WEBVTT - What are tinnovators?

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to Stuff you should know

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<v Speaker 1>from house Stuff Works dot com. Hey, welcome to the podcast.

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<v Speaker 1>I'm Josh Clark. There's Charles Bryant, who is with me

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<v Speaker 1>is always. I don't know what I'd do without each

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<v Speaker 1>other man. Seriously, it'd be like having um a conjoined twins, separated,

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<v Speaker 1>one that has its head into still alive. You were

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<v Speaker 1>being mean to me seconds before he went on, and

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<v Speaker 1>then he butter me up right when in front of people.

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<v Speaker 1>In front of people, you have hundreds of thousands of people.

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<v Speaker 1>I'm secretly very abusive to you behind closed doors, aren't Yeah,

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<v Speaker 1>so chuck, Yes, my fellow ian f er. Oh yeah,

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<v Speaker 1>we took the Myers Briggs personality tests. Pretty cool. We

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<v Speaker 1>are again like conjoined twins, except for the distinction of

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<v Speaker 1>the P and the J. I'm a perceiver, you're a judger, right,

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<v Speaker 1>and I think we compliment each other well in that regard.

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<v Speaker 1>I agree. I'd actually like to do a podcast on

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<v Speaker 1>that test. Let's do it. I think we should do.

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<v Speaker 1>We haven't do you know if we have an article

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<v Speaker 1>on that? Oh, we'll just make stuff up. Yeah, yeah,

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<v Speaker 1>I totally want to do it though. I found it

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<v Speaker 1>really fascinating and I did not think I would, and

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<v Speaker 1>I was. I was into it. So maybe we can

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<v Speaker 1>work swimming with whale sharks into that somehow too. Who're

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<v Speaker 1>just doing podcasts now based on personal experiences around the

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<v Speaker 1>office Tomorrow is going to be called ham and Eggs

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<v Speaker 1>for breakfast. So, speaking of around the office, Chuckers, as

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<v Speaker 1>you know, we have a bunch of new, kind of

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<v Speaker 1>cool articles about um al toys on the site. Who

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<v Speaker 1>to thunk It? Yeah, the curiously strong mint. She took

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<v Speaker 1>my line, I'll kill you. So yeah, We've got a

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<v Speaker 1>whole suite of articles. We have like a sub channel

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<v Speaker 1>in the science channel that's dedicated to Altoy's really yeah,

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<v Speaker 1>have you been on you haven't been on it? Now?

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<v Speaker 1>I wrote a few of them now. The final products

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<v Speaker 1>look pretty good though, all right, I think so. The focus,

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<v Speaker 1>as you know, since you have written some, was on

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<v Speaker 1>this stre range little group of people called tent evaders. Right, yes, well,

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<v Speaker 1>let's talk about them a minute. First, let's discuss candy. Okay, yeah,

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<v Speaker 1>it sounds good talk about al twits, Chuckers. Do you

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<v Speaker 1>have candy in your mouth now like you did during

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<v Speaker 1>the Twinkies show. I know, let's let's address that show.

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<v Speaker 1>We Yeah, we got a few letters that came in

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<v Speaker 1>that said, what was Josh eating during the twinkiespot? Even worse,

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<v Speaker 1>why was Josh eating? Yeah? It sounded like he had

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<v Speaker 1>a Werther's in his mouth or something, or candy and yeah,

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<v Speaker 1>one guy guess whethers are Jolly ranchers. Not true, Josh

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<v Speaker 1>didn't have anything in his mouth, and we've surmised that

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<v Speaker 1>because we're talking about twinkies. He was just frothy, and uh,

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<v Speaker 1>it's weird. I went back and listened to it, and

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<v Speaker 1>I definitely sound like I'm chewing on something. But no,

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<v Speaker 1>I think I just really wanted a twinkie. I guess

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<v Speaker 1>you were too cheap to pick them up, weren't you. Right. Yeah, So,

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<v Speaker 1>just to let people know we're slightly more professional than

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<v Speaker 1>to suck on candy while we're trying to podcast despite

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<v Speaker 1>our illustrious surroundings. Rightly, although we do have jolly, we

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<v Speaker 1>have candy on our desk, and we we avoid it

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<v Speaker 1>during I think Jerry would literally murder us if we

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<v Speaker 1>just started eating candy during a podcast. Yeah, so um, yes,

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<v Speaker 1>I think I might salivate again. Okay, alright, So Chuck,

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<v Speaker 1>did you know that altoids, these these little mints date

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<v Speaker 1>back to the reign of King George the Third, who

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<v Speaker 1>is the mad king who drove the colonists to revolt

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<v Speaker 1>seventeen eighty. Dude, people have been sucking on these mints. Also,

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<v Speaker 1>did you know that King George may have had a perphyria?

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<v Speaker 1>And what is that? It's um, it's what's it called.

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<v Speaker 1>There's acute intermittent perfyria, which is I think when they

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<v Speaker 1>think King George had it's a congenital disease where porphyrins.

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<v Speaker 1>I can't remember what they do. I think they get

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<v Speaker 1>rid of waste build up in your blood stream, in

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<v Speaker 1>your system, and uh, it can get kind of bad.

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<v Speaker 1>It can have um effects on the nervous system. You

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<v Speaker 1>can have psychological effects, which is why they think King

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<v Speaker 1>George was mad. Um. And the stomach cramping is unpara level.

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<v Speaker 1>It's really horrible stuff. But the prefer you might be

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<v Speaker 1>most acquainted with. I can't remember what it's called, but um,

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<v Speaker 1>it's it's where your photo sensitive. You can't go out

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<v Speaker 1>into sunlight, you can't be exposed it's sunlight. It was

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<v Speaker 1>featured in the others you ever see that one? Um.

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<v Speaker 1>And also that's where they think the vampire legend, or

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<v Speaker 1>that aspect of the vampire legend came from, was from

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<v Speaker 1>people who had I thought you're gonna say, given bad

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<v Speaker 1>breath or something. That's why they created Altoid. And I

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<v Speaker 1>think that was consumption, yeah, which was pretty big around

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<v Speaker 1>seventeen eighty, which is when they were first created, right, Yeah,

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<v Speaker 1>and that's always by the way, we mentioned the curiously

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<v Speaker 1>strong man. That was their slogan from day one. Yeah,

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<v Speaker 1>because they use real peppermint oil and lots of copious

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<v Speaker 1>amounts of it's hardcore stuff. Oh yeah, as anyone who's

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<v Speaker 1>ever had an Altoid knows. Yeah, it does a trick though. Yeah. So, um,

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<v Speaker 1>in America, we in America, we love uh to attach

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<v Speaker 1>weird pop stuff to candy to food, like he's kool Aid, which,

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<v Speaker 1>by the way, we should probably make that correction to

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<v Speaker 1>while we're at it. It wasn't kool Aid at Jonestown.

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<v Speaker 1>It turns out it was flavor Aid. I've done some terrible,

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<v Speaker 1>terrible things in my life. I don't I've never felt

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<v Speaker 1>more ashamed than I do for missing that really Yeah, well,

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<v Speaker 1>you know, like I told the hundreds of people that

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<v Speaker 1>wrote in and corrected us on that, sure it was

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<v Speaker 1>flavor Aid, but unfortunately for kool Aid. What matters is

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<v Speaker 1>what people think of and remember and don't drink, and

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<v Speaker 1>the kool Aid is what people remember. I don't even

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<v Speaker 1>know if unfortunately is the right word. It could be fortunate.

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<v Speaker 1>I'm not sure about it. How's Flavoride's market share doing

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<v Speaker 1>since jonestown exactly? And and so basically in America, we

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<v Speaker 1>don't just eat things like we eat things and then

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<v Speaker 1>turn them into cultural phenomena but icons, right exactly. So

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<v Speaker 1>altoids isn't any different. Um, And it's not necessarily the mint,

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<v Speaker 1>although I agreed they are curiously strong. Um, it's the

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<v Speaker 1>tin that seems to like really get people's juices going,

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<v Speaker 1>you know. I mean, who out there hasn't had altois

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<v Speaker 1>at some point and saved the tin and kept you know,

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<v Speaker 1>paper clips or spare buttons or rubber bands or something

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<v Speaker 1>in them. I don't know who. I at my house, Fuller,

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<v Speaker 1>Jimmy Fuller at home right now, I have a couple

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<v Speaker 1>of altoys tins on my desk with assorted, Uh, little knickknacks. Yeah, yeah,

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<v Speaker 1>because it's you know, it's it's perfect size, it is convenient,

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<v Speaker 1>snap shut, and I think that's what led this whole

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<v Speaker 1>tentovation thing. Well yeah, technically that makes you a tinovator

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<v Speaker 1>is exactly what I was gonna say. But a tinovator nonetheless,

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<v Speaker 1>which I guess we should define this a tentovator um

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<v Speaker 1>as we've turned up through our research as somebody who

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<v Speaker 1>um finds new and novel uses for old altoits tins.

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<v Speaker 1>It's as simple as that, and it can be as

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<v Speaker 1>simple as throwing rubber bands in an old tin. But

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<v Speaker 1>some people have come up with much more advanced projects

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<v Speaker 1>of them that that that involved an nodes and electrodes

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<v Speaker 1>and weird stuff that I would electrocute myself trying. So

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<v Speaker 1>should we talk about ten evators? I don't see why

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<v Speaker 1>should we talk about these people? Yeah? Who you want

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<v Speaker 1>to talk about first? Because we did? I have to say, Chuck,

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<v Speaker 1>this could have gone either way, this assignment writing these articles.

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<v Speaker 1>But the but the people that we ran across, at

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<v Speaker 1>least the ones I wrote on, we're generally really interesting.

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<v Speaker 1>They were interesting people and the stuff they came up

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<v Speaker 1>with was very interesting, very creative, which I was very

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<v Speaker 1>thankful for. Let's start with Jake von Slat. Yes, let's

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<v Speaker 1>steam punk steampunk guy. Um. For those of you who

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<v Speaker 1>don't know what steampunk is, it's kind of this um

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<v Speaker 1>subculture movement that's based out of this sub genre, like

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<v Speaker 1>sub sub of speculative fiction that centers around the Victorian

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<v Speaker 1>era and all like the fantastic contraptions that like Jules

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<v Speaker 1>Verne and H. G. Wells came up with, right, so,

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<v Speaker 1>like throwback stuff that's in fact kind of futuristic, right so. Um.

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<v Speaker 1>Jake von Slat came up with one of the most

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<v Speaker 1>recognizable steampunk relics at her, which is the steampunk desktop computer. Ude.

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<v Speaker 1>Have you ever seen it? It's wicked cool. Have you

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<v Speaker 1>read the article that Jay strick wrote Jonathan Strickland, our

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<v Speaker 1>writer called the Stamfellow Podcaster. We have a cool, cool

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<v Speaker 1>article that's just on steampunk on the site. I think

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<v Speaker 1>it's pretty cool. I would never get caught up in

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<v Speaker 1>something like that because any any movement where you're dressing

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<v Speaker 1>up and going to events, it's not really up my alley.

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<v Speaker 1>But I like to look at them when they walk

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<v Speaker 1>by me on the way to their convention. Sure yeah, um,

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<v Speaker 1>I'm more into first suiting, but I can see how

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<v Speaker 1>somebody would, you know, uh, get into steampunk. It's it's

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<v Speaker 1>interesting even looking from the outside in. But Jake fon

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<v Speaker 1>Slat is kind of the a de facto godfather steampunk.

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<v Speaker 1>But it also happens to be a tent evator too, right, right,

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<v Speaker 1>so he makes a little steampunk tens. Now that he

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<v Speaker 1>sells the too right, I don't know if he sells him.

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<v Speaker 1>I think it's he's there's there's kind of um. One

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<v Speaker 1>of the things that goes along with Altoyd's almost like

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<v Speaker 1>almost across the board is that, um it's open source.

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<v Speaker 1>So like Jake von Slat like puts instructions on how

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<v Speaker 1>to do his projects up for free on his website,

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<v Speaker 1>which I think is called steampunk workshop dot com, which

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<v Speaker 1>is really cool if you ever ever tooled around on it.

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<v Speaker 1>Um and also some of the other people will talk about,

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<v Speaker 1>especially to do it yourself electronic electronic folks. There's kind

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<v Speaker 1>of this sentiment like I created this project and I

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<v Speaker 1>want to share it with the world, and here's how

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<v Speaker 1>you can do it step by step, which is really

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<v Speaker 1>big about sharing it seem like sort of a community,

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<v Speaker 1>and there a couple of the guys I interviewed had

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<v Speaker 1>um guys and gals had gotten in touch with other tentivators,

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<v Speaker 1>and I'm kind of surprised they don't have a little,

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<v Speaker 1>uh a little mini convention at some point. Oh yeah,

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<v Speaker 1>just wait for it. It'll happen. We'll go. Yeah, well,

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<v Speaker 1>just as a chipmunk and a rabbit and go to

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<v Speaker 1>the convention. Yeah. So, do you want to explain how

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<v Speaker 1>how he does this or do you just want to

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<v Speaker 1>kind of give you what what? Von Slack came up,

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<v Speaker 1>but this is just one of his projects. He has

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<v Speaker 1>other altoyds Um projects too. Um. Since he steampunk, he's

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<v Speaker 1>being into Victorian stuff. So he shows an etching, a

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<v Speaker 1>copper plated etching, and um, I was on his site

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<v Speaker 1>just kind of getting the gist of it so I

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<v Speaker 1>could explain it in the article on him. It's called

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<v Speaker 1>how to make a Steampunk altoids tin um, and he

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<v Speaker 1>goes through all these really elaborate um techniques to copper

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<v Speaker 1>plate an altoids tin pretty advanced and somewhat dangerous. It is,

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<v Speaker 1>it's very dangerous. He's using acids and chemicals and like hardcore.

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<v Speaker 1>Um a POxy removers electricity and water together, yeah, which

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<v Speaker 1>is always a little fun. Yeah. I actually when I

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<v Speaker 1>when I wrote it, I copied and pasted the couple

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<v Speaker 1>of paragraphs describing that part and send it to him

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<v Speaker 1>to see. Like I said, I don't want any of

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<v Speaker 1>our readers to be electrocuted. Because he told me if

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<v Speaker 1>this is accurate, and he wrote back he's like, here's

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<v Speaker 1>a here's a much simpler way to do it. So basically,

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<v Speaker 1>through trial and error he came up with the simplest method,

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<v Speaker 1>which was good for me because I could comprehend it

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<v Speaker 1>and wrote about it. So basically what he does was

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<v Speaker 1>he takes um what is it? He calls it blue vitriol,

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<v Speaker 1>which is the Victorian era word for or phrase term

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<v Speaker 1>for copper sulfate. Right, so he uses the terminology to

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<v Speaker 1>the lang. Yeah. Yeah, actually he's steampunk to the core,

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<v Speaker 1>buddy um. But anyway, he takes us and and just

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<v Speaker 1>with a with a Q tip, he dips it in

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<v Speaker 1>um the copper sulfate, rubs it on the back of

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<v Speaker 1>an Altoy's ten that's been stripped of its paint and

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<v Speaker 1>buffed and everything um, and it turns copper and copper

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<v Speaker 1>plates it like that. It looks really cool. Yeah it does.

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<v Speaker 1>But that's not the end of it, right, So he

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<v Speaker 1>takes like a Victorian etching, like well a digital image

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<v Speaker 1>of digital like just something off the internet exactly, and

0:11:53.720 --> 0:11:55.959
<v Speaker 1>then he prints it out on like a transfer paper

0:11:56.000 --> 0:11:58.280
<v Speaker 1>like pressing peel or something. What do they call pressing

0:11:58.320 --> 0:12:03.440
<v Speaker 1>peel in Victorian era? You know? Know? So not that though, buddy, Yeah,

0:12:03.559 --> 0:12:07.800
<v Speaker 1>maybe was that my Victorian era lady? Was it? Really? Yeah?

0:12:07.840 --> 0:12:10.679
<v Speaker 1>I thought that was Eleanor Roosevelt. I think it was. Um.

0:12:10.880 --> 0:12:13.480
<v Speaker 1>So he'll take the transfer paper, put it onto the

0:12:13.520 --> 0:12:18.160
<v Speaker 1>back of the newly copper plated altoy's tin, and and yeah,

0:12:18.200 --> 0:12:20.760
<v Speaker 1>here's where it gets very dangerous. Right, here's where electricity

0:12:20.760 --> 0:12:23.960
<v Speaker 1>comes into play. So he gets a twelve L one

0:12:23.960 --> 0:12:29.120
<v Speaker 1>amp d C wall mounted transformer, right, pulls one out

0:12:29.160 --> 0:12:32.640
<v Speaker 1>of his pocket. It's it's probably steam powered, um, And

0:12:32.760 --> 0:12:36.640
<v Speaker 1>he he clips the positive side to the altoy tin

0:12:36.760 --> 0:12:39.000
<v Speaker 1>he wants to etch. He clips the negative side to

0:12:39.080 --> 0:12:42.000
<v Speaker 1>like a dummy altoy tin to throw away one. And

0:12:42.000 --> 0:12:45.120
<v Speaker 1>then yeah, he drops it into a salt water solution.

0:12:45.200 --> 0:12:49.400
<v Speaker 1>He said, one teaspoon of salt for every quart of

0:12:49.440 --> 0:12:51.880
<v Speaker 1>water and I got the impression he wanted at least

0:12:51.880 --> 0:12:56.040
<v Speaker 1>a gallon enough to to submerge the altoys. Tin throws

0:12:56.080 --> 0:12:58.720
<v Speaker 1>it in there, turns on the power weights ten to

0:12:58.760 --> 0:13:01.760
<v Speaker 1>twenty minutes, turns off the power this is very important,

0:13:02.200 --> 0:13:04.839
<v Speaker 1>reaches in right, and then removes it. And also I

0:13:04.880 --> 0:13:07.160
<v Speaker 1>saw a picture of it's cool like the the water

0:13:07.240 --> 0:13:10.720
<v Speaker 1>starts bubbling. In terms of dark. Yeah, it's pretty cool looking.

0:13:11.120 --> 0:13:12.880
<v Speaker 1>So he turns the power off and then takes it

0:13:12.920 --> 0:13:17.720
<v Speaker 1>out and he uh, he scuffs off the transfer paper

0:13:18.080 --> 0:13:20.720
<v Speaker 1>and it's been etched into the metal, so into this

0:13:20.760 --> 0:13:24.480
<v Speaker 1>copperplated metal. He buts it, adds some rouge buffs, it

0:13:24.480 --> 0:13:26.280
<v Speaker 1>brings it to a high shine. There you go, such

0:13:26.280 --> 0:13:28.680
<v Speaker 1>a cool product. It is really cool. And I mean

0:13:28.760 --> 0:13:31.600
<v Speaker 1>again in the article, just from what I wrote, you

0:13:31.640 --> 0:13:34.000
<v Speaker 1>can do it. Uh. In all the articles we included

0:13:34.200 --> 0:13:37.760
<v Speaker 1>how to make your own of what these people made,

0:13:37.760 --> 0:13:41.960
<v Speaker 1>because like it's open source. Um. But yeah, if you

0:13:42.080 --> 0:13:44.679
<v Speaker 1>if you really want like detailed instructions, you can go

0:13:44.800 --> 0:13:46.800
<v Speaker 1>into his site too. Well. I think the fact that

0:13:46.880 --> 0:13:50.720
<v Speaker 1>they with all of these I noticed it was the

0:13:50.720 --> 0:13:54.160
<v Speaker 1>fact that it was an altoid sin is what got attention.

0:13:54.200 --> 0:13:56.199
<v Speaker 1>Basically because I did one on this kid, Nick Brand

0:13:56.200 --> 0:13:59.160
<v Speaker 1>who makes a little mini flashlights from the little small

0:13:59.240 --> 0:14:02.400
<v Speaker 1>I think it's the m tin and he sells these

0:14:02.480 --> 0:14:05.640
<v Speaker 1>kids online and kind of like your guy Aaron Dunlap

0:14:05.679 --> 0:14:08.720
<v Speaker 1>to who does the USB charger and Nick brnn with

0:14:08.720 --> 0:14:10.559
<v Speaker 1>a flashlight. The fact, the mere fact that it was

0:14:10.600 --> 0:14:13.120
<v Speaker 1>an Altoids tin made people go, oh, man, I gotta

0:14:13.160 --> 0:14:15.040
<v Speaker 1>have one of those, because it's really nothing more than

0:14:15.080 --> 0:14:17.160
<v Speaker 1>a little small, tiny flashlight you can put in your pocket,

0:14:17.520 --> 0:14:19.280
<v Speaker 1>like the little plastic once you can get at the

0:14:19.800 --> 0:14:23.520
<v Speaker 1>gas station checkout line for nine nine cents. But it's

0:14:23.560 --> 0:14:26.840
<v Speaker 1>an outoid stin so it's cool. Yeah, yeah, that's Dunlap

0:14:26.880 --> 0:14:30.800
<v Speaker 1>said that, uh what he created his USB charger UM

0:14:30.840 --> 0:14:34.240
<v Speaker 1>just out of necessity he wanted he wanted. Uh. It

0:14:34.360 --> 0:14:37.960
<v Speaker 1>uses a nine volt battery like a dollar apiece UM,

0:14:38.040 --> 0:14:40.880
<v Speaker 1>and he added the USB charger in the connector and

0:14:40.920 --> 0:14:44.320
<v Speaker 1>all that stuff and he just he connects his smartphone

0:14:44.320 --> 0:14:46.600
<v Speaker 1>to it and it gives it like sixty minutes of

0:14:46.600 --> 0:14:48.920
<v Speaker 1>talking time or four hours of standby just from one

0:14:49.000 --> 0:14:52.280
<v Speaker 1>nine volt battery, which is cool. He also makes kits

0:14:52.400 --> 0:14:55.160
<v Speaker 1>and sells them, and he said he had some left

0:14:55.200 --> 0:14:58.560
<v Speaker 1>over UM from his first project. That's why he put

0:14:58.680 --> 0:15:01.360
<v Speaker 1>kids together to sell them. Um and he said that

0:15:01.400 --> 0:15:05.320
<v Speaker 1>had he chosen just a plain old office sheelf metal enclosure,

0:15:05.640 --> 0:15:07.720
<v Speaker 1>he suspects he'd still be trying to sell the first

0:15:07.760 --> 0:15:10.840
<v Speaker 1>twenty five, but instead he sold thousands and actually founded

0:15:10.840 --> 0:15:14.880
<v Speaker 1>a company called the Electroids Company just to handle the order.

0:15:15.360 --> 0:15:17.440
<v Speaker 1>He got picked up on like dig and Boing boying,

0:15:17.760 --> 0:15:19.960
<v Speaker 1>and he said it was the it was the allure

0:15:20.200 --> 0:15:23.720
<v Speaker 1>of the altoys, did it? Yeah? What is it about

0:15:23.760 --> 0:15:26.640
<v Speaker 1>the tin? Well? I think Well, I interviewed Nick Brand

0:15:26.640 --> 0:15:29.000
<v Speaker 1>and this other guy, Matthew Poech She does uh, he

0:15:29.080 --> 0:15:32.320
<v Speaker 1>does a speaker like you can plug your iPod into

0:15:32.320 --> 0:15:35.360
<v Speaker 1>this Altoids tin and play your music out loud because

0:15:35.360 --> 0:15:37.400
<v Speaker 1>he's drilled little holes like a speaker grill on the

0:15:37.400 --> 0:15:39.680
<v Speaker 1>top of what's it called the Minty Boost? No, no, no no,

0:15:39.840 --> 0:15:43.960
<v Speaker 1>that's it's called speaker Okay, Because there is an altoys project.

0:15:43.960 --> 0:15:48.200
<v Speaker 1>It's a legendary altoy project by um Leemore Freed, who

0:15:48.240 --> 0:15:50.280
<v Speaker 1>I haven't met her interview, but he he seems to

0:15:50.320 --> 0:15:54.040
<v Speaker 1>be kind of like this d I y Altoid's electronics guru.

0:15:54.560 --> 0:15:57.160
<v Speaker 1>Um and he came up with the Minty Boost, a

0:15:57.160 --> 0:15:59.280
<v Speaker 1>lot of people tip their hats to him or I

0:15:59.360 --> 0:16:01.280
<v Speaker 1>think I think you're steampunk guy kind of takes it

0:16:01.320 --> 0:16:04.520
<v Speaker 1>to the next level personally. Well, when you're etching a

0:16:04.760 --> 0:16:07.880
<v Speaker 1>Victorian era stuff, that's pretty cool. Yeah, he's a he's

0:16:07.920 --> 0:16:11.680
<v Speaker 1>a sub subgenre guy or a sub subculture guy. He's

0:16:11.720 --> 0:16:15.680
<v Speaker 1>a steampunk altoys tent evator, which it doesn't get more

0:16:15.760 --> 0:16:17.840
<v Speaker 1>niche than that. I don't think I had another actually

0:16:17.880 --> 0:16:19.640
<v Speaker 1>one of my guys too. A lot of there's kind

0:16:19.640 --> 0:16:22.480
<v Speaker 1>of two camps. You can either be artistic and like

0:16:22.640 --> 0:16:24.520
<v Speaker 1>we've seen some cool like shadow boxes and I know

0:16:24.640 --> 0:16:27.280
<v Speaker 1>one of your uh the ladies you wrote about that

0:16:27.360 --> 0:16:30.760
<v Speaker 1>a zen garden, which is kind of cool, and then

0:16:30.800 --> 0:16:32.560
<v Speaker 1>the other side of the coin is people that do

0:16:32.760 --> 0:16:37.520
<v Speaker 1>um a more useful thing like flashlight speakers, USB chargers,

0:16:37.560 --> 0:16:40.800
<v Speaker 1>that kind of thing. Right, Yeah, there's there's an artistic

0:16:40.920 --> 0:16:44.880
<v Speaker 1>side and then there's like a technical side. But the

0:16:45.000 --> 0:16:48.120
<v Speaker 1>artistic side, dude, I've got the man who I wrote,

0:16:48.320 --> 0:16:51.720
<v Speaker 1>David's Alban He actually does fine art and makes big

0:16:51.760 --> 0:16:54.880
<v Speaker 1>dough so what's album does. He actually uses the tens

0:16:54.960 --> 0:16:58.720
<v Speaker 1>as his canvas, so he will mount tens, you know,

0:16:58.800 --> 0:17:01.240
<v Speaker 1>pressed against one another. I'd buy side and at whatever

0:17:01.240 --> 0:17:04.200
<v Speaker 1>a four ft by four ft frame and actually paint

0:17:04.280 --> 0:17:06.600
<v Speaker 1>over them all. So what you have is as a

0:17:06.600 --> 0:17:11.040
<v Speaker 1>complete finished painting in small little blocks, almost like a mosaic. Yeah.

0:17:11.080 --> 0:17:13.240
<v Speaker 1>I haven't seen this stuff. Yeah, he's based out of Miami.

0:17:13.440 --> 0:17:17.720
<v Speaker 1>And the articles up on the site yet. Uh my

0:17:18.080 --> 0:17:21.600
<v Speaker 1>speaker article is, and the flashlight article is, and the

0:17:21.640 --> 0:17:23.920
<v Speaker 1>fine art article is cool, and the shadow box article.

0:17:24.040 --> 0:17:26.240
<v Speaker 1>We'll check it out. Man. Lots of tentivators, I know,

0:17:26.320 --> 0:17:29.040
<v Speaker 1>I wrote at least ten, I think really. Yeah. So

0:17:29.080 --> 0:17:31.280
<v Speaker 1>there's a bunch of stuff about tentivators and how to

0:17:31.680 --> 0:17:35.040
<v Speaker 1>undertake their projects and if it was too involved, we

0:17:35.200 --> 0:17:37.440
<v Speaker 1>just kind of kicked it to a site like instructibles

0:17:37.440 --> 0:17:39.600
<v Speaker 1>dot com. Yeah that's a great site. Oh yeah yeah,

0:17:40.160 --> 0:17:42.840
<v Speaker 1>very in depth detail stuff. So you can buy some

0:17:42.880 --> 0:17:44.480
<v Speaker 1>of these kids too, if you're too lazy to do

0:17:44.880 --> 0:17:47.040
<v Speaker 1>it yourself, yeah yeah, or the kit you kind of

0:17:47.040 --> 0:17:49.840
<v Speaker 1>have to put together yourself. So that's fun, good projects

0:17:49.840 --> 0:17:52.720
<v Speaker 1>for kids. Yeah. And when there was another guy named

0:17:52.760 --> 0:17:56.040
<v Speaker 1>Matthew Pogue who came up with the Swiss AVR knife. Well,

0:17:56.040 --> 0:17:58.480
<v Speaker 1>and he's a saying guy that as a speaker. No,

0:17:58.760 --> 0:18:03.040
<v Speaker 1>he he made his speaker based on Lemore Freeds Minty Boost.

0:18:03.080 --> 0:18:05.719
<v Speaker 1>So he's like he was just training himself in the

0:18:05.840 --> 0:18:09.480
<v Speaker 1>art of UM do it yourself electronics based on other projects.

0:18:09.720 --> 0:18:11.760
<v Speaker 1>But he's also a tent invator as well, and he

0:18:11.800 --> 0:18:14.520
<v Speaker 1>came up with the Swiss AVR knife, which uses an

0:18:14.600 --> 0:18:17.640
<v Speaker 1>a VR chip. It's like, uh, I think eight bit

0:18:17.760 --> 0:18:21.440
<v Speaker 1>processor something like that, UM, and you can program and

0:18:21.480 --> 0:18:25.320
<v Speaker 1>it's reprogrammable because it uses onboard flash memory. But UM

0:18:25.840 --> 0:18:29.800
<v Speaker 1>using a little sound output device and some little LED lights.

0:18:29.840 --> 0:18:33.040
<v Speaker 1>It goes through all these different UM mechanisms like the

0:18:33.320 --> 0:18:36.840
<v Speaker 1>mini menorah, so like all the LED lights light up

0:18:36.960 --> 0:18:42.120
<v Speaker 1>or um there's the uh, what's it called this noisemaker

0:18:43.200 --> 0:18:45.480
<v Speaker 1>and it just makes all these different digitized sounds that

0:18:45.640 --> 0:18:48.560
<v Speaker 1>fans of craft work would really appreciate that one. UM.

0:18:48.600 --> 0:18:51.320
<v Speaker 1>But there's a lot of people are putting a lot

0:18:51.320 --> 0:18:55.159
<v Speaker 1>of thought into altoids tunes. It makes I feel like

0:18:55.160 --> 0:18:57.960
<v Speaker 1>I'm wasting my life, you know. Well, let's go get

0:18:58.000 --> 0:19:01.000
<v Speaker 1>some altoids and empty them out and start painting on

0:19:01.040 --> 0:19:03.320
<v Speaker 1>them or something. Let's do that, Chuck. Let's do some

0:19:03.359 --> 0:19:06.680
<v Speaker 1>folk art. Okay, yeah, it's the easiest kind of art

0:19:06.920 --> 0:19:09.760
<v Speaker 1>I believe, so yes, well, Chuck, that's tinovators. If you

0:19:09.800 --> 0:19:12.760
<v Speaker 1>want to read more about tinivation. Uh. As we said,

0:19:12.800 --> 0:19:14.720
<v Speaker 1>we have a ton of articles on the site. You

0:19:14.720 --> 0:19:18.359
<v Speaker 1>can find those just by typing altoys I imagine into

0:19:18.400 --> 0:19:21.200
<v Speaker 1>the handy search bar and how stuff works dot com.

0:19:21.240 --> 0:19:23.639
<v Speaker 1>Since I just said that, that means it's time for

0:19:23.840 --> 0:19:27.520
<v Speaker 1>listener mail. Yes, Josh, we gotta listener mail. I'm just

0:19:27.560 --> 0:19:31.840
<v Speaker 1>gonna call America's Funny Some Videos. Oh, I like this one.

0:19:31.880 --> 0:19:33.760
<v Speaker 1>They took a bit of ribbing from us for me

0:19:33.840 --> 0:19:37.280
<v Speaker 1>specifically in this are Stupid People Happier? Because I put

0:19:37.320 --> 0:19:39.359
<v Speaker 1>that show at the very bottom of the food chain

0:19:39.440 --> 0:19:43.120
<v Speaker 1>comedy wise. Getting kicked in the groin? Yeah, what's funnier?

0:19:44.280 --> 0:19:47.520
<v Speaker 1>So this comes from Jason. Jason says, I just listened

0:19:47.520 --> 0:19:49.920
<v Speaker 1>to your podcast Stupid People Happier, and I loved it,

0:19:50.320 --> 0:19:52.840
<v Speaker 1>especially the part about the America's Funny Some Videos. I

0:19:52.880 --> 0:19:55.960
<v Speaker 1>thought you might be interested to know something that most

0:19:55.960 --> 0:19:59.960
<v Speaker 1>people don't know about laughter. The following excerpt about how

0:20:00.080 --> 0:20:04.040
<v Speaker 1>jokes work applies equally well to the a f V videos.

0:20:04.119 --> 0:20:07.560
<v Speaker 1>And this is from the Definitive Book of Body Language.

0:20:08.040 --> 0:20:11.280
<v Speaker 1>That's what he quoted. The basis of most jokes is

0:20:11.280 --> 0:20:14.480
<v Speaker 1>that at the punch line, something disastrous or painful happens

0:20:14.480 --> 0:20:18.240
<v Speaker 1>to someone. In effect, the unexpected ending frightens our brain

0:20:18.800 --> 0:20:21.520
<v Speaker 1>and we laugh with sounds similar to a chimp warning

0:20:21.560 --> 0:20:25.280
<v Speaker 1>others of imminent dancture. Even though we consciously know that

0:20:25.320 --> 0:20:27.520
<v Speaker 1>the joke is not a real event, our laugh releases

0:20:27.640 --> 0:20:32.920
<v Speaker 1>endorphins for self anesthesis as if the joke the word event. No,

0:20:33.000 --> 0:20:35.520
<v Speaker 1>that's a real word. If it is a real event,

0:20:35.640 --> 0:20:38.040
<v Speaker 1>we may go into crying mode, and the body would

0:20:38.040 --> 0:20:42.320
<v Speaker 1>also release endorphins. Crying is often an extension of laughing

0:20:42.320 --> 0:20:45.320
<v Speaker 1>about a laughing about, and is why in a serious

0:20:45.320 --> 0:20:48.760
<v Speaker 1>emotional crisis, such as hearing about a death, a person

0:20:48.800 --> 0:20:53.400
<v Speaker 1>who cannot mentally accept the death may begin laughing. Yeah,

0:20:53.400 --> 0:20:56.120
<v Speaker 1>it's interesting, it's right on the money. When the reality hits,

0:20:56.160 --> 0:20:59.119
<v Speaker 1>the laughter turns into crying. So there you have it.

0:20:59.280 --> 0:21:01.239
<v Speaker 1>To be a dude get kicked in the groin and

0:21:02.359 --> 0:21:05.240
<v Speaker 1>it's funny. That explains it all. Yeah, so I guess

0:21:05.320 --> 0:21:08.400
<v Speaker 1>I am the stupid person. Yeah, the joke is on me, Chuck.

0:21:08.440 --> 0:21:10.600
<v Speaker 1>You're pretty far from stupid. And I think the only

0:21:10.600 --> 0:21:11.960
<v Speaker 1>way to end this is for you to keep me

0:21:12.000 --> 0:21:14.840
<v Speaker 1>in the groin. I I will do that. Come here.

0:21:14.960 --> 0:21:18.560
<v Speaker 1>Only way to come stand right here? No way right? Well,

0:21:19.520 --> 0:21:22.960
<v Speaker 1>I feel like plugging a few things. Look at you? Okay, So, Chuck,

0:21:23.080 --> 0:21:26.399
<v Speaker 1>We've got two pages on our face on Facebook. There's

0:21:26.400 --> 0:21:29.280
<v Speaker 1>one that for Josh Clark and Charles Bryant. That's us

0:21:30.040 --> 0:21:32.040
<v Speaker 1>or Chuck Brian. I think it is. Uh, there's the

0:21:32.040 --> 0:21:35.560
<v Speaker 1>Stuff you Should Know fan page on Facebook every Wednesday

0:21:35.560 --> 0:21:38.960
<v Speaker 1>at one pm. Little known fact except for like thirty

0:21:39.000 --> 0:21:43.520
<v Speaker 1>people every Wednesday at one pm. On the blogs at

0:21:43.560 --> 0:21:48.280
<v Speaker 1>how stuff Works dot com. Your blog, Chuck post one

0:21:48.359 --> 0:21:51.400
<v Speaker 1>every week called live webcast watch it here right now,

0:21:51.800 --> 0:21:55.640
<v Speaker 1>something along those lines. We do a live webcast via

0:21:55.760 --> 0:21:58.800
<v Speaker 1>you stream right. It's like twenty two minutes long. It's awful,

0:21:58.920 --> 0:22:01.280
<v Speaker 1>but it's getting pretty I think you think. So. Yeah,

0:22:01.280 --> 0:22:03.479
<v Speaker 1>it's a little different. We do like news items and

0:22:04.359 --> 0:22:08.119
<v Speaker 1>current pop culture things, and it's I think it's kind

0:22:08.119 --> 0:22:10.600
<v Speaker 1>of fun. I'm proud that there's very little crossover between

0:22:10.600 --> 0:22:13.600
<v Speaker 1>the podcast and the webcast. We're really working. We're like

0:22:13.680 --> 0:22:16.639
<v Speaker 1>James Brown here, Um, so we got the we have

0:22:16.840 --> 0:22:20.840
<v Speaker 1>Facebook pages, we've got the webcast. Um, we have blogs.

0:22:21.560 --> 0:22:23.440
<v Speaker 1>We have a Stuff you Should Know blog on how

0:22:23.480 --> 0:22:26.800
<v Speaker 1>Stuff Works dot com. And what else anything dude, we

0:22:26.840 --> 0:22:30.000
<v Speaker 1>have our second celebrity fan. Now, oh yeah, you want

0:22:30.000 --> 0:22:31.840
<v Speaker 1>to give a shout out? Yeah, well we should give

0:22:31.880 --> 0:22:33.840
<v Speaker 1>a shout out to our first celebrity fan, who was

0:22:34.040 --> 0:22:38.160
<v Speaker 1>Will Wheaton. Hey, Will Wheaton star Trek Series and stand

0:22:38.160 --> 0:22:40.840
<v Speaker 1>By Me. He'll always be famous for stand by Me.

0:22:40.880 --> 0:22:45.280
<v Speaker 1>I was never any guy in our age generation. Stand

0:22:45.280 --> 0:22:47.560
<v Speaker 1>By Me is like one of the quintessential films. Yeah,

0:22:47.760 --> 0:22:50.920
<v Speaker 1>a great, great movie. Yeah, The Dead Kid. Yeah, so

0:22:52.160 --> 0:22:56.679
<v Speaker 1>Ray Brower Boom, that was his name. Holy cow, I

0:22:56.760 --> 0:23:00.720
<v Speaker 1>just pulled that out of my head, so lou bloated.

0:23:01.080 --> 0:23:02.920
<v Speaker 1>We want to say thank you for your support because

0:23:02.920 --> 0:23:05.840
<v Speaker 1>he actually mentioned us on his blog is very popular blog.

0:23:06.440 --> 0:23:08.960
<v Speaker 1>And um, we just found out that Aisha Tyler is

0:23:08.960 --> 0:23:13.359
<v Speaker 1>a big fan. Yes, the lovely, fetching, intelligent, smart, funny

0:23:13.400 --> 0:23:18.720
<v Speaker 1>Aisha Tyler comedian. Yeah, former talk soup hostess. And that

0:23:18.800 --> 0:23:23.080
<v Speaker 1>she was on Friends. Yeah, season's nine and ten, Ross

0:23:23.119 --> 0:23:25.440
<v Speaker 1>and Joe Ross and Joey. Yeah. I think she's probably

0:23:25.440 --> 0:23:28.639
<v Speaker 1>the only person to date both Ross and Joey's. She

0:23:28.760 --> 0:23:32.360
<v Speaker 1>had done Chandler, it would have been a trifecta. Yeah. Um,

0:23:32.480 --> 0:23:35.280
<v Speaker 1>and let's see what else I think you mean? Data's

0:23:35.359 --> 0:23:40.320
<v Speaker 1>Chandler right, Okay, Um, yeah, so we're we're we're accumulating

0:23:40.359 --> 0:23:43.639
<v Speaker 1>to celebrity fans and I couldn't be that we know of.

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<v Speaker 1>And actually, let's just go ahead and cut to the chase.

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<v Speaker 1>Barack Obama, if you listen to these podcasts, send us

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<v Speaker 1>an email, will you? We've always wondered. We love you. Yeah. Um.

0:23:52.359 --> 0:23:54.720
<v Speaker 1>If you want to send us an email, whether you're

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<v Speaker 1>Barack Obama or not, please don't send an email as

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<v Speaker 1>Barack Obama. If you're not Barack Obama about we know

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<v Speaker 1>you can send that email to Stuff podcast at how

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<v Speaker 1>stuff works dot com. For more on this and thousands

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<v Speaker 1>more how stuff works, check out our blogs on the

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