WEBVTT - SARAH JESSICA PARKER IS BACK! 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? Guess who's here?

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<v Speaker 2>Are you shooting now? Yeah?

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<v Speaker 1>This is how it goes. I know it's pajake.

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<v Speaker 2>It's just nice. It's a sooth kind entry. Yeah, it's

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<v Speaker 2>very nice. It's very Christian.

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<v Speaker 1>If you can't tell by her voice, Sarah Jessica here,

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<v Speaker 1>I'm here. I know you can't tell. It is Joy

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<v Speaker 1>as I told her when she walked in. Thank God

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<v Speaker 1>we have this so that I can see her face

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<v Speaker 1>to face. It is wonderful and I have been I

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<v Speaker 1>literally have so many things to talk to you about

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<v Speaker 1>that I don't even know where to begin, because I

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<v Speaker 1>have been fully steeped in season three and season four,

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<v Speaker 1>which I know that you don't watch, but I need

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<v Speaker 1>to represent to you the unbelievable brilliance. And I'm not

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<v Speaker 1>I'm not, I'm not kidding. It is I cannot believe

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<v Speaker 1>that we made the show that we made. Wow, That's

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<v Speaker 1>that's how I feel.

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<v Speaker 2>Wow.

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<v Speaker 1>It floors me.

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<v Speaker 2>Really.

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<v Speaker 1>I had Julian and Elisa on yesterday because we got

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<v Speaker 1>to my mother board myself, which was their first episode.

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<v Speaker 1>The amazing TV job.

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<v Speaker 2>I mean to think now, as you've already stated, and

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<v Speaker 2>I can just emphasize again how little I recall, which

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<v Speaker 2>at this point might be purposeful. But I do recall

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<v Speaker 2>a lot about my mother board myself, because I think

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<v Speaker 2>a large number of us didn't even know what a

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<v Speaker 2>motherboard was. And so there was that, which is just

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<v Speaker 2>understanding motherboard. But also tech serve featured prominently, which is gone,

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<v Speaker 2>which is so sad. And that was the episode. Is

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<v Speaker 2>that Cynthia's mother? Yeah? Wow, yes, yeah, I can't believe

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<v Speaker 2>that was their freshman script. Real. Yeah, it was such

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<v Speaker 2>a you know, such a declaration of know here we are, Yes,

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<v Speaker 2>we're hugely talented, and they just had it felt so

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<v Speaker 2>right that they had been given that.

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<v Speaker 1>I was so smart about that. We talked through that

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<v Speaker 1>process a little bit, like how did they come He

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<v Speaker 1>had had it on the whiteboard as Miranda's mother will die,

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<v Speaker 1>which was a huge departure fresh We had not at

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<v Speaker 1>that point done anything Familion then, right, And as Astuf

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<v Speaker 1>who came earlier today was saying, the whole episode is

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<v Speaker 1>about grief, right, because you lose your writing, which is

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<v Speaker 1>your identity, you know, to a huge extent. And also

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<v Speaker 1>a little bit earlier in the season in my mind,

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<v Speaker 1>and Michael Patrick's coming next week. He told me, I know,

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<v Speaker 1>I can't.

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<v Speaker 2>Wait Los Angeles.

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<v Speaker 1>Yeah, yeah, I can't wait. I saw him when he

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<v Speaker 1>got honored for the Human Rights Council whatever it is.

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<v Speaker 1>It was amazing, like just the you know, he put

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<v Speaker 1>a clip together. It was so incredible, and of course

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<v Speaker 1>I cried and I was, you know, my Craig. But

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<v Speaker 1>it's just so incredible to have been part of all

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<v Speaker 1>of it, you know, and just doing things because we

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<v Speaker 1>wanted to do them, I know, not really realizing the

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<v Speaker 1>history and the repercussions and the connectedness and the.

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<v Speaker 2>Chatter and the peripheral feelings. I think that wasn't a

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<v Speaker 2>singularly unique time, but relative to the ways in which

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<v Speaker 2>we live now and experience and absorb culture, it was.

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<v Speaker 2>It feels like it was, you know, almost like a

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<v Speaker 2>new born baby.

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<v Speaker 1>There was so.

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<v Speaker 2>Little cynicism about about work and you know, reception, and

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<v Speaker 2>I think so, you know, lots of television shows had

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<v Speaker 2>come and gone, great shows, lesser successful. Meeting shows had success,

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<v Speaker 2>they had disappointment, they failed. They were monumental and consequential.

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<v Speaker 2>But I think what was unique was that HBO to

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<v Speaker 2>your point. Didn't care about reference. They were just doing

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<v Speaker 2>what they wanted to do. So if there was any

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<v Speaker 2>reason to be rational about choices, well don't do that,

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<v Speaker 2>because this show didn't have luck when they did that,

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<v Speaker 2>or there was a really strong reaction, or there was controversy.

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<v Speaker 2>That just wasn't the way they made decisions. And that

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<v Speaker 2>kind of ego filtered down to the shows, which was

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<v Speaker 2>if you could afford it, for the most part, go

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<v Speaker 2>ahead and do it amazing, Like if you can get

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<v Speaker 2>that inside our budget every now and then you had

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<v Speaker 2>to beg for rain, you know. Yeah, But I think

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<v Speaker 2>that was just a massive advantage of the times in

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<v Speaker 2>which we lived, and that time at HBO where absolutely

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<v Speaker 2>it was new enough to be almost reckless. Yeah, and

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<v Speaker 2>there was like a decadence to making television.

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<v Speaker 1>Yeah, And like it's hard to even really fathom the

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<v Speaker 1>differences now, which you know, I don't even know. That

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<v Speaker 1>would be a different podcast. But I'm so happy that

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<v Speaker 1>we were able to create in that. But I also

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<v Speaker 1>feel like the choices that were made and you were

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<v Speaker 1>a huge part of that. And I wanted to talk

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<v Speaker 1>a little bit about that because one thing that I

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<v Speaker 1>do notice and I was aware of this at the time,

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<v Speaker 1>but not fully right because I was just in it

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<v Speaker 1>and trying to do the best I could do and

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<v Speaker 1>trying to wear the shoes and blah blah blah, you know,

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<v Speaker 1>trying to stay awake when I had to or whatever.

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<v Speaker 1>Your credit, you know, is at the point where it's changing, right,

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<v Speaker 1>Like now we're co executive producer and originally it was consultant.

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<v Speaker 1>What was that like and what was your thinking about

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<v Speaker 1>being part of the decisions.

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<v Speaker 2>So when I met initially with Darren in ninety six,

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<v Speaker 2>ninety seven, right, because we shot the pilot in ninety seven, correct.

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<v Speaker 1>I think so, And it was on the idea, Yes,

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<v Speaker 1>So I.

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<v Speaker 2>Met with him and we met at Eli's, I think

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<v Speaker 2>that version of say Bars on the Upper East Side

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<v Speaker 2>on Madison, which was a very and continues to be

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<v Speaker 2>a very fancy but maybe some might argue the greatest

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<v Speaker 2>egg sil at in New York City. And I was

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<v Speaker 2>very happy to meet him there, understanding that typically that

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<v Speaker 2>lunch is going to be paid for, you know, if

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<v Speaker 2>you're invited, And we talked and talked about this show

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<v Speaker 2>and this idea and this pilot, and he said to me, then,

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<v Speaker 2>and you know, you should produce the show at that

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<v Speaker 2>first meeting, and I said, I I don't know how

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<v Speaker 2>to produce a show. And he said, how long have

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<v Speaker 2>you been on sets? How many years have you been

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<v Speaker 2>on sets? And you know, I sort of thought about

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<v Speaker 2>a number, and he said, you know how to produce.

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<v Speaker 2>You just you just weren't paying attention. You just weren't

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<v Speaker 2>thinking I should be watching for this reason. You were

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<v Speaker 2>simply watching. I'm putting words in his mouth, but that

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<v Speaker 2>that was the essence of the conversation. And I was,

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<v Speaker 2>you know, hesitant, because I felt ill equipped and I

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<v Speaker 2>didn't want to walk on a set in a position

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<v Speaker 2>of an authority in title or any reason without feeling

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<v Speaker 2>like I, you know, had the street credit. And he said,

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<v Speaker 2>why don't you just be a consultant the first year?

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<v Speaker 2>Just be a consultant, go to meetings, listen and learn,

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<v Speaker 2>which was so wise and such good counsel and also

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<v Speaker 2>just I think enormously generous, because it did, in many

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<v Speaker 2>ways offer me a second career, like it paralleled the

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<v Speaker 2>work of an of my life as an actor, but

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<v Speaker 2>that allowed me to learn something else, which I think

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<v Speaker 2>is invaluable, whether or not I chose to do anything

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<v Speaker 2>with it. But what I discovered is I love producing,

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<v Speaker 2>and I thought producing was really also just simply about math,

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<v Speaker 2>which I had, you know, basically failed. Like as a student,

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<v Speaker 2>I tested very poorly in math. I panicked over math.

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<v Speaker 2>Math tests very poorly on my PSATs as if I

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<v Speaker 2>never entered a classroom in my life. That's how I tested.

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<v Speaker 2>And of course what I came to learn also is

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<v Speaker 2>that producing is people. It's people, people, people, people people.

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<v Speaker 2>And you can learn budget, you can learn union laws,

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<v Speaker 2>you can learn you know, over time, golden time, you

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<v Speaker 2>can learn wages, but how you handle that information is

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<v Speaker 2>far more important than balancing the checkbook in a way,

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<v Speaker 2>if you're a responsible person anyway that makes sense.

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<v Speaker 1>Yes, very much so. So I didn't know any of this.

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<v Speaker 1>It's super, super fascinating. So in the beginning, the consultant

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<v Speaker 1>was something that was Darren's idea, and you were kind

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<v Speaker 1>of like, Okay, I don't want to overstep my budor.

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<v Speaker 1>But then as time went on, how did it become

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<v Speaker 1>a larger and larger part.

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<v Speaker 2>I think what happened is when Michael took over season two. Correct, Yeah,

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<v Speaker 2>there's always like this mysteries that we make that up,

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<v Speaker 2>and he and I just had a kind of affinity

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<v Speaker 2>for one another. And I think because he was assuming

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<v Speaker 2>a really important, critical role and I was kind of

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<v Speaker 2>changing the way I was interpreting my job outside of acting,

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<v Speaker 2>we sort of there was this a kind of alignment,

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<v Speaker 2>and I think we felt we needed each other. Yeah,

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<v Speaker 2>And therefore my work as a producer became more important

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<v Speaker 2>because our collaboration felt so necessary and important, And I

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<v Speaker 2>think he was looking for someone to talk about ideas

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<v Speaker 2>and feelings and scripts and pictures and colors, and I

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<v Speaker 2>was looking to learn more about his work and how

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<v Speaker 2>I could be a good and helpful partner and co

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<v Speaker 2>producer or whatever I was called at that point. And

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<v Speaker 2>so I think the more you listen and learn, and

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<v Speaker 2>the more you're able to be a good collaborator and

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<v Speaker 2>hear people who've done it longer, no more, the better

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<v Speaker 2>partner you are. And so I think that season two

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<v Speaker 2>we just started understanding our roles more clearly, if that

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<v Speaker 2>makes sense, and you're just much more more invested. The

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<v Speaker 2>more responsibility you have two people to a company, to

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<v Speaker 2>a partnership, the more important those choices in those conversations become. Right.

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<v Speaker 1>The thing for me that's interesting in terms of observing it, right.

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<v Speaker 1>I think I've talked about this before. I don't know

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<v Speaker 1>if I've talked to you about it, but I remember

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<v Speaker 1>so clearly the pilot. I don't know if you remember this,

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<v Speaker 1>when we go to the Chinese restaurant. It was like

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<v Speaker 1>our first group scene, basically.

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<v Speaker 2>I do remember that.

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<v Speaker 1>And this is when you still had to talk to

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<v Speaker 1>the camera, and it was super stressful and it was

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<v Speaker 1>very strange because you had to take yourself out of

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<v Speaker 1>the scene and talk to a mystery person in the camera,

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<v Speaker 1>but you were talking to yourself, right, And I'm sitting

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<v Speaker 1>there and I'm just all like, whoah oh. That's my

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<v Speaker 1>general feeling at all times, and obviously very nervous also usually.

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<v Speaker 1>And I remember a conversation that you had with Darren

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<v Speaker 1>about the talking to the camera, and I thought you

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<v Speaker 1>were completely because I knew he was an actor. How

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<v Speaker 1>would I even do that. Yeah, it's a very strange

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<v Speaker 1>thing for me, right, And we've talked about that before.

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<v Speaker 1>But what I remember being so impactful for me was

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<v Speaker 1>how you spoke to Darren because you you know, he

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<v Speaker 1>was in charge and I had only ever known him

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<v Speaker 1>in the Other World network world of Melrose and whatnot.

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<v Speaker 1>And it's not like he was, you know, autocrat or anything,

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<v Speaker 1>but he was like, I want you to do this,

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<v Speaker 1>like let's try this, you know whatever. And you were

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<v Speaker 1>just very calm and talking to but you were you

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<v Speaker 1>were so calm, but you were very clear in a

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<v Speaker 1>way that I hadn't really seen other actors do at

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<v Speaker 1>that point, because I had not been like our creation

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<v Speaker 1>was different, you know, it was different from the beginning, right,

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<v Speaker 1>And and you had it back and forth with him,

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<v Speaker 1>and I was like, yes, she's right, because it was wacky,

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<v Speaker 1>you know what he was asking. And sometimes Darren would

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<v Speaker 1>just have an idea.

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<v Speaker 2>You know, like which is good and welcome, of course,

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<v Speaker 2>of course, but sometimes it.

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<v Speaker 1>Would be strange, like I remember one time later on

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<v Speaker 1>maybe in is one, you're looking through a window at

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<v Speaker 1>shoes and suddenly like basically an emoji appears on the screen.

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<v Speaker 2>Is that right?

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<v Speaker 1>Yeah? And you're just like, wait, what's happening? And do

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<v Speaker 1>you remember how they used to do like split screens

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<v Speaker 1>when we were on the phone or whatever. Yes, and

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<v Speaker 1>then they'd move like Brady Bunch, yes, just like wait wait, yes,

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<v Speaker 1>that was him trying stuff out right. Well, there's nothing

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<v Speaker 1>wrong with that, But it's also like you're just like, wait, wait,

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<v Speaker 1>what what's going on? Are like Sparkly Star is going

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<v Speaker 1>to show actually what is happening? Which brings me to

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<v Speaker 1>one thing I'm gonna ask you about in a second.

0:13:30.760 --> 0:13:32.840
<v Speaker 1>But the thing that I love, and that really the

0:13:32.920 --> 0:13:35.000
<v Speaker 1>reason that I still think about it, is that I

0:13:35.080 --> 0:13:38.120
<v Speaker 1>loved the way that you spoke to him from a

0:13:38.160 --> 0:13:41.120
<v Speaker 1>place of like calm, power, not power power, of like

0:13:41.200 --> 0:13:43.080
<v Speaker 1>it will be my way. And he wasn't saying that

0:13:43.120 --> 0:13:45.679
<v Speaker 1>to you either. It was I'm in my skin and

0:13:45.720 --> 0:13:47.959
<v Speaker 1>this is how it feels, and this is what I'm

0:13:47.960 --> 0:13:50.480
<v Speaker 1>worried about. I'm worried that it's taking me away from

0:13:50.559 --> 0:13:53.839
<v Speaker 1>the group scene, which is really important, and from the instincts,

0:13:54.679 --> 0:13:59.040
<v Speaker 1>there was nothing more important if you think about our trajectory, right.

0:13:59.200 --> 0:14:04.320
<v Speaker 2>Yeah, I think that if he had not in our

0:14:05.400 --> 0:14:13.600
<v Speaker 2>initial meeting, if he'd not been so hospitable to me,

0:14:13.760 --> 0:14:18.440
<v Speaker 2>just in general, but also the ways in which he

0:14:18.440 --> 0:14:22.920
<v Speaker 2>he felt like I could and should do this part,

0:14:23.960 --> 0:14:26.400
<v Speaker 2>I probably would not have had the courage to share

0:14:26.440 --> 0:14:29.800
<v Speaker 2>with him when something didn't feel good right. And I think,

0:14:29.840 --> 0:14:33.720
<v Speaker 2>in particular to talking to the camera, for me, felt

0:14:33.840 --> 0:14:37.560
<v Speaker 2>really problematic because I think, as I said at the time,

0:14:37.600 --> 0:14:41.200
<v Speaker 2>it's extremely hard to do well. And as you know,

0:14:41.320 --> 0:14:43.560
<v Speaker 2>I repeated, my husband did it in a movie, and

0:14:43.600 --> 0:14:46.720
<v Speaker 2>he did it extremely well, and it felt like a

0:14:46.840 --> 0:14:52.080
<v Speaker 2>kind of device that suited that movie so perfectly. And

0:14:52.160 --> 0:14:57.160
<v Speaker 2>I don't have to go into all that, but if

0:14:57.160 --> 0:15:01.880
<v Speaker 2>the thrust of our show, as I understood it at

0:15:01.880 --> 0:15:06.320
<v Speaker 2>that time, were these kinds of intimacies and conversation and

0:15:06.360 --> 0:15:10.080
<v Speaker 2>the necessity of these friendships, and the fact that it

0:15:10.280 --> 0:15:18.560
<v Speaker 2>was a column, if the human exchange weren't so important,

0:15:19.480 --> 0:15:22.360
<v Speaker 2>and maybe if we were a three camera show, you

0:15:22.400 --> 0:15:24.720
<v Speaker 2>could have felt like a kind of buoyancy around that

0:15:24.720 --> 0:15:27.760
<v Speaker 2>that would be funny, and maybe the audience could start

0:15:27.800 --> 0:15:31.960
<v Speaker 2>getting involved with it and you could like almost like

0:15:32.760 --> 0:15:34.880
<v Speaker 2>score it with music and like you could do a

0:15:34.960 --> 0:15:37.480
<v Speaker 2>whole thing with it. But to be a single camera

0:15:37.520 --> 0:15:42.920
<v Speaker 2>show at that point, darkly lit like cinematic, it felt

0:15:44.720 --> 0:15:46.880
<v Speaker 2>like the Sesame Street, like one of these things is

0:15:46.920 --> 0:15:50.280
<v Speaker 2>not like the other. It didn't. So I think my

0:15:50.440 --> 0:15:52.760
<v Speaker 2>argument at the time was, I think it's hurting what

0:15:52.800 --> 0:15:54.640
<v Speaker 2>you're really trying to do, which is the thing that

0:15:54.680 --> 0:15:57.240
<v Speaker 2>matters most to you. And I don't think I'm doing

0:15:57.280 --> 0:16:00.640
<v Speaker 2>it well, which is also problematic. It's not going to

0:16:00.720 --> 0:16:03.080
<v Speaker 2>be good. I think it's going to hurt the show.

0:16:03.040 --> 0:16:05.880
<v Speaker 1>Right, and you were one right in my opinion. But

0:16:05.920 --> 0:16:09.200
<v Speaker 1>what I loved about it was that you you were

0:16:09.200 --> 0:16:12.080
<v Speaker 1>fully invested from the get go, and I don't think

0:16:12.120 --> 0:16:15.000
<v Speaker 1>you know another way to be right. I only barely

0:16:15.080 --> 0:16:16.800
<v Speaker 1>met you that day, you know what I mean, But

0:16:16.880 --> 0:16:19.360
<v Speaker 1>like that's just who you are, which is a beautiful thing.

0:16:19.680 --> 0:16:22.360
<v Speaker 1>And what also, I feel like as time went on

0:16:22.560 --> 0:16:26.440
<v Speaker 1>and your title grew, and basically what you're saying is

0:16:26.480 --> 0:16:29.120
<v Speaker 1>that Darren kind of planted the seed and then you

0:16:29.160 --> 0:16:31.680
<v Speaker 1>and Michael had this kind of meeting of the minds

0:16:31.680 --> 0:16:45.400
<v Speaker 1>and souls, right, and flowed from that. I was thinking

0:16:45.400 --> 0:16:48.120
<v Speaker 1>about this too as I'm watching in my mind what

0:16:48.200 --> 0:16:50.240
<v Speaker 1>I think I had done, because I watched these shows

0:16:50.280 --> 0:16:52.200
<v Speaker 1>as though I have never seen them lately, Like I'm

0:16:52.280 --> 0:16:53.560
<v Speaker 1>just like, I don't remember the Almos.

0:16:53.880 --> 0:16:55.320
<v Speaker 2>Will ever have a courage to do that?

0:16:55.440 --> 0:16:59.800
<v Speaker 1>I hope and I pray that you will. Like I'm

0:16:59.840 --> 0:17:01.880
<v Speaker 1>so happy that you never get sick, and I don't

0:17:01.880 --> 0:17:03.840
<v Speaker 1>want you to ever get sick. But let's say sometime

0:17:03.920 --> 0:17:05.120
<v Speaker 1>you pick up a virus or whatever.

0:17:05.119 --> 0:17:06.640
<v Speaker 2>I never do you know what I mean?

0:17:07.680 --> 0:17:10.040
<v Speaker 1>This would be an excellent way to feel better. I

0:17:10.080 --> 0:17:14.040
<v Speaker 1>think because having the distance now that we have, because

0:17:14.080 --> 0:17:16.080
<v Speaker 1>I always watched it right away when we got it

0:17:16.119 --> 0:17:19.000
<v Speaker 1>because it was so exciting, right and remember we used

0:17:19.000 --> 0:17:21.600
<v Speaker 1>to get the vhs and they weren't always complete. There

0:17:21.680 --> 0:17:24.600
<v Speaker 1>might be a card or music or whatever, you know

0:17:24.640 --> 0:17:27.879
<v Speaker 1>what I mean, Right so now, And I thought I

0:17:28.040 --> 0:17:30.359
<v Speaker 1>knew a lot, and I do in some ways. But

0:17:30.480 --> 0:17:33.120
<v Speaker 1>like I was trying to get ready to come here

0:17:33.200 --> 0:17:36.080
<v Speaker 1>yesterday and I was doing my makeup while I was

0:17:36.080 --> 0:17:40.480
<v Speaker 1>watching my mother board myself and Sirjisca. It floored me

0:17:40.720 --> 0:17:42.240
<v Speaker 1>and I cried my makeup off.

0:17:42.359 --> 0:17:45.680
<v Speaker 2>Wow it wow is so good.

0:17:47.000 --> 0:17:52.840
<v Speaker 1>It is so like beautifully crafted and created and acted

0:17:52.880 --> 0:17:55.120
<v Speaker 1>and all of the things. But also it's about loss,

0:17:55.440 --> 0:18:01.840
<v Speaker 1>and we're little babies. Yeah we don't really know it's present. Yeah,

0:18:01.840 --> 0:18:05.760
<v Speaker 1>And that made me just so moved, you know. Yeah,

0:18:05.960 --> 0:18:09.480
<v Speaker 1>Like it's hard, but it's also great, I'm saying. And

0:18:09.800 --> 0:18:12.080
<v Speaker 1>I kind of just don't know how we did it,

0:18:12.119 --> 0:18:14.720
<v Speaker 1>Like I mean, it's just this miracle that everyone came

0:18:14.760 --> 0:18:20.600
<v Speaker 1>together and were able to create a situation which I

0:18:20.600 --> 0:18:23.960
<v Speaker 1>think you and Michael through your partnership it bled down

0:18:24.160 --> 0:18:28.280
<v Speaker 1>right that everyone was included, you know, like in the storytelling,

0:18:28.320 --> 0:18:30.679
<v Speaker 1>like Julian and Melissa, who were so young, could just

0:18:30.720 --> 0:18:31.840
<v Speaker 1>walk in and write that scrip.

0:18:31.880 --> 0:18:35.040
<v Speaker 2>You can't believe it, right? And that was their memories

0:18:35.160 --> 0:18:37.159
<v Speaker 2>or do you not want to spend time talking about that?

0:18:37.240 --> 0:18:39.920
<v Speaker 1>No? No, their memories are great because what their memory?

0:18:40.040 --> 0:18:43.240
<v Speaker 1>They're so adorable and funny. And how old were they?

0:18:43.400 --> 0:18:45.040
<v Speaker 1>I mean I should have asked them because I didn't

0:18:45.040 --> 0:18:48.640
<v Speaker 1>ask them. In their twenties, yeah, carally young and they

0:18:48.640 --> 0:18:50.720
<v Speaker 1>had been go out in La meeting. They had a

0:18:50.760 --> 0:18:53.080
<v Speaker 1>pilot and their agent told them to go meet Darren

0:18:53.080 --> 0:18:54.640
<v Speaker 1>Start the next morning. They were like, no, sorry, we've

0:18:54.640 --> 0:18:56.240
<v Speaker 1>got a flight, and he was like, you're going to

0:18:56.359 --> 0:18:58.639
<v Speaker 1>change your flight and you might have to sleep on

0:18:58.800 --> 0:19:01.159
<v Speaker 1>so much floor, So they had to sleep on their

0:19:01.200 --> 0:19:03.240
<v Speaker 1>friend's floor. They were a little cats, do you know

0:19:03.280 --> 0:19:06.159
<v Speaker 1>what I mean? But they're also so adorably rounded in

0:19:06.240 --> 0:19:10.119
<v Speaker 1>themselves that they were No, and then Darren and then

0:19:10.160 --> 0:19:12.400
<v Speaker 1>they came to the writer's room and then Michael did

0:19:12.440 --> 0:19:17.120
<v Speaker 1>his magic, you know, like cultivating them and giving them

0:19:17.119 --> 0:19:19.160
<v Speaker 1>the confidence. But also they told me a funny story

0:19:19.160 --> 0:19:21.280
<v Speaker 1>that he would pop his head in their office door

0:19:21.320 --> 0:19:25.600
<v Speaker 1>and be like you're fired, just to keep everyone on

0:19:25.680 --> 0:19:26.240
<v Speaker 1>their toes.

0:19:26.640 --> 0:19:29.359
<v Speaker 2>And they had the office at Silver Cup. I remember

0:19:29.400 --> 0:19:34.240
<v Speaker 2>their offices. I think they were upstairs above.

0:19:34.440 --> 0:19:36.840
<v Speaker 1>Yes, Michael, Yes, above the floor where we would do

0:19:36.920 --> 0:19:41.960
<v Speaker 1>it most like the second mezzanine, weird floor. Then sometimes

0:19:41.960 --> 0:19:43.560
<v Speaker 1>you'd get off and you'd be like, wait where am I?

0:19:43.640 --> 0:19:44.920
<v Speaker 2>Yeah, they were straight up there.

0:19:45.440 --> 0:19:48.200
<v Speaker 1>And they also talked a lot about Jenny and Cindy

0:19:48.320 --> 0:19:51.040
<v Speaker 1>and the kind of female bond and that they were

0:19:51.040 --> 0:19:53.040
<v Speaker 1>there first and they were kind of senior to them

0:19:53.080 --> 0:19:55.280
<v Speaker 1>and really helped them. And it's so beautiful to her

0:19:55.320 --> 0:19:58.480
<v Speaker 1>about it's incredible. And soon we'll have a maybe Harris

0:19:58.480 --> 0:20:01.879
<v Speaker 1>and we'll have listed chill getting to them. It's so

0:20:01.960 --> 0:20:03.400
<v Speaker 1>much fun to think back on and.

0:20:03.480 --> 0:20:06.680
<v Speaker 2>Just Amy will be super interesting because she was there

0:20:07.520 --> 0:20:08.680
<v Speaker 2>really from the beginning.

0:20:09.119 --> 0:20:10.840
<v Speaker 1>You know, I don't think i'll say this to herb

0:20:10.840 --> 0:20:12.840
<v Speaker 1>but I remember her carrying Darren suitcase.

0:20:12.920 --> 0:20:17.760
<v Speaker 2>Oh yeah, she was his assistant. Yeah, like it's amazing,

0:20:17.840 --> 0:20:20.800
<v Speaker 2>it is amazing. Yeah, yeah, it's really And now she's

0:20:20.840 --> 0:20:23.159
<v Speaker 2>a showrunner and impressive.

0:20:23.320 --> 0:20:24.159
<v Speaker 1>Yeah, sons.

0:20:24.240 --> 0:20:28.159
<v Speaker 2>One of the things you know, you talk about, you

0:20:28.200 --> 0:20:33.800
<v Speaker 2>know a kind of when you talk about the work

0:20:33.840 --> 0:20:37.480
<v Speaker 2>being good, which is so nice to hear. I remember

0:20:38.160 --> 0:20:42.840
<v Speaker 2>the church, I remember obviously tech serve. I remember wrapping

0:20:43.200 --> 0:20:51.520
<v Speaker 2>the computer in a scarf for something. Yes, I think

0:20:51.520 --> 0:20:52.680
<v Speaker 2>it is Becky and Baker in.

0:20:52.640 --> 0:20:55.000
<v Speaker 1>That episode the Sisters, the first time we see her.

0:20:55.119 --> 0:20:58.399
<v Speaker 2>Yes, so you know, and I think we've discussed this before,

0:20:58.440 --> 0:21:02.760
<v Speaker 2>but it bears repeating. It's not as if it was,

0:21:03.560 --> 0:21:07.359
<v Speaker 2>you know, completely free of any complexity, but it was

0:21:07.440 --> 0:21:10.320
<v Speaker 2>so happy. Like I think of being in that church

0:21:10.400 --> 0:21:13.199
<v Speaker 2>for countless hours, and all the background players that were

0:21:13.240 --> 0:21:19.600
<v Speaker 2>there all day long, and just the kind of working environment.

0:21:19.720 --> 0:21:22.240
<v Speaker 2>It was funny and fun and the crew was always

0:21:22.320 --> 0:21:26.080
<v Speaker 2>laughing and working the hardest of everybody, you know. Yes,

0:21:27.040 --> 0:21:31.280
<v Speaker 2>and big equipment in those days, bigger, those big, big,

0:21:31.600 --> 0:21:35.919
<v Speaker 2>huge lights, big cameras with film and real film, and

0:21:35.960 --> 0:21:39.080
<v Speaker 2>loading magazines of film and carding them from far away

0:21:40.000 --> 0:21:42.520
<v Speaker 2>to a shoot, you know, to a location that we

0:21:42.560 --> 0:21:48.760
<v Speaker 2>couldn't have the trucks nearby. And just the kind of collegiality,

0:21:48.840 --> 0:21:51.920
<v Speaker 2>the kind of fraternity and sorority that surrounded it. I

0:21:51.960 --> 0:21:56.080
<v Speaker 2>think helped a huge amount because and it's not that

0:21:56.160 --> 0:21:58.600
<v Speaker 2>great work can't happen when people are unhappy and there's

0:21:58.680 --> 0:22:01.639
<v Speaker 2>lots of examples of that too, but I prefer the former,

0:22:01.960 --> 0:22:05.720
<v Speaker 2>of course, you know, so part of me isn't even

0:22:07.040 --> 0:22:11.240
<v Speaker 2>surprised that you're experiencing it that way because we liked

0:22:11.320 --> 0:22:15.840
<v Speaker 2>doing it, Yes, like we really loved the table reads.

0:22:16.400 --> 0:22:18.280
<v Speaker 2>You know. If something didn't feel right, we tried to

0:22:18.440 --> 0:22:21.480
<v Speaker 2>talk about it and see if it could adjust it right,

0:22:22.160 --> 0:22:24.719
<v Speaker 2>make it feel more right or more correct, and then

0:22:24.800 --> 0:22:28.440
<v Speaker 2>be told the reasons that we're wrong, you know, which

0:22:28.480 --> 0:22:31.879
<v Speaker 2>I tend to believe, you know. Yeah, but there was

0:22:31.920 --> 0:22:39.239
<v Speaker 2>a real kind of youthful energy. Yes. I don't mean

0:22:39.240 --> 0:22:43.480
<v Speaker 2>that spiritually even, I mean like sincerely from people from

0:22:43.480 --> 0:22:46.399
<v Speaker 2>all ages. Yeah, you know, useful energy from sixty year

0:22:46.440 --> 0:22:49.400
<v Speaker 2>olds to twenty year olds, you know, and that includes

0:22:49.480 --> 0:22:52.280
<v Speaker 2>cast crew and everybody in between. Yes, for sure.

0:22:52.600 --> 0:22:54.200
<v Speaker 1>I mean there's so many things that I think of

0:22:54.240 --> 0:22:56.600
<v Speaker 1>when I'm watching it, and because I talk about it

0:22:56.640 --> 0:22:59.600
<v Speaker 1>and my phone algorithm shows me things. I saw this

0:22:59.680 --> 0:23:01.520
<v Speaker 1>at door picture and I was going to try to

0:23:01.560 --> 0:23:04.959
<v Speaker 1>print it out, but I forgot. You know, the white

0:23:05.040 --> 0:23:07.600
<v Speaker 1>dress when you break up with Big in front of

0:23:07.640 --> 0:23:11.400
<v Speaker 1>the plaza and you say you're christ and you're yes, beautiful.

0:23:11.560 --> 0:23:14.320
<v Speaker 1>There's a great behind the scenes picture where you're standing

0:23:14.359 --> 0:23:16.320
<v Speaker 1>kind of in the forefront. I'm sure it's the proper

0:23:16.359 --> 0:23:22.040
<v Speaker 1>Roozzi whatever, but less than obviously, yeah than now. But Collins,

0:23:22.119 --> 0:23:24.720
<v Speaker 1>Joe Collins is in the background when he was focused pulling,

0:23:25.119 --> 0:23:27.200
<v Speaker 1>and he's wearing like a straw.

0:23:27.960 --> 0:23:29.760
<v Speaker 2>Oh he well, he wore the hat all the time.

0:23:29.600 --> 0:23:32.640
<v Speaker 1>You remember, and the shorts and like a wife beater

0:23:32.680 --> 0:23:33.879
<v Speaker 1>because it was like one hundred degrees.

0:23:34.119 --> 0:23:34.760
<v Speaker 2>Super handsome.

0:23:34.880 --> 0:23:38.280
<v Speaker 1>Oh my god, so handsome. And I just remember how

0:23:38.320 --> 0:23:40.600
<v Speaker 1>they got us through the day.

0:23:41.000 --> 0:23:46.040
<v Speaker 2>They're amazing. The camera department was beyond It was so superior, right,

0:23:46.320 --> 0:23:50.359
<v Speaker 2>they were incredible, and everybody, you know, matriculated up, everybody.

0:23:51.320 --> 0:23:54.160
<v Speaker 1>I know. I tell you that I had the crazy

0:23:54.320 --> 0:23:57.480
<v Speaker 1>like fantasy when we came back to doing just like that,

0:23:57.400 --> 0:23:58.800
<v Speaker 1>that they were going to be there.

0:24:00.280 --> 0:24:02.280
<v Speaker 2>Yeah. I know that they have huge.

0:24:02.000 --> 0:24:05.240
<v Speaker 1>Titles now, I know, and we got a wonderful crew,

0:24:05.920 --> 0:24:08.639
<v Speaker 1>but like it is so interesting to think of like

0:24:09.040 --> 0:24:13.480
<v Speaker 1>that McDonald, Oh my god, incredible in peace, yes, Joe, Dolly,

0:24:13.640 --> 0:24:17.960
<v Speaker 1>Joe Manory, oh my god, like every camera person, my

0:24:18.080 --> 0:24:19.920
<v Speaker 1>camera incredible, y.

0:24:20.359 --> 0:24:24.119
<v Speaker 2>Yes, your man who was he? He always called his

0:24:24.160 --> 0:24:28.679
<v Speaker 2>wife the bride, our big gaffer, our big uh. He

0:24:28.800 --> 0:24:30.879
<v Speaker 2>moved all the sad Lowry.

0:24:30.600 --> 0:24:33.320
<v Speaker 1>Oh low Lowry. Do you remember Bobby my driver?

0:24:33.560 --> 0:24:37.760
<v Speaker 2>Of course, of course Bobby, because then Bobby started driving me. Yes,

0:24:38.119 --> 0:24:42.000
<v Speaker 2>when super Dave left, Yes, super Dave.

0:24:43.480 --> 0:24:44.919
<v Speaker 1>I love it so much. Okay, wait, we could go

0:24:44.960 --> 0:24:46.880
<v Speaker 1>off on so many tangents. But one of the things

0:24:46.880 --> 0:24:50.080
<v Speaker 1>I wanted to tell you, which was really highly highly enjoyable, because,

0:24:50.200 --> 0:24:52.720
<v Speaker 1>as I said, in my mind, and Michael Patrick tells

0:24:52.760 --> 0:24:54.439
<v Speaker 1>me that he's going to be able to fix this

0:24:54.480 --> 0:24:56.800
<v Speaker 1>when he comes. But in my mind, I have no

0:24:56.880 --> 0:24:59.959
<v Speaker 1>memory of season four, and I now realize it Seamson four,

0:25:00.520 --> 0:25:04.960
<v Speaker 1>season four, So much happens, Sir Jusica. I mean, it's insane.

0:25:05.320 --> 0:25:07.480
<v Speaker 1>But in my mind what I think happened because we

0:25:07.520 --> 0:25:10.760
<v Speaker 1>shot eighteen episodes season three and eighteen episode season four.

0:25:10.800 --> 0:25:11.640
<v Speaker 2>Do we really? Yeah?

0:25:11.720 --> 0:25:12.320
<v Speaker 1>Can you believe?

0:25:12.400 --> 0:25:14.440
<v Speaker 2>Wow? Yeah? I believe that wow.

0:25:14.840 --> 0:25:17.560
<v Speaker 1>And that is also when we started getting nominated for things,

0:25:17.920 --> 0:25:20.880
<v Speaker 1>so it became a year round situation, got it, which

0:25:20.880 --> 0:25:23.000
<v Speaker 1>is what I remember, which, of course I was thrilled, right, right,

0:25:23.400 --> 0:25:27.440
<v Speaker 1>but also like what do I wear my head cut off? Right?

0:25:27.720 --> 0:25:30.280
<v Speaker 1>But in my mind, I think I conflated them into

0:25:30.359 --> 0:25:32.760
<v Speaker 1>one because a lot of the storylines. It's when we

0:25:33.000 --> 0:25:36.320
<v Speaker 1>really invest in the long term storyline. Got it, got

0:25:36.600 --> 0:25:39.480
<v Speaker 1>we double down on it, right, Yeah, and we become

0:25:39.520 --> 0:25:42.840
<v Speaker 1>more brave in terms of like my motherboard myself, grief

0:25:42.840 --> 0:25:45.159
<v Speaker 1>has suddenly entered the picture, you know, not just a

0:25:45.280 --> 0:25:47.080
<v Speaker 1>breakup but actual.

0:25:46.880 --> 0:25:50.480
<v Speaker 2>Yeah, as kind of life altering exactly exactly.

0:25:50.840 --> 0:25:55.200
<v Speaker 1>We're really, in my mind like understanding that we can

0:25:55.320 --> 0:25:59.240
<v Speaker 1>do those things and trying them, you know, and succeeding

0:25:59.240 --> 0:26:02.440
<v Speaker 1>so beautifully, which is amazing. But it's I think part

0:26:02.480 --> 0:26:04.119
<v Speaker 1>of the reason I don't remember it is because it

0:26:04.240 --> 0:26:08.040
<v Speaker 1>was personally so kind of overwhelming, right, like the success.

0:26:08.080 --> 0:26:11.080
<v Speaker 1>Do you remember when we first got nominated for an Emmy?

0:26:11.960 --> 0:26:15.520
<v Speaker 2>I could pretend I have more detailed memories. Here's what

0:26:15.640 --> 0:26:20.439
<v Speaker 2>I do remember about all of it or awards, is

0:26:20.480 --> 0:26:26.199
<v Speaker 2>that Amy Harris always knew everything. Like Amy Harris was,

0:26:27.600 --> 0:26:34.919
<v Speaker 2>you know, somehow from New York City, embedded in trade information,

0:26:35.400 --> 0:26:40.120
<v Speaker 2>and she always came to me the night before nominations

0:26:40.119 --> 0:26:41.760
<v Speaker 2>and I was always like, oh, Amy, I didn't know

0:26:41.800 --> 0:26:44.160
<v Speaker 2>about this. Why did you tell me? I don't want

0:26:44.240 --> 0:26:47.600
<v Speaker 2>to know about this? I don't I would say I

0:26:47.640 --> 0:26:50.480
<v Speaker 2>didn't care because it, you know, would potentially be too

0:26:50.480 --> 0:26:55.840
<v Speaker 2>painful to care and if we'd been not considered previously,

0:26:56.480 --> 0:26:58.880
<v Speaker 2>we were just fine, I meaning total, not like we're

0:26:58.920 --> 0:27:03.440
<v Speaker 2>just fine, meaning like, well, I don't we expected no,

0:27:03.600 --> 0:27:05.479
<v Speaker 2>And I think the kind of there was a kind

0:27:05.520 --> 0:27:10.160
<v Speaker 2>of a rub that you know, we were these out

0:27:10.160 --> 0:27:13.360
<v Speaker 2>of town ers, we weren't really part of a television industry,

0:27:14.000 --> 0:27:19.240
<v Speaker 2>that we weren't playing the game, yeah, or that we

0:27:19.359 --> 0:27:22.680
<v Speaker 2>just hadn't kind of like been part of a courtship

0:27:22.720 --> 0:27:28.000
<v Speaker 2>that's more traditional. And even if that hurts your feelings

0:27:28.040 --> 0:27:33.080
<v Speaker 2>for a minute, I don't think it, you know, kind

0:27:33.119 --> 0:27:35.080
<v Speaker 2>of was long term damage. So it was better to

0:27:35.200 --> 0:27:38.760
<v Speaker 2>stay distant and circumspect. Yeah.

0:27:39.080 --> 0:27:41.400
<v Speaker 1>I think that's a really healthy attitude. Yeah.

0:27:41.400 --> 0:27:43.560
<v Speaker 2>I think that's like just the only way to survive

0:27:43.600 --> 0:27:47.400
<v Speaker 2>and not feel crappy if your industry says, right, we're

0:27:47.400 --> 0:27:50.119
<v Speaker 2>not considering new people of course in New York City,

0:27:51.280 --> 0:27:55.320
<v Speaker 2>and there were so many other wonderful things about being

0:27:55.400 --> 0:28:00.679
<v Speaker 2>part of our show that you know, we're really sustenance.

0:28:00.760 --> 0:28:04.479
<v Speaker 2>So if it hurts for a minute, that's all right, right, Right,

0:28:04.680 --> 0:28:08.520
<v Speaker 2>If you break something that's like super important to you

0:28:08.680 --> 0:28:12.400
<v Speaker 2>or lose something, my way out of it typically is

0:28:13.800 --> 0:28:16.440
<v Speaker 2>and I'm not talking about people losing people. I'm talking

0:28:16.440 --> 0:28:19.880
<v Speaker 2>about like a thing like a nomination or but in

0:28:19.880 --> 0:28:22.920
<v Speaker 2>this case, you know, an important necklace, and I would

0:28:22.960 --> 0:28:25.040
<v Speaker 2>tell my I just tell myself, I didn't know about

0:28:25.080 --> 0:28:28.840
<v Speaker 2>that thing four weeks ago or three years ago. It

0:28:28.880 --> 0:28:31.399
<v Speaker 2>wasn't in my life, right, I didn't need it, want it,

0:28:31.480 --> 0:28:35.080
<v Speaker 2>count on it, look at it, hold it where it's melody. Yes,

0:28:35.320 --> 0:28:39.160
<v Speaker 2>So a nomination. I sort of felt the same way

0:28:38.560 --> 0:28:43.160
<v Speaker 2>if if I felt that there was disappointment, that Michael

0:28:43.200 --> 0:28:48.920
<v Speaker 2>was disappointed or anybody else, I would feel it. But

0:28:49.040 --> 0:28:52.280
<v Speaker 2>then I think I didn't even know about this stuff

0:28:52.320 --> 0:28:54.480
<v Speaker 2>three years ago, or I didn't know about this stuff

0:28:54.520 --> 0:28:57.320
<v Speaker 2>forty eight hours ago before Amy. Here is my nominations

0:28:57.320 --> 0:28:59.640
<v Speaker 2>are coming out, definitely, And if anyone ever asked me

0:28:59.640 --> 0:29:02.440
<v Speaker 2>about it campaign, it's like, please don't ask me about

0:29:02.440 --> 0:29:04.560
<v Speaker 2>a campaign. Please don't show me pictures for a campaign.

0:29:04.560 --> 0:29:08.120
<v Speaker 2>I don't want to know about it. For all, we're

0:29:08.160 --> 0:29:10.960
<v Speaker 2>not going to get anything. So that's how do it

0:29:11.000 --> 0:29:12.400
<v Speaker 2>on your own, you want to do it.

0:29:12.960 --> 0:29:15.120
<v Speaker 1>But also it didn't actually and I think this is

0:29:15.160 --> 0:29:17.320
<v Speaker 1>important to even say now, in the way that the

0:29:17.360 --> 0:29:20.200
<v Speaker 1>world operates, it doesn't actually affect the work that we

0:29:20.200 --> 0:29:22.920
<v Speaker 1>were doing one way or the other. Right, It's not

0:29:23.000 --> 0:29:25.200
<v Speaker 1>like because we won an Emmy, which we did, which

0:29:25.240 --> 0:29:27.560
<v Speaker 1>we never thought we do. We did. The show won

0:29:27.600 --> 0:29:34.040
<v Speaker 1>an Emmy first year, but no, but you, I thought

0:29:34.080 --> 0:29:38.600
<v Speaker 1>you meant year. But she doesn't even know it is adorable.

0:29:39.480 --> 0:29:42.440
<v Speaker 2>God, let me just clarify that the first year we

0:29:42.440 --> 0:29:43.920
<v Speaker 2>were nominated, we did not win.

0:29:44.800 --> 0:29:48.320
<v Speaker 1>I am light slightly unclear. So this is what we

0:29:48.400 --> 0:29:52.680
<v Speaker 1>wouldn't when you were dominated and you won, okay, previous

0:29:52.720 --> 0:29:55.320
<v Speaker 1>to the show being nominated and then the show. Sure,

0:29:55.560 --> 0:29:57.760
<v Speaker 1>I think you were not there because it was a

0:29:57.800 --> 0:30:00.640
<v Speaker 1>semi Emmys, because it was two thousand and one. Kim

0:30:00.680 --> 0:30:01.880
<v Speaker 1>and I were there alone.

0:30:02.080 --> 0:30:04.080
<v Speaker 2>No, wait, what year in two thousand and one? Was it?

0:30:04.160 --> 0:30:05.440
<v Speaker 2>What part of the summer?

0:30:05.480 --> 0:30:08.400
<v Speaker 1>It was the semi because I I was.

0:30:08.680 --> 0:30:11.000
<v Speaker 2>Pregnant and I couldn't travel for one. And I think

0:30:11.040 --> 0:30:12.720
<v Speaker 2>it wasn't that one. Okay, So wasn't that one.

0:30:12.800 --> 0:30:15.440
<v Speaker 1>It wasn't that one. So remember nine to eleven happened.

0:30:15.680 --> 0:30:19.840
<v Speaker 1>We're going to discuss the show's reaction and whatnot, and

0:30:19.880 --> 0:30:22.320
<v Speaker 1>then we were supposed to have the Emmys like right after.

0:30:22.480 --> 0:30:24.880
<v Speaker 1>I remember that I had had a photo shoot on

0:30:25.200 --> 0:30:28.560
<v Speaker 1>September tenth, so I'd pushed my flight to September eleventh, Yes,

0:30:28.720 --> 0:30:32.840
<v Speaker 1>I remember well, yes, And I had two vintage or

0:30:32.880 --> 0:30:36.880
<v Speaker 1>Veilersaire original bandage dresses in my suitcase that I was

0:30:36.880 --> 0:30:39.400
<v Speaker 1>supposed to decide between for the Emmys.

0:30:39.920 --> 0:30:41.440
<v Speaker 2>Were you going to check that luggage?

0:30:41.520 --> 0:30:47.400
<v Speaker 1>It was checked. It was checked because I was going home.

0:30:47.520 --> 0:30:50.240
<v Speaker 1>I was a season, right, so I had a lot

0:30:50.280 --> 0:30:54.280
<v Speaker 1>of stuff. I had my golden retriever CALLI right. Yes,

0:30:54.360 --> 0:30:57.280
<v Speaker 1>so we were all on that plane. I got Cali

0:30:57.400 --> 0:31:01.600
<v Speaker 1>out of the underneath, can get the bags. I was

0:31:01.760 --> 0:31:05.200
<v Speaker 1>really stressed about those original dresses late later, obviously not

0:31:05.320 --> 0:31:08.320
<v Speaker 1>on the day. Did eventually get them back, thank god,

0:31:08.560 --> 0:31:17.320
<v Speaker 1>and no one was upset with me, which was really nice.

0:31:21.320 --> 0:31:23.880
<v Speaker 1>So then because of the war in Iraq, we had

0:31:23.960 --> 0:31:27.040
<v Speaker 1>pushed the Emmys back right, and some people felt we

0:31:27.040 --> 0:31:28.440
<v Speaker 1>shouldn't even have them at all.

0:31:28.640 --> 0:31:31.240
<v Speaker 2>I remember some controversy around.

0:31:31.000 --> 0:31:33.560
<v Speaker 1>And I want short dress, did you? That's why I

0:31:33.560 --> 0:31:36.120
<v Speaker 1>call it the semi Emmys. I was like, it feels

0:31:36.280 --> 0:31:40.479
<v Speaker 1>weird to get in the midst glam. And what I

0:31:40.520 --> 0:31:43.680
<v Speaker 1>do kind of someone understand now is that you know

0:31:43.760 --> 0:31:48.520
<v Speaker 1>that is enjoyment for people. People enjoy us getting dressed,

0:31:48.880 --> 0:31:53.719
<v Speaker 1>going trying to celebrate things, right, Yeah, so, but at

0:31:53.760 --> 0:31:55.960
<v Speaker 1>the time I don't I don't know that we felt

0:31:55.960 --> 0:31:58.320
<v Speaker 1>that and we were all still just trying to recover

0:31:58.400 --> 0:32:01.120
<v Speaker 1>our bearings, you know, from this situation. But that's why

0:32:01.120 --> 0:32:03.080
<v Speaker 1>you don't really remember that one.

0:32:02.920 --> 0:32:04.719
<v Speaker 2>Because only you and Kim went correct.

0:32:04.760 --> 0:32:08.400
<v Speaker 1>God, is okay your Loane in our short Michael Patrick there,

0:32:09.040 --> 0:32:11.520
<v Speaker 1>I don't think so, he's not the pictures. I have

0:32:11.600 --> 0:32:12.720
<v Speaker 1>to ask him when I see him.

0:32:12.760 --> 0:32:13.680
<v Speaker 2>And that and we won.

0:32:13.960 --> 0:32:18.800
<v Speaker 1>Yes, the show won an Emmy for writing for the

0:32:18.840 --> 0:32:20.960
<v Speaker 1>whole show. This is the give an award for the

0:32:20.960 --> 0:32:21.440
<v Speaker 1>whole show.

0:32:21.520 --> 0:32:24.080
<v Speaker 2>Sarah.

0:32:24.360 --> 0:32:25.560
<v Speaker 1>You're making me.

0:32:25.440 --> 0:32:28.960
<v Speaker 2>So happy right now because you're this. I really don't know.

0:32:29.080 --> 0:32:32.800
<v Speaker 1>I know, I know everyone's is not feinting. This Okay,

0:32:32.840 --> 0:32:34.880
<v Speaker 1>this okay, We're just going to show you pictures. This

0:32:34.880 --> 0:32:37.640
<v Speaker 1>is how you're gonna remember. This is the year two

0:32:37.680 --> 0:32:40.280
<v Speaker 1>thousand when you want a golden globe.

0:32:40.440 --> 0:32:41.760
<v Speaker 2>I remember that dress? Yes?

0:32:41.920 --> 0:32:42.760
<v Speaker 1>You remember who made it?

0:32:42.880 --> 0:32:43.920
<v Speaker 2>Richard Tyler. Yes?

0:32:44.120 --> 0:32:45.640
<v Speaker 1>Do you want to know why I remember?

0:32:46.200 --> 0:32:46.400
<v Speaker 2>Well?

0:32:46.800 --> 0:32:48.720
<v Speaker 1>No, I also wore Richard Tyler.

0:32:48.920 --> 0:32:49.560
<v Speaker 2>Do we both?

0:32:49.840 --> 0:32:52.880
<v Speaker 1>We both wore Richard Tyler. I just know I don't

0:32:52.880 --> 0:32:54.760
<v Speaker 1>think I knew you were wearing Richard Tyler, though, I

0:32:54.760 --> 0:32:57.600
<v Speaker 1>think you told me to look up Richard Tayler because

0:32:57.640 --> 0:32:59.000
<v Speaker 1>he was in LA. Right.

0:32:59.240 --> 0:33:01.040
<v Speaker 2>Oh, that's right. He was in both New York and

0:33:01.200 --> 0:33:03.360
<v Speaker 2>Los Angeles. That's right. Yeah, that's right. And he was

0:33:03.680 --> 0:33:05.880
<v Speaker 2>a melo. Yes, yes, he had a shop.

0:33:06.440 --> 0:33:08.520
<v Speaker 1>Think about it. Every time I drive by, it's not there.

0:33:08.600 --> 0:33:09.200
<v Speaker 2>Yeah.

0:33:09.240 --> 0:33:12.000
<v Speaker 1>And I had not had a stylist at that point.

0:33:12.480 --> 0:33:13.920
<v Speaker 1>I didn't really don't know if.

0:33:13.760 --> 0:33:15.120
<v Speaker 2>I had a stylist at that point.

0:33:15.120 --> 0:33:16.480
<v Speaker 1>I feel like you might have had the rein, but

0:33:16.600 --> 0:33:19.160
<v Speaker 1>I'm not sure. Maybe not yet, I don't think so, Okay,

0:33:19.240 --> 0:33:20.280
<v Speaker 1>got it, I don't think so.

0:33:20.440 --> 0:33:20.760
<v Speaker 2>Yeah.

0:33:20.800 --> 0:33:23.480
<v Speaker 1>So I went over there to the shop, and the

0:33:23.480 --> 0:33:25.640
<v Speaker 1>window of the shop was a beautiful red dress on

0:33:25.680 --> 0:33:27.600
<v Speaker 1>the mannequin, and I was like, cord, I just wear that.

0:33:27.640 --> 0:33:30.480
<v Speaker 1>They were like, uh, someone else could be wearying. I

0:33:30.480 --> 0:33:33.440
<v Speaker 1>was like, okay, you know, I never cared about that, right,

0:33:33.480 --> 0:33:35.560
<v Speaker 1>And also like I didn't really understand what the Golden

0:33:35.600 --> 0:33:39.320
<v Speaker 1>Globes was fundamentally, right, So I was just like, I

0:33:39.360 --> 0:33:41.479
<v Speaker 1>don't know, so I wear this red dress. I do,

0:33:41.560 --> 0:33:44.280
<v Speaker 1>in fact, run into a woman wearing the identical dress

0:33:44.640 --> 0:33:46.800
<v Speaker 1>at the Golden Globes. She was very nice about it.

0:33:46.840 --> 0:33:49.240
<v Speaker 1>She was possibly an executive's wife or something, you know,

0:33:49.240 --> 0:33:53.040
<v Speaker 1>And I'm saying because she just went to women with taste, Yeah, yeah, definitely,

0:33:53.080 --> 0:33:55.160
<v Speaker 1>but you know it was there to die, right, and

0:33:55.200 --> 0:33:56.880
<v Speaker 1>I loved it. But it rained that day, and my

0:33:56.960 --> 0:33:58.000
<v Speaker 1>hair's all frizzy.

0:33:58.200 --> 0:33:59.320
<v Speaker 2>Wow, and like.

0:33:59.280 --> 0:34:01.400
<v Speaker 1>The I don't have the group picture of us, but

0:34:01.560 --> 0:34:02.800
<v Speaker 1>Michael's got the curls.

0:34:03.440 --> 0:34:06.600
<v Speaker 2>Jim crochy. Yes, I used to call them Jim crochy.

0:34:06.840 --> 0:34:07.360
<v Speaker 1>Oh my god.

0:34:07.480 --> 0:34:07.640
<v Speaker 2>Yeah.

0:34:08.440 --> 0:34:11.160
<v Speaker 1>And I remember when we remember how the film people

0:34:11.200 --> 0:34:14.600
<v Speaker 1>would be at the lower level at the Oh you're

0:34:14.600 --> 0:34:16.279
<v Speaker 1>reminded me, Yes, you remember, and.

0:34:16.200 --> 0:34:18.680
<v Speaker 2>We could wash them back exactly if you've had a.

0:34:18.600 --> 0:34:21.160
<v Speaker 1>Good view everyone we were.

0:34:21.200 --> 0:34:22.680
<v Speaker 2>If this stage was in front of us, I think

0:34:22.719 --> 0:34:24.680
<v Speaker 2>we were back on the right. Yes, we're back on

0:34:24.680 --> 0:34:26.240
<v Speaker 2>the right, like audience right.

0:34:26.120 --> 0:34:28.520
<v Speaker 1>That was our spot. Yeah, they would get our spot

0:34:28.560 --> 0:34:31.000
<v Speaker 1>almost every year. It was fun times. But then when

0:34:31.000 --> 0:34:34.239
<v Speaker 1>they call her name and we're just like what and

0:34:34.280 --> 0:34:35.400
<v Speaker 1>we have to get up. We have to make it

0:34:35.480 --> 0:34:37.759
<v Speaker 1>all the way down there, right, Why they.

0:34:37.760 --> 0:34:42.040
<v Speaker 2>Voted for us? They must so nice, Jessica, they were

0:34:42.040 --> 0:34:42.560
<v Speaker 2>really We.

0:34:42.640 --> 0:34:45.479
<v Speaker 1>Just saw that lady when you got your your she's

0:34:45.560 --> 0:34:48.880
<v Speaker 1>so lovely, right, like there are our biggest fans. It

0:34:48.920 --> 0:34:52.080
<v Speaker 1>was incredible, incredible, And I remember having to go all

0:34:52.120 --> 0:34:55.520
<v Speaker 1>the way down and I speaking from people, we.

0:34:56.440 --> 0:34:57.120
<v Speaker 2>And our faces.

0:34:57.200 --> 0:35:01.120
<v Speaker 1>Spoke to Darren Saren, Yes, Darren, and Michael Patrick's behind

0:35:01.160 --> 0:35:03.439
<v Speaker 1>him with girls and we're all just like, we're all

0:35:03.520 --> 0:35:06.360
<v Speaker 1>just like what we're up here. We're just like so

0:35:06.520 --> 0:35:09.000
<v Speaker 1>like deer in the headlights. And my biggest memory of

0:35:09.040 --> 0:35:12.000
<v Speaker 1>the whole thing, other than just the shock value, was

0:35:12.120 --> 0:35:14.960
<v Speaker 1>Julianne Moore is sitting down in the film section and

0:35:15.040 --> 0:35:18.239
<v Speaker 1>she is clapping like it's literally the best thing that's

0:35:18.239 --> 0:35:20.960
<v Speaker 1>ever happened to her, but she's like levitating off her chair.

0:35:21.520 --> 0:35:25.120
<v Speaker 1>It was like Julianne mourners from shore. And that was

0:35:25.160 --> 0:35:28.359
<v Speaker 1>my first kind of introduction to the warmth that can

0:35:28.400 --> 0:35:30.799
<v Speaker 1>be in our business, you know, like the support and

0:35:30.840 --> 0:35:34.279
<v Speaker 1>the warmth from other people that you admire. It was

0:35:34.360 --> 0:35:34.919
<v Speaker 1>so nice.

0:35:35.000 --> 0:35:37.240
<v Speaker 2>That's really nice. That's a nice memory. Yeah.

0:35:37.280 --> 0:35:40.319
<v Speaker 1>So then the next day my memories continue. The next day,

0:35:40.360 --> 0:35:42.320
<v Speaker 1>I went to return the dress that I had borrowed

0:35:42.320 --> 0:35:44.960
<v Speaker 1>from the window, and when I walked in it was

0:35:44.960 --> 0:35:48.319
<v Speaker 1>a pretty small store, like a pretty intimate store. I

0:35:48.520 --> 0:35:54.680
<v Speaker 1>smell your fragrance because you had been nervous and you

0:35:54.800 --> 0:35:55.400
<v Speaker 1>had spray.

0:35:56.320 --> 0:35:57.720
<v Speaker 2>That's even when I'm not nervous.

0:35:57.800 --> 0:36:00.040
<v Speaker 1>This is y she does. And this is before you

0:36:00.120 --> 0:36:04.000
<v Speaker 1>had an official frigus. Yes, when you're mixing your yess,

0:36:04.800 --> 0:36:08.359
<v Speaker 1>I had returned the dress. Yes, you had returned the dress.

0:36:08.360 --> 0:36:10.160
<v Speaker 2>And it'd be good and punctual. Yes.

0:36:10.440 --> 0:36:11.959
<v Speaker 1>Right, you taught me that it's.

0:36:11.920 --> 0:36:15.720
<v Speaker 2>The it's the it's the honor system from the library. Yes,

0:36:15.760 --> 0:36:18.080
<v Speaker 2>if you bring the book back, you get another exactly

0:36:18.080 --> 0:36:21.399
<v Speaker 2>if you bring the dress back, Yes, they might let

0:36:21.400 --> 0:36:22.520
<v Speaker 2>you borrow another one.

0:36:22.680 --> 0:36:24.800
<v Speaker 1>Yes, you were saying in decent condition.

0:36:24.520 --> 0:36:26.640
<v Speaker 2>With the exception of fragrance. Right.

0:36:26.680 --> 0:36:27.920
<v Speaker 1>It was a beautiful fragrance.

0:36:27.960 --> 0:36:28.680
<v Speaker 2>I mean the whole story.

0:36:28.719 --> 0:36:30.600
<v Speaker 1>I thought you were literally in the store. I was like,

0:36:30.600 --> 0:36:32.839
<v Speaker 1>you start just in the back, and they're like, no, no, no,

0:36:32.880 --> 0:36:34.279
<v Speaker 1>she just returned the dress and I was like, oh,

0:36:34.320 --> 0:36:36.839
<v Speaker 1>it's her fragrance. And little did I know you were

0:36:36.840 --> 0:36:39.440
<v Speaker 1>going to have this whole amazing fragrance like and now

0:36:39.480 --> 0:36:42.520
<v Speaker 1>you have another one. This is what I want to discuss.

0:36:42.840 --> 0:36:46.919
<v Speaker 2>Oh God, this is our like our fourteenth fragrance, is it? Oh,

0:36:47.160 --> 0:36:49.560
<v Speaker 2>it's all birth from lovely got it? I Mean there

0:36:49.600 --> 0:36:53.520
<v Speaker 2>have been some outside the house that don't a lot,

0:36:53.640 --> 0:36:58.040
<v Speaker 2>meaning they're not they aren't children of Lovely, but this

0:36:58.360 --> 0:37:02.319
<v Speaker 2>is the new one are kind of they're kind of

0:37:02.440 --> 0:37:07.200
<v Speaker 2>almost standalones. The bottle shape is different, although there are

0:37:07.520 --> 0:37:13.120
<v Speaker 2>there are design elements that mimic the cap of Lovely,

0:37:13.960 --> 0:37:17.480
<v Speaker 2>so they're ribbed like the cap, the original cap of Lovely,

0:37:17.560 --> 0:37:20.239
<v Speaker 2>and they have the grow grain of stripe, which is

0:37:20.680 --> 0:37:23.080
<v Speaker 2>not to my mother, which was my also my shoes,

0:37:23.440 --> 0:37:26.239
<v Speaker 2>so they are pieces and elements, and they're sort of

0:37:26.640 --> 0:37:28.440
<v Speaker 2>triplets versus a singular.

0:37:28.840 --> 0:37:31.280
<v Speaker 1>Got it. They related to each other.

0:37:32.280 --> 0:37:35.600
<v Speaker 2>Only in packaging, not in juice, got it? So the

0:37:35.680 --> 0:37:39.239
<v Speaker 2>sense are all entirely different. Wow, and actually there's four.

0:37:39.280 --> 0:37:41.560
<v Speaker 2>I said three, but there's four. Oh there's three, Okay,

0:37:41.560 --> 0:37:46.080
<v Speaker 2>I'm not mad. Okay, So the juices the fragrance don't

0:37:46.200 --> 0:37:50.320
<v Speaker 2>have anything to do with one another, just the packaging.

0:37:50.440 --> 0:37:53.520
<v Speaker 1>Got it of them? Am I going to be like, Oh, yes.

0:37:53.560 --> 0:37:57.960
<v Speaker 2>They're not they're not going to feel reminiscent of Lovely, Okay,

0:37:58.840 --> 0:38:07.440
<v Speaker 2>But they're great, They're they're much they're much less polite.

0:38:07.560 --> 0:38:10.160
<v Speaker 2>You know, Lovely is like a very yes, it's kind

0:38:10.160 --> 0:38:15.720
<v Speaker 2>of light, polite, very man like. It has very extremely

0:38:15.760 --> 0:38:19.160
<v Speaker 2>good manners. You know, lovel is welcome. You know, I

0:38:19.239 --> 0:38:22.200
<v Speaker 2>say it, and these are they have it. They have nice,

0:38:22.239 --> 0:38:27.120
<v Speaker 2>strong personalities, they're more fun, they're more contemporary. Am I

0:38:27.160 --> 0:38:29.880
<v Speaker 2>describing it? What would you say? Yeah? Like even the

0:38:29.880 --> 0:38:33.520
<v Speaker 2>boldness of each bottle is like a bold color. The

0:38:33.560 --> 0:38:35.200
<v Speaker 2>bottles are unbelievable.

0:38:35.239 --> 0:38:36.480
<v Speaker 1>I mean it's a picture on the Instagram.

0:38:36.520 --> 0:38:37.280
<v Speaker 2>They are amazing.

0:38:37.360 --> 0:38:38.440
<v Speaker 1>Yeah, that's what I wanted to hear.

0:38:38.640 --> 0:38:41.800
<v Speaker 2>In each side of those really kind of bold graph

0:38:41.920 --> 0:38:44.959
<v Speaker 2>there's like something really graphic. The fragrances are are really

0:38:45.120 --> 0:38:45.560
<v Speaker 2>they're great.

0:38:46.200 --> 0:38:47.560
<v Speaker 1>Yes, I'm so excited.

0:38:47.680 --> 0:38:49.600
<v Speaker 2>And then we have another one coming out after that.

0:38:49.600 --> 0:38:53.000
<v Speaker 1>That's really good, I know, the fragrance. Yes, or your

0:38:53.040 --> 0:38:57.040
<v Speaker 1>whole Now it's lovely. It's another lovely child.

0:38:57.239 --> 0:39:00.480
<v Speaker 2>God at this point, great great, great great grandchild, got it.

0:39:00.800 --> 0:39:05.879
<v Speaker 2>I think what you're now twenty incredible, our twenty first year.

0:39:06.640 --> 0:39:09.880
<v Speaker 2>That's great, you know, it's funny. Lovely is twenty one

0:39:09.920 --> 0:39:10.800
<v Speaker 2>years old? Almost?

0:39:10.960 --> 0:39:12.600
<v Speaker 1>Wow? Your your first child?

0:39:12.840 --> 0:39:13.360
<v Speaker 2>Yes?

0:39:14.719 --> 0:39:15.680
<v Speaker 1>Wait, how old is Jane?

0:39:15.719 --> 0:39:18.560
<v Speaker 2>Well no, not my first child, but yeah, it's like, wait,

0:39:18.800 --> 0:39:19.520
<v Speaker 2>first fragrance.

0:39:19.600 --> 0:39:21.480
<v Speaker 1>I know, see they're frozen in my mind. I know

0:39:21.600 --> 0:39:24.480
<v Speaker 1>I didn't say actual ages. Let's just leave them terrifying

0:39:24.640 --> 0:39:29.799
<v Speaker 1>right as young Teddler's totally totally yes, yes when you

0:39:29.840 --> 0:39:32.280
<v Speaker 1>think about So, we were talking a little bit about

0:39:32.520 --> 0:39:36.640
<v Speaker 1>the trajectory of your producing right which I love the

0:39:36.680 --> 0:39:38.880
<v Speaker 1>origin of it. I didn't know that origin story, and

0:39:38.920 --> 0:39:42.320
<v Speaker 1>I feel like you stepped into it with such grace

0:39:42.560 --> 0:39:47.600
<v Speaker 1>and the way that you were able to combine caring

0:39:47.800 --> 0:39:51.439
<v Speaker 1>for the crew with the choices. I also remember that,

0:39:51.520 --> 0:39:53.680
<v Speaker 1>like in the wee hours, you know, Melfie would come

0:39:53.760 --> 0:39:55.680
<v Speaker 1>up to you. We'd be sitting in our chairs and

0:39:55.880 --> 0:39:57.600
<v Speaker 1>he started talking to you about the next day, and

0:39:57.600 --> 0:39:59.560
<v Speaker 1>I would just be like, oh god, I don't even

0:39:59.600 --> 0:40:02.640
<v Speaker 1>know if I no listen, but you know, the all

0:40:02.719 --> 0:40:05.279
<v Speaker 1>the different details that you had to take into consideration

0:40:05.480 --> 0:40:07.239
<v Speaker 1>about the call and this call and that call and

0:40:08.200 --> 0:40:10.480
<v Speaker 1>your call, and you know, you'd force your call and

0:40:10.520 --> 0:40:12.480
<v Speaker 1>I would just be like, oh my god, she's so strong,

0:40:13.000 --> 0:40:14.560
<v Speaker 1>Oh my god, how are we all going to do it?

0:40:15.680 --> 0:40:16.120
<v Speaker 2>And we did.

0:40:16.200 --> 0:40:19.720
<v Speaker 1>We found a way. We found a way, which was amazing. Sarah, Jessica.

0:40:20.120 --> 0:40:22.880
<v Speaker 1>We could talk forever, as you know, So let's take

0:40:22.920 --> 0:40:25.399
<v Speaker 1>a little break here and you guys, we will be

0:40:25.440 --> 0:40:32.919
<v Speaker 1>back for another episode of Are You a Charlotte