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Speaker 1: I'll let you guys start out. I'll take you lean okay, okay.

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Speaker 2: All right, all right, yeah, that's how you want.

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Speaker 3: To do it. Okay, we can start this one.

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Speaker 2: We'll do it that way. This one is that not Kevin,

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Speaker 2: This one just Chris just told me.

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Speaker 3: Yeah, Hays and I are going to start.

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Speaker 1: I'm sorry, I'm sorry that was that was controlling of me.

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Speaker 2: Market take one record.

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Speaker 3: I want to record a little like opening thing. People

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Speaker 3: aren't freaked out.

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Speaker 2: I get like a hatter on it.

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Speaker 3: Uh huh.

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Speaker 1: I didn't think I was being rude by reclining. That's

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Speaker 1: the only reason I said that. I didn't want you

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Speaker 1: to think, Oh, Chris is lazy.

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Speaker 3: In a chair. That's not really. Oh No, that reclines

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Speaker 3: pretty nicely.

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Speaker 2: Yeah, it's built for it's got a little lean, it's.

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Speaker 1: Got some good No, I'm I'm pushing it. It doesn't

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Speaker 1: do that naturally. You're just pushing it really hard.

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Speaker 3: So are the front legs coming up off the ground?

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Speaker 1: No? No, this is steel. This is steel. Oh wow.

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Speaker 2: Okay.

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Speaker 3: The combination of heat and pressure is gracious me.

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Speaker 1: And velocity thirty five mph.

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Speaker 2: Even slows down Chris's footage because the movements are so

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Speaker 2: jerky and violent.

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Speaker 1: Zoom is doing it naturally.

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Speaker 3: I have it.

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Speaker 1: I have it on a on an mph smoother because

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Speaker 1: I'm I'm moving so fast that you guys would throw up.

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Speaker 3: Wow. Oh no, Tom Cruise is gonna hate that you're

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Speaker 3: smoothing your footage.

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Speaker 2: Yeah. Ryan Johnson's gonna kick in the door and as

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Speaker 2: video window.

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Speaker 3: But let's I like that. I love that idea.

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Speaker 2: Let's say I will start.

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Speaker 3: Let's do it. Here we go, see if it works.

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Speaker 3: Let's see real, real quick.

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Speaker 2: Actually, before we do, Chris, do you mind if we

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Speaker 2: play the song?

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Speaker 1: Oh my god, I regret, regret it.

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Speaker 3: Just say I regret, I regret, I catch all, I regret. Yeah.

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Speaker 2: Yeah, that's gonna work for the whole episode.

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Speaker 1: Here we go, Yeah, please please play it.

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Speaker 3: So what I have so far is he was a

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Speaker 3: tat boy. She said, I'm your waiter boy. There's no

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Speaker 3: potato for dinner, so the idea, but like he hes

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Speaker 3: a tater boy. He went to a restaurant and ordered potato. Yep,

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Speaker 3: and the wait, she says, wait, the server says, we

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Speaker 3: don't have potato. You can't disorder potato for dinner. And

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Speaker 3: so this is kind of the message that the Whole

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Speaker 3: Potatoes Council is trying to send that why is it, Like,

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Speaker 3: why why can't it be an entreck We're butchering the

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Speaker 3: potato every time we serve it. Why can't whole potato

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Speaker 3: be something that you order at a restaurant? But they

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Speaker 3: want to do the whole like for this spot, I

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Speaker 3: guess for the extended spot, they want the entire song.

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Speaker 2: So okay, so they're all right, so yeah, so they're

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Speaker 2: doing like a three minute version, yes, and then they

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Speaker 2: want to be able to chop it down and segment

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Speaker 2: it into like a sixty second like a what or

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Speaker 2: like a fifteen if it's like tagged on the front of.

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Speaker 3: Like yes, they're doing a huge digital thing, huge digital

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Speaker 3: by pop up that appears behind the window that you're

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Speaker 3: currently using and at the bottom of the screen, like

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Speaker 3: like not even really on screen. You have to drag

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Speaker 3: it into position to see the window. It's completely invisible.

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Speaker 2: It's so funny, like because you they request this full

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Speaker 2: length version, which great, you can luxuriate and all though

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Speaker 2: three minutes is a little too long, but I guess

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Speaker 2: Google's algorithm says that that's like the ideal time to

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Speaker 2: get click. I would think I wouldn't want a video

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Speaker 2: to be that, but I guess most people do. But

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Speaker 2: they're ignoring the fact that most people will only ever

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Speaker 2: see the thirty. And when you have a long cut

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Speaker 2: like that, the brutality of the thirty.

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Speaker 3: Is not at the forefront of your mind.

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Speaker 2: The brutality the viciousness of how aggressively you need to

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Speaker 2: chop down so you may not have time to ever

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Speaker 2: say the word potato in the thirty. All potato, okay,

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Speaker 2: so let's get it all. Let's get it all. Let's

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Speaker 2: get tater instead of potato because you don't have that

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Speaker 2: third syllable, right, and then it's it's the potato council.

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Speaker 3: It's not the tater council. So don't don't make me.

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Speaker 2: Drag it out and extend it if you're not prepared

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Speaker 2: to leave time on the day to get these alts

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Speaker 2: where we can say instead of like, so yours was

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Speaker 2: he was a tater boy.

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Speaker 3: Yes, we probably just have tater boy. It just as

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Speaker 3: tater boy. Well it's supposed to line up with the song,

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Speaker 3: I know, so it just comes in on tato. Sorry,

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Speaker 3: it just comes in on tater boy. Yeah, tater boy. Okay, wow,

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Speaker 3: but it's but I and I agree with the premise.

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Speaker 2: I actually think it's a good idea to get it

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Speaker 2: out there. Of like potato should be an entree. We

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Speaker 2: don't have to like fuck it up and like just

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Speaker 2: like mutilated every time. It's like put the potato down

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Speaker 2: and let's have dinner like a family.

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Speaker 3: Yes, the whole I mean, and the whole Potato Council

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Speaker 3: has been They fully anticipate that the French Fried Potato

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Speaker 3: Council is going to come try to bury this. Can't.

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Speaker 2: Is there any kind of social media separately? I just

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Speaker 2: think that like once you've built the.

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Speaker 3: World, and this is where I want Chris uh like,

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Speaker 3: I'd like Chris song parody, and I want his input

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Speaker 3: on the hashtag campaign as well. You were instrumental, sort

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Speaker 3: of behind the scenes in saving ap bio saving the

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Speaker 3: Good Place, which I don't think was ever really under

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Speaker 3: I remember necessarily, but like just in case, are.

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Speaker 1: You being served, I was instrumental in that one.

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Speaker 3: Yeah hashtag safe served.

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Speaker 2: Yeah, yes, you canceled Brooklyn nine nine, but then you

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Speaker 2: also did help it get saved.

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Speaker 1: I didn't help it.

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Speaker 3: I think you felt like the home I didn't help that.

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Speaker 1: No, No, I just watched it die and then someone

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Speaker 1: else brought it back. Yeah. I want yeah, I wanted

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Speaker 1: that one off.

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Speaker 3: I had heard that you brought it back to life,

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Speaker 3: remember to kill it again. You saved Babar. Yeah, yeah, yeah,

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Speaker 3: you say bab Bar. Huh.

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Speaker 1: Well I did the live action remake with Richard Gear

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Speaker 1: as Babar.

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Speaker 3: And they americanized it to with those.

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Speaker 1: Tiny little eyes, you know. But yeah, yeah, no, I

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Speaker 1: think I think, Tater boy, I mean, it's hard to

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Speaker 1: fully grasp what what it exactly it is that you're

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Speaker 1: just that you're talking. You're trying to push the potato

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Speaker 1: as an entre.

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Speaker 3: Right, the whole potato is something that you can go

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Speaker 3: at a restaurant and you can just order potato and

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Speaker 3: they will bring you.

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Speaker 2: Sit down and say potato, right, Yester, this is is this?

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Speaker 1: Is this a this is a campaign that you guys

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Speaker 1: must have been discussing prior, because you definitely started this

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Speaker 1: in the middle of it right as we started today.

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Speaker 3: Or is this this is a continuation of the discussion

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Speaker 3: that we were okay with.

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Speaker 2: Very late last night last night. Yeah, so we had it.

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Speaker 2: We both fell asleep in the middle of the conversation.

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Speaker 2: We both woke up, started the show, got it, and

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Speaker 2: so we just sort of picked up right where we

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Speaker 2: left up. We both fell asleep on the phone.

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Speaker 1: So that was that was off air, and then so

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Speaker 1: that important preamble was off air, and then you jumped in,

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Speaker 1: I got it. I got it. Okay, well from what

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Speaker 1: I understand, and you're talking about the goring of it,

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Speaker 1: which is going to happen to cut it down on

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Speaker 1: Sean right, Yes.

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Speaker 2: It's a mentality of the thirties.

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Speaker 1: It's like a woman getting at Yellowstone, Like, how that

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Speaker 1: that happens? Yeah, yeah, that happens every six month.

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Speaker 3: Every day. Yeah, yeah it is.

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Speaker 2: It's less than six months. I would say it's every

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Speaker 2: couple of weeks.

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Speaker 1: And they always say, God, it's always Gord, but.

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Speaker 2: The bison gores are and yeah, it's always that, like, well,

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Speaker 2: she shouldn't have been so close, and it's like, but

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Speaker 2: the bison's on the walking pad, like they have these

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Speaker 2: walking paths that you're not supposed to move away from.

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Speaker 3: Son to blame.

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Speaker 1: The bisons have the right, Well they're European, they pass

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Speaker 1: on them. They use left and right, and that's.

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Speaker 2: That's so much of it. Isn't it.

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Speaker 1: It's the American bison is Europeans so much of it.

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Speaker 1: But I think what you're saying ultimately, Sean, is that

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Speaker 1: you're gonna miss I mean, you're gonna be lucky to

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Speaker 1: even get Tator Boy.

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Speaker 2: In the let me plant, Let's write it to the

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Speaker 2: thirty because primarily, I mean, you're gonna be playing during

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Speaker 2: you know, uh, football games, the big football game. Yeah,

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Speaker 2: and so it's we're going to see it there more

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Speaker 2: so than people will see it on well, yeah, on

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Speaker 2: gas station TVs. So I I just think these long ones,

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Speaker 2: we put so much time into it, and like, yeah, okay,

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Speaker 2: in a perfect world, everybody's gonna click on this three

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Speaker 2: minute videos. I I don't know that people will seek

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Speaker 2: that out. And when I ask about social media, I

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Speaker 2: want your help, Chris, because my vision is post the

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Speaker 2: story of post, the story of whatever this song ends

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Speaker 2: up being that as you're scrolling through Twitter or your Facebook,

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Speaker 2: your Instagram, that there's a promoted post which is a

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Speaker 2: direct to camera video from the perspective of the the

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Speaker 2: server who was helping the tat boy say, you know,

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Speaker 2: saying how her expective has been changed, how she offers

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Speaker 2: potato now, and she can't believe she didn't. She's embarrassed

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Speaker 2: from the tat boy how happy is to get his

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Speaker 2: food now? And from the potato saying, this is how

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Speaker 2: I like to be eaten. And if you asked how age? Yeah,

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Speaker 2: how old is the thirty eight?

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Speaker 3: Thirty eight year old?

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Speaker 1: Oh?

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Speaker 2: Oh thirty eight?

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Speaker 3: Yeah?

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Speaker 1: Oh got it, he's in his late thirties.

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Speaker 3: Okay, he's a tater boy.

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Speaker 1: Okay, So I don't know if boy is exactly the

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Speaker 1: right term for that. You know, that's a that's an

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Speaker 1: elder millennial, that's a that is a tater. Well, you're

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Speaker 1: not gonna get tater boy in the in the jingle

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Speaker 1: at all. You're just gonna but for thirty second we

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Speaker 1: got we got to write around the thirty second thirty.

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Speaker 2: Second, which let's write it to the thirty and then

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Speaker 2: build off it, rather than writing this big, funny, awesome

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Speaker 2: thing and then and then getting in there with a

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Speaker 2: scalpel and like taking, you know, stealing these little moments

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Speaker 2: until it doesn't hang together at all.

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Speaker 1: It's just gonna be a snare drum, is all it's

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Speaker 1: gonna come down to.

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Speaker 2: That's what we're gonna hear. If we do it this way. So, like,

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Speaker 2: I appreciate the effort you put in, Hayes, and I

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Speaker 2: actually think it's good. We have to cut it down actually, okay, yeah, yeah,

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Speaker 2: it's good.

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Speaker 3: Wow.

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Speaker 1: Great, Yeah, I think it's gonna be I think we

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Speaker 1: need to think like industrial soundscape, and I think we

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Speaker 1: need to use uh, cold imagery cold Okay, kind of

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Speaker 1: think like kind of color corrected blue imagery, very slow

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Speaker 1: and uh, we're only gonna have time for two shots ultimately.

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Speaker 2: Sterrell Yeah, a sterile room with steel walls.

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Speaker 3: Okay. We have just as you're thinking about the color

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Speaker 3: temperature and things like that, we have Rich Voss as

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Speaker 3: the as the Tater boy. Got it. He can play

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Speaker 3: thirty eight. Yes, he can change his own color temperature

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Speaker 3: just you know, give him a couple of minut then

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Speaker 3: he will personally.

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Speaker 1: So so he's going to be doing a lot of

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Speaker 1: ad living. He's going to be kind of uncontrollable, and

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Speaker 1: he's going to be doing a lot of like very

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Speaker 1: tourist friendly nagging of the.

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Speaker 3: Crew, which for the thirty is god just like the

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Speaker 3: the abattoir that the editing bay is going to become.

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Speaker 3: With Rich's tourist friendly ad libbing, trying to fit that

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Speaker 3: into the thirty.

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Speaker 1: And Bonnie McFarlane texting him where are you?

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Speaker 3: He did say he did tell her.

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Speaker 1: No, No, he doesn't tell her shit. He's just there.

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Speaker 1: He's there in like a leather vest, wreaking of rereaking

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Speaker 1: of one michelob Ultra the night prior.

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Speaker 2: Well, and you get you know, you get him there

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Speaker 2: on the day and you.

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Speaker 1: Roll trying to keep you keep using the term on

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Speaker 1: the day, and it's it is turning me on a

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Speaker 1: little bit.

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Speaker 2: I get excited too about that level of you know,

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Speaker 2: that production.

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Speaker 3: Uh, when you're actually there and it's a live set,

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Speaker 3: it's a hot set.

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Speaker 2: Lock it down, yes, and it sound speed right, Mike.

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Speaker 1: Mike moving, Mike moving through, Mike.

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Speaker 2: Flying sounds good. Yeah, And we're holding for the plane.

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Speaker 1: Holding for yeah. I know you're making me sweat right now.

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Speaker 2: That that No, it's incredible, the feeling of being there.

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Speaker 1: But you do know, Sean that I'm on set right now?

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Speaker 1: Do you know that? Do you know? For? What did

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Speaker 1: you read about it?

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Speaker 2: Actually? Is it our competing vegetable ad campaign?

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Speaker 1: Slightly? I mean it's it's it's we're on the same

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Speaker 1: lot and I didn't want to tell you about this,

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Speaker 1: but we're Michael Man is reshooting Collateral with me and

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Speaker 1: Randy Rainbow and I'm playing to Cruise is part. It's

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Speaker 1: for twenty k. He goes. I want to He goes,

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Speaker 1: I want to remake Collateral with people who were famous

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Speaker 1: on Facebook in twenty sixteen. I liked Collateral and and

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Speaker 1: Randy Rainbow is playing Jamie Fox. He's got these tiny

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Speaker 1: shitty glasses. He looks like shit. And I'm and I'm

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Speaker 1: Tom Cruise. I'm Tom Cruise's part. I got gray hair,

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Speaker 1: and I'm holding a gun to Randy's head saying drive

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Speaker 1: the car, motherfucker. Right right, Yeah, it's really really so.

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Speaker 3: I heard that you're both getting paid twenty k and

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Speaker 3: it's being shot in twenty.

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Speaker 1: K that we'll see. People are showing up seeing the

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Speaker 1: early screen Cruise people, you don't want to see Randy

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Speaker 1: Rainbow in me in beautiful twenty k. You're seeing, you're

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Speaker 1: seeing cells of the eye. And if we showed it

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Speaker 1: at con and everyone threw up facing each other, everyone

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Speaker 1: started and we were just showing the daily.

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Speaker 3: Four minutes standing throw up.

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Speaker 1: Yep, yep, yep, and uh, Randy timed it and then wow,

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Speaker 1: and Randy and I aren't on speaking stories because I

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Speaker 1: had a thing with his wife. And yeah, he has

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Speaker 1: a wife.

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Speaker 3: He has a wife.

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Speaker 1: He's faking it. He voted for Trump and he has

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Speaker 1: a wife.

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Speaker 3: Oh no, yeah, Angela Rainbow. Wow, Yes, yeah, I heard.

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Speaker 3: I heard that. You can really see you can see

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Speaker 3: Randy Rainbow's eye floaters.

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Speaker 1: Oh. This guy has never had a fruit or vegetable

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Speaker 1: in his life. This guy's living off a hotdog buns.

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Speaker 1: That's his primary source of protein.

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Speaker 2: Oh my god. Yeah sounds so good to me because

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Speaker 2: I like Collateral. But I you know, I look at

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Speaker 2: these movie stars up there, and I go, wat, can

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Speaker 2: I please see someone who looks like me on screen?

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Speaker 3: Like I have? I have scurvy? You know, I have

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Speaker 3: a wife, right right, I'm very sick.

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Speaker 2: Right, and and I never watched that. It's always Tom Cruise,

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Speaker 2: and I go, exactly, so, this guy's got a lot

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Speaker 2: of problems. Yeah right, Tom Cruise, No, he's doing well.

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Speaker 3: What about me?

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Speaker 2: I'm very sick. You know, I go to the theater.

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Speaker 2: I assume this will be in the theater.

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Speaker 1: Yeah yeah, yeah, definitely. I mean we're shooting it in twenty

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Speaker 1: four hours.

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Speaker 2: So I go to the theater and I go, can

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Speaker 2: I see one person on screen who looks like me,

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Speaker 2: who's physically ill, and who was VI prepared to be filmed?

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Speaker 1: Right right? Yeah, someone who looks like like a like

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Speaker 1: an older cousin. That that doesn't leave the house. And

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Speaker 1: that's why Michael Man said, I want to do it

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Speaker 1: with you two, and yeah, so I didn't want to.

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Speaker 1: I didn't want to distract from I just wanted to

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Speaker 1: let you know we're on the same lot right now.

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Speaker 2: And so no, I didn't know. It's not distracting at all.

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Speaker 2: In fact, it really fills in the world for me.

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Speaker 1: Good, good, good good, Michael Mann says. He says, let

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Speaker 1: me be clear about this. It's going to suck. He

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Speaker 1: said that at the table read before we even started it.

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Speaker 2: I love I love that take charge attitude, just get

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Speaker 2: in front set the mission statement. Yeah, yeah it does. Yeah,

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Speaker 2: it sounds like it could, uh could really suck, which

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Speaker 2: is which is cool. Like that's the thing for me

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Speaker 2: now is I want to see something that sucks. Like

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Speaker 2: I go to the movie theater and it's Tom Cruise

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Speaker 2: or whatever, and I'm going like, why doesn't this suck?

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Speaker 4: Like my life sucks. I don't feel good. It is

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Speaker 4: very hard for me to do just about anything. So like,

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Speaker 4: where's that experience? Like why doesn't it feel like? I

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Speaker 4: guess sometimes the guy on screen is having a hard day, but.

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Speaker 2: He's Tom Cruise. How hard could it be? What I

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Speaker 2: want is the guy looks like he's not doing well

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Speaker 2: and it feels unprofessional, Like I go like, oh, whoever

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Speaker 2: was doing this, like behind the camera was going through

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Speaker 2: something very unfortunate similar to my life circumstance.

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Speaker 1: Oh, it's never had a proper victory in his life

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Speaker 1: and also has he never had a glass of water

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Speaker 1: at best? Sparkling water is and that's that's how we're

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Speaker 1: hydrated by SODA's.

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Speaker 2: You know is drinking Yeah, is drinking sparkling water. And

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Speaker 2: not a name brand? No, like like no higher than

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Speaker 2: the Michael Bouble Bubbly brand sparkling water. Can they get

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Speaker 2: access to?

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Speaker 1: Good?

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Speaker 3: And gather is primarily what It's a combination of two

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Speaker 3: words from other brands. It's like crystal springs.

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Speaker 1: Tricks you exactly if you're in a rush, it tricks you.

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Speaker 1: It's like people using like coffee shops using the Starbucks font.

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Speaker 3: Arrow guyser.

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Speaker 1: Didn't didn't Joe Biden send out that Michael blue Blaze

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Speaker 1: Seltzer with all those COVID tests. Yes, didn't we get those?

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Speaker 2: Yeah?

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Speaker 3: He was great blue it was grape. I got blue redsbanes. Okay,

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Speaker 3: oh they.

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Speaker 2: Did mix it up. I was wondering. I said, did

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Speaker 2: everybody get grape? My parents got grape too, So I

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Speaker 2: got sock. Maybe it was alphabetical flavored.

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Speaker 1: I got Michael blue Blaze, but Boulez sock. He goes this,

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Speaker 1: he goes buckle out. This is bou Blaze.

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Speaker 3: Sake sake Boo Blaze, Wow.

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Speaker 1: Sake Boublay and his son. He makes his son chug it.

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Speaker 1: Oh no, yeah, yeah, he gets his on sake sake. Buzzed.

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Speaker 3: I was at the store yesterday.

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Speaker 2: They had Pokemon flavored Boublay, not even any specific one, No,

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Speaker 2: just Pokemon. No, it was Sean Pokemon b bla.

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Speaker 1: I didn't recognize your voice. I thought that was a

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Speaker 1: fifth member of the chat right now coming in and

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Speaker 1: sharing that.

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Speaker 3: I didn't.

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Speaker 1: I didn't even place that with you. It was like

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Speaker 1: a totally different man, Chris.

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Speaker 3: I get fired up. The conversations about the store will

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Speaker 3: sort of bring out.

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Speaker 2: When I think about the store, that's where I'm really alive.

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Speaker 1: The store. Mm hmm, like we're one family.

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Speaker 2: Yeah, yes, we talked about the store when Sean thinks

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Speaker 2: about the store.

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Speaker 5: This week on the Patreon carl And asan check in

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Speaker 5: on their fantasy football team, the Boys help producer Josh

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00:20:53,440 --> 00:20:56,199
Speaker 5: with his email phishing class, and the Flagrant Ones are

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00:20:56,280 --> 00:20:59,840
Speaker 5: joined by Nick Wiger to mostly talk all things basketball.

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Speaker 5: Check out all these shows and the video for today's

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Speaker 5: episode with.

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Speaker 3: Chris at patreon dot com.

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Speaker 6: Slash the Flagrant Ones.

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Speaker 1: Yeah, I mean I think that I think the Tato

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Speaker 1: Boy thing, I think I think it's I think it's

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Speaker 1: a really good campaign because it is important to push

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Speaker 1: the idea of a potato as an andre and and

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Speaker 1: I think you need to think about who you're gearing

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Speaker 1: it towards it.

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Speaker 2: And it's so fucking big, the potato. Yeah, I mean,

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Speaker 2: really think about it verst like some of the other

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Speaker 2: stuff we eat.

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Speaker 1: Totally it's starchy and it's bit you're talking.

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Speaker 2: This motherfucker's big, Like that's not an entre.

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Speaker 1: Well, you're right, it should be seen as a chicken.

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Speaker 1: Potato should be seen as like the same fucking difference.

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Speaker 1: It's a meat it is.

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Speaker 3: If we continue from uh, there's no potato for dinner.

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Speaker 2: Yeah, potato for dinner that I.

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Speaker 3: Was in the part of the song. I guess it's

404
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Speaker 3: the end where with the guitar. Now he's a superstar

405
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Speaker 3: slamming on his guitar.

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Speaker 1: So, oh, you don't want to change the lyrics at all,

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Speaker 1: You want to just keep the eyebell pipe.

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Speaker 3: No, I'm sorry, I'm just anchoring this, this discussion in

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Speaker 3: the lyrics.

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Speaker 2: He's orienting.

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Speaker 1: Yeah, yeah, rich Voss just starts splashing water on himself,

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Speaker 1: hearing about the idea of him playing a superstar.

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Speaker 2: Well there is a Voss water too, that could.

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Speaker 1: Be wow, that could see that.

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00:22:36,160 --> 00:22:38,280
Speaker 3: Second ass or he just scratches it up with his

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Speaker 3: finger because he's nervous. He's actually really shy.

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Speaker 1: What if it's a really what if it's silent, and

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Speaker 1: what if it's what if we ditch all this and

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Speaker 1: this is going to be more subliminal, and what if

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Speaker 1: it's an image of So we take rich Voss and

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Speaker 1: then through computer animation, he slowly morphs into one of

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Speaker 1: those pristine glass bottles of Voss water. Over the course

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Speaker 1: of thirty second three minutes would be even better because

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Speaker 1: it would be.

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Speaker 2: Well Chris to stop you. Yeah, when we talk about

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Speaker 2: the thirty second spot, you actually have more like twenty

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Speaker 2: two seconds.

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Speaker 1: Oh wait, so you're adding as into.

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Speaker 2: With there's there's bumpers, there's there's pumpers on it.

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Speaker 3: We need, you know, we have to make room for

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Speaker 3: the montage.

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Speaker 2: There's a there. You know, there's the potato counsole.

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Speaker 3: The French that has bought an ad within the whole

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Speaker 3: the whole potato count.

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Speaker 1: The potato men have bought account. Okay, so the.

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Speaker 3: French fried potato men.

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Speaker 1: Yes, got it, got it.

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Speaker 2: But you have more like twenty two seconds to tell

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Speaker 2: your story. But then they're going to do their work.

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Speaker 1: And then the eight second AD on top of that

441
00:23:44,520 --> 00:23:47,320
Speaker 1: hasn't hasn't added. But so it's basically you're adding an

442
00:23:47,359 --> 00:23:50,200
Speaker 1: ad tessellation. Right, so for every ad.

443
00:23:49,960 --> 00:23:52,359
Speaker 2: So eight that's not that. Yeah, that has nothing to

444
00:23:52,400 --> 00:23:52,720
Speaker 2: do with me.

445
00:23:52,920 --> 00:23:53,600
Speaker 3: You may be right.

446
00:23:54,520 --> 00:23:57,960
Speaker 2: Just the for the third second spot, we have we

447
00:23:58,040 --> 00:24:00,760
Speaker 2: have twenty two seconds to tell our story. So if

448
00:24:00,800 --> 00:24:04,080
Speaker 2: you want him to turn into a water bottle, uh,

449
00:24:05,960 --> 00:24:09,240
Speaker 2: I like it, We're gonna have to speed it up.

450
00:24:09,440 --> 00:24:12,080
Speaker 3: There's stuff about it. I really like yank you.

451
00:24:12,200 --> 00:24:17,280
Speaker 2: Yeah, okay, it doesn't get me to potato in the

452
00:24:17,400 --> 00:24:19,200
Speaker 2: same way Tato boy did.

453
00:24:20,240 --> 00:24:25,200
Speaker 1: How though, huh, I'm asking how, No, how.

454
00:24:25,640 --> 00:24:28,359
Speaker 3: Voss becoming the water bottle of water bottle.

455
00:24:28,440 --> 00:24:30,400
Speaker 1: How don't you see the idea of a potato in there.

456
00:24:32,359 --> 00:24:37,040
Speaker 2: I'm gonna need a moment just because I'm afraid that

457
00:24:37,160 --> 00:24:39,240
Speaker 2: I should feel embarrassed.

458
00:24:40,320 --> 00:24:43,679
Speaker 1: Okay, I have another idea instead of okay, to be

459
00:24:43,760 --> 00:24:45,960
Speaker 1: more potato. You're right, You're right, it's not you. You

460
00:24:46,000 --> 00:24:47,000
Speaker 1: shouldn't be embarrassed on you.

461
00:24:47,040 --> 00:24:47,359
Speaker 3: You're right.

462
00:24:47,359 --> 00:24:48,560
Speaker 1: There's not a lot of potato in there.

463
00:24:48,600 --> 00:24:51,440
Speaker 2: What I guess the potatoes like I guess the Voss

464
00:24:51,560 --> 00:24:53,800
Speaker 2: water bottle, more than any other water bottle on the market,

465
00:24:54,000 --> 00:24:56,320
Speaker 2: is just a tube, and a potato is a.

466
00:24:56,240 --> 00:24:59,800
Speaker 1: Tuber's and Rich Voss himself. Think about that. You're not

467
00:24:59,800 --> 00:25:02,960
Speaker 1: thinking about looking into that man's eyes. Imagine he's trapped now,

468
00:25:03,000 --> 00:25:05,880
Speaker 1: he's tiny, he's trapped in a Voss in a Vass

469
00:25:05,960 --> 00:25:08,680
Speaker 1: water bottle, and he's screaming, get me the fuck out

470
00:25:08,680 --> 00:25:12,520
Speaker 1: of here, Get me the fuck out of here.

471
00:25:11,800 --> 00:25:14,320
Speaker 2: Where the ad just because the ad is going to

472
00:25:14,400 --> 00:25:16,800
Speaker 2: run on network and stuff ideal. If we want to

473
00:25:16,800 --> 00:25:19,960
Speaker 2: get eyes, he's not going to be able to say swear.

474
00:25:20,240 --> 00:25:23,520
Speaker 3: Fuck. Yeah, you can say bitch. You could say get

475
00:25:23,520 --> 00:25:24,480
Speaker 3: me the bitch out of here.

476
00:25:25,359 --> 00:25:29,359
Speaker 1: Yeah, get me Kama the bitch out of here. So

477
00:25:30,880 --> 00:25:34,960
Speaker 1: Rich Voss is the bitch starring in Rich So it's

478
00:25:34,960 --> 00:25:39,480
Speaker 1: called Tater Boy. It's almost like waiting for Godo. We

479
00:25:39,520 --> 00:25:42,399
Speaker 1: never see tat Boy. What we what we see is

480
00:25:42,480 --> 00:25:45,800
Speaker 1: Rich Voss playing the bitch. So the tat Boy is

481
00:25:46,000 --> 00:25:50,560
Speaker 1: this very very loud off screen presence that we never

482
00:25:50,800 --> 00:25:53,760
Speaker 1: we feel but we don't see. I think that the

483
00:25:53,800 --> 00:25:56,080
Speaker 1: imagination is stronger than any visual So this is going

484
00:25:56,160 --> 00:25:59,080
Speaker 1: to get people salivating over the idea of potato.

485
00:25:59,320 --> 00:26:02,440
Speaker 3: Is it possible to format the bitch like the Witch

486
00:26:02,480 --> 00:26:06,000
Speaker 3: did with two b with two v's, Yeah, said, it's

487
00:26:06,040 --> 00:26:06,840
Speaker 3: two bees.

488
00:26:06,920 --> 00:26:11,560
Speaker 1: Two bees sacked vertically like bunk beds. Yeah, the bitch,

489
00:26:12,280 --> 00:26:16,080
Speaker 1: the the ditch. I think pronounce that.

490
00:26:16,800 --> 00:26:20,440
Speaker 2: For good do. It's like an S and M element

491
00:26:20,520 --> 00:26:25,080
Speaker 2: to this thing, Like is there like a kink thing happening?

492
00:26:26,400 --> 00:26:26,560
Speaker 1: Yeah?

493
00:26:26,800 --> 00:26:27,760
Speaker 3: Am I crazy?

494
00:26:28,000 --> 00:26:31,000
Speaker 1: Yeah? You see? I don't think so Okay, I don't

495
00:26:31,040 --> 00:26:33,760
Speaker 1: you mean between the two men you think you think

496
00:26:33,800 --> 00:26:35,479
Speaker 1: they're aroused by the waiting.

497
00:26:36,040 --> 00:26:39,200
Speaker 2: Some somebody's like, on a leash in this thing.

498
00:26:39,840 --> 00:26:42,240
Speaker 1: You're you're absolutely.

499
00:26:41,640 --> 00:26:45,120
Speaker 2: Is it Ponzo or whatever on a fucking leash? Like

500
00:26:45,760 --> 00:26:47,320
Speaker 2: we don't think the guy who wrote this.

501
00:26:49,280 --> 00:26:56,600
Speaker 1: Pongo Pongo and Purty Yeah, are on leashes, and Queek

502
00:26:56,640 --> 00:26:58,560
Speaker 1: Weg is it one of the name Creek Wegg, Yes,

503
00:26:59,280 --> 00:27:02,120
Speaker 1: I think so, and one of them are all fours,

504
00:27:02,160 --> 00:27:04,160
Speaker 1: I think yeah. Yeah.

505
00:27:04,200 --> 00:27:08,199
Speaker 2: So it's like just like we're all like, ooh, this

506
00:27:08,480 --> 00:27:12,240
Speaker 2: smart play. It's like this freak's just trying to get off.

507
00:27:13,960 --> 00:27:16,640
Speaker 2: He's just gotta fucking kink. And he goes like, ah,

508
00:27:16,800 --> 00:27:18,960
Speaker 2: can I make people do this in front of me?

509
00:27:19,040 --> 00:27:22,080
Speaker 2: And everyone says it's good and it's okay, and it's like, yeah,

510
00:27:22,240 --> 00:27:26,479
Speaker 2: just tell everybody it's smart and act all weird. It's like, dude,

511
00:27:26,840 --> 00:27:29,040
Speaker 2: why aren't you like me? You just get right out

512
00:27:29,080 --> 00:27:33,240
Speaker 2: in front of it and go, this is what I'm into, okay.

513
00:27:33,960 --> 00:27:37,439
Speaker 2: Rich Voss trapped in a water bottle is how I

514
00:27:37,720 --> 00:27:38,320
Speaker 2: get there.

515
00:27:39,720 --> 00:27:42,760
Speaker 1: It's the only thing that's gonna get me there. Rich

516
00:27:42,880 --> 00:27:45,879
Speaker 1: Voss trapped in a beautiful tank, not able to text

517
00:27:45,960 --> 00:27:49,640
Speaker 1: his bride Bonnie McFarlane, screaming, get me the bitch out

518
00:27:49,640 --> 00:27:55,040
Speaker 1: of here. That is, that's the only way to get

519
00:27:55,040 --> 00:27:55,600
Speaker 1: me there too.

520
00:27:56,040 --> 00:27:59,920
Speaker 3: Right now, we're gonna have to right against a little.

521
00:28:00,040 --> 00:28:04,280
Speaker 3: This could actually really work because when the French Fried

522
00:28:04,320 --> 00:28:06,639
Speaker 3: Potato Council ad comes in, it comes in the middle

523
00:28:07,560 --> 00:28:09,200
Speaker 3: and they they did get voss.

524
00:28:10,600 --> 00:28:14,920
Speaker 2: They that was a big L for us. We took

525
00:28:14,960 --> 00:28:19,280
Speaker 2: a major L when the star of our campaign signed

526
00:28:19,280 --> 00:28:22,040
Speaker 2: with the competitor for an AD that was going to

527
00:28:22,160 --> 00:28:24,040
Speaker 2: take place in the center.

528
00:28:23,800 --> 00:28:28,680
Speaker 3: Of our ass. Yes, and so he says.

529
00:28:27,880 --> 00:28:30,359
Speaker 2: That undercut us and for less money than we paid.

530
00:28:30,520 --> 00:28:33,680
Speaker 1: I think both sides that that did us. That's not

531
00:28:33,720 --> 00:28:36,520
Speaker 1: good for either of you guys. Yeah.

532
00:28:36,560 --> 00:28:38,400
Speaker 3: I don't know if it's for them, but it's an

533
00:28:38,560 --> 00:28:42,800
Speaker 3: L for us. Yes, Yeah, and so I know from

534
00:28:42,840 --> 00:28:46,600
Speaker 3: the cut I've seen they he says that he was lying,

535
00:28:48,200 --> 00:28:51,400
Speaker 3: and he says that they he says.

536
00:28:51,160 --> 00:28:53,840
Speaker 2: Don't watch the rest, which is like gonna kill us

537
00:28:54,320 --> 00:28:57,680
Speaker 2: in the back half when we've in the test markets

538
00:28:57,680 --> 00:29:01,960
Speaker 2: that we've started to roll out sort of people into this. Yeah,

539
00:29:02,080 --> 00:29:04,600
Speaker 2: they they do end up not watching the rest. I

540
00:29:04,640 --> 00:29:07,360
Speaker 2: gotta say him signing, I haven't taken an L that

541
00:29:07,600 --> 00:29:09,680
Speaker 2: big since I was in Chicago.

542
00:29:11,840 --> 00:29:17,840
Speaker 3: Wow, Wow, I mean sea because the l there is huge,

543
00:29:18,480 --> 00:29:19,080
Speaker 3: so big.

544
00:29:19,240 --> 00:29:22,520
Speaker 1: I gotta asks. Can you tell me about the big

545
00:29:22,640 --> 00:29:24,400
Speaker 1: the major L that you took in Chicago?

546
00:29:25,080 --> 00:29:28,240
Speaker 3: Yeah, giant metal bean fell on me.

547
00:29:31,240 --> 00:29:35,880
Speaker 1: Talk about it. Yeah, you took a major L there.

548
00:29:37,520 --> 00:29:40,040
Speaker 2: Yeah, that big ass fucking bean fell on my foot.

549
00:29:40,080 --> 00:29:42,240
Speaker 2: I thought it was steady, sturdy, you know. I thought

550
00:29:42,280 --> 00:29:44,960
Speaker 2: you could like me push on it and stuff.

551
00:29:45,040 --> 00:29:48,880
Speaker 1: Yeah, take a date there? Were you humiliated in front

552
00:29:48,880 --> 00:29:49,360
Speaker 1: of your date?

553
00:29:50,320 --> 00:29:52,360
Speaker 2: Yeah? My date didn't want to, you know, she don't

554
00:29:52,400 --> 00:29:54,560
Speaker 2: want somebody with a big, fat foot like that. My

555
00:29:54,640 --> 00:29:57,800
Speaker 2: foot swelled up like a balloon immediately. I think I

556
00:29:57,880 --> 00:30:00,400
Speaker 2: was allergic to the metal of the bean and shouldn't

557
00:30:00,440 --> 00:30:01,360
Speaker 2: getting my foot her.

558
00:30:01,520 --> 00:30:03,520
Speaker 1: A lot of people are allergic to the bean. Yeah,

559
00:30:03,680 --> 00:30:07,080
Speaker 1: and the Chicago the giant one. Yeah, there's a there's

560
00:30:07,120 --> 00:30:08,440
Speaker 1: like a it's like an old medal.

561
00:30:08,520 --> 00:30:08,560
Speaker 3: No.

562
00:30:08,800 --> 00:30:13,480
Speaker 2: My date was basically like, you know, this is it

563
00:30:13,640 --> 00:30:16,680
Speaker 2: in terms of you getting lucky tonight.

564
00:30:17,560 --> 00:30:21,160
Speaker 1: Last time, last time we talked, Sean, I am I did.

565
00:30:21,320 --> 00:30:23,960
Speaker 1: I was in Tallahassee. I remember flooring it to my

566
00:30:24,000 --> 00:30:27,800
Speaker 1: Airbnb to to spend spend five beautiful minutes with you guys.

567
00:30:27,800 --> 00:30:28,840
Speaker 1: And I hate to bring this up.

568
00:30:28,840 --> 00:30:29,280
Speaker 3: But something.

569
00:30:29,280 --> 00:30:31,240
Speaker 1: It's something that I thought about quite a bit since

570
00:30:31,880 --> 00:30:34,800
Speaker 1: at this time you were you were, you were in

571
00:30:34,840 --> 00:30:36,960
Speaker 1: the midst of a sick.

572
00:30:36,760 --> 00:30:39,960
Speaker 2: There was sort of a sexual sexual game with my

573
00:30:40,000 --> 00:30:41,200
Speaker 2: wife taking place.

574
00:30:41,400 --> 00:30:43,880
Speaker 1: Yeah, I haven't stopped thinking about it.

575
00:30:43,880 --> 00:30:47,160
Speaker 2: It was this cutkink fetige that got so out of hand.

576
00:30:47,760 --> 00:30:50,920
Speaker 1: She was she was so kink plays a major role

577
00:30:50,960 --> 00:30:54,320
Speaker 1: in your life. And and you were you were saying

578
00:30:54,360 --> 00:30:56,800
Speaker 1: that she would just stare at you from a top

579
00:30:56,840 --> 00:30:59,640
Speaker 1: of the stairs and just kind of like because I

580
00:30:59,640 --> 00:31:01,800
Speaker 1: think I was overalls, And he said, it reminded you

581
00:31:01,880 --> 00:31:02,800
Speaker 1: of what the game.

582
00:31:03,000 --> 00:31:06,640
Speaker 2: Yeah, that she would sort of remove oneolde mine fell

583
00:31:07,040 --> 00:31:12,640
Speaker 2: and yeah, and it was. It was rather enticing, I

584
00:31:12,720 --> 00:31:15,760
Speaker 2: suppose to most. But what was actually exciting to me

585
00:31:15,920 --> 00:31:17,320
Speaker 2: was that I knew it wasn't for me. It was

586
00:31:17,320 --> 00:31:20,479
Speaker 2: for a guy standing right behind me. He was a

587
00:31:20,520 --> 00:31:25,240
Speaker 2: young artist in town. Oh my god, just passing through.

588
00:31:25,160 --> 00:31:28,200
Speaker 1: Really like just a passing artist. What kind of art

589
00:31:28,360 --> 00:31:28,480
Speaker 1: was he?

590
00:31:28,960 --> 00:31:29,920
Speaker 3: A touring artist?

591
00:31:30,360 --> 00:31:34,000
Speaker 2: Well, he was sculpturing. He was he was sculpting my wife.

592
00:31:34,280 --> 00:31:34,920
Speaker 1: Oh my god.

593
00:31:35,560 --> 00:31:37,440
Speaker 3: Yeah, wow, he.

594
00:31:37,680 --> 00:31:39,880
Speaker 2: Was doing something else to her too, right.

595
00:31:39,880 --> 00:31:42,800
Speaker 1: Right now, I remember I remember hearing about that and.

596
00:31:42,960 --> 00:31:46,520
Speaker 2: Meanwhile, I'm now in order to get her excited, I

597
00:31:46,600 --> 00:31:50,320
Speaker 2: have to murder him. And then the only way for

598
00:31:50,360 --> 00:31:52,480
Speaker 2: me to calm down is to go out to my

599
00:31:52,600 --> 00:31:57,960
Speaker 2: snails sails and just sort of smirk, just kind of

600
00:31:58,160 --> 00:32:04,240
Speaker 2: smirk at these beautiful creetures and their mucus covered bodies them.

601
00:32:04,440 --> 00:32:06,160
Speaker 1: It wasn't the snails, it was you. You have to

602
00:32:06,200 --> 00:32:08,120
Speaker 1: smirk at them for yourself to colm down.

603
00:32:08,320 --> 00:32:12,160
Speaker 2: I smirk, and then they sort of ooze their way

604
00:32:12,200 --> 00:32:14,800
Speaker 2: around my hand and forearm.

605
00:32:15,280 --> 00:32:19,280
Speaker 1: This this does not sound like an ideal adulthood, Sean.

606
00:32:19,200 --> 00:32:22,240
Speaker 2: Well, you won't believe what I did next, Chris. Is

607
00:32:22,320 --> 00:32:27,440
Speaker 2: I I put the man's wallet, the victim of my murder,

608
00:32:27,880 --> 00:32:30,840
Speaker 2: in this cutkink fetish at the very bottom of the

609
00:32:30,920 --> 00:32:32,800
Speaker 2: snail tank inside my shack.

610
00:32:33,440 --> 00:32:34,440
Speaker 3: Well that's evidence.

611
00:32:35,480 --> 00:32:38,280
Speaker 2: It's almost like I wanted to get caught, not unlike

612
00:32:38,280 --> 00:32:38,800
Speaker 2: my wife.

613
00:32:40,240 --> 00:32:43,880
Speaker 3: So you come home from your date to your wife

614
00:32:44,600 --> 00:32:49,680
Speaker 3: with this balloon foot she obviously like puts together everything.

615
00:32:49,840 --> 00:32:51,680
Speaker 1: Oh, this was a separate date from your wife. This

616
00:32:51,720 --> 00:32:52,520
Speaker 1: was another woman.

617
00:32:52,960 --> 00:32:55,720
Speaker 2: This is I thought maybe it could maybe it could

618
00:32:55,720 --> 00:32:59,160
Speaker 2: work both ways. You know, Okay, she's out doing.

619
00:32:58,880 --> 00:33:01,920
Speaker 1: All this, liked knows what with this traveling artist and me.

620
00:33:02,200 --> 00:33:04,880
Speaker 3: Yeah, I actually know what I watched them.

621
00:33:05,280 --> 00:33:08,800
Speaker 2: Uh, but I you know, I think, well, maybe, you know,

622
00:33:08,920 --> 00:33:12,200
Speaker 2: maybe this time she'll have to kill someone. You know,

623
00:33:12,840 --> 00:33:15,520
Speaker 2: she'll be the one in the snail shack. Although I

624
00:33:15,520 --> 00:33:16,360
Speaker 2: don't really want her to.

625
00:33:16,280 --> 00:33:16,640
Speaker 3: Go in there.

626
00:33:16,680 --> 00:33:20,360
Speaker 2: It's kind of mine, but I think we'll mix it up.

627
00:33:20,440 --> 00:33:22,680
Speaker 2: You know, it's gotten a little stale to cutkink fetish

628
00:33:23,480 --> 00:33:25,160
Speaker 2: six psycho sexual game.

629
00:33:25,600 --> 00:33:27,880
Speaker 1: That's what I remember. It's a six psycho sexual game.

630
00:33:27,920 --> 00:33:30,800
Speaker 2: It was sick, but I think, well, maybe this will

631
00:33:30,800 --> 00:33:34,680
Speaker 2: make it healthier. I go on a date and to Chicago.

632
00:33:34,800 --> 00:33:36,360
Speaker 2: You know, we go to see the bean.

633
00:33:36,600 --> 00:33:38,680
Speaker 1: You flew from you flew that's a pretty big flight,

634
00:33:39,000 --> 00:33:40,240
Speaker 1: a good three four hours flight.

635
00:33:40,400 --> 00:33:41,800
Speaker 3: Yeah, we were in New Orleans.

636
00:33:41,800 --> 00:33:45,840
Speaker 2: I think, my wife and I and then I say, well,

637
00:33:45,920 --> 00:33:47,720
Speaker 2: let's you know, I'm not going to go on a

638
00:33:47,800 --> 00:33:50,640
Speaker 2: date right here, like, let's go to Chicago. I've been

639
00:33:50,680 --> 00:33:53,000
Speaker 2: meaning to get a look at that bean anyway, kind

640
00:33:53,000 --> 00:33:53,960
Speaker 2: of to push it around.

641
00:33:55,120 --> 00:33:56,880
Speaker 1: Oh yeah, yeah, you want You wanted to see it,

642
00:33:56,920 --> 00:33:58,960
Speaker 1: but you also wanted to do what everyone's doing to it,

643
00:34:00,160 --> 00:34:02,560
Speaker 1: just maybe to feel like you're impacting because you haven't

644
00:34:02,600 --> 00:34:03,560
Speaker 1: had access to your wife.

645
00:34:03,680 --> 00:34:07,280
Speaker 2: It gets one of those trick photos people do where

646
00:34:07,320 --> 00:34:09,960
Speaker 2: they're you know, where it looks like you're like, you know,

647
00:34:10,120 --> 00:34:13,120
Speaker 2: holding the Eiffel Tower or something, but you're far.

648
00:34:13,320 --> 00:34:15,400
Speaker 1: Oh. I always, oh, I always love those. I always

649
00:34:15,560 --> 00:34:17,200
Speaker 1: I those really brightened up my day.

650
00:34:19,480 --> 00:34:22,920
Speaker 2: I can't get enough of the damn things, Chris, and so.

651
00:34:25,080 --> 00:34:27,560
Speaker 1: By the Statue of Liberty, you know, that's the big

652
00:34:27,600 --> 00:34:28,239
Speaker 1: one that I like.

653
00:34:28,800 --> 00:34:30,200
Speaker 2: Yeah, the tower.

654
00:34:33,320 --> 00:34:36,279
Speaker 3: Bring a prop on the ferry with you. How many

655
00:34:36,360 --> 00:34:38,360
Speaker 3: times you get on the ferry and you realize you

656
00:34:38,440 --> 00:34:41,560
Speaker 3: forgot God, I'm holding.

657
00:34:41,120 --> 00:34:47,720
Speaker 2: Up the tower and it's leading guys little help I see.

658
00:34:47,800 --> 00:34:49,920
Speaker 1: I crack up every time when I see those. I

659
00:34:50,360 --> 00:34:51,680
Speaker 1: can't just never see it coming.

660
00:34:52,120 --> 00:34:56,600
Speaker 2: I can't get enough. And I'm so I'm thinking, you know,

661
00:34:56,880 --> 00:34:59,200
Speaker 2: not that the bean is one of those. But as

662
00:34:59,239 --> 00:35:01,719
Speaker 2: I look back, everybody who I see sort of like

663
00:35:01,760 --> 00:35:04,160
Speaker 2: with their hand on the bean or pushing the bean,

664
00:35:04,520 --> 00:35:07,279
Speaker 2: they must be doing an optical illusion, because I went

665
00:35:07,360 --> 00:35:10,360
Speaker 2: up and pushed it and the fucking thing is loose

666
00:35:10,400 --> 00:35:11,200
Speaker 2: as all hell.

667
00:35:11,360 --> 00:35:13,279
Speaker 3: He just drops right off the platform.

668
00:35:13,360 --> 00:35:14,920
Speaker 1: And see that that is such a lie.

669
00:35:15,120 --> 00:35:18,480
Speaker 3: Broy is my foot mush your foot roll into lake Michigan.

670
00:35:18,840 --> 00:35:21,040
Speaker 1: You were just looking to get a fun photo, like

671
00:35:21,080 --> 00:35:22,840
Speaker 1: the guys that go to Easter Island and make it

672
00:35:22,840 --> 00:35:26,200
Speaker 1: look like they're getting sucked off by the heads. Yeah,

673
00:35:26,560 --> 00:35:28,160
Speaker 1: you just were trying to get one of those fun

674
00:35:28,200 --> 00:35:29,880
Speaker 1: Facebook photos that people.

675
00:35:29,719 --> 00:35:33,640
Speaker 2: Get in some head right from the Yeah, from people in.

676
00:35:33,640 --> 00:35:37,440
Speaker 3: Those photos they put both hands behind their head right

677
00:35:38,360 --> 00:35:40,840
Speaker 3: or sometimes like put them both like at their sides,

678
00:35:40,920 --> 00:35:43,120
Speaker 3: kind of like jauntily. Just do it normal, Just let

679
00:35:43,200 --> 00:35:44,840
Speaker 3: both your hands hang at your sides.

680
00:35:45,840 --> 00:35:48,799
Speaker 2: Yes, you do it, Yeah, just do it how you

681
00:35:48,840 --> 00:35:51,080
Speaker 2: would do it, which your hands, both your hands in

682
00:35:51,120 --> 00:35:54,680
Speaker 2: your back pockets, put them in your back pockets and

683
00:35:54,800 --> 00:35:57,239
Speaker 2: sort of crooked behind you so we could see what's

684
00:35:57,280 --> 00:35:59,960
Speaker 2: going on. Yeah, or put one on you know, put

685
00:36:00,120 --> 00:36:03,160
Speaker 2: one on your holster for your you know, on your

686
00:36:03,200 --> 00:36:06,359
Speaker 2: hipholster for your side arm, and then have the other

687
00:36:06,440 --> 00:36:12,000
Speaker 2: one keep in your lower cargo pocket and that. But yeah,

688
00:36:13,520 --> 00:36:16,520
Speaker 2: through the hammer loop on your painters jeets. Just put

689
00:36:16,520 --> 00:36:20,239
Speaker 2: it there. I like the one, you know, I like

690
00:36:20,280 --> 00:36:24,920
Speaker 2: the ones that are hashtag bone henge where you're fucking stonehenge.

691
00:36:25,920 --> 00:36:26,239
Speaker 1: Mm hm.

692
00:36:30,600 --> 00:36:34,120
Speaker 3: That was You need a special you need a special lens.

693
00:36:35,560 --> 00:36:39,840
Speaker 2: Yes, it's a perspective no, Peter Jackson inspired.

694
00:36:40,520 --> 00:36:43,719
Speaker 1: You need you need a lot of VFX to pull

695
00:36:43,760 --> 00:36:47,120
Speaker 1: off bone hinge, but a lot. But it's really worth it.

696
00:36:47,120 --> 00:36:48,520
Speaker 1: It's really really worth it.

697
00:36:48,840 --> 00:36:51,439
Speaker 2: Yeah, well the ELFs and l for big, but it's

698
00:36:51,480 --> 00:36:53,719
Speaker 2: just the way they shoot. It makes it look like

699
00:36:55,160 --> 00:36:57,600
Speaker 2: Will Ferrell's even taller. WI.

700
00:36:59,000 --> 00:37:00,400
Speaker 1: Yeah.

701
00:37:00,800 --> 00:37:05,040
Speaker 3: You remember at the beginning of the pandemic, just like

702
00:37:05,080 --> 00:37:07,279
Speaker 3: how crazy we went and we were all we were

703
00:37:07,320 --> 00:37:12,440
Speaker 3: all buying those Rancho Gordo giant metal beans. Of course

704
00:37:12,880 --> 00:37:15,520
Speaker 3: we're like, oh, we need this to be like shelf stay, Like, oh,

705
00:37:15,560 --> 00:37:19,880
Speaker 3: I'm gonna use it like I'm gonna become like someone

706
00:37:19,920 --> 00:37:24,359
Speaker 3: that uses dried giant metal metal beans now instead.

707
00:37:24,040 --> 00:37:29,920
Speaker 2: Of the cad was we all thought were bean dad.

708
00:37:32,480 --> 00:37:34,000
Speaker 3: Now it was that.

709
00:37:34,719 --> 00:37:38,360
Speaker 2: It's like, it's embarrassing to me.

710
00:37:39,680 --> 00:37:41,640
Speaker 1: A lot of that and a lot of everyone everyone.

711
00:37:41,760 --> 00:37:48,239
Speaker 1: Everyone also bought a gimbal. I remember that everyone was everyone.

712
00:37:48,400 --> 00:37:52,319
Speaker 2: Yeah, and it's lying around the block and sorry, sir,

713
00:37:52,560 --> 00:38:01,000
Speaker 2: that was the last gimbal. You're just like me, man,

714
00:38:01,600 --> 00:38:04,239
Speaker 2: and I got up at two am, you know, to

715
00:38:04,280 --> 00:38:05,480
Speaker 2: go to the gimbal store.

716
00:38:06,120 --> 00:38:07,000
Speaker 1: You stayed up all night.

717
00:38:08,320 --> 00:38:12,200
Speaker 3: I guess it's okay. You got you got it. It's okay.

718
00:38:12,239 --> 00:38:13,439
Speaker 3: We can say you got up at am.

719
00:38:13,600 --> 00:38:14,799
Speaker 1: Yeah. No, I'm sorry.

720
00:38:15,120 --> 00:38:19,640
Speaker 2: No, no, no, no, you guys my ass out.

721
00:38:19,760 --> 00:38:21,120
Speaker 3: Let's deal with it.

722
00:38:23,400 --> 00:38:26,600
Speaker 2: I'm fudging it a little bit, you know. But yeah,

723
00:38:26,640 --> 00:38:30,799
Speaker 2: I didn't sleep at all. I stayed up the entire night.

724
00:38:30,960 --> 00:38:32,960
Speaker 3: I mean, you were pretending to sleep, but you were

725
00:38:33,360 --> 00:38:33,640
Speaker 3: you were.

726
00:38:33,760 --> 00:38:36,040
Speaker 2: I pretended to get up at two am, but I

727
00:38:36,120 --> 00:38:38,560
Speaker 2: wasn't asleep, eyes were wide open.

728
00:38:38,960 --> 00:38:43,239
Speaker 1: I called. I'm sorry, I stepping in the beginning of

729
00:38:43,239 --> 00:38:46,080
Speaker 1: the episodehere. I told you guys, I need that. Yeah,

730
00:38:46,080 --> 00:38:46,720
Speaker 1: I'm sorry.

731
00:38:47,440 --> 00:38:51,479
Speaker 2: It's that's whatever, man, that's the past. No, I need

732
00:38:51,480 --> 00:38:54,239
Speaker 2: my friends to call me on my ship. Sometimes I

733
00:38:54,239 --> 00:38:56,160
Speaker 2: stayed up the whole night, that whole got up at

734
00:38:56,160 --> 00:38:58,600
Speaker 2: two am. I was just trying to sound cool.

735
00:39:00,520 --> 00:39:02,520
Speaker 1: Well, I get it. I mean it's because you were

736
00:39:02,560 --> 00:39:04,440
Speaker 1: you were up all night, and every second you were

737
00:39:04,440 --> 00:39:06,600
Speaker 1: saying the word gimbal.

738
00:39:07,200 --> 00:39:09,120
Speaker 2: I got an image of protect.

739
00:39:09,080 --> 00:39:11,920
Speaker 3: And then you you said that you had gotten I

740
00:39:11,960 --> 00:39:16,160
Speaker 3: remember you. I said, I got you video chatting me.

741
00:39:16,239 --> 00:39:19,240
Speaker 3: You said you had gotten the gimbal. But your hand

742
00:39:19,360 --> 00:39:23,319
Speaker 3: is clearly fully closed around your phone. It's like it's

743
00:39:23,400 --> 00:39:29,279
Speaker 3: it's it's obscuring the lens. There's clearly no gimbal like

744
00:39:29,560 --> 00:39:33,120
Speaker 3: positioning happening when you're yeah, no, and.

745
00:39:33,040 --> 00:39:36,520
Speaker 2: I've got I had, like, I had a shopping bag

746
00:39:36,600 --> 00:39:39,800
Speaker 2: that I just put like some old cans in. Yeah,

747
00:39:39,840 --> 00:39:43,040
Speaker 2: and I'm just like crinkling them around and going like

748
00:39:43,400 --> 00:39:46,759
Speaker 2: you hear that that's the sound of a fresh gimbal,

749
00:39:47,400 --> 00:39:48,480
Speaker 2: but it's it does.

750
00:39:48,600 --> 00:39:51,080
Speaker 3: Yeah, it didn't. It didn't sound like it. And it

751
00:39:51,200 --> 00:39:51,879
Speaker 3: wound up one.

752
00:39:51,760 --> 00:39:55,200
Speaker 2: Of the cans had a mouse living in it, and

753
00:39:55,200 --> 00:39:57,200
Speaker 2: then the mouse came out, and I said, oh, that's

754
00:39:57,239 --> 00:39:59,400
Speaker 2: a good gimbal when the you know, when the mouse

755
00:39:59,440 --> 00:39:59,959
Speaker 2: bites are.

756
00:40:01,080 --> 00:40:03,759
Speaker 1: You went live on Facebook, I think to debut this too.

757
00:40:03,760 --> 00:40:06,400
Speaker 1: I remember, and everyone was like, there's clearly no gimbal here,

758
00:40:06,400 --> 00:40:08,680
Speaker 1: and you're getting you're getting bit by a mouse.

759
00:40:08,920 --> 00:40:15,680
Speaker 2: Like yeah, yeah, that was a pretty big L as well.

760
00:40:16,280 --> 00:40:19,440
Speaker 1: We don't need to keep going over your else. I mean,

761
00:40:19,560 --> 00:40:21,640
Speaker 1: I guess I asked about the Chicago one, but.

762
00:40:21,760 --> 00:40:23,680
Speaker 2: No, But this is what I've been saying. You know,

763
00:40:23,760 --> 00:40:26,239
Speaker 2: I look up on screen and I go to these

764
00:40:26,280 --> 00:40:28,680
Speaker 2: movies and it's like, maybe somebody's taken an L, but

765
00:40:28,680 --> 00:40:29,760
Speaker 2: it's cruise.

766
00:40:29,840 --> 00:40:31,080
Speaker 3: How big an L could it be?

767
00:40:31,280 --> 00:40:34,400
Speaker 2: And it's like, you know, I want to see Randy,

768
00:40:34,520 --> 00:40:39,120
Speaker 2: Randy and Angie Rainbow on there just not talking.

769
00:40:39,480 --> 00:40:42,000
Speaker 1: Well, that's the thing Angie is in. She refuses to

770
00:40:42,080 --> 00:40:45,319
Speaker 1: let Randy out of her sight now, so she's in all.

771
00:40:45,800 --> 00:40:47,319
Speaker 1: Part of her is in all the shots in the

772
00:40:47,360 --> 00:40:50,359
Speaker 1: car because she's she's like she's sitting shotgun and I'm

773
00:40:50,400 --> 00:40:54,200
Speaker 1: in the back silver hair and Randy's Randy legally can't

774
00:40:54,239 --> 00:40:56,719
Speaker 1: even drive because his eyes he's never had any vegetables

775
00:40:56,760 --> 00:40:59,920
Speaker 1: or fruit, so his eyes, he's legally blind, so he

776
00:41:00,080 --> 00:41:03,120
Speaker 1: shouldn't be. He's dayblind. Yeah, he can see perfectly at.

777
00:41:03,080 --> 00:41:06,959
Speaker 3: Night, legally and outside the law, like the law has

778
00:41:07,000 --> 00:41:10,879
Speaker 3: nothing to do with that apparent jurisdiction over his site.

779
00:41:11,360 --> 00:41:14,520
Speaker 1: Yes, yes, So look it's taking a long time, but

780
00:41:14,560 --> 00:41:16,600
Speaker 1: we only have twenty four hours to shoot because we're

781
00:41:16,640 --> 00:41:19,960
Speaker 1: each getting twenty k and the budget is twenty k. Yeah,

782
00:41:20,600 --> 00:41:21,839
Speaker 1: so there was a ghost.

783
00:41:22,200 --> 00:41:26,000
Speaker 3: It was a fund uh yeah, Hollywood, Hollywood budget again

784
00:41:26,320 --> 00:41:28,920
Speaker 3: some fancy accounting, right, yeah.

785
00:41:28,600 --> 00:41:31,360
Speaker 1: Yeah, classic, Right, it was a GoFundMe that did it.

786
00:41:31,400 --> 00:41:34,959
Speaker 1: That that is giving me and Randy the salaries. Well

787
00:41:35,320 --> 00:41:37,600
Speaker 1: by like a hospital. It's a hospital, so.

788
00:41:37,560 --> 00:41:39,640
Speaker 2: You're you know what I say, when somebody sends me

789
00:41:39,680 --> 00:41:41,960
Speaker 2: a GoFundMe for their little short film, even if it's

790
00:41:42,000 --> 00:41:44,800
Speaker 2: Michael Man, I say, go fund yourself.

791
00:41:45,640 --> 00:41:47,359
Speaker 3: Argue, you say our, go fund yourself our.

792
00:41:47,640 --> 00:41:50,040
Speaker 2: Sorry sorry, sorry, take that again, Kevin. Back it up

793
00:41:50,080 --> 00:41:53,280
Speaker 2: to the beginning of the episode. Okay, I say.

794
00:41:53,200 --> 00:41:57,960
Speaker 3: Our, go fund yourself. Chris, Hey, welcome to Hollywood Handbook.

795
00:41:57,960 --> 00:42:01,040
Speaker 2: Then it's a guy to kick it up, dropping names

796
00:42:01,080 --> 00:42:06,360
Speaker 2: and the red carpet line. Back always Chris.

797
00:42:06,920 --> 00:42:09,120
Speaker 3: Now that we're you know, we're all going back to

798
00:42:09,520 --> 00:42:12,719
Speaker 3: work and stuff. Things are you know, the thing is

799
00:42:12,800 --> 00:42:22,600
Speaker 3: kind of kind of over, it's done, and so we're thinking,

800
00:42:24,880 --> 00:42:30,160
Speaker 3: no more videos. Time for you.

801
00:42:30,200 --> 00:42:31,719
Speaker 1: Oh you're cut? Are you cutting me off?

802
00:42:34,000 --> 00:42:38,760
Speaker 3: We're getting opening up opportunities like your future.

803
00:42:38,760 --> 00:42:39,640
Speaker 2: We're giving you some off.

804
00:42:39,960 --> 00:42:42,120
Speaker 1: Okay, okay, I'll listen. I'll listen. I'll listen. I'll listen.

805
00:42:43,000 --> 00:42:44,080
Speaker 2: Oh, it might be time for that.

806
00:42:44,480 --> 00:42:48,279
Speaker 3: So I think the structure of a workplace could be

807
00:42:48,400 --> 00:42:50,239
Speaker 3: very useful for you.

808
00:42:50,560 --> 00:42:54,960
Speaker 2: A schedule, you know, someone that you're accountable to. I

809
00:42:54,960 --> 00:42:57,120
Speaker 2: hate to use the word, but about.

810
00:42:57,120 --> 00:42:58,759
Speaker 1: I'm sorry about fuck you guys.

811
00:43:00,080 --> 00:43:01,319
Speaker 3: Well, I don't want I don't want.

812
00:43:01,440 --> 00:43:02,120
Speaker 1: I don't want that.

813
00:43:02,440 --> 00:43:07,320
Speaker 3: I thought you good time, Charlie routine, funk off, here's

814
00:43:07,320 --> 00:43:09,600
Speaker 3: the deal, here's the deal, Chris.

815
00:43:09,280 --> 00:43:12,839
Speaker 1: You Sean and you Hayes and fuck you Kevin. This

816
00:43:12,880 --> 00:43:13,239
Speaker 1: I knew this.

817
00:43:13,440 --> 00:43:18,480
Speaker 3: Excuse I knew really constructive language. Excuse me knew was

818
00:43:18,520 --> 00:43:18,759
Speaker 3: going to.

819
00:43:18,760 --> 00:43:20,440
Speaker 2: Turn very class.

820
00:43:20,800 --> 00:43:21,919
Speaker 3: Am you're doing this?

821
00:43:22,719 --> 00:43:23,799
Speaker 1: That's me at ten A m.

822
00:43:24,040 --> 00:43:29,720
Speaker 3: Oh what a sophistic yes, no wonder because mister mister

823
00:43:29,840 --> 00:43:38,560
Speaker 3: van Winkle is the incredible big snoozy you're talking about.

824
00:43:38,600 --> 00:43:45,160
Speaker 3: You call me ven, Chris van Winkle. Chris, listen and

825
00:43:45,280 --> 00:43:46,120
Speaker 3: just let me get that.

826
00:43:46,239 --> 00:43:48,759
Speaker 2: I listened to you with all your talk, with all

827
00:43:48,760 --> 00:43:53,279
Speaker 2: those F bombs flying around. Now you listen to me. Now.

828
00:43:53,280 --> 00:43:55,040
Speaker 2: If you don't want to get a job, okay, but

829
00:43:55,120 --> 00:43:58,040
Speaker 2: you will go back to school so you can go

830
00:43:58,120 --> 00:44:00,880
Speaker 2: out there. You can apply. I hold some stuffrom the

831
00:44:00,880 --> 00:44:03,560
Speaker 2: classified section. I think you'd be good for go back

832
00:44:03,600 --> 00:44:05,719
Speaker 2: to school. Or you can always come join me at

833
00:44:05,719 --> 00:44:08,400
Speaker 2: the hardware store and we'd love to have you. And

834
00:44:08,480 --> 00:44:10,759
Speaker 2: Curtis has been asking where you've been, so you can

835
00:44:10,760 --> 00:44:13,160
Speaker 2: come with me to the store and that would be great.

836
00:44:13,320 --> 00:44:15,000
Speaker 2: But what you're not gonna do is you're not gonna

837
00:44:15,040 --> 00:44:17,160
Speaker 2: make these little videos.

838
00:44:17,520 --> 00:44:18,560
Speaker 3: This is what you're not gonna do.

839
00:44:18,600 --> 00:44:22,880
Speaker 2: You're not gonna make little videos all day fine insulting

840
00:44:23,120 --> 00:44:25,839
Speaker 2: our elected officials.

841
00:44:25,560 --> 00:44:31,120
Speaker 3: With your parody songs, your jaunty parody songs about elected officials,

842
00:44:31,320 --> 00:44:36,880
Speaker 3: people that gave up their lives for public public service service.

843
00:44:37,200 --> 00:44:41,200
Speaker 2: They have jobs, Chris, maybe that's what you're poking fun at, because.

844
00:44:42,560 --> 00:44:45,359
Speaker 3: Come to the hardware store. I would love to have

845
00:44:45,480 --> 00:44:50,200
Speaker 3: you do your fingers. Tell me why you cross. I

846
00:44:50,239 --> 00:44:53,480
Speaker 3: see you're crossing your fingers, but extremely in a way.

847
00:44:53,520 --> 00:44:55,360
Speaker 3: That is how I was.

848
00:44:56,719 --> 00:45:03,080
Speaker 2: They're turning till the bottom. Your thumb is doing something unusual.

849
00:45:03,120 --> 00:45:05,920
Speaker 3: We might need Curtis to get the tea making machine

850
00:45:05,920 --> 00:45:07,719
Speaker 3: to separate those fingers.

851
00:45:08,040 --> 00:45:10,919
Speaker 1: I have dissociated from the pain of what of of

852
00:45:10,920 --> 00:45:12,919
Speaker 1: of what I'm doing right now, from what I'm doing.

853
00:45:13,080 --> 00:45:16,880
Speaker 1: I can't I can't even I can't even think straight.

854
00:45:17,040 --> 00:45:18,880
Speaker 1: I mean, I can't tell if it's the anger or

855
00:45:18,880 --> 00:45:21,759
Speaker 1: the or what I'm doing with my fingers. But I'm yeah,

856
00:45:21,800 --> 00:45:26,400
Speaker 1: I said, this is normal, right, I just crossed the

857
00:45:26,480 --> 00:45:29,160
Speaker 1: little I also, I also said, I also, I snap

858
00:45:29,239 --> 00:45:32,279
Speaker 1: weird too, I I do. I do that. People don't

859
00:45:32,320 --> 00:45:33,200
Speaker 1: like it? How I snap?

860
00:45:33,920 --> 00:45:37,520
Speaker 3: Yeah, it's yeah. It's pretty it's pretty quiet.

861
00:45:38,000 --> 00:45:41,640
Speaker 2: Well it doesn't, Yeah, it doesn't. It doesn't really matter

862
00:45:41,680 --> 00:45:44,040
Speaker 2: what you do with those fingers up top. Snapping is

863
00:45:44,080 --> 00:45:47,600
Speaker 2: just the sound of you know, finger hitting your palm. Yeah,

864
00:45:47,640 --> 00:45:51,560
Speaker 2: so just just do this. People say, what's the sound

865
00:45:51,600 --> 00:45:53,320
Speaker 2: of one hand clapping? I go snapping.

866
00:45:53,400 --> 00:45:55,279
Speaker 3: Yeah it sounds yeah, it sounds like that sounds like

867
00:45:55,280 --> 00:45:55,680
Speaker 3: a snap.

868
00:45:55,800 --> 00:45:57,799
Speaker 1: You gotta do it hard. But yeah, no, I'm not

869
00:45:57,840 --> 00:46:00,359
Speaker 1: going to the hardware store. And I'm not. And yeah,

870
00:46:00,600 --> 00:46:02,920
Speaker 1: maybe I'll go lie. Yeah, I was like I was

871
00:46:02,920 --> 00:46:03,720
Speaker 1: crossing my fingers.

872
00:46:03,800 --> 00:46:06,960
Speaker 3: I think I think that's why you had your fingers.

873
00:46:07,280 --> 00:46:09,680
Speaker 1: You guys think you can get I knew it up early.

874
00:46:09,760 --> 00:46:12,320
Speaker 1: You do your early podcast. You get me in here,

875
00:46:13,000 --> 00:46:16,879
Speaker 1: you have this intervention. I'm not I am. I am

876
00:46:16,920 --> 00:46:19,160
Speaker 1: beyond beyond livid with you too.

877
00:46:19,400 --> 00:46:22,839
Speaker 2: And Chris Cover is ovid and it's and it's time

878
00:46:22,880 --> 00:46:25,480
Speaker 2: to get back to work or or maybe go to

879
00:46:25,520 --> 00:46:29,440
Speaker 2: the store, or you can go to school. Fine, you're

880
00:46:29,440 --> 00:46:32,200
Speaker 2: not gonna get a communications degree, Okay, I'm gonna learn

881
00:46:32,239 --> 00:46:32,800
Speaker 2: a trade.

882
00:46:34,239 --> 00:46:34,520
Speaker 1: Fine.

883
00:46:34,640 --> 00:46:40,160
Speaker 3: Yeah, fine, a ba in little videos not happening.

884
00:46:40,200 --> 00:46:41,800
Speaker 1: Fine, I'll go back to school to be a nurse.

885
00:46:42,600 --> 00:46:46,800
Speaker 3: Good And no, no, becoming like a like a TikTok

886
00:46:46,880 --> 00:46:47,920
Speaker 3: influencer nurse.

887
00:46:48,320 --> 00:46:50,680
Speaker 2: Yes, no, you are not going to be in your

888
00:46:50,719 --> 00:46:52,759
Speaker 2: scrubs and then throw a shoe in the air and

889
00:46:52,760 --> 00:46:55,560
Speaker 2: then you catch the shoe on your foot for a

890
00:46:55,640 --> 00:46:59,520
Speaker 2: high heel that you could guess what it is, Tater boy,

891
00:46:59,560 --> 00:47:00,000
Speaker 2: what is it?

892
00:47:00,160 --> 00:47:01,680
Speaker 3: No, it's it's no scrubs.

893
00:47:02,520 --> 00:47:03,720
Speaker 1: No, I didn't see that coming.

894
00:47:03,719 --> 00:47:07,120
Speaker 3: To be honest, Kevin has something he wants to say

895
00:47:07,160 --> 00:47:10,320
Speaker 3: as well, Kevin is Kevin has prepared a little something.

896
00:47:10,719 --> 00:47:12,080
Speaker 1: Kevin, I swear to God.

897
00:47:12,560 --> 00:47:14,840
Speaker 6: Chris, I know you're interested in nursing, but if you

898
00:47:14,920 --> 00:47:16,759
Speaker 6: were come to the hardware store, well.

899
00:47:16,719 --> 00:47:21,200
Speaker 3: The thing you prepared was exactly like following up on

900
00:47:21,920 --> 00:47:24,040
Speaker 3: something nursing stuff. I never heard.

901
00:47:24,080 --> 00:47:26,400
Speaker 2: This really is a passion of yours, Chris. You and

902
00:47:26,480 --> 00:47:27,640
Speaker 2: Kevin must have discussed it.

903
00:47:27,800 --> 00:47:29,960
Speaker 1: Well. Everyone knew that I gave up nursing to be

904
00:47:30,080 --> 00:47:31,360
Speaker 1: to make little videos.

905
00:47:31,640 --> 00:47:35,000
Speaker 3: It's obvious during at the beginning of the video quit

906
00:47:35,200 --> 00:47:40,319
Speaker 3: nursing when the pandemic started to make little video to

907
00:47:40,360 --> 00:47:44,000
Speaker 3: become a microce real nice very little videos.

908
00:47:44,880 --> 00:47:49,560
Speaker 2: What was that sho at a gas station TV? Kevin, Please, please,

909
00:47:49,560 --> 00:47:50,680
Speaker 2: if you were to come to the hardware.

910
00:47:50,880 --> 00:47:53,719
Speaker 3: Gas station TV called me a one pump chump the

911
00:47:53,800 --> 00:47:59,000
Speaker 3: other day. Wow, I guess to get my attention. They

912
00:47:59,000 --> 00:48:01,799
Speaker 3: were like, hey, you one pump chump? Was this like,

913
00:48:01,840 --> 00:48:04,880
Speaker 3: I'm supposed to be pumping by gas multiple times?

914
00:48:05,640 --> 00:48:06,759
Speaker 1: Is it Seth Myers.

915
00:48:06,520 --> 00:48:07,000
Speaker 3: Calling you that?

916
00:48:07,360 --> 00:48:08,560
Speaker 1: It's usually him on the TV?

917
00:48:08,760 --> 00:48:12,600
Speaker 3: Yeah, Seth Seth Myers for Heineken zero. Because you can

918
00:48:13,000 --> 00:48:15,759
Speaker 3: you can get what fun to like, be pumping your

919
00:48:15,760 --> 00:48:20,160
Speaker 3: gas at the gas station. Go in the station, get

920
00:48:20,160 --> 00:48:25,160
Speaker 3: a heinie a be a drink it while you're pumping

921
00:48:25,160 --> 00:48:25,880
Speaker 3: your gas.

922
00:48:26,040 --> 00:48:28,239
Speaker 1: Yep, get in the car and peel out.

923
00:48:28,680 --> 00:48:29,480
Speaker 3: You can do that.

924
00:48:29,719 --> 00:48:33,160
Speaker 1: Yeah, yeah, yes, yeah, yeah, all right, Kevin, tell me

925
00:48:33,200 --> 00:48:35,120
Speaker 1: what you want? What what what can I do for you?

926
00:48:35,440 --> 00:48:37,439
Speaker 1: How can I make How can I change my life,

927
00:48:38,400 --> 00:48:43,040
Speaker 1: my peaceful, lazy life to make you happy?

928
00:48:43,800 --> 00:48:46,400
Speaker 6: Thanks for asking. There's two departments you could join at

929
00:48:46,440 --> 00:48:48,800
Speaker 6: the hardware store if you were to come and I

930
00:48:48,960 --> 00:48:52,880
Speaker 6: manage both of these two departments. There's several departments, but

931
00:48:52,880 --> 00:48:54,160
Speaker 6: there's two that you could be a part of.

932
00:48:55,280 --> 00:48:56,400
Speaker 3: Copy of the keys.

933
00:48:58,120 --> 00:49:00,279
Speaker 1: Oh okay, okay, okay, what's just.

934
00:49:00,239 --> 00:49:02,680
Speaker 3: Said that Curtis runs the key making machine, you know,

935
00:49:04,840 --> 00:49:06,319
Speaker 3: and there are no departments there we have.

936
00:49:06,560 --> 00:49:09,280
Speaker 2: We're going to create so much animosity.

937
00:49:09,239 --> 00:49:11,080
Speaker 1: Yeah, it's going to be really he has the machine.

938
00:49:11,160 --> 00:49:16,719
Speaker 6: I do it from scratch to join my key copying department,

939
00:49:16,760 --> 00:49:17,359
Speaker 6: which is fun.

940
00:49:17,360 --> 00:49:20,680
Speaker 3: And do not hold up your keys on the video

941
00:49:21,120 --> 00:49:26,960
Speaker 3: feeds so they can copy three D print Right now,

942
00:49:27,440 --> 00:49:29,960
Speaker 3: people watching the speed at home, there are three D

943
00:49:30,040 --> 00:49:33,239
Speaker 3: printed key copies just coming out of the like the

944
00:49:33,280 --> 00:49:37,360
Speaker 3: shoot special drive that these people have. They do it automatically.

945
00:49:37,600 --> 00:49:42,000
Speaker 6: Yes, copy of the keys, okay, hiding the other side now,

946
00:49:43,600 --> 00:49:43,920
Speaker 6: and I.

947
00:49:43,880 --> 00:49:44,840
Speaker 3: Do those from scratch.

948
00:49:45,120 --> 00:49:46,560
Speaker 1: Or you can help me.

949
00:49:48,120 --> 00:49:49,239
Speaker 3: Build a playplace.

950
00:49:50,680 --> 00:49:51,200
Speaker 1: We have a lot.

951
00:49:51,200 --> 00:49:52,600
Speaker 3: It's a very cute drill.

952
00:49:54,080 --> 00:49:56,160
Speaker 6: Yes, well we need to make a big playplace.

953
00:49:57,360 --> 00:49:59,560
Speaker 1: We need to make a playplace in the hardware store,

954
00:49:59,680 --> 00:50:01,480
Speaker 1: like it's a ale, the play for the men to.

955
00:50:01,440 --> 00:50:03,920
Speaker 6: Play in for the men to play. And yes, we

956
00:50:03,960 --> 00:50:05,239
Speaker 6: need something for them to do.

957
00:50:05,640 --> 00:50:07,759
Speaker 1: Okay, you know what, this doesn't sound that bad. I've

958
00:50:07,800 --> 00:50:10,239
Speaker 1: been looking for structure actually to be I mean, I

959
00:50:10,239 --> 00:50:13,200
Speaker 1: didn't like the way that Sean. I it's good that

960
00:50:13,239 --> 00:50:15,919
Speaker 1: you came first, you know, because you were you're bad cop.

961
00:50:16,560 --> 00:50:19,680
Speaker 1: Hayes your good cop. And then we have Kevin.

962
00:50:19,840 --> 00:50:22,560
Speaker 3: Just Sean, did you have it? She said, did you

963
00:50:22,600 --> 00:50:26,439
Speaker 3: have it? That's what she said a second ago. I thought,

964
00:50:26,480 --> 00:50:28,480
Speaker 3: I saw that's what she said on your face. Am

965
00:50:28,480 --> 00:50:32,680
Speaker 3: I wrong about that? I've always got one in the chamber,

966
00:50:32,800 --> 00:50:36,080
Speaker 3: you know, Okay, okay, maybe it was related to something else.

967
00:50:36,120 --> 00:50:39,280
Speaker 3: I just wanted to make sure that that one because

968
00:50:39,280 --> 00:50:40,880
Speaker 3: I mean, it's good that you went first.

969
00:50:41,360 --> 00:50:42,120
Speaker 1: What what happened?

970
00:50:42,120 --> 00:50:44,120
Speaker 3: He said, you said, came and I thought that. I

971
00:50:44,280 --> 00:50:47,000
Speaker 3: just yeah, I thought, I thought you. I thought I

972
00:50:47,000 --> 00:50:50,399
Speaker 3: saw you do the deep inhaled it in preparation for.

973
00:50:50,960 --> 00:50:53,040
Speaker 1: And Hay, that's really nice of you, because what happened

974
00:50:53,040 --> 00:50:55,040
Speaker 1: it's like the rais in the Sun poem. What happens

975
00:50:55,200 --> 00:50:57,359
Speaker 1: to it? That's what she said, deferred. You know, does

976
00:50:57,400 --> 00:51:00,120
Speaker 1: it fester or does it explode? And it could? It

977
00:51:00,160 --> 00:51:02,480
Speaker 1: can really live in a body if you don't let

978
00:51:02,520 --> 00:51:04,400
Speaker 1: it out. And so I think it's really good that

979
00:51:04,440 --> 00:51:09,399
Speaker 1: you offered offered that release does rupture like it does

980
00:51:09,440 --> 00:51:13,080
Speaker 1: it blow its brains out? Mm hmm, like Randy, like

981
00:51:13,200 --> 00:51:16,279
Speaker 1: Randy in the end of Collado. That's that's important that.

982
00:51:16,640 --> 00:51:21,879
Speaker 3: He at the end what and he plays the Jamie Fox.

983
00:51:21,680 --> 00:51:24,120
Speaker 1: Character lives it? Yeah, he gets it? Yeah?

984
00:51:24,160 --> 00:51:26,960
Speaker 2: Oh no, yeah, yeah.

985
00:51:26,600 --> 00:51:32,080
Speaker 1: Every character, every change, it's one of the only change.

986
00:51:32,120 --> 00:51:33,839
Speaker 3: Every character kills themselves.

987
00:51:34,120 --> 00:51:39,000
Speaker 1: Extras too, Yeah, everyone what background. Everyone's gotta Michael Man,

988
00:51:40,120 --> 00:51:44,200
Speaker 1: everyone's gotta go. Yeah, Kevin, Yeah, Man. You know, I'll

989
00:51:44,200 --> 00:51:46,080
Speaker 1: come with you and I'll build the play place. And

990
00:51:46,120 --> 00:51:48,680
Speaker 1: I appreciate this intervention. I get that. I guess that

991
00:51:48,680 --> 00:51:49,799
Speaker 1: it's been going on too long.

992
00:51:49,880 --> 00:51:53,320
Speaker 3: And this is a long it's just this episode. Do

993
00:51:53,360 --> 00:51:54,440
Speaker 3: you think it's been going on too long?

994
00:51:54,440 --> 00:51:55,800
Speaker 2: I don't see no.

995
00:51:55,800 --> 00:52:00,359
Speaker 3: No. If you think what I've been doing Chris too

996
00:52:00,400 --> 00:52:04,040
Speaker 3: long for you? By Holywood Hamburg I