1 00:00:00,840 --> 00:00:03,840 Speaker 1: On the Bechdel Cast. The questions asked if movies have 2 00:00:03,960 --> 00:00:07,840 Speaker 1: women in them, are all their discussions just boyfriends and husbands? 3 00:00:08,000 --> 00:00:13,600 Speaker 1: Do they have individualism? The patriarchy? Zef invest start changing 4 00:00:13,600 --> 00:00:17,119 Speaker 1: it with the Bechdel Cast. Hello, and welcome to the 5 00:00:17,120 --> 00:00:19,720 Speaker 1: Bechdel Cast. My name is Jamie Lofton, my name is 6 00:00:19,760 --> 00:00:22,600 Speaker 1: Caitlin Darante, and this is our podcast about the portrayal 7 00:00:22,640 --> 00:00:26,880 Speaker 1: of women in movies. That's right, and how movies usually 8 00:00:26,920 --> 00:00:30,560 Speaker 1: do a bad job. Yeah, we use the I don't 9 00:00:30,560 --> 00:00:32,320 Speaker 1: I need to like wake up? This is earlier than 10 00:00:32,360 --> 00:00:34,720 Speaker 1: we usually record. It's ten. I am, yeah, I do. 11 00:00:34,840 --> 00:00:37,000 Speaker 1: I will say the fury of this movie does kind 12 00:00:37,000 --> 00:00:40,960 Speaker 1: of drive me, and how today I will go, I 13 00:00:41,040 --> 00:00:43,920 Speaker 1: just used to wake myself up into it. So we 14 00:00:44,040 --> 00:00:49,160 Speaker 1: use the Bechdel test, uh media metric created by Alison 15 00:00:49,200 --> 00:00:52,960 Speaker 1: Bechdel that we use as a starting off point. But 16 00:00:53,080 --> 00:00:55,040 Speaker 1: there's a lot more to talk about than the Bechdel 17 00:00:55,120 --> 00:00:58,400 Speaker 1: Test alone. Indeed, and of course the Becktel test, if 18 00:00:58,400 --> 00:01:01,600 Speaker 1: you're not familiar, requires the at a piece of media. 19 00:01:02,120 --> 00:01:06,200 Speaker 1: A movie, let's say, has two female identifying characters who 20 00:01:06,240 --> 00:01:09,000 Speaker 1: are named. They must speak to each other, and their 21 00:01:09,000 --> 00:01:18,200 Speaker 1: conversation cannot be about men who informed by an impending reboot. 22 00:01:18,240 --> 00:01:21,679 Speaker 1: I haven't seen any of the reviews of the impending reboot. 23 00:01:21,760 --> 00:01:24,920 Speaker 1: I have not seen reviews. I have seen the trailer 24 00:01:25,120 --> 00:01:29,440 Speaker 1: several times. I have too. Yeah, which I don't think 25 00:01:29,480 --> 00:01:33,160 Speaker 1: it looks good, but I think it has been at 26 00:01:33,240 --> 00:01:37,039 Speaker 1: least given a little bit more thought in terms of 27 00:01:38,040 --> 00:01:42,920 Speaker 1: basically everything than this movie what women want. I hope 28 00:01:42,920 --> 00:01:46,200 Speaker 1: it's good. Yeah, I hope it's good. I will probably 29 00:01:46,680 --> 00:01:49,880 Speaker 1: see it. I just I'm a Taragi p Henson stand 30 00:01:50,040 --> 00:01:53,640 Speaker 1: so usually go. I don't know. I'm just like, I 31 00:01:53,640 --> 00:01:56,680 Speaker 1: don't think a reboot of a rom com is strange 32 00:01:56,720 --> 00:02:00,640 Speaker 1: to me? Right, and this, I mean, okay, well, we'll 33 00:02:00,680 --> 00:02:04,360 Speaker 1: get into it. There's there's too much. In fact, I 34 00:02:04,400 --> 00:02:06,880 Speaker 1: feel like this movie took me like five hours to 35 00:02:06,920 --> 00:02:09,799 Speaker 1: watch because I kept having to pause and like take 36 00:02:09,840 --> 00:02:12,079 Speaker 1: notes and be like what did he just say? Like 37 00:02:12,280 --> 00:02:15,920 Speaker 1: what it was? It was exhausting, went into a blind 38 00:02:16,040 --> 00:02:20,960 Speaker 1: furious this type. Well, well, before we jump in, let's 39 00:02:21,000 --> 00:02:25,800 Speaker 1: introduce our guest. She is an actress. She is a comedian. 40 00:02:25,960 --> 00:02:28,799 Speaker 1: You remember her from our Ten Things I Hate About 41 00:02:28,880 --> 00:02:36,920 Speaker 1: You episode. It's Lacey Mosley. Hey back so good that 42 00:02:37,080 --> 00:02:38,800 Speaker 1: was fun. I had a good time of here yelling 43 00:02:38,840 --> 00:02:42,000 Speaker 1: about that movie. Fun. Yeah, yelling. I mean it keeps 44 00:02:42,200 --> 00:02:44,280 Speaker 1: it keeps my blood pressure where it needs to be, 45 00:02:44,480 --> 00:02:51,079 Speaker 1: rightly up, almost bursting out of my skin. I can 46 00:02:51,160 --> 00:02:54,360 Speaker 1: feel the blood moving through my veins. Yeah, I feel that, right, 47 00:02:54,440 --> 00:02:57,480 Speaker 1: that's normal. It's good to remember. It's good to remember that. 48 00:03:01,400 --> 00:03:06,480 Speaker 1: Uh yeah, so what women want? It's a two thousand movie. 49 00:03:06,760 --> 00:03:12,160 Speaker 1: It was a hit, big hit, seventy million dollar budget, 50 00:03:12,160 --> 00:03:15,440 Speaker 1: which is like, what for for? Who? Why are you 51 00:03:15,520 --> 00:03:18,000 Speaker 1: that much? I think to make mel Gibson dance for 52 00:03:18,080 --> 00:03:21,359 Speaker 1: that long? That was talking about one of the more 53 00:03:21,440 --> 00:03:24,880 Speaker 1: upsetting things of it. But it made almost four million dollars. 54 00:03:24,960 --> 00:03:31,079 Speaker 1: Oh my god, people domestically or like internationally, I'm wikipedialy, 55 00:03:31,360 --> 00:03:40,720 Speaker 1: so it's probably total everywhere, just cleaning up. I mean, 56 00:03:40,720 --> 00:03:44,480 Speaker 1: this is kind of like maybe on the later end 57 00:03:44,520 --> 00:03:47,720 Speaker 1: of peak Mel Gibson, like when people would go to 58 00:03:47,760 --> 00:03:50,800 Speaker 1: see a movie. It feels crazy now, but just because 59 00:03:50,800 --> 00:03:54,080 Speaker 1: he was in it, people would be like the thing, Okay, 60 00:03:54,200 --> 00:03:56,800 Speaker 1: the first thing that drives me crazy is this was 61 00:03:56,960 --> 00:04:00,160 Speaker 1: directed by a woman, Nancy Myers, who hasn't who's all 62 00:04:00,200 --> 00:04:04,280 Speaker 1: over the place. Yes, we've covered several of her movies 63 00:04:04,320 --> 00:04:08,560 Speaker 1: that she's directed, including The Parent Trap, The Lindsay Lion one, 64 00:04:08,840 --> 00:04:12,040 Speaker 1: and The Holiday and the Intern, which is one of 65 00:04:12,040 --> 00:04:14,600 Speaker 1: my favorite bad movies. Oh yeah, that's a good one. 66 00:04:14,760 --> 00:04:21,000 Speaker 1: What if old people wanted to work? And like Robert 67 00:04:21,040 --> 00:04:24,599 Speaker 1: de Niro's The Underdog movie, I was like, Okay, I 68 00:04:24,600 --> 00:04:28,600 Speaker 1: guess yeah, let's see Anne Hathaway's the villain. Like it's 69 00:04:28,640 --> 00:04:33,920 Speaker 1: just Oh, I love it. She's also made some some stinkies. 70 00:04:34,240 --> 00:04:37,599 Speaker 1: She's made a Father of the Bride Part one and two. 71 00:04:38,960 --> 00:04:43,000 Speaker 1: I haven't seen that. Haven't seen. It's complicated. Oh it's complicated, 72 00:04:43,080 --> 00:04:49,400 Speaker 1: was true? I like it complicate. Marilyn a movie. I'm like, 73 00:04:49,400 --> 00:04:54,480 Speaker 1: sign fash that ship was bad, But I said, I 74 00:04:54,520 --> 00:04:58,799 Speaker 1: didn't see it. It's complicated. I kind of did funk 75 00:04:58,839 --> 00:05:01,720 Speaker 1: with it. I think I I like more Nancy Myers 76 00:05:01,720 --> 00:05:05,960 Speaker 1: movies than I dislike, even The Holiday, as stupid as 77 00:05:06,040 --> 00:05:12,120 Speaker 1: it is. Like rich white lady fantasy, one day when 78 00:05:12,160 --> 00:05:16,440 Speaker 1: I become a rich white lady, I too would share 79 00:05:16,520 --> 00:05:20,120 Speaker 1: my house and have an eventure. Yes, they don't even 80 00:05:20,200 --> 00:05:24,440 Speaker 1: have an adventure though that at the other people's houses. 81 00:05:24,480 --> 00:05:26,480 Speaker 1: The whole time. They don't even go outside for me, 82 00:05:26,600 --> 00:05:30,400 Speaker 1: that's an eventure. It's pre AIRB and B. It was 83 00:05:30,440 --> 00:05:34,400 Speaker 1: a simpler time. Just being in someone else's house was 84 00:05:34,400 --> 00:05:36,600 Speaker 1: why we're like, whoa this is? And then and then 85 00:05:36,680 --> 00:05:39,120 Speaker 1: Jack Black. My favorite part of that movie is the 86 00:05:39,160 --> 00:05:43,120 Speaker 1: movie does not consider Jack Black hot enough to kiss. Well. 87 00:05:43,400 --> 00:05:46,599 Speaker 1: Jude Law is shown actively fucking the whole movie. Jack 88 00:05:46,680 --> 00:05:48,800 Speaker 1: Black gets a little peck on the cheek at like 89 00:05:48,880 --> 00:05:51,440 Speaker 1: the last second, and they're like, that's all you get, 90 00:05:52,279 --> 00:05:57,200 Speaker 1: normal looking person. Anyways, I I now that I'm looking 91 00:05:57,240 --> 00:06:00,320 Speaker 1: at her, I mean I I She's definitely got some 92 00:06:00,480 --> 00:06:04,440 Speaker 1: problematic faves, but in general, this I would say is 93 00:06:04,480 --> 00:06:09,120 Speaker 1: my least favorite movie of hers. Yeah. Yeah, What Women 94 00:06:09,360 --> 00:06:14,720 Speaker 1: Want is a movie that I hate. So um it 95 00:06:14,800 --> 00:06:16,760 Speaker 1: was a fun to hate watch. There's a version of 96 00:06:16,800 --> 00:06:20,080 Speaker 1: this that I could imagine, like making a drinking game 97 00:06:20,160 --> 00:06:24,239 Speaker 1: and getting very fucked, like just drink every time you're upset, 98 00:06:26,480 --> 00:06:32,679 Speaker 1: and then you die in alcohol Police. Yeah. It's crazy 99 00:06:32,800 --> 00:06:38,320 Speaker 1: how frustrated this movie is so quickly. I've never seen 100 00:06:38,360 --> 00:06:42,560 Speaker 1: an opening montage just goes. It's like, whatever this is 101 00:06:42,600 --> 00:06:45,200 Speaker 1: leading up to it was not worth it at all. 102 00:06:46,400 --> 00:06:48,960 Speaker 1: So Lacy, what's your history with this movie? When did 103 00:06:49,000 --> 00:06:52,120 Speaker 1: you first see it, you know. So I saw this 104 00:06:52,160 --> 00:06:54,520 Speaker 1: movie when it came out of two thousand. Remember I 105 00:06:54,600 --> 00:06:58,400 Speaker 1: remember seeing this movie I'm Gonna put an age on myself. 106 00:06:58,760 --> 00:07:02,200 Speaker 1: I was nine, and I liked this movie because I 107 00:07:02,240 --> 00:07:05,840 Speaker 1: was a problematic child. I mean I had to go 108 00:07:05,880 --> 00:07:07,919 Speaker 1: back and look at my tweets from even college and 109 00:07:07,920 --> 00:07:10,480 Speaker 1: I was like, who is this bit ruined my life? 110 00:07:11,440 --> 00:07:13,680 Speaker 1: I deleted man ship, I paid for one of those 111 00:07:13,680 --> 00:07:15,640 Speaker 1: services and wiped all my ship clean. I said, I 112 00:07:15,680 --> 00:07:17,280 Speaker 1: don't know that bitch. I ain't never knew her, and 113 00:07:17,320 --> 00:07:20,080 Speaker 1: nobody can prove that I did. Everyone has to wipe 114 00:07:20,080 --> 00:07:27,200 Speaker 1: who they were pres before I talked to other people. 115 00:07:28,600 --> 00:07:30,960 Speaker 1: Lord Jesus, But I remember enjoying this movie. I remember 116 00:07:31,080 --> 00:07:35,160 Speaker 1: kicking to this movie like, oh this is funny, yes, 117 00:07:35,320 --> 00:07:38,680 Speaker 1: mal um my god the time of my life where 118 00:07:38,720 --> 00:07:43,360 Speaker 1: I said yes, mal oh child. But so I remember 119 00:07:43,760 --> 00:07:46,760 Speaker 1: enjoying it. I remember being like, oh, I loved drom 120 00:07:46,760 --> 00:07:49,400 Speaker 1: comms and I've always loved comedy obviously, So I remember 121 00:07:49,440 --> 00:07:51,800 Speaker 1: being like, oh, this movie is killing me. Look he 122 00:07:51,960 --> 00:07:54,600 Speaker 1: now he sympathized with the women because he heard their thoughts. 123 00:07:54,640 --> 00:08:01,840 Speaker 1: Oh lord no, so yeah, that has has me problematic. Lacy, Hey, 124 00:08:01,880 --> 00:08:05,080 Speaker 1: we were all there, all there, fully there, Jamie, what 125 00:08:05,120 --> 00:08:10,000 Speaker 1: about you? Uh? This was my mom's favorite movie, of 126 00:08:10,120 --> 00:08:12,960 Speaker 1: mom's favorite movies, that makes sense. My my friend was 127 00:08:13,000 --> 00:08:15,320 Speaker 1: saying the same thing. He's like every mom in Wisconsin 128 00:08:15,440 --> 00:08:19,400 Speaker 1: fucking squirts for this movie, like they're my mom had 129 00:08:19,440 --> 00:08:22,680 Speaker 1: this on VHS. I remember, I like, I don't think 130 00:08:22,720 --> 00:08:25,360 Speaker 1: I saw it. I've seen it in like bits and 131 00:08:25,400 --> 00:08:28,080 Speaker 1: pieces on TV over the years. I think this was 132 00:08:28,120 --> 00:08:29,600 Speaker 1: the first time I've seen it all the way through. 133 00:08:30,240 --> 00:08:33,000 Speaker 1: But I knew this story because my mom would. My 134 00:08:33,000 --> 00:08:36,080 Speaker 1: mom would use this movie and Click as like ways 135 00:08:36,160 --> 00:08:40,800 Speaker 1: to impart life lessons to me, where with Click she'd 136 00:08:40,800 --> 00:08:42,880 Speaker 1: always be like, you know, you really can't go back. 137 00:08:46,840 --> 00:08:49,880 Speaker 1: She's just a demented woman. She's just you know, you 138 00:08:49,920 --> 00:08:54,040 Speaker 1: can't go back. Really, there's no rewind button. I wish 139 00:08:54,080 --> 00:08:59,280 Speaker 1: I had a click. But but what women want was 140 00:08:59,280 --> 00:09:02,520 Speaker 1: like when she it was so funny, she was like, 141 00:09:02,640 --> 00:09:06,199 Speaker 1: I mean she might still be struggling through, uh the 142 00:09:06,200 --> 00:09:10,440 Speaker 1: whole because she loved mel Gibson and h had has 143 00:09:10,600 --> 00:09:13,880 Speaker 1: had a lot to work through. But yeah, my experience 144 00:09:13,920 --> 00:09:16,000 Speaker 1: was I'm pretty sure I saw like chunks of it 145 00:09:16,120 --> 00:09:19,400 Speaker 1: on like TNT over the course of years, but this 146 00:09:19,440 --> 00:09:21,160 Speaker 1: is my first time all the way through, and it 147 00:09:21,240 --> 00:09:24,319 Speaker 1: was a journey, right, It's a journey I'll never forget. 148 00:09:25,880 --> 00:09:27,520 Speaker 1: And I hate to say it, but it like it 149 00:09:27,600 --> 00:09:30,640 Speaker 1: has like the pacing and the parts of all Nancy 150 00:09:30,679 --> 00:09:33,600 Speaker 1: Myers movies that I do like. So it was weird 151 00:09:33,679 --> 00:09:36,600 Speaker 1: to see a movie that was like paced and looked 152 00:09:36,720 --> 00:09:40,000 Speaker 1: and sort of sounded like a movie that I have 153 00:09:40,320 --> 00:09:46,400 Speaker 1: liked but have everything filled in with horrible bullshit. See. 154 00:09:46,440 --> 00:09:49,480 Speaker 1: I think the pacing is one of this movie's worst things. 155 00:09:49,720 --> 00:09:52,600 Speaker 1: And there's a lot wrong with it because first of all, 156 00:09:52,640 --> 00:09:56,240 Speaker 1: it's two out over two hours, which is way too 157 00:09:56,280 --> 00:09:59,680 Speaker 1: long for rom com Yeah, and it like it just 158 00:09:59,720 --> 00:10:02,640 Speaker 1: feels like it takes a really long time for the 159 00:10:02,760 --> 00:10:06,000 Speaker 1: romantic story to get going, and then in the last 160 00:10:06,000 --> 00:10:08,320 Speaker 1: two seconds yet to be like Judy Greer, don't yeah, 161 00:10:08,320 --> 00:10:14,480 Speaker 1: there's always and that it was still funny. We'll get 162 00:10:14,520 --> 00:10:18,240 Speaker 1: to that. That was like, it's interesting. I think if 163 00:10:18,440 --> 00:10:20,680 Speaker 1: I enjoyed mel Gibson, like if I thought he was 164 00:10:20,720 --> 00:10:23,200 Speaker 1: like a Zaddie or something, but I would understand the 165 00:10:23,200 --> 00:10:24,880 Speaker 1: pacing more because I'd be like, oh, they'd be like, 166 00:10:24,920 --> 00:10:26,320 Speaker 1: you know, I'm watching this movie because I have a 167 00:10:26,360 --> 00:10:28,800 Speaker 1: hard on for Mel Gibson, so, you know, having dancing 168 00:10:28,840 --> 00:10:33,600 Speaker 1: ship and as he's not he's not charming like an 169 00:10:33,880 --> 00:10:37,240 Speaker 1: uncle in this movie. He was quite I remember how 170 00:10:37,240 --> 00:10:40,040 Speaker 1: old he was. I remember thinking he looked young in 171 00:10:40,080 --> 00:10:42,960 Speaker 1: the movie. I don't know, I think that I'm like two. 172 00:10:43,240 --> 00:10:45,520 Speaker 1: I guess it was a long fucking time ago. But 173 00:10:45,640 --> 00:10:48,440 Speaker 1: people were like, yeah, I would I want this scene 174 00:10:48,480 --> 00:10:52,520 Speaker 1: to go on longer. Why is that dancing seems so long? 175 00:10:52,600 --> 00:10:55,280 Speaker 1: I don't even know. It felt like like they took 176 00:10:55,280 --> 00:10:57,280 Speaker 1: his resume and was like, well, what has he not 177 00:10:57,400 --> 00:11:00,839 Speaker 1: done in the movie yet, Let's do his ex Let's 178 00:11:00,840 --> 00:11:02,840 Speaker 1: do to accent, you know what he's talking about the 179 00:11:02,840 --> 00:11:07,720 Speaker 1: TV Let's do it shot. Let's just do a Sean Connery. 180 00:11:07,760 --> 00:11:09,160 Speaker 1: And they all saw they were just picking off the resume. 181 00:11:09,320 --> 00:11:11,520 Speaker 1: Let's do to dance thing, Let's go to dancing n 182 00:11:11,600 --> 00:11:16,240 Speaker 1: and yes, not in the script. And then he turns 183 00:11:16,280 --> 00:11:19,360 Speaker 1: on bitch and then he takes his shirt off, and like, 184 00:11:19,400 --> 00:11:22,480 Speaker 1: this is not what bitch should be playing during is 185 00:11:22,520 --> 00:11:24,960 Speaker 1: a shirtless Mel Gibson. That's the opposite of what that 186 00:11:25,040 --> 00:11:29,959 Speaker 1: song stands for. I God, I did love to I mean, 187 00:11:30,000 --> 00:11:32,480 Speaker 1: although I do love to see Mel Gibs and get electrocuted. 188 00:11:32,600 --> 00:11:37,960 Speaker 1: That was fun. That was tight. Oh yeah, because he's 189 00:11:38,000 --> 00:11:40,440 Speaker 1: trying to electrocute himself. And then at the and he 190 00:11:40,760 --> 00:11:44,280 Speaker 1: accidentally gets electrocuted. Before going to a doctor, He's like, 191 00:11:44,400 --> 00:11:47,839 Speaker 1: let me just get drunk and electric a second time, 192 00:11:48,559 --> 00:11:52,200 Speaker 1: which could have cut the movie short, especially with the 193 00:11:52,200 --> 00:11:55,160 Speaker 1: amount of electrocution. They showed like they zoomed out from 194 00:11:55,200 --> 00:11:57,280 Speaker 1: the building and it was like an explosion. He was 195 00:11:57,360 --> 00:12:04,880 Speaker 1: hit by lightning. Know where he could? Yeah, he wakes 196 00:12:04,920 --> 00:12:09,120 Speaker 1: up on his couch. My history with the movie is 197 00:12:09,400 --> 00:12:11,280 Speaker 1: I don't think I saw it the whole way through 198 00:12:11,880 --> 00:12:15,440 Speaker 1: either until just watching it to prep for the episode. 199 00:12:15,480 --> 00:12:17,120 Speaker 1: But I thought that I had, And I think it's 200 00:12:17,160 --> 00:12:19,440 Speaker 1: just because I've seen the trailer for this movie a 201 00:12:19,520 --> 00:12:22,080 Speaker 1: million times. Like I remember seeing the trailer when the 202 00:12:22,080 --> 00:12:25,080 Speaker 1: movie was coming out, and then I just that made 203 00:12:25,160 --> 00:12:27,000 Speaker 1: me think that I had seen it or I knew 204 00:12:27,000 --> 00:12:29,320 Speaker 1: the premise and not, so I think maybe I've seen 205 00:12:29,360 --> 00:12:31,720 Speaker 1: parts of it. In any case, there was so much 206 00:12:31,760 --> 00:12:35,679 Speaker 1: that I didn't remember or didn't know about, and I 207 00:12:35,720 --> 00:12:41,000 Speaker 1: am furious about it. But shall we get into the recap? 208 00:12:41,440 --> 00:12:45,040 Speaker 1: I guess. So there's so many subplots to tackle I 209 00:12:45,080 --> 00:12:50,400 Speaker 1: feel like this movie needs two subplots. Gone, Yes, there's 210 00:12:50,559 --> 00:12:55,000 Speaker 1: so many there's so many women in his life. So 211 00:12:55,120 --> 00:13:00,079 Speaker 1: suddenly the Judy Grew storyline like makes mental illness is 212 00:13:00,200 --> 00:13:02,640 Speaker 1: what it isn't in every single way, but to the 213 00:13:02,679 --> 00:13:04,720 Speaker 1: point where it did make me laugh where she just 214 00:13:04,720 --> 00:13:10,520 Speaker 1: want I just was somewhere like I wish he'd killed me. 215 00:13:10,640 --> 00:13:13,520 Speaker 1: It was like, so, whoever wrote this has never been 216 00:13:13,559 --> 00:13:15,559 Speaker 1: depressed the day in their fucking life. That's not what 217 00:13:17,160 --> 00:13:27,080 Speaker 1: It's crazy. He almost killed me and I loved them 218 00:13:27,320 --> 00:13:29,400 Speaker 1: like she wanted to kill herself because she didn't get 219 00:13:29,400 --> 00:13:36,000 Speaker 1: a promotion, or like that's just not enough. The way 220 00:13:36,480 --> 00:13:42,240 Speaker 1: suicidality is handled is it's just completely wrong, to the 221 00:13:42,280 --> 00:13:44,480 Speaker 1: point where I'm like, all right, I'm down to laugh. 222 00:13:44,640 --> 00:13:47,680 Speaker 1: This is the thing that's never happened before. Right, Maybe 223 00:13:47,720 --> 00:13:50,959 Speaker 1: that's what they were going for. I don't know. I 224 00:13:51,120 --> 00:13:53,240 Speaker 1: hope so, because they're like, this is a way to 225 00:13:53,240 --> 00:13:56,000 Speaker 1: treat suicide and not have it be in the realm 226 00:13:56,000 --> 00:13:59,080 Speaker 1: of reality, because if it was to fit the tone 227 00:13:59,080 --> 00:14:01,280 Speaker 1: of the movie, which just to me is like, then 228 00:14:01,360 --> 00:14:03,520 Speaker 1: just don't have it. I haven't get rid of it. 229 00:14:04,160 --> 00:14:06,240 Speaker 1: But also I love that he doesn't notice that she's 230 00:14:06,240 --> 00:14:09,040 Speaker 1: suicidal to the end, but he does notice that she's funny. 231 00:14:09,240 --> 00:14:10,800 Speaker 1: He says like, he's like, oh, you know what, we 232 00:14:10,840 --> 00:14:13,640 Speaker 1: should have her as a copywriter. She's very funny. Every 233 00:14:13,640 --> 00:14:15,160 Speaker 1: time I bump into her, she's like, well, she would 234 00:14:15,200 --> 00:14:20,760 Speaker 1: have murdered me. He does notice, but he totally brushes 235 00:14:20,800 --> 00:14:23,760 Speaker 1: it off. He's like, she's funny. Suicidal, but funny, and 236 00:14:23,840 --> 00:14:27,000 Speaker 1: that's what matters. And then he finds and then he's like, 237 00:14:27,040 --> 00:14:29,720 Speaker 1: she's not here. Oh no, she meant all those suicidal 238 00:14:29,800 --> 00:14:36,480 Speaker 1: thoughts she was having better go to her apartment. So 239 00:14:36,720 --> 00:14:41,560 Speaker 1: she does anyway, didn't he like, doesn't he find her 240 00:14:41,600 --> 00:14:44,120 Speaker 1: suicide note? And then but then she's there and they're like, 241 00:14:44,800 --> 00:14:46,400 Speaker 1: she's like, what are you doing here? I'm like, well, 242 00:14:46,400 --> 00:14:49,080 Speaker 1: he's holding your suicide note. So this has to be 243 00:14:49,120 --> 00:14:52,720 Speaker 1: a conversation or just tell him to leave. But he's like, 244 00:14:52,760 --> 00:14:55,280 Speaker 1: ha ha, you are funny. Do you want to be promoted? 245 00:14:55,320 --> 00:15:03,160 Speaker 1: And then she's like, oh, y, he would fixed my suicide. 246 00:15:04,160 --> 00:15:06,880 Speaker 1: I don't care. Before he fixed our suicide. He has 247 00:15:06,920 --> 00:15:09,680 Speaker 1: a whole moment to himself about his own ship, like 248 00:15:09,760 --> 00:15:12,240 Speaker 1: he's like, comes in, it's like this, don't kill yourself 249 00:15:12,440 --> 00:15:14,720 Speaker 1: then she's like, oh, why are you here. Then he's like, 250 00:15:14,760 --> 00:15:18,880 Speaker 1: I can't hear your thoughts. Say some thoughts. I'm saying thoughts. 251 00:15:19,040 --> 00:15:22,360 Speaker 1: Let me think about me. It turns around to himself 252 00:15:22,400 --> 00:15:23,880 Speaker 1: about his own life, and then it's like, right, right, 253 00:15:23,920 --> 00:15:28,080 Speaker 1: right right, don't kill yourself much. He goes back to it, Oh, 254 00:15:28,120 --> 00:15:35,160 Speaker 1: there's something more urgent here. Ah, you what it's. He 255 00:15:35,240 --> 00:15:38,440 Speaker 1: takes a break from stopping this woman's suicide to be like, 256 00:15:38,560 --> 00:15:41,680 Speaker 1: oh my god. The third act of the movie, it's 257 00:15:41,720 --> 00:15:45,160 Speaker 1: still happening. There's a lot of moments in this movie 258 00:15:45,160 --> 00:15:49,800 Speaker 1: where mel Gibson is really like mugging to nobody that's 259 00:15:49,840 --> 00:15:52,120 Speaker 1: like one of them. There's the moment he's in the 260 00:15:52,200 --> 00:15:56,840 Speaker 1: department store and he's hearing thoughts. He's like, it's like 261 00:15:56,920 --> 00:16:00,240 Speaker 1: you look completely like out of your mind. And then 262 00:16:00,320 --> 00:16:02,360 Speaker 1: later when he's like, oh, this thing that I have 263 00:16:02,520 --> 00:16:05,120 Speaker 1: is actually a gift, and he's like running down the 264 00:16:05,160 --> 00:16:07,680 Speaker 1: street and like getting close to women to like hear 265 00:16:07,680 --> 00:16:11,880 Speaker 1: their thoughts, and he's like he immediately starts abusing it, 266 00:16:11,960 --> 00:16:14,840 Speaker 1: but with the permission of a woman. So we're supposed 267 00:16:14,840 --> 00:16:16,960 Speaker 1: to think that's okay, because it's like, oh, Bette Midler's 268 00:16:17,000 --> 00:16:22,360 Speaker 1: old trifle mask I used to love bet Miler came out, Oh, Chad, 269 00:16:22,480 --> 00:16:24,040 Speaker 1: but back when I used to love So she just 270 00:16:24,080 --> 00:16:26,280 Speaker 1: comes out as like, mal, you have a gift, go 271 00:16:26,520 --> 00:16:32,120 Speaker 1: use that ship. Everybody comes back never never. She's not 272 00:16:32,200 --> 00:16:36,360 Speaker 1: even credited in the movie, which is why she doesn't 273 00:16:36,360 --> 00:16:40,720 Speaker 1: appear in the credits. That's very funny. When she saw that, 274 00:16:40,840 --> 00:16:42,600 Speaker 1: she was like, I don't know. She's like, never mind, 275 00:16:42,640 --> 00:16:46,560 Speaker 1: take me out. Actually I don't know, but you're in question. 276 00:16:46,600 --> 00:16:48,200 Speaker 1: I used to love you, man, I had your album 277 00:16:48,280 --> 00:16:53,040 Speaker 1: anyway another time. So the story, I'll get through this 278 00:16:53,080 --> 00:16:55,920 Speaker 1: as quickly as possible because there's so much to talk about. 279 00:16:56,040 --> 00:16:59,360 Speaker 1: But okay, So we meet Nick Marshall played by Mel Gibson. 280 00:16:59,520 --> 00:17:02,680 Speaker 1: He is a player. He's a manipulator of women. He 281 00:17:02,760 --> 00:17:06,159 Speaker 1: has an ex wife who feels that he never understood her. 282 00:17:06,200 --> 00:17:08,000 Speaker 1: He has a fifteen year old daughter named Alex who 283 00:17:08,080 --> 00:17:10,920 Speaker 1: he's never really connected with. There's this woman named Lola 284 00:17:11,000 --> 00:17:13,040 Speaker 1: who works at a coffee shop that he keeps trying 285 00:17:13,080 --> 00:17:16,199 Speaker 1: to ask out. We see him at work. He's up 286 00:17:16,200 --> 00:17:18,760 Speaker 1: for a big promotion as a creative director at the 287 00:17:18,800 --> 00:17:21,560 Speaker 1: ad agency where he works, but he doesn't get it 288 00:17:21,600 --> 00:17:26,840 Speaker 1: because Darcy McGuire Helen Hunt's character is hired instead, and 289 00:17:27,280 --> 00:17:29,919 Speaker 1: Nick knows of this person and thinks that she is 290 00:17:29,960 --> 00:17:39,240 Speaker 1: a bitch on wheels quote from the movie It's ridiculous. Yeah, 291 00:17:39,440 --> 00:17:43,240 Speaker 1: she is hired over him because his boss played by 292 00:17:43,280 --> 00:17:45,960 Speaker 1: Alan Alda, is like, we need it's a woman's world 293 00:17:46,040 --> 00:17:50,240 Speaker 1: out there, you know, the how how could he? How could? 294 00:17:50,280 --> 00:17:53,040 Speaker 1: He's like, younger women are buying stuff, so we like 295 00:17:53,119 --> 00:17:56,480 Speaker 1: need to cater to that demographic. So that's why he 296 00:17:56,600 --> 00:17:59,920 Speaker 1: hires Darcy and she comes in. She's like, hey, let's 297 00:18:00,000 --> 00:18:03,280 Speaker 1: figure out how to advertise this box of products to women, 298 00:18:03,440 --> 00:18:07,879 Speaker 1: expensive box of products that everyone gets. And Nick is 299 00:18:07,880 --> 00:18:10,440 Speaker 1: all like, what a fucking bitch she is for like 300 00:18:10,560 --> 00:18:14,280 Speaker 1: doing her job. The like the low key framing of 301 00:18:14,320 --> 00:18:17,560 Speaker 1: like yeah, like the whole point of this movie is 302 00:18:17,640 --> 00:18:20,639 Speaker 1: to sell products to women that are too expensive that 303 00:18:20,720 --> 00:18:24,919 Speaker 1: they don't need. So it's a real capitalist love story 304 00:18:25,080 --> 00:18:28,200 Speaker 1: where you're entering yeah, yeah. Yeah. So then there's a 305 00:18:28,240 --> 00:18:32,119 Speaker 1: five minute scene of him dancing to Frank sinatra Um, 306 00:18:32,200 --> 00:18:34,159 Speaker 1: which does not need to be in the movie. I 307 00:18:34,160 --> 00:18:36,520 Speaker 1: guess it's trying to endear us to him, because otherwise 308 00:18:36,520 --> 00:18:40,760 Speaker 1: he's so irredeemable. But anyway, he's getting more and more naked, 309 00:18:40,880 --> 00:18:46,600 Speaker 1: and you're just like, oh no. And so as he's 310 00:18:46,640 --> 00:18:49,120 Speaker 1: trying these different products and he's struggling with him because 311 00:18:49,119 --> 00:18:52,520 Speaker 1: he doesn't understand women. Um, and he's talking to himself 312 00:18:52,560 --> 00:18:57,200 Speaker 1: way too much. He like accidentally, like prat Fall style, 313 00:18:57,400 --> 00:19:02,080 Speaker 1: electrocutes himself with a hair dryer in a bathtub. That's fun. 314 00:19:03,600 --> 00:19:10,720 Speaker 1: He's also listening to Bitch. He's listening woman. Yeah, Atlantis Morrisett. No, 315 00:19:10,880 --> 00:19:14,720 Speaker 1: I always think always it's someone else who is not 316 00:19:14,800 --> 00:19:17,400 Speaker 1: Atlantis Morsett, but I always think it's Alanis mor Set. Yeah, 317 00:19:17,520 --> 00:19:20,560 Speaker 1: just because it's got bitch in the title. Sounds like 318 00:19:20,600 --> 00:19:23,960 Speaker 1: a nineties attus. Meredith Brooks. Yes, that's the one. I 319 00:19:24,000 --> 00:19:26,680 Speaker 1: don't did she make any other song. I think she's 320 00:19:26,720 --> 00:19:29,679 Speaker 1: had a few other hits. Maybe I don't know that's her. 321 00:19:30,359 --> 00:19:33,720 Speaker 1: That's her song. Hard to say Sorry, I'll to all you, 322 00:19:33,800 --> 00:19:37,960 Speaker 1: Meredith Brooks. Fans out there are screaming heads are gonna 323 00:19:38,080 --> 00:19:43,879 Speaker 1: come for us with Mary be My mentions are demolished, 324 00:19:44,560 --> 00:19:48,880 Speaker 1: so our apologies. But anyway, so when he wakes up, 325 00:19:49,200 --> 00:19:53,119 Speaker 1: he discovers that he can hear women's thoughts. Is it 326 00:19:53,240 --> 00:19:57,240 Speaker 1: because you got electrocuted by an enchanted women's hair product, 327 00:19:57,720 --> 00:19:59,800 Speaker 1: I thought, because he had on all the ladies, all 328 00:19:59,800 --> 00:20:02,119 Speaker 1: the ladies on the nail polish, and he had on 329 00:20:02,160 --> 00:20:06,720 Speaker 1: the leg although and I did not like that his 330 00:20:06,800 --> 00:20:08,879 Speaker 1: nails were perfectly painted. I was like, well, how to 331 00:20:08,880 --> 00:20:10,640 Speaker 1: fund he pay his nails so well? And he got 332 00:20:10,640 --> 00:20:12,359 Speaker 1: a top coat on. Get the funk out here? Really, 333 00:20:12,600 --> 00:20:19,120 Speaker 1: no damn top coat? Now do that out of here? Yeah. Um. 334 00:20:19,320 --> 00:20:21,879 Speaker 1: So then he's like, oh my god, I'm going crazy. 335 00:20:21,920 --> 00:20:24,280 Speaker 1: Why can I hear these women's thoughts? And there's like 336 00:20:24,280 --> 00:20:27,800 Speaker 1: this pitch meeting that he performs badly because he learns 337 00:20:27,840 --> 00:20:31,200 Speaker 1: that a bunch of women think that he is a jerk, 338 00:20:31,680 --> 00:20:36,159 Speaker 1: and he is genuinely shocked. He's like what I was 339 00:20:36,200 --> 00:20:40,960 Speaker 1: starting to think, nobody likes. But also when he can 340 00:20:41,080 --> 00:20:43,399 Speaker 1: first hear that though there's I mean, we can break 341 00:20:43,400 --> 00:20:46,280 Speaker 1: these down to detail later. But the way that the 342 00:20:46,359 --> 00:20:48,879 Speaker 1: thoughts were kind of depends on what the scene is, 343 00:20:48,960 --> 00:20:51,679 Speaker 1: because at first he's walking down the street and women 344 00:20:51,720 --> 00:20:56,640 Speaker 1: are thinking about the most stereotypical women thinking like estrogen 345 00:20:57,119 --> 00:21:00,960 Speaker 1: and other women's like child rearing. Well, the next one's 346 00:21:00,960 --> 00:21:03,680 Speaker 1: like calories that I do the right thing in the kitchen, 347 00:21:03,840 --> 00:21:07,720 Speaker 1: I don't know. But then but then when he gets 348 00:21:07,760 --> 00:21:11,160 Speaker 1: the office, then it gets like more critical of him. 349 00:21:11,359 --> 00:21:15,160 Speaker 1: But if first ever women are only ever thinking about 350 00:21:15,320 --> 00:21:18,720 Speaker 1: him for a few exceptions, yeah, the thought the thoughts 351 00:21:18,760 --> 00:21:21,080 Speaker 1: were first you, like you said, all women's thoughts like 352 00:21:21,119 --> 00:21:28,439 Speaker 1: oh my push china, oh nips and lady bits and 353 00:21:28,560 --> 00:21:31,159 Speaker 1: men maybe, And then it turns it's just everything is 354 00:21:31,200 --> 00:21:33,480 Speaker 1: about him, and every woman in his life completely thinks 355 00:21:33,520 --> 00:21:36,880 Speaker 1: and works for him, even in their own brains. They're 356 00:21:36,880 --> 00:21:43,119 Speaker 1: not free of being obsessed with him. With mel Gibbs, yeah, okay. 357 00:21:43,160 --> 00:21:46,400 Speaker 1: So then meanwhile, his daughter Alex is staying with him. 358 00:21:46,520 --> 00:21:51,000 Speaker 1: She's got a boyfriend who uh, he doesn't like. She 359 00:21:51,760 --> 00:21:54,080 Speaker 1: and her dad are not getting along. And then he 360 00:21:54,680 --> 00:21:56,919 Speaker 1: can hear his daughter's thoughts too, and he's all like, 361 00:21:57,000 --> 00:22:00,840 Speaker 1: oh no, how dare my daughter have any sexual feelings? 362 00:22:01,720 --> 00:22:04,560 Speaker 1: And then he tries to reverse what has happened by 363 00:22:04,640 --> 00:22:08,040 Speaker 1: re electrocuting himself, but it does not work. He just 364 00:22:08,080 --> 00:22:12,280 Speaker 1: gets electrocuted. He just gets electrocuted but survives and he's fine. 365 00:22:12,840 --> 00:22:16,280 Speaker 1: So he goes to his former marriage counselor played by 366 00:22:16,320 --> 00:22:20,359 Speaker 1: Bette Midler, and she's like Wow, this is actually a gift. 367 00:22:20,400 --> 00:22:22,600 Speaker 1: This is a good thing for you. You have to 368 00:22:22,680 --> 00:22:26,160 Speaker 1: learn from this and if you know what women want, 369 00:22:26,200 --> 00:22:29,400 Speaker 1: then you can rule, she says, and he's like like 370 00:22:30,280 --> 00:22:34,399 Speaker 1: why who are And then there's also like supposed to 371 00:22:34,400 --> 00:22:36,919 Speaker 1: be the justification for him being a complete piece of 372 00:22:36,920 --> 00:22:39,320 Speaker 1: ship with this new gift, but it's like a woman 373 00:22:39,400 --> 00:22:43,560 Speaker 1: told him to you all ask for it? Yeah, Yeah, 374 00:22:43,600 --> 00:22:47,160 Speaker 1: this movie finds so many ways to blame what's happening 375 00:22:47,280 --> 00:22:50,880 Speaker 1: on women. It's like he was raised by a bunch 376 00:22:50,920 --> 00:22:55,560 Speaker 1: of floozies, old times holes, and they taught him to 377 00:22:55,640 --> 00:22:58,800 Speaker 1: be this misogynistic and they said, touch my ask because 378 00:22:58,800 --> 00:23:02,920 Speaker 1: I'm a floosi hole in vegues, Like what did the 379 00:23:03,200 --> 00:23:07,720 Speaker 1: very forgetting his ex wife absolves him of everything? It's 380 00:23:07,960 --> 00:23:10,680 Speaker 1: not like and which also like if you think about 381 00:23:10,680 --> 00:23:12,880 Speaker 1: it for two seconds, makes no sense of like, oh, 382 00:23:12,920 --> 00:23:15,640 Speaker 1: he was raised by a single mother who is like 383 00:23:15,760 --> 00:23:20,080 Speaker 1: working in Vegas, but he hates women, like it just doesn't. 384 00:23:20,080 --> 00:23:22,000 Speaker 1: I think they were trying to say that because he 385 00:23:22,080 --> 00:23:25,560 Speaker 1: was raised by what is deemed to be not respectable, 386 00:23:26,400 --> 00:23:30,240 Speaker 1: you know, women who obviously don't have any self esteem 387 00:23:30,280 --> 00:23:34,560 Speaker 1: because there flos then obviously how could he respect woman 388 00:23:34,560 --> 00:23:39,679 Speaker 1: because he's never known a woman who respected herself. Exhausted 389 00:23:39,720 --> 00:23:42,000 Speaker 1: directed by a woman, this movie and co written by 390 00:23:42,040 --> 00:23:46,600 Speaker 1: a woman, and I know it's shame on everyone involved 391 00:23:46,400 --> 00:23:51,040 Speaker 1: in this movie has like very little respect for any 392 00:23:51,080 --> 00:23:54,400 Speaker 1: like woman who isn't like white and working in an office. 393 00:23:54,520 --> 00:23:56,679 Speaker 1: Because even at the end in that scene with his 394 00:23:56,760 --> 00:23:59,440 Speaker 1: daughter where the daughter was like, and then he gives 395 00:24:00,160 --> 00:24:04,080 Speaker 1: us what with a tongue ring, and then he was like, 396 00:24:04,359 --> 00:24:07,760 Speaker 1: I can't believe he kissed us with a tongue ring. 397 00:24:08,080 --> 00:24:11,680 Speaker 1: Just to say that again, They're like, no, we have 398 00:24:11,760 --> 00:24:15,440 Speaker 1: to also let mel Gibson happy. He's a feminist icon 399 00:24:15,520 --> 00:24:20,040 Speaker 1: and people want to hear it. Oh sorry, So he 400 00:24:20,160 --> 00:24:22,959 Speaker 1: uses what now He also believes to be this gift 401 00:24:23,119 --> 00:24:27,320 Speaker 1: to take out Lola or to ask her out, and 402 00:24:27,359 --> 00:24:29,680 Speaker 1: he's like, don't worry, I won't hurt you. He's reading 403 00:24:29,680 --> 00:24:34,479 Speaker 1: all our thoughts. She's manipulating her goodness um, and she 404 00:24:34,720 --> 00:24:37,560 Speaker 1: really likes him. So he's like basically taking advantage of 405 00:24:37,600 --> 00:24:41,440 Speaker 1: the situation. And then back at the office, he goes 406 00:24:41,520 --> 00:24:45,480 Speaker 1: to Darcy and he learns via her thoughts that she 407 00:24:45,560 --> 00:24:49,159 Speaker 1: wants to land the Nike Women's division as a client. 408 00:24:49,560 --> 00:24:52,720 Speaker 1: Do you think maybe Nike gave this movie a little 409 00:24:52,760 --> 00:24:55,440 Speaker 1: bit of money to repeat itly call them the most 410 00:24:55,520 --> 00:25:02,520 Speaker 1: feminist friend that's ever existed. There's like a very long 411 00:25:02,560 --> 00:25:05,960 Speaker 1: scene where Helen Hunt is like, okay, so Nike, as 412 00:25:06,040 --> 00:25:09,920 Speaker 1: we know, loves and respects women in every way, and 413 00:25:10,359 --> 00:25:12,120 Speaker 1: this is like what we have to do to just 414 00:25:12,480 --> 00:25:17,879 Speaker 1: put on display how much women should be buying Nike products. 415 00:25:17,880 --> 00:25:20,720 Speaker 1: And they gives him like, yes, of course Nike and women. 416 00:25:22,119 --> 00:25:26,080 Speaker 1: When they make out, she's moaning, oh, Nike, just do 417 00:25:26,280 --> 00:25:33,120 Speaker 1: it subtle advertising shout out to goodness. Um. So he's like, hey, 418 00:25:33,119 --> 00:25:36,160 Speaker 1: I'll help you with Nike. And then their boss comes 419 00:25:36,200 --> 00:25:38,840 Speaker 1: in and he's like, hey, let me get to read 420 00:25:38,880 --> 00:25:42,560 Speaker 1: on something. And then Nick steals all of her thoughts 421 00:25:42,680 --> 00:25:45,000 Speaker 1: and uses them as his own. Not the first time 422 00:25:45,040 --> 00:25:49,080 Speaker 1: he's done this. He already tried it with Anagasta, but 423 00:25:49,119 --> 00:25:51,880 Speaker 1: it backs successful. So now he's better at stealing. He's 424 00:25:52,000 --> 00:25:56,080 Speaker 1: better at it. And because he's still trying to sabotage 425 00:25:56,200 --> 00:25:59,160 Speaker 1: Darcy and get her fired because he still wants her job, 426 00:26:00,200 --> 00:26:02,520 Speaker 1: he's trying to get on his daughter's good side by 427 00:26:02,600 --> 00:26:05,639 Speaker 1: offering to buy her prom dress. Um. He goes on 428 00:26:05,640 --> 00:26:08,760 Speaker 1: that date with Lola and they have sex and he's 429 00:26:08,760 --> 00:26:11,280 Speaker 1: bad at it at first, and then he starts he's like, 430 00:26:11,320 --> 00:26:13,520 Speaker 1: wait a minute, if I just listen to her thoughts, 431 00:26:14,000 --> 00:26:17,920 Speaker 1: I'll be good at sex, and then that works to me. 432 00:26:18,640 --> 00:26:22,560 Speaker 1: Really overacts her way through it, but I enjoyed it 433 00:26:23,080 --> 00:26:29,480 Speaker 1: the whole thing. She's like Mel Gibbs, bis good naked. 434 00:26:35,160 --> 00:26:38,040 Speaker 1: Then he starts bonding with various women at his office 435 00:26:38,400 --> 00:26:43,080 Speaker 1: and he Sarah Paulson's there so many great women and 436 00:26:44,240 --> 00:26:48,879 Speaker 1: their talents are completely wasted on but they gotta check, honey, 437 00:26:49,240 --> 00:26:53,760 Speaker 1: that check get the money. I mean, I guess if 438 00:26:53,760 --> 00:26:57,879 Speaker 1: you're like an up and coming like actress, that's like, 439 00:26:57,920 --> 00:26:59,560 Speaker 1: do you want to be in a Nancy Myers movie? 440 00:26:59,600 --> 00:27:03,280 Speaker 1: You're like sure, but they were like the Twists, it's 441 00:27:03,400 --> 00:27:08,760 Speaker 1: the worst Nancy. Um. So then he and Darcy start 442 00:27:08,800 --> 00:27:11,760 Speaker 1: to work together on the pitch for Nike, and he 443 00:27:11,880 --> 00:27:14,520 Speaker 1: uses his mind reading powers to make her think that 444 00:27:14,680 --> 00:27:18,439 Speaker 1: they're on the same wavelength um. And then she thinks uh, 445 00:27:18,520 --> 00:27:21,399 Speaker 1: and he knows her thoughts that she might be attracted 446 00:27:21,400 --> 00:27:24,440 Speaker 1: to him, and then she looks at his penis and 447 00:27:24,560 --> 00:27:27,119 Speaker 1: that scene that I think is from the trailer, but 448 00:27:27,400 --> 00:27:30,440 Speaker 1: the penis twice I looked at his penis. I don't know, 449 00:27:30,520 --> 00:27:33,000 Speaker 1: I looked at it again. I kind of giggled. But 450 00:27:33,080 --> 00:27:37,359 Speaker 1: also I shouldn't have. She reacts in a way that 451 00:27:37,560 --> 00:27:40,760 Speaker 1: is like not subtle, and she could have just been 452 00:27:40,840 --> 00:27:44,920 Speaker 1: like oops. Um. So then they start to flirt and 453 00:27:45,400 --> 00:27:49,800 Speaker 1: they go onto this like romantic dinner. They kiss, uh, 454 00:27:49,880 --> 00:27:52,480 Speaker 1: and then later Lola is like, wait a minute, remember 455 00:27:52,480 --> 00:27:57,640 Speaker 1: when you had sex with me? You're gay? And he's like, yeah, 456 00:27:57,680 --> 00:28:00,720 Speaker 1: it was. There's so much done talk with that scene. 457 00:28:00,720 --> 00:28:04,119 Speaker 1: We'll get there. Um. And then in the pitch meeting 458 00:28:04,160 --> 00:28:07,399 Speaker 1: to Nike, he started he's feeling guilty about having stolen 459 00:28:07,520 --> 00:28:09,800 Speaker 1: her ideas, but she's like, no, no, no, you do 460 00:28:09,840 --> 00:28:13,080 Speaker 1: the pitch meeting. So he does it, and he nails it. 461 00:28:13,320 --> 00:28:19,360 Speaker 1: Everyone in Nike's immediately like where can I side this guy? 462 00:28:19,720 --> 00:28:25,359 Speaker 1: I want to give him my vagina? So brutal. And 463 00:28:25,400 --> 00:28:28,439 Speaker 1: then Ellen Alda's like, wow, this darcy lady, what a 464 00:28:28,560 --> 00:28:31,600 Speaker 1: mistake that was. So he fires her because he thinks 465 00:28:31,640 --> 00:28:34,320 Speaker 1: that she hasn't done anything. And then Nick's like, wait 466 00:28:34,320 --> 00:28:37,880 Speaker 1: a minute, no, the good ideas were actually hers. You've 467 00:28:37,880 --> 00:28:42,560 Speaker 1: got to hire her back. And then the various subplots 468 00:28:42,680 --> 00:28:46,480 Speaker 1: that don't need to be in the movie. Come to 469 00:28:46,520 --> 00:28:50,360 Speaker 1: a conclusion where he has to go to proms. He 470 00:28:50,440 --> 00:28:56,280 Speaker 1: has goes to prom. They walk him through the whole prom. 471 00:28:56,480 --> 00:29:01,480 Speaker 1: Look it com nobody has to be in high school 472 00:29:01,520 --> 00:29:07,840 Speaker 1: for the problem to happen. Forty six years old and 473 00:29:07,960 --> 00:29:12,240 Speaker 1: fucking prom, this cne ass man and they talk. He 474 00:29:12,320 --> 00:29:15,640 Speaker 1: gets it with no problem. He approaching a teenage girl. 475 00:29:15,920 --> 00:29:17,720 Speaker 1: He's like, hey, do you know my daughter? She's got 476 00:29:17,760 --> 00:29:23,200 Speaker 1: brown hair, and oh the brown haired girl, yeah, she's 477 00:29:23,240 --> 00:29:26,800 Speaker 1: in there. And then her his daughter, is like, I 478 00:29:26,960 --> 00:29:29,200 Speaker 1: can't believe in telling you this. I was gonna freak, 479 00:29:29,360 --> 00:29:32,360 Speaker 1: but then guys are bad. And then he was like, 480 00:29:32,720 --> 00:29:35,560 Speaker 1: he was like, listen, I know what it's like to 481 00:29:35,640 --> 00:29:41,200 Speaker 1: be a woman, because for like three days, I know 482 00:29:41,240 --> 00:29:43,560 Speaker 1: what it's like to be a woman. And if he's 483 00:29:43,640 --> 00:29:47,080 Speaker 1: kissing a slut with a tongue ring, just come home 484 00:29:47,120 --> 00:29:49,320 Speaker 1: and take a nap. And she's like, I forgive you 485 00:29:49,360 --> 00:29:55,680 Speaker 1: for not being there. Oh it's a mess. Also, his 486 00:29:55,720 --> 00:29:59,160 Speaker 1: ex wife calls it. There's so many unnecessary scenes in 487 00:29:59,200 --> 00:30:01,240 Speaker 1: this movie where like his ex Woy didn't need to 488 00:30:01,240 --> 00:30:03,240 Speaker 1: call him from a cruise, We didn't need to see 489 00:30:03,280 --> 00:30:06,959 Speaker 1: the crew at all. They paid for a whole cruize 490 00:30:07,200 --> 00:30:11,960 Speaker 1: million dollars. You can see the cruise. Let's get a boat. 491 00:30:12,080 --> 00:30:16,040 Speaker 1: She can't afford it. She's like, I'm on a cruise. Anyways, 492 00:30:16,080 --> 00:30:20,120 Speaker 1: I don't know if prom's going well. It's like, right, flex, 493 00:30:20,960 --> 00:30:25,560 Speaker 1: I don't appreciate that. They're just like, fucking, let's go 494 00:30:25,600 --> 00:30:31,520 Speaker 1: a whole prom. You mean it is chased through Chinatown 495 00:30:31,560 --> 00:30:35,040 Speaker 1: to get to Judy Greer's apartment save her life. Like 496 00:30:35,080 --> 00:30:37,160 Speaker 1: it's just there's so much like New York City is 497 00:30:37,240 --> 00:30:40,960 Speaker 1: ours Chicago. It's not even New York City, you know 498 00:30:41,000 --> 00:30:44,360 Speaker 1: where the advertising happens. It's Chicago, where of course there 499 00:30:44,360 --> 00:30:47,600 Speaker 1: are advertising firms. And but like there's that scene where um, 500 00:30:47,600 --> 00:30:51,280 Speaker 1: Sarah Paulson's like, hey, boyfriend, you can write from anywhere. 501 00:30:51,280 --> 00:30:53,600 Speaker 1: If I want to be in advertising, I have to 502 00:30:53,600 --> 00:31:01,320 Speaker 1: work in Chicago. Like okay, maybe I don't know. So 503 00:31:01,320 --> 00:31:03,600 Speaker 1: I feel bad for everyone who had to be in 504 00:31:03,640 --> 00:31:06,800 Speaker 1: this movie. So all these subplots like come doing and 505 00:31:07,040 --> 00:31:09,520 Speaker 1: he saves Rudy Career's life. That's the whole thing. And 506 00:31:09,520 --> 00:31:12,800 Speaker 1: then finally he gets ahold of Darcy and he's like 507 00:31:13,280 --> 00:31:18,760 Speaker 1: he admits to stealing her thoughts and manipulating her and 508 00:31:18,920 --> 00:31:21,040 Speaker 1: all of this stuff, and then she's like, well, but 509 00:31:21,080 --> 00:31:23,960 Speaker 1: does he really does? Like he the way he explains 510 00:31:23,960 --> 00:31:25,880 Speaker 1: it to her is weird where he's like, I was 511 00:31:25,920 --> 00:31:28,959 Speaker 1: stealing all your ideas and she wasn't. She does not 512 00:31:29,040 --> 00:31:32,080 Speaker 1: question it at all. Maybe she was also writing them 513 00:31:32,120 --> 00:31:34,480 Speaker 1: down somewhere, but she's never like, what did you go 514 00:31:34,560 --> 00:31:39,840 Speaker 1: into my computer? Like, she's like okay, she's like, oh 515 00:31:39,880 --> 00:31:44,440 Speaker 1: that's not cool, and you're fired, which that was fun, 516 00:31:44,560 --> 00:31:47,440 Speaker 1: but it's fun. She does fire him, but then she's like, 517 00:31:48,080 --> 00:31:52,160 Speaker 1: but you're still my boyfriend, so you're fired from my job, 518 00:31:52,240 --> 00:31:57,160 Speaker 1: but you're hired to my flag now gets to work, 519 00:32:01,720 --> 00:32:04,960 Speaker 1: so there that lass soon as a mess. She also 520 00:32:05,160 --> 00:32:07,400 Speaker 1: there's so many I'm like if she get her job 521 00:32:07,480 --> 00:32:10,960 Speaker 1: because she doesn't check to see if she's actually been rehired. 522 00:32:11,320 --> 00:32:13,440 Speaker 1: After the man who's like, I've been lying to you 523 00:32:13,520 --> 00:32:16,840 Speaker 1: the whole time is like, actually I was reading your 524 00:32:16,880 --> 00:32:21,440 Speaker 1: thoughts and you're fired, but also you're rehired, and she 525 00:32:21,560 --> 00:32:24,640 Speaker 1: was just like, ah, do I really have my job back? 526 00:32:25,200 --> 00:32:28,400 Speaker 1: Man who laed to me this whole time, you're fired, 527 00:32:28,880 --> 00:32:33,120 Speaker 1: let's kiss and then they kiss and then it is 528 00:32:33,680 --> 00:32:37,320 Speaker 1: mercifully over two hours later it's over. It was a 529 00:32:37,360 --> 00:32:40,440 Speaker 1: long movie, so we got to take a quick break. 530 00:32:40,440 --> 00:32:48,800 Speaker 1: But we'll come right back for the discussion. And we 531 00:32:48,880 --> 00:32:52,880 Speaker 1: are back. Where to start? I don't know. I don't 532 00:32:52,880 --> 00:32:55,240 Speaker 1: even know. I mean, like we touched on some of 533 00:32:55,280 --> 00:32:57,960 Speaker 1: it in their recap. The first thing that stood up 534 00:32:58,120 --> 00:32:59,760 Speaker 1: out to me was, like you were saying, lace, you 535 00:32:59,760 --> 00:33:04,840 Speaker 1: have the beginning sequence another expensive not important because it's 536 00:33:04,280 --> 00:33:08,440 Speaker 1: the child in Vegas being grown up in smoking cigars 537 00:33:08,560 --> 00:33:11,520 Speaker 1: and being kissed all like as an eight year old. 538 00:33:11,800 --> 00:33:15,720 Speaker 1: That whole sequence is like, well, this is setting us 539 00:33:15,800 --> 00:33:19,320 Speaker 1: up for a fucking disaster. Uh so that I mean, 540 00:33:19,360 --> 00:33:21,440 Speaker 1: we I don't know how if there's much more to 541 00:33:21,440 --> 00:33:23,480 Speaker 1: say about it, because like many things in this movie, 542 00:33:23,800 --> 00:33:26,800 Speaker 1: the topic of his mother and his upbringing is never 543 00:33:26,840 --> 00:33:31,000 Speaker 1: brought up again. And the thing that was problematic about 544 00:33:31,040 --> 00:33:33,880 Speaker 1: the child's upbringing wasn't all the women around him. It 545 00:33:33,960 --> 00:33:36,720 Speaker 1: was just that one man who had him smoking cigars, 546 00:33:37,000 --> 00:33:42,560 Speaker 1: counting money, and was that and then he was like 547 00:33:42,600 --> 00:33:54,200 Speaker 1: getting back to work, was that man from child gives 548 00:33:54,240 --> 00:33:56,840 Speaker 1: in his his accountant, like his account is like an 549 00:33:56,880 --> 00:33:59,160 Speaker 1: eight year old. He's like start counting this. He's like, 550 00:33:59,360 --> 00:34:04,480 Speaker 1: fucking he just like wanders into central casting, like the 551 00:34:04,560 --> 00:34:07,840 Speaker 1: women were actually lovely, they were like, oh hard, and 552 00:34:08,000 --> 00:34:09,799 Speaker 1: he grew up about so many nice women. But I 553 00:34:09,800 --> 00:34:12,480 Speaker 1: guess because they had the breasts out and they were 554 00:34:12,960 --> 00:34:17,440 Speaker 1: they were the thoughts of the time, he hated them. 555 00:34:18,440 --> 00:34:22,319 Speaker 1: It really, it makes no sense the whole intro. And 556 00:34:22,360 --> 00:34:26,040 Speaker 1: again it's like words put into his ex wife's mouth, 557 00:34:26,480 --> 00:34:29,239 Speaker 1: so it seems like the way she's explaining it is like, 558 00:34:29,320 --> 00:34:32,920 Speaker 1: because he grew up around like women that aren't to 559 00:34:33,000 --> 00:34:36,440 Speaker 1: my standard, that's why he's a raging misogynist. But then 560 00:34:36,440 --> 00:34:38,680 Speaker 1: the movie's like, no, but she's right, because look, he's 561 00:34:38,719 --> 00:34:43,560 Speaker 1: a raging misogynist. And then we get to the first sequence, 562 00:34:43,760 --> 00:34:46,080 Speaker 1: which in the first I was trying to clock it. 563 00:34:46,320 --> 00:34:50,319 Speaker 1: In the space of five minutes, he sexually harasses his 564 00:34:50,400 --> 00:34:53,799 Speaker 1: housekeeper within an inch of her life, including slapping her ass, 565 00:34:53,840 --> 00:34:56,400 Speaker 1: calling her babe, make me a sandwich, the whole nine yards. 566 00:34:56,840 --> 00:34:59,919 Speaker 1: Then he gets to work, he bumps into a woman 567 00:35:00,000 --> 00:35:02,600 Speaker 1: so she spills coffee and then he grabs her titty 568 00:35:02,760 --> 00:35:06,560 Speaker 1: and it's just like, oh, I'm sorry, and then she's like, oh, 569 00:35:06,760 --> 00:35:09,719 Speaker 1: she loves it. Hit her own purpose with this. That 570 00:35:09,920 --> 00:35:13,399 Speaker 1: bothered me because I was in my head weighing would 571 00:35:13,400 --> 00:35:16,920 Speaker 1: I rather a man grab my titty or spill my 572 00:35:16,960 --> 00:35:19,200 Speaker 1: coffee on me on purpose? And I was like, I 573 00:35:19,280 --> 00:35:23,040 Speaker 1: would my outfit. She's like, I'm like you my whole 574 00:35:23,040 --> 00:35:25,280 Speaker 1: ship up, didn't grab my titty. And then I'm gonna 575 00:35:25,320 --> 00:35:28,480 Speaker 1: be like thank you so much, Mr sir, Like that 576 00:35:28,600 --> 00:35:30,440 Speaker 1: was the most unrealistic part of the movie, like it 577 00:35:30,520 --> 00:35:32,560 Speaker 1: bloves this to me on purpose, and then you grab 578 00:35:32,640 --> 00:35:35,560 Speaker 1: my whole titty. And then she was like, it's like 579 00:35:35,600 --> 00:35:38,880 Speaker 1: when she snapped out that shirt is ruined and you 580 00:35:38,920 --> 00:35:43,200 Speaker 1: were assaulted. That's not good. Then he goes to Marissa Tomay, 581 00:35:43,280 --> 00:35:47,000 Speaker 1: who in this scene says no to him three times, 582 00:35:47,000 --> 00:35:49,440 Speaker 1: where he's like, oh's your god me and she's like no, 583 00:35:49,520 --> 00:35:52,080 Speaker 1: I'm not your type, which is like sure whatever, and 584 00:35:52,080 --> 00:35:55,000 Speaker 1: then he's like, yeah, sure, I got grande nick and 585 00:35:55,040 --> 00:35:58,359 Speaker 1: then she's like she's like no, I don't want to 586 00:35:58,480 --> 00:36:00,480 Speaker 1: and then he touches her hand. He's like who with 587 00:36:00,600 --> 00:36:02,799 Speaker 1: you and with me? There's a sucking line behind him 588 00:36:03,000 --> 00:36:05,200 Speaker 1: and she's like no, I don't think so, and then 589 00:36:05,200 --> 00:36:08,560 Speaker 1: he's like sure, and then at the end she's like, Okay, 590 00:36:09,600 --> 00:36:11,560 Speaker 1: you know what's crazy about that is I've seen so 591 00:36:11,560 --> 00:36:14,240 Speaker 1: many movies do that thing, but the guy like gets 592 00:36:14,239 --> 00:36:18,560 Speaker 1: increasingly charming and it works. But I've never seen even then, 593 00:36:18,600 --> 00:36:19,960 Speaker 1: I'm like, this is not real life. I said, no, 594 00:36:20,080 --> 00:36:23,080 Speaker 1: tell you your ask this because no, you went because like, 595 00:36:23,200 --> 00:36:27,640 Speaker 1: please stop asking me increasingly creepy and it works. That 596 00:36:27,719 --> 00:36:29,399 Speaker 1: was the weird thing for me. And I was like, this, mother, 597 00:36:29,600 --> 00:36:31,440 Speaker 1: I didn't even get no more charming. He was like, 598 00:36:31,520 --> 00:36:34,359 Speaker 1: go out with me, go out with me, this dick 599 00:36:35,160 --> 00:36:39,720 Speaker 1: out with me. I'm gonna touch you now. He also said, 600 00:36:40,120 --> 00:36:43,719 Speaker 1: I don't know how where the Starbucks sizes were at 601 00:36:43,760 --> 00:36:46,480 Speaker 1: it this time, but he's he's as grande, which is medium. 602 00:36:47,040 --> 00:36:50,120 Speaker 1: He's like, I've got a medium sized d some of 603 00:36:50,160 --> 00:36:55,560 Speaker 1: this that's like it's more of a tall, small dick. 604 00:36:56,480 --> 00:36:58,399 Speaker 1: So we're still a lot out of the first five 605 00:36:58,440 --> 00:37:01,319 Speaker 1: minutes of the movie. He oh, okay. So then and 606 00:37:01,360 --> 00:37:04,759 Speaker 1: now he's at work, he says that horrible joke to 607 00:37:05,000 --> 00:37:07,279 Speaker 1: that woman where he was like, is it crazy how 608 00:37:07,360 --> 00:37:10,360 Speaker 1: your wife doesn't suck your dick anymore? And she's like 609 00:37:10,400 --> 00:37:13,680 Speaker 1: ha ha ha. And then he goes up to his 610 00:37:13,880 --> 00:37:16,280 Speaker 1: friend who I thought was breck and Meyer but wasn't. 611 00:37:16,320 --> 00:37:18,200 Speaker 1: That's the only way I think I've described that. I 612 00:37:18,239 --> 00:37:21,200 Speaker 1: thought that he was the guy from The Walking Dead. 613 00:37:21,640 --> 00:37:26,320 Speaker 1: Oh it could have been, but it's neither of that 614 00:37:26,480 --> 00:37:29,800 Speaker 1: bigger lady like who wasn't bigger, she was Hollywood fat, 615 00:37:30,120 --> 00:37:33,960 Speaker 1: like a normal size pa. She's a six and she's 616 00:37:34,000 --> 00:37:35,520 Speaker 1: trying to eat a don'tnut. He's like, put that down, 617 00:37:35,560 --> 00:37:41,839 Speaker 1: fat bitch. It's in passing. He's just walking. It's insane. 618 00:37:41,920 --> 00:37:44,280 Speaker 1: And then and then he like the first five minutes 619 00:37:44,400 --> 00:37:48,640 Speaker 1: end when he's at Sarah Paulson and Sarah and he's 620 00:37:48,719 --> 00:37:51,040 Speaker 1: just like, I think that's like the least bad of 621 00:37:51,120 --> 00:37:53,959 Speaker 1: the interactions, but it's still bad because he's just condescending 622 00:37:54,000 --> 00:37:56,799 Speaker 1: to her and he's like, get my coffee, blah blah blah, 623 00:37:56,880 --> 00:37:59,920 Speaker 1: and that is how the movie starts. He's sexually her 624 00:38:00,200 --> 00:38:05,399 Speaker 1: is no less than like ten people batchas and salt. Yeah, well, 625 00:38:05,440 --> 00:38:10,080 Speaker 1: here's the thing about like everything women ate he does 626 00:38:10,160 --> 00:38:13,280 Speaker 1: in the first five minutes of the movie, it's really 627 00:38:13,400 --> 00:38:17,200 Speaker 1: the joke about the joke was incoherent, the one about 628 00:38:17,640 --> 00:38:21,439 Speaker 1: you was crazy. After ten years work still sus but 629 00:38:21,640 --> 00:38:27,439 Speaker 1: your wife still doesn't suck. I'm getting divorced and no, shure, 630 00:38:27,480 --> 00:38:30,560 Speaker 1: you're getting divorced. Well, that's okay. So he's set up 631 00:38:30,560 --> 00:38:34,799 Speaker 1: to be this like horrible misogynist. I guess as the 632 00:38:34,840 --> 00:38:38,560 Speaker 1: audience were supposed to see that he's a misogynist, but 633 00:38:38,640 --> 00:38:41,799 Speaker 1: he's also the protagonist who we're like, ah, he's charming, 634 00:38:41,920 --> 00:38:45,480 Speaker 1: and so what if he's assaulting and harassing women. It's weird. 635 00:38:45,719 --> 00:38:49,080 Speaker 1: It wasn't even that charming Gibson's fault because I just 636 00:38:49,120 --> 00:38:52,359 Speaker 1: think mel Gibson is inherently not charming. But this guy 637 00:38:52,440 --> 00:38:55,640 Speaker 1: is not charming. Nothing he did. I was like, I 638 00:38:55,640 --> 00:38:57,600 Speaker 1: could see how somebody would get away with this, Like 639 00:38:57,640 --> 00:39:02,320 Speaker 1: I was always like, no, the like the uncanny Valley 640 00:39:02,440 --> 00:39:05,239 Speaker 1: of like us needing to believe Mel Gibson is hot 641 00:39:05,440 --> 00:39:08,640 Speaker 1: is like on par with like the Polar Express. You're 642 00:39:08,719 --> 00:39:12,160 Speaker 1: just like they're no, this looks wrong, Like everything about 643 00:39:12,239 --> 00:39:14,960 Speaker 1: this is wrong. I feel tricked. I feel like was 644 00:39:15,000 --> 00:39:17,600 Speaker 1: like this man is sexy to y'all know, we never 645 00:39:18,520 --> 00:39:23,200 Speaker 1: never said this, we said so it's a listening. Then, 646 00:39:23,320 --> 00:39:25,520 Speaker 1: so whenever he can start to hear women's thoughts, he 647 00:39:25,600 --> 00:39:28,600 Speaker 1: realizes that all of the comments who's been making have 648 00:39:28,800 --> 00:39:32,120 Speaker 1: been not received well and that he has not been 649 00:39:32,160 --> 00:39:36,400 Speaker 1: respecting women. So to me, it feels like this movie 650 00:39:37,440 --> 00:39:41,000 Speaker 1: attempts to make a feminist message. I don't think it 651 00:39:41,239 --> 00:39:44,480 Speaker 1: succeeds or works at all, But I don't know that 652 00:39:44,480 --> 00:39:48,480 Speaker 1: that I don't That's what is Like a lot of 653 00:39:48,800 --> 00:39:52,560 Speaker 1: moms love this movie, and that is baffling to me. 654 00:39:52,600 --> 00:39:55,880 Speaker 1: But I'm like, is I don't know? It's not feminist 655 00:39:55,960 --> 00:39:58,000 Speaker 1: in any way, but I did. There are moments where 656 00:39:58,040 --> 00:40:00,960 Speaker 1: you can tell the movie thinks it's doing right and 657 00:40:01,000 --> 00:40:03,680 Speaker 1: you're just like, because I think the message of the 658 00:40:03,760 --> 00:40:06,120 Speaker 1: movie is supposed to be or the thing that the 659 00:40:06,480 --> 00:40:09,839 Speaker 1: like filmmakers intended for the audience to take away was that, 660 00:40:09,920 --> 00:40:13,520 Speaker 1: oh man, this this guy who doesn't respect women until 661 00:40:13,560 --> 00:40:16,000 Speaker 1: he's forced to like get inside their heads and like 662 00:40:16,320 --> 00:40:18,720 Speaker 1: learn that he's been sexist to them this whole time. 663 00:40:18,800 --> 00:40:21,360 Speaker 1: So he has to like change his attitude about women 664 00:40:21,840 --> 00:40:24,399 Speaker 1: if he wants to keep having sex with them. He's 665 00:40:24,440 --> 00:40:27,400 Speaker 1: got to learn he's gotta listen. Like there is like 666 00:40:27,680 --> 00:40:31,439 Speaker 1: an attempt atta like men should listen to women more. 667 00:40:32,480 --> 00:40:35,359 Speaker 1: This being revolutionary at the time, I think I'm kind 668 00:40:35,360 --> 00:40:38,279 Speaker 1: of like, I mean, we're progressively getting more feminists, you know, 669 00:40:38,480 --> 00:40:40,279 Speaker 1: as the years go on, or at least starting to 670 00:40:40,320 --> 00:40:43,040 Speaker 1: listen to women. The structures, the infrastructures that keep women 671 00:40:43,040 --> 00:40:45,720 Speaker 1: and people of color still exist or keep us down 672 00:40:45,960 --> 00:40:48,399 Speaker 1: that you know, they exist, um still and they're going 673 00:40:48,520 --> 00:40:51,160 Speaker 1: very strong. But at least there are mediums where we 674 00:40:51,200 --> 00:40:53,160 Speaker 1: can be heard. So I feel like this movie was 675 00:40:53,200 --> 00:40:55,680 Speaker 1: probably like if you were in solitary confinement and then 676 00:40:55,719 --> 00:40:58,600 Speaker 1: somebody lets you like walk around a prison cell, You'd 677 00:40:58,640 --> 00:41:02,080 Speaker 1: be like, oh damn, look at me, I got a toilet, 678 00:41:04,880 --> 00:41:08,799 Speaker 1: I gotta bit. Is it something like you'd be like, 679 00:41:08,840 --> 00:41:11,479 Speaker 1: like that is a step up? You still in jail, 680 00:41:12,880 --> 00:41:15,040 Speaker 1: like it just got a little room to move around. 681 00:41:15,040 --> 00:41:16,799 Speaker 1: Now you got the tuns in a while, no more. 682 00:41:19,040 --> 00:41:22,360 Speaker 1: It's just like crazy, difend if this movie, well, I 683 00:41:22,800 --> 00:41:24,680 Speaker 1: don't know, Like I feel like we're all too young 684 00:41:24,719 --> 00:41:28,960 Speaker 1: to really know what was then. But like if the 685 00:41:29,000 --> 00:41:33,040 Speaker 1: first movie that was like hey guys, maybe listen to 686 00:41:33,239 --> 00:41:36,080 Speaker 1: women for the first time in two thousands, they're like, 687 00:41:36,120 --> 00:41:38,960 Speaker 1: holy sh it, everyone's got to see this movie, like 688 00:41:39,000 --> 00:41:44,400 Speaker 1: not this revolutionary, like what that talk? Maybe you won't 689 00:41:44,440 --> 00:41:48,560 Speaker 1: grab my breast my shirt. It's also just crazy that 690 00:41:48,640 --> 00:41:53,000 Speaker 1: a movie called What Women Want stars Mel Gibson. It's 691 00:41:53,040 --> 00:41:56,040 Speaker 1: told from his point of view. It's about a guy 692 00:41:56,080 --> 00:42:01,359 Speaker 1: who never stops manipulating women until maybe the very very end. 693 00:42:01,760 --> 00:42:04,480 Speaker 1: And it also doesn't help that it's Mel Gibson and 694 00:42:04,520 --> 00:42:09,000 Speaker 1: he is a notorious racist and notoriously anti Semitic and 695 00:42:10,360 --> 00:42:14,160 Speaker 1: women he's got some mean voicemails, he's left women he's 696 00:42:14,320 --> 00:42:17,799 Speaker 1: absolutely like, which rings true in the movie. I think 697 00:42:17,800 --> 00:42:21,120 Speaker 1: that's why I don't. He's not even a little bit charm. 698 00:42:21,360 --> 00:42:24,160 Speaker 1: You can't because they're so hard to men who get 699 00:42:24,200 --> 00:42:26,960 Speaker 1: away with doing because you'd be like, mostly fine men. 700 00:42:27,520 --> 00:42:29,480 Speaker 1: My mom works in HR and was always like, you know, 701 00:42:29,560 --> 00:42:32,319 Speaker 1: we never get any reports about hot guys. That's just 702 00:42:32,360 --> 00:42:35,160 Speaker 1: what doesn't happen. And I was like, it's not okay still, 703 00:42:35,719 --> 00:42:37,640 Speaker 1: but there are some people who get away with more 704 00:42:37,840 --> 00:42:40,919 Speaker 1: because you're like, you kind of fine, let's still happen though, 705 00:42:40,960 --> 00:42:43,480 Speaker 1: because I feel like I think today, I think it's 706 00:42:43,520 --> 00:42:46,560 Speaker 1: an individual basis. I don't think there's a person alive 707 00:42:46,719 --> 00:42:49,799 Speaker 1: who can be disrespectful to a group of people and 708 00:42:49,880 --> 00:42:52,600 Speaker 1: someone's not going to find it disrespectful. But I think 709 00:42:52,600 --> 00:42:54,520 Speaker 1: that there are people who get a little bit more 710 00:42:54,719 --> 00:42:59,800 Speaker 1: case by case acknowledgement than others, and that does not 711 00:43:00,000 --> 00:43:02,840 Speaker 1: in of those and it does seem something like a 712 00:43:02,920 --> 00:43:06,279 Speaker 1: movie like this could reinforce uh, And a lot of 713 00:43:06,320 --> 00:43:09,680 Speaker 1: movies reinforce ideas like that. We're like, when hot guys 714 00:43:09,760 --> 00:43:14,240 Speaker 1: harass you, it's fine because you're supposed to like want 715 00:43:14,880 --> 00:43:21,120 Speaker 1: so that's well, we live in hell. Well this movie 716 00:43:21,160 --> 00:43:24,680 Speaker 1: is so this movie. Also it reinforces the idea that 717 00:43:24,760 --> 00:43:27,719 Speaker 1: women are impossible to figure out, that they never say 718 00:43:27,760 --> 00:43:31,280 Speaker 1: what they mean, that we aren't like clear communicators. Also 719 00:43:31,440 --> 00:43:34,920 Speaker 1: that when you're walking around, you're just like estrogen and 720 00:43:34,960 --> 00:43:38,000 Speaker 1: that should think full complete sentences. That was what was 721 00:43:38,040 --> 00:43:39,680 Speaker 1: bothering me. I was like, how much of my day 722 00:43:39,719 --> 00:43:42,239 Speaker 1: do I actually spend thinking like, oh my god, I 723 00:43:42,239 --> 00:43:46,080 Speaker 1: looked at his penis. I thought, I'm having stundering in 724 00:43:46,200 --> 00:43:51,479 Speaker 1: my head, Like in my head, I'm stuttering in my head. 725 00:43:52,920 --> 00:43:56,520 Speaker 1: Also the fact that he finds out he has this ability, 726 00:43:56,600 --> 00:43:58,440 Speaker 1: and then first he thinks it's a curse, and then 727 00:43:58,480 --> 00:44:01,360 Speaker 1: when he whenever bet Middler convinces them that it's actually 728 00:44:01,360 --> 00:44:05,799 Speaker 1: a gift, he's like, well, hey, it's fine. Then for 729 00:44:05,840 --> 00:44:10,760 Speaker 1: me to just completely be so invasive and read women 730 00:44:10,880 --> 00:44:14,279 Speaker 1: literally read women's thoughts in order to figure them out 731 00:44:14,400 --> 00:44:18,120 Speaker 1: and trick them and manipulate them like this makes him 732 00:44:18,160 --> 00:44:21,920 Speaker 1: so irredeemable throughout the entire movie, and then the movie 733 00:44:21,960 --> 00:44:28,920 Speaker 1: like makes the attempt to him standing at his house 734 00:44:29,000 --> 00:44:31,080 Speaker 1: and then him being like, it's so hard for me 735 00:44:31,120 --> 00:44:33,759 Speaker 1: to lie and say that I'm gay because I'm obviously 736 00:44:33,920 --> 00:44:41,160 Speaker 1: so straight. Obviously it'll stop fucking women. You know, I'm 737 00:44:41,200 --> 00:44:43,799 Speaker 1: going to make this concession for you because I read 738 00:44:43,840 --> 00:44:47,319 Speaker 1: your mind and tricked you into banning me. Like he 739 00:44:47,480 --> 00:44:50,880 Speaker 1: spent so much of this the time of this movie 740 00:44:51,239 --> 00:44:57,680 Speaker 1: stealing women's ideas, totally steamrolling them, gaslighting them into being like, no, 741 00:44:57,800 --> 00:45:03,319 Speaker 1: this was my idea, and just it's horrible that first 742 00:45:03,320 --> 00:45:07,040 Speaker 1: scene with on a gas star, why is your name? 743 00:45:07,160 --> 00:45:10,120 Speaker 1: I believe so say it wrong? But like when he's 744 00:45:10,239 --> 00:45:14,200 Speaker 1: first starting to realize that he can be a thought grifter, 745 00:45:15,080 --> 00:45:17,080 Speaker 1: he like steals an idea from one of the female 746 00:45:17,080 --> 00:45:19,799 Speaker 1: employees in the room, says it but says it kind 747 00:45:19,800 --> 00:45:23,680 Speaker 1: of wrong, and then immediately because I don't know, like, 748 00:45:23,680 --> 00:45:27,480 Speaker 1: I guess's idea also doesn't sound good, but it's like Adville, 749 00:45:27,840 --> 00:45:31,120 Speaker 1: what you take when you need to to fake a 750 00:45:31,280 --> 00:45:34,759 Speaker 1: headache so you don't have sex with your man? Right, 751 00:45:34,960 --> 00:45:36,880 Speaker 1: I was like, this is already too long of a 752 00:45:36,960 --> 00:45:40,200 Speaker 1: journey for a single billboy, I'm having an ad bill 753 00:45:40,280 --> 00:45:43,880 Speaker 1: tonight because I don't want to have your dick. What 754 00:45:44,080 --> 00:45:47,399 Speaker 1: is this? And then they'll givs and tries to communicate 755 00:45:47,600 --> 00:45:51,520 Speaker 1: women can't say that idea, I gotta take inset, don't forget. 756 00:45:53,160 --> 00:45:55,960 Speaker 1: Like that's how our women also attestament to help our 757 00:45:56,000 --> 00:45:58,120 Speaker 1: women have to go to just say they don't want 758 00:45:58,160 --> 00:46:02,120 Speaker 1: to have I have to take an add bill. You 759 00:46:02,200 --> 00:46:04,680 Speaker 1: have to buy advil, not because you needed, because you 760 00:46:04,719 --> 00:46:08,120 Speaker 1: need to fake addict because like a gentle pill in 761 00:46:08,160 --> 00:46:11,440 Speaker 1: front of your because women are so frigid that we 762 00:46:11,520 --> 00:46:14,560 Speaker 1: never want to have sex with our husbands or whatever. 763 00:46:14,600 --> 00:46:16,560 Speaker 1: And also if you don't want to, you can't just 764 00:46:16,600 --> 00:46:20,920 Speaker 1: say something. You need to insure. You have to like 765 00:46:21,040 --> 00:46:24,319 Speaker 1: ruin your liver and your kidneys with like medicine you 766 00:46:24,320 --> 00:46:26,800 Speaker 1: don't need. So then so then mel Gibson tries to 767 00:46:26,840 --> 00:46:28,799 Speaker 1: present that idea as his zone and then Helen Hunter 768 00:46:28,880 --> 00:46:31,880 Speaker 1: is like, what are you talking about? And then mel Gibson, 769 00:46:32,000 --> 00:46:34,920 Speaker 1: instead of being like, I'm sorry, that wasn't a good idea, 770 00:46:35,120 --> 00:46:38,880 Speaker 1: he then weaponizes it against the person whose idea it was. 771 00:46:39,360 --> 00:46:41,319 Speaker 1: He goes up to on a gas star and he's like, 772 00:46:41,600 --> 00:46:44,880 Speaker 1: you don't fuck your husband, do you? And then she 773 00:46:45,040 --> 00:46:48,440 Speaker 1: was like what. He's like, you fake your orgasms, don't you. 774 00:46:48,840 --> 00:46:51,719 Speaker 1: And she's like, no, I never fake my orgasms. And 775 00:46:51,760 --> 00:46:55,279 Speaker 1: he's like fuck you and he sits down. You're like, yeah, oh, 776 00:46:55,480 --> 00:46:58,719 Speaker 1: if he's supposed to be good at advertising, like you 777 00:46:58,760 --> 00:47:01,239 Speaker 1: can't tell what a good ideas and what a bad 778 00:47:01,280 --> 00:47:03,480 Speaker 1: idea is. Like you were just like, all right, which 779 00:47:03,480 --> 00:47:06,960 Speaker 1: one of these bitches is thinking right now? Okay, let 780 00:47:06,960 --> 00:47:11,040 Speaker 1: me get that thought. Woman has got to be good. Also, 781 00:47:11,120 --> 00:47:14,560 Speaker 1: don't forget that he interrupted the other woman who was 782 00:47:14,600 --> 00:47:17,439 Speaker 1: trying to pitch Helen Hunt an idea. He's like, wait 783 00:47:17,440 --> 00:47:20,319 Speaker 1: a minute, let me interrupt a man's talking. Here's my 784 00:47:20,400 --> 00:47:23,640 Speaker 1: stupid idea about advil. And that's the same woman who 785 00:47:23,680 --> 00:47:28,040 Speaker 1: he was like, wives don't suck enough, nick anyways, Like 786 00:47:28,239 --> 00:47:32,600 Speaker 1: that was the same lady. Yeah, And yet we're supposed 787 00:47:32,600 --> 00:47:35,160 Speaker 1: to feel that he has been redeemed by the end 788 00:47:35,160 --> 00:47:37,840 Speaker 1: of the movie, and then he's so the majority he is. 789 00:47:37,840 --> 00:47:41,640 Speaker 1: So he finds someone who is very so Helen Hunt's 790 00:47:41,719 --> 00:47:44,560 Speaker 1: really good at her job, and he steals her thoughts 791 00:47:44,600 --> 00:47:47,880 Speaker 1: and presents the messes on which she doesn't really push 792 00:47:47,920 --> 00:47:51,200 Speaker 1: back on ever his bizarre yeah, where she's like, that's 793 00:47:51,200 --> 00:47:54,000 Speaker 1: so crazy. I was just thinking that. But then even 794 00:47:54,080 --> 00:47:56,160 Speaker 1: so if she was just thinking that, then like we're 795 00:47:56,160 --> 00:47:59,160 Speaker 1: going it together. Like there, I don't because the thought 796 00:47:59,200 --> 00:48:03,960 Speaker 1: is is that women are so insecure and that like, oh, 797 00:48:04,040 --> 00:48:05,920 Speaker 1: she got this job. But come on, guys, we all 798 00:48:05,920 --> 00:48:08,600 Speaker 1: know she got the job because she's a woman. She 799 00:48:08,680 --> 00:48:12,160 Speaker 1: had to push China and needed one to really reform 800 00:48:12,200 --> 00:48:15,200 Speaker 1: at our company. So here she is, and Alan Arkin 801 00:48:15,360 --> 00:48:21,879 Speaker 1: like says buck Alan, He says that, he literally says, 802 00:48:21,920 --> 00:48:25,240 Speaker 1: like you're not gonna believe this, but women are making 803 00:48:25,360 --> 00:48:29,720 Speaker 1: purchases out there, so he like do he like tokenizes 804 00:48:29,760 --> 00:48:34,680 Speaker 1: her before we even meet her. And then she is, 805 00:48:34,719 --> 00:48:36,799 Speaker 1: I mean and that that's like a whole other like 806 00:48:37,040 --> 00:48:39,759 Speaker 1: that they made it true. They didn't actually even make 807 00:48:39,800 --> 00:48:42,400 Speaker 1: her smart because she never says any of your ideas 808 00:48:42,440 --> 00:48:45,200 Speaker 1: like out loud. It's that he steals them from her 809 00:48:45,200 --> 00:48:47,880 Speaker 1: head and realizes that she's smart, which otherwise he would 810 00:48:47,920 --> 00:48:50,880 Speaker 1: not have or Yeah, I don't know what would have 811 00:48:50,920 --> 00:48:53,000 Speaker 1: happened if he didn't. I feel like maybe he might 812 00:48:53,040 --> 00:48:55,359 Speaker 1: have crashed and burned, because then she would have been 813 00:48:55,400 --> 00:48:57,600 Speaker 1: good at her job. I think things would have worked 814 00:48:57,600 --> 00:48:59,520 Speaker 1: out much better for her if he couldn't read her 815 00:48:59,560 --> 00:49:01,760 Speaker 1: he wasn't around, because then he would have he wouldn't 816 00:49:01,760 --> 00:49:03,960 Speaker 1: have gotten the promotion. He still wouldn't have been good 817 00:49:04,000 --> 00:49:06,600 Speaker 1: at his job. She was having the good ideas, and 818 00:49:06,640 --> 00:49:08,560 Speaker 1: she wouldn't have wanted to hang out with him because 819 00:49:08,560 --> 00:49:10,480 Speaker 1: she heard he was an asshole. Because I feel like 820 00:49:10,480 --> 00:49:12,359 Speaker 1: the movie tried to make it seem like, well, if 821 00:49:12,360 --> 00:49:14,920 Speaker 1: he wasn't dealing the thoughts, would she have ever said them? 822 00:49:14,920 --> 00:49:17,839 Speaker 1: And I was like, oh, Ry, probably, yeah, I think 823 00:49:17,880 --> 00:49:22,000 Speaker 1: she would have. So. Also, the advertisement that he stole 824 00:49:22,040 --> 00:49:24,520 Speaker 1: from her head and then formulated into the ad was 825 00:49:24,600 --> 00:49:29,160 Speaker 1: still about men, like the ad at the end of 826 00:49:29,200 --> 00:49:32,279 Speaker 1: the day was about men. It was like the road 827 00:49:32,360 --> 00:49:34,480 Speaker 1: that you run on. It doesn't care if you have 828 00:49:34,560 --> 00:49:37,879 Speaker 1: on lipstick. It doesn't care if you're old or you're young, 829 00:49:38,000 --> 00:49:40,480 Speaker 1: like a man would care. It will call you back, 830 00:49:40,800 --> 00:49:43,120 Speaker 1: unlike that man that you're dealing with, Like this road, 831 00:49:43,400 --> 00:49:47,600 Speaker 1: it's better than a man. Like what's this road? If 832 00:49:47,600 --> 00:49:49,839 Speaker 1: you wanted to it, probably make it come better than 833 00:49:49,880 --> 00:49:55,120 Speaker 1: a man. What is happening? Like the road is It's 834 00:49:55,200 --> 00:49:59,120 Speaker 1: just it's fucking ridiculous, and then the women are like, 835 00:49:59,160 --> 00:50:02,359 Speaker 1: oh I love it, Yes, sign me up. The road 836 00:50:02,480 --> 00:50:07,960 Speaker 1: is for unforkable women. Jesus Christ. We got to take 837 00:50:08,000 --> 00:50:16,239 Speaker 1: another quick break, but we'll come right back. Another thing 838 00:50:16,239 --> 00:50:19,120 Speaker 1: I wanted to say about the Ellen Alda character and 839 00:50:19,239 --> 00:50:23,480 Speaker 1: that whole situation is Eleanorda doesn't hire a woman to 840 00:50:24,400 --> 00:50:28,440 Speaker 1: give her a professional opportunity or to like diversify the 841 00:50:28,440 --> 00:50:31,160 Speaker 1: company's employees. He only does it so that they can 842 00:50:31,200 --> 00:50:33,520 Speaker 1: make money. And he thinks that like, oh, well, if 843 00:50:33,560 --> 00:50:35,480 Speaker 1: we do this, then like we're going to pull in 844 00:50:35,520 --> 00:50:37,719 Speaker 1: a whole different demographic of people and that will make 845 00:50:37,800 --> 00:50:39,560 Speaker 1: us money. And I feel like that's a lot of 846 00:50:39,600 --> 00:50:44,520 Speaker 1: what the thinking is in like Hollywood still, where it's like, well, 847 00:50:44,560 --> 00:50:47,920 Speaker 1: we don't really care about, you know, showing the stories 848 00:50:47,960 --> 00:50:51,319 Speaker 1: of women or people of color or queer people, but 849 00:50:51,480 --> 00:50:54,279 Speaker 1: it's trendy to do right now, and people seem to 850 00:50:54,280 --> 00:50:57,880 Speaker 1: be paying money to go see those stories, so let's 851 00:50:57,920 --> 00:51:01,160 Speaker 1: do it. And it's like they're capitalized on a movement 852 00:51:01,480 --> 00:51:04,879 Speaker 1: rather than like actually giving people a platform to tell 853 00:51:04,920 --> 00:51:07,520 Speaker 1: their stories because they actually care about doing that and 854 00:51:08,360 --> 00:51:11,239 Speaker 1: about it. Yeah, And it's like if you're commenting on 855 00:51:11,280 --> 00:51:12,920 Speaker 1: it in the movie. That's one thing. But they're not 856 00:51:13,080 --> 00:51:15,920 Speaker 1: they're not doing they're saying, look, yes, white men are 857 00:51:15,960 --> 00:51:18,439 Speaker 1: more interesting than all of you hetero white men. We're 858 00:51:18,480 --> 00:51:21,840 Speaker 1: the best, We're the most interesting. But apparently Itches is 859 00:51:21,880 --> 00:51:24,319 Speaker 1: out here buying ship. So God, let's get one of 860 00:51:24,320 --> 00:51:27,480 Speaker 1: those ones with the boobs in here so that we 861 00:51:27,560 --> 00:51:31,000 Speaker 1: can get some of that money. Melankuson says, I hear 862 00:51:31,040 --> 00:51:33,640 Speaker 1: she is a bit on wheels, and then Alan Alder 863 00:51:33,680 --> 00:51:39,719 Speaker 1: rep that is very funny. There is Okay, I'm sorry, 864 00:51:39,800 --> 00:51:43,120 Speaker 1: there's something very funny about why on wheels is she 865 00:51:43,280 --> 00:51:50,960 Speaker 1: moving really fast? So she has this reputation apparently as 866 00:51:51,000 --> 00:51:53,360 Speaker 1: being like, I guess a ball buster something like that, 867 00:51:53,400 --> 00:51:56,560 Speaker 1: So why wouldn't she, whenever she's in this job be 868 00:51:56,680 --> 00:51:59,880 Speaker 1: more outspoken and like being unless like maybe this or 869 00:52:00,000 --> 00:52:03,080 Speaker 1: reputation was not earned or who I mean, It's hard 870 00:52:03,080 --> 00:52:04,560 Speaker 1: to say, but I think it's because she was a boss, 871 00:52:04,600 --> 00:52:07,160 Speaker 1: like a woman in a position of power. Immediately she 872 00:52:07,200 --> 00:52:09,480 Speaker 1: has to be a bit because that's how jobs were, 873 00:52:09,920 --> 00:52:13,520 Speaker 1: that's how people has a better position than you, and 874 00:52:13,800 --> 00:52:21,400 Speaker 1: she is unfortunately it is she's yeah, yeah, it's the 875 00:52:21,480 --> 00:52:24,880 Speaker 1: whole thing is confusing. And then the romantic pursuit and 876 00:52:24,920 --> 00:52:30,520 Speaker 1: their romantic relationship is also very troubling, where first he 877 00:52:30,800 --> 00:52:34,279 Speaker 1: absolutely hates her just based on her reputation alone. He 878 00:52:34,360 --> 00:52:36,720 Speaker 1: hates he resents the fact that she was hired instead 879 00:52:36,719 --> 00:52:39,840 Speaker 1: of him for this promotion. He does all this stuff 880 00:52:39,880 --> 00:52:43,360 Speaker 1: to undermine her, steals her ideas. Oh and then whenever 881 00:52:43,440 --> 00:52:46,720 Speaker 1: she's first introduced, there's like this weird, like male gaze 882 00:52:46,760 --> 00:52:48,680 Speaker 1: shot of just her legs where he's like on the 883 00:52:48,719 --> 00:52:50,640 Speaker 1: ground picking up a pen or something and he's like 884 00:52:50,719 --> 00:52:52,879 Speaker 1: looking at her legs and then it like pans up 885 00:52:52,920 --> 00:52:56,080 Speaker 1: and this like weird male gaze shot that like doesn't 886 00:52:56,120 --> 00:52:58,719 Speaker 1: need to happen, but I guess it's to establish that, like, 887 00:52:58,760 --> 00:53:02,359 Speaker 1: oh wow, she is attractive and they're going to end 888 00:53:02,440 --> 00:53:06,560 Speaker 1: up together. Like this is overly critical, but it is 889 00:53:06,600 --> 00:53:10,200 Speaker 1: of mel Gibson, so I don't think it matters. I 890 00:53:10,239 --> 00:53:13,239 Speaker 1: think he has a dead tooth. I kept pausing it 891 00:53:13,280 --> 00:53:15,240 Speaker 1: to be like, I think he has a dead tooth. 892 00:53:16,280 --> 00:53:19,319 Speaker 1: I think Mel Gibson has a dead tooth, which would 893 00:53:19,640 --> 00:53:22,399 Speaker 1: a dollar budget. You can get you a laugh too, 894 00:53:22,560 --> 00:53:25,960 Speaker 1: real quick cut the cut the fucking Vegas scene and 895 00:53:26,000 --> 00:53:29,000 Speaker 1: get this man a tooth, right, we need Jerry Bruckheimer 896 00:53:29,000 --> 00:53:30,800 Speaker 1: in there to get him some veneers. He had a 897 00:53:30,880 --> 00:53:34,400 Speaker 1: shadow tooth. It was haunting me. Yeah, Bruckheimer would not 898 00:53:34,480 --> 00:53:38,759 Speaker 1: be having any of this. No better to take him out, 899 00:53:38,880 --> 00:53:43,960 Speaker 1: put in a new set anyting like how are you 900 00:53:44,080 --> 00:53:46,799 Speaker 1: supposed to be extra super fun? And then he's kind 901 00:53:46,800 --> 00:53:49,880 Speaker 1: of dead tooth. Also, like that moment in the beginning 902 00:53:49,880 --> 00:53:51,719 Speaker 1: where she's speaking and she does like it seems like 903 00:53:51,719 --> 00:53:53,000 Speaker 1: she's on top of her ship. She comes in with 904 00:53:53,040 --> 00:53:55,040 Speaker 1: some products she already has to work for everyone to do, 905 00:53:55,160 --> 00:53:57,560 Speaker 1: and he's like with his foil. I think the guy 906 00:53:57,640 --> 00:53:59,720 Speaker 1: who's his best friend is meant to be a foil 907 00:53:59,840 --> 00:54:02,720 Speaker 1: of Like, yeah, Mel Gibson's trash, but look at this creepy, 908 00:54:02,760 --> 00:54:07,960 Speaker 1: little more trash guys. He's shorter and he's got a 909 00:54:08,000 --> 00:54:11,319 Speaker 1: douche face. Right, he's got to be worse than Mel. 910 00:54:12,239 --> 00:54:14,880 Speaker 1: What is this guy's purpose? But they're sneakering and undermining 911 00:54:14,880 --> 00:54:17,640 Speaker 1: her as she talks, and then when even when they 912 00:54:17,640 --> 00:54:20,239 Speaker 1: begin to become friends. It was very disturbing to me 913 00:54:20,280 --> 00:54:22,880 Speaker 1: because there is a power dynamic of this is your boss, dude, 914 00:54:22,960 --> 00:54:25,640 Speaker 1: and he never treats her like she's his boss. He 915 00:54:25,880 --> 00:54:29,560 Speaker 1: grabs her chair. That's on wheels and pulls it close 916 00:54:29,600 --> 00:54:33,960 Speaker 1: to him. Yeah, right, well their work, and yeah he's 917 00:54:34,000 --> 00:54:37,799 Speaker 1: like her underling. And it's never it's always she's like 918 00:54:40,480 --> 00:54:44,759 Speaker 1: I thinking about like someone who works for you, being 919 00:54:44,760 --> 00:54:50,040 Speaker 1: like get over here. I'm like, what, I'm gonna pull 920 00:54:50,040 --> 00:54:53,480 Speaker 1: your chair. No matter who did that to me, I 921 00:54:53,480 --> 00:54:57,480 Speaker 1: would probably also sick. And she's like, I'm I don't 922 00:54:57,480 --> 00:55:00,239 Speaker 1: feel and she's like he's like I don't care, Like 923 00:55:01,360 --> 00:55:03,680 Speaker 1: oh gosh, so yeah, he's doing all this whole stuff. 924 00:55:03,680 --> 00:55:06,800 Speaker 1: And then I mean, not to mention the very unequal 925 00:55:06,880 --> 00:55:11,000 Speaker 1: power dynamic of him being able to hear her innermost thoughts, 926 00:55:11,440 --> 00:55:13,960 Speaker 1: he has. What he should have done when he realized 927 00:55:13,960 --> 00:55:16,600 Speaker 1: he has this ability is go to like Walden Pond 928 00:55:16,760 --> 00:55:19,520 Speaker 1: and close himself up in a cabin and never leave again. 929 00:55:19,680 --> 00:55:22,000 Speaker 1: Like that's what a good person would have done. But 930 00:55:22,080 --> 00:55:24,880 Speaker 1: instead he's like, oh, I can hear every woman's thoughts. 931 00:55:24,960 --> 00:55:27,920 Speaker 1: Better take advantage of this. I don't know what he 932 00:55:28,080 --> 00:55:30,279 Speaker 1: I don't like. I have no suggestion for what he 933 00:55:30,360 --> 00:55:33,680 Speaker 1: should have done, except for like, not what he did. 934 00:55:35,160 --> 00:55:37,160 Speaker 1: I don't know. I mean the way that like the 935 00:55:37,200 --> 00:55:42,680 Speaker 1: magic of the hearing women's thoughts is very vague and 936 00:55:42,800 --> 00:55:46,080 Speaker 1: that's fine whatever, Like there's no way to explain it 937 00:55:46,120 --> 00:55:51,240 Speaker 1: that is going to make any fucking sense. But he's 938 00:55:51,320 --> 00:55:55,879 Speaker 1: stealing women's thoughts and weaponizing their own innermost thoughts against them, 939 00:55:56,120 --> 00:55:58,239 Speaker 1: and then on top of that, the writing of their 940 00:55:58,320 --> 00:56:01,960 Speaker 1: thoughts is like non sense. And the fact that he 941 00:56:02,000 --> 00:56:04,239 Speaker 1: has to get so physically close to a woman to 942 00:56:04,320 --> 00:56:07,759 Speaker 1: hear her thoughts, he's like, ah ha, and like my 943 00:56:08,000 --> 00:56:11,160 Speaker 1: least favorite one but also the most egregious one. Was 944 00:56:11,200 --> 00:56:16,080 Speaker 1: like when he literally like, there's such a women joggers 945 00:56:16,120 --> 00:56:20,640 Speaker 1: are constantly assaulted. It's like a known thing. But he 946 00:56:21,000 --> 00:56:25,280 Speaker 1: gives him just stands directly behind one and jogs after 947 00:56:25,360 --> 00:56:27,319 Speaker 1: her to hear her thoughts. I'm like, she thinks you're 948 00:56:27,400 --> 00:56:30,880 Speaker 1: going to kill her? Like that's and how are her 949 00:56:30,880 --> 00:56:35,200 Speaker 1: thoughts not about that? Like this man, okay, put my 950 00:56:35,239 --> 00:56:37,120 Speaker 1: car Kei's in between my fingers, Like these are the 951 00:56:37,160 --> 00:56:40,760 Speaker 1: real thoughts of this woman you're jogging behind. Also, Loretta 952 00:56:40,800 --> 00:56:46,280 Speaker 1: divine being in this movie. Loretta. I feel like Loretta 953 00:56:46,440 --> 00:56:49,400 Speaker 1: is the Samuel Jackson, like the black woman Samuel Jackson 954 00:56:49,440 --> 00:56:52,000 Speaker 1: just like up in movies with the same accent. And 955 00:56:52,040 --> 00:56:53,880 Speaker 1: I'm like, Loretta, how did you get it? This movie, 956 00:56:55,040 --> 00:56:59,320 Speaker 1: her coaches attracted to him. She's like someone that whe chocolate, 957 00:56:59,360 --> 00:57:01,359 Speaker 1: because that's what black women are thinking about white men. 958 00:57:01,440 --> 00:57:06,799 Speaker 1: But my first thought, all the color in this movie, 959 00:57:06,800 --> 00:57:09,200 Speaker 1: which of which there are not many, are like relegated 960 00:57:09,200 --> 00:57:15,560 Speaker 1: to either like service jobs and areolds and then they're 961 00:57:15,600 --> 00:57:17,560 Speaker 1: they're just like made the butt of a joke, mostly, 962 00:57:17,760 --> 00:57:20,680 Speaker 1: like especially with Loretta Divine, because it's like, look how 963 00:57:20,720 --> 00:57:23,680 Speaker 1: horny she is. Isn't that hilarious? So horny for him? 964 00:57:23,680 --> 00:57:26,680 Speaker 1: He would never think, right, it is funny that a 965 00:57:26,760 --> 00:57:29,960 Speaker 1: woman would be attracted to mel Gibson, But it's like, 966 00:57:30,200 --> 00:57:35,560 Speaker 1: you have fucking Loretta Divine here. Use her correctly makes 967 00:57:36,840 --> 00:57:40,040 Speaker 1: the housekeeper character too. I think that it seems like 968 00:57:40,480 --> 00:57:42,680 Speaker 1: this movie assumes that it can say a lot of 969 00:57:42,760 --> 00:57:46,680 Speaker 1: horrible things as long as the woman it's being done 970 00:57:46,720 --> 00:57:49,760 Speaker 1: against thinks something later. But to me, that makes it 971 00:57:49,800 --> 00:57:52,760 Speaker 1: way worse because they never actually say anything. So you 972 00:57:52,840 --> 00:57:56,520 Speaker 1: just realize that like women are nervous or like afraid 973 00:57:56,640 --> 00:57:59,360 Speaker 1: in this world and like in the real world a 974 00:57:59,400 --> 00:58:01,040 Speaker 1: lot of the time, to you, like they're they're not 975 00:58:01,080 --> 00:58:04,040 Speaker 1: going to say what they think because they're afraid of 976 00:58:04,120 --> 00:58:08,640 Speaker 1: someone retaliating on them. His housekeeper is like clearly like 977 00:58:09,040 --> 00:58:11,240 Speaker 1: hates him but doesn't want to get fired, but so 978 00:58:11,400 --> 00:58:13,440 Speaker 1: has to like take this abuse from him in order 979 00:58:13,480 --> 00:58:17,040 Speaker 1: to remain. Like there's just so many dark subplots that 980 00:58:17,080 --> 00:58:19,480 Speaker 1: are played as jokes where it's like, well, we at 981 00:58:19,560 --> 00:58:22,080 Speaker 1: least now we know she thinks he's an asshole, and 982 00:58:22,120 --> 00:58:25,439 Speaker 1: like she knows he's a worthless alcoholic. It's like, yeah, 983 00:58:25,480 --> 00:58:28,880 Speaker 1: this is not good, Like we're we gotta help her. Yeah, 984 00:58:29,000 --> 00:58:30,680 Speaker 1: you got to help her. But I think it was 985 00:58:30,720 --> 00:58:33,560 Speaker 1: like more treated like women. We know you feel this 986 00:58:33,600 --> 00:58:36,720 Speaker 1: way around men, So enjoy this movie where you realize 987 00:58:36,760 --> 00:58:40,840 Speaker 1: all other women are in constant fear and discomfort around men, 988 00:58:41,280 --> 00:58:46,120 Speaker 1: but they're celebrate have because there's no Catharsis, because they're 989 00:58:46,160 --> 00:58:51,760 Speaker 1: just like, yeah, they don't escape, there's predicament, be stupid, right. 990 00:58:51,880 --> 00:58:55,320 Speaker 1: They never women never verbally challenge any of the men. 991 00:58:55,400 --> 00:58:58,000 Speaker 1: It's just their thoughts, which again perpetuates the idea that 992 00:58:58,000 --> 00:58:59,920 Speaker 1: it's like, well, women are never saying what they mean, 993 00:59:00,000 --> 00:59:02,360 Speaker 1: and we're impossible to figure out. We're just like keeping 994 00:59:02,360 --> 00:59:04,800 Speaker 1: everything to ourselves. But at the same time, we're always 995 00:59:04,800 --> 00:59:08,400 Speaker 1: thinking about you, always thinking about mel Gibson specific we 996 00:59:08,520 --> 00:59:15,280 Speaker 1: can't help ourselves. Poor Sarah Paulson another another great character 997 00:59:15,320 --> 00:59:18,600 Speaker 1: actress who has nothing to do here, like just and 998 00:59:18,600 --> 00:59:20,400 Speaker 1: they pointed that in the movie even it's like I 999 00:59:20,520 --> 00:59:24,720 Speaker 1: have a degree from and I like to get his coffee, 1000 00:59:24,720 --> 00:59:27,560 Speaker 1: which is ironic because that's all she does in this movie. Yeah, 1001 00:59:27,840 --> 00:59:31,400 Speaker 1: she probably really does have to. She's like a very talented, 1002 00:59:31,520 --> 00:59:34,800 Speaker 1: like added actress. And then there's that scene where she's 1003 00:59:34,880 --> 00:59:36,760 Speaker 1: like she's like yeah, She's like, do you realize I 1004 00:59:36,760 --> 00:59:39,080 Speaker 1: have an Ivy League education and that running your errands 1005 00:59:39,080 --> 00:59:41,000 Speaker 1: has put me into therapy? Why don't you take me 1006 00:59:41,040 --> 00:59:43,000 Speaker 1: seriously and give me some real work to do? Oh yeah, 1007 00:59:43,040 --> 00:59:45,000 Speaker 1: I remember why. It's because I have a vagina. And 1008 00:59:45,040 --> 00:59:47,280 Speaker 1: it's like, okay, here's this again. This movie is attempt 1009 00:59:47,320 --> 00:59:49,480 Speaker 1: at being like, see you, we're doing like a feminist 1010 00:59:49,560 --> 00:59:52,800 Speaker 1: thing here, right, And it's like no, sorry, Nancy. Two 1011 00:59:52,880 --> 00:59:58,200 Speaker 1: secretaries who have nothing, one of them is played by 1012 00:59:58,280 --> 01:00:00,760 Speaker 1: Delta Park and they're like, this is okay because we 1013 01:00:00,800 --> 01:00:03,240 Speaker 1: have a blonde and brunette, so no one can say 1014 01:00:03,240 --> 01:00:05,520 Speaker 1: it's a dumb blonde because we all have a brunette. 1015 01:00:05,600 --> 01:00:11,280 Speaker 1: And just think ever, did either you see the decor 1016 01:00:11,480 --> 01:00:15,280 Speaker 1: in his office it's all like Vegas pin ups, like 1017 01:00:15,360 --> 01:00:18,920 Speaker 1: he's got some mommy problems on display in his office 1018 01:00:18,960 --> 01:00:22,360 Speaker 1: because it's all old school pin ups that he goes 1019 01:00:22,400 --> 01:00:26,000 Speaker 1: in with his two of his two secretaries. Who I mean, 1020 01:00:26,200 --> 01:00:28,680 Speaker 1: I'm like, what is this commenting on? Like just no, 1021 01:00:28,840 --> 01:00:31,960 Speaker 1: no thoughts whatsoever. They just they're like, no, we say 1022 01:00:32,000 --> 01:00:34,600 Speaker 1: what we mean, and what we mean is mel Gibson rules, 1023 01:00:35,080 --> 01:00:38,040 Speaker 1: just like and that's the only thought we have. Dear 1024 01:00:38,440 --> 01:00:40,560 Speaker 1: straighten his tie and we brushed the lint off of 1025 01:00:40,640 --> 01:00:43,480 Speaker 1: him when he comes in. What is this? Are these women? 1026 01:00:43,640 --> 01:00:48,640 Speaker 1: I don't don't know. There's there are many women characters 1027 01:00:48,680 --> 01:00:51,920 Speaker 1: in this movie, but often they only get a handful 1028 01:00:51,920 --> 01:00:54,040 Speaker 1: of scenes or just like a couple of scenes and 1029 01:00:54,080 --> 01:00:56,040 Speaker 1: we don't see them again, or they were part of 1030 01:00:56,040 --> 01:01:00,760 Speaker 1: a wacko subplot, like the Judy character. And you know, 1031 01:01:00,800 --> 01:01:05,960 Speaker 1: we already touched on how irresponsibly depression and like suicidal 1032 01:01:06,000 --> 01:01:09,280 Speaker 1: ideation is handled in this movie, but like, yeah, what 1033 01:01:09,320 --> 01:01:14,440 Speaker 1: was anyone thinking? No one was thinking that whole I mean, 1034 01:01:14,480 --> 01:01:16,480 Speaker 1: the Judy Grew thing. It's like, I don't I don't 1035 01:01:16,480 --> 01:01:19,240 Speaker 1: even know how deep I feel like we we basically 1036 01:01:19,280 --> 01:01:22,960 Speaker 1: touched on it because they're high. I have a male 1037 01:01:23,080 --> 01:01:27,080 Speaker 1: dog taking up too much space. Excuse me, I don't 1038 01:01:27,120 --> 01:01:28,960 Speaker 1: I don't know. The Judy Grew thing is is a 1039 01:01:29,000 --> 01:01:32,520 Speaker 1: fucking disaster, and I feel like analyzing it too closely 1040 01:01:32,640 --> 01:01:34,720 Speaker 1: is almost just like what's the point because I'm just 1041 01:01:34,760 --> 01:01:37,480 Speaker 1: thinking about it in the first place. I do want 1042 01:01:37,480 --> 01:01:39,560 Speaker 1: to talk a little bit about his relationship with his daughter, 1043 01:01:41,120 --> 01:01:43,920 Speaker 1: because that's frame we get. We don't really get to 1044 01:01:43,960 --> 01:01:46,439 Speaker 1: know his ex wife very well, except for the fact 1045 01:01:46,520 --> 01:01:49,560 Speaker 1: that he fucking hates her at the end. We don't 1046 01:01:49,600 --> 01:01:53,040 Speaker 1: really know if that relationship has changed or how justified 1047 01:01:53,080 --> 01:01:55,280 Speaker 1: it was in the first place. Also, he tries to 1048 01:01:55,360 --> 01:01:57,440 Speaker 1: kiss her on the mouth at her own wedding to 1049 01:01:57,520 --> 01:02:00,560 Speaker 1: another man, like came in and just slack the funk 1050 01:02:00,600 --> 01:02:04,440 Speaker 1: out of her. He's like, but first yeah, he's like, 1051 01:02:04,480 --> 01:02:06,400 Speaker 1: can I kiss you? And she's like yeah, and she 1052 01:02:06,480 --> 01:02:09,600 Speaker 1: thinks it's gonna be like a cheek kiss and he 1053 01:02:09,680 --> 01:02:12,640 Speaker 1: goes into her mouth and he's like and then the 1054 01:02:12,720 --> 01:02:15,440 Speaker 1: guy did they get to be? Her new husband is 1055 01:02:15,480 --> 01:02:19,240 Speaker 1: obviously some type cast of whatever, a dorky man it's 1056 01:02:19,280 --> 01:02:21,080 Speaker 1: supposed to look like. It's like, looks she went from 1057 01:02:21,120 --> 01:02:26,360 Speaker 1: this hot male gibsonstad to this cornball, dorky spain like 1058 01:02:26,400 --> 01:02:30,280 Speaker 1: there there. It reminded me of the new dad or 1059 01:02:30,320 --> 01:02:33,600 Speaker 1: new boyfriend in The Santa Claus, like where it's like 1060 01:02:33,960 --> 01:02:36,400 Speaker 1: where Tim Allen supposed to look like a super alpha 1061 01:02:36,520 --> 01:02:39,200 Speaker 1: because this other guy's wearing a sweater. You're just like, 1062 01:02:39,800 --> 01:02:42,360 Speaker 1: I don't believe I can't respect this man wearing a sweater. 1063 01:02:42,680 --> 01:02:44,880 Speaker 1: Right if they're like he's wearing a sweater and he 1064 01:02:45,040 --> 01:02:48,800 Speaker 1: loves you, funk off. You could have had it bad 1065 01:02:48,840 --> 01:02:54,720 Speaker 1: with me. You could, because they'll be sufferating with a 1066 01:02:54,920 --> 01:03:00,400 Speaker 1: sexy man. It's worse in the Santa Claus because I 1067 01:03:00,440 --> 01:03:02,960 Speaker 1: don't even think time Ellen was ever like position as 1068 01:03:03,000 --> 01:03:08,160 Speaker 1: a sexy person, so it's just confusing. Has never been attractive. Also, 1069 01:03:08,240 --> 01:03:15,000 Speaker 1: like he's a Republican, yeah, yeah, the like the relationship 1070 01:03:15,000 --> 01:03:19,480 Speaker 1: with his daughter, Yeah, he's so irresponsible with his daughter. 1071 01:03:19,760 --> 01:03:22,840 Speaker 1: Every person in his life is an afterthought, which was 1072 01:03:23,000 --> 01:03:25,600 Speaker 1: really disturbing to me. Like he catches his daughter making 1073 01:03:25,640 --> 01:03:29,320 Speaker 1: out with a do she kid who's eighteen and looks 1074 01:03:29,360 --> 01:03:32,439 Speaker 1: like trouble, and then he's like, get up, you can't 1075 01:03:32,440 --> 01:03:35,680 Speaker 1: have none of my daughter's vagina, and then then they 1076 01:03:35,760 --> 01:03:40,520 Speaker 1: both leave together, right right, Well, good job, Mel. Now 1077 01:03:40,560 --> 01:03:43,760 Speaker 1: they're just gonna elsewhere. You want to have sex with 1078 01:03:43,800 --> 01:03:47,000 Speaker 1: my daughter in an alley, you go won't be a 1079 01:03:47,160 --> 01:03:52,360 Speaker 1: mock ouch like kicks them out that whole Oh. Another 1080 01:03:52,400 --> 01:03:54,800 Speaker 1: scene that went on way too long is the scene 1081 01:03:54,840 --> 01:03:57,840 Speaker 1: to what a Girl Wants like Christian Acular, where his 1082 01:03:57,960 --> 01:04:03,240 Speaker 1: daughter's trying on prom dresses for five minutes, just spinning 1083 01:04:03,240 --> 01:04:07,080 Speaker 1: in a chair. Reaction. This is how much people thought 1084 01:04:07,160 --> 01:04:09,520 Speaker 1: we loved Milk Gibson. And they were like, we don't 1085 01:04:09,560 --> 01:04:12,080 Speaker 1: have to put dialogue in and we don't need jokes. 1086 01:04:12,400 --> 01:04:14,280 Speaker 1: The girl doesn't even have to say anything. Let's just 1087 01:04:14,360 --> 01:04:17,640 Speaker 1: keep showing Mills chair. I think Mello just like I 1088 01:04:17,720 --> 01:04:19,440 Speaker 1: just finished a two o one class and I kind 1089 01:04:19,440 --> 01:04:22,880 Speaker 1: of want to show off what I've got. It starts improvi. 1090 01:04:23,120 --> 01:04:25,720 Speaker 1: He does the same thing in the dancing and makeup scene, 1091 01:04:25,880 --> 01:04:28,120 Speaker 1: but the spinning in a chair, I'm like, I don't 1092 01:04:28,120 --> 01:04:30,240 Speaker 1: even know if they're in the same room when this 1093 01:04:30,320 --> 01:04:33,600 Speaker 1: is being filled, because he's just yeah, maybe they were. 1094 01:04:33,760 --> 01:04:36,040 Speaker 1: They're like, look, Mel has a very tight schedule. We're 1095 01:04:36,040 --> 01:04:39,640 Speaker 1: just gonna shoot him spinning around, and he's gonna say next, next, next, 1096 01:04:39,800 --> 01:04:44,400 Speaker 1: There's no way, thank you, next, thank you? Next gave 1097 01:04:44,480 --> 01:04:47,160 Speaker 1: us that. I was like, how would dare you? But 1098 01:04:47,520 --> 01:04:50,080 Speaker 1: maybe they weren't in the same room for that. Now 1099 01:04:50,120 --> 01:04:51,600 Speaker 1: I'm starting to think that that was one of those 1100 01:04:51,640 --> 01:04:53,320 Speaker 1: like where they just had a tennis ball as an 1101 01:04:53,320 --> 01:04:55,880 Speaker 1: eyeline for her when they shot her ship, and was like, 1102 01:04:55,920 --> 01:04:57,240 Speaker 1: just male is gonna be right there? You just be 1103 01:04:57,280 --> 01:05:01,480 Speaker 1: like dad, because he says thing that really corresponds with 1104 01:05:01,520 --> 01:05:04,280 Speaker 1: what she's saying. The reactions never line up. I'm like, 1105 01:05:04,320 --> 01:05:06,520 Speaker 1: I guess it's not two thousand and I don't. But like, 1106 01:05:06,560 --> 01:05:10,000 Speaker 1: all the dresses are horrible, horrible. There's no wide shot, 1107 01:05:10,120 --> 01:05:13,160 Speaker 1: there's no two shot. Oh my god, they were never 1108 01:05:13,240 --> 01:05:19,080 Speaker 1: any I think there because because he's trying to she 1109 01:05:19,200 --> 01:05:22,480 Speaker 1: has she has like a leather jacket on one of 1110 01:05:22,600 --> 01:05:24,160 Speaker 1: and he keeps trying to pull it off. And then 1111 01:05:24,160 --> 01:05:26,760 Speaker 1: there's another one where he's like trying to put his 1112 01:05:26,800 --> 01:05:29,920 Speaker 1: hand in. It wasn't his hands, it was his whole body. 1113 01:05:29,960 --> 01:05:35,360 Speaker 1: Unfortune unfortunately we had to see his whole body circus 1114 01:05:35,520 --> 01:05:45,959 Speaker 1: kind of like c g I hands. Dresses were very bad, 1115 01:05:46,800 --> 01:05:50,360 Speaker 1: and she chooses one of the worst ones and he's like, yes, 1116 01:05:50,440 --> 01:05:53,800 Speaker 1: you look amazing, and then she looks in because she's 1117 01:05:53,840 --> 01:05:55,760 Speaker 1: a girl. She looks in the mirror and things, I 1118 01:05:55,800 --> 01:05:58,560 Speaker 1: wish I had some boobies to fill out this DRez 1119 01:05:59,160 --> 01:06:02,400 Speaker 1: and then were like, oh, their relationship is going well. 1120 01:06:02,440 --> 01:06:07,080 Speaker 1: But then they have a dinner together and I mean, 1121 01:06:07,120 --> 01:06:11,479 Speaker 1: basically he's saying like, hey, don't fuck. I know I've 1122 01:06:11,480 --> 01:06:14,400 Speaker 1: never done anything for you. I don't even know you are, 1123 01:06:14,600 --> 01:06:19,720 Speaker 1: but it's critical you don't fuck, and she's she's I mean, 1124 01:06:19,840 --> 01:06:22,440 Speaker 1: one of the better moments for her where she's like, no, 1125 01:06:22,600 --> 01:06:27,560 Speaker 1: fuck you, I'm leaving. But then that scene ends. That 1126 01:06:27,680 --> 01:06:31,360 Speaker 1: scene ends with apparently every other woman in the restaurant, 1127 01:06:31,440 --> 01:06:34,440 Speaker 1: who are all facing him for some reason, have an 1128 01:06:34,480 --> 01:06:37,640 Speaker 1: opinion on the conversation they could not have possibly heard, right, 1129 01:06:38,240 --> 01:06:45,840 Speaker 1: I guess the people's conversations. It's it's what is it? 1130 01:06:45,920 --> 01:06:49,680 Speaker 1: I don't know what is tired. And then their storyline 1131 01:06:49,800 --> 01:06:53,720 Speaker 1: ends when she doesn't fuck because she's crying at the 1132 01:06:53,760 --> 01:06:56,280 Speaker 1: prom and then he's like, thank god, you didn't fuck, 1133 01:06:56,760 --> 01:06:59,720 Speaker 1: And that's sort of where that's left, Like there's no 1134 01:07:00,000 --> 01:07:05,480 Speaker 1: acknowledgment of like her sexuality, and he never accepts because 1135 01:07:05,480 --> 01:07:07,280 Speaker 1: of the way that storyline plays out, he never has 1136 01:07:07,320 --> 01:07:10,160 Speaker 1: to accept that his daughter is growing up. He literally 1137 01:07:10,200 --> 01:07:12,160 Speaker 1: tucks her in like a little girl, and it's like, 1138 01:07:13,000 --> 01:07:15,560 Speaker 1: I'm a great dad. I gotta go leave the house 1139 01:07:15,640 --> 01:07:18,800 Speaker 1: and funk Helen Hunt. Like he also didn't know that 1140 01:07:18,840 --> 01:07:20,920 Speaker 1: she was going to the prom. He didn't he forget 1141 01:07:21,040 --> 01:07:23,440 Speaker 1: off like like you know, parents usually like see you 1142 01:07:23,520 --> 01:07:28,280 Speaker 1: off for taking pictures of you, Like the mom calls 1143 01:07:28,360 --> 01:07:32,240 Speaker 1: from a cruise like, hey, something's wrong with our kid. 1144 01:07:33,920 --> 01:07:37,280 Speaker 1: It's and then he has just he gets that call 1145 01:07:37,720 --> 01:07:40,280 Speaker 1: fresh off of saving Judy GRI's life and it's like 1146 01:07:40,320 --> 01:07:43,640 Speaker 1: ship the prom, Like are you serious? He's going from 1147 01:07:43,640 --> 01:07:46,880 Speaker 1: a suicide rescue to a prom and there and then 1148 01:07:46,880 --> 01:07:49,200 Speaker 1: he gets to the prom and he's like, hey, I'm 1149 01:07:49,240 --> 01:07:51,840 Speaker 1: sorry I forgot prom and she's like, that's not what 1150 01:07:51,960 --> 01:07:55,600 Speaker 1: it is. I was like, but it could be like, yeah, 1151 01:07:56,160 --> 01:07:58,920 Speaker 1: it's the whole like eight simple rules of dating my 1152 01:07:59,000 --> 01:08:02,840 Speaker 1: teenage daughter kind thing where it's like like why I 1153 01:08:02,920 --> 01:08:06,440 Speaker 1: get that, you Like, parents want to you know, protect 1154 01:08:06,600 --> 01:08:08,960 Speaker 1: their children and stuff like that. But we see so 1155 01:08:09,080 --> 01:08:12,720 Speaker 1: much of these stories of like parents, especially the father's 1156 01:08:12,800 --> 01:08:15,240 Speaker 1: being like, well, she's my baby girl, so no one, 1157 01:08:15,560 --> 01:08:19,360 Speaker 1: no other boys can touch her. I have control over 1158 01:08:19,439 --> 01:08:22,920 Speaker 1: her body and her sexuality. Why is this weird male 1159 01:08:23,000 --> 01:08:27,280 Speaker 1: ownership of daughters. I don't mean it's a huge thing. 1160 01:08:27,680 --> 01:08:32,680 Speaker 1: My daughter don't fuck the best day there was a 1161 01:08:32,720 --> 01:08:36,120 Speaker 1: girl and I don't know what religion this ceremony is 1162 01:08:36,160 --> 01:08:39,160 Speaker 1: affiliated with, but it's basically like something that happens when 1163 01:08:39,160 --> 01:08:41,160 Speaker 1: you're in your early teens where you do this weird 1164 01:08:41,240 --> 01:08:46,080 Speaker 1: ceremony your dad. It's like a promise. You get a 1165 01:08:46,080 --> 01:08:50,200 Speaker 1: promise ceremony with your dad, Like I promise I won't 1166 01:08:50,320 --> 01:08:53,880 Speaker 1: fuck dad. I'm married to you, dad, until I'm married 1167 01:08:53,920 --> 01:08:56,200 Speaker 1: to some other man who owns me, and then I 1168 01:08:56,400 --> 01:08:59,519 Speaker 1: we won't fun because that's weird, but we'll dance together 1169 01:08:59,600 --> 01:09:04,640 Speaker 1: and gives me really close and take like creepy pictures 1170 01:09:05,040 --> 01:09:09,519 Speaker 1: together with like girl sitting on her dad's lap a 1171 01:09:09,560 --> 01:09:11,240 Speaker 1: lot of the time. I mean, I don't want to 1172 01:09:11,240 --> 01:09:13,680 Speaker 1: be disrespectful to any really, but like that is that 1173 01:09:16,720 --> 01:09:20,640 Speaker 1: it's like a weird property Paul, before we keep I 1174 01:09:20,680 --> 01:09:26,360 Speaker 1: watched this movie with my boyfriend last night and thank 1175 01:09:26,400 --> 01:09:29,760 Speaker 1: you so much with a man that loves me. But 1176 01:09:29,880 --> 01:09:33,439 Speaker 1: he had a little theory was he reading your thoughts? 1177 01:09:34,080 --> 01:09:38,679 Speaker 1: If he is, he is very horrible because uh no, 1178 01:09:38,920 --> 01:09:41,240 Speaker 1: I have to explicitly tell him every thought I'm having 1179 01:09:41,240 --> 01:09:44,920 Speaker 1: and I do. Uh So, his theory was that mel 1180 01:09:45,040 --> 01:09:48,680 Speaker 1: Gibson when the hair dryer hits the water the first time, 1181 01:09:48,760 --> 01:09:53,120 Speaker 1: mel Gibson dies and then his version of Hell is 1182 01:09:53,160 --> 01:09:57,000 Speaker 1: having to hear what women think, and that's what the 1183 01:09:57,040 --> 01:10:00,439 Speaker 1: whole movie is. I was like, whoa, okay, where this 1184 01:10:00,479 --> 01:10:04,599 Speaker 1: is like his Groundhog Day purgatory style, Like the last 1185 01:10:04,600 --> 01:10:06,599 Speaker 1: thing he wanted in life was to know what women 1186 01:10:06,640 --> 01:10:09,360 Speaker 1: were thinking. And I'm like, you're giving the reading of 1187 01:10:09,400 --> 01:10:11,479 Speaker 1: this movie way too much credit, but I wasn't. I 1188 01:10:11,479 --> 01:10:14,240 Speaker 1: do enjoy that theory, and maybe since because that's why 1189 01:10:14,240 --> 01:10:17,120 Speaker 1: he's trying to like electrocute himself again to stop it. 1190 01:10:18,240 --> 01:10:21,040 Speaker 1: Oh my gosh. Um. I wanted to quickly talk about 1191 01:10:21,080 --> 01:10:25,679 Speaker 1: the scene where his daughter and her boyfriend walk in 1192 01:10:26,080 --> 01:10:29,120 Speaker 1: on him while he's trying on all like the different 1193 01:10:29,640 --> 01:10:33,800 Speaker 1: quote feminine products, and it's meant to be this like 1194 01:10:33,880 --> 01:10:37,559 Speaker 1: hugely embarrassing moment for him because like movies and society 1195 01:10:37,560 --> 01:10:40,200 Speaker 1: in general love to make fun of men when they're 1196 01:10:40,240 --> 01:10:43,400 Speaker 1: doing anything that might be considered feminine. So you know, 1197 01:10:43,439 --> 01:10:46,160 Speaker 1: he's got on the tights and the nail polish and 1198 01:10:46,200 --> 01:10:48,960 Speaker 1: all this stuff, and it's always framed was like, Wow, 1199 01:10:49,240 --> 01:10:54,719 Speaker 1: how embarrassing for him, because like mixing traditionally feminine things 1200 01:10:54,800 --> 01:11:01,080 Speaker 1: with traditionally masculine like with a traditionally man is so weird. 1201 01:11:01,200 --> 01:11:03,880 Speaker 1: And this movie is no exception. It does that very thing, 1202 01:11:04,360 --> 01:11:08,559 Speaker 1: which is bad. And then I feel like there's like that, 1203 01:11:08,800 --> 01:11:14,479 Speaker 1: I mean, can we hit that homophobic storyline? We must? Yeah, 1204 01:11:14,840 --> 01:11:20,280 Speaker 1: So what happens here is basically that, uh, he used 1205 01:11:20,280 --> 01:11:23,680 Speaker 1: the god of sex. Now apparently he has sex with 1206 01:11:23,800 --> 01:11:27,160 Speaker 1: Lola and she's really into him, and she thinks the 1207 01:11:27,240 --> 01:11:30,559 Speaker 1: sex was great, and he doesn't call her because now 1208 01:11:30,600 --> 01:11:34,600 Speaker 1: he's falling in love with Darcy. So then Lola basically 1209 01:11:34,640 --> 01:11:37,479 Speaker 1: stalks him and like hangs outside of his building, like 1210 01:11:38,120 --> 01:11:40,800 Speaker 1: her face pressed up against the window, like how do 1211 01:11:40,840 --> 01:11:43,599 Speaker 1: you casually for something? And then she's like I've been 1212 01:11:43,640 --> 01:11:46,559 Speaker 1: here for six hours, like my hands pressed on the 1213 01:11:46,560 --> 01:11:50,080 Speaker 1: window and my face like peering inside, Like that's an 1214 01:11:50,160 --> 01:11:53,920 Speaker 1: uncomfortable physician to hole for six hours. And then she's like, 1215 01:11:55,160 --> 01:11:58,840 Speaker 1: wait a minute, you didn't call me, and and you're 1216 01:11:58,640 --> 01:12:01,559 Speaker 1: you're sensitive and you think like a woman and you 1217 01:12:01,600 --> 01:12:03,920 Speaker 1: act like a woman and all this stuff, so that 1218 01:12:04,000 --> 01:12:08,120 Speaker 1: must mean you're gay, right, And he's like huh, and 1219 01:12:08,160 --> 01:12:11,800 Speaker 1: then he's hearing her thoughts and she's like, if he's 1220 01:12:11,840 --> 01:12:15,240 Speaker 1: not gay, I'll be so sad and upset, and so 1221 01:12:15,600 --> 01:12:20,760 Speaker 1: to like not hurt her feelings, he struggles to say 1222 01:12:20,920 --> 01:12:24,000 Speaker 1: yet because I'm gay, and then she's like, how gay? 1223 01:12:24,040 --> 01:12:27,080 Speaker 1: And he's like, is gay? Is that getting Like it's 1224 01:12:27,120 --> 01:12:33,320 Speaker 1: like that, like what part of this isn't so funny? 1225 01:12:33,320 --> 01:12:41,880 Speaker 1: You just touched my bread? Coffee's like she's loving it. 1226 01:12:41,880 --> 01:12:44,360 Speaker 1: It's also weird because it's like, is this the conception 1227 01:12:44,400 --> 01:12:48,360 Speaker 1: that people have of homosexuality is like, Oh, because I'm gay, 1228 01:12:48,439 --> 01:12:51,639 Speaker 1: I'm no longer a man, Like I'm no longer masculine anyway, 1229 01:12:51,680 --> 01:12:55,599 Speaker 1: I'm no longer man, I'm a woman. Respect is bad 1230 01:12:55,920 --> 01:13:00,519 Speaker 1: and so why that's not how anything works? And it's like, 1231 01:13:00,880 --> 01:13:04,799 Speaker 1: but not only is like listening and respecting a woman 1232 01:13:05,360 --> 01:13:10,000 Speaker 1: makes you gay, and that's really bad. That's the worst 1233 01:13:10,040 --> 01:13:13,720 Speaker 1: thing you can do. He has to really, it's supposed 1234 01:13:13,760 --> 01:13:17,960 Speaker 1: to be an equal exchange that he listened to this 1235 01:13:18,080 --> 01:13:20,800 Speaker 1: woman's thoughts, like, first of all, harassed the ship out 1236 01:13:20,800 --> 01:13:22,559 Speaker 1: of her to get this date. They listened to all 1237 01:13:22,560 --> 01:13:24,360 Speaker 1: her thoughts and manipulated her to have sex with her. 1238 01:13:24,560 --> 01:13:26,880 Speaker 1: They did not call her first six days ghosted her 1239 01:13:26,960 --> 01:13:28,880 Speaker 1: so hard that she showed up to his damn house. 1240 01:13:29,520 --> 01:13:32,559 Speaker 1: Him saying that he's gay is supposed to be a 1241 01:13:32,840 --> 01:13:37,439 Speaker 1: fair and equal exchange, right, What it's not. I mean, 1242 01:13:37,520 --> 01:13:42,759 Speaker 1: it's it's like very obviously insulting to any queer person 1243 01:13:43,400 --> 01:13:47,320 Speaker 1: that he's like, oh yeah, I'm gonna take this opportunity 1244 01:13:47,439 --> 01:13:52,240 Speaker 1: so that i can ghost this woman effectively, which is horrible. 1245 01:13:52,880 --> 01:13:58,400 Speaker 1: Every Her opinions on queer people are horrible. His reinforcing 1246 01:13:58,400 --> 01:14:00,599 Speaker 1: that and taking advantage of it as a horrible and 1247 01:14:00,720 --> 01:14:05,479 Speaker 1: just the implication of like what being gay means in 1248 01:14:05,520 --> 01:14:10,559 Speaker 1: this scene is weird. It's weird. But also this felt 1249 01:14:10,600 --> 01:14:14,040 Speaker 1: like a moment that was written by a woman as 1250 01:14:14,120 --> 01:14:19,040 Speaker 1: a as a former not woke and still always waking 1251 01:14:19,160 --> 01:14:22,200 Speaker 1: up much more every day. Even as we talked, like 1252 01:14:22,240 --> 01:14:24,920 Speaker 1: me referencing like, oh, like attractive men don't get written 1253 01:14:24,960 --> 01:14:27,240 Speaker 1: up for sexual arrassment as much. It's like, oh, wow, 1254 01:14:27,439 --> 01:14:30,240 Speaker 1: that is something that is ingrained in me, because I'm 1255 01:14:30,240 --> 01:14:32,920 Speaker 1: supposed to think that if you're attractive, that, oh you 1256 01:14:32,960 --> 01:14:36,439 Speaker 1: can disrespect me or be you know, inappropriate. Right, even 1257 01:14:36,479 --> 01:14:38,320 Speaker 1: that moment, I was like, whoa, that's still something that's 1258 01:14:38,320 --> 01:14:41,680 Speaker 1: in my mind. Thank you, But like I think a 1259 01:14:41,720 --> 01:14:44,479 Speaker 1: woman brother, because I think a common thing that a 1260 01:14:44,520 --> 01:14:50,360 Speaker 1: lot of women do to escape unwanted male advancements is 1261 01:14:50,439 --> 01:14:53,760 Speaker 1: be like, I'm gay, And I think that this was 1262 01:14:53,800 --> 01:14:57,040 Speaker 1: supposed to be like, oh, that that's that's what we 1263 01:14:57,280 --> 01:14:59,280 Speaker 1: use on the men that we don't want all the time, 1264 01:14:59,320 --> 01:15:01,200 Speaker 1: so they will leave a slone. Either we say we're 1265 01:15:01,360 --> 01:15:04,679 Speaker 1: property like I have a boyfriend, or we say I'm 1266 01:15:04,720 --> 01:15:07,120 Speaker 1: gay and then I my brain has no way to 1267 01:15:07,200 --> 01:15:09,640 Speaker 1: want you physically, so you shouldn't feel bad that I 1268 01:15:09,680 --> 01:15:13,479 Speaker 1: don't want you. And I was like oh, and then 1269 01:15:13,520 --> 01:15:16,760 Speaker 1: he uses that same that's supposed to seem like a 1270 01:15:16,840 --> 01:15:20,760 Speaker 1: moment I think it's supposed to appeal to women like, look, 1271 01:15:20,800 --> 01:15:24,400 Speaker 1: a man did this thing that we have to do 1272 01:15:24,479 --> 01:15:26,759 Speaker 1: because we just can't say no with our own agency 1273 01:15:26,760 --> 01:15:29,519 Speaker 1: because men won't accept that right like you, there's no 1274 01:15:29,600 --> 01:15:34,320 Speaker 1: option for like she has to prove in furious and 1275 01:15:34,320 --> 01:15:37,160 Speaker 1: I guess that is the position males put in. It's like, well, 1276 01:15:37,200 --> 01:15:40,120 Speaker 1: if I'm single, what can I say? Why can't I 1277 01:15:40,120 --> 01:15:44,479 Speaker 1: say I didn't want her without just rejecting someone clearly? 1278 01:15:44,520 --> 01:15:48,760 Speaker 1: But it's different because it's like if mel Gibson rejected her, 1279 01:15:49,240 --> 01:15:53,040 Speaker 1: She's not gonna attack him, like something isn't like going 1280 01:15:53,120 --> 01:15:54,640 Speaker 1: to He's not going to be I feel like that 1281 01:15:54,760 --> 01:15:57,120 Speaker 1: the reason women are afraid to reject it because of 1282 01:15:57,120 --> 01:16:00,960 Speaker 1: our fear of being hurt by men physically or killed. 1283 01:16:01,360 --> 01:16:03,040 Speaker 1: And that's why this moment is even more gross to me, 1284 01:16:03,040 --> 01:16:05,439 Speaker 1: because I feel like it's trying to liken what we 1285 01:16:06,200 --> 01:16:10,479 Speaker 1: do sometimes to be safe, as oh, look, he's doing 1286 01:16:10,520 --> 01:16:15,320 Speaker 1: it totally point, he's doing it because he's a coward, 1287 01:16:15,920 --> 01:16:19,240 Speaker 1: because he's fearing for his safety exactly. And that's why 1288 01:16:19,240 --> 01:16:21,800 Speaker 1: I was like, this is and I think that's I 1289 01:16:21,840 --> 01:16:25,200 Speaker 1: think that's their underlying justification for doing something horrible to 1290 01:16:25,320 --> 01:16:28,679 Speaker 1: so many different people in this moment of like trying 1291 01:16:28,680 --> 01:16:30,920 Speaker 1: to treat homosexuality like it's this, I think they were 1292 01:16:30,960 --> 01:16:32,439 Speaker 1: trying to be like, but look now we're using it 1293 01:16:32,479 --> 01:16:34,920 Speaker 1: like how you women use it when you're not actually gay, 1294 01:16:34,920 --> 01:16:37,759 Speaker 1: when it's like we don't if if which if women 1295 01:16:37,800 --> 01:16:41,080 Speaker 1: are still doing that, please don't like that's not good, 1296 01:16:41,560 --> 01:16:44,920 Speaker 1: like just like and I know like we do have to, 1297 01:16:45,200 --> 01:16:49,559 Speaker 1: like our our safety is sometimes in in danger when 1298 01:16:49,640 --> 01:16:53,360 Speaker 1: we reject certain types of unhinged men. But still a 1299 01:16:53,360 --> 01:16:55,560 Speaker 1: common thing that people do I see it on the 1300 01:16:55,600 --> 01:16:57,679 Speaker 1: internet all the time, like if you don't like the guy, 1301 01:16:57,760 --> 01:17:00,200 Speaker 1: just tell him you're getting what. But it was a 1302 01:17:00,320 --> 01:17:03,360 Speaker 1: thing that like I can't blame women who have done 1303 01:17:03,360 --> 01:17:06,000 Speaker 1: it because I'm like ship, like men will kill you 1304 01:17:06,160 --> 01:17:09,400 Speaker 1: if you need to escape, like to escape, right, but 1305 01:17:09,439 --> 01:17:11,680 Speaker 1: it's not right. And I think that moment for me, 1306 01:17:11,760 --> 01:17:13,280 Speaker 1: I looked at it and I was like, this is 1307 01:17:14,040 --> 01:17:17,519 Speaker 1: and it's just totally played for a joke in every way, Like, man, 1308 01:17:17,600 --> 01:17:19,519 Speaker 1: he really got away with that. And then he you 1309 01:17:19,560 --> 01:17:21,439 Speaker 1: get the feeling he feels a little bit bad, but 1310 01:17:21,479 --> 01:17:23,800 Speaker 1: never enough to apologize and never I mean, you know, 1311 01:17:23,960 --> 01:17:26,640 Speaker 1: the second that interaction over, he's just going to go 1312 01:17:26,680 --> 01:17:28,680 Speaker 1: to a different coffee shop and that's it. And he 1313 01:17:28,720 --> 01:17:31,760 Speaker 1: doesn't have to apologize to her because he's gonna apologize 1314 01:17:31,800 --> 01:17:34,840 Speaker 1: to the respectable woman that he cares about, so he 1315 01:17:34,840 --> 01:17:36,799 Speaker 1: don't got to apologize as this other woman he completely 1316 01:17:36,840 --> 01:17:39,960 Speaker 1: fucked over, like not a working class person who you 1317 01:17:40,160 --> 01:17:42,600 Speaker 1: felt like a service. She's I want to be actress 1318 01:17:42,680 --> 01:17:45,760 Speaker 1: who makes coffee, which means her life is worse. So 1319 01:17:46,000 --> 01:17:48,400 Speaker 1: she's fucking silly and you don't need to respect her. 1320 01:17:48,439 --> 01:17:51,960 Speaker 1: And she's I mean, it sounds like she was told 1321 01:17:52,040 --> 01:17:56,960 Speaker 1: to like play it dumb, oh for sure, because can 1322 01:17:57,000 --> 01:18:01,040 Speaker 1: be subtle. She is not here, No, it's frazzled and 1323 01:18:01,200 --> 01:18:04,719 Speaker 1: anxious in these moments and showing up at his house. 1324 01:18:05,120 --> 01:18:07,559 Speaker 1: So yeah, they tried to play her like I think 1325 01:18:07,560 --> 01:18:10,519 Speaker 1: in the minds of men, the women that they toy with, like, oh, 1326 01:18:10,560 --> 01:18:13,040 Speaker 1: this woman is just a dumb bimbo. It's okay if 1327 01:18:13,080 --> 01:18:16,000 Speaker 1: I disrespect her because she doesn't respect herself, which is 1328 01:18:17,360 --> 01:18:23,599 Speaker 1: it's not all of the side bars. Let me look through. Oh, 1329 01:18:23,680 --> 01:18:26,719 Speaker 1: I just like, I mean, I feel like I'm missing 1330 01:18:27,080 --> 01:18:29,800 Speaker 1: so much. I mean even just like the list of 1331 01:18:29,840 --> 01:18:32,960 Speaker 1: the like women's products that they have to figure out 1332 01:18:32,960 --> 01:18:36,559 Speaker 1: how to target two women which are also just it 1333 01:18:36,560 --> 01:18:39,599 Speaker 1: reminds me of that scene in Elf, kind of where 1334 01:18:39,600 --> 01:18:43,000 Speaker 1: it's like, oh, the girls want dolls and like make 1335 01:18:43,080 --> 01:18:45,600 Speaker 1: up kids Indoda, and it's like everything that would be 1336 01:18:45,640 --> 01:18:49,040 Speaker 1: considered a woman's product of stuff like anti wrinkle cream, 1337 01:18:49,120 --> 01:18:55,200 Speaker 1: mescara lipstick like like stuff capitalist, feminist like and that's 1338 01:18:55,240 --> 01:18:57,880 Speaker 1: never addressed in any way of like, yeah, we need 1339 01:18:57,920 --> 01:19:01,640 Speaker 1: to sell these really expensive products to women because the 1340 01:19:01,720 --> 01:19:04,720 Speaker 1: world has taken such a concerted effort to make them 1341 01:19:04,720 --> 01:19:06,400 Speaker 1: seem like they need to look a certain way, blah 1342 01:19:06,400 --> 01:19:09,080 Speaker 1: blah blah. That's just it also doesn't make any sense 1343 01:19:09,080 --> 01:19:12,520 Speaker 1: because if we're even talking into like a heteronormative society 1344 01:19:12,640 --> 01:19:14,439 Speaker 1: where we do force this kind of shot on women, 1345 01:19:14,760 --> 01:19:16,880 Speaker 1: I'm pretty sure if they just know about great Lash, 1346 01:19:17,000 --> 01:19:20,040 Speaker 1: like we know, we know where to get it Great Lash, 1347 01:19:20,080 --> 01:19:21,760 Speaker 1: We're gonna go buy it. Like, I don't think you 1348 01:19:21,800 --> 01:19:25,840 Speaker 1: have to target with They're the demographic right for that, 1349 01:19:25,920 --> 01:19:31,479 Speaker 1: and lipstick and for pantyhose. Everything exactly been already buy. 1350 01:19:31,520 --> 01:19:33,360 Speaker 1: Should you be trying to sell I don't know, like 1351 01:19:33,400 --> 01:19:36,080 Speaker 1: a car engine the women or something that something hard 1352 01:19:36,200 --> 01:19:40,320 Speaker 1: snario typically women aren't in the market for. Wouldn't that 1353 01:19:40,360 --> 01:19:43,880 Speaker 1: be that would have been a child challenge? And the 1354 01:19:43,920 --> 01:19:47,080 Speaker 1: way that like mel Gibson interacts with these products when 1355 01:19:47,080 --> 01:19:49,320 Speaker 1: he's trying them on, like the thing that I was like, 1356 01:19:49,920 --> 01:19:52,920 Speaker 1: like when he does the legwix and I just don't 1357 01:19:52,920 --> 01:19:55,519 Speaker 1: need any more scenes of men. I thought of the 1358 01:19:55,520 --> 01:19:58,799 Speaker 1: forty year old virgin. You're like, oh my god, actually 1359 01:19:58,960 --> 01:20:04,720 Speaker 1: hard like they're just like obviously it hurts. But his 1360 01:20:04,800 --> 01:20:07,599 Speaker 1: reaction to that is like why did these women do 1361 01:20:07,720 --> 01:20:10,960 Speaker 1: this to themselves? And they're like, because you would have 1362 01:20:11,000 --> 01:20:13,320 Speaker 1: nothing to do with them if they didn't, because you're 1363 01:20:13,560 --> 01:20:16,840 Speaker 1: fucking nightmare. But he does. That's not It's just it's 1364 01:20:16,840 --> 01:20:19,880 Speaker 1: like when like men make fun of women for taking 1365 01:20:19,920 --> 01:20:21,599 Speaker 1: so long to get ready, and it's like, well, we 1366 01:20:21,640 --> 01:20:25,200 Speaker 1: only do that because you've placed such unrealistic standards of 1367 01:20:25,240 --> 01:20:31,040 Speaker 1: beauty on us. Shower, you wash the crack of your ass, 1368 01:20:31,040 --> 01:20:33,840 Speaker 1: and I'm supposed to be excited, but I gotta go 1369 01:20:33,920 --> 01:20:36,760 Speaker 1: in the room like a fucking demolition and the hair 1370 01:20:36,840 --> 01:20:40,320 Speaker 1: out of my boticles and paint my face and dam 1371 01:20:40,439 --> 01:20:44,680 Speaker 1: myself in the eye with maskra shit. What? And then 1372 01:20:44,720 --> 01:20:47,280 Speaker 1: also the last thing in that box of women's products 1373 01:20:47,320 --> 01:20:51,960 Speaker 1: was a visa card because women be shopping women, why 1374 01:20:51,960 --> 01:20:54,000 Speaker 1: does she I should go to put that in? But 1375 01:20:54,080 --> 01:20:56,320 Speaker 1: she's like, and also here's a visa card, just acause 1376 01:20:56,360 --> 01:20:59,559 Speaker 1: you didn't know how it works. Yeah, the little women 1377 01:21:00,080 --> 01:21:06,200 Speaker 1: use the visa card to buy Like, oh, no, one's 1378 01:21:06,240 --> 01:21:09,920 Speaker 1: good at their jobs. No, they really are not. In 1379 01:21:09,960 --> 01:21:12,320 Speaker 1: some people's jobs. I truly don't understand. He has two 1380 01:21:12,360 --> 01:21:15,240 Speaker 1: secretaries with no thoughts, But he asked the woman with 1381 01:21:15,280 --> 01:21:18,080 Speaker 1: a degree to get him his coffee, Like, don't you 1382 01:21:18,120 --> 01:21:22,240 Speaker 1: have two the secretaries with the het what do you do? 1383 01:21:22,240 --> 01:21:25,320 Speaker 1: Do you have? And they're like, we're going to the 1384 01:21:25,320 --> 01:21:29,360 Speaker 1: forty fourth floor. What also, your office is biggest ship? 1385 01:21:29,640 --> 01:21:33,120 Speaker 1: Like so bridge bigger? Could it get? It's Oh, and 1386 01:21:33,120 --> 01:21:36,439 Speaker 1: don't forget the part where Sarah Paulson's boyfriend from Israel 1387 01:21:36,560 --> 01:21:41,519 Speaker 1: gives Mel Gibson a yamica. Yes, I forgot about that. 1388 01:21:41,640 --> 01:21:44,080 Speaker 1: He probably like took that off the set at the 1389 01:21:44,160 --> 01:21:46,040 Speaker 1: end of the day of shooting and then like burned 1390 01:21:46,080 --> 01:21:53,160 Speaker 1: it or something because it hates Jewish people. This is 1391 01:21:53,320 --> 01:21:57,000 Speaker 1: this is still to this day the second highest grossing 1392 01:21:57,360 --> 01:22:02,880 Speaker 1: rom com ever. You're kidding to this day these days, 1393 01:22:03,000 --> 01:22:05,840 Speaker 1: that's why they remaking the ship. They're they're like, well 1394 01:22:05,840 --> 01:22:08,280 Speaker 1: it worked. Yeah. The only thing that's oh, this isn't. 1395 01:22:08,360 --> 01:22:10,559 Speaker 1: The only more successful round coom is My Big Fat 1396 01:22:10,600 --> 01:22:17,040 Speaker 1: Greek Wedding. Oh that's fascinating. What next? Right between My 1397 01:22:17,080 --> 01:22:23,639 Speaker 1: Big Fat Greek Wedding and Hitch was good. I got 1398 01:22:23,640 --> 01:22:25,920 Speaker 1: to revisit Hitch. I loved it when it came out, 1399 01:22:26,439 --> 01:22:29,200 Speaker 1: and I was thinking about the show obviously as I 1400 01:22:29,240 --> 01:22:30,800 Speaker 1: was watching this, I had a two part of it. 1401 01:22:30,840 --> 01:22:32,800 Speaker 1: I fell asleep last night. I had to just pose 1402 01:22:32,840 --> 01:22:34,800 Speaker 1: it and then watched the list in the morning stas is, 1403 01:22:34,840 --> 01:22:37,040 Speaker 1: I can't take it. My brain was like, no, stop 1404 01:22:37,400 --> 01:22:41,720 Speaker 1: too much. I was helping me. Yeah, but I was 1405 01:22:41,720 --> 01:22:43,599 Speaker 1: really trying to think of like did women talk to 1406 01:22:43,640 --> 01:22:46,400 Speaker 1: each other? And that one girl did talk to herself, 1407 01:22:46,439 --> 01:22:49,360 Speaker 1: but that doesn't count. That doesn't count. Yeah, you would 1408 01:22:49,400 --> 01:22:52,800 Speaker 1: think with all the characters, can we see who were 1409 01:22:52,840 --> 01:22:56,080 Speaker 1: women in this movie, they would interact more, But as 1410 01:22:56,120 --> 01:22:59,360 Speaker 1: far as I could tell, I was shocked, they only 1411 01:22:59,400 --> 01:23:03,200 Speaker 1: interact with male Yeah, pretty much. Yeah, they barely interact 1412 01:23:03,240 --> 01:23:05,680 Speaker 1: with other men. From what I could tell. There's a 1413 01:23:05,720 --> 01:23:08,639 Speaker 1: bunch of scenes at the very beginning of women talking 1414 01:23:08,720 --> 01:23:12,160 Speaker 1: about Nick to other unnamed women who do not respond, 1415 01:23:12,240 --> 01:23:16,679 Speaker 1: so by no means do any of those tests. We 1416 01:23:17,320 --> 01:23:20,080 Speaker 1: see Lola talking to her female colleague in the coffee 1417 01:23:20,120 --> 01:23:24,120 Speaker 1: shop about her auditioned but she, the other characters, is unnamed, 1418 01:23:24,560 --> 01:23:29,320 Speaker 1: so that does not pass. Um Alex mel Gibson's daughter 1419 01:23:29,360 --> 01:23:32,759 Speaker 1: in the movie, Um talks to her mom Gig. Mostly 1420 01:23:32,760 --> 01:23:36,240 Speaker 1: they talk about either Cameron or mel Gibson, but there's 1421 01:23:36,240 --> 01:23:38,519 Speaker 1: a tulne exchange where one says I'm going to miss 1422 01:23:38,520 --> 01:23:40,519 Speaker 1: you and the other one says I'm gonna miss you too. 1423 01:23:40,800 --> 01:23:42,840 Speaker 1: But she's only saying that they're gonna miss each other 1424 01:23:42,920 --> 01:23:45,519 Speaker 1: because her mom is about to go on a heatero 1425 01:23:45,720 --> 01:23:50,960 Speaker 1: honeymoon with a man, so on a bata we have 1426 01:23:51,240 --> 01:23:57,759 Speaker 1: to um. And then Dina, that's the character who Um 1427 01:23:57,840 --> 01:24:01,120 Speaker 1: is starting to pitch an idea to dark See about advil, 1428 01:24:01,240 --> 01:24:03,880 Speaker 1: but their conversation only happens in the background and it's 1429 01:24:03,920 --> 01:24:06,760 Speaker 1: immediately interrupted by Nick, who's like, wait a minute, I'm 1430 01:24:06,800 --> 01:24:09,240 Speaker 1: a man and I have an idea, so it's my turn. 1431 01:24:10,240 --> 01:24:14,519 Speaker 1: And then Um, Darcy's assistant who's played by Arden Marine 1432 01:24:14,760 --> 01:24:17,240 Speaker 1: Um talks to Darcy a couple of times, but I 1433 01:24:17,280 --> 01:24:21,520 Speaker 1: don't think that character is ever named. And then Alex 1434 01:24:21,680 --> 01:24:24,160 Speaker 1: has a like a three line exchange with a few 1435 01:24:24,200 --> 01:24:26,320 Speaker 1: of her friends about prom dresses, but the friends are 1436 01:24:26,360 --> 01:24:28,439 Speaker 1: never named, so they're like, there's just a handful of 1437 01:24:28,439 --> 01:24:31,920 Speaker 1: times where women do interact, but it's almost always about men, 1438 01:24:32,080 --> 01:24:35,080 Speaker 1: or the other characters aren't named, or I don't know. 1439 01:24:35,160 --> 01:24:38,040 Speaker 1: I think the daughter mother exchange, I can't this movie, no, 1440 01:24:38,400 --> 01:24:43,680 Speaker 1: I would say, because especially yeah, I guess by our 1441 01:24:43,800 --> 01:24:46,800 Speaker 1: rules that would technically pass. But also it's such that's 1442 01:24:46,840 --> 01:24:51,000 Speaker 1: not a meaningful conversation, like it's we hardly see women 1443 01:24:51,200 --> 01:24:57,720 Speaker 1: interacting and it what women want is male Gibson and 1444 01:24:58,840 --> 01:25:03,360 Speaker 1: nothing else. No flawed premise. Flawed premise from the jump, 1445 01:25:04,080 --> 01:25:07,000 Speaker 1: like the name of the movie, what a dirty ash trick? 1446 01:25:07,200 --> 01:25:09,479 Speaker 1: Like you're like, what woman? What? Yes, I'm a woman? 1447 01:25:11,560 --> 01:25:15,439 Speaker 1: Is this what I want? I wanted to dance to 1448 01:25:15,520 --> 01:25:18,800 Speaker 1: phrase the national for five minutes. I want to watch him. 1449 01:25:18,920 --> 01:25:21,720 Speaker 1: I want to watch oh man abs. I don't know, 1450 01:25:21,920 --> 01:25:28,000 Speaker 1: o lord. The fact that we see milk Gibson's abs 1451 01:25:28,120 --> 01:25:32,000 Speaker 1: is why so long? It was so long that I 1452 01:25:32,640 --> 01:25:36,519 Speaker 1: counted them and noticed how much they were on the screen. Really, 1453 01:25:37,760 --> 01:25:39,400 Speaker 1: I feel like when you started looking at a body 1454 01:25:39,439 --> 01:25:42,000 Speaker 1: part and you know, like you're like, I'm looking at abbs, 1455 01:25:42,240 --> 01:25:47,000 Speaker 1: It's like they lingered. And then also when he was 1456 01:25:47,040 --> 01:25:51,200 Speaker 1: having sex with Marissa Tomay, her thoughts went straight to, wow, 1457 01:25:51,240 --> 01:25:56,360 Speaker 1: he's got such a great body. I'm like, stop gaslighting me, stoping. 1458 01:25:57,000 --> 01:25:59,680 Speaker 1: She does make fun of his tall penis, and by 1459 01:25:59,680 --> 01:26:05,920 Speaker 1: tall mean oh gosh, well it doesn't pass the back time. 1460 01:26:05,920 --> 01:26:10,479 Speaker 1: I don't think so either. Okay, um, well, I'm gonna 1461 01:26:10,479 --> 01:26:14,280 Speaker 1: go ahead and give this zero nipples. I mean everything. 1462 01:26:14,479 --> 01:26:19,719 Speaker 1: From the horrible way in which the romantic story plays out, 1463 01:26:20,160 --> 01:26:25,200 Speaker 1: the idea that women only have thoughts that are about 1464 01:26:25,240 --> 01:26:30,200 Speaker 1: traditionally female things, or they only have thoughts about mel Gibson, 1465 01:26:30,680 --> 01:26:37,080 Speaker 1: just the way the Queerness istrays, the way queerness is portrayed, 1466 01:26:37,120 --> 01:26:42,800 Speaker 1: the way the suicidality has handled, the way that just everything, 1467 01:26:42,880 --> 01:26:45,840 Speaker 1: everything is mishandled in this movie. And it's like very 1468 01:26:45,840 --> 01:26:49,640 Speaker 1: feeble attempts to make a feminist message feminist four to 1469 01:26:49,880 --> 01:26:54,080 Speaker 1: the year two thousand are just do not land or 1470 01:26:54,320 --> 01:26:57,080 Speaker 1: hold up in any sort of way today. And I 1471 01:26:57,080 --> 01:26:59,120 Speaker 1: don't even know that they would have been that year either, 1472 01:26:59,560 --> 01:27:03,400 Speaker 1: really afensive on everybody. It's just horribly done in every 1473 01:27:03,400 --> 01:27:07,240 Speaker 1: single way. So it's another example of you know, media 1474 01:27:07,320 --> 01:27:11,000 Speaker 1: that is you know, created and directed and co written 1475 01:27:11,160 --> 01:27:15,400 Speaker 1: by women that really fucking misses the mark. But as 1476 01:27:15,439 --> 01:27:18,280 Speaker 1: we have all admitted earlier in this episode, you know, 1477 01:27:18,479 --> 01:27:23,360 Speaker 1: but we've were growing. We all as people are continuing 1478 01:27:23,360 --> 01:27:26,719 Speaker 1: to wake up. So hopefully Nancy Myers is doing that also, 1479 01:27:27,840 --> 01:27:32,839 Speaker 1: wake up. It's not too late to stop. It snows 1480 01:27:33,880 --> 01:27:37,840 Speaker 1: join us. Um. So, yeah, this is a piece of 1481 01:27:37,840 --> 01:27:40,599 Speaker 1: ship movie and it gets zero nipples. Yeah, I'm the same. 1482 01:27:40,800 --> 01:27:44,000 Speaker 1: Zero nipples is just a fucking disaster on every level. 1483 01:27:44,200 --> 01:27:47,800 Speaker 1: The fact that it was so popular. Is it just 1484 01:27:48,000 --> 01:27:51,360 Speaker 1: means that, Yeah, we gotta keep we gotta keep questioning 1485 01:27:51,439 --> 01:27:54,640 Speaker 1: stuff just because the movie says, Hey, this is what 1486 01:27:54,720 --> 01:27:57,439 Speaker 1: you want. Don't don't. You don't have to be a 1487 01:27:57,479 --> 01:28:00,840 Speaker 1: great You don't have to agree. It's okay, you don't 1488 01:28:00,880 --> 01:28:04,439 Speaker 1: have to see the movie. Uh, you know, I God, 1489 01:28:04,520 --> 01:28:07,160 Speaker 1: I the only thing I'm grateful for is this movie. 1490 01:28:07,880 --> 01:28:09,840 Speaker 1: I mean, I guess it is being remade, but like 1491 01:28:09,880 --> 01:28:12,560 Speaker 1: it doesn't seem to have much of a following or 1492 01:28:12,800 --> 01:28:15,800 Speaker 1: a legacy anymore, especially for a movie that was this popular, 1493 01:28:16,360 --> 01:28:19,840 Speaker 1: like it made more money than Pretty Woman. But there's 1494 01:28:19,880 --> 01:28:23,439 Speaker 1: like movies like that, we'll still have a fan base. 1495 01:28:23,600 --> 01:28:27,760 Speaker 1: And yeah, like it's not not everything about every rom 1496 01:28:27,840 --> 01:28:33,040 Speaker 1: com that was successful in this era is completely abhorrent 1497 01:28:33,160 --> 01:28:36,400 Speaker 1: the way this is zero yeah, zero, it's it's the worst. 1498 01:28:36,400 --> 01:28:43,200 Speaker 1: And Mel gives it as ugly what a piece of ship. Zero. Anyway, 1499 01:28:43,240 --> 01:28:47,600 Speaker 1: I'll give it um one cat nipple can't be a 1500 01:28:47,680 --> 01:28:51,800 Speaker 1: human nipple because this movie is really inhumane. Um. I 1501 01:28:52,240 --> 01:28:54,639 Speaker 1: remember this one from my childhood, and I remember, like, 1502 01:28:55,479 --> 01:28:59,120 Speaker 1: I guess, oh, I don't even know how I enjoyed it, 1503 01:29:00,000 --> 01:29:03,160 Speaker 1: but it was nine, so you know, Lacy I'm not 1504 01:29:03,200 --> 01:29:05,680 Speaker 1: gonna I think the nostalgic nine year old me is like, 1505 01:29:05,720 --> 01:29:09,400 Speaker 1: you can have like an animal nipple. You know. This 1506 01:29:09,439 --> 01:29:11,599 Speaker 1: is why, because there's so many women that I love 1507 01:29:11,760 --> 01:29:16,200 Speaker 1: in this movie. Um, they're not utilized at all, but 1508 01:29:16,240 --> 01:29:18,559 Speaker 1: I do love seeing them. And I'm an actor, so 1509 01:29:18,640 --> 01:29:21,040 Speaker 1: sometimes I look at stuff and I'm like, oh, girl, 1510 01:29:21,040 --> 01:29:24,559 Speaker 1: but you got that chick though, So thanks Nancy for 1511 01:29:24,600 --> 01:29:27,479 Speaker 1: getting a bunch of women paid at least a supporting role. 1512 01:29:27,720 --> 01:29:31,760 Speaker 1: Sag rate Um, but unfortunately this movie can have no 1513 01:29:32,000 --> 01:29:36,120 Speaker 1: real lady nipples at all because it's so fucking abhorrent. 1514 01:29:36,200 --> 01:29:38,639 Speaker 1: I didn't even realize and store we started breaking down 1515 01:29:38,680 --> 01:29:44,200 Speaker 1: that Mersa Tomay gay scene, how disturbed it is on 1516 01:29:44,400 --> 01:29:47,839 Speaker 1: so many different levels. It's just this is bad. Guys. 1517 01:29:48,880 --> 01:29:51,760 Speaker 1: I don't want this, and I'm a woman, Yeah, I 1518 01:29:51,760 --> 01:29:54,800 Speaker 1: don't want it. Please ask any woman today if this 1519 01:29:54,960 --> 01:29:58,320 Speaker 1: is what they wanted. And I guess we should have 1520 01:29:58,360 --> 01:30:00,400 Speaker 1: known because you called the movie what Women, but you 1521 01:30:00,439 --> 01:30:04,920 Speaker 1: ain't call none of us beforehand, like hey, what do 1522 01:30:05,080 --> 01:30:07,759 Speaker 1: you want? This is what you want? You just decided 1523 01:30:07,880 --> 01:30:10,920 Speaker 1: this is what I wanted. I think the remakes should 1524 01:30:10,960 --> 01:30:14,160 Speaker 1: also be called what Women Want, because this time it's 1525 01:30:14,160 --> 01:30:16,920 Speaker 1: at least a woman who's the protagonist of the story, 1526 01:30:17,520 --> 01:30:20,479 Speaker 1: and we will get a sense of what she wants. 1527 01:30:20,760 --> 01:30:23,120 Speaker 1: But hearing is men's thoughts just seems like a hall 1528 01:30:23,320 --> 01:30:25,800 Speaker 1: like like I think they tried to make this is 1529 01:30:26,000 --> 01:30:27,920 Speaker 1: I think your boyfriend has onto something about this maybe 1530 01:30:28,000 --> 01:30:30,639 Speaker 1: being male Gibson's hell and this. But it's not a 1531 01:30:30,680 --> 01:30:34,519 Speaker 1: fair flip because hearing men's thoughts really would be my 1532 01:30:34,600 --> 01:30:36,439 Speaker 1: own personal hall. I don't want to know what they 1533 01:30:36,520 --> 01:30:38,320 Speaker 1: they can They're already doing too much with their face 1534 01:30:38,360 --> 01:30:40,799 Speaker 1: and the has and the mouth and their actual words. 1535 01:30:40,800 --> 01:30:43,720 Speaker 1: So men are allowed to say whatever they want, right, 1536 01:30:43,760 --> 01:30:48,479 Speaker 1: so we know what they're thinking. Hey, Blue sweat a 1537 01:30:48,600 --> 01:30:50,960 Speaker 1: nice ass? What else is back there? I don't want 1538 01:30:50,960 --> 01:30:53,679 Speaker 1: to know. I don't write what they're saying is going 1539 01:30:53,720 --> 01:30:55,840 Speaker 1: through a little bit of a filter, So like what 1540 01:30:56,080 --> 01:31:01,040 Speaker 1: is what is not unfiltered? Yes, I don't want to know. Well, 1541 01:31:01,200 --> 01:31:06,840 Speaker 1: we'll see. This was a trial. Yes, thank you for 1542 01:31:07,280 --> 01:31:10,800 Speaker 1: joining us. Sorry that we keep making you watch these 1543 01:31:11,200 --> 01:31:17,320 Speaker 1: upsetting movies two hours so long, but thank you so 1544 01:31:17,400 --> 01:31:21,800 Speaker 1: much for being here. We love you dearly. Where can 1545 01:31:21,880 --> 01:31:24,439 Speaker 1: people follow you online? What would you like to plug? Oh? 1546 01:31:24,520 --> 01:31:27,160 Speaker 1: You can follow me at d I V A l 1547 01:31:27,200 --> 01:31:30,800 Speaker 1: A C I DVA Lacey on all platforms, Twitter, Instagram, 1548 01:31:30,920 --> 01:31:38,760 Speaker 1: vm oh send me your money. Other people know I 1549 01:31:38,840 --> 01:31:43,599 Speaker 1: scam one up in my daily life. I'm known for it. Yes, 1550 01:31:43,880 --> 01:31:48,640 Speaker 1: thank you blessing the people by scamming them. Um, I 1551 01:31:49,000 --> 01:31:52,080 Speaker 1: so hope Bechtel tests. This is a show that it's 1552 01:31:52,120 --> 01:31:55,000 Speaker 1: about four women. Um, that I am one of the 1553 01:31:55,080 --> 01:31:57,880 Speaker 1: leads and called Florida Girls. And it'll be out in 1554 01:31:58,000 --> 01:32:01,439 Speaker 1: April on Pop TV, also beaming on either Netflix or Hulu. 1555 01:32:01,520 --> 01:32:04,840 Speaker 1: I'll have more fo by then. But it's about four 1556 01:32:04,920 --> 01:32:09,080 Speaker 1: women and it's a comedy and we never talk about men. 1557 01:32:09,800 --> 01:32:11,760 Speaker 1: We don't give a funk about them. And it's very 1558 01:32:11,960 --> 01:32:16,679 Speaker 1: very fun. Yes, um. And I'll be on Single Parents 1559 01:32:16,680 --> 01:32:22,080 Speaker 1: on ABC uh next month. Also yeah, um, not talking 1560 01:32:22,120 --> 01:32:29,840 Speaker 1: about men either. Yeah yeh never talked about working. Yes. 1561 01:32:30,200 --> 01:32:32,400 Speaker 1: And then if you're in l A, you see the theater. Um, 1562 01:32:32,439 --> 01:32:34,120 Speaker 1: you can see me on Mama on mid night or 1563 01:32:34,200 --> 01:32:38,000 Speaker 1: Leroy on Harold Nights. Awesome. Let's go to the show's Jamie. 1564 01:32:38,920 --> 01:32:43,960 Speaker 1: Oh goodness. Um. We are on social media as well 1565 01:32:44,040 --> 01:32:47,120 Speaker 1: at becktel Cast. You can subscribe to our Patreon ak 1566 01:32:47,320 --> 01:32:50,080 Speaker 1: Matron Patreon dot com. Slash packtel Cast and you get 1567 01:32:50,200 --> 01:32:52,800 Speaker 1: two bonus episodes every single month and it's only five 1568 01:32:52,880 --> 01:32:57,360 Speaker 1: dollars and uh our merch Go to t public dot 1569 01:32:57,400 --> 01:33:00,280 Speaker 1: com slash the Bechtel Cast and grab our T shirts 1570 01:33:00,320 --> 01:33:04,360 Speaker 1: and our feminist icm paraphernalia and all the goods are 1571 01:33:04,479 --> 01:33:09,439 Speaker 1: right there, and take care of yourselves. Don't watch this movie, 1572 01:33:09,439 --> 01:33:13,120 Speaker 1: you can watch it. And a good day, a great day. 1573 01:33:13,120 --> 01:33:14,920 Speaker 1: We'll see you next time. Bye bye,