1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:07,560 Speaker 1: It's ready. Are you welcome to Stuff you should know 3 00:00:08,200 --> 00:00:17,000 Speaker 1: from house Stuff Works dot com. Hey, welcome to the podcast. 4 00:00:17,040 --> 00:00:20,000 Speaker 1: I'm Josh Clark. There's Charles Bryant, who is with me 5 00:00:20,079 --> 00:00:21,840 Speaker 1: is always. I don't know what I'd do without each 6 00:00:21,920 --> 00:00:27,480 Speaker 1: other man. Seriously, it'd be like having um a conjoined twins, separated, 7 00:00:27,720 --> 00:00:30,040 Speaker 1: one that has its head into still alive. You were 8 00:00:30,160 --> 00:00:31,840 Speaker 1: being mean to me seconds before he went on, and 9 00:00:31,880 --> 00:00:33,960 Speaker 1: then he butter me up right when in front of people. 10 00:00:34,040 --> 00:00:36,200 Speaker 1: In front of people, you have hundreds of thousands of people. 11 00:00:36,240 --> 00:00:40,200 Speaker 1: I'm secretly very abusive to you behind closed doors, aren't Yeah, 12 00:00:40,400 --> 00:00:45,280 Speaker 1: so chuck, Yes, my fellow ian f er. Oh yeah, 13 00:00:45,280 --> 00:00:48,800 Speaker 1: we took the Myers Briggs personality tests. Pretty cool. We 14 00:00:48,920 --> 00:00:52,599 Speaker 1: are again like conjoined twins, except for the distinction of 15 00:00:52,720 --> 00:00:55,680 Speaker 1: the P and the J. I'm a perceiver, you're a judger, right, 16 00:00:55,720 --> 00:00:58,240 Speaker 1: and I think we compliment each other well in that regard. 17 00:00:58,320 --> 00:01:00,120 Speaker 1: I agree. I'd actually like to do a podcast on 18 00:01:00,160 --> 00:01:02,120 Speaker 1: that test. Let's do it. I think we should do. 19 00:01:02,120 --> 00:01:03,400 Speaker 1: We haven't do you know if we have an article 20 00:01:03,400 --> 00:01:06,320 Speaker 1: on that? Oh, we'll just make stuff up. Yeah, yeah, 21 00:01:06,440 --> 00:01:07,760 Speaker 1: I totally want to do it though. I found it 22 00:01:07,800 --> 00:01:10,000 Speaker 1: really fascinating and I did not think I would, and 23 00:01:10,040 --> 00:01:11,959 Speaker 1: I was. I was into it. So maybe we can 24 00:01:12,040 --> 00:01:15,360 Speaker 1: work swimming with whale sharks into that somehow too. Who're 25 00:01:15,400 --> 00:01:18,240 Speaker 1: just doing podcasts now based on personal experiences around the 26 00:01:18,280 --> 00:01:21,320 Speaker 1: office Tomorrow is going to be called ham and Eggs 27 00:01:21,319 --> 00:01:26,080 Speaker 1: for breakfast. So, speaking of around the office, Chuckers, as 28 00:01:26,120 --> 00:01:29,200 Speaker 1: you know, we have a bunch of new, kind of 29 00:01:29,240 --> 00:01:33,400 Speaker 1: cool articles about um al toys on the site. Who 30 00:01:33,440 --> 00:01:36,640 Speaker 1: to thunk It? Yeah, the curiously strong mint. She took 31 00:01:36,680 --> 00:01:41,080 Speaker 1: my line, I'll kill you. So yeah, We've got a 32 00:01:41,120 --> 00:01:43,520 Speaker 1: whole suite of articles. We have like a sub channel 33 00:01:43,640 --> 00:01:47,640 Speaker 1: in the science channel that's dedicated to Altoy's really yeah, 34 00:01:48,160 --> 00:01:49,600 Speaker 1: have you been on you haven't been on it? Now? 35 00:01:49,640 --> 00:01:52,360 Speaker 1: I wrote a few of them now. The final products 36 00:01:52,360 --> 00:01:56,120 Speaker 1: look pretty good though, all right, I think so. The focus, 37 00:01:56,240 --> 00:01:58,480 Speaker 1: as you know, since you have written some, was on 38 00:01:58,560 --> 00:02:04,560 Speaker 1: this stre range little group of people called tent evaders. Right, yes, well, 39 00:02:04,640 --> 00:02:09,560 Speaker 1: let's talk about them a minute. First, let's discuss candy. Okay, yeah, 40 00:02:09,639 --> 00:02:12,120 Speaker 1: it sounds good talk about al twits, Chuckers. Do you 41 00:02:12,200 --> 00:02:13,760 Speaker 1: have candy in your mouth now like you did during 42 00:02:13,800 --> 00:02:16,200 Speaker 1: the Twinkies show. I know, let's let's address that show. 43 00:02:16,280 --> 00:02:18,000 Speaker 1: We Yeah, we got a few letters that came in 44 00:02:18,160 --> 00:02:21,519 Speaker 1: that said, what was Josh eating during the twinkiespot? Even worse, 45 00:02:21,639 --> 00:02:23,799 Speaker 1: why was Josh eating? Yeah? It sounded like he had 46 00:02:23,800 --> 00:02:27,000 Speaker 1: a Werther's in his mouth or something, or candy and yeah, 47 00:02:27,040 --> 00:02:29,920 Speaker 1: one guy guess whethers are Jolly ranchers. Not true, Josh 48 00:02:29,919 --> 00:02:32,320 Speaker 1: didn't have anything in his mouth, and we've surmised that 49 00:02:32,360 --> 00:02:35,919 Speaker 1: because we're talking about twinkies. He was just frothy, and uh, 50 00:02:36,440 --> 00:02:38,240 Speaker 1: it's weird. I went back and listened to it, and 51 00:02:38,320 --> 00:02:41,240 Speaker 1: I definitely sound like I'm chewing on something. But no, 52 00:02:41,600 --> 00:02:44,000 Speaker 1: I think I just really wanted a twinkie. I guess 53 00:02:44,000 --> 00:02:47,080 Speaker 1: you were too cheap to pick them up, weren't you. Right. Yeah, So, 54 00:02:47,200 --> 00:02:50,040 Speaker 1: just to let people know we're slightly more professional than 55 00:02:50,120 --> 00:02:52,640 Speaker 1: to suck on candy while we're trying to podcast despite 56 00:02:52,639 --> 00:02:56,800 Speaker 1: our illustrious surroundings. Rightly, although we do have jolly, we 57 00:02:56,800 --> 00:02:58,760 Speaker 1: have candy on our desk, and we we avoid it 58 00:02:58,840 --> 00:03:01,280 Speaker 1: during I think Jerry would literally murder us if we 59 00:03:01,360 --> 00:03:06,520 Speaker 1: just started eating candy during a podcast. Yeah, so um, yes, 60 00:03:06,720 --> 00:03:10,079 Speaker 1: I think I might salivate again. Okay, alright, So Chuck, 61 00:03:10,560 --> 00:03:14,520 Speaker 1: did you know that altoids, these these little mints date 62 00:03:14,600 --> 00:03:18,079 Speaker 1: back to the reign of King George the Third, who 63 00:03:18,160 --> 00:03:21,440 Speaker 1: is the mad king who drove the colonists to revolt 64 00:03:22,040 --> 00:03:25,680 Speaker 1: seventeen eighty. Dude, people have been sucking on these mints. Also, 65 00:03:25,720 --> 00:03:28,240 Speaker 1: did you know that King George may have had a perphyria? 66 00:03:29,200 --> 00:03:32,760 Speaker 1: And what is that? It's um, it's what's it called. 67 00:03:33,320 --> 00:03:36,440 Speaker 1: There's acute intermittent perfyria, which is I think when they 68 00:03:36,480 --> 00:03:41,320 Speaker 1: think King George had it's a congenital disease where porphyrins. 69 00:03:41,680 --> 00:03:43,400 Speaker 1: I can't remember what they do. I think they get 70 00:03:43,560 --> 00:03:47,040 Speaker 1: rid of waste build up in your blood stream, in 71 00:03:47,040 --> 00:03:50,080 Speaker 1: your system, and uh, it can get kind of bad. 72 00:03:50,440 --> 00:03:53,280 Speaker 1: It can have um effects on the nervous system. You 73 00:03:53,320 --> 00:03:55,680 Speaker 1: can have psychological effects, which is why they think King 74 00:03:55,680 --> 00:04:00,280 Speaker 1: George was mad. Um. And the stomach cramping is unpara level. 75 00:04:00,280 --> 00:04:03,200 Speaker 1: It's really horrible stuff. But the prefer you might be 76 00:04:03,280 --> 00:04:06,640 Speaker 1: most acquainted with. I can't remember what it's called, but um, 77 00:04:06,680 --> 00:04:09,320 Speaker 1: it's it's where your photo sensitive. You can't go out 78 00:04:09,160 --> 00:04:12,080 Speaker 1: into sunlight, you can't be exposed it's sunlight. It was 79 00:04:12,120 --> 00:04:15,200 Speaker 1: featured in the others you ever see that one? Um. 80 00:04:15,280 --> 00:04:17,960 Speaker 1: And also that's where they think the vampire legend, or 81 00:04:18,000 --> 00:04:20,200 Speaker 1: that aspect of the vampire legend came from, was from 82 00:04:20,279 --> 00:04:23,520 Speaker 1: people who had I thought you're gonna say, given bad 83 00:04:23,520 --> 00:04:25,800 Speaker 1: breath or something. That's why they created Altoid. And I 84 00:04:25,800 --> 00:04:29,920 Speaker 1: think that was consumption, yeah, which was pretty big around 85 00:04:30,000 --> 00:04:32,760 Speaker 1: seventeen eighty, which is when they were first created, right, Yeah, 86 00:04:33,360 --> 00:04:35,560 Speaker 1: and that's always by the way, we mentioned the curiously 87 00:04:35,560 --> 00:04:38,520 Speaker 1: strong man. That was their slogan from day one. Yeah, 88 00:04:38,560 --> 00:04:42,800 Speaker 1: because they use real peppermint oil and lots of copious 89 00:04:42,800 --> 00:04:45,679 Speaker 1: amounts of it's hardcore stuff. Oh yeah, as anyone who's 90 00:04:45,680 --> 00:04:49,320 Speaker 1: ever had an Altoid knows. Yeah, it does a trick though. Yeah. So, um, 91 00:04:49,600 --> 00:04:54,320 Speaker 1: in America, we in America, we love uh to attach 92 00:04:54,800 --> 00:05:01,640 Speaker 1: weird pop stuff to candy to food, like he's kool Aid, which, 93 00:05:01,800 --> 00:05:03,640 Speaker 1: by the way, we should probably make that correction to 94 00:05:03,680 --> 00:05:06,479 Speaker 1: while we're at it. It wasn't kool Aid at Jonestown. 95 00:05:06,680 --> 00:05:10,239 Speaker 1: It turns out it was flavor Aid. I've done some terrible, 96 00:05:10,520 --> 00:05:14,160 Speaker 1: terrible things in my life. I don't I've never felt 97 00:05:14,200 --> 00:05:18,000 Speaker 1: more ashamed than I do for missing that really Yeah, well, 98 00:05:18,040 --> 00:05:20,320 Speaker 1: you know, like I told the hundreds of people that 99 00:05:20,320 --> 00:05:22,800 Speaker 1: wrote in and corrected us on that, sure it was 100 00:05:22,800 --> 00:05:25,360 Speaker 1: flavor Aid, but unfortunately for kool Aid. What matters is 101 00:05:25,400 --> 00:05:28,359 Speaker 1: what people think of and remember and don't drink, and 102 00:05:28,400 --> 00:05:30,280 Speaker 1: the kool Aid is what people remember. I don't even 103 00:05:30,320 --> 00:05:33,000 Speaker 1: know if unfortunately is the right word. It could be fortunate. 104 00:05:33,040 --> 00:05:35,440 Speaker 1: I'm not sure about it. How's Flavoride's market share doing 105 00:05:35,480 --> 00:05:40,359 Speaker 1: since jonestown exactly? And and so basically in America, we 106 00:05:40,440 --> 00:05:43,240 Speaker 1: don't just eat things like we eat things and then 107 00:05:43,279 --> 00:05:47,320 Speaker 1: turn them into cultural phenomena but icons, right exactly. So 108 00:05:47,360 --> 00:05:50,840 Speaker 1: altoids isn't any different. Um, And it's not necessarily the mint, 109 00:05:50,880 --> 00:05:55,640 Speaker 1: although I agreed they are curiously strong. Um, it's the 110 00:05:55,720 --> 00:05:59,320 Speaker 1: tin that seems to like really get people's juices going, 111 00:05:59,440 --> 00:06:02,920 Speaker 1: you know. I mean, who out there hasn't had altois 112 00:06:02,960 --> 00:06:05,800 Speaker 1: at some point and saved the tin and kept you know, 113 00:06:05,880 --> 00:06:09,360 Speaker 1: paper clips or spare buttons or rubber bands or something 114 00:06:09,360 --> 00:06:12,480 Speaker 1: in them. I don't know who. I at my house, Fuller, 115 00:06:13,080 --> 00:06:15,440 Speaker 1: Jimmy Fuller at home right now, I have a couple 116 00:06:15,440 --> 00:06:20,360 Speaker 1: of altoys tins on my desk with assorted, Uh, little knickknacks. Yeah, yeah, 117 00:06:20,400 --> 00:06:22,800 Speaker 1: because it's you know, it's it's perfect size, it is convenient, 118 00:06:22,839 --> 00:06:25,760 Speaker 1: snap shut, and I think that's what led this whole 119 00:06:25,760 --> 00:06:30,560 Speaker 1: tentovation thing. Well yeah, technically that makes you a tinovator 120 00:06:32,440 --> 00:06:35,159 Speaker 1: is exactly what I was gonna say. But a tinovator nonetheless, 121 00:06:35,200 --> 00:06:38,960 Speaker 1: which I guess we should define this a tentovator um 122 00:06:39,000 --> 00:06:41,920 Speaker 1: as we've turned up through our research as somebody who 123 00:06:42,200 --> 00:06:46,280 Speaker 1: um finds new and novel uses for old altoits tins. 124 00:06:46,279 --> 00:06:47,720 Speaker 1: It's as simple as that, and it can be as 125 00:06:47,720 --> 00:06:51,280 Speaker 1: simple as throwing rubber bands in an old tin. But 126 00:06:51,760 --> 00:06:54,760 Speaker 1: some people have come up with much more advanced projects 127 00:06:56,080 --> 00:06:59,080 Speaker 1: of them that that that involved an nodes and electrodes 128 00:06:59,120 --> 00:07:03,200 Speaker 1: and weird stuff that I would electrocute myself trying. So 129 00:07:03,240 --> 00:07:05,960 Speaker 1: should we talk about ten evators? I don't see why 130 00:07:06,040 --> 00:07:08,360 Speaker 1: should we talk about these people? Yeah? Who you want 131 00:07:08,400 --> 00:07:10,800 Speaker 1: to talk about first? Because we did? I have to say, Chuck, 132 00:07:12,000 --> 00:07:15,200 Speaker 1: this could have gone either way, this assignment writing these articles. 133 00:07:15,920 --> 00:07:18,160 Speaker 1: But the but the people that we ran across, at 134 00:07:18,240 --> 00:07:21,320 Speaker 1: least the ones I wrote on, we're generally really interesting. 135 00:07:21,520 --> 00:07:23,560 Speaker 1: They were interesting people and the stuff they came up 136 00:07:23,560 --> 00:07:26,720 Speaker 1: with was very interesting, very creative, which I was very 137 00:07:26,720 --> 00:07:30,760 Speaker 1: thankful for. Let's start with Jake von Slat. Yes, let's 138 00:07:31,080 --> 00:07:33,760 Speaker 1: steam punk steampunk guy. Um. For those of you who 139 00:07:33,800 --> 00:07:36,400 Speaker 1: don't know what steampunk is, it's kind of this um 140 00:07:36,600 --> 00:07:40,760 Speaker 1: subculture movement that's based out of this sub genre, like 141 00:07:41,040 --> 00:07:45,800 Speaker 1: sub sub of speculative fiction that centers around the Victorian 142 00:07:45,840 --> 00:07:48,760 Speaker 1: era and all like the fantastic contraptions that like Jules 143 00:07:48,880 --> 00:07:50,960 Speaker 1: Verne and H. G. Wells came up with, right, so, 144 00:07:51,000 --> 00:07:55,120 Speaker 1: like throwback stuff that's in fact kind of futuristic, right so. Um. 145 00:07:55,200 --> 00:07:57,000 Speaker 1: Jake von Slat came up with one of the most 146 00:07:57,040 --> 00:08:03,600 Speaker 1: recognizable steampunk relics at her, which is the steampunk desktop computer. Ude. 147 00:08:03,600 --> 00:08:06,040 Speaker 1: Have you ever seen it? It's wicked cool. Have you 148 00:08:06,040 --> 00:08:09,640 Speaker 1: read the article that Jay strick wrote Jonathan Strickland, our 149 00:08:10,360 --> 00:08:13,960 Speaker 1: writer called the Stamfellow Podcaster. We have a cool, cool 150 00:08:14,080 --> 00:08:17,280 Speaker 1: article that's just on steampunk on the site. I think 151 00:08:17,280 --> 00:08:18,960 Speaker 1: it's pretty cool. I would never get caught up in 152 00:08:19,040 --> 00:08:22,960 Speaker 1: something like that because any any movement where you're dressing 153 00:08:23,040 --> 00:08:25,360 Speaker 1: up and going to events, it's not really up my alley. 154 00:08:25,760 --> 00:08:27,760 Speaker 1: But I like to look at them when they walk 155 00:08:27,840 --> 00:08:30,480 Speaker 1: by me on the way to their convention. Sure yeah, um, 156 00:08:30,920 --> 00:08:32,959 Speaker 1: I'm more into first suiting, but I can see how 157 00:08:33,000 --> 00:08:36,920 Speaker 1: somebody would, you know, uh, get into steampunk. It's it's 158 00:08:36,960 --> 00:08:40,000 Speaker 1: interesting even looking from the outside in. But Jake fon 159 00:08:40,120 --> 00:08:45,280 Speaker 1: Slat is kind of the a de facto godfather steampunk. 160 00:08:45,600 --> 00:08:48,959 Speaker 1: But it also happens to be a tent evator too, right, right, 161 00:08:49,160 --> 00:08:53,240 Speaker 1: so he makes a little steampunk tens. Now that he 162 00:08:53,480 --> 00:08:56,000 Speaker 1: sells the too right, I don't know if he sells him. 163 00:08:56,120 --> 00:08:59,559 Speaker 1: I think it's he's there's there's kind of um. One 164 00:08:59,600 --> 00:09:03,680 Speaker 1: of the things that goes along with Altoyd's almost like 165 00:09:03,760 --> 00:09:07,400 Speaker 1: almost across the board is that, um it's open source. 166 00:09:08,280 --> 00:09:12,000 Speaker 1: So like Jake von Slat like puts instructions on how 167 00:09:12,040 --> 00:09:15,240 Speaker 1: to do his projects up for free on his website, 168 00:09:15,400 --> 00:09:19,880 Speaker 1: which I think is called steampunk workshop dot com, which 169 00:09:19,960 --> 00:09:22,120 Speaker 1: is really cool if you ever ever tooled around on it. 170 00:09:22,400 --> 00:09:24,400 Speaker 1: Um and also some of the other people will talk about, 171 00:09:24,520 --> 00:09:28,200 Speaker 1: especially to do it yourself electronic electronic folks. There's kind 172 00:09:28,200 --> 00:09:31,160 Speaker 1: of this sentiment like I created this project and I 173 00:09:31,200 --> 00:09:32,679 Speaker 1: want to share it with the world, and here's how 174 00:09:32,720 --> 00:09:35,040 Speaker 1: you can do it step by step, which is really 175 00:09:35,080 --> 00:09:37,840 Speaker 1: big about sharing it seem like sort of a community, 176 00:09:38,480 --> 00:09:40,400 Speaker 1: and there a couple of the guys I interviewed had 177 00:09:40,559 --> 00:09:43,839 Speaker 1: um guys and gals had gotten in touch with other tentivators, 178 00:09:43,920 --> 00:09:46,439 Speaker 1: and I'm kind of surprised they don't have a little, 179 00:09:46,520 --> 00:09:49,319 Speaker 1: uh a little mini convention at some point. Oh yeah, 180 00:09:49,400 --> 00:09:52,760 Speaker 1: just wait for it. It'll happen. We'll go. Yeah, well, 181 00:09:52,840 --> 00:09:54,880 Speaker 1: just as a chipmunk and a rabbit and go to 182 00:09:54,920 --> 00:09:57,880 Speaker 1: the convention. Yeah. So, do you want to explain how 183 00:09:58,200 --> 00:09:59,360 Speaker 1: how he does this or do you just want to 184 00:09:59,400 --> 00:10:02,120 Speaker 1: kind of give you what what? Von Slack came up, 185 00:10:02,120 --> 00:10:03,719 Speaker 1: but this is just one of his projects. He has 186 00:10:03,760 --> 00:10:08,520 Speaker 1: other altoyds Um projects too. Um. Since he steampunk, he's 187 00:10:08,559 --> 00:10:11,319 Speaker 1: being into Victorian stuff. So he shows an etching, a 188 00:10:11,400 --> 00:10:14,960 Speaker 1: copper plated etching, and um, I was on his site 189 00:10:15,080 --> 00:10:17,079 Speaker 1: just kind of getting the gist of it so I 190 00:10:17,080 --> 00:10:20,160 Speaker 1: could explain it in the article on him. It's called 191 00:10:20,200 --> 00:10:24,480 Speaker 1: how to make a Steampunk altoids tin um, and he 192 00:10:24,720 --> 00:10:29,720 Speaker 1: goes through all these really elaborate um techniques to copper 193 00:10:29,760 --> 00:10:33,960 Speaker 1: plate an altoids tin pretty advanced and somewhat dangerous. It is, 194 00:10:34,280 --> 00:10:38,559 Speaker 1: it's very dangerous. He's using acids and chemicals and like hardcore. 195 00:10:38,800 --> 00:10:44,280 Speaker 1: Um a POxy removers electricity and water together, yeah, which 196 00:10:44,280 --> 00:10:46,280 Speaker 1: is always a little fun. Yeah. I actually when I 197 00:10:46,360 --> 00:10:48,960 Speaker 1: when I wrote it, I copied and pasted the couple 198 00:10:49,040 --> 00:10:52,240 Speaker 1: of paragraphs describing that part and send it to him 199 00:10:52,240 --> 00:10:54,200 Speaker 1: to see. Like I said, I don't want any of 200 00:10:54,200 --> 00:10:56,520 Speaker 1: our readers to be electrocuted. Because he told me if 201 00:10:56,520 --> 00:10:58,920 Speaker 1: this is accurate, and he wrote back he's like, here's 202 00:10:58,920 --> 00:11:00,720 Speaker 1: a here's a much simpler way to do it. So basically, 203 00:11:00,720 --> 00:11:03,680 Speaker 1: through trial and error he came up with the simplest method, 204 00:11:04,040 --> 00:11:06,520 Speaker 1: which was good for me because I could comprehend it 205 00:11:06,520 --> 00:11:09,760 Speaker 1: and wrote about it. So basically what he does was 206 00:11:09,840 --> 00:11:13,680 Speaker 1: he takes um what is it? He calls it blue vitriol, 207 00:11:14,080 --> 00:11:18,200 Speaker 1: which is the Victorian era word for or phrase term 208 00:11:18,640 --> 00:11:21,959 Speaker 1: for copper sulfate. Right, so he uses the terminology to 209 00:11:22,080 --> 00:11:25,480 Speaker 1: the lang. Yeah. Yeah, actually he's steampunk to the core, 210 00:11:25,520 --> 00:11:28,360 Speaker 1: buddy um. But anyway, he takes us and and just 211 00:11:28,440 --> 00:11:31,520 Speaker 1: with a with a Q tip, he dips it in 212 00:11:31,920 --> 00:11:35,280 Speaker 1: um the copper sulfate, rubs it on the back of 213 00:11:35,320 --> 00:11:37,880 Speaker 1: an Altoy's ten that's been stripped of its paint and 214 00:11:38,000 --> 00:11:41,600 Speaker 1: buffed and everything um, and it turns copper and copper 215 00:11:41,640 --> 00:11:44,280 Speaker 1: plates it like that. It looks really cool. Yeah it does. 216 00:11:44,559 --> 00:11:46,480 Speaker 1: But that's not the end of it, right, So he 217 00:11:46,559 --> 00:11:51,040 Speaker 1: takes like a Victorian etching, like well a digital image 218 00:11:51,040 --> 00:11:53,720 Speaker 1: of digital like just something off the internet exactly, and 219 00:11:53,720 --> 00:11:55,959 Speaker 1: then he prints it out on like a transfer paper 220 00:11:56,000 --> 00:11:58,280 Speaker 1: like pressing peel or something. What do they call pressing 221 00:11:58,320 --> 00:12:03,440 Speaker 1: peel in Victorian era? You know? Know? So not that though, buddy, Yeah, 222 00:12:03,559 --> 00:12:07,800 Speaker 1: maybe was that my Victorian era lady? Was it? Really? Yeah? 223 00:12:07,840 --> 00:12:10,679 Speaker 1: I thought that was Eleanor Roosevelt. I think it was. Um. 224 00:12:10,880 --> 00:12:13,480 Speaker 1: So he'll take the transfer paper, put it onto the 225 00:12:13,520 --> 00:12:18,160 Speaker 1: back of the newly copper plated altoy's tin, and and yeah, 226 00:12:18,200 --> 00:12:20,760 Speaker 1: here's where it gets very dangerous. Right, here's where electricity 227 00:12:20,760 --> 00:12:23,960 Speaker 1: comes into play. So he gets a twelve L one 228 00:12:23,960 --> 00:12:29,120 Speaker 1: amp d C wall mounted transformer, right, pulls one out 229 00:12:29,160 --> 00:12:32,640 Speaker 1: of his pocket. It's it's probably steam powered, um, And 230 00:12:32,760 --> 00:12:36,640 Speaker 1: he he clips the positive side to the altoy tin 231 00:12:36,760 --> 00:12:39,000 Speaker 1: he wants to etch. He clips the negative side to 232 00:12:39,080 --> 00:12:42,000 Speaker 1: like a dummy altoy tin to throw away one. And 233 00:12:42,000 --> 00:12:45,120 Speaker 1: then yeah, he drops it into a salt water solution. 234 00:12:45,200 --> 00:12:49,400 Speaker 1: He said, one teaspoon of salt for every quart of 235 00:12:49,440 --> 00:12:51,880 Speaker 1: water and I got the impression he wanted at least 236 00:12:51,880 --> 00:12:56,040 Speaker 1: a gallon enough to to submerge the altoys. Tin throws 237 00:12:56,080 --> 00:12:58,720 Speaker 1: it in there, turns on the power weights ten to 238 00:12:58,760 --> 00:13:01,760 Speaker 1: twenty minutes, turns off the power this is very important, 239 00:13:02,200 --> 00:13:04,839 Speaker 1: reaches in right, and then removes it. And also I 240 00:13:04,880 --> 00:13:07,160 Speaker 1: saw a picture of it's cool like the the water 241 00:13:07,240 --> 00:13:10,720 Speaker 1: starts bubbling. In terms of dark. Yeah, it's pretty cool looking. 242 00:13:11,120 --> 00:13:12,880 Speaker 1: So he turns the power off and then takes it 243 00:13:12,920 --> 00:13:17,720 Speaker 1: out and he uh, he scuffs off the transfer paper 244 00:13:18,080 --> 00:13:20,720 Speaker 1: and it's been etched into the metal, so into this 245 00:13:20,760 --> 00:13:24,480 Speaker 1: copperplated metal. He buts it, adds some rouge buffs, it 246 00:13:24,480 --> 00:13:26,280 Speaker 1: brings it to a high shine. There you go, such 247 00:13:26,280 --> 00:13:28,680 Speaker 1: a cool product. It is really cool. And I mean 248 00:13:28,760 --> 00:13:31,600 Speaker 1: again in the article, just from what I wrote, you 249 00:13:31,640 --> 00:13:34,000 Speaker 1: can do it. Uh. In all the articles we included 250 00:13:34,200 --> 00:13:37,760 Speaker 1: how to make your own of what these people made, 251 00:13:37,760 --> 00:13:41,960 Speaker 1: because like it's open source. Um. But yeah, if you 252 00:13:42,080 --> 00:13:44,679 Speaker 1: if you really want like detailed instructions, you can go 253 00:13:44,800 --> 00:13:46,800 Speaker 1: into his site too. Well. I think the fact that 254 00:13:46,880 --> 00:13:50,720 Speaker 1: they with all of these I noticed it was the 255 00:13:50,720 --> 00:13:54,160 Speaker 1: fact that it was an altoid sin is what got attention. 256 00:13:54,200 --> 00:13:56,199 Speaker 1: Basically because I did one on this kid, Nick Brand 257 00:13:56,200 --> 00:13:59,160 Speaker 1: who makes a little mini flashlights from the little small 258 00:13:59,240 --> 00:14:02,400 Speaker 1: I think it's the m tin and he sells these 259 00:14:02,480 --> 00:14:05,640 Speaker 1: kids online and kind of like your guy Aaron Dunlap 260 00:14:05,679 --> 00:14:08,720 Speaker 1: to who does the USB charger and Nick brnn with 261 00:14:08,720 --> 00:14:10,559 Speaker 1: a flashlight. The fact, the mere fact that it was 262 00:14:10,600 --> 00:14:13,120 Speaker 1: an Altoids tin made people go, oh, man, I gotta 263 00:14:13,160 --> 00:14:15,040 Speaker 1: have one of those, because it's really nothing more than 264 00:14:15,080 --> 00:14:17,160 Speaker 1: a little small, tiny flashlight you can put in your pocket, 265 00:14:17,520 --> 00:14:19,280 Speaker 1: like the little plastic once you can get at the 266 00:14:19,800 --> 00:14:23,520 Speaker 1: gas station checkout line for nine nine cents. But it's 267 00:14:23,560 --> 00:14:26,840 Speaker 1: an outoid stin so it's cool. Yeah, yeah, that's Dunlap 268 00:14:26,880 --> 00:14:30,800 Speaker 1: said that, uh what he created his USB charger UM 269 00:14:30,840 --> 00:14:34,240 Speaker 1: just out of necessity he wanted he wanted. Uh. It 270 00:14:34,360 --> 00:14:37,960 Speaker 1: uses a nine volt battery like a dollar apiece UM, 271 00:14:38,040 --> 00:14:40,880 Speaker 1: and he added the USB charger in the connector and 272 00:14:40,920 --> 00:14:44,320 Speaker 1: all that stuff and he just he connects his smartphone 273 00:14:44,320 --> 00:14:46,600 Speaker 1: to it and it gives it like sixty minutes of 274 00:14:46,600 --> 00:14:48,920 Speaker 1: talking time or four hours of standby just from one 275 00:14:49,000 --> 00:14:52,280 Speaker 1: nine volt battery, which is cool. He also makes kits 276 00:14:52,400 --> 00:14:55,160 Speaker 1: and sells them, and he said he had some left 277 00:14:55,200 --> 00:14:58,560 Speaker 1: over UM from his first project. That's why he put 278 00:14:58,680 --> 00:15:01,360 Speaker 1: kids together to sell them. Um and he said that 279 00:15:01,400 --> 00:15:05,320 Speaker 1: had he chosen just a plain old office sheelf metal enclosure, 280 00:15:05,640 --> 00:15:07,720 Speaker 1: he suspects he'd still be trying to sell the first 281 00:15:07,760 --> 00:15:10,840 Speaker 1: twenty five, but instead he sold thousands and actually founded 282 00:15:10,840 --> 00:15:14,880 Speaker 1: a company called the Electroids Company just to handle the order. 283 00:15:15,360 --> 00:15:17,440 Speaker 1: He got picked up on like dig and Boing boying, 284 00:15:17,760 --> 00:15:19,960 Speaker 1: and he said it was the it was the allure 285 00:15:20,200 --> 00:15:23,720 Speaker 1: of the altoys, did it? Yeah? What is it about 286 00:15:23,760 --> 00:15:26,640 Speaker 1: the tin? Well? I think Well, I interviewed Nick Brand 287 00:15:26,640 --> 00:15:29,000 Speaker 1: and this other guy, Matthew Poech She does uh, he 288 00:15:29,080 --> 00:15:32,320 Speaker 1: does a speaker like you can plug your iPod into 289 00:15:32,320 --> 00:15:35,360 Speaker 1: this Altoids tin and play your music out loud because 290 00:15:35,360 --> 00:15:37,400 Speaker 1: he's drilled little holes like a speaker grill on the 291 00:15:37,400 --> 00:15:39,680 Speaker 1: top of what's it called the Minty Boost? No, no, no no, 292 00:15:39,840 --> 00:15:43,960 Speaker 1: that's it's called speaker Okay, Because there is an altoys project. 293 00:15:43,960 --> 00:15:48,200 Speaker 1: It's a legendary altoy project by um Leemore Freed, who 294 00:15:48,240 --> 00:15:50,280 Speaker 1: I haven't met her interview, but he he seems to 295 00:15:50,320 --> 00:15:54,040 Speaker 1: be kind of like this d I y Altoid's electronics guru. 296 00:15:54,560 --> 00:15:57,160 Speaker 1: Um and he came up with the Minty Boost, a 297 00:15:57,160 --> 00:15:59,280 Speaker 1: lot of people tip their hats to him or I 298 00:15:59,360 --> 00:16:01,280 Speaker 1: think I think you're steampunk guy kind of takes it 299 00:16:01,320 --> 00:16:04,520 Speaker 1: to the next level personally. Well, when you're etching a 300 00:16:04,760 --> 00:16:07,880 Speaker 1: Victorian era stuff, that's pretty cool. Yeah, he's a he's 301 00:16:07,920 --> 00:16:11,680 Speaker 1: a sub subgenre guy or a sub subculture guy. He's 302 00:16:11,720 --> 00:16:15,680 Speaker 1: a steampunk altoys tent evator, which it doesn't get more 303 00:16:15,760 --> 00:16:17,840 Speaker 1: niche than that. I don't think I had another actually 304 00:16:17,880 --> 00:16:19,640 Speaker 1: one of my guys too. A lot of there's kind 305 00:16:19,640 --> 00:16:22,480 Speaker 1: of two camps. You can either be artistic and like 306 00:16:22,640 --> 00:16:24,520 Speaker 1: we've seen some cool like shadow boxes and I know 307 00:16:24,640 --> 00:16:27,280 Speaker 1: one of your uh the ladies you wrote about that 308 00:16:27,360 --> 00:16:30,760 Speaker 1: a zen garden, which is kind of cool, and then 309 00:16:30,800 --> 00:16:32,560 Speaker 1: the other side of the coin is people that do 310 00:16:32,760 --> 00:16:37,520 Speaker 1: um a more useful thing like flashlight speakers, USB chargers, 311 00:16:37,560 --> 00:16:40,800 Speaker 1: that kind of thing. Right, Yeah, there's there's an artistic 312 00:16:40,920 --> 00:16:44,880 Speaker 1: side and then there's like a technical side. But the 313 00:16:45,000 --> 00:16:48,120 Speaker 1: artistic side, dude, I've got the man who I wrote, 314 00:16:48,320 --> 00:16:51,720 Speaker 1: David's Alban He actually does fine art and makes big 315 00:16:51,760 --> 00:16:54,880 Speaker 1: dough so what's album does. He actually uses the tens 316 00:16:54,960 --> 00:16:58,720 Speaker 1: as his canvas, so he will mount tens, you know, 317 00:16:58,800 --> 00:17:01,240 Speaker 1: pressed against one another. I'd buy side and at whatever 318 00:17:01,240 --> 00:17:04,200 Speaker 1: a four ft by four ft frame and actually paint 319 00:17:04,280 --> 00:17:06,600 Speaker 1: over them all. So what you have is as a 320 00:17:06,600 --> 00:17:11,040 Speaker 1: complete finished painting in small little blocks, almost like a mosaic. Yeah. 321 00:17:11,080 --> 00:17:13,240 Speaker 1: I haven't seen this stuff. Yeah, he's based out of Miami. 322 00:17:13,440 --> 00:17:17,720 Speaker 1: And the articles up on the site yet. Uh my 323 00:17:18,080 --> 00:17:21,600 Speaker 1: speaker article is, and the flashlight article is, and the 324 00:17:21,640 --> 00:17:23,920 Speaker 1: fine art article is cool, and the shadow box article. 325 00:17:24,040 --> 00:17:26,240 Speaker 1: We'll check it out. Man. Lots of tentivators, I know, 326 00:17:26,320 --> 00:17:29,040 Speaker 1: I wrote at least ten, I think really. Yeah. So 327 00:17:29,080 --> 00:17:31,280 Speaker 1: there's a bunch of stuff about tentivators and how to 328 00:17:31,680 --> 00:17:35,040 Speaker 1: undertake their projects and if it was too involved, we 329 00:17:35,200 --> 00:17:37,440 Speaker 1: just kind of kicked it to a site like instructibles 330 00:17:37,440 --> 00:17:39,600 Speaker 1: dot com. Yeah that's a great site. Oh yeah yeah, 331 00:17:40,160 --> 00:17:42,840 Speaker 1: very in depth detail stuff. So you can buy some 332 00:17:42,880 --> 00:17:44,480 Speaker 1: of these kids too, if you're too lazy to do 333 00:17:44,880 --> 00:17:47,040 Speaker 1: it yourself, yeah yeah, or the kit you kind of 334 00:17:47,040 --> 00:17:49,840 Speaker 1: have to put together yourself. So that's fun, good projects 335 00:17:49,840 --> 00:17:52,720 Speaker 1: for kids. Yeah. And when there was another guy named 336 00:17:52,760 --> 00:17:56,040 Speaker 1: Matthew Pogue who came up with the Swiss AVR knife. Well, 337 00:17:56,040 --> 00:17:58,480 Speaker 1: and he's a saying guy that as a speaker. No, 338 00:17:58,760 --> 00:18:03,040 Speaker 1: he he made his speaker based on Lemore Freeds Minty Boost. 339 00:18:03,080 --> 00:18:05,719 Speaker 1: So he's like he was just training himself in the 340 00:18:05,840 --> 00:18:09,480 Speaker 1: art of UM do it yourself electronics based on other projects. 341 00:18:09,720 --> 00:18:11,760 Speaker 1: But he's also a tent invator as well, and he 342 00:18:11,800 --> 00:18:14,520 Speaker 1: came up with the Swiss AVR knife, which uses an 343 00:18:14,600 --> 00:18:17,640 Speaker 1: a VR chip. It's like, uh, I think eight bit 344 00:18:17,760 --> 00:18:21,440 Speaker 1: processor something like that, UM, and you can program and 345 00:18:21,480 --> 00:18:25,320 Speaker 1: it's reprogrammable because it uses onboard flash memory. But UM 346 00:18:25,840 --> 00:18:29,800 Speaker 1: using a little sound output device and some little LED lights. 347 00:18:29,840 --> 00:18:33,040 Speaker 1: It goes through all these different UM mechanisms like the 348 00:18:33,320 --> 00:18:36,840 Speaker 1: mini menorah, so like all the LED lights light up 349 00:18:36,960 --> 00:18:42,120 Speaker 1: or um there's the uh, what's it called this noisemaker 350 00:18:43,200 --> 00:18:45,480 Speaker 1: and it just makes all these different digitized sounds that 351 00:18:45,640 --> 00:18:48,560 Speaker 1: fans of craft work would really appreciate that one. UM. 352 00:18:48,600 --> 00:18:51,320 Speaker 1: But there's a lot of people are putting a lot 353 00:18:51,320 --> 00:18:55,159 Speaker 1: of thought into altoids tunes. It makes I feel like 354 00:18:55,160 --> 00:18:57,960 Speaker 1: I'm wasting my life, you know. Well, let's go get 355 00:18:58,000 --> 00:19:01,000 Speaker 1: some altoids and empty them out and start painting on 356 00:19:01,040 --> 00:19:03,320 Speaker 1: them or something. Let's do that, Chuck. Let's do some 357 00:19:03,359 --> 00:19:06,680 Speaker 1: folk art. Okay, yeah, it's the easiest kind of art 358 00:19:06,920 --> 00:19:09,760 Speaker 1: I believe, so yes, well, Chuck, that's tinovators. If you 359 00:19:09,800 --> 00:19:12,760 Speaker 1: want to read more about tinivation. Uh. As we said, 360 00:19:12,800 --> 00:19:14,720 Speaker 1: we have a ton of articles on the site. You 361 00:19:14,720 --> 00:19:18,359 Speaker 1: can find those just by typing altoys I imagine into 362 00:19:18,400 --> 00:19:21,200 Speaker 1: the handy search bar and how stuff works dot com. 363 00:19:21,240 --> 00:19:23,639 Speaker 1: Since I just said that, that means it's time for 364 00:19:23,840 --> 00:19:27,520 Speaker 1: listener mail. Yes, Josh, we gotta listener mail. I'm just 365 00:19:27,560 --> 00:19:31,840 Speaker 1: gonna call America's Funny Some Videos. Oh, I like this one. 366 00:19:31,880 --> 00:19:33,760 Speaker 1: They took a bit of ribbing from us for me 367 00:19:33,840 --> 00:19:37,280 Speaker 1: specifically in this are Stupid People Happier? Because I put 368 00:19:37,320 --> 00:19:39,359 Speaker 1: that show at the very bottom of the food chain 369 00:19:39,440 --> 00:19:43,120 Speaker 1: comedy wise. Getting kicked in the groin? Yeah, what's funnier? 370 00:19:44,280 --> 00:19:47,520 Speaker 1: So this comes from Jason. Jason says, I just listened 371 00:19:47,520 --> 00:19:49,920 Speaker 1: to your podcast Stupid People Happier, and I loved it, 372 00:19:50,320 --> 00:19:52,840 Speaker 1: especially the part about the America's Funny Some Videos. I 373 00:19:52,880 --> 00:19:55,960 Speaker 1: thought you might be interested to know something that most 374 00:19:55,960 --> 00:19:59,960 Speaker 1: people don't know about laughter. The following excerpt about how 375 00:20:00,080 --> 00:20:04,040 Speaker 1: jokes work applies equally well to the a f V videos. 376 00:20:04,119 --> 00:20:07,560 Speaker 1: And this is from the Definitive Book of Body Language. 377 00:20:08,040 --> 00:20:11,280 Speaker 1: That's what he quoted. The basis of most jokes is 378 00:20:11,280 --> 00:20:14,480 Speaker 1: that at the punch line, something disastrous or painful happens 379 00:20:14,480 --> 00:20:18,240 Speaker 1: to someone. In effect, the unexpected ending frightens our brain 380 00:20:18,800 --> 00:20:21,520 Speaker 1: and we laugh with sounds similar to a chimp warning 381 00:20:21,560 --> 00:20:25,280 Speaker 1: others of imminent dancture. Even though we consciously know that 382 00:20:25,320 --> 00:20:27,520 Speaker 1: the joke is not a real event, our laugh releases 383 00:20:27,640 --> 00:20:32,920 Speaker 1: endorphins for self anesthesis as if the joke the word event. No, 384 00:20:33,000 --> 00:20:35,520 Speaker 1: that's a real word. If it is a real event, 385 00:20:35,640 --> 00:20:38,040 Speaker 1: we may go into crying mode, and the body would 386 00:20:38,040 --> 00:20:42,320 Speaker 1: also release endorphins. Crying is often an extension of laughing 387 00:20:42,320 --> 00:20:45,320 Speaker 1: about a laughing about, and is why in a serious 388 00:20:45,320 --> 00:20:48,760 Speaker 1: emotional crisis, such as hearing about a death, a person 389 00:20:48,800 --> 00:20:53,400 Speaker 1: who cannot mentally accept the death may begin laughing. Yeah, 390 00:20:53,400 --> 00:20:56,120 Speaker 1: it's interesting, it's right on the money. When the reality hits, 391 00:20:56,160 --> 00:20:59,119 Speaker 1: the laughter turns into crying. So there you have it. 392 00:20:59,280 --> 00:21:01,239 Speaker 1: To be a dude get kicked in the groin and 393 00:21:02,359 --> 00:21:05,240 Speaker 1: it's funny. That explains it all. Yeah, so I guess 394 00:21:05,320 --> 00:21:08,400 Speaker 1: I am the stupid person. Yeah, the joke is on me, Chuck. 395 00:21:08,440 --> 00:21:10,600 Speaker 1: You're pretty far from stupid. And I think the only 396 00:21:10,600 --> 00:21:11,960 Speaker 1: way to end this is for you to keep me 397 00:21:12,000 --> 00:21:14,840 Speaker 1: in the groin. I I will do that. Come here. 398 00:21:14,960 --> 00:21:18,560 Speaker 1: Only way to come stand right here? No way right? Well, 399 00:21:19,520 --> 00:21:22,960 Speaker 1: I feel like plugging a few things. Look at you? Okay, So, Chuck, 400 00:21:23,080 --> 00:21:26,399 Speaker 1: We've got two pages on our face on Facebook. There's 401 00:21:26,400 --> 00:21:29,280 Speaker 1: one that for Josh Clark and Charles Bryant. That's us 402 00:21:30,040 --> 00:21:32,040 Speaker 1: or Chuck Brian. I think it is. Uh, there's the 403 00:21:32,040 --> 00:21:35,560 Speaker 1: Stuff you Should Know fan page on Facebook every Wednesday 404 00:21:35,560 --> 00:21:38,960 Speaker 1: at one pm. Little known fact except for like thirty 405 00:21:39,000 --> 00:21:43,520 Speaker 1: people every Wednesday at one pm. On the blogs at 406 00:21:43,560 --> 00:21:48,280 Speaker 1: how stuff Works dot com. Your blog, Chuck post one 407 00:21:48,359 --> 00:21:51,400 Speaker 1: every week called live webcast watch it here right now, 408 00:21:51,800 --> 00:21:55,640 Speaker 1: something along those lines. We do a live webcast via 409 00:21:55,760 --> 00:21:58,800 Speaker 1: you stream right. It's like twenty two minutes long. It's awful, 410 00:21:58,920 --> 00:22:01,280 Speaker 1: but it's getting pretty I think you think. So. Yeah, 411 00:22:01,280 --> 00:22:03,479 Speaker 1: it's a little different. We do like news items and 412 00:22:04,359 --> 00:22:08,119 Speaker 1: current pop culture things, and it's I think it's kind 413 00:22:08,119 --> 00:22:10,600 Speaker 1: of fun. I'm proud that there's very little crossover between 414 00:22:10,600 --> 00:22:13,600 Speaker 1: the podcast and the webcast. We're really working. We're like 415 00:22:13,680 --> 00:22:16,639 Speaker 1: James Brown here, Um, so we got the we have 416 00:22:16,840 --> 00:22:20,840 Speaker 1: Facebook pages, we've got the webcast. Um, we have blogs. 417 00:22:21,560 --> 00:22:23,440 Speaker 1: We have a Stuff you Should Know blog on how 418 00:22:23,480 --> 00:22:26,800 Speaker 1: Stuff Works dot com. And what else anything dude, we 419 00:22:26,840 --> 00:22:30,000 Speaker 1: have our second celebrity fan. Now, oh yeah, you want 420 00:22:30,000 --> 00:22:31,840 Speaker 1: to give a shout out? Yeah, well we should give 421 00:22:31,880 --> 00:22:33,840 Speaker 1: a shout out to our first celebrity fan, who was 422 00:22:34,040 --> 00:22:38,160 Speaker 1: Will Wheaton. Hey, Will Wheaton star Trek Series and stand 423 00:22:38,160 --> 00:22:40,840 Speaker 1: By Me. He'll always be famous for stand by Me. 424 00:22:40,880 --> 00:22:45,280 Speaker 1: I was never any guy in our age generation. Stand 425 00:22:45,280 --> 00:22:47,560 Speaker 1: By Me is like one of the quintessential films. Yeah, 426 00:22:47,760 --> 00:22:50,920 Speaker 1: a great, great movie. Yeah, The Dead Kid. Yeah, so 427 00:22:52,160 --> 00:22:56,679 Speaker 1: Ray Brower Boom, that was his name. Holy cow, I 428 00:22:56,760 --> 00:23:00,720 Speaker 1: just pulled that out of my head, so lou bloated. 429 00:23:01,080 --> 00:23:02,920 Speaker 1: We want to say thank you for your support because 430 00:23:02,920 --> 00:23:05,840 Speaker 1: he actually mentioned us on his blog is very popular blog. 431 00:23:06,440 --> 00:23:08,960 Speaker 1: And um, we just found out that Aisha Tyler is 432 00:23:08,960 --> 00:23:13,359 Speaker 1: a big fan. Yes, the lovely, fetching, intelligent, smart, funny 433 00:23:13,400 --> 00:23:18,720 Speaker 1: Aisha Tyler comedian. Yeah, former talk soup hostess. And that 434 00:23:18,800 --> 00:23:23,080 Speaker 1: she was on Friends. Yeah, season's nine and ten, Ross 435 00:23:23,119 --> 00:23:25,440 Speaker 1: and Joe Ross and Joey. Yeah. I think she's probably 436 00:23:25,440 --> 00:23:28,639 Speaker 1: the only person to date both Ross and Joey's. She 437 00:23:28,760 --> 00:23:32,360 Speaker 1: had done Chandler, it would have been a trifecta. Yeah. Um, 438 00:23:32,480 --> 00:23:35,280 Speaker 1: and let's see what else I think you mean? Data's 439 00:23:35,359 --> 00:23:40,320 Speaker 1: Chandler right, Okay, Um, yeah, so we're we're we're accumulating 440 00:23:40,359 --> 00:23:43,639 Speaker 1: to celebrity fans and I couldn't be that we know of. 441 00:23:43,920 --> 00:23:46,040 Speaker 1: And actually, let's just go ahead and cut to the chase. 442 00:23:46,240 --> 00:23:48,879 Speaker 1: Barack Obama, if you listen to these podcasts, send us 443 00:23:48,920 --> 00:23:52,320 Speaker 1: an email, will you? We've always wondered. We love you. Yeah. Um. 444 00:23:52,359 --> 00:23:54,720 Speaker 1: If you want to send us an email, whether you're 445 00:23:54,720 --> 00:23:58,080 Speaker 1: Barack Obama or not, please don't send an email as 446 00:23:58,080 --> 00:24:00,879 Speaker 1: Barack Obama. If you're not Barack Obama about we know 447 00:24:01,200 --> 00:24:05,000 Speaker 1: you can send that email to Stuff podcast at how 448 00:24:05,080 --> 00:24:11,760 Speaker 1: stuff works dot com. For more on this and thousands 449 00:24:11,760 --> 00:24:15,200 Speaker 1: of other topics, visit how stuff works dot com. Want 450 00:24:15,240 --> 00:24:17,879 Speaker 1: more how stuff works, check out our blogs on the 451 00:24:17,920 --> 00:24:22,879 Speaker 1: how stuff works dot com home page. Brought to you 452 00:24:22,920 --> 00:24:26,280 Speaker 1: by the reinvented two thousand twelve camera. It's ready, are 453 00:24:26,320 --> 00:24:26,480 Speaker 1: you