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Speaker 1: Alaska. Welcome to Wednesday show, mort in the studio morning.

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Speaker 1: Everybody's having a good morning. Where do we start? Amy

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Speaker 1: saw a celebrity in the wild, massive celebrity, not someone

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Speaker 1: in country music either, someone from like nineties televisions, so

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Speaker 1: massive that I was like, no, way, that's really them,

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Speaker 1: nineties or nineties, nineties and two thousands. It was kind

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Speaker 1: of that break so late nineties, early two thousands, and

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Speaker 1: I would say at the time, a list WHOA Yeah,

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Speaker 1: let's play the game. Can Eddie and Lunchbox figure it out? Okay,

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Speaker 1: you get five yes or no questions each, and if

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Speaker 1: you get it right, you went twenty dollars with the

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Speaker 1: cash over here. Okay, five yes or no questions each, Lunchbox,

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Speaker 1: go ahead, and you describe this person as a TV

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Speaker 1: person from nineties or two thousands. Oh man, If I

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Speaker 1: answer that, that's a yes? Did he say a man

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Speaker 1: or woman? I don't. You get ten questions total, but

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Speaker 1: you can also guess it anytime. Yes, anytime that counts

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Speaker 1: as a question. And we're working together. No, you're not

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Speaker 1: against each other. Go ahead, lunch Was this person on tgif? No?

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Speaker 1: Was this person on Nickelodeon? No? Two down? Was this

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Speaker 1: person on an hour long show? Yes? Or okay? Good? Yeah?

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Speaker 1: A man or woman? Or is it a man? No?

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Speaker 1: What it's a woman? Oh my goodness, not an hour

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Speaker 1: long show. Was it a reality show? No? Five questions down?

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Speaker 1: Were they ever in a movie? This woman? I don't know.

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Speaker 1: I don't know. I'm sure known for tea Edy asked

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Speaker 1: a different questions. We don't have an answer to that. Um.

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Speaker 1: Do they have blonde hair? No? That's six, four more

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Speaker 1: questions total? She was in movies? She wasn't going to

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Speaker 1: count that again. She married a someone famous? It depends

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Speaker 1: on who you ask. I don't know. Yeah. I had

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Speaker 1: to search it up because I was researching her because

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Speaker 1: again I didn't know if it's really herd No, not famous,

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Speaker 1: thank you, thank you, Bob. Never heard of him. So okay,

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Speaker 1: then there you go, not famous, and we're struggling with me.

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Speaker 1: How many more do we have lost? Three? Oh my gosh? Um,

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Speaker 1: do they have black hair? Yes? Okay, we got a yes.

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Speaker 1: Two questions left. A woman with black hair, dark hair,

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Speaker 1: We'll go dark. Let's go dark. Have they ever been

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Speaker 1: part of a scandal? No? Is this woman with dark

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Speaker 1: hair still acting today? I'm sure? Yes, Oh, yeah, very much. Yeah,

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Speaker 1: that's why you saw her very much. Yeah. Oh yeah,

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Speaker 1: I'll tend to guess. Okay, go ahead and LaunchBox Tiffany AMBERTHECT.

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Speaker 1: Oh that's a good guest though, Harry Russell. AMI's look alike?

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Speaker 1: Uh incorrect. It's Patricia Heaton from Everybody Loves Ramond? No

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Speaker 1: show here? What? Yeah? So I was like it wasn't

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Speaker 1: for sure for sure it was her, but then I read, Yeah,

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Speaker 1: she's spending half her time in Nashville right now and

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Speaker 1: half her time in LA And I guess that's maybe why. Yeah,

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Speaker 1: they have a new show they're shooting here, like a

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Speaker 1: Sitcommis show, and it's uh, people have seen her all

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Speaker 1: over town. Yeah, she was hanging out a frothy monkey

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Speaker 1: getting coffee. What did you talk to her? No, you

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Speaker 1: have a mask on? Um No, so you recognize her

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Speaker 1: for sure, because I wouldn't recognize her. I did recognize her,

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Speaker 1: but I was like, it's out of context, so why

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Speaker 1: would she be at the front. Yeah, so I searched

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Speaker 1: it up and yep, she didn't feel like bothering her,

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Speaker 1: yelling at her or like a creepy like act like

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Speaker 1: you're on your phone but you tilted in an odd

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Speaker 1: No good for you to take a picture of her,

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Speaker 1: but nothing, he scoopa. Maybe we can get her in yea, yeah,

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Speaker 1: she's working here now, gonna look at the frosty monkey.

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Speaker 1: All right, the one today's show here? All right, all right,

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Speaker 1: let's go over and open up the mailbag. Something hello,

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Speaker 1: Bobby Bones. Help. My husband and I have been married

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Speaker 1: for ten years, and in the last few years he

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Speaker 1: started thinning on top and his hairline has been receding slightly,

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Speaker 1: but it really bothers him. I came home from work

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Speaker 1: recently and he shaved his head with no warning. Now

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Speaker 1: he's trying to grow a beard. He looks like a

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Speaker 1: whole different person, and I have to admit I do

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Speaker 1: not find this attractive. I feel horrible about this, but

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Speaker 1: even to kiss him, it feels like I'm kissing a

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Speaker 1: totally different person, and I don't like it. I told

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Speaker 1: him I would like for him to grow his hair

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Speaker 1: back and shave his beard. I wouldn't have my hair

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Speaker 1: any other way off he didn't like it. I also

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Speaker 1: suggested if he's self conscious, he could get PRP, but

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Speaker 1: he refuses. By the way, I don't know what this

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Speaker 1: isn't that what got rady PRP. Yeah, I get that PRP.

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Speaker 1: It'll get the blood going in the scalp. I feel

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Speaker 1: like women do a lot of things to try to

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Speaker 1: look beautiful for their spouse, and I don't think I'm

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Speaker 1: asking too much. What do you guys think? Very important

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Speaker 1: side note, I'm a lucky woman. He's an amazing husband.

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Speaker 1: PS keep my name anonymous, please. I have friends that

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Speaker 1: listen and don't want this to get back to him.

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Speaker 1: But I mean if you have friends that listen, they're

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Speaker 1: probably put through and to go, oh, yeah, this is Chris. Okay, Yeah,

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Speaker 1: that's that's quite the change to come home too. I

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Speaker 1: would compare it too. Sometimes I'll grow my beard out

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Speaker 1: because I don't want to have to shave for a while,

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Speaker 1: and then I'll go into the bathroom and shave just

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Speaker 1: to go to you and leave it just to be funny.

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Speaker 1: Caitlin hates it. She's like, I can't even because it

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Speaker 1: looks disgusting. Now, if I just kept it for a

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Speaker 1: week or so, she'd probably get used to it. Yeah.

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Speaker 1: When my husband first got his beard, right when he

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Speaker 1: got out of the Air Force, it was like this thing.

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Speaker 1: He was like rebelling and growing beard, and I was like,

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Speaker 1: I hate this, this is awful, and now and now well,

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Speaker 1: it didn't take long and I got used to it,

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Speaker 1: and now I can't see it any other way. As

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Speaker 1: a guy, we struggle with hair loss if that starts

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Speaker 1: to happen. We struggle when age starts to catch up

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Speaker 1: with our body. We struggle with gray. So I understand

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Speaker 1: him being self conscious about it and going, well, I

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Speaker 1: don't want people to know me for thinning hair. I

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Speaker 1: just want to shave it all and get ahead of it.

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Speaker 1: It is a drastic change. I would suggest that you

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Speaker 1: tell him this, but if he wants to commit to it,

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Speaker 1: let him commit to it and see if it lasts.

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Speaker 1: I don't think it'll last. To shave your head bald.

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Speaker 1: That's work, that's every day taking the razor to it.

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Speaker 1: And if you don't do it up close every single day,

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Speaker 1: you're thinning. Even looks worse because it's only growing in

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Speaker 1: certain spots. I've heard that, so I think he'll tire

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Speaker 1: of having his head stay bald. I think you tell

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Speaker 1: him how you feel, but then you say, hey, if

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Speaker 1: you really want this and this is your new look,

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Speaker 1: I'll support it. Eventually, you love him for who he

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Speaker 1: is anyway, my prediction is I'm not. My prediction is

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Speaker 1: he'll go back to normal because he won't want to

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Speaker 1: keep shaving his head. It's a lot of work, Scooba, Steve,

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Speaker 1: you have a bald shaved head and a beard and

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Speaker 1: a beard. Did you grow your face hair out because

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Speaker 1: your head hair wasn't growing. I grew my face hair

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Speaker 1: pretty much that for that reason, yet to alter the

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Speaker 1: fact that I have no hair on top of my head.

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Speaker 1: So I have something that looks kind of cool. Plus

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Speaker 1: I like getting it groomed and trim that it feels

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Speaker 1: nice to get pampered. What did your wife say when

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Speaker 1: you decided to go with this look? She loved it

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Speaker 1: because when I was trying to grow out my hair

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Speaker 1: and trying to keep that receding hairline, it looked old

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Speaker 1: and dingy, and by shaving, it looks cleaner, younger, and newer.

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Speaker 1: And when you walk in the room, we often say

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Speaker 1: that I go cleaner, him, he goes younger. Thank you, Yeah,

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Speaker 1: every time you walk in and out of the room.

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Speaker 1: So what do you say to her who's dealing with

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Speaker 1: a guy who basically is doing what you did? I say,

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Speaker 1: you let him be what he wants. It probably will

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Speaker 1: help him out with his confidence. For me, I feel

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Speaker 1: more confident as a man with this look versus the

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Speaker 1: receding hairline, the thinning hair. You just look kind of gross.

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Speaker 1: So I think that I hate to be harsh, but

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Speaker 1: it is so I feel like, you let him do this.

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Speaker 1: Eventually you will be okay with it. How hard is

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Speaker 1: it to keep your head clean shaving? So I do

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Speaker 1: it once a week just because the yes, because so

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Speaker 1: if you know hair, do you like Scuba has no

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Speaker 1: hair growing at all of them? Well? No, So I

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Speaker 1: wear if you see me wearing a hats because I

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Speaker 1: haven't shaved, because if I shaved too much then I

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Speaker 1: get bumps and razor burn and stuff. So I do

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Speaker 1: it just once a week. And it wasn't on purpose.

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Speaker 1: I think it was probably sub We saw some Eddie

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Speaker 1: subconscious happen here. But when Scuba said it looks gross

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Speaker 1: and dingy, Eddie grabbed his hat and pulled it down.

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Speaker 1: Did I did you pulled your hat down? Man? Eddie asked,

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Speaker 1: someone who's not shaved his head but has a receding hairline.

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Speaker 1: It's just tough. I think she needs a little compassion here.

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Speaker 1: And understand that he's going through a lot. Like you said,

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Speaker 1: there are things like losing thining your hair, losing your

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Speaker 1: hair that takes a toll on a man's pride and

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Speaker 1: his self esteem. So he's going through a lot right now.

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Speaker 1: Just give him some time, support him. He'll probably we

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Speaker 1: go back. But if he doesn't, this is something internal

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Speaker 1: inside of him. He's going through a hard time right now.

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Speaker 1: I can feel it. Yeah, it's tough. Whenever I grew

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Speaker 1: him up beard out, I have new patches of gray

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Speaker 1: that grew have grown in and I have a little

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Speaker 1: pencil that for TV. If I have a little stubble,

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Speaker 1: I can just color the gray in a little bit.

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Speaker 1: That's cool. And it was a little greater than I

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Speaker 1: was expecting last time, and I did not like it,

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Speaker 1: and so I shaved it off. And that hurt a

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Speaker 1: little bit. It didn't hurt. I just don't like it

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Speaker 1: because I am regardless of what science says, I'm not

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Speaker 1: getting any older. Of course I said it. I've declared it,

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Speaker 1: and that is what it is. Um. So Anonymous, support

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Speaker 1: your husband here. Don't guilt to him into growing his

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Speaker 1: hair back and shaving his beard. Let him be him.

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Speaker 1: He'll either go back or you'll just love the new

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Speaker 1: version of him. All right, that's what we have to say.

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Speaker 1: Thank you very much. If you want to email us, Morgan,

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Speaker 1: what's the address to the mailbag. Mailbag at Bobby Bones

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Speaker 1: dot com. Thank you, we've got your I was abou Yeah,

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Speaker 1: Chris Stapleton on the show a couple of days ago.

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Speaker 1: You can go back to Monday's podcast and hear that.

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Speaker 1: But we got this call after the show asking about

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Speaker 1: how a song like a Chris Stapleton song goes number one. Hey,

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Speaker 1: so you talk to Chris Stapleton about the song that's

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Speaker 1: been out for a long time but only now is

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Speaker 1: kind of vying for the number one position. And so

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Speaker 1: I guess I was wondering how does a song become

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Speaker 1: number one? Because it doesn't seem like it's as simple

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Speaker 1: as the rest of us might think. Okay, it's a

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Speaker 1: good question. I'll walk you through it from the writer's

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Speaker 1: room to the song hitting number one. So a bunch

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Speaker 1: of people get in the room and they go, okay,

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Speaker 1: I have this idea. They write a song, right, and

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Speaker 1: so that song, if it's just three riders, then gets

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Speaker 1: pitched out to artists and if an artist likes it.

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Speaker 1: We'll use Kenny Chesney as an example. Someone sends that

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Speaker 1: song to Kenny Chesney because Kenny doesn't write many of

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Speaker 1: his own songs anymore. Kenny's like, Okay, I like this song,

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Speaker 1: Let's save it. So Kenny basically reserves the song. Now

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Speaker 1: there are a lot of songs that are reserved. They'll

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Speaker 1: cut thirty songs down to about fifteen. They'll take those

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Speaker 1: fifteen into the studio. They'll record those fifteen songs. Out

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Speaker 1: of those, they'll save ten or eleven. So now they

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Speaker 1: have ten or eleven songs that they're gonna put on

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Speaker 1: an album. That album then is given to the record label,

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Speaker 1: and the record label will listen to the songs and

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Speaker 1: pick one of them as a single. So maybe the

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Speaker 1: song that I'm talking about that was just written, let's

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Speaker 1: say it's then picked as a single. It's got like

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Speaker 1: a one ten shot to be picked as a single.

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Speaker 1: Once it's picked as a single, the record team, the

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Speaker 1: promotion team then starts calling radio stations going this is

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Speaker 1: our single. This is the way we want to get played.

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Speaker 1: And it takes forever to move up a chart, even

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Speaker 1: if it's a great song and it takes forever and

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Speaker 1: so slowly, but surely the song moves up the charter.

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Speaker 1: It doesn't, and that's only because the labels calling people going, hey,

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Speaker 1: played this song, play this song, We need you to

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Speaker 1: play this If you play this song, you know, well

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Speaker 1: maybe we can get the artist to call on the phone.

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Speaker 1: Maybe look at the research. It's doing great. Slowly, over time,

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Speaker 1: it moves up. Ten months later, it might hit number one.

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Speaker 1: The research is right, if the promotion team has done

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Speaker 1: its job, if the artist team has done its job,

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Speaker 1: and then boom there's a number one song. So it's

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Speaker 1: a lot of things having to happen and get lucky.

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Speaker 1: I mean, listen, you may have a song that's written

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Speaker 1: and it gets on the record and then it's never

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Speaker 1: a single, and only the songs that are singles go

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Speaker 1: number one. Radio stations don't pick songs that are singles.

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Speaker 1: A lot of people are like, why won't radio play this?

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Speaker 1: Radio only plays what the record companies say, Hey, we

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Speaker 1: need you to play this song because we're fully invested

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Speaker 1: in making this song go up the chart. So that's

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Speaker 1: basically the quick version of how a song goes number one. Cool. Yeah,

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Speaker 1: the Chris Stapleton made me kind of question it because

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Speaker 1: that song had been out for a long time, but

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Speaker 1: only once it was designated as a single, then is

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Speaker 1: it eligible to move up the charts. Well, you know,

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Speaker 1: with Chris Stapleton's last single, it's a bit different because

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Speaker 1: he had been singing you should probably leave for years

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Speaker 1: in concert, years and years, but just never put it

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Speaker 1: on a record, and he only put it on this

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Speaker 1: last album after years and years, which we talked about

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Speaker 1: in the interview, and then after that it had to

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Speaker 1: slowly move up the charts. So yes, it was a

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Speaker 1: lot of the label picking and then the label pushing it. Cool, awesome, Well,

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Speaker 1: thank you for answering that. Yeah, you feel good about that?

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Speaker 1: I feel so good. Oh that's yeah. Yeah. Let' let's

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Speaker 1: see if Tony can do it, Tony. How do you feel, Tony?

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Speaker 1: I feel good? Oh, I feel so good, Tony. Have

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Speaker 1: a good day, buddy. Hey. Back in the day, we

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Speaker 1: recorded a song Walker Hayes, who has the song fancy like.

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Speaker 1: He did the background vocals on the song, but him

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Speaker 1: and I actually wrote this song together, and I just

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Speaker 1: haven't thought about with all his success, piggybacking off of

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Speaker 1: that and using it our own good that's right, right, Yeah,

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Speaker 1: what are we doing? I know, right? Such an idiot.

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Speaker 1: By the way, Eddie and I and the Raging Idiots

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Speaker 1: are band. We play on Strawberry Festival in Tampa, Florida,

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Speaker 1: on March twelfth. You can get tickets at Raging Idiots

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Speaker 1: dot com. That is a Saturday. Was the latest from Nashville.

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Speaker 1: In Tullywood Morgan number two, thirty second Skinny Mickey guy

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Speaker 1: In was announced as the national anthem singer for the

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Speaker 1: Super Bowl. The game goes down on February thirteenth. Brian

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Speaker 1: Kelly is headed out on a solo tour with special

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Speaker 1: guest The boat Boys. The tour kicks off in April

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Speaker 1: in Florida. Tickets go on sale this Friday. The CMT

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Speaker 1: Awards have a new air date for its debut on CBS.

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Speaker 1: The show will air on April eleventh at eight seven

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Speaker 1: pm Central Time. I'm Morgan number two. That's your skinny Bowl.

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Speaker 1: It's time for the good news. Bobby, while on a

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Speaker 1: family vacation waiting ten years old, went for a swim

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Speaker 1: in the hotel pool with a friend of the family

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Speaker 1: who's almost forty. All the sudden, she that family friend

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Speaker 1: felt disoriented, then lost consciousness and just sank to the

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Speaker 1: bottom of a pool. Boy, that that's crazy out of nowhere. Huh.

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Speaker 1: By the way, the kids only ten. He swam down,

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Speaker 1: tried to lift her to the surface, but obviously she's

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Speaker 1: an adult woman and that's very difficult. But he managed

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Speaker 1: to dig his feet into the bottom of the pool

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Speaker 1: and drag her to the shallow into the pool and

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Speaker 1: get her head above water. His mom called nine one one.

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Speaker 1: They performed CPR until the paramedics arrived. She regained consciousness.

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Speaker 1: She was surprised to learn that he had rescued her.

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Speaker 1: The paramedics told her that he the ten year old,

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Speaker 1: the small boy, pulled her from the deep end all

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Speaker 1: the way to the shallow end, and they wait, he

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Speaker 1: weighs forty pounds. I mean, he's a small and so

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Speaker 1: the four Lauderdel fire rescue person an award to wait

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Speaker 1: him before he and his family left to go back

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Speaker 1: home in Brooklyn, which is where they're from. But that,

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Speaker 1: I mean, imagine that you got to Eddie year a lifeguard. Yes,

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Speaker 1: it's a lifeguard. Hey, let me tell you they aren't

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Speaker 1: you always a lifeguard? If you are all the rest

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Speaker 1: of my life, I will be a lifeguard. Let me

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Speaker 1: tell you a story I've never told you guys. I'm

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Speaker 1: not proud of it. But my first job as a lifeguard,

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Speaker 1: there was a teacher and where she was really nice

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Speaker 1: and she was friendly and everything, and I joked with

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Speaker 1: her and she was sitting on the side of the

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Speaker 1: pool and I was walking by, trying to go on

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Speaker 1: my lunch break, and I pushed her in just jokingly.

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Speaker 1: Had no idea she couldn't swim bigger lady, And I'm

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Speaker 1: walking and the weight you're talking about weight and trying

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Speaker 1: to get someone up. I was probably eighteen, okay, and

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Speaker 1: you push someone. It was just a joke, like push,

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Speaker 1: you're in. And she was just like, well, it went

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Speaker 1: all the way to the bottom. And I looked back

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Speaker 1: to see if she was like laughing. She was not laughing.

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Speaker 1: She was going all the way to the bottom. So

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Speaker 1: I had to jump in and save her, and that

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Speaker 1: was extremely difficult. No, no, I wanted to race that completely.

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Speaker 1: From my record. Does it count it as a safe

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Speaker 1: in your mind? Did you count it as a save? Technically?

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Speaker 1: That's one of my three saves. Yes. So when he

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Speaker 1: brags about having a save, it's because he literally pushed

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Speaker 1: somewhere in the pool and then rescued PA. But he

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Speaker 1: did save her, but he caused it. I know. I listened.

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Speaker 1: She was crying and saying like, I don't know how

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Speaker 1: to swim, and I said I when she got yes,

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Speaker 1: did you get fired already? No? No? No, I said,

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Speaker 1: please don't tell my boss, like please, it was just

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Speaker 1: a joke. I didn't know you couldn't swim when you

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Speaker 1: jumped in to save her. Yes, did you like wrap

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Speaker 1: your arms around and clasp your hands or how did

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Speaker 1: you save her? You go down and you grab your

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Speaker 1: you go around her chest under her armpit, and then

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Speaker 1: you just use your left hand or your other hand

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Speaker 1: that you're not grabbing her with, and you just go

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Speaker 1: as hard as you can as you kicking as well

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Speaker 1: to the top. So you push her in and then

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Speaker 1: you have to like grab her in place that she

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Speaker 1: didn't want to be grabbed. Okay, but that's just the

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Speaker 1: rescue grab like it's not that makes sense. I understand that.

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Speaker 1: But this poor lady, she didn't want to rush in

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Speaker 1: and then she gets handed. I mean that's supa bowl. Yeah,

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Speaker 1: I mean that's why I've never told this. She's actually

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Speaker 1: on the phone right now. Yeah, sorry, guys, do you

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Speaker 1: know it's something I wanted to tell right. Do you

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Speaker 1: feel like that's off your bad I feel like it's

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Speaker 1: completely lifted off my chest and thank you, and I

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Speaker 1: feel like that's still save though. Yes, you messed up

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Speaker 1: by pushing her. He didn't push her in to save her,

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Speaker 1: because she didn't pushed her in as a joke. But

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Speaker 1: then you did have to. He could have just not

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Speaker 1: saved him and Liken go on to my lunch break. No,

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Speaker 1: did you know her at all? Yeah? She was nice.

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Speaker 1: She was like my little friend. You didn't know she

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Speaker 1: couldn't swim. I mean, if you weren't friends with her,

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Speaker 1: you thought she could swim. No, guys, I just met

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Speaker 1: her when I started that job. She would just go

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Speaker 1: to the pool every day and then we would laugh

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Speaker 1: and joke. And when I just thought we were comfortable

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Speaker 1: one arm pleasure too, it was literally walking behind this

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Speaker 1: one arm and like she was sitting on the edge already.

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Speaker 1: If she was that if Eddie saying she was that big,

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Speaker 1: it wasn't a one arm push, there's no way. If

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Speaker 1: you're saying, ed did you base yourself and really give

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Speaker 1: her the old shove? No, no, Well, thank you for

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Speaker 1: sharing that with her. Thanks for being vulnerable. Feel bad

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Speaker 1: about it now, guys, but that does count as a

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Speaker 1: safe because you didn't push her in to save her.

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Speaker 1: I did not. That were the case, it would not

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Speaker 1: count as I did not. It was just a joke

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Speaker 1: as an accident, and then you saved her life. Correct.

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Speaker 1: Huh tell me something good? No? Yeah, what was the

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Speaker 1: story again? The kid? Yeah? Um to the kid, that's

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Speaker 1: what it's all about. That was tell me something good.

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Speaker 1: It's time for a big surprise. Who was surprise? Wuld go?

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Speaker 1: You want it surprise? You don't want to surprise? Oh,

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Speaker 1: you just want to know what it is? Yeah? Yeah,

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Speaker 1: it's a bad surprise. Sounds good though when you say surprise,

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Speaker 1: it's a different word. Who wants Who wants the bad news?

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Speaker 1: Who wants to getting pushed in the face? I mean

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Speaker 1: there is somebody going to jail hofs A come on in, man,

387
00:19:26,200 --> 00:19:28,359
Speaker 1: we have a surprise for someone on the show, something

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Speaker 1: that we just didn't think would happen so soon. Oh no,

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Speaker 1: why is it bad though? Fish? Yeah? Okay, thank god,

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Speaker 1: I'm very proud to announce this. What No, Amy, that's

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Speaker 1: not bad news and that's I'm not announcing that waiting

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Speaker 1: to say nothing. I can't say. It's like Tom bradything was, like,

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Speaker 1: it's a competitive miron you know what. I just don't

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Speaker 1: have that fire anymore. I'm very proud to announce that. Eddie.

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Speaker 1: What's men? Don't tell me we'll have another kid? That's

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Speaker 1: not good? Um? Why is it not good with Eddie?

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Speaker 1: What's not good about? Your heart beating faster? Yeah? What's

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Speaker 1: going on? Oh? We found your real birth certificate? You're

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Speaker 1: sixty five? What to do with Hey? At least I'm

400
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Speaker 1: with four years younger. Eddie's lace boxers have arrived. You're right?

401
00:20:44,800 --> 00:20:49,560
Speaker 1: Is so dang it? So a company has put together

402
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Speaker 1: a line of beautiful and functional lace underwear for me boxers.

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Speaker 1: Oh no, no, no, guys. No, they're from Japan. And

404
00:21:00,280 --> 00:21:03,159
Speaker 1: how big are those? And we have built in cup?

405
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Speaker 1: Oh yeah, we definitely did not think that they would

406
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Speaker 1: be here this early. And they are as lacy as

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Speaker 1: could be because Eddie has to wear them for three days.

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Speaker 1: What's that in the middle there that just covers the stuff? Yes?

409
00:21:15,440 --> 00:21:18,160
Speaker 1: It actually it's so nic But this is a line

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Speaker 1: so you can't see comfort. This is so stupid. So

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Speaker 1: I'm gonna let you sit with these. Next hour, we're

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Speaker 1: gonna put these on. Hey, bones, they look really big.

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Speaker 1: I told y'all he would be a medium. Yeah. What

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Speaker 1: side are these? I gotta be large? They're large. I

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Speaker 1: mean I might not even get the thing durations. Let

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Speaker 1: me see. Well, oh my god, next hour, Eddie, you'll

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Speaker 1: put those on. I want you to live with them.

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Speaker 1: Wait he puts his clothes on over them. Yeah, yeah,

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Speaker 1: he's gonna come sitting there. I told you my story

420
00:21:46,920 --> 00:21:49,200
Speaker 1: about Christmas when I got spandex for Christmas. Yes, and

421
00:21:49,240 --> 00:21:50,600
Speaker 1: then I wore them at Christmas dinner. I was just

422
00:21:50,680 --> 00:21:53,680
Speaker 1: warning the spandex. Yeah, everybody's like, why are you doing that?

423
00:21:53,800 --> 00:21:56,719
Speaker 1: You can see and I was like, I got for Christmas?

424
00:21:56,720 --> 00:21:59,080
Speaker 1: What do you want? They're like, wear them undershorts. So

425
00:21:59,359 --> 00:22:01,440
Speaker 1: Eddie's lacy underwear here. He'll have to wear them for

426
00:22:01,520 --> 00:22:05,160
Speaker 1: three days, three days Wednesday, Thursday, Friday. Okay, all right, buddy,

427
00:22:05,320 --> 00:22:06,800
Speaker 1: and I have to just tell you guys how they

428
00:22:07,520 --> 00:22:08,959
Speaker 1: wash them. Do we have two pair? Do they come

429
00:22:09,000 --> 00:22:10,480
Speaker 1: just one in a box? There's just one. We were

430
00:22:10,560 --> 00:22:13,320
Speaker 1: lucky to get the one. Oh man, what are we luking? Well?

431
00:22:13,400 --> 00:22:15,000
Speaker 1: Eddie always says that he just takes the clothes and

432
00:22:15,040 --> 00:22:17,240
Speaker 1: does a sniff test, was in the closet or whatever.

433
00:22:17,400 --> 00:22:19,000
Speaker 1: What I'll do is I'll wear him two days in

434
00:22:19,000 --> 00:22:21,159
Speaker 1: a row, wash him, and then wear you got to

435
00:22:21,160 --> 00:22:22,919
Speaker 1: wear in a bed like surprise your wife day one.

436
00:22:22,960 --> 00:22:24,959
Speaker 1: Don't tell her you're gonna be wearing this. She has

437
00:22:25,040 --> 00:22:28,760
Speaker 1: no clue exactly she's gonna hate this, surpriser or a

438
00:22:28,800 --> 00:22:31,400
Speaker 1: Is she gonna love it? No, no chance you're gonna

439
00:22:31,400 --> 00:22:35,600
Speaker 1: love what if? Surprise eddither here? Thank you guys? Awesome?

440
00:22:37,440 --> 00:22:39,960
Speaker 1: All right? Can you name the classic TV theme songs?

441
00:22:40,119 --> 00:22:45,040
Speaker 1: Here's the example I gave you before the break and

442
00:22:45,240 --> 00:22:49,000
Speaker 1: Ron Howard asp That is the Andy Griffith Show from

443
00:22:49,040 --> 00:22:50,719
Speaker 1: nineteen sixty. Okay, and I have a bunch of these

444
00:22:50,760 --> 00:22:52,960
Speaker 1: que ups. See how well you do? I was talking

445
00:22:53,000 --> 00:22:55,159
Speaker 1: about Howard Hesman. He passed away over the weekend. He

446
00:22:55,280 --> 00:22:58,000
Speaker 1: was eighty one years old, and he was on WKRAPY

447
00:22:58,040 --> 00:23:02,240
Speaker 1: and Cincinnati, a show that I loved in Cincinnati and

448
00:23:02,359 --> 00:23:08,040
Speaker 1: we've never seen it Cincinnati w k RP. So I'm

449
00:23:08,080 --> 00:23:10,320
Speaker 1: not going to test you guys on that one, thank goodness. Yeah,

450
00:23:10,880 --> 00:23:13,200
Speaker 1: but I do have seven other ones. Write your answer

451
00:23:13,280 --> 00:23:17,320
Speaker 1: down all right, we'll see who does the best after seven.

452
00:23:17,560 --> 00:23:19,760
Speaker 1: All right, here we go. Just a good old boy,

453
00:23:21,800 --> 00:23:26,560
Speaker 1: never meaning nor shows from nineteen seventy nine. It's old

454
00:23:26,680 --> 00:23:40,960
Speaker 1: You never saw man in trouble with the bad somebody

455
00:23:41,080 --> 00:23:45,920
Speaker 1: in the blood. Yeah, watch box Dukes of Hazzard, Eddie,

456
00:23:46,040 --> 00:23:48,760
Speaker 1: that's the Dukes of Hazzard, Amy, Dukes of Hazzard. Correct.

457
00:23:49,840 --> 00:23:53,680
Speaker 1: Next up, name this classic TV song from nineteen seventy five. Well,

458
00:24:00,400 --> 00:24:14,680
Speaker 1: that's the one to happiece. All right, breakdown, now, come on,

459
00:24:15,520 --> 00:24:19,160
Speaker 1: BEA's done burning the kitchen. All right, he's gonna burn

460
00:24:19,280 --> 00:24:21,880
Speaker 1: on the groom. I was a little prettymature on the beans,

461
00:24:21,960 --> 00:24:25,760
Speaker 1: all right. Lunchbox as the Jefferson's Eddie, the Jefferson Amy

462
00:24:25,880 --> 00:24:30,560
Speaker 1: Jefferson's nice good job, Good job from nineteen eighty four.

463
00:24:30,800 --> 00:24:39,560
Speaker 1: Named this one, There's more in life and what's your living?

464
00:24:39,880 --> 00:24:43,720
Speaker 1: To take a chance and face the wind, open road

465
00:24:43,840 --> 00:24:47,280
Speaker 1: and a road that's hid rand the love boat around

466
00:24:47,359 --> 00:24:55,960
Speaker 1: the bend times. I lost the dream watching to try it,

467
00:24:56,800 --> 00:25:02,520
Speaker 1: and that the end was you you're taking the Okay,

468
00:25:02,600 --> 00:25:04,920
Speaker 1: everybody's in lunch box? What do you have to put?

469
00:25:05,000 --> 00:25:07,280
Speaker 1: Who's the Boss? Nineteen eighty four, Who's the Boss? Amy,

470
00:25:07,400 --> 00:25:09,960
Speaker 1: who's the boss, Eddie, who's the boss? That's who's the boss.

471
00:25:10,840 --> 00:25:13,600
Speaker 1: You guys are doing perfect right so far? Yes, all right,

472
00:25:14,000 --> 00:25:36,000
Speaker 1: number four? Go ahead, I'll sing along here, I can

473
00:25:36,040 --> 00:25:39,240
Speaker 1: sing a little bit. There you go. You take the

474
00:25:39,520 --> 00:25:43,960
Speaker 1: good and you take the bad, you take them all

475
00:25:44,240 --> 00:25:50,520
Speaker 1: and there you have the facts of life. Oh all right,

476
00:25:50,720 --> 00:25:57,320
Speaker 1: everybody in and I'm in, yeah, yeah, lunch box. I

477
00:25:57,440 --> 00:26:00,760
Speaker 1: mean you start singing some about facts life. But I

478
00:26:00,800 --> 00:26:02,560
Speaker 1: don't know about that. It says, mash is what I

479
00:26:02,640 --> 00:26:06,040
Speaker 1: put down, amys Eddie, I have mashah. I was seeing

480
00:26:06,040 --> 00:26:09,840
Speaker 1: the facts life over the mash music throwdy off. All right,

481
00:26:09,880 --> 00:26:14,600
Speaker 1: here we go. This one's from nineteen ninety three. She

482
00:26:14,920 --> 00:26:17,399
Speaker 1: was walking in a bridle shop and flushing queens to

483
00:26:17,560 --> 00:26:19,919
Speaker 1: her boyfriend kicked her out in one of those crushing scenes,

484
00:26:20,280 --> 00:26:22,640
Speaker 1: so over the bridge and flushing to the Sheffield's door.

485
00:26:22,800 --> 00:26:27,800
Speaker 1: She was there in the sound make up, which I

486
00:26:27,880 --> 00:26:29,639
Speaker 1: think this is It's not my favorite show of all time,

487
00:26:29,640 --> 00:26:31,160
Speaker 1: but I think this is maybe the best theme song

488
00:26:31,359 --> 00:26:34,000
Speaker 1: because it tells you the entire, the entire plot of

489
00:26:34,040 --> 00:26:36,679
Speaker 1: the whole show. And I'm trying to listen right now. Now.

490
00:26:36,680 --> 00:26:40,280
Speaker 1: That's why I'm talking over all. Right, you turn it

491
00:26:40,320 --> 00:26:44,240
Speaker 1: down right? It does say it on there? It does? Yeah,

492
00:26:44,560 --> 00:26:47,439
Speaker 1: well Eddie might lose. I mean I'm between two right now?

493
00:26:48,040 --> 00:26:51,399
Speaker 1: Are you getting Amy? I'm on one? On on? What's

494
00:26:51,440 --> 00:26:53,720
Speaker 1: the year it's been time? Ninety three? What are the

495
00:26:53,760 --> 00:26:58,040
Speaker 1: two years between the Nanny and Queens of King of Queens? Okay,

496
00:26:58,280 --> 00:27:00,040
Speaker 1: you have five seconds from one of them down? You

497
00:27:00,040 --> 00:27:02,960
Speaker 1: said ninety three ninety three? Yeah, y, yeah, I got it.

498
00:27:03,480 --> 00:27:06,760
Speaker 1: I mean lunchbox, it's the Nanny Amy, Nanny Eddie. Then

499
00:27:06,840 --> 00:27:36,000
Speaker 1: Nannie's two left. Yeah, we're here eighty nine. Oh man,

500
00:27:39,760 --> 00:27:42,880
Speaker 1: I don't think anyone has this bone. I'll be ready

501
00:27:44,080 --> 00:27:52,920
Speaker 1: one more time right from who? Why? What? I thought

502
00:27:52,960 --> 00:27:55,840
Speaker 1: I had it, But I'll be honest, I've never heard

503
00:27:55,880 --> 00:27:59,800
Speaker 1: it either. Okay, so I know I don't have it.

504
00:28:01,600 --> 00:28:05,320
Speaker 1: We have heard this, guys. We have all right, guys,

505
00:28:05,560 --> 00:28:08,520
Speaker 1: I know, Yeah, we're in. Somebody can win it with this.

506
00:28:08,680 --> 00:28:11,040
Speaker 1: It's not the last one. I want them to go first, Okay,

507
00:28:11,200 --> 00:28:16,160
Speaker 1: Eddie hanging with mister Cooper, lunchbox, My two dads, they'll

508
00:28:16,160 --> 00:28:19,639
Speaker 1: be ready one of those. They're both wrong. I no

509
00:28:20,720 --> 00:28:32,600
Speaker 1: do Baywatch correct? Oh? Why are they ready? Okay? Baywatch

510
00:28:32,840 --> 00:28:35,760
Speaker 1: was nineteen eighty nine. Started, Yeah, okay, Amy, if you

511
00:28:35,800 --> 00:28:37,439
Speaker 1: get this next one, you win. Oh I wouldn't win

512
00:28:37,480 --> 00:28:40,200
Speaker 1: with that. No, that was six All right, Here is

513
00:28:40,200 --> 00:28:50,000
Speaker 1: the final one. What are you here? Nineteen seventy two

514
00:28:50,480 --> 00:29:02,120
Speaker 1: Eddie Senior song? Here we go? Amy, you know it.

515
00:29:02,720 --> 00:29:05,000
Speaker 1: I know you do because it's the seventies. That's right,

516
00:29:08,160 --> 00:29:21,200
Speaker 1: it's not true. Five seconds guys. So if he gets

517
00:29:21,240 --> 00:29:26,320
Speaker 1: it and I don't, we tie Yeah? Okay, hey should

518
00:29:26,320 --> 00:29:29,200
Speaker 1: go first, lunchbox go first, man, it's been a good run.

519
00:29:29,320 --> 00:29:33,760
Speaker 1: Laverne and Shirley. Incorrect, She's got to go next to

520
00:29:33,920 --> 00:29:38,000
Speaker 1: next you go, you go, Welcome back Cardata. Now what

521
00:29:38,240 --> 00:29:41,680
Speaker 1: is it Eddie? For the tie bones? I have written

522
00:29:41,760 --> 00:29:46,520
Speaker 1: down Sandford and Son. That is correct. I'm coming to Elizabeth.

523
00:29:47,720 --> 00:29:50,920
Speaker 1: Is it so Sandford? Okay? I want to know for

524
00:29:51,040 --> 00:29:53,160
Speaker 1: future Sandford. I will never remember that song with my

525
00:29:53,240 --> 00:29:55,600
Speaker 1: long Stanford. Okay. We have sudden death buzzing with your name.

526
00:29:55,720 --> 00:29:57,760
Speaker 1: You know what Amy versus Eddie? Say your name as

527
00:29:57,800 --> 00:30:07,640
Speaker 1: the buzzer. Here we go action maybe Mary Tyler, Mary,

528
00:30:13,840 --> 00:30:16,200
Speaker 1: I don't let him knowin at him? Let him know

529
00:30:16,320 --> 00:30:19,920
Speaker 1: whin at him? Yea even dying for counting? What am

530
00:30:19,960 --> 00:30:25,360
Speaker 1: I eating. We don't know he did, though. Dang good.

531
00:30:27,200 --> 00:30:30,320
Speaker 1: On the phone right now is Billy, who lives in Missouri. Billy,

532
00:30:30,400 --> 00:30:34,680
Speaker 1: good morning, Welcome to the show. Good morning, Good morning studio.

533
00:30:35,880 --> 00:30:38,760
Speaker 1: I have a bone to pick with mister lunch Box

534
00:30:38,880 --> 00:30:42,560
Speaker 1: over there. He says that he's famous and everybody recognizes

535
00:30:42,640 --> 00:30:45,800
Speaker 1: him everywhere. He says he's more famous than Walker Hayes.

536
00:30:45,880 --> 00:30:48,880
Speaker 1: Walker Hayes with playing at the playoff game for a

537
00:30:48,880 --> 00:30:53,120
Speaker 1: half time, but yet lunchboxes neighbor doesn't even know who

538
00:30:53,200 --> 00:30:55,600
Speaker 1: he is. Yeah, that's a great point because we met

539
00:30:55,760 --> 00:30:59,400
Speaker 1: both of these. We've referenced separately. We've been like, wow,

540
00:30:59,520 --> 00:31:01,880
Speaker 1: Lunchboxes ebor doesn't even know who you are. We've also

541
00:31:02,240 --> 00:31:04,600
Speaker 1: done Hey, Walker Hayes was playing the halftime show of

542
00:31:04,680 --> 00:31:07,680
Speaker 1: the Knsty Chiefs game and he's like, I don't care,

543
00:31:08,080 --> 00:31:11,800
Speaker 1: but together, your neighbor doesn't know you, but millions of

544
00:31:11,800 --> 00:31:15,600
Speaker 1: people know Walker Hayes. Yeah, so one person doesn't recognize me.

545
00:31:15,720 --> 00:31:18,400
Speaker 1: Not every single person in the world is gonna recognize me.

546
00:31:18,440 --> 00:31:22,320
Speaker 1: I never said that Walker Hayes's neighbor may not recognize him.

547
00:31:22,400 --> 00:31:25,360
Speaker 1: I mean, you're not recognized by every single person. This dude,

548
00:31:25,480 --> 00:31:27,600
Speaker 1: is that walking by my house and yelled about the

549
00:31:27,600 --> 00:31:31,880
Speaker 1: crystals lines. He was probably in his sixties, late fifties,

550
00:31:32,000 --> 00:31:33,920
Speaker 1: and he, you know, out of touch with the world.

551
00:31:34,040 --> 00:31:35,920
Speaker 1: Sounds like he doesn't have any friends, sit in his house,

552
00:31:36,000 --> 00:31:39,560
Speaker 1: doesn't listen to the radio. Um, here's the bit, here's

553
00:31:39,560 --> 00:31:42,040
Speaker 1: the idea I just got. We send lunchbox somewhere that's

554
00:31:42,040 --> 00:31:44,440
Speaker 1: pretty populated in the morning, and we just time it

555
00:31:44,480 --> 00:31:46,040
Speaker 1: to see how long it takes me someone to come

556
00:31:46,120 --> 00:31:48,280
Speaker 1: up and ask for a picture. Oh, he's just gonna

557
00:31:48,280 --> 00:31:50,360
Speaker 1: sit there. He just walks it. He just walks in

558
00:31:50,440 --> 00:31:52,240
Speaker 1: and stands. Okay. We already did this with the twour

559
00:31:52,240 --> 00:31:58,720
Speaker 1: of us basically, and there are lunchbox they're like lunch.

560
00:31:59,000 --> 00:32:05,000
Speaker 1: It's like it's already lunch. He just goes or he

561
00:32:05,040 --> 00:32:06,200
Speaker 1: can do in the middle of the day too, like

562
00:32:06,280 --> 00:32:08,080
Speaker 1: at a very pop who knows, somebody may come right

563
00:32:08,160 --> 00:32:09,320
Speaker 1: up to him be like, hey, I get a picture?

564
00:32:09,360 --> 00:32:15,000
Speaker 1: Yeah most likely Okay, I mean we can gamble on

565
00:32:15,120 --> 00:32:16,680
Speaker 1: how long it takes, but somebody has to be with

566
00:32:16,800 --> 00:32:18,480
Speaker 1: him to make sure he's not lying. And you can't

567
00:32:18,560 --> 00:32:20,120
Speaker 1: run around going on I'm a lunch box or have

568
00:32:20,160 --> 00:32:22,640
Speaker 1: a shirt on that goes ask me for a picture. No,

569
00:32:22,920 --> 00:32:24,960
Speaker 1: just walk in order something to eat, whatever. It doesn't

570
00:32:25,000 --> 00:32:28,560
Speaker 1: have to be a restaurant. It can be store, it

571
00:32:28,640 --> 00:32:30,960
Speaker 1: can be Listen, a lot of people come to Nashville

572
00:32:31,360 --> 00:32:33,800
Speaker 1: and just walk down the street, maybe probably lunch box,

573
00:32:33,880 --> 00:32:37,560
Speaker 1: walking through public places. Okay, stops him. Yeah he's pretty funny.

574
00:32:37,640 --> 00:32:39,000
Speaker 1: That's fine. I mean, I gotta just I mean, if

575
00:32:39,040 --> 00:32:40,680
Speaker 1: it's public, you know, I have to have my mask off.

576
00:32:40,720 --> 00:32:43,320
Speaker 1: The problem is nowadays with mass it's a little bit harder,

577
00:32:43,400 --> 00:32:45,360
Speaker 1: but I still get recognized all the time. Plenty of

578
00:32:45,400 --> 00:32:48,200
Speaker 1: people don't wear a mask. You could. Now he's got

579
00:32:48,320 --> 00:32:50,680
Speaker 1: Now he's using an Now he's foucy. He's like, oh no,

580
00:32:54,320 --> 00:32:57,080
Speaker 1: you say's pile of stories. I just thought this story

581
00:32:57,240 --> 00:33:00,640
Speaker 1: was funny because Florida put out a list of personalized

582
00:33:00,760 --> 00:33:05,360
Speaker 1: license plates like requests that got rejected. Oh okay, let's

583
00:33:05,400 --> 00:33:09,160
Speaker 1: go okay. Well, someone asked if they could get T

584
00:33:09,320 --> 00:33:13,520
Speaker 1: Bundy Ted Bundy. Yeah, what if their real name was Bundy?

585
00:33:14,320 --> 00:33:17,080
Speaker 1: Too bad, because it probably was. I bet that wasn't

586
00:33:17,120 --> 00:33:19,880
Speaker 1: a Ted Bundy fan. I bet it was somebody Tom Bundy.

587
00:33:20,840 --> 00:33:25,400
Speaker 1: Go ahead, well, drug man, what if the pharmacist, Yeah,

588
00:33:25,720 --> 00:33:29,200
Speaker 1: that's probably exactly what he is. Why would a drug

589
00:33:29,280 --> 00:33:32,040
Speaker 1: dealer put that on his license plate? Wouldn't? What about

590
00:33:32,200 --> 00:33:36,760
Speaker 1: in you u u uts nuts to do that? Yeah,

591
00:33:37,000 --> 00:33:42,240
Speaker 1: if they're not. What if it's Luke Bryan's family nailed it, guys, peanuts?

592
00:33:43,360 --> 00:33:48,080
Speaker 1: What about four the number ever sixty nine? I'd also

593
00:33:48,160 --> 00:33:50,520
Speaker 1: do that? Another one, bones would What if it was

594
00:33:50,600 --> 00:33:53,160
Speaker 1: somebody born in nineteen sixty nine I went to Woodstock,

595
00:33:53,240 --> 00:33:56,360
Speaker 1: or love the Jets they won, or the miracle mets. Yes,

596
00:33:56,560 --> 00:33:59,480
Speaker 1: you know this one should have been allowed. Someone requested

597
00:33:59,520 --> 00:34:06,960
Speaker 1: twenty two ne wtf That got conjected, Um, yeah, I

598
00:34:07,040 --> 00:34:08,600
Speaker 1: mean there's a whole list that goes on and on,

599
00:34:08,760 --> 00:34:10,680
Speaker 1: but those are there's another one. I'm looking at them

600
00:34:10,760 --> 00:34:17,960
Speaker 1: here u I fart A one V nasty Oh yeah.

601
00:34:19,040 --> 00:34:21,520
Speaker 1: And then it's white trash but the S and white

602
00:34:21,520 --> 00:34:24,840
Speaker 1: trash is a five. It's wht R a five h

603
00:34:25,320 --> 00:34:32,720
Speaker 1: the wit trish. And then there's faa rt r's classic

604
00:34:32,840 --> 00:34:36,040
Speaker 1: Florida alright, And then there's also meth. The three is

605
00:34:36,080 --> 00:34:39,920
Speaker 1: the e though, and it's backwards. That's not cool. But

606
00:34:40,040 --> 00:34:44,359
Speaker 1: if they're a meth farmer, okay, what do they call

607
00:34:44,560 --> 00:34:49,319
Speaker 1: meth dealer, meth grower? Meth scientists meth chemists. Okay, hey,

608
00:34:49,520 --> 00:34:51,799
Speaker 1: by the way of Florida, will Eddie and I will

609
00:34:51,840 --> 00:34:55,520
Speaker 1: be there in March for Strawberry and Plant City, Florida.

610
00:34:55,560 --> 00:34:57,520
Speaker 1: Get tickets at Raging Idiots dot com. It's gonna be

611
00:34:57,520 --> 00:34:59,480
Speaker 1: a massive show, all right. What okay? So if you

612
00:34:59,560 --> 00:35:02,640
Speaker 1: want to get out of something, what's your go to excuse?

613
00:35:03,400 --> 00:35:08,759
Speaker 1: Of covido? I mean, we have read articles saying that

614
00:35:08,840 --> 00:35:11,319
Speaker 1: people are using that more and more. Even if they don't,

615
00:35:11,600 --> 00:35:14,160
Speaker 1: you just leave. What do you mean get out of something? Okay?

616
00:35:14,320 --> 00:35:15,400
Speaker 1: If I'm in the middle of it, or I just

617
00:35:15,400 --> 00:35:17,040
Speaker 1: don't want to do it. A survey asked people for

618
00:35:17,080 --> 00:35:18,920
Speaker 1: their go to excuses when they want to get out

619
00:35:18,960 --> 00:35:21,880
Speaker 1: of something like for example, um, I'm too tired, I

620
00:35:21,960 --> 00:35:24,640
Speaker 1: didn't sleep well last night something like that. Is it

621
00:35:24,840 --> 00:35:26,800
Speaker 1: to not do it at all? Or I'm already involved

622
00:35:26,800 --> 00:35:31,320
Speaker 1: in it? No, I don't want to do it. That's easy. Yeah, No,

623
00:35:31,480 --> 00:35:33,600
Speaker 1: thank you, Okay, I'm very up front. I don't I

624
00:35:33,640 --> 00:35:35,279
Speaker 1: don't want to do it. No, thank you. Well, the

625
00:35:35,400 --> 00:35:37,800
Speaker 1: number one answer is the one I said, I'm too tired.

626
00:35:37,960 --> 00:35:40,560
Speaker 1: Other excuses, especially right now, is it's too cold, I

627
00:35:40,600 --> 00:35:42,120
Speaker 1: don't want to leave my house, I'm not going to

628
00:35:42,200 --> 00:35:45,320
Speaker 1: go and then um in at number three, I forgot,

629
00:35:46,000 --> 00:35:49,520
Speaker 1: So you just tell people you didn't remember. Carly Pierce

630
00:35:49,600 --> 00:35:53,000
Speaker 1: recently talked about the decision she made to talk about

631
00:35:53,040 --> 00:35:55,239
Speaker 1: her divorce from Michael Ray, and she said she could

632
00:35:55,280 --> 00:35:57,520
Speaker 1: have acted like it never happened, but that didn't feel right.

633
00:35:57,719 --> 00:36:00,680
Speaker 1: So I act like it never happened. It was We

634
00:36:00,760 --> 00:36:03,279
Speaker 1: all knew it. They were dating, they were they put

635
00:36:03,360 --> 00:36:06,719
Speaker 1: themselves everywhere on social media, the whole thing. Yeah, you

636
00:36:06,760 --> 00:36:09,359
Speaker 1: can't act like it never happened. Probably why that didn't

637
00:36:09,360 --> 00:36:11,520
Speaker 1: feel right to her, And here's the clip that we're

638
00:36:11,520 --> 00:36:14,480
Speaker 1: talking about it on Country Weekly podcast. I think that

639
00:36:14,880 --> 00:36:16,640
Speaker 1: I had to make a decision when I went through

640
00:36:16,640 --> 00:36:18,720
Speaker 1: a divorce. I could have acted like it never happened,

641
00:36:18,840 --> 00:36:21,640
Speaker 1: but that's not realistic and that's not how I can

642
00:36:21,760 --> 00:36:24,799
Speaker 1: process things. And so I went one hundred percent because

643
00:36:24,800 --> 00:36:27,880
Speaker 1: I didn't want to give it half. And it opened

644
00:36:27,960 --> 00:36:30,840
Speaker 1: me up so much to who I am, and I

645
00:36:31,080 --> 00:36:34,560
Speaker 1: am more confident in myself. Crazy. Her marriage helped her

646
00:36:34,600 --> 00:36:36,680
Speaker 1: that career because that both of them, they were both

647
00:36:36,719 --> 00:36:39,200
Speaker 1: brand I mean artists that really we're just kind of

648
00:36:39,600 --> 00:36:41,840
Speaker 1: here trying to make their way. That booster, and then

649
00:36:41,880 --> 00:36:43,120
Speaker 1: her divorce helped her to because then you were a

650
00:36:43,120 --> 00:36:44,680
Speaker 1: bunch of songs about it. Yeah, like for all you

651
00:36:44,719 --> 00:36:48,400
Speaker 1: new artists that they're getting married and divorce stop, she

652
00:36:48,520 --> 00:36:51,279
Speaker 1: would probably not recommend that. It's very both helped her.

653
00:36:51,520 --> 00:36:54,759
Speaker 1: Both helped her career tremendous. Yeah, what's more important? Well,

654
00:36:54,840 --> 00:36:56,600
Speaker 1: I don't know that would be a good question for her,

655
00:36:56,880 --> 00:36:59,000
Speaker 1: Like which would you do? Next? Would you take? I

656
00:36:59,080 --> 00:37:00,719
Speaker 1: think you do the same that same thing she did.

657
00:37:01,400 --> 00:37:03,000
Speaker 1: I think she put one, learned a lot as a person,

658
00:37:03,280 --> 00:37:08,320
Speaker 1: and two the dating the marriage boosted both of their careers.

659
00:37:08,640 --> 00:37:12,160
Speaker 1: The divorce way boosted her career. You know. Speaking of

660
00:37:12,200 --> 00:37:14,960
Speaker 1: Michael Ray, I'm still shocked, even though I know Whiskey

661
00:37:14,960 --> 00:37:17,360
Speaker 1: and Rain is him. Every time it comes on, I'm like,

662
00:37:17,600 --> 00:37:20,680
Speaker 1: who is this? This is? Oh yeah, this is Michael Great.

663
00:37:20,880 --> 00:37:22,480
Speaker 1: I mean it's such a great song. I mean, I'm

664
00:37:22,480 --> 00:37:25,040
Speaker 1: not multi week number one doesn't sound it's a new

665
00:37:25,120 --> 00:37:27,399
Speaker 1: sound for him. It's a different sound for him. Well,

666
00:37:27,480 --> 00:37:29,800
Speaker 1: they're also thirteen guys that sound exactly the same in

667
00:37:29,880 --> 00:37:31,839
Speaker 1: country music that have hits, And you're like, I don't

668
00:37:31,880 --> 00:37:34,440
Speaker 1: know which one of that is? Which one you could do?

669
00:37:35,840 --> 00:37:38,600
Speaker 1: This copy paste with a lot of them, some of

670
00:37:38,680 --> 00:37:41,920
Speaker 1: them not like when Kane Brown sings, you know that's

671
00:37:42,000 --> 00:37:44,400
Speaker 1: Kane for sure. He's a hit with the kids. Like

672
00:37:44,920 --> 00:37:48,120
Speaker 1: they were. We were getting ready for the school dances

673
00:37:48,200 --> 00:37:50,239
Speaker 1: last weekend and had a friend over and they were

674
00:37:50,280 --> 00:37:53,520
Speaker 1: playlists a fun time with the girls, and it was like,

675
00:37:53,640 --> 00:37:56,320
Speaker 1: came Brown, came Brown, this came round that. I was like, okay,

676
00:37:56,560 --> 00:37:59,200
Speaker 1: by the way, Kane Brown and Friday came here, came

677
00:37:59,239 --> 00:38:02,200
Speaker 1: Brown everywhere. I hope you on the show Friday. Some

678
00:38:02,520 --> 00:38:04,440
Speaker 1: got Some of the male artists have dodged that in

679
00:38:04,440 --> 00:38:06,200
Speaker 1: the past few years. Luke holmbs dodge that for sure.

680
00:38:06,200 --> 00:38:08,440
Speaker 1: He's the biggest thing coutch of music right now. But

681
00:38:08,560 --> 00:38:11,040
Speaker 1: it's tough because some of these guys look alike, sound

682
00:38:11,080 --> 00:38:14,399
Speaker 1: alike at times, they even talk alike. What a while pair.

683
00:38:15,000 --> 00:38:16,960
Speaker 1: That's Patty Dood for those that don't know. Yeah, all right,

684
00:38:16,960 --> 00:38:18,640
Speaker 1: is that at Amy? Yeah? But maybe that's my pile.

685
00:38:19,520 --> 00:38:22,880
Speaker 1: That was Amy's pile of stories. It's time for the

686
00:38:23,000 --> 00:38:31,399
Speaker 1: good news, so picture it. There's twenty one kids out

687
00:38:31,440 --> 00:38:34,480
Speaker 1: to eat at a restaurant, foster kids at that. So

688
00:38:34,680 --> 00:38:38,120
Speaker 1: these three moms Hailey Robot, Kayla Miller, and Brittany Ward.

689
00:38:38,160 --> 00:38:40,120
Speaker 1: They decided to get together and go all out to

690
00:38:40,120 --> 00:38:42,920
Speaker 1: eat together. They've got all these foster kids, they're averaging

691
00:38:43,000 --> 00:38:46,600
Speaker 1: seven by that's crazy, and I think they have twenty

692
00:38:46,640 --> 00:38:48,520
Speaker 1: five total, but only twenty one of them were out

693
00:38:48,600 --> 00:38:52,960
Speaker 1: to eat. But they went to Toots West Restaurant in Murphysboro, Tennessee,

694
00:38:53,520 --> 00:38:56,560
Speaker 1: and obviously they took up like three huge tables and

695
00:38:56,760 --> 00:38:59,560
Speaker 1: kids were everywhere, and when it came time for them

696
00:38:59,600 --> 00:39:02,400
Speaker 1: to pay the bill, the waitress came over and said,

697
00:39:02,680 --> 00:39:05,120
Speaker 1: oh yeah, no, um, someone at the bar already paid

698
00:39:05,160 --> 00:39:08,000
Speaker 1: for it. They overheard that, you know, these are foster kids,

699
00:39:08,120 --> 00:39:10,200
Speaker 1: and they wanted to pay it forward to you, and

700
00:39:10,360 --> 00:39:12,279
Speaker 1: the person wants to remain anonymous. I'd have thought it

701
00:39:12,320 --> 00:39:16,239
Speaker 1: was a field trip. Yeah, field trip, yeah yeah, good

702
00:39:16,280 --> 00:39:20,680
Speaker 1: for them. Yeah, a little gesture, but big, big impact

703
00:39:20,719 --> 00:39:23,080
Speaker 1: there for sure. That's pretty cool. Yeah, good story, that's

704
00:39:23,120 --> 00:39:26,120
Speaker 1: what it's all about. That was tell me something good.

705
00:39:27,719 --> 00:39:29,320
Speaker 1: Thank you guys for hanging out with us, Thanks for

706
00:39:29,360 --> 00:39:31,080
Speaker 1: waking up and putting us on or if you're listening

707
00:39:31,120 --> 00:39:34,200
Speaker 1: on the podcast, we really appreciate you hanging out. You

708
00:39:34,239 --> 00:39:35,719
Speaker 1: could be anywhere in the whole world, but you're here.

709
00:39:35,760 --> 00:39:37,960
Speaker 1: With us. I do have a funny story. Ray Mundo

710
00:39:38,040 --> 00:39:40,120
Speaker 1: thinks his hairdresser is pulling a fast one on him,

711
00:39:40,520 --> 00:39:43,000
Speaker 1: which I never thought about this, But I think this

712
00:39:43,080 --> 00:39:44,680
Speaker 1: fast one could have been pulled on any of us.

713
00:39:44,680 --> 00:39:46,319
Speaker 1: I would have never thought a think about it. Tell

714
00:39:46,400 --> 00:39:48,840
Speaker 1: them what's happening. Yeah, So I've noticed. I've realized I

715
00:39:48,920 --> 00:39:51,360
Speaker 1: get it cut about once every two months, and the

716
00:39:51,520 --> 00:39:54,359
Speaker 1: last three times I've gone to her, I've already gotten

717
00:39:54,400 --> 00:39:56,640
Speaker 1: my haircut. I go when she gets it all finished up,

718
00:39:56,640 --> 00:39:59,000
Speaker 1: and when she's done, she goes, yeah, I came in

719
00:39:59,120 --> 00:40:01,440
Speaker 1: especially for you. I had the day off today. What

720
00:40:01,680 --> 00:40:03,759
Speaker 1: a great thing to say to get a bigger tip.

721
00:40:03,840 --> 00:40:05,520
Speaker 1: And so I mean every time, I'm like, well, I mean,

722
00:40:05,560 --> 00:40:07,239
Speaker 1: I might as well give her twenty dollars. She made

723
00:40:07,280 --> 00:40:09,040
Speaker 1: a special trip for me, and so I feel bad.

724
00:40:09,320 --> 00:40:11,200
Speaker 1: And then finally, on the last time, now I know

725
00:40:11,320 --> 00:40:13,400
Speaker 1: she's for sure doing it, she goes. I ended up

726
00:40:13,440 --> 00:40:15,279
Speaker 1: taking an earlier flight. I wanted to make sure that

727
00:40:15,360 --> 00:40:18,960
Speaker 1: I was here in time, just in case. I mean,

728
00:40:19,080 --> 00:40:22,239
Speaker 1: she's really good, and I honestly believe that's what she's doing. Wait,

729
00:40:22,280 --> 00:40:24,040
Speaker 1: you believe her every single time that she comes in

730
00:40:24,120 --> 00:40:25,600
Speaker 1: just for you. Or takes an earlier flight to give

731
00:40:25,600 --> 00:40:27,319
Speaker 1: you a haircut. No, that she wants it for the tip,

732
00:40:27,440 --> 00:40:31,080
Speaker 1: Like she's she's realized how to game the system through Venmo. Boy.

733
00:40:31,120 --> 00:40:32,560
Speaker 1: You do it every week though, or every time you

734
00:40:32,600 --> 00:40:34,600
Speaker 1: get a haircut. We started to catch on. Yeah, but

735
00:40:34,760 --> 00:40:37,560
Speaker 1: that's that's a great tactic. Yeah, and everybody should use that.

736
00:40:38,440 --> 00:40:40,919
Speaker 1: You walk in after someone else though, she's they're getting

737
00:40:40,960 --> 00:40:42,600
Speaker 1: out of the chair and she's like, no, I came

738
00:40:42,640 --> 00:40:43,719
Speaker 1: in just for you, and you're like, no, there was

739
00:40:43,760 --> 00:40:46,200
Speaker 1: just someone sitting there. That's not she was just cutting there.

740
00:40:47,040 --> 00:40:49,200
Speaker 1: But that's that's really good. Yeah, yeah, because I would

741
00:40:49,200 --> 00:40:51,640
Speaker 1: be like, oh, you did that for me. Let me

742
00:40:51,680 --> 00:40:54,560
Speaker 1: bump that tip off a little bit. Amy, Um, I

743
00:40:54,680 --> 00:40:57,759
Speaker 1: think she's he's probably getting played a little bit. Did

744
00:40:57,800 --> 00:40:59,520
Speaker 1: you get played a lot when you were single by girls?

745
00:41:00,719 --> 00:41:02,359
Speaker 1: What do you mean? Like with text things? They would

746
00:41:02,360 --> 00:41:04,880
Speaker 1: just say stuff and you believe him. No, I mean

747
00:41:04,920 --> 00:41:06,480
Speaker 1: I think I don't know. I was on the radio

748
00:41:06,480 --> 00:41:08,360
Speaker 1: and stuff like that, so a lot of my dating

749
00:41:08,520 --> 00:41:09,960
Speaker 1: was public and stuff like, I don't know how I

750
00:41:10,000 --> 00:41:11,680
Speaker 1: was getting played. I would have called him out if

751
00:41:11,680 --> 00:41:13,759
Speaker 1: they played me. Yeah, no, no, no, I don't get

752
00:41:13,800 --> 00:41:17,120
Speaker 1: played I'm smart, dude. It's like you're kind of calling

753
00:41:17,200 --> 00:41:18,839
Speaker 1: her out now. But but I mean, if a fifty

754
00:41:18,840 --> 00:41:20,560
Speaker 1: five year old lady says she made a special trip

755
00:41:20,600 --> 00:41:21,920
Speaker 1: in for my haircut, I'm like, well, let me give

756
00:41:21,920 --> 00:41:23,879
Speaker 1: her an extra ten dollars. Boy, why did you put

757
00:41:23,880 --> 00:41:27,200
Speaker 1: her on front about her age? Old lady? H that's

758
00:41:27,200 --> 00:41:29,200
Speaker 1: a good story, though, Abbi aware. Thanks for sharing that

759
00:41:29,239 --> 00:41:36,120
Speaker 1: amy joke. Time let's go morning Corny. Why did the

760
00:41:36,200 --> 00:41:39,080
Speaker 1: invisible man turn down a new job offer? Why did

761
00:41:39,120 --> 00:41:41,800
Speaker 1: the invisible man turn down a new job offer? He

762
00:41:41,880 --> 00:41:50,920
Speaker 1: couldn't see himself doing it? That was the morning Corny.

763
00:41:52,680 --> 00:41:54,480
Speaker 1: When you call the show, you'll talk to our phone

764
00:41:54,520 --> 00:41:57,240
Speaker 1: screen or Abbey. Abby moved to Nashville to be a singer.

765
00:41:58,320 --> 00:42:01,320
Speaker 1: Didn't quite work out for her in that way, but

766
00:42:01,440 --> 00:42:04,320
Speaker 1: now you're with us, right right. Sometimes you don't know

767
00:42:04,360 --> 00:42:06,480
Speaker 1: the patch you're supposed to be until you're on it exactly,

768
00:42:07,239 --> 00:42:12,000
Speaker 1: but you still like to dabble in performance. So Abby

769
00:42:12,160 --> 00:42:15,279
Speaker 1: sang the national anthem in the studio. She then went

770
00:42:15,320 --> 00:42:17,200
Speaker 1: and sang it at the Saint Jude event for thousands

771
00:42:17,239 --> 00:42:20,320
Speaker 1: of people, and Lunchbox not that nice about it, No,

772
00:42:20,600 --> 00:42:22,719
Speaker 1: he was not. I mean, I tried to help her

773
00:42:22,800 --> 00:42:25,040
Speaker 1: by giving her a book to improve her singing, because

774
00:42:25,080 --> 00:42:28,400
Speaker 1: she needs a little bit of tweaking. She's pitchy and

775
00:42:28,640 --> 00:42:33,240
Speaker 1: very well. She now recorded a version, like an official version,

776
00:42:33,800 --> 00:42:36,000
Speaker 1: to be sent off to our radio station US six

777
00:42:36,080 --> 00:42:38,680
Speaker 1: one in Norfolk, Virginia. And so we have the version.

778
00:42:38,680 --> 00:42:41,960
Speaker 1: When did you record this, Abbey? Last week? To the studio.

779
00:42:42,200 --> 00:42:44,680
Speaker 1: I went to the recording studio that we did Vacation

780
00:42:44,800 --> 00:42:49,160
Speaker 1: part two in with Ray. Yes, okay, can we hear it? Yeah?

781
00:42:49,280 --> 00:42:50,600
Speaker 1: You want to hear it? How long is it? How

782
00:42:50,640 --> 00:42:54,080
Speaker 1: long is it? Ray? Thirty? Okay. By the way, we

783
00:42:54,160 --> 00:42:56,640
Speaker 1: have Dave Parker, our program director in Norfolk, Virginia, on too.

784
00:42:56,880 --> 00:42:59,960
Speaker 1: Hey Dave, how are you, buddy? I'm doing great, Harry

785
00:43:00,120 --> 00:43:02,160
Speaker 1: this morning? Hey pretty good. Have you heard this version yet?

786
00:43:03,400 --> 00:43:05,239
Speaker 1: It's fantastic. Oh you have heard it? Okay, we haven't

787
00:43:05,239 --> 00:43:06,960
Speaker 1: heard it. We're gonna listen to it together. Okay, I'm

788
00:43:06,960 --> 00:43:08,560
Speaker 1: gonna put your back and home for one second. We're

789
00:43:08,560 --> 00:43:12,880
Speaker 1: all gonna listen to Abby's star spangled banner, the national

790
00:43:12,920 --> 00:43:16,240
Speaker 1: anthem to remove my hat? Here we go. Oh say,

791
00:43:16,640 --> 00:43:31,000
Speaker 1: can't you see bother dawns? What's so proudly? H handed

792
00:43:31,120 --> 00:43:44,400
Speaker 1: twice least cleaning whose broad stripes? Sambrus through the pairs fight,

793
00:43:45,880 --> 00:43:59,400
Speaker 1: Oh the Parsui watch we're so goodly streaming hammer Canseragga,

794
00:44:01,000 --> 00:44:11,640
Speaker 1: the balls bursting gay pool through the night. Then a

795
00:44:12,000 --> 00:44:22,760
Speaker 1: flag was suing. Oh see does that starts? Spingled banda

796
00:44:24,160 --> 00:44:38,040
Speaker 1: away for the lag of the free him of the

797
00:44:40,280 --> 00:44:49,360
Speaker 1: Barret's good job, Alley, thank you. Let's go over to

798
00:44:49,480 --> 00:44:51,799
Speaker 1: Dave Parker, our program director of US WANT of six

799
00:44:51,840 --> 00:44:54,440
Speaker 1: one in Norfolk, Virginia. Now, Dave, is this good enough

800
00:44:54,520 --> 00:44:58,080
Speaker 1: to make your air waves? Not only is it good

801
00:44:58,200 --> 00:45:07,680
Speaker 1: enough to play? I'm gonna put that in constant rotation. Wow, wow, wow, wow,

802
00:45:08,120 --> 00:45:11,359
Speaker 1: that's so cool. That's amazing. Thank you. Well, how will

803
00:45:11,400 --> 00:45:13,560
Speaker 1: you set it up? What will be the introduction? Like

804
00:45:13,640 --> 00:45:16,040
Speaker 1: Abby Anderson from the Bobby Bones Show or Phone Girl.

805
00:45:16,200 --> 00:45:17,759
Speaker 1: I think he just plays it. He'll just say this

806
00:45:17,840 --> 00:45:24,680
Speaker 1: is a make a wish. Oh, you're such a jerk,

807
00:45:24,920 --> 00:45:27,120
Speaker 1: I think, Hey, Dave, if I'm if I'm right, you

808
00:45:27,200 --> 00:45:29,000
Speaker 1: just played the national anthem. You don't, Yes, you don't

809
00:45:29,000 --> 00:45:32,640
Speaker 1: set it up every time? Um. There are times like there.

810
00:45:32,960 --> 00:45:36,439
Speaker 1: We did a whole thing where local listeners would send

811
00:45:36,480 --> 00:45:38,840
Speaker 1: in their endition so that I would talk into that.

812
00:45:39,120 --> 00:45:41,160
Speaker 1: So probably the first couple of times I play it,

813
00:45:41,800 --> 00:45:43,880
Speaker 1: I will talk into it just to give it some reference.

814
00:45:44,680 --> 00:45:47,560
Speaker 1: But after that it'll it'll just be in constant rotation.

815
00:45:47,760 --> 00:45:51,279
Speaker 1: Dang well, Abby, what are your thoughts here? Dream come true?

816
00:45:51,560 --> 00:45:53,680
Speaker 1: This is amazing. Thank you. This is one of the

817
00:45:53,760 --> 00:45:56,320
Speaker 1: best programmers in America. Saying right now, that's going to

818
00:45:56,360 --> 00:45:59,359
Speaker 1: feature your national anthem on his radio station. I can't

819
00:45:59,360 --> 00:46:01,480
Speaker 1: believe it, she said. It has like Virginia has the

820
00:46:01,560 --> 00:46:05,880
Speaker 1: most listeners, like in the military. Right, that's right, it

821
00:46:06,000 --> 00:46:08,520
Speaker 1: is one of the biggest military bases on the planet. Yes,

822
00:46:09,280 --> 00:46:11,799
Speaker 1: and and and you know, because we play the national

823
00:46:11,840 --> 00:46:15,400
Speaker 1: anthem every day. Most of these versions are by you know,

824
00:46:15,640 --> 00:46:19,239
Speaker 1: major recording artists. And I will say, and at one

825
00:46:20,440 --> 00:46:25,000
Speaker 1: this is true that Abby's version is significantly better than

826
00:46:25,120 --> 00:46:27,080
Speaker 1: some of the versions I play by some of the

827
00:46:27,280 --> 00:46:32,520
Speaker 1: top flight artists. Lunchbox, what would you like to say?

828
00:46:32,600 --> 00:46:34,279
Speaker 1: First of all, what did you think of that version?

829
00:46:34,320 --> 00:46:37,240
Speaker 1: I mean, auto tune is amazing. I mean auto tune

830
00:46:37,280 --> 00:46:39,960
Speaker 1: and reverb can make anybody sound like an angel. Right,

831
00:46:40,080 --> 00:46:48,560
Speaker 1: there was reverb. I mean it was like people is amazing,

832
00:46:48,719 --> 00:46:51,040
Speaker 1: Like Abby had that auto tune on there and she

833
00:46:51,280 --> 00:46:56,040
Speaker 1: still sounded nazy. That's amazing go in the very beginning.

834
00:46:57,760 --> 00:47:01,520
Speaker 1: It's what everybody says. I sound nasily. Everybody does. That's

835
00:47:01,560 --> 00:47:03,640
Speaker 1: my voice. What do I what do I do about it?

836
00:47:03,760 --> 00:47:08,560
Speaker 1: That's nothing. People told Luke Brian his voice was a

837
00:47:08,600 --> 00:47:10,600
Speaker 1: little too different too, And you know what, he made

838
00:47:10,640 --> 00:47:13,040
Speaker 1: a huge career out of it. Yeah. Willie Nelson, the

839
00:47:13,120 --> 00:47:17,640
Speaker 1: most nasily guy out there, crying kill it right. Yes,

840
00:47:18,000 --> 00:47:19,600
Speaker 1: I thought it was anything you want to say to

841
00:47:19,680 --> 00:47:22,359
Speaker 1: lunchboxes comments. Yes, you don't always have to be Can

842
00:47:22,400 --> 00:47:25,080
Speaker 1: you just accept, like finally accept that it is okay,

843
00:47:25,520 --> 00:47:28,840
Speaker 1: that it's that it's decent? No, I just said auto tuned.

844
00:47:28,880 --> 00:47:35,560
Speaker 1: Can it makes it? It wasn't auto there. That was

845
00:47:35,640 --> 00:47:38,759
Speaker 1: like a new person. It was like a robot singing. No,

846
00:47:38,880 --> 00:47:40,759
Speaker 1: that's how I sound when I'm not like nervous, when

847
00:47:40,760 --> 00:47:42,600
Speaker 1: I'm just in my own When she was able to record,

848
00:47:42,640 --> 00:47:44,239
Speaker 1: there's a lot of artists where live they get a

849
00:47:44,239 --> 00:47:46,960
Speaker 1: little shaky, but recorded they like kill it and it's

850
00:47:47,000 --> 00:47:49,200
Speaker 1: awesome and obviously you get the perfect cut and you

851
00:47:49,320 --> 00:47:51,600
Speaker 1: should you want it. It's the national anthem. And Whitney

852
00:47:51,640 --> 00:47:54,000
Speaker 1: Houston saying it was recorded. Yeah, it's the super Bowl.

853
00:47:54,040 --> 00:47:56,240
Speaker 1: It was recorded. They just lips into it. Don't compare

854
00:47:56,600 --> 00:48:04,480
Speaker 1: Whitney Houston from Dave Parker, our program director, US one

855
00:48:04,520 --> 00:48:06,880
Speaker 1: to six one, Norford, Virginia. He is featuring, he's playing it.

856
00:48:07,080 --> 00:48:11,399
Speaker 1: Abby did a great job, Dave. You're awesome, Dave. Thank

857
00:48:11,440 --> 00:48:13,359
Speaker 1: you for coming on the show with us, and thank

858
00:48:13,400 --> 00:48:16,680
Speaker 1: you for featuring Abby. Absolutely and great job. Abby. Wait

859
00:48:16,719 --> 00:48:19,000
Speaker 1: when does it played for the first time? When's it

860
00:48:19,040 --> 00:48:21,719
Speaker 1: gonna play? I'm gonna burn it in the system today.

861
00:48:21,760 --> 00:48:24,440
Speaker 1: I'll put it on the year on Thursday, Thursday. Let's go.

862
00:48:26,360 --> 00:48:27,960
Speaker 1: All right, all right, Dave, having a good day, buddy,

863
00:48:28,080 --> 00:48:31,520
Speaker 1: all right, see you all right, See you later. Snoop

864
00:48:31,520 --> 00:48:34,719
Speaker 1: Dogg's French bulldog is missing. Snoop Dogg's dog is gone.

865
00:48:34,880 --> 00:48:39,000
Speaker 1: Snoop Dogg's dog. On Monday, which is a couple days ago,

866
00:48:39,040 --> 00:48:42,000
Speaker 1: Snoop posted a missing dog flyer on his Instagram. Our

867
00:48:42,040 --> 00:48:45,520
Speaker 1: dog Frank went missing January thirtieth in South la Gray

868
00:48:45,560 --> 00:48:48,560
Speaker 1: French bulldog. If you see him, please dm me. The

869
00:48:48,719 --> 00:48:50,719
Speaker 1: flyer shown in the post indicates the person who finds

870
00:48:50,760 --> 00:48:53,440
Speaker 1: a dog will get a reward and includes additional information.

871
00:48:53,719 --> 00:48:55,799
Speaker 1: But these French bulldogs. It's crazy how people just want

872
00:48:55,800 --> 00:48:59,399
Speaker 1: to steal them. Yeah, it's insane. This is what Lady gagah. Yeah,

873
00:49:00,200 --> 00:49:01,880
Speaker 1: this is from People magazine. This but I'm looking at

874
00:49:01,920 --> 00:49:04,239
Speaker 1: his instagram now. I mean, I guess you can't even

875
00:49:04,320 --> 00:49:06,080
Speaker 1: let a French bulldog run in the front yard if

876
00:49:06,080 --> 00:49:08,239
Speaker 1: you're in a heavy populated area. I guess someone could

877
00:49:08,239 --> 00:49:10,200
Speaker 1: just scoop it up and steal it. Yeah, I mean

878
00:49:10,560 --> 00:49:14,440
Speaker 1: did he truly he knows how valuable his little bulldog is. Also,

879
00:49:14,600 --> 00:49:17,719
Speaker 1: it's not like a car where people could steal it

880
00:49:17,800 --> 00:49:19,759
Speaker 1: and then sell it for parts. Like you can only

881
00:49:19,840 --> 00:49:22,279
Speaker 1: sell the French bulldog as is, So I feel like

882
00:49:22,320 --> 00:49:23,800
Speaker 1: you can offer a big enough forward to get the

883
00:49:23,840 --> 00:49:27,640
Speaker 1: French bulldog back, which like, how did Lady Gaga's people

884
00:49:27,680 --> 00:49:31,919
Speaker 1: get busted? Weren't they trying to? Lady came forward and said,

885
00:49:31,920 --> 00:49:35,640
Speaker 1: I think I found the dog randomly was tied right here,

886
00:49:35,680 --> 00:49:36,960
Speaker 1: and people were like, well, how did you know? That

887
00:49:37,120 --> 00:49:40,400
Speaker 1: was exactly all right? Well why do want I stumble

888
00:49:40,480 --> 00:49:44,319
Speaker 1: into that? That's how But that was crazy because they

889
00:49:44,360 --> 00:49:46,279
Speaker 1: came and shot that dude, yeah, and then took off

890
00:49:46,320 --> 00:49:48,800
Speaker 1: with the dogs. I do have some calls some of

891
00:49:48,840 --> 00:49:51,200
Speaker 1: these people are really upset Tom, and Virginia is on

892
00:49:51,280 --> 00:49:56,360
Speaker 1: the phone. Hey Tom, what's going on? Good morning studio morning.

893
00:49:58,680 --> 00:50:01,200
Speaker 1: I'm just calling it about it in her performance of

894
00:50:01,239 --> 00:50:06,120
Speaker 1: the National Anthem. Yeah, Well, one thing is, I'm fifty

895
00:50:06,200 --> 00:50:08,520
Speaker 1: eight years old, so I've heard a lot of renditions

896
00:50:08,560 --> 00:50:11,440
Speaker 1: of the National Anthem over the years, and hers is

897
00:50:11,440 --> 00:50:16,040
Speaker 1: among the best I've ever heard, the best I know.

898
00:50:16,200 --> 00:50:18,759
Speaker 1: That's a lot. Yeah, thank you, Walcome. I didn't say

899
00:50:18,800 --> 00:50:24,120
Speaker 1: he did. She should have she should have a recording contract. No,

900
00:50:24,360 --> 00:50:30,960
Speaker 1: she shouldn't. Like this is okay, go ahead, and Lunchbox,

901
00:50:32,000 --> 00:50:35,120
Speaker 1: you are proofd that they'll give anybody a degree in college.

902
00:50:39,160 --> 00:50:41,000
Speaker 1: He quit right before his degree. Maybe may need to

903
00:50:41,040 --> 00:50:43,919
Speaker 1: get those ears checked. Now. I didn't hear that part.

904
00:50:44,160 --> 00:50:46,439
Speaker 1: Maybe he hasn't listened to the show when we've talked

905
00:50:46,440 --> 00:50:48,800
Speaker 1: about that every once in a while. Do you think, Lunchbox,

906
00:50:48,920 --> 00:50:51,440
Speaker 1: there's the jealousy issue or when anyone else on the

907
00:50:51,440 --> 00:50:53,279
Speaker 1: show gets any sort of shine at all and you're like,

908
00:50:53,360 --> 00:50:55,880
Speaker 1: oh no, why are they getting shined? No, I am

909
00:50:55,960 --> 00:50:58,160
Speaker 1: just honest. And this guy calling in and saying he's

910
00:50:58,320 --> 00:51:01,399
Speaker 1: this that was one of the best anthems he's ever heard.

911
00:51:01,600 --> 00:51:03,680
Speaker 1: He has it right to say. But then he is

912
00:51:03,760 --> 00:51:08,160
Speaker 1: absolutely lying because he's heard Whitney Houston, he's heard Carrie Underwood,

913
00:51:08,320 --> 00:51:10,719
Speaker 1: he's heard all that. I mean, that is nowhere near

914
00:51:11,080 --> 00:51:13,279
Speaker 1: one of the guys admitute that is not one of

915
00:51:13,280 --> 00:51:15,600
Speaker 1: the best national anthems. I'm never arguing that. I mean,

916
00:51:15,719 --> 00:51:21,480
Speaker 1: it's okay, should she should she have a record deal?

917
00:51:21,880 --> 00:51:28,200
Speaker 1: If if there is no chance. It's so passionate about that,

918
00:51:28,320 --> 00:51:31,080
Speaker 1: it's because someone else is getting played it, because you've

919
00:51:31,080 --> 00:51:32,360
Speaker 1: you ever deal with that without your kids. When you

920
00:51:32,400 --> 00:51:33,759
Speaker 1: go to somebody one of the other kids, you give

921
00:51:33,760 --> 00:51:35,800
Speaker 1: them something or like yeah great, they're like, well what

922
00:51:35,880 --> 00:51:37,799
Speaker 1: about Absolutely, That's why I feel like when I come

923
00:51:37,840 --> 00:51:40,120
Speaker 1: to work, I never get away from it because he's

924
00:51:40,200 --> 00:51:42,719
Speaker 1: just like my kids. No, it's just being honest with people.

925
00:51:43,239 --> 00:51:46,080
Speaker 1: She didn't ask, oh she did? She put this out here,

926
00:51:46,120 --> 00:51:48,200
Speaker 1: and she didn't go, hey, guys, would you please tell

927
00:51:48,239 --> 00:51:49,920
Speaker 1: me if this sucks or as good? She said, I

928
00:51:50,040 --> 00:51:52,440
Speaker 1: recorded this because the station said if I recorded it,

929
00:51:52,480 --> 00:51:54,560
Speaker 1: they would play it. She didn't go, please give me

930
00:51:54,600 --> 00:51:58,040
Speaker 1: an uber rating? Well, she didn't want my uber rating? No,

931
00:51:58,280 --> 00:52:03,120
Speaker 1: no one does. Yes, Tom, thank you Buddy Jim for

932
00:52:03,560 --> 00:52:06,839
Speaker 1: enough quip being so jealous. That's why you don't get anything.

933
00:52:06,920 --> 00:52:09,200
Speaker 1: Lunch Box rust of me. I'm not jealous of that.

934
00:52:09,600 --> 00:52:12,840
Speaker 1: I mean she sounds about as good as me. Okay, okay,

935
00:52:13,200 --> 00:52:14,920
Speaker 1: about as good as you. So not as good as you,

936
00:52:15,080 --> 00:52:19,160
Speaker 1: I mean, geez, Rhonda in North Carolina. I'd like to

937
00:52:19,200 --> 00:52:22,919
Speaker 1: put Rhonda on the phone. Hey, Ronda, thank you for calling. Hey,

938
00:52:23,040 --> 00:52:29,879
Speaker 1: good morning crew. Well almost I wanted to call. I've

939
00:52:29,960 --> 00:52:34,719
Speaker 1: never called the show and say what an amazing rendition

940
00:52:35,040 --> 00:52:41,680
Speaker 1: of the star spangled banner that I agree it was great?

941
00:52:43,560 --> 00:52:49,000
Speaker 1: And Lunchbox he is crass anyway, but he is so

942
00:52:49,320 --> 00:52:54,879
Speaker 1: rude and so jealous, and anybody else gets anything. He's

943
00:52:54,960 --> 00:52:59,359
Speaker 1: always arguing about it, and his submersials are horrible. Oh

944
00:52:59,400 --> 00:53:02,200
Speaker 1: it's conversion. Okay, go ahead, please talk about this for

945
00:53:02,280 --> 00:53:08,320
Speaker 1: a second. Go ahead. I want to hear this. Okay, wait, Rynda,

946
00:53:08,400 --> 00:53:11,080
Speaker 1: we love, we love, we love what we're going now.

947
00:53:11,239 --> 00:53:14,920
Speaker 1: I mean I feel bad for his not word about it. Okay,

948
00:53:15,120 --> 00:53:19,560
Speaker 1: go Rnda. Go ahead. When he says, do you have

949
00:53:19,920 --> 00:53:24,320
Speaker 1: joint pain? Keep screaming during the entire and I turned

950
00:53:24,360 --> 00:53:30,080
Speaker 1: the channel every time that right, Well you give me, oh,

951
00:53:30,239 --> 00:53:34,720
Speaker 1: no Lunchboxes on turning. He's so rude. I'm just telling you, Ronnie,

952
00:53:34,760 --> 00:53:37,080
Speaker 1: you might want to go squc kinetics. I'll hope you

953
00:53:37,080 --> 00:53:40,759
Speaker 1: out get you moving pain free again. Oh I'm pain

954
00:53:40,960 --> 00:53:48,400
Speaker 1: free except when you make comments like that day Ronda

955
00:53:48,480 --> 00:53:50,480
Speaker 1: to lunch Box one. Is she gonna walk away with

956
00:53:50,560 --> 00:53:53,319
Speaker 1: the championship? Listen, you tell me not to yell at people,

957
00:53:53,360 --> 00:53:54,600
Speaker 1: so I'm not gonna gell at her. I mean, you

958
00:53:54,600 --> 00:53:56,560
Speaker 1: don't do anything we say. I know I'm gonna. I'm

959
00:53:56,560 --> 00:53:59,520
Speaker 1: gonna try to respect my elders. I mean, like Ronda

960
00:53:59,600 --> 00:54:02,040
Speaker 1: here and Ronnie, you have bad ears. I understand maybe

961
00:54:02,040 --> 00:54:05,960
Speaker 1: getting your appointment. If you think Abby's great, and then

962
00:54:06,080 --> 00:54:08,640
Speaker 1: my commercials are bad, you need to get your ears checked.

963
00:54:08,800 --> 00:54:15,560
Speaker 1: It's cool. Well here here's the thing. Lay was totally acoustic,

964
00:54:16,440 --> 00:54:20,239
Speaker 1: no music, no anything. Your commercials are fine before they

965
00:54:20,320 --> 00:54:23,680
Speaker 1: go on the air. That's true, Ronna. Do you think

966
00:54:23,920 --> 00:54:26,120
Speaker 1: run to run? Hold on? Runda? I want You're in

967
00:54:26,160 --> 00:54:29,800
Speaker 1: a delusional world right now? Hold on? Your commercials are yeah, yeah, no, no, no,

968
00:54:30,120 --> 00:54:31,960
Speaker 1: I'm gonna say they're edited. But you're gonna tell me

969
00:54:32,000 --> 00:54:34,719
Speaker 1: that National Anthem wasn't edited, Ronnie. You think that was

970
00:54:34,760 --> 00:54:37,040
Speaker 1: just one take, Jake, and then there was no editing,

971
00:54:37,120 --> 00:54:39,479
Speaker 1: gun and there was no things added to her voice.

972
00:54:39,600 --> 00:54:43,120
Speaker 1: Do you really think that, run Da? I really think

973
00:54:44,000 --> 00:54:46,640
Speaker 1: I don't finish. You're yelling over her, Rynda? Sorry, you

974
00:54:46,680 --> 00:54:51,160
Speaker 1: really think way? I think that her talent is amazing.

975
00:54:52,160 --> 00:54:56,000
Speaker 1: I asked that anytime somebody else gets a little sunshine

976
00:54:56,040 --> 00:55:02,520
Speaker 1: on their name, lunchbox goes eight, n that we drop it.

977
00:55:03,840 --> 00:55:06,360
Speaker 1: You can't hold on. You can't say the S words, Rnda.

978
00:55:06,920 --> 00:55:08,239
Speaker 1: You really have been a great call so far, but

979
00:55:08,400 --> 00:55:12,120
Speaker 1: you can't. You can't curse, you can't do we drop it? Yeah,

980
00:55:12,160 --> 00:55:14,720
Speaker 1: we got it? Good? Can I just tell you something? Yeah, Randa,

981
00:55:14,800 --> 00:55:18,920
Speaker 1: you can't say hold on? That's deep breath, Randay. We're

982
00:55:18,920 --> 00:55:21,280
Speaker 1: not gonna hang up on because that was not on purpose.

983
00:55:21,400 --> 00:55:23,359
Speaker 1: But you can't say the S word, okay, or any

984
00:55:23,400 --> 00:55:25,680
Speaker 1: other bed word. Sorry, A right, I'm so sorry. Now

985
00:55:25,719 --> 00:55:33,280
Speaker 1: you're good. You're good. That's um crazy okay. Yeah? But here, Ronda,

986
00:55:33,440 --> 00:55:36,640
Speaker 1: what you just did is you went politician. I asked

987
00:55:36,680 --> 00:55:38,759
Speaker 1: you a question and you just went all around it

988
00:55:38,800 --> 00:55:41,480
Speaker 1: without even answering the question. Do you not think Abby's

989
00:55:41,560 --> 00:55:47,840
Speaker 1: national anthem was edited? Everything? Okay? So you saying my

990
00:55:47,880 --> 00:55:52,000
Speaker 1: commercials are edited? And then oh boy, your Your argument

991
00:55:52,120 --> 00:55:54,560
Speaker 1: was my commercials are edited the national anthem was it?

992
00:55:54,800 --> 00:55:57,640
Speaker 1: And then a peaker argument was, your commercials are also edited.

993
00:55:58,960 --> 00:56:02,640
Speaker 1: Commercials aren't good and edit it. I think that's her.

994
00:56:02,680 --> 00:56:04,239
Speaker 1: That's maybe what she wanted to say, but that's not

995
00:56:04,320 --> 00:56:07,320
Speaker 1: what she said. Okay, Hey, Ronda, we we loved that

996
00:56:07,400 --> 00:56:09,600
Speaker 1: you called. You're the caller of the day so far,

997
00:56:10,200 --> 00:56:12,880
Speaker 1: and thank you for listening. Love you guys. Thank you.

998
00:56:13,960 --> 00:56:18,360
Speaker 1: Let somebody else have you know some of the spotlight. Okay, Ronda,

999
00:56:18,480 --> 00:56:20,439
Speaker 1: So when your kids do something bad, like when they're

1000
00:56:20,440 --> 00:56:22,160
Speaker 1: not good at something, you tell them they're great at something.

1001
00:56:23,120 --> 00:56:26,279
Speaker 1: It Actually we don't get participation trophy. Well that's what

1002
00:56:26,360 --> 00:56:28,800
Speaker 1: we're doing here or not? It was really good in

1003
00:56:28,920 --> 00:56:31,560
Speaker 1: your opinion, and you're yelling it was really good. It

1004
00:56:31,920 --> 00:56:36,560
Speaker 1: was a participation, right. Why can't everyone has different feelings

1005
00:56:36,600 --> 00:56:39,759
Speaker 1: and thoughts about singers and performers and who they like

1006
00:56:40,040 --> 00:56:43,600
Speaker 1: and who they don't like me for my opinion. You're

1007
00:56:43,680 --> 00:56:46,320
Speaker 1: yelling at her for her She just cursed at me

1008
00:56:46,440 --> 00:56:50,879
Speaker 1: for having at you. She cursed was a little piece

1009
00:56:50,960 --> 00:56:53,840
Speaker 1: of No, she did not she did it. It's not

1010
00:56:53,960 --> 00:56:56,239
Speaker 1: what she said. I actually had a dream A couple

1011
00:56:56,239 --> 00:56:58,719
Speaker 1: of nights ago that we had to use the delay. Whoa, wow,

1012
00:56:58,800 --> 00:57:00,680
Speaker 1: we haven't had using forever and I'm meant to reach

1013
00:57:00,719 --> 00:57:02,439
Speaker 1: out to Scooba Steven go hit the light still works

1014
00:57:02,560 --> 00:57:06,360
Speaker 1: right now? We know? Yeah it dude's wild because I

1015
00:57:06,360 --> 00:57:08,600
Speaker 1: haven't thought about the lights so long and I just

1016
00:57:08,760 --> 00:57:11,920
Speaker 1: had a dream two nights ago. You knew it was

1017
00:57:11,960 --> 00:57:17,200
Speaker 1: coming here. We are yea about you don't want to know? No, boy?

1018
00:57:18,160 --> 00:57:20,440
Speaker 1: All right, thank you for all those calls. Well we

1019
00:57:20,560 --> 00:57:23,040
Speaker 1: have tell me something good coming up a few minutes,

1020
00:57:23,080 --> 00:57:25,479
Speaker 1: so we hit a positivity. We're gonna do the news

1021
00:57:25,640 --> 00:57:28,040
Speaker 1: coming up a little later. Um, We're gonna have some

1022
00:57:28,160 --> 00:57:30,160
Speaker 1: more calls as well. You guys can call us. I

1023
00:57:30,200 --> 00:57:32,320
Speaker 1: don't want to spend all day harping on this, but

1024
00:57:32,360 --> 00:57:34,320
Speaker 1: I will encourage people. If you missed a segment, go

1025
00:57:34,400 --> 00:57:37,280
Speaker 1: to our podcast later today, download the Bobby Bone Show

1026
00:57:37,640 --> 00:57:39,160
Speaker 1: and you can hear because we can put the national

1027
00:57:39,200 --> 00:57:43,080
Speaker 1: anthem in the podcast. Yeah, nobody owns. That's royalty free. Yeah,

1028
00:57:43,320 --> 00:57:45,680
Speaker 1: we don't have to pay any money on that permission

1029
00:57:45,720 --> 00:57:48,280
Speaker 1: to post it. Okay, okay, Bobby Bone Show after the

1030
00:57:48,280 --> 00:57:50,280
Speaker 1: show and hear that bit and hear Abby's version of

1031
00:57:50,360 --> 00:57:58,400
Speaker 1: the national anthem, It's time for the good news. Ryan

1032
00:57:58,560 --> 00:58:01,440
Speaker 1: Lytton is working out of the him in California, getting

1033
00:58:01,480 --> 00:58:05,640
Speaker 1: the bench press on when all of a sudden he

1034
00:58:05,680 --> 00:58:07,520
Speaker 1: hears a bunch of yelling and screaming. He takes his

1035
00:58:07,600 --> 00:58:12,320
Speaker 1: earbuds out and some guy collapsed on the floor. He's unconscious, unresponsive,

1036
00:58:12,360 --> 00:58:14,400
Speaker 1: and he's like, man, I'm in the Navy. I've done

1037
00:58:14,480 --> 00:58:17,680
Speaker 1: life saving drills before hops over puts the bench press down.

1038
00:58:17,760 --> 00:58:21,880
Speaker 1: You know, go whoo who Fifteen minutes worth of CPR

1039
00:58:22,280 --> 00:58:24,440
Speaker 1: got the guy breathing again. That's a long time. I

1040
00:58:24,480 --> 00:58:27,160
Speaker 1: mean fifteen minutes got to feel like an hour. And

1041
00:58:27,240 --> 00:58:29,640
Speaker 1: at what point do you stop? He said he was

1042
00:58:29,680 --> 00:58:33,680
Speaker 1: gonna keep going until paramedics arrived, and he just kept

1043
00:58:33,720 --> 00:58:36,680
Speaker 1: going who whoo for fifteen minutes. Saved his life. That

1044
00:58:36,720 --> 00:58:38,200
Speaker 1: guy is so lucky one that he was there and

1045
00:58:38,360 --> 00:58:40,959
Speaker 1: two he didn't stop. Yeah, he can, for fifteen minutes

1046
00:58:41,000 --> 00:58:43,400
Speaker 1: continue to do that. Awesome story. That is what it's

1047
00:58:43,400 --> 00:58:48,120
Speaker 1: all about. That was tell me something good. What's happening

1048
00:58:48,160 --> 00:58:49,600
Speaker 1: to friends? Thank you for being here. You can be

1049
00:58:49,640 --> 00:58:51,120
Speaker 1: anywhere in the whole world, but you're here with us,

1050
00:58:51,160 --> 00:58:55,720
Speaker 1: and we appreciate that. Let's go to the news Bobby's story.

1051
00:58:57,680 --> 00:59:00,360
Speaker 1: I hate winter. I hate winter. I hate cold. That

1052
00:59:00,520 --> 00:59:05,320
Speaker 1: dang groundhog whatever it did be more winter it happened.

1053
00:59:05,400 --> 00:59:08,440
Speaker 1: Yeah whatever, It's all stupid, right, But I feel like

1054
00:59:08,440 --> 00:59:10,440
Speaker 1: I need to talk about it because talking about everywhere.

1055
00:59:11,120 --> 00:59:14,479
Speaker 1: Uh Puck's tawny Phil predicted six more weeks of winter.

1056
00:59:15,600 --> 00:59:18,800
Speaker 1: It I just I hate cold. Yeah, there is nothing

1057
00:59:18,880 --> 00:59:22,440
Speaker 1: about cold that I like. I don't even think about

1058
00:59:22,520 --> 00:59:25,200
Speaker 1: going on a vacation. If someone says, let's go skiing,

1059
00:59:27,160 --> 00:59:30,560
Speaker 1: I'm like, in the cold? Yeah, what about water skiing?

1060
00:59:30,600 --> 00:59:32,960
Speaker 1: I would, but at this point I'd rip a groin

1061
00:59:33,160 --> 00:59:36,320
Speaker 1: for sure. What about like building a fire and cozying

1062
00:59:36,440 --> 00:59:38,520
Speaker 1: up because the winter weather. But here's the thing about that,

1063
00:59:39,200 --> 00:59:41,920
Speaker 1: if it's winter weather, that's what you can do to

1064
00:59:42,040 --> 00:59:44,760
Speaker 1: make it a little bit better. But it's no. Oh,

1065
00:59:44,880 --> 00:59:47,840
Speaker 1: I like that vibe. I don't mind winter. It snows

1066
00:59:47,960 --> 00:59:51,800
Speaker 1: like and it's prettier. Yeah. I just hate winter, Okay,

1067
00:59:52,400 --> 00:59:54,000
Speaker 1: I'm over it. And everybody in the Northeast. It just

1068
00:59:54,040 --> 00:59:56,680
Speaker 1: went through that big North ste You see the one

1069
00:59:56,720 --> 00:59:58,840
Speaker 1: story where the kids they were in college, it left

1070
00:59:58,880 --> 01:00:00,720
Speaker 1: the window open. They left ro for the storm, and

1071
01:00:00,800 --> 01:00:02,360
Speaker 1: then they came back home. And their whole dorm was

1072
01:00:02,400 --> 01:00:06,520
Speaker 1: covered in snow. Hilarious. I mean, she like went to

1073
01:00:06,520 --> 01:00:08,080
Speaker 1: spend time with her boyfriend. She came back and it

1074
01:00:08,280 --> 01:00:10,600
Speaker 1: was like, uh, it's a winter wonderland inside of her

1075
01:00:10,640 --> 01:00:14,280
Speaker 1: dorm room. I mean so funny. So anyway, Winter Winter,

1076
01:00:14,360 --> 01:00:18,840
Speaker 1: Winter Winter. After all the controversy, Adele's Las Vegas residency

1077
01:00:18,880 --> 01:00:23,080
Speaker 1: maybe off for good. Adele's Caesar's Palace residency may be canceled.

1078
01:00:23,680 --> 01:00:25,880
Speaker 1: All preparations for the production have ended and the sets

1079
01:00:25,880 --> 01:00:29,960
Speaker 1: have been removed from the Coliseum theater. Wow. So apparently

1080
01:00:30,040 --> 01:00:33,440
Speaker 1: now they're talking with the raging idiots about doing well,

1081
01:00:33,440 --> 01:00:36,400
Speaker 1: we're negotiating. It's only the lobby before you want him.

1082
01:00:37,360 --> 01:00:40,240
Speaker 1: It's Eddie him. But yeah, she may not. They may

1083
01:00:40,280 --> 01:00:42,280
Speaker 1: not do it at all. Now how that's turned. That

1084
01:00:42,400 --> 01:00:45,440
Speaker 1: means there was some really like back like I told you, Yes,

1085
01:00:46,600 --> 01:00:49,920
Speaker 1: they were arguing about some Yes, like I knew when

1086
01:00:49,960 --> 01:00:53,680
Speaker 1: she cut it the day before. It wasn't why they

1087
01:00:53,760 --> 01:00:57,520
Speaker 1: cut it the day before. That's from page six. Shortly

1088
01:00:57,560 --> 01:01:00,360
Speaker 1: after the Bengals overtime win this past weekend, Roger, You're baking.

1089
01:01:00,400 --> 01:01:02,720
Speaker 1: High School principal Steve Shadd announce there will be no

1090
01:01:02,880 --> 01:01:06,640
Speaker 1: school on the Monday after the Super Bowl. So in Cincinnati,

1091
01:01:06,680 --> 01:01:08,440
Speaker 1: they're like, hey, you're all gonna be watching the game anyway,

1092
01:01:08,520 --> 01:01:12,840
Speaker 1: it's a big day for us. The Cincinnati school board

1093
01:01:12,920 --> 01:01:14,480
Speaker 1: member put in a request for the district to take

1094
01:01:14,480 --> 01:01:16,640
Speaker 1: our super Bowl Monday. The district said, yes, So there

1095
01:01:16,720 --> 01:01:21,200
Speaker 1: you go. I think it should be a holiday. There

1096
01:01:21,240 --> 01:01:23,480
Speaker 1: should be a couple holidays that we don't have. No.

1097
01:01:23,720 --> 01:01:27,920
Speaker 1: First of all, when we vote, everybody should have off

1098
01:01:27,920 --> 01:01:29,320
Speaker 1: work to go because a lot of people can't go

1099
01:01:29,360 --> 01:01:31,000
Speaker 1: vote because you have to work, and voting is the

1100
01:01:31,080 --> 01:01:33,000
Speaker 1: number one thing that we should be doing, right, So

1101
01:01:33,080 --> 01:01:35,520
Speaker 1: that should be a federal holiday Election day number two.

1102
01:01:36,080 --> 01:01:39,920
Speaker 1: Super Bowl Monday. Yeah, yeah, Well what about the other team,

1103
01:01:40,080 --> 01:01:44,040
Speaker 1: the Rams? Do you think now their school districts like, hello, hey,

1104
01:01:44,120 --> 01:01:47,760
Speaker 1: we get all Monday. LA is pretty big, and you

1105
01:01:47,840 --> 01:01:50,240
Speaker 1: know LA is pretty jaded by everything. Their fans don't

1106
01:01:50,280 --> 01:01:52,680
Speaker 1: really even like the team. Yeah, there'll be more sense.

1107
01:01:53,040 --> 01:01:55,160
Speaker 1: I take that back. There will be more Cincinnati fans

1108
01:01:55,160 --> 01:01:56,520
Speaker 1: about a Super Bowl. Is we were because it's not

1109
01:01:56,600 --> 01:01:59,760
Speaker 1: a real rabid environment for fans. Okay, mostly it's just

1110
01:02:00,160 --> 01:02:02,480
Speaker 1: twenty fancy people who were like, I'm going to a

1111
01:02:02,520 --> 01:02:04,959
Speaker 1: super Bowl. More than I'm going to root for my team,

1112
01:02:05,160 --> 01:02:08,680
Speaker 1: but the Cincinnati fans, they're they're pretty hardcore. That's from

1113
01:02:08,840 --> 01:02:12,640
Speaker 1: WCPO dot com. And finally, on a flight to Virginia,

1114
01:02:12,680 --> 01:02:15,240
Speaker 1: a woman gives birth. Oh my gosh, she's flying from

1115
01:02:15,280 --> 01:02:18,200
Speaker 1: another country to Virginia. She gave birth to a healthy

1116
01:02:18,240 --> 01:02:20,760
Speaker 1: baby boy on a transatlantic flight to the United States.

1117
01:02:21,360 --> 01:02:23,000
Speaker 1: United air Lines. Is a doctor and a nurse on

1118
01:02:23,040 --> 01:02:26,520
Speaker 1: board help safely deliver the baby. The delivery was uneventful,

1119
01:02:26,680 --> 01:02:29,960
Speaker 1: other than being at thirty thousand feet. That's crazy. She

1120
01:02:30,040 --> 01:02:32,479
Speaker 1: got so lucky a doctor was on board. What would

1121
01:02:32,480 --> 01:02:34,400
Speaker 1: you do in the situation if you were, let's say,

1122
01:02:34,640 --> 01:02:37,480
Speaker 1: seven rows ahead of her and she's like, I'm having

1123
01:02:37,520 --> 01:02:40,800
Speaker 1: a baby, and doctor, would you be rubber neck I

1124
01:02:40,880 --> 01:02:42,760
Speaker 1: mean like over there? Or would you put your headphones

1125
01:02:42,760 --> 01:02:45,440
Speaker 1: on and go to sleep? And I'm checking, I'm watching,

1126
01:02:46,480 --> 01:02:49,160
Speaker 1: I'm I'm I'm all in. Do you need help? And

1127
01:02:49,280 --> 01:02:52,160
Speaker 1: they said no, police, sit in your seat and be quiet, okay,

1128
01:02:52,200 --> 01:02:53,400
Speaker 1: And then I'd sit in my seat and be quiet.

1129
01:02:53,440 --> 01:02:55,240
Speaker 1: Would you can't keep looking over your shoulder. I'm not

1130
01:02:55,240 --> 01:02:56,600
Speaker 1: going to be able to watch a TV show for

1131
01:02:56,680 --> 01:02:59,320
Speaker 1: a woman seven rows behind me is giving birth on

1132
01:02:59,360 --> 01:03:02,200
Speaker 1: an airplane, which can't wherever you're flying over, can't you

1133
01:03:02,240 --> 01:03:06,479
Speaker 1: claim residency. I don't know. If she's over the ocean,

1134
01:03:06,520 --> 01:03:11,400
Speaker 1: so she aqua she can vote in the ocean an

1135
01:03:11,400 --> 01:03:14,320
Speaker 1: aquaman or she because she was coming to the United States.

1136
01:03:14,400 --> 01:03:16,200
Speaker 1: Now that baby, wherever she was coming from, I don't

1137
01:03:16,200 --> 01:03:18,840
Speaker 1: know where. Maybe it's closer where maybe she's from America

1138
01:03:18,840 --> 01:03:20,680
Speaker 1: and she's flying back. But then, like, why do you

1139
01:03:20,760 --> 01:03:22,760
Speaker 1: fly that close, that long of a flight to give

1140
01:03:23,080 --> 01:03:24,440
Speaker 1: when you're that pregnant. Don't you have to have a

1141
01:03:24,480 --> 01:03:26,200
Speaker 1: special note from the doctor. It could have been a

1142
01:03:26,240 --> 01:03:31,120
Speaker 1: few months early, healthy baby. Yeah, your weeks early, not months, Dan, Well,

1143
01:03:31,160 --> 01:03:32,640
Speaker 1: you could be seven months early. I mean you could

1144
01:03:32,640 --> 01:03:35,720
Speaker 1: be seven months pregnant have a baby. I'm saying, Yeah,

1145
01:03:36,360 --> 01:03:39,440
Speaker 1: that's crazy. I mean, so yes, I would imagine she

1146
01:03:39,520 --> 01:03:42,120
Speaker 1: wasn't flying it nine months. Yeah, if I'm just guessing

1147
01:03:42,160 --> 01:03:43,959
Speaker 1: it wasn't in the story. But all right, that's the news,

1148
01:03:44,040 --> 01:03:51,160
Speaker 1: thank you story. About hour and a half ago, Eddie

1149
01:03:51,600 --> 01:03:54,920
Speaker 1: was given his lazy underwear. Ye didn't put him on yet? No? Well,

1150
01:03:55,080 --> 01:03:57,440
Speaker 1: during this break you need to go put him on already. Yes,

1151
01:03:58,040 --> 01:04:00,760
Speaker 1: why we need to hear them on you here? How

1152
01:04:00,800 --> 01:04:02,160
Speaker 1: are you going to do that to walk back in

1153
01:04:02,200 --> 01:04:04,440
Speaker 1: the room close with them on? Okay, well they're not

1154
01:04:04,480 --> 01:04:06,280
Speaker 1: going to make noise, no, but we need to hear

1155
01:04:06,400 --> 01:04:10,720
Speaker 1: him talk about the experience. Dumb. Yeah, okay, Eddie lost

1156
01:04:10,800 --> 01:04:13,000
Speaker 1: a will spin. It might be the dumbest one we've

1157
01:04:13,040 --> 01:04:15,800
Speaker 1: ever done. And then these these Lacey men panties came in.

1158
01:04:15,880 --> 01:04:18,240
Speaker 1: They're marketing to men now, so Eddie has to wear

1159
01:04:18,280 --> 01:04:19,960
Speaker 1: them for three days. So you need to go to

1160
01:04:20,080 --> 01:04:23,280
Speaker 1: the bathroom right now. Yeah, okay, do your thing, put

1161
01:04:23,320 --> 01:04:25,360
Speaker 1: them on. I don't need to do my thing. Just

1162
01:04:25,400 --> 01:04:26,960
Speaker 1: put them on. Put them on, and then come back

1163
01:04:27,000 --> 01:04:30,200
Speaker 1: and we want to hear all about it. Cool, we

1164
01:04:30,240 --> 01:04:31,600
Speaker 1: don't have to go right now. What if they're the

1165
01:04:31,640 --> 01:04:34,240
Speaker 1: most comfortable things, they won't. Have you seen them, they

1166
01:04:34,280 --> 01:04:36,720
Speaker 1: will not be. But if it changes your whole vibe

1167
01:04:36,720 --> 01:04:40,200
Speaker 1: and you come in more confident, feeling good, it's true.

1168
01:04:40,400 --> 01:04:43,520
Speaker 1: We'll see that's true. What are your thoughts on them?

1169
01:04:43,680 --> 01:04:47,720
Speaker 1: They're they're ugly and they're lacey, and they're like, I mean,

1170
01:04:47,800 --> 01:04:51,600
Speaker 1: they're girly. They're not that bad. I've never warned lacey things.

1171
01:04:51,640 --> 01:04:55,440
Speaker 1: So it's gonna feel weird. And they're big. It's a

1172
01:04:55,520 --> 01:04:57,600
Speaker 1: lot of things, man, a lot, a lot of formula

1173
01:04:57,720 --> 01:05:00,080
Speaker 1: right now for them not to be cool. Elbert to

1174
01:05:00,160 --> 01:05:03,200
Speaker 1: in New York, you are on the show. Thank you

1175
01:05:03,400 --> 01:05:08,600
Speaker 1: for calling. Alberta. Hi, Alberta. Sorry, we're trying to find

1176
01:05:08,600 --> 01:05:11,640
Speaker 1: the phone line there, Albert Alberta, Yes, I'm here. What's

1177
01:05:11,640 --> 01:05:15,479
Speaker 1: going on with you? Well? I turned sixty six last

1178
01:05:15,560 --> 01:05:18,480
Speaker 1: month and I loved the Grandma song. I would love

1179
01:05:18,560 --> 01:05:21,920
Speaker 1: to hear it. And I don't need an EpiPen, but

1180
01:05:22,040 --> 01:05:24,000
Speaker 1: if I did, my grandsons would be sure to be

1181
01:05:24,120 --> 01:05:28,560
Speaker 1: carrying it. Panty peck. Oh, she's referencing two ranging idiots.

1182
01:05:28,880 --> 01:05:32,640
Speaker 1: That's pretty cool, all right? Oh yeah, instant requests, Eddie,

1183
01:05:32,640 --> 01:05:35,000
Speaker 1: go put on the panties. Okay, they're not panties, they

1184
01:05:35,000 --> 01:05:39,720
Speaker 1: are they're actually box or briefs. Yeah. Can you put

1185
01:05:39,760 --> 01:05:41,560
Speaker 1: them on in two minutes? Are yours? Bones? I can

1186
01:05:41,600 --> 01:05:43,440
Speaker 1: put them on in thirty seconds? Yes, but you have

1187
01:05:43,520 --> 01:05:45,680
Speaker 1: to pull your pants off. I get it, and not

1188
01:05:45,800 --> 01:05:47,840
Speaker 1: to put on underwell, come in with ane over your pants.

1189
01:05:47,880 --> 01:05:51,600
Speaker 1: I will not. I need to be touching, touch you

1190
01:05:51,760 --> 01:05:57,040
Speaker 1: what you're touching with you right now? Eddie did a wardrobe.

1191
01:05:57,160 --> 01:05:59,240
Speaker 1: Eddie did a reb mctarre wardrobe change during that that

1192
01:05:59,440 --> 01:06:02,600
Speaker 1: ran out came in with his underwear he was wearing

1193
01:06:02,720 --> 01:06:04,720
Speaker 1: holding it up, which is gross. What do you mean

1194
01:06:04,960 --> 01:06:07,520
Speaker 1: put away? This whole thing is gross? What's it feeling?

1195
01:06:07,840 --> 01:06:10,000
Speaker 1: What's it feel like? Honestly, dude, I don't. I don't

1196
01:06:10,040 --> 01:06:14,440
Speaker 1: feel anything. It feels like I'm going commando now. Now

1197
01:06:14,520 --> 01:06:16,480
Speaker 1: they're shorter than I thought. Like, you know, I'm used

1198
01:06:16,480 --> 01:06:18,560
Speaker 1: to boxer briefs going down a little bit down my thigh.

1199
01:06:18,720 --> 01:06:21,160
Speaker 1: These do not. These go all the way up. Do

1200
01:06:21,200 --> 01:06:23,720
Speaker 1: you feel, lacy, I don't feel it. Do you feel

1201
01:06:23,760 --> 01:06:27,520
Speaker 1: sexy a little bit? Yeah? See, like like it feels

1202
01:06:27,520 --> 01:06:31,919
Speaker 1: like I'm not wearing and I start wearing him ear

1203
01:06:32,160 --> 01:06:33,920
Speaker 1: like he is enjoying this, like this is the best

1204
01:06:33,960 --> 01:06:35,840
Speaker 1: thing that's ever happened. Just weird because it feels like

1205
01:06:35,880 --> 01:06:38,479
Speaker 1: I'm wearing nothing and I've never had that feeling before.

1206
01:06:39,000 --> 01:06:45,840
Speaker 1: Very interesting. You're smiling. We'll come back in a second.

1207
01:06:48,680 --> 01:06:51,280
Speaker 1: This guy's now a gender less reptile. At least that's

1208
01:06:51,280 --> 01:06:53,320
Speaker 1: what he looks like. He's done so much to himself,

1209
01:06:53,600 --> 01:06:57,640
Speaker 1: Like I would say work, but it's like crazy surgeries

1210
01:06:57,720 --> 01:07:01,400
Speaker 1: altered his entire being. Yeah, he's a former LA banker,

1211
01:07:01,480 --> 01:07:04,720
Speaker 1: he's on a mission to fully transform himself into a reptoid.

1212
01:07:04,760 --> 01:07:09,560
Speaker 1: After spending spending thousands of dollars on body modifications. Formerly

1213
01:07:09,640 --> 01:07:12,120
Speaker 1: known as Richard Hernandez, he's spent more than sixty thousand

1214
01:07:12,160 --> 01:07:17,520
Speaker 1: dollars on castration. Oh so that's done. Irremoval, tongue splitting

1215
01:07:17,600 --> 01:07:23,920
Speaker 1: in eighteen horn implants. What he's also planning to it's

1216
01:07:23,960 --> 01:07:26,680
Speaker 1: the same? Is this the new name of this? Tiamt

1217
01:07:26,920 --> 01:07:30,400
Speaker 1: Lesion Medusa is also planning to undergo a penis removal,

1218
01:07:31,120 --> 01:07:33,880
Speaker 1: heath removal. What it would like to get more tattoos

1219
01:07:34,360 --> 01:07:38,960
Speaker 1: to morph to completely reptilian? The sixty year old said,

1220
01:07:39,000 --> 01:07:41,600
Speaker 1: people think that modified people, especially those who go to

1221
01:07:41,680 --> 01:07:43,280
Speaker 1: great extremes, it look like something in a sci fi

1222
01:07:43,320 --> 01:07:46,080
Speaker 1: film or losers and dumb his dirt. I've just never

1223
01:07:46,200 --> 01:07:48,800
Speaker 1: seen anything like this before. I wonder why. I wonder

1224
01:07:48,840 --> 01:07:53,240
Speaker 1: what was happening in his life that he thought he

1225
01:07:53,480 --> 01:07:57,480
Speaker 1: has horns in his head? I mean, yes, there had

1226
01:07:57,520 --> 01:08:00,200
Speaker 1: to be some sadness there in some way wanted to

1227
01:08:00,280 --> 01:08:03,640
Speaker 1: completely abandoned self and move into this. And I feel

1228
01:08:03,680 --> 01:08:06,320
Speaker 1: bad for him more than going, hey, you lose your eyeball,

1229
01:08:06,560 --> 01:08:10,640
Speaker 1: I'm going all those surgeries I mean that can't it's

1230
01:08:10,680 --> 01:08:14,240
Speaker 1: just a weird, wild story. Very you're looking at it, Yeah,

1231
01:08:14,640 --> 01:08:18,160
Speaker 1: that is real weird. He's an older guy, huh. I

1232
01:08:18,240 --> 01:08:20,040
Speaker 1: mean I partied one guy in New Year's He had

1233
01:08:20,080 --> 01:08:21,640
Speaker 1: a split his tongue. Does he want to be like

1234
01:08:21,720 --> 01:08:23,920
Speaker 1: a lizard? And he had tattoos all over his face

1235
01:08:24,080 --> 01:08:26,479
Speaker 1: and his ears. Listen. I don't know what this guy's

1236
01:08:26,479 --> 01:08:28,760
Speaker 1: going through, but I know some of the surgeries sound

1237
01:08:28,920 --> 01:08:37,040
Speaker 1: extremely painful. Splitting of the tongue yet very yeah, yeah, yeah,

1238
01:08:38,280 --> 01:08:41,280
Speaker 1: I mean, and he has his eyes tattooed like the

1239
01:08:41,439 --> 01:08:45,760
Speaker 1: Lone Ranger, Like he has a mask, tattoos and then

1240
01:08:46,760 --> 01:08:48,479
Speaker 1: horns put in his head. His tongue is split. I

1241
01:08:48,479 --> 01:08:49,880
Speaker 1: don't like to look at the tongue because it's it is.

1242
01:08:50,160 --> 01:08:52,360
Speaker 1: I can't. I can't look at the photo. It's an

1243
01:08:52,439 --> 01:08:56,200
Speaker 1: interesting You saw Lone Ranger? I saw um the teenager

1244
01:08:56,479 --> 01:08:59,400
Speaker 1: Ninja Turtle. Oh, I have a mask too, Yeah, but

1245
01:08:59,479 --> 01:09:01,040
Speaker 1: his is blind and I guess that's why I thought

1246
01:09:01,560 --> 01:09:04,560
Speaker 1: Ranger Morgan, do you even know who the Lone Ranger is? Not?

1247
01:09:04,680 --> 01:09:07,360
Speaker 1: Off the top of my head? No, Wow, year how old?

1248
01:09:07,960 --> 01:09:10,360
Speaker 1: I'm twenty eight and the Lone Ranger really wasn't cool

1249
01:09:10,400 --> 01:09:11,640
Speaker 1: when I was a kid, but I would watch it

1250
01:09:11,680 --> 01:09:13,680
Speaker 1: on Nick at night. It was black and white. They

1251
01:09:13,800 --> 01:09:16,400
Speaker 1: did make a new Lone Ranger movie, I believe with

1252
01:09:16,439 --> 01:09:21,120
Speaker 1: Antonio banderraz Hammer. Yeah, but I didn't watch that, but

1253
01:09:21,400 --> 01:09:27,720
Speaker 1: no Idea and The Lone Ranger and Tonto, Like I'm

1254
01:09:27,760 --> 01:09:31,080
Speaker 1: thinking of Zoro? Is that is well? Antonio Banders did

1255
01:09:31,120 --> 01:09:33,680
Speaker 1: play Zoro in a movie. Yeah, so there's that similarity.

1256
01:09:33,840 --> 01:09:37,240
Speaker 1: Anywhere's a nask? Yeah, it's weird that just ten years

1257
01:09:37,960 --> 01:09:40,960
Speaker 1: and I guess in our case, twelve years. It separates

1258
01:09:41,880 --> 01:09:45,200
Speaker 1: so much pop culture. Like if I yesterday, we're talking

1259
01:09:45,240 --> 01:09:47,280
Speaker 1: about those songs from the nineties, did you know nine

1260
01:09:47,360 --> 01:09:49,519
Speaker 1: Days Story of a Girl? Yeah, I knew him. I

1261
01:09:49,560 --> 01:09:53,519
Speaker 1: also like I had that kind of alternative pop runk phase.

1262
01:09:53,600 --> 01:09:57,600
Speaker 1: I guess you could say pop ronk, yeah, rock. I

1263
01:09:57,720 --> 01:10:00,720
Speaker 1: was like, oh runk, what's up? Yeah? I had that face.

1264
01:10:00,800 --> 01:10:02,439
Speaker 1: So I did listen to a lot of that music.

1265
01:10:02,560 --> 01:10:04,640
Speaker 1: So I think it too depends on what I was

1266
01:10:04,720 --> 01:10:08,880
Speaker 1: exposed to. Do you know Dave Matthews know them? Yes,

1267
01:10:09,160 --> 01:10:10,800
Speaker 1: not a lot of their songs. If he walked in,

1268
01:10:10,920 --> 01:10:13,960
Speaker 1: would you know who he was? Yes, because we'd prepare

1269
01:10:14,000 --> 01:10:15,479
Speaker 1: for it if I saw him on the street. No, No,

1270
01:10:15,560 --> 01:10:17,160
Speaker 1: that's what I'm saying. If you walked in right now,

1271
01:10:17,200 --> 01:10:19,240
Speaker 1: if we walk five guys in, would you know who

1272
01:10:19,320 --> 01:10:22,560
Speaker 1: Dave Matthews was? No? Probably not. Wow, that's crazy and

1273
01:10:22,640 --> 01:10:26,880
Speaker 1: it's just a generational thing. Yeah. And if if Morgan

1274
01:10:26,920 --> 01:10:28,280
Speaker 1: was looking at some picture on a computer, off some

1275
01:10:28,400 --> 01:10:31,400
Speaker 1: kid and abs like walking out of I don't know,

1276
01:10:31,560 --> 01:10:34,080
Speaker 1: some Hollywood kid. I don't know who these people are. Yeah,

1277
01:10:34,920 --> 01:10:37,519
Speaker 1: or TikTok, I don't know. I see them on TikTok,

1278
01:10:37,520 --> 01:10:39,080
Speaker 1: but I scroll off them immediate because I feel bad

1279
01:10:39,080 --> 01:10:43,559
Speaker 1: about myself. You shouldn't compare yourself to it, but I child,

1280
01:10:44,080 --> 01:10:48,240
Speaker 1: Yeah I do, Yeah, I do. Though still I compared

1281
01:10:48,240 --> 01:10:52,120
Speaker 1: myself to all children. Yes, I'm being told by the

1282
01:10:52,200 --> 01:10:54,600
Speaker 1: fact checkers on the show that Antonio Benders did not

1283
01:10:54,760 --> 01:10:57,960
Speaker 1: play Zoro. No, he did play Zoro. He did not

1284
01:10:58,120 --> 01:11:01,160
Speaker 1: play in The Lone Ranger. Okay, that that was Johnny Depp.

1285
01:11:02,680 --> 01:11:04,920
Speaker 1: It's a lot to remember. I don't know anything about

1286
01:11:04,960 --> 01:11:07,800
Speaker 1: movies A long time ago movies. Okay, coming up, I'm

1287
01:11:07,800 --> 01:11:11,560
Speaker 1: gonna give you these sayings part of my French Do

1288
01:11:11,640 --> 01:11:14,040
Speaker 1: you know the root of that? No? Selling like hot

1289
01:11:14,120 --> 01:11:17,080
Speaker 1: cakes okay. Well, I'm gonna go through a lot of

1290
01:11:17,160 --> 01:11:19,600
Speaker 1: these and tell you where they actually come from. And

1291
01:11:19,880 --> 01:11:21,960
Speaker 1: they're all going out of style anyway. But we looked

1292
01:11:22,040 --> 01:11:24,439
Speaker 1: up like why do people say song like hot cakes?

1293
01:11:24,479 --> 01:11:28,439
Speaker 1: I have no idea, like why why do you think? Well,

1294
01:11:28,439 --> 01:11:30,400
Speaker 1: I have a guest from part of my French because

1295
01:11:30,400 --> 01:11:33,519
Speaker 1: the curse words sound like French. Oh no, just people

1296
01:11:33,560 --> 01:11:35,600
Speaker 1: were somewhere and they were trying to speak French and

1297
01:11:35,680 --> 01:11:38,960
Speaker 1: they couldn't quite get it down part of my French.

1298
01:11:39,520 --> 01:11:42,280
Speaker 1: I don't be surprised. I guess you use for bad words.

1299
01:11:43,960 --> 01:11:48,719
Speaker 1: Yeah yeah, yeah, yeah, okay, oh that's what you were literal. Okay,

1300
01:11:48,760 --> 01:11:54,040
Speaker 1: well hold on, we'll come back. All these sayings are

1301
01:11:54,080 --> 01:11:57,360
Speaker 1: going extinct. Over half of people under fifty would never

1302
01:11:57,479 --> 01:12:00,439
Speaker 1: say these. So I have the saying maybe you say

1303
01:12:00,479 --> 01:12:01,599
Speaker 1: it and then I'll tell you what it means. Okay,

1304
01:12:02,360 --> 01:12:05,800
Speaker 1: what the root is a flash in the pan? Like

1305
01:12:06,040 --> 01:12:09,680
Speaker 1: that's flash in the pan? I don't say it, but

1306
01:12:10,240 --> 01:12:12,280
Speaker 1: do you know what it means? No? Is it like

1307
01:12:12,800 --> 01:12:15,120
Speaker 1: it's like something that shows up quickly, It's like wow

1308
01:12:15,160 --> 01:12:17,760
Speaker 1: and then disappears. Okay, Like that's a flash in the pan.

1309
01:12:17,840 --> 01:12:20,479
Speaker 1: Here's the origin the term flash in the pan originated

1310
01:12:20,560 --> 01:12:24,760
Speaker 1: sometime during the late seventeenth century, when flintlock muskets were used.

1311
01:12:24,960 --> 01:12:27,720
Speaker 1: An attempt to fire a musket the resulted in gunpowder

1312
01:12:27,840 --> 01:12:30,640
Speaker 1: flaring up, but no ball firing was a flash in

1313
01:12:30,720 --> 01:12:32,760
Speaker 1: the pan. I did not think that. I was thinking,

1314
01:12:32,800 --> 01:12:37,760
Speaker 1: how you see her tuna? But I don't know. Dead

1315
01:12:37,800 --> 01:12:43,000
Speaker 1: as a doornail? I mean that might come out of

1316
01:12:43,040 --> 01:12:48,760
Speaker 1: me occasionally. Dead, I don't know. I don't think, like,

1317
01:12:48,880 --> 01:12:51,000
Speaker 1: what would you what would you even think? You might

1318
01:12:51,080 --> 01:12:54,479
Speaker 1: say that about? But well, he's as dead as a doornail, Yeah,

1319
01:12:54,520 --> 01:12:57,599
Speaker 1: like something is extremely dead. Yes, as as dead as

1320
01:12:57,640 --> 01:12:59,840
Speaker 1: a doornail. I don't think so, you don't say that.

1321
01:13:00,000 --> 01:13:04,400
Speaker 1: I don't think so. No, like Betty White, you wouldn't

1322
01:13:04,400 --> 01:13:05,960
Speaker 1: say that. I know, but I'm just doing an example.

1323
01:13:06,880 --> 01:13:09,080
Speaker 1: Can't be what they use it for. The term dead

1324
01:13:09,120 --> 01:13:11,200
Speaker 1: as a doornail was used back in the fifteen hundreds

1325
01:13:11,640 --> 01:13:14,719
Speaker 1: by William Shakespeare and in Charles Dickens a Christmas Carol.

1326
01:13:15,120 --> 01:13:17,040
Speaker 1: It was thought that the phrase dead as a doornail

1327
01:13:17,080 --> 01:13:20,160
Speaker 1: comes from the manner of securing doornails that were hammered

1328
01:13:20,200 --> 01:13:22,680
Speaker 1: into a door by clenching them that still makes them

1329
01:13:23,320 --> 01:13:25,040
Speaker 1: know what a doornail is. Okay, well, I guess because

1330
01:13:25,040 --> 01:13:27,360
Speaker 1: once it's in, it's in, it's dead. Here's one that

1331
01:13:27,400 --> 01:13:30,800
Speaker 1: I might say occasionally, beating a dead horse. Yeah, yeah, yeah,

1332
01:13:30,920 --> 01:13:34,519
Speaker 1: I've said that, and it means, well, you keep going

1333
01:13:34,640 --> 01:13:37,519
Speaker 1: at it, like if the horse is dead, stopped beating it. Yes, nice,

1334
01:13:37,680 --> 01:13:39,479
Speaker 1: I thought you just said used it in the description

1335
01:13:39,520 --> 01:13:42,639
Speaker 1: of it, but yes. The origin to beat a dead

1336
01:13:42,720 --> 01:13:45,639
Speaker 1: horse comes from the mid nineteenth century, when the practice

1337
01:13:45,680 --> 01:13:48,519
Speaker 1: of beating horses to make them go faster was often

1338
01:13:48,600 --> 01:13:51,759
Speaker 1: viewed as acceptable. To beat a dead horse would be pointless,

1339
01:13:51,880 --> 01:13:57,680
Speaker 1: as it wouldn't go anywhere. Right tow the line, Oh,

1340
01:13:57,840 --> 01:14:01,320
Speaker 1: you're like close to it, towing the line, like tiptoeing

1341
01:14:01,400 --> 01:14:04,840
Speaker 1: on it or something like that. She's to you're toeing

1342
01:14:04,880 --> 01:14:07,040
Speaker 1: the line of you mean like tipping the ice breaking

1343
01:14:08,760 --> 01:14:10,760
Speaker 1: no idea, no, like the actual medium. So if I go, hey,

1344
01:14:10,800 --> 01:14:13,240
Speaker 1: I'm gonna toe the line. Yeah, like Amy says, you're

1345
01:14:13,280 --> 01:14:15,880
Speaker 1: walking a fine line kind of thing, meaning either to

1346
01:14:15,960 --> 01:14:21,000
Speaker 1: confirm or to conform to a rule or standard way off.

1347
01:14:22,040 --> 01:14:24,600
Speaker 1: The most likely origin is the wooden deck ships of

1348
01:14:24,600 --> 01:14:28,000
Speaker 1: the rural Navy. Barefooted seamen had to stand at attention

1349
01:14:28,040 --> 01:14:30,240
Speaker 1: for inspection and had to line up on the deck

1350
01:14:30,439 --> 01:14:33,120
Speaker 1: along the steams of the wooden planks. That's a stupid one, Okay,

1351
01:14:34,200 --> 01:14:37,360
Speaker 1: steal my thunder. Oh, that's a good one. I take well.

1352
01:14:37,439 --> 01:14:39,360
Speaker 1: Lunchbox does it all the time. It feels like people

1353
01:14:39,400 --> 01:14:41,160
Speaker 1: do this a whole someone's attention. What do you think

1354
01:14:41,200 --> 01:14:45,760
Speaker 1: that comes from? I have no idea. They're like, I

1355
01:14:45,800 --> 01:14:48,680
Speaker 1: don't know. Back in the day, it's an incident which

1356
01:14:48,720 --> 01:14:53,439
Speaker 1: a playwright named John Dennis devised a thunder machine for

1357
01:14:53,560 --> 01:14:57,840
Speaker 1: his play. A few days later, someone else stole it

1358
01:14:57,880 --> 01:15:00,280
Speaker 1: and did it for a different one. Still my thunder Wow,

1359
01:15:00,400 --> 01:15:04,880
Speaker 1: that's kind of cool. Be there, be square? Oh, be there,

1360
01:15:05,520 --> 01:15:08,080
Speaker 1: or like if you're not here, your loser. Not only

1361
01:15:08,120 --> 01:15:11,120
Speaker 1: the cool people I've said that, it's like, be there cool.

1362
01:15:11,560 --> 01:15:14,120
Speaker 1: It appears to be the jazz in the nineteen forties.

1363
01:15:14,840 --> 01:15:16,839
Speaker 1: It derives from the slang use of the word square,

1364
01:15:17,040 --> 01:15:21,439
Speaker 1: meaning conservative or conventional. One more cool as a cucumber?

1365
01:15:22,120 --> 01:15:24,840
Speaker 1: Will I use that one? You still use that one? Chill?

1366
01:15:25,760 --> 01:15:29,320
Speaker 1: It's a poem by a British poet named John Gay.

1367
01:15:29,720 --> 01:15:32,720
Speaker 1: Cool as a cucumber could see the rest of woman kind.

1368
01:15:32,760 --> 01:15:35,560
Speaker 1: I don't know these are even written to eloquently for

1369
01:15:35,640 --> 01:15:39,360
Speaker 1: me to explain raining cats and dogs, it just means

1370
01:15:39,400 --> 01:15:44,280
Speaker 1: it's raining a lot cats and dogs. Old English. Yeah,

1371
01:15:44,560 --> 01:15:49,720
Speaker 1: it's all right, we're good. I felt like we had

1372
01:15:49,760 --> 01:15:51,640
Speaker 1: something there. I think we only kind of got to it.

1373
01:15:52,439 --> 01:15:56,400
Speaker 1: Let's go over and talk to John in Florida. Hey John,

1374
01:15:56,439 --> 01:16:00,240
Speaker 1: what's going on? Buddy? All right? How how's there in

1375
01:16:00,280 --> 01:16:08,320
Speaker 1: the studio today? Question for you, lunchboxes, job on the

1376
01:16:08,400 --> 01:16:12,000
Speaker 1: show is what other than being move from the three Stooges,

1377
01:16:12,120 --> 01:16:15,559
Speaker 1: negative and always trying to stemm someone. Let's ask him, Lunchbox,

1378
01:16:15,600 --> 01:16:17,320
Speaker 1: what is your job on the show? My job on

1379
01:16:17,360 --> 01:16:19,439
Speaker 1: the show is to give my opinions. That's what my

1380
01:16:19,560 --> 01:16:21,080
Speaker 1: job on the show is to do. And so if

1381
01:16:21,120 --> 01:16:24,120
Speaker 1: you don't like my opinions, you find them negative, then

1382
01:16:24,560 --> 01:16:26,479
Speaker 1: you just don't agree with me, because some people agree

1383
01:16:26,520 --> 01:16:28,000
Speaker 1: with me and they think, oh, that's a right opinion.

1384
01:16:29,240 --> 01:16:31,320
Speaker 1: I feel like he didn't have to get defensive sounding there.

1385
01:16:31,360 --> 01:16:33,000
Speaker 1: He could have been like, well, actually, my role in

1386
01:16:33,040 --> 01:16:36,200
Speaker 1: the show as I'm co host and I also do

1387
01:16:36,320 --> 01:16:38,400
Speaker 1: a lot of street bits and from time to time

1388
01:16:38,479 --> 01:16:42,120
Speaker 1: share my opinion. Prank calls, come up with funny things

1389
01:16:42,320 --> 01:16:45,080
Speaker 1: like yeah, well, I mean this guy called in basically

1390
01:16:45,120 --> 01:16:46,800
Speaker 1: to say that you do nothing on the show, So

1391
01:16:47,320 --> 01:16:50,439
Speaker 1: you do? So I was just letting him know he's annoying.

1392
01:16:52,439 --> 01:16:56,560
Speaker 1: Oh there's so much to learn just I know, but

1393
01:16:57,520 --> 01:17:00,360
Speaker 1: can't teach all the dog new tricks. But really coming

1394
01:17:00,400 --> 01:17:04,640
Speaker 1: from thirteen twelve, what's the word famous French poet? I mean,

1395
01:17:04,960 --> 01:17:07,920
Speaker 1: I mean, I don't know. Really ask him. He was

1396
01:17:08,000 --> 01:17:10,519
Speaker 1: calling into He was calling in to be insulting. So

1397
01:17:10,840 --> 01:17:12,960
Speaker 1: I was annoyed already. Okay, we don't have to yell,

1398
01:17:13,000 --> 01:17:15,400
Speaker 1: but like practice, just telling him literally what you do

1399
01:17:15,560 --> 01:17:18,160
Speaker 1: for the show. It doesn't matter what I mean, do

1400
01:17:18,320 --> 01:17:20,040
Speaker 1: like a job interview, because if you go into John

1401
01:17:20,240 --> 01:17:22,920
Speaker 1: Governor and say what you said, it's a different caller. Hey, lunchbox,

1402
01:17:23,000 --> 01:17:24,960
Speaker 1: I'm a big fan. What do you do for the show? Man?

1403
01:17:25,080 --> 01:17:26,760
Speaker 1: You know what I mean? I'll bring the positivity? You

1404
01:17:26,840 --> 01:17:30,439
Speaker 1: know you don't. That's a lie though, And you know John,

1405
01:17:30,680 --> 01:17:34,280
Speaker 1: anything you want to say back to him? No, he

1406
01:17:34,479 --> 01:17:38,120
Speaker 1: said it on the air. We're going to change his

1407
01:17:38,280 --> 01:17:42,400
Speaker 1: name to Mo Mo from the Three Students. No, No,

1408
01:17:42,920 --> 01:17:45,720
Speaker 1: all right, John, appreciate it. Can you ask John? Was

1409
01:17:45,760 --> 01:17:50,080
Speaker 1: he ask him? John? John? John, John, were you calling

1410
01:17:50,120 --> 01:17:52,080
Speaker 1: in insinuate that I do nothing. Is that what you

1411
01:17:52,120 --> 01:17:54,640
Speaker 1: were calling to? Pretty much? Say? No, I just I

1412
01:17:54,800 --> 01:17:56,320
Speaker 1: just want to know what you're doing, if you were

1413
01:17:56,360 --> 01:18:01,080
Speaker 1: a producer or what, because all I hear is negative comments. Sali. Yeah,

1414
01:18:03,320 --> 01:18:06,840
Speaker 1: you know, I think the Star Spangled banner that was

1415
01:18:07,000 --> 01:18:08,920
Speaker 1: just on the you just had on the air was

1416
01:18:09,360 --> 01:18:12,880
Speaker 1: excellent too. I've been in the military for thirty one years. Oh,

1417
01:18:12,960 --> 01:18:19,360
Speaker 1: thank you. That's what I do presently, um, But you

1418
01:18:19,479 --> 01:18:23,679
Speaker 1: know the negativity. Everybody else is positive, and you're negative

1419
01:18:23,680 --> 01:18:26,719
Speaker 1: all the time and always trying to scam someone. That parts,

1420
01:18:27,560 --> 01:18:29,200
Speaker 1: the scamming part has nothing to do with it, but yes,

1421
01:18:29,240 --> 01:18:31,080
Speaker 1: he's always trying to scam someone. Here, John, you want

1422
01:18:31,120 --> 01:18:33,240
Speaker 1: something to say? Something positive about the national anthem? It

1423
01:18:33,320 --> 01:18:35,439
Speaker 1: was better than Roseanne Barr. It wasn't the worst of

1424
01:18:35,479 --> 01:18:37,640
Speaker 1: all time. There you go. Are you happy? Abbey's was

1425
01:18:37,680 --> 01:18:39,559
Speaker 1: really good? Hey? John, thank you for your car, buddy,

1426
01:18:40,400 --> 01:18:42,360
Speaker 1: Thank you. You don't think you're negative all the time. No,

1427
01:18:42,880 --> 01:18:45,559
Speaker 1: I have a story here. Shaquille Oi Shaquille O'Neil spots

1428
01:18:45,560 --> 01:18:48,200
Speaker 1: a boy crying and buy some new sneakers. Oh that's awesome.

1429
01:18:48,280 --> 01:18:51,800
Speaker 1: Of course he does. And of course, I mean Shack

1430
01:18:51,960 --> 01:18:54,760
Speaker 1: is so annoying, like him and the rock. Who's more

1431
01:18:54,760 --> 01:18:56,920
Speaker 1: annoying him or the Rock? I like him both. I'll

1432
01:18:56,920 --> 01:19:00,519
Speaker 1: be honest. Okay. Shack sawboy crying while standing by a checkout.

1433
01:19:00,560 --> 01:19:03,840
Speaker 1: Lion said, Hey, what's up. The boy explained he got

1434
01:19:03,880 --> 01:19:05,760
Speaker 1: in trouble for not listening to his father while being

1435
01:19:05,800 --> 01:19:08,720
Speaker 1: in the store, and so he rewards it for being bad.

1436
01:19:08,760 --> 01:19:14,639
Speaker 1: In this Shack, the dad is doing his job. You maybe, Shack.

1437
01:19:14,960 --> 01:19:17,760
Speaker 1: The boy Zion explained that he got in trouble for

1438
01:19:17,840 --> 01:19:20,000
Speaker 1: not listening to his dad, and Zion's Instagram post about

1439
01:19:20,000 --> 01:19:22,840
Speaker 1: the encounter, he says Shack said, go give your dad

1440
01:19:22,880 --> 01:19:25,200
Speaker 1: a hug and tell him you're sorry. So he did.

1441
01:19:25,560 --> 01:19:28,479
Speaker 1: When Shack asked the boy what he got in the story,

1442
01:19:28,479 --> 01:19:31,120
Speaker 1: he said a coat. That's when Shaq helps Zion pick

1443
01:19:31,200 --> 01:19:33,640
Speaker 1: out two pairs of shoes. Then he paid for them

1444
01:19:33,720 --> 01:19:37,000
Speaker 1: the coat, in a pair of socks and talked to

1445
01:19:37,040 --> 01:19:39,120
Speaker 1: the dad. It's from inspire more dot com. See he

1446
01:19:39,200 --> 01:19:42,720
Speaker 1: had him go hug his dad, make things right, and

1447
01:19:42,840 --> 01:19:44,960
Speaker 1: then why are you? Why are you? Sam? I'm gonna

1448
01:19:44,960 --> 01:19:46,360
Speaker 1: tell you what happened in the store, and I'm gonna

1449
01:19:46,400 --> 01:19:48,360
Speaker 1: tell you as a dad, what happened in that store.

1450
01:19:48,960 --> 01:19:51,680
Speaker 1: That kid wanted shoes and the dad said no. So

1451
01:19:51,840 --> 01:19:55,760
Speaker 1: the kid threw a fit. He didn't that didn't You're

1452
01:19:55,800 --> 01:19:59,360
Speaker 1: you're adding something. No, you're adding something whole. You're adding

1453
01:19:59,400 --> 01:20:02,280
Speaker 1: to the store. Do not take my narrative and change

1454
01:20:02,320 --> 01:20:04,000
Speaker 1: it now. But you're made up a narrative. And he said,

1455
01:20:04,000 --> 01:20:06,839
Speaker 1: I'm making something out. Okay, go ahead, this is what happened.

1456
01:20:07,120 --> 01:20:09,479
Speaker 1: The kid was dad was like, you need to act right. No,

1457
01:20:09,600 --> 01:20:11,479
Speaker 1: I'm not gonna I want those shoes. We can't. We

1458
01:20:11,640 --> 01:20:13,840
Speaker 1: don't want we can't afford those shoes. Well, so he

1459
01:20:13,920 --> 01:20:17,200
Speaker 1: throws a fit. So the dad says you can't get

1460
01:20:17,280 --> 01:20:20,320
Speaker 1: the shoes. So Shack rewards him for throwing a fit

1461
01:20:20,400 --> 01:20:22,560
Speaker 1: and not listening to his father. I mean, that's just

1462
01:20:22,760 --> 01:20:25,240
Speaker 1: not right. Amy, your hands are your fingers on your

1463
01:20:25,479 --> 01:20:28,760
Speaker 1: because the key he's leaving out of this narrative something

1464
01:20:28,840 --> 01:20:31,719
Speaker 1: that's actually in the news story, which is that Shack

1465
01:20:31,840 --> 01:20:34,040
Speaker 1: how to talk with him, and that had him go

1466
01:20:34,160 --> 01:20:37,080
Speaker 1: over and hug his dad and probably explain things that

1467
01:20:37,200 --> 01:20:39,680
Speaker 1: we don't know an article like hey, you know this

1468
01:20:39,880 --> 01:20:41,800
Speaker 1: is your dad, Like y'all can have it. This is

1469
01:20:41,840 --> 01:20:43,600
Speaker 1: what you need to go do. Go make it right like,

1470
01:20:43,800 --> 01:20:47,599
Speaker 1: and then he hooked him up. It wasn't like, oh,

1471
01:20:47,680 --> 01:20:49,920
Speaker 1: you're crying. You were yelling at your dad. Here's some sneakers.

1472
01:20:50,400 --> 01:20:53,720
Speaker 1: That's That's like Shack seeing Eddie in the store at

1473
01:20:53,760 --> 01:20:55,920
Speaker 1: a restaurant, right and his kid is only eating blowny

1474
01:20:55,960 --> 01:20:58,200
Speaker 1: sandwiches and Shaq comes up and goes, man, I'm gonna

1475
01:20:58,200 --> 01:21:00,120
Speaker 1: buy you a steak, and he's like, no, I'm man,

1476
01:21:00,120 --> 01:21:01,840
Speaker 1: my dad said I can't and goes go hug your

1477
01:21:01,920 --> 01:21:04,280
Speaker 1: dad and then I'll buy you the steak. I mean, no,

1478
01:21:04,479 --> 01:21:09,920
Speaker 1: you're overruling his parenting. But you made up a whole

1479
01:21:09,960 --> 01:21:12,160
Speaker 1: story about what the dad did parenting. So all of

1480
01:21:12,240 --> 01:21:14,600
Speaker 1: your all of your arguments based on a story you

1481
01:21:14,680 --> 01:21:17,240
Speaker 1: made up. We don't know why the kid was crying.

1482
01:21:17,800 --> 01:21:19,519
Speaker 1: We don't know if his dad said he couldn't afford it,

1483
01:21:19,560 --> 01:21:21,680
Speaker 1: couldn't have it, he'd been bad that. We don't know

1484
01:21:21,800 --> 01:21:24,760
Speaker 1: that it said he was misbehaving in the story made

1485
01:21:24,840 --> 01:21:26,719
Speaker 1: him go apologize. We don't even know that he wanted

1486
01:21:26,800 --> 01:21:29,840
Speaker 1: you and probably said, hey, kid, we gotta behave Let's

1487
01:21:29,920 --> 01:21:31,559
Speaker 1: pull it together. You can do this. And I think

1488
01:21:31,600 --> 01:21:33,160
Speaker 1: if the dad said no, we're not buying him anything,

1489
01:21:33,240 --> 01:21:35,240
Speaker 1: Shack what I said. Okay, I got it. And while

1490
01:21:35,240 --> 01:21:37,360
Speaker 1: we're making things up, Shack probably said, and every time

1491
01:21:37,400 --> 01:21:39,320
Speaker 1: you wear these shoes, I want you to remember, like

1492
01:21:39,720 --> 01:21:43,639
Speaker 1: use your manners, behave respect your peer. We all made

1493
01:21:43,680 --> 01:21:47,720
Speaker 1: everything else. The story was Shack did something nice and

1494
01:21:47,960 --> 01:21:50,280
Speaker 1: Lunchbox through a scoob can you get Shock on the phone,

1495
01:21:50,280 --> 01:21:54,840
Speaker 1: So Lunchbox and yell at him. Once a long time ago,

1496
01:21:55,200 --> 01:21:56,880
Speaker 1: I was talking about if I were standing next to

1497
01:21:56,920 --> 01:22:00,519
Speaker 1: Shack at a jurnal that I would I'm just Shack

1498
01:22:00,640 --> 01:22:03,760
Speaker 1: is huge that I would peak, right, And somehow that

1499
01:22:03,800 --> 01:22:05,120
Speaker 1: got to him and he was talking about that on

1500
01:22:05,200 --> 01:22:09,200
Speaker 1: a podcast. He was like, dug out the freak Really, Yeah,

1501
01:22:10,280 --> 01:22:12,120
Speaker 1: do you guys remember that we played the Shack audio.

1502
01:22:12,600 --> 01:22:17,639
Speaker 1: He was on a podcast. He was going that, Yeah,

1503
01:22:17,760 --> 01:22:20,960
Speaker 1: he commented on it. Yeah, that's something you shouldn't do.

1504
01:22:21,080 --> 01:22:24,280
Speaker 1: That's my boy. Um. The Year of the Tiger Chinese

1505
01:22:24,360 --> 01:22:26,439
Speaker 1: New Year, and I mostly would not care because I

1506
01:22:26,439 --> 01:22:28,160
Speaker 1: don't know anything about this, but Scooba Steve is on

1507
01:22:28,200 --> 01:22:32,000
Speaker 1: cloud nine. Apparently he's a Year of the Tiger. What

1508
01:22:32,080 --> 01:22:35,360
Speaker 1: does that mean? So the Chinese calendar very similar to zodiac,

1509
01:22:35,439 --> 01:22:39,439
Speaker 1: but they do theirs for every year. Zodiacs once a month.

1510
01:22:39,800 --> 01:22:42,920
Speaker 1: So for me it's the tiger and um and when

1511
01:22:43,000 --> 01:22:45,679
Speaker 1: it's your year, there's a lot of good luck usually

1512
01:22:45,920 --> 01:22:48,960
Speaker 1: in the year for you. For me example, my year

1513
01:22:49,040 --> 01:22:51,880
Speaker 1: is to be bold and things will pay off from it.

1514
01:22:53,040 --> 01:22:54,920
Speaker 1: So it's your year based on the year that you

1515
01:22:55,000 --> 01:22:57,120
Speaker 1: were born. Correct. Yet, so every single person that was

1516
01:22:57,160 --> 01:22:58,439
Speaker 1: born in the year that you were born is going

1517
01:22:58,479 --> 01:23:01,960
Speaker 1: to have a bold payoff year, every single person everything.

1518
01:23:02,240 --> 01:23:04,920
Speaker 1: If they believe into it and manifest it, it will happen. Yes,

1519
01:23:05,520 --> 01:23:10,479
Speaker 1: my year is the year of the monkey. Yeah, has

1520
01:23:10,520 --> 01:23:13,559
Speaker 1: that come and gone? Were you bold? It happens every

1521
01:23:13,560 --> 01:23:16,000
Speaker 1: twelve years, so it's coming with the lame as horscope, ever,

1522
01:23:16,080 --> 01:23:18,120
Speaker 1: you have to wait a year. Look look at your horoscope.

1523
01:23:18,479 --> 01:23:20,680
Speaker 1: But yes, to be a tiger means you're powerful. Is

1524
01:23:20,720 --> 01:23:24,679
Speaker 1: that you scuba? That's me. I'm very powerful, rebellious, I'm rebellious, yeah,

1525
01:23:24,880 --> 01:23:28,599
Speaker 1: and dynamic. Anybody can insert themselves in any of these words,

1526
01:23:29,160 --> 01:23:31,000
Speaker 1: not necessarily. I don't think. I feel like it's it's

1527
01:23:31,040 --> 01:23:32,760
Speaker 1: my it's my trait based on me in the year

1528
01:23:32,800 --> 01:23:35,120
Speaker 1: that I was born. I'm not powerful. Sure you are

1529
01:23:35,120 --> 01:23:38,759
Speaker 1: in many ways you're powerful and just admitting you're not powerful.

1530
01:23:38,880 --> 01:23:44,040
Speaker 1: There's real power and vulnerability. Interesting boom every word. Okay,

1531
01:23:44,960 --> 01:23:47,680
Speaker 1: well that's interesting. But what's also really cool? There's my

1532
01:23:47,800 --> 01:23:52,280
Speaker 1: personality according to this stupid calendar. Sharp, you are yeah,

1533
01:23:52,680 --> 01:23:59,759
Speaker 1: and naughty. You're a little naughty. You're bored. You're naughty.

1534
01:23:59,840 --> 01:24:02,320
Speaker 1: You mean like I get in trouble? Like I see

1535
01:24:02,320 --> 01:24:05,000
Speaker 1: you were thinking different kind of naughty. C Amy did

1536
01:24:05,080 --> 01:24:07,240
Speaker 1: the same thing you did, turn naughty into a Yeah,

1537
01:24:07,439 --> 01:24:10,400
Speaker 1: that's something that actually fits you. Yeah, yeah, I actually

1538
01:24:10,400 --> 01:24:14,639
Speaker 1: be naughty. No, okay, scooboy were saying before I cut

1539
01:24:14,640 --> 01:24:16,280
Speaker 1: you off. I'm sorry. No, I'm just saying so even

1540
01:24:16,320 --> 01:24:18,479
Speaker 1: though it's not your year, you still get some sort

1541
01:24:18,520 --> 01:24:20,320
Speaker 1: of like a fortune for you for that year. So

1542
01:24:20,439 --> 01:24:23,840
Speaker 1: what year are you this year? I know, but nineteen

1543
01:24:23,920 --> 01:24:28,120
Speaker 1: seventy four? Okay, seventy four, seventy how old are you?

1544
01:24:28,720 --> 01:24:31,600
Speaker 1: That's a lie? Right, Please tell me that's true. It

1545
01:24:31,760 --> 01:24:36,960
Speaker 1: comes out the oldest. Tell me that's true. We got

1546
01:24:37,200 --> 01:24:44,040
Speaker 1: a break. No, there's no way show sorry day. This

1547
01:24:44,200 --> 01:24:47,559
Speaker 1: story comes to us from Auburn, Maine. A thirty nine

1548
01:24:47,640 --> 01:24:49,760
Speaker 1: year old woman showed up at the jail to bail

1549
01:24:49,840 --> 01:24:52,200
Speaker 1: someone else. So she goes here's the two thousand dollars

1550
01:24:52,280 --> 01:24:55,320
Speaker 1: hands on the money, Like, man, that's counterfeit money. So

1551
01:24:55,439 --> 01:24:58,240
Speaker 1: she takes off running to her car. Police get her

1552
01:24:58,280 --> 01:25:00,920
Speaker 1: out of the car and they find a bunch of drugs, ugs, weapons,

1553
01:25:01,479 --> 01:25:04,200
Speaker 1: and so she got arrested her drugs and counterfeit money.

1554
01:25:04,720 --> 01:25:06,639
Speaker 1: I mean it must have been really early, fake looking

1555
01:25:06,680 --> 01:25:10,040
Speaker 1: counterfeit money. Right. Have you seen the Trump thousand dollars bills?

1556
01:25:10,240 --> 01:25:12,920
Speaker 1: People trying to pass those off. Yeah, She's like, here's

1557
01:25:12,960 --> 01:25:14,559
Speaker 1: two of these, like to get my friend out please.

1558
01:25:15,840 --> 01:25:18,240
Speaker 1: All right, I'm lunchbox. That's your bone head story of

1559
01:25:18,280 --> 01:25:22,280
Speaker 1: the day. All your biggest songs in country music at

1560
01:25:22,400 --> 01:25:31,280
Speaker 1: number three, Morgan Wallen sand in my boots gives me right?

1561
01:25:31,320 --> 01:25:33,200
Speaker 1: Were you trying to go to a Morgan Wallen show?

1562
01:25:33,320 --> 01:25:35,200
Speaker 1: Oh yeah, it's up in a month. Tickets to like

1563
01:25:35,280 --> 01:25:38,400
Speaker 1: four hundred dollars. That's where you come in. What do

1564
01:25:38,400 --> 01:25:39,600
Speaker 1: you mean where I come in? I need you to

1565
01:25:39,720 --> 01:25:41,360
Speaker 1: hit up the label, try and get two tickets for

1566
01:25:41,400 --> 01:25:43,080
Speaker 1: your boy. Why don't you have Scuba Steep hit up

1567
01:25:43,080 --> 01:25:46,160
Speaker 1: the label. He knows the label. I don't know labels

1568
01:25:47,360 --> 01:25:51,080
Speaker 1: like Scuba knows the people on the inside. I know

1569
01:25:51,200 --> 01:25:56,000
Speaker 1: the people on the outside. Both like, I know, I

1570
01:25:56,160 --> 01:25:58,160
Speaker 1: know Morgan, I could, I could text Morgan. I'm never

1571
01:25:58,160 --> 01:26:01,000
Speaker 1: gonna text me like, hey, Morgan Ray needs two tickets.

1572
01:26:01,080 --> 01:26:04,559
Speaker 1: He doesn't deal with tickets. Yeah, yeah, but I bet

1573
01:26:04,600 --> 01:26:06,160
Speaker 1: Scooba Steve could probably help you. But they're going on

1574
01:26:06,200 --> 01:26:08,599
Speaker 1: four hundred dollars. Yeah, and he's got three shows in town.

1575
01:26:08,800 --> 01:26:11,960
Speaker 1: Some are four thousand dollars. People are paying the four seeds. Yeah,

1576
01:26:12,000 --> 01:26:14,280
Speaker 1: I wasn't. In twenty twenty one, whenever these tickets were

1577
01:26:14,280 --> 01:26:17,040
Speaker 1: on sale, he was like the most selling country ticket

1578
01:26:17,120 --> 01:26:21,120
Speaker 1: person four thousand dollars though, that's gotta be inflated, just

1579
01:26:21,240 --> 01:26:23,000
Speaker 1: to see if any want to buy. And then closer

1580
01:26:23,000 --> 01:26:25,120
Speaker 1: to ticket day they come down well, and it's at

1581
01:26:25,160 --> 01:26:27,280
Speaker 1: other sites, so I mean people had bought them originally

1582
01:26:27,320 --> 01:26:29,760
Speaker 1: and then just reselling making money off of them. Number

1583
01:26:29,760 --> 01:26:33,480
Speaker 1: two Chris Stapleton, You should probably leave. You should probably

1584
01:26:34,680 --> 01:26:36,559
Speaker 1: still jam and this song's on and I'm always kind

1585
01:26:36,560 --> 01:26:38,280
Speaker 1: of feeling it, but when it's over, I can't stop singing.

1586
01:26:38,479 --> 01:26:40,519
Speaker 1: I know, and they don't even know all the words either.

1587
01:26:40,800 --> 01:26:44,400
Speaker 1: I just go. You should probably leave and then leave,

1588
01:26:44,680 --> 01:26:48,640
Speaker 1: and you should probably leave. Number one Jordan Davis and

1589
01:26:48,760 --> 01:26:51,400
Speaker 1: Luke Brian buy Dirt a second week at number one.

1590
01:26:52,120 --> 01:26:56,280
Speaker 1: You can't get a let you need get the ground,

1591
01:26:56,640 --> 01:27:00,320
Speaker 1: do what you love, call it throw a little money

1592
01:27:00,400 --> 01:27:02,800
Speaker 1: in the playing the church. Number one pop song is

1593
01:27:02,800 --> 01:27:09,840
Speaker 1: from Doji Cat need to Know whoa Babe. The song

1594
01:27:09,880 --> 01:27:11,600
Speaker 1: gets a little dirty in there sometimes, Oh it is,

1595
01:27:11,760 --> 01:27:16,040
Speaker 1: Oh yeah, I'm listening to that. Yeah. The number one

1596
01:27:16,080 --> 01:27:19,160
Speaker 1: Billboard Hot one hundred songs. We don't talk about bru.

1597
01:27:21,080 --> 01:27:24,479
Speaker 1: I don't even know the movie Incanto. I mean I

1598
01:27:24,560 --> 01:27:26,240
Speaker 1: know the movie. I don't watch the movie. I only

1599
01:27:26,320 --> 01:27:29,200
Speaker 1: know it from the song. Okay, that's the big songs

1600
01:27:29,240 --> 01:27:31,679
Speaker 1: in music. That's it. We'll see You Tomorrow by Everybody

1601
01:27:33,120 --> 01:27:33,439
Speaker 1: Bobby