1 00:00:00,680 --> 00:00:04,480 Speaker 1: Hey, guys, welcome to I've never said this before with me, 2 00:00:04,800 --> 00:00:08,920 Speaker 1: Tommy de Dario my guest today. She is an actress 3 00:00:08,920 --> 00:00:12,440 Speaker 1: who everywhere you look there she is bringing these iconic 4 00:00:12,600 --> 00:00:15,040 Speaker 1: characters to life throughout the course of her career. Now, 5 00:00:15,080 --> 00:00:17,520 Speaker 1: I don't use the word iconic loosely, so when I 6 00:00:17,560 --> 00:00:19,520 Speaker 1: say it, I mean it, and case in point. A 7 00:00:19,560 --> 00:00:22,320 Speaker 1: few of her beloved projects include Gilmore Girls nine O 8 00:00:22,400 --> 00:00:25,400 Speaker 1: two and Oh, The Vampire Diaries, and so many more. 9 00:00:25,400 --> 00:00:27,680 Speaker 1: I could keep going on and on. But now she 10 00:00:27,800 --> 00:00:30,520 Speaker 1: is starring in the CBS series of Marshals, which is 11 00:00:30,520 --> 00:00:33,920 Speaker 1: a spin off to the beloved show Yellowstone, and audiences 12 00:00:33,960 --> 00:00:37,120 Speaker 1: cannot get enough. Now Marshall's was the network's most watch 13 00:00:37,360 --> 00:00:40,600 Speaker 1: new scripted series debut without a football leaden, which is 14 00:00:40,680 --> 00:00:44,800 Speaker 1: huge since twenty eighteen. And Ariel is so good. So 15 00:00:44,840 --> 00:00:48,040 Speaker 1: today we are celebrating her storied career while also learning 16 00:00:48,080 --> 00:00:50,120 Speaker 1: a bit more about the person who has brought us 17 00:00:50,280 --> 00:00:53,519 Speaker 1: so much joy and entertainment over the years. All right, 18 00:00:53,600 --> 00:00:55,880 Speaker 1: let's see if today we can get Ariel to say 19 00:00:55,880 --> 00:01:06,040 Speaker 1: something that she has never said before. Aiel, look at 20 00:01:06,080 --> 00:01:07,160 Speaker 1: you looking like a vision. 21 00:01:07,440 --> 00:01:09,000 Speaker 2: Oh yeah, you're very kind. 22 00:01:09,120 --> 00:01:11,240 Speaker 1: You walked in and I'm like, what is this high fashion? Look? 23 00:01:11,240 --> 00:01:13,240 Speaker 1: I have to give you a minute to tell me 24 00:01:13,360 --> 00:01:15,319 Speaker 1: about this because you look like fire. 25 00:01:16,200 --> 00:01:20,640 Speaker 2: Thank you. Well, this is vintage Isabelle Morats actually had 26 00:01:20,640 --> 00:01:23,840 Speaker 2: to tell the jacket and the dress. And then this 27 00:01:23,920 --> 00:01:26,319 Speaker 2: is my friend's jewelry at Kathy Rose. She's out of 28 00:01:26,480 --> 00:01:29,960 Speaker 2: la She just makes absolutely exquisite, like one of a 29 00:01:30,080 --> 00:01:31,320 Speaker 2: kind pieces. 30 00:01:31,440 --> 00:01:33,720 Speaker 1: So you're a fashion girl, huh. 31 00:01:33,920 --> 00:01:36,959 Speaker 2: I mean, if you say so, I am when other 32 00:01:37,000 --> 00:01:39,960 Speaker 2: people dress me. Yeah right, you know, I go home 33 00:01:39,959 --> 00:01:42,399 Speaker 2: and turn into a pumpkin. I'm you know, I'm like 34 00:01:42,480 --> 00:01:45,440 Speaker 2: most comfortable barefoot in the grass at the barn. So 35 00:01:45,520 --> 00:01:48,360 Speaker 2: this is fun for me. It's like this. It actually 36 00:01:48,400 --> 00:01:51,360 Speaker 2: when I dress up and do press, it does actually 37 00:01:51,360 --> 00:01:54,840 Speaker 2: almost feel like another character, you know. It's kind of 38 00:01:54,880 --> 00:01:58,320 Speaker 2: like a way to express yourself in a different way. 39 00:01:58,360 --> 00:02:01,680 Speaker 2: And it's definitely something I don't do often at home, 40 00:02:02,040 --> 00:02:03,360 Speaker 2: So it's fun. 41 00:02:03,160 --> 00:02:05,240 Speaker 1: Added to the character list. I mean, you have so 42 00:02:05,400 --> 00:02:08,120 Speaker 1: many You've played so many iconic roles throughout the course 43 00:02:08,120 --> 00:02:11,120 Speaker 1: of your career. What's the role that surprises you the 44 00:02:11,160 --> 00:02:12,400 Speaker 1: most that you get stopped for. 45 00:02:12,880 --> 00:02:19,760 Speaker 2: H That's a good question that surprises me. Some people 46 00:02:19,760 --> 00:02:23,880 Speaker 2: have talked about Brittany Bitch from Unreal. We call it 47 00:02:23,919 --> 00:02:26,120 Speaker 2: Brittany Bitch. Her name is Brittany on the show. But 48 00:02:26,960 --> 00:02:29,320 Speaker 2: there was a show. It was on Lifetime and it 49 00:02:29,440 --> 00:02:33,440 Speaker 2: was really their launch of doing some new programming a 50 00:02:33,480 --> 00:02:36,440 Speaker 2: few years back. It was like raw and edgy and 51 00:02:36,520 --> 00:02:39,640 Speaker 2: not like anything they had really shot before. And I 52 00:02:39,639 --> 00:02:43,160 Speaker 2: got to play this character Brittany and work with Shery 53 00:02:43,240 --> 00:02:46,720 Speaker 2: Appleby and Constant Simmer and a wonderful, wonderful cast season 54 00:02:46,800 --> 00:02:53,600 Speaker 2: one and she was just so out there. There was 55 00:02:53,639 --> 00:02:56,720 Speaker 2: like nothing too extraly. It's actually the first job or 56 00:02:56,840 --> 00:03:01,440 Speaker 2: only job I would say that I after day one 57 00:03:01,440 --> 00:03:03,600 Speaker 2: of filming, I realized I went home and I was like, 58 00:03:04,520 --> 00:03:05,839 Speaker 2: I'm not going to be able to do this girl 59 00:03:06,040 --> 00:03:08,320 Speaker 2: Justice if I don't go method. And so it's actually 60 00:03:08,360 --> 00:03:12,040 Speaker 2: the only time on TV where I went like a 61 00:03:12,200 --> 00:03:19,320 Speaker 2: version of method because she's just bless you, Pepper, everybody 62 00:03:22,320 --> 00:03:26,840 Speaker 2: and so, and it was funny. I remember one day 63 00:03:27,000 --> 00:03:29,880 Speaker 2: Sheery looked at me and goes, here, we a, when 64 00:03:29,960 --> 00:03:33,080 Speaker 2: did you go method? Because I think she had caught 65 00:03:33,120 --> 00:03:35,640 Speaker 2: on because I was just like when the cameras weren't rolling, 66 00:03:36,080 --> 00:03:39,520 Speaker 2: I would just be saying like snarky stuff or wild 67 00:03:39,840 --> 00:03:42,480 Speaker 2: like out there, because the whole point of the show 68 00:03:42,600 --> 00:03:44,320 Speaker 2: was like it was a show within a show, and 69 00:03:44,360 --> 00:03:46,400 Speaker 2: when we got on set, they had cameras rolling all 70 00:03:46,440 --> 00:03:50,360 Speaker 2: the time, and they purposely didn't tell you what camera 71 00:03:50,520 --> 00:03:52,720 Speaker 2: was rolling when, and they wanted to pick up that 72 00:03:52,840 --> 00:03:55,920 Speaker 2: live footage. So number one, I was afraid that I 73 00:03:55,960 --> 00:03:58,680 Speaker 2: was going to get fired every single day. But number two, 74 00:03:58,840 --> 00:04:03,320 Speaker 2: that's probably the role that surprises me people talk about 75 00:04:03,440 --> 00:04:08,000 Speaker 2: because it was just this kind of experience in a 76 00:04:08,040 --> 00:04:10,200 Speaker 2: box for me a little bit, it was unlike anything 77 00:04:10,200 --> 00:04:13,840 Speaker 2: else I've really done in a way. Yeah, So that 78 00:04:13,880 --> 00:04:16,679 Speaker 2: one always like, I have a deep appreciation if someone 79 00:04:16,720 --> 00:04:18,120 Speaker 2: happens to have watched it. 80 00:04:18,600 --> 00:04:21,040 Speaker 1: You strike me as a workhorse, like you don't stop, 81 00:04:21,120 --> 00:04:23,920 Speaker 1: you haven't stopped. And I believe one of your first 82 00:04:23,960 --> 00:04:27,120 Speaker 1: big breaks was Gilmour Girls, right, yes, and you booked 83 00:04:27,120 --> 00:04:29,880 Speaker 1: it right after moving to La I did. 84 00:04:30,680 --> 00:04:31,239 Speaker 2: I did. 85 00:04:31,680 --> 00:04:32,360 Speaker 1: That's wild. 86 00:04:33,000 --> 00:04:37,800 Speaker 2: Yeah. I was seventeen and I had already So I 87 00:04:37,800 --> 00:04:40,480 Speaker 2: grew up in Florida and I was fortunate enough I 88 00:04:40,600 --> 00:04:42,920 Speaker 2: started in the business when I was about twelve. It 89 00:04:42,960 --> 00:04:46,760 Speaker 2: was commercial work and then modeling, and then eventually I 90 00:04:46,800 --> 00:04:48,400 Speaker 2: was like, what is what does it take to build 91 00:04:48,400 --> 00:04:51,600 Speaker 2: a character? What's deep acting? You know? So I was 92 00:04:51,600 --> 00:04:53,920 Speaker 2: studying in Florida and knew it was what I wanted 93 00:04:53,960 --> 00:04:56,960 Speaker 2: to do with my career, and so started going back 94 00:04:57,000 --> 00:04:59,159 Speaker 2: and forth to LA. Because my parents had a rule. 95 00:04:59,160 --> 00:05:01,720 Speaker 2: They were like, look, I think they knew there was 96 00:05:01,760 --> 00:05:05,400 Speaker 2: no stopping me. So they gave me great advice and 97 00:05:05,440 --> 00:05:07,599 Speaker 2: great support, and they were like, look, number one, you 98 00:05:07,680 --> 00:05:09,800 Speaker 2: have to reinvest in your business. So any money you 99 00:05:09,800 --> 00:05:11,200 Speaker 2: make has to go back in your business. So at 100 00:05:11,200 --> 00:05:14,960 Speaker 2: a very young age, I was making money and getting headshots. 101 00:05:15,080 --> 00:05:18,520 Speaker 2: I was making money and paying for art school or 102 00:05:18,640 --> 00:05:21,080 Speaker 2: perform art school. You know. I was making money, and 103 00:05:21,120 --> 00:05:24,160 Speaker 2: I was buying my to get to LA. So at 104 00:05:24,200 --> 00:05:27,640 Speaker 2: a very young age, I learned number one how expensive 105 00:05:27,720 --> 00:05:30,359 Speaker 2: it is to follow your passion and your dream, but 106 00:05:31,160 --> 00:05:34,720 Speaker 2: also the power of like, yeah, that money has to 107 00:05:34,760 --> 00:05:39,480 Speaker 2: go to building something. And so I would go to 108 00:05:39,600 --> 00:05:41,760 Speaker 2: LA and take meetings and because they just said, their 109 00:05:41,800 --> 00:05:44,279 Speaker 2: other rule was like you can't move out there without 110 00:05:44,320 --> 00:05:46,560 Speaker 2: an agent or a manager, you know, like they didn't 111 00:05:46,560 --> 00:05:49,279 Speaker 2: expect me to have my first acting job, but they 112 00:05:49,320 --> 00:05:51,559 Speaker 2: needed to know that I was cared for and looked after, 113 00:05:52,360 --> 00:05:54,920 Speaker 2: and so I met with a bunch of weird phonies 114 00:05:54,960 --> 00:05:56,800 Speaker 2: and kept coming back like no, no, no, no no. 115 00:05:57,400 --> 00:06:00,920 Speaker 2: And then eventually my tape got pasted. I can't remember 116 00:06:00,920 --> 00:06:04,680 Speaker 2: if it was Freaky Friday or Mean Girls, but one 117 00:06:04,680 --> 00:06:09,200 Speaker 2: of the tapes got passed around Jamie Robert Spears. She's 118 00:06:09,240 --> 00:06:10,880 Speaker 2: one of my dear friends today still. But she found 119 00:06:10,920 --> 00:06:14,080 Speaker 2: my modeling card and got me on the role for 120 00:06:14,120 --> 00:06:19,200 Speaker 2: auditions out in LA and that got me meetings with 121 00:06:19,240 --> 00:06:21,960 Speaker 2: some real agency managers and then from there. One of 122 00:06:21,960 --> 00:06:25,000 Speaker 2: the first auditions was Gilmore Girls. And I had said, 123 00:06:25,120 --> 00:06:27,040 Speaker 2: you know, let me go home, let me graduate high 124 00:06:27,040 --> 00:06:29,680 Speaker 2: school early, let me close that chapter of my life. 125 00:06:29,760 --> 00:06:32,400 Speaker 2: So when I moved to LA at seventeen in January, 126 00:06:32,520 --> 00:06:34,560 Speaker 2: I'm ready to rock and roll, you know, no more 127 00:06:34,600 --> 00:06:37,760 Speaker 2: back and forth. And so I had the audition. I 128 00:06:37,880 --> 00:06:41,400 Speaker 2: had total imposter syndrome. I was like, what am I 129 00:06:41,480 --> 00:06:44,320 Speaker 2: doing here? There's all these beautiful women. I don't belong. 130 00:06:44,480 --> 00:06:47,359 Speaker 2: I'm so far from home. And then I got the 131 00:06:47,400 --> 00:06:50,160 Speaker 2: call back or like the next day or whatever, and 132 00:06:50,200 --> 00:06:54,600 Speaker 2: then at the callback, I bombed it. And I always 133 00:06:54,600 --> 00:06:57,279 Speaker 2: give credit to Kenny Ortega. Do you know him, He's 134 00:06:57,320 --> 00:07:01,839 Speaker 2: like this, He's famous. Yeah, geographer. I mean, he's phenomenal. 135 00:07:03,160 --> 00:07:05,280 Speaker 2: I would love I haven't seen him since I would 136 00:07:05,279 --> 00:07:07,760 Speaker 2: love to see him again. But he stopped me. I 137 00:07:07,800 --> 00:07:09,479 Speaker 2: was about to leave the room and cry, and he 138 00:07:09,560 --> 00:07:11,120 Speaker 2: stopped me, and he said, I feel like you know 139 00:07:11,160 --> 00:07:12,840 Speaker 2: this girl, and I feel like you're really nervous. Just 140 00:07:12,880 --> 00:07:16,360 Speaker 2: take a breath, like we're here. It's good, You're fine. 141 00:07:16,520 --> 00:07:21,400 Speaker 2: And I something happened in that exhale where I just remember, 142 00:07:21,440 --> 00:07:24,160 Speaker 2: I kind of was able to go to a different 143 00:07:24,160 --> 00:07:27,360 Speaker 2: place and just kind of trust and channel whatever came 144 00:07:27,360 --> 00:07:30,240 Speaker 2: out of my mouth. And by the time I left, 145 00:07:30,600 --> 00:07:34,200 Speaker 2: I hadn't even gotten home to the apartment that I was, 146 00:07:34,720 --> 00:07:38,520 Speaker 2: you know, renting from who god knows who, and got 147 00:07:38,520 --> 00:07:40,920 Speaker 2: the call that I was on the show the next day. 148 00:07:41,080 --> 00:07:41,800 Speaker 1: Oh my god. 149 00:07:42,040 --> 00:07:43,760 Speaker 2: So that was how it all started, and you went. 150 00:07:43,680 --> 00:07:47,080 Speaker 1: On to play one of the most polarizing characters, one 151 00:07:47,080 --> 00:07:47,320 Speaker 1: of the. 152 00:07:47,240 --> 00:07:49,320 Speaker 2: Most you could say it, one of the most hated, 153 00:07:49,800 --> 00:07:52,200 Speaker 2: one of the most hate character. 154 00:07:52,480 --> 00:07:55,720 Speaker 1: Play someone like that for your first big break was 155 00:07:55,760 --> 00:07:58,560 Speaker 1: that weird where people like I don't like you, but 156 00:07:58,600 --> 00:07:59,440 Speaker 1: you're like, that's not me. 157 00:08:01,400 --> 00:08:03,560 Speaker 2: Well, it was an awakening, I'll tell you that. I 158 00:08:03,560 --> 00:08:05,520 Speaker 2: don't know if it was weird. It was more just like, oh, 159 00:08:05,560 --> 00:08:09,560 Speaker 2: this is how it works. Okay. I've told this story 160 00:08:09,640 --> 00:08:11,720 Speaker 2: before where I will always remember I was on the 161 00:08:11,720 --> 00:08:13,960 Speaker 2: phone with my mom and a coffee bean, wearing like 162 00:08:14,000 --> 00:08:17,800 Speaker 2: a juicy jumpsuit, you know, because it was of the times. Yes, 163 00:08:18,640 --> 00:08:22,800 Speaker 2: and these girls were like excuse me, excuse me, and 164 00:08:22,840 --> 00:08:25,080 Speaker 2: you know, I was all excited because I could tell, 165 00:08:25,200 --> 00:08:27,360 Speaker 2: you know, and I was like, hang on, mom, and 166 00:08:27,400 --> 00:08:29,760 Speaker 2: they asked if I was lindsay on Gilmore girls. I 167 00:08:29,760 --> 00:08:36,880 Speaker 2: said yes, and they said, we hate you. And I 168 00:08:36,920 --> 00:08:40,200 Speaker 2: took a minute and then I thought, oh, this is 169 00:08:40,240 --> 00:08:43,440 Speaker 2: what it's like. And it was actually a really good 170 00:08:43,559 --> 00:08:50,200 Speaker 2: lesson into if you're doing your job properly, people will 171 00:08:50,240 --> 00:08:53,320 Speaker 2: love or hate you, and that is a real gift. 172 00:08:53,640 --> 00:08:58,200 Speaker 2: It's in between when people don't care, that should be worrisome, 173 00:08:58,559 --> 00:09:00,520 Speaker 2: you know. So the fact that they they hated me 174 00:09:00,640 --> 00:09:05,480 Speaker 2: never bothered me. It was more like a wake up. Yeah. 175 00:09:05,559 --> 00:09:08,520 Speaker 1: Well, on the flip side, how I was introduced to 176 00:09:08,520 --> 00:09:11,240 Speaker 1: you was through The Vampire Diaries. Oh and I binged 177 00:09:11,320 --> 00:09:15,120 Speaker 1: that during COVID, so you were like round. But first 178 00:09:15,240 --> 00:09:16,960 Speaker 1: I saw that show was during COVID, and I didn't 179 00:09:16,960 --> 00:09:18,680 Speaker 1: realize you were in it, and you went on to 180 00:09:18,720 --> 00:09:23,000 Speaker 1: become one of the most beloved characters in that entire series, right, 181 00:09:23,200 --> 00:09:25,640 Speaker 1: and then suddenly you're dead. I mean, so did you 182 00:09:25,679 --> 00:09:28,480 Speaker 1: feel the love when people were so upset that they 183 00:09:29,000 --> 00:09:30,120 Speaker 1: no longer could watch you? 184 00:09:30,280 --> 00:09:32,800 Speaker 2: Well, first of all, I will forever just give all 185 00:09:32,920 --> 00:09:36,440 Speaker 2: the shout outs to Julie Pleck and Kevin Williamson as well. 186 00:09:37,120 --> 00:09:39,480 Speaker 2: They both called me together for that role. So I 187 00:09:39,559 --> 00:09:44,839 Speaker 2: originally auditioned for Nina for Elena Nina's role, didn't get 188 00:09:44,880 --> 00:09:48,520 Speaker 2: it clearly, But then a few months later they had 189 00:09:48,559 --> 00:09:51,600 Speaker 2: remembered my audition because and they called me and they said, hey, 190 00:09:51,640 --> 00:09:54,400 Speaker 2: we have this role. And Kevin was like really excited 191 00:09:54,440 --> 00:09:57,680 Speaker 2: to pitch it. He's like, you know, Stephan's so brooding, eh, 192 00:09:57,800 --> 00:09:59,360 Speaker 2: and you're gonna come in and like we're gonna see 193 00:09:59,360 --> 00:10:02,040 Speaker 2: a different side and then we're going to kill you. 194 00:10:02,480 --> 00:10:05,320 Speaker 2: And he was so excited to tell me that they 195 00:10:05,360 --> 00:10:10,520 Speaker 2: were going to kill me. And I remember going, uh huh. 196 00:10:10,600 --> 00:10:13,800 Speaker 2: I was like, Kevin, all right, I get it. Yeah, 197 00:10:13,840 --> 00:10:15,240 Speaker 2: I want to come play with you guys. I get it. 198 00:10:15,280 --> 00:10:16,559 Speaker 2: In my mind. I was like, can I at least 199 00:10:16,559 --> 00:10:19,760 Speaker 2: get like three episodes, you know? But they had their plan. 200 00:10:19,840 --> 00:10:22,720 Speaker 2: They were sticking to their plan. I respected it. So 201 00:10:22,760 --> 00:10:25,480 Speaker 2: I got on set and I actually was very nervous 202 00:10:25,640 --> 00:10:29,240 Speaker 2: because I don't even know if they Maybe they did, 203 00:10:29,280 --> 00:10:32,160 Speaker 2: But what I walked on set realizing was I have 204 00:10:32,240 --> 00:10:35,280 Speaker 2: one episode to make people care about me, because that 205 00:10:35,480 --> 00:10:38,400 Speaker 2: was actually my job. I was hired to make people 206 00:10:38,520 --> 00:10:41,760 Speaker 2: care the minute I died, and I'd never been asked 207 00:10:41,800 --> 00:10:44,480 Speaker 2: to do that in that form before, like that, you know. 208 00:10:44,800 --> 00:10:47,560 Speaker 2: So I took that very seriously, and so that was 209 00:10:47,640 --> 00:10:50,040 Speaker 2: really my tracking as I was building the character was 210 00:10:50,080 --> 00:10:52,599 Speaker 2: like each moment, what can I do to give the 211 00:10:52,640 --> 00:10:56,320 Speaker 2: audience something to hold on to so that it matters 212 00:10:56,360 --> 00:10:58,640 Speaker 2: when I died, because otherwise why am I here? You know? 213 00:10:59,640 --> 00:11:02,080 Speaker 2: So I actually was very nervous. I was very nervous 214 00:11:02,080 --> 00:11:04,280 Speaker 2: when it came out. I really had told myself, no 215 00:11:04,280 --> 00:11:07,040 Speaker 2: one's gonna care. This is gonna be like a one 216 00:11:07,120 --> 00:11:09,760 Speaker 2: and done, like, well, you did the best you could. 217 00:11:09,880 --> 00:11:12,120 Speaker 2: I was just very in my head about the whole thing, 218 00:11:12,640 --> 00:11:14,760 Speaker 2: and then it came out, and all of a sudden, 219 00:11:15,000 --> 00:11:17,199 Speaker 2: there it was like there was this buzz. There was 220 00:11:17,240 --> 00:11:20,080 Speaker 2: this buzz, and then Julie Pleck told me. My parents 221 00:11:20,120 --> 00:11:22,360 Speaker 2: called me and said why did you kill Lexi? That 222 00:11:22,440 --> 00:11:26,240 Speaker 2: was the biggest mistake. And then Julie said, Mom, Dad, 223 00:11:26,240 --> 00:11:31,000 Speaker 2: I didn't know you watched the show, so that really, 224 00:11:31,160 --> 00:11:34,600 Speaker 2: you know, Lexi is first and foremost Julie Pleck and 225 00:11:34,720 --> 00:11:37,000 Speaker 2: Kevin Williamson and then the fans. They kept her a 226 00:11:37,040 --> 00:11:39,080 Speaker 2: life because I would have never come back if it 227 00:11:39,080 --> 00:11:42,760 Speaker 2: weren't for the fans loving her, and because of you all, 228 00:11:43,800 --> 00:11:45,680 Speaker 2: they found a way to bring me back for the 229 00:11:45,720 --> 00:11:47,800 Speaker 2: rest of the series. 230 00:11:48,040 --> 00:11:49,760 Speaker 1: What do you most remember from that time? 231 00:11:50,640 --> 00:11:56,840 Speaker 2: Paul complaining? But that's like the stick, right, I mean, yeah, so, 232 00:11:57,200 --> 00:11:59,760 Speaker 2: I mean, because most of my scenes were with him, 233 00:12:00,120 --> 00:12:03,040 Speaker 2: did have like a kind of you know, like banter 234 00:12:03,240 --> 00:12:05,360 Speaker 2: that way. I feel like it was actually kind of 235 00:12:05,400 --> 00:12:08,280 Speaker 2: in real life a little bit like I'm naturally more 236 00:12:08,280 --> 00:12:13,839 Speaker 2: bubbly and he's naturally more like kind of critical, and 237 00:12:13,960 --> 00:12:17,760 Speaker 2: so we would just kind of have that banter. And 238 00:12:17,800 --> 00:12:20,840 Speaker 2: then I think just spending time in Atlanta, you know, 239 00:12:20,920 --> 00:12:23,080 Speaker 2: because over eight years, you spent a lot of time 240 00:12:23,120 --> 00:12:24,839 Speaker 2: there back and forth, and I had a lot of 241 00:12:24,840 --> 00:12:27,240 Speaker 2: friends on the show, so it became like fun to 242 00:12:27,280 --> 00:12:32,000 Speaker 2: see familiar faces and Lexi's wardrobe every time I came back. 243 00:12:32,040 --> 00:12:34,720 Speaker 2: I was in a different time period, so that was 244 00:12:34,760 --> 00:12:35,760 Speaker 2: actually really fun. 245 00:12:36,280 --> 00:12:39,160 Speaker 1: Oh my god, another epic role. The last trip down 246 00:12:39,160 --> 00:12:41,760 Speaker 1: memory lane before we get to your new series is 247 00:12:42,280 --> 00:12:43,760 Speaker 1: Vanessa nine o two on Oh. 248 00:12:44,240 --> 00:12:47,480 Speaker 2: Oh wow, that's so funny. I just said to someone, 249 00:12:47,480 --> 00:12:49,560 Speaker 2: no one ever asked me about nine o two, and oh. 250 00:12:49,640 --> 00:12:54,320 Speaker 1: Really, how you flung off a balcony? Like do you 251 00:12:54,400 --> 00:12:55,040 Speaker 1: remember that? 252 00:12:55,200 --> 00:12:57,280 Speaker 2: Oh? I remember what was filming? Let me tell you 253 00:12:57,240 --> 00:13:00,240 Speaker 2: why I remember because my stunt double. Actually I do 254 00:13:00,280 --> 00:13:01,640 Speaker 2: a lot of my own stunts. I didn't do that 255 00:13:01,640 --> 00:13:04,920 Speaker 2: one amazing stunt double. I wish I could remember who 256 00:13:05,000 --> 00:13:07,200 Speaker 2: it is. Right now, I'll have to, I'll have to. 257 00:13:07,360 --> 00:13:09,760 Speaker 2: We'll have to say, because she deserves a shout out. 258 00:13:11,520 --> 00:13:14,400 Speaker 2: She went over and it looked like she hit her 259 00:13:14,440 --> 00:13:19,120 Speaker 2: head and there was silence on set when they called 260 00:13:19,200 --> 00:13:22,199 Speaker 2: cut and I gasped because I was watching, And then 261 00:13:22,240 --> 00:13:25,040 Speaker 2: she got up and said she was okay, And I 262 00:13:25,120 --> 00:13:29,640 Speaker 2: will never forget In that moment, I was like, dear god, 263 00:13:30,920 --> 00:13:33,280 Speaker 2: what stunt people do. I know there's that movie about it, 264 00:13:33,320 --> 00:13:36,199 Speaker 2: but what stunt people do every single day as normal 265 00:13:36,720 --> 00:13:40,720 Speaker 2: deserves so much credit, Like we really you? I mean, 266 00:13:40,720 --> 00:13:44,959 Speaker 2: can you imagine just like going over a balcony yeah, 267 00:13:45,200 --> 00:13:47,680 Speaker 2: she was incredible. So and then right after that, I 268 00:13:47,720 --> 00:13:49,240 Speaker 2: did a scene where I get washed ashore and there 269 00:13:49,280 --> 00:13:52,119 Speaker 2: was like seaweed all over me and it was horrific, 270 00:13:52,280 --> 00:13:54,720 Speaker 2: and the paparazzi was there because we were in Malibu, 271 00:13:55,000 --> 00:13:56,400 Speaker 2: and I was like, you know, I was like coming 272 00:13:56,440 --> 00:13:58,280 Speaker 2: out of the ocean, there was like seaweed all over 273 00:13:58,320 --> 00:13:59,920 Speaker 2: my face. I was like, this is why we have 274 00:14:00,080 --> 00:14:02,319 Speaker 2: stunt devils. She knows how to go off of balcony. 275 00:14:02,440 --> 00:14:04,600 Speaker 2: I can't even come out of the ocean. 276 00:14:04,240 --> 00:14:07,520 Speaker 1: Without like, you know, she was a wild child. 277 00:14:07,960 --> 00:14:13,880 Speaker 2: Yeah, but Vanessa, Yeah, I recently at the I can 278 00:14:13,960 --> 00:14:17,800 Speaker 2: only imagine two premiere in Nashville. I can't believe I 279 00:14:17,840 --> 00:14:20,400 Speaker 2: completely missed this. But there was like a little mini 280 00:14:20,480 --> 00:14:23,320 Speaker 2: nine O two and O reunion because I guess Matt 281 00:14:23,360 --> 00:14:27,280 Speaker 2: Lanter and Shinney Grimes were there. So yeah, it's in 282 00:14:27,320 --> 00:14:28,600 Speaker 2: the zegeist right now. I don't know. 283 00:14:28,880 --> 00:14:32,040 Speaker 1: Yeah, Oh my god, so many great great roles. 284 00:14:32,160 --> 00:14:34,160 Speaker 2: Vanessa was. She was nuts? 285 00:14:34,560 --> 00:14:36,960 Speaker 1: She I mean I was, And you play nuts, well, 286 00:14:37,400 --> 00:14:39,280 Speaker 1: you play nuts. 287 00:14:40,280 --> 00:14:42,040 Speaker 2: I think the fun thing about taking on roles like 288 00:14:42,080 --> 00:14:44,320 Speaker 2: that is you're like, Okay, this is so out there 289 00:14:44,440 --> 00:14:47,280 Speaker 2: that I have to just commit to every moment. Otherwise, 290 00:14:47,280 --> 00:14:49,400 Speaker 2: what's the point, you know. I remember reading that scene 291 00:14:49,440 --> 00:14:52,720 Speaker 2: where like she fake fights herself and I was like, well, 292 00:14:53,200 --> 00:14:56,240 Speaker 2: I'm gonna have to fake fight myself like someone is 293 00:14:56,320 --> 00:14:58,680 Speaker 2: murdering me, you know, yeah, and we went for it. 294 00:15:04,920 --> 00:15:07,720 Speaker 1: And now you're playing a totally different character on a 295 00:15:07,800 --> 00:15:10,840 Speaker 1: show that is smashing records. By the way, I can't 296 00:15:10,880 --> 00:15:14,320 Speaker 1: open any social media now and not see a headline 297 00:15:14,320 --> 00:15:16,920 Speaker 1: about how many people are watching your new show. 298 00:15:17,120 --> 00:15:19,800 Speaker 2: Well, thank you everybody here. It's tuned in. 299 00:15:20,000 --> 00:15:23,800 Speaker 1: It's remarkable, and I'm not surprised giving Yellowstone was such 300 00:15:23,960 --> 00:15:27,920 Speaker 1: a fan favorite, popular series, and I imagine you were 301 00:15:27,920 --> 00:15:28,640 Speaker 1: a fan of it. 302 00:15:29,560 --> 00:15:34,000 Speaker 2: It was a huge fan I mean, I oh from 303 00:15:34,640 --> 00:15:39,280 Speaker 2: like seeing one episode one mainly because at the time 304 00:15:39,360 --> 00:15:42,320 Speaker 2: there wasn't anything like it. And I grew up, you know, 305 00:15:42,400 --> 00:15:46,320 Speaker 2: horses were always my first love. Like my dad and 306 00:15:46,360 --> 00:15:48,480 Speaker 2: my sister, we all still like text about, you know, 307 00:15:48,520 --> 00:15:51,840 Speaker 2: the man from Snowy River National Velvet or like a 308 00:15:51,880 --> 00:15:55,480 Speaker 2: Black Stallion. All of these horse movies were on repeat 309 00:15:55,680 --> 00:15:58,360 Speaker 2: when I was a kid, and so to see a 310 00:15:58,400 --> 00:16:01,400 Speaker 2: show like Yellowstone come out, Sure, it's about much more 311 00:16:01,480 --> 00:16:04,120 Speaker 2: than the cattle and the horses, but it was really 312 00:16:04,160 --> 00:16:08,960 Speaker 2: the first show that had such beautiful cinematography and really 313 00:16:10,000 --> 00:16:13,920 Speaker 2: highlighted nature in a way like, you know, nature's a beast. 314 00:16:14,000 --> 00:16:17,480 Speaker 2: It's like it's beautiful, but it's powerful. And so you're 315 00:16:17,520 --> 00:16:19,880 Speaker 2: dealing with the elements. You're dealing with cattle, you're dealing 316 00:16:19,880 --> 00:16:21,920 Speaker 2: with the ranch, you're dealing with the horses. And I 317 00:16:21,960 --> 00:16:24,720 Speaker 2: hadn't seen a show like that ever, and so I 318 00:16:24,840 --> 00:16:27,200 Speaker 2: was captivated for a number of reasons, and then of 319 00:16:27,240 --> 00:16:29,400 Speaker 2: course wanting to be a part of it ever since. 320 00:16:29,880 --> 00:16:32,600 Speaker 1: And Marshall's. I mean, when you got the call about 321 00:16:32,600 --> 00:16:35,640 Speaker 1: Marshall's and found out about your character, I think I 322 00:16:35,680 --> 00:16:39,240 Speaker 1: saw she was described as Martha Stewart in Cowboy Boots? 323 00:16:39,320 --> 00:16:42,040 Speaker 1: Is that correct? So what about that made you be like, 324 00:16:42,160 --> 00:16:44,280 Speaker 1: I gotta play that well? 325 00:16:44,320 --> 00:16:49,520 Speaker 2: Funny enough, Martha was my neighbor up in Bedford, and 326 00:16:49,640 --> 00:16:53,720 Speaker 2: she is She is really so involved and supportive of 327 00:16:53,760 --> 00:16:57,240 Speaker 2: the community up there, and so it's you know, she's 328 00:16:57,280 --> 00:17:00,840 Speaker 2: always having like parties at her farm, and she so gracious. 329 00:17:01,160 --> 00:17:03,080 Speaker 2: She has some of the most beautiful horses I've ever seen, 330 00:17:04,200 --> 00:17:07,320 Speaker 2: and I got to trail ride one of them, and 331 00:17:07,359 --> 00:17:10,800 Speaker 2: so she I felt like when I first read it, 332 00:17:11,160 --> 00:17:15,159 Speaker 2: I was kind of like, hang on a sec I 333 00:17:15,240 --> 00:17:17,639 Speaker 2: know this better than I even thought I would know this, 334 00:17:19,320 --> 00:17:23,120 Speaker 2: and so I but what I took to heart from 335 00:17:23,200 --> 00:17:25,800 Speaker 2: that was kind of like this woman can do it all, 336 00:17:26,320 --> 00:17:30,480 Speaker 2: and she can do it with a sense of humor 337 00:17:30,560 --> 00:17:34,439 Speaker 2: and sarcasm, but also she knows it all so well, 338 00:17:34,520 --> 00:17:38,879 Speaker 2: like she's you're not gonna mess with her, you know 339 00:17:38,920 --> 00:17:41,920 Speaker 2: what I mean. Like she's a type of woman who 340 00:17:42,000 --> 00:17:46,320 Speaker 2: really does do it all, know it all. And I 341 00:17:48,000 --> 00:17:54,640 Speaker 2: just thought, what a beautiful opportunity to bring femininity forward 342 00:17:55,680 --> 00:18:00,560 Speaker 2: in such a male heavy world. You know, like what 343 00:18:00,560 --> 00:18:03,199 Speaker 2: does it mean to be a badass cowgirl but also 344 00:18:03,440 --> 00:18:10,119 Speaker 2: be feminine and celebrate those qualities and wear pink, you know, 345 00:18:10,440 --> 00:18:15,000 Speaker 2: we're light colors, like, you know, she cares deeply for 346 00:18:15,119 --> 00:18:19,239 Speaker 2: her son, my character, and so just bringing all of 347 00:18:19,280 --> 00:18:24,479 Speaker 2: these elements while also maintaining the rough and tough you know. 348 00:18:24,520 --> 00:18:27,800 Speaker 2: She's local Montana, she's a cowgirl. She was atf so 349 00:18:27,840 --> 00:18:30,240 Speaker 2: she's always undercover. She's very protective of her family. She 350 00:18:30,240 --> 00:18:32,600 Speaker 2: has a ton of secrets. You know, when you come 351 00:18:32,640 --> 00:18:35,719 Speaker 2: from that kind of wealth, you have to protect a lot. 352 00:18:37,320 --> 00:18:41,679 Speaker 2: So I just like really loved that kind of Martha 353 00:18:41,720 --> 00:18:48,440 Speaker 2: Stewart was like the backdrop of who this character is 354 00:18:48,760 --> 00:18:52,120 Speaker 2: that I'm stepping into it and creating and playing with. 355 00:18:53,160 --> 00:18:55,640 Speaker 1: In Yellowstone, the cast how to go to a cowboy 356 00:18:55,680 --> 00:18:57,960 Speaker 1: boot camp? Did you do any sort of boot camp? 357 00:18:58,359 --> 00:19:01,240 Speaker 2: So we did. We did have boot camp. It was 358 00:19:01,280 --> 00:19:04,280 Speaker 2: all very fast. So by the time that I was cast, 359 00:19:04,840 --> 00:19:08,560 Speaker 2: we had about a week to get to Utah before shooting, 360 00:19:09,359 --> 00:19:13,439 Speaker 2: before like camera ready. So that week was one second. 361 00:19:13,800 --> 00:19:17,080 Speaker 2: Oh yeah, there we go. Okay, nope, see, can't mess 362 00:19:17,119 --> 00:19:21,560 Speaker 2: with the venture cheer growers. Okay, okay. So we had 363 00:19:21,600 --> 00:19:25,639 Speaker 2: about a week. So it got to Utah, and I 364 00:19:25,680 --> 00:19:29,200 Speaker 2: think with the original Yellowstone they had full on cowboy 365 00:19:29,240 --> 00:19:31,600 Speaker 2: camp right because they had to like do roping, they 366 00:19:31,600 --> 00:19:33,480 Speaker 2: had to actually learn how to move the cattle. I mean, 367 00:19:33,520 --> 00:19:37,800 Speaker 2: it was it was authentic to its core. We didn't 368 00:19:37,840 --> 00:19:40,520 Speaker 2: have that. We had two days and it was mainly 369 00:19:40,680 --> 00:19:44,720 Speaker 2: about getting to know your horse, you know, loping together 370 00:19:44,840 --> 00:19:49,800 Speaker 2: because you open pairs, stopping for the camera. How do 371 00:19:49,840 --> 00:19:52,880 Speaker 2: the horses all get along together? You know, what's each 372 00:19:53,200 --> 00:19:56,440 Speaker 2: horse's personality, what's my horse's personality. That's sort of a thing. 373 00:19:56,480 --> 00:19:58,040 Speaker 2: And then the rest of the time the next the 374 00:19:58,080 --> 00:20:02,879 Speaker 2: other three days was weapon training because we're running around 375 00:20:02,880 --> 00:20:05,320 Speaker 2: with infoors, which was new to me. I've done a 376 00:20:05,400 --> 00:20:07,359 Speaker 2: lot of stunt work over the last ten years, but 377 00:20:07,400 --> 00:20:11,560 Speaker 2: I've never had that kind of a gun as something 378 00:20:11,560 --> 00:20:14,919 Speaker 2: that I that my character is so familiar with. And 379 00:20:14,960 --> 00:20:18,119 Speaker 2: so it's like even just gearing up, it's meant to be, like, 380 00:20:18,320 --> 00:20:22,320 Speaker 2: you know, just part of who these people are. You 381 00:20:22,359 --> 00:20:24,840 Speaker 2: don't think about any of it. You just go and 382 00:20:25,760 --> 00:20:30,120 Speaker 2: just getting just gearing up took practice. So we did 383 00:20:30,119 --> 00:20:32,239 Speaker 2: a lot of weapon training with M fours. We did 384 00:20:32,240 --> 00:20:34,399 Speaker 2: a lot of footwork. We learned how to clear rooms 385 00:20:34,400 --> 00:20:37,240 Speaker 2: as a team. You learn, like we had real Navy 386 00:20:37,280 --> 00:20:40,080 Speaker 2: seals on set all the time training us. So you know, 387 00:20:40,080 --> 00:20:42,680 Speaker 2: it's all about the eye contact, the movement, the footwork, 388 00:20:42,760 --> 00:20:46,439 Speaker 2: the signals. You know, I think they say fastest slow, 389 00:20:46,760 --> 00:20:49,560 Speaker 2: that's a real thing, you know, that sort of thing. 390 00:20:49,680 --> 00:20:52,159 Speaker 1: And you and Luke Rhymes worked together before. Yeah, and 391 00:20:52,240 --> 00:20:54,840 Speaker 1: fifty Shades freed, right, So how was this a different 392 00:20:54,880 --> 00:20:56,240 Speaker 1: experience at this point of your. 393 00:20:56,160 --> 00:20:59,960 Speaker 2: Live Well, we had our clothes on homes kidding all true, 394 00:21:00,000 --> 00:21:01,960 Speaker 2: I know we both got our clothes on in Fifty 395 00:21:02,000 --> 00:21:05,760 Speaker 2: Shades too. By the way, did you see Dakota Johnson's 396 00:21:05,800 --> 00:21:10,560 Speaker 2: new Calvin Klein ad. She's so stunning. It just came 397 00:21:10,600 --> 00:21:11,879 Speaker 2: on today. I saw it all the way here. I 398 00:21:11,880 --> 00:21:14,320 Speaker 2: couldn't take my eyes off it. It's stunnying anyway, Wow, 399 00:21:14,480 --> 00:21:22,840 Speaker 2: beautiful ad, beautiful. Well, I look, I got lost, Dakota. 400 00:21:22,920 --> 00:21:24,840 Speaker 1: Does that different this time? 401 00:21:25,160 --> 00:21:29,240 Speaker 2: Oh right? Okay, So you know, look we did fifty shades. 402 00:21:29,280 --> 00:21:30,840 Speaker 2: I can't believe it. We were on set, I think 403 00:21:30,920 --> 00:21:32,639 Speaker 2: day two, we were talking about the movie, and I 404 00:21:32,640 --> 00:21:34,600 Speaker 2: think he Luke said to me, can you believe that 405 00:21:34,680 --> 00:21:37,159 Speaker 2: was ten years ago? And I looked at him and 406 00:21:37,200 --> 00:21:38,680 Speaker 2: I was like, it was not ten years ago? And 407 00:21:38,720 --> 00:21:42,480 Speaker 2: then I thought about it, and it was So that 408 00:21:43,119 --> 00:21:47,119 Speaker 2: was rough, Like that was very you know, COVID is 409 00:21:47,119 --> 00:21:52,600 Speaker 2: a weird thing. Time. We're still recovering, you know, in 410 00:21:52,640 --> 00:21:56,000 Speaker 2: many ways. But so it was ten years ago, so 411 00:21:56,400 --> 00:21:58,840 Speaker 2: we were we were both in a different place in 412 00:21:58,880 --> 00:22:01,560 Speaker 2: our careers, we were different place in our personal lives. 413 00:22:02,320 --> 00:22:04,919 Speaker 2: So I think just that in general, you know, it 414 00:22:04,960 --> 00:22:08,399 Speaker 2: was a different experience. But and it was pretty brief. 415 00:22:08,440 --> 00:22:11,439 Speaker 2: I didn't have too many scenes with him, But in 416 00:22:11,560 --> 00:22:14,000 Speaker 2: terms of who he is as a person, still the 417 00:22:14,119 --> 00:22:20,040 Speaker 2: same professional, classy guy. He's always very welcoming to everyone. 418 00:22:21,240 --> 00:22:23,399 Speaker 2: But what I really appreciate about him too is I 419 00:22:23,440 --> 00:22:26,000 Speaker 2: watch he really gives room for people to do their 420 00:22:26,000 --> 00:22:29,439 Speaker 2: thing too. Like he's you know, he's not controlling in 421 00:22:29,520 --> 00:22:32,440 Speaker 2: any way, he doesn't need it his way. He's open 422 00:22:32,520 --> 00:22:35,880 Speaker 2: and creative ideas. It's not like you know, it's there's 423 00:22:35,960 --> 00:22:38,920 Speaker 2: definitely a flow with him. And that was the same 424 00:22:39,000 --> 00:22:43,320 Speaker 2: back then as it is today and that I respect immensely. 425 00:22:43,200 --> 00:22:46,440 Speaker 1: And joining that world, I mean, Yellowstone is so beloved. 426 00:22:46,880 --> 00:22:50,240 Speaker 1: Is there any fear or anxiety or trepidation when you're 427 00:22:50,480 --> 00:22:52,480 Speaker 1: shooting this and knowing it's about to come out and 428 00:22:52,520 --> 00:22:54,680 Speaker 1: knowing probably a lot of Yellowstone, you know, the fan 429 00:22:54,720 --> 00:22:56,879 Speaker 1: base is going to tune in. How do you just 430 00:22:57,000 --> 00:23:00,359 Speaker 1: focus on the job? Do you let that affect Do 431 00:23:00,400 --> 00:23:01,560 Speaker 1: you get nervous about that? 432 00:23:01,920 --> 00:23:05,640 Speaker 2: I was nervous every day going to set. But it's 433 00:23:05,680 --> 00:23:10,800 Speaker 2: a good feeling, I think that. And I really do 434 00:23:10,840 --> 00:23:13,840 Speaker 2: feel like people even on the set with our crew 435 00:23:13,880 --> 00:23:17,119 Speaker 2: as well. I feel like everyone was very respectful of 436 00:23:17,160 --> 00:23:20,919 Speaker 2: the fact that we had the Yellowstone backdrop. You know, 437 00:23:21,000 --> 00:23:25,800 Speaker 2: I felt like everyone knew that why the giant why 438 00:23:26,960 --> 00:23:30,680 Speaker 2: is amongst us? You know, and it really does create 439 00:23:30,880 --> 00:23:34,560 Speaker 2: a very streamlined, very focused set. I mean when we 440 00:23:34,560 --> 00:23:38,640 Speaker 2: shaped work, we all get along, but it's we all 441 00:23:38,680 --> 00:23:41,720 Speaker 2: get to work like immediately, and we always have a 442 00:23:41,720 --> 00:23:43,200 Speaker 2: ton of stunts to do. If we're not doing a 443 00:23:43,240 --> 00:23:46,640 Speaker 2: lot of stunts, we have a heavy dialogue. So it's 444 00:23:46,760 --> 00:23:52,639 Speaker 2: just I think every single person from Spencer Hudnah, the 445 00:23:52,680 --> 00:23:56,560 Speaker 2: show creator, Luke, the rest of the cast, to all 446 00:23:56,600 --> 00:24:01,800 Speaker 2: of our crew, I deeply felt everyone respecting the Yellowstone 447 00:24:01,840 --> 00:24:05,840 Speaker 2: brand and also going like we better deliver, you know, 448 00:24:06,119 --> 00:24:08,680 Speaker 2: where the fans aren't messing around. We want to give 449 00:24:08,720 --> 00:24:12,879 Speaker 2: them what they want. Luke deserves it, you know. So 450 00:24:13,960 --> 00:24:17,560 Speaker 2: it's yeah, it's nerve wrecking, but that's an exciting place 451 00:24:17,600 --> 00:24:17,800 Speaker 2: to be. 452 00:24:18,200 --> 00:24:19,520 Speaker 1: I have a feeling the show is going to be 453 00:24:19,560 --> 00:24:22,880 Speaker 1: on for a long time. I really do. I really do. 454 00:24:22,920 --> 00:24:24,560 Speaker 1: And I know you can't say much, but what can 455 00:24:24,640 --> 00:24:27,560 Speaker 1: you tease about what's coming for you this season? 456 00:24:27,720 --> 00:24:30,600 Speaker 2: What's coming? Oh? Okay? Well, Bell has a lot of secrets, 457 00:24:30,640 --> 00:24:34,800 Speaker 2: so we've already seen you know, kind of her skill 458 00:24:34,840 --> 00:24:39,120 Speaker 2: sets when it comes to action, you know, coming up, 459 00:24:39,240 --> 00:24:42,320 Speaker 2: we will see her go undercover one episode, which was 460 00:24:42,400 --> 00:24:45,479 Speaker 2: really fun for me. If you see a red wig 461 00:24:45,680 --> 00:24:53,160 Speaker 2: get ready, we also see her really struggle with this 462 00:24:53,280 --> 00:24:56,520 Speaker 2: job being in her backyard because of how does she 463 00:24:56,560 --> 00:24:59,360 Speaker 2: protect her family and how does she not bring homework 464 00:24:59,400 --> 00:25:03,440 Speaker 2: with her bring her work home with her for her 465 00:25:03,480 --> 00:25:06,960 Speaker 2: son's sake, you know, for her, her son is always 466 00:25:07,040 --> 00:25:12,080 Speaker 2: like top of mind, even when she's running into the 467 00:25:12,119 --> 00:25:16,520 Speaker 2: fire with these missions. And then also there's a lot 468 00:25:16,600 --> 00:25:20,280 Speaker 2: to be revealed about her family. Like I said, she's local, 469 00:25:22,200 --> 00:25:26,240 Speaker 2: and I think in episode one we see Casey knows 470 00:25:26,280 --> 00:25:30,199 Speaker 2: her real name and recognizes her. The rest of the 471 00:25:30,240 --> 00:25:32,040 Speaker 2: team does not. So to the rest of the team, 472 00:25:32,119 --> 00:25:36,080 Speaker 2: she's still Skinner Bell Skinner. To Casey, he knows there 473 00:25:36,160 --> 00:25:40,840 Speaker 2: is Isabelle Turik, so that name, that family name. We 474 00:25:40,920 --> 00:25:44,199 Speaker 2: will get pieces throughout the season leading up to the 475 00:25:44,240 --> 00:25:47,760 Speaker 2: season finale to like really learn more about who she is, 476 00:25:47,800 --> 00:25:49,440 Speaker 2: but also why she's so secretive. 477 00:25:50,040 --> 00:25:52,720 Speaker 1: My god, what a great exciting show to be on 478 00:25:52,880 --> 00:25:55,280 Speaker 1: right now? I mean, life right now is just pretty good. Right, 479 00:25:55,320 --> 00:25:57,960 Speaker 1: You're on a show people are loving it seems like 480 00:25:58,000 --> 00:26:01,040 Speaker 1: a dream job. You're with horses, what you love? You 481 00:26:01,160 --> 00:26:04,000 Speaker 1: recently entered your forties, right, I did too. I just 482 00:26:04,040 --> 00:26:04,600 Speaker 1: turned four. 483 00:26:04,680 --> 00:26:07,280 Speaker 2: You happy birthday? When was your actual birthday? 484 00:26:07,359 --> 00:26:07,919 Speaker 1: January? 485 00:26:08,119 --> 00:26:12,280 Speaker 2: Are you Capricorn, Aquarius Aquarius. Nice, Okay, I'm right on 486 00:26:12,320 --> 00:26:14,040 Speaker 2: the cusp Aquarius, Pisces. 487 00:26:14,200 --> 00:26:17,280 Speaker 1: Okay, yeah, yeah, it's a it's a pretty fun time. 488 00:26:17,320 --> 00:26:19,240 Speaker 1: I mean, I've been very reflective during this time. For 489 00:26:19,320 --> 00:26:22,320 Speaker 1: you what feels different, like what where are you in 490 00:26:22,359 --> 00:26:23,320 Speaker 1: this chapter? 491 00:26:24,440 --> 00:26:30,600 Speaker 2: I feel like the most honest I've been with myself 492 00:26:30,720 --> 00:26:33,959 Speaker 2: probably ever. You know, I think something happens where you 493 00:26:34,000 --> 00:26:37,040 Speaker 2: just go like, I can't afford not to be anymore, 494 00:26:37,480 --> 00:26:42,760 Speaker 2: you know everyone, it's exhausting. But number two, I think 495 00:26:42,800 --> 00:26:46,520 Speaker 2: the biggest kind of thing I'm leaning into is just 496 00:26:48,240 --> 00:26:49,919 Speaker 2: what's the point if you don't feel at all? I 497 00:26:49,920 --> 00:26:52,200 Speaker 2: think for a very long time I was like, don't 498 00:26:53,280 --> 00:26:56,280 Speaker 2: don't feel certain things? Tough tough time. I also grew 499 00:26:56,359 --> 00:26:59,760 Speaker 2: up being it was very athletic, like you know, sports 500 00:26:59,800 --> 00:27:02,919 Speaker 2: were huge part before I transitioned into acting, and so 501 00:27:03,600 --> 00:27:06,960 Speaker 2: that kind of like I was. I started doing horse 502 00:27:07,000 --> 00:27:08,800 Speaker 2: shows when I was like six years old, and I 503 00:27:08,840 --> 00:27:12,040 Speaker 2: wanted to win, and you know, I was incredibly competitive 504 00:27:12,080 --> 00:27:14,919 Speaker 2: and there's a lot of discipline that comes with that, 505 00:27:15,119 --> 00:27:19,000 Speaker 2: and so then I've I learned to compartmentalize, and then 506 00:27:19,160 --> 00:27:22,879 Speaker 2: that carried me into being like successful as an actor. 507 00:27:22,960 --> 00:27:26,360 Speaker 2: You know, also learning those those tools early on, and 508 00:27:26,520 --> 00:27:31,080 Speaker 2: so I feel like now it's been about breaking all 509 00:27:31,119 --> 00:27:38,600 Speaker 2: that down and being like kind with it all, you know, 510 00:27:38,760 --> 00:27:43,320 Speaker 2: being kind with myself when I'm feeling some really gross feelings, 511 00:27:44,040 --> 00:27:48,119 Speaker 2: being kind with it when I feel lost, being kind 512 00:27:48,280 --> 00:27:51,440 Speaker 2: with myself when I feel excited. There was a time 513 00:27:51,480 --> 00:27:53,040 Speaker 2: too where it was really scary for me to be 514 00:27:53,119 --> 00:27:55,520 Speaker 2: excited because I felt I was very attached to like, 515 00:27:56,400 --> 00:27:58,560 Speaker 2: if something good is happening, is that means something bad's 516 00:27:58,600 --> 00:28:03,840 Speaker 2: going to happen right next or next. So just like 517 00:28:04,000 --> 00:28:09,320 Speaker 2: I guess, leaning into the heartbeat of the ups and downs, 518 00:28:09,560 --> 00:28:11,080 Speaker 2: I think for a long time, I just wanted to 519 00:28:11,119 --> 00:28:15,639 Speaker 2: be here because it felt safer, like cruising. And maybe 520 00:28:15,680 --> 00:28:17,919 Speaker 2: that's like not a big deal for a lot of people, 521 00:28:18,040 --> 00:28:21,959 Speaker 2: it's a big deal for me because it feels very vulnerable, 522 00:28:22,520 --> 00:28:26,359 Speaker 2: you know, because yeah, to let myself do this feel 523 00:28:26,680 --> 00:28:28,359 Speaker 2: very vulnerable for me to release a. 524 00:28:28,400 --> 00:28:31,240 Speaker 1: Little bit, right, And I would say to add to that, 525 00:28:31,280 --> 00:28:34,359 Speaker 1: to also not care as much what people think, yeah, 526 00:28:34,400 --> 00:28:35,720 Speaker 1: and to do things for yourself. 527 00:28:36,160 --> 00:28:38,680 Speaker 2: Yeah, I'll be honest. When I started doing press for 528 00:28:39,400 --> 00:28:41,920 Speaker 2: the show and then the movie, I can only imagine too. 529 00:28:42,040 --> 00:28:45,200 Speaker 2: Right before this so it's kind of been a lead up. 530 00:28:47,040 --> 00:28:51,200 Speaker 2: I hadn't done like a real press touring quite some time. 531 00:28:51,480 --> 00:28:55,200 Speaker 2: And you know, I was very comfortable like just posting 532 00:28:55,200 --> 00:28:58,960 Speaker 2: about horses on Instagram. That's my happy place, I know, 533 00:28:59,280 --> 00:29:01,320 Speaker 2: I know the bar, I know horses, I know animals, 534 00:29:01,360 --> 00:29:05,720 Speaker 2: I know equine therapy. You know, that's my wheelhouse. And 535 00:29:05,720 --> 00:29:07,520 Speaker 2: and so there was even a piece of me that 536 00:29:07,760 --> 00:29:16,160 Speaker 2: was like nervous to start really speaking publicly again because 537 00:29:16,200 --> 00:29:21,120 Speaker 2: I had really chosen to shelter myself for a minute. 538 00:29:21,200 --> 00:29:23,480 Speaker 2: And I'm glad that I did that. I think that's 539 00:29:23,480 --> 00:29:26,640 Speaker 2: important for everyone to choose when you have you time 540 00:29:26,680 --> 00:29:31,520 Speaker 2: and when you're out and about. But that was scary 541 00:29:31,600 --> 00:29:33,840 Speaker 2: for me, Like, you know, we're living in a different time. 542 00:29:34,040 --> 00:29:36,240 Speaker 2: I've been doing this a long time, and we're living 543 00:29:36,240 --> 00:29:41,080 Speaker 2: in a different time now, and so to just go like, okay, 544 00:29:41,520 --> 00:29:43,400 Speaker 2: here we go. I have to trust it. I have 545 00:29:43,440 --> 00:29:45,880 Speaker 2: to put myself out there. It's okay to share who 546 00:29:45,880 --> 00:29:49,000 Speaker 2: I am, you know, I you know, it's okay to 547 00:29:49,000 --> 00:29:52,200 Speaker 2: tell more people who you are than just your horses, right, 548 00:29:52,360 --> 00:29:56,240 Speaker 2: trust me, I talk to them all the time. But yeah, 549 00:29:56,280 --> 00:30:00,320 Speaker 2: so again I don't know that might sound so like duh. 550 00:30:00,440 --> 00:30:05,280 Speaker 2: But when you're not practicing it all of the time, 551 00:30:06,040 --> 00:30:09,120 Speaker 2: it takes a different skill set to be willing to 552 00:30:09,160 --> 00:30:13,280 Speaker 2: put yourself out about. Yeah, you know, I mean, like, 553 00:30:13,360 --> 00:30:14,960 Speaker 2: how does that feel for you? How do you deal 554 00:30:15,040 --> 00:30:22,320 Speaker 2: with it? 555 00:30:22,320 --> 00:30:24,800 Speaker 1: It's just I think we learn the things we want 556 00:30:24,840 --> 00:30:27,720 Speaker 1: to share, right, and the things we're comfortable sharing with 557 00:30:27,760 --> 00:30:30,920 Speaker 1: people that make us feel good and make us feel safe. Right, 558 00:30:31,040 --> 00:30:33,040 Speaker 1: Like what I might share with you is not what 559 00:30:33,080 --> 00:30:35,320 Speaker 1: I might share with someone else who I don't really 560 00:30:35,320 --> 00:30:38,360 Speaker 1: love the energy of. It's like, you know, wanting to 561 00:30:38,360 --> 00:30:41,560 Speaker 1: make sure you give that time and space to people 562 00:30:41,600 --> 00:30:44,360 Speaker 1: that you know will be loving with it. 563 00:30:44,640 --> 00:30:44,920 Speaker 2: Yeah. 564 00:30:45,040 --> 00:30:47,080 Speaker 1: I think that that's what it's about for me too, 565 00:30:47,200 --> 00:30:50,760 Speaker 1: reading people and also knowing that when you do put 566 00:30:50,800 --> 00:30:52,960 Speaker 1: something out there, I genuinly at this point in my 567 00:30:53,000 --> 00:30:55,880 Speaker 1: life care less what people think, like I want them 568 00:30:55,880 --> 00:30:58,240 Speaker 1: to like me. I think we all want to be liked, right. 569 00:30:58,320 --> 00:31:00,400 Speaker 1: I think that's just honest to say we don't. But 570 00:31:00,440 --> 00:31:03,280 Speaker 1: I also know you can't please everybody. Yeah, and if 571 00:31:03,320 --> 00:31:05,920 Speaker 1: it's my truth, then you know I'm going about life 572 00:31:05,960 --> 00:31:08,560 Speaker 1: in a good, respectable way. And someone doesn't like what 573 00:31:08,600 --> 00:31:11,040 Speaker 1: I say, that's not on me. Yeah, that's not on me. 574 00:31:11,040 --> 00:31:12,680 Speaker 1: They don't like what I'm wearing. That's not on me. 575 00:31:12,760 --> 00:31:14,520 Speaker 1: They don't like what I'm doing, that's not on me. 576 00:31:14,680 --> 00:31:16,920 Speaker 1: You know, So learning to let go of that I 577 00:31:16,920 --> 00:31:18,200 Speaker 1: think is really important too. 578 00:31:18,600 --> 00:31:20,680 Speaker 2: Yeah. The letting go is a big one. 579 00:31:20,760 --> 00:31:23,200 Speaker 1: Yeah, and doing things that fuel our soul and keep 580 00:31:23,240 --> 00:31:25,400 Speaker 1: doing things that fuel our soul, and not being afraid to. 581 00:31:25,560 --> 00:31:28,040 Speaker 1: Like you, I know you're you want to produce more. 582 00:31:28,040 --> 00:31:31,880 Speaker 1: You're getting into producing more, right, Yeah. The John Tucker 583 00:31:31,960 --> 00:31:34,280 Speaker 1: Musty sequel was a big thing for you. It's on 584 00:31:34,360 --> 00:31:35,080 Speaker 1: pause right now. 585 00:31:35,200 --> 00:31:38,840 Speaker 2: Yeah, yeah, yeah, it's on pause. Yeah, but but it 586 00:31:38,920 --> 00:31:40,440 Speaker 2: is one of those things where, look, it's an existing 587 00:31:40,480 --> 00:31:44,280 Speaker 2: ip so on you know, it can resurface at any moment. 588 00:31:44,360 --> 00:31:47,000 Speaker 2: But it was exciting for me because it was like, look, 589 00:31:47,120 --> 00:31:48,680 Speaker 2: that is something that I've wanted to do for a 590 00:31:48,760 --> 00:31:51,560 Speaker 2: very long time. And to straight out of the gate 591 00:31:52,400 --> 00:31:55,600 Speaker 2: sell that project and be working with Fox and we 592 00:31:55,720 --> 00:31:58,960 Speaker 2: have a script and you know, that was probably overall 593 00:31:59,000 --> 00:32:01,880 Speaker 2: like a three year process, and so I learned so 594 00:32:02,080 --> 00:32:06,239 Speaker 2: much and it also really it was so wonderful in 595 00:32:06,360 --> 00:32:11,800 Speaker 2: terms of building my confidence as a producer to go, Okay, 596 00:32:12,480 --> 00:32:14,920 Speaker 2: I it's not just in my head, you know, let 597 00:32:15,000 --> 00:32:17,320 Speaker 2: me go and run with these ideas that I love 598 00:32:17,400 --> 00:32:19,480 Speaker 2: and want to create. And so I have a couple 599 00:32:19,480 --> 00:32:22,120 Speaker 2: of projects now. I just got the book rights. There's 600 00:32:22,160 --> 00:32:25,960 Speaker 2: a beautiful book called Moonlight Healers I'm working on right now. 601 00:32:27,480 --> 00:32:31,800 Speaker 2: I'm obsessed with it. And then I'm working on something 602 00:32:31,800 --> 00:32:35,200 Speaker 2: else right now, obviously horse related. And then people have 603 00:32:35,240 --> 00:32:39,400 Speaker 2: been asking me lately too there about an Aquamarine sequel, 604 00:32:40,200 --> 00:32:43,600 Speaker 2: and that was something that I talked about and pitched 605 00:32:43,760 --> 00:32:51,280 Speaker 2: and there was kind of some back and forth stuff there. 606 00:32:51,440 --> 00:32:55,120 Speaker 2: So I'm curious to check in on that one. But 607 00:32:55,280 --> 00:32:57,400 Speaker 2: regardless of if I make it or someone else ends 608 00:32:57,480 --> 00:33:02,600 Speaker 2: up making it, I do so deeply believe Aquamarine is probably. 609 00:33:03,520 --> 00:33:06,120 Speaker 2: Last night on the plane flying here, the captain of 610 00:33:06,160 --> 00:33:11,200 Speaker 2: the plane, awesome young woman by the way, I was like, 611 00:33:11,240 --> 00:33:14,440 Speaker 2: you're the captain of our plane? Hell yes, came running 612 00:33:14,520 --> 00:33:15,960 Speaker 2: up to me because our flight was delayed. So we 613 00:33:15,960 --> 00:33:18,720 Speaker 2: were all like there, and she said, I loved doing Aquamarine. 614 00:33:18,720 --> 00:33:21,040 Speaker 2: Can I get a picture? And I just thought, I 615 00:33:21,240 --> 00:33:25,440 Speaker 2: love Aquamarines so much because of what has done for 616 00:33:25,600 --> 00:33:29,400 Speaker 2: young women and families alike. You know, people watch it 617 00:33:29,400 --> 00:33:32,760 Speaker 2: with their sisters, with their moms and so regardless of 618 00:33:32,760 --> 00:33:34,960 Speaker 2: if I make it or someone else does. I really 619 00:33:35,080 --> 00:33:38,200 Speaker 2: think that could be such a special story that continues 620 00:33:38,320 --> 00:33:45,520 Speaker 2: because that one, it's just that preteen era. When you 621 00:33:45,600 --> 00:33:48,920 Speaker 2: do it right, it's a really special time in a 622 00:33:48,960 --> 00:33:53,200 Speaker 2: young woman's life. And you know, I think preteens need 623 00:33:53,480 --> 00:33:56,920 Speaker 2: really good content now more than ever, male or female, 624 00:33:56,920 --> 00:34:02,160 Speaker 2: any across the board. We as judge people, I feel 625 00:34:02,200 --> 00:34:06,280 Speaker 2: like that preteen, I don't know, you're kind of launching 626 00:34:06,320 --> 00:34:09,040 Speaker 2: yourself in the in the world in such a it's 627 00:34:09,040 --> 00:34:12,319 Speaker 2: such a special time. So yeah, if yeah, that would 628 00:34:12,360 --> 00:34:14,279 Speaker 2: be that would be cool to see. 629 00:34:14,480 --> 00:34:16,279 Speaker 1: Look good for you. I mean, it's not easy to 630 00:34:16,320 --> 00:34:18,239 Speaker 1: do all of this, and you're doing it and it's 631 00:34:18,440 --> 00:34:21,160 Speaker 1: very inspiring. I wrote a screenplay. I'm just starting to 632 00:34:21,200 --> 00:34:22,920 Speaker 1: try to get it out there, and like, I'm going 633 00:34:23,000 --> 00:34:25,640 Speaker 1: to expect your brain because you are someone that you 634 00:34:25,640 --> 00:34:28,879 Speaker 1: know you you're doing it and you have so much 635 00:34:28,920 --> 00:34:31,319 Speaker 1: knowledge about it and you're passionate about it, and it's 636 00:34:31,320 --> 00:34:33,440 Speaker 1: cool to see that side to you. We all know 637 00:34:33,560 --> 00:34:36,000 Speaker 1: the great actor that you are, but to see like 638 00:34:36,040 --> 00:34:39,080 Speaker 1: the producer, brainiac side of you is really cool too. 639 00:34:39,320 --> 00:34:39,759 Speaker 2: Thank you. 640 00:34:39,960 --> 00:34:41,399 Speaker 1: Yeah, I keep going with all of it. 641 00:34:41,560 --> 00:34:44,040 Speaker 2: Thank you. Yes, pick I would love to talk to 642 00:34:44,040 --> 00:34:46,560 Speaker 2: you about your screenplay anytime. I really love it. And 643 00:34:46,719 --> 00:34:48,239 Speaker 2: it's funny. I had a meeting with someone the other 644 00:34:48,320 --> 00:34:52,719 Speaker 2: day and I said, I love supporting other artists, Like 645 00:34:52,760 --> 00:34:54,360 Speaker 2: I'm also at a point in my career where I 646 00:34:54,400 --> 00:34:56,120 Speaker 2: love going to work, I love getting to do what 647 00:34:56,160 --> 00:34:58,960 Speaker 2: I love. But I'm also in a phase where it 648 00:34:59,120 --> 00:35:02,839 Speaker 2: really excites me to support other artists and to tell 649 00:35:02,920 --> 00:35:05,480 Speaker 2: their stories and like, how can I plug in and 650 00:35:05,520 --> 00:35:08,560 Speaker 2: help them? And I do feel like that's kind of 651 00:35:08,560 --> 00:35:12,480 Speaker 2: the next wave of my career a bit, and it 652 00:35:12,520 --> 00:35:13,160 Speaker 2: feels good. 653 00:35:13,520 --> 00:35:17,160 Speaker 1: Yeah, yeah, I I could talk to you for four 654 00:35:17,200 --> 00:35:20,279 Speaker 1: more hours. This is this is such a fulfilling conversation 655 00:35:20,360 --> 00:35:22,839 Speaker 1: on my end. I have the big hero question I'm 656 00:35:22,840 --> 00:35:24,399 Speaker 1: going to ask you, But there's one more thing I'm 657 00:35:24,440 --> 00:35:28,040 Speaker 1: curious about the big hero question. But first, did I 658 00:35:28,040 --> 00:35:32,160 Speaker 1: think I saw something where you keep a script watch 659 00:35:32,200 --> 00:35:34,680 Speaker 1: a system like Twitter rumor, but you keep a script 660 00:35:35,320 --> 00:35:37,040 Speaker 1: in your bag between projects? 661 00:35:37,360 --> 00:35:38,680 Speaker 2: A script in my bag, like a. 662 00:35:38,640 --> 00:35:41,600 Speaker 1: Page from your script in between. 663 00:35:41,239 --> 00:35:43,839 Speaker 2: Projects, like until I get me to the next one. 664 00:35:44,000 --> 00:35:45,600 Speaker 1: Yeah, was there something there with that? 665 00:35:45,719 --> 00:35:51,120 Speaker 2: Or that's not true, but it's similar. I every job 666 00:35:51,200 --> 00:35:54,400 Speaker 2: that I do, I have everyone sign the cover page, 667 00:35:54,960 --> 00:36:00,600 Speaker 2: and so I have every script almost. I didn't start 668 00:36:00,600 --> 00:36:03,040 Speaker 2: this signing thing until later in my career, but I 669 00:36:03,200 --> 00:36:05,239 Speaker 2: kept all of my scripts in the start of my career. 670 00:36:05,280 --> 00:36:08,080 Speaker 2: So I have almost every Gilware Girl script I have, 671 00:36:08,320 --> 00:36:11,319 Speaker 2: you know John Tucker, I have Alguamarine, and I have 672 00:36:11,440 --> 00:36:13,279 Speaker 2: like the rewrites. At some point I've got to get 673 00:36:13,360 --> 00:36:16,799 Speaker 2: rid of some. It's turning into like, am I a order? 674 00:36:17,880 --> 00:36:19,279 Speaker 2: But so I do have that. But what I do 675 00:36:19,440 --> 00:36:21,919 Speaker 2: now is I carry it to sit on the last 676 00:36:22,040 --> 00:36:24,960 Speaker 2: day of set. I have the cover page and I 677 00:36:25,000 --> 00:36:26,280 Speaker 2: have everyone signed the script. 678 00:36:26,320 --> 00:36:28,560 Speaker 1: Oh that's sweet. You can't get rid of that. No, No, 679 00:36:28,640 --> 00:36:31,760 Speaker 1: that's history. Yeah that's amazing. Yeah that's amazing. 680 00:36:32,000 --> 00:36:35,480 Speaker 2: Trying to think what else I carry with me, but yeah. 681 00:36:34,920 --> 00:36:38,080 Speaker 1: That's so cool. Well, as we wrap up, the name 682 00:36:38,120 --> 00:36:39,640 Speaker 1: of the show is called I've never said this. 683 00:36:39,520 --> 00:36:42,280 Speaker 2: Before, Oh, this is the Hero question. 684 00:36:42,840 --> 00:36:44,920 Speaker 1: And it was born because I cover a lot of 685 00:36:44,920 --> 00:36:48,160 Speaker 1: red carpets and junkets with the other jobs I work at, 686 00:36:48,239 --> 00:36:50,200 Speaker 1: and they're so quick. You know that you talk to 687 00:36:50,239 --> 00:36:52,840 Speaker 1: someone for two minutes, it's probably all the same questions 688 00:36:52,840 --> 00:36:54,319 Speaker 1: every out at wants because they have to get their 689 00:36:54,360 --> 00:36:57,280 Speaker 1: own bite and you leave being like what just happened? 690 00:36:57,320 --> 00:37:00,480 Speaker 1: Like what I'm on to the next Already as an viewer, 691 00:37:01,040 --> 00:37:03,560 Speaker 1: I'm grateful for that work, and you know it has 692 00:37:03,600 --> 00:37:06,319 Speaker 1: a purpose, but I crave more, like I want to 693 00:37:06,400 --> 00:37:08,839 Speaker 1: dive in with someone and have a real human conversation. 694 00:37:09,160 --> 00:37:11,799 Speaker 1: So I present this question, which is, what is one 695 00:37:11,840 --> 00:37:14,279 Speaker 1: thing you've never said before? And that just means that 696 00:37:14,320 --> 00:37:16,319 Speaker 1: you don't have a chance to often say that you 697 00:37:17,080 --> 00:37:19,080 Speaker 1: want to put out in the world like whatever, there's 698 00:37:19,080 --> 00:37:21,040 Speaker 1: no right or wrong whatever that means to you. 699 00:37:21,400 --> 00:37:24,399 Speaker 2: Well, it's funny. As you were talking, I was like, oh, 700 00:37:24,480 --> 00:37:26,840 Speaker 2: where can I go? This's like deep with this, you know, 701 00:37:27,000 --> 00:37:29,799 Speaker 2: because I have many things I've never shared and then 702 00:37:29,920 --> 00:37:31,719 Speaker 2: but it just came up on the way here, so 703 00:37:31,800 --> 00:37:34,120 Speaker 2: I feel like I should share it. It's not deep 704 00:37:34,160 --> 00:37:39,560 Speaker 2: at all, That's okay. I made my own dimple. This 705 00:37:39,640 --> 00:37:43,520 Speaker 2: is a scar. There's like so much cark issue in here, 706 00:37:44,080 --> 00:37:46,680 Speaker 2: what I mean, So now you're gonna notice. But I 707 00:37:46,760 --> 00:37:48,680 Speaker 2: never talked about it, but I talk kind of weird 708 00:37:48,680 --> 00:37:50,560 Speaker 2: out of one side of my mouth. It's because this 709 00:37:50,840 --> 00:37:54,600 Speaker 2: is I was walking on. I was in gymnastics. I 710 00:37:54,680 --> 00:37:56,839 Speaker 2: was very very young, and so of course I went 711 00:37:56,880 --> 00:37:59,279 Speaker 2: home and turned everything into some sort of like you know, 712 00:37:59,400 --> 00:38:02,719 Speaker 2: balance or whatever I could, and a leg of a 713 00:38:02,760 --> 00:38:05,040 Speaker 2: bench flipped over and I bit a hole in my 714 00:38:05,120 --> 00:38:10,200 Speaker 2: cheek and it it was fine, and then it wasn't. 715 00:38:10,200 --> 00:38:11,760 Speaker 2: It was fine, it wasn't. It ended up getting infected. 716 00:38:11,760 --> 00:38:13,640 Speaker 2: I had to go to hospital. It was a whole situation, 717 00:38:14,640 --> 00:38:20,520 Speaker 2: but out of it came my dimple. Now, the moral 718 00:38:20,719 --> 00:38:23,200 Speaker 2: story is not that I made my own dimple. It's 719 00:38:23,239 --> 00:38:25,239 Speaker 2: that it was the first time I realized you can 720 00:38:25,280 --> 00:38:29,080 Speaker 2: manifest whatever you want. Because I swear to you, before 721 00:38:29,160 --> 00:38:32,719 Speaker 2: that moment, I would go to bed praying for dimples. 722 00:38:32,800 --> 00:38:36,480 Speaker 2: I always wanted dimples, that I wanted them right here. 723 00:38:37,239 --> 00:38:42,600 Speaker 2: So everybody listening, go manifest maybe just like stay out 724 00:38:42,600 --> 00:38:46,040 Speaker 2: of the hospital. Oh you know, yeah yeah, yeah yeah, 725 00:38:46,080 --> 00:38:49,560 Speaker 2: but yeah, so that I've never shared. That's amazing, So 726 00:38:49,600 --> 00:38:51,200 Speaker 2: now what's good. Yeah, but there it is. 727 00:38:51,360 --> 00:38:53,600 Speaker 1: It's so cute. I love that. 728 00:38:53,680 --> 00:38:55,720 Speaker 2: I used to get kiddy cones and McDonald's for telling 729 00:38:55,719 --> 00:38:58,000 Speaker 2: the story. Free free kitty gones. 730 00:38:58,040 --> 00:39:00,319 Speaker 1: That's a big deal. That's a big deal. Yeah, well 731 00:39:00,360 --> 00:39:02,040 Speaker 1: that's amazing. That's really cool. 732 00:39:02,040 --> 00:39:03,960 Speaker 2: And it's a PC you forever, you know, I mean, 733 00:39:04,000 --> 00:39:06,759 Speaker 2: it's not going anywhere, So yeah, no, it's there. 734 00:39:07,040 --> 00:39:10,080 Speaker 1: That's so cool. Well, thank you so much for hanging 735 00:39:10,080 --> 00:39:15,360 Speaker 1: out today. Your artistry is so important to our business 736 00:39:15,360 --> 00:39:18,279 Speaker 1: and to so many people, and Marshals is killing you. 737 00:39:18,520 --> 00:39:20,839 Speaker 1: And for everyone that hasn't seen it, watch it. 738 00:39:20,840 --> 00:39:24,880 Speaker 2: It's on CBS, Yes, CBS Sunday nights eight pm and 739 00:39:24,920 --> 00:39:28,400 Speaker 2: then next day streaming on Paramount Plus. And I do 740 00:39:28,560 --> 00:39:31,120 Speaker 2: just want to thank everyone again who's tuned in. Yeah, 741 00:39:31,160 --> 00:39:34,799 Speaker 2: we had nine point five million viewers week one and 742 00:39:34,840 --> 00:39:36,680 Speaker 2: we were number one on Paramount And I just have 743 00:39:36,760 --> 00:39:39,200 Speaker 2: to say personally, I've never been a part of that before, 744 00:39:39,280 --> 00:39:42,160 Speaker 2: so I don't take it for granted. It's new for me, 745 00:39:42,360 --> 00:39:44,319 Speaker 2: Like makes me moful when I talk about it. So 746 00:39:44,560 --> 00:39:48,040 Speaker 2: it's a really, really deeply meaningful moment for me. So 747 00:39:48,120 --> 00:39:49,840 Speaker 2: thank you everyone, well deserved. 748 00:39:50,120 --> 00:39:52,000 Speaker 1: Keep it coming, keep it coming, and thank you for 749 00:39:52,000 --> 00:39:52,480 Speaker 1: hanging out. 750 00:39:52,520 --> 00:39:54,400 Speaker 2: Oh, thank you. Bye. 751 00:39:58,000 --> 00:40:02,360 Speaker 1: I've Never Said This Before is hosted Tommy Dedario. This 752 00:40:02,520 --> 00:40:06,680 Speaker 1: podcast is executive produced by Andrew Puglisi at iHeartRadio and 753 00:40:06,800 --> 00:40:11,160 Speaker 1: by Me Tommy, with editing by Joshua Colaudney. I've Never 754 00:40:11,200 --> 00:40:13,920 Speaker 1: Said This Before is part of the Elvis Duran Podcast 755 00:40:13,960 --> 00:40:18,360 Speaker 1: Network on iHeart podcasts for more, rate, review and subscribe 756 00:40:18,400 --> 00:40:21,120 Speaker 1: to our show. And if you liked this episode, tell 757 00:40:21,120 --> 00:40:24,280 Speaker 1: your friends. Until next time, I'm Tommy de Dario