1 00:00:00,080 --> 00:00:02,640 Speaker 1: All right, guys, this is something that I pretty much 2 00:00:02,680 --> 00:00:05,240 Speaker 1: fangirl about right now, and I'm kind of nervous of 3 00:00:05,280 --> 00:00:07,280 Speaker 1: who's in studio because it is a guy that I 4 00:00:07,280 --> 00:00:09,840 Speaker 1: grew up watching, one of my favorite wrestlers of all time, 5 00:00:10,280 --> 00:00:13,640 Speaker 1: the hardcore legend himself, Mick Foley, is in the studio 6 00:00:13,720 --> 00:00:14,080 Speaker 1: right now. 7 00:00:14,080 --> 00:00:16,360 Speaker 2: How are you doing? Hey, I'm doing great, man. I'm 8 00:00:17,160 --> 00:00:21,079 Speaker 2: pleased to be here. I know I pandered a cities 9 00:00:21,120 --> 00:00:23,639 Speaker 2: around the globe, but it really is great to be 10 00:00:24,040 --> 00:00:25,920 Speaker 2: right here in Nashville, Tennessee. 11 00:00:26,040 --> 00:00:28,400 Speaker 1: We're excited to have you here at Zany Tonight twenty 12 00:00:28,480 --> 00:00:31,040 Speaker 1: Years of Hell Tour. It starts at seven tickets, twenty 13 00:00:31,040 --> 00:00:34,320 Speaker 1: five dollars for GA, seventy five for VIP. What is 14 00:00:35,080 --> 00:00:38,560 Speaker 1: this tour about? For somebody who's listening right now, what's 15 00:00:38,560 --> 00:00:38,880 Speaker 1: it about? 16 00:00:39,000 --> 00:00:42,040 Speaker 2: Yeah? I've been doing these storytelling shows for years, but 17 00:00:42,120 --> 00:00:44,360 Speaker 2: it was always kind of like a pick and choose, 18 00:00:44,400 --> 00:00:45,760 Speaker 2: like it was a menu. It'd be I got a 19 00:00:45,840 --> 00:00:49,000 Speaker 2: story about breaking in a story, a recent story riffing 20 00:00:49,040 --> 00:00:52,360 Speaker 2: off something I saw on TV, you know, a classic 21 00:00:52,479 --> 00:00:56,320 Speaker 2: match here and there, some kind of just wild world 22 00:00:56,480 --> 00:01:00,720 Speaker 2: observation thrown in. And so when I sub Bruce Springsteen 23 00:01:00,800 --> 00:01:03,480 Speaker 2: doing the River tour. I was like, that's a tour. 24 00:01:03,800 --> 00:01:05,479 Speaker 2: I wasn't able to see it. I'd like to see 25 00:01:05,480 --> 00:01:07,360 Speaker 2: that because I know exactly what it is, you know, 26 00:01:07,480 --> 00:01:10,480 Speaker 2: like he's going to bring those songs to life on stage, 27 00:01:10,600 --> 00:01:12,360 Speaker 2: and I thought, I need to do something like that, 28 00:01:12,480 --> 00:01:14,920 Speaker 2: so people aren't constantly going, well, what does he do? Right? 29 00:01:15,000 --> 00:01:17,920 Speaker 2: Hell jokes as you do, and it's like, here it is, dude, 30 00:01:18,000 --> 00:01:20,360 Speaker 2: I'm going to bring that night from June twenty eighth, 31 00:01:20,440 --> 00:01:24,360 Speaker 2: nineteen ninety eight to life, you know, on stage through 32 00:01:24,400 --> 00:01:27,160 Speaker 2: words and emotions, and try to bring people back to 33 00:01:27,240 --> 00:01:29,960 Speaker 2: that night, you know, which has lived on for twenty years. 34 00:01:29,959 --> 00:01:31,760 Speaker 2: I got asked about every day in my life for 35 00:01:31,760 --> 00:01:35,000 Speaker 2: twenty years. So instead of feeling like Bill Murray and 36 00:01:35,080 --> 00:01:38,560 Speaker 2: in an airing of Groundhog's Day that never ends, I 37 00:01:38,640 --> 00:01:42,320 Speaker 2: decided to embrace it. And this is I've done two 38 00:01:42,319 --> 00:01:44,200 Speaker 2: shows and I love it and I get the feeling. 39 00:01:44,280 --> 00:01:47,400 Speaker 2: It's like exactly what audiences want to hear, and it's 40 00:01:47,400 --> 00:01:48,880 Speaker 2: just going to it's just going to get better. A 41 00:01:48,920 --> 00:01:51,720 Speaker 2: lot of pressure tonight in Nashville with luminaries in the crowd, 42 00:01:52,720 --> 00:01:55,000 Speaker 2: but I always responded well to pressure. 43 00:01:55,520 --> 00:01:57,600 Speaker 1: My guest McK foley is in the studio right now, 44 00:01:57,680 --> 00:01:59,720 Speaker 1: and I will say that I became a fan of yours. 45 00:01:59,760 --> 00:02:02,800 Speaker 1: Let's go back the very first time that I went 46 00:02:02,840 --> 00:02:08,359 Speaker 1: into wrestling, year nineteen ninety one, Halloween Havoc. 47 00:02:09,400 --> 00:02:10,359 Speaker 2: That's the one that did it. 48 00:02:10,560 --> 00:02:12,160 Speaker 1: That was the one that got it. It was it 49 00:02:12,200 --> 00:02:15,320 Speaker 1: was It was an old VHS tape to my dad 50 00:02:15,360 --> 00:02:17,240 Speaker 1: had and I was watching it and I was like, 51 00:02:17,919 --> 00:02:19,320 Speaker 1: that's my favorite wrestle right there. 52 00:02:19,360 --> 00:02:21,360 Speaker 2: Well, you know this tactics that was never a Chamber 53 00:02:21,360 --> 00:02:22,160 Speaker 2: of Horrors too? 54 00:02:22,480 --> 00:02:23,120 Speaker 1: Why is that? 55 00:02:23,200 --> 00:02:26,600 Speaker 2: It was awful? The whole concept, I mean there was. 56 00:02:26,840 --> 00:02:29,080 Speaker 2: It was like an all star team of bad guys, right. 57 00:02:29,240 --> 00:02:32,920 Speaker 2: It was me and a Duelah the Butcher Scott Hall, 58 00:02:32,960 --> 00:02:35,360 Speaker 2: who you know later go on to be Raising Ramone, 59 00:02:36,639 --> 00:02:39,519 Speaker 2: Big Ban, Big Van Vader. But the whole concept that 60 00:02:39,560 --> 00:02:41,720 Speaker 2: you win a match by putting one of the opponents 61 00:02:41,720 --> 00:02:47,400 Speaker 2: in an electric chair where he then it's electric completion. 62 00:02:48,720 --> 00:02:52,359 Speaker 2: You know, it tugs at the It's tough to suspend 63 00:02:53,480 --> 00:02:56,600 Speaker 2: disbelief when I've duel with the Butcher's being fried in 64 00:02:56,400 --> 00:02:57,520 Speaker 2: an electric. 65 00:02:57,280 --> 00:02:59,280 Speaker 1: Chair, right, And I think that was the kind of 66 00:02:59,320 --> 00:03:01,040 Speaker 1: thing that got me into wrestling. I was sitting there 67 00:03:01,080 --> 00:03:04,240 Speaker 1: watching it, and I kept rewinding the match. I didn't 68 00:03:04,280 --> 00:03:06,440 Speaker 1: care about the rest of the card because that was 69 00:03:06,480 --> 00:03:07,639 Speaker 1: when I started falling in love. 70 00:03:07,480 --> 00:03:13,400 Speaker 2: With Anniversary Chamber of Horrors, Bring that, Bring that awful 71 00:03:13,480 --> 00:03:16,480 Speaker 2: Night Alive. And there was also there was a malfunction 72 00:03:16,600 --> 00:03:18,959 Speaker 2: with the switch that I already been pulled before I 73 00:03:18,960 --> 00:03:21,000 Speaker 2: Eving got down, you know, climbed up the thing, and 74 00:03:21,240 --> 00:03:23,239 Speaker 2: then I had to pretend I didn't see it and 75 00:03:23,400 --> 00:03:25,800 Speaker 2: gently like put it back up to the arm, you know, 76 00:03:25,880 --> 00:03:29,800 Speaker 2: the boom, and pull the switch again. But I'm glad 77 00:03:29,800 --> 00:03:30,280 Speaker 2: you liked it. 78 00:03:30,560 --> 00:03:32,720 Speaker 1: That that was the defining moment that I was like, 79 00:03:32,800 --> 00:03:34,120 Speaker 1: I'm a huge wrestling fan. 80 00:03:34,320 --> 00:03:36,600 Speaker 2: Yeah, and I mean I I you know, I gave, 81 00:03:37,160 --> 00:03:41,080 Speaker 2: I put everything I had into those those matches and 82 00:03:41,120 --> 00:03:44,280 Speaker 2: those portrayals. I believe that match. I was like, it'd 83 00:03:44,320 --> 00:03:45,960 Speaker 2: be a good idea to be thrown over the top 84 00:03:46,080 --> 00:03:49,040 Speaker 2: rope and hit the cage upside down, and I did, 85 00:03:49,440 --> 00:03:51,680 Speaker 2: and then I would rarely think of, well, then what 86 00:03:51,720 --> 00:03:55,040 Speaker 2: happens to my body once it hits the cage upside down? 87 00:03:55,240 --> 00:03:57,040 Speaker 2: And the answer is it will drop like a rock. 88 00:03:57,720 --> 00:04:01,080 Speaker 1: Yeah you will. And let's talk about that. So you 89 00:04:01,080 --> 00:04:02,680 Speaker 1: went on to have an amazing career. One thing that 90 00:04:02,720 --> 00:04:05,280 Speaker 1: stands out, like we said, was all the bumps you took, 91 00:04:05,440 --> 00:04:08,280 Speaker 1: is that, uh, what set you apart from your style 92 00:04:08,280 --> 00:04:09,640 Speaker 1: of wrestling towards everybody else's. 93 00:04:09,880 --> 00:04:11,960 Speaker 2: Well, you know, the bumps were like the calling card. 94 00:04:12,160 --> 00:04:15,400 Speaker 2: So last night I made a drive over to Memphis, 95 00:04:15,400 --> 00:04:17,840 Speaker 2: and it was nice to be inducted into the Memphis 96 00:04:17,880 --> 00:04:20,440 Speaker 2: Wrestling Hall of Fame. And when I say Memphis, I'm 97 00:04:20,480 --> 00:04:24,880 Speaker 2: including the I always considered the Memphis territory, which was 98 00:04:25,440 --> 00:04:27,480 Speaker 2: I lived in Nashville at the time because that was 99 00:04:27,520 --> 00:04:29,560 Speaker 2: the easiest place to commute from. So it was Memphis 100 00:04:29,560 --> 00:04:34,080 Speaker 2: every Monday, Louisville every Tuesday, Evansville, Indiana every Wednesday, Nashville 101 00:04:34,120 --> 00:04:37,600 Speaker 2: every Saturday night, Memphis TV every Saturday morning. And then 102 00:04:37,640 --> 00:04:40,800 Speaker 2: on Thursdays and Fridays you'd have your spots shows where 103 00:04:40,800 --> 00:04:43,200 Speaker 2: you might travel anywhere within a three hundred miles radius 104 00:04:43,200 --> 00:04:46,440 Speaker 2: and wrestle from you know, armories, middle schools, that type 105 00:04:46,440 --> 00:04:48,800 Speaker 2: of thing. And what was the. 106 00:04:48,839 --> 00:04:52,080 Speaker 1: Question all the bumps that you took did that set 107 00:04:52,120 --> 00:04:53,040 Speaker 1: you apart from the. 108 00:04:53,000 --> 00:04:55,200 Speaker 2: Reason I brought it up, I likes for guiding me 109 00:04:56,320 --> 00:04:59,120 Speaker 2: is that I really did not like my book or 110 00:04:59,120 --> 00:05:00,800 Speaker 2: you know, I had a creative you know, I thought 111 00:05:00,839 --> 00:05:02,359 Speaker 2: it was tough on me, and yet here I was 112 00:05:02,440 --> 00:05:04,920 Speaker 2: on stage being inducted by him. Because you realize with 113 00:05:05,040 --> 00:05:07,520 Speaker 2: hindsight that sometimes you need that type of person. You know, 114 00:05:07,680 --> 00:05:10,479 Speaker 2: if I had had a gentle backpatter when I needed 115 00:05:10,520 --> 00:05:12,520 Speaker 2: a firm butt kicker, you know, I probably wouldn't have 116 00:05:12,600 --> 00:05:15,599 Speaker 2: went on to do the things. Although I do prefer 117 00:05:15,720 --> 00:05:18,040 Speaker 2: a backpat rather than a kick in the butt. That's 118 00:05:18,120 --> 00:05:24,240 Speaker 2: my that's my way. And so he still has the 119 00:05:24,320 --> 00:05:27,480 Speaker 2: handwritten note that I wrote in you know, like Spring 120 00:05:27,520 --> 00:05:29,960 Speaker 2: of eighty eighties was that was my first full time job. 121 00:05:30,000 --> 00:05:32,359 Speaker 2: I've been involved since eighty five, full time job, and 122 00:05:32,360 --> 00:05:34,400 Speaker 2: it was like, Hi, my name is Mike Foley, I wrestler, 123 00:05:34,400 --> 00:05:37,160 Speaker 2: Hiss Cactus Jack. I would love to work in Memphis. 124 00:05:37,320 --> 00:05:40,240 Speaker 2: I've developed a series of unusual bumps to make my 125 00:05:40,360 --> 00:05:42,880 Speaker 2: matches stand out and add realism, you know, so that 126 00:05:42,960 --> 00:05:46,559 Speaker 2: was always a calling card. And then but those alone 127 00:05:46,600 --> 00:05:48,839 Speaker 2: weren't going to get you too far, so I had 128 00:05:48,839 --> 00:05:50,800 Speaker 2: to develop. The main thing is finding a way to 129 00:05:50,800 --> 00:05:54,279 Speaker 2: connect with the audience, right and you know, creating, you know, 130 00:05:54,960 --> 00:05:57,039 Speaker 2: wild moves were part of that, but there had to 131 00:05:57,080 --> 00:06:00,919 Speaker 2: be something, something out there that allowed to connect with you. 132 00:06:01,080 --> 00:06:03,480 Speaker 2: So I think that was probably my strongest point. 133 00:06:03,960 --> 00:06:06,599 Speaker 1: My guest, Mick Foley is at zany Sinight Twenty Years 134 00:06:06,640 --> 00:06:09,440 Speaker 1: of Hell tour starts at seven tickets, twenty five dollars 135 00:06:09,480 --> 00:06:12,880 Speaker 1: for GA, seventy five for VIP. Let's talk more about 136 00:06:12,920 --> 00:06:16,159 Speaker 1: the in depth matches. The death matches in Japan. 137 00:06:16,360 --> 00:06:18,520 Speaker 2: Point out first that I saw ken Burns in the 138 00:06:18,520 --> 00:06:25,479 Speaker 2: elevator really right, and we were like, that is ken Burns, 139 00:06:26,080 --> 00:06:28,760 Speaker 2: and so I thanked him for his work to him 140 00:06:28,800 --> 00:06:29,200 Speaker 2: keep it up. 141 00:06:29,440 --> 00:06:32,120 Speaker 1: But anyway, go ahead, your death matches in Japan. Where 142 00:06:32,160 --> 00:06:35,040 Speaker 1: did like that concept come from? Because I'm sitting there thinking, 143 00:06:35,160 --> 00:06:38,600 Speaker 1: like you talk about barbed wire and C four and explosives, and. 144 00:06:39,279 --> 00:06:41,920 Speaker 2: This is where I get socially deep on you. That's fine. 145 00:06:41,920 --> 00:06:44,159 Speaker 2: We got all the time we really speculate. This is 146 00:06:44,200 --> 00:06:47,000 Speaker 2: not like it's been proven, but the speculation as you 147 00:06:47,040 --> 00:06:51,279 Speaker 2: take this warrior ethos and a culture going back thousands 148 00:06:51,320 --> 00:06:55,080 Speaker 2: of years and then following World War Two where they 149 00:06:55,080 --> 00:06:58,840 Speaker 2: were you know, they were beaten and dismantled. The military 150 00:06:58,920 --> 00:07:01,000 Speaker 2: was dismantled, Like I think there had to be a 151 00:07:01,000 --> 00:07:04,200 Speaker 2: way for that ethos to keep popping up. One of 152 00:07:04,200 --> 00:07:07,240 Speaker 2: the ways it did was in professional wrestling, so and 153 00:07:07,920 --> 00:07:10,360 Speaker 2: other things that we won't speak of, you know, because 154 00:07:10,400 --> 00:07:15,080 Speaker 2: it can be a pretty u stoic, macho culture, and 155 00:07:15,360 --> 00:07:18,200 Speaker 2: so their wrestling was always more extreme. They were always 156 00:07:18,200 --> 00:07:20,920 Speaker 2: looking to push themselves. They still, you know, regard had 157 00:07:21,120 --> 00:07:25,960 Speaker 2: high regard for bravery and or stupidity. Sometimes it was 158 00:07:26,000 --> 00:07:29,560 Speaker 2: stupidity for sure, and so they would invent these different 159 00:07:30,400 --> 00:07:33,000 Speaker 2: methods of having matches, you know. So when I was 160 00:07:33,040 --> 00:07:34,920 Speaker 2: over there, it was like, Okay, I think today, I 161 00:07:34,920 --> 00:07:37,480 Speaker 2: don't want to do a Japanese It's it's complimentary when 162 00:07:37,480 --> 00:07:42,240 Speaker 2: I do this sound the crowd makes, which was that's complimentary. 163 00:07:42,240 --> 00:07:45,600 Speaker 2: If I start doing a Japanese accent, that's not a compliment. 164 00:07:45,720 --> 00:07:47,920 Speaker 2: So I would just say as if he was saying 165 00:07:47,920 --> 00:07:51,440 Speaker 2: in a classic you know, American accent. You know, we 166 00:07:51,480 --> 00:07:54,640 Speaker 2: have come up with a new match, the pushpin Misery deathmatch, 167 00:07:54,720 --> 00:07:56,360 Speaker 2: And I said, okay, let's say we're going to have 168 00:07:56,440 --> 00:08:01,120 Speaker 2: ten thousand push pins in a bag and the goal 169 00:08:01,280 --> 00:08:04,040 Speaker 2: is to you know, work into it. As I did 170 00:08:04,040 --> 00:08:06,320 Speaker 2: a storytelling show a couple of days ago with a 171 00:08:06,360 --> 00:08:09,120 Speaker 2: storytelling ensemble. So it wasn't my crowd, and I was 172 00:08:09,160 --> 00:08:10,720 Speaker 2: trying to explain to them, you know, I was talking 173 00:08:10,720 --> 00:08:12,840 Speaker 2: about the first time I went to Japan and when 174 00:08:12,880 --> 00:08:15,640 Speaker 2: the younger wrestlers start taking down the ropes and they 175 00:08:15,680 --> 00:08:19,760 Speaker 2: start putting up barbedoire instead, and I can see people 176 00:08:19,800 --> 00:08:21,200 Speaker 2: looking at them, and I go, I know, you have 177 00:08:21,240 --> 00:08:24,280 Speaker 2: your feelings about wrestling, And people say, is wrestling real? 178 00:08:24,400 --> 00:08:28,240 Speaker 2: I'll say, well no, and here's why, because in a 179 00:08:28,440 --> 00:08:31,840 Speaker 2: real contest, when they take down the ropes and string 180 00:08:31,920 --> 00:08:34,120 Speaker 2: up barbedire instead, you will do your best to stay 181 00:08:34,160 --> 00:08:36,920 Speaker 2: away from the barboire where a wrestler will look at 182 00:08:36,960 --> 00:08:38,839 Speaker 2: it and go, how can I end up in that 183 00:08:38,880 --> 00:08:42,680 Speaker 2: in as cool a way as possible? You know? So yeah, yeah, 184 00:08:42,679 --> 00:08:44,080 Speaker 2: there was a lot of There was a lot of 185 00:08:44,080 --> 00:08:47,160 Speaker 2: wild stuff, but the crowds were always very appreciative. They 186 00:08:48,440 --> 00:08:51,440 Speaker 2: would come dressed in you know, jackets, and they waves 187 00:08:51,440 --> 00:08:53,040 Speaker 2: of it. I loved it, you know, I've been over 188 00:08:53,080 --> 00:08:55,400 Speaker 2: there in a long time. But again, that's another experience 189 00:08:55,440 --> 00:08:58,120 Speaker 2: that I wouldn't have traded for anything. And I did. 190 00:08:58,480 --> 00:09:01,360 Speaker 2: I feel in some ways like I'm the guy from 191 00:09:01,360 --> 00:09:04,480 Speaker 2: England who brought the Starling over to America. Like seemed 192 00:09:04,480 --> 00:09:07,000 Speaker 2: like a good idea when I brought thumbtacks over to 193 00:09:07,040 --> 00:09:11,120 Speaker 2: the US and they just crept in and yeah, they're 194 00:09:11,160 --> 00:09:12,840 Speaker 2: like a fungus on our business. Now. 195 00:09:13,840 --> 00:09:16,280 Speaker 1: My cast is Mick Foley in the studio right now. 196 00:09:16,440 --> 00:09:19,000 Speaker 1: So you had some really great storylines. You had Undertaker, 197 00:09:19,120 --> 00:09:22,120 Speaker 1: Terry Funk, Shawn Michaels, the Rock Triple H. What was 198 00:09:22,160 --> 00:09:24,360 Speaker 1: your favorite one two work out of all of them? 199 00:09:25,280 --> 00:09:28,000 Speaker 2: Well, you know, it's the Twenty Years of H. I 200 00:09:28,000 --> 00:09:29,960 Speaker 2: have to actually in my house called the twenty Years 201 00:09:29,960 --> 00:09:33,559 Speaker 2: of Heck Tour. We're gonna know F bomb house. It's 202 00:09:33,559 --> 00:09:36,320 Speaker 2: the Follys. And I only dropped one F bomb in 203 00:09:36,400 --> 00:09:39,360 Speaker 2: a show and in ninety minutes on stage one. That's 204 00:09:39,400 --> 00:09:42,040 Speaker 2: pretty commendable, right, it's pretty good. I'm in a business 205 00:09:42,080 --> 00:09:44,320 Speaker 2: for a guy like DDP needs three of those F 206 00:09:44,400 --> 00:09:46,880 Speaker 2: bombs to describe the birth of a fuzzy puppy, So 207 00:09:47,520 --> 00:09:49,319 Speaker 2: I drop one. So it's Heck in a cell in 208 00:09:49,400 --> 00:09:53,360 Speaker 2: our house. And you know, without the storyline with the 209 00:09:53,440 --> 00:09:57,400 Speaker 2: Undertaker in ninety six, you know, I'm not sitting in 210 00:09:57,480 --> 00:10:00,920 Speaker 2: any studio talking about any thing I did in the past. 211 00:10:00,960 --> 00:10:03,439 Speaker 2: You know, my whole life would have been different, and 212 00:10:03,520 --> 00:10:05,840 Speaker 2: so that was just an honor. Every night, you know, 213 00:10:05,960 --> 00:10:08,080 Speaker 2: I talked about my Hall of Fame induction. That music 214 00:10:08,120 --> 00:10:10,320 Speaker 2: would hit, so every eye in the place would be 215 00:10:10,320 --> 00:10:12,920 Speaker 2: on him. And Paul BarreR, who was my sort of 216 00:10:12,920 --> 00:10:14,720 Speaker 2: that manager. He'd roll up his shirt sleeves and his 217 00:10:14,800 --> 00:10:17,320 Speaker 2: hair would be standing on end every single night, and 218 00:10:17,360 --> 00:10:20,320 Speaker 2: I'd show him my arms and hair standing on end. 219 00:10:20,600 --> 00:10:21,960 Speaker 2: If you're on a line of work where you can 220 00:10:22,040 --> 00:10:26,160 Speaker 2: get that excited, you know every single night, yeah's a 221 00:10:26,200 --> 00:10:28,720 Speaker 2: good place to be. You know. I took a beating, 222 00:10:29,040 --> 00:10:32,240 Speaker 2: but it was still it was an honor. And little 223 00:10:32,280 --> 00:10:34,640 Speaker 2: did we know that our actual biggest moment would come 224 00:10:34,679 --> 00:10:39,439 Speaker 2: two years later inside that structure Cell structure in Pittsburgh. 225 00:10:39,480 --> 00:10:42,080 Speaker 1: And let's kind of talk about that hell in the 226 00:10:42,120 --> 00:10:44,199 Speaker 1: cell match, Like walk me through that night you get 227 00:10:44,200 --> 00:10:45,160 Speaker 1: to the arena. 228 00:10:44,880 --> 00:10:47,360 Speaker 2: Give away my show, give away the show for free 229 00:10:47,400 --> 00:10:51,320 Speaker 2: here right here by the way. Tickets are. They're selling 230 00:10:51,400 --> 00:10:54,520 Speaker 2: really quickly, you know. This last day of sales been tremendous. 231 00:10:54,880 --> 00:10:58,240 Speaker 2: And it's funny. We just got a phone call from 232 00:10:58,600 --> 00:11:02,280 Speaker 2: pretty famous singer looking for management, and so I didn't 233 00:11:02,280 --> 00:11:04,120 Speaker 2: tell him it wasn't my management. He's like, I hate 234 00:11:04,120 --> 00:11:06,400 Speaker 2: to say it I'm just a huge fan and I'd 235 00:11:06,440 --> 00:11:09,000 Speaker 2: really like to go to the show. Oh, somebody's calling out, 236 00:11:10,040 --> 00:11:13,560 Speaker 2: I'm not gonna answer. Turn it off. So there's gonna 237 00:11:13,559 --> 00:11:17,680 Speaker 2: be some cool illuminaries here. And what I'll do is 238 00:11:17,679 --> 00:11:20,080 Speaker 2: I'll just go back and not just say hey that night. 239 00:11:20,600 --> 00:11:24,080 Speaker 2: I'll go back to what was the origin of the cell, 240 00:11:24,280 --> 00:11:28,319 Speaker 2: and that involves losing my ear in Munich, Germany, and 241 00:11:28,520 --> 00:11:30,880 Speaker 2: making the decision to go to Japan with Terry Funk, 242 00:11:30,960 --> 00:11:36,600 Speaker 2: finding a mentor who may have been legitimately crazy who 243 00:11:36,679 --> 00:11:40,040 Speaker 2: suggested starting the match on top of the cell, and 244 00:11:40,080 --> 00:11:42,920 Speaker 2: then even to the end of the aftermath, the bizarre 245 00:11:43,040 --> 00:11:46,720 Speaker 2: first meeting with Stephanie McMahon. Mister McMahon's touching words to 246 00:11:46,760 --> 00:11:50,200 Speaker 2: me after the show, I'll give you that. I'll say, 247 00:11:50,800 --> 00:11:53,640 Speaker 2: you have no idea how much I appreciate what you 248 00:11:53,720 --> 00:11:56,480 Speaker 2: just did for this company. But I never want to 249 00:11:56,520 --> 00:11:57,840 Speaker 2: see anything like that again. 250 00:11:59,280 --> 00:12:01,880 Speaker 1: And I remember Imber watching that match and I thought, 251 00:12:01,880 --> 00:12:03,839 Speaker 1: oh my god, he's about to die. As soon as 252 00:12:03,840 --> 00:12:06,720 Speaker 1: I see you flying twenty feet off the top of 253 00:12:06,760 --> 00:12:10,160 Speaker 1: that Like, I was more concerned and a straw because 254 00:12:10,160 --> 00:12:12,120 Speaker 1: I was like, he's dead. 255 00:12:12,840 --> 00:12:16,640 Speaker 2: There was some speculation, yeah, there was some speculation, so 256 00:12:17,760 --> 00:12:19,840 Speaker 2: it was really tough for the undertaker to stay in 257 00:12:19,920 --> 00:12:22,520 Speaker 2: character while also wondering if his opponent. 258 00:12:22,679 --> 00:12:25,640 Speaker 1: Is still right because you look at you look at take, 259 00:12:25,679 --> 00:12:27,800 Speaker 1: for example, the match that Shane just had at Hell 260 00:12:27,880 --> 00:12:29,960 Speaker 1: and a Cell and he jumped off the top land 261 00:12:30,000 --> 00:12:31,800 Speaker 1: on the table and you can clearly see that air 262 00:12:31,840 --> 00:12:34,320 Speaker 1: bag under there. Back then there was no airbags. 263 00:12:34,320 --> 00:12:36,520 Speaker 2: No, but it came, you know, it came to a 264 00:12:36,559 --> 00:12:42,200 Speaker 2: total surprise, and then you know, it's like, Isaiah, I'm 265 00:12:42,200 --> 00:12:44,440 Speaker 2: a glass half full guy. So even after that big 266 00:12:44,480 --> 00:12:47,880 Speaker 2: fall off the cell the first time, I'm climbing back 267 00:12:47,960 --> 00:12:50,560 Speaker 2: up the second time with this peace of mind of 268 00:12:50,640 --> 00:12:54,520 Speaker 2: knowing at least the worst part of my night is, hey, 269 00:12:55,200 --> 00:12:57,520 Speaker 2: no way, man, It's about to get far worse. So 270 00:12:57,760 --> 00:13:00,760 Speaker 2: you couldn't ever script something like that. And I take 271 00:13:00,760 --> 00:13:03,040 Speaker 2: my head off to Shane because the cell is now 272 00:13:03,120 --> 00:13:05,840 Speaker 2: almost four feet taller than it was. Wow. So he 273 00:13:05,960 --> 00:13:07,360 Speaker 2: knew what he was going to do and he did 274 00:13:07,360 --> 00:13:10,080 Speaker 2: it anyway. Truth is, people say what was going through 275 00:13:10,120 --> 00:13:11,520 Speaker 2: in my mind when I was up there. I was like, 276 00:13:11,559 --> 00:13:13,480 Speaker 2: if I could have found a way to climb back 277 00:13:13,520 --> 00:13:16,360 Speaker 2: down without destroying my career, I would have done it 278 00:13:16,440 --> 00:13:20,760 Speaker 2: because although I don't curse often verbally, I thinking curses, 279 00:13:21,120 --> 00:13:23,440 Speaker 2: and that's all I was doing is thinking and curses 280 00:13:23,480 --> 00:13:25,200 Speaker 2: when I was up there. Then what the blank was 281 00:13:25,200 --> 00:13:27,560 Speaker 2: I thinking? Right blank? Do I get down from here? 282 00:13:28,280 --> 00:13:31,400 Speaker 2: This is the worst blanking idea I ever in my life. 283 00:13:32,120 --> 00:13:34,960 Speaker 1: My guess Mick Foley at Zany's and I talking about 284 00:13:35,000 --> 00:13:37,079 Speaker 1: twenty years of hell to her, Let's. 285 00:13:37,080 --> 00:13:38,120 Speaker 2: Quick, joon jut story. 286 00:13:38,240 --> 00:13:41,079 Speaker 1: Sure, let's go. We're all over the place. This is fine, 287 00:13:41,080 --> 00:13:43,240 Speaker 1: we have all the time in the world. 288 00:13:43,440 --> 00:13:45,080 Speaker 2: Is a great likeness to Joan in here. I would 289 00:13:45,080 --> 00:13:48,079 Speaker 2: never tell a story to reflects badly on anyone but Joan. 290 00:13:48,120 --> 00:13:52,600 Speaker 2: You know, you know she when I introduced myself to her, 291 00:13:52,760 --> 00:13:56,320 Speaker 2: you know, she's not fawning over me. And I said, 292 00:13:56,320 --> 00:13:58,559 Speaker 2: you're the only person my wife really wanted to meet. 293 00:13:58,600 --> 00:14:01,360 Speaker 2: And she's like, I'm glad I rate And I said, uh, 294 00:14:01,400 --> 00:14:04,319 Speaker 2: I actually met you real briefly one time, and she goes, 295 00:14:04,559 --> 00:14:07,080 Speaker 2: where's that And I said, uh, well it was, uh 296 00:14:07,400 --> 00:14:09,760 Speaker 2: it was a theater in New Jersey, a benefit show, 297 00:14:09,800 --> 00:14:12,920 Speaker 2: and you were getting ready to do uh, just around 298 00:14:12,920 --> 00:14:16,640 Speaker 2: the corner with Bruce Springsteen. And she goes, yeah, I said, 299 00:14:17,320 --> 00:14:20,240 Speaker 2: you look pretty nervous, and all of a sudden, she goes, dude, 300 00:14:20,280 --> 00:14:23,840 Speaker 2: I was so nervous. It was like that whole, like 301 00:14:24,200 --> 00:14:26,240 Speaker 2: the Joe and Jet thing just broke and she was 302 00:14:26,320 --> 00:14:29,040 Speaker 2: just like a regular person. I'll never forget those words. Dude. 303 00:14:29,080 --> 00:14:31,360 Speaker 2: I was so nervous and it was just cool. It's 304 00:14:31,600 --> 00:14:34,080 Speaker 2: my theory. You find everyone has something they like to 305 00:14:34,120 --> 00:14:36,520 Speaker 2: talk about, and you find out what that is, and 306 00:14:36,560 --> 00:14:39,000 Speaker 2: no matter how big the star, you've got a friend. 307 00:14:39,400 --> 00:14:42,200 Speaker 1: That's true. My guest McK foley's hanging out here. Uh, 308 00:14:42,280 --> 00:14:44,560 Speaker 1: let me ask you this. I grew up watching the 309 00:14:44,600 --> 00:14:46,800 Speaker 1: Attitude era. I've got a ten year old who now 310 00:14:46,840 --> 00:14:50,960 Speaker 1: watches this new WWE. Uh do you think mankind and 311 00:14:51,000 --> 00:14:53,680 Speaker 1: dude love cactus Jack could thrive in this new era 312 00:14:53,760 --> 00:14:54,400 Speaker 1: of WWE? 313 00:14:54,720 --> 00:14:58,520 Speaker 2: Well, I think you have to assume that, Like if 314 00:14:58,520 --> 00:15:01,560 Speaker 2: someone was I don't want to someone excelled in one hour, 315 00:15:01,640 --> 00:15:06,280 Speaker 2: they'd find a way. I would have to come up 316 00:15:06,280 --> 00:15:11,040 Speaker 2: with cooler moves, Like I'd have to become structurally more powerful. 317 00:15:11,440 --> 00:15:14,120 Speaker 2: I can't compete with the cool moves that the guys 318 00:15:14,160 --> 00:15:17,120 Speaker 2: have today. But I mean I was really following the 319 00:15:17,160 --> 00:15:19,840 Speaker 2: cell for example, I was really floundering I was like, 320 00:15:19,920 --> 00:15:22,000 Speaker 2: I have no idea how to connect with people. It 321 00:15:22,040 --> 00:15:24,040 Speaker 2: doesn't involve putting my body on the line like this. 322 00:15:24,320 --> 00:15:27,160 Speaker 2: And then within like six weeks, you know, the mankind 323 00:15:27,200 --> 00:15:30,680 Speaker 2: and character had metamorphosized, doing a much kinder, gentler version. 324 00:15:30,840 --> 00:15:34,480 Speaker 2: And so you know, keeping your head above water, you know, 325 00:15:35,600 --> 00:15:37,920 Speaker 2: and finding a way to catch that next wave as 326 00:15:37,960 --> 00:15:40,920 Speaker 2: long as we're using a nautical motif. That was always 327 00:15:40,920 --> 00:15:43,080 Speaker 2: one of the big challenges. Some guys would sit rest 328 00:15:43,080 --> 00:15:45,360 Speaker 2: on their laurels too long and they get swept away. 329 00:15:45,440 --> 00:15:48,840 Speaker 2: And then if you're constantly changing, Chris Jericho is probably 330 00:15:48,880 --> 00:15:50,800 Speaker 2: the best example of a guy who doesn't sit on 331 00:15:50,880 --> 00:15:54,080 Speaker 2: anything too long, constantly bringing up new things. The rock 332 00:15:54,200 --> 00:15:55,920 Speaker 2: was the same way. Like he could have rested on 333 00:15:55,920 --> 00:15:59,760 Speaker 2: one or two catchphrases, you know, and he always had 334 00:15:59,760 --> 00:16:02,080 Speaker 2: something knew. Not all of them worked, you know, but 335 00:16:02,200 --> 00:16:04,720 Speaker 2: he was always throwing stuff out there, testing the waters. 336 00:16:05,200 --> 00:16:09,120 Speaker 2: I am caught up on this this thenautical thing. I 337 00:16:09,160 --> 00:16:10,680 Speaker 2: had tested the waters. Keep it as head of the 338 00:16:10,720 --> 00:16:13,400 Speaker 2: water being swept away by a wave being stranded on 339 00:16:13,440 --> 00:16:16,560 Speaker 2: the sands of go ahead. 340 00:16:18,400 --> 00:16:22,040 Speaker 1: So out of all the titles, titles that you've earned 341 00:16:22,080 --> 00:16:24,400 Speaker 1: over your career, which by far is your favorite one. 342 00:16:24,480 --> 00:16:31,960 Speaker 2: World's most Polite Wrestler was voted on. No one uses 343 00:16:32,000 --> 00:16:35,720 Speaker 2: their pleases, and may I even at an appearance, and 344 00:16:35,800 --> 00:16:37,680 Speaker 2: may I place my hand on your shoulder because you 345 00:16:37,720 --> 00:16:41,920 Speaker 2: never know again? May I do that? Yeah, I'm very 346 00:16:41,960 --> 00:16:45,120 Speaker 2: proud of that. As far as with other titles, the 347 00:16:45,240 --> 00:16:48,400 Speaker 2: WW title, I mean, the only drawback is that I 348 00:16:49,600 --> 00:16:51,920 Speaker 2: sometimes you judge the importance of the title based on 349 00:16:51,960 --> 00:16:55,320 Speaker 2: who you wanted from. And it was just a journeyman, 350 00:16:56,160 --> 00:16:59,280 Speaker 2: this kid up and come kid named Dwayne Johnson that 351 00:16:59,400 --> 00:17:03,840 Speaker 2: I wanted. Yeah, no big deal. Had it been someone 352 00:17:03,880 --> 00:17:07,399 Speaker 2: of more stature, it would have mental. My kids look 353 00:17:07,440 --> 00:17:09,480 Speaker 2: at me today, you know, and you know when they 354 00:17:10,280 --> 00:17:12,919 Speaker 2: my wife broke the news to me. She was like, uh, 355 00:17:14,680 --> 00:17:16,159 Speaker 2: I don't know how to tell you this, but this 356 00:17:16,240 --> 00:17:18,280 Speaker 2: is when my children were young and I wasn't wrestling, 357 00:17:18,280 --> 00:17:20,199 Speaker 2: you know, my younger children, my older kids, you know, 358 00:17:20,240 --> 00:17:24,440 Speaker 2: they're grown ups now. And she's like, the kids don't 359 00:17:24,920 --> 00:17:27,520 Speaker 2: see how you could have been one of those guys 360 00:17:27,640 --> 00:17:30,520 Speaker 2: on TV. And I was like, what I'll show them. 361 00:17:30,800 --> 00:17:33,360 Speaker 2: It broke out the DVD of me defeating the Rock 362 00:17:34,119 --> 00:17:38,520 Speaker 2: and they started booing me cheering the Rock and then 363 00:17:38,560 --> 00:17:40,160 Speaker 2: claiming there's no way in real. 364 00:17:40,000 --> 00:17:42,120 Speaker 1: Life your own kid. 365 00:17:42,440 --> 00:17:45,680 Speaker 2: Yeah, And I'm like, yeah, now it looks ridiculous because 366 00:17:45,680 --> 00:17:48,320 Speaker 2: he's you know, because you know, he looks like a 367 00:17:48,480 --> 00:17:51,439 Speaker 2: Greek god and I look like a guy in my 368 00:17:51,480 --> 00:17:54,199 Speaker 2: fifties wearing sweatpants and a fanny pack in public. But 369 00:17:54,680 --> 00:17:56,480 Speaker 2: you know, when I was in the zone there, you know, 370 00:17:56,600 --> 00:17:58,679 Speaker 2: we had a great rivalry and it was a you 371 00:17:58,720 --> 00:18:01,560 Speaker 2: know it, and it didn't you know, these these battles 372 00:18:01,560 --> 00:18:03,840 Speaker 2: we had and they worry or they were really physical, 373 00:18:04,000 --> 00:18:06,960 Speaker 2: you know, they they took on. It was easy to suspend. 374 00:18:06,960 --> 00:18:10,400 Speaker 2: It's easy. I'm going to wear my bottom teeth. Those 375 00:18:10,440 --> 00:18:13,040 Speaker 2: are my undertaker teeth. By the way, did you know that? True? 376 00:18:13,080 --> 00:18:14,840 Speaker 2: I got right here. If you want to see him, 377 00:18:15,040 --> 00:18:15,480 Speaker 2: I had. 378 00:18:15,760 --> 00:18:17,560 Speaker 1: This is this is the greatest thing in the world. 379 00:18:17,600 --> 00:18:21,240 Speaker 2: This is before the show and before that. Man is 380 00:18:21,280 --> 00:18:23,840 Speaker 2: showing his teeth right now without them. So there they 381 00:18:23,840 --> 00:18:27,639 Speaker 2: are there you go. So have trouble with some of 382 00:18:27,680 --> 00:18:31,199 Speaker 2: the uh, you know, some of the compound sounds that 383 00:18:31,240 --> 00:18:32,960 Speaker 2: I need to make when I'm bringing that night to 384 00:18:33,000 --> 00:18:34,000 Speaker 2: life on stage. 385 00:18:35,119 --> 00:18:37,320 Speaker 1: My guess, Mick Foley is in the studio right now. 386 00:18:37,359 --> 00:18:39,560 Speaker 1: He's at Zany tonight. Twenty years of Hell to Its 387 00:18:39,600 --> 00:18:42,280 Speaker 1: starts at seven. Tickets are going fast, twenty five for 388 00:18:42,359 --> 00:18:46,600 Speaker 1: general mission, seventy five for VIP. Let's talk about the 389 00:18:46,640 --> 00:18:49,040 Speaker 1: Monday Night Wars. So night you're going to win the 390 00:18:49,080 --> 00:18:49,920 Speaker 1: title and the VIP. 391 00:18:50,080 --> 00:18:52,080 Speaker 2: By the way, it's likely that you get there earlier, 392 00:18:52,200 --> 00:18:55,920 Speaker 2: get the best seats and the meet and greet that 393 00:18:56,160 --> 00:18:59,520 Speaker 2: right there, and fifty you guys are listening on radio 394 00:18:59,640 --> 00:19:04,080 Speaker 2: like maybe twenty. I don't know that this fifty dollars stuff, 395 00:19:04,119 --> 00:19:07,040 Speaker 2: but it will be a good show. It'll exceed expectation. 396 00:19:07,240 --> 00:19:09,760 Speaker 1: I am super excited about it. I will be there tonight, 397 00:19:10,040 --> 00:19:12,119 Speaker 1: and I've got a friend who has no idea that 398 00:19:12,200 --> 00:19:14,920 Speaker 1: he's coming to this. Oh good, so he is going 399 00:19:14,960 --> 00:19:17,879 Speaker 1: to freak out. Excellent Monday Night Wars the night you 400 00:19:17,920 --> 00:19:19,399 Speaker 1: won the title, Bischoff kind. 401 00:19:19,240 --> 00:19:20,960 Speaker 2: Of spoiled your moment. 402 00:19:21,080 --> 00:19:22,840 Speaker 1: Yes, how did you find out about that? 403 00:19:23,760 --> 00:19:27,640 Speaker 2: I was watching on television. You know, at that time, 404 00:19:27,840 --> 00:19:31,200 Speaker 2: WW was taped, was live every week and taped every 405 00:19:31,240 --> 00:19:34,800 Speaker 2: other week, so they would film two shows in one night. 406 00:19:34,960 --> 00:19:37,400 Speaker 2: And then that saved a lot of money on production 407 00:19:37,560 --> 00:19:41,480 Speaker 2: and trucks and things like that. And WCW was live 408 00:19:41,520 --> 00:19:45,000 Speaker 2: every week so I had not told my children that 409 00:19:45,080 --> 00:19:47,359 Speaker 2: I was winning the title, so that when I won it, 410 00:19:47,440 --> 00:19:49,720 Speaker 2: they went crazy and I pulled the belt out the 411 00:19:49,720 --> 00:19:53,120 Speaker 2: title championship. You can't say belt around, mister McMahon. He's 412 00:19:53,119 --> 00:19:55,080 Speaker 2: not listening. No, no, no, I don't think So it's 413 00:19:55,080 --> 00:19:56,840 Speaker 2: a belt, okay, it's a belt. 414 00:19:56,960 --> 00:19:58,000 Speaker 1: It goes around your waist. 415 00:19:58,040 --> 00:19:59,919 Speaker 2: It's about I'll call a strap if I want to. 416 00:20:00,000 --> 00:20:01,760 Speaker 2: You're not allowed to call it a strap either. But 417 00:20:01,840 --> 00:20:05,200 Speaker 2: it's a championship title. So the kids were running around. 418 00:20:05,200 --> 00:20:07,240 Speaker 2: It was a great night. And then I watched the 419 00:20:07,280 --> 00:20:10,000 Speaker 2: replay of the WCW show and I heard it was 420 00:20:10,040 --> 00:20:13,439 Speaker 2: Tony Shavanni who made the call, but telling saying what 421 00:20:13,600 --> 00:20:16,359 Speaker 2: Eric wanted him say, which is no need to change 422 00:20:16,359 --> 00:20:19,399 Speaker 2: the channel, keep it right here. We know for a 423 00:20:19,440 --> 00:20:22,879 Speaker 2: fact that Mankind who wrestled here as Cactus Jack, is 424 00:20:22,920 --> 00:20:25,720 Speaker 2: going to win their title. And then he kind of pausid, Wow, 425 00:20:25,800 --> 00:20:29,400 Speaker 2: that'll put butts in seats, and I was really it hurt, man, 426 00:20:29,480 --> 00:20:32,359 Speaker 2: it's stung. There are people who say, you know, he 427 00:20:32,920 --> 00:20:35,600 Speaker 2: too sensitive, you know, but it's like, yeah, yeah, but 428 00:20:35,680 --> 00:20:37,639 Speaker 2: if he took that away from me, I wouldn't be 429 00:20:37,840 --> 00:20:40,119 Speaker 2: the guy, you know, if I didn't want to please 430 00:20:40,240 --> 00:20:42,800 Speaker 2: every single person in the audience, you know, then you 431 00:20:42,800 --> 00:20:44,960 Speaker 2: know you can't take that away and keep all the 432 00:20:44,960 --> 00:20:48,399 Speaker 2: good stuff. It's kind of a total package and a 433 00:20:48,440 --> 00:20:51,800 Speaker 2: little too sensitive, and it's stung, you know. I couldn't 434 00:20:51,800 --> 00:20:54,760 Speaker 2: brush it off. But then the next day the ratings 435 00:20:54,760 --> 00:20:57,720 Speaker 2: came out and showed that, I mean, it was like 436 00:20:57,880 --> 00:21:02,480 Speaker 2: immediate now, so it's made half a million people switch 437 00:21:02,560 --> 00:21:04,080 Speaker 2: the channel, you know, I don't know it was half 438 00:21:04,080 --> 00:21:06,920 Speaker 2: a million channel switching or half a million people at home. 439 00:21:07,480 --> 00:21:11,040 Speaker 2: And so what they tried to make a defeat and 440 00:21:11,080 --> 00:21:12,960 Speaker 2: it should have been a defeat because they were live 441 00:21:13,040 --> 00:21:15,240 Speaker 2: in front of forty eight thousand with a dream match, 442 00:21:15,760 --> 00:21:17,919 Speaker 2: and we were taped in front of eight thousand at 443 00:21:17,920 --> 00:21:21,280 Speaker 2: the Worcester Centrum. And so to have that on their 444 00:21:21,320 --> 00:21:23,840 Speaker 2: side and have those half a million people switch channels 445 00:21:23,880 --> 00:21:28,600 Speaker 2: to ww immediately, it completely changed the way that people 446 00:21:28,640 --> 00:21:31,800 Speaker 2: within the wrestling business looked at me, because it's like, okay, 447 00:21:31,840 --> 00:21:36,760 Speaker 2: he's a respected hand, you know, like an upper tier journeyman, 448 00:21:37,400 --> 00:21:39,520 Speaker 2: and all of a sudden, I was a superstar like 449 00:21:39,640 --> 00:21:42,680 Speaker 2: within the business. And so I did wait for those 450 00:21:42,840 --> 00:21:45,800 Speaker 2: ratings to come in before I called Tony Shavanni and 451 00:21:45,840 --> 00:21:48,800 Speaker 2: I was like, yeah, Tony, this is mc foley. Heard 452 00:21:48,800 --> 00:21:51,400 Speaker 2: what you said. I thought it was a cheap shot, 453 00:21:51,440 --> 00:21:53,560 Speaker 2: and in truth, it probably just going to hurt you 454 00:21:53,560 --> 00:21:56,399 Speaker 2: guys instead of helping. You're like, okay, well anyway, okay, bye, 455 00:21:57,720 --> 00:22:00,440 Speaker 2: really laying it on. And then my wife got me 456 00:22:00,480 --> 00:22:02,359 Speaker 2: a couple of hours later, say, Tony Savanni's on the 457 00:22:02,359 --> 00:22:06,399 Speaker 2: phone and he sounds so sad. So it wasn't something 458 00:22:06,440 --> 00:22:09,200 Speaker 2: Tony wanted to say. And and look, I just saw 459 00:22:09,280 --> 00:22:12,880 Speaker 2: Eric Bischoff like two weeks ago, and there's no bad 460 00:22:12,920 --> 00:22:15,160 Speaker 2: blood there whatsoever. You know. They just say go out 461 00:22:15,160 --> 00:22:16,560 Speaker 2: there and do something in the ring with Eric, And 462 00:22:16,600 --> 00:22:18,400 Speaker 2: I was like, there's something I've been wanting to say. 463 00:22:18,480 --> 00:22:20,720 Speaker 2: Ever since you took Dead Night and you revealed the winter, 464 00:22:20,760 --> 00:22:22,320 Speaker 2: I've been wanting to get in your face and say 465 00:22:23,560 --> 00:22:26,920 Speaker 2: thank you. Because of you, that turned out to be 466 00:22:26,960 --> 00:22:29,359 Speaker 2: the biggest night in my career. So yeah, it was, 467 00:22:29,520 --> 00:22:31,600 Speaker 2: I mean, you know it was. It was really kind 468 00:22:31,640 --> 00:22:34,800 Speaker 2: of a nasty fight. I guess they call it a war, 469 00:22:35,000 --> 00:22:37,280 Speaker 2: with all due respect to people who fight actual wars, 470 00:22:37,359 --> 00:22:39,679 Speaker 2: you know, I mean, we are very respectful of that. 471 00:22:40,880 --> 00:22:42,960 Speaker 2: We had a ratings war it's not quite the same 472 00:22:43,000 --> 00:22:47,080 Speaker 2: thing to all you people have served in uniform, but 473 00:22:47,240 --> 00:22:49,680 Speaker 2: it was nasty and that was one of the things 474 00:22:49,680 --> 00:22:52,840 Speaker 2: they did, and that night it backfired on them. Man. 475 00:22:52,880 --> 00:22:55,000 Speaker 1: And I remember that night because I would I was 476 00:22:55,040 --> 00:22:56,920 Speaker 1: in that era, and I would switch back and forth 477 00:22:56,920 --> 00:22:59,399 Speaker 1: between Nitro and Rally. And then as soon as I 478 00:22:59,440 --> 00:23:01,960 Speaker 1: heard that, I didn't watch WCW after that. 479 00:23:02,080 --> 00:23:04,479 Speaker 2: Nine. Yeah, we kind of had the hot hand and 480 00:23:04,520 --> 00:23:06,720 Speaker 2: they just handed us the ball. We ran with it. 481 00:23:07,600 --> 00:23:09,720 Speaker 1: Uh, My guess Mick Foley is in the studio right now. 482 00:23:09,720 --> 00:23:12,280 Speaker 1: Twenty years of Hell Tour at zany tonight, seven o'clock, 483 00:23:12,320 --> 00:23:14,800 Speaker 1: twenty five dollars for general mission, seventy five for VIP, 484 00:23:14,880 --> 00:23:16,960 Speaker 1: which gets you in earlier reserve seat and you get 485 00:23:16,960 --> 00:23:19,879 Speaker 1: to meet Mick. Last question, and I would like to 486 00:23:19,920 --> 00:23:22,880 Speaker 1: know what is on McK foley's Mount Rushmore of wrestler. 487 00:23:23,040 --> 00:23:26,679 Speaker 2: Man. Four people are Mount Rushmore? Right, I believe? 488 00:23:26,680 --> 00:23:28,879 Speaker 1: So I wasn't good in social studies for geography. 489 00:23:30,720 --> 00:23:35,040 Speaker 2: That's so horrible that we Yeah, I think there's four 490 00:23:35,240 --> 00:23:37,720 Speaker 2: on Mount Rushmore. Okay. Terry Funk to me was the 491 00:23:37,720 --> 00:23:45,560 Speaker 2: best most definitely Terry Funk Rick Flair. That my my 492 00:23:45,800 --> 00:23:49,000 Speaker 2: choice that's differs from lot of people. It's Tommy Billington, 493 00:23:49,040 --> 00:23:51,399 Speaker 2: who is a dynamite kid. You don't know who is 494 00:23:51,640 --> 00:23:55,480 Speaker 2: googled dynamite Kid versus Tiger Mask in Japan. It was 495 00:23:55,560 --> 00:23:58,320 Speaker 2: sensational stuff that still holds up. That's three. And then 496 00:23:58,400 --> 00:24:01,080 Speaker 2: I consider Sean Michael's be the greatest wrestler of the 497 00:24:01,080 --> 00:24:03,240 Speaker 2: modern era, which is the era in which we had 498 00:24:03,280 --> 00:24:05,880 Speaker 2: monthly pay per views, So that would be my four. 499 00:24:06,480 --> 00:24:10,800 Speaker 1: Here it is maybe Foley's Mount Rushmore of wrestling. Once again, 500 00:24:10,920 --> 00:24:13,040 Speaker 1: I am extremely honored to have you in the studio. 501 00:24:13,080 --> 00:24:15,040 Speaker 1: This is literally a dream come true for me. 502 00:24:15,440 --> 00:24:18,639 Speaker 2: Really, yes about this, Yes, your dream small my friends, 503 00:24:19,720 --> 00:24:20,840 Speaker 2: thank you so much. Thank you,