1 00:00:00,640 --> 00:00:03,080 Speaker 1: Sometimes a bigger picture can be overwhelming, but you gotta 2 00:00:03,120 --> 00:00:05,600 Speaker 1: lead grateful for the small things, and so the small 3 00:00:05,600 --> 00:00:09,480 Speaker 1: things will add up and the bigger picture will get resolved. 4 00:00:09,600 --> 00:00:10,959 Speaker 2: Did you learn that from Tumama? 5 00:00:11,600 --> 00:00:14,000 Speaker 1: I think I learned along the way. I have a 6 00:00:14,080 --> 00:00:16,639 Speaker 1: core group of friends who remind me of being grateful. 7 00:00:16,640 --> 00:00:21,000 Speaker 1: I learned from their kindness. My friend from third grade, Romey, 8 00:00:21,160 --> 00:00:24,080 Speaker 1: who is actually here, reminds me of that kindness every day. 9 00:00:24,160 --> 00:00:27,600 Speaker 2: And you've been friends since Wentz, since third grade. You 10 00:00:27,640 --> 00:00:28,440 Speaker 2: know how lucky. 11 00:00:28,480 --> 00:00:31,080 Speaker 1: You are, very lucky. But that's care less if I 12 00:00:31,160 --> 00:00:33,360 Speaker 1: get stop on the street for an auto crash, like 13 00:00:33,360 --> 00:00:35,680 Speaker 1: oh yeahet you do stuff on. 14 00:00:35,760 --> 00:00:49,600 Speaker 2: TV FA and PRX. It's Latino USA. I'm Maria no Josa. 15 00:00:50,280 --> 00:00:53,400 Speaker 2: Do you watch that popular show What We Do in 16 00:00:53,440 --> 00:00:57,600 Speaker 2: the Shadows on FX today? A conversation with Mexican American 17 00:00:57,640 --> 00:01:07,560 Speaker 2: actor Harvey ye Yin. You might have seen Harvey Gien 18 00:01:08,280 --> 00:01:10,479 Speaker 2: strutting his stuff on red carpets. 19 00:01:10,640 --> 00:01:13,760 Speaker 1: Here's to fifteen year old Harvey watching the Golden Globes 20 00:01:13,800 --> 00:01:15,759 Speaker 1: and dreaming that one day he'd be on the carpet. 21 00:01:16,160 --> 00:01:17,640 Speaker 1: And here you are, babe. 22 00:01:18,280 --> 00:01:22,399 Speaker 2: You might have also caught Harvey Giyen in big budget 23 00:01:22,440 --> 00:01:28,240 Speaker 2: films alongside big names like Antonio Banderas. He played the 24 00:01:28,319 --> 00:01:32,440 Speaker 2: voice of Perrito in Puss and Boots The Last Wish, 25 00:01:33,200 --> 00:01:37,440 Speaker 2: This is going to Puss in Boots, Your Puss in Boots. 26 00:01:37,600 --> 00:01:41,000 Speaker 2: Or you might have seen Harvey gey in alongside Susan 27 00:01:41,040 --> 00:01:44,479 Speaker 2: Sarandon in the DC superhero film Blue Beatle. 28 00:01:45,200 --> 00:01:50,040 Speaker 1: You more on What Are You, Joe? My name is 29 00:01:50,080 --> 00:01:54,120 Speaker 1: not Sanchez Bedea. It was Seth. That's his The Loyal. 30 00:01:59,160 --> 00:02:02,680 Speaker 2: But most people know Harvey from his role as guiller 31 00:02:02,760 --> 00:02:06,640 Speaker 2: Modela Cruz in the FX vampire comedy What We Do 32 00:02:06,680 --> 00:02:07,600 Speaker 2: in the Shadows. 33 00:02:07,880 --> 00:02:10,040 Speaker 1: You're still angry about that vampa I tried to eat 34 00:02:10,120 --> 00:02:13,480 Speaker 1: you onto? Yes, don't deny it. I can tell I 35 00:02:13,520 --> 00:02:14,040 Speaker 1: said yes. 36 00:02:15,400 --> 00:02:19,520 Speaker 2: The series, which has run for six seasons, has earned 37 00:02:19,720 --> 00:02:24,280 Speaker 2: multiple Award nominations, including an Emmy win for its costumes. 38 00:02:24,480 --> 00:02:29,880 Speaker 1: The Emmy goes to What We Do in the Shadows. 39 00:02:30,040 --> 00:02:34,919 Speaker 2: Along with multiple Critics Choice Award nods for Harvey's portrayal 40 00:02:35,040 --> 00:02:39,160 Speaker 2: of Guillermo de la Cruz. He is the human assistant 41 00:02:39,520 --> 00:02:41,799 Speaker 2: who lives in a house full of vampires. 42 00:02:41,919 --> 00:02:45,799 Speaker 1: I promised to help my master apply for citizenship. Yes, 43 00:02:46,360 --> 00:02:49,560 Speaker 1: you actually started a process, but you didn't finish what 44 00:02:49,680 --> 00:02:53,839 Speaker 1: happened in nineteen ninety two the mccarina Swift Nation, So 45 00:02:54,520 --> 00:02:56,520 Speaker 1: I didn't really have time for anything is. 46 00:02:57,680 --> 00:03:02,200 Speaker 2: And just like Giirmo opens up to the vampire world 47 00:03:02,320 --> 00:03:05,800 Speaker 2: of Staten Island, Harvey has made a career out of 48 00:03:05,840 --> 00:03:09,240 Speaker 2: going for roles that people in Hollywood didn't think he 49 00:03:09,240 --> 00:03:10,000 Speaker 2: would fit into. 50 00:03:10,320 --> 00:03:12,720 Speaker 1: With my eyes, with my height, with my body, with 51 00:03:12,760 --> 00:03:14,720 Speaker 1: my voice, with my traits. 52 00:03:14,440 --> 00:03:18,400 Speaker 2: As a petite he's only five foot three, he's also 53 00:03:18,560 --> 00:03:22,840 Speaker 2: plus sized, he's queer, he's Mexican American, he's brown, so 54 00:03:23,520 --> 00:03:26,880 Speaker 2: he was just never what studios were looking for. 55 00:03:27,240 --> 00:03:30,400 Speaker 1: Tall, blonde, blue eyed, and I would convince my agent 56 00:03:30,440 --> 00:03:32,120 Speaker 1: can I go in as a wild card? So the 57 00:03:32,280 --> 00:03:34,600 Speaker 1: trajectory of my career has been booking roles that were 58 00:03:34,639 --> 00:03:37,320 Speaker 1: never written for me, but I go in. Then people 59 00:03:37,400 --> 00:03:39,840 Speaker 1: end up, yeah, what if they were? 60 00:03:39,880 --> 00:03:40,080 Speaker 3: You know? 61 00:03:40,720 --> 00:03:43,120 Speaker 2: And what we do in the Shadows? It was one 62 00:03:43,160 --> 00:03:43,840 Speaker 2: of those shows. 63 00:03:44,680 --> 00:03:46,880 Speaker 1: Shadows was not written for me. The character Guillermo de 64 00:03:46,960 --> 00:03:48,960 Speaker 1: la Cruz was written twenty years older. 65 00:03:49,320 --> 00:03:52,960 Speaker 2: But after talking himself into that audition, he parted his 66 00:03:53,040 --> 00:03:56,280 Speaker 2: hair down the middle, put on a beige sweater vest, 67 00:03:56,440 --> 00:04:00,800 Speaker 2: and some round glasses, and well he made some matchup happened. 68 00:04:11,160 --> 00:04:12,600 Speaker 1: Some persons. 69 00:04:16,000 --> 00:04:18,719 Speaker 2: A few days later, he got a call. His audition 70 00:04:19,040 --> 00:04:22,839 Speaker 2: was so perfect they wanted him on set the next week. 71 00:04:23,120 --> 00:04:26,800 Speaker 2: But when he got there, he realized Guillermo didn't have 72 00:04:26,920 --> 00:04:27,919 Speaker 2: a last name. 73 00:04:28,680 --> 00:04:31,200 Speaker 1: And I gave him the last name of the La Cruz, 74 00:04:31,360 --> 00:04:34,159 Speaker 1: like without knowing that he was a vampire slayer. Like 75 00:04:34,200 --> 00:04:36,240 Speaker 1: I gave him the name early on and found out 76 00:04:36,320 --> 00:04:39,479 Speaker 1: later I am, by birth and lineage, a vampire killer. 77 00:04:40,480 --> 00:04:43,200 Speaker 1: And the only reason your life is because I let 78 00:04:43,240 --> 00:04:49,360 Speaker 1: you live. And I was like, why did you let 79 00:04:49,360 --> 00:04:51,840 Speaker 1: me name him that? If you knew this? And then 80 00:04:51,839 --> 00:04:53,200 Speaker 1: it was like, because it's perfect. 81 00:04:53,960 --> 00:04:56,520 Speaker 2: It's kind of perfect. Yeah, that Guz means of the cross, 82 00:04:56,520 --> 00:04:57,279 Speaker 2: across the cross. 83 00:04:57,400 --> 00:04:59,960 Speaker 1: Yeah. And I just go back to my resume of like, 84 00:05:00,080 --> 00:05:02,000 Speaker 1: every time I look at it a role i've played. 85 00:05:02,200 --> 00:05:04,200 Speaker 1: First of all, you always think every time I book something, 86 00:05:04,200 --> 00:05:06,159 Speaker 1: I won the lottery, because this business is tough, and 87 00:05:06,200 --> 00:05:08,680 Speaker 1: so every time I book something or offered something, How 88 00:05:08,760 --> 00:05:10,760 Speaker 1: lucky am I that I get to do what I 89 00:05:10,800 --> 00:05:12,960 Speaker 1: love and people enjoy it so much that they come 90 00:05:13,000 --> 00:05:14,520 Speaker 1: back and ask me to do it again or do 91 00:05:14,560 --> 00:05:17,080 Speaker 1: a different character but all the characters that I've played, 92 00:05:17,120 --> 00:05:20,359 Speaker 1: if you just go down my credit list, are usually 93 00:05:20,440 --> 00:05:22,000 Speaker 1: roles that were not written for me, and I had 94 00:05:22,000 --> 00:05:24,880 Speaker 1: to go in and convince whoever was in charge, to 95 00:05:24,960 --> 00:05:27,719 Speaker 1: maybe consider me. I remember going into auditioning for the 96 00:05:27,800 --> 00:05:30,039 Speaker 1: internship with Vince von Owen Wilson, and I knew that 97 00:05:30,120 --> 00:05:32,200 Speaker 1: role was not for me, and I just had to, Like, 98 00:05:32,560 --> 00:05:36,080 Speaker 1: my goal in life was to obviously want to book 99 00:05:36,120 --> 00:05:38,320 Speaker 1: the role. But if you don't book the role, that's okay, 100 00:05:38,360 --> 00:05:40,400 Speaker 1: as long as you book the room. So if you 101 00:05:40,480 --> 00:05:44,159 Speaker 1: book the room, yeah, you book the room. You'll always 102 00:05:44,200 --> 00:05:46,240 Speaker 1: have someone on your side. It doesn't mean that this 103 00:05:46,400 --> 00:05:48,840 Speaker 1: project it was for you, but they'll be thinking about you. 104 00:05:48,880 --> 00:05:50,600 Speaker 1: And so when I go in and I book the room, 105 00:05:50,760 --> 00:05:53,000 Speaker 1: I walk away saying, I don't know if I'm going 106 00:05:53,080 --> 00:05:54,640 Speaker 1: to get this, but I know what I did get. 107 00:05:54,839 --> 00:05:57,120 Speaker 1: Everyone in this room enjoyed the work I put into this, 108 00:05:57,240 --> 00:06:00,279 Speaker 1: the hardship I put into this, the character development to this, 109 00:06:00,360 --> 00:06:02,120 Speaker 1: and that's all that matters. And as an artist, that's 110 00:06:02,160 --> 00:06:03,479 Speaker 1: all you can do is put it out there and 111 00:06:03,520 --> 00:06:04,000 Speaker 1: walk away. 112 00:06:04,360 --> 00:06:06,880 Speaker 2: So you were raised in southern California, right, You actually 113 00:06:06,880 --> 00:06:10,120 Speaker 2: were near Hollywood, but you were also very aware of 114 00:06:10,120 --> 00:06:13,400 Speaker 2: your Mexican nests, your Mexican roots. What part of Mexico 115 00:06:13,400 --> 00:06:13,800 Speaker 2: are you from? 116 00:06:13,839 --> 00:06:15,960 Speaker 1: Do you know my parents are from me Track Cotton. 117 00:06:16,400 --> 00:06:18,960 Speaker 1: My dad was from sa Uayo. I was born in 118 00:06:19,000 --> 00:06:22,400 Speaker 1: Los Angeles. I grew up in SGV, in San Gabriel Valley. 119 00:06:23,040 --> 00:06:26,000 Speaker 2: So in terms of distance, you were pretty close to Hollywood. 120 00:06:26,560 --> 00:06:30,039 Speaker 2: Did you feel like the proximity to Hollywood was like 121 00:06:30,080 --> 00:06:32,960 Speaker 2: this is going to benefit me rather Oh my god, 122 00:06:33,440 --> 00:06:36,440 Speaker 2: I'm so far from Hollywood, but I wish I could 123 00:06:36,480 --> 00:06:36,880 Speaker 2: get there. 124 00:06:37,720 --> 00:06:40,600 Speaker 1: I knew that I was adjacent to Hollywood. I've always 125 00:06:40,640 --> 00:06:43,080 Speaker 1: been like a daydreamer, so like the idea of being 126 00:06:43,120 --> 00:06:45,280 Speaker 1: so close to something that I want to be a 127 00:06:45,360 --> 00:06:49,120 Speaker 1: part of was really aspirational. But growing up, actually what 128 00:06:49,160 --> 00:06:50,640 Speaker 1: I wanted to do was theater. I want to do 129 00:06:50,720 --> 00:06:53,479 Speaker 1: musical theater. So for the longest time, TV and film 130 00:06:53,560 --> 00:06:56,280 Speaker 1: was like something that was like WHOA, totally out of 131 00:06:56,279 --> 00:06:58,200 Speaker 1: your reach even though you live in LA The theater 132 00:06:58,320 --> 00:07:00,800 Speaker 1: is what I was doing at school, and I was 133 00:07:00,800 --> 00:07:02,839 Speaker 1: a daydreamer, so I was like, yeah, I'll just start 134 00:07:02,880 --> 00:07:04,919 Speaker 1: with Broadway. And that's how people do it. They go 135 00:07:04,960 --> 00:07:07,760 Speaker 1: to Broadway and then they do movies and then they 136 00:07:07,800 --> 00:07:10,280 Speaker 1: do television. That's the way up. And I was so 137 00:07:10,360 --> 00:07:13,160 Speaker 1: focused on Broadwick that when an opportunity came for television, 138 00:07:13,440 --> 00:07:16,240 Speaker 1: it almost slipped through my fingers because I was so 139 00:07:16,320 --> 00:07:19,920 Speaker 1: focused on doing theater. It was a lucky coincidence. And 140 00:07:19,960 --> 00:07:22,800 Speaker 1: then once I started doing an episode here, I did 141 00:07:23,080 --> 00:07:25,640 Speaker 1: a short film there. It just added up before you 142 00:07:25,680 --> 00:07:27,520 Speaker 1: knew what I was doing. Television film. 143 00:07:27,760 --> 00:07:31,080 Speaker 2: So tell me, dear Californian, are you planning on moving 144 00:07:31,080 --> 00:07:31,680 Speaker 2: to New York. 145 00:07:32,120 --> 00:07:34,480 Speaker 1: I've lived in New York, I've been by coastal on 146 00:07:34,600 --> 00:07:37,480 Speaker 1: and off, but I just always come back to California. 147 00:07:37,480 --> 00:07:40,080 Speaker 1: And I love Los Angeles or something about it that 148 00:07:40,240 --> 00:07:43,240 Speaker 1: I was just looking at the city skyline recently and 149 00:07:43,720 --> 00:07:48,520 Speaker 1: it's this dried up desert by the ocean with strong winds, 150 00:07:48,960 --> 00:07:53,200 Speaker 1: but it's still an oasis and still paradise for me. 151 00:07:53,360 --> 00:07:55,440 Speaker 1: So I'll always love it. I love that. You know, 152 00:07:55,480 --> 00:07:59,200 Speaker 1: we've gone through some unfortunate moments. Another fire breaking out 153 00:07:59,240 --> 00:08:01,120 Speaker 1: right now, are burning as we speak. 154 00:08:01,160 --> 00:08:06,000 Speaker 2: Misials have issued a mandatory evacuation order. Well, Harvey, were 155 00:08:06,120 --> 00:08:09,680 Speaker 2: terribly upset about what happened with your home. I can't 156 00:08:09,720 --> 00:08:14,600 Speaker 2: even imagine how one processes that amount of loss as 157 00:08:14,600 --> 00:08:17,280 Speaker 2: an artist, as somebody who is so deeply rooted in 158 00:08:17,320 --> 00:08:20,160 Speaker 2: your space, Can you just tell us how how is 159 00:08:20,240 --> 00:08:21,920 Speaker 2: it all fitting into your head? 160 00:08:21,960 --> 00:08:25,400 Speaker 1: Well, my home was damage I caught on fire, but 161 00:08:25,480 --> 00:08:28,440 Speaker 1: it is still standing. To tell you a little backstory 162 00:08:28,440 --> 00:08:30,320 Speaker 1: of the day that we were evacuated for the house, 163 00:08:30,360 --> 00:08:33,000 Speaker 1: I am a first generational homeowner and I bought this 164 00:08:33,040 --> 00:08:34,640 Speaker 1: house a year ago and I just announced it to 165 00:08:34,679 --> 00:08:36,880 Speaker 1: my mom last Christmas. I had tricked George of thinking 166 00:08:36,960 --> 00:08:39,280 Speaker 1: we're going to an Airbnb, and I told her the 167 00:08:39,360 --> 00:08:41,440 Speaker 1: news that I bought this house, that it was an Airbnb, 168 00:08:42,080 --> 00:08:45,480 Speaker 1: and she cried and I cried, and that for me, 169 00:08:45,600 --> 00:08:56,160 Speaker 1: was one of my favorite moments to have. So it's 170 00:08:56,200 --> 00:09:02,840 Speaker 1: important for me to let people know that I'm very lucky. 171 00:09:03,040 --> 00:09:07,440 Speaker 1: I am very lucky. And I went out to my 172 00:09:07,440 --> 00:09:10,640 Speaker 1: backyard the night that they evacuated us, and I asked 173 00:09:10,720 --> 00:09:16,240 Speaker 1: ancestors to protect my house and they did. And I 174 00:09:16,320 --> 00:09:20,080 Speaker 1: had this guilt for a second because I had asked ancestors. 175 00:09:20,080 --> 00:09:25,000 Speaker 1: And my friend saw how distress I was about feeling 176 00:09:25,040 --> 00:09:28,520 Speaker 1: this guilt, and she put it into a way that 177 00:09:28,559 --> 00:09:30,800 Speaker 1: I never even thought of. She said, you can't ask 178 00:09:30,880 --> 00:09:34,480 Speaker 1: ancestors to help you, and when they do, disrespect them 179 00:09:34,679 --> 00:09:38,160 Speaker 1: and feel shame. And my house caught on fire. Every 180 00:09:38,200 --> 00:09:42,080 Speaker 1: corner of my house, the fences burned and the trees 181 00:09:42,120 --> 00:09:46,679 Speaker 1: burn but the house stays intact and the house is 182 00:09:46,720 --> 00:09:51,480 Speaker 1: still holding. There's smoke damage, severe toxins that I can't 183 00:09:51,480 --> 00:09:53,679 Speaker 1: live in that house for a while because it will 184 00:09:53,720 --> 00:09:58,360 Speaker 1: be deep cleaning, throwing away of furniture, mattresses, of anything. 185 00:09:58,440 --> 00:10:00,600 Speaker 1: So I may have to start over again with the 186 00:10:00,640 --> 00:10:03,440 Speaker 1: interior and not able to live there for a while. 187 00:10:03,480 --> 00:10:05,440 Speaker 1: But I did not lose my home. And there's people 188 00:10:05,440 --> 00:10:10,360 Speaker 1: who lost everything, everything they had worked for. Generational wealth 189 00:10:10,400 --> 00:10:14,920 Speaker 1: have been passed down to Black families, Latino families. They 190 00:10:14,960 --> 00:10:18,040 Speaker 1: were able to buy property in this area for the 191 00:10:18,080 --> 00:10:20,880 Speaker 1: first time southern California. And I am a part of 192 00:10:20,880 --> 00:10:24,880 Speaker 1: that neighborhood. So we are going to rebuild. And you 193 00:10:25,240 --> 00:10:28,320 Speaker 1: might have a tragedy like this that comes by and 194 00:10:28,440 --> 00:10:32,880 Speaker 1: test you, but it is a resilient town and we 195 00:10:32,960 --> 00:10:34,000 Speaker 1: will rebuild. 196 00:10:34,920 --> 00:10:38,040 Speaker 2: Oh my god, what an't it? What an incredible thing 197 00:10:38,120 --> 00:10:40,319 Speaker 2: to say like that is a life lesson that is 198 00:10:40,440 --> 00:10:44,400 Speaker 2: pretty pretty incredible and profound. So thank you for sharing that. 199 00:10:44,559 --> 00:10:46,319 Speaker 2: Harvey were wishing you all the best. 200 00:10:47,040 --> 00:10:47,400 Speaker 1: Thank you. 201 00:10:59,120 --> 00:11:01,920 Speaker 2: Coming up on that the USA, we continue our conversation 202 00:11:02,040 --> 00:11:05,280 Speaker 2: with Mexican American actor Harvey g Yen. He's going to 203 00:11:05,360 --> 00:11:11,400 Speaker 2: share his comedic influences and later he reveals his true identity. 204 00:11:12,040 --> 00:11:26,880 Speaker 2: Stay with us, not yes, hey, we're back. Before the break, 205 00:11:27,040 --> 00:11:30,360 Speaker 2: actor Harvey g Yen was sharing his love for Los 206 00:11:30,400 --> 00:11:33,960 Speaker 2: Angeles and talking to us about the tragedy that hid 207 00:11:34,000 --> 00:11:37,480 Speaker 2: his home and his community really hard during the fires. 208 00:11:38,160 --> 00:11:40,320 Speaker 2: Now Harvey is going to let us into his life 209 00:11:40,640 --> 00:11:44,600 Speaker 2: growing up and the comedic influences that he experienced from 210 00:11:44,679 --> 00:11:49,880 Speaker 2: two different cultures. Let's jump back to the conversation. You 211 00:11:50,200 --> 00:11:53,599 Speaker 2: were raised in a Mexican immigrant household in the nineties 212 00:11:53,640 --> 00:11:57,080 Speaker 2: and the early two thousands, and so what kind of 213 00:11:57,080 --> 00:12:00,239 Speaker 2: television were you watching, both in Spanish and in English. 214 00:12:00,320 --> 00:12:09,760 Speaker 1: I was watching a lot of Cantine Flassy. 215 00:12:12,400 --> 00:12:19,880 Speaker 2: Crannyany my god. 216 00:12:20,320 --> 00:12:22,840 Speaker 1: I got a lot of my comic physical comedy from 217 00:12:22,840 --> 00:12:26,280 Speaker 1: watching Kantine Flask with my dad. My dad love Caantine 218 00:12:26,280 --> 00:12:32,160 Speaker 1: Flash and then I would watch I Love Lucy. Yes, 219 00:12:32,240 --> 00:12:33,679 Speaker 1: We're borrow me a Begemine. 220 00:12:33,720 --> 00:12:37,040 Speaker 2: You can spoon your way all. It's so tasty too, 221 00:12:37,880 --> 00:12:39,320 Speaker 2: tastes like candy. 222 00:12:39,480 --> 00:12:45,839 Speaker 1: Honest, So I would be like, it's the same thing. 223 00:12:45,880 --> 00:12:47,960 Speaker 1: It's if it's one's in Spanish and one's in English, 224 00:12:48,000 --> 00:12:49,680 Speaker 1: but the comedy is there and these two people are 225 00:12:49,760 --> 00:12:52,520 Speaker 1: comic genius. So growing up, a lot of my influence 226 00:12:52,640 --> 00:12:56,320 Speaker 1: was Lucio Ball and was Skantine Flash. So I was 227 00:12:56,559 --> 00:13:00,920 Speaker 1: very much this kid who was Mexican but also American 228 00:13:01,240 --> 00:13:03,760 Speaker 1: and those two cultures intertwined. And so watching both of 229 00:13:03,800 --> 00:13:06,560 Speaker 1: those at my home on a daily like after school 230 00:13:06,960 --> 00:13:08,920 Speaker 1: movies with my dad on the weekend, used to like 231 00:13:08,960 --> 00:13:11,760 Speaker 1: all the Maria feliks like movies, like, used to watch 232 00:13:11,800 --> 00:13:12,560 Speaker 1: all of those classes. 233 00:13:12,559 --> 00:13:16,640 Speaker 2: So you are like, seriously Mexican, yeah twisted? 234 00:13:16,800 --> 00:13:17,360 Speaker 1: I am. 235 00:13:20,040 --> 00:13:23,920 Speaker 2: So Harvey, did you feel like as a weird Mexican 236 00:13:23,960 --> 00:13:26,120 Speaker 2: young man and boy, did you feel like there was 237 00:13:26,160 --> 00:13:28,320 Speaker 2: space for you or were you still working that out 238 00:13:28,360 --> 00:13:31,040 Speaker 2: as you were watching Canting Pleas and Lucille Ball. 239 00:13:31,480 --> 00:13:34,760 Speaker 1: You know, growing up Mexican is great and also has 240 00:13:35,240 --> 00:13:38,240 Speaker 1: some of the bad traditional values that are bestowed upon men, 241 00:13:38,320 --> 00:13:41,280 Speaker 1: which is like the machismo culture and how you see 242 00:13:41,320 --> 00:13:43,880 Speaker 1: a man act like a man and a man is 243 00:13:43,920 --> 00:13:46,240 Speaker 1: supposed to be a man, and if they see any 244 00:13:46,320 --> 00:13:49,280 Speaker 1: kind of softness in a boy, it needs to be addressed. 245 00:13:49,400 --> 00:13:52,240 Speaker 1: I remember being at a kid's birthday party in a 246 00:13:52,280 --> 00:13:57,559 Speaker 1: park and someone making a comment you know, you know, 247 00:13:57,960 --> 00:13:59,760 Speaker 1: which is the equivalent of the f slur. 248 00:14:00,280 --> 00:14:04,600 Speaker 3: Yeah, that's a very very hard and as your child 249 00:14:04,640 --> 00:14:07,160 Speaker 3: growing up, where you're just living your life and dancing 250 00:14:07,200 --> 00:14:09,560 Speaker 3: in the grass and just having the best time, and 251 00:14:09,640 --> 00:14:12,959 Speaker 3: to hear someone say to you like, don't do that, 252 00:14:13,679 --> 00:14:15,000 Speaker 3: don't be that. 253 00:14:15,000 --> 00:14:18,079 Speaker 1: That's not good. You don't want to be that, and 254 00:14:18,120 --> 00:14:20,720 Speaker 1: you as a child saying what's not good? What did 255 00:14:20,800 --> 00:14:21,080 Speaker 1: I do? 256 00:14:21,320 --> 00:14:22,640 Speaker 2: So you had to ask your mom? 257 00:14:22,960 --> 00:14:26,000 Speaker 1: Yeah, I remember when I was little. I actually years 258 00:14:26,080 --> 00:14:29,400 Speaker 1: later I realized what happened. I'd been gay bashed. I 259 00:14:29,480 --> 00:14:32,600 Speaker 1: went to play with my neighbors at my last place 260 00:14:32,760 --> 00:14:35,000 Speaker 1: in Mexico, and I brought my Tongua truck because I 261 00:14:35,120 --> 00:14:37,000 Speaker 1: played Tonka trucks and I play with like dolls. I 262 00:14:37,000 --> 00:14:39,120 Speaker 1: play with both of those, and I brought my truck 263 00:14:39,200 --> 00:14:41,440 Speaker 1: full of dolls. I was like, do you guys want 264 00:14:41,480 --> 00:14:44,000 Speaker 1: to play with my Tongua And this is the Tonka trucks, 265 00:14:44,040 --> 00:14:45,840 Speaker 1: the metal ones, the heavy ones. So I'd drag this 266 00:14:45,880 --> 00:14:47,640 Speaker 1: big Tonga truck with the dolls and top no, you 267 00:14:47,680 --> 00:14:49,160 Speaker 1: guys want to play. And I remember one of the 268 00:14:49,200 --> 00:14:51,360 Speaker 1: kids saying, no, we can't play with you, and I 269 00:14:51,400 --> 00:14:54,160 Speaker 1: was like why because my brother says it is Mariposa 270 00:14:55,040 --> 00:14:57,800 Speaker 1: and I was like, I'm a butterfly, and I was like, 271 00:14:57,840 --> 00:15:00,000 Speaker 1: what is that? What? And I didn't know at the time, 272 00:15:00,160 --> 00:15:01,680 Speaker 1: because I didn't know I'm a child. That was a 273 00:15:01,720 --> 00:15:05,840 Speaker 1: negative connotation about someone who is light on their loafers, 274 00:15:06,160 --> 00:15:08,520 Speaker 1: or any other phrase that you've heard throughout history that 275 00:15:08,520 --> 00:15:12,120 Speaker 1: has been given to kids, to young adults, to grown 276 00:15:12,240 --> 00:15:15,600 Speaker 1: men that we've been called for centuries, just because it 277 00:15:15,600 --> 00:15:18,560 Speaker 1: makes the other person feel that they're entitled to and 278 00:15:18,680 --> 00:15:21,720 Speaker 1: to put you down. So I didn't know what that meant. 279 00:15:21,760 --> 00:15:25,840 Speaker 1: So as I walked away with my toys, I got 280 00:15:25,880 --> 00:15:27,120 Speaker 1: Tyria and I was like, why do they want to 281 00:15:27,120 --> 00:15:30,040 Speaker 1: play with you? Anyway, I walked away, they started chanting 282 00:15:30,080 --> 00:15:33,840 Speaker 1: it Mariposa and they grabbed some pebbles off the floor. 283 00:15:34,080 --> 00:15:37,120 Speaker 1: And as I'm walking back to my Grandma's house, I 284 00:15:37,280 --> 00:15:40,280 Speaker 1: felt something fly by my ear and I didn't know 285 00:15:40,440 --> 00:15:42,880 Speaker 1: and then I looked back and a rock just hit 286 00:15:42,920 --> 00:15:45,000 Speaker 1: my and I still have that scar on my eyebrow. 287 00:15:45,880 --> 00:15:46,800 Speaker 2: Oh my god. 288 00:15:47,240 --> 00:15:50,480 Speaker 1: It was my first bashing when I was a kid, 289 00:15:50,560 --> 00:15:54,920 Speaker 1: and I didn't know why. I was about six years old, 290 00:15:55,240 --> 00:15:57,200 Speaker 1: being six years old and not knowing that you've just 291 00:15:57,200 --> 00:16:01,040 Speaker 1: been bashed because of what a pairent everyone else knows 292 00:16:01,080 --> 00:16:03,840 Speaker 1: you are, except you don't know yourself because you're a 293 00:16:03,920 --> 00:16:07,120 Speaker 1: kid and you're just being yourself and you don't know 294 00:16:07,160 --> 00:16:10,120 Speaker 1: that this offends anyone so much that they have to 295 00:16:10,120 --> 00:16:13,800 Speaker 1: take it upon themselves to tear you down. So for me, 296 00:16:14,720 --> 00:16:17,080 Speaker 1: that was the beginning. I learned that there was something 297 00:16:17,080 --> 00:16:22,360 Speaker 1: different about me that people were obviously scared of offended by. 298 00:16:22,560 --> 00:16:24,680 Speaker 1: I didn't know what that was. And I ran home 299 00:16:24,800 --> 00:16:26,680 Speaker 1: and I was crying and covered in blood and dirt, 300 00:16:26,720 --> 00:16:30,760 Speaker 1: and my mom said, I was like, they call me Mariposa? 301 00:16:31,160 --> 00:16:33,160 Speaker 1: Is why are they call you Mariposa? And she looked 302 00:16:33,160 --> 00:16:35,680 Speaker 1: at me, and I knew then that my mother knew 303 00:16:36,560 --> 00:16:47,360 Speaker 1: what all of this men. And all she said was like, like, 304 00:16:47,440 --> 00:16:49,440 Speaker 1: it's like, who cares if they call you a butterfly? 305 00:16:49,520 --> 00:16:51,480 Speaker 1: Because butterflies are beautiful and they get to fly far 306 00:16:51,560 --> 00:16:53,680 Speaker 1: away places. 307 00:16:54,720 --> 00:16:57,200 Speaker 2: And oh my god, your mom is amazing. 308 00:16:57,640 --> 00:17:00,000 Speaker 1: Yeah, And so it was just like that turnaround from 309 00:17:00,080 --> 00:17:03,120 Speaker 1: me of like I still knew something was different about me. 310 00:17:03,320 --> 00:17:05,240 Speaker 1: But for the time being, that's all I needed to 311 00:17:05,280 --> 00:17:08,520 Speaker 1: know to give me reassurance that there was nothing wrong 312 00:17:08,560 --> 00:17:08,760 Speaker 1: with me. 313 00:17:10,640 --> 00:17:13,639 Speaker 2: Hearby, Wow, you made me all emotional. 314 00:17:14,400 --> 00:17:15,800 Speaker 1: You're asking the questions you're. 315 00:17:18,000 --> 00:17:21,720 Speaker 2: In the end. I mean, you're a star on television. 316 00:17:21,880 --> 00:17:24,120 Speaker 2: So what are those friends and neighbors, what are they 317 00:17:24,160 --> 00:17:24,760 Speaker 2: saying to you? 318 00:17:24,920 --> 00:17:27,760 Speaker 1: Now? Well, it's funny now, like the people I've had, 319 00:17:27,760 --> 00:17:32,160 Speaker 1: people who were definitely bullies reach out and like nothing happened, 320 00:17:32,200 --> 00:17:35,320 Speaker 1: like none of their negative words had any damage. I 321 00:17:35,359 --> 00:17:37,600 Speaker 1: called them out on it, like I said, I'm sorry, 322 00:17:37,600 --> 00:17:40,200 Speaker 1: aren't you the same person who did A B and C? 323 00:17:40,400 --> 00:17:43,800 Speaker 1: And they're like, yes, oh my god, did I do that? Oh? 324 00:17:43,840 --> 00:17:46,399 Speaker 1: And then I get it. People grow and they evolve 325 00:17:46,480 --> 00:17:49,360 Speaker 1: and they make mistakes and we learn. But I make 326 00:17:49,400 --> 00:17:52,320 Speaker 1: the choice to who I surround myself with and who 327 00:17:52,600 --> 00:17:55,520 Speaker 1: I share energy with. And people trying to sneak in 328 00:17:55,600 --> 00:17:57,560 Speaker 1: back into a life that they have not been a 329 00:17:57,600 --> 00:18:00,840 Speaker 1: part of for years and years, like it's kind of 330 00:18:00,960 --> 00:18:03,479 Speaker 1: very telling on them, And I think a little bit 331 00:18:03,520 --> 00:18:05,760 Speaker 1: of like yeah, like it's like they reached out to me, 332 00:18:05,840 --> 00:18:07,520 Speaker 1: found me, found a way to get a hold of 333 00:18:07,520 --> 00:18:09,800 Speaker 1: me and said remember me, remember me, It's like, I 334 00:18:09,880 --> 00:18:12,320 Speaker 1: haven't think about you because you're that part of my 335 00:18:12,359 --> 00:18:16,280 Speaker 1: life is back then, and I don't look back if 336 00:18:16,280 --> 00:18:19,320 Speaker 1: I look forward. So if you keep looking back, you're 337 00:18:19,359 --> 00:18:22,199 Speaker 1: going to miss what's right in front of you. 338 00:18:22,200 --> 00:18:25,000 Speaker 2: You know what, You're giving us some life lessons. Okay, 339 00:18:25,040 --> 00:18:28,520 Speaker 2: all right? So in Companion, it's in the near future, 340 00:18:28,840 --> 00:18:33,080 Speaker 2: kind of scarily where you can rent a highly sophisticated 341 00:18:33,760 --> 00:18:38,280 Speaker 2: sex robot. The days of you controlling me are over. 342 00:18:42,080 --> 00:18:43,880 Speaker 1: Did you, Joe break your sex book? 343 00:18:47,160 --> 00:18:49,400 Speaker 2: Okay? I got to tell you this totally freaks me out. 344 00:18:49,880 --> 00:18:51,560 Speaker 2: But let me ask you this, So, what do you 345 00:18:51,680 --> 00:18:57,200 Speaker 2: think that this film actually says about men and love? 346 00:18:59,600 --> 00:19:03,880 Speaker 1: I think the movie shows the relationship that men have 347 00:19:04,119 --> 00:19:07,000 Speaker 1: with companions, with a partner, whether it's human or not, 348 00:19:07,560 --> 00:19:11,560 Speaker 1: and shows the loneliness and the epidemic that's happening where 349 00:19:11,760 --> 00:19:14,120 Speaker 1: men feel the neat that they have to purchase a companion. 350 00:19:14,480 --> 00:19:15,960 Speaker 1: When I was reading the script, one of the first 351 00:19:16,000 --> 00:19:18,480 Speaker 1: lines that popped up to me was jack Quade's character 352 00:19:18,880 --> 00:19:20,840 Speaker 1: and the way that he talked to Iris. And one 353 00:19:20,880 --> 00:19:23,120 Speaker 1: of the scenes after they've been intimated, they're in bed 354 00:19:23,359 --> 00:19:25,960 Speaker 1: and she's gushing about how much she loves him and whatnot, 355 00:19:26,280 --> 00:19:28,439 Speaker 1: and he's just fed up and he just goes Iris 356 00:19:28,480 --> 00:19:32,200 Speaker 1: go to bed and just like talks to her very directly, 357 00:19:32,240 --> 00:19:35,159 Speaker 1: and unbeknownst to me that far in the script, I 358 00:19:35,320 --> 00:19:38,480 Speaker 1: had no idea what the premise of the movie was yet, 359 00:19:38,840 --> 00:19:41,480 Speaker 1: and that was very like jolting to me, and it 360 00:19:41,640 --> 00:19:44,119 Speaker 1: made realized, is this a norm the mayvie I'm not 361 00:19:44,680 --> 00:19:46,680 Speaker 1: used to? But then as you read the script, you 362 00:19:46,720 --> 00:19:49,200 Speaker 1: find out why he was talking to her like that, 363 00:19:49,359 --> 00:19:52,440 Speaker 1: And that's what's a great question for society of like 364 00:19:52,960 --> 00:19:55,080 Speaker 1: why would it be okay to talk to if that's 365 00:19:55,080 --> 00:19:58,000 Speaker 1: a companion, whether it's flesh, skin and human or robotic. 366 00:19:58,359 --> 00:20:00,119 Speaker 1: Why is it okay to talk to partners like that? 367 00:20:00,240 --> 00:20:03,359 Speaker 1: And why is the dynamic of power not leveled? And 368 00:20:03,560 --> 00:20:05,840 Speaker 1: when do we draw the line when it comes to technology, 369 00:20:06,040 --> 00:20:08,520 Speaker 1: Like where is enough? We're losing human connection and how 370 00:20:08,560 --> 00:20:10,160 Speaker 1: to connect with each other. So I think this movie 371 00:20:10,240 --> 00:20:12,240 Speaker 1: is really well written and Drew who's the director and writer, 372 00:20:12,320 --> 00:20:13,240 Speaker 1: did a fantastic job. 373 00:20:13,800 --> 00:20:17,160 Speaker 2: I love this. Where did you get that let's gunness? 374 00:20:18,280 --> 00:20:20,480 Speaker 2: That's gunnessnessness? 375 00:20:20,640 --> 00:20:24,199 Speaker 1: I think I've always I'm a child of my parents 376 00:20:24,240 --> 00:20:28,000 Speaker 1: who were hard workers, multiple jobs, just to make the 377 00:20:28,119 --> 00:20:31,159 Speaker 1: dream in America come true. I think that in this 378 00:20:31,320 --> 00:20:33,760 Speaker 1: industry you have to have talent, and if you're fortunate 379 00:20:33,840 --> 00:20:36,879 Speaker 1: enough to have talent and work on your talent and 380 00:20:36,920 --> 00:20:40,280 Speaker 1: get trained and whatnot, there's the other thing that people 381 00:20:40,400 --> 00:20:42,480 Speaker 1: need to have. And I think that being part of 382 00:20:42,600 --> 00:20:46,360 Speaker 1: a Mexican family, I think it's kind of naturally bestowed 383 00:20:46,440 --> 00:20:49,560 Speaker 1: upon us, and that's tenacity, the other tea. You might 384 00:20:49,600 --> 00:20:52,560 Speaker 1: not have talent. You might have talent, but tenacity is 385 00:20:52,640 --> 00:20:55,640 Speaker 1: something that I think is bestowed upon us and how 386 00:20:55,680 --> 00:21:02,200 Speaker 1: we're survivors and las tenacity is something that you get 387 00:21:02,280 --> 00:21:04,400 Speaker 1: on it or you have no one else to blame 388 00:21:04,440 --> 00:21:07,600 Speaker 1: by yourself. Can't blame you know yourself for being in 389 00:21:07,640 --> 00:21:09,439 Speaker 1: a situation. If you don't like situation you're in, then 390 00:21:09,440 --> 00:21:11,280 Speaker 1: get out of it. If you don't like the way 391 00:21:11,359 --> 00:21:14,280 Speaker 1: your life's going, then change it. Get that tenacity and 392 00:21:14,359 --> 00:21:14,800 Speaker 1: get going. 393 00:21:15,720 --> 00:21:17,879 Speaker 2: When you know what, Harvey. So I've been calling you 394 00:21:17,960 --> 00:21:21,359 Speaker 2: Harvey because that's the way that everybody knows you. But 395 00:21:21,480 --> 00:21:23,600 Speaker 2: when we were doing the prep, my team said, you know, 396 00:21:24,320 --> 00:21:26,879 Speaker 2: your name is actually Haavier. Like you grew up as Kavier, 397 00:21:26,960 --> 00:21:27,600 Speaker 2: I'm still Havier. 398 00:21:28,119 --> 00:21:30,439 Speaker 1: So when I grew up. One of my teachers couldn't 399 00:21:30,440 --> 00:21:34,120 Speaker 1: say Javier, and so she's said Havey, Hovey, and Haave 400 00:21:34,359 --> 00:21:36,000 Speaker 1: was kind of the nickname, which is fine because that's 401 00:21:36,000 --> 00:21:37,840 Speaker 1: what people call me at home, Hoy. And then when 402 00:21:37,840 --> 00:21:39,760 Speaker 1: I got older and I got an agent who was, 403 00:21:39,840 --> 00:21:45,040 Speaker 1: by the way, a Mexican agent, he was like Javier been. 404 00:21:45,280 --> 00:21:47,119 Speaker 1: I was like, let's get you a stage name. What 405 00:21:47,160 --> 00:21:49,520 Speaker 1: do people call you? And I said Havey and then 406 00:21:49,560 --> 00:21:53,560 Speaker 1: he goes Havy Harvey and I was like, uh huh. 407 00:21:54,200 --> 00:21:56,280 Speaker 1: And at first I didn't like it, and I was like, 408 00:21:56,400 --> 00:21:57,760 Speaker 1: but I love Javier, and I was like, it was 409 00:21:57,800 --> 00:22:01,800 Speaker 1: my father's name, and Javier it is. And they were like, yeah, 410 00:22:01,880 --> 00:22:04,720 Speaker 1: but Javier en, it's going to limit you and what 411 00:22:04,800 --> 00:22:06,480 Speaker 1: you get to play. And at this point in my career, 412 00:22:06,560 --> 00:22:08,600 Speaker 1: with no credits under my name, he was making me 413 00:22:08,680 --> 00:22:10,320 Speaker 1: feel that I was just going to be seen as 414 00:22:10,320 --> 00:22:14,720 Speaker 1: a one trick pony. And that's when my wheel started 415 00:22:14,960 --> 00:22:17,679 Speaker 1: like shifting, because I was like, I guess he knows something. 416 00:22:17,840 --> 00:22:19,760 Speaker 1: He's an agent, and I went along with it, and 417 00:22:19,800 --> 00:22:22,000 Speaker 1: I'm kind of at first I was upset about it, 418 00:22:22,119 --> 00:22:26,400 Speaker 1: but after a couple of years, I'm actually glad because Javi. 419 00:22:26,640 --> 00:22:29,560 Speaker 1: Javier is my name that my friends and my family 420 00:22:29,600 --> 00:22:31,680 Speaker 1: that calls me when I'm at home. And if you 421 00:22:31,760 --> 00:22:33,720 Speaker 1: know me for my work, and that's Harvey and that's 422 00:22:33,760 --> 00:22:35,480 Speaker 1: all you need to know me. So if you know 423 00:22:35,560 --> 00:22:37,960 Speaker 1: me as Harvey, you know me for my entertainment, you 424 00:22:38,040 --> 00:22:39,879 Speaker 1: know me from my work, you know me as that, 425 00:22:40,119 --> 00:22:44,600 Speaker 1: and Harvey is that Javier is more personal and more 426 00:22:44,640 --> 00:22:46,880 Speaker 1: intimate to my family and friends. So my friends still 427 00:22:46,920 --> 00:22:49,399 Speaker 1: call me Haave Javier. If I go to dinner with 428 00:22:49,480 --> 00:22:51,280 Speaker 1: a group of friends that I've known since they're grade, 429 00:22:51,359 --> 00:22:53,560 Speaker 1: they don't call me Harvey. They call me Javier. And 430 00:22:53,680 --> 00:22:56,040 Speaker 1: that's the what we get to call. And when you 431 00:22:56,080 --> 00:22:57,320 Speaker 1: talk to me, you get to call me because you 432 00:22:57,440 --> 00:23:02,000 Speaker 1: are family Javie, family and friends. How do we that's 433 00:23:02,080 --> 00:23:04,760 Speaker 1: the stage name, and we need to have the separation. 434 00:23:05,119 --> 00:23:07,800 Speaker 1: And I like separation of that because family and friends 435 00:23:08,000 --> 00:23:11,000 Speaker 1: is not intertwining with work. And sometimes now that people 436 00:23:11,080 --> 00:23:13,399 Speaker 1: know this story, they do try to sneak in and 437 00:23:13,480 --> 00:23:15,119 Speaker 1: they see me on the street and they try to 438 00:23:15,160 --> 00:23:17,919 Speaker 1: go have you, and I'm like, oh, hi, and it's 439 00:23:17,960 --> 00:23:22,919 Speaker 1: to meet you. Harvey. You don't know me like that. Snap, 440 00:23:23,200 --> 00:23:25,400 Speaker 1: you don't know me like that. Because if you get 441 00:23:25,440 --> 00:23:27,280 Speaker 1: to know me like that, and I've had like working 442 00:23:27,359 --> 00:23:29,600 Speaker 1: on shadows, like Yanna Gorskaya is one of our directors, 443 00:23:29,640 --> 00:23:32,639 Speaker 1: and she was so lovely and we became so close, 444 00:23:32,720 --> 00:23:34,960 Speaker 1: and then one day I think, after seasons of working together, 445 00:23:35,000 --> 00:23:37,800 Speaker 1: show is it okay? I'd call you hovey and I've 446 00:23:37,960 --> 00:23:40,080 Speaker 1: become so close to her then actually become a dear friend. 447 00:23:40,080 --> 00:23:42,239 Speaker 1: I was like, you can call me hobby, you call 448 00:23:42,320 --> 00:23:44,920 Speaker 1: me hovey. You are part of a very small group. 449 00:23:45,160 --> 00:23:47,600 Speaker 1: You call me Harvey. We're all business here, all entertainment. However, 450 00:23:47,600 --> 00:23:49,520 Speaker 1: he's here to entertain and have a good time. But 451 00:23:49,920 --> 00:23:52,200 Speaker 1: you don't go home with me, and you don't get 452 00:23:52,200 --> 00:23:54,480 Speaker 1: to talk in a different level, in a personal. 453 00:23:54,280 --> 00:23:59,560 Speaker 2: Level, like that final question, Harvey, dream role, dream role, 454 00:23:59,560 --> 00:24:02,040 Speaker 2: if you could dream it right now, your top. 455 00:24:02,000 --> 00:24:10,120 Speaker 1: Role would be superhero, comedy, love story. Oh I want 456 00:24:10,160 --> 00:24:13,920 Speaker 1: to be the center of a romantic storyline. I love action. 457 00:24:14,280 --> 00:24:17,280 Speaker 1: I want to do my own stunts. I obviously love comedy. 458 00:24:17,520 --> 00:24:19,120 Speaker 2: Well yit manute. I did see you doing your own 459 00:24:19,160 --> 00:24:20,920 Speaker 2: stunts and I was like, is that really him? 460 00:24:20,960 --> 00:24:24,200 Speaker 1: And I was like him, yeah, even my mom doesn't 461 00:24:24,240 --> 00:24:26,200 Speaker 1: think like I was like, no notice too, and I 462 00:24:26,240 --> 00:24:28,600 Speaker 1: was like, Mom, I did the stunts. She's like, no, noticeool, 463 00:24:28,640 --> 00:24:30,520 Speaker 1: and I was like, mom, here's the video of you rehearsing. 464 00:24:30,760 --> 00:24:36,880 Speaker 2: No no. It's like, thank you so much, Harvey, thank 465 00:24:36,920 --> 00:24:39,720 Speaker 2: you for sharing so much of your heart and your 466 00:24:39,960 --> 00:24:44,200 Speaker 2: wisdom with us and your life lessons. I appreciate it. 467 00:24:46,960 --> 00:24:47,160 Speaker 4: Chow. 468 00:25:08,000 --> 00:25:11,159 Speaker 2: This episode was produced by Monica Moreles Garcia. It was 469 00:25:11,320 --> 00:25:14,840 Speaker 2: edited by Andrea Lopez Gruzzado and mixed by Gabriel l 470 00:25:14,840 --> 00:25:19,320 Speaker 2: A Baiez. The Latino USA team also includes Roxanna Guire, 471 00:25:19,680 --> 00:25:25,120 Speaker 2: Julia Caruso, Felicia do Minez, Fernando Chavari, Jessica Ellis, Victoria Strada, 472 00:25:25,320 --> 00:25:31,480 Speaker 2: Dominique Estrosa, Rinaldo, Lenoz Junior, Stephanie Lebau, Luis Luna Marta Martinez, 473 00:25:31,680 --> 00:25:36,040 Speaker 2: Tasha Sandoval, Noor Saudi, Nancy Trujillo and j J. Carubin. 474 00:25:36,440 --> 00:25:40,200 Speaker 2: Pennilee Ramidez, Marlon Bishop, Maria Garcia and myself are co 475 00:25:40,440 --> 00:25:44,240 Speaker 2: executive producers. And I'm your host, Marie Noo Jossa. Join 476 00:25:44,320 --> 00:25:46,600 Speaker 2: us again on our next episode. In the meantime, I'll 477 00:25:46,600 --> 00:25:49,200 Speaker 2: see you on social media. I know Ben Moos Instagram 478 00:25:49,600 --> 00:25:51,840 Speaker 2: and as you know, forever note. 479 00:25:51,600 --> 00:25:57,399 Speaker 4: Bayez Latino USA is made possible in part by the 480 00:25:57,520 --> 00:26:03,879 Speaker 4: Heising Simons Foundation. Unlocking knowledge, opportunity, and possibilities more at 481 00:26:04,160 --> 00:26:09,720 Speaker 4: hsfoundation dot org. The William and Flora Hewlett Foundation for 482 00:26:09,920 --> 00:26:15,760 Speaker 4: more than fifty years advancing ideas and supporting institutions to 483 00:26:15,880 --> 00:26:22,360 Speaker 4: promote a better world at Hewlett dot org, and Skyline Foundation. 484 00:26:26,280 --> 00:26:30,800 Speaker 2: Congratulations on six seasons of What we Do in the 485 00:26:30,880 --> 00:26:32,240 Speaker 2: Dark in the Shadow? 486 00:26:32,359 --> 00:26:33,240 Speaker 1: Were doing the shadow? 487 00:26:33,760 --> 00:26:36,760 Speaker 2: What we do in the shadows? Okay, dark Shadows. Dark 488 00:26:36,800 --> 00:26:38,879 Speaker 2: Shadows is the TV show that I grew up watching