Speaker 1: Look out. It's only films to be buried with Judgment Day. Hello,
Speaker 1: and welcome to films to be buried with judgment Day.
Speaker 1: My name is Brett Goldstein. I'm a comedian and actor,
Speaker 1: a writer, a director, a groupie, and I love films.
Speaker 1: As Marcus Talis Cicero once said, life is nothing without friends,
Speaker 1: and cinema is now without popcorn. That's the true joy
Speaker 1: of film watching. Now to it? Okay, fair enough? Yeah,
Speaker 1: I can see it. Every week I'm by a special
Speaker 1: guest over. I tell them they've died. Then I get
Speaker 1: them to discuss their life through the films that meant
Speaker 1: the most of them. But not today. Today is judgment Day.
Speaker 1: The world has ended, and Ed Gamble stands before me.
Speaker 1: He has one chance to prove why I should send
Speaker 1: him to heaven and not hell. What will happen, Well,
Speaker 1: you'll find out in a minute. Check out the patron
Speaker 1: at patreon dot com forward Slashbrett Goldstein, where you get
Speaker 1: an extra twenty minutes with Ed. We talk about secrets,
Speaker 1: he tells me some stuff he shouldn't say. There's many
Speaker 1: more things. You get the whole episode uncut and ad
Speaker 1: free and as a video. Check it out over at
Speaker 1: patreon dot com forward Slashbrett Goldstein, so ped lambills. You
Speaker 1: know him, you love him? I do too. He's a podcaster,
Speaker 1: he's a TV star, he's a stand up, he's an actor,
Speaker 1: he's a writer, and he's a lovely boy. And I
Speaker 1: was delighted to finally get him on the show, as
Speaker 1: he was always asking to be on it, and I thought, yeah,
Speaker 1: you know what, it's about time you know him. What
Speaker 1: else do you need to know? We recorded this he
Speaker 1: was in Edinburgh, I was here. We did it on
Speaker 1: a zoom. Oh, we had a right whole time. I
Speaker 1: think you're gonna love it. So that is it for now.
Speaker 1: I very much hope you enjoy episode two hundred and
Speaker 1: twelve of Films to be Buried with Judgment Day. Hello,
Speaker 1: and welcome to Films to be Buried with Judgment Day.
Speaker 1: It is me Brett Goldstein, and I'm joined today by
Speaker 1: a actor, star of Ted Lasso, a writer, a stand up,
Speaker 1: a panelist, a sitcomer, a heavy metaller, a man who
Speaker 1: loves food and talking about it a lot, and a
Speaker 1: man who wouldn't say no to a podcast if it asked.
Speaker 1: He is one of the greats. I love him with
Speaker 1: all my Heart's a lovely boy, big strong boy, very fit,
Speaker 1: very big strong boy, very handsome man, and also wonderful,
Speaker 1: wonderful sense of human Please welcome back to the show
Speaker 1: for the third time. The other time him back here
Speaker 1: he is. Can you believe it? It's mister Reed Gambo
Speaker 1: alright now, Brett. Sometimes I listened to persons to this
Speaker 1: podcast a lot. Sometimes it feels like you've written those
Speaker 1: intros in advance to make sure you nail them. On
Speaker 1: this occasion, very much felt like you were riffing it.
Speaker 1: It's been last night. That is a word for word
Speaker 1: what I write over the weekend. That was the third draft. Yeah,
Speaker 1: I mean you must have written a little reminders for
Speaker 1: yourself all around the room, because that's where you were
Speaker 1: looking when you were desperately trying to reach for something.
Speaker 1: SITCOMA big strong boy, big strong boy, very handsome, nice,
Speaker 1: big strong boy. Famously a big strong boy. Probably your
Speaker 1: name for yeah, lifting stuff. Yeah, some of your greatest
Speaker 1: work is that body of yours. That's what people say.
Speaker 1: They're all saying it. Now, where are you? For those
Speaker 1: of you who can see the video when it looks
Speaker 1: like is ed is in a dungeon. It looks like
Speaker 1: I'm in some magical cave of delights. But I'm in Edinburgh.
Speaker 1: I'm at the Edinburgh Festival, Brett in a hotel where
Speaker 1: I am staying because I'm that guy. Now I come
Speaker 1: and do a show at the edinbur Festival and I
Speaker 1: book a hotel. Love it, I love it. It finally
Speaker 1: worked out how to do the other festival that's one week. Yeah,
Speaker 1: I finally worked out how to somehow lose more, lose
Speaker 1: more money than I used to when nobody came to
Speaker 1: my shows. Ah, man, I'm jealous. I'm miss Edinburgh, do I? Yeah? No,
Speaker 1: you just you miss everything that you're not doing right
Speaker 1: now at this moment, right right, right, yeah, this is
Speaker 1: what That's what you're like. You could you could be.
Speaker 1: You're filming the most successful sitcommon history and you're going,
Speaker 1: oh God. I wish I was doing Always Be Comedy
Speaker 1: in Kennington. I wish I was at King's Crust in
Speaker 1: an underground venue, playing to four disinterested tourists. I wish
Speaker 1: I was doing the Wednesday after the two for one
Speaker 1: days at the Endinburgh Festival in the Pleasants beneath. Please
Speaker 1: why am I not doing that, please, Mervin start to
Speaker 1: put me on me. Yeah it's true. Now you went
Speaker 1: really so you went really sad then, Brot, Yeah, I
Speaker 1: think I was thinking i'd take it back to me
Speaker 1: and start. Gig said yeah, no, that's yeah, it's hard actually,
Speaker 1: and then and then I was like, no, I don't
Speaker 1: miss Edinburgh. You don't miss you don't No, no, it's
Speaker 1: it's really hard actually, and alwash everyone he's there. Well,
Speaker 1: lots of lots of lack. And I hope they hope
Speaker 1: they hang on, hang on to your mental health because
Speaker 1: you're really gonna need it. I mean, I'm mad, but
Speaker 1: I've never been madder than I am in Edinburgh. Yeah,
Speaker 1: that is that is the real peak madness for everyone.
Speaker 1: I think sort of second second week, halfway through the
Speaker 1: second week is when everyone hits absolute insanity. I've been
Speaker 1: thinking about it because I don't know. I was talking
Speaker 1: to you, Goose, you know, Goose. We're talking to a
Speaker 1: goose talking I've gone mad, Brot. I was talking to
Speaker 1: Goose's verbody. He's not having a day off in the middle,
Speaker 1: and I think that's why I think the day off
Speaker 1: fus you as soon as you have a moment of
Speaker 1: like what am I doing? Then you've lost it. Second
Speaker 1: half of the festival's over, You're fucked. Yeah, you've got
Speaker 1: to plow through. That's what I've always done. And then
Speaker 1: don't do the last Monday, although I've done that before.
Speaker 1: I had gone through no day off and then done
Speaker 1: the last Monday, and I've just been an absolute husk. Yeah,
Speaker 1: I got to the stage when I do I would
Speaker 1: do Last Monday, but I'd hand out to quila shots
Speaker 1: to the audience when they came in, just give it
Speaker 1: a different vibe. And what you also always remembered is
Speaker 1: that going, oh, I should have done this every time.
Speaker 1: It really does help. Yeah. That feels a bit cheap,
Speaker 1: doesn't it. Yeah? Right, what am I going to talk
Speaker 1: about this year? Well? First, first things first, I'll give
Speaker 1: the audience tequila and then I'll work out the rest
Speaker 1: of the show all the night. Yeah, and then I'll
Speaker 1: just riff and we'll be fine. You should do that, man,
Speaker 1: that should be next year's Fringe. She should come and
Speaker 1: do the whole run and just call it Brett Goldstein's
Speaker 1: tequila Riff. Not a bad idea. That's not a bad
Speaker 1: idea of Okay, edge gamble, you have died again because
Speaker 1: it's his judgment day. You stand on the edge of
Speaker 1: heaven and hell, so you must tell me the best
Speaker 1: and worst thing that you did in your life, and
Speaker 1: also answer some questions about film. In the end, I
Speaker 1: will decide whether you go to heaven or hell. Understood, Yes,
Speaker 1: I understood, Brett. Thank you, simple clear concept. Go on,
Speaker 1: then tell us the best and worst thing you did
Speaker 1: in your life. And by the way, I've done this
Speaker 1: once with j j Jane Janet, Yes, Jane. I don't
Speaker 1: know two of them. There's only one Jane, and he
Speaker 1: I'd say she did this appallingly. I was disgusted by
Speaker 1: his answer. They were pathetic. They were like, oh, I
Speaker 1: made a pasta and I made a cheese row. It's like,
Speaker 1: come on, mate, I m asking me the best and
Speaker 1: worst thing you did in your life, and I think
Speaker 1: you're going to take this more seriously. Yeah did he
Speaker 1: mention tretho broccoli pasta? Did he? I think he did? Yeah? Yeah, Well,
Speaker 1: and maybe that's it. You know, who am I to judge?
Speaker 1: But it is judgment down. I judged him and I
Speaker 1: don't think that's true. But I mean, he's not done
Speaker 1: a lot of great stuff, though. To be fair to
Speaker 1: that guy, Yeah, he's done so many worse things. I
Speaker 1: thought he could at least handed out side of it.
Speaker 1: I did a shit off my neighbor's shed roof once.
Speaker 1: Is that allowed as a Which one? Do you think
Speaker 1: that would be good or bad about your neighbor and
Speaker 1: what your neighbor had done? No, I was hanging out
Speaker 1: with my neighbor roof. Yeah, I was with the neighbor.
Speaker 1: I was quite young and so was he. And I
Speaker 1: can't remember what did I give this as my secret
Speaker 1: last time? I can't remember. I think you did. Yeah.
Speaker 1: Oh no, I've got nothing, Brett. I've done nothing good
Speaker 1: and nothing bad. I operate in completely in the middle
Speaker 1: of the road for my entire life. Absolute lies lies,
Speaker 1: very simple concept. Just tell me the worst thing you've
Speaker 1: ever done that keeps you awake at night for the public.
Speaker 1: But this says more about you than it does about me, Brett.
Speaker 1: You were to no bad things that other people have
Speaker 1: done that keep them work at night so you can
Speaker 1: sleep easier. But I also want to know the things
Speaker 1: that they're most prouder. It's a wonderful thing I got.
Speaker 1: I got married. That's the best thing I ever did.
Speaker 1: That's a really nice Yeah. I'm not trying to be
Speaker 1: funny here now, and I appreciate that it's the best
Speaker 1: thing I ever did you ever did? I frequently cheat
Speaker 1: on my wife? Thank you? You hear that, James, that's
Speaker 1: saying you do it? Yeah, exactly, thank you. That's a
Speaker 1: really lovely answer both sides. On your wedding day, did
Speaker 1: you feel this is the best day of my life?
Speaker 1: I think there's a lot of pressure on you to
Speaker 1: feel that. And when there's a lot of pressure on
Speaker 1: you to feel that, you're constantly self examining and going
Speaker 1: is this the best day of my life? And what
Speaker 1: is making it the best day of my life? And
Speaker 1: is this a new feeling because it's the best day
Speaker 1: of my life? And then about halfway through I just
Speaker 1: relaxed and had a really love time, and now I
Speaker 1: look back on it, it definitely was the best day
Speaker 1: of my life. But the first half of it I
Speaker 1: was completely consumed my self doubt and worried that it
Speaker 1: wasn't the best day of my life and what the
Speaker 1: hell was wrong with me? Yeah, that's how I imagine it.
Speaker 1: I like that. I mean, you know, you would have
Speaker 1: to imagine it make because you didn't come. Yeah, and
Speaker 1: I really wanted to, And I hope you understand it.
Speaker 1: Some things take precedent, like Los Angeles. Yeah, but you've gone.
Speaker 1: You're the podcast. You need to You need to maintain
Speaker 1: your own levels of energy and excitement. Okay, you can't
Speaker 1: keep going sad. Every time I say something, I think
Speaker 1: you keep you keep hitting real, you keep hitting me real,
Speaker 1: and I'm like, yeah, this is what our menus like.
Speaker 1: I've listened to it. You're someone will say, oh I
Speaker 1: like a banana cake, and you'll go that your mum
Speaker 1: made you. He's not here anymore. Yeah, do you like
Speaker 1: your dead mon's banana cake? You'll never have that again?
Speaker 1: Will you have quite the same way? Anyway, we've been
Speaker 1: off menu. Ihm ed and he's a genie. Your mum said,
Speaker 1: good night, that's exactly what it is. Yeah, God, you
Speaker 1: listened to it a lot, so hang on. Okay, yeah, okay,
Speaker 1: all right. Well, I'm still not sure whether you're going
Speaker 1: to go to heaven and Hell based on those answers,
Speaker 1: So I guess I'm gonna have to ask you some
Speaker 1: film questions. I think, So, what's the film you saw
Speaker 1: when you were too young to see it that affected
Speaker 1: you the most total recall, Yes, I love it obviously,
Speaker 1: but I somehow laid my hands on a VHS copy
Speaker 1: of tital Recall, very excited that it was an eighteen
Speaker 1: I probably saw it when I was maybe twelve around
Speaker 1: that age. And there's things in that film that have
Speaker 1: really have really stuck with me as as images throughout
Speaker 1: throughout my life and has definitely they've definitely affected me.
Speaker 1: Which is I think I feel similar Lilyga. Well, there's
Speaker 1: I say there's three main images that have stuck with
Speaker 1: me from title reco. There's I think it's it's more
Speaker 1: of like a premonition, isn't it When he goes outside
Speaker 1: in Mars and then his helmet smashes and then his
Speaker 1: eyes go all googly and he screamed yea, yeah, I
Speaker 1: love a Schwarzenegger scream is one of my favorite. Yeah,
Speaker 1: and then his eyes all pop out. Absolutely love that.
Speaker 1: That's really stuck with me. I'm leaving the most obvious
Speaker 1: one to the end here because I think we all
Speaker 1: know what it is. There's when he's in disguise as
Speaker 1: the Big Lady and the face like unlocks. It's brilliant.
Speaker 1: I think that's absolute genius. That's really stuck with me.
Speaker 1: And then three tits, i'd gone up the nose, gone
Speaker 1: up the nose. It's really stayed with me. That really
Speaker 1: are Yeah, there's that film is amazing, isn't it horrible? Well?
Speaker 1: I love tatle recall, but I never understood it and
Speaker 1: I still don't understand it. What don't you understand? Man?
Speaker 1: I don't get it. I think I don't even understand
Speaker 1: the concept. He goes do it clinic and said, implant
Speaker 1: a memory of the other day. Yeah, and then he
Speaker 1: suddenly wakes up and he's in Mars and he's someone else.
Speaker 1: And then in the end he says it was all
Speaker 1: a dream or something. I'm like, what a fu Well?
Speaker 1: I think I think he goes to have that thing
Speaker 1: done and then that unlocks his actual memory, right. I mean,
Speaker 1: I've not seen it in a while. I think the
Speaker 1: last time I saw the remake, which really just put
Speaker 1: me off the whole thing, to be honest, But I
Speaker 1: think it fasts with him and he turns out he
Speaker 1: was that guy. Anyway, It goes mad, doesn't it. But
Speaker 1: I love it. I love all that dream stuff where
Speaker 1: you don't quite know where you are. I'm sick. I
Speaker 1: just let it all wash over me. Great answering, I
Speaker 1: really related. Thank you, thank you, if you could, thank you.
Speaker 1: If you could play one character in a film, which
Speaker 1: one would it be? And Hercules in Hercules in New York,
Speaker 1: Hercules in the news or film. No, I wouldn't play Hercules.
Speaker 1: I mean, imagine being so arrogant to take that part.
Speaker 1: I'd love to. I'd love to play a love feeling
Speaker 1: strong boy. You'd love to play vill god. I'd love
Speaker 1: to play a lovely villain. But I think I'm too cheeky.
Speaker 1: But if this is my dreamcasting Jaffar, I know we
Speaker 1: should be avoiding White Washington, Hollywood, but I would. I mean,
Speaker 1: I think he's the best, one of the best villains
Speaker 1: of all time, and I'd love to I'd love to
Speaker 1: play Jaffar. Thank you, Brett, Thank you. Ed. No, no
Speaker 1: further question. You have to deal with the backlash. Okay, okay,
Speaker 1: you're playing your far as live action as you you're yeah,
Speaker 1: I'm well, I'm me live action in the animation, in
Speaker 1: the animation, and I have to ask. I don't want
Speaker 1: to ask, but I have to ask, are you wearing
Speaker 1: any kind of makeup for this, right, Okay, okay, I
Speaker 1: just like the character. The character of Jaffar is excellent.
Speaker 1: See you're playing Jaffar as you're doing an accent. Yeah,
Speaker 1: but like a posh accent. I mean that's what he's
Speaker 1: That's what he does, really, isn't it right? He does
Speaker 1: sort of a push English accent, which is the Baddi's voice.
Speaker 1: So I'll do I'll do Baddy's voice. Yeah, that's the
Speaker 1: part we've got you in intoed essays. Yes, William, you know,
Speaker 1: people believe you when you say stuff like that, and
Speaker 1: then they're right too. It's one of the main arcs
Speaker 1: of the series. I can't think of a better. I mean,
Speaker 1: Disney villains are obviously amazing. There's some incredible ones, but
Speaker 1: I think Jafar is is the best of the best
Speaker 1: villain wise, Why is he your favorite? Because he's just
Speaker 1: evil and he I don't think there's any there's no
Speaker 1: attempt to give him any redeeming features. He's even evil
Speaker 1: to that poor parrot. He's haughty, he's arch I love
Speaker 1: how tall and thin he is. I love his staff.
Speaker 1: I love him. I just love him. I think he's sexy.
Speaker 1: So you like it you like a villain who doesn't
Speaker 1: have a kind of reason, as in from his point
Speaker 1: of view, it's like, oh no, he's just a bad,
Speaker 1: bad mother fugger. Yeah, I think so, And I think,
Speaker 1: you know, sure, I love I love layers and nuance
Speaker 1: and oh now we can really we can really emphathize
Speaker 1: with the villain. But I think people have forgotten just
Speaker 1: why not just have some some mad cunts and stuff. Yeah,
Speaker 1: because you're right, I mean, I guess you're right, You're
Speaker 1: right on this. Fine, But like I love hands packing
Speaker 1: nuts down, Disneys hands packing nuts down. Sure, but the
Speaker 1: villain is you know, I mean, of course he's sexually
Speaker 1: obsessed with a gypsy and he thinks he's going to
Speaker 1: go to hell for it. I mean that's yeah, of
Speaker 1: course they love that. Yeah, that is complicated stuff. But
Speaker 1: I just think sometimes things don't need to be complicated. Brett,
Speaker 1: you know, when when he's when it's all over it,
Speaker 1: when he's Ledgers Joker came out, everyone was like, it's
Speaker 1: so good. He's like he just wants to watch the
Speaker 1: world burning. That's so interesting. It's like, No, all the
Speaker 1: villains in the in like eighties films with that they're
Speaker 1: just mad and they're you know, money obsessed, and they
Speaker 1: just want to blow stuff up. Why can't we just
Speaker 1: have a fun character who says mad stuff, who is
Speaker 1: basically a vehicle for blowing things up. Yeah, he's just mad. Yeah, Okay,
Speaker 1: I like it. You can be different. I don't don't
Speaker 1: see any issue with it. Okay, you can change the name.
Speaker 1: We can change his name to like Jonathan or something. Yeah,
Speaker 1: all right, So Jonathan's moved. Are we setting that moving
Speaker 1: the whole of a Laddin? No? Is he absolutely not. No,
Speaker 1: it's in it's in wherever it's set, sort of vague Arabia.
Speaker 1: I think it's yeah, and you're I'm he's there on
Speaker 1: a gap year and he's just mad and he's just
Speaker 1: a mad guy on a gap here. If he met
Speaker 1: j he's just mad and instead of a parrot, I've
Speaker 1: got a pigeon. It's really good. Actually, yeah, thanks man,
Speaker 1: thank you? What is the thank you? What is the
Speaker 1: worst date or time you ever had a film? Okay, Brett,
Speaker 1: now this is going to upset you, but I've been
Speaker 1: I've been waiting to have this argument with you for
Speaker 1: a long time, and it's not related to my company.
Speaker 1: Or the time necessarily that I went to this film.
Speaker 1: It's all about the film itself, and the answer is, Annette,
Speaker 1: it's one of the worst films I've ever seen in
Speaker 1: my life, and I know you love it, and I
Speaker 1: can't believe it. You went to see and there at
Speaker 1: the cinema. At the cinema. It was the day after
Speaker 1: my wedding. That's really the best day of your life.
Speaker 1: You follow the best day of your life, best day
Speaker 1: of my life, with the worst film I've ever seen,
Speaker 1: and I couldn't. My wife is a huge fan of Sparks,
Speaker 1: so she was absolutely to se this film, and I
Speaker 1: am now a huge fan of Sparks as well. I
Speaker 1: think their music is great. I love the Edgar Wright
Speaker 1: documentary about them. I think it's fantastic. So we went
Speaker 1: to see this film in a little cinema in a
Speaker 1: place where we were staying the day after our wedding.
Speaker 1: I was obviously hungover. Fine, I will, I'll give them
Speaker 1: that that. I was hungover and not necessarily in the
Speaker 1: best mood for a film. Yeah, but it started so well.
Speaker 1: That opening song in a net is absolutely brilliant, and
Speaker 1: then it goes off a fucking cliff that film. It
Speaker 1: is so deliberately it's deliberately weird. It thinks it thinks
Speaker 1: it's so cool. Adam Driver thinks he's so cool and
Speaker 1: he's boring. At no point I was watching that and
Speaker 1: I was just thinking, imagine hanging out with this guy.
Speaker 1: Oh yeah, and his stand up is arguably not stand up.
Speaker 1: It's one of the that is one of the worst.
Speaker 1: I know, it's not supposed to be like a straight
Speaker 1: stand up show or whatever, but it is still one
Speaker 1: of the worst stand up scenes in any film or
Speaker 1: television or history. Yeah, what is weird is in the
Speaker 1: credits it's like thanks too. I think it's like Bill
Speaker 1: Burr and Chris Rock like helped out with the Adam
Speaker 1: Driver with it, but I'm like, he's not doing stand up.
Speaker 1: It doesn't seem to be stand up. Like I didn't
Speaker 1: mind it as in. I was like, well, you're not
Speaker 1: doing this is something, and then what you're doing but
Speaker 1: it isn't stand up. It's well, if Bill Burr and
Speaker 1: Chris Rock helped out with that, then they were absolutely
Speaker 1: troll the hell out of Adam Driver. They're like, yeah, yeah,
Speaker 1: don't we do this. That's my impression of both of
Speaker 1: them melting together. It's really good. Thanks man. Yeah, I
Speaker 1: would also argue, if we're going to have this argument,
Speaker 1: I don't think it thinks it's cool. It doesn't make well.
Speaker 1: I think it's being I never know what the word is,
Speaker 1: but is the word camp like. It's like a bitch,
Speaker 1: it's sort of deliberately a bit shit like. And then
Speaker 1: it doesn't look real nothing, and it looks real they're
Speaker 1: on a boat, but they're not on a boat. It's
Speaker 1: all very extreme. I don't know. I guess the actrical.
Speaker 1: Theatrical would be the word, because you know, it sort
Speaker 1: of looks almost like a stage production sometimes. But just
Speaker 1: the tone in which the whole film's delivered, and the
Speaker 1: fact they're using a puppet and they're just they oh god,
Speaker 1: the whole thing just really just just really sat with
Speaker 1: me awfully. Just something about the tone. The puppet's so good,
Speaker 1: the puppet's not good. You know, I love a puppet. Also,
Speaker 1: are you telling me the worst film you have a
Speaker 1: scene as Adam Driver singing into Marianne COTTI has a vagina.
Speaker 1: You can't by that point, I can't be in your
Speaker 1: worst film. Just for that moment alone. It is I
Speaker 1: didn't even fall asleep. I was willing myself to fall asleep,
Speaker 1: and I just couldn't at one point. At one point,
Speaker 1: Charlie went to the toilet and then came back about
Speaker 1: five minutes later, and I had to explain to everything
Speaker 1: that had happened, and I just got bored halfway to
Speaker 1: explaining it. Would you say, he's got the you know,
Speaker 1: the geze are at a Big Bang theory, which he's
Speaker 1: just sort of pushed him in a pool for some reason.
Speaker 1: He's pushed the Gezer from Big Bang foods now in
Speaker 1: the sort of being drowned in the pool because he's
Speaker 1: trying to make the baby sing a song or something. Yeah, anyway,
Speaker 1: he's just yelled in her fanny. He's usually fanny as
Speaker 1: a megaphone. Again, what did Charlie hate it as well?
Speaker 1: Your wife? No, I think she liked it more than me.
Speaker 1: She did like it more than me, and also just
Speaker 1: found it hilarious how much I hated it, So I
Speaker 1: think deliberately started talking about how good it was, just
Speaker 1: to get on my nerves even more. It's really good.
Speaker 1: I stand by it, and the yeah, yeah, yeah, I'm
Speaker 1: glad that was your honeymoon. If he could live in
Speaker 1: the world of one film. Which film would it be?
Speaker 1: The Truman Show? Really, what are you crazy? Here's what
Speaker 1: I think, Brett. I think that guy really look looks
Speaker 1: a gift horse in the mouth. I think he's got
Speaker 1: a lovely life, and then he finds out that it's
Speaker 1: all all set up for him, and then all he
Speaker 1: wants to do is escape. Why would you do that?
Speaker 1: If I found out that my life had been set
Speaker 1: up to be lovely for me and it was being
Speaker 1: filmed and shown to everyone, I'd absolutely just keep quiet
Speaker 1: about it and just get on with my lovely life. Wow,
Speaker 1: it's a nice heart take. It's really nice. Yeah, what's
Speaker 1: he We don't see what happens when he gets out,
Speaker 1: but he's probably like, oh, fucking he I'm getting it's
Speaker 1: a nightmare. I've got fucking getting new gas bill and
Speaker 1: stuff like, yeah, exactly, the admin. There's serious admin that
Speaker 1: he have to go to get out. Where's he going
Speaker 1: to live? Yeah? You know, I never thought about that.
Speaker 1: Be happy with what you've got. I think should be
Speaker 1: the message of Truman Show. Truman Show too, should just
Speaker 1: be him back in back in the Truman Show, him
Speaker 1: banging on the door, of the TV Let me back.
Speaker 1: I'm so sorry exactly. I didn't realize I have to
Speaker 1: pay mortgages. This is all I have no actual skills.
Speaker 1: Let me back it in. I'd love it. That's a
Speaker 1: really heart take. So if you found out you're well
Speaker 1: with the TV show, which it could be, and I'm
Speaker 1: not saying anything, I'm not saying yeah, not for me
Speaker 1: to say if it is or it, sure would you
Speaker 1: try and sort of sneak some like it'd be great
Speaker 1: if this sort of thing happened, like some story notes,
Speaker 1: you know what I mean. Yeah? Maybe? Well, first off,
Speaker 1: if I found out I was the lead in the
Speaker 1: TV show and this was all created for me, I'd
Speaker 1: be very happy for the active work, you know. Yeah,
Speaker 1: it's whether i'd put my own life on my CV
Speaker 1: because I don't know if they'd be able to take
Speaker 1: that as a because they'd all be acting within the
Speaker 1: same show. Yeah, I see, you'd be trying to be
Speaker 1: an actor in the Gamble show. Yeah, I'd probably to
Speaker 1: get other parts within the Ed Gamble show. I'd put
Speaker 1: the Ed Gamble Show on the on my CD. Yeah.
Speaker 1: If I was an actor in the Ed Gamble Show,
Speaker 1: I'd set up I'd probably set up a production company
Speaker 1: within this show to try and make other things, because
Speaker 1: I think I'd be like, I don't know what, it's
Speaker 1: quite boring this show. There's a lot of like sitting.
Speaker 1: He just sits around. Yeah, we don't see each other. Yeah. Also,
Speaker 1: it's annoying that if this is the ed Gamble Show,
Speaker 1: if you are getting you're getting way more work than
Speaker 1: me within my own show. Within this show. Yeah, well
Speaker 1: that's part. I think we've panned it. Your low surface
Speaker 1: team tested highly. They wanted to keep it. So you
Speaker 1: just have to give my friends like loads of ye
Speaker 1: Hollywood film work and stuff. Yeah, exactly, it's good. It's
Speaker 1: good stuff they like because it gives you somewhere to
Speaker 1: go and stuff, you know what I mean. Yeah, exactly, No,
Speaker 1: I'm happy with that. I mean, you know, a lot's
Speaker 1: happened in the end Gamble show. There was the ship
Speaker 1: off the roof. Yeah, that tested very high. That was
Speaker 1: that was that went out at Christmas that. They haven't
Speaker 1: answered that, but I genuinely believe that. I think I
Speaker 1: think he's really pathetic for wanting to get out of that.
Speaker 1: Why do you always want want something that you can't see?
Speaker 1: Just enjoy your lovely life. He goes out of his
Speaker 1: house every morning, people say, good morning, Truman. It sounds lovely. Yeah, well,
Speaker 1: I mean genuinely, I've never heard anyone talk about that.
Speaker 1: That's huge, and I think I think it's a really
Speaker 1: good point. And I would like to have seen what
Speaker 1: happened when he got out of the studio. Yeah, because
Speaker 1: he needs a bank account, you know what I mean,
Speaker 1: Like he needs passport. It's a nightmare. Yeah, it would
Speaker 1: have been. It would have been an absolute nightmare, and
Speaker 1: it wouldn't It won't be a good film when he
Speaker 1: gets out. It would be really depressing. Yeah, he's really
Speaker 1: famous and he doesn't have anywhere to go, so everyone's
Speaker 1: likely shit, there's trument from the Humans show just went around,
Speaker 1: but he's I don't know where to go, and I've
Speaker 1: never even seen he'd be in. He'd be in like
Speaker 1: a BuzzFeed article in two years time, being like you'll
Speaker 1: never guess what Truman's doing now, and it would be
Speaker 1: him like working on a road somewhere. Yeah, and there'll
Speaker 1: be lots of like TMZ updates of Truman. Yeah, and
Speaker 1: he's just gonna leave me alone. It's so cold, it's
Speaker 1: actually not a bad idea for a film. BRep, write
Speaker 1: that down, Okay, thank you. What is your favorite children's film?
Speaker 1: Struggled slightly with this one because are we saying that
Speaker 1: like Pixarre children's films? Because the majority of people who
Speaker 1: love Pixar, as far as I'm concerned, are adults, especially
Speaker 1: like there's some there's some strands of Pixar films that
Speaker 1: I think adults enjoy more than children, like the sad
Speaker 1: ones like Coco, and they're all soul and stuff like that.
Speaker 1: But the ones that are now where they've realized they're
Speaker 1: sad and they basically they go all out for the
Speaker 1: sadness and they'll out that, yeah, I know they're all sad,
Speaker 1: but now I think they're absolutely just swinging for it
Speaker 1: every time. And they try and make them, they try
Speaker 1: and make them profound from from the start. They don't
Speaker 1: start the characters. They start with the profound statement and
Speaker 1: then they build the characters around it. So I don't
Speaker 1: think those personally, I wouldn't call those kids films. So
Speaker 1: I'll just say Mighty Ducks. Have you watched the Mighty Ducks,
Speaker 1: Ree Ducks or whatever it's called. The TV show? I've
Speaker 1: watched a bit of the TV show. I was enjoying it,
Speaker 1: but I fell away from it for some reason. But
Speaker 1: the original Mighty Ducks film is an absolute masterpiece. Yeah,
Speaker 1: it's the best ensemble kids cast. And I know School
Speaker 1: of Rock, you could you could say, you know, that's
Speaker 1: probably the best on someone kids cast, But I think
Speaker 1: Mighty Ducks doesn't get a look in in that conversation enough.
Speaker 1: I think it's absolutely fantastic. What a hero hero and
Speaker 1: the insult it brought us the insult cake eater, which
Speaker 1: I still don't understand but I still use on a
Speaker 1: regular basis. Mate, No, but that seems like an insult
Speaker 1: aimed at diabetic set of thought. Yeah you would. I
Speaker 1: thought of all the people, you'd be like, you fucking
Speaker 1: cake eater, one of That's what I say about other
Speaker 1: about non diabetics, right, yeah, bunche of cake eaters. I
Speaker 1: love it. It's I love the fat kid and Goal
Speaker 1: absolutely brilliant. I love that. It's that's a body positive character. Yes,
Speaker 1: he's bigger than the rest of the kids. Stick him
Speaker 1: in goal. He's useful, it's really funny. He's buddy positive,
Speaker 1: he's of use Yeah, they don't say get in shape,
Speaker 1: they go if anything, No, they're all really they're all really,
Speaker 1: really good. And I think there's some sort of early
Speaker 1: performances from from actors who are still working to the
Speaker 1: what I say that Joshua Jackson is one of the
Speaker 1: leads in Mighty Ducks is one of the kids, which
Speaker 1: what what is the film that you didn't think you
Speaker 1: would like but you ended up love it? Now I
Speaker 1: write this answer down, and then I listened to James A.
Speaker 1: Castor's episode of this and he picked this film but
Speaker 1: in a completely different, complete, different categories. So I'm just
Speaker 1: going to say it anyway, but this represents a type
Speaker 1: of film that I don't wouldn't normally go for because
Speaker 1: of the way it's presented in the poster, et cetera.
Speaker 1: And it's the farewell. Why did you think you wouldn't
Speaker 1: like this? Because I tend to limit myself in the
Speaker 1: sorts of films I will go and see and push
Speaker 1: myself towards because I love genre films. I love horror,
Speaker 1: I love sci fi, I love anything like that, and
Speaker 1: I will rarely deliberately seek out a film that looks
Speaker 1: like it's going to be a bit sad or thinky
Speaker 1: and the poster just bumms me out for this film.
Speaker 1: It just looks like it's going to be so boring
Speaker 1: and I don't want to see it and blah blah
Speaker 1: blah blah blah, we're going to make this point. No,
Speaker 1: thank you, there's no explosions, there's no time loops. I
Speaker 1: don't care. But I've forced myself to go and see
Speaker 1: it because I had some times killed in London and
Speaker 1: I thought it was just absolutely amazing, absolute, Like I
Speaker 1: was bawling afterwards. I thought it's such an incredible film
Speaker 1: that it's it's a point of view that I have
Speaker 1: never heard before that like it's presented that we're gonna
Speaker 1: be the film that they're you know, they're they're lying
Speaker 1: to this this person about the fact that they're dying.
Speaker 1: But then it's seen as a good thing at the
Speaker 1: end and you're completely on board. You're completely on board
Speaker 1: with that point of view. And it's one that I've
Speaker 1: never heard before. And afterwards I was like, oh, maybe
Speaker 1: I am Maybe I am a thinky guy. Maybe I
Speaker 1: like a weepy thinker. I think you are sad and thinking, yeah,
Speaker 1: but you're in denial about it. I love the Farewell
Speaker 1: and yeah, that point of when the cousin says to her,
Speaker 1: She's like, we have to tell the truth. You have
Speaker 1: to tell him, and he goes you that's such a
Speaker 1: Western way of thinking. And it's only because you don't
Speaker 1: want the responsibility of taking her paint. Yeah, I'm like,
Speaker 1: it's proper, it's it's Pixar profound. Yeah, really sad thinking
Speaker 1: stuff I've never I've just yeah, I think it's probably
Speaker 1: one of the only films I've seen that has completely
Speaker 1: flipped my point of view on something. So yeah, probably that,
Speaker 1: And has it made me go and see more films
Speaker 1: that the poster puts me off? Probably not? What is what? How?
Speaker 1: Here we go the thing you most? What is the
Speaker 1: single most erotic moment in a film? Now? Again, I
Speaker 1: wish I could give you an answer that's like, oh,
Speaker 1: is this film where it's just eye contact and wool,
Speaker 1: it's so erotic? You know what I find erotic? Real
Speaker 1: human connection. But I'll say eight Mile when he fucks
Speaker 1: her in the factory, that which also has eye contact
Speaker 1: and real human connection. It does, it does, but also
Speaker 1: you know the bit where it just goes in. So
Speaker 1: you've got you've got the single most erotic moment Dan
Speaker 1: to a second second. Yea, the bit, the bit where
Speaker 1: it goes in in the factory eight and R I P.
Speaker 1: And that is specific respect than you good film, good film,
Speaker 1: don't come up in there. No, I see, so speak
Speaker 1: don't come up in there? Which film you don't care
Speaker 1: about as a whole has a single sequence that you
Speaker 1: fucking love. This was really easy, And I know you've
Speaker 1: only done one of these before, but this is going
Speaker 1: to come up a lot. I think this because this
Speaker 1: came to me so quickly. It's the only thing it
Speaker 1: can be. It's the slow motion Evan Peters as Quicksilver
Speaker 1: scene in X Men Days of Future Past. Right, all
Speaker 1: of the modern X Men films I'm not that on
Speaker 1: board with. I think I think they're I think they're fine.
Speaker 1: You know, I've seen them all. Days of Future Past
Speaker 1: is all right, it's better than Apocalypse. But there is
Speaker 1: the scene where he runs around the kitchen and just
Speaker 1: like touching stuff, he puts his headphones on. It's all
Speaker 1: slows down. It's so beautifully shot. It looks absolutely amazing,
Speaker 1: Like he rearranges the bullets that people have fired. Makes
Speaker 1: a man punch himself in the face, and he looks
Speaker 1: completely there's this chaos seen around him and he's completely
Speaker 1: at peace, and it just looks so beautiful. And then
Speaker 1: the payoff of it when everything speaks back up again,
Speaker 1: is so good. It's like quite slapstick, quite good fun.
Speaker 1: And I love it. I absolutely love it. If you
Speaker 1: go onto YouTube, there's that scene on YouTube. It's had
Speaker 1: sixty two million views, and that shows you that that
Speaker 1: scene is incredible and it is a pearl in a
Speaker 1: sea of mundanity. Wow. Okay, have you seen it? Yeah,
Speaker 1: but I would have thought this. Listen, you already said
Speaker 1: in this in Judgment Day. You already said, look at
Speaker 1: a net. Take the opening sequence of a net. You
Speaker 1: didn't like a net, but you love that fucking sequence
Speaker 1: at the beginning. Yeah. Maybe not as much as a
Speaker 1: man running around the kitchen, but I think the comparison
Speaker 1: with a net would be like, I think I loved
Speaker 1: it because I look back on it and I think
Speaker 1: I quite enjoyed it. And in comparison to how I
Speaker 1: felt about the rest of the film, I must have
Speaker 1: sort of readjusted how I feel about it. But that
Speaker 1: scene in the kitchen, Oh boy, that's the only answer
Speaker 1: you're ever going to get Brett because it's the only
Speaker 1: true answer to that question. Okay, well let's see how
Speaker 1: we get there with your positive affirmation. So I'm a
Speaker 1: bit worried we didn't talk about eight Mile enough. You
Speaker 1: moved on from that quite quick. Well, I just thought,
Speaker 1: what do you think about the bit where it goes
Speaker 1: in and eight Mile? Yeah? You know, I'm I'm I
Speaker 1: always like things going in. I think it's a great bit.
Speaker 1: I like eight Mile. I don't know why he didn't
Speaker 1: do any more films after that, Eminem. I guess he
Speaker 1: just wants to focus on he's rapping because he's good
Speaker 1: in it. But he didn't really focus on his rapping either,
Speaker 1: because he's really good in eight Mile, and I would
Speaker 1: have liked to have seen him do do a little
Speaker 1: bit more. I suppose it's sort of the definitive film
Speaker 1: for him, right, Yeah? Did he win anything for that?
Speaker 1: Did he get nominated for an Oscar or anything? I
Speaker 1: can't remember. I think I'm sure he won an EMPTV
Speaker 1: Award for the bit where it goes in for the bit, yeah,
Speaker 1: best bit, the best bit where it goes in. They
Speaker 1: probably do that thing, because you know they always do
Speaker 1: best kiss Usually the the the actors come on stage
Speaker 1: at the awards and kiss. I wonder if they as
Speaker 1: society collapses, they do best bit where it goes in,
Speaker 1: and then they do that on stage. I'd say collapses
Speaker 1: maybe elevates, elevates when society truly reaches its full potential.
Speaker 1: The MTV Award for the best bit where it goes in,
Speaker 1: where we lose all shame and just have happy people
Speaker 1: just putting it in on stage to celebrate. You'd host
Speaker 1: that awards, haven't you. Absolutely you'd be the rookie devase
Speaker 1: of the bit where it goes in Awards. You've got
Speaker 1: to get gold stealing. He absolutely roasts everyone on the
Speaker 1: way it goes in, and then you see it go
Speaker 1: in and you realize, oh no, the only roast of
Speaker 1: the things he loves. What what is the film that
Speaker 1: stayed with you the longest after seeing it? I'm going
Speaker 1: to say ex Stends, Great, great, great extens I absolutely
Speaker 1: love Existends. And there's a specific bit where they're sort
Speaker 1: of going through the bones of an animal they've eaten
Speaker 1: and he makes a gun out of it that I
Speaker 1: think every time I eat a roast chicken. I think
Speaker 1: about that ever since the day I saw it. If
Speaker 1: I eat a roast chicken and I'm just slicing the
Speaker 1: roast chicken, I see all the bones. I think I
Speaker 1: remember that bit of Existens where they build a gun
Speaker 1: out of the bones. Do I mean, have you ever
Speaker 1: tried the leg leg bones in the shape of a
Speaker 1: gun and pretended to shoot it, Charlie, or do you
Speaker 1: not know how to do? Everybody spying on me? Well, no,
Speaker 1: because I wouldn't want to do that because then that's
Speaker 1: already a sort of gun shape. Right. The good thing
Speaker 1: about Existens is that everything clicks together like sort of macanno,
Speaker 1: and they make this little gun out of it, and
Speaker 1: it's one of the it's so weird, like all that
Speaker 1: like Cronenberg sort of body horror weirdness, I think is
Speaker 1: the stuff that sticks with you the most, because I
Speaker 1: have no idea where that idea came from in a brain?
Speaker 1: Who comes up with that? I think he was probably
Speaker 1: eating roast chicken with his hands, and they thought because
Speaker 1: I thought that yesterday I had a chicken leg and
Speaker 1: I did think, Yeah, it's the shape of a gun
Speaker 1: in it. That's how it works. It's going it's the
Speaker 1: shape of a gun. And that it's going. There's a
Speaker 1: film in that also Existens. Is it one of the
Speaker 1: first films to use capital letters in the wrong place?
Speaker 1: Quite possibly? That's a great shout. Yeah, is it the
Speaker 1: ex and Z capital? Yeah, yeah, it's definitely the zed
Speaker 1: And you're like, oh, I think it might have led
Speaker 1: the been the leading the way on that text text titles. Yeah,
Speaker 1: it doesn't get talked about enough. Existends, I think No.
Speaker 1: I think it was a brilliant film. It's another like
Speaker 1: virtual reality sort of type genre film that I quite
Speaker 1: I quite enjoy, Like you never know whether it's real
Speaker 1: or not. I like films where you never know whether
Speaker 1: it's real or not. That's the Deandra. Yeah, what is
Speaker 1: the film here? We gets a nice one? It's a
Speaker 1: nice one. It what's the film that made you feel
Speaker 1: better about the world? Oh? Mad Max Fury Road? Because
Speaker 1: there's two ways of thinking about this, Brett, isn't it?
Speaker 1: You can either go, oh, this lovely film. Aren't people good?
Speaker 1: Everyone looks after each other, humans are basically decent when
Speaker 1: it comes down to it, and isn't love brilliant and
Speaker 1: loves love? Or you could think, oh, thank god, we're
Speaker 1: our Weld's not like that? And that's how I feel
Speaker 1: about Mad Max Fury Road. I absolutely loved it. It's
Speaker 1: an incredible film, but I did come out of it going, oh, well,
Speaker 1: don't think I could cope very well if it was
Speaker 1: like Mad Max Fury Road in real life. Can you
Speaker 1: drive it? Because you can't drive? No, I can drive,
Speaker 1: and I'd love to. I'd love a goal. I'd love
Speaker 1: a goal on one of those trucks. I can't play guitar, sadly,
Speaker 1: so I couldn't be. But I don't like the idea of,
Speaker 1: you know, fighting over water or no, although that horrible
Speaker 1: thing that's in charge, I don't like that one bit. Yeah,
Speaker 1: you wouldn't want to go near the horrible thing in charge,
Speaker 1: but it might be fun riding the trucks around the desert. Like, yes,
Speaker 1: you don't want to be strapped to the front of
Speaker 1: the truck play guitar? No, sure, but if you're in
Speaker 1: the track it's got aircon it we don't know. No,
Speaker 1: that doesn't like a world where there's aircon. Yeah, you
Speaker 1: probably need a bit of water for that. Yeah, I
Speaker 1: don't think there's aircon. I think you know, everyone's fighting
Speaker 1: over water. It doesn't look like a nice world. It's
Speaker 1: fun to drop in and watch for a couple of hours. Sure,
Speaker 1: but do I want the world to be like that?
Speaker 1: Absolutely not. So you come out of watching a film
Speaker 1: like that and you look around and our world in
Speaker 1: a complete tip. Yes, but it's no Mad Max Fury Road,
Speaker 1: is it. It's not Mad Max Fury Road. That's true.
Speaker 1: We don't have women chained up to what are they?
Speaker 1: What are they being milked for? Are they being milked?
Speaker 1: What's that being milked? Yeah? They're being milts. Oh horrible,
Speaker 1: absolutely horrible. Okay, what a great film though, What a
Speaker 1: great film. And it's the only answer to the question
Speaker 1: what film made you feel better about the world? Again?
Speaker 1: You'll be a lot, I'll be I'm sure. I'm absolutely
Speaker 1: sure that's going to keep popping up anyone answer. It's
Speaker 1: such a good film. And they you know, when people
Speaker 1: always well, not people Mark Kerr Made, for example, he's
Speaker 1: always show, don't tell, Show don't tell. Sometimes I'm like, yeah,
Speaker 1: but I really like dialogue where people talk, Please tell
Speaker 1: me what's going on? Mad Max Fury Raid is a
Speaker 1: real masterpiece of storytelling that has almost no dialogue and
Speaker 1: you really follow the story and it's really exciting, and
Speaker 1: it just fucking goes and goes. What does the script?
Speaker 1: I wonder what the script looks like for a film
Speaker 1: like that. I think a heavy description. I really I
Speaker 1: think he literally storyboarded shot by shot. He had it all.
Speaker 1: I think the script was like that was panels of
Speaker 1: like this is this, this is this, with a couple
Speaker 1: of lines here and there he plays a guitar. Yeah,
Speaker 1: it will be unreadable if it was. If it was
Speaker 1: like and then they get in the truck and they
Speaker 1: drive so fast, just aagine it. Just imagine it. It's
Speaker 1: such a good scriptwriting tip occasionally reminds you of reader.
Speaker 1: To imagine it. Just imagine it. They stare at each other.
Speaker 1: Imagine it. It's intense in a way, hopefully depending on
Speaker 1: the performances and the lighting and whatnot. Just imagine it's
Speaker 1: just inst When I write scripts, they always start with now,
Speaker 1: you're not going to be able to see a lot
Speaker 1: of this because it's just on paper. But you're just
Speaker 1: gonna have to imagine it. You know. My my friend
Speaker 1: he used to say to me he had an idea
Speaker 1: of like how to do stand up, and he said
Speaker 1: you should open with saying this will make you laugh
Speaker 1: before you tell your jokes. It's so funny. It's so funny.
Speaker 1: It's like a Darren Brown trick. And the next thing
Speaker 1: you know, they're laughing and they don't know why. This
Speaker 1: will make you laugh, Supermarkets, this will make you laugh.
Speaker 1: It's good. It's a good it's a good tip for
Speaker 1: a script. Were Also a good thing to do is
Speaker 1: in like the directions for every line you put acted well, Yes,
Speaker 1: so they know that it's going to be acted well.
Speaker 1: Which is your favorite couple in a film? The only
Speaker 1: one answer? Again, absolutely definitive, and I believe this to
Speaker 1: be the definitive answer. Mister and Missus potato Head from
Speaker 1: the Tragic, Tragic, heartbreaking Quadrility towards Thory teenty three and four. Yeah,
Speaker 1: it's the only answer. They're the perfect They're the perfect couple.
Speaker 1: They're literally made for each other. Were they they cover
Speaker 1: other than they fit together? Just the back and forth
Speaker 1: between them. I love how I love how caring she
Speaker 1: is for him. She packs his angry eyes. That might
Speaker 1: be one of my favorite lines in any film ever,
Speaker 1: about the angry eyes packing his angry eyes in his backpack.
Speaker 1: I just think they're very comfortable with each other. There's
Speaker 1: just comfort and they're back. They're back and forth. They're fun,
Speaker 1: they banter with each other. They're both potatoes. I think
Speaker 1: it's weird that they look so similar. I think it's
Speaker 1: weird when couples look quite similar. But I'm willing to
Speaker 1: get over that. Mister and missus potato head. Happens a lot,
Speaker 1: doesn't it. When in your wedding list I couldn't come
Speaker 1: to didn't you call your wife missus potato head? That's
Speaker 1: our middle names. Now we've changed our middle names to
Speaker 1: potato head. I'm Edward Stephens and potato head? Gamble, Yeah,
Speaker 1: what about these couples that look are like it? Well?
Speaker 1: Is it narcissisism? Is it like, yeah, you fancy a mirror?
Speaker 1: Is that what it is? I think it must be.
Speaker 1: I think there must be an element of that or caution,
Speaker 1: sort of subliminal caution that if we have kids, I
Speaker 1: want to make sure they look exactly like me. So
Speaker 1: the best way of ensuring that is if the person
Speaker 1: I make the kid with already looks exactly like me?
Speaker 1: Or is it maybe on a positive? Is it like?
Speaker 1: Is it safe? Is it like when they look like
Speaker 1: me and I'm safe? So they must be safe. Is
Speaker 1: that it? Maybe just? I mean, either way you look
Speaker 1: at it, it's not it's not good, is it. I
Speaker 1: mean mister and missus potato Head couldn't help it. I
Speaker 1: think I think were thrust together in Andy's room, right,
Speaker 1: So there's not really many options. I thinks this is
Speaker 1: a bit more sort of species dependent, you know what
Speaker 1: I mean. I don't think missus tato Head can get
Speaker 1: with the t rex or a human. I think potato
Speaker 1: heads are potatoe heads. And I'm not saying listen, I'm like,
Speaker 1: love is love, but I think similarly to you having
Speaker 1: sex with a dog, I think if potato Head had
Speaker 1: sex with the springy thing, it wouldn't be right. I
Speaker 1: think he can only be with missus. Do you think
Speaker 1: that would be really frowned upon in Andy's room if
Speaker 1: like mister potato Head got off with bow people or something. Yeah,
Speaker 1: I think amongst I think they'd be like a meeting,
Speaker 1: and Woody would call a meeting and be like guys,
Speaker 1: species dependent. Bo Peep can't find the slinky dog all right,
Speaker 1: and both people's like, oh but what if what if
Speaker 1: no one's watching? What if Andy's out? It's not about Andy.
Speaker 1: This this is about us. We're all here. If mister
Speaker 1: Potato had got off with bo Peep, say, or would
Speaker 1: he Yeah, it would be would it be Woody or
Speaker 1: bo Peep? Who are in the wrong there because mister
Speaker 1: potato to potato? Or is the fact he's a sentient
Speaker 1: potato because of the sac of the life. Yeah, that's
Speaker 1: a great question in the way that you know, like yeah,
Speaker 1: people who do be telling you say that the horse
Speaker 1: was into it or whatever you mean like that, and
Speaker 1: you're like, well, the horse cart speak, mister tato head
Speaker 1: can speak. So if mister potatohead is saying, no, I
Speaker 1: really wanted to have sex with Woody, Yeah, yeah, I
Speaker 1: don't know. I would bring that to Andy if I
Speaker 1: was running toys, they'd be like, Andy lit full disclosion.
Speaker 1: We were alive and we can talk. Sorry, I should
Speaker 1: have so that out of the way. I was never
Speaker 1: gonna we were never gonna reveal this, But something's come up.
Speaker 1: Would you miss tatoad have had sex? They both say
Speaker 1: they wanted it. Mister head, as you know, is sentience. Sorry,
Speaker 1: you just found out how he probably still in his
Speaker 1: shop anyways, like hello, and Woody's just shaking his head,
Speaker 1: like couldn't have kept this? Like, Andy, is it okay
Speaker 1: that they had to sex? Or is do we have
Speaker 1: to lock up? Wouldy or potato Head? What does Andy say?
Speaker 1: I think to be honest, and he's going to be
Speaker 1: so shot that his toys and talking to him for
Speaker 1: a start. I think he's going to stamp on them
Speaker 1: until they're dead. I think that he's going to panic
Speaker 1: if his toy starts speaking to him, and he's going
Speaker 1: to try and kill them. I think definitely, because they're
Speaker 1: existing in a in a pick up a toy store,
Speaker 1: but from Andy's point of view, he's now suddenly in
Speaker 1: child's play. Yeah, yeah, exactly. That that's terrifying, especially if
Speaker 1: you find out your toys can talk and they've been
Speaker 1: doing stuff while you've been out the room. And then
Speaker 1: also they're asking you whether it's okay for a potato
Speaker 1: to fuck a woman? Yeah? Or a cowboy or a cowboy? Yeah.
Speaker 1: It's like, can does missus potato Head have like a
Speaker 1: dick and a butthole in his backpack that he can
Speaker 1: take around with him? The worst thing is just thinking
Speaker 1: it through. I'm thinking he's using his nose, just in
Speaker 1: a different position. I think he's popping that on the
Speaker 1: undercarriage and you know, and sticking it in with his drawerstring. Probably. Yeah,
Speaker 1: I'm thinking Woods the victim. If there is word listen, yeah,
Speaker 1: I think they're all it's consensual, right, yeah, yeah, it's fine. Okay,
Speaker 1: Well that's Toy Story five taken care of. Thank you.
Speaker 1: We'll wait for you. Just imagine it. We'll wait for
Speaker 1: the just imagine it. What film inspired you ed Gamble
Speaker 1: to do something? Three Ninjas and three Ninjas hinhen at
Speaker 1: Mega Mountain because they have cool names. They give themselves
Speaker 1: like ninja names, and me and my friend Henry Bot
Speaker 1: watched that when we're in school, and so we decided
Speaker 1: to give ourselves really cool names. Was the name you
Speaker 1: gave him, Henry Bott? No, no, no, that was his
Speaker 1: real name. He already had a cool name, Okay, Henry
Speaker 1: Bott and Gamble best friends forever, not spoken to him
Speaker 1: in a while, So we decided to give ourselves call
Speaker 1: names and really and we really pushed them as well.
Speaker 1: So the next day at school we were out loowed
Speaker 1: calling each other these names, so everyone else would would
Speaker 1: pick up on them, and then it felt quite weird,
Speaker 1: so we did ditch them after a while he was
Speaker 1: hands and I was Blade, I mean bladeer get hands
Speaker 1: because he wanted to be like known for a thing,
Speaker 1: and I think he wanted to be good, known for good,
Speaker 1: sort of like karate work and catching stuff. And blade
Speaker 1: I just thought sounded cool karate and catching, did Henry.
Speaker 1: But I don't know if you want to be called
Speaker 1: hands like hands. Yeah, hands, Henry Bott was hands and
Speaker 1: your hands and Blade. Also, if you say hands, it
Speaker 1: just sounds like you're talking to like a German guy, right, Yeah,
Speaker 1: it doesn't quite it doesn't quite work. So I think
Speaker 1: they only lasted a day really that we were Hands
Speaker 1: and Blade. But that's that's genuinely the only film that's
Speaker 1: inspired me to do anything. Did anyone else come, you
Speaker 1: know on that journey with you Hands and Blade? No,
Speaker 1: we were quite insular, quite an insular friendship. No one
Speaker 1: else had watched Three Ninjas. No one was as cool
Speaker 1: as us. Well, he's the Henry bought a text now
Speaker 1: saying you miss him. No, I don't think I will
Speaker 1: do that. He lives in Vietnam, so I don't know
Speaker 1: what the time difference is. Best friends forever, best friends forever,
Speaker 1: Hands and Blade. What would your ninja name be Brett Jumpy. Jumpy, Yeah,
Speaker 1: likes to be known for jumping. Really yeah, because you've
Speaker 1: got listen, we're gonna have to be a team right
Speaker 1: after henrybody. You've already got blades, don't care of. We've
Speaker 1: got some with their hands. You need jumping. You're being
Speaker 1: jumpy as well. But it's amazing that jump jump is. Yeah,
Speaker 1: you didn't. You didn't go with like frog or something,
Speaker 1: you know, or jump jumps would have been probably tough.
Speaker 1: Jump would have been better than jumpy. But he's jump
Speaker 1: jump jump. He sounds like something a kid would call
Speaker 1: a jumper, So get pretty put on. He's jumpy, you
Speaker 1: say that, but when we're trying to get up a
Speaker 1: buildings the top first jumping over here, yeah, jump jump,
Speaker 1: he's dropping down the right hands is putting himself up
Speaker 1: his hands. You're hacking your way up the wall. Yeah,
Speaker 1: with my blades. We all eventually get there, and that's
Speaker 1: why we a good team. Jumpy blade to blade in
Speaker 1: hands with the megas. The three d injuries called us
Speaker 1: for the reboot. Thank you so much. We're fucking making
Speaker 1: money on this part. Yeah, man, well ed gamble, we've
Speaker 1: reached the end. And I have to weigh up your
Speaker 1: good deeds, and you're bad. Yes, you married your wife.
Speaker 1: Also you relentlessly cheated on that. But you had some
Speaker 1: good thoughts on films, particularly the Truman Show. I can't
Speaker 1: yet decide. We're on a knife edge. You can offer
Speaker 1: to give me one film that is meaningful to you
Speaker 1: in the hope that I will spare you. Then I
Speaker 1: will make my decision. What is it, ed, gamble? So?
Speaker 1: How how meaningful to have to be to me? Okay?
Speaker 1: What should I say? Blade? Please give my full name,
Speaker 1: Blade Potato d gamble Um? Meaningful? Tricky really, isn't it?
Speaker 1: But so I'm just gonna have to go with the
Speaker 1: film I saw recently and I really liked it the
Speaker 1: vich it's pretty good. It's absolutely brilliant. I couldn't believe
Speaker 1: I hadn't seen it until recently. I love heavy metal,
Speaker 1: and I think it's the most heavy metal film available.
Speaker 1: Explain a cult darkness, just pure horror. I think it's no,
Speaker 1: there's there's no. I don't think there's much feeling in
Speaker 1: that film. I think it's just it's quite raw and
Speaker 1: I I really, I really enjoyed it. And Finch's in it. Yeah,
Speaker 1: is very good. Is that why you love heavy metal?
Speaker 1: No feeling? Is that your description of it? No, it
Speaker 1: depends what sort of depends what mood I'm in. I
Speaker 1: quite like sort of very aggressive, like like grindcore horrible stuff,
Speaker 1: which is just like straight ahead rumbling riffs, sort of
Speaker 1: buzz saw riffs sometimes and screaming and blast beats and
Speaker 1: all of that stuff. And that's what that film reminded
Speaker 1: me of, just straight out the gates, absolute horrifics stuff.
Speaker 1: That black Goat. Oh man, that goat. Maybe I want
Speaker 1: to play the goat in a film. Maybe that's maybe
Speaker 1: maybe I should have been the goat. I should have
Speaker 1: said that earlier for the character I most want to
Speaker 1: play in a film. Why do you like that stuff?
Speaker 1: Because I just I respect that artistic decision to just
Speaker 1: go for it, to just really go for it and
Speaker 1: have that. And I like films with just insane final
Speaker 1: scenes as well, like that and ending Hill List and
Speaker 1: any any film like that that just has just builds
Speaker 1: to the same with Hereditary as well, just builds to
Speaker 1: just like absolute full insanity and you don't know how
Speaker 1: you got there from the start of the film, Like
Speaker 1: if you showed someone the first scene, in the last
Speaker 1: scene of those films, you'd be like, what the fuck
Speaker 1: happened in the middle? Yeah, oh oh, Ed, I guess
Speaker 1: I've got to make a decision Edwards Stevenson, Blade Potato
Speaker 1: Head Gamble. Based on your thoughtful hot takes and dancers
Speaker 1: and vibes, I'm to send you to heaven. Hooray, you
Speaker 1: made it. Yes, less, I decide on a fourth part
Speaker 1: and bring you back to line to kill you again.
Speaker 1: We'll see enjoy yourself in heaven. You're a good boy,
Speaker 1: actually big strong boy. I mean, of course, yeah, of
Speaker 1: course you're going to decide on a fourth part because look,
Speaker 1: I listened to this podcast and I listened to the
Speaker 1: episode where you said, well, you know, it's probably about
Speaker 1: time for me to take some time off. Actually I'm
Speaker 1: really busy, and then there wasn't a gap, just carried
Speaker 1: on the whole month. Oh month, I'm so tired, he gamble.
Speaker 1: Is there anything you would like to tell people to
Speaker 1: look for, listen to or follow or eat depends. I'm
Speaker 1: on tour from September, depending on when this comes up. One.
Speaker 1: I'm always on tour from September, but no same show
Speaker 1: as I was touring at the beginning of the year,
Speaker 1: so I'm back on tour end of the tour doing that.
Speaker 1: So just come and see Come and see me on tour.
Speaker 1: Listen to Off Menu with James A Castor, and listen
Speaker 1: to the Radio X show that I do with Matthew Crosby.
Speaker 1: Listen to that as well. Listen to the Taskmaster podcast
Speaker 1: and that's that'll do. Okay, Yeah, yeah, I love you.
Speaker 1: I love you too, man, I don't mind saying it.
Speaker 1: I hope this was a good podcast. I think this
Speaker 1: was the best of the trilogy, much like Leath the
Speaker 1: Weave and three Yes, Thank you good man, have a
Speaker 1: wonderful time in Edinburgh. Thank you Brett, and enjoy Heaven.
Speaker 1: I'll stop the recording. Good day to you, Love you, bye,
Speaker 1: love you. So that was episode two hundred and twelve.
Speaker 1: Head over to the Patreon at patreon dot com forwards
Speaker 1: last Brett Goldstein Full of the Extra Stuff with Ed.
Speaker 1: Thank you so much for listening. I hope you're all
Speaker 1: doing very well. Thank you Ed for his time. Thanks
Speaker 1: to Scrubis, Pip and Distraction Pieces Network. Thanks to body
Speaker 1: Piece for producing it. Thanks to acospising it. Thanks to
Speaker 1: Adam Richisdon for the graphics and Lisa allied them for
Speaker 1: the photography. Come and join me next week for another
Speaker 1: Banging guest. So that's it for now, but in the meantime,
Speaker 1: have a lovely week and please be excellent to each
Speaker 1: other