speaker 1: never even spent the night in jail. Wow, So my

213
00:09:50,960 --> 00:09:55,560
Speaker 1: first night was I'm trying to find somebody to speak English, right,

214
00:09:56,600 --> 00:09:59,880
Speaker 1: But like, we're here man with turn fifty six and

215
00:10:00,600 --> 00:10:02,880
Speaker 1: came out and made a success. Everybody wants to know

216
00:10:02,880 --> 00:10:05,240
Speaker 1: about the hard drive. We got the hard drive, the

217
00:10:05,280 --> 00:10:09,400
Speaker 1: hard drives back car? How did you keep the hard drive?

218
00:10:09,440 --> 00:10:12,200
Speaker 1: How did you How did you maintain that? I was like,

219
00:10:12,280 --> 00:10:14,920
Speaker 1: fuck it, man, the only thing, just make sure the

220
00:10:14,960 --> 00:10:17,920
Speaker 1: hard driver is here. Don't try to send the ship

221
00:10:18,040 --> 00:10:21,120
Speaker 1: back to America. Just if I don't get out, then

222
00:10:21,120 --> 00:10:22,760
Speaker 1: it's just gonna stay here. But if I get out,

223
00:10:22,800 --> 00:10:25,640
Speaker 1: and where was it? They had it locked in this thing?

224
00:10:25,720 --> 00:10:28,320
Speaker 1: I thought it was lost. But they take you back

225
00:10:28,400 --> 00:10:30,880
Speaker 1: all in these doors and then there's all this ship

226
00:10:31,640 --> 00:10:36,000
Speaker 1: from where everybody has left their ship. And then I

227
00:10:36,080 --> 00:10:38,800
Speaker 1: was panicking. And then they had this big as hard drive.

228
00:10:38,840 --> 00:10:40,480
Speaker 1: They didn't even know what it was. And you said,

229
00:10:40,520 --> 00:10:43,480
Speaker 1: you couldn't do anything for the first twenty four days, right, Oh,

230
00:10:43,600 --> 00:10:46,280
Speaker 1: you can't do ship like you just gotta suck it up.

231
00:10:46,520 --> 00:10:49,600
Speaker 1: It's like you go on, well, when you go, you

232
00:10:49,640 --> 00:10:51,719
Speaker 1: think you're gonna get out. That's the funny thing. And

233
00:10:51,880 --> 00:10:54,520
Speaker 1: he was like, okay, I'll pay the fine. Well. Actually,

234
00:10:54,559 --> 00:10:57,040
Speaker 1: taking back to set the picture, let's take on tour

235
00:10:57,120 --> 00:11:01,280
Speaker 1: with Future Monster Tour World Monster. We're in Europe. We're

236
00:11:01,280 --> 00:11:05,320
Speaker 1: in Europe only Europe. We're not supposed to go to

237
00:11:05,679 --> 00:11:09,400
Speaker 1: the u A. It was a European tour and it

238
00:11:09,480 --> 00:11:11,560
Speaker 1: was the end of the European tour. So it's there

239
00:11:11,559 --> 00:11:14,720
Speaker 1: in the European tour and we're celebrating because we're scorpios.

240
00:11:15,000 --> 00:11:20,199
Speaker 1: We're all scorpios. Me Future b K Manager manager. Ye're

241
00:11:20,200 --> 00:11:23,520
Speaker 1: the secret weapons, secret weapons, so we're all celebrating scorpios.

242
00:11:23,880 --> 00:11:27,679
Speaker 1: Ended in the Amsterdam. Of course, I'm the weed smoking king.

243
00:11:28,200 --> 00:11:35,120
Speaker 1: Youreak of it now, sir, I want to speak you

244
00:11:35,160 --> 00:11:37,200
Speaker 1: know what I'm saying. Welcome New York City, so welcome

245
00:11:37,240 --> 00:11:41,280
Speaker 1: to New York City. Man, Yes, and uh but no,

246
00:11:41,800 --> 00:11:46,199
Speaker 1: um for real, I really did you know? Just you

247
00:11:46,280 --> 00:11:51,000
Speaker 1: at the airport, at the airport, coming from Amsterdam, fresh

248
00:11:51,000 --> 00:11:56,520
Speaker 1: off Amsterdam, fresh off a birthday, and I'm really like, okay,

249
00:11:56,520 --> 00:11:58,640
Speaker 1: in the tour, we're kind of celebrating to go back

250
00:11:58,679 --> 00:12:02,719
Speaker 1: to America also futures back again. He's hotter dropped. We

251
00:12:02,800 --> 00:12:05,120
Speaker 1: dropped Monster and then left to Europe. We didn't even

252
00:12:05,120 --> 00:12:08,520
Speaker 1: get to come celebrate Monster in America. So the whole

253
00:12:08,520 --> 00:12:10,640
Speaker 1: time we took off while y'all was in Europe, was

254
00:12:10,679 --> 00:12:13,160
Speaker 1: telling me he left doubting, like I'm not sure, you

255
00:12:13,200 --> 00:12:15,120
Speaker 1: don't even know. It's just going to really connect with

256
00:12:15,160 --> 00:12:18,280
Speaker 1: the people. And Commas took off there on European tour

257
00:12:18,360 --> 00:12:20,240
Speaker 1: doing the whole time. Me and Metro we sat down

258
00:12:20,240 --> 00:12:22,600
Speaker 1: and did the whole Monster and right we released it

259
00:12:22,640 --> 00:12:24,520
Speaker 1: and I left the Europe me in future and we're

260
00:12:24,559 --> 00:12:30,000
Speaker 1: just sitting there like and so the plan was to

261
00:12:30,000 --> 00:12:33,400
Speaker 1: get back and celebrate, but I never came back. Crazy.

262
00:12:33,480 --> 00:12:36,600
Speaker 1: So you're in the airport, I'm in the airport, and

263
00:12:36,760 --> 00:12:40,679
Speaker 1: we got like a hundred bags because it's everybody's bags

264
00:12:40,679 --> 00:12:43,440
Speaker 1: from the europe tour. Because we're going back to America

265
00:12:43,600 --> 00:12:46,400
Speaker 1: with all our things from before we got the Europe

266
00:12:46,400 --> 00:12:48,199
Speaker 1: and whatever we picked up while we was in your

267
00:12:48,240 --> 00:12:50,400
Speaker 1: we got a whole bunch of ship and we got

268
00:12:50,440 --> 00:12:55,080
Speaker 1: bags and said carry all that ship. Right. But I'm

269
00:12:55,160 --> 00:12:57,040
Speaker 1: walking through the airport and then no man is just

270
00:12:57,080 --> 00:12:59,960
Speaker 1: thinking nothing of it, not realizing how much we were

271
00:13:00,200 --> 00:13:02,959
Speaker 1: being watched because we was so different kind of a profile.

272
00:13:03,200 --> 00:13:05,960
Speaker 1: I mean, you stand out in general. I'm not already

273
00:13:06,000 --> 00:13:11,080
Speaker 1: looking crazy over here and where they're in Dubai, it

274
00:13:11,200 --> 00:13:13,760
Speaker 1: was like a red flag and I had a million bags.

275
00:13:14,160 --> 00:13:16,079
Speaker 1: Everyone had gone ahead. I kind of stayed back to

276
00:13:16,120 --> 00:13:21,559
Speaker 1: get the bags and so um oh. Ironically it was

277
00:13:21,600 --> 00:13:26,280
Speaker 1: a cameraman behind me and he was shooting film. He

278
00:13:26,400 --> 00:13:30,880
Speaker 1: was shooting me, bloggers shooting me, shout out the shooter.

279
00:13:30,880 --> 00:13:34,880
Speaker 1: He was shooting out shooting. He was sooting me push

280
00:13:34,960 --> 00:13:38,960
Speaker 1: all the luggage out, like we're leaving with compared Dubuy.

281
00:13:41,040 --> 00:13:44,480
Speaker 1: I'm almost you're doing the turn up exit right, I'm

282
00:13:44,480 --> 00:13:47,400
Speaker 1: gonna turn up. As I'm looking at the curb and

283
00:13:47,640 --> 00:13:51,440
Speaker 1: I see the security he says like real sternly, like

284
00:13:52,080 --> 00:13:54,800
Speaker 1: cut the camera, no comera. So I turned around and

285
00:13:54,840 --> 00:13:59,120
Speaker 1: look like fuck turning the camera off. It's a it's

286
00:13:59,160 --> 00:14:02,360
Speaker 1: a big gass no camera sign, a bove us big

287
00:14:03,440 --> 00:14:07,200
Speaker 1: no cameras allowed sign. So he sees the camera, he

288
00:14:07,240 --> 00:14:10,360
Speaker 1: looks at shooter and he looks at me to try

289
00:14:10,400 --> 00:14:12,480
Speaker 1: to put it together, like what the fund are you

290
00:14:12,480 --> 00:14:17,000
Speaker 1: feeling him for? Like you somebody famous? Now something's going on.

291
00:14:17,440 --> 00:14:23,040
Speaker 1: You see what I'm saying. Now he's looking at me like, Okay,

292
00:14:23,080 --> 00:14:26,600
Speaker 1: what's up with you? Let me see your passport? But

293
00:14:26,680 --> 00:14:28,640
Speaker 1: he was just being a dick off. Rip. He wasn't right,

294
00:14:28,640 --> 00:14:30,800
Speaker 1: and you're talking to him. That camera really set him

295
00:14:30,840 --> 00:14:34,000
Speaker 1: off because he was intrigued. And then I got my

296
00:14:34,080 --> 00:14:39,240
Speaker 1: I had my hair down like Bob. Yeah. So they're

297
00:14:39,240 --> 00:14:43,040
Speaker 1: looking like, yeah, something's going on. So they make a

298
00:14:43,080 --> 00:14:44,680
Speaker 1: long st show. They go through my badge for like

299
00:14:44,720 --> 00:14:47,480
Speaker 1: a couple of hours. They went through everybody hours. It

300
00:14:47,520 --> 00:14:49,680
Speaker 1: took a couple of hours. It took so long that

301
00:14:49,720 --> 00:14:52,840
Speaker 1: the co workers came to get him, like, leave him,

302
00:14:53,360 --> 00:14:57,680
Speaker 1: been here for over an hour, haven't found anything, Let

303
00:14:57,720 --> 00:15:02,600
Speaker 1: him go, leave him alone, Like it's over. He was like, nah,

304
00:15:02,640 --> 00:15:08,480
Speaker 1: I'm finding something, man. They found one speckle of green,

305
00:15:08,720 --> 00:15:12,880
Speaker 1: and the whole airport turned sideways. That's when I knew

306
00:15:12,920 --> 00:15:16,000
Speaker 1: this ship is gonna be a problem. So they take

307
00:15:16,040 --> 00:15:18,160
Speaker 1: you to like the jail, or is it like now?

308
00:15:18,200 --> 00:15:20,160
Speaker 1: At first they take me, they just take you away

309
00:15:20,520 --> 00:15:23,920
Speaker 1: and they start telling They tell you like, uh, well,

310
00:15:23,960 --> 00:15:26,560
Speaker 1: you can't come here, so we're gonna send you back.

311
00:15:27,320 --> 00:15:29,280
Speaker 1: So I'm thinking, okay, I'm sending I'm back on the

312
00:15:29,320 --> 00:15:31,960
Speaker 1: next flight. Fuck it, I missed the last show in

313
00:15:32,040 --> 00:15:34,440
Speaker 1: over here aber da, Oh well I did. We did

314
00:15:34,440 --> 00:15:38,920
Speaker 1: the year to anyway, this is extra. So we go

315
00:15:39,120 --> 00:15:41,520
Speaker 1: and it looks like I'm going back home, and then

316
00:15:41,560 --> 00:15:45,160
Speaker 1: I get in this goddamn van and they sent me

317
00:15:45,240 --> 00:15:52,800
Speaker 1: somewhere else the other side of the airport. So you're

318
00:15:52,800 --> 00:15:55,280
Speaker 1: going there, no food, no water. They throw you in

319
00:15:55,280 --> 00:15:57,600
Speaker 1: this little last cage. I was in there for two days.

320
00:15:57,640 --> 00:15:59,160
Speaker 1: I didn't know what was going on. Then they take

321
00:15:59,200 --> 00:16:01,280
Speaker 1: you out the cage. They took me back to the airport,

322
00:16:01,320 --> 00:16:03,560
Speaker 1: and I really thought I was going home, But then

323
00:16:03,600 --> 00:16:05,120
Speaker 1: they took me to the airport to take me to

324
00:16:05,200 --> 00:16:10,200
Speaker 1: this airport prison. That's when the underground Dubai begins. And

325
00:16:10,240 --> 00:16:12,960
Speaker 1: so when I came up in I had my bag,

326
00:16:13,160 --> 00:16:15,240
Speaker 1: all my clothes are like I am now just regular

327
00:16:15,280 --> 00:16:20,240
Speaker 1: clothes and uh, security is looking at me like, yeah,

328
00:16:20,280 --> 00:16:22,600
Speaker 1: you might want to bring like an extra pair of

329
00:16:22,680 --> 00:16:25,920
Speaker 1: pants or second. And I was like for what, Like

330
00:16:26,000 --> 00:16:28,320
Speaker 1: I'm out, like gonna be out in the morning, like

331
00:16:28,360 --> 00:16:30,680
Speaker 1: I only need nothing. He's like, now you might be

332
00:16:30,720 --> 00:16:33,760
Speaker 1: here a couple of days. I was like, what, what's

333
00:16:33,800 --> 00:16:37,440
Speaker 1: a couple of days? He's like, he said again, like

334
00:16:37,640 --> 00:16:41,080
Speaker 1: a couple of days. Then I walked in the cell.

335
00:16:42,280 --> 00:16:45,160
Speaker 1: He shut that door. He opened the door when I

336
00:16:45,200 --> 00:16:51,960
Speaker 1: came in the door. This ship is fucking amazing, like

337
00:16:54,240 --> 00:16:58,560
Speaker 1: the people in that prison. Everybody stopped talking. It was

338
00:16:58,600 --> 00:17:02,080
Speaker 1: like a real movie. Everybody's stop talking, everybody stopped moving,

339
00:17:02,360 --> 00:17:07,640
Speaker 1: everybody stopped walking. It was and everyone just looked at me.

340
00:17:08,480 --> 00:17:10,760
Speaker 1: And I walked and everyone was looking and I looked

341
00:17:10,800 --> 00:17:13,639
Speaker 1: like I put my hands out in the air and

342
00:17:13,640 --> 00:17:20,720
Speaker 1: I was like, what up? That's say? Ain't nobody saying that? No, no,

343
00:17:21,000 --> 00:17:22,680
Speaker 1: But in my head I was like, this is gonna

344
00:17:22,720 --> 00:17:26,400
Speaker 1: be bad. It's like big is its smallest small. It's

345
00:17:26,440 --> 00:17:28,720
Speaker 1: like a hellhole. And how many people are like it's

346
00:17:28,760 --> 00:17:33,680
Speaker 1: probably like three. And no one's speaking English, right American.

347
00:17:33,720 --> 00:17:35,159
Speaker 1: So as soon as I got in, it was like

348
00:17:35,240 --> 00:17:38,200
Speaker 1: Egyptian cat you know, I couldn't tell the difference now,

349
00:17:38,240 --> 00:17:40,160
Speaker 1: but now contell the difference. But he was in Egyptian

350
00:17:40,800 --> 00:17:42,800
Speaker 1: and he welcomed me with open arms. No one would

351
00:17:42,800 --> 00:17:44,520
Speaker 1: talk to me. He walked up to me, ship my hand.

352
00:17:44,520 --> 00:17:46,679
Speaker 1: He knew a little bit of English. He said, uh,

353
00:17:47,480 --> 00:17:51,159
Speaker 1: you need a calling card. I was like, yeah, I'm

354
00:17:51,200 --> 00:17:54,360
Speaker 1: gonna need the call. And then it took like three

355
00:17:54,440 --> 00:17:56,400
Speaker 1: days for me to find that figure out how to call,

356
00:17:56,400 --> 00:17:59,159
Speaker 1: because easy and all that stuff. You gotta call then

357
00:17:59,160 --> 00:18:03,840
Speaker 1: embassy man, Fuck the embassy because you said that they

358
00:18:03,880 --> 00:18:09,320
Speaker 1: weren't really being cooperative. Man US embassy man, you know what,

359
00:18:09,400 --> 00:18:14,040
Speaker 1: they're disappointed me. But it's all good man, fun the

360
00:18:14,160 --> 00:18:17,840
Speaker 1: US Emassy And then you basically have to befriend the warden, right, Yeah,

361
00:18:17,280 --> 00:18:20,440
Speaker 1: I had just clicked the other side because it's not

362
00:18:20,520 --> 00:18:22,600
Speaker 1: a black and white thing over there. It's a Muslim

363
00:18:22,680 --> 00:18:29,040
Speaker 1: Christian thing, and I'm going in a Christian country. It

364
00:18:29,080 --> 00:18:31,800
Speaker 1: doesn't even matter what I believe, and it's what they believe,

365
00:18:32,640 --> 00:18:34,480
Speaker 1: showing every since that's the thing you have to learn

366
00:18:34,480 --> 00:18:38,439
Speaker 1: about culture. You have to learn about them to survive. Course,

367
00:18:38,640 --> 00:18:41,080
Speaker 1: it's vice versus. You gotta think they've never even met

368
00:18:41,119 --> 00:18:45,840
Speaker 1: American before they've just seen him on TV, and the

369
00:18:45,880 --> 00:18:49,960
Speaker 1: TV they see is fucking Jerry Springer. You feel what

370
00:18:50,000 --> 00:18:52,600
Speaker 1: if you dropped it the vodka in Atlanta, you know.

371
00:18:52,640 --> 00:18:56,520
Speaker 1: So it's like we don't know shit about Afghanistan in

372
00:18:56,560 --> 00:19:02,520
Speaker 1: real life from this point for seeing in perspect you

373
00:19:02,520 --> 00:19:04,240
Speaker 1: know what I'm saying. But when you go over there

374
00:19:04,240 --> 00:19:06,600
Speaker 1: and you realize this ain't seeing it? This ain't we

375
00:19:06,720 --> 00:19:10,159
Speaker 1: seeing it? Crazy? Like how did you say? Like how

376
00:19:10,160 --> 00:19:13,920
Speaker 1: did you get sleep? Like with no sleep fifty six nights?

377
00:19:14,520 --> 00:19:18,000
Speaker 1: And he's a vegetarian and I'm a vegetarian, so I

378
00:19:18,040 --> 00:19:19,919
Speaker 1: lost a whole bunch of weight and I'm already skinny.

379
00:19:21,800 --> 00:19:26,040
Speaker 1: I love you get like something probably you know what

380
00:19:26,119 --> 00:19:28,639
Speaker 1: I mean. But it was our mental man. I just

381
00:19:28,800 --> 00:19:32,760
Speaker 1: got on my own schedule work out this like fucking

382
00:19:32,840 --> 00:19:35,920
Speaker 1: Rocky ball ball or something. Ship But was ever the

383
00:19:36,000 --> 00:19:43,359
Speaker 1: point would you even though ball the coolest left game?

384
00:19:44,200 --> 00:19:46,200
Speaker 1: But you get like institutionalized. Used to come to the

385
00:19:46,200 --> 00:19:47,480
Speaker 1: point where you just gave a pope like you know

386
00:19:47,520 --> 00:19:50,639
Speaker 1: what is never gave up, Never gave up because you

387
00:19:50,640 --> 00:19:52,920
Speaker 1: gotta be like are you a positive dude? Overall? Yeah?

388
00:19:53,000 --> 00:19:54,720
Speaker 1: You gotta break your spirit. You gotta be able to

389
00:19:54,720 --> 00:19:57,720
Speaker 1: come up and be like, cave hell out, I say,

390
00:19:57,760 --> 00:20:01,560
Speaker 1: how you doing? Arabic ain't supposed to know that? How

391
00:20:01,600 --> 00:20:06,480
Speaker 1: you said? So it's like everything is in Sharla and

392
00:20:06,560 --> 00:20:11,159
Speaker 1: it's it's you gotta you gotta respect their religion. And

393
00:20:12,560 --> 00:20:15,280
Speaker 1: because that's what it is, and it ain't no Bibles

394
00:20:15,320 --> 00:20:19,119
Speaker 1: in there, you can there's no Bibles, there's no Holy Bibles.

395
00:20:19,840 --> 00:20:21,879
Speaker 1: You can't have your own books. I asked for books

396
00:20:21,880 --> 00:20:23,959
Speaker 1: from America and they denied all of them. And they

397
00:20:24,000 --> 00:20:27,080
Speaker 1: gave me a Koran and they gave me learning to

398
00:20:27,440 --> 00:20:32,439
Speaker 1: study Mohammed, prophet Mohammed. So like, that's what's going on

399
00:20:32,520 --> 00:20:35,560
Speaker 1: in there. So I could have been like fuck that

400
00:20:37,280 --> 00:20:41,640
Speaker 1: and then really been in there still. Yeah, I could

401
00:20:41,680 --> 00:20:44,720
Speaker 1: have really just adapted to the culture and embrace what

402
00:20:44,800 --> 00:20:48,560
Speaker 1: was going on and learned and then figured it out.

403
00:20:50,560 --> 00:20:53,000
Speaker 1: So how did you perform the relationship with the warden

404
00:20:53,000 --> 00:20:55,800
Speaker 1: which ultimately helps you get out? I think I'll relate

405
00:20:55,920 --> 00:20:58,960
Speaker 1: my um my relationship came in the warden through the

406
00:20:59,040 --> 00:21:02,919
Speaker 1: security guard. The guards like me because I was talking.

407
00:21:03,040 --> 00:21:05,520
Speaker 1: I was trying to figure it out. I was trying

408
00:21:05,520 --> 00:21:08,160
Speaker 1: to learn some some ship in Arabic. I was trying

409
00:21:08,160 --> 00:21:13,919
Speaker 1: to figure out how not to be so American because

410
00:21:13,960 --> 00:21:19,200
Speaker 1: their way that they're not they have a negative aspect

411
00:21:19,240 --> 00:21:23,240
Speaker 1: towards American. So I'm trying to make sure I don't

412
00:21:23,359 --> 00:21:28,000
Speaker 1: rub off the wrong way. American rich and all that. Ship.

413
00:21:28,359 --> 00:21:30,240
Speaker 1: They don't know I'm a DJ over there. They don't

414
00:21:30,280 --> 00:21:32,119
Speaker 1: know I make money, they don't know I do concerts.

415
00:21:32,560 --> 00:21:34,880
Speaker 1: They don't know ship, they don't even know I'm black.

416
00:21:35,720 --> 00:21:39,000
Speaker 1: As you said that, you know what I'm saying. African Americans,

417
00:21:39,119 --> 00:21:41,720
Speaker 1: they don't respect it the same. I'm in there with Africans.

418
00:21:41,760 --> 00:21:44,879
Speaker 1: It's two signs of the prison. It's African side and

419
00:21:45,160 --> 00:21:49,920
Speaker 1: which really African varies because Egyptians and Africans and it's

420
00:21:50,000 --> 00:21:54,560
Speaker 1: different Africans. But the black Africans what they were calling

421
00:21:54,600 --> 00:21:56,320
Speaker 1: when they were when they say black people in there,

422
00:21:56,640 --> 00:22:00,680
Speaker 1: they meant like Ghana, you know what I mean, from

423
00:22:00,680 --> 00:22:05,200
Speaker 1: the continent, people from the continent. And so they looked

424
00:22:05,240 --> 00:22:08,560
Speaker 1: at me like where are you from? Like you're American?

425
00:22:09,520 --> 00:22:12,640
Speaker 1: Where you really from? And since we don't have a history,

426
00:22:13,280 --> 00:22:17,080
Speaker 1: we don't have history like that. It fucked me up

427
00:22:17,560 --> 00:22:20,240
Speaker 1: because I really don't know where I'm from. I can

428
00:22:20,280 --> 00:22:22,560
Speaker 1: tell you I'm from Atlanta, Georgia. That's just saying some

429
00:22:22,640 --> 00:22:25,879
Speaker 1: ignorant nigger ship. You know what I'm saying. If you

430
00:22:25,920 --> 00:22:31,119
Speaker 1: really want to break it, nobody, but they do, and

431
00:22:31,160 --> 00:22:34,240
Speaker 1: they feel prideful about that, that that we know where

432
00:22:34,240 --> 00:22:36,359
Speaker 1: we come from, and the fact that you don't. We

433
00:22:36,400 --> 00:22:39,719
Speaker 1: know where you come from makes us feel like we

434
00:22:39,760 --> 00:22:42,960
Speaker 1: have we know our roots. And you don't know what

435
00:22:43,040 --> 00:22:44,840
Speaker 1: I'm saying. And I feel like I didn't when I

436
00:22:44,880 --> 00:22:47,640
Speaker 1: was in there, because I was just clear. I wasn't white,

437
00:22:47,720 --> 00:22:50,600
Speaker 1: black and nothing. I was clear the Arabs they didn't

438
00:22:50,600 --> 00:22:52,720
Speaker 1: see me as being black, and the blacks didn't see

439
00:22:52,720 --> 00:22:55,119
Speaker 1: me as being an Arab. So I was in the middle.

440
00:22:55,280 --> 00:22:57,720
Speaker 1: And that's how I gravitated to both side. I could

441
00:22:57,720 --> 00:23:00,400
Speaker 1: walk on both sides of the respect, I could take

442
00:23:00,400 --> 00:23:02,320
Speaker 1: a shower on both sides of the jail. Nobody would

443
00:23:02,359 --> 00:23:04,639
Speaker 1: saying nothing. Wow, How did you keep a contact with

444
00:23:04,680 --> 00:23:06,440
Speaker 1: everyone from back home? Because they know that, They said,

445
00:23:06,440 --> 00:23:13,240
Speaker 1: you've gotta did it. Wow. So I talked to my mom,

446
00:23:13,280 --> 00:23:16,800
Speaker 1: I talked to my dad, and I talked to b

447
00:23:16,920 --> 00:23:19,680
Speaker 1: came in a couple of times. I didn't talk to

448
00:23:19,680 --> 00:23:24,040
Speaker 1: the future, not one time. I want that's crazy. Why

449
00:23:24,080 --> 00:23:28,639
Speaker 1: why not? Have been too much. Yeah, well you gotta.

450
00:23:29,200 --> 00:23:32,720
Speaker 1: I didn't want to talk to the the future or any

451
00:23:32,800 --> 00:23:41,440
Speaker 1: friends because they made it harder, Like, uh, it should

452
00:23:41,480 --> 00:23:44,480
Speaker 1: give me emotional because I can think about it. You

453
00:23:44,520 --> 00:23:46,760
Speaker 1: can think about being on the jail on the phone

454
00:23:46,760 --> 00:23:51,080
Speaker 1: and dubaid, you're the farthest person from prison. Nobody's as

455
00:23:51,080 --> 00:23:53,480
Speaker 1: far away from home as me. So you've got people

456
00:23:53,480 --> 00:23:57,119
Speaker 1: to have visitors every week, visitors, family members coming in

457
00:23:57,160 --> 00:23:59,159
Speaker 1: from other countries. It's just on this side of the

458
00:23:59,200 --> 00:24:02,360
Speaker 1: continent that could come and visit, but nobody's coming from

459
00:24:02,400 --> 00:24:05,960
Speaker 1: the western hemisphere, you see what I'm saying. So it

460
00:24:06,119 --> 00:24:09,119
Speaker 1: ended up being better that way because I would watch

461
00:24:09,200 --> 00:24:12,639
Speaker 1: people get hyped up for their family all week long

462
00:24:13,320 --> 00:24:17,199
Speaker 1: and then leave an hour later sad because now they

463
00:24:17,240 --> 00:24:19,440
Speaker 1: got to walk away from him the emotional roller coaster.

464
00:24:19,800 --> 00:24:21,920
Speaker 1: So I was kind of like, you know, what funk this?

465
00:24:22,840 --> 00:24:25,440
Speaker 1: How many how much time do you think I got? Well,

466
00:24:25,440 --> 00:24:27,159
Speaker 1: that's what I'm doing. If you think I can get

467
00:24:27,160 --> 00:24:28,960
Speaker 1: out there six months, then I'm not gonna talk to

468
00:24:28,960 --> 00:24:33,040
Speaker 1: nobody for six months because I don't even want just

469
00:24:33,119 --> 00:24:35,880
Speaker 1: hearing someone on the phone say, oh, we're over here

470
00:24:35,920 --> 00:24:38,479
Speaker 1: eating steak. I don't even eat steak. But it's just

471
00:24:38,520 --> 00:24:41,159
Speaker 1: the fact that you eat. The freedom is the freedom.

472
00:24:41,160 --> 00:24:42,240
Speaker 1: I don't want to hear it. I don't want to

473
00:24:42,280 --> 00:24:44,479
Speaker 1: hear about how to show win the Magic City went on.

474
00:24:45,640 --> 00:24:47,560
Speaker 1: I don't want to the next concert. I don't want

475
00:24:47,560 --> 00:24:49,080
Speaker 1: to hear the concert went well, or if it did

476
00:24:49,200 --> 00:24:52,760
Speaker 1: went well, I don't want to hear about the next Mitch. Yeah.

477
00:24:52,920 --> 00:24:57,440
Speaker 1: So it's like, you gotta really, I really, I can

478
00:24:57,520 --> 00:24:59,479
Speaker 1: look myself in the mirror and I know exactly who

479
00:24:59,560 --> 00:25:02,199
Speaker 1: I am. All right, let's hop to we gotta get

480
00:25:02,240 --> 00:25:06,560
Speaker 1: out of jail. Man ward the warden. So when he

481
00:25:06,560 --> 00:25:08,760
Speaker 1: started showing love and saying he's gonna look out for you,

482
00:25:09,440 --> 00:25:11,000
Speaker 1: when did it become a reality? And did you ever

483
00:25:11,040 --> 00:25:16,520
Speaker 1: think that? And then talk? I respect him to the fullest.

484
00:25:16,560 --> 00:25:19,120
Speaker 1: The warden kempt inside because he kept his word. We

485
00:25:19,119 --> 00:25:21,080
Speaker 1: were in the office just like we are now. And

486
00:25:21,119 --> 00:25:23,960
Speaker 1: the lawyer. I bought a lawyer for a whole lot

487
00:25:24,000 --> 00:25:26,400
Speaker 1: of money, and a lawyer. He looked me in my face,

488
00:25:26,480 --> 00:25:28,359
Speaker 1: he was like, man, the fact you're gonna get out

489
00:25:28,359 --> 00:25:32,560
Speaker 1: of his two years damn. So I was kind of

490
00:25:32,560 --> 00:25:34,800
Speaker 1: just sitting in my chair just like this, just going

491
00:25:34,840 --> 00:25:38,720
Speaker 1: back and forth and the warden was sitting behind you

492
00:25:38,960 --> 00:25:41,520
Speaker 1: like he is right there, and he was just listening

493
00:25:42,520 --> 00:25:46,080
Speaker 1: and uh, I was like kind of just taking it

494
00:25:46,160 --> 00:25:50,399
Speaker 1: in and that's all you can do. And he's just

495
00:25:50,400 --> 00:25:53,480
Speaker 1: looking at my lawyer looking at me like yeah, like

496
00:25:53,600 --> 00:25:58,800
Speaker 1: that's like that's good. And so he got up and

497
00:25:58,800 --> 00:26:00,879
Speaker 1: he walked up the office and I I stayed in

498
00:26:00,880 --> 00:26:02,280
Speaker 1: the seat for I wanted to say. I was just like,

499
00:26:02,320 --> 00:26:06,560
Speaker 1: I'm gonna take a minute. You felt like Nomin captain

500
00:26:06,640 --> 00:26:10,159
Speaker 1: was like, you know what, hold on, he come in

501
00:26:10,200 --> 00:26:13,199
Speaker 1: by my government, he said, hold on, He said, hold on, William.

502
00:26:13,520 --> 00:26:15,439
Speaker 1: That's why I got that sound bite at the beginning

503
00:26:15,480 --> 00:26:17,639
Speaker 1: fifty six Night It's a real sound bite. It's a

504
00:26:17,680 --> 00:26:20,879
Speaker 1: really recorded from his voice. He called me when I

505
00:26:20,920 --> 00:26:23,840
Speaker 1: got out in America, and I recorded his voice and

506
00:26:23,880 --> 00:26:26,439
Speaker 1: I put that on the beginning intro fifty six Nights mixtape.

507
00:26:26,440 --> 00:26:30,880
Speaker 1: This is his real voice. So I say crazy, he said, William.

508
00:26:30,960 --> 00:26:33,840
Speaker 1: He called one of the officers and he said they

509
00:26:33,840 --> 00:26:35,879
Speaker 1: started speaking in the language and I see him. He

510
00:26:36,040 --> 00:26:38,800
Speaker 1: was talking good vibes and looking at me and he said, well,

511
00:26:39,320 --> 00:26:41,399
Speaker 1: I got kind of good news. I might can help you.

512
00:26:41,440 --> 00:26:45,280
Speaker 1: This guy right here he deals with your your prosecutor often,

513
00:26:45,760 --> 00:26:49,240
Speaker 1: he said, and he might can get some leniency from you.

514
00:26:49,560 --> 00:26:53,119
Speaker 1: He said, it's not in my job discrepancy, discrepancy, but

515
00:26:53,240 --> 00:26:55,440
Speaker 1: I'm gonna do you. And and I'm gonna I'm gonna

516
00:26:55,480 --> 00:26:59,000
Speaker 1: call your your prosecutor. It's none of my business. I'm

517
00:26:59,040 --> 00:27:01,359
Speaker 1: not supposed to do that. I'm just awarding. I have

518
00:27:01,480 --> 00:27:03,800
Speaker 1: nothing to do with your prosecution and all that. But

519
00:27:03,800 --> 00:27:05,520
Speaker 1: i'm gonna I'm gonna call you. He's like, give me

520
00:27:05,520 --> 00:27:08,000
Speaker 1: ten minutes. Go back to yourself. I'm gonna call you.

521
00:27:08,240 --> 00:27:11,080
Speaker 1: He's like, I'm gonna call him. He's like maybe he'll answer, maybe,

522
00:27:11,359 --> 00:27:13,080
Speaker 1: but I'll do that for you. He's like, give me

523
00:27:13,119 --> 00:27:15,919
Speaker 1: ten minutes. I didn't have no hope for that. That

524
00:27:16,080 --> 00:27:19,600
Speaker 1: was just like make me feel better. I walked back.

525
00:27:19,640 --> 00:27:22,080
Speaker 1: He just told me. I walked back to the cell.

526
00:27:22,400 --> 00:27:25,399
Speaker 1: I called my mom. I said, Mom, it's not looking

527
00:27:25,440 --> 00:27:28,000
Speaker 1: so well. I was like, uh, it's probably gonna they

528
00:27:28,040 --> 00:27:31,520
Speaker 1: sound talking two years so I didn't even want to

529
00:27:31,560 --> 00:27:34,520
Speaker 1: really hear her voice, her deep breath. And while I

530
00:27:34,560 --> 00:27:37,280
Speaker 1: was on the phone with her, they called my name

531
00:27:37,280 --> 00:27:39,840
Speaker 1: in the front. It was less than ten minutes, so

532
00:27:39,880 --> 00:27:42,520
Speaker 1: they're like William, William some hold on my mom, they're

533
00:27:42,520 --> 00:27:44,359
Speaker 1: calling me. They're calling me to the front. So I

534
00:27:44,440 --> 00:27:46,560
Speaker 1: hung up with the phone. So Captain comes out. He's like,

535
00:27:46,560 --> 00:27:50,240
Speaker 1: I got good news. He was like, I made a

536
00:27:50,280 --> 00:27:52,400
Speaker 1: phone call. You'll be going home within the next week.

537
00:27:54,320 --> 00:27:57,520
Speaker 1: That's crazy wow. So I just gave him a big hood.

538
00:27:57,840 --> 00:28:03,080
Speaker 1: I probably started crying. Probably started crying. I went back

539
00:28:03,080 --> 00:28:07,160
Speaker 1: to myself. Now, I went back to myself, got another calling, car,

540
00:28:07,320 --> 00:28:09,199
Speaker 1: went back to the phone. I was like, Mom, you

541
00:28:09,200 --> 00:28:13,600
Speaker 1: ain't gonna believe that ship. So we started getting the

542
00:28:13,600 --> 00:28:17,600
Speaker 1: booking and all that, the tickets ready, and then ship

543
00:28:17,720 --> 00:28:20,200
Speaker 1: I was waiting on that week. But I didn't tell

544
00:28:20,240 --> 00:28:23,960
Speaker 1: nobody in the jail because nobody's getting out, so you

545
00:28:24,000 --> 00:28:27,360
Speaker 1: can't be like I'm about to get out. You're just

546
00:28:27,400 --> 00:28:30,240
Speaker 1: sitting there like and just low. And then the day

547
00:28:30,280 --> 00:28:33,760
Speaker 1: I got out, everyone went crazy, the whole jail. Everyone

548
00:28:33,800 --> 00:28:37,680
Speaker 1: from the both sales, both sides, every single person came

549
00:28:37,680 --> 00:28:40,320
Speaker 1: out their sale just to shake my hand. They formed

550
00:28:40,320 --> 00:28:42,200
Speaker 1: the whole line like a line for me. The alleywate

551
00:28:42,320 --> 00:28:44,360
Speaker 1: me and come down, walk away. Every one ship my

552
00:28:44,400 --> 00:28:47,160
Speaker 1: hands starts singing Arabic songs. I don't know what they

553
00:28:47,160 --> 00:28:49,560
Speaker 1: were saying. But it was straight out of Dubai and

554
00:28:51,280 --> 00:28:52,960
Speaker 1: how you nervous at the airport though? He was like,

555
00:28:53,360 --> 00:28:56,680
Speaker 1: you got some cookies, some ice cream? And I'm telling

556
00:28:56,680 --> 00:28:58,360
Speaker 1: you I got some. The first thing I did I

557
00:28:58,400 --> 00:29:01,120
Speaker 1: bought some headphones. I went to the music store about

558
00:29:01,160 --> 00:29:03,960
Speaker 1: some headphones, and the first time I played was March Madness.

559
00:29:04,640 --> 00:29:09,080
Speaker 1: Oh Man, that song. And now when they do a lot,

560
00:29:09,200 --> 00:29:11,120
Speaker 1: you play the skit like you said, you played that

561
00:29:11,160 --> 00:29:13,640
Speaker 1: part before. Why why? Why is that important to do

562
00:29:13,680 --> 00:29:15,600
Speaker 1: that in a lot, just to sort of reminder of

563
00:29:15,640 --> 00:29:17,920
Speaker 1: every year? It was just a reminder everything. Man. I

564
00:29:17,960 --> 00:29:20,040
Speaker 1: was on the plane, I listened to March Madison rep.

565
00:29:20,160 --> 00:29:22,520
Speaker 1: I don't think I even turned it off on the

566
00:29:22,760 --> 00:29:27,680
Speaker 1: eighteen out of flight. Do you still know the words?

567
00:29:28,120 --> 00:29:32,640
Speaker 1: I ain't some of us all the words. Ever. So

568
00:29:32,680 --> 00:29:35,040
Speaker 1: when I got out, it's like it's time to go

569
00:29:35,080 --> 00:29:37,720
Speaker 1: to work. My family was like, okay, you should chill,

570
00:29:38,240 --> 00:29:40,600
Speaker 1: take some time to get your mind together. Things that different.

571
00:29:40,600 --> 00:29:44,520
Speaker 1: I was like, fuck, no, future Future put out that

572
00:29:44,600 --> 00:29:49,840
Speaker 1: beast ship behind my back like it was cool. The

573
00:29:49,920 --> 00:29:51,520
Speaker 1: future told me that. He was like, because you know,

574
00:29:51,560 --> 00:29:54,040
Speaker 1: I had a hard drive, so it really wasn't even

575
00:29:54,160 --> 00:29:55,840
Speaker 1: it was I didn't take it for I had a

576
00:29:55,840 --> 00:29:58,000
Speaker 1: hard drive future. He told me. When I got back,

577
00:29:58,000 --> 00:29:59,560
Speaker 1: he was like, honestly, man, I didn't even know what

578
00:29:59,600 --> 00:30:01,720
Speaker 1: to do because I didn't know how long you were

579
00:30:01,720 --> 00:30:04,640
Speaker 1: gonna be going. And I was just like, I'm gonna

580
00:30:04,680 --> 00:30:07,000
Speaker 1: put out some music. I just gotta do something. I

581
00:30:07,120 --> 00:30:09,560
Speaker 1: did it before. I'm pretty sure I could make a

582
00:30:09,640 --> 00:30:12,760
Speaker 1: mix tape. It might not be like, let's go make it,

583
00:30:12,840 --> 00:30:17,560
Speaker 1: but it's gonna get me. That's like it's like a

584
00:30:17,680 --> 00:30:19,560
Speaker 1: guy us through and be Smo end up being his

585
00:30:19,680 --> 00:30:21,840
Speaker 1: own nice piece of work. And then we got back

586
00:30:21,840 --> 00:30:24,720
Speaker 1: to fifty six nice and then we have from Rolling again.

587
00:30:24,760 --> 00:30:26,320
Speaker 1: Well let's go before that, because it seems like he

588
00:30:26,360 --> 00:30:29,120
Speaker 1: credits you like obviously and know the meaning you talk about,

589
00:30:29,160 --> 00:30:31,479
Speaker 1: like you know you put out he puts our honest right,

590
00:30:31,520 --> 00:30:34,640
Speaker 1: and it does well, but it doesn't reach you all expectations, right,

591
00:30:35,000 --> 00:30:36,640
Speaker 1: And then there's a little bit of a backlash on

592
00:30:36,720 --> 00:30:38,640
Speaker 1: him personal life, all these type of things going on,

593
00:30:39,480 --> 00:30:42,120
Speaker 1: like talk about those conversations and going on this run

594
00:30:42,120 --> 00:30:44,160
Speaker 1: of making these mixtapes and what your role was in that.

595
00:30:44,360 --> 00:30:46,960
Speaker 1: You know, I tried to you know, I'm the positive guy.

596
00:30:47,120 --> 00:30:52,080
Speaker 1: So I'm a hip hop history junkie. I don't know

597
00:30:52,120 --> 00:30:53,880
Speaker 1: no one who loves music more than me. We could

598
00:30:53,960 --> 00:30:58,760
Speaker 1: argue about that forever. Yeah, you want to be our

599
00:30:58,800 --> 00:31:02,560
Speaker 1: co host, you gotta not smoke the weeds so much,

600
00:31:02,600 --> 00:31:04,240
Speaker 1: and you have to come here every Thursday and Friday

601
00:31:04,240 --> 00:31:11,240
Speaker 1: Thursday in the budget. Alright, so Manna, But now, but

602
00:31:11,360 --> 00:31:13,000
Speaker 1: back to what we were saying. Your hip hop that

603
00:31:13,080 --> 00:31:14,680
Speaker 1: you knew her Man wasn't where you needed to be

604
00:31:14,760 --> 00:31:16,760
Speaker 1: right now. Yeah, it was like, you know what I did.

605
00:31:17,160 --> 00:31:19,160
Speaker 1: I took it as this. I was like, you know

606
00:31:19,200 --> 00:31:23,600
Speaker 1: what it is, It's just a sophomore slump. Everybody has that.

607
00:31:24,320 --> 00:31:27,360
Speaker 1: Let's go through the history of everybody had sophomore slumps.

608
00:31:29,440 --> 00:31:32,280
Speaker 1: You have a lot of it across all music, not

609
00:31:32,320 --> 00:31:35,880
Speaker 1: even just hip hop, across music. Everybody's hard to recreate

610
00:31:35,920 --> 00:31:38,840
Speaker 1: that first. So now that we know what it is,

611
00:31:39,200 --> 00:31:42,320
Speaker 1: it's a sophomore slump, and let's face a mirror, look

612
00:31:42,360 --> 00:31:45,560
Speaker 1: in the mirror, face to facts, and let's get back

613
00:31:45,600 --> 00:31:50,160
Speaker 1: to work. Because you're the dopest artists. So as positive

614
00:31:50,200 --> 00:31:51,800
Speaker 1: as you were, you feel like you wouldn't want to

615
00:31:51,840 --> 00:31:53,200
Speaker 1: kind of have to keep it real and say that

616
00:31:53,240 --> 00:31:55,600
Speaker 1: to him or saying to well at the time. It

617
00:31:55,720 --> 00:31:58,920
Speaker 1: was at the time, the future was living in l

618
00:31:58,960 --> 00:32:00,880
Speaker 1: A at the time, so we were as day to

619
00:32:00,960 --> 00:32:03,440
Speaker 1: day as we normally was. You know what I'm saying.

620
00:32:03,480 --> 00:32:06,320
Speaker 1: And that's cool because you know he was that's another

621
00:32:06,320 --> 00:32:08,400
Speaker 1: part of his life he's living. I got my part

622
00:32:08,400 --> 00:32:10,640
Speaker 1: of life. I'm living. We can't always be together, you

623
00:32:10,680 --> 00:32:14,280
Speaker 1: know what I'm saying. But no disrespect to l A.

624
00:32:14,400 --> 00:32:16,000
Speaker 1: But you can go out to l A and kind

625
00:32:16,000 --> 00:32:22,480
Speaker 1: of get get get detached from what people are really saying,

626
00:32:22,760 --> 00:32:26,360
Speaker 1: the real really saying, especially people in Atlanta. Atlanta is

627
00:32:26,360 --> 00:32:28,520
Speaker 1: one of those cities. They got to see you. They

628
00:32:28,520 --> 00:32:30,800
Speaker 1: want to see your ass, and they want to say

629
00:32:30,800 --> 00:32:36,000
Speaker 1: we saw your like we saw we just saw you've

630
00:32:36,080 --> 00:32:38,640
Speaker 1: seen him. It's one don't seen him in months, then

631
00:32:38,680 --> 00:32:41,000
Speaker 1: you haven't seen it. So Atlanta is one of those cities.

632
00:32:41,440 --> 00:32:44,080
Speaker 1: You have to stay coming by Atlanta. He's such a

633
00:32:44,120 --> 00:32:46,720
Speaker 1: product of that. He came from that. Your relationship though,

634
00:32:46,760 --> 00:32:48,880
Speaker 1: like how long if you know the future, Like how

635
00:32:48,920 --> 00:32:51,320
Speaker 1: does it go back? Because he seems like he's trust you. Yeah. Man,

636
00:32:51,320 --> 00:32:55,880
Speaker 1: we go back to probably like two thousand eight nine,

637
00:32:56,080 --> 00:32:58,960
Speaker 1: probably two thousand and eight, and then we really started

638
00:32:58,960 --> 00:33:02,400
Speaker 1: locking in two thousands nine and it was just you

639
00:33:02,440 --> 00:33:05,720
Speaker 1: know what it was. It's because I was so straightforward.

640
00:33:06,640 --> 00:33:09,640
Speaker 1: I think that's what made us go together. Our birthdays

641
00:33:09,640 --> 00:33:12,200
Speaker 1: are like seven or eight days apart. And when when

642
00:33:12,240 --> 00:33:14,640
Speaker 1: we met, I told him some ship that no one

643
00:33:14,680 --> 00:33:16,800
Speaker 1: had ever told him before, and we were instantly connect.

644
00:33:17,120 --> 00:33:20,280
Speaker 1: He had me a mixtapes were hosted by DJ Scream.

645
00:33:20,320 --> 00:33:22,560
Speaker 1: No disrespect to Scream, he's the hummy. But we were

646
00:33:22,600 --> 00:33:24,800
Speaker 1: in Magic sitting in the parking lot and I was like, dog,

647
00:33:25,720 --> 00:33:28,560
Speaker 1: I don't really funk with no CDs with niggas talking

648
00:33:28,600 --> 00:33:38,920
Speaker 1: all over with the levels off, like who does that?

649
00:33:39,240 --> 00:33:41,480
Speaker 1: But I just I told him straight that's how we met,

650
00:33:41,760 --> 00:33:44,520
Speaker 1: like on some music ship. Future looked at me. So

651
00:33:44,600 --> 00:33:48,560
Speaker 1: he looked at me, turned it inside. He was like, damn,

652
00:33:49,360 --> 00:33:55,040
Speaker 1: he's kind of looked. He said, Man, no one's ever

653
00:33:55,200 --> 00:34:00,120
Speaker 1: told me nothing like that before. And this is so

654
00:34:00,160 --> 00:34:02,000
Speaker 1: I gave my email right there. He said, But he's

655
00:34:02,000 --> 00:34:05,640
Speaker 1: the hot DJ from Magic City. The song was called

656
00:34:05,720 --> 00:34:07,640
Speaker 1: Yeah Yeah at the time, it was on one thousand.

657
00:34:07,640 --> 00:34:10,040
Speaker 1: Then we watched this. You know what I mean, how

658
00:34:10,040 --> 00:34:12,560
Speaker 1: long you've been a Magic City? Like the same time.

659
00:34:12,600 --> 00:34:16,520
Speaker 1: He just didn't yesterday all right, cracks the stop last night,

660
00:34:16,600 --> 00:34:18,799
Speaker 1: Labor Day Monday was cool. He's like, I can't turn

661
00:34:18,840 --> 00:34:22,320
Speaker 1: down labor. Then we had like a hundred some scrippers

662
00:34:22,400 --> 00:34:25,920
Speaker 1: in their dancing. Wow. Do you a lot of strippers

663
00:34:26,000 --> 00:34:27,799
Speaker 1: that's going? Do you can't say the strip I love

664
00:34:27,880 --> 00:34:30,200
Speaker 1: it just so much around you. I love them. Do

665
00:34:30,280 --> 00:34:33,040
Speaker 1: you have a soft spot? Do you do you connect

666
00:34:33,080 --> 00:34:36,640
Speaker 1: with them on the like I connect with the strippers

667
00:34:36,680 --> 00:34:42,520
Speaker 1: on all from the ratchet to the booshee. You know why,

668
00:34:42,680 --> 00:34:46,400
Speaker 1: because they keep it real, honest converence. They'll say some

669
00:34:46,480 --> 00:34:49,120
Speaker 1: ship like, they'll say some ship down the judgea like,

670
00:34:50,400 --> 00:34:52,880
Speaker 1: I fun that nigga last night he and shipped. You

671
00:34:52,920 --> 00:34:57,560
Speaker 1: know you ain't even supposed to say that with a

672
00:34:57,680 --> 00:34:59,759
Speaker 1: straight face. You know that. And I'll just be telling

673
00:34:59,840 --> 00:35:03,800
Speaker 1: that y'all out of really coming back all these cities

674
00:35:04,120 --> 00:35:06,319
Speaker 1: and you go around. Some people are fake, some people

675
00:35:06,360 --> 00:35:09,759
Speaker 1: are real. It's always really majest city downstairs. They don't

676
00:35:09,760 --> 00:35:11,480
Speaker 1: get give a dance? How does that? How did that

677
00:35:11,520 --> 00:35:13,560
Speaker 1: club stay? Like? You know how clubs fall? Like? How

678
00:35:13,600 --> 00:35:16,680
Speaker 1: do they keep that? Keeps it hot? It's just hot? Man,

679
00:35:17,280 --> 00:35:19,760
Speaker 1: It's something about this club man. We got the girls.

680
00:35:20,480 --> 00:35:23,000
Speaker 1: It's the Monday. Why are we partying on the Monday.

681
00:35:24,320 --> 00:35:28,200
Speaker 1: What are y'all doing? What is going on? Start your

682
00:35:28,239 --> 00:35:31,279
Speaker 1: week up? Man? It's it's magical. But it's something about

683
00:35:31,320 --> 00:35:33,240
Speaker 1: that spot because, like a lot of the records from future,

684
00:35:33,280 --> 00:35:35,920
Speaker 1: you test out there. Yeah, hell yeah, it's the industry spot.

685
00:35:36,480 --> 00:35:40,319
Speaker 1: It's the spot to be right because it's like where

686
00:35:40,360 --> 00:35:42,479
Speaker 1: else are we gonna go? Everyone's gotta be here. Starts

687
00:35:42,560 --> 00:35:44,640
Speaker 1: the week up, so before you even get to the

688
00:35:44,719 --> 00:35:49,120
Speaker 1: weekend music. I started it off on Monday for the

689
00:35:49,239 --> 00:35:52,839
Speaker 1: DJ can't get to it for his Friday Saturday said, Monday,

690
00:35:52,880 --> 00:35:54,279
Speaker 1: how long does it take for a record to break

691
00:35:54,320 --> 00:35:56,040
Speaker 1: the Magic City? You think for it to become what

692
00:35:56,160 --> 00:35:59,319
Speaker 1: it is? It could be one night. Really damn, that's

693
00:35:59,360 --> 00:36:02,720
Speaker 1: an example. Remember a great moment time I just played

694
00:36:02,840 --> 00:36:12,640
Speaker 1: I was one night, one crazy incredible night radio. You

695
00:36:12,719 --> 00:36:15,680
Speaker 1: know you know what? That's what makes magic City match

696
00:36:15,760 --> 00:36:19,279
Speaker 1: City never hit the radio. Tony Montana is bigg as

697
00:36:19,280 --> 00:36:21,319
Speaker 1: it is. It wasn't even on the radio. Wow, it's

698
00:36:21,360 --> 00:36:22,840
Speaker 1: funny that you say that because I always have this

699
00:36:22,920 --> 00:36:24,960
Speaker 1: ongoing argument of all the New York DJs. I always

700
00:36:25,000 --> 00:36:28,160
Speaker 1: say the clubs are the incubator for hip hop records,

701
00:36:28,160 --> 00:36:29,239
Speaker 1: but a lot of people want to, you know, go

702
00:36:29,360 --> 00:36:31,880
Speaker 1: on SoundCloud and things like that, just aly on the internet.

703
00:36:32,320 --> 00:36:34,920
Speaker 1: But it's all that ship. Man. But you know what,

704
00:36:36,520 --> 00:36:39,600
Speaker 1: I ain't nothing wrong with that, that SoundCloud and all that.

705
00:36:39,719 --> 00:36:45,200
Speaker 1: But bro, like I said, I'm gonna hip hop historian junk.

706
00:36:45,440 --> 00:36:48,120
Speaker 1: If you don't have your ship playing, there's some underground

707
00:36:48,200 --> 00:36:51,759
Speaker 1: ship growing from some roots, growing some fans for some

708
00:36:51,920 --> 00:36:54,000
Speaker 1: routes where they can go in there and say that

709
00:36:54,160 --> 00:36:57,279
Speaker 1: ship is getting played down in there. They love that

710
00:36:57,360 --> 00:37:00,200
Speaker 1: ship down there. I've seen it. When they walk again,

711
00:37:00,280 --> 00:37:05,000
Speaker 1: they go crazy. You can email ship all day, told

712
00:37:05,040 --> 00:37:13,919
Speaker 1: you listen, you can zip foul and lot inbox all day,

713
00:37:14,080 --> 00:37:16,680
Speaker 1: but still walk in You ain't working as hard as

714
00:37:16,760 --> 00:37:22,800
Speaker 1: you think, right. I love this guy right now that

715
00:37:23,000 --> 00:37:25,480
Speaker 1: goes he knows what he's talking about. But that was

716
00:37:25,600 --> 00:37:27,279
Speaker 1: because you're such a student of the game. Like talk

717
00:37:27,280 --> 00:37:29,640
Speaker 1: a little keep saying what, man, give us a little

718
00:37:29,640 --> 00:37:30,880
Speaker 1: bit of your background, like how did you get how

719
00:37:30,960 --> 00:37:33,680
Speaker 1: did you first start even get into hip hop? You

720
00:37:33,719 --> 00:37:38,640
Speaker 1: know what my sister I used to when I was

721
00:37:38,719 --> 00:37:40,520
Speaker 1: growing up. I think like when I was a kid,

722
00:37:40,600 --> 00:37:42,399
Speaker 1: it was we said well this is what you yeah,

723
00:37:42,520 --> 00:37:49,680
Speaker 1: like say eighty eight seven nineties and early nineties, not

724
00:37:49,840 --> 00:37:53,319
Speaker 1: not need to define West Coast. Dr Dre snooped off

725
00:37:53,440 --> 00:38:00,400
Speaker 1: DJ Quick. See it's gonna like that. I'm just like

726
00:38:00,560 --> 00:38:04,480
Speaker 1: on that DJ Quick. That's my wife. My wife's like

727
00:38:04,600 --> 00:38:08,319
Speaker 1: DJ Quick strong Side. Yeah, I was on that ship.

728
00:38:08,480 --> 00:38:11,040
Speaker 1: You know what I'm saying. I like Dog Pound. I

729
00:38:11,200 --> 00:38:13,480
Speaker 1: used to love Nate Dog and all that ship. You

730
00:38:13,560 --> 00:38:15,200
Speaker 1: know what I'm saying. The West Sound was the first.

731
00:38:15,320 --> 00:38:18,800
Speaker 1: I love the West. And then my sister, she was

732
00:38:19,040 --> 00:38:21,680
Speaker 1: East Coast, so she was listening to the Wood Tang

733
00:38:22,480 --> 00:38:25,480
Speaker 1: and and I didn't even know nothing about. She was

734
00:38:25,560 --> 00:38:30,279
Speaker 1: listening to the Lost Boy. She's the Lost Boys, nori

735
00:38:30,400 --> 00:38:37,640
Speaker 1: Aga these people is the So now I didn't. Now

736
00:38:37,760 --> 00:38:39,719
Speaker 1: I've grown up listening to the West Coast as kid.

737
00:38:40,080 --> 00:38:42,120
Speaker 1: My sister kind of brought that East Coast on me.

738
00:38:42,680 --> 00:38:44,680
Speaker 1: And but I'm raised in the South, so that's gonna

739
00:38:44,760 --> 00:38:47,760
Speaker 1: come nat. So I grew up on the Goody MAVs

740
00:38:48,320 --> 00:38:50,680
Speaker 1: and the and the Andre three. That was the outcast,

741
00:38:50,840 --> 00:38:52,239
Speaker 1: of course, you know what I'm saying. But then the

742
00:38:52,280 --> 00:38:56,600
Speaker 1: booty music is like crazy booty shake ship when we

743
00:38:56,719 --> 00:39:00,719
Speaker 1: do up down that like Kilo Allis and NaNs dancing. Yeah,

744
00:39:00,800 --> 00:39:04,160
Speaker 1: you know youah, me that talked to me. So it's

745
00:39:04,280 --> 00:39:11,120
Speaker 1: um the young bloods. Yeah, the little John run and

746
00:39:11,200 --> 00:39:14,240
Speaker 1: then Shotty Lows and then you know what I mean, Gucci,

747
00:39:15,280 --> 00:39:20,400
Speaker 1: if Atlanta has had these moments, how did that for

748
00:39:20,440 --> 00:39:25,120
Speaker 1: the last time? Yeah? You know what this is? This

749
00:39:25,280 --> 00:39:27,480
Speaker 1: is I need to say this. But because DJs be,

750
00:39:28,200 --> 00:39:30,759
Speaker 1: you tweeted about it. Yeah, okay, look man, all right,

751
00:39:31,120 --> 00:39:36,640
Speaker 1: that's a little everything DJ man. I love all DJ

752
00:39:36,840 --> 00:39:43,440
Speaker 1: I salute all these I respect DJ but but I

753
00:39:43,640 --> 00:39:47,279
Speaker 1: am a real DJ and I taught myself how to

754
00:39:47,400 --> 00:39:50,439
Speaker 1: do this ship. So that's why I asked some way.

755
00:39:50,520 --> 00:39:55,320
Speaker 1: I act like I didn't join the DJ group because

756
00:39:55,440 --> 00:39:58,560
Speaker 1: I felt like when I decided to become a DJ

757
00:39:58,760 --> 00:40:01,160
Speaker 1: and I was the only couple of DJ people I knew,

758
00:40:01,200 --> 00:40:04,279
Speaker 1: they didn't help me, and I was like, damn, is

759
00:40:04,360 --> 00:40:06,680
Speaker 1: this how the game is gonna be? When I started

760
00:40:06,680 --> 00:40:08,160
Speaker 1: to become a DJ, and I didn't know what to do,

761
00:40:08,320 --> 00:40:11,080
Speaker 1: Like what do I get? What am I supposed to table?

762
00:40:11,400 --> 00:40:14,040
Speaker 1: I don't even know what to do. One DJ helped me,

763
00:40:14,200 --> 00:40:18,200
Speaker 1: DJ Princess Cut. It was a girl named DJ Princess Cut.

764
00:40:20,640 --> 00:40:22,520
Speaker 1: I knew her through my homeboy he was dating her

765
00:40:22,520 --> 00:40:25,279
Speaker 1: at the time, and I was like, yo, can you

766
00:40:25,400 --> 00:40:27,279
Speaker 1: make me a Christmas list? Of Like if I was

767
00:40:27,320 --> 00:40:29,600
Speaker 1: going to become a DJ, what to buy was like

768
00:40:29,719 --> 00:40:32,680
Speaker 1: no price limit, just what you would get if you

769
00:40:32,719 --> 00:40:34,880
Speaker 1: could get it. And I went and bought all that

770
00:40:34,960 --> 00:40:37,200
Speaker 1: ship that same day and hooked it up. And I

771
00:40:37,280 --> 00:40:39,279
Speaker 1: was at my mom's house in the basement and I

772
00:40:39,360 --> 00:40:40,800
Speaker 1: figured out how to hook all this ship up and

773
00:40:40,880 --> 00:40:42,879
Speaker 1: I just started playing with it in the basement every day.

774
00:40:43,200 --> 00:40:44,839
Speaker 1: No one I didn't. I have no one to call.

775
00:40:44,960 --> 00:40:48,239
Speaker 1: No one was like, come do this, come mix this?

776
00:40:48,360 --> 00:40:50,360
Speaker 1: How you bland? No one taught me how to bland

777
00:40:50,520 --> 00:40:53,840
Speaker 1: or what bpms and tempos or I just figured all that.

778
00:40:55,200 --> 00:40:57,040
Speaker 1: But was there someone that made you want to DJ?

779
00:40:57,239 --> 00:40:59,480
Speaker 1: Or we just did you? Try to raps? The greatest

780
00:40:59,560 --> 00:41:02,759
Speaker 1: DJ of all time? Who was that que from the

781
00:41:02,880 --> 00:41:09,360
Speaker 1: movie Juice? He was good? That was good back to

782
00:41:09,440 --> 00:41:11,319
Speaker 1: the early nine you see what I'm saying. I grew

783
00:41:11,440 --> 00:41:18,520
Speaker 1: up and saw Juice, the Queu the movie. Oh my god,

784
00:41:18,800 --> 00:41:24,760
Speaker 1: that was a DJ. That's the coolest ship in the world.

785
00:41:25,480 --> 00:41:27,359
Speaker 1: He just went on the set and winning the club,

786
00:41:27,560 --> 00:41:30,320
Speaker 1: killed it, made a mix. Everyone in the streets like

787
00:41:30,480 --> 00:41:37,720
Speaker 1: tapping him up an you running around with the street niggers.

788
00:41:37,760 --> 00:41:41,120
Speaker 1: But he ain't really got to be a street That's me.

789
00:41:42,480 --> 00:41:44,279
Speaker 1: I was gonna say something. Growing up, you always like

790
00:41:44,320 --> 00:41:47,360
Speaker 1: you have a very eccentric style, like you You've always

791
00:41:47,400 --> 00:41:51,640
Speaker 1: been that way, like yeah, man style, tattoos, the fashion

792
00:41:51,760 --> 00:41:55,120
Speaker 1: wears all that. I've been always like a little left field.

793
00:41:55,640 --> 00:41:58,120
Speaker 1: But it's like right now I'm on my print ship.

794
00:41:59,200 --> 00:42:02,279
Speaker 1: So you don't like to make fun with me. Yeah,

795
00:42:02,280 --> 00:42:09,680
Speaker 1: I'm gonna make make prints. Shot up, guy, I just

796
00:42:09,800 --> 00:42:11,800
Speaker 1: do history, man. I'm like, I'm listening to the vinyl

797
00:42:11,880 --> 00:42:14,319
Speaker 1: at my house. Man, I just bought nineteen ninety nine

798
00:42:15,080 --> 00:42:18,560
Speaker 1: Prince Man. I've been listening to that Purple Rain checking

799
00:42:18,640 --> 00:42:22,680
Speaker 1: him out. Purple Rain, Man, that's pretty good that prints. Yeah, man,

800
00:42:24,800 --> 00:42:31,160
Speaker 1: I listened to Dead People. Well, ironically, the guy next

801
00:42:31,239 --> 00:42:33,200
Speaker 1: to you was like the hottest guy live right now.

802
00:42:34,920 --> 00:42:36,719
Speaker 1: If I'm not listening to the future in the car,

803
00:42:37,520 --> 00:42:40,480
Speaker 1: which usually I'm not listening to current future, I'm usually

804
00:42:40,520 --> 00:42:43,320
Speaker 1: listening to advanced future. So I love that Made in America.

805
00:42:43,360 --> 00:42:46,200
Speaker 1: You drewing like we played my whole you play class.

806
00:42:47,120 --> 00:42:49,719
Speaker 1: That was slick, Like I don't like that, and m

807
00:42:49,800 --> 00:42:52,560
Speaker 1: I am like why but but you ain't even know

808
00:42:52,640 --> 00:42:55,400
Speaker 1: about when he had when when the guys did the

809
00:42:55,440 --> 00:42:58,600
Speaker 1: New York show Urban, what was it highline? Yeah, the

810
00:42:58,640 --> 00:43:02,800
Speaker 1: Highline for room said he Escho came out and I

811
00:43:02,880 --> 00:43:05,000
Speaker 1: was like, yo, Eschol has a DJ. The DJ has

812
00:43:05,040 --> 00:43:09,479
Speaker 1: a DJ. He's like that, let's go, Hey, we gotta

813
00:43:09,560 --> 00:43:17,279
Speaker 1: turn up. You're like, we gotta da shout out the

814
00:43:17,360 --> 00:43:19,839
Speaker 1: DJ Ron for Chicago. He's flying in right now. He's

815
00:43:19,880 --> 00:43:21,440
Speaker 1: going to come up here. He's on the way here

816
00:43:21,480 --> 00:43:24,640
Speaker 1: to do much to do. I gotta show tonight. I

817
00:43:24,719 --> 00:43:29,440
Speaker 1: got a DJ too, because this is what happened. We

818
00:43:29,520 --> 00:43:32,320
Speaker 1: gotta do something that's never done before. We're rock starting

819
00:43:32,320 --> 00:43:35,920
Speaker 1: out here. Man, we got a DJ. DJ the Future

820
00:43:36,000 --> 00:43:37,560
Speaker 1: he DJs for me. I come out and do a

821
00:43:37,600 --> 00:43:40,320
Speaker 1: little set before Future comes out. But I gotta dance,

822
00:43:40,840 --> 00:43:42,880
Speaker 1: so it's hard for me to get all my dance

823
00:43:42,960 --> 00:43:45,840
Speaker 1: moves off, you know what I'm saying, And so I

824
00:43:45,880 --> 00:43:48,919
Speaker 1: gotta keep my dance moves out then go back to DS.

825
00:43:48,960 --> 00:43:52,280
Speaker 1: Ain't for Future, but first I got DJ Ron speaking

826
00:43:52,320 --> 00:43:56,160
Speaker 1: of dance at the six K for walks, bit don panic, panic?

827
00:43:56,400 --> 00:43:58,600
Speaker 1: What is that move? Man? What is that? You did?

828
00:43:58,640 --> 00:44:01,680
Speaker 1: You know it's gonna be classic moment. The video moment

829
00:44:01,719 --> 00:44:03,800
Speaker 1: of the year. I can't I can't even lie. I

830
00:44:03,840 --> 00:44:07,239
Speaker 1: did not know that was gonna get classic step. You

831
00:44:07,320 --> 00:44:08,800
Speaker 1: gotta see this video. I'm gonna show you what. He

832
00:44:09,160 --> 00:44:13,680
Speaker 1: leaves safety for a walk through and went crazy and

833
00:44:14,400 --> 00:44:16,960
Speaker 1: I was really just really doing the market. Is that

834
00:44:17,040 --> 00:44:21,560
Speaker 1: the walk was walking through like stiff over, like he

835
00:44:21,719 --> 00:44:26,239
Speaker 1: does like like this, like so fast. It's like a

836
00:44:26,560 --> 00:44:30,560
Speaker 1: demendingly jack. It's a lot of hand movement and work.

837
00:44:31,360 --> 00:44:33,160
Speaker 1: It has to be on the beat, you know, it's

838
00:44:33,200 --> 00:44:36,560
Speaker 1: so fast. You even retreated some of the fans making

839
00:44:36,719 --> 00:44:39,279
Speaker 1: the stuff. I like to have fun with it. I

840
00:44:39,360 --> 00:44:41,320
Speaker 1: don't take it personally. I like when the fans have

841
00:44:41,480 --> 00:44:43,319
Speaker 1: fun with it. They're having fun with it. I'm having

842
00:44:43,440 --> 00:44:45,040
Speaker 1: fun with it, you know what I mean, because that's

843
00:44:45,080 --> 00:44:47,520
Speaker 1: where the hip hop is. You gotta be different. Sometimes

844
00:44:47,560 --> 00:44:49,839
Speaker 1: people see something they never seen before, and they might

845
00:44:49,920 --> 00:44:51,800
Speaker 1: take it a different way because they've never seen it.

846
00:44:52,160 --> 00:44:54,600
Speaker 1: People are scared of different ship. I'm different. But even

847
00:44:54,640 --> 00:44:56,719
Speaker 1: in Mad America. Remember he didn't have a warm of

848
00:44:56,800 --> 00:44:59,279
Speaker 1: DJ for you down this work. But remember he came

849
00:44:59,320 --> 00:45:02,279
Speaker 1: out and he's setting up and the crowd pop was like, like,

850
00:45:02,320 --> 00:45:04,640
Speaker 1: well out so the stage guy, I know the main

851
00:45:04,719 --> 00:45:06,880
Speaker 1: stage guy forget his name. He comes round to me

852
00:45:06,920 --> 00:45:08,320
Speaker 1: like he go on to he go out and I'm like, no,

853
00:45:08,760 --> 00:45:11,440
Speaker 1: DJ setting up. He thought the Future had jumped the

854
00:45:11,520 --> 00:45:13,759
Speaker 1: gun and went up stage. I was like, wow, the

855
00:45:13,840 --> 00:45:16,120
Speaker 1: crowd already was showing him love to that that. It

856
00:45:16,200 --> 00:45:20,920
Speaker 1: was so loud. Master j was like, they recognize you

857
00:45:21,000 --> 00:45:23,560
Speaker 1: now with that. That's what you see how you just

858
00:45:23,680 --> 00:45:26,759
Speaker 1: said that. Those are the conversations and Future have chair

859
00:45:26,840 --> 00:45:30,719
Speaker 1: Master J run DMC Eric b rock him and that's

860
00:45:30,760 --> 00:45:35,959
Speaker 1: lost now. The DJ Jazzy Jeff like that was ill

861
00:45:36,560 --> 00:45:40,240
Speaker 1: to see them together, like j Jeff Fresh Prince Will Smith.

862
00:45:40,640 --> 00:45:46,520
Speaker 1: That was dope. Hip hop, hip hop. Let's do that right,

863
00:45:46,800 --> 00:45:49,520
Speaker 1: you know what I'm saying, and never break up, that's dope.

864
00:45:49,920 --> 00:45:52,080
Speaker 1: I was talking about your maide An American experience because

865
00:45:52,160 --> 00:45:55,280
Speaker 1: I think that you guys probably had the biggest reaction

866
00:45:55,320 --> 00:46:01,080
Speaker 1: out of it. I'm keeping it out. Hey, whole family,

867
00:46:02,120 --> 00:46:04,760
Speaker 1: shut up that Beyonce because she actually did a six

868
00:46:05,280 --> 00:46:08,560
Speaker 1: yeah oh yeah, and that was hot. That's dope. That

869
00:46:08,640 --> 00:46:10,959
Speaker 1: was hot. Shout out to be because she can dance

870
00:46:11,040 --> 00:46:21,680
Speaker 1: better than me. That's the parents through stage to cry

871
00:46:21,719 --> 00:46:26,160
Speaker 1: with the right. Yeah. But no, man, you should have

872
00:46:26,160 --> 00:46:28,759
Speaker 1: had that rocky stage because you tore that liberty down man.

873
00:46:29,080 --> 00:46:32,080
Speaker 1: Yeah yeah, that liberty is crazy, man. But now we

874
00:46:32,200 --> 00:46:36,120
Speaker 1: had a great show man Future. The reaction of Future

875
00:46:36,200 --> 00:46:38,040
Speaker 1: is like, yes, so we got off that to the

876
00:46:38,160 --> 00:46:40,160
Speaker 1: run of the mix tapes to take us to how

877
00:46:40,200 --> 00:46:42,239
Speaker 1: do you get to Monster? And like his point where

878
00:46:42,280 --> 00:46:44,760
Speaker 1: he's slitting like before that, I mean, we know about

879
00:46:44,760 --> 00:46:46,400
Speaker 1: it with DS two is we'll get to that. But

880
00:46:47,200 --> 00:46:49,640
Speaker 1: in trusting like you and Metro and a few people

881
00:46:49,680 --> 00:46:52,080
Speaker 1: to like pretty much guide what records make the cut

882
00:46:52,440 --> 00:46:56,200
Speaker 1: that ship man, me and Metro. That's it because we're

883
00:46:56,280 --> 00:46:59,080
Speaker 1: taking it back man to how it used to be,

884
00:47:00,040 --> 00:47:02,200
Speaker 1: like you know when it was many fresh he only

885
00:47:02,280 --> 00:47:04,239
Speaker 1: did cash money and you know that's what he's doing.

886
00:47:04,719 --> 00:47:06,840
Speaker 1: You know what I'm saying, Like Metro, he is me,

887
00:47:07,040 --> 00:47:10,680
Speaker 1: Metro and his future. That's what it is. Like, no

888
00:47:10,840 --> 00:47:13,720
Speaker 1: much going to break this up. That's the recipe future.

889
00:47:13,840 --> 00:47:16,480
Speaker 1: Make as much music as possible and then let me

890
00:47:16,560 --> 00:47:20,160
Speaker 1: and Metro go in like it. It's like Tupac. I

891
00:47:20,280 --> 00:47:23,000
Speaker 1: was watching Tupac I think it was Resurrection or thug

892
00:47:23,080 --> 00:47:25,719
Speaker 1: Agel or something, and he was just like, I want

893
00:47:25,719 --> 00:47:28,280
Speaker 1: to make as many songs as possible. Just let me record,

894
00:47:28,400 --> 00:47:31,360
Speaker 1: y'all fix the ship later. I want to make songs,

895
00:47:31,480 --> 00:47:34,560
Speaker 1: like make songs you want to then you want to

896
00:47:34,719 --> 00:47:36,560
Speaker 1: change the beat up? Do that ship later. I got

897
00:47:36,680 --> 00:47:38,120
Speaker 1: to get this out. Just get it out, and that's

898
00:47:38,120 --> 00:47:39,680
Speaker 1: how we want to treat Future. Just get it out.

899
00:47:39,760 --> 00:47:41,080
Speaker 1: Do with many songs. That's the thing. I try to

900
00:47:41,120 --> 00:47:42,920
Speaker 1: explain who you are. It's like to say you're as DJ.

901
00:47:43,200 --> 00:47:45,520
Speaker 1: That's doesn't really explain how vital you are to it.

902
00:47:45,640 --> 00:47:48,360
Speaker 1: So what do you like? Executive producer and A and

903
00:47:48,600 --> 00:47:52,120
Speaker 1: R like. It's like it's like an R thing because

904
00:47:52,120 --> 00:47:55,120
Speaker 1: you don't make the beat yourself. I don't beat myself.

905
00:47:55,160 --> 00:47:58,080
Speaker 1: We let Metro make the beats, and then we'll pick

906
00:47:58,120 --> 00:48:00,800
Speaker 1: out the beats and we'll use Future of HOTB on

907
00:48:00,840 --> 00:48:03,640
Speaker 1: the beats and then we'll figure it out from there

908
00:48:03,760 --> 00:48:07,480
Speaker 1: what to do with the song. Sometimes Future already knows

909
00:48:07,520 --> 00:48:09,200
Speaker 1: what to do with the song, and sometimes Future is

910
00:48:09,239 --> 00:48:12,600
Speaker 1: just going freestyle and we'll we'll figure out what to

911
00:48:12,640 --> 00:48:14,480
Speaker 1: do with song. You know what I'm saying. But your

912
00:48:14,520 --> 00:48:16,239
Speaker 1: ear is probably the strongest thing that look at it

913
00:48:16,280 --> 00:48:18,160
Speaker 1: from a perspective that you're not rapping or you're not

914
00:48:18,239 --> 00:48:20,879
Speaker 1: making a beat, but you're you're thearing what catches, you'll

915
00:48:20,880 --> 00:48:23,560
Speaker 1: out your ear and arrangement wise, I'm gonna pick out

916
00:48:23,640 --> 00:48:25,440
Speaker 1: the songs. There ain't gonna be no song we're not

917
00:48:25,480 --> 00:48:27,879
Speaker 1: gonna pick out. So every time you hear song, pick out.

918
00:48:27,880 --> 00:48:31,640
Speaker 1: I picked the song out and then I put it

919
00:48:31,680 --> 00:48:34,000
Speaker 1: in order. So when you see thought it was a

920
00:48:34,120 --> 00:48:37,160
Speaker 1: dropping number one, I thought it was dropping number one

921
00:48:37,239 --> 00:48:44,520
Speaker 1: for it's not no, this ain't no fucking We're not

922
00:48:44,640 --> 00:48:47,319
Speaker 1: just throwing it up like we know what we're doing,

923
00:48:47,800 --> 00:48:49,600
Speaker 1: you know what I'm saying, and we're winning with it

924
00:48:49,960 --> 00:48:53,200
Speaker 1: with our formula. It might not be for y'all your formula,

925
00:48:53,280 --> 00:48:55,800
Speaker 1: but it works for us, you know, because even comments

926
00:48:55,840 --> 00:48:57,640
Speaker 1: like that was a different part and you guys decided

927
00:48:57,640 --> 00:48:59,200
Speaker 1: to put it in the front, right, and that was

928
00:48:59,280 --> 00:49:02,040
Speaker 1: future that I you know, sometimes future I have our

929
00:49:02,080 --> 00:49:04,360
Speaker 1: idea like try to put that in the front and

930
00:49:04,440 --> 00:49:06,560
Speaker 1: be like, oh, that's dope, you know what I'm saying.

931
00:49:06,600 --> 00:49:08,399
Speaker 1: But sometimes he just nails it on the first drive,

932
00:49:08,480 --> 00:49:10,239
Speaker 1: don't even have to do anything. So did you know,

933
00:49:10,360 --> 00:49:12,239
Speaker 1: like fifty six nights and d S two, we're gonna

934
00:49:12,280 --> 00:49:14,719
Speaker 1: be these monsters? No pun intended that they have become

935
00:49:16,760 --> 00:49:20,440
Speaker 1: monster I knew Monster was out of here. It was

936
00:49:20,440 --> 00:49:23,279
Speaker 1: gonna get him back to where you needed. And why

937
00:49:23,360 --> 00:49:25,040
Speaker 1: what were some of the songs that you knew that

938
00:49:25,160 --> 00:49:28,360
Speaker 1: people sessions that you knew like this is okay? You

939
00:49:28,440 --> 00:49:31,040
Speaker 1: know it wasn't the songs. It was I knew this

940
00:49:31,280 --> 00:49:34,040
Speaker 1: is the attitude they want. That's why I like, let's

941
00:49:34,080 --> 00:49:37,960
Speaker 1: put Monster out first. I'm a monster on these holes.

942
00:49:38,080 --> 00:49:40,960
Speaker 1: I'm uster because they think you're so caught up in

943
00:49:41,239 --> 00:49:47,239
Speaker 1: love and all this soft ship, nigga, you come from this,

944
00:49:52,840 --> 00:49:56,160
Speaker 1: so Monster on these holes. It wasn't even like Monster

945
00:49:56,239 --> 00:50:00,520
Speaker 1: is gonna be a smash. It was like Monster and

946
00:50:00,640 --> 00:50:03,120
Speaker 1: now let's make a body of work around that and

947
00:50:03,200 --> 00:50:05,759
Speaker 1: they're gonna love it. That was also to go back

948
00:50:05,760 --> 00:50:07,840
Speaker 1: to take the game from l A back to Atlanta. Right,

949
00:50:07,880 --> 00:50:10,320
Speaker 1: So yeah, so you went back back to Atlanta and

950
00:50:10,480 --> 00:50:12,239
Speaker 1: did that ship. It didn't take time for him to

951
00:50:12,280 --> 00:50:13,560
Speaker 1: get back in that mode when you got back to

952
00:50:13,560 --> 00:50:16,439
Speaker 1: Atlanta or a little bit. Yeah, because but it takes

953
00:50:16,520 --> 00:50:19,960
Speaker 1: that because you know, when we do, uh we come

954
00:50:20,040 --> 00:50:21,400
Speaker 1: up with the mixtape, say we come up with a

955
00:50:21,440 --> 00:50:23,520
Speaker 1: title fifty six Nights, it might take you a while

956
00:50:23,600 --> 00:50:26,040
Speaker 1: to get in fifty six night mode. Yeah, you know

957
00:50:26,080 --> 00:50:28,960
Speaker 1: what I'm saying. But he got in Monster Molde. I

958
00:50:29,080 --> 00:50:31,920
Speaker 1: knew when he did at Tupac and Mad Love, and

959
00:50:32,239 --> 00:50:34,360
Speaker 1: I knew its is gonna be crazy. The hope for

960
00:50:34,440 --> 00:50:36,480
Speaker 1: the Six Nights brandons like you've kind of made that

961
00:50:36,560 --> 00:50:39,200
Speaker 1: into your brand. Was that a strategic decision or was

962
00:50:39,239 --> 00:50:43,719
Speaker 1: it like something hard to embrace? Yeah? First, that's why

963
00:50:43,719 --> 00:50:46,640
Speaker 1: I do no interviews. They might talking about this ship.

964
00:50:48,920 --> 00:50:52,200
Speaker 1: I'm gonna keep talking about this ship, motherfucker's and never

965
00:50:52,360 --> 00:50:54,279
Speaker 1: know what I was because you really set it off

966
00:50:54,320 --> 00:50:56,440
Speaker 1: from jump though. Is that surprised you, like, because it's

967
00:50:56,440 --> 00:50:58,279
Speaker 1: so it's so impactful to you, it just comes out.

968
00:50:58,400 --> 00:51:00,080
Speaker 1: It just came and come out. Yeah, because it is

969
00:51:00,160 --> 00:51:03,920
Speaker 1: like when I first got out, I didn't know what happened,

970
00:51:03,960 --> 00:51:06,359
Speaker 1: why I did what I went through, why I went through.

971
00:51:06,760 --> 00:51:09,120
Speaker 1: But now starting to come clear, and there was a sacrifice,

972
00:51:09,400 --> 00:51:11,920
Speaker 1: I can see through the success of it, So now

973
00:51:11,960 --> 00:51:14,400
Speaker 1: I can talk about it more freely, more open, And

974
00:51:14,520 --> 00:51:16,120
Speaker 1: for a minute, I was like, man, maybe we shouldn't

975
00:51:16,120 --> 00:51:18,560
Speaker 1: have told anybody, because for a while, nobody knew why.

976
00:51:18,640 --> 00:51:20,160
Speaker 1: We didn't know till the end, right, we didn't know

977
00:51:20,200 --> 00:51:23,160
Speaker 1: why he was in there. Sometimes like you just thinking back, Man,

978
00:51:23,239 --> 00:51:26,000
Speaker 1: maybe I should have just told nobody. Maybe I should

979
00:51:26,000 --> 00:51:29,520
Speaker 1: have just came back like, man, I was just I

980
00:51:29,680 --> 00:51:33,520
Speaker 1: was on shroom. But it's dope because like twenty three

981
00:51:33,640 --> 00:51:35,640
Speaker 1: is with Jordan, Now you look at fifty six, it's

982
00:51:35,640 --> 00:51:41,480
Speaker 1: almost like you're you're the second person said that. They

983
00:51:41,560 --> 00:51:44,520
Speaker 1: was like, yo, fifty six, the number isn't the same

984
00:51:44,640 --> 00:51:50,240
Speaker 1: number that used to be Joe Domacio, Right, how then

985
00:51:50,360 --> 00:51:53,840
Speaker 1: do you how do you put that impact on the

986
00:51:54,040 --> 00:51:57,080
Speaker 1: number How the fun you make an impact on the

987
00:51:57,200 --> 00:52:00,440
Speaker 1: number five? It's been here for billions of year, he's

988
00:52:00,440 --> 00:52:03,480
Speaker 1: the number fifty six? How does that it changes in mind?

989
00:52:03,560 --> 00:52:05,440
Speaker 1: That's crazy? Well, I want to get the d S

990
00:52:05,480 --> 00:52:07,040
Speaker 1: two though, because here's the thing that people don't even know.

991
00:52:07,080 --> 00:52:08,800
Speaker 1: When we were doing a documentary, I didn't even know

992
00:52:09,000 --> 00:52:10,800
Speaker 1: what the next album was gonna be. I didn't know

993
00:52:10,880 --> 00:52:15,840
Speaker 1: the concept. Y'all were secretly cooking up this thing, Dirty Sprite,

994
00:52:16,960 --> 00:52:19,280
Speaker 1: which we knew the name itself. I was so tempted

995
00:52:19,320 --> 00:52:20,560
Speaker 1: when like, I mean, I wouldn't have did it, but

996
00:52:20,640 --> 00:52:23,080
Speaker 1: I was like, if people know that, like they think

997
00:52:23,160 --> 00:52:24,759
Speaker 1: the album is gonna be whatever, not only is it

998
00:52:24,880 --> 00:52:27,399
Speaker 1: not that by calling the ship d S two, which

999
00:52:27,480 --> 00:52:29,319
Speaker 1: is the classes, and even in the dock you said

1000
00:52:29,360 --> 00:52:31,080
Speaker 1: dirty Sprite in it, and we kept that part and

1001
00:52:31,120 --> 00:52:33,319
Speaker 1: I was like, I'm so glad everything that we kept

1002
00:52:33,400 --> 00:52:36,840
Speaker 1: made sense, Like I knew it was happening. Seems like

1003
00:52:36,920 --> 00:52:39,959
Speaker 1: those breaks my way had no clue, had no clue.

1004
00:52:41,400 --> 00:52:43,480
Speaker 1: And then Sylvia Won showed me the artwork and it

1005
00:52:43,600 --> 00:52:45,680
Speaker 1: was like the purple thing that I was d S two.

1006
00:52:45,719 --> 00:52:50,239
Speaker 1: I was like, fucking Dirty Sprite two a sequel. I

1007
00:52:50,320 --> 00:52:52,080
Speaker 1: had no idea the whole thing was created. That So,

1008
00:52:52,160 --> 00:52:54,040
Speaker 1: talking about putting that record together while you guys were

1009
00:52:54,080 --> 00:52:58,480
Speaker 1: actively still on tour to um, that was one of

1010
00:52:58,600 --> 00:53:03,759
Speaker 1: them ones where we were like, okay, this is it

1011
00:53:04,760 --> 00:53:08,960
Speaker 1: coming off a free peat man. Okay, if this ship

1012
00:53:09,120 --> 00:53:16,000
Speaker 1: don't work back to the track. Back to the track,

1013
00:53:18,440 --> 00:53:21,200
Speaker 1: we were like, we're doing it our way. We tried

1014
00:53:21,280 --> 00:53:26,640
Speaker 1: it the other way twice. Now we got to try

1015
00:53:26,760 --> 00:53:28,759
Speaker 1: our way, or even count the first album that way.

1016
00:53:28,920 --> 00:53:31,959
Speaker 1: Don't compromises this time, because you know what I'm saying,

1017
00:53:32,040 --> 00:53:36,880
Speaker 1: Like those first two times it was rough, and but

1018
00:53:37,760 --> 00:53:40,279
Speaker 1: when you're trying new things, you're trying to let some

1019
00:53:40,360 --> 00:53:42,400
Speaker 1: of the other people guts you the right way and

1020
00:53:42,480 --> 00:53:44,080
Speaker 1: it's got el a read to put out the album.

1021
00:53:44,120 --> 00:53:48,560
Speaker 1: It says I don't track one of the album number one.

1022
00:53:50,320 --> 00:53:54,680
Speaker 1: So we did it our way. Third album at work man,

1023
00:53:54,760 --> 00:53:59,000
Speaker 1: we had to be ratchet. I was like, no, that's

1024
00:53:59,000 --> 00:54:00,239
Speaker 1: how I thought it was a drop to so I

1025
00:54:00,280 --> 00:54:03,600
Speaker 1: said Metro. We was just me and Metro. I said, Metro.

1026
00:54:04,440 --> 00:54:07,400
Speaker 1: The first thing they have to hear him say on

1027
00:54:07,600 --> 00:54:11,840
Speaker 1: this album, I just fucked your bitch and some Gucci

1028
00:54:12,000 --> 00:54:18,200
Speaker 1: flip flop going track the track I'm going because if

1029
00:54:18,239 --> 00:54:22,040
Speaker 1: he says that first, then you know it's now. He

1030
00:54:22,120 --> 00:54:25,760
Speaker 1: doesn't live the loudest that people yell Gucci flip flops,

1031
00:54:25,840 --> 00:54:34,520
Speaker 1: Like you can't even find Gucci flip flops yourself. Win up,

1032
00:54:35,280 --> 00:54:37,759
Speaker 1: I don't win in three stores. They only got the

1033
00:54:37,920 --> 00:54:40,320
Speaker 1: throng one. They don't have that. Yeah, they don't have

1034
00:54:40,480 --> 00:54:42,839
Speaker 1: the one, the real one. I served the base. I'm

1035
00:54:42,880 --> 00:54:46,359
Speaker 1: going to track by track with Yeah, I said the base.

1036
00:54:46,440 --> 00:54:51,560
Speaker 1: That's my favorite track beat the Metro to keep your

1037
00:54:51,640 --> 00:54:55,839
Speaker 1: loves that and that's dope because Andre two thousand said

1038
00:54:55,840 --> 00:54:58,839
Speaker 1: he loved that. That's his favorite too, really love that beat.

1039
00:54:59,040 --> 00:55:02,839
Speaker 1: I was at stink only throwing Jesus thing and uh

1040
00:55:03,520 --> 00:55:06,640
Speaker 1: when as soon as he walked in real Sisters, that's

1041
00:55:06,680 --> 00:55:10,719
Speaker 1: only kept talking about I was. I was like, yo,

1042
00:55:10,840 --> 00:55:16,080
Speaker 1: that's the only thing he kept murmuring. That's crazy saying

1043
00:55:16,800 --> 00:55:21,160
Speaker 1: future ship because three stacks the most quotable Atlanta like Atlanta.

1044
00:55:21,239 --> 00:55:24,440
Speaker 1: He's like almost like God in Atlanta, like three thousand,

1045
00:55:24,960 --> 00:55:27,359
Speaker 1: Come on there, I said. The basic my favorite track

1046
00:55:28,239 --> 00:55:30,440
Speaker 1: beat that he did on that's raw. I feel like

1047
00:55:31,000 --> 00:55:33,120
Speaker 1: black and white, kind of like when jay Z did

1048
00:55:33,239 --> 00:55:36,120
Speaker 1: that ninety nine problems and it was just raw and

1049
00:55:36,200 --> 00:55:43,960
Speaker 1: it was just like who cares? Besides you're dancing. That

1050
00:55:44,120 --> 00:55:46,440
Speaker 1: was fun? Man, Well, yeah, I knew that was fun.

1051
00:55:46,520 --> 00:55:49,960
Speaker 1: That was the tempo setter. Um Me and MITCHO was

1052
00:55:50,000 --> 00:55:51,960
Speaker 1: talking about it like this is gonna be the tempo

1053
00:55:52,280 --> 00:55:56,600
Speaker 1: of DS two. This hot, this fast hop, It's gonna

1054
00:55:56,640 --> 00:55:58,520
Speaker 1: be the tempo we knew where it was gonna be fun,

1055
00:55:58,680 --> 00:56:01,400
Speaker 1: trendy Drake cop Drake wanted to hop on It was

1056
00:56:01,480 --> 00:56:03,480
Speaker 1: last minute. Yeah, it was last he want to hop

1057
00:56:03,520 --> 00:56:06,520
Speaker 1: on something. The day before we turned it in. You

1058
00:56:06,560 --> 00:56:09,200
Speaker 1: know you have to wait. You know why that he

1059
00:56:09,239 --> 00:56:14,759
Speaker 1: want to make sure nobody else is on the like

1060
00:56:14,880 --> 00:56:17,080
Speaker 1: the next day that that's why there's gonna be no

1061
00:56:17,200 --> 00:56:20,360
Speaker 1: features because everything else been no features, nice, no features,

1062
00:56:21,040 --> 00:56:23,600
Speaker 1: be smoke, no features. You know, Scooter on the team,

1063
00:56:23,719 --> 00:56:27,160
Speaker 1: we had Juvenile Classic, one feature, we had Wayne, one

1064
00:56:27,200 --> 00:56:31,239
Speaker 1: feature on Monster. We only had three features, Project Groupies,

1065
00:56:33,040 --> 00:56:42,879
Speaker 1: Ratchet but True on steroids. Because you know, now all

1066
00:56:42,960 --> 00:56:50,000
Speaker 1: of us are single. Okay, we're the party. Sometimes futures

1067
00:56:50,239 --> 00:56:53,480
Speaker 1: features in this relationship. Then I'm singing, then he sing

1068
00:56:53,719 --> 00:56:56,960
Speaker 1: So we can't never really just party. Now we can

1069
00:56:57,040 --> 00:57:01,120
Speaker 1: just party fucking rock stars of the One. I like

1070
00:57:01,200 --> 00:57:08,080
Speaker 1: that sleep It's a sleep one album, right, Little One's

1071
00:57:08,080 --> 00:57:11,840
Speaker 1: a sleeping man. Anybody who's ever shot at a K

1072
00:57:12,080 --> 00:57:16,600
Speaker 1: forty seven loves this song. Speaking of which, nothing what's

1073
00:57:16,600 --> 00:57:19,840
Speaker 1: greater than stick Talk? Howd it comes in? I know that? Man?

1074
00:57:20,600 --> 00:57:23,600
Speaker 1: We changed? I changed. I need Dr pel Esco. Man,

1075
00:57:23,720 --> 00:57:27,240
Speaker 1: we friends, You need that? You know what? That you

1076
00:57:27,320 --> 00:57:33,919
Speaker 1: played that on the Escot woman that man that water

1077
00:57:35,280 --> 00:57:38,600
Speaker 1: going up. Stick Talking is on pace to be a classic.

1078
00:57:39,080 --> 00:57:43,040
Speaker 1: These songs are just arrangement. How do you guys sign arrangement?

1079
00:57:43,160 --> 00:57:46,360
Speaker 1: We did that together? Um, you said make it as

1080
00:57:46,400 --> 00:57:50,080
Speaker 1: loud as possible in the beginning, like Future Future one

1081
00:57:50,160 --> 00:57:54,080
Speaker 1: of his ship up loud on the album here, But yeah,

1082
00:57:54,080 --> 00:57:55,960
Speaker 1: I remember Metro. We was like, you gotta come in

1083
00:57:56,120 --> 00:57:57,920
Speaker 1: with I took a shot of hit me because it

1084
00:57:58,000 --> 00:58:00,800
Speaker 1: came in a different way. It kind of like graced

1085
00:58:00,880 --> 00:58:02,960
Speaker 1: its way in. We're like, no, you gotta hit so

1086
00:58:03,200 --> 00:58:05,320
Speaker 1: who's our idea was to put the thumb in your buttline?

1087
00:58:05,400 --> 00:58:07,520
Speaker 1: Let's to leave that in That was you know, okay,

1088
00:58:07,560 --> 00:58:13,479
Speaker 1: you know what it was gonna be worse than that down.

1089
00:58:15,280 --> 00:58:18,480
Speaker 1: We actually had dropped the whole being and made that

1090
00:58:18,600 --> 00:58:22,240
Speaker 1: whole part acapella. And they were like, wait a minute,

1091
00:58:22,280 --> 00:58:25,480
Speaker 1: we don't want to highlight it. They'll highlight it on that.

1092
00:58:27,080 --> 00:58:29,919
Speaker 1: Just keep it beat going, they'll catch it. We're gonna

1093
00:58:29,960 --> 00:58:34,200
Speaker 1: make you catch like stop the beat on. That might

1094
00:58:34,240 --> 00:58:38,920
Speaker 1: be too much, really emphasize featuring that part right now.

1095
00:58:39,040 --> 00:58:42,360
Speaker 1: It's too much free cold free code. Speaking of which,

1096
00:58:42,680 --> 00:58:44,400
Speaker 1: free coach, you know, you know, I gotta have some

1097
00:58:44,480 --> 00:58:48,479
Speaker 1: magic play that magic. It does what it does nice

1098
00:58:48,480 --> 00:58:51,440
Speaker 1: city girls go crazy on the pole. That is snack

1099
00:58:51,560 --> 00:59:02,919
Speaker 1: pack the yeah he yeah man Freaks is a chier

1100
00:59:02,960 --> 00:59:06,360
Speaker 1: club banger. Both rotations. How your guys living out being single?

1101
00:59:07,400 --> 00:59:10,920
Speaker 1: For these ladies in rotation? Put these ladies in rotation.

1102
00:59:11,240 --> 00:59:13,200
Speaker 1: You got the blocks talking about the nick out here.

1103
00:59:13,240 --> 00:59:20,240
Speaker 1: Now there, you got me? You want light skinned beef here?

1104
00:59:20,720 --> 00:59:24,600
Speaker 1: Chris Brown got down. You know what, he's gonna be

1105
00:59:24,680 --> 00:59:28,720
Speaker 1: all up when your I you know what's crazy? No, man,

1106
00:59:28,800 --> 00:59:31,480
Speaker 1: I think Chris Brown. I think he Bartley more cooler

1107
00:59:31,520 --> 00:59:33,560
Speaker 1: than that. Man. I never really met I never met

1108
00:59:33,640 --> 00:59:35,320
Speaker 1: Chris you know, w whatant to know? What's funny? I

1109
00:59:35,440 --> 00:59:38,360
Speaker 1: never even met Carucci. We met for like two minutes.

1110
00:59:38,400 --> 00:59:39,960
Speaker 1: That look like a little party shot right like you

1111
00:59:40,040 --> 00:59:43,280
Speaker 1: take a quick She wasn't even nothing, you know what

1112
00:59:43,320 --> 00:59:46,120
Speaker 1: I'm saying. We came in. I'm like, damn, we came

1113
00:59:46,160 --> 00:59:50,000
Speaker 1: to a point A man can't even meet a woman. Now, fuck,

1114
00:59:50,960 --> 00:59:53,240
Speaker 1: I just got that. I went in. We went in

1115
00:59:54,400 --> 00:59:56,280
Speaker 1: and um, they told me Crucier at a party of

1116
00:59:56,480 --> 00:59:58,040
Speaker 1: I'm going to meet her. You know what I'm saying.

1117
00:59:58,080 --> 01:00:01,000
Speaker 1: We met, She seemed cool. Don't even We didn't even

1118
01:00:01,040 --> 01:00:02,760
Speaker 1: really get to talk. It's a card as a club.

1119
01:00:03,240 --> 01:00:05,600
Speaker 1: It's cool. We met. How you doing? Nice to meet you.

1120
01:00:06,000 --> 01:00:08,120
Speaker 1: We took a picture that might even not even took

1121
01:00:08,200 --> 01:00:09,919
Speaker 1: more than one picture. It might have been one, maybe

1122
01:00:09,960 --> 01:00:12,880
Speaker 1: two pictures. And now damn, I went back to my

1123
01:00:13,000 --> 01:00:15,440
Speaker 1: section and she stayed doing her thing. I did my

1124
01:00:15,520 --> 01:00:17,320
Speaker 1: thing and left. I wouldn't even probably in the cup

1125
01:00:17,400 --> 01:00:19,240
Speaker 1: thirty minutes. It was weird because it was like sources

1126
01:00:19,320 --> 01:00:31,280
Speaker 1: and Futures Camp say like, yak this podcast and oh yeah,

1127
01:00:31,280 --> 01:00:34,840
Speaker 1: I'm alone and now I'm a loner. I'm alone. I'm

1128
01:00:34,880 --> 01:00:37,280
Speaker 1: a lonely nigger. I wrote with him. But all the

1129
01:00:37,320 --> 01:00:40,920
Speaker 1: guys you metioned, you don't see me with BK. You

1130
01:00:40,920 --> 01:00:43,320
Speaker 1: don't see me Metro, you don't see the future by myself.

1131
01:00:43,600 --> 01:00:46,080
Speaker 1: I came to the club by myself. So it's like

1132
01:00:46,840 --> 01:00:50,640
Speaker 1: sources say, man, that's bad man, But that shows I

1133
01:00:50,720 --> 01:00:53,040
Speaker 1: hourt you out here. Man, that's cool man. There's no

1134
01:00:53,200 --> 01:00:56,520
Speaker 1: love loss. Hopefully niggas won't be getting emotion a little

1135
01:00:56,520 --> 01:00:58,439
Speaker 1: about it. But it's funny you have those talk about

1136
01:00:58,440 --> 01:01:00,840
Speaker 1: those kits about like people Instagram and a social media

1137
01:01:00,880 --> 01:01:03,000
Speaker 1: like I talk to about that. That's your idea, like

1138
01:01:03,040 --> 01:01:06,360
Speaker 1: a fifty times to put those skits together. You're doing

1139
01:01:06,400 --> 01:01:10,480
Speaker 1: the voice. Yeah, Well, it's me and a guy named

1140
01:01:10,480 --> 01:01:12,280
Speaker 1: stay Fresh, me and my partner Stay Fresh. He's from

1141
01:01:12,280 --> 01:01:14,720
Speaker 1: the hood Atlanta and uh, he's just one of the hood.

1142
01:01:15,240 --> 01:01:17,720
Speaker 1: That's just you gotta get those friends because he's like

1143
01:01:19,280 --> 01:01:22,120
Speaker 1: got it all. He's got it all and he's also

1144
01:01:22,440 --> 01:01:26,360
Speaker 1: um mafia character we do together, Me and him do

1145
01:01:26,440 --> 01:01:30,080
Speaker 1: all the characters together and so um he just he

1146
01:01:30,240 --> 01:01:32,200
Speaker 1: acts like this in real life though, So we do

1147
01:01:32,360 --> 01:01:34,360
Speaker 1: the skits. I'm a skin, Which one is you? Liking

1148
01:01:34,400 --> 01:01:38,040
Speaker 1: the pictures? Yeah, that's that's okay. Which one was you?

1149
01:01:38,840 --> 01:01:46,160
Speaker 1: I'm Polly and and the old man the don so

1150
01:01:46,360 --> 01:01:48,560
Speaker 1: you got but stay fresh. He does this thing. Man,

1151
01:01:48,600 --> 01:01:49,960
Speaker 1: we do all kind of carrey. We got a whole

1152
01:01:49,960 --> 01:01:52,280
Speaker 1: bunch of more characters coming up. But that was part

1153
01:01:52,320 --> 01:01:54,560
Speaker 1: of the skits. Like when I go back and listen

1154
01:01:54,600 --> 01:01:58,080
Speaker 1: to the first Snoop Dog and like the Old Biggie,

1155
01:01:58,880 --> 01:02:01,760
Speaker 1: they had skits, like skits a part of the album,

1156
01:02:01,840 --> 01:02:05,240
Speaker 1: Like that's what made outcast. They had skits, so like

1157
01:02:05,320 --> 01:02:07,480
Speaker 1: we have to have skits. Nobody does skits no more

1158
01:02:07,880 --> 01:02:10,200
Speaker 1: or take the time to do him all right, slave master,

1159
01:02:10,840 --> 01:02:12,920
Speaker 1: you gotta get through this album. Man. You got to

1160
01:02:12,920 --> 01:02:14,880
Speaker 1: get a nice track to get him twelve. You're good, right,

1161
01:02:15,440 --> 01:02:20,600
Speaker 1: slave slave Masters? That feels good, man, jump out a

1162
01:02:20,640 --> 01:02:23,840
Speaker 1: new whip, feeling way better. The album came out. Just

1163
01:02:23,920 --> 01:02:29,600
Speaker 1: brought my new car. So and then it's pretty man,

1164
01:02:29,640 --> 01:02:31,600
Speaker 1: shout out and tell about you to love Future first.

1165
01:02:31,640 --> 01:02:34,919
Speaker 1: It took this strong time to understand you. Listen, I'm

1166
01:02:34,960 --> 01:02:37,120
Speaker 1: going to I've been on the record. I hated Future

1167
01:02:37,200 --> 01:02:40,080
Speaker 1: for the longest, but I always said he always had

1168
01:02:40,120 --> 01:02:42,400
Speaker 1: that one record. What was the first one? Itching was

1169
01:02:42,480 --> 01:02:45,000
Speaker 1: the first. It was a little bit before I was like,

1170
01:02:45,120 --> 01:02:50,560
Speaker 1: same damn Time. Was like, man, that was like to me,

1171
01:02:50,640 --> 01:02:53,280
Speaker 1: a future hat like Itching? And then same damn Time.

1172
01:02:53,480 --> 01:02:55,960
Speaker 1: And then it started like but he always had that one,

1173
01:02:56,040 --> 01:02:59,880
Speaker 1: but then he had chosen one and and that's the

1174
01:03:00,000 --> 01:03:02,440
Speaker 1: she didn't saying that time. And that's the beauty I

1175
01:03:02,520 --> 01:03:04,480
Speaker 1: think of artists like, no matter if you like them

1176
01:03:04,560 --> 01:03:06,120
Speaker 1: or not, they always going to come back with the record.

1177
01:03:06,200 --> 01:03:09,720
Speaker 1: And you don't even know what the Bugatti's those records

1178
01:03:09,760 --> 01:03:14,160
Speaker 1: through like people did. That's crazy because I'm a slave master.

1179
01:03:14,320 --> 01:03:16,600
Speaker 1: That's what he did it for, for people like you

1180
01:03:16,720 --> 01:03:19,960
Speaker 1: who like was them on the fence. I don't know

1181
01:03:20,000 --> 01:03:22,200
Speaker 1: about Future. That's why the first thing he sounds slave masters.

1182
01:03:22,560 --> 01:03:29,240
Speaker 1: Brooklyn ride with us, got my jeweler, ride with me. Yes,

1183
01:03:29,880 --> 01:03:34,360
Speaker 1: we was doing yeah and one we was we was

1184
01:03:34,400 --> 01:03:36,160
Speaker 1: in Brooklyn that we ain't just did this show and

1185
01:03:36,240 --> 01:03:38,160
Speaker 1: got love and he was like, damn, we did a

1186
01:03:38,200 --> 01:03:42,200
Speaker 1: show and got loved right Yeah, yeah, soue like we're

1187
01:03:42,200 --> 01:03:44,640
Speaker 1: getting love and Brooklyn Brooklyn ride with us, got my

1188
01:03:44,800 --> 01:03:50,320
Speaker 1: children ride blottle Bag, blow back, Oh, I blow a bag.

1189
01:03:50,400 --> 01:03:52,920
Speaker 1: That's fun, man, just putting it out, trying to put

1190
01:03:52,960 --> 01:03:54,960
Speaker 1: that first look out there. Yeah, just you know, because

1191
01:03:55,000 --> 01:03:57,480
Speaker 1: it's it's let's have fun, you know what I'm saying.

1192
01:03:57,560 --> 01:03:59,840
Speaker 1: Let's not get too serious right now. That's that fun.

1193
01:04:00,000 --> 01:04:02,920
Speaker 1: It was summertime. You take this out before that with

1194
01:04:03,000 --> 01:04:05,040
Speaker 1: the news or something come in news or something, man,

1195
01:04:05,120 --> 01:04:07,400
Speaker 1: we need that, man. Yeah, news or something was one

1196
01:04:07,440 --> 01:04:10,600
Speaker 1: of those things. It was like ship was going on

1197
01:04:10,680 --> 01:04:13,720
Speaker 1: in the news for real, with the Baltimore, the Ferguson.

1198
01:04:13,880 --> 01:04:15,840
Speaker 1: There's a lot of ship, a lot of police ship

1199
01:04:16,000 --> 01:04:18,600
Speaker 1: going on. And we already dropped March Madness. So it

1200
01:04:18,680 --> 01:04:21,480
Speaker 1: really was no room for news or something because it

1201
01:04:21,560 --> 01:04:24,480
Speaker 1: didn't fit what I had for the criteria of DS

1202
01:04:24,560 --> 01:04:29,000
Speaker 1: two when it was Dirty Sprite. I didn't wanna bring

1203
01:04:29,120 --> 01:04:31,800
Speaker 1: the that kind of track in the Dirty Sprite. I

1204
01:04:31,800 --> 01:04:35,360
Speaker 1: wanted it to be more news or something was its

1205
01:04:35,400 --> 01:04:37,920
Speaker 1: own thing. If news or something could have been on

1206
01:04:38,040 --> 01:04:41,000
Speaker 1: fifty six nights, yeah, you know what I'm saying. The

1207
01:04:41,160 --> 01:04:49,640
Speaker 1: colossal Cupay told him that's just the classics. Zay. I'm like,

1208
01:04:49,760 --> 01:04:53,560
Speaker 1: we can't have dirty sprite too without Zay Toven on

1209
01:04:53,760 --> 01:04:58,360
Speaker 1: this motherfucker. So I went through all his Toven's everything

1210
01:04:58,440 --> 01:05:00,880
Speaker 1: him in the future did was they told him, and

1211
01:05:01,040 --> 01:05:04,400
Speaker 1: it's that Peak cold like play some of the all

1212
01:05:04,480 --> 01:05:08,280
Speaker 1: the Peak coats and the and uh lay up and

1213
01:05:08,400 --> 01:05:11,320
Speaker 1: all that. So it's like it was like it's a

1214
01:05:11,360 --> 01:05:13,600
Speaker 1: big book of z Toban, So I had to pick from.

1215
01:05:14,360 --> 01:05:19,200
Speaker 1: It's hard man, you could hit factory and all that

1216
01:05:20,560 --> 01:05:22,840
Speaker 1: Colosso that was dope. Rich sex, that's how you're moving

1217
01:05:22,960 --> 01:05:25,320
Speaker 1: right now. A lot of rich sex going on. Rich

1218
01:05:25,400 --> 01:05:30,200
Speaker 1: sex sex. Rich sex is my I know you're not

1219
01:05:31,200 --> 01:05:33,480
Speaker 1: rich sex is my favorite song on here. He just

1220
01:05:33,520 --> 01:05:38,960
Speaker 1: said something beat I started it basically my favorite track

1221
01:05:39,120 --> 01:05:42,760
Speaker 1: like the beat, but my favorite actual song put together

1222
01:05:42,880 --> 01:05:46,000
Speaker 1: from top to bottom is rich sex. It's crazy blood

1223
01:05:46,040 --> 01:05:48,000
Speaker 1: on the money. But we still count it. See that's

1224
01:05:48,040 --> 01:05:51,360
Speaker 1: got a little that's got a little political blood on

1225
01:05:51,400 --> 01:05:53,480
Speaker 1: the money. I still count it because you know what,

1226
01:05:53,920 --> 01:05:57,040
Speaker 1: it was supposed to be the last song. Okay, but

1227
01:05:57,200 --> 01:06:05,640
Speaker 1: everybody bought the deluxe problem, we thank everybody for buying

1228
01:06:05,680 --> 01:06:09,280
Speaker 1: the Deluxe. So Blood on the Money end up being

1229
01:06:09,320 --> 01:06:13,720
Speaker 1: like number thirteen right there. And what makes Blood on

1230
01:06:13,800 --> 01:06:19,840
Speaker 1: the Money unique is Metro. We put say Tobn in

1231
01:06:20,200 --> 01:06:23,840
Speaker 1: like halfway through the track. So if you listen to

1232
01:06:23,960 --> 01:06:26,400
Speaker 1: the beat blow It on the Money, you listen to

1233
01:06:26,480 --> 01:06:29,240
Speaker 1: the first verse. After when you get to the second verse,

1234
01:06:29,280 --> 01:06:31,280
Speaker 1: you're gonna hear his Atobn's tag and then you're gonna

1235
01:06:31,320 --> 01:06:33,840
Speaker 1: hear these keys come in. It's never been done before.

1236
01:06:33,920 --> 01:06:36,760
Speaker 1: Like co producers, they produced together. You might have a

1237
01:06:36,840 --> 01:06:39,760
Speaker 1: Metro producer with a Tobin track and they just together,

1238
01:06:39,880 --> 01:06:42,720
Speaker 1: but you're not gonna have Metro half of the track,

1239
01:06:42,760 --> 01:06:45,040
Speaker 1: and then the second halfs they Tobin comes in with

1240
01:06:45,160 --> 01:06:47,640
Speaker 1: his tag. It was like we made a movie with that.

1241
01:06:47,760 --> 01:06:50,120
Speaker 1: It's the first time ever done. So he's kind of

1242
01:06:50,240 --> 01:06:52,800
Speaker 1: featuring on Blood and the Money. If you listen to

1243
01:06:52,880 --> 01:06:55,480
Speaker 1: the second verse, you're here's a Toldn come in and

1244
01:06:55,560 --> 01:06:57,360
Speaker 1: then the keys come in. I'm gonna listen to this

1245
01:06:57,440 --> 01:07:01,360
Speaker 1: album crazy to watch. How did you say which songs

1246
01:07:01,360 --> 01:07:03,400
Speaker 1: we're gonna make the album that were previously of fund

1247
01:07:03,400 --> 01:07:07,680
Speaker 1: the mixtapes Trapped Niggas, Real Sisters and what was the

1248
01:07:07,760 --> 01:07:11,720
Speaker 1: other one? Commas comments, of course, well, yeah, because one.

1249
01:07:11,760 --> 01:07:13,680
Speaker 1: If you come from each mixtape, went from each Max

1250
01:07:13,760 --> 01:07:17,760
Speaker 1: tape exactly Trapped Niggas could have easily been March Madness.

1251
01:07:18,280 --> 01:07:21,760
Speaker 1: You think it should have been now March Madness. Are

1252
01:07:21,800 --> 01:07:24,760
Speaker 1: you surprised Mat Maddison his own life now like it's

1253
01:07:24,760 --> 01:07:27,280
Speaker 1: as big as ever right now? Dope? Because like I said,

1254
01:07:27,320 --> 01:07:29,040
Speaker 1: when I got off the plane from Dubias, the first

1255
01:07:29,080 --> 01:07:30,920
Speaker 1: time I knew it was something special about that song,

1256
01:07:31,120 --> 01:07:33,280
Speaker 1: I didn't know it's gonna get this big because in

1257
01:07:33,400 --> 01:07:36,240
Speaker 1: my brain it wasn't a club track. Sony put it

1258
01:07:36,280 --> 01:07:42,160
Speaker 1: out now on iTunes, the Esco version of Yeah. I

1259
01:07:42,240 --> 01:07:46,000
Speaker 1: see those things on those iTunes, they go they go

1260
01:07:46,160 --> 01:07:54,160
Speaker 1: up and down real fast. It's a crazy game, you

1261
01:07:54,240 --> 01:07:55,760
Speaker 1: know what I mean. We got to click those fast

1262
01:07:55,840 --> 01:07:59,280
Speaker 1: they might go away. But March Madness we had like

1263
01:07:59,400 --> 01:08:02,000
Speaker 1: some legal she was about some of the sounds, so

1264
01:08:02,040 --> 01:08:04,080
Speaker 1: we couldn't put it on the album. So now I

1265
01:08:04,160 --> 01:08:05,680
Speaker 1: couldn't use that in the doc. That's how the Doctor

1266
01:08:05,680 --> 01:08:08,600
Speaker 1: was supposed to start. William with the skin and he

1267
01:08:08,680 --> 01:08:11,040
Speaker 1: does Martin the dirties on They're going to the hotel

1268
01:08:11,400 --> 01:08:13,640
Speaker 1: like that up level, so you already know. So that's

1269
01:08:13,640 --> 01:08:16,120
Speaker 1: what happened with March Madness, but it became its own classic.

1270
01:08:16,200 --> 01:08:19,200
Speaker 1: So now fifty six Nights is March Madness, that's what

1271
01:08:19,320 --> 01:08:20,720
Speaker 1: it comes up with it. This is I get this

1272
01:08:20,800 --> 01:08:22,519
Speaker 1: probaty that comes up and we just gonna call ship

1273
01:08:22,640 --> 01:08:29,160
Speaker 1: the Percocet and Stripper. I love that song. That song,

1274
01:08:29,240 --> 01:08:32,800
Speaker 1: it's like when you're driving, you thinking about exactly what

1275
01:08:33,040 --> 01:08:36,280
Speaker 1: I want to try. For the first I felt good,

1276
01:08:37,479 --> 01:08:39,160
Speaker 1: you know. It was one of those vibes. I was

1277
01:08:39,240 --> 01:08:41,200
Speaker 1: the South Side did to beat. That's an amazing track,

1278
01:08:41,760 --> 01:08:44,720
Speaker 1: and I got a West Coast field from it. I

1279
01:08:44,840 --> 01:08:46,240
Speaker 1: think they did it in the l A. He did

1280
01:08:46,280 --> 01:08:48,639
Speaker 1: it in l A. So it had like a West

1281
01:08:48,720 --> 01:08:51,720
Speaker 1: Coast feel to it, and it just had that ride.

1282
01:08:51,720 --> 01:08:53,519
Speaker 1: I was riding in the car on repeat. I run

1283
01:08:53,600 --> 01:09:00,200
Speaker 1: on repeat. I don't, I gotta, I gotta physically ain't

1284
01:09:00,360 --> 01:09:02,439
Speaker 1: the song. I was gonna go start over no matter

1285
01:09:02,479 --> 01:09:05,160
Speaker 1: what it is. So I had a purpose set Strippers

1286
01:09:05,200 --> 01:09:08,479
Speaker 1: on repeat for like a few days, and that was

1287
01:09:08,520 --> 01:09:11,600
Speaker 1: like a good one. Finally know the meeting man, I

1288
01:09:11,640 --> 01:09:14,320
Speaker 1: gotta read Kine to me. He said, they think you

1289
01:09:14,439 --> 01:09:17,200
Speaker 1: washed up? You can go back in. Show these niggas

1290
01:09:17,240 --> 01:09:19,479
Speaker 1: who the one we're going back in? As soon as

1291
01:09:19,520 --> 01:09:21,720
Speaker 1: we get off tour. He had my job on him

1292
01:09:21,720 --> 01:09:23,320
Speaker 1: when he caught the case, when he took him in

1293
01:09:23,360 --> 01:09:26,160
Speaker 1: the custody, they took my life away. Did you cry

1294
01:09:26,200 --> 01:09:29,400
Speaker 1: when you heard that man saying? Man, I got to

1295
01:09:29,439 --> 01:09:34,120
Speaker 1: snap my fingers. It's crazy man, you know what, It's

1296
01:09:34,120 --> 01:09:36,320
Speaker 1: funny because he don't I'll be there for all these

1297
01:09:40,000 --> 01:09:43,560
Speaker 1: nig I ain't wrapping this while you When did you

1298
01:09:43,720 --> 01:09:51,479
Speaker 1: do this? Right? Man? But that glory tear? Yeah? Right,

1299
01:09:51,560 --> 01:09:53,960
Speaker 1: he did that one time. You know what? One time

1300
01:09:54,000 --> 01:09:56,479
Speaker 1: he did that. We were making Monster. The last two

1301
01:09:56,520 --> 01:09:59,640
Speaker 1: songs he made a monster was I think Tupackets Savages

1302
01:10:00,840 --> 01:10:02,240
Speaker 1: and he was in l A and he sent me

1303
01:10:02,320 --> 01:10:05,120
Speaker 1: to Blacking Savages. And I remember he had said if

1304
01:10:05,360 --> 01:10:08,479
Speaker 1: Esco would have jumped ship, you know what I'm saying. Um,

1305
01:10:08,840 --> 01:10:11,080
Speaker 1: he said like an Esco line on there, if Esco

1306
01:10:11,120 --> 01:10:13,800
Speaker 1: ain't loved me, would have been done jump ship. And

1307
01:10:13,920 --> 01:10:16,679
Speaker 1: he said that line. I remember hearing it. I was like, damn,

1308
01:10:16,760 --> 01:10:22,479
Speaker 1: that's deep savages And so he was like, oh, I

1309
01:10:22,520 --> 01:10:25,200
Speaker 1: remember he called I didn't never say nothing about the line.

1310
01:10:25,240 --> 01:10:27,560
Speaker 1: I was just thinking that's dope. And I remember me

1311
01:10:27,680 --> 01:10:31,160
Speaker 1: called me like you don't funk with it, and I'm like, damn,

1312
01:10:31,200 --> 01:10:34,760
Speaker 1: I do for it. I just didn't. So now I

1313
01:10:34,880 --> 01:10:36,760
Speaker 1: feel like people probably thinking that when he mayn't know

1314
01:10:36,760 --> 01:10:38,320
Speaker 1: what the meaning like, man, I ain't even gonna I

1315
01:10:38,360 --> 01:10:39,960
Speaker 1: ain't even gonna tell him now he just made it

1316
01:10:40,439 --> 01:10:42,080
Speaker 1: on his own. I wasn't even there. I heard I

1317
01:10:42,160 --> 01:10:46,479
Speaker 1: was blowing away and so, um, that's what happened, like

1318
01:10:48,600 --> 01:10:50,640
Speaker 1: where we just said, you know what I'm saying, Like

1319
01:10:52,160 --> 01:10:54,000
Speaker 1: I pulled him. We had a conversation when you said,

1320
01:10:54,000 --> 01:10:57,639
Speaker 1: who your ma right here? Man shout out. He's gonna

1321
01:10:57,680 --> 01:11:00,639
Speaker 1: being around and he's he've been around for years, free

1322
01:11:00,720 --> 01:11:03,080
Speaker 1: band since day one. The first time I ever went

1323
01:11:03,120 --> 01:11:05,920
Speaker 1: to New York, New Jersey, I met him. But he um,

1324
01:11:06,920 --> 01:11:10,120
Speaker 1: and actually they run away from Magic City. He used

1325
01:11:10,160 --> 01:11:14,040
Speaker 1: to come to Magic City. Uh, people come, everybody come

1326
01:11:14,120 --> 01:11:18,439
Speaker 1: to Magic City. But man, Future and we talked. It

1327
01:11:18,520 --> 01:11:21,280
Speaker 1: was back to that sophomore slump and it was just

1328
01:11:21,400 --> 01:11:23,000
Speaker 1: I was in Atlanta and it was to the point

1329
01:11:23,040 --> 01:11:24,560
Speaker 1: where I was at Magic and I was having a

1330
01:11:24,640 --> 01:11:28,240
Speaker 1: hard time finding records to play in future. He was like,

1331
01:11:28,400 --> 01:11:31,160
Speaker 1: I'm like, Nigga, I'm playing Boo gott it. You're forcing

1332
01:11:31,240 --> 01:11:34,479
Speaker 1: this ship old you know, what I'm saying. And I

1333
01:11:34,640 --> 01:11:38,760
Speaker 1: was like, I was like, man, like Future, Like, you're

1334
01:11:38,840 --> 01:11:40,879
Speaker 1: like the best friend I got. Like, you're the dopest

1335
01:11:41,000 --> 01:11:44,400
Speaker 1: artist We've been around. Every artist I've been around so

1336
01:11:44,520 --> 01:11:49,320
Speaker 1: far I've ever met, You're the dopest artist ever. Like

1337
01:11:49,880 --> 01:11:52,840
Speaker 1: all you gotta do is tap in. It's like a

1338
01:11:52,920 --> 01:11:56,960
Speaker 1: basketball player, like when he's in the gym and the

1339
01:11:57,000 --> 01:12:00,439
Speaker 1: coach ain't watching, he might shlack off, like no nigked

1340
01:12:00,960 --> 01:12:03,600
Speaker 1: be Jordans. Jordan ain't gonna slack off. It was a

1341
01:12:03,680 --> 01:12:07,519
Speaker 1: coaching watching and that you can beat Jordan's you know

1342
01:12:07,560 --> 01:12:09,880
Speaker 1: what I'm saying, Like you had the potential to Jordan

1343
01:12:10,000 --> 01:12:14,760
Speaker 1: and Ship, just go do it. What I'm saying, Yeah,

1344
01:12:14,760 --> 01:12:17,400
Speaker 1: So how did it feel like? You know that number one? Ship?

1345
01:12:17,560 --> 01:12:20,599
Speaker 1: Don't feel like it? Wow? We feel like we're going

1346
01:12:20,720 --> 01:12:24,240
Speaker 1: up here, but we could see the top. I mean

1347
01:12:24,720 --> 01:12:29,080
Speaker 1: you know what I'm like, we feel like the other

1348
01:12:29,160 --> 01:12:30,600
Speaker 1: day somebody said, man, how does it feel to be

1349
01:12:30,600 --> 01:12:32,600
Speaker 1: the hottest DJ in the game? They asked Future, how

1350
01:12:32,640 --> 01:12:34,400
Speaker 1: does it feel to be the hottest artists in the game?

1351
01:12:35,040 --> 01:12:38,040
Speaker 1: And we leave each other like this would it feels

1352
01:12:38,080 --> 01:12:41,640
Speaker 1: like wow? Because I don't feel it because we got

1353
01:12:41,760 --> 01:12:43,920
Speaker 1: some work to do. That's why we're gonna make another

1354
01:12:43,960 --> 01:12:48,560
Speaker 1: album by the end of the year. Music. Man, you

1355
01:12:48,880 --> 01:12:52,240
Speaker 1: keep going right, we gotta make more music because y'all.

1356
01:12:52,320 --> 01:12:54,320
Speaker 1: If y'all think this is something, then we got we

1357
01:12:54,920 --> 01:12:57,439
Speaker 1: got more work to do, we got more ship to do.

1358
01:12:58,000 --> 01:13:02,000
Speaker 1: I think we ended on that, man. I appreciate you. Man.

1359
01:13:04,400 --> 01:13:09,000
Speaker 1: Let's go do it. We didn't even get into that.

1360
01:13:09,760 --> 01:13:11,320
Speaker 1: I do only want to end the podcast because I

1361
01:13:11,400 --> 01:13:13,840
Speaker 1: want to take photos. Let's go dance and do stuff

1362
01:13:13,840 --> 01:13:17,240
Speaker 1: like that. How did how did that come about? Dad? Man?

1363
01:13:18,400 --> 01:13:21,640
Speaker 1: And with that Damn Davis in Atlanta ship? You know

1364
01:13:21,680 --> 01:13:24,000
Speaker 1: Atlanta always make up dance about. You got show stuff

1365
01:13:24,040 --> 01:13:34,920
Speaker 1: to dad? Move before we go gonna get Yeah, double

1366
01:13:35,320 --> 01:13:48,320
Speaker 1: double dad, he a double dab CBS local man, that's

1367
01:13:48,360 --> 01:13:51,120
Speaker 1: what it is. Let's get it man, Let's go keeps

1368
01:13:51,120 --> 01:13:56,760
Speaker 1: Baby Elliott Man, thank you all for Let's Go podcast.

1369
01:13:57,080 --> 01:13:57,600
Speaker 1: Podcast