WEBVTT - Issue #0

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<v Speaker 1>You're listening to waiting on reparations of production of I

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<v Speaker 1>Heart Radio. Uh, I'm said he wishing there with six

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<v Speaker 1>of me want to find a husband. I could try

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<v Speaker 1>to feed me breakfast in a lunch and keep his

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<v Speaker 1>dick card mouth shutting the kitchen clee. I want to

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<v Speaker 1>sit between Dickinson and Linquin. Commission meets one for giving

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<v Speaker 1>hikis and swilling whiskey like let's dring, chasing it down

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<v Speaker 1>with dark and stormy, still the bars closing up at

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<v Speaker 1>little Kings. I wanted to fill my st before me

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<v Speaker 1>go depressive. Man it for me, standing for me out

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<v Speaker 1>and knock a soft for me. Maybe then I get

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<v Speaker 1>some sleep, which you probably need. The fifth to live

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<v Speaker 1>in infamy, so I can live in peace. But I'm

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<v Speaker 1>splitting six which disease at the centerpiece. Who the fund is? Mariah?

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<v Speaker 1>What the fun is that? I said? Welcome to the

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<v Speaker 1>bottom of the barrel, cops j walking put the clock

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<v Speaker 1>to your perrel. Lock you in the box for all

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<v Speaker 1>the posits in your bar row, and even taking washingt

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<v Speaker 1>bike and talking for in there row. I dare you

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<v Speaker 1>to come let these crackers put you want to curf you?

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<v Speaker 1>You could keep it reel and let the silly niggas Murphy.

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<v Speaker 1>I'll tell you what the deals he really ain't got

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<v Speaker 1>no virtues of viboral quiets were Nobody really deserves you

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<v Speaker 1>when life is giving them. Couragey strike probably solve it all.

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<v Speaker 1>The follow worlds unite people worth the sight think guy

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<v Speaker 1>ship nigga my persons tight heard it right and post

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<v Speaker 1>a picture here to frame of perfect life of the

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<v Speaker 1>worse and height nick and conserved the worst of slight.

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<v Speaker 1>Financial rigor mortis got you throwing fish and all you're

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<v Speaker 1>ship the story that you was talking to sick. Now

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<v Speaker 1>you're just sipping porch penny pitch, of course, which it

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<v Speaker 1>makes you sick of porsh it instead of sitting gorgeous

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<v Speaker 1>predators got picks and torches. Welcome to Waiting on Reparation.

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<v Speaker 1>Hurry up. My name's Dope Knife and I'm lingal Franca

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<v Speaker 1>reporting to you live from not live, reporting to you hot,

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<v Speaker 1>coming in hot, coming in hot from Athens, Georgia and

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<v Speaker 1>an undisclosed time on disclosed place. This is actually episode

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<v Speaker 1>zero of the Waiting on Reparations podcast, and then the

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<v Speaker 1>tradition of all episode zero is like like I don't

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<v Speaker 1>know do do you know what episode with with this

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<v Speaker 1>episode or issue zero is it's like the epicenter. It's

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<v Speaker 1>like the ground zero. It's like the dead nation point

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<v Speaker 1>for the whole thing. It's like the start of the

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<v Speaker 1>show before the start of the show. Right, It's like

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<v Speaker 1>it's like the Garden of Eden, you know, back in

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<v Speaker 1>the day, like in in comic books, they would always

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<v Speaker 1>have an issue zero, but it would come out long

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<v Speaker 1>after the comic book has been around, but it would

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<v Speaker 1>just be kind of like, what are you some kind

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<v Speaker 1>of nerd or something? Yeah, I mean you would think so, right,

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<v Speaker 1>but like if you know the standards story like Spider Man,

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<v Speaker 1>right then like there would be an issue zero and

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<v Speaker 1>it's like what did he do in school that day

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<v Speaker 1>before he got bitten by the radio actors? So it

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<v Speaker 1>is that yeah, yeah, I mean so this is kind

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<v Speaker 1>of like that. It's like you know who, So who

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<v Speaker 1>are we? Who are you? Who are you? Who am I? Yeah?

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<v Speaker 1>So I'm going to answer a question with a question.

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<v Speaker 1>So yeah, I'm lingal franco Um hip hop artist, kind

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<v Speaker 1>of commissioner here in Athens, Georgia. Show me don't come

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<v Speaker 1>out to we we both have probably think some robber

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<v Speaker 1>reason know that from we were keeping a stickle sharp,

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<v Speaker 1>So pry you better riot if I don't pray you

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<v Speaker 1>better right, if I'm don't pray you better riot? For

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<v Speaker 1>about a year and a half now, also getting my

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<v Speaker 1>PhD at the University of Georgia go doggs UM in

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<v Speaker 1>Language and Literacy education. So I study hip hop language

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<v Speaker 1>and culture and how it can be used in the

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<v Speaker 1>classroom and stuff like that. And also I'm very involved

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<v Speaker 1>in politics, and so I'm interested in the overlaps between

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<v Speaker 1>the dimensions of the political realm and the realm of

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<v Speaker 1>hip hop. When did you get into hip hop? So

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<v Speaker 1>it's a funny story because it's also the story of

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<v Speaker 1>how I met you in the first place, the story

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<v Speaker 1>of how you got into hip hop, well, got into

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<v Speaker 1>hip hop in terms of being a performer, take it

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<v Speaker 1>all the way back, because we'll get to that. But yeah,

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<v Speaker 1>like so, like how did you get into hip hop?

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<v Speaker 1>Just in general, because I mean that matters, because that

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<v Speaker 1>has to happen first before you get into the performance.

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<v Speaker 1>That's true. I mean I was a passive hip hop

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<v Speaker 1>listener throughout my childhood and like early adolescence, I was

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<v Speaker 1>around a lot of like ciphers and people who thought

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<v Speaker 1>they could wrap good and most of whom were like dudes,

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<v Speaker 1>And so I kind of stayed out of it, just

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<v Speaker 1>like had my little pen and add on the sidelines,

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<v Speaker 1>like writing rhymes until um frankly, like I wasn't I

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<v Speaker 1>got into UM. I was in graduate school and I

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<v Speaker 1>had been in the spoken word, I've been in freestyle

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<v Speaker 1>and stuff like that, but like I started to really

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<v Speaker 1>find a sense of identity and hip hop listening to

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<v Speaker 1>hip hop that um, I felt like challenged the stereotype

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<v Speaker 1>of what hip hop could be folks like a sad

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<v Speaker 1>rock for example, and like Skeleton came out. I was like, oh, man,

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<v Speaker 1>hip hop can be this too, Like this can also

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<v Speaker 1>embrace like the nerdy sides of me, the dark sides

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<v Speaker 1>of me in terms of like being a crazy person,

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<v Speaker 1>um and so and still be cool and still yeah

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<v Speaker 1>and be fantastical and be all these things and so

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<v Speaker 1>like my inner like you know, book reading, literary as

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<v Speaker 1>like nerdy black girl like finally found like a space

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<v Speaker 1>within the genre and uh decided to like start making

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<v Speaker 1>my own music and know three years later, four years later,

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<v Speaker 1>traveling around the country and stuff, playing shows you know,

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<v Speaker 1>do them with a thing. So who are you? Um,

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<v Speaker 1>I am dope knife. I'm a rapper, producer, illustrator, sometimes

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<v Speaker 1>filmmaker from US Havannah, Georgia. I'd rather slabor way to

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<v Speaker 1>thank of something to say, so when it comes to point,

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<v Speaker 1>it works to get the dog. I'm a lap rant

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<v Speaker 1>with that. I still love my son if he's gay,

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<v Speaker 1>but I kicked him out the motherfucking house if he

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<v Speaker 1>wraps whacked one. Mike Mike Dree said everybody down. Kind

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<v Speaker 1>of found a little audience for myself. So I've been

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<v Speaker 1>making music independently for about a decade now. I didn't

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<v Speaker 1>grow up in the States. You know. My my father

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<v Speaker 1>works in the State Department. When I was a kid,

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<v Speaker 1>so we used to travel from country to country, you know,

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<v Speaker 1>growing up, and we'd always you know, I was always

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<v Speaker 1>in American schools abroad or international schools abroad. There wasn't

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<v Speaker 1>that sort of you know, hey, hip hop is like

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<v Speaker 1>this new fresh thing. It just wasn't there and it

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<v Speaker 1>wasn't present for me like that. So when I did

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<v Speaker 1>get into high school, and I think I was in

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<v Speaker 1>Singapore at the time, um, and I did start meeting

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<v Speaker 1>people who were like DJ's and break the answers and

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<v Speaker 1>stuff like that, who are who are in school with me?

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<v Speaker 1>And it was like, oh man, so like there's like

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<v Speaker 1>this whole other world that seems like dangerous and not

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<v Speaker 1>a lot of people do it, you know what I mean.

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<v Speaker 1>It It just had had this like countercultural vibe to

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<v Speaker 1>it that was cool from the surface level. So then

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<v Speaker 1>when I started becoming a participant and it started researching

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<v Speaker 1>it more and learning more about it, and then you

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<v Speaker 1>learn more about like why hip hop was started in

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<v Speaker 1>the first place, going to hip hop events and be

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<v Speaker 1>boy jams and battles and graffiti contests and stuff like that,

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<v Speaker 1>and just getting immersed in the culture. Do you feel

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<v Speaker 1>like you use hip hop in your everyday life today? Um?

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<v Speaker 1>I mean yeah, but in subtle ways stuff that's kind

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<v Speaker 1>of hard to articulate. Like I think so the way

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<v Speaker 1>that I think of hip hop, it's in the way

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<v Speaker 1>that I speak, It's in how I dress. Not to

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<v Speaker 1>sound corny, but like I look at hip hop as

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<v Speaker 1>kind of like a spiritual experience for me. Yeah, I

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<v Speaker 1>really want to talk about how we met because I

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<v Speaker 1>think it's really funny. Okay, Yeah, the story of how

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<v Speaker 1>Lingua Franca and Dope Nick and that I was on

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<v Speaker 1>this little string where one thing was leading to another,

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<v Speaker 1>and I was opening up for this cat, and I

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<v Speaker 1>was opening up for that cat. I was like, oh ship,

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<v Speaker 1>you know. And then it got to the point where

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<v Speaker 1>it's like, oh, you know, do you wanna open up

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<v Speaker 1>for St. Francis in Atlanta? I was like, yeah, you know,

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<v Speaker 1>that sounds like a planet, you know. So I go

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<v Speaker 1>down there and I opened up and it was like

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<v Speaker 1>one of the illest shows that I've done, felt like

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<v Speaker 1>I rocked. It, got off stage like people bought a

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<v Speaker 1>bunch of merch and the I came up to you

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<v Speaker 1>and I was like, oh my god, you were so great.

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<v Speaker 1>You should come play in Athens, Georgia. I'm not gonna imitate.

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<v Speaker 1>And and uh my friend who also has made fun

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<v Speaker 1>of me and like play wear and Atham started and

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<v Speaker 1>like Athens is like the whitest town in America, which

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<v Speaker 1>is not true, but like as a white kid, he

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<v Speaker 1>you know, um, et cetera. And you you were still like, yeah,

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<v Speaker 1>sure is you know, come up sometime, we'll play a show.

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<v Speaker 1>It'll be I was also like just got off stage

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<v Speaker 1>mode too, so it was like yeah, yeah, somebody's like

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<v Speaker 1>talking anyone anything. Yeah, yeah, stuck with me. I was like,

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<v Speaker 1>I'm going to put on a hip hop show in Athens.

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<v Speaker 1>So I'm gonna bring this cat out. He's gonna do

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<v Speaker 1>that who's got the props thing? It's gonna be awesome. Um.

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<v Speaker 1>And so I had never performed before ever, like it

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<v Speaker 1>didn't you know, and Athens and only have a five

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<v Speaker 1>hip hop scene at the time. But I went to

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<v Speaker 1>the bar where I was working at and like, you know,

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<v Speaker 1>asked him, like a hip hop show, there's this really

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<v Speaker 1>dope cat from Savannah who I'm gonna have come up.

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<v Speaker 1>It can be great, and they, you know, they grudgingly obliged.

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<v Speaker 1>Was that the hot corner? That was the hot first off?

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<v Speaker 1>When I hip hop I had and I, uh, that

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<v Speaker 1>was like two yeah. So I was like, yeah, I'm

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<v Speaker 1>gonna open for him. It's gonna be great. But then

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<v Speaker 1>I had to write all the songs like I had

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<v Speaker 1>like I didn't have any material. I was like, oh,

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<v Speaker 1>it's gonna be fine. I'm gonna you know, write all

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<v Speaker 1>this material and then you couldn't come. So I was like, well,

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<v Speaker 1>I guess I'm gonna headline my own first show. And

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<v Speaker 1>like put this whole bill together, even though like the

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<v Speaker 1>whole premise initially it's fallen through now um and uh

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<v Speaker 1>eventually did come play an appen? Yeah, no I did,

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<v Speaker 1>I did. Um. I think it was the next year

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<v Speaker 1>I came and played. Yeah it was at the Caledonia,

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<v Speaker 1>I think. Yeah. Yeah. But anyway, then we started, i know,

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<v Speaker 1>times live, We started playing music a lot together. We

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<v Speaker 1>went on tour through the southeast south to Texas and

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<v Speaker 1>South seventeen. Now we are roommates. That was the model

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<v Speaker 1>to model minority tour back into that seen and now

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<v Speaker 1>we are. We lived together as of like yesterday two

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<v Speaker 1>days making music and podcasts. Yeah, well you know what

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<v Speaker 1>I mean. Even this, the whole conversation we've been having

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<v Speaker 1>so far is all kind of surface levels far as

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<v Speaker 1>episode zeros. Yeah, anyway, let's yeah, okay, so Athens, Georgia.

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<v Speaker 1>Let's talk a little bit about Athens, Georgia, because you know,

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<v Speaker 1>we might have big ideas, but we live in a

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<v Speaker 1>small town is and I think a lot of you know,

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<v Speaker 1>people can relate as be consume media that I was,

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<v Speaker 1>you know, produced oftentimes like on the coast, Like now

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<v Speaker 1>we we regular people. We live in a regular town,

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<v Speaker 1>but it's a sound the vibrant, I guess you could say,

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<v Speaker 1>like music history, and so it's an interesting place to

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<v Speaker 1>be if you are in hip hop, you know, because

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<v Speaker 1>folks oftentimes know Abouthens for people like you know, R A.

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<v Speaker 1>M and Bet two and then eight is or like

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<v Speaker 1>if you're into like I don't know, can you call

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<v Speaker 1>it indie rock? I don't even know that. I don't

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<v Speaker 1>genres outside of hip hop. Um, it's like, you know,

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<v Speaker 1>like Neutral medic Hotel by the nineties or like upon

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<v Speaker 1>Montreal of Montreal in the two thousands. I mean, shout

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<v Speaker 1>out to Kichi Bashi is like killing him right now,

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<v Speaker 1>is homie. It's definitely one of those towns that's like

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<v Speaker 1>has has like a musical pedigree, but it does. Yeah,

0:11:25.520 --> 0:11:27.680
<v Speaker 1>that's a good way to say it. Yeah, yeah, yeah

0:11:28.440 --> 0:11:31.960
<v Speaker 1>sont Notably, we do claim Bubba Sparks is Bubba Sparks

0:11:32.600 --> 0:11:34.760
<v Speaker 1>Sparks is from Athens. Yeah, you getg Twins with the

0:11:34.840 --> 0:11:40.360
<v Speaker 1>high school here. That sounds like, y'all not it made.

0:11:40.440 --> 0:11:44.000
<v Speaker 1>I mean just just serves claim and famous motherfucker sounds

0:11:44.080 --> 0:11:48.120
<v Speaker 1>like not known for his musical talents as much. But

0:11:48.160 --> 0:11:50.880
<v Speaker 1>Titus Burgess is also from Athens. Yeah, I went to

0:11:50.880 --> 0:11:55.040
<v Speaker 1>Clark uh Clark County High schools now uh cedar shows

0:11:55.080 --> 0:11:58.760
<v Speaker 1>high school co jacks. Um. But it's an interesting Yeah,

0:11:58.760 --> 0:12:01.280
<v Speaker 1>it's got this like this music called pedigree as he said,

0:12:01.440 --> 0:12:03.720
<v Speaker 1>but like not a lot of offerings for hip hop

0:12:03.800 --> 0:12:05.760
<v Speaker 1>artists up until the current moment. I mean there's been

0:12:05.800 --> 0:12:09.199
<v Speaker 1>waves of it over the decades. My friend Tommy and

0:12:09.200 --> 0:12:11.479
<v Speaker 1>I was talking about earlier it was like really instrumental

0:12:11.520 --> 0:12:15.040
<v Speaker 1>and being like the trojan horse of hip hop because,

0:12:15.080 --> 0:12:17.520
<v Speaker 1>like I said, it's like this shiny, bald headed white

0:12:17.520 --> 0:12:19.960
<v Speaker 1>guy who like looks good and like a cardigan and

0:12:20.000 --> 0:12:22.520
<v Speaker 1>like coach shoes, and so they'd like send them in

0:12:23.040 --> 0:12:25.520
<v Speaker 1>to the hip to the venues that we're booking rock music,

0:12:25.600 --> 0:12:27.560
<v Speaker 1>like hey, you guys, can we like have a show

0:12:27.600 --> 0:12:31.120
<v Speaker 1>here to like ease them into having like black people

0:12:31.160 --> 0:12:34.839
<v Speaker 1>in their spaces because they were a little how did

0:12:34.880 --> 0:12:39.680
<v Speaker 1>you get into politics? Uh? So also through hip hop,

0:12:39.760 --> 0:12:41.959
<v Speaker 1>And that's kind of why I'm so obsessed with that intersection.

0:12:42.320 --> 0:12:44.559
<v Speaker 1>You know. I met through one of the hip hop shows,

0:12:44.559 --> 0:12:46.679
<v Speaker 1>either I was putting on or someone's putting on. I

0:12:46.800 --> 0:12:49.880
<v Speaker 1>met this cat named Tommy Valentine and two thousand, I

0:12:49.880 --> 0:12:52.120
<v Speaker 1>guess twousnant seventeen, also right before we went on tour

0:12:52.200 --> 0:12:55.040
<v Speaker 1>together um who was a former hip hop artist who

0:12:55.160 --> 0:12:59.600
<v Speaker 1>was running for office. And uh, eventually, like when you

0:12:59.600 --> 0:13:01.920
<v Speaker 1>talked to about the public policy issues that affect people

0:13:01.920 --> 0:13:05.160
<v Speaker 1>a hip hop community, you know, stuff like affordable and

0:13:05.200 --> 0:13:10.959
<v Speaker 1>reliable access transportation, childcare, educational opportunities, you know, wages, criminal

0:13:11.040 --> 0:13:14.280
<v Speaker 1>justice system, all these things that like people talk about

0:13:14.280 --> 0:13:16.960
<v Speaker 1>in their songs and like, well even impede them from

0:13:16.960 --> 0:13:19.400
<v Speaker 1>like having the opportunity to perform their songs so people

0:13:19.400 --> 0:13:21.400
<v Speaker 1>can hear that story. And so I started to see

0:13:21.440 --> 0:13:23.760
<v Speaker 1>all these connections, and you know, eventually started working on

0:13:23.800 --> 0:13:28.680
<v Speaker 1>this campaign field director, campaign manager. And then through some

0:13:28.760 --> 0:13:30.640
<v Speaker 1>weird circumstances, I was like, you know what, fuck it,

0:13:31.520 --> 0:13:33.760
<v Speaker 1>he's running. I can run. I could just do this.

0:13:33.880 --> 0:13:37.520
<v Speaker 1>I have nothing to lose. Became his running mate, and

0:13:37.679 --> 0:13:40.960
<v Speaker 1>uh later you know, two thousand eighteen and then one

0:13:41.320 --> 0:13:43.559
<v Speaker 1>and here I am a year and half later, having

0:13:43.600 --> 0:13:45.840
<v Speaker 1>previously never thought it was gonna be a politician. Like man,

0:13:45.920 --> 0:13:49.559
<v Speaker 1>I've I've just done too much in this life. They

0:13:49.600 --> 0:13:52.920
<v Speaker 1>find me out on dead Man. But here we are

0:13:52.960 --> 0:13:55.840
<v Speaker 1>doing the thing. And so in this in this podcast.

0:13:55.840 --> 0:13:58.520
<v Speaker 1>We're going to talk a lot about like that general

0:13:58.559 --> 0:14:01.680
<v Speaker 1>idea of like the ways that politics both like you know,

0:14:01.760 --> 0:14:05.040
<v Speaker 1>public policy and then like revolutionary you know, leftist kind

0:14:05.080 --> 0:14:07.920
<v Speaker 1>of politics. Can you know what the bearing they have

0:14:08.160 --> 0:14:11.679
<v Speaker 1>on the hip hop community, the ways in vice versa

0:14:11.760 --> 0:14:14.200
<v Speaker 1>and vice versa as well. Yeah, Um, the ways that

0:14:14.320 --> 0:14:17.240
<v Speaker 1>public policy of shaped hip hop and the ways that

0:14:17.679 --> 0:14:22.360
<v Speaker 1>hip hop shaped public policy and public discourse, and so um,

0:14:22.400 --> 0:14:24.440
<v Speaker 1>that's that's what we're gonna be talking about a lot.

0:14:25.040 --> 0:14:28.720
<v Speaker 1>You have been in office for a little over a

0:14:28.800 --> 0:14:33.680
<v Speaker 1>year year and a half, now, okay, so how's that going. Um,

0:14:33.720 --> 0:14:37.480
<v Speaker 1>it's a struggle. I mean, when you're only outside, it's

0:14:37.480 --> 0:14:39.760
<v Speaker 1>so easy to just be mad at the folks with power,

0:14:39.920 --> 0:14:41.840
<v Speaker 1>like why is everything kicking so long? But now that

0:14:41.880 --> 0:14:44.920
<v Speaker 1>I am actually engaging with like the gears of power,

0:14:45.040 --> 0:14:48.680
<v Speaker 1>like the interlocking pieces within the local government, I have

0:14:48.760 --> 0:14:51.320
<v Speaker 1>seen how long things take and kind of appreciate how

0:14:51.360 --> 0:14:53.960
<v Speaker 1>long things take because like these are millions and millions

0:14:54.000 --> 0:14:56.520
<v Speaker 1>of dollars were allocating and they're kind of affects the

0:14:56.560 --> 0:15:00.280
<v Speaker 1>lives of tens of lessens of people. So um, I've

0:15:00.280 --> 0:15:03.840
<v Speaker 1>definitely had to cultivate some patients with the process um

0:15:03.920 --> 0:15:08.480
<v Speaker 1>and learned the art and slowly learning and still frustrated

0:15:08.520 --> 0:15:11.800
<v Speaker 1>with but like and learning the art of compromise because

0:15:11.880 --> 0:15:14.840
<v Speaker 1>so many good ideas, really great ideas, get watered down

0:15:15.280 --> 0:15:19.000
<v Speaker 1>based on you know, just preemptitions by state law, a

0:15:19.120 --> 0:15:22.480
<v Speaker 1>lack of like federal funding for programming, you know, and

0:15:22.520 --> 0:15:25.239
<v Speaker 1>then just like the will of my other commissioners who

0:15:26.000 --> 0:15:29.240
<v Speaker 1>don't see the urgency of like improving the conditions And

0:15:29.440 --> 0:15:31.040
<v Speaker 1>do you mean any like mine, do you think it

0:15:31.120 --> 0:15:34.720
<v Speaker 1>affective your platform at all? Like just the realities of

0:15:34.720 --> 0:15:37.600
<v Speaker 1>how long things sake um somewhat, I mean, like I

0:15:37.640 --> 0:15:40.320
<v Speaker 1>still aspire to, like, you know, do things I can

0:15:40.840 --> 0:15:43.920
<v Speaker 1>increase the stock of affordable housing in my neighborhood. And like,

0:15:44.160 --> 0:15:47.200
<v Speaker 1>I think there's a lot of criminal justice reform yet

0:15:47.280 --> 0:15:50.120
<v Speaker 1>to be done, but just like I think it's expanded

0:15:50.160 --> 0:15:52.680
<v Speaker 1>the scope and timeline of like what those things are

0:15:52.680 --> 0:15:56.640
<v Speaker 1>going to happen on and uh and seeing that like

0:15:56.920 --> 0:16:01.280
<v Speaker 1>piecemeal processes, sometimes what you what you have to sometimes

0:16:01.280 --> 0:16:04.640
<v Speaker 1>just sometimes what you get and remember remembering to like

0:16:04.680 --> 0:16:07.680
<v Speaker 1>celebrate when you get little things done as a part

0:16:07.680 --> 0:16:10.320
<v Speaker 1>of that larger picture, because you know, it is a

0:16:10.440 --> 0:16:15.440
<v Speaker 1>very large puzzle, very um complicated image in the background.

0:16:15.680 --> 0:16:17.760
<v Speaker 1>What is nerds to you? Like, what does that mean?

0:16:17.800 --> 0:16:20.840
<v Speaker 1>We're talking about like this this podcast is somewhat about

0:16:20.920 --> 0:16:24.920
<v Speaker 1>nerd life. I don't know what anybody else's definition of

0:16:25.200 --> 0:16:30.120
<v Speaker 1>nerd ship is. To me, nerds ship is anything that

0:16:30.320 --> 0:16:35.760
<v Speaker 1>completely has captured your imagination and your interests, and something

0:16:35.800 --> 0:16:40.400
<v Speaker 1>that is captured it so thoroughly that you do not

0:16:40.760 --> 0:16:45.320
<v Speaker 1>care what anybody's opinion is of it, you know what

0:16:45.360 --> 0:16:49.080
<v Speaker 1>I mean. To give an example, like I was dating

0:16:49.400 --> 0:16:51.200
<v Speaker 1>a girl who was like much younger than me, not

0:16:51.320 --> 0:16:54.160
<v Speaker 1>too long ago, and it's like we would be having

0:16:54.200 --> 0:16:58.720
<v Speaker 1>conversations and I would be like talking about like you know,

0:16:58.840 --> 0:17:01.440
<v Speaker 1>like movies or something like that, and I would be

0:17:01.480 --> 0:17:04.160
<v Speaker 1>like getting really intricate into it. I'd like find myself

0:17:04.160 --> 0:17:08.560
<v Speaker 1>being like to ship, you're nerding out like, and I'd

0:17:08.600 --> 0:17:10.439
<v Speaker 1>like feel bad about it, like damn, I really kind

0:17:10.440 --> 0:17:12.520
<v Speaker 1>of just talked her ear off like nerding out right.

0:17:12.920 --> 0:17:15.919
<v Speaker 1>But then you know, in reverse, like something would come

0:17:16.000 --> 0:17:18.679
<v Speaker 1>up that she was interested in that like you totally

0:17:18.720 --> 0:17:22.199
<v Speaker 1>wouldn't think was like nerdy at all, like some I

0:17:22.240 --> 0:17:26.080
<v Speaker 1>don't even know something something mainstreaming, right, and she would

0:17:26.080 --> 0:17:29.879
<v Speaker 1>talk something yeah, like like okay, that that's totally not it.

0:17:30.040 --> 0:17:31.719
<v Speaker 1>But I don't know. I don't know who that is.

0:17:33.240 --> 0:17:36.879
<v Speaker 1>But let's just say for the same example that like

0:17:37.000 --> 0:17:39.800
<v Speaker 1>she was talking about Salena Gomez, she would start really

0:17:40.280 --> 0:17:44.920
<v Speaker 1>talking about Salena Gomes like yeah, all the minution detail

0:17:45.040 --> 0:17:48.679
<v Speaker 1>and internet stuff and ship like nobody. It's like, word,

0:17:49.320 --> 0:17:53.760
<v Speaker 1>you are just as passionate about Selena Gomez as any

0:17:53.840 --> 0:17:57.240
<v Speaker 1>fucking Star Wars fanboy I've ever met in my life

0:17:58.040 --> 0:18:03.480
<v Speaker 1>that I appreciate that have. Definitely you are nerd nerdity.

0:18:03.640 --> 0:18:06.280
<v Speaker 1>Some people are like that about sneakers. Yeah, I know,

0:18:06.400 --> 0:18:10.040
<v Speaker 1>motherfucker's who could tell you like what color the Jordans

0:18:10.080 --> 0:18:11.960
<v Speaker 1>that came out in ninety two are? You know what

0:18:12.000 --> 0:18:16.400
<v Speaker 1>I mean? That's nerds ship to me like that, there's

0:18:16.440 --> 0:18:18.920
<v Speaker 1>no difference between that and some kids playing magic who

0:18:18.920 --> 0:18:22.040
<v Speaker 1>can like Chris Wite to you, you know, like like

0:18:22.160 --> 0:18:25.199
<v Speaker 1>all the details of some power Card or some shows.

0:18:25.200 --> 0:18:28.920
<v Speaker 1>So to me, that's nerds ship. And and I'm nerdy

0:18:28.920 --> 0:18:32.680
<v Speaker 1>about hip hop and I'm nerdy about politics. I want

0:18:32.680 --> 0:18:34.120
<v Speaker 1>to talk to you because like now that I live

0:18:34.119 --> 0:18:37.960
<v Speaker 1>with this man, he has the news on like every

0:18:38.000 --> 0:18:40.120
<v Speaker 1>from what I can tell every waking moment of every

0:18:40.200 --> 0:18:44.680
<v Speaker 1>day it's good background. But like, so why politics though?

0:18:44.680 --> 0:18:46.840
<v Speaker 1>Why do you give a ship about politics? Well, I

0:18:46.880 --> 0:18:51.639
<v Speaker 1>mean it's kind of like the intersection of all the

0:18:51.720 --> 0:18:55.919
<v Speaker 1>things that I'm interested in. It's like show business but

0:18:56.119 --> 0:19:01.520
<v Speaker 1>for ugly people, and it's serious but sometimes times it's funny.

0:19:01.720 --> 0:19:06.480
<v Speaker 1>But that's like a bad things, you know what I'm saying.

0:19:07.160 --> 0:19:10.160
<v Speaker 1>It's just like like I'm as far as that aspect

0:19:10.200 --> 0:19:12.760
<v Speaker 1>of it goes, like like if you just see me

0:19:12.760 --> 0:19:15.600
<v Speaker 1>and I'm like drawing, or if I'm like working on

0:19:15.680 --> 0:19:17.800
<v Speaker 1>beats and I have the news on the background, take

0:19:17.880 --> 0:19:20.720
<v Speaker 1>it no different than you would if like I had

0:19:20.720 --> 0:19:31.240
<v Speaker 1>like some Netflix series on the background. All right, so

0:19:31.400 --> 0:19:35.200
<v Speaker 1>what's the what's it? What's your favorite rap song? My favorite?

0:19:35.200 --> 0:19:38.200
<v Speaker 1>Don't I don't want to answer that. Come on, no, okay, fine,

0:19:39.040 --> 0:19:41.760
<v Speaker 1>what are like? Okay, I won't even put the pressure

0:19:41.760 --> 0:19:43.720
<v Speaker 1>a favorite? No, No, it's fine. I have a favorite

0:19:43.800 --> 0:19:46.920
<v Speaker 1>rap song. Say it, I'll say it, Okay. So it's

0:19:46.960 --> 0:19:49.040
<v Speaker 1>probably a Tassa. I'm gonna talk about Asap Rock a

0:19:49.080 --> 0:19:50.960
<v Speaker 1>lot on this podcast because I'm really obsessed with them.

0:19:51.000 --> 0:19:55.680
<v Speaker 1>Then it's you know, it's what it is. Second, but

0:19:56.840 --> 0:19:59.359
<v Speaker 1>shut to the gun. I love to have you on

0:19:59.359 --> 0:20:03.639
<v Speaker 1>the show sometimes, Um, so I like identify as like

0:20:03.680 --> 0:20:06.560
<v Speaker 1>somewhat like a little bit crazy and off kilter and

0:20:06.600 --> 0:20:08.880
<v Speaker 1>so and some I am someone that goes to therapy

0:20:09.000 --> 0:20:11.280
<v Speaker 1>a lot, and I'd love it and it's a lot

0:20:11.280 --> 0:20:18.000
<v Speaker 1>better for it. So when I'll be speaking, I'll be speaking.

0:20:18.720 --> 0:20:21.240
<v Speaker 1>Uh No, I was like anyway I was doing today,

0:20:21.240 --> 0:20:25.240
<v Speaker 1>it was great. Um. But his song about going to therapy,

0:20:25.320 --> 0:20:28.440
<v Speaker 1>Shrunk is my favorite hip hop song. Really got a

0:20:28.480 --> 0:20:34.200
<v Speaker 1>great narrative. I mean it's like very it's it's fantastical. Also,

0:20:34.280 --> 0:20:37.760
<v Speaker 1>it's like very it's like wild. It's like the portraits

0:20:37.800 --> 0:20:39.760
<v Speaker 1>he paints of sitting in the waiting room and like

0:20:39.800 --> 0:20:42.000
<v Speaker 1>his interactions it's like going to battle with this like

0:20:42.040 --> 0:20:45.960
<v Speaker 1>shrink or whatever. I just find it really entertaining. I

0:20:46.040 --> 0:20:48.200
<v Speaker 1>like that. That's cool and that's cool. That's I think

0:20:48.240 --> 0:20:52.119
<v Speaker 1>that's a good um you know, like eclectic pick. You

0:20:52.119 --> 0:20:54.600
<v Speaker 1>know what I'm saying, Like, like, not too many people

0:20:54.600 --> 0:20:59.760
<v Speaker 1>are going to say shrunk. Yeah you can know. It

0:21:00.119 --> 0:21:02.719
<v Speaker 1>kind of a really contemporary song to to be like

0:21:02.760 --> 0:21:06.119
<v Speaker 1>it is somewhat yeah. Yeah, So that's that's that. That

0:21:06.320 --> 0:21:08.760
<v Speaker 1>that's you know, well, right back at you. What about

0:21:08.760 --> 0:21:14.080
<v Speaker 1>your favorite song My favorite rap song. Um see now

0:21:14.119 --> 0:21:16.959
<v Speaker 1>this one, I legitimately have a hard time. Oh Like

0:21:17.040 --> 0:21:19.639
<v Speaker 1>I didn't, like, I wasn't forts into a corner. Okay,

0:21:19.640 --> 0:21:22.040
<v Speaker 1>if it's not as easy when the tables turn on,

0:21:22.640 --> 0:21:25.160
<v Speaker 1>there could be five, it could be like five of them.

0:21:25.280 --> 0:21:29.360
<v Speaker 1>But if I got to pick one d twelves, I'll

0:21:29.400 --> 0:21:33.680
<v Speaker 1>shoot up you. Oh yeah, yeah, okay, until talking about that, why,

0:21:33.960 --> 0:21:36.960
<v Speaker 1>it's just like, first of all, when I first started rapping,

0:21:37.080 --> 0:21:39.280
<v Speaker 1>it was like, you know, it was one of those

0:21:39.400 --> 0:21:42.439
<v Speaker 1>early songs that was like, oh man, okay, now that

0:21:42.480 --> 0:21:44.880
<v Speaker 1>I'm doing this and I see how hard it is,

0:21:45.000 --> 0:21:46.639
<v Speaker 1>and then I would listen to you know, hear that

0:21:46.680 --> 0:21:49.800
<v Speaker 1>and it's like, okay, fuck, like you know what I mean.

0:21:50.040 --> 0:21:51.760
<v Speaker 1>That was like one of the first songs where it's

0:21:51.800 --> 0:21:53.959
<v Speaker 1>like I heard it as like an early rapper was

0:21:54.040 --> 0:21:56.240
<v Speaker 1>like damn, you know, like if I get to be

0:21:56.280 --> 0:21:58.800
<v Speaker 1>the point where I can wrap like that, especially like

0:21:58.840 --> 0:22:01.400
<v Speaker 1>Eminem's both of them versus on that in his last

0:22:01.520 --> 0:22:06.320
<v Speaker 1>verse specifically didn't see that either, but like I can

0:22:06.359 --> 0:22:11.600
<v Speaker 1>see it now. It's fine. It's fine. I mean, this

0:22:11.680 --> 0:22:14.680
<v Speaker 1>isn't an It's not on any like deep metaphysical fit

0:22:14.800 --> 0:22:19.960
<v Speaker 1>is just I have it on seven and like it's

0:22:19.960 --> 0:22:24.800
<v Speaker 1>like not it is just it is a beat in

0:22:24.840 --> 0:22:28.399
<v Speaker 1>a collection of versus that just to me go so

0:22:28.480 --> 0:22:33.280
<v Speaker 1>well together that I can listen to it any fucking time, anywhere,

0:22:33.280 --> 0:22:36.919
<v Speaker 1>any place. We need to talk a little bit about

0:22:37.040 --> 0:22:40.240
<v Speaker 1>the title of the show. Okay, why why is it

0:22:40.280 --> 0:22:45.199
<v Speaker 1>called this? Okay, well, I am gonna ask you this first,

0:22:45.480 --> 0:22:49.800
<v Speaker 1>because Okay, my answer is not deep at all. My

0:22:49.880 --> 0:22:52.600
<v Speaker 1>answer is not deep at off. Well, Okay, the way

0:22:52.640 --> 0:22:56.199
<v Speaker 1>that I experienced it is ship. At this point, it

0:22:56.280 --> 0:22:58.919
<v Speaker 1>was like a year and a half ago and I

0:22:59.040 --> 0:23:01.480
<v Speaker 1>hit you up. I literally was like, wouldn't it be

0:23:01.480 --> 0:23:03.320
<v Speaker 1>funny if we were stitting on stage and we had

0:23:03.400 --> 0:23:06.720
<v Speaker 1>to tell people, hey, we're waiting on reparations, which is

0:23:06.760 --> 0:23:10.040
<v Speaker 1>like we're talking about names for like a rap group album,

0:23:10.119 --> 0:23:12.360
<v Speaker 1>and like that was one of them. And I remember

0:23:12.800 --> 0:23:15.119
<v Speaker 1>you gave you gave like a list of them, and

0:23:15.200 --> 0:23:17.480
<v Speaker 1>that was one of them, and I think I liked it,

0:23:17.520 --> 0:23:19.280
<v Speaker 1>but I didn't say anything to you, so like for

0:23:19.400 --> 0:23:21.399
<v Speaker 1>months you were just still kind of like, oh, we

0:23:21.440 --> 0:23:22.960
<v Speaker 1>haven't picked something. But in my head I was like,

0:23:23.359 --> 0:23:26.560
<v Speaker 1>n yo, like waiting our reparations cold as ship, Like

0:23:26.600 --> 0:23:28.960
<v Speaker 1>we need to go with that so yeah, I like

0:23:29.080 --> 0:23:31.480
<v Speaker 1>it because it's cool and it's a dough fast name.

0:23:31.600 --> 0:23:34.760
<v Speaker 1>The deep The deep thing is the idea that you know,

0:23:34.880 --> 0:23:39.680
<v Speaker 1>as progressive thinkers, as a part of burgeoning progressive movement,

0:23:39.680 --> 0:23:41.720
<v Speaker 1>we're all waiting on something. We're all kind of waiting

0:23:41.760 --> 0:23:44.679
<v Speaker 1>around for what we believe is going to change things.

0:23:45.080 --> 0:23:47.720
<v Speaker 1>We might have our different policy issues. You might have

0:23:47.880 --> 0:23:50.159
<v Speaker 1>a sense of communities that we feel are effective, that

0:23:50.240 --> 0:23:54.600
<v Speaker 1>need to be heard and have amend's made, you know,

0:23:54.680 --> 0:23:57.639
<v Speaker 1>for past wrongs for them, and we want to invite

0:23:57.640 --> 0:24:00.440
<v Speaker 1>people to like when we have guests come on, kind

0:24:00.480 --> 0:24:02.639
<v Speaker 1>of have them talk about like what are you waiting

0:24:02.640 --> 0:24:04.520
<v Speaker 1>on it? What are you waiting in criminal justice reform?

0:24:04.800 --> 0:24:09.000
<v Speaker 1>Are you waiting on marijuana legalization? Fucking hope not Jesus

0:24:09.080 --> 0:24:11.000
<v Speaker 1>Christ as my team were still having this conversation and

0:24:11.080 --> 0:24:14.040
<v Speaker 1>Aden's rogia, but like are you waiting on? You know,

0:24:14.480 --> 0:24:16.879
<v Speaker 1>like what are you waiting on? And like, I have

0:24:17.040 --> 0:24:19.600
<v Speaker 1>I have to to be waiting on reparations for a

0:24:19.680 --> 0:24:21.720
<v Speaker 1>number of reasons we're gonna get into later on in

0:24:21.720 --> 0:24:25.560
<v Speaker 1>the podcast, But um, we're waiting in reparations? What about you?

0:24:25.920 --> 0:24:32.800
<v Speaker 1>Freestop freestyle? Um not? I mean if I was gonna

0:24:32.920 --> 0:24:39.040
<v Speaker 1>apply like if reparations equal justice injustice equals you know,

0:24:39.800 --> 0:24:43.320
<v Speaker 1>like all things dope. And it's like we're waiting on

0:24:43.359 --> 0:24:47.320
<v Speaker 1>ship to get though, you know what I mean? Like

0:24:47.440 --> 0:24:50.840
<v Speaker 1>for me, that is like you know, that's that's a

0:24:50.920 --> 0:24:53.880
<v Speaker 1>hip hop concept. It just like you know, in hip hop,

0:24:53.960 --> 0:24:57.080
<v Speaker 1>we we like dope ship. We like doing dope ship.

0:24:57.400 --> 0:25:00.560
<v Speaker 1>We like seeing dope ship and hearing dope ship, and

0:25:00.640 --> 0:25:04.280
<v Speaker 1>we like for other people to to enjoy in that dopeness.

0:25:04.560 --> 0:25:10.880
<v Speaker 1>You know, equity, dope equity, dope equity exact, see what equity? Yes, yes,

0:25:11.960 --> 0:25:15.760
<v Speaker 1>um okay, you know. But other than that, it's a

0:25:15.800 --> 0:25:19.400
<v Speaker 1>cold blood ship. Otherwise it's just cold old blooded rock.

0:25:19.480 --> 0:25:23.560
<v Speaker 1>A mic on it. Hey, guys, can we can we

0:25:23.600 --> 0:25:36.680
<v Speaker 1>get a beat? Please? I feel like rapping? Oh oh

0:25:37.200 --> 0:25:42.920
<v Speaker 1>yeah yeah yeah wait no waiting waiting our reparations, yo, okay,

0:25:44.440 --> 0:25:47.119
<v Speaker 1>fuck it yo. I said that I was gonna freestyle,

0:25:47.200 --> 0:25:49.639
<v Speaker 1>but I gotta hit it first. But I go in freestyle,

0:25:49.680 --> 0:25:52.480
<v Speaker 1>don't kick a written first. Motherfucker's no. When I go

0:25:52.560 --> 0:25:54.600
<v Speaker 1>and spit a word, I go and put a rapper

0:25:54.720 --> 0:25:57.840
<v Speaker 1>riding in the written hers forbidding, going right down the street.

0:25:57.920 --> 0:25:59.880
<v Speaker 1>Every time I go and swap. Yeah, that's right where

0:25:59.880 --> 0:26:02.720
<v Speaker 1>we meet. I take off my captain, I give you agree.

0:26:02.800 --> 0:26:05.240
<v Speaker 1>Any enemy stepping up, then he's meet in the cleats,

0:26:05.320 --> 0:26:08.240
<v Speaker 1>meet in defeat. That's a wrestling move. When I'm coming

0:26:08.320 --> 0:26:10.840
<v Speaker 1>up testing like I'm testing the groove, I'm just stressing

0:26:10.840 --> 0:26:13.720
<v Speaker 1>them in. This is my will and testament, max coming

0:26:13.800 --> 0:26:16.399
<v Speaker 1>up with extra men, with extra men fitting in the

0:26:16.480 --> 0:26:19.440
<v Speaker 1>call like Mexicans. These motherfucker's want to come through. I

0:26:19.560 --> 0:26:22.119
<v Speaker 1>put the X and men in this X. You out

0:26:22.320 --> 0:26:24.600
<v Speaker 1>and you acting like you don't know what I'm just about.

0:26:25.880 --> 0:26:28.000
<v Speaker 1>But you just about about to get it up to

0:26:28.040 --> 0:26:29.919
<v Speaker 1>top the dome out of this and I can't. I

0:26:29.920 --> 0:26:34.280
<v Speaker 1>can't free all right now, it's just like too weird. Ok. Yeah,

0:26:35.600 --> 0:26:38.960
<v Speaker 1>we're waiting on reparations from here too, across the nation,

0:26:39.000 --> 0:26:41.440
<v Speaker 1>and everybody trying to come chase it after us. I

0:26:41.600 --> 0:26:43.800
<v Speaker 1>have to be like Jason, send you to the rapture.

0:26:44.359 --> 0:26:46.880
<v Speaker 1>Everybody know that I'm something wrapping stuff off the top

0:26:46.920 --> 0:26:49.840
<v Speaker 1>of the dome. You know about the capsula like a dracula.

0:26:50.040 --> 0:26:52.920
<v Speaker 1>Everybody knows you better pack it up right on the microphone,

0:26:52.960 --> 0:26:55.120
<v Speaker 1>about to smack you up like your mama did back

0:26:55.160 --> 0:26:57.440
<v Speaker 1>when she was being honest with you when you came

0:26:57.520 --> 0:27:00.800
<v Speaker 1>up into kitchen with conditions. I don't know everybody living

0:27:00.840 --> 0:27:06.640
<v Speaker 1>in rough conditions. I can't. Yeah, yeah, okay, ship yo

0:27:06.800 --> 0:27:10.760
<v Speaker 1>yo yo yo, check it, check it, check it, check it.

0:27:10.920 --> 0:27:13.080
<v Speaker 1>Try to pull a sex seed out yo? Hey yo,

0:27:13.280 --> 0:27:15.560
<v Speaker 1>hey you thought because I'm underground, I don't want to

0:27:15.560 --> 0:27:17.960
<v Speaker 1>cut a check. I let these sharp words slide across

0:27:17.960 --> 0:27:20.320
<v Speaker 1>your fucking necks out of step any rapper saying that

0:27:20.359 --> 0:27:22.359
<v Speaker 1>it stucks the best letting deaf. I don't wrap for

0:27:22.400 --> 0:27:24.960
<v Speaker 1>any of your punk's respect. I'm thirty plus every day

0:27:25.040 --> 0:27:27.159
<v Speaker 1>still smoking weed. It took that long for me to

0:27:27.160 --> 0:27:29.399
<v Speaker 1>figure what I'm supposed to be. I'm not supposed to

0:27:29.440 --> 0:27:31.800
<v Speaker 1>be hoping that you notice me? Yo? What m the omen?

0:27:31.880 --> 0:27:33.639
<v Speaker 1>So you know you ain't as dope as me? You

0:27:33.720 --> 0:27:36.960
<v Speaker 1>were soldier? Please break both your knees seem tremble every

0:27:36.960 --> 0:27:39.560
<v Speaker 1>time that I approach them. Sees if not rhymes, where

0:27:39.600 --> 0:27:44.240
<v Speaker 1>the focus be? I go proceed, Stay above y'all pussys

0:27:44.320 --> 0:27:56.359
<v Speaker 1>like overreaths broken, stude, rude, rude, Yo. All right, yeah

0:27:56.680 --> 0:28:00.840
<v Speaker 1>we are. We are waiting on reparations. Am dope knife,

0:28:00.920 --> 0:28:05.280
<v Speaker 1>I'm lingal Franco. Hurry see you next week. Yeah yeah,

0:28:05.440 --> 0:28:08.480
<v Speaker 1>hurry up and tune in. Waiting on Reparations as a

0:28:08.480 --> 0:28:11.600
<v Speaker 1>production of I Heart Radio. Listen to Waiting on Reparations

0:28:11.640 --> 0:28:14.639
<v Speaker 1>on the I heart Radio app, Apple podcasts, or wherever

0:28:14.680 --> 0:28:15.719
<v Speaker 1>you get your podcasts.