1 00:00:00,280 --> 00:00:01,880 Speaker 1: Scotty. Guess what what? 2 00:00:02,320 --> 00:00:05,880 Speaker 2: I'm going back to Minneapolis. Okay, I'm sorry, I'm not 3 00:00:05,920 --> 00:00:10,680 Speaker 2: bringing you. I'm doing stand up at ACME. Uh December first, second, 4 00:00:10,680 --> 00:00:12,920 Speaker 2: and third. Come on out. That's a Thursday, Friday and 5 00:00:12,960 --> 00:00:16,360 Speaker 2: Saturday at ACME. And it's a fantastic club and it'll 6 00:00:16,400 --> 00:00:18,239 Speaker 2: be really fun and we'll do some stand up and 7 00:00:18,280 --> 00:00:18,840 Speaker 2: we'll hang out. 8 00:00:19,360 --> 00:00:22,080 Speaker 1: Oh that's so fun. So go see Kurt at ACME 9 00:00:22,320 --> 00:00:24,120 Speaker 1: in Minneapolis. 10 00:00:23,360 --> 00:00:24,640 Speaker 2: December first through third. 11 00:00:26,120 --> 00:00:30,800 Speaker 1: You ready? Ooh, I'm ready to love and love and love. 12 00:00:31,520 --> 00:00:32,320 Speaker 1: This one's great. 13 00:00:32,840 --> 00:00:38,639 Speaker 2: Oh good call him Licksso. Man paints beaver with world's 14 00:00:38,680 --> 00:00:40,560 Speaker 2: longest tongue. 15 00:00:40,560 --> 00:00:47,520 Speaker 1: Man paints beaver with world's longest tongue. Damn, I'm ready 16 00:00:47,520 --> 00:01:13,399 Speaker 1: for this episode of Bananas Your Bud, nor sillion pieces, shotten. 17 00:01:17,280 --> 00:01:21,839 Speaker 2: Guys, gowns, and non binary pals. Welcome to bun Nanas. 18 00:01:21,840 --> 00:01:23,280 Speaker 2: I'm Kurt Brown older, I. 19 00:01:23,240 --> 00:01:26,039 Speaker 1: Am Banana Boy number two Scotti Landis. Thank you for 20 00:01:26,080 --> 00:01:30,399 Speaker 1: tuning in to our silly news podcast oft described as 21 00:01:30,440 --> 00:01:32,840 Speaker 1: the silliest little podcast there ever was. 22 00:01:34,080 --> 00:01:37,080 Speaker 2: Scottie, how you feeling, bud, Dude? 23 00:01:37,120 --> 00:01:40,320 Speaker 1: I am I have nine hundred plates spinning today and 24 00:01:40,520 --> 00:01:42,840 Speaker 1: even while we're recording, I'm trying to I'm doing a 25 00:01:42,880 --> 00:01:45,880 Speaker 1: big I guess fall cleaning in my house, and so 26 00:01:45,920 --> 00:01:47,960 Speaker 1: I'm like selling a bunch of stuff on offer up 27 00:01:48,160 --> 00:01:50,160 Speaker 1: and I have people that are like, I'll be there, 28 00:01:50,240 --> 00:01:54,080 Speaker 1: and everybody's coming uh late. Everybody's over half an hour 29 00:01:54,160 --> 00:01:56,960 Speaker 1: late while I'm also doing work stuff while we're also recording. 30 00:01:57,600 --> 00:01:59,920 Speaker 1: So if I suddenly disappear for five minutes, it's me 31 00:02:00,200 --> 00:02:02,760 Speaker 1: taking cash from somebody and probably getting forced to load 32 00:02:02,760 --> 00:02:04,720 Speaker 1: a dresser into their like Honta Civic. 33 00:02:05,200 --> 00:02:07,720 Speaker 2: Oh wow, that's awesome. What a treat for you. 34 00:02:07,960 --> 00:02:10,760 Speaker 1: What a day, what a beautiful whatever day of the 35 00:02:10,800 --> 00:02:16,600 Speaker 1: week it is. I just as always as I always do. 36 00:02:16,760 --> 00:02:18,600 Speaker 2: At the top of Bananas, I want to remind you 37 00:02:18,639 --> 00:02:22,680 Speaker 2: that my comedy special Perfectly Stupid is out there right now. 38 00:02:23,320 --> 00:02:25,760 Speaker 2: You can go watch it, and if you do, I 39 00:02:25,800 --> 00:02:28,799 Speaker 2: would appreciate it, not just and you're not doing me 40 00:02:28,840 --> 00:02:30,520 Speaker 2: a favor, You'll be doing yourself a favor. 41 00:02:30,680 --> 00:02:33,640 Speaker 1: That's right. It's entertainment. And I was there for the 42 00:02:33,680 --> 00:02:36,400 Speaker 1: tapings in Denver. We had a rock and time. There 43 00:02:36,400 --> 00:02:38,520 Speaker 1: were a lot of people dressed as bananas. There. There 44 00:02:38,520 --> 00:02:41,600 Speaker 1: were like fifteen Charlie fromages. It was just a night 45 00:02:41,639 --> 00:02:43,239 Speaker 1: to remember. Mm mmmmm. 46 00:02:45,000 --> 00:02:46,800 Speaker 2: And well, you know what, let's get should we get 47 00:02:46,840 --> 00:02:48,760 Speaker 2: to our fantastic gas Scottie. 48 00:02:49,120 --> 00:02:53,120 Speaker 1: I can't wait. I'm vibrating with just excitement about this 49 00:02:53,560 --> 00:02:54,440 Speaker 1: entire episode. 50 00:02:54,840 --> 00:02:58,680 Speaker 2: She is so funny, she was she was fed to 51 00:02:58,760 --> 00:03:05,960 Speaker 2: me mouth open like a baby bird by the Instagram algorithm. Really, yes, 52 00:03:06,800 --> 00:03:08,600 Speaker 2: I've actually discovered a bunch of New York because you know, 53 00:03:08,639 --> 00:03:10,919 Speaker 2: I'm not a number in New York. Discovered a bunch 54 00:03:10,960 --> 00:03:13,600 Speaker 2: of New York comedians this way because I found a 55 00:03:13,639 --> 00:03:18,240 Speaker 2: lot of comics on Instagram. And she's just so so funny. 56 00:03:18,120 --> 00:03:23,120 Speaker 2: She is a stand up. She's been on Fallon, she's 57 00:03:23,200 --> 00:03:26,320 Speaker 2: been on Comedy Central. I had pieces of the New Yorker. 58 00:03:26,800 --> 00:03:32,880 Speaker 2: So please welcome the absolutely hilarious and fantastic Chloe Radcliffe. 59 00:03:33,600 --> 00:03:36,880 Speaker 3: Yeah, that's right, both hilarious and fantastic. 60 00:03:39,440 --> 00:03:41,000 Speaker 1: Yeah. That's a great way to be. That's a good 61 00:03:41,000 --> 00:03:41,840 Speaker 1: way to live a life. 62 00:03:42,080 --> 00:03:44,400 Speaker 2: It's true, Chloe, Thank you, it's true. 63 00:03:44,480 --> 00:03:44,800 Speaker 4: Thank you. 64 00:03:44,920 --> 00:03:47,320 Speaker 2: This is actually our first time meeting. As I stated 65 00:03:47,480 --> 00:03:51,520 Speaker 2: in your intro, you were fed to me on the 66 00:03:51,680 --> 00:03:55,200 Speaker 2: Instagram algorithm and you're just so so so fun Thank you. 67 00:03:55,320 --> 00:03:59,840 Speaker 3: Thank you so much. I pay Instagram to force people 68 00:03:59,880 --> 00:04:04,200 Speaker 3: to watch me. Please, God, the god of social media, 69 00:04:04,320 --> 00:04:05,560 Speaker 3: let people discover me. 70 00:04:07,120 --> 00:04:08,280 Speaker 1: No, I'm I though. 71 00:04:08,440 --> 00:04:10,200 Speaker 4: Yeah, I Kurt. I've seen you. 72 00:04:11,960 --> 00:04:14,080 Speaker 3: A handful of times because I have done hot tub 73 00:04:14,160 --> 00:04:17,120 Speaker 3: a few times, so I have watched you from Afar 74 00:04:18,320 --> 00:04:20,320 Speaker 3: and we maybe have met in the green room. But 75 00:04:20,400 --> 00:04:23,880 Speaker 3: I but oh yes we probably yeah, but just just 76 00:04:23,920 --> 00:04:24,760 Speaker 3: truly in passing. 77 00:04:24,800 --> 00:04:28,080 Speaker 4: So I'm very glad to now be meeting you on 78 00:04:28,160 --> 00:04:28,640 Speaker 4: a computer. 79 00:04:30,440 --> 00:04:33,480 Speaker 1: Yep, the best way to meet people. What a thrill 80 00:04:33,800 --> 00:04:37,360 Speaker 1: and me watching YouTube meet on zoom. It's just warm. 81 00:04:37,800 --> 00:04:39,280 Speaker 4: Yeah, sorry, Scotty. What's your name? 82 00:04:40,480 --> 00:04:45,200 Speaker 1: Yeah? True, nobody, I'm nobody. But man, this is really 83 00:04:45,200 --> 00:04:47,320 Speaker 1: getting me in the mood for Thanksgiving, just seeing all 84 00:04:47,360 --> 00:04:49,040 Speaker 1: these new friends becoming friend Yes. 85 00:04:49,880 --> 00:04:51,440 Speaker 4: Yeah, we're like a family already. 86 00:04:52,760 --> 00:04:53,560 Speaker 1: You're it's right. 87 00:04:53,760 --> 00:04:55,840 Speaker 2: You're in Los Angeles. How are you liking it? 88 00:04:55,920 --> 00:04:59,040 Speaker 3: I I am like you. Every time I come to LA. 89 00:04:59,120 --> 00:05:02,640 Speaker 3: I like it more than I liked it the time before. Yeah, 90 00:05:02,760 --> 00:05:05,880 Speaker 3: it does have an it has a growth curve. 91 00:05:05,680 --> 00:05:10,560 Speaker 2: But it takes a while while to figure it out. 92 00:05:11,120 --> 00:05:13,120 Speaker 2: I remember I realized that because I was in New 93 00:05:13,200 --> 00:05:15,320 Speaker 2: York for fourteen years, I realized that the first six 94 00:05:15,320 --> 00:05:18,880 Speaker 2: months I lived in LA, what I was essentially doing 95 00:05:19,360 --> 00:05:21,120 Speaker 2: was like if I lived in New York, if I 96 00:05:21,160 --> 00:05:24,599 Speaker 2: needed like toilet paper, and I lived in Brooklyn, I 97 00:05:24,680 --> 00:05:27,920 Speaker 2: was doing the LA equivalent of going to Times Square 98 00:05:28,120 --> 00:05:30,960 Speaker 2: to buy toilet paper and then coming back to Brooklyn 99 00:05:30,960 --> 00:05:33,240 Speaker 2: and being like, this city sucks. 100 00:05:33,560 --> 00:05:36,880 Speaker 4: Yeah, Wait where were you going? What was what was happening? 101 00:05:36,880 --> 00:05:38,480 Speaker 2: No, just like because I would I was. I was 102 00:05:38,520 --> 00:05:40,240 Speaker 2: living in Silver Lake, and I was always going like 103 00:05:40,360 --> 00:05:43,640 Speaker 2: east into Hollywood to do anything. And I was like, 104 00:05:43,760 --> 00:05:46,080 Speaker 2: I mean, I was going west into Hollywood to do anything, 105 00:05:46,440 --> 00:05:49,400 Speaker 2: and it's just awful. It's just awful over there. And 106 00:05:49,440 --> 00:05:52,240 Speaker 2: so then I realized, like, oh everything there's there's like 107 00:05:52,279 --> 00:05:53,279 Speaker 2: little towns all over. 108 00:05:53,279 --> 00:05:55,680 Speaker 4: There's toilet there's. 109 00:05:55,440 --> 00:05:59,359 Speaker 2: Toilet paper right here. Yeah, so I found all my 110 00:05:59,440 --> 00:06:00,719 Speaker 2: local Wow. 111 00:06:00,839 --> 00:06:04,440 Speaker 3: What I'm what a beautiful what a beautiful story I 112 00:06:04,520 --> 00:06:09,719 Speaker 3: it is. I just feel I'm waiting to feel and 113 00:06:09,760 --> 00:06:12,040 Speaker 3: I don't mean to shit on LA, but I'm waiting 114 00:06:12,080 --> 00:06:15,520 Speaker 3: to feel LA magic in the way that I feel 115 00:06:15,600 --> 00:06:17,400 Speaker 3: New York magic. And I've lived in New York for 116 00:06:17,400 --> 00:06:20,640 Speaker 3: five years and I still feel New York magic every week, 117 00:06:21,520 --> 00:06:23,479 Speaker 3: and I have and I have been to La many, 118 00:06:23,480 --> 00:06:26,479 Speaker 3: many times, and I I have yet to feel La 119 00:06:26,640 --> 00:06:28,280 Speaker 3: magic maybe ever. 120 00:06:28,839 --> 00:06:31,760 Speaker 4: But I know it exists. I know it is here. 121 00:06:31,960 --> 00:06:34,040 Speaker 4: I just am I'm looking for it. I'm hopeful. 122 00:06:34,960 --> 00:06:39,320 Speaker 2: I think La Magic is totally different from New York Magic. 123 00:06:39,760 --> 00:06:42,920 Speaker 2: La Magic has more to do with I think, like 124 00:06:43,240 --> 00:06:47,400 Speaker 2: nature shit, sure, true, you know, and being in like 125 00:06:47,560 --> 00:06:50,760 Speaker 2: just overwhelmed by gorgeousness that's like ten or fifteen minutes 126 00:06:50,800 --> 00:06:53,279 Speaker 2: away from or the other version of it is just 127 00:06:53,400 --> 00:06:56,919 Speaker 2: like having a pool and having a house and not 128 00:06:57,080 --> 00:07:00,880 Speaker 2: having to, you know, like struggle as much and be lazy. 129 00:07:00,960 --> 00:07:03,839 Speaker 2: Lay face down on the floor. Yes, that's La magic, 130 00:07:03,920 --> 00:07:05,880 Speaker 2: laying face down on the floor and giving up. 131 00:07:05,920 --> 00:07:08,040 Speaker 3: Buddy, I can lay face on the floor in New 132 00:07:08,120 --> 00:07:11,120 Speaker 3: York too. You know what New York City's good for 133 00:07:12,320 --> 00:07:17,640 Speaker 3: give it up? Yeah, yeah, I'm I'm but I gotta 134 00:07:17,680 --> 00:07:20,920 Speaker 3: say that, like times ago, a couple of visits ago, 135 00:07:21,360 --> 00:07:23,880 Speaker 3: I was like, I don't think there is La Magic. 136 00:07:23,960 --> 00:07:25,800 Speaker 3: And now I've gotten to the point where I'm saying 137 00:07:25,840 --> 00:07:27,080 Speaker 3: I am waiting to feel it. 138 00:07:27,120 --> 00:07:28,000 Speaker 4: So I'm improving. 139 00:07:28,840 --> 00:07:30,960 Speaker 2: Oh yeah, no, I was. I was in the exact 140 00:07:30,960 --> 00:07:35,000 Speaker 2: same boat. I always was like, no way, never ever 141 00:07:35,240 --> 00:07:38,559 Speaker 2: that's right, doing this New York City till I die, baby. 142 00:07:39,040 --> 00:07:40,760 Speaker 2: And then I came out here and I and then 143 00:07:40,840 --> 00:07:42,320 Speaker 2: bought house and I'm never getting back. 144 00:07:42,720 --> 00:07:44,800 Speaker 1: Yeah. Then we came out here and curtain. I went 145 00:07:44,840 --> 00:07:47,840 Speaker 1: to a flea market very early on in Long Beach 146 00:07:47,920 --> 00:07:50,560 Speaker 1: and Kurt just bought so much nautical stuff that I 147 00:07:50,600 --> 00:07:52,920 Speaker 1: was like, this guy's going through changing. He's a sailors 148 00:07:53,840 --> 00:07:58,480 Speaker 1: boat stuff, boat paintings, banker lamps. It was so funny. 149 00:07:58,520 --> 00:08:00,920 Speaker 1: I was like, the dude is ready for this is 150 00:08:01,040 --> 00:08:01,840 Speaker 1: me now, Kurt. 151 00:08:01,920 --> 00:08:04,600 Speaker 3: The question is do you still own all of that 152 00:08:04,760 --> 00:08:06,360 Speaker 3: nautical themed decorts? 153 00:08:07,160 --> 00:08:07,760 Speaker 1: Great question. 154 00:08:08,000 --> 00:08:10,320 Speaker 2: My wife made me get rid of all of it. 155 00:08:10,920 --> 00:08:13,320 Speaker 2: She was not happy that I bought it. I kind 156 00:08:13,320 --> 00:08:15,720 Speaker 2: of like just went for it. She was like, why 157 00:08:15,760 --> 00:08:16,440 Speaker 2: do what are we? 158 00:08:16,760 --> 00:08:16,840 Speaker 3: Like? 159 00:08:16,880 --> 00:08:17,240 Speaker 2: What do we? 160 00:08:17,440 --> 00:08:20,800 Speaker 1: Is this a Is this a sailor's bar that we 161 00:08:20,840 --> 00:08:21,200 Speaker 1: live in? 162 00:08:21,520 --> 00:08:24,480 Speaker 2: Are you gonna start putting up like a little a 163 00:08:24,480 --> 00:08:27,840 Speaker 2: little net with a plastic cram, you know, on the wall. 164 00:08:27,960 --> 00:08:29,360 Speaker 2: And I was like, yes, ken Wi. 165 00:08:29,480 --> 00:08:31,880 Speaker 4: She's like that's a great id. It sounds well, it 166 00:08:31,920 --> 00:08:33,719 Speaker 4: sounds like you sort of you know, you know when 167 00:08:33,720 --> 00:08:35,880 Speaker 4: you walk into the bathrooms and the bathrooms are. 168 00:08:35,760 --> 00:08:39,439 Speaker 3: Just ocean themed for no discernible reason other than this 169 00:08:39,480 --> 00:08:41,640 Speaker 3: is a place with plumbing and you're. 170 00:08:41,480 --> 00:08:43,880 Speaker 1: Like, yeah, sure, I guess there's water. 171 00:08:43,720 --> 00:08:46,199 Speaker 4: In both of these places. That sounds like the approach 172 00:08:46,280 --> 00:08:48,680 Speaker 4: that you took to your entire house. 173 00:08:49,800 --> 00:08:52,600 Speaker 1: That's right. Sometimes you just roll out the beach towel, 174 00:08:52,720 --> 00:08:54,800 Speaker 1: turn on the sun lamp, and just flush the toilet, 175 00:08:54,920 --> 00:08:57,280 Speaker 1: like waves crashing right next to your head. It's a 176 00:08:57,320 --> 00:08:58,000 Speaker 1: beautiful tone. 177 00:08:59,040 --> 00:09:02,960 Speaker 2: I mean, I I uh, I do kind of want 178 00:09:03,000 --> 00:09:07,280 Speaker 2: to live with the decor that is the desire, the 179 00:09:07,320 --> 00:09:10,560 Speaker 2: decor of a divorced dad's house boat that I think 180 00:09:10,600 --> 00:09:18,920 Speaker 2: would be my ideal decor. Yeah, no, no, ten, here 181 00:09:18,920 --> 00:09:21,319 Speaker 2: it is. Are you got you ready for this headline? 182 00:09:21,400 --> 00:09:21,840 Speaker 1: Chloe? 183 00:09:21,840 --> 00:09:29,199 Speaker 2: I mean yeah, call him lickaso. Man paints beaver with 184 00:09:29,400 --> 00:09:34,600 Speaker 2: world's longest tongue. Quote, it's a gift. I have to 185 00:09:34,720 --> 00:09:35,520 Speaker 2: use it. 186 00:09:35,600 --> 00:09:38,360 Speaker 1: His longest tongue is a gift that he needs to 187 00:09:38,520 --> 00:09:41,199 Speaker 1: use and by that he means with painting with it. 188 00:09:41,480 --> 00:09:44,560 Speaker 2: Yep, this is and I can't believe I've been sleeping 189 00:09:44,600 --> 00:09:45,120 Speaker 2: on this one. 190 00:09:45,360 --> 00:09:46,280 Speaker 1: Yeah wait wait. 191 00:09:46,080 --> 00:09:47,559 Speaker 4: Wait wait wait wait wait. 192 00:09:48,920 --> 00:09:52,400 Speaker 3: Is the does the man have the longest tongue or 193 00:09:52,400 --> 00:09:54,360 Speaker 3: does the beaver have the longest. 194 00:09:53,960 --> 00:09:59,760 Speaker 1: Tongue the man. The man has the long tongue. And 195 00:10:00,040 --> 00:10:02,040 Speaker 1: is he painting a portrait of a beaver or does 196 00:10:02,040 --> 00:10:03,920 Speaker 1: he have a stuffed beaver that he's painting. 197 00:10:04,720 --> 00:10:06,839 Speaker 2: Guys, we're going to get in question. 198 00:10:07,360 --> 00:10:11,480 Speaker 4: I mean, is it like, you know, thinly veiled in undo. 199 00:10:12,679 --> 00:10:16,720 Speaker 3: And he can paint that beaver with. 200 00:10:16,720 --> 00:10:19,640 Speaker 2: A long I mean perfect? Yeah, it's perfect really for 201 00:10:19,720 --> 00:10:23,079 Speaker 2: him to choose this. This was sent in by the immortal. 202 00:10:23,240 --> 00:10:30,760 Speaker 2: We have been we have been not purposefully missing his stories. Yeah, 203 00:10:31,040 --> 00:10:34,400 Speaker 2: copy haste, folks, he's going to his birthday. I'm going 204 00:10:34,600 --> 00:10:37,360 Speaker 2: all copy haste stories this episode. 205 00:10:38,920 --> 00:10:41,040 Speaker 1: Chloe, this means nothing to you. This is a fan 206 00:10:41,120 --> 00:10:44,160 Speaker 1: that has sent us thousands of stories over the last 207 00:10:44,200 --> 00:10:45,280 Speaker 1: two and a half years. 208 00:10:45,400 --> 00:10:48,040 Speaker 2: And he gets me. He gets me, and. 209 00:10:48,200 --> 00:10:51,959 Speaker 4: You use his stories frequently. Yes, yes, yes. 210 00:10:53,280 --> 00:10:58,000 Speaker 2: He's from the Huffington Post, written by David moy who 211 00:10:58,160 --> 00:10:59,760 Speaker 2: some say Scott. 212 00:10:59,600 --> 00:11:01,600 Speaker 1: Is best in the biz. 213 00:11:01,760 --> 00:11:04,560 Speaker 4: That's right, that's in the biz of weird news, biz. 214 00:11:05,080 --> 00:11:07,280 Speaker 1: Of tongue Beaver bisver tongue. 215 00:11:07,920 --> 00:11:14,240 Speaker 2: The tb byes the tcbyat TV the country's best young 216 00:11:14,760 --> 00:11:17,520 Speaker 2: beaver business right here is let me Yeah, the man 217 00:11:17,600 --> 00:11:19,720 Speaker 2: with the world's longest tongue is doing what he was 218 00:11:19,720 --> 00:11:22,240 Speaker 2: born to do, paint a beaver with his tongue. 219 00:11:22,400 --> 00:11:22,959 Speaker 1: Absolutely. 220 00:11:23,040 --> 00:11:26,840 Speaker 2: Nick Stowborough twenty six currently holds the Guinness World Records 221 00:11:26,840 --> 00:11:30,640 Speaker 2: for world's longest tongue, a whopping three point nine seven 222 00:11:30,800 --> 00:11:34,120 Speaker 2: inches from tip to closed lip. 223 00:11:34,800 --> 00:11:37,040 Speaker 1: Oh so thought longer. 224 00:11:37,440 --> 00:11:42,000 Speaker 2: It's it's like a full inch below his chin. I've 225 00:11:42,000 --> 00:11:43,520 Speaker 2: seen the pictures. 226 00:11:43,120 --> 00:11:45,080 Speaker 1: Tip to close lips. So when his tongue is out 227 00:11:45,160 --> 00:11:47,800 Speaker 1: from the tip of it back to his mouth is yes, reason, 228 00:11:47,880 --> 00:11:48,480 Speaker 1: And it's when. 229 00:11:48,400 --> 00:11:51,520 Speaker 3: He's got his tongue like stuck down like at right, 230 00:11:51,600 --> 00:11:54,160 Speaker 3: like I wish that should we just do the noise 231 00:11:54,200 --> 00:11:56,439 Speaker 3: that it makes since nobody's watching us on the zoom. 232 00:11:58,559 --> 00:12:02,600 Speaker 1: I have a normal tongue. Uh uh, that's probably scotty. 233 00:12:02,640 --> 00:12:04,400 Speaker 4: You call that a normal tongue. You gotta get that 234 00:12:04,480 --> 00:12:04,880 Speaker 4: checked out. 235 00:12:04,880 --> 00:12:06,319 Speaker 1: How do you thank you? 236 00:12:07,679 --> 00:12:16,559 Speaker 2: Yeah, that's pretty normal. 237 00:12:13,040 --> 00:12:15,360 Speaker 4: Pretty big tongue. No normal to normal tone. 238 00:12:15,360 --> 00:12:20,800 Speaker 2: Classic, let's see classic, classic, Kurt when you when you led, 239 00:12:20,960 --> 00:12:22,760 Speaker 2: when you led with three point whatever. 240 00:12:23,360 --> 00:12:26,600 Speaker 4: I I know that this is in retrospect. How could I? 241 00:12:26,640 --> 00:12:29,000 Speaker 4: But I was really prepared for feet at the end of. 242 00:12:28,960 --> 00:12:33,120 Speaker 1: That like a cartoon. 243 00:12:33,400 --> 00:12:37,880 Speaker 3: Yeah, and now I'm honestly, frankly, I'm disappointed that this 244 00:12:37,960 --> 00:12:39,079 Speaker 3: man's tongue isn't bigger. 245 00:12:39,120 --> 00:12:40,840 Speaker 4: But hey, you know they. 246 00:12:40,800 --> 00:12:44,600 Speaker 2: Say when you see a photograph of it, you will say, 247 00:12:44,880 --> 00:12:46,120 Speaker 2: I wish it was shorter. 248 00:12:46,600 --> 00:12:48,280 Speaker 1: It is incredibly upsetting. 249 00:12:48,440 --> 00:12:51,440 Speaker 2: Imagine Jane Simmons tongue and a little bit longer than 250 00:12:51,480 --> 00:12:52,360 Speaker 2: Jeane Simmons tongue. 251 00:12:52,640 --> 00:12:53,880 Speaker 1: Good got it here. 252 00:12:53,960 --> 00:12:57,360 Speaker 2: It is that that honor might be enough for some people, 253 00:12:57,520 --> 00:13:00,439 Speaker 2: but Stowborough feels a giant tongue is not thing if 254 00:13:00,480 --> 00:13:03,120 Speaker 2: not used for the betterment of humanity. It's a gift, 255 00:13:03,160 --> 00:13:06,160 Speaker 2: he told huff Post. I have to use it. So 256 00:13:06,360 --> 00:13:11,840 Speaker 2: Stoberrel has started using his liquor as a paintbrush making portraits. 257 00:13:11,880 --> 00:13:14,559 Speaker 2: I appreciate the term liquor for tongue. 258 00:13:14,600 --> 00:13:14,720 Speaker 3: Ya. 259 00:13:14,960 --> 00:13:17,000 Speaker 1: That's a made up synonym that. 260 00:13:17,240 --> 00:13:21,400 Speaker 4: Somebody like wanted to work the word liquor in liquor. Yeah. 261 00:13:22,280 --> 00:13:24,280 Speaker 2: You know, if you go to the source dot com, 262 00:13:24,320 --> 00:13:30,000 Speaker 2: liquor ain't in there when you have tongue the search bar. Uh. 263 00:13:30,040 --> 00:13:33,360 Speaker 2: He started dipping his tongue in acrylic paint and then 264 00:13:33,559 --> 00:13:38,320 Speaker 2: onto canvas. Stowberrel has done numerous tongue paintings, including one 265 00:13:38,320 --> 00:13:40,920 Speaker 2: of talk show hosts Steve Harvey, but his proudest of 266 00:13:41,280 --> 00:13:45,160 Speaker 2: his post recent work, a giant beaver. I mean he 267 00:13:45,280 --> 00:13:47,120 Speaker 2: knows his audience. He gets what he's doing. 268 00:13:47,559 --> 00:13:48,160 Speaker 1: I buy it. 269 00:13:48,320 --> 00:13:50,080 Speaker 3: Do you think do you wish that you were famous 270 00:13:50,200 --> 00:13:53,319 Speaker 3: enough to be deserving of a of a portrait done 271 00:13:53,320 --> 00:13:54,920 Speaker 3: by world's largest tongue man. 272 00:13:55,600 --> 00:13:57,920 Speaker 1: We could commission it. I bet if we reached out, 273 00:13:58,320 --> 00:14:01,120 Speaker 1: something tells me we could afford to get one commission. 274 00:14:01,480 --> 00:14:02,000 Speaker 1: I would. 275 00:14:02,280 --> 00:14:04,800 Speaker 2: I think we should. Okay, I think we should get 276 00:14:04,800 --> 00:14:07,480 Speaker 2: a piece of art made, a banana boys portrait, and 277 00:14:07,520 --> 00:14:09,720 Speaker 2: we should make it into a poster, and we should 278 00:14:09,720 --> 00:14:11,800 Speaker 2: sell it. I think that that's a great piece of merch. 279 00:14:12,240 --> 00:14:16,080 Speaker 2: Tongue painted portrait, Yeah, it's just that easy. 280 00:14:16,160 --> 00:14:18,160 Speaker 4: A LICKT portrait, a. 281 00:14:18,120 --> 00:14:22,520 Speaker 1: LICKT portrait, a Liechtenstein, if a lict banana, that's like 282 00:14:22,760 --> 00:14:23,760 Speaker 1: it's going the other way. 283 00:14:24,520 --> 00:14:28,760 Speaker 2: Yeah, this painting definitely appeals to my taste. He said, 284 00:14:28,920 --> 00:14:31,760 Speaker 2: I'm fascinated by beavers. He's really good. 285 00:14:32,120 --> 00:14:33,000 Speaker 1: Yeah, he's uh. 286 00:14:33,280 --> 00:14:36,600 Speaker 2: Stowborough, who also works as a sharp tongue stand up comedian, 287 00:14:36,720 --> 00:14:38,800 Speaker 2: was inspired to become a tongue painter two years ago 288 00:14:38,840 --> 00:14:41,480 Speaker 2: after seeing the work of a tongue painter in India. 289 00:14:42,040 --> 00:14:42,320 Speaker 1: Quote. 290 00:14:42,360 --> 00:14:44,360 Speaker 2: However, when I heard him talk about the nausea he 291 00:14:44,440 --> 00:14:46,760 Speaker 2: experienced putting the paint in his mouth, I realized I 292 00:14:46,800 --> 00:14:48,920 Speaker 2: needed to cover him a tongue with saran wrap first. 293 00:14:48,960 --> 00:14:53,080 Speaker 2: He said, it took stove. So he's painting with a 294 00:14:53,160 --> 00:14:54,760 Speaker 2: saran wrap covered tongue. 295 00:14:54,800 --> 00:14:57,240 Speaker 4: It's in between going to open mics. 296 00:14:57,560 --> 00:15:01,120 Speaker 2: In between going to It took ste Burl about six 297 00:15:01,160 --> 00:15:02,920 Speaker 2: hours to complete the beaver painting. 298 00:15:03,040 --> 00:15:03,320 Speaker 1: Quote. 299 00:15:03,360 --> 00:15:06,120 Speaker 2: The area surrounding the beaver was easier to lick than 300 00:15:06,160 --> 00:15:10,920 Speaker 2: the beaver itself. He said, I mean, come on, but that's. 301 00:15:10,640 --> 00:15:15,240 Speaker 4: Honestly, that's that's not true. There's hair around it true. 302 00:15:16,440 --> 00:15:17,400 Speaker 1: That is also the. 303 00:15:17,280 --> 00:15:18,480 Speaker 4: Main part is so much easier. 304 00:15:18,520 --> 00:15:21,000 Speaker 1: Anyway. 305 00:15:21,600 --> 00:15:24,040 Speaker 2: Stowbirrel's work with his tongue is more of a novelty 306 00:15:24,040 --> 00:15:26,840 Speaker 2: than anything else. But the I can't imagine a spot 307 00:15:26,880 --> 00:15:29,680 Speaker 2: in the record books that it feels good. 308 00:15:29,440 --> 00:15:30,880 Speaker 3: I said, you said it's more of a novelty than 309 00:15:30,880 --> 00:15:32,880 Speaker 3: anything else, and I said, I can't imagine it feels good. 310 00:15:33,480 --> 00:15:34,640 Speaker 4: I can't imagine. You don't know. 311 00:15:36,040 --> 00:15:40,080 Speaker 3: He's showing off. He's too cocky. He's twenty six and 312 00:15:40,120 --> 00:15:41,400 Speaker 3: he thinks he's good with his tongue. 313 00:15:41,480 --> 00:15:44,560 Speaker 4: He is bad with his tongue. 314 00:15:45,200 --> 00:15:49,520 Speaker 2: Agreed, I do want to see a picture of the 315 00:15:49,520 --> 00:15:54,720 Speaker 2: beaver painting. I have not seen it. Yeah, yeah, yeah, 316 00:15:54,760 --> 00:15:57,720 Speaker 2: it's just it's just literally just like a circle with teeth. 317 00:15:58,160 --> 00:15:58,680 Speaker 1: A little. 318 00:16:01,280 --> 00:16:04,640 Speaker 2: A website that specializes in wacky record said Stoburl's beaver painting, 319 00:16:04,680 --> 00:16:07,440 Speaker 2: which measures thirty six inches by twenty four inches, is 320 00:16:07,480 --> 00:16:11,640 Speaker 2: the largest painting of a beaver painted using tongue stoeborrel 321 00:16:11,680 --> 00:16:14,240 Speaker 2: plants to focus his tongue and his creativity towards works 322 00:16:14,280 --> 00:16:17,320 Speaker 2: inspired by Andy Warhol, but is also considering doing a 323 00:16:17,320 --> 00:16:20,960 Speaker 2: whole series of paintings focused on his favorite animal, the beaver. 324 00:16:22,120 --> 00:16:24,400 Speaker 1: Now I'm looking at it. I'm looking at it. It 325 00:16:24,480 --> 00:16:29,040 Speaker 1: is not very good. I'm also seeing it for sale 326 00:16:29,080 --> 00:16:31,640 Speaker 1: on a Craigslist. I'll put the link in for one dollar. 327 00:16:31,760 --> 00:16:33,680 Speaker 1: So I do think we can commission this guy. 328 00:16:34,080 --> 00:16:35,560 Speaker 2: Oh for one dollar? 329 00:16:36,160 --> 00:16:39,560 Speaker 1: Uh, I mean, oh god, that's the best way to 330 00:16:39,800 --> 00:16:41,280 Speaker 1: do this. I'm gonna pull it up on my phone 331 00:16:41,320 --> 00:16:43,800 Speaker 1: and just show the camera because this is so I mean, 332 00:16:43,880 --> 00:16:46,520 Speaker 1: it's it's it definitely looks like a beaver. I'll say 333 00:16:46,520 --> 00:16:48,800 Speaker 1: it looks like the the mammal the beaver. 334 00:16:49,200 --> 00:16:51,840 Speaker 2: I wonder if he sketched it with pencil first and 335 00:16:51,880 --> 00:16:56,080 Speaker 2: then painted with tongue later, because you could technically do that, right, 336 00:16:56,120 --> 00:16:59,680 Speaker 2: You're still painting with the brush of the tongue. 337 00:17:00,360 --> 00:17:02,800 Speaker 3: This is you know how Sometimes you watch a comedian 338 00:17:03,600 --> 00:17:04,520 Speaker 3: do do you guys? 339 00:17:04,600 --> 00:17:07,000 Speaker 4: Do you guys swear on this podcast? I've swear it already. Yes. 340 00:17:07,920 --> 00:17:10,560 Speaker 3: Some stand ups will do what I call a fuck act, 341 00:17:10,720 --> 00:17:15,040 Speaker 3: where they're just on stage basically like, you know, being 342 00:17:15,160 --> 00:17:18,240 Speaker 3: as like charming and single as possible, and so somebody 343 00:17:18,560 --> 00:17:20,080 Speaker 3: after what we'll want to we'll. 344 00:17:19,960 --> 00:17:23,160 Speaker 4: Want to fuck them. That's it's a fun act. 345 00:17:23,480 --> 00:17:26,320 Speaker 3: And I feel like this beaver painting is the equivalent 346 00:17:26,400 --> 00:17:28,280 Speaker 3: of a fuck act from a stand up. 347 00:17:28,600 --> 00:17:33,119 Speaker 4: Oh my god, it's so bad. I thought it was 348 00:17:33,160 --> 00:17:33,600 Speaker 4: going to be. 349 00:17:34,520 --> 00:17:37,280 Speaker 2: I love that you guys both think that's bad. I 350 00:17:37,320 --> 00:17:39,720 Speaker 2: think it's really really good. 351 00:17:40,080 --> 00:17:43,080 Speaker 1: I saw the guy in Vancouver paint the Khalisi from 352 00:17:43,119 --> 00:17:45,840 Speaker 1: Game of Thrones with his penis dipping in paint and 353 00:17:45,880 --> 00:17:50,679 Speaker 1: it looked exactly like her this. I have high standards 354 00:17:50,720 --> 00:17:54,919 Speaker 1: for odd body painting that, but yeah, pretty incredible. 355 00:17:54,960 --> 00:17:58,439 Speaker 2: That's so bad if you were but Scotti if you 356 00:17:58,480 --> 00:18:00,960 Speaker 2: wrap that dude's dick and surround wrap first, I bet 357 00:18:01,040 --> 00:18:03,000 Speaker 2: you it wouldn't have looked as much like Klisi. 358 00:18:03,320 --> 00:18:04,000 Speaker 1: Well, good point. 359 00:18:04,080 --> 00:18:05,919 Speaker 4: I also bet this so much. Do you think this 360 00:18:06,000 --> 00:18:07,640 Speaker 4: man has a very small penis? 361 00:18:09,520 --> 00:18:10,280 Speaker 1: I hope he has. 362 00:18:10,640 --> 00:18:12,280 Speaker 4: Do you think he's do you think he's like, no, 363 00:18:12,359 --> 00:18:14,639 Speaker 4: it's fine, three point seven. It just is average. 364 00:18:14,720 --> 00:18:24,080 Speaker 1: Okay, Yeah, that's right, nobody, Jos, that's rights his tongue. 365 00:18:24,320 --> 00:18:26,360 Speaker 2: That's the next thing. He just comes out like. Three 366 00:18:26,400 --> 00:18:30,200 Speaker 2: point nine two is a cool length for anything. Hi, 367 00:18:30,440 --> 00:18:33,440 Speaker 2: I'm nick I have a long tongue, but a short. 368 00:18:33,400 --> 00:18:36,800 Speaker 4: Do you think he's stretching his tongue to compensate. 369 00:18:37,720 --> 00:18:41,000 Speaker 1: Or just trying to reach it? Yeah, just trying to 370 00:18:41,160 --> 00:18:46,000 Speaker 1: reach I hope he's got uh. I hope he's packing 371 00:18:46,760 --> 00:18:49,520 Speaker 1: in every way, because when you have the world's longest anything, 372 00:18:49,720 --> 00:18:51,920 Speaker 1: I'm sure. I'm sure it's weird to have a tongue 373 00:18:51,960 --> 00:18:52,359 Speaker 1: that big. 374 00:18:53,119 --> 00:18:53,280 Speaker 4: Yeah. 375 00:18:53,280 --> 00:18:54,760 Speaker 1: I wonder if he's got a cool voice, or a 376 00:18:54,800 --> 00:18:56,760 Speaker 1: tongue thrust or a lisp or anything. I wonder if 377 00:18:56,800 --> 00:18:57,840 Speaker 1: anything comes with. 378 00:18:57,680 --> 00:18:59,959 Speaker 2: That, I would love it. I would love it if 379 00:19:00,040 --> 00:19:02,160 Speaker 2: he had that long of a tongue. But then all 380 00:19:02,200 --> 00:19:06,240 Speaker 2: of his fingers were half length, like they only came 381 00:19:06,320 --> 00:19:12,240 Speaker 2: up to where normal Yeah, normal knuckles came to like 382 00:19:12,240 --> 00:19:13,760 Speaker 2: like Simpson's hands. 383 00:19:13,960 --> 00:19:18,439 Speaker 4: Weird little mits. Yeah, Scotty, you seem to be on 384 00:19:18,480 --> 00:19:23,199 Speaker 4: this guy's side. I don't. I have no faith in 385 00:19:23,200 --> 00:19:24,400 Speaker 4: this man whatsoever. 386 00:19:24,760 --> 00:19:26,280 Speaker 3: I don't have It's hard for me to have faith 387 00:19:26,320 --> 00:19:28,400 Speaker 3: in any twenty six year old man, but a twenty 388 00:19:28,440 --> 00:19:31,280 Speaker 3: six year old man who has unfortunately been endowed with 389 00:19:31,359 --> 00:19:32,879 Speaker 3: a giant tongue. 390 00:19:33,720 --> 00:19:35,840 Speaker 1: Yeah, is this root and form? 391 00:19:35,960 --> 00:19:38,679 Speaker 4: Yeah, you're rooting for him. I'm I am ye of 392 00:19:38,720 --> 00:19:39,760 Speaker 4: little faith over here. 393 00:19:40,280 --> 00:19:42,560 Speaker 2: Oh, but you know what he's look I think you 394 00:19:42,600 --> 00:19:45,560 Speaker 2: could look at him as trainable, you know, sure, Yeah 395 00:19:45,640 --> 00:19:49,199 Speaker 2: he's Yeah, he's got the raw potential exactly. It's like 396 00:19:49,400 --> 00:19:51,119 Speaker 2: a football coach watching someone. 397 00:19:51,200 --> 00:19:52,880 Speaker 4: He's a walk, He's he's a walk. 398 00:19:52,960 --> 00:19:54,920 Speaker 2: Yeah, yeah, that's right. 399 00:19:55,000 --> 00:19:57,440 Speaker 1: But when he french kisses somebody, does he knock them over? 400 00:19:57,680 --> 00:20:00,520 Speaker 1: Is it something that he has to think about? Can 401 00:20:00,560 --> 00:20:02,960 Speaker 1: he spit a pumpkin seat like forty to fifty feet? 402 00:20:03,000 --> 00:20:04,919 Speaker 1: You kind of wonder how good is this guy? 403 00:20:05,080 --> 00:20:07,160 Speaker 2: Can he let you know if your fillings are gonna 404 00:20:07,200 --> 00:20:07,880 Speaker 2: fall out soon? 405 00:20:09,600 --> 00:20:13,320 Speaker 4: I hope he's bye. I hope men get to experience him. 406 00:20:13,880 --> 00:20:16,800 Speaker 1: Yeah, I hope everybody gets I hope everybody gets to 407 00:20:16,880 --> 00:20:18,280 Speaker 1: have a great time with this guy. 408 00:20:19,160 --> 00:20:21,919 Speaker 2: Look, I think there's a fifty to fifty chance that 409 00:20:22,000 --> 00:20:23,240 Speaker 2: Nick is listening to this thing. 410 00:20:24,320 --> 00:20:29,040 Speaker 3: Actually, a guy who's like, I'm going to paint of 411 00:20:29,119 --> 00:20:32,080 Speaker 3: beaver painting will google his has Google alerts on his 412 00:20:32,080 --> 00:20:34,639 Speaker 3: own name to listen to the podcast. 413 00:20:35,440 --> 00:20:39,000 Speaker 2: Yeah, and Nick, I'm I'm on. We're team Nick. We're 414 00:20:39,040 --> 00:20:40,439 Speaker 2: team Nick. Chloe she's not. 415 00:20:40,760 --> 00:20:44,200 Speaker 3: Yeah, I gotta say I'm not Team Nick. Hey, Nick, 416 00:20:44,280 --> 00:20:46,159 Speaker 3: you want to prove me wrong? Please don't DM me, 417 00:20:46,240 --> 00:20:49,560 Speaker 3: But I hope I would love. I hope at some 418 00:20:49,640 --> 00:20:51,040 Speaker 3: point in life you prove me wrong. 419 00:20:52,480 --> 00:20:58,480 Speaker 1: That's right, that's sort of a positive face. That's not 420 00:20:58,520 --> 00:21:02,600 Speaker 1: within forage. Yes, it's gotta get us one. I got 421 00:21:02,640 --> 00:21:05,920 Speaker 1: one for you this. Paul Bosco sent this in thank you, Paul. 422 00:21:07,119 --> 00:21:11,320 Speaker 1: This was on Kurt's favorite website, BoingBoing dot net, written 423 00:21:11,359 --> 00:21:16,120 Speaker 1: by David Best and the Biz Pescovitz. He is good. 424 00:21:16,760 --> 00:21:18,800 Speaker 2: What a thing thing I like about Boying Boying is 425 00:21:18,840 --> 00:21:21,720 Speaker 2: it's got five letters each for five fingers of each hand. 426 00:21:21,720 --> 00:21:24,320 Speaker 2: That's why I got a Boing Boying on each on 427 00:21:24,480 --> 00:21:25,080 Speaker 2: each mist. 428 00:21:25,760 --> 00:21:27,560 Speaker 1: I hope if you ever get in a fistfight, you 429 00:21:27,600 --> 00:21:30,160 Speaker 1: say boying, boying as you throw each punch. 430 00:21:30,680 --> 00:21:34,200 Speaker 2: B oh I NGI yep if it's boying and boying, 431 00:21:34,280 --> 00:21:36,159 Speaker 2: But you'd have to have one on the thumb so 432 00:21:36,200 --> 00:21:38,720 Speaker 2: it would look like boying, and then you'd flip it 433 00:21:38,760 --> 00:21:40,680 Speaker 2: over to the g boy. 434 00:21:40,400 --> 00:21:44,560 Speaker 1: And well, we'll see, we'll see. I used to have 435 00:21:44,600 --> 00:21:49,360 Speaker 1: a like early Tumbler, maybe really early Instagram. I had 436 00:21:49,440 --> 00:21:55,360 Speaker 1: a burger reviewing website called peepmeat dot com. Kurt, you remember, pet, Yes, 437 00:21:55,400 --> 00:21:58,240 Speaker 1: I do. For a brief time, it was the biggest 438 00:21:58,240 --> 00:22:01,960 Speaker 1: burger site online where strangers would submit burgers and reviews 439 00:22:02,000 --> 00:22:04,080 Speaker 1: and where they were and it was really fun. And 440 00:22:04,119 --> 00:22:08,480 Speaker 1: there was a guy who got interviewed by Vice magazine 441 00:22:08,920 --> 00:22:10,919 Speaker 1: because he put up an ad and he had the 442 00:22:10,920 --> 00:22:14,479 Speaker 1: craziest name. I'll have to google it. But he would 443 00:22:15,560 --> 00:22:20,119 Speaker 1: put your company's tattoo, tattoo, your company's logo on his body, 444 00:22:20,160 --> 00:22:22,720 Speaker 1: and we sent him twenty dollars or two hundred dollars 445 00:22:22,720 --> 00:22:26,920 Speaker 1: and he put peepmeat dot com on his body interview. 446 00:22:27,640 --> 00:22:30,639 Speaker 1: I think he ended up putting it on his armor's neck. 447 00:22:31,280 --> 00:22:34,000 Speaker 1: But during the interview with Vice. The guy's like any 448 00:22:34,040 --> 00:22:36,120 Speaker 1: weird ones. He goes, yeah, I got one from peepemeat 449 00:22:36,119 --> 00:22:38,200 Speaker 1: dot com. I hope it's not porn. And the Vice 450 00:22:38,400 --> 00:22:40,600 Speaker 1: interviewers like, it looks like it's a Burger site. It 451 00:22:40,600 --> 00:22:43,679 Speaker 1: actually looks legit, and he's like, oh, for real, that's great. 452 00:22:44,000 --> 00:22:48,160 Speaker 2: That's amazing that he never checked that, he never like looked, 453 00:22:48,160 --> 00:22:50,639 Speaker 2: just looked it up before putting on his body for forever. 454 00:22:51,280 --> 00:22:53,919 Speaker 1: Yeah, he just I saw it online that he was 455 00:22:53,960 --> 00:22:56,679 Speaker 1: like selling his body as like ad space, and at 456 00:22:56,720 --> 00:22:58,520 Speaker 1: the time I was like, well, let's get peep meat 457 00:22:58,560 --> 00:23:00,760 Speaker 1: out there. And it kind of worked for a hot second. 458 00:23:01,000 --> 00:23:03,600 Speaker 4: Also, don't you think the tattoo costs two hundred dollars? 459 00:23:05,119 --> 00:23:09,520 Speaker 1: Yeah? I would guess I would get that. Yeah, I 460 00:23:09,880 --> 00:23:12,960 Speaker 1: find it after I do this story. But also, good segue. 461 00:23:13,320 --> 00:23:16,359 Speaker 1: Fast food workers tampered with train tracks so they'd have 462 00:23:16,359 --> 00:23:22,960 Speaker 1: a slow night at work. Yeah give it from Minnesota, 463 00:23:22,960 --> 00:23:27,080 Speaker 1: part of this country, Minnesota from Pennsylvania. Yeah, okay. So 464 00:23:27,240 --> 00:23:31,840 Speaker 1: Tilden Township, Pennsylvania police have charged Ryan Berea and Amy 465 00:23:31,960 --> 00:23:36,240 Speaker 1: Shaner or Shanner, who both work at the same Wendy's restaurant, 466 00:23:36,680 --> 00:23:40,240 Speaker 1: for allegedly tampering with railroad tracks. According to the cops, 467 00:23:40,520 --> 00:23:42,800 Speaker 1: they were pulled up. They pulled up to a railroad 468 00:23:42,800 --> 00:23:45,960 Speaker 1: crossing and placed a shunt on the track. But why 469 00:23:45,960 --> 00:23:48,840 Speaker 1: would they ever do such a thing. During an interview, 470 00:23:48,880 --> 00:23:50,840 Speaker 1: they told us that their intentions were that if the 471 00:23:50,880 --> 00:23:54,119 Speaker 1: gates would malfunction, they could somehow block the traffic and 472 00:23:54,160 --> 00:23:56,840 Speaker 1: that would prevent people from showing up to Wendy's and 473 00:23:56,880 --> 00:23:59,680 Speaker 1: then they would have a slow night at work, which 474 00:23:59,720 --> 00:24:04,879 Speaker 1: is so dangerous it's unbelievable. This is from w FMZ. 475 00:24:05,160 --> 00:24:07,960 Speaker 1: Police said Bria made a makeshift device and placed it 476 00:24:08,000 --> 00:24:10,440 Speaker 1: on the tracks that would mess with the signal sensors, 477 00:24:10,800 --> 00:24:15,680 Speaker 1: which meant that the gates. The gates wouldn't have gone 478 00:24:15,720 --> 00:24:18,359 Speaker 1: down when a train was approachecked. Nobody gets hurt. I'm 479 00:24:18,359 --> 00:24:20,560 Speaker 1: going to jump to the I'm gonna let everybody know 480 00:24:20,640 --> 00:24:22,760 Speaker 1: no cars got hit by this. But this could have 481 00:24:22,800 --> 00:24:23,920 Speaker 1: been truly categorizic. 482 00:24:24,000 --> 00:24:25,960 Speaker 2: Also, so you think. 483 00:24:25,760 --> 00:24:28,720 Speaker 3: That they would say, let's close the gates artificially so 484 00:24:28,840 --> 00:24:33,359 Speaker 3: that the cars would back up the train conductor is 485 00:24:33,400 --> 00:24:35,640 Speaker 3: not okay, all right, I'm with you. 486 00:24:35,400 --> 00:24:37,520 Speaker 1: You are too smart for this world, because that is 487 00:24:37,560 --> 00:24:38,960 Speaker 1: exactly what they should have done. 488 00:24:39,000 --> 00:24:41,120 Speaker 2: Sure, I think that's what they were trying to do, 489 00:24:41,160 --> 00:24:43,600 Speaker 2: but they fucked up and it just kept the gates. 490 00:24:43,359 --> 00:24:45,520 Speaker 1: Open, right, that's right, Yeah, exactly. 491 00:24:45,640 --> 00:24:49,600 Speaker 3: It's surprising that to Wendy's employees with a hair brained 492 00:24:49,680 --> 00:24:54,119 Speaker 3: scheme to slow down their business would accidentally make the 493 00:24:54,160 --> 00:24:56,719 Speaker 3: gates to the opposite of what they were doing to do. 494 00:24:58,280 --> 00:25:02,359 Speaker 1: That's exactly, they did the opposite thing and could have in. 495 00:25:03,000 --> 00:25:06,360 Speaker 1: One of the cops that interviewed said a crash could 496 00:25:06,400 --> 00:25:08,080 Speaker 1: have absolutely occurred. 497 00:25:09,240 --> 00:25:12,120 Speaker 2: I have a question. Look, I feel like I don't 498 00:25:12,119 --> 00:25:13,480 Speaker 2: I kind of don't want to admit it. 499 00:25:14,280 --> 00:25:19,760 Speaker 1: But what's a shunt. That's a great question because I 500 00:25:19,800 --> 00:25:22,680 Speaker 1: had no idea what it was too. But I think 501 00:25:22,840 --> 00:25:24,879 Speaker 1: it sounds like something if somebody walked up to you 502 00:25:24,920 --> 00:25:27,520 Speaker 1: and called you that, you would be like, I'm definitely offended, 503 00:25:27,560 --> 00:25:28,600 Speaker 1: and I can't. 504 00:25:28,720 --> 00:25:31,399 Speaker 2: For some reason, I feel like it's a it's the 505 00:25:31,480 --> 00:25:33,520 Speaker 2: thing that like a door, like a thing that holds 506 00:25:33,520 --> 00:25:34,200 Speaker 2: a door open. 507 00:25:34,880 --> 00:25:37,000 Speaker 1: Yeah, like that. 508 00:25:36,400 --> 00:25:39,920 Speaker 2: That shape, that triangle shape I feel like is a shunt, 509 00:25:40,119 --> 00:25:43,000 Speaker 2: But I don't know, like a wedge. It's like a 510 00:25:43,080 --> 00:25:44,800 Speaker 2: w a shunt. 511 00:25:44,880 --> 00:25:49,320 Speaker 1: Yeah, it says it's a wire taped rail to rail, 512 00:25:49,440 --> 00:25:53,240 Speaker 1: threaded through a cotter pin, which he recognized as a shunt. 513 00:25:53,440 --> 00:25:57,040 Speaker 4: Oh see a cotter pin now a classic that Yeah, 514 00:25:57,160 --> 00:25:58,679 Speaker 4: you just had to say cotter pin And now I 515 00:25:58,760 --> 00:25:59,760 Speaker 4: understand now. 516 00:26:00,560 --> 00:26:05,920 Speaker 1: You're absolutely in that's right as a cotter pin looks 517 00:26:06,000 --> 00:26:10,560 Speaker 1: like it looks like a Barrett. Let's see. I have 518 00:26:10,720 --> 00:26:13,000 Speaker 1: no idea, but this just also shows that we are 519 00:26:13,000 --> 00:26:15,080 Speaker 1: innocent of this crime. We have the three of us 520 00:26:15,080 --> 00:26:17,480 Speaker 1: where no way we don't know what shunts or cotter pins. 521 00:26:17,920 --> 00:26:21,000 Speaker 1: We do know what Wendy's is. That's huge for us. 522 00:26:21,080 --> 00:26:22,960 Speaker 4: This is a fun This is a fun like super 523 00:26:23,080 --> 00:26:24,520 Speaker 4: villain plan gone. 524 00:26:24,280 --> 00:26:26,160 Speaker 1: Awry, you know right. 525 00:26:26,400 --> 00:26:30,640 Speaker 2: I mean, honestly, I wouldn't have even I didn't even 526 00:26:30,720 --> 00:26:34,520 Speaker 2: think that the things went down automatically. 527 00:26:34,760 --> 00:26:36,720 Speaker 1: I thought someone controlled them. 528 00:26:37,119 --> 00:26:40,120 Speaker 2: To find out that it's just like an automatic thing 529 00:26:40,480 --> 00:26:43,000 Speaker 2: and wait or something is on the tracks, they go down, 530 00:26:43,400 --> 00:26:47,080 Speaker 2: it makes sense that that's how it works. But yeah, yeah, 531 00:26:47,119 --> 00:26:49,240 Speaker 2: I thought it was an important enough function of them 532 00:26:49,240 --> 00:26:51,359 Speaker 2: that like someone be like, we have to push that down. 533 00:26:51,640 --> 00:26:53,680 Speaker 4: You thought that your dumb shunt. 534 00:26:54,440 --> 00:26:59,600 Speaker 3: Yeah shunt people say that in the UK affectionately. 535 00:27:00,200 --> 00:27:04,840 Speaker 2: It's it's about you cannot say fanny pack. You can 536 00:27:04,920 --> 00:27:05,800 Speaker 2: say dumb shunt. 537 00:27:06,560 --> 00:27:08,720 Speaker 1: You can say we went out last night and got shunted. 538 00:27:10,600 --> 00:27:13,960 Speaker 1: So the result was the gate was short circuited. Would 539 00:27:14,000 --> 00:27:16,240 Speaker 1: not have been activated if a train went over the wire. 540 00:27:16,280 --> 00:27:18,320 Speaker 1: In this case, a train at normal speed would have 541 00:27:18,320 --> 00:27:21,359 Speaker 1: already been at the gate before the lighting arms were activated, 542 00:27:21,840 --> 00:27:26,040 Speaker 1: so nothing happened again. But Brea or Borea was charged 543 00:27:26,080 --> 00:27:28,800 Speaker 1: with multiple crimes, including one that I've never heard before, 544 00:27:29,760 --> 00:27:34,000 Speaker 1: shunting in public. Got it? No, he got it. He 545 00:27:35,160 --> 00:27:41,320 Speaker 1: was arrested for criminal mischief and risking a catastrophe. Risking 546 00:27:41,720 --> 00:27:44,680 Speaker 1: a catastrophe very accurate, though. 547 00:27:44,600 --> 00:27:48,960 Speaker 3: Both incredible crimes. Criminal mischief is that a term that 548 00:27:49,000 --> 00:27:50,919 Speaker 3: comes up a lot in the in the news articles 549 00:27:50,920 --> 00:27:52,080 Speaker 3: that you two cover. 550 00:27:53,320 --> 00:27:56,280 Speaker 1: Yes, mischief, mischief. 551 00:27:56,160 --> 00:27:59,800 Speaker 4: Criminal mischief is a beautiful crime to be charged with. 552 00:28:00,960 --> 00:28:02,880 Speaker 1: You know, it's too beautiful word. 553 00:28:02,720 --> 00:28:07,919 Speaker 3: You're too you're too like cuting and sneaky. You know 554 00:28:08,600 --> 00:28:13,920 Speaker 3: it's a crime, how cute sneaky you are? But risky catastrophe. 555 00:28:14,320 --> 00:28:17,800 Speaker 1: A lot worse, a lot worse. Scrimmemto mischief is like 556 00:28:17,840 --> 00:28:20,040 Speaker 1: I move all the cards around at the at the 557 00:28:20,080 --> 00:28:22,920 Speaker 1: greeting card store. So sometimes it says happy retirement for 558 00:28:23,000 --> 00:28:25,520 Speaker 1: somebody's birthday. They're like, all right, that's a little fine. 559 00:28:25,840 --> 00:28:28,040 Speaker 1: The other guy's like, yeah, I pull the cotter pin 560 00:28:28,119 --> 00:28:30,679 Speaker 1: and the damn exploded and washed out in entire village. 561 00:28:30,760 --> 00:28:33,600 Speaker 2: Oh now we're using cottterpin willy nilly, aren't we. Well 562 00:28:33,640 --> 00:28:36,760 Speaker 2: we all know what a Yeah, I'm the only one 563 00:28:36,800 --> 00:28:38,080 Speaker 2: who knows what a cotter pin is. 564 00:28:38,120 --> 00:28:41,080 Speaker 1: I looked it up. You guys can't don't know. Also, 565 00:28:41,160 --> 00:28:44,720 Speaker 1: the guy that got his body tattooed with peteme dot 566 00:28:44,760 --> 00:28:47,960 Speaker 1: com was named HostGator dot com. He had changed his 567 00:28:48,040 --> 00:28:51,440 Speaker 1: name to HostGator dot com. It is Vice from twenty thirteen. 568 00:28:51,560 --> 00:28:51,840 Speaker 1: So there. 569 00:28:52,040 --> 00:28:57,600 Speaker 2: HostGator dot com was his name full name. Did he 570 00:28:57,640 --> 00:28:58,680 Speaker 2: still have a last name? 571 00:28:59,120 --> 00:29:02,120 Speaker 1: Uh? He it just dot com. Do O t co 572 00:29:02,440 --> 00:29:04,680 Speaker 1: M was his last name. Hostkater was his first name. 573 00:29:04,840 --> 00:29:09,920 Speaker 2: Com Oh wow, okay, Oh I would love a follow 574 00:29:09,960 --> 00:29:11,640 Speaker 2: up with hostgater dot com. 575 00:29:11,760 --> 00:29:13,480 Speaker 1: Yeah, I will reach out to him. 576 00:29:13,520 --> 00:29:15,280 Speaker 3: All right, do you think host Skater Do you think 577 00:29:15,280 --> 00:29:18,760 Speaker 3: hostkater dot com has ever been charged with criminal mischief? 578 00:29:20,600 --> 00:29:22,200 Speaker 1: Probably? 579 00:29:22,840 --> 00:29:26,600 Speaker 3: I mean he is risking catastrophe generally. 580 00:29:27,960 --> 00:29:29,840 Speaker 2: Also, I think we should get him a length of 581 00:29:29,840 --> 00:29:32,360 Speaker 2: his tongue just to round it out, so let's get 582 00:29:32,400 --> 00:29:32,760 Speaker 2: in touch. 583 00:29:32,920 --> 00:29:37,200 Speaker 3: Also, hostgater dot com should get boing boing tattooed over 584 00:29:37,240 --> 00:29:39,440 Speaker 3: his little stumpy half fingers. 585 00:29:42,720 --> 00:29:45,920 Speaker 1: There was this dude in my hometown. I talked about 586 00:29:46,000 --> 00:29:48,480 Speaker 1: him a long time ago, Kurt and I think I 587 00:29:48,520 --> 00:29:50,640 Speaker 1: had talked about him. One time we found just a 588 00:29:50,640 --> 00:29:52,840 Speaker 1: wheelchair and painted flames on it and then wrote it 589 00:29:52,880 --> 00:29:54,720 Speaker 1: down this steep hill in town all day because we 590 00:29:54,720 --> 00:29:57,480 Speaker 1: thought that was fun. Of course, but there was a 591 00:29:57,560 --> 00:29:59,720 Speaker 1: kid that everybody said was a Satanist. So this was 592 00:29:59,760 --> 00:30:02,200 Speaker 1: like like fifth grade, sixth grade, sort of like the 593 00:30:02,240 --> 00:30:04,760 Speaker 1: elementary school turns into middle school years. His name was Seth. 594 00:30:05,640 --> 00:30:09,040 Speaker 1: He lived up in Westminster, Maryland, which is fine, but 595 00:30:09,160 --> 00:30:11,560 Speaker 1: like one time I looked outside during a thunderstorm and 596 00:30:11,600 --> 00:30:13,960 Speaker 1: he was yelling at the sky trying to get struck 597 00:30:13,960 --> 00:30:17,160 Speaker 1: by lightning. Like this kid, all that guy is great, 598 00:30:17,840 --> 00:30:19,840 Speaker 1: and so he would chant stuff you just tried to 599 00:30:19,840 --> 00:30:22,680 Speaker 1: convince all of us he was a Satanist. So yeah, 600 00:30:22,840 --> 00:30:25,440 Speaker 1: one day I'm at a public pool with friends. It's 601 00:30:25,480 --> 00:30:27,520 Speaker 1: middle of summer, and my buddy comes over and he's like, 602 00:30:27,560 --> 00:30:30,120 Speaker 1: Seth is trying to crash a train, and we're like, 603 00:30:30,160 --> 00:30:32,120 Speaker 1: satan Seth, and so you're like, okay, So we all 604 00:30:32,200 --> 00:30:34,360 Speaker 1: run down the street. We're in Glenden. We're in this 605 00:30:34,400 --> 00:30:37,240 Speaker 1: little quaint town called Glendon, and we run down to 606 00:30:37,280 --> 00:30:40,320 Speaker 1: the train tracks and sure enough there is Seth and 607 00:30:40,400 --> 00:30:43,440 Speaker 1: he has placed a bicycle. I guess he stole a 608 00:30:43,440 --> 00:30:45,720 Speaker 1: bike and rode it to the train tracks and he's 609 00:30:45,800 --> 00:30:48,560 Speaker 1: dumping a gasoline on it out of a gas cam, 610 00:30:48,640 --> 00:30:51,680 Speaker 1: a red gas cam. And we're all standing there like kids, 611 00:30:51,760 --> 00:30:55,040 Speaker 1: like what is about to happen? This is so scary? Yeah? 612 00:30:55,200 --> 00:30:58,240 Speaker 1: Then and exciting, Oh yeah. 613 00:30:58,200 --> 00:31:02,440 Speaker 2: Thrilling because you guys think that the train's gonna hit 614 00:31:02,480 --> 00:31:05,680 Speaker 2: it and it's gonna blow up and jump off the track. 615 00:31:05,440 --> 00:31:09,000 Speaker 1: Right yeah, because a full size and not a commercial track, 616 00:31:09,040 --> 00:31:12,080 Speaker 1: I mean a commercial train, not about hundred a hundred 617 00:31:12,280 --> 00:31:19,360 Speaker 1: ton engine can't take a flaming huffey, flaming trek mountain bike, 618 00:31:19,400 --> 00:31:23,000 Speaker 1: a truck anal hit on fire hours before the train 619 00:31:23,080 --> 00:31:26,200 Speaker 1: gets there, so the tires explode, the tubes pop, all 620 00:31:26,200 --> 00:31:28,040 Speaker 1: that stuff, and we're like, oh man, and he's like 621 00:31:28,440 --> 00:31:31,320 Speaker 1: he's like pumped up, and as it's like burning, this 622 00:31:31,360 --> 00:31:34,120 Speaker 1: pickup trunk comes like ripping in, pulls up to him 623 00:31:34,200 --> 00:31:37,240 Speaker 1: and Seth starts running, so we start running. We run 624 00:31:37,280 --> 00:31:39,640 Speaker 1: back to the pool, thinking it was like an undercover cop, which, 625 00:31:39,680 --> 00:31:41,400 Speaker 1: like I think, when you're a young person, you just 626 00:31:41,440 --> 00:31:44,800 Speaker 1: assume everybody, Yeah, you're gonna get arrested just for looking 627 00:31:44,840 --> 00:31:45,400 Speaker 1: at something. 628 00:31:45,480 --> 00:31:50,160 Speaker 2: All adults are essentially undercover cops at that age anyway, right, Yeah, 629 00:31:50,200 --> 00:31:51,800 Speaker 2: they're all narts exactly right. 630 00:31:51,920 --> 00:31:55,120 Speaker 1: Yeah, they're all gonna get you in trouble. So or 631 00:31:55,160 --> 00:31:57,200 Speaker 1: we thought it was like a fire chief or something, 632 00:31:57,280 --> 00:31:59,200 Speaker 1: I was gonna be like I saw a fire, I 633 00:31:59,240 --> 00:32:02,760 Speaker 1: spelled smoke. So instead we all go back to the 634 00:32:02,800 --> 00:32:04,800 Speaker 1: pool and we pretend like nothing happen and we're going 635 00:32:04,800 --> 00:32:06,720 Speaker 1: with other day. And then we find out that the 636 00:32:06,760 --> 00:32:09,440 Speaker 1: guy was chasing him was his dad, and that his 637 00:32:09,640 --> 00:32:11,640 Speaker 1: dad This is the part that has haunted me for 638 00:32:11,720 --> 00:32:15,160 Speaker 1: these years. His dad watched Satanist Seth go out to 639 00:32:15,200 --> 00:32:18,720 Speaker 1: the shed and get at a red gas tank like 640 00:32:18,720 --> 00:32:20,880 Speaker 1: that you'd pour into your tractor or whatever, running lawnmore 641 00:32:21,280 --> 00:32:23,720 Speaker 1: and instead of being like, hey, what are you doing, 642 00:32:24,080 --> 00:32:27,440 Speaker 1: his dad followed him while his son stole a bicycle 643 00:32:27,440 --> 00:32:31,040 Speaker 1: out of somebody's yard, rode it to a train track, 644 00:32:31,480 --> 00:32:34,120 Speaker 1: let him light it on fire, and then pulled up 645 00:32:34,160 --> 00:32:36,360 Speaker 1: and gave chase. So I think the dad was just like, 646 00:32:36,720 --> 00:32:39,720 Speaker 1: what is this knucklehead going to get into next? And 647 00:32:39,800 --> 00:32:41,800 Speaker 1: he got in trouble. The fire department did come. We 648 00:32:41,880 --> 00:32:43,520 Speaker 1: heard the sirens. We all thought we were going to 649 00:32:43,560 --> 00:32:46,360 Speaker 1: get arrested. Turns out as fire engines and they put 650 00:32:46,400 --> 00:32:48,280 Speaker 1: it out and got it off. The trains kept rolling. 651 00:32:48,360 --> 00:32:52,640 Speaker 1: But yeah, O God was just like, I'm tracking myself. 652 00:32:52,640 --> 00:32:57,440 Speaker 3: Arguably the opposite of an undercover cop, arguably like like 653 00:32:57,480 --> 00:32:59,120 Speaker 3: an undercover permitter. 654 00:32:59,320 --> 00:33:01,240 Speaker 4: You know, He's like, yeah. 655 00:33:03,120 --> 00:33:05,560 Speaker 2: First, at first, when you said that, I was like, oh, 656 00:33:05,600 --> 00:33:08,680 Speaker 2: that's crazy that he like followed him and didn't just 657 00:33:08,680 --> 00:33:10,320 Speaker 2: stop him at any point along the way. 658 00:33:10,840 --> 00:33:11,560 Speaker 1: But you're a dad. 659 00:33:11,800 --> 00:33:13,360 Speaker 2: But now let I'm a dad. 660 00:33:13,520 --> 00:33:15,560 Speaker 1: It's you. 661 00:33:16,000 --> 00:33:19,240 Speaker 2: I am very conflicted now because you in some way 662 00:33:19,400 --> 00:33:21,520 Speaker 2: because if you just stop them from getting the gas 663 00:33:21,560 --> 00:33:24,240 Speaker 2: tank and then put the gas tank like it's the 664 00:33:24,320 --> 00:33:27,480 Speaker 2: kid is gonna like I'm doing something fucking crazy today, 665 00:33:28,040 --> 00:33:30,480 Speaker 2: and if you like follow it through and then make 666 00:33:30,520 --> 00:33:33,800 Speaker 2: sure no one gets hurt, and then it's like, now 667 00:33:33,840 --> 00:33:36,360 Speaker 2: this is big trouble. Like you're obviously in big trouble 668 00:33:36,440 --> 00:33:38,920 Speaker 2: now because we actually did a thing as opposed to 669 00:33:38,960 --> 00:33:40,680 Speaker 2: where are you going with that? No, no, no, stop that, 670 00:33:40,720 --> 00:33:43,320 Speaker 2: because then they're just gonna go find another thing and 671 00:33:43,440 --> 00:33:47,080 Speaker 2: outwit you in somewhere. This you nowhere, and you can 672 00:33:47,120 --> 00:33:49,400 Speaker 2: stop it and you can make sure no one gets hurt. 673 00:33:49,600 --> 00:33:52,360 Speaker 2: Especially it sounds like Seth had a long history of this. 674 00:33:53,560 --> 00:33:56,280 Speaker 1: I mean, I wish, I wish I had recorded him, 675 00:33:56,320 --> 00:33:58,280 Speaker 1: but we didn't really have that kind of stuff yelling 676 00:33:58,320 --> 00:34:00,800 Speaker 1: at the sky during a thunderstorm, trying to get struck 677 00:34:00,840 --> 00:34:03,440 Speaker 1: by lightning, like pointing at the sky because I mean 678 00:34:03,960 --> 00:34:05,959 Speaker 1: it was incredible and then nothing happens. 679 00:34:06,000 --> 00:34:07,000 Speaker 2: That's that stuff going on. 680 00:34:07,280 --> 00:34:10,120 Speaker 4: Yeah, wow, How do you punish a kid like that? 681 00:34:11,000 --> 00:34:12,520 Speaker 1: Great question? I I don't. 682 00:34:12,560 --> 00:34:15,520 Speaker 2: I'm terrified about that. I'm absolutely terrified because I also 683 00:34:15,600 --> 00:34:19,480 Speaker 2: know right now my daughter is five, and when it's 684 00:34:19,560 --> 00:34:23,680 Speaker 2: like uh and there's no punished already at five, there 685 00:34:23,760 --> 00:34:26,239 Speaker 2: is no punishment. There is a punishment. 686 00:34:26,560 --> 00:34:27,360 Speaker 1: Tickle torture. 687 00:34:27,600 --> 00:34:30,439 Speaker 2: Tickle torture. I like to go into your room. She goes, 688 00:34:30,520 --> 00:34:33,279 Speaker 2: she goes okay, and then just goes into a room 689 00:34:33,520 --> 00:34:36,680 Speaker 2: and then just like looks at me, just like I'm 690 00:34:36,719 --> 00:34:39,839 Speaker 2: having a fucking great time, and she like takes out 691 00:34:39,840 --> 00:34:41,600 Speaker 2: like stuff. He's putting them all around and like I'm 692 00:34:41,680 --> 00:34:43,440 Speaker 2: with all my buddies and I'm like, all right, so 693 00:34:43,520 --> 00:34:45,680 Speaker 2: going to your room? Does it work? Like what like 694 00:34:45,960 --> 00:34:51,480 Speaker 2: you can't read tonight? You know, yeah, removing education abilities? 695 00:34:51,560 --> 00:34:53,920 Speaker 2: You know, it's like that doesn't feel right for a punishment. 696 00:34:54,120 --> 00:34:56,080 Speaker 2: Punishments just don't work, is the answer. 697 00:34:56,160 --> 00:34:59,960 Speaker 3: Punishments don't work, and especially when your child is an arson. 698 00:35:01,200 --> 00:35:08,640 Speaker 1: Yeah, Satan small town where yeah, yeah, wow, yeah your matches. 699 00:35:09,040 --> 00:35:11,640 Speaker 4: Yeah, you don't know. You don't know what's that up 700 00:35:11,680 --> 00:35:12,240 Speaker 4: to you anymore? 701 00:35:13,200 --> 00:35:17,399 Speaker 1: Sadly, that was probably thirty years ago. So I'm sure 702 00:35:17,400 --> 00:35:20,360 Speaker 1: he's doing great. He's probably a leader of industry. You 703 00:35:20,400 --> 00:35:23,640 Speaker 1: can decide what industry, but I'm sure he's doing really 704 00:35:23,640 --> 00:35:24,560 Speaker 1: well for himself. 705 00:35:24,920 --> 00:35:26,040 Speaker 4: You might be a drink conductor. 706 00:35:26,360 --> 00:35:27,080 Speaker 1: That'd be amazing. 707 00:35:27,680 --> 00:35:33,120 Speaker 2: Yeah, I'll tease us into a break here. Scientists try 708 00:35:33,160 --> 00:35:36,160 Speaker 2: to teach robot to laugh at the right time. 709 00:35:37,800 --> 00:35:44,040 Speaker 1: Great, that's exactly what. It's funnier when they don't, it 710 00:35:44,120 --> 00:36:00,960 Speaker 1: really is. We'll be back with more laughs on bananas. 711 00:36:00,200 --> 00:36:10,560 Speaker 2: Baa, folks, we are back on bananas. It's got to 712 00:36:10,600 --> 00:36:12,919 Speaker 2: give us one fast shout out and then we're gonna 713 00:36:12,920 --> 00:36:14,640 Speaker 2: get back to this sweet sweet guest. 714 00:36:15,040 --> 00:36:18,360 Speaker 1: Yes, so, Ashley Yule is shouting herself out. She's an 715 00:36:18,400 --> 00:36:21,880 Speaker 1: apprentice tattoo artist and the first tattoo she did in 716 00:36:22,040 --> 00:36:25,360 Speaker 1: the tattoo shop was of a banana. She sent a picture. 717 00:36:25,560 --> 00:36:27,600 Speaker 1: It looked like a banana. It looked more like a 718 00:36:27,600 --> 00:36:31,880 Speaker 1: banana than on Nick's tongue beaver art. So congratulations to Ashley. 719 00:36:31,880 --> 00:36:34,279 Speaker 1: You're well on your way. Keep us posted every time 720 00:36:34,280 --> 00:36:36,080 Speaker 1: you do a banana, send it our way. 721 00:36:36,280 --> 00:36:39,239 Speaker 2: Send those bananas now. Of course, we are here with 722 00:36:39,320 --> 00:36:43,480 Speaker 2: the very funny and fantastic Klonoe rad Clinton. 723 00:36:43,520 --> 00:36:48,920 Speaker 4: Both of them, Hello, Hello, I want them? 724 00:36:49,120 --> 00:36:52,680 Speaker 3: What is it HostGator dot com to get a tattoo 725 00:36:52,880 --> 00:36:54,440 Speaker 3: of Nick's beaver painting? 726 00:36:55,600 --> 00:36:58,600 Speaker 1: Great, we all try to track them down and if 727 00:36:58,600 --> 00:37:02,480 Speaker 1: it's affordable, well, I'll say put that beaver right underneath 728 00:37:02,520 --> 00:37:04,839 Speaker 1: petemeat dot com. You're really going to confuse. 729 00:37:06,239 --> 00:37:07,319 Speaker 2: Man, and we do you? 730 00:37:07,440 --> 00:37:09,320 Speaker 1: Do you have any tattoos that you regret? Chloe? 731 00:37:09,440 --> 00:37:13,320 Speaker 4: No, just a birthmark? Uh no, I uh the viewers 732 00:37:13,400 --> 00:37:13,840 Speaker 4: can't don't know. 733 00:37:13,880 --> 00:37:15,279 Speaker 3: They can't see my face. I'm a big thing on 734 00:37:15,280 --> 00:37:17,759 Speaker 3: my face anyway. No, I don't have any tattoos at all. 735 00:37:19,000 --> 00:37:21,960 Speaker 4: Thank you, Thank you. No, no, no tattoos or piercings. 736 00:37:22,080 --> 00:37:25,239 Speaker 3: But I once I did hold a boyfriend's hand while 737 00:37:25,280 --> 00:37:27,640 Speaker 3: he got the only tattoo. We had been dating for 738 00:37:27,640 --> 00:37:30,279 Speaker 3: a week, and he got the only tattoo he has 739 00:37:30,480 --> 00:37:31,880 Speaker 3: and it is of his own. 740 00:37:31,760 --> 00:37:35,239 Speaker 4: Name, and he will first. 741 00:37:36,520 --> 00:37:39,440 Speaker 3: What and he and he got it on his arm, 742 00:37:39,560 --> 00:37:41,560 Speaker 3: like on the easiest part, on his shoulder, and he 743 00:37:41,600 --> 00:37:43,240 Speaker 3: said it was the worst pain he's ever experienced. 744 00:37:43,239 --> 00:37:44,680 Speaker 4: And he'll never get another tattoo. 745 00:37:45,080 --> 00:37:46,320 Speaker 2: He's a comic. 746 00:37:46,440 --> 00:37:49,600 Speaker 1: He's a comic, does he? Oh, so you guys don't 747 00:37:49,600 --> 00:37:51,120 Speaker 1: want to say, because I want to know if it's 748 00:37:51,120 --> 00:37:52,040 Speaker 1: a cool name or not. 749 00:37:52,800 --> 00:37:55,560 Speaker 4: I absolutely will say he's very funny. And we're we're 750 00:37:55,400 --> 00:37:58,160 Speaker 4: we're not dating anywhere, but we're on five terms. His 751 00:37:58,239 --> 00:38:00,920 Speaker 4: name is Jeff Sheen and so we got Jeff. 752 00:38:01,040 --> 00:38:04,440 Speaker 3: He got Jeff, and he is the third Jeff that 753 00:38:04,560 --> 00:38:08,839 Speaker 3: I have ever said, I love you too. And so 754 00:38:08,960 --> 00:38:12,000 Speaker 3: at that point, I already had so many Jeffs in 755 00:38:12,040 --> 00:38:14,719 Speaker 3: my life that I was like, I don't you know, 756 00:38:14,880 --> 00:38:17,000 Speaker 3: usually we had been we hadn't been dating for very long, 757 00:38:17,080 --> 00:38:19,040 Speaker 3: so it was possible that I, you know, if I 758 00:38:19,080 --> 00:38:21,239 Speaker 3: hadn't dated to jeffs before I might have forgotten his 759 00:38:21,320 --> 00:38:23,759 Speaker 3: name and needed the tattoo, but at that point I 760 00:38:23,760 --> 00:38:24,719 Speaker 3: had the name memorized. 761 00:38:25,680 --> 00:38:28,440 Speaker 1: And was it j E f F or was it 762 00:38:28,480 --> 00:38:30,440 Speaker 1: the controversial g E the. 763 00:38:30,440 --> 00:38:33,120 Speaker 4: G No, No, No, he's a hometown boy. He's a 764 00:38:33,200 --> 00:38:33,400 Speaker 4: j E. 765 00:38:33,600 --> 00:38:37,920 Speaker 1: F F. He's a Purists, He's a Jeff Purist. 766 00:38:38,800 --> 00:38:42,840 Speaker 2: I aw, I'm my wife is named Lauren, my brother's 767 00:38:42,840 --> 00:38:46,320 Speaker 2: wife is named Lauren, and my father's wife is named Laura. 768 00:38:46,480 --> 00:38:49,880 Speaker 4: Oh boy, wow. 769 00:38:50,120 --> 00:38:50,680 Speaker 3: Yeah. 770 00:38:52,080 --> 00:38:56,279 Speaker 1: All of my friends married Amanda's and friends. If I 771 00:38:56,400 --> 00:38:58,799 Speaker 1: ever forgot espouse's name, I think I would just say 772 00:38:58,840 --> 00:39:02,000 Speaker 1: Amanda and I'd be eighty percent likely to get it right. 773 00:39:03,200 --> 00:39:05,360 Speaker 2: All right, I'm gonna get into this story real quick 774 00:39:05,400 --> 00:39:08,520 Speaker 2: for you guys. This was sent in again by copy Haste. 775 00:39:08,520 --> 00:39:09,200 Speaker 1: Thank you so much. 776 00:39:09,239 --> 00:39:13,319 Speaker 2: Copyte This is from The Guardian. I've got a third one. 777 00:39:13,320 --> 00:39:14,600 Speaker 2: I'm not going to be able to get to it, 778 00:39:14,640 --> 00:39:17,279 Speaker 2: but I got a third copy Hase one. This from 779 00:39:17,320 --> 00:39:21,759 Speaker 2: The Guardian, written by Hannah Devlyn, oh best in the 780 00:39:21,800 --> 00:39:26,000 Speaker 2: biz science police content for The Guardian. Scientists try to 781 00:39:26,040 --> 00:39:29,040 Speaker 2: teach robot to laugh at the right time. This is 782 00:39:29,360 --> 00:39:32,600 Speaker 2: absolutely right up my alley, Chloe, because in case you 783 00:39:32,640 --> 00:39:35,080 Speaker 2: don't know, and in fact, no one knows because my 784 00:39:35,239 --> 00:39:37,600 Speaker 2: special comes out in two days. 785 00:39:37,880 --> 00:39:40,279 Speaker 1: There you go, but there is a there. 786 00:39:40,440 --> 00:39:44,319 Speaker 2: I have a post credit scene to my special in 787 00:39:44,360 --> 00:39:47,959 Speaker 2: which these guys I know who are data scientists, wrote 788 00:39:48,000 --> 00:39:51,600 Speaker 2: me an algorithm that writes jokes, so they like feed 789 00:39:51,680 --> 00:39:55,160 Speaker 2: it hundreds of hours of stand up. It's called Jokatron, 790 00:39:55,600 --> 00:39:58,040 Speaker 2: and so like, I bring Jokatron out and we like 791 00:39:58,200 --> 00:40:00,200 Speaker 2: just like a Marvel movie where a new character it's 792 00:40:00,239 --> 00:40:03,799 Speaker 2: introduced post credits with post credits scene with Jokatron on 793 00:40:03,840 --> 00:40:07,920 Speaker 2: stage doing jokes and they're very funny and stupor super stupid. 794 00:40:08,440 --> 00:40:10,600 Speaker 2: And so this is kind of this right up my alley. 795 00:40:10,640 --> 00:40:13,560 Speaker 2: This is the flip side of it. Laughter comes in 796 00:40:13,600 --> 00:40:16,640 Speaker 2: many forms, from a polite chuckle to a contagious howl 797 00:40:16,760 --> 00:40:20,120 Speaker 2: of mirth. Scientists are now developing an AI system that 798 00:40:20,160 --> 00:40:23,640 Speaker 2: aims to recreate these nuances of humor by laughing in 799 00:40:23,680 --> 00:40:26,520 Speaker 2: the right way at the right time. The team behind 800 00:40:26,520 --> 00:40:29,279 Speaker 2: the laughing robot, which is called Erica, say that the 801 00:40:29,400 --> 00:40:36,200 Speaker 2: system could improve natural conversations between people at AI systems. Well, okay, 802 00:40:36,200 --> 00:40:38,319 Speaker 2: it is interesting. They could have called it chuckle bot. 803 00:40:38,400 --> 00:40:40,000 Speaker 2: I will love the chuckle bot. 804 00:40:40,360 --> 00:40:48,239 Speaker 3: Yeah, what a hey, Hey, this is my robot laugher Erica. 805 00:40:48,640 --> 00:40:52,840 Speaker 3: Now the question is does Erica laugh when she gets 806 00:40:52,840 --> 00:40:54,760 Speaker 3: introduced because her name. 807 00:40:54,680 --> 00:40:57,799 Speaker 4: Is objectedly funny, and she. 808 00:40:57,840 --> 00:41:00,840 Speaker 3: Doesn't laugh when people say this is my laughing robot Erica. 809 00:41:01,000 --> 00:41:02,800 Speaker 4: Then he's a fucking failure. 810 00:41:05,040 --> 00:41:07,839 Speaker 2: I mean, like she's like that is one of the things. 811 00:41:07,840 --> 00:41:11,160 Speaker 2: Also immediately that you're like she where we're saying like 812 00:41:11,280 --> 00:41:14,000 Speaker 2: she to the AI system. I mean, it is a 813 00:41:14,040 --> 00:41:16,880 Speaker 2: fucking it's a bunch of code in a box. Okay, 814 00:41:17,200 --> 00:41:19,840 Speaker 2: here it is, Oh I guess it. No, it's a robot. Sorry, 815 00:41:19,960 --> 00:41:25,640 Speaker 2: it is a a female looking anthropomorphic Asian robot. 816 00:41:26,120 --> 00:41:29,520 Speaker 3: Still a bunch of coox. A female looking anthropomorphic robot. 817 00:41:30,400 --> 00:41:32,640 Speaker 3: It's still a bunch of cod box. 818 00:41:33,880 --> 00:41:34,280 Speaker 1: Cody. 819 00:41:34,800 --> 00:41:36,799 Speaker 2: Why don't you say, Chloe, because they're going to listen 820 00:41:36,840 --> 00:41:39,960 Speaker 2: to this and later they could come for you. Okay, 821 00:41:40,200 --> 00:41:42,120 Speaker 2: I'm just saying, be nice to him. 822 00:41:42,000 --> 00:41:46,520 Speaker 4: Now, Overlord, take me out, fucking I'm not trying to fight. 823 00:41:46,680 --> 00:41:51,960 Speaker 1: I'm not, but do it with that dog one. 824 00:41:52,800 --> 00:41:54,120 Speaker 2: If any of them are going to kill me, I 825 00:41:54,120 --> 00:41:56,040 Speaker 2: want to be beat to death by that dog robot. 826 00:41:56,160 --> 00:41:58,799 Speaker 2: I don't want the big humanoid robot to kill me. 827 00:41:58,840 --> 00:42:00,680 Speaker 2: I want the dog one like step on me a 828 00:42:00,760 --> 00:42:02,480 Speaker 2: thousand times smart here. 829 00:42:02,920 --> 00:42:07,120 Speaker 4: I want to die in slow, excruciating pain. 830 00:42:08,520 --> 00:42:11,040 Speaker 2: From it as a dog, going back and forth, back 831 00:42:11,040 --> 00:42:13,600 Speaker 2: and forth, opening doors, back and forth, opening doors. 832 00:42:13,760 --> 00:42:16,400 Speaker 1: Yeah, I want the robot to kill that's killing me. 833 00:42:16,800 --> 00:42:19,680 Speaker 1: You know. First, I wanted to laugh at inappropriate times. 834 00:42:19,760 --> 00:42:21,359 Speaker 1: I don't want it to laugh at the right time. 835 00:42:21,600 --> 00:42:24,400 Speaker 1: So I wanted to do something. I scream. It waits 836 00:42:24,440 --> 00:42:26,560 Speaker 1: an awkward beat and then starts laughing. 837 00:42:26,680 --> 00:42:26,759 Speaker 4: Right. 838 00:42:26,880 --> 00:42:31,360 Speaker 3: Yeah, I wanted to kill the humor of the moment first, 839 00:42:31,400 --> 00:42:31,680 Speaker 3: thank you. 840 00:42:32,239 --> 00:42:33,560 Speaker 1: There it is, there, it is. 841 00:42:34,000 --> 00:42:37,560 Speaker 2: We think that one of the important function of conversational 842 00:42:37,600 --> 00:42:41,920 Speaker 2: AI is empathy, said doctor Kogi Nu of Kyoto University, 843 00:42:41,920 --> 00:42:44,640 Speaker 2: the lead author of the research published in Frontiers of 844 00:42:44,760 --> 00:42:47,160 Speaker 2: Robotics and AI. So we decided that one way a 845 00:42:47,239 --> 00:42:50,240 Speaker 2: robot can empathize with users is to share their laughter 846 00:42:50,880 --> 00:42:52,959 Speaker 2: in you and his colleagues have set out to teach 847 00:42:53,000 --> 00:42:56,399 Speaker 2: their AI system the art of conversational laughter. They gather 848 00:42:56,520 --> 00:42:59,880 Speaker 2: training data for more than eighty speed dating dialogues between 849 00:43:00,040 --> 00:43:04,920 Speaker 2: male university students and the robot, who was initially teleoperated 850 00:43:04,920 --> 00:43:10,240 Speaker 2: by four female amateur actors, not professional actors. Folks, they're 851 00:43:10,320 --> 00:43:14,400 Speaker 2: using amateurs for this also dialogue. 852 00:43:14,920 --> 00:43:16,520 Speaker 4: They're only they're training. 853 00:43:18,360 --> 00:43:23,040 Speaker 3: The banter that they're using is from twenty year old 854 00:43:23,160 --> 00:43:24,320 Speaker 3: men in college. 855 00:43:24,440 --> 00:43:28,280 Speaker 2: Yeah, so you think they're speed dating a robot. 856 00:43:30,360 --> 00:43:33,319 Speaker 4: Hate these females, It is so. 857 00:43:33,960 --> 00:43:37,200 Speaker 2: I mean, the when you're speed dating a robot, you're 858 00:43:37,239 --> 00:43:42,040 Speaker 2: probably laughing at fucking weird times because your speed dating 859 00:43:42,200 --> 00:43:45,479 Speaker 2: a robot. It should have just been like normal two 860 00:43:45,800 --> 00:43:47,440 Speaker 2: humans having a conversation. 861 00:43:47,640 --> 00:43:49,560 Speaker 1: The fuck is wrong with these people? 862 00:43:54,360 --> 00:43:54,839 Speaker 4: I don't know. 863 00:43:54,960 --> 00:43:57,320 Speaker 1: Twenty year old guys. They're so funny. They put empty 864 00:43:57,320 --> 00:43:59,560 Speaker 1: beer boxes on their head like a crown, and they 865 00:43:59,640 --> 00:44:01,800 Speaker 1: quote movies and commercials and stuff. 866 00:44:01,880 --> 00:44:04,920 Speaker 3: Yeah, they and they can recite all of dumb and dumber. 867 00:44:06,200 --> 00:44:09,040 Speaker 1: Yeah, you know, funny guys. Wow. 868 00:44:09,880 --> 00:44:13,640 Speaker 2: The dialogue data was annotated for solo laughs, social laughs 869 00:44:13,680 --> 00:44:17,440 Speaker 2: where humor isn't involved, such as in polite or embarrassed laughter, 870 00:44:18,000 --> 00:44:21,279 Speaker 2: and laughter of mirth. This data was then used to 871 00:44:21,280 --> 00:44:23,880 Speaker 2: it and they use the word mirth all the time. 872 00:44:24,239 --> 00:44:27,360 Speaker 1: Laughter of data that I oh, this was a laughter 873 00:44:27,440 --> 00:44:27,920 Speaker 1: of mirth. 874 00:44:28,360 --> 00:44:31,040 Speaker 2: This data was then used to train machine learning systems 875 00:44:31,080 --> 00:44:33,440 Speaker 2: to decide whether to laugh and to choose the appropriate 876 00:44:33,480 --> 00:44:36,440 Speaker 2: type type it might feel socially awkward to mimic a 877 00:44:36,480 --> 00:44:39,479 Speaker 2: small chuckle, but empathetic to join in with a hearty laugh. 878 00:44:39,600 --> 00:44:43,000 Speaker 2: I do not agree with that sentence in any way, 879 00:44:43,000 --> 00:44:47,800 Speaker 2: shape or form. Un socially awkward to mimic a small 880 00:44:47,880 --> 00:44:51,640 Speaker 2: chuckle then to join in with a fake laugh. 881 00:44:54,320 --> 00:44:56,680 Speaker 1: That seems fucking crazy. 882 00:44:57,960 --> 00:45:03,160 Speaker 4: Fucking suck. They are running this are not fun or funny. 883 00:45:03,640 --> 00:45:06,799 Speaker 4: People running this are running this because they're like, we 884 00:45:06,880 --> 00:45:08,239 Speaker 4: can never figure. 885 00:45:07,920 --> 00:45:11,359 Speaker 3: Out when to laugh. Yes, and everybody thinks we are 886 00:45:11,440 --> 00:45:15,040 Speaker 3: so fucking awkward. So maybe if we make a robot that. 887 00:45:15,040 --> 00:45:16,520 Speaker 4: Tells us when to laugh. 888 00:45:16,719 --> 00:45:20,040 Speaker 3: We'll finally fit in at family Thanksgiving. 889 00:45:21,960 --> 00:45:24,080 Speaker 1: Chloe, I think you're big, too generous. I think it's 890 00:45:24,120 --> 00:45:25,799 Speaker 1: the other way. I think it's a bunch of guys 891 00:45:25,800 --> 00:45:28,560 Speaker 1: that are like, we have never successfully made a human 892 00:45:28,600 --> 00:45:32,160 Speaker 1: woman laugh. Yes, but we need to name a robot Erica, 893 00:45:32,320 --> 00:45:35,680 Speaker 1: which is funny to Americans only, And we need a 894 00:45:35,760 --> 00:45:37,799 Speaker 1: robot that will sit across from us as we crack 895 00:45:37,880 --> 00:45:40,200 Speaker 1: jokes that do not make sense, and it laughs when 896 00:45:40,280 --> 00:45:41,120 Speaker 1: we stop talking. 897 00:45:41,280 --> 00:45:43,960 Speaker 4: Listen, Babe, listen, babe. Listen Babe, Listen Babe, Listen Babe. 898 00:45:43,960 --> 00:45:44,760 Speaker 4: I got listen. 899 00:45:44,600 --> 00:45:50,840 Speaker 2: Babe ha ha ha ha, Erica likes Erica likes. 900 00:45:51,600 --> 00:46:00,000 Speaker 1: Your tongue is long enough for me. What a nightmare. 901 00:46:02,440 --> 00:46:05,399 Speaker 2: It is a great story. And then it just goes 902 00:46:05,400 --> 00:46:07,759 Speaker 2: on and explains kind of like the more details of it. 903 00:46:07,760 --> 00:46:09,839 Speaker 2: There was like four different laughs that it could use, 904 00:46:10,719 --> 00:46:12,799 Speaker 2: and then people would rate if the laughs were being 905 00:46:12,920 --> 00:46:15,880 Speaker 2: used properly, and then just right at the end. Professor 906 00:46:15,960 --> 00:46:19,360 Speaker 2: Sandra Walker of the Universe of the Oxford Internet Institute 907 00:46:19,360 --> 00:46:22,520 Speaker 2: at the University of Oxford, which definitely sounds like a 908 00:46:22,600 --> 00:46:26,640 Speaker 2: University of Phoenix. If I've ever heard ond said quote, 909 00:46:26,680 --> 00:46:28,600 Speaker 2: one of the things I'd keep in mind is that 910 00:46:28,640 --> 00:46:31,680 Speaker 2: a robot or algorithm will never be able to understand you. 911 00:46:31,880 --> 00:46:35,520 Speaker 2: It doesn't know you. It doesn't understand you, and doesn't 912 00:46:35,600 --> 00:46:39,160 Speaker 2: understand the meaning of laughter. They're not sentient, but they 913 00:46:39,239 --> 00:46:40,560 Speaker 2: might get very good at. 914 00:46:40,440 --> 00:46:42,560 Speaker 1: Making you believe they understand what's going on. 915 00:46:42,760 --> 00:46:47,399 Speaker 2: It's like, holy shit, Professor Sandra Walker coming over here 916 00:46:47,680 --> 00:46:50,400 Speaker 2: to fucking shit all over Aerica. 917 00:46:50,719 --> 00:46:54,800 Speaker 3: Professor Sandra Walker got divorced from a robot. 918 00:46:54,800 --> 00:46:59,120 Speaker 4: From sim The reason he'll never understand you. 919 00:46:59,520 --> 00:47:03,280 Speaker 3: He does a get it all right, okay you he doesn't. 920 00:47:03,320 --> 00:47:05,839 Speaker 4: He doesn't know what you want for Christmas. He doesn't. 921 00:47:05,840 --> 00:47:08,480 Speaker 4: He's not gonna remember your birthday. He might make it 922 00:47:08,520 --> 00:47:09,439 Speaker 4: seem like he does. 923 00:47:10,200 --> 00:47:16,960 Speaker 1: No, no way, God, that is incredible. That is so incredible. Well, 924 00:47:16,960 --> 00:47:19,200 Speaker 1: I have one more quick one since KURTI b had 925 00:47:19,200 --> 00:47:21,080 Speaker 1: to bow out. Chloe, have you had a nice time 926 00:47:21,080 --> 00:47:22,200 Speaker 1: on bananas thus far? 927 00:47:22,280 --> 00:47:24,959 Speaker 4: I've had a I've had a hilarious and fantastic time. 928 00:47:25,960 --> 00:47:28,279 Speaker 1: Well, good, I'm gonna come see you. I know it's 929 00:47:28,280 --> 00:47:30,520 Speaker 1: gonna this is gonna come out after. But you're headlining 930 00:47:30,600 --> 00:47:32,359 Speaker 1: the Improv Lab Lab next one? 931 00:47:32,440 --> 00:47:35,440 Speaker 3: Yes, correct, Yes, Tuesday, November first, which, for everybody listening 932 00:47:35,560 --> 00:47:36,960 Speaker 3: is in the past. 933 00:47:38,760 --> 00:47:39,680 Speaker 1: Kill check in. 934 00:47:39,840 --> 00:47:40,319 Speaker 4: Yeah. Yeah. 935 00:47:40,520 --> 00:47:42,000 Speaker 3: I want you to know, if you're listening to this, 936 00:47:42,840 --> 00:47:45,360 Speaker 3: you missed the greatest stand up comedy performance. 937 00:47:44,960 --> 00:47:47,760 Speaker 4: Of all time. Actually that's a It was the legend, 938 00:47:47,760 --> 00:47:49,120 Speaker 4: has it that Chloe. 939 00:47:48,920 --> 00:47:52,160 Speaker 3: Redcliffe crushed at the Hollywood Improv Lab a few days ago. 940 00:47:53,160 --> 00:47:55,279 Speaker 1: I've seen so many great shows there though. I love 941 00:47:55,480 --> 00:47:59,279 Speaker 1: I love the Hollywood Improv Lab. I did you have 942 00:47:59,360 --> 00:48:01,960 Speaker 1: any pick in the lineup or were they like, hey. 943 00:48:01,840 --> 00:48:03,880 Speaker 4: I did I booked the I booked the whole line up. 944 00:48:03,920 --> 00:48:07,000 Speaker 1: Give us some name. I'm going to see you on Tuesday. 945 00:48:06,880 --> 00:48:14,040 Speaker 3: Yes, uh Okotska and Yes, Ian Carmel. 946 00:48:14,160 --> 00:48:16,040 Speaker 1: Hilarious, did house party with me? 947 00:48:16,239 --> 00:48:16,840 Speaker 4: So funny? 948 00:48:17,239 --> 00:48:20,200 Speaker 1: Aquila Hughes on the pod did bananas? 949 00:48:20,480 --> 00:48:22,640 Speaker 4: Wow? Look at this? And then Patrick Sussmilch. 950 00:48:23,000 --> 00:48:25,160 Speaker 1: No idea who that is, but I'm with him or 951 00:48:25,200 --> 00:48:25,759 Speaker 1: them luck. 952 00:48:26,120 --> 00:48:28,680 Speaker 3: Yes, he is a very funny stand up who is 953 00:48:28,719 --> 00:48:31,120 Speaker 3: originally from Minneapolis. We started in Minneapolis together. We have 954 00:48:31,160 --> 00:48:32,480 Speaker 3: just stayed best friends. He lives at here. 955 00:48:32,480 --> 00:48:32,719 Speaker 4: Now. 956 00:48:32,920 --> 00:48:35,120 Speaker 1: I can't believe you and I haven't crossed paths before, 957 00:48:35,320 --> 00:48:37,600 Speaker 1: but I'll say hey, I'll go, hey, we met. I'm 958 00:48:37,600 --> 00:48:40,479 Speaker 1: Scotti from Bananas. And then Harriet, you have to laugh, 959 00:48:40,520 --> 00:48:43,080 Speaker 1: either like a robot or like a real human woman. 960 00:48:44,280 --> 00:48:49,200 Speaker 1: Let's well, let's see, let's go out. 961 00:48:49,400 --> 00:48:50,359 Speaker 4: How was that for time? 962 00:48:50,760 --> 00:48:55,120 Speaker 1: I loved it? Best I've ever had honestly. This was 963 00:48:55,160 --> 00:49:00,080 Speaker 1: sent in by Jenna Danielle. Thank you, Jenna Danielle. H 964 00:49:01,280 --> 00:49:03,000 Speaker 1: this is a rare one. We don't do this all 965 00:49:03,040 --> 00:49:04,959 Speaker 1: the time. We've done a couple of these on the pod, 966 00:49:05,040 --> 00:49:08,680 Speaker 1: but this was actually a Reddit post on today. I 967 00:49:08,840 --> 00:49:13,360 Speaker 1: fed up so t if you and I think it 968 00:49:13,400 --> 00:49:16,279 Speaker 1: was posted by more than dork, so you know it's 969 00:49:16,280 --> 00:49:20,120 Speaker 1: going to be juicy great today. I fucked up by 970 00:49:20,160 --> 00:49:26,920 Speaker 1: throwing a steak out a window last night. Yes, okay, ready, 971 00:49:27,239 --> 00:49:30,239 Speaker 1: last night, my wife's boss from her brand new job 972 00:49:30,320 --> 00:49:33,280 Speaker 1: invited us over for dinner. Also jump in at any point, 973 00:49:33,320 --> 00:49:37,120 Speaker 1: no problem. On the drive over, my wife reiterated many 974 00:49:37,200 --> 00:49:39,279 Speaker 1: times to me how important it was to make a 975 00:49:39,280 --> 00:49:43,200 Speaker 1: good impression. I scoffed and arrogantly informed my silly wife. 976 00:49:43,239 --> 00:49:46,560 Speaker 1: Not a great start. I was that I always make 977 00:49:46,600 --> 00:49:50,600 Speaker 1: good impressions. My wife's boss is a single lady in 978 00:49:50,640 --> 00:49:52,560 Speaker 1: her fifties, so it was just the three of us. 979 00:49:53,640 --> 00:49:57,440 Speaker 4: I need to point out that are you are you 980 00:49:57,560 --> 00:50:00,279 Speaker 4: dating a are you are you partner to a woman? 981 00:50:00,560 --> 00:50:00,799 Speaker 1: Yes? 982 00:50:01,400 --> 00:50:01,680 Speaker 4: Yes? 983 00:50:01,920 --> 00:50:06,440 Speaker 3: Has she ever had to reinforce it sounds like upwards 984 00:50:06,480 --> 00:50:08,920 Speaker 3: of three or four times, Hey, you have to make 985 00:50:08,960 --> 00:50:10,600 Speaker 3: a good impression on this person. 986 00:50:10,560 --> 00:50:11,040 Speaker 1: Not once. 987 00:50:11,760 --> 00:50:11,960 Speaker 4: Yeah. 988 00:50:12,000 --> 00:50:16,080 Speaker 3: So it really does seem like, whoever this guy is, 989 00:50:16,120 --> 00:50:19,760 Speaker 3: he's starting his track record might not be the best. 990 00:50:20,120 --> 00:50:22,760 Speaker 1: Oh yeah, he's off to a weird start. I mean, 991 00:50:23,080 --> 00:50:24,239 Speaker 1: if it is, we don't know what. 992 00:50:24,200 --> 00:50:26,799 Speaker 4: The history is here, you know, but it's not looking good. 993 00:50:27,280 --> 00:50:30,840 Speaker 1: That's right. So my BET's exactly right. My boss's wife 994 00:50:30,920 --> 00:50:33,759 Speaker 1: is a single lady in her fifties, so it was 995 00:50:33,880 --> 00:50:35,840 Speaker 1: just the three of us. We chit chatted over drinks 996 00:50:35,880 --> 00:50:38,439 Speaker 1: and salads and seemed to be really hitting it off. 997 00:50:38,560 --> 00:50:41,839 Speaker 1: She laughed at my well timed, perfectly appropriate jokes, and 998 00:50:41,880 --> 00:50:43,200 Speaker 1: my wife seemed pleased. 999 00:50:44,000 --> 00:50:47,040 Speaker 4: Yeah, wow, is that is Erica writing your drugs for you? 1000 00:50:47,440 --> 00:50:47,920 Speaker 3: I know? 1001 00:50:50,080 --> 00:50:53,000 Speaker 1: Soon she brought them in course, a nice, big, juicy 1002 00:50:53,040 --> 00:50:55,640 Speaker 1: steak for each of us. As I began to cut 1003 00:50:55,719 --> 00:50:58,600 Speaker 1: to my steak, I was discouraged to discover how undercooked 1004 00:50:58,640 --> 00:51:01,960 Speaker 1: this steak was. Now, I've had my fair share of 1005 00:51:02,040 --> 00:51:05,239 Speaker 1: rare steak. I prefer medium, but I can handle rare. 1006 00:51:05,719 --> 00:51:08,960 Speaker 1: This was several minutes on the grill hot. Oh sorry, 1007 00:51:08,960 --> 00:51:11,799 Speaker 1: this was several minutes on the grill hot short of rare. 1008 00:51:12,360 --> 00:51:16,240 Speaker 1: I probably could have resuscitated the cow if I had tried. Instead, 1009 00:51:16,280 --> 00:51:18,440 Speaker 1: I sat there fidgeting with my knife and fork, worrying 1010 00:51:18,480 --> 00:51:20,480 Speaker 1: about how I was gonna get away with not eating 1011 00:51:20,520 --> 00:51:23,640 Speaker 1: the steak. See already, you just go? Could you throw 1012 00:51:23,680 --> 00:51:26,120 Speaker 1: this in just for two more minutes for me? I'm 1013 00:51:26,160 --> 00:51:31,040 Speaker 1: so sorry? And any host would say yes, of course, boy, 1014 00:51:31,280 --> 00:51:33,720 Speaker 1: yeah right, yeah. 1015 00:51:34,280 --> 00:51:35,920 Speaker 4: I'm a big fat wimp and I want my steak 1016 00:51:35,920 --> 00:51:36,719 Speaker 4: cooked more and you. 1017 00:51:36,840 --> 00:51:39,719 Speaker 1: Just go, you know whatever's take the l get what 1018 00:51:39,760 --> 00:51:41,080 Speaker 1: you want. So what do I do? 1019 00:51:41,800 --> 00:51:42,600 Speaker 4: Just eat it raw. 1020 00:51:44,320 --> 00:51:46,359 Speaker 1: You're gonna live, You're gonna make it through the night. 1021 00:51:46,560 --> 00:51:50,000 Speaker 1: Do I claim veganism? No, I'd already feigned great enthusiasm 1022 00:51:50,160 --> 00:51:52,840 Speaker 1: upon seeing the steak. Just then, our host has excused 1023 00:51:52,840 --> 00:51:55,840 Speaker 1: herself to the kitchen to take care of some dessert preparations. 1024 00:51:56,200 --> 00:51:58,480 Speaker 1: As I looked around the fancy dining room table at 1025 00:51:58,480 --> 00:52:00,880 Speaker 1: the open window of this third story apartment, a cartoon 1026 00:52:00,960 --> 00:52:04,840 Speaker 1: light bulb appeared over my head. And oh yeah, I 1027 00:52:04,920 --> 00:52:07,680 Speaker 1: knew I had to be decisive. Realizing that she could 1028 00:52:07,760 --> 00:52:11,160 Speaker 1: return at any moment, I committed to it. I grabbed 1029 00:52:11,160 --> 00:52:13,640 Speaker 1: the steak with my hand, gently shook off the juice 1030 00:52:13,640 --> 00:52:16,560 Speaker 1: and before and executed a perfect throw right through the 1031 00:52:16,600 --> 00:52:20,200 Speaker 1: center of the open window. Why here's here's the big time. Fu. 1032 00:52:20,719 --> 00:52:25,680 Speaker 1: The window wasn't open. It was the cleanest freaking window 1033 00:52:25,719 --> 00:52:28,640 Speaker 1: I've ever seen in my life. That is, until my 1034 00:52:28,760 --> 00:52:33,120 Speaker 1: mostly raw slab of steak slammed up against it and 1035 00:52:33,200 --> 00:52:35,719 Speaker 1: slowly slid down, leaving a trail of bloody juice in 1036 00:52:35,760 --> 00:52:39,200 Speaker 1: it's wake. My wife, whose steak was a nice medium 1037 00:52:39,280 --> 00:52:42,880 Speaker 1: rare and was unaware of my predicament. Turns jall dropped 1038 00:52:42,920 --> 00:52:44,839 Speaker 1: and stared like me, like I was an alien from 1039 00:52:44,880 --> 00:52:48,759 Speaker 1: another planet. He threw a steak into a window in 1040 00:52:48,800 --> 00:52:50,840 Speaker 1: a night where he's just not supprised. 1041 00:52:50,440 --> 00:52:52,360 Speaker 4: His wife was not gonna notice. 1042 00:52:52,920 --> 00:52:54,160 Speaker 1: Totally fucking crazy. 1043 00:52:54,440 --> 00:52:57,480 Speaker 3: Did he think even if the window was open, did 1044 00:52:57,560 --> 00:52:59,759 Speaker 3: he think that his wife was gonna look over? 1045 00:53:00,680 --> 00:53:04,279 Speaker 4: Was gonna miss the like fling the elbow movement. 1046 00:53:04,200 --> 00:53:07,840 Speaker 1: Right, it's gonna be like nice, good toss man. You 1047 00:53:08,000 --> 00:53:10,239 Speaker 1: ate that steak so fast, I'm gonna lie with you 1048 00:53:10,320 --> 00:53:11,000 Speaker 1: the whole time. 1049 00:53:12,640 --> 00:53:15,839 Speaker 3: Okay, okay, So yes, so this is like a family guy, 1050 00:53:16,200 --> 00:53:18,200 Speaker 3: you know, trying to throw the frog out the window. 1051 00:53:18,880 --> 00:53:23,080 Speaker 1: Yes, so unaware my predicament. Her jaw, Her jaw dropped, 1052 00:53:23,120 --> 00:53:24,760 Speaker 1: and she stared like me, like I was an alien 1053 00:53:24,800 --> 00:53:28,360 Speaker 1: from another planet. This looked slowly turned and morphed into 1054 00:53:28,480 --> 00:53:30,480 Speaker 1: there is a no place on this planet you can 1055 00:53:30,560 --> 00:53:33,920 Speaker 1: ever hide from me, expression of demonior anger. Fair. 1056 00:53:35,120 --> 00:53:37,520 Speaker 4: Yeah, I'm on the wife side this whole time. 1057 00:53:37,840 --> 00:53:41,440 Speaker 1: Of course, my wife's boss heard the thud of the 1058 00:53:41,480 --> 00:53:44,719 Speaker 1: steak on the window and came quickly. She took in 1059 00:53:44,800 --> 00:53:47,880 Speaker 1: the scene, the steak sitting on the windowsill, with blood 1060 00:53:47,920 --> 00:53:50,560 Speaker 1: trailing down my empty plate, and then gave me a 1061 00:53:50,600 --> 00:53:53,919 Speaker 1: puzzled look. It was like I didn't know what to say. 1062 00:53:53,920 --> 00:53:56,480 Speaker 1: It felt like a moment of silence, three or four 1063 00:53:56,520 --> 00:53:59,120 Speaker 1: seconds at most, though, And finally the best I could 1064 00:53:59,120 --> 00:54:02,560 Speaker 1: manage is I'm so sorry. I am such a klutz. 1065 00:54:02,640 --> 00:54:05,320 Speaker 1: I don't know. I was just cutting it and it slipped. 1066 00:54:05,440 --> 00:54:07,880 Speaker 1: Just ask my wife. I really am a klutz. Honey, 1067 00:54:08,160 --> 00:54:11,279 Speaker 1: right here, I will clean this up. I'm so sorry, 1068 00:54:11,320 --> 00:54:13,840 Speaker 1: I'm so sorry. Both women continue to stare at me 1069 00:54:13,920 --> 00:54:16,319 Speaker 1: like I had escaped from the looney bin as I 1070 00:54:16,360 --> 00:54:19,000 Speaker 1: smeared the blood around the window with my cloth napkin, 1071 00:54:20,600 --> 00:54:23,200 Speaker 1: dusted off the steak, and continued to mutter my inco 1072 00:54:23,280 --> 00:54:28,239 Speaker 1: here and explanation. So nobody bought the story. Uh. He 1073 00:54:28,320 --> 00:54:31,640 Speaker 1: proceeded to eat every bite of the disgusting, cold, bloody, 1074 00:54:31,719 --> 00:54:32,680 Speaker 1: raw steak. 1075 00:54:32,840 --> 00:54:34,760 Speaker 4: Window slapped steak. 1076 00:54:34,880 --> 00:54:40,399 Speaker 3: Now, yes, okay, yeah, so he eats the whole thing. 1077 00:54:40,560 --> 00:54:41,640 Speaker 4: Sure, that's fine. 1078 00:54:41,960 --> 00:54:44,080 Speaker 1: I remained pretty quick. Could have done it from the jump, 1079 00:54:44,120 --> 00:54:47,439 Speaker 1: could have saved everybody a lot of embarrassment. Pretty quiet 1080 00:54:47,440 --> 00:54:50,080 Speaker 1: for the rest of evening. My wife's only two words 1081 00:54:50,120 --> 00:54:53,600 Speaker 1: to me since the incident, or after the incident really is. 1082 00:54:53,719 --> 00:54:55,480 Speaker 1: I think what he's trying to say is I'm fine. 1083 00:54:55,680 --> 00:54:59,320 Speaker 1: And then here's the update. Just got my first post 1084 00:54:59,480 --> 00:55:02,440 Speaker 1: I'm fine. Communication from my wife via text to us 1085 00:55:02,440 --> 00:55:07,000 Speaker 1: at work quote, good news my boss's name and I 1086 00:55:07,120 --> 00:55:09,680 Speaker 1: had such a good laugh over how much of a 1087 00:55:09,719 --> 00:55:12,319 Speaker 1: fucking idiot you are? I hope you know you will 1088 00:55:12,400 --> 00:55:18,680 Speaker 1: never live this down. Love you moron? Well handled? Wow, wife, when. 1089 00:55:18,880 --> 00:55:21,000 Speaker 4: She should leave him, he. 1090 00:55:21,080 --> 00:55:25,880 Speaker 1: Should absolutely consider another man in her life. 1091 00:55:25,920 --> 00:55:31,680 Speaker 4: I mean, if here's the thing, I don't know this guy. 1092 00:55:32,280 --> 00:55:36,160 Speaker 5: Maybe maybe he's a fucking charmer, and this is like 1093 00:55:36,480 --> 00:55:40,200 Speaker 5: he's a goofy dude, and sometimes he makes goofy jokes 1094 00:55:40,520 --> 00:55:43,000 Speaker 5: and he's really a wonderful man and he's. 1095 00:55:42,880 --> 00:55:46,160 Speaker 4: Going to be a great dad someday. Yes, and you know, 1096 00:55:46,360 --> 00:55:47,880 Speaker 4: sometimes he goofs up. 1097 00:55:48,840 --> 00:55:51,480 Speaker 1: He's a clode. Sometimes he panics and chucks his steak. 1098 00:55:52,040 --> 00:55:53,000 Speaker 3: He that. 1099 00:55:53,880 --> 00:55:57,520 Speaker 4: But just from this story, I am on the leave 1100 00:55:57,640 --> 00:55:58,920 Speaker 4: him trade. 1101 00:55:59,440 --> 00:56:01,560 Speaker 1: Yeah, that's a pretty big red flag. I would say 1102 00:56:01,600 --> 00:56:04,240 Speaker 1: it's a red flag just smearing down a clear window 1103 00:56:04,320 --> 00:56:05,800 Speaker 1: in your boss's free story. 1104 00:56:06,239 --> 00:56:08,680 Speaker 4: Yeah, it's a blood red flag. 1105 00:56:09,160 --> 00:56:12,000 Speaker 1: That's it. Well, Chloe, where can they find you? Where 1106 00:56:12,000 --> 00:56:15,839 Speaker 1: can the bananas track you down on Animal TikTok. What 1107 00:56:15,880 --> 00:56:16,440 Speaker 1: do you got? 1108 00:56:16,920 --> 00:56:19,319 Speaker 3: I'm on, I'm on all the social media platforms. My 1109 00:56:19,360 --> 00:56:22,080 Speaker 3: handle is at Chloe Badcliff. 1110 00:56:22,280 --> 00:56:25,440 Speaker 4: On all I am. My name is Chloe Radcliffe and 1111 00:56:25,480 --> 00:56:26,560 Speaker 4: it's like my last name. 1112 00:56:26,600 --> 00:56:27,959 Speaker 1: But that's good. 1113 00:56:28,280 --> 00:56:31,120 Speaker 4: I get it, and yeah, it's good, it's good. It's 1114 00:56:31,160 --> 00:56:33,799 Speaker 4: bad anyway, that's where I am. 1115 00:56:33,840 --> 00:56:36,160 Speaker 1: Thanks so much for being on and thanks for riding 1116 00:56:36,160 --> 00:56:38,520 Speaker 1: out the back of this episode. Now the Kurt had 1117 00:56:38,520 --> 00:56:41,520 Speaker 1: to go live his Hollywood dreams. If you just do 1118 00:56:41,719 --> 00:56:43,920 Speaker 1: the moles favor and we'll say bananas on three and 1119 00:56:43,960 --> 00:56:59,359 Speaker 1: we'll wrap it up tight absolutely two three Bananas. Bananas 1120 00:56:59,440 --> 00:57:01,280 Speaker 1: is an exact write media production. 1121 00:57:01,440 --> 00:57:03,759 Speaker 2: Our producer and engineer is Katie Levine. 1122 00:57:04,080 --> 00:57:07,280 Speaker 1: The catchy Bananas theme song was composed and performed by Kahon. 1123 00:57:07,520 --> 00:57:11,000 Speaker 2: Artwork for Bananas was designed by Travis Millard and. 1124 00:57:11,000 --> 00:57:14,080 Speaker 1: Our benevolent overlords are the Great Karen Kilgarriff and Georgia 1125 00:57:14,120 --> 00:57:14,600 Speaker 1: Hartstart 1126 00:57:14,719 --> 00:57:17,520 Speaker 2: And Lisa Maggott is our full human, not a robot 1127 00:57:17,560 --> 00:57:19,040 Speaker 2: intern