1 00:00:05,200 --> 00:00:07,520 Speaker 1: Hey, this is Annie and Samantha, and welcome to stephan 2 00:00:07,560 --> 00:00:09,280 Speaker 1: never told your prediction about her Idio. 3 00:00:18,600 --> 00:00:21,439 Speaker 2: And welcome to Feminist Book Club. We're a little late 4 00:00:21,560 --> 00:00:24,760 Speaker 2: on this one because we had so much good stuff 5 00:00:25,280 --> 00:00:28,680 Speaker 2: for February, and you know, with a small month, including 6 00:00:28,800 --> 00:00:31,280 Speaker 2: our return on with one of our favorite people's bridget 7 00:00:31,680 --> 00:00:34,680 Speaker 2: so we pushed this back a little bit. So we're 8 00:00:34,720 --> 00:00:37,320 Speaker 2: just going to say we're extending Black History Month and 9 00:00:37,400 --> 00:00:40,600 Speaker 2: letting it overlap with the Women's History Month, as it should. 10 00:00:40,920 --> 00:00:43,600 Speaker 2: So we'll just we're just gonna blend the two from 11 00:00:43,600 --> 00:00:46,279 Speaker 2: February to March to fully celebrate all of that, and 12 00:00:46,320 --> 00:00:50,320 Speaker 2: that means we are going to do an amazing short 13 00:00:50,320 --> 00:00:51,279 Speaker 2: story collection. 14 00:00:51,479 --> 00:00:54,160 Speaker 3: I'm so excited. I love short stories so much. 15 00:00:54,800 --> 00:00:56,840 Speaker 1: I did too, and I love when they have little 16 00:00:57,000 --> 00:01:01,000 Speaker 1: pieces that connect to each other, and this one does sometimes. 17 00:01:01,080 --> 00:01:03,960 Speaker 2: Yeah, I feel like they overlap in so many characters, 18 00:01:04,000 --> 00:01:07,680 Speaker 2: including cats. Oh so at the very beginning of this, 19 00:01:07,760 --> 00:01:09,680 Speaker 2: let's go ahead and put content warning. There's a lot 20 00:01:09,760 --> 00:01:12,040 Speaker 2: of heavy subjects in this one. I will tell you. 21 00:01:12,720 --> 00:01:16,520 Speaker 2: For me, it was a slower listen slash read because 22 00:01:16,560 --> 00:01:19,600 Speaker 2: of the intensity of the subjects. So we're talking about 23 00:01:19,720 --> 00:01:23,240 Speaker 2: enslavement and slavery. We're talking about death and murder, even 24 00:01:23,280 --> 00:01:27,160 Speaker 2: death of animals, sacrificing of animals, which, by the way, 25 00:01:27,200 --> 00:01:28,440 Speaker 2: I was not in a great. 26 00:01:28,200 --> 00:01:28,800 Speaker 3: Place for that. 27 00:01:30,120 --> 00:01:34,040 Speaker 2: No, I will tell you this a lot of historical 28 00:01:34,080 --> 00:01:37,960 Speaker 2: contexts that bring a lot of sadness. So just as 29 00:01:38,000 --> 00:01:39,959 Speaker 2: a reminder, you know, if you need to take time, 30 00:01:40,200 --> 00:01:42,319 Speaker 2: you should, but you should absolutely read this book when 31 00:01:42,360 --> 00:01:44,480 Speaker 2: you can get into a good headspace if you can. 32 00:01:44,560 --> 00:01:47,319 Speaker 2: Since it is a short story collection, you can read one, 33 00:01:47,440 --> 00:01:49,760 Speaker 2: put it down, come back, So you know you should 34 00:01:49,760 --> 00:01:54,200 Speaker 2: absolutely do this. And we are talking about Tanana Revedo 35 00:01:54,240 --> 00:01:57,320 Speaker 2: and her first short story collection, Ghost Summer, which was 36 00:01:57,400 --> 00:02:01,440 Speaker 2: published as the actual collection in twenty fifteen. But a 37 00:02:01,440 --> 00:02:04,320 Speaker 2: lot of these stories she's published previously, so I know 38 00:02:04,440 --> 00:02:06,560 Speaker 2: some of them goes as far back as two thousand 39 00:02:06,840 --> 00:02:08,639 Speaker 2: and even though that doesn't sound like a long time 40 00:02:08,680 --> 00:02:13,240 Speaker 2: ago to me, it actually was twenty five years ago, 41 00:02:13,320 --> 00:02:17,119 Speaker 2: so oh dear gosh. So anyway, all of that to say, 42 00:02:17,120 --> 00:02:20,720 Speaker 2: is amazing collection of works. But not only is she 43 00:02:20,760 --> 00:02:24,760 Speaker 2: a writer, she's a professor of black horror as well 44 00:02:24,800 --> 00:02:30,120 Speaker 2: as executive producer for documentaries such as A Horror Noir, 45 00:02:30,280 --> 00:02:32,400 Speaker 2: A History of Black Horror, which I think was featured 46 00:02:32,400 --> 00:02:35,760 Speaker 2: on Shutter And she's also a screenwriter with her husband, 47 00:02:35,760 --> 00:02:38,919 Speaker 2: who is also collaborated with her on several stories within 48 00:02:39,000 --> 00:02:39,680 Speaker 2: this collection. 49 00:02:39,880 --> 00:02:42,680 Speaker 3: So really really great if you have the time. Like 50 00:02:42,720 --> 00:02:44,960 Speaker 3: I said, it is ghost stories, it is. 51 00:02:45,120 --> 00:02:47,880 Speaker 2: It is very haunting. Even if it wasn't and it 52 00:02:47,960 --> 00:02:50,920 Speaker 2: was just like historical tales, it's still haunting. 53 00:02:52,080 --> 00:02:55,960 Speaker 1: Yeah, it creaked me out, to be honest, and I 54 00:02:56,000 --> 00:02:59,320 Speaker 1: loved it, but it creeped me out. We've been trying 55 00:02:59,320 --> 00:03:02,200 Speaker 1: to read something from her for a long time because 56 00:03:02,200 --> 00:03:03,720 Speaker 1: she comes up on a lot of lists, and you 57 00:03:03,760 --> 00:03:06,639 Speaker 1: know we love horror here, right, so I was very 58 00:03:06,760 --> 00:03:09,560 Speaker 1: very excited to finally get to do it. 59 00:03:09,639 --> 00:03:12,440 Speaker 2: She has another short story collection which we need to 60 00:03:12,480 --> 00:03:15,800 Speaker 2: revisit anyway, but yeah, so this is gonna be a 61 00:03:15,840 --> 00:03:19,880 Speaker 2: long detailed look at this one collection called Ghost Summer. 62 00:03:20,680 --> 00:03:22,960 Speaker 2: What we're gonna do because there are they are short 63 00:03:23,000 --> 00:03:27,359 Speaker 2: stories and are kind of interlinked, but not necessarily interlinked 64 00:03:27,360 --> 00:03:29,880 Speaker 2: through theme. I mean, there's definitely a common three theme throughout. 65 00:03:29,960 --> 00:03:33,480 Speaker 2: But with that, we're gonna do a synopsis of the 66 00:03:33,520 --> 00:03:38,520 Speaker 2: story and then we'll do the theme after that story immediately. 67 00:03:38,560 --> 00:03:40,800 Speaker 2: So instead of doing our typical tell you the plot, 68 00:03:40,920 --> 00:03:42,560 Speaker 2: tell you what's going on in the book, and then 69 00:03:42,640 --> 00:03:44,000 Speaker 2: do themes and have a discussion. 70 00:03:44,280 --> 00:03:46,480 Speaker 3: We're gonna do it as we go per story. 71 00:03:46,600 --> 00:03:49,640 Speaker 2: So let's write down the stories and do the themes. 72 00:03:49,880 --> 00:03:51,840 Speaker 2: We're gonna start with the first story. We are going 73 00:03:51,880 --> 00:03:53,720 Speaker 2: through the order that she has them in the book, 74 00:03:54,120 --> 00:03:57,440 Speaker 2: including I believe the three towards the end, not the 75 00:03:57,520 --> 00:04:00,600 Speaker 2: last three, but towards the end they are actually collect together. 76 00:04:01,040 --> 00:04:02,560 Speaker 3: Yeah, we'll let you know which ones though. 77 00:04:03,400 --> 00:04:05,880 Speaker 2: So we're going to start with the lake, and I'm 78 00:04:05,880 --> 00:04:09,520 Speaker 2: telling you it has hard and fast at the very beginning. 79 00:04:10,400 --> 00:04:10,760 Speaker 4: YI. 80 00:04:10,920 --> 00:04:12,920 Speaker 3: So this first story again came. 81 00:04:12,800 --> 00:04:15,000 Speaker 2: Out with a bane, not only confronting us to the 82 00:04:15,000 --> 00:04:17,440 Speaker 2: horrors and suspense of a lake. And if you know 83 00:04:17,480 --> 00:04:20,120 Speaker 2: about han Lakes, you understand us from Georgia. 84 00:04:20,320 --> 00:04:21,679 Speaker 3: We know about Hanted Lakes. 85 00:04:21,800 --> 00:04:24,600 Speaker 2: Lake Lanier is a legend in itself, as it should be, 86 00:04:24,640 --> 00:04:26,920 Speaker 2: and it has a lot of that dark history that 87 00:04:27,040 --> 00:04:31,560 Speaker 2: Odo actually talks about often throughout her stories, but also 88 00:04:32,200 --> 00:04:34,920 Speaker 2: inside the mind of a sexual predator. So we have 89 00:04:35,120 --> 00:04:38,120 Speaker 2: teacher Abby Lafleur who just moved to the town of 90 00:04:38,120 --> 00:04:42,279 Speaker 2: Gracetown and there she escaped from her previous area, moved 91 00:04:42,560 --> 00:04:45,640 Speaker 2: near lake to her new home. She was isolated, but 92 00:04:45,720 --> 00:04:48,320 Speaker 2: she had a new start as she made plans for 93 00:04:48,320 --> 00:04:51,080 Speaker 2: the upcoming school year. She enjoyed her new home and. 94 00:04:51,040 --> 00:04:51,680 Speaker 3: Her new lake. 95 00:04:52,400 --> 00:04:55,239 Speaker 2: Though the town knows better than just swim during this time, 96 00:04:55,320 --> 00:04:56,320 Speaker 2: I think it's summertimes. 97 00:04:56,360 --> 00:04:57,520 Speaker 4: This summertimes, it's all summer. 98 00:04:57,600 --> 00:05:00,040 Speaker 3: Yeah, yeah, summertimes. You don't swim in the lake, she 99 00:05:00,160 --> 00:05:02,760 Speaker 3: goes for it anyway, even though she's not a great swimmer. 100 00:05:03,600 --> 00:05:07,360 Speaker 3: Soon she becomes an avid water person. All the while, 101 00:05:07,440 --> 00:05:10,880 Speaker 3: she has met her new students and has focused on 102 00:05:10,880 --> 00:05:15,040 Speaker 3: one specific boy, young boy. But at the same time, 103 00:05:15,200 --> 00:05:17,200 Speaker 3: she's also become obsessed with the lake, and the lake 104 00:05:17,640 --> 00:05:21,880 Speaker 3: was becoming obsessed with her, or better possessing her. Her 105 00:05:21,920 --> 00:05:24,919 Speaker 3: feet got larger and she starts to grow webs on 106 00:05:24,920 --> 00:05:28,040 Speaker 3: her feet, and then there's this need for her to 107 00:05:28,080 --> 00:05:31,120 Speaker 3: be in the water. She even has dreams of it 108 00:05:31,560 --> 00:05:33,960 Speaker 3: going back. Soon she starts having the young boy whose 109 00:05:34,000 --> 00:05:37,000 Speaker 3: name is Derek, come over to help remodel the home, 110 00:05:37,040 --> 00:05:40,120 Speaker 3: and I'm putting that quotes. She Soon he and his 111 00:05:40,360 --> 00:05:43,479 Speaker 3: cousin start coming to help and fix our home, which 112 00:05:44,080 --> 00:05:46,240 Speaker 3: also turns into them going and swimming in the lake, 113 00:05:46,279 --> 00:05:48,280 Speaker 3: even though the boys know better than to go swimming 114 00:05:48,279 --> 00:05:52,039 Speaker 3: in the lake. They're they're her blood less tests, and 115 00:05:52,080 --> 00:05:54,719 Speaker 3: she is contemplating on whether to give into her new 116 00:05:54,760 --> 00:05:59,240 Speaker 3: desire to eat one of the young boys. And that's 117 00:05:59,240 --> 00:06:00,000 Speaker 3: how it ends. 118 00:06:00,920 --> 00:06:05,320 Speaker 1: Yeah, it ends with like a it sounds like that's 119 00:06:05,360 --> 00:06:07,560 Speaker 1: what's going to happen, because she's like, I can see 120 00:06:07,560 --> 00:06:10,280 Speaker 1: the scandal play out now. I could have avoided it 121 00:06:10,320 --> 00:06:13,599 Speaker 1: if I hadn't torn open his stomach coming right WHOA. 122 00:06:13,920 --> 00:06:16,080 Speaker 2: Yeah, Like she has this back and forth of like 123 00:06:16,120 --> 00:06:19,279 Speaker 2: he's someone's son, he hasn't lived his life, blah blah, 124 00:06:19,279 --> 00:06:21,720 Speaker 2: and it wasn't Derek. The original boy actually was the 125 00:06:21,839 --> 00:06:24,760 Speaker 2: cousin who dared to go swim with him. 126 00:06:25,080 --> 00:06:26,960 Speaker 3: It was so dou wrote this. 127 00:06:27,400 --> 00:06:30,120 Speaker 2: At the end of each story, she gives a kind 128 00:06:30,160 --> 00:06:32,120 Speaker 2: of like a summary, a little bit about what has 129 00:06:32,160 --> 00:06:35,040 Speaker 2: been published in as well as some of her thoughts 130 00:06:35,160 --> 00:06:37,599 Speaker 2: or the reason that she wrote it, the theme. She 131 00:06:37,680 --> 00:06:40,120 Speaker 2: might have been given a prompt about what to write, 132 00:06:40,200 --> 00:06:43,000 Speaker 2: and this one she wrote This was using the prompter 133 00:06:43,120 --> 00:06:46,400 Speaker 2: theme of monsters perspective, and she talks about it being 134 00:06:46,400 --> 00:06:48,839 Speaker 2: a true predator. A sexual predator was the one she 135 00:06:48,960 --> 00:06:49,920 Speaker 2: used as her monster. 136 00:06:51,279 --> 00:06:55,800 Speaker 1: Yeah, so here's the quote from do the theme stories 137 00:06:55,920 --> 00:06:58,640 Speaker 1: from the monster's point of view. Some of my favorite 138 00:06:58,640 --> 00:07:01,080 Speaker 1: stories have been written to themes from places I would 139 00:07:01,120 --> 00:07:03,920 Speaker 1: not have explored otherwise. The first monster that came to 140 00:07:03,960 --> 00:07:08,200 Speaker 1: mind a sexual predator. If only real monsters grew webbed 141 00:07:08,240 --> 00:07:09,760 Speaker 1: feet and gills. 142 00:07:10,400 --> 00:07:12,920 Speaker 3: So, and I don't talk about the different perspectives because 143 00:07:13,160 --> 00:07:14,240 Speaker 3: obviously is a lot. 144 00:07:14,480 --> 00:07:16,680 Speaker 2: I don't want you to. I don't want to reread 145 00:07:16,720 --> 00:07:18,360 Speaker 2: the story to you. I want you to tell you 146 00:07:18,400 --> 00:07:20,200 Speaker 2: what it's about, but you need to go back and 147 00:07:20,240 --> 00:07:22,200 Speaker 2: read read. One of the perspective is that she has 148 00:07:22,440 --> 00:07:24,800 Speaker 2: a close co worker as well as a friend who 149 00:07:24,840 --> 00:07:30,600 Speaker 2: has been accused also of sexual advances to a young child, 150 00:07:30,920 --> 00:07:34,280 Speaker 2: so being a child molester one of her students as well, 151 00:07:34,360 --> 00:07:36,800 Speaker 2: and she had to run away from that scandal, which 152 00:07:36,840 --> 00:07:39,080 Speaker 2: that scandal had that point of like eating up young 153 00:07:39,120 --> 00:07:43,320 Speaker 2: boys essentially, but yeah, and how she didn't want that 154 00:07:43,400 --> 00:07:46,200 Speaker 2: to follow her. She got away from that, but her 155 00:07:46,200 --> 00:07:50,840 Speaker 2: friend wasn't so lucky. Type of conversation. So it is 156 00:07:50,880 --> 00:07:53,600 Speaker 2: really interesting. It's an interesting perspective because we also don't 157 00:07:53,640 --> 00:07:58,840 Speaker 2: see oftentimes when teachers who are women who pray on young. 158 00:07:58,720 --> 00:08:01,040 Speaker 3: Boys are at c as predators. 159 00:08:01,160 --> 00:08:05,840 Speaker 2: Oftentimes they're seen as like fempatales type of thing, in 160 00:08:05,880 --> 00:08:08,480 Speaker 2: that level of being sexy and seductive and almost like 161 00:08:08,720 --> 00:08:12,840 Speaker 2: idolized in the it was really refreshing to see this 162 00:08:12,960 --> 00:08:16,160 Speaker 2: perspective of seeing her as a monster, as a predator 163 00:08:16,880 --> 00:08:19,880 Speaker 2: as she should if she is, you know, honing it 164 00:08:19,960 --> 00:08:24,960 Speaker 2: on young boys and plotting for these young boys. But yeah, 165 00:08:25,200 --> 00:08:26,720 Speaker 2: like I said, the first story hit with a bang. 166 00:08:26,720 --> 00:08:32,640 Speaker 1: I was well, damn, yeah, yeah, it sure did. And 167 00:08:32,679 --> 00:08:34,440 Speaker 1: I have to say we didn't say this at the top, 168 00:08:34,840 --> 00:08:36,480 Speaker 1: but one of the things I really liked about this 169 00:08:36,520 --> 00:08:42,160 Speaker 1: book is it's so many different genres, so many different things. 170 00:08:42,160 --> 00:08:45,320 Speaker 1: So here I am, I'm reading this like, oh, okay, 171 00:08:45,640 --> 00:08:49,240 Speaker 1: monsters and then different things. 172 00:08:49,360 --> 00:08:51,760 Speaker 4: A lot of different things happened. 173 00:08:51,600 --> 00:08:55,120 Speaker 2: Right, And I love that too. I think she does 174 00:08:55,160 --> 00:08:58,360 Speaker 2: such a great job and overlaying what horror can be, 175 00:08:59,040 --> 00:09:05,640 Speaker 2: whether it is h monsters or apocalyptic or ghosts yeah, 176 00:09:05,800 --> 00:09:06,800 Speaker 2: or possessions. 177 00:09:07,480 --> 00:09:09,960 Speaker 4: Yeah, it's good. 178 00:09:10,600 --> 00:09:14,200 Speaker 2: She also has a like common use of places and 179 00:09:14,280 --> 00:09:18,160 Speaker 2: lands and people. Yeah, so I don't always know because 180 00:09:18,200 --> 00:09:20,520 Speaker 2: like we're about to come into another story and it's 181 00:09:20,520 --> 00:09:23,040 Speaker 2: gonna also feature fictional place of Iceland, which is like 182 00:09:23,080 --> 00:09:28,160 Speaker 2: at the border of Florida, like near Georgia border, So 183 00:09:28,800 --> 00:09:30,880 Speaker 2: there's so many things here. She also talks about like 184 00:09:30,920 --> 00:09:33,240 Speaker 2: I two eighty five, which if you're from Atlanta, you know, 185 00:09:33,679 --> 00:09:35,040 Speaker 2: and like I'm like, I think I could find a 186 00:09:35,040 --> 00:09:37,400 Speaker 2: spot Atlanta Highway is like, yeah that exists. 187 00:09:38,000 --> 00:09:41,960 Speaker 1: Yeah, it's very southern. A lot of it is very southern. Yes, 188 00:09:42,600 --> 00:09:44,839 Speaker 1: so it's really interesting. We were like, hey, I don't 189 00:09:44,840 --> 00:09:47,439 Speaker 1: know where that is. Oh wow, yeah, why we were. 190 00:09:47,400 --> 00:09:51,560 Speaker 2: Talking about Anie's hometown even we are. But anyway, so 191 00:09:52,000 --> 00:09:55,959 Speaker 2: that's the lake. So she's got us with the very beginning. 192 00:09:55,559 --> 00:09:56,760 Speaker 3: Of like, well, here you go. 193 00:09:57,000 --> 00:10:09,520 Speaker 2: It's some deep things here, and we're jumping into the 194 00:10:09,600 --> 00:10:12,920 Speaker 2: next story called Summer. And in this one we have 195 00:10:13,120 --> 00:10:16,280 Speaker 2: Danielle and her baby Lola, who have come to Grace Lane. 196 00:10:16,280 --> 00:10:20,120 Speaker 2: While her husband Carl was gone with the military, she 197 00:10:20,240 --> 00:10:23,240 Speaker 2: came back and lived in her late grandmother's home. 198 00:10:23,760 --> 00:10:24,120 Speaker 3: Lola. 199 00:10:24,360 --> 00:10:28,080 Speaker 2: Lola, the baby seemed pretty fussy and who didn't mind 200 00:10:28,120 --> 00:10:30,080 Speaker 2: seeing her mom in pain, would laugh when things would 201 00:10:30,120 --> 00:10:32,480 Speaker 2: happen like grabbing our hair, grabbing our earrings, making her 202 00:10:32,480 --> 00:10:37,000 Speaker 2: bleed like so pretty fussy baby. At the same time, 203 00:10:37,440 --> 00:10:40,160 Speaker 2: in this area, she's talking to all her people that 204 00:10:40,240 --> 00:10:43,439 Speaker 2: she knows, and they talk about deaths in the area. 205 00:10:43,600 --> 00:10:47,679 Speaker 2: Seven bodies have been unaccounted for, and the mccormicks an 206 00:10:47,720 --> 00:10:50,840 Speaker 2: old white family with a lot of rumors around that 207 00:10:50,920 --> 00:10:54,040 Speaker 2: area that they are involved in this. So when I 208 00:10:54,040 --> 00:10:59,160 Speaker 2: say old white family, this family is the quintessential owned slaves, 209 00:10:59,360 --> 00:11:03,520 Speaker 2: had money from that era and was not apologetic. So 210 00:11:04,480 --> 00:11:08,200 Speaker 2: that's that. We have Odetta, who is Danielle's older cousin 211 00:11:09,240 --> 00:11:11,720 Speaker 2: who kind of helps her throughout this time and one 212 00:11:11,760 --> 00:11:13,959 Speaker 2: of the only family members that she gets along with. 213 00:11:14,840 --> 00:11:19,560 Speaker 2: And she talks about the swamp leeches, which here's quote 214 00:11:19,559 --> 00:11:22,440 Speaker 2: from that swamp leeches are different. It's just the name 215 00:11:22,440 --> 00:11:24,559 Speaker 2: Mamma used to call them by. You could call them 216 00:11:24,600 --> 00:11:27,959 Speaker 2: lots of things. Mostly people call them demons, I guess. 217 00:11:28,280 --> 00:11:32,360 Speaker 2: So these leeches possess you. And though Danielle doesn't really 218 00:11:32,400 --> 00:11:35,600 Speaker 2: believe her, soon after we find that Lola has been 219 00:11:35,600 --> 00:11:38,640 Speaker 2: possessed to the point like the tail goes that something 220 00:11:38,679 --> 00:11:43,280 Speaker 2: comes to get them. Lola the next day seems weirdly perfect, 221 00:11:43,520 --> 00:11:46,319 Speaker 2: and when she's changing her diaper, a leech comes out 222 00:11:46,520 --> 00:11:48,840 Speaker 2: and she's like, oh my god. So she's screaming and 223 00:11:48,920 --> 00:11:51,960 Speaker 2: like the like of course, all the normal reactions I 224 00:11:51,960 --> 00:11:55,000 Speaker 2: think you would have after seeing that, and Lola becomes 225 00:11:55,040 --> 00:11:58,720 Speaker 2: a whole different baby who adored her mother, or pretends 226 00:11:58,720 --> 00:12:00,960 Speaker 2: to as I'm like, she knows this what normal babies 227 00:12:00,960 --> 00:12:05,800 Speaker 2: should be doing. And Danielle goes to Adetta and Odana's 228 00:12:05,880 --> 00:12:09,880 Speaker 2: uncle to get help, and they are like, they really 229 00:12:09,880 --> 00:12:12,000 Speaker 2: treat this like, eh, it's not a big deal and 230 00:12:12,040 --> 00:12:14,240 Speaker 2: it's not your typical demon possession where they're trying to 231 00:12:14,280 --> 00:12:17,200 Speaker 2: do anything bad. No one knows why. They just stay 232 00:12:17,200 --> 00:12:20,040 Speaker 2: around for maybe a couple of years and that's it, and. 233 00:12:20,000 --> 00:12:20,920 Speaker 3: Then they just leave. 234 00:12:21,280 --> 00:12:22,360 Speaker 4: I thought it was just summer. 235 00:12:23,080 --> 00:12:24,800 Speaker 3: Was it summer? I thought it was a couple of years. 236 00:12:25,080 --> 00:12:29,000 Speaker 1: It could be, but it's summer is when it happens. 237 00:12:27,559 --> 00:12:30,800 Speaker 4: Yeah, but it goes away. 238 00:12:30,720 --> 00:12:33,000 Speaker 2: It goes away, and there's nothing that happens to the baby. 239 00:12:33,120 --> 00:12:36,800 Speaker 2: Lola is fine. The child may never remember, but that 240 00:12:37,000 --> 00:12:39,960 Speaker 2: the entire time, the child will be well behaved, who 241 00:12:40,000 --> 00:12:43,520 Speaker 2: acts like they adore the mother. She even can repeat words, 242 00:12:44,320 --> 00:12:48,040 Speaker 2: so all these different things soon, but you know, Danielle's 243 00:12:48,040 --> 00:12:50,840 Speaker 2: freaking out. She wants a remedy whatever, but the remedy 244 00:12:50,920 --> 00:12:53,120 Speaker 2: is not like anything. She knows about, so she doesn't 245 00:12:53,240 --> 00:12:56,080 Speaker 2: quite know what's in this remedy that the uncle has. 246 00:12:56,840 --> 00:12:58,120 Speaker 3: So Danielle gets. 247 00:12:57,920 --> 00:13:00,720 Speaker 2: It though, and takes it with her, and she debates 248 00:13:00,720 --> 00:13:02,079 Speaker 2: whether or not to give it to her at all. 249 00:13:02,679 --> 00:13:06,040 Speaker 4: So yeah, because it's nice because baby. 250 00:13:07,640 --> 00:13:08,520 Speaker 3: Yeah. 251 00:13:08,559 --> 00:13:12,600 Speaker 2: So du speaks about her own experiences of motherhood and 252 00:13:12,640 --> 00:13:16,319 Speaker 2: it's many challenges, but also opens up to the histories 253 00:13:16,440 --> 00:13:19,320 Speaker 2: of enslaved people and the many who went missing. So 254 00:13:19,400 --> 00:13:20,760 Speaker 2: that is also a theme that we're going to go 255 00:13:20,800 --> 00:13:23,840 Speaker 2: back into in the next story. But just like and 256 00:13:23,880 --> 00:13:26,720 Speaker 2: I think we've had like the historical amounts of people. 257 00:13:27,120 --> 00:13:29,640 Speaker 2: I know a lot of the stories from uh, Mississippi 258 00:13:29,640 --> 00:13:31,520 Speaker 2: and Alabama, and I'm sure there's some in Georgia, but 259 00:13:31,559 --> 00:13:34,720 Speaker 2: for some reason, I hear the Mississippi Alabama versions like 260 00:13:34,880 --> 00:13:38,560 Speaker 2: mass graves of enslaved people who just went missing and 261 00:13:38,600 --> 00:13:42,600 Speaker 2: disappeared that were just covered late Land near like there's 262 00:13:42,720 --> 00:13:45,160 Speaker 2: tales of so that I do know people from. I 263 00:13:45,200 --> 00:13:47,960 Speaker 2: do know things from Atlanta. Yes, from Georgia, late Land 264 00:13:47,960 --> 00:13:51,400 Speaker 2: near like that that the entire area, which was mainly 265 00:13:51,440 --> 00:13:56,280 Speaker 2: like a black community, was flooded and so there's literal homes, 266 00:13:56,840 --> 00:13:59,080 Speaker 2: literal houses under that lake. 267 00:13:59,720 --> 00:14:05,280 Speaker 1: Uh so there's a horror movie about it. I don't think, well, 268 00:14:05,320 --> 00:14:06,719 Speaker 1: I haven't seen it, so I don't know if it's 269 00:14:06,720 --> 00:14:09,520 Speaker 1: any good. But there is a horror movie about it, 270 00:14:09,559 --> 00:14:12,200 Speaker 1: and there is a podcast about it that my friends 271 00:14:12,360 --> 00:14:19,240 Speaker 1: listen to. And it's funny because they pronounced it like 272 00:14:19,600 --> 00:14:23,080 Speaker 1: the meear. They did something interesting with the pronunciation. But yes, 273 00:14:23,840 --> 00:14:25,760 Speaker 1: it has been discussed. 274 00:14:26,400 --> 00:14:27,640 Speaker 3: I think it's a French name, right. 275 00:14:29,160 --> 00:14:31,200 Speaker 4: I always thought it was, but you know. 276 00:14:31,400 --> 00:14:33,560 Speaker 3: It is, so we definitely don't pronounce it right. 277 00:14:33,880 --> 00:14:37,320 Speaker 1: No. That's the funny thing is you know when you're 278 00:14:37,320 --> 00:14:40,560 Speaker 1: from a place and it's not like you're pronouncing it correctly. 279 00:14:40,880 --> 00:14:41,680 Speaker 3: No, we're definitely not. 280 00:14:41,920 --> 00:14:46,320 Speaker 2: But I mean we had that moment we're going to 281 00:14:46,360 --> 00:14:50,880 Speaker 2: talk about your hometown, Dalanago. He says, yeah, though correct pronunciation. 282 00:14:50,920 --> 00:14:52,360 Speaker 2: I was like, I never knew that, and that makes 283 00:14:52,400 --> 00:14:53,040 Speaker 2: a lot of sense. 284 00:14:54,400 --> 00:14:58,800 Speaker 1: Yeah, yeah, but that's just not how we pronounce it. 285 00:14:59,360 --> 00:15:01,480 Speaker 2: But with all all of that, that does come up, 286 00:15:01,600 --> 00:15:03,120 Speaker 2: and I think with something that we need to know 287 00:15:03,200 --> 00:15:09,400 Speaker 2: because do thus use her historical own history as well 288 00:15:09,440 --> 00:15:14,120 Speaker 2: as the area's history of enslavement and the people who've 289 00:15:14,160 --> 00:15:18,960 Speaker 2: been mistreated and abused or ousted throughout her stories and 290 00:15:18,960 --> 00:15:22,440 Speaker 2: though that's not the central theme obviously, that's definitely a theme. 291 00:15:22,480 --> 00:15:24,480 Speaker 2: That's something that needs to be said, that needs to 292 00:15:24,480 --> 00:15:27,720 Speaker 2: be told, and she does a great job in intertwining 293 00:15:27,760 --> 00:15:29,200 Speaker 2: those tales, so very good. 294 00:15:29,200 --> 00:15:31,720 Speaker 3: But yeah, this one is about like what would you do? 295 00:15:32,200 --> 00:15:35,040 Speaker 2: And she talks about her own experiences like b it, man, 296 00:15:35,280 --> 00:15:37,400 Speaker 2: I don't know if that baby you stop crying for 297 00:15:37,440 --> 00:15:39,360 Speaker 2: a minute, I'm not being okay, And it didn't really 298 00:15:39,440 --> 00:15:41,440 Speaker 2: harm them, why not? 299 00:15:42,640 --> 00:15:47,200 Speaker 1: Yeah, And it's also like I think the baby just 300 00:15:48,160 --> 00:15:50,160 Speaker 1: doesn't really need to sleep or eat. 301 00:15:50,560 --> 00:15:54,800 Speaker 2: It's just quiet, like happily staring at the mother and 302 00:15:54,880 --> 00:15:59,240 Speaker 2: just staring. That would unnerve me, just having them staring 303 00:15:59,320 --> 00:16:01,160 Speaker 2: me the whole time, smiling smart. 304 00:16:01,280 --> 00:16:04,560 Speaker 1: Yes, yes, And it was interesting how Odetta and the 305 00:16:04,640 --> 00:16:09,480 Speaker 1: uncle were so it's fine whatever. And at first Danielle 306 00:16:09,520 --> 00:16:12,280 Speaker 1: was so freaked out, but by the end of the day. 307 00:16:12,160 --> 00:16:18,200 Speaker 2: She was like, oh, nap, like she's not fussying, and 308 00:16:18,240 --> 00:16:20,240 Speaker 2: her hair is looking good and she looks like a 309 00:16:20,280 --> 00:16:23,280 Speaker 2: really well behaved baby. As before people would give her 310 00:16:23,360 --> 00:16:25,480 Speaker 2: looks and this then she was getting compliments all of 311 00:16:25,480 --> 00:16:28,240 Speaker 2: a sudden about how great the baby she had, and 312 00:16:28,320 --> 00:16:30,440 Speaker 2: you know that does feed a lot. Like I get 313 00:16:30,520 --> 00:16:33,000 Speaker 2: that because it does feel like like just a person 314 00:16:33,080 --> 00:16:35,920 Speaker 2: as who take care of children and have children as 315 00:16:35,920 --> 00:16:38,320 Speaker 2: a nanny, Like even though it was obvious that they 316 00:16:38,320 --> 00:16:42,240 Speaker 2: weren't mine, Like if they misbehaved, it embarrassed me, and 317 00:16:42,280 --> 00:16:44,200 Speaker 2: I would give them the mom look and they would 318 00:16:44,200 --> 00:16:46,400 Speaker 2: calm down, do not embarrass me. 319 00:16:46,600 --> 00:16:48,760 Speaker 3: So like you understand that level. 320 00:16:48,520 --> 00:16:51,560 Speaker 2: Of like needing that peace because you get judged as 321 00:16:51,880 --> 00:16:54,880 Speaker 2: a mom or a caretaker if the baby is unhappy 322 00:16:55,080 --> 00:16:59,000 Speaker 2: for some god for God forbid, make a loud noise. 323 00:16:58,800 --> 00:17:01,680 Speaker 3: You know, like an understanding moment of like. 324 00:17:01,880 --> 00:17:03,960 Speaker 2: Oh, this is peaceful, if I could just have this. 325 00:17:04,000 --> 00:17:06,159 Speaker 2: Because she also talks about the fact that her husband 326 00:17:06,400 --> 00:17:08,520 Speaker 2: is gone, but when her husband is around, the baby 327 00:17:08,560 --> 00:17:09,280 Speaker 2: is so much better. 328 00:17:09,880 --> 00:17:12,640 Speaker 4: Yeah, she really thinks the baby hates. 329 00:17:12,440 --> 00:17:16,600 Speaker 3: Her and she goes to be postpartum. 330 00:17:17,359 --> 00:17:20,800 Speaker 1: She talks about that a little bit too, but dismisses 331 00:17:20,840 --> 00:17:24,000 Speaker 1: it pretty quick like no way, I'm too strong for that. 332 00:17:24,640 --> 00:17:27,360 Speaker 3: Right, A lot of themes in that short story. It's 333 00:17:27,359 --> 00:17:28,240 Speaker 3: not even that short. 334 00:17:28,760 --> 00:17:31,199 Speaker 2: None of these stories are that short, but definitely, like 335 00:17:31,440 --> 00:17:33,600 Speaker 2: I believe the next one is actually could be qualified 336 00:17:33,640 --> 00:17:36,040 Speaker 2: as a novella, and I think was a novella. 337 00:17:36,240 --> 00:17:37,600 Speaker 4: Yeah, it's it's much longer. 338 00:17:38,000 --> 00:17:40,360 Speaker 3: So this one's a little longer, a little more detailed. 339 00:17:41,000 --> 00:17:43,600 Speaker 2: I will say this one got me like I was 340 00:17:43,680 --> 00:17:46,040 Speaker 2: like seated where I had to be like I can't 341 00:17:46,040 --> 00:17:48,639 Speaker 2: get up yet I have to keep listening. I can't 342 00:17:48,800 --> 00:17:52,080 Speaker 2: do this other thing, so I have to finish the story. 343 00:17:52,640 --> 00:17:53,320 Speaker 3: It was one of those. 344 00:17:53,720 --> 00:17:58,040 Speaker 2: So it is titled Ghost Summer, and we meet Davey Stevens, 345 00:17:58,080 --> 00:17:59,960 Speaker 2: a twelve year old boy whose mom is from God 346 00:18:00,480 --> 00:18:04,640 Speaker 2: and father from the US, Gracetown specifically, his mom had 347 00:18:04,920 --> 00:18:07,840 Speaker 2: decided to go back to Ghana to see her family 348 00:18:07,880 --> 00:18:09,840 Speaker 2: for a few months, while he and his younger sister, 349 00:18:10,040 --> 00:18:14,280 Speaker 2: Nima went with his dad to visit his grandparents in Gracetown. Now, 350 00:18:15,080 --> 00:18:16,600 Speaker 2: yes they went with him, but all of this was 351 00:18:16,680 --> 00:18:20,000 Speaker 2: weird set up in which Davies and Nima had a 352 00:18:20,119 --> 00:18:22,320 Speaker 2: choice of whether or not to go to Ghana with her 353 00:18:22,400 --> 00:18:25,720 Speaker 2: his mom, or go with their father, and they chose 354 00:18:25,760 --> 00:18:27,680 Speaker 2: to go with their father. They had reasons and were 355 00:18:27,680 --> 00:18:30,359 Speaker 2: about to find out the reasons, but it almost looked 356 00:18:30,359 --> 00:18:33,679 Speaker 2: like his mom was hurt that she chose they chose that, 357 00:18:33,880 --> 00:18:36,360 Speaker 2: but she accepted it. And it's like the way that 358 00:18:36,400 --> 00:18:38,879 Speaker 2: they said goodbye was odd. He was just kind of like, 359 00:18:39,040 --> 00:18:41,160 Speaker 2: I honestly expected her to die in a plane crash 360 00:18:41,240 --> 00:18:42,800 Speaker 2: or something. 361 00:18:42,480 --> 00:18:44,520 Speaker 3: Or that she was already a ghost. I thought she was. 362 00:18:44,520 --> 00:18:45,160 Speaker 3: She was our ghost. 363 00:18:45,200 --> 00:18:48,119 Speaker 2: The way it began, yeah, I was like, what's happening? 364 00:18:49,320 --> 00:18:50,840 Speaker 2: But it did not turn that that way. But the 365 00:18:50,840 --> 00:18:53,160 Speaker 2: way it was set up, I was ready for it. Yeah, 366 00:18:53,200 --> 00:18:57,120 Speaker 2: it wasn't, but he was excited. 367 00:18:57,200 --> 00:18:57,360 Speaker 3: Oh. 368 00:18:57,400 --> 00:19:00,200 Speaker 2: His older sister, who was also kind of around, was 369 00:19:00,240 --> 00:19:02,600 Speaker 2: heading to Northwestern for the summer, so she didn't carry 370 00:19:02,600 --> 00:19:03,040 Speaker 2: either way. 371 00:19:04,080 --> 00:19:05,240 Speaker 3: He is excited to go. 372 00:19:05,280 --> 00:19:08,840 Speaker 2: Not because it was fun, because there were ghosts and 373 00:19:08,880 --> 00:19:11,119 Speaker 2: he wanted to be able to record and prove the 374 00:19:11,160 --> 00:19:15,919 Speaker 2: existence of ghosts. And so during this time, it turns 375 00:19:15,920 --> 00:19:21,560 Speaker 2: out everybody, any child that is under twelve can see ghosts, 376 00:19:21,640 --> 00:19:24,840 Speaker 2: but after that age you no longer see them. And 377 00:19:24,920 --> 00:19:27,280 Speaker 2: so his sister, his older sister, even talks about it. 378 00:19:27,400 --> 00:19:29,240 Speaker 2: She had seen them as well, and she knew what 379 00:19:29,240 --> 00:19:33,160 Speaker 2: he was talking about, and she believed him. Other adults 380 00:19:33,359 --> 00:19:36,960 Speaker 2: oftentimes would believe him as well, not necessarily the grandmother. 381 00:19:37,080 --> 00:19:38,960 Speaker 2: The grandmother didn't remember anything. I don't think she was 382 00:19:38,960 --> 00:19:42,399 Speaker 2: actually from there. I can't remember. His grandfather was and 383 00:19:42,440 --> 00:19:45,080 Speaker 2: grandfather wanted to leave and run away, and then they 384 00:19:45,080 --> 00:19:46,760 Speaker 2: did for a while, but then came back. I think 385 00:19:46,760 --> 00:19:49,159 Speaker 2: they went to Miami and came back. His father was 386 00:19:49,200 --> 00:19:52,600 Speaker 2: not there during his childhood. They had left and because 387 00:19:52,600 --> 00:19:55,639 Speaker 2: the grandfather refused to be there with him, So this 388 00:19:55,680 --> 00:19:58,119 Speaker 2: is kind of that setup. But when they retired, they 389 00:19:58,119 --> 00:20:01,119 Speaker 2: decided they wanted more land, more space, like all that, 390 00:20:01,160 --> 00:20:02,280 Speaker 2: and came back to Graystown. 391 00:20:03,160 --> 00:20:04,200 Speaker 3: So all that. 392 00:20:04,600 --> 00:20:07,480 Speaker 2: However, at Gracetown he discovered that his mother and grandfather 393 00:20:07,560 --> 00:20:10,800 Speaker 2: were possibly separating. He says the D word as a divorce, 394 00:20:11,160 --> 00:20:13,320 Speaker 2: and that he and his sister maybe moving to Ghana. 395 00:20:14,160 --> 00:20:16,479 Speaker 2: But soon he was distracted by the ghosts. So all 396 00:20:16,560 --> 00:20:19,280 Speaker 2: these overlaying traumpas were happening. He was both excited about 397 00:20:19,280 --> 00:20:21,480 Speaker 2: ghosts and then scared about the ghosts, but also hearing 398 00:20:21,520 --> 00:20:24,240 Speaker 2: about the divorce that's happening at his father breaking down 399 00:20:24,760 --> 00:20:27,680 Speaker 2: and possibly losing the children. All those things were happening. 400 00:20:27,720 --> 00:20:30,400 Speaker 2: At the same time. He had ran into three young 401 00:20:30,440 --> 00:20:32,960 Speaker 2: boys in the woods and it looked like they were 402 00:20:33,000 --> 00:20:35,520 Speaker 2: burying their dog, so he tried to He got the 403 00:20:35,520 --> 00:20:38,520 Speaker 2: attention of the youngest one, but they didn't react much. 404 00:20:38,560 --> 00:20:41,000 Speaker 2: He just kind of looked and looked away. So after 405 00:20:41,040 --> 00:20:42,520 Speaker 2: that he was like, you know what, I'm gonna go. 406 00:20:42,640 --> 00:20:45,200 Speaker 2: I'm gonna go, So he leaves. Soon after, he heard 407 00:20:45,200 --> 00:20:48,280 Speaker 2: what sounded like a dog sniffing at his doorway. So 408 00:20:48,320 --> 00:20:50,000 Speaker 2: bedtime has happened. He's in bed and all of a 409 00:20:50,000 --> 00:20:53,320 Speaker 2: sudden he's hearing dogs sniffing at the door. In fear, 410 00:20:53,359 --> 00:20:56,320 Speaker 2: he tried to stay quiet, but the next day he realized, oh, 411 00:20:56,359 --> 00:20:58,359 Speaker 2: I missed my chance. So he decided he needed to 412 00:20:58,880 --> 00:21:03,280 Speaker 2: see and prepare himself with dog biscuits and flashlights and 413 00:21:03,400 --> 00:21:06,040 Speaker 2: video recorders and other recorders and all that stuff, so 414 00:21:06,080 --> 00:21:08,679 Speaker 2: he was ready. He was on the ghost hunt. He 415 00:21:08,800 --> 00:21:11,640 Speaker 2: decided to stay up in the living room. But during 416 00:21:11,880 --> 00:21:15,080 Speaker 2: all of this, Niema decided she wanted to join as well, 417 00:21:15,160 --> 00:21:17,400 Speaker 2: so he let her and she did a pretty good job. 418 00:21:17,400 --> 00:21:19,280 Speaker 2: At first, she was whiny, but then soon she was 419 00:21:19,520 --> 00:21:22,800 Speaker 2: into it. That night, not only did they hear the dog, 420 00:21:23,119 --> 00:21:25,199 Speaker 2: but they also saw three young boys walking through the 421 00:21:25,240 --> 00:21:29,160 Speaker 2: waters away from dog. The dog they felt the water 422 00:21:30,359 --> 00:21:32,520 Speaker 2: that night, they felt the dogs heard the boys and 423 00:21:32,600 --> 00:21:35,000 Speaker 2: tried to follow them, and Davy was able to capture 424 00:21:35,040 --> 00:21:38,399 Speaker 2: an image through a doorway. All the while, we find 425 00:21:38,400 --> 00:21:41,399 Speaker 2: out that there's a redevelopment near the McCormick land. So 426 00:21:41,440 --> 00:21:43,720 Speaker 2: the mccormicks are back. This is the white family that 427 00:21:43,800 --> 00:21:47,600 Speaker 2: had had slaves on their land and would not admit 428 00:21:47,640 --> 00:21:51,680 Speaker 2: they did anything wrong. But grandma, his grandma is against 429 00:21:51,760 --> 00:21:53,840 Speaker 2: us and have attended the meetings to try to stop 430 00:21:53,840 --> 00:21:57,120 Speaker 2: this redevelopment. We learned that there was a dark history 431 00:21:57,119 --> 00:22:00,640 Speaker 2: of the land and that is why conversations bodies being 432 00:22:00,680 --> 00:22:03,280 Speaker 2: missing and buried in this area has been around for 433 00:22:03,320 --> 00:22:06,680 Speaker 2: a while, and during a faithful visit to the library, 434 00:22:06,760 --> 00:22:10,040 Speaker 2: Davy discovers the history of what was happening. Three young 435 00:22:10,040 --> 00:22:12,959 Speaker 2: boys had gone missing, and many blamed that on the mccormicks. 436 00:22:13,240 --> 00:22:16,000 Speaker 2: The young boy's father, Isaiah Timmins, a black man who 437 00:22:16,080 --> 00:22:19,439 Speaker 2: was somewhat successful in the area and had dreams of 438 00:22:19,560 --> 00:22:22,200 Speaker 2: leaving Gracetown and being with his brother in New York 439 00:22:22,240 --> 00:22:25,600 Speaker 2: with his family. So because he was somewhat successful and 440 00:22:25,640 --> 00:22:28,000 Speaker 2: I don't mean really successful, he was able to work 441 00:22:28,040 --> 00:22:30,080 Speaker 2: and get money and save some money and have land, 442 00:22:30,600 --> 00:22:34,439 Speaker 2: and that was successful to them. Many of the white people, 443 00:22:34,520 --> 00:22:37,320 Speaker 2: including the mccormicks, really hated him and took advantage of him, 444 00:22:38,040 --> 00:22:40,480 Speaker 2: like wouldn't pay for things wouldn't pay for his services, 445 00:22:40,520 --> 00:22:45,760 Speaker 2: would like all those things. But soon there was a 446 00:22:45,800 --> 00:22:49,240 Speaker 2: fire that took Timmins's barn. So there was a barn fire. 447 00:22:50,080 --> 00:22:53,639 Speaker 2: Timmins decided they needed to leave immediately. Isaiah was sure 448 00:22:53,720 --> 00:22:56,080 Speaker 2: it was McCormick who had done this out of spite 449 00:22:56,119 --> 00:22:58,560 Speaker 2: and racism and hate, and he just wanted to get 450 00:22:58,560 --> 00:23:00,840 Speaker 2: his family out for safety. He was like, I'm so 451 00:23:00,880 --> 00:23:03,679 Speaker 2: grateful that no one got hurt, but this is a warning. 452 00:23:03,720 --> 00:23:04,879 Speaker 3: This is a warning we have to go. 453 00:23:05,040 --> 00:23:07,240 Speaker 2: And as they were preparing to go, the three boys 454 00:23:07,280 --> 00:23:10,520 Speaker 2: disappeared without a trace, which ended with the murder of 455 00:23:10,640 --> 00:23:14,000 Speaker 2: Isaiah and his appearance and a murder of a lot 456 00:23:14,040 --> 00:23:17,359 Speaker 2: of black men in the area because he had, in 457 00:23:17,400 --> 00:23:20,760 Speaker 2: his fit of trying to find the boys, he had 458 00:23:21,119 --> 00:23:24,879 Speaker 2: pointed a gun at McCormick, and that enough was a 459 00:23:24,920 --> 00:23:27,640 Speaker 2: death sentence for him and other men other black men 460 00:23:27,680 --> 00:23:31,560 Speaker 2: in that area. So Essie, Isaiah's wife, is in mourning 461 00:23:31,600 --> 00:23:34,119 Speaker 2: and she stays behind to try to search for the boys, 462 00:23:34,160 --> 00:23:36,040 Speaker 2: and during the time she also has a young daughter 463 00:23:36,080 --> 00:23:37,800 Speaker 2: with her, but like the young daughter kind of get 464 00:23:37,880 --> 00:23:41,840 Speaker 2: cast aside because she is in such mourning and trying 465 00:23:41,880 --> 00:23:45,040 Speaker 2: to find the boys. So that's the story of the 466 00:23:45,040 --> 00:23:48,640 Speaker 2: Timmins kids. At the beginning of the story, we find 467 00:23:48,720 --> 00:23:51,359 Speaker 2: out that where his grandparents' house was, it was a 468 00:23:51,400 --> 00:23:54,280 Speaker 2: swamp area, so that's why the water comes into play, 469 00:23:54,320 --> 00:23:57,639 Speaker 2: and that's why they fill it. So with that his 470 00:23:57,800 --> 00:24:02,080 Speaker 2: time with his grandfather and and father, they proceeded to 471 00:24:02,320 --> 00:24:04,880 Speaker 2: do their hunt. The waters returned and the boys and 472 00:24:04,920 --> 00:24:08,879 Speaker 2: the dogs. However, once again the older men the adults 473 00:24:08,920 --> 00:24:10,720 Speaker 2: could not see or feel any of this. It was 474 00:24:10,760 --> 00:24:13,800 Speaker 2: just Nima and Davy explaining what was happening. As they 475 00:24:13,800 --> 00:24:17,240 Speaker 2: were going about during their hunt, they hear a horrible 476 00:24:17,280 --> 00:24:20,000 Speaker 2: streak and stop the search, to the point that all 477 00:24:20,040 --> 00:24:23,840 Speaker 2: of them the that Neimo got very scared and so 478 00:24:23,880 --> 00:24:26,439 Speaker 2: they stopped as well as Davey obviously, but Nimo was 479 00:24:26,480 --> 00:24:31,040 Speaker 2: the focus point. So the next day, even though Grandma 480 00:24:31,200 --> 00:24:33,639 Speaker 2: wasn't happy, they talked to her into allowing them to 481 00:24:33,680 --> 00:24:35,960 Speaker 2: have another hunt. So she was like, you know what, 482 00:24:35,960 --> 00:24:37,720 Speaker 2: if you're gonna do this, I'm gonna give you more supplies, 483 00:24:37,720 --> 00:24:40,480 Speaker 2: including a rain jacket and a more powerful light. She's like, 484 00:24:40,480 --> 00:24:42,600 Speaker 2: if you're gonna do this, you're gonna have stacks they had. 485 00:24:43,520 --> 00:24:46,960 Speaker 2: I'm like, yes, Grandma prepped them up. That night, the 486 00:24:47,000 --> 00:24:50,200 Speaker 2: four went searching again. This time the noise and the 487 00:24:50,240 --> 00:24:52,720 Speaker 2: shouts and things were so loud that the windows in 488 00:24:52,760 --> 00:24:53,920 Speaker 2: the house cracked, two of them. 489 00:24:53,960 --> 00:24:55,080 Speaker 3: Grandpa was not happy. 490 00:24:55,240 --> 00:24:57,600 Speaker 2: He didn't hear anything, but saw obviously as a window cracking, 491 00:24:57,600 --> 00:24:59,600 Speaker 2: and he was like, what are you doing, like yelling 492 00:24:59,600 --> 00:25:04,040 Speaker 2: at the quite funny almost and Grandpa was like, I'm 493 00:25:04,080 --> 00:25:07,080 Speaker 2: done because at this point, the ghosts and the dog 494 00:25:07,160 --> 00:25:09,920 Speaker 2: there's a dog in this whole thing, have gone outside 495 00:25:09,960 --> 00:25:12,080 Speaker 2: of the house, and he says, I'm not leaving. I'm 496 00:25:12,080 --> 00:25:15,360 Speaker 2: gonna sit here. Y'all do your thing. So Dad agreed, 497 00:25:15,400 --> 00:25:17,879 Speaker 2: which was very surprising for Davy to go and follow 498 00:25:17,920 --> 00:25:22,200 Speaker 2: them into the woods and they go together. Nima, Davy 499 00:25:22,280 --> 00:25:24,199 Speaker 2: and the Dad go into the woods. And at this 500 00:25:24,280 --> 00:25:26,720 Speaker 2: point we know that the barn fire from years ago 501 00:25:26,960 --> 00:25:29,840 Speaker 2: actually wasn't because of the mccormicks. No, we learned that 502 00:25:29,960 --> 00:25:32,320 Speaker 2: it was an accident that the three young boys had 503 00:25:32,359 --> 00:25:35,040 Speaker 2: caused while they were cooking and having a fire up 504 00:25:35,080 --> 00:25:38,840 Speaker 2: a food fire. They were afraid to admit it and 505 00:25:38,840 --> 00:25:40,919 Speaker 2: thought it would be better for Dad to believe it 506 00:25:41,040 --> 00:25:42,399 Speaker 2: was the white man, you know, like, you know what, 507 00:25:42,400 --> 00:25:44,320 Speaker 2: We're gonna let them be blamed. They probably would have 508 00:25:44,320 --> 00:25:46,840 Speaker 2: done it anyway, so we're gonna go ahead and say, yeah, sure. 509 00:25:47,200 --> 00:25:48,760 Speaker 2: But when they found out they would be leaving the 510 00:25:48,800 --> 00:25:51,639 Speaker 2: next day, the oldest one wanted to say goodbye to 511 00:25:51,720 --> 00:25:54,119 Speaker 2: his girl. So we have this conversation about him, like 512 00:25:54,200 --> 00:25:56,040 Speaker 2: need to say bye, it's his girl, you know, all 513 00:25:56,080 --> 00:25:58,240 Speaker 2: these things. So he snuck out with the other two 514 00:25:58,240 --> 00:26:01,879 Speaker 2: who had begged to come with him that night. Unfortunately, 515 00:26:01,960 --> 00:26:04,680 Speaker 2: they had to cross McCormick land, which was guarded by 516 00:26:04,840 --> 00:26:08,359 Speaker 2: McCormick's German shepherd, and soon the boys ended up being 517 00:26:08,440 --> 00:26:12,000 Speaker 2: chased by this very giant, mean dog, who they said 518 00:26:12,040 --> 00:26:16,200 Speaker 2: the mccormicks had trained to hate black people. So as Davy, 519 00:26:16,359 --> 00:26:19,320 Speaker 2: his father, and Nima followed the ghosts, they realized that 520 00:26:19,400 --> 00:26:21,560 Speaker 2: they too were being followed by this dog. They were 521 00:26:21,560 --> 00:26:25,080 Speaker 2: being now hunted by this dog. Nima is bitten by 522 00:26:25,080 --> 00:26:28,159 Speaker 2: the invisible dog, and slowly their father, who was not 523 00:26:28,200 --> 00:26:30,600 Speaker 2: able to who has never heard of these ghosts, or 524 00:26:30,600 --> 00:26:32,359 Speaker 2: had never heard or seen these ghosts, all of a 525 00:26:32,400 --> 00:26:35,240 Speaker 2: sudden can hear them as well, and he can hear 526 00:26:35,280 --> 00:26:38,240 Speaker 2: the dog. He's freaking out, He's like, what is going on? 527 00:26:38,480 --> 00:26:40,480 Speaker 2: And he can fill the waters for the first time, 528 00:26:41,280 --> 00:26:43,679 Speaker 2: and as they tried to escape, the dog going the 529 00:26:43,720 --> 00:26:47,280 Speaker 2: same direction as the three young boys the ghosts, Davy 530 00:26:47,400 --> 00:26:50,159 Speaker 2: is attacked as well. Dad attacks the dog with a 531 00:26:50,200 --> 00:26:52,880 Speaker 2: shovel and they try to escape. Davy then falls into 532 00:26:52,920 --> 00:26:56,040 Speaker 2: a giant hole which but is saved by roots that 533 00:26:56,400 --> 00:26:58,520 Speaker 2: his jacket gets caught on. And this hole was from 534 00:26:58,520 --> 00:27:00,760 Speaker 2: like an older building that had caved in a long 535 00:27:00,800 --> 00:27:04,080 Speaker 2: time ago. Their Davy c's three sets of eyes at 536 00:27:04,080 --> 00:27:07,879 Speaker 2: the bottom of the darkness in that hole, just staring 537 00:27:08,000 --> 00:27:10,480 Speaker 2: back at him. His Dad was able to get him 538 00:27:10,520 --> 00:27:13,159 Speaker 2: out of that hole, thank goodness. And then they were 539 00:27:13,200 --> 00:27:15,840 Speaker 2: still running away from that dog, so they ran to 540 00:27:15,880 --> 00:27:16,800 Speaker 2: a nearby. 541 00:27:16,440 --> 00:27:17,960 Speaker 3: Barn and locked the doors. 542 00:27:18,480 --> 00:27:20,960 Speaker 2: So the next day they are found by rescue crew 543 00:27:21,080 --> 00:27:24,440 Speaker 2: and they tell everybody what they discovered, including Davy saying, 544 00:27:24,480 --> 00:27:26,199 Speaker 2: I know where the boys are and I know what 545 00:27:26,320 --> 00:27:30,600 Speaker 2: happened to them. A crew came and dug up the 546 00:27:30,640 --> 00:27:33,840 Speaker 2: hole where they found the bodies of the three boys, 547 00:27:33,920 --> 00:27:37,160 Speaker 2: a mystery that had finally been solved. The boy's sister, 548 00:27:37,440 --> 00:27:40,040 Speaker 2: who had stayed to get justice, watched as they pulled 549 00:27:40,040 --> 00:27:42,800 Speaker 2: out the remains and as Davy is leaving because they 550 00:27:42,840 --> 00:27:45,520 Speaker 2: had come back to witness this the digging. They all 551 00:27:45,520 --> 00:28:11,119 Speaker 2: give him a standing ovation for his heroism. 552 00:27:59,600 --> 00:28:06,240 Speaker 1: And this one do has a real interesting connection to 553 00:28:07,480 --> 00:28:10,239 Speaker 1: she said, this story and the previous one Summer are 554 00:28:10,280 --> 00:28:14,040 Speaker 1: a kind of odd prophecy. In twenty thirteen, I received 555 00:28:14,080 --> 00:28:17,000 Speaker 1: a call from the Florida Attorney General's Office informing me 556 00:28:17,080 --> 00:28:20,720 Speaker 1: that my late mother, Patricia Stevens Dew, had an uncle, 557 00:28:20,840 --> 00:28:24,520 Speaker 1: Robert Stevens, who probably was among dozens of children buried 558 00:28:24,520 --> 00:28:27,119 Speaker 1: on the grounds of the Doziers School for Boys, a 559 00:28:27,240 --> 00:28:30,720 Speaker 1: reform school in Marianna, Florida, where boys were tortured and 560 00:28:30,840 --> 00:28:34,240 Speaker 1: killed for generations. I had never heard of the Dozier 561 00:28:34,280 --> 00:28:37,840 Speaker 1: School buried children or Robert Stevens, my great uncle, who 562 00:28:37,880 --> 00:28:41,160 Speaker 1: died there in nineteen thirty seven at fifteen. But months 563 00:28:41,240 --> 00:28:43,720 Speaker 1: later my father, husband, son and I would go to 564 00:28:43,760 --> 00:28:47,160 Speaker 1: the excavation site in the woods in Marianna, where University 565 00:28:47,160 --> 00:28:50,240 Speaker 1: of South Florida researchers sifted through the soil in search 566 00:28:50,280 --> 00:28:53,320 Speaker 1: of bones, just like I had written in Ghost Summer 567 00:28:53,480 --> 00:28:54,680 Speaker 1: five years earlier. 568 00:28:55,320 --> 00:28:59,840 Speaker 2: Right, that's such an interesting and interesting like what, yeah, 569 00:29:00,160 --> 00:29:03,800 Speaker 2: this was so personal to her, but she'd written this beforehand, 570 00:29:05,200 --> 00:29:08,680 Speaker 2: Like wow, and then that takes place in Florida. Yeah, 571 00:29:08,760 --> 00:29:12,200 Speaker 2: this should be too shocking, but yeah, that whole story 572 00:29:12,600 --> 00:29:16,200 Speaker 2: was intense, and I was also like what happened in 573 00:29:16,280 --> 00:29:17,920 Speaker 2: trying to figure out a lot of it, Like I said, 574 00:29:18,040 --> 00:29:19,440 Speaker 2: was like, is this the ghost? 575 00:29:19,840 --> 00:29:20,080 Speaker 3: Is this? 576 00:29:20,120 --> 00:29:23,080 Speaker 2: Because like there's a bit where Nima is sleeping in 577 00:29:23,080 --> 00:29:25,560 Speaker 2: a room with all these old dolls by the way, 578 00:29:25,640 --> 00:29:28,640 Speaker 2: hele no, hell no, I would never. I would never, 579 00:29:29,800 --> 00:29:32,360 Speaker 2: and thinking that they may be coming to life or whatever. 580 00:29:32,440 --> 00:29:34,160 Speaker 2: So I thought maybe that was a point of the story. 581 00:29:34,280 --> 00:29:36,560 Speaker 3: Nope, that was not. That was literally like just a 582 00:29:37,760 --> 00:29:38,880 Speaker 3: like distraction. 583 00:29:39,320 --> 00:29:43,440 Speaker 1: A red hair it was. Yeah, And also we should 584 00:29:43,480 --> 00:29:47,560 Speaker 1: mention the dad. Davy's dad is a producer film producer, 585 00:29:47,840 --> 00:29:51,200 Speaker 1: and he was documenting all of this and planning on 586 00:29:51,280 --> 00:29:53,920 Speaker 1: making it into a documentary. And so at the end 587 00:29:54,000 --> 00:29:57,160 Speaker 1: he's like, now, if we make this, I can go 588 00:29:57,280 --> 00:30:02,640 Speaker 1: to Ghana with y'all. Maybe we can you and me 589 00:30:02,720 --> 00:30:04,760 Speaker 1: and your mom can repair a relationships. 590 00:30:04,800 --> 00:30:08,040 Speaker 2: So right, so he does not want to get divorced, 591 00:30:08,080 --> 00:30:10,320 Speaker 2: but the mom has been alone so often. 592 00:30:10,880 --> 00:30:13,280 Speaker 3: Yeah, she was weren't kih so much with that. 593 00:30:13,240 --> 00:30:15,800 Speaker 2: Documentary and he's not like they made made sure we 594 00:30:15,840 --> 00:30:20,080 Speaker 2: knew he wasn't making money, it was just minimal. So 595 00:30:20,160 --> 00:30:23,440 Speaker 2: this if he could sell this story well, which he 596 00:30:23,560 --> 00:30:26,280 Speaker 2: was doing, and he's like he said, us, me and you, 597 00:30:26,400 --> 00:30:28,720 Speaker 2: Davy and Davy, who had been trying to do some 598 00:30:28,880 --> 00:30:31,560 Speaker 2: type of documentary, could be together. 599 00:30:31,680 --> 00:30:33,000 Speaker 3: So oh. 600 00:30:33,160 --> 00:30:34,640 Speaker 2: And it talks about how he had to grow up 601 00:30:34,680 --> 00:30:37,760 Speaker 2: so quick just to learn about this history and seeing 602 00:30:37,800 --> 00:30:42,760 Speaker 2: this conversation and that he did really like unravel a 603 00:30:42,880 --> 00:30:47,160 Speaker 2: huge burden that had been over the town. 604 00:30:47,680 --> 00:30:49,200 Speaker 3: But it was such a sad tale. 605 00:30:49,760 --> 00:30:53,640 Speaker 4: It was very sad, and and it. 606 00:30:52,480 --> 00:30:55,800 Speaker 1: Also relates, yes, back to I think in the past 607 00:30:55,800 --> 00:30:59,880 Speaker 1: two stories we've discussed, they mentioned the finding of the bodies, right, 608 00:31:00,320 --> 00:31:04,200 Speaker 1: and so this is sort of the not necessarily resolution 609 00:31:04,280 --> 00:31:06,200 Speaker 1: to that, but a resolution to part of that. 610 00:31:06,640 --> 00:31:09,160 Speaker 2: Right, Why there was soondy So the explanation of so 611 00:31:09,240 --> 00:31:13,320 Speaker 2: many bodies were that when essentially they called it a 612 00:31:13,400 --> 00:31:16,280 Speaker 2: riot because the black men were trying to search for 613 00:31:16,320 --> 00:31:18,880 Speaker 2: these boys and then they all got murdered by the 614 00:31:18,880 --> 00:31:24,120 Speaker 2: white men daring to ask questions. Yeah, and that's where 615 00:31:24,120 --> 00:31:24,760 Speaker 2: they were buried. 616 00:31:25,360 --> 00:31:26,880 Speaker 4: Yeah. 617 00:31:27,000 --> 00:31:30,640 Speaker 1: It was really sad, and it's you know, so like 618 00:31:30,720 --> 00:31:33,680 Speaker 1: it was told. She does such a great job at 619 00:31:33,720 --> 00:31:37,600 Speaker 1: writing from the perspective of a child, which happens a 620 00:31:37,640 --> 00:31:41,719 Speaker 1: couple of times throughout, and it was really sad when 621 00:31:41,760 --> 00:31:44,320 Speaker 1: you're reading from the three boys and you, as the reader, 622 00:31:44,440 --> 00:31:47,000 Speaker 1: know something bad happens to them. 623 00:31:47,040 --> 00:31:48,760 Speaker 4: You're not quite sure what it is yet. 624 00:31:48,560 --> 00:31:51,320 Speaker 3: You don't know why he disappeared, but. 625 00:31:50,560 --> 00:31:53,160 Speaker 1: But you're reading their kind of perspective, and when it's 626 00:31:53,240 --> 00:31:57,600 Speaker 1: just such an innocent like they started to fire like cooking, 627 00:31:58,560 --> 00:32:01,120 Speaker 1: but they don't want to in trouble, so they don't 628 00:32:01,120 --> 00:32:04,040 Speaker 1: say anything, right, it's just so sad. 629 00:32:03,560 --> 00:32:05,880 Speaker 2: And had they known how that would end, they probably 630 00:32:05,920 --> 00:32:07,160 Speaker 2: would have rather told the truth. 631 00:32:07,880 --> 00:32:10,479 Speaker 3: Yeah, but they probably would have tried to still leave. 632 00:32:10,960 --> 00:32:13,440 Speaker 4: But but yeah, exactly, that's what they would have. 633 00:32:13,280 --> 00:32:15,040 Speaker 3: Gone through all of that so quickly. 634 00:32:15,120 --> 00:32:16,840 Speaker 2: And then there was a bit that I did leave 635 00:32:16,840 --> 00:32:19,400 Speaker 2: out that does haunt me, because this story will haunt me, 636 00:32:19,480 --> 00:32:21,280 Speaker 2: like I will have memories of this story for a while. 637 00:32:21,280 --> 00:32:24,960 Speaker 2: But the mom searching for her son, and at one 638 00:32:25,000 --> 00:32:27,560 Speaker 2: point that she did search in that area, she just 639 00:32:27,600 --> 00:32:31,440 Speaker 2: didn't know and they think the uh. They talked about 640 00:32:31,440 --> 00:32:34,720 Speaker 2: how each one died slowly in that hole, and I 641 00:32:34,720 --> 00:32:38,400 Speaker 2: was like, that's unnecessary, dude, that was unnecessary. 642 00:32:39,240 --> 00:32:41,240 Speaker 3: I break their neck. Don't do this to me. 643 00:32:41,840 --> 00:32:44,680 Speaker 1: I love it the top. She there's a forward by 644 00:32:44,680 --> 00:32:46,800 Speaker 1: a friend of hers and it's like, she's such a 645 00:32:46,800 --> 00:32:49,000 Speaker 1: lovely woman and she's so happy. 646 00:32:48,760 --> 00:32:51,400 Speaker 4: So did I read her work? And I'm like, oh, 647 00:32:51,600 --> 00:32:53,360 Speaker 4: she's got a dark side. 648 00:32:54,640 --> 00:32:57,120 Speaker 2: I think all that she's like, she's so kind and 649 00:32:57,160 --> 00:33:03,200 Speaker 2: then but but yeah, so it is a compelling story 650 00:33:03,600 --> 00:33:05,280 Speaker 2: and again very haunting. It. 651 00:33:05,800 --> 00:33:09,400 Speaker 1: It freaked me out, like the just the the way 652 00:33:09,480 --> 00:33:12,440 Speaker 1: the imagery unfolds, of like feeling the water and it's 653 00:33:12,480 --> 00:33:16,560 Speaker 1: going up and rising and the dog is barking loudly. 654 00:33:16,720 --> 00:33:19,480 Speaker 2: The young man and Davy being like I can't, I can, 655 00:33:19,560 --> 00:33:22,560 Speaker 2: I can. My head is like almost like my neck 656 00:33:22,800 --> 00:33:25,520 Speaker 2: is in the water. I can't do this much longer, 657 00:33:25,560 --> 00:33:30,840 Speaker 2: like it was the whole thing. Yes, so there's that one, 658 00:33:30,960 --> 00:33:33,080 Speaker 2: and I say, you can find that as a novella somewhere. 659 00:33:33,560 --> 00:33:36,160 Speaker 2: M m. But you should definitely buy this. Oh, by 660 00:33:36,160 --> 00:33:38,320 Speaker 2: the way, I also checked it out to the library. 661 00:33:39,160 --> 00:33:43,000 Speaker 1: Oh and this story was a great a great, like 662 00:33:43,240 --> 00:33:45,640 Speaker 1: oh to librarians, because that library. 663 00:33:47,480 --> 00:33:51,400 Speaker 2: She's like, maybe it's Maybell, right, but yeah, so you 664 00:33:51,600 --> 00:33:53,640 Speaker 2: I found this at our local library, So I'm sure 665 00:33:53,640 --> 00:33:55,480 Speaker 2: you can find this if you want to go read 666 00:33:55,520 --> 00:33:59,440 Speaker 2: this you should, yes, And the next story we kind 667 00:33:59,440 --> 00:34:01,720 Speaker 2: of would alluded to a few times. It's called Free 668 00:34:01,800 --> 00:34:08,360 Speaker 2: Jim's Mind and literally talks about how it's based in Delanaga, Georgia, 669 00:34:08,440 --> 00:34:10,880 Speaker 2: which you have probably hard us talk about because Annie 670 00:34:10,920 --> 00:34:14,960 Speaker 2: is from Delanica, Georgia. We meet Lottie along with her husband, 671 00:34:15,000 --> 00:34:17,239 Speaker 2: trying to escape, so this is during the times of 672 00:34:17,320 --> 00:34:20,120 Speaker 2: enslavement here in the US. She had been enslaved and 673 00:34:20,200 --> 00:34:22,279 Speaker 2: was pregnant and she knew she had to escape in 674 00:34:22,360 --> 00:34:25,479 Speaker 2: order to save her baby. Like the dude who owned 675 00:34:25,480 --> 00:34:29,279 Speaker 2: her essentially said I'm gonna kill your baby. She ran 676 00:34:29,320 --> 00:34:31,600 Speaker 2: to find her uncle, who had been freed and had 677 00:34:31,680 --> 00:34:35,360 Speaker 2: owned a mine. She had hoped he would help her escape, 678 00:34:35,520 --> 00:34:38,640 Speaker 2: like he tried to actually buy her previously. They refused, 679 00:34:38,840 --> 00:34:42,080 Speaker 2: but she knew that he her he wanted to help her, 680 00:34:43,160 --> 00:34:46,759 Speaker 2: or so she thought he had bought a powerful luck 681 00:34:46,960 --> 00:34:49,880 Speaker 2: pouch that may have helped him be freed, so it 682 00:34:49,920 --> 00:34:53,560 Speaker 2: says Mojo powerful Mojo. Soon they found him, but he 683 00:34:53,600 --> 00:34:56,080 Speaker 2: was unhappy, saying he could not help her and that 684 00:34:56,160 --> 00:34:59,120 Speaker 2: she doomed herself. And William, which who is her husband 685 00:34:59,640 --> 00:35:02,520 Speaker 2: who is younger than him, and also I believe Native American, 686 00:35:03,239 --> 00:35:06,239 Speaker 2: but they had been ousted at the same time, so obviously, 687 00:35:06,719 --> 00:35:11,400 Speaker 2: but Jim did hide them in his minds after like 688 00:35:11,400 --> 00:35:13,920 Speaker 2: a whole back and forth of exchange about how they 689 00:35:13,920 --> 00:35:16,680 Speaker 2: were fools and they were not doing this ridiculous thing 690 00:35:16,840 --> 00:35:20,239 Speaker 2: and that his luck came with a cost, and like 691 00:35:20,320 --> 00:35:23,200 Speaker 2: it wasn't a good thing, like all these things, saying, 692 00:35:24,160 --> 00:35:25,920 Speaker 2: you know, you were fools. But he takes them down 693 00:35:25,920 --> 00:35:27,200 Speaker 2: to the mines. It's like you have to sleep in 694 00:35:27,200 --> 00:35:29,279 Speaker 2: here for a while, and that he would be back 695 00:35:29,280 --> 00:35:31,239 Speaker 2: for them the next day with a wagon and some 696 00:35:31,320 --> 00:35:34,680 Speaker 2: money and some food is in them on But in 697 00:35:34,719 --> 00:35:38,920 Speaker 2: this minds there are creatures, lots of different things, maybe coyotes, 698 00:35:39,000 --> 00:35:42,160 Speaker 2: but there's one big creature that William sees immediately, and 699 00:35:42,160 --> 00:35:45,439 Speaker 2: it is a giant frog like creature that has been 700 00:35:45,560 --> 00:35:51,120 Speaker 2: of like legacy to the Native Americans, Kadawa Lassie William 701 00:35:51,640 --> 00:35:53,160 Speaker 2: saying that he has to be a man, he has 702 00:35:53,200 --> 00:35:55,960 Speaker 2: to protect his family and that those who in the 703 00:35:56,040 --> 00:35:58,919 Speaker 2: story there's a warrior who kills it and conquers and 704 00:35:58,960 --> 00:36:02,799 Speaker 2: like helps his his women and families, And he says, 705 00:36:02,840 --> 00:36:05,640 Speaker 2: I've got to do this. So he tries to fight it, 706 00:36:05,960 --> 00:36:10,120 Speaker 2: but all of a sudden he's gone. He disappears. Lottie 707 00:36:10,320 --> 00:36:14,640 Speaker 2: filling alone, hoping that he will come back, counting counting 708 00:36:14,640 --> 00:36:16,520 Speaker 2: how long he can hold his breath and thinking that 709 00:36:16,560 --> 00:36:20,399 Speaker 2: he may come back, is also attacked by this well 710 00:36:20,440 --> 00:36:22,799 Speaker 2: Lossie and she fights it off, stabbing it with her 711 00:36:22,840 --> 00:36:26,080 Speaker 2: dull knife that William had given her previously, and she 712 00:36:26,280 --> 00:36:29,040 Speaker 2: just injures it and it goes away. 713 00:36:30,120 --> 00:36:32,399 Speaker 3: She just says theres and prays that he doesn't come back. 714 00:36:32,440 --> 00:36:34,680 Speaker 2: The well Lassie doesn't come back, also hoping that maybe 715 00:36:34,680 --> 00:36:38,719 Speaker 2: William will. But soon her uncle comes down to get her. 716 00:36:39,160 --> 00:36:42,840 Speaker 2: He never questioned where William was and took her to 717 00:36:42,920 --> 00:36:43,440 Speaker 2: the wagon. 718 00:36:44,480 --> 00:36:45,040 Speaker 3: Good story. 719 00:36:46,120 --> 00:36:48,080 Speaker 1: Yeah, He basically said, one of you is not going 720 00:36:48,120 --> 00:36:51,040 Speaker 1: to come out. That's how this luck thing is going 721 00:36:51,120 --> 00:36:54,280 Speaker 1: to play out for you, like good. 722 00:36:54,160 --> 00:36:57,520 Speaker 3: Luck so and this do rights. 723 00:36:57,600 --> 00:36:59,920 Speaker 2: The story was inspired by a trip to a golden 724 00:37:00,280 --> 00:37:03,200 Speaker 2: in Delanaga, Georgia, where I first heard that a black 725 00:37:03,239 --> 00:37:06,239 Speaker 2: man had owned a local gold mine. The mine was 726 00:37:06,280 --> 00:37:09,920 Speaker 2: called free Gem's Mind, and he was indeed named James 727 00:37:09,960 --> 00:37:13,440 Speaker 2: waclair Uh. And she said, during my research, I learned 728 00:37:13,440 --> 00:37:16,760 Speaker 2: that the little known Georgia gold Rush displays the Cherokee 729 00:37:16,840 --> 00:37:19,880 Speaker 2: people and set them on the Trail of Tears. I 730 00:37:19,880 --> 00:37:22,560 Speaker 2: will say we did learn about that, because Georgia has 731 00:37:22,880 --> 00:37:24,759 Speaker 2: infamy when it comes to the Trail of Tears and 732 00:37:24,800 --> 00:37:28,360 Speaker 2: the Cherokee Nation and Cherokee people. But Adie, you were saying, 733 00:37:28,400 --> 00:37:30,600 Speaker 2: you actually know and you've gone to this place, right, 734 00:37:30,600 --> 00:37:31,840 Speaker 2: I didn't even know this existed. 735 00:37:32,760 --> 00:37:39,400 Speaker 1: Yes, So Delanaga is it's like where the Gold Rush 736 00:37:39,600 --> 00:37:42,560 Speaker 1: was centered in Georgia, right, And so we have a 737 00:37:42,560 --> 00:37:45,080 Speaker 1: gold Rush museum that a lot of people in Georgia 738 00:37:45,160 --> 00:37:47,000 Speaker 1: ended up going to. A lot of students end up 739 00:37:47,040 --> 00:37:50,640 Speaker 1: going to. It's the center of our square, our town square. 740 00:37:51,040 --> 00:37:55,879 Speaker 1: And then we have you can visit some of the 741 00:37:56,160 --> 00:37:59,560 Speaker 1: gold mines. There's like one that's really popular, and we 742 00:37:59,640 --> 00:38:01,920 Speaker 1: also have a big event called gold Rush and it's 743 00:38:01,960 --> 00:38:05,120 Speaker 1: our biggest tourist event and you can like fake pan 744 00:38:05,160 --> 00:38:07,839 Speaker 1: for gold. But yes, I did know about this. I 745 00:38:07,880 --> 00:38:13,080 Speaker 1: think in middle school in Georgia studies that we. 746 00:38:13,080 --> 00:38:18,600 Speaker 4: Had a whole kind of here's what Delanaga is all about. 747 00:38:19,760 --> 00:38:23,080 Speaker 1: Here's the history of Delannaga specifically, we learned about we 748 00:38:23,160 --> 00:38:26,319 Speaker 1: learned about that. I told you I actually wasn't sure 749 00:38:26,360 --> 00:38:30,080 Speaker 1: if it's true, if it was true, just because you 750 00:38:30,160 --> 00:38:33,680 Speaker 1: know some of those stories in small towns. You're like, 751 00:38:33,719 --> 00:38:36,160 Speaker 1: I don't know how true this actually is. 752 00:38:36,920 --> 00:38:38,480 Speaker 4: So when I was reading this, I was like, oh, 753 00:38:39,760 --> 00:38:41,080 Speaker 4: oh right. 754 00:38:41,719 --> 00:38:44,920 Speaker 1: But yeah, the the like kind of weaving in of 755 00:38:44,920 --> 00:38:46,839 Speaker 1: that with the Trail of Tears, because we did learn 756 00:38:46,880 --> 00:38:51,200 Speaker 1: about that as well, and the Cherokee people. And also, 757 00:38:51,200 --> 00:38:53,160 Speaker 1: I have to say, there is a line about how 758 00:38:53,160 --> 00:38:56,359 Speaker 1: to pronouncedalanaga in there, and I felt really bad because 759 00:38:56,360 --> 00:38:58,160 Speaker 1: I actually did a whole paper on how to pronounce 760 00:38:58,239 --> 00:39:02,200 Speaker 1: dalanga and I can't remember. I did write about how 761 00:39:02,200 --> 00:39:06,799 Speaker 1: the Cherokee pronounced it, but I probably I probably messed 762 00:39:06,800 --> 00:39:07,120 Speaker 1: it up. 763 00:39:07,480 --> 00:39:10,799 Speaker 2: Yeah, but I did read that, like obviously reading it 764 00:39:10,920 --> 00:39:14,840 Speaker 2: versus hearing it. So Doue does read most of these tills, 765 00:39:14,920 --> 00:39:18,160 Speaker 2: I think, and she does pronounce it. And I was like, oh, 766 00:39:18,320 --> 00:39:21,200 Speaker 2: well that makes sense. I can't remember it either because 767 00:39:21,239 --> 00:39:26,800 Speaker 2: I'm so ingrained with delaniga. Yeah, the linga or something 768 00:39:26,880 --> 00:39:29,320 Speaker 2: like that. It was very like it starts with a 769 00:39:29,400 --> 00:39:33,600 Speaker 2: tea too, linga or something like that. Yeah, it's really 770 00:39:33,640 --> 00:39:39,520 Speaker 2: sad because a lot of the roots are gone because 771 00:39:39,640 --> 00:39:42,960 Speaker 2: of colonization. And yeah, I could understand why you wouldn't 772 00:39:42,960 --> 00:39:48,279 Speaker 2: believe it because it's still a red state, Like it's 773 00:39:48,280 --> 00:39:51,320 Speaker 2: still a red area, and it's very conservative and hasn't 774 00:39:51,360 --> 00:39:54,040 Speaker 2: always been so, so it would be hard to believe 775 00:39:54,080 --> 00:39:57,479 Speaker 2: that they would allow, even if they are afraid, black 776 00:39:57,520 --> 00:40:00,000 Speaker 2: person to own. 777 00:39:59,840 --> 00:40:00,800 Speaker 3: Some thing here. 778 00:40:03,040 --> 00:40:06,600 Speaker 2: Yeah, especially as valuable as a mine. 779 00:40:06,880 --> 00:40:07,360 Speaker 4: Yeah. 780 00:40:07,400 --> 00:40:10,319 Speaker 1: And I think a lot of people can connect to this, 781 00:40:10,520 --> 00:40:13,320 Speaker 1: especially if you're from the South or a red state. 782 00:40:14,160 --> 00:40:19,520 Speaker 1: But you know that story, like especially the Trail tears, 783 00:40:20,440 --> 00:40:22,279 Speaker 1: I can see it in my head when I was 784 00:40:22,280 --> 00:40:23,320 Speaker 1: reading this, and they were. 785 00:40:23,200 --> 00:40:24,319 Speaker 4: Like two paragraphs. 786 00:40:25,200 --> 00:40:29,000 Speaker 1: That story about Freedom's mind was one really and you know, 787 00:40:29,040 --> 00:40:34,759 Speaker 1: it was like very it was still centered on white 788 00:40:34,760 --> 00:40:38,120 Speaker 1: people because it was very like, yeah, this black person 789 00:40:38,200 --> 00:40:40,080 Speaker 1: had a mind, how nice we were? 790 00:40:40,160 --> 00:40:43,560 Speaker 2: Like because also remember we also grew up in and 791 00:40:43,680 --> 00:40:50,799 Speaker 2: still this honestly teaching enslavement as being states rights, so 792 00:40:51,360 --> 00:40:54,239 Speaker 2: teaching the Civil War being about states rights, teaching the 793 00:40:54,280 --> 00:40:57,640 Speaker 2: fact that the enslaved people wanted to be enslaved because 794 00:40:57,719 --> 00:41:01,319 Speaker 2: they were provided by for by their owners, Like that 795 00:41:01,480 --> 00:41:03,359 Speaker 2: was the things that we were taught. Not only that 796 00:41:03,360 --> 00:41:06,120 Speaker 2: that they sold themselves. It really wasn't white people, it 797 00:41:06,160 --> 00:41:08,760 Speaker 2: was their own people, right, Like all of these narratives 798 00:41:08,760 --> 00:41:12,960 Speaker 2: that are very false and very like white saviorism. So 799 00:41:13,040 --> 00:41:15,160 Speaker 2: for us to hear this or like, that's probably not true. 800 00:41:15,200 --> 00:41:17,080 Speaker 2: And also the trail of tears was literally like, yeah, 801 00:41:17,120 --> 00:41:19,440 Speaker 2: it was really sad, But they don't talk about the deaths, 802 00:41:19,560 --> 00:41:23,080 Speaker 2: the murders, the rapes, that like kidnapping, all of that. 803 00:41:23,160 --> 00:41:24,400 Speaker 3: They don't talk about the decimation. 804 00:41:24,480 --> 00:41:28,319 Speaker 2: They're like, they just sadly walked with food provided for 805 00:41:28,680 --> 00:41:30,799 Speaker 2: they re guarded by soldiers. 806 00:41:31,000 --> 00:41:32,880 Speaker 3: Nah. 807 00:41:32,160 --> 00:41:35,279 Speaker 2: No, so like all of these things that are what 808 00:41:35,320 --> 00:41:38,839 Speaker 2: we grew up with being told it really wasn't that inhumane. 809 00:41:39,040 --> 00:41:41,080 Speaker 2: People make it sound worse than it is, and I'm like, well, 810 00:41:41,080 --> 00:41:42,160 Speaker 2: owning people. 811 00:41:42,440 --> 00:41:43,239 Speaker 3: That sounds bad. 812 00:41:44,239 --> 00:41:47,439 Speaker 2: Importing people and then trading them off, it sounds pretty bad. 813 00:41:48,200 --> 00:41:50,919 Speaker 2: But they try to distance those bad guys, those bad 814 00:41:50,920 --> 00:41:51,839 Speaker 2: white people. 815 00:41:51,840 --> 00:41:53,680 Speaker 3: Versus what really happened. 816 00:41:53,680 --> 00:41:57,560 Speaker 2: And they're like, so when we talk about things like wow, 817 00:41:57,600 --> 00:42:00,160 Speaker 2: we don't truly believe, especially if we've been around long 818 00:42:00,239 --> 00:42:02,920 Speaker 2: enough to know that how bad history has been skewed 819 00:42:03,200 --> 00:42:08,080 Speaker 2: to make them look better than being white people. Yeah, 820 00:42:08,160 --> 00:42:12,520 Speaker 2: it's hard to believe. So I wonder I would. This 821 00:42:12,560 --> 00:42:14,759 Speaker 2: is why I'm surprised more than anything else, And I'm 822 00:42:14,760 --> 00:42:16,439 Speaker 2: sure this is also why I do put that as 823 00:42:16,560 --> 00:42:19,040 Speaker 2: he had to sacrifice so many other things in order 824 00:42:19,080 --> 00:42:19,600 Speaker 2: to have this. 825 00:42:20,000 --> 00:42:23,080 Speaker 1: Yeah, yeah, which I thought was a really interesting take. 826 00:42:23,840 --> 00:42:25,799 Speaker 1: I'll have to go back. I mean, I still visit 827 00:42:26,920 --> 00:42:28,680 Speaker 1: semi regularly and see if I can. 828 00:42:29,640 --> 00:42:31,600 Speaker 3: Does already actually own that property? Now? 829 00:42:33,280 --> 00:42:34,800 Speaker 4: I'm sure it's like a tourist. 830 00:42:35,520 --> 00:42:37,360 Speaker 2: Yeah, I just wonder I feels like it in someone's 831 00:42:37,400 --> 00:42:41,680 Speaker 2: family lineage, like is it true? Because in Jim's family heritage, 832 00:42:41,800 --> 00:42:44,160 Speaker 2: like wouldn't they still own it? And when can they 833 00:42:44,239 --> 00:42:47,120 Speaker 2: validate this history? That's the whole yea'll see what we 834 00:42:47,120 --> 00:42:48,600 Speaker 2: were saying. I knew this was gonna be a whole 835 00:42:48,600 --> 00:42:49,560 Speaker 2: conversation about this one. 836 00:42:49,960 --> 00:42:54,320 Speaker 1: Yes, I mean when I was like, oh, no, what's said? 837 00:42:55,040 --> 00:43:00,920 Speaker 3: Yeah, I was like, oh, there it is. Oh anyway, content. 838 00:43:01,160 --> 00:43:02,799 Speaker 4: I'll investigate, investigate. 839 00:43:13,960 --> 00:43:16,799 Speaker 2: So we're at the knowing is the next story that 840 00:43:16,840 --> 00:43:19,439 Speaker 2: we get to and we meet a young girl named 841 00:43:19,480 --> 00:43:22,960 Speaker 2: Nikki who talks about her having to constantly move with 842 00:43:23,040 --> 00:43:26,600 Speaker 2: her mother, her mama, and they end up in Miami 843 00:43:26,640 --> 00:43:29,399 Speaker 2: Beach where they met Rosa, who hired Mama to tell 844 00:43:29,440 --> 00:43:32,160 Speaker 2: fortunes and help out the shop. So essentially, her mom 845 00:43:32,239 --> 00:43:34,239 Speaker 2: has this gift in which is she can stare at 846 00:43:34,440 --> 00:43:37,279 Speaker 2: see someone's death and they know the time. She knows 847 00:43:37,320 --> 00:43:40,000 Speaker 2: exactly the date, and at times she knows what happens, 848 00:43:40,080 --> 00:43:45,680 Speaker 2: how how they die. And she meets Rosa, the mother 849 00:43:46,680 --> 00:43:50,240 Speaker 2: who she says, your aunt is about to die essentially 850 00:43:50,360 --> 00:43:52,439 Speaker 2: when she does, and I believe her aunt's the one 851 00:43:52,480 --> 00:43:55,520 Speaker 2: that is doing the fortune telling. At this point, she's like, 852 00:43:55,560 --> 00:44:00,239 Speaker 2: when she does, you should hire me. Yeah, yeah, like 853 00:44:00,480 --> 00:44:02,920 Speaker 2: we find this out. And then she comes, and Rosa 854 00:44:03,000 --> 00:44:07,319 Speaker 2: does come, who speaks mostly Spanish, but like understands enough 855 00:44:07,960 --> 00:44:11,680 Speaker 2: to hire Nicki's mama. So Nicki's mama has been through 856 00:44:11,680 --> 00:44:15,200 Speaker 2: so many things. She just yells out dates has gone through. Like, 857 00:44:15,800 --> 00:44:17,840 Speaker 2: I mean, if I knew everybody's death, I think I 858 00:44:17,840 --> 00:44:20,960 Speaker 2: would not be completely whole. Like I think there'd be 859 00:44:21,000 --> 00:44:24,480 Speaker 2: so much trauma just knowing people's deaths. So she obviously 860 00:44:24,520 --> 00:44:26,200 Speaker 2: goes through some things, to the point that at one 861 00:44:26,200 --> 00:44:29,720 Speaker 2: point Nikki gets removed by CPS and then she finally 862 00:44:29,719 --> 00:44:33,439 Speaker 2: gets her back. All these things, so they often move 863 00:44:33,640 --> 00:44:36,439 Speaker 2: when things happen, when when things fall apart, or when, 864 00:44:37,000 --> 00:44:39,560 Speaker 2: as Nicki says, Mama has one of her. 865 00:44:39,680 --> 00:44:41,839 Speaker 3: Bad days, they leave. 866 00:44:42,800 --> 00:44:45,720 Speaker 2: So they're there in Miami and they're doing pretty well 867 00:44:45,840 --> 00:44:49,360 Speaker 2: thus far as she works with Rosa and they're pretty 868 00:44:49,400 --> 00:44:50,160 Speaker 2: much like best friends. 869 00:44:50,200 --> 00:44:51,439 Speaker 3: They actually get along really well. 870 00:44:52,880 --> 00:44:54,480 Speaker 2: As I said, Mama could see people's death and she 871 00:44:54,560 --> 00:44:57,480 Speaker 2: often did so with or without being asked, so sometimes 872 00:44:57,520 --> 00:44:59,160 Speaker 2: she would just abruptly tell it. 873 00:44:59,200 --> 00:44:59,920 Speaker 3: Really be upsetting. 874 00:45:00,800 --> 00:45:03,719 Speaker 2: In a fight with Rosa, she tells her her death 875 00:45:03,760 --> 00:45:06,279 Speaker 2: even though Rosa has already said, don't do this, do 876 00:45:06,440 --> 00:45:07,040 Speaker 2: not tell me. 877 00:45:07,120 --> 00:45:10,160 Speaker 3: Stop. So because of all of that, it kind of 878 00:45:10,200 --> 00:45:12,600 Speaker 3: gets her fired. Though Nicki is. 879 00:45:12,640 --> 00:45:16,280 Speaker 2: Unhappy, she loves and supports her mama, especially knowing Rosa 880 00:45:16,400 --> 00:45:19,680 Speaker 2: was commenting about her parenting about the fact that, you know, 881 00:45:19,880 --> 00:45:23,280 Speaker 2: Nicki was not getting all these things and needed these things, 882 00:45:23,320 --> 00:45:27,320 Speaker 2: and so Mama was not happy. And in that fight, 883 00:45:27,560 --> 00:45:31,040 Speaker 2: that's what she used against hers her death date. As 884 00:45:31,280 --> 00:45:35,719 Speaker 2: see we see them resolved to leave. Nicki says, you're 885 00:45:35,800 --> 00:45:39,839 Speaker 2: taking care of me, Mama, better than anybody, surea, Mama said, 886 00:45:39,880 --> 00:45:42,959 Speaker 2: still looking at me. And then Nicki says, I got 887 00:45:42,960 --> 00:45:46,040 Speaker 2: to until May twelfth, two thousand and five, I said, 888 00:45:46,600 --> 00:45:49,720 Speaker 2: squeezing her hand again, and Mama just closed her eyes. 889 00:45:50,120 --> 00:45:54,640 Speaker 2: So essentially she got in a fight with Niki. Mama 890 00:45:54,680 --> 00:45:57,359 Speaker 2: did and she said and I'm gonna and you're gonna 891 00:45:57,360 --> 00:45:59,279 Speaker 2: be gone this date and told her her the date, 892 00:45:59,320 --> 00:46:01,359 Speaker 2: which was May twelve, two thousand and five. 893 00:46:01,960 --> 00:46:04,200 Speaker 4: Of her think she's gonna be fifteen. 894 00:46:03,960 --> 00:46:06,880 Speaker 2: She's gonna be young, Yeah, fifteen. So she was like, 895 00:46:08,239 --> 00:46:10,760 Speaker 2: and that's where Nikka just accepted it. I was like, yeah, okay, 896 00:46:10,960 --> 00:46:11,880 Speaker 2: I got till that point. 897 00:46:12,400 --> 00:46:14,840 Speaker 4: Yeah. 898 00:46:15,040 --> 00:46:15,440 Speaker 2: Yeah. 899 00:46:15,760 --> 00:46:20,759 Speaker 1: And it was a really interesting look at how that 900 00:46:20,800 --> 00:46:23,200 Speaker 1: knowledge affects some people, because some people saw it as like, 901 00:46:23,760 --> 00:46:25,399 Speaker 1: you know, I only have this much time, so it's 902 00:46:25,400 --> 00:46:28,480 Speaker 1: almost a newly some life, oddly enough, and then some 903 00:46:28,520 --> 00:46:31,880 Speaker 1: people that're just devastated even if they have a long 904 00:46:31,960 --> 00:46:33,400 Speaker 1: time left. 905 00:46:33,600 --> 00:46:33,719 Speaker 5: Uh. 906 00:46:34,000 --> 00:46:36,800 Speaker 1: And so here's what Deu said about it. This story 907 00:46:36,880 --> 00:46:39,640 Speaker 1: speaks to the fear of mortality that underlies much of 908 00:46:39,640 --> 00:46:43,680 Speaker 1: my work. Nicki's mature perspective on his own brief life 909 00:46:43,760 --> 00:46:44,480 Speaker 1: gives me strength. 910 00:46:44,560 --> 00:46:47,760 Speaker 4: Which, yes, we've been saying Nicki as her, but I've. 911 00:46:47,640 --> 00:46:49,839 Speaker 3: Been saying that I really thought of as her. 912 00:46:49,920 --> 00:46:51,480 Speaker 2: I realized just in my head the entire time, I 913 00:46:51,480 --> 00:46:53,959 Speaker 2: didn't really know that I knew a young boy talks 914 00:46:54,000 --> 00:46:54,279 Speaker 2: to them. 915 00:46:54,280 --> 00:46:56,320 Speaker 3: For some reason, I thought it was a young girl. Okay, 916 00:46:56,440 --> 00:46:56,920 Speaker 3: that was on me. 917 00:46:58,400 --> 00:47:00,840 Speaker 2: Nicky's tricky because it could be like, I know, Nikki's 918 00:47:01,360 --> 00:47:03,680 Speaker 2: usually with an eye at the end, so I guess 919 00:47:03,680 --> 00:47:05,200 Speaker 2: that could have been my clue. 920 00:47:05,239 --> 00:47:07,680 Speaker 1: But in my head it was, Well, some of these 921 00:47:07,800 --> 00:47:11,399 Speaker 1: it is because it's when it's told from a this case, 922 00:47:11,440 --> 00:47:14,520 Speaker 1: from the perspective of a child, it's not as easy 923 00:47:14,560 --> 00:47:15,120 Speaker 1: to pick up on. 924 00:47:15,640 --> 00:47:17,960 Speaker 3: So I get you anyway. 925 00:47:18,120 --> 00:47:20,800 Speaker 2: But yeah, so obviously I'm talking about death and trying 926 00:47:20,800 --> 00:47:23,719 Speaker 2: to deal with death, and like the mama talks about 927 00:47:23,719 --> 00:47:25,799 Speaker 2: how she predicted all of her family's death and even 928 00:47:25,840 --> 00:47:27,680 Speaker 2: when they did try to avoid it, they still died 929 00:47:28,040 --> 00:47:29,120 Speaker 2: maybe in a different way. 930 00:47:29,880 --> 00:47:32,560 Speaker 1: Yeah, and that kind of got her cut out of 931 00:47:32,600 --> 00:47:37,040 Speaker 1: her family, and her mom especially was not talk to her, yeah, 932 00:47:37,040 --> 00:47:39,400 Speaker 1: because she kind of blamed her for all of it. 933 00:47:39,560 --> 00:47:42,400 Speaker 1: I mean, she'd lost two children and her husband. 934 00:47:42,400 --> 00:47:44,800 Speaker 2: Right, Yeah, she was going to live a long time, 935 00:47:45,080 --> 00:47:47,200 Speaker 2: and I'm happy about that. And then the other fact 936 00:47:47,360 --> 00:47:49,120 Speaker 2: is that you can die earlier than the date. 937 00:47:51,480 --> 00:47:56,360 Speaker 4: Someone yeah got a free date because. 938 00:47:55,640 --> 00:47:57,520 Speaker 3: He thought he was immortal till that point. 939 00:47:57,760 --> 00:47:58,920 Speaker 4: Yeah, and then he got killed. 940 00:48:00,000 --> 00:48:01,839 Speaker 2: Oh yeah, So all these things like on this level 941 00:48:01,880 --> 00:48:07,200 Speaker 2: of like these powers and these understandings. So oh, it 942 00:48:07,320 --> 00:48:08,760 Speaker 2: was one of those that I'm like, oh my god, 943 00:48:10,680 --> 00:48:12,680 Speaker 2: Oh my god, did she say what I think she said? 944 00:48:13,360 --> 00:48:15,920 Speaker 4: They did he just say? 945 00:48:15,920 --> 00:48:17,479 Speaker 3: Now it becames that perspective in my head. 946 00:48:18,960 --> 00:48:24,320 Speaker 1: Yeah, yeah, it is like an xpin power. 947 00:48:24,360 --> 00:48:25,719 Speaker 4: I would be like, why did I have. 948 00:48:25,680 --> 00:48:28,520 Speaker 3: To get the most useless power? And I don't want it? 949 00:48:29,280 --> 00:48:32,120 Speaker 2: Yes, I'm just gonna be upset and never attached to 950 00:48:32,160 --> 00:48:32,680 Speaker 2: people ever. 951 00:48:33,080 --> 00:48:37,000 Speaker 1: Like, Yeah, I think that is a plot of a 952 00:48:37,040 --> 00:48:39,759 Speaker 1: lot of I mean, clearly we think about that a lot. 953 00:48:39,800 --> 00:48:40,680 Speaker 4: When are we gonna die? 954 00:48:40,960 --> 00:48:41,160 Speaker 2: Right? 955 00:48:41,600 --> 00:48:43,560 Speaker 1: But I know I think it's a plot of a 956 00:48:43,600 --> 00:48:46,799 Speaker 1: movie and a music video where somebody can see like 957 00:48:46,880 --> 00:48:47,640 Speaker 1: the time. 958 00:48:47,960 --> 00:48:49,719 Speaker 3: Yeah, it does not to get it as a movie. 959 00:48:49,760 --> 00:48:50,279 Speaker 3: I've seen that. 960 00:48:50,600 --> 00:48:55,520 Speaker 2: Yeah, there's a lot of death in this one obviously. 961 00:48:55,960 --> 00:48:58,479 Speaker 2: Uh So we go on to the next hill, which 962 00:48:58,520 --> 00:49:02,400 Speaker 2: is like daughter, this one was a different one, Like 963 00:49:02,440 --> 00:49:04,880 Speaker 2: this one was like such a different genre that it 964 00:49:04,960 --> 00:49:05,520 Speaker 2: thrown me off. 965 00:49:05,560 --> 00:49:06,439 Speaker 3: So let's start. 966 00:49:06,920 --> 00:49:10,360 Speaker 2: This is a haunting tale of motherhood. We meet Denise 967 00:49:10,400 --> 00:49:13,560 Speaker 2: and Paige. Denise had gone through years of childhood trauma 968 00:49:13,840 --> 00:49:16,680 Speaker 2: but always had her friend Paige. As she got older, 969 00:49:16,719 --> 00:49:19,760 Speaker 2: Denise decided she wanted a perfect life that she couldn't 970 00:49:19,800 --> 00:49:22,360 Speaker 2: have before. I had a whole plan was able to 971 00:49:22,360 --> 00:49:24,920 Speaker 2: get money to be a part of the new copycat 972 00:49:25,040 --> 00:49:29,799 Speaker 2: babies program, so essentially being able to clone whatever in 973 00:49:29,880 --> 00:49:33,000 Speaker 2: order to have children. And this was cloning yourself, I 974 00:49:33,040 --> 00:49:35,840 Speaker 2: guess if you're the mother to have a child for 975 00:49:36,000 --> 00:49:40,440 Speaker 2: this child. Three months later it was banned, but Denise 976 00:49:41,080 --> 00:49:45,400 Speaker 2: she got her baby, and right under that ban. Many 977 00:49:45,560 --> 00:49:50,200 Speaker 2: call the creations soulless and unethical, so these were soulless babies, 978 00:49:50,239 --> 00:49:54,880 Speaker 2: and many people wanted this destroyed, this thing ideal destroyed, 979 00:49:55,719 --> 00:50:00,400 Speaker 2: and though Denise did try, the perfect life didn't work. Sean, 980 00:50:00,520 --> 00:50:05,000 Speaker 2: who answered an Internet ad post, had left her. They 981 00:50:05,080 --> 00:50:08,120 Speaker 2: had gotten married with this idea, not necessarily because they 982 00:50:08,160 --> 00:50:11,320 Speaker 2: liked each other, but was an arrangement, and the niece 983 00:50:11,880 --> 00:50:14,680 Speaker 2: and Nisi, who was just the name of her child, 984 00:50:14,920 --> 00:50:18,040 Speaker 2: are all alone. And Denise couldn't stand to be with 985 00:50:18,560 --> 00:50:20,600 Speaker 2: this child. She couldn't stand to see her, she couldn't 986 00:50:20,600 --> 00:50:23,760 Speaker 2: stand to be around her, and asked Paige, the friend, 987 00:50:23,800 --> 00:50:26,120 Speaker 2: to come and get her. Paige was also very much 988 00:50:26,160 --> 00:50:29,640 Speaker 2: against this as well, and actually very freaked out by 989 00:50:29,640 --> 00:50:32,759 Speaker 2: this child because this is an identical replacement of her 990 00:50:32,840 --> 00:50:36,279 Speaker 2: childhood friend who had gone through so much trauma so 991 00:50:36,360 --> 00:50:39,560 Speaker 2: all the things that she remembers about her childhood with 992 00:50:39,719 --> 00:50:43,120 Speaker 2: Paige and even with Denise, and even Denise talking about 993 00:50:43,160 --> 00:50:46,319 Speaker 2: how she had wished she was Paige's sister instead of 994 00:50:46,360 --> 00:50:49,120 Speaker 2: living the life that she had, so all these things, 995 00:50:49,200 --> 00:50:52,480 Speaker 2: and even to the point like when Denise was like, 996 00:50:52,520 --> 00:50:53,920 Speaker 2: you come and get her. I don't know what I'm 997 00:50:53,960 --> 00:50:56,080 Speaker 2: going to do to her. So she had made a 998 00:50:56,120 --> 00:51:01,680 Speaker 2: promise to their mother, yeah, to Page's yes, that she 999 00:51:01,760 --> 00:51:03,880 Speaker 2: would take care of that child because she I think 1000 00:51:03,920 --> 00:51:05,480 Speaker 2: Page's mother knew something. 1001 00:51:05,560 --> 00:51:07,000 Speaker 3: This was not going to go well. 1002 00:51:07,880 --> 00:51:10,839 Speaker 2: So she did follow that through and went to go 1003 00:51:10,880 --> 00:51:14,120 Speaker 2: pick up the child. The child was very upset and confused, 1004 00:51:14,200 --> 00:51:17,120 Speaker 2: and she was like, where's daddy, And the conversation was 1005 00:51:17,120 --> 00:51:20,440 Speaker 2: like he was. The child was so freaky that the 1006 00:51:20,600 --> 00:51:25,520 Speaker 2: father Sean would beat on her as well, and that 1007 00:51:25,600 --> 00:51:30,880 Speaker 2: she looked at this young replica and would see the 1008 00:51:30,960 --> 00:51:34,839 Speaker 2: haunted sadness and could understand why Denise could not look 1009 00:51:34,880 --> 00:51:38,480 Speaker 2: at her anymore because it was a reflection of her 1010 00:51:38,480 --> 00:51:41,600 Speaker 2: own sadness and to see it replicated was too much. 1011 00:51:41,960 --> 00:51:45,200 Speaker 2: And so she takes the child and that's the end. 1012 00:51:46,800 --> 00:51:49,040 Speaker 2: It was. I had to go back three times. I 1013 00:51:49,080 --> 00:51:52,960 Speaker 2: was like wait, what, who's Nissi and who's Denise? Because 1014 00:51:53,000 --> 00:51:55,440 Speaker 2: when Denise was younger, they called her Nisi. So they 1015 00:51:55,480 --> 00:51:57,800 Speaker 2: would go back and forth, and I was like, I'm confused. 1016 00:51:57,800 --> 00:52:00,760 Speaker 2: I don't know what's happening. Not realizing act, I was like, okay, 1017 00:52:01,000 --> 00:52:03,360 Speaker 2: they are talking about cloning, right, is this cloning? 1018 00:52:04,000 --> 00:52:05,680 Speaker 3: And in it At the end. 1019 00:52:06,400 --> 00:52:09,280 Speaker 2: Du says it was inspired by goat cloning and asking 1020 00:52:09,320 --> 00:52:10,680 Speaker 2: why would someone want. 1021 00:52:10,520 --> 00:52:13,879 Speaker 3: To clone themselves or herself? And I was like, yeah, 1022 00:52:13,880 --> 00:52:15,040 Speaker 3: why would you? 1023 00:52:15,200 --> 00:52:19,160 Speaker 4: Why? What'd you? I loved this one. 1024 00:52:19,600 --> 00:52:21,760 Speaker 2: This one freaked me out more than like the ideal 1025 00:52:22,480 --> 00:52:23,200 Speaker 2: freak me out. 1026 00:52:23,719 --> 00:52:24,120 Speaker 4: Yeah. 1027 00:52:25,000 --> 00:52:26,759 Speaker 1: It was tricky and it did not go I tell 1028 00:52:26,760 --> 00:52:29,120 Speaker 1: you that copycat baby thing came out of nowhere? 1029 00:52:30,040 --> 00:52:31,640 Speaker 3: Does this fit anywhere else in here? 1030 00:52:32,239 --> 00:52:38,479 Speaker 1: But yeah, the story, I was like, wait, whoa Okay, what. 1031 00:52:38,400 --> 00:52:39,200 Speaker 4: Are we talking about? 1032 00:52:41,280 --> 00:52:44,120 Speaker 1: But I was confused by the name for I was 1033 00:52:44,160 --> 00:52:47,719 Speaker 1: like wait what Anyway, By the end, it was so 1034 00:52:48,680 --> 00:52:54,360 Speaker 1: creepy because Paige was almost she was seeing like her 1035 00:52:54,520 --> 00:52:58,319 Speaker 1: childhood friend, Like she was not seeing this child as 1036 00:52:58,360 --> 00:53:02,200 Speaker 1: a separate person, and she was seeing like that is 1037 00:53:02,280 --> 00:53:09,600 Speaker 1: my childhood friend. And Denise had wanted to give herself 1038 00:53:09,880 --> 00:53:12,759 Speaker 1: this perfect life which of course is never gonna write, 1039 00:53:13,239 --> 00:53:14,120 Speaker 1: never going to happen. 1040 00:53:15,880 --> 00:53:17,839 Speaker 4: Yeah, it was good. 1041 00:53:17,960 --> 00:53:20,600 Speaker 1: I mean, it's an interesting thought experiment of what happens 1042 00:53:21,040 --> 00:53:24,800 Speaker 1: if you clone two people and they have two different lives. 1043 00:53:25,400 --> 00:53:26,960 Speaker 4: Right, I don't know. 1044 00:53:27,360 --> 00:53:27,719 Speaker 1: I don't know. 1045 00:53:28,440 --> 00:53:31,399 Speaker 5: I liked it though, it was like, even thinking about 1046 00:53:31,400 --> 00:53:33,800 Speaker 5: it is that creeps me? I was like, no, why, 1047 00:53:34,440 --> 00:53:36,040 Speaker 5: it gives you a lot of thubs, like trying to 1048 00:53:36,080 --> 00:53:38,640 Speaker 5: find like it does have that conversation like she does. 1049 00:53:38,760 --> 00:53:40,520 Speaker 5: I don't know if she meant to, but the lying 1050 00:53:40,520 --> 00:53:43,320 Speaker 5: of that perfect life and trying to fix your childhood 1051 00:53:43,440 --> 00:53:46,120 Speaker 5: by using that daughter like which often happens when I 1052 00:53:46,120 --> 00:53:48,480 Speaker 5: have my own kids. I'm going to do this better. 1053 00:53:49,280 --> 00:53:52,839 Speaker 1: Yeah, yeah, And this is just like a much more 1054 00:53:52,880 --> 00:53:58,000 Speaker 1: scientific way. I also has interesting conversations about the soul 1055 00:53:58,480 --> 00:54:02,520 Speaker 1: and what is the soul? Which, yes, we as humans 1056 00:54:02,560 --> 00:54:05,400 Speaker 1: love to talk about that. But it was cool to 1057 00:54:05,440 --> 00:54:08,759 Speaker 1: see it play out in like the Supreme Court where 1058 00:54:08,800 --> 00:54:14,720 Speaker 1: they were debating, right, what is the soul? That's the question, 1059 00:54:15,000 --> 00:54:20,040 Speaker 1: I know, And that's when we got into someone that's mess. Okay, 1060 00:54:20,080 --> 00:54:25,319 Speaker 1: we're okay, Well, clearly we have a lot to say 1061 00:54:25,360 --> 00:54:27,359 Speaker 1: about a lot of these stories. So we're gonna put 1062 00:54:27,400 --> 00:54:32,399 Speaker 1: this one in too, but really go read this book 1063 00:54:32,440 --> 00:54:35,480 Speaker 1: if you have interest. If you can, it is so good. 1064 00:54:36,080 --> 00:54:38,200 Speaker 2: Take this break to go get this book and read 1065 00:54:38,239 --> 00:54:39,600 Speaker 2: it all and then come back with us for the 1066 00:54:39,640 --> 00:54:40,120 Speaker 2: second part. 1067 00:54:40,440 --> 00:54:42,600 Speaker 1: Yes, you know one day, I think that was like 1068 00:54:42,680 --> 00:54:45,479 Speaker 1: our original intent we should do a more interactive book club. 1069 00:54:46,360 --> 00:54:47,040 Speaker 2: Think that. 1070 00:54:47,360 --> 00:54:50,359 Speaker 3: Yeah, it's because we stopped doing social media. We're like, yeah, 1071 00:54:50,360 --> 00:54:51,640 Speaker 3: I can't because we were gonna. 1072 00:54:52,600 --> 00:54:55,240 Speaker 1: Yeah, yeah, that's true. But now you have a chance 1073 00:54:55,320 --> 00:55:00,560 Speaker 1: for the second half to go read up. But yes, 1074 00:55:00,640 --> 00:55:02,680 Speaker 1: if in the meantime, if you have thoughts about any 1075 00:55:02,719 --> 00:55:07,440 Speaker 1: of this or any other suggestions, you can email us 1076 00:55:07,600 --> 00:55:09,680 Speaker 1: at Hello at stuff one Never Told You dot com. 1077 00:55:10,160 --> 00:55:12,280 Speaker 1: You can find us on blue Sky at mom Stuff podcast, 1078 00:55:12,520 --> 00:55:15,279 Speaker 1: or on Instagram and TikTok at stuff I'll Never Told You, 1079 00:55:15,560 --> 00:55:17,040 Speaker 1: also on YouTube. We have a tea public store, and 1080 00:55:17,080 --> 00:55:18,440 Speaker 1: we have a book you can get wherever you get 1081 00:55:18,440 --> 00:55:20,840 Speaker 1: your books. Thanks as always to our super producer Beustine, are, 1082 00:55:20,880 --> 00:55:23,680 Speaker 1: executive producer My and our contributor Joey. Thank you and 1083 00:55:23,760 --> 00:55:25,600 Speaker 1: thanks to you for listening. Stuff Will Never Told You 1084 00:55:25,600 --> 00:55:27,239 Speaker 1: is production of iHeart Radio. For more podcasts on my 1085 00:55:27,280 --> 00:55:28,919 Speaker 1: Heart Radio, you can check out the heart radio app, 1086 00:55:28,920 --> 00:55:30,960 Speaker 1: Apple podcasts, or if you listening to your favorite shows,