WEBVTT - Listener Mail: Seraphs Sob at Vermin Fangs

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hello, and welcome to Stuff to Blow

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<v Speaker 1>Your Mind. Listener mail. My name is Joe McCormick. My

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<v Speaker 1>regular co host, Robert Lamb is not with me today,

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<v Speaker 1>So in an unusual twist, I'm going to be doing

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<v Speaker 1>today's episode solo. But for all of the people who

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<v Speaker 1>have inquired, nothing weird's going on. Rob and I just

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<v Speaker 1>had a couple of awkwardly timed back to back vacations

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<v Speaker 1>and we're about to be coming back into recognizable form.

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<v Speaker 1>So I'm going to be doing a core episode of

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<v Speaker 1>the show tomorrow with a special guest, and then later

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<v Speaker 1>on this week, Rob and I will both be back

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<v Speaker 1>and ready to chase that fairy fire into the bogs

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<v Speaker 1>of October. So I guess with that, I'll jump right

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<v Speaker 1>into some of your messages. This first batch came in

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<v Speaker 1>response to our series on the Black Death and religious

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<v Speaker 1>responses to the second Plague pandemic. I think first, I'm

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<v Speaker 1>going to read this message from Olivia. Olivia writes, Dear

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<v Speaker 1>Robert and Joe. Hi, my name is Olivia and I'm

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<v Speaker 1>a big fan of the show. I was particularly excited

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<v Speaker 1>to listen to your recent episodes on God and the

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<v Speaker 1>Black Death, as I did some research on that topic

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<v Speaker 1>in college. I was actually in the middle of researching

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<v Speaker 1>it right as our own plague hit in March of

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<v Speaker 1>uh And she actually attaches a a part of a

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<v Speaker 1>short paper that she wrote on the subject, but then

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<v Speaker 1>explains quote my basic argument is that the poor reaction

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<v Speaker 1>of religious authorities in Europe to the Black Death caused

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<v Speaker 1>a widespread loss of faith in the Church, which created

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<v Speaker 1>an opportunity for new spiritual leaders like mystics to gain followings.

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<v Speaker 1>This endo, the hegemony of the church, combined with the

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<v Speaker 1>rise of new, more individual focused forms of Christian spirituality,

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<v Speaker 1>ultimately paved the way to the Protestant Reformation. And then

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<v Speaker 1>she reckoned men's a book that she found helpful in

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<v Speaker 1>this subject called From the Brink of Apocalypse by an

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<v Speaker 1>author named John a Birth, and then finishes by saying

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<v Speaker 1>that aside, thank you both for creating such a great podcast.

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<v Speaker 1>I actually enjoy doing laundry and dishes because it's an

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<v Speaker 1>excuse to listen to you guys. I really look forward

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<v Speaker 1>to part three of the series. All the best, Olivia, Well, Olivia,

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<v Speaker 1>as always, thank you for the kind words and thanks

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<v Speaker 1>for getting in touch. I don't know enough about this

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<v Speaker 1>subject to have a strong opinion on whether the Black

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<v Speaker 1>Death weaken the authority of the Catholic Church and whether

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<v Speaker 1>it was truly a determining factor in the Protestant Reformation.

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<v Speaker 1>It does seem plausible, though, then again, it it got

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<v Speaker 1>the gears turning in my head and made me think

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<v Speaker 1>about how, though this is not in particular a counter

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<v Speaker 1>argument against the claim you're making about the Second Plague

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<v Speaker 1>pandemic in the Catholic Church, it did get me thinking

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<v Speaker 1>about how things like faith in a religious institution don't

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<v Speaker 1>always react to external in puts in predictable ways. Uh.

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<v Speaker 1>And the main example that came to my mind is

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<v Speaker 1>a famous book in twentieth century psychology called When Prophecy Fails,

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<v Speaker 1>A social and psychological study of a modern group that

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<v Speaker 1>predicted the destruction of the world. This was a book

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<v Speaker 1>by three co authors, Leon Festinger, Henry Reichn, and Stanley Shackter.

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<v Speaker 1>And this is a somewhat different issue, different than the

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<v Speaker 1>example of the plague, or at least a different type

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<v Speaker 1>of undermining of religious authority, but it did make me

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<v Speaker 1>think about studies of what happens when religious expectations for

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<v Speaker 1>external events are not fulfilled. So this book was originally

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<v Speaker 1>published in nineteen fifty six. We talked about Leon Festinger

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<v Speaker 1>in some episode that we did recently. He's known for

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<v Speaker 1>promoting the theory of cognitive dissonance, where a mismatch between

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<v Speaker 1>um between the beliefs that you hold versus your observation

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<v Speaker 1>of the external world UH causes a state of discomfort

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<v Speaker 1>that you will seek to resolve of through, sometimes through

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<v Speaker 1>rather radical means. And in this specific example, the authors

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<v Speaker 1>here studied a small UFO cult whose leader claimed to

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<v Speaker 1>be receiving messages from another planet. And this cult predicted,

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<v Speaker 1>on the basis of these messages that there was going

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<v Speaker 1>to be an apocalyptic flood that would destroy human civilization

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<v Speaker 1>in the r nineteen fifty four, and of course it

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<v Speaker 1>didn't happen. Yet some members of the cult not only

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<v Speaker 1>continued believing in the messages and and in the cult

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<v Speaker 1>authority structure, but increased their dedication to the cult with

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<v Speaker 1>rationalizations about the mismatch between their predictions and observed reality

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<v Speaker 1>and and their increased dedication was measured through things like

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<v Speaker 1>even more preaching UH, public preaching and sharing of the

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<v Speaker 1>cult's message. And I know there's been some later criticism

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<v Speaker 1>of the author's methodology in this book. For example, I

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<v Speaker 1>think how their their documentation of the cult might have

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<v Speaker 1>actually influenced the behavior of the members. So think this

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<v Speaker 1>is a uh not without its critics. But given that

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<v Speaker 1>we can observe lots of other instances similar to this,

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<v Speaker 1>I think there's still probably something useful to be learned

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<v Speaker 1>from the explanation that the authors gave here, which is

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<v Speaker 1>basically that when the cult members were faced with extremely

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<v Speaker 1>uncomfortable cognitive dissonance, and this dissonance would be caused by

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<v Speaker 1>the mismatch between I predicted X would happen. I predicted

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<v Speaker 1>there would be an apocalyptic flood versus I observed that

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<v Speaker 1>in fact, not X happened that or that Y happened,

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<v Speaker 1>that there was no apocalyptic flood. And because they had

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<v Speaker 1>already sacrificed so much on the basis of that prediction,

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<v Speaker 1>so you can think of those in multiple ways, and

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<v Speaker 1>they may have sacrificed wealth, social capital, and so forth.

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<v Speaker 1>One natural way to alleviate that excruciating dissonance is to

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<v Speaker 1>double down. So you double down on the original belief

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<v Speaker 1>you believe it even more strongly, you preach it even

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<v Speaker 1>more fervently, thereby potentially adding new believers and increasing the

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<v Speaker 1>faith of other believers, and thus increasing social support within

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<v Speaker 1>the cult belief structure. As I mentioned earlier, these are

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<v Speaker 1>clearly two very different ways that a religious authority could

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<v Speaker 1>be potentially undermined, one by making predictions that don't come true,

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<v Speaker 1>and the other by simply failing to be able to

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<v Speaker 1>do anything about the cataclysmic human suffering caused by the

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<v Speaker 1>Second Plague pandemic. But I can't see some parallels, and

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<v Speaker 1>so so I wonder I think you could well be

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<v Speaker 1>correct in your characterization that uh, that the Second Plague

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<v Speaker 1>pandemic led to a series of social outcomes that undermined

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<v Speaker 1>faith in the Catholic Church, led to these alternative forms

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<v Speaker 1>of spirituality, maybe more individually focused, and eventually paved the

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<v Speaker 1>way to the Protestant Reformation. That does seem quite plausible,

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<v Speaker 1>though I don't know. I also do find it very

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<v Speaker 1>interesting how uh, things like religious faith and and faith

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<v Speaker 1>in the authority of religious institutions doesn't always react to

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<v Speaker 1>external events in a way that's strictly predictable from the outside. Alright,

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<v Speaker 1>this next message comes to us from Ed. Ed is

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<v Speaker 1>also reacting to the Plague series and he says, Hi, guys,

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<v Speaker 1>while listening to your series on the plague images in

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<v Speaker 1>a montage in the nineteen thirty six film Things to

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<v Speaker 1>Come kept coming to mind, as you may recall, after

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<v Speaker 1>civilization is destroyed in Never Ending Wars. I think he

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<v Speaker 1>means in the movie plagues ravage the world. What do

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<v Speaker 1>you think of the film? Thanks? Ed? And this one

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<v Speaker 1>definitely caught my interest because I've never seen this movie before.

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<v Speaker 1>I don't think I was even aware of it if

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<v Speaker 1>it If I was, I'd forgotten about it. But I

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<v Speaker 1>looked it up and it does indeed look fascinating. So

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<v Speaker 1>this is a British science fiction movie from nineteen thirty

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<v Speaker 1>six written by H. G. Wells, who we talked about

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<v Speaker 1>in the Weird House Cinema episode on Time after Time.

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<v Speaker 1>But it was based on a book that he wrote

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<v Speaker 1>called The Shape of Things to Come, which I have

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<v Speaker 1>not read, but which seems to operate as a kind

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<v Speaker 1>of speculative future history. So it's a book that spans

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<v Speaker 1>multiple generations of time beyond the horizon of of Wells

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<v Speaker 1>or the filmmakers, and so the broad outline is that

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<v Speaker 1>Wells predicted a global war would break out in nineteen

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<v Speaker 1>forty and rage for decades after that, so partially prescient there, uh,

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<v Speaker 1>And that the war would be so brutal and devastating

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<v Speaker 1>that it would cause the world to descend into a

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<v Speaker 1>new dark Age, especially because towards the end of the

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<v Speaker 1>conflict the belligerents turned from conventional weapons to biological weapons,

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<v Speaker 1>unleashing new forms of disease and plague that kills something

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<v Speaker 1>like half the people on Earth. And after this all

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<v Speaker 1>government falls away in the world descends into anarchy and barbarism,

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<v Speaker 1>and everybody lives in this warlord hell of plague vikings. Eventually, though,

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<v Speaker 1>the Earth is saved by some sort of international coalition

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<v Speaker 1>of strangely pilots and engineers. They're called Wings over the World,

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<v Speaker 1>and they're they're based out of a of a hub

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<v Speaker 1>in Iraq, and they fly around re establishing order the

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<v Speaker 1>outlaw war. They rebuild lost scientific and technological capability so

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<v Speaker 1>that its benefits can be spread to all of the

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<v Speaker 1>people of the planet. And I thought it was interesting

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<v Speaker 1>here that Wells identified airplanes as one of the technologies

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<v Speaker 1>primarily associated with future progress. So there there's also a

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<v Speaker 1>thing in the movie where there's a final section set

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<v Speaker 1>far in the future and the inhabitants of Earth are

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<v Speaker 1>planning a mission to the Moon, which I guess is

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<v Speaker 1>another extension of the air travel principle taken to the

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<v Speaker 1>next level. And uh and I don't know. I thought

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<v Speaker 1>it was curious that we do in science fiction today

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<v Speaker 1>still associates space travel with UH with sort of the

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<v Speaker 1>cutting edge of future technology, one of the things that

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<v Speaker 1>is emblematic of technological progress overall, but not so much

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<v Speaker 1>for air travel. If a similar future history were written today,

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<v Speaker 1>I wonder if it be instead of pilots, who would

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<v Speaker 1>be the people who come in to try to re

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<v Speaker 1>establish order. I don't know if it would be uh,

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<v Speaker 1>I T professionals or something. But anyway, so poking around

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<v Speaker 1>a bit in the movie. I have not watched the

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<v Speaker 1>whole thing, but it does look really interesting. Uh. And

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<v Speaker 1>at some point, I guess things are supposed to be

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<v Speaker 1>taking place in the far future, and everybody's addressed and

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<v Speaker 1>they're they're living in the technological utopia, but everybody is

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<v Speaker 1>also dressed in medieval tunics, and so they look kind

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<v Speaker 1>of like Bunny Breckenridge in Plan nine from Outer Space,

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<v Speaker 1>which which I found funny but definitely looks like it

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<v Speaker 1>is worth a watch. Alright. One more message in response

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<v Speaker 1>to the Black Death episodes. This one came in from

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<v Speaker 1>our listeners, a big Nif, and this was a really

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<v Speaker 1>good clarification that that's worth pointing out. So the Big

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<v Speaker 1>Nief got in touch to say that to to comment

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<v Speaker 1>on when we were talking in the third Plague episode

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<v Speaker 1>about anti submitted conspiracy theories that arose in Christian Europe

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<v Speaker 1>during the Black Death, so there would be these mass

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<v Speaker 1>delusions that Jews had somehow caused the plague epidemics by

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<v Speaker 1>poisoning wells, and uh this led to massacres of Jewish

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<v Speaker 1>people in communities throughout Europe. And we mentioned something about

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<v Speaker 1>how there have been recent echoes, more recent echos at least,

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<v Speaker 1>of this type of thinking in which people falsely accused

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<v Speaker 1>minority groups, sometimes specifically Jews, of causing infectious disease, and

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<v Speaker 1>Rob mentioned I think what he said was a Polish

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<v Speaker 1>poster from World War Two blaming Jews for typhus, and

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<v Speaker 1>Zbignia wrote in to emphasize that though this poster was

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<v Speaker 1>written in Polish, it was a German Nazi poster that

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<v Speaker 1>was hung up in Nazi occupied Poland, and this is

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<v Speaker 1>why it was written in Polish. And yeah, that's very

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<v Speaker 1>good to point out if that was unclear to anyone,

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<v Speaker 1>the poster was Polish and since that it was in

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<v Speaker 1>the Polish language, not a poster of Polish origin. So

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<v Speaker 1>thank you very much for that clarification. It's a big

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<v Speaker 1>NIF all right now, I think I'm going to be

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<v Speaker 1>moving on from the from responses to the Black Death series,

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<v Speaker 1>and I'm going to read a message from our listener, Raj.

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<v Speaker 1>Raj says, Hello, gentlemen. I know you've received many emails

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<v Speaker 1>regarding mirrors, but here is one more to add to

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<v Speaker 1>the wall. I was working out recently and was on

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<v Speaker 1>a stationary bike that happened to be facing a window.

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<v Speaker 1>Since it was early in the morning and the lights

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<v Speaker 1>in the studio were not too bright, I could easily

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<v Speaker 1>see my reflection in the window, thus acting as a

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<v Speaker 1>pseudo mirror. Noticing this observation, my mind immediately went to

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<v Speaker 1>your episodes regarding the mirror, and I then remembered a

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<v Speaker 1>listener mail episode where Joe explained how mirrors work. I

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<v Speaker 1>apologize for not remembering the specifics, but it had something

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<v Speaker 1>to do with the notion that mirrors reverse the image

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<v Speaker 1>along the Z axis and not the X or Y axes. Yeah,

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<v Speaker 1>I guess I'll interject here if this helps to give

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<v Speaker 1>a quick refresher. I was answering a question about why

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<v Speaker 1>a mirror appears to flip our image horizontally, so your

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<v Speaker 1>left hand becomes your reflections right hand, even though it's

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<v Speaker 1>still the image of your left hand, but at the

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<v Speaker 1>same time does not flip your image vertically. You don't

0:13:16.280 --> 0:13:19.959
<v Speaker 1>seem to notice any equivalent phenomenon going on with the

0:13:20.120 --> 0:13:23.600
<v Speaker 1>reversal of your head and your feet. And my conclusion

0:13:23.720 --> 0:13:27.240
<v Speaker 1>was actually that this impression we have about it reversing

0:13:27.240 --> 0:13:30.599
<v Speaker 1>the horizontal axis but not the vertical is an illusion

0:13:30.760 --> 0:13:35.960
<v Speaker 1>that's predicated on the fact that human bodies are horizontally symmetrical. Uh.

0:13:35.960 --> 0:13:37.800
<v Speaker 1>And you can test this out a bit just by

0:13:37.880 --> 0:13:41.920
<v Speaker 1>imagining that human bodies looked exactly the same except they

0:13:42.000 --> 0:13:45.559
<v Speaker 1>floated sideways in the air. So imagine a human body

0:13:45.559 --> 0:13:49.640
<v Speaker 1>floating sideways. If it raises its left arm to its side,

0:13:49.679 --> 0:13:51.439
<v Speaker 1>it's going to be pointing toward the ground. If it

0:13:51.520 --> 0:13:53.720
<v Speaker 1>raises its right arm to the side, as if you know,

0:13:53.880 --> 0:13:55.959
<v Speaker 1>to the side, as of doing a jumping jack, it's

0:13:55.960 --> 0:13:59.199
<v Speaker 1>gonna be pointing towards the sky. In this case, it

0:13:59.240 --> 0:14:02.720
<v Speaker 1>would be exactly the opposite. If humans floated sideways like this,

0:14:02.760 --> 0:14:06.280
<v Speaker 1>a mirror would appear to flip you vertically, but not horizontally.

0:14:07.080 --> 0:14:09.319
<v Speaker 1>And so I think the most accurate way to describe

0:14:09.320 --> 0:14:12.520
<v Speaker 1>what a mirror does to your image is neither horizontal

0:14:12.600 --> 0:14:16.839
<v Speaker 1>nor vertical flipping. It's actually turning your image inside out.

0:14:17.080 --> 0:14:20.920
<v Speaker 1>The mirror reverses your image along the axis of depth

0:14:21.200 --> 0:14:25.560
<v Speaker 1>a distance from the mirror, not height or width. And

0:14:25.720 --> 0:14:28.600
<v Speaker 1>human bodies just happened to be constructed in such a

0:14:28.640 --> 0:14:31.640
<v Speaker 1>way that an inside out image of our front facing

0:14:31.680 --> 0:14:35.560
<v Speaker 1>side is confusing like this. So you raise your left hand,

0:14:35.920 --> 0:14:39.280
<v Speaker 1>and your reflection raises the hand that would be the

0:14:39.480 --> 0:14:42.520
<v Speaker 1>right hand if it was another person looking at you

0:14:42.640 --> 0:14:46.240
<v Speaker 1>from your mirror images position, but it is the image

0:14:46.360 --> 0:14:50.280
<v Speaker 1>still of your left hand. Uh. And so that this, uh,

0:14:50.280 --> 0:14:52.880
<v Speaker 1>this is just not something we encounter in everyday life

0:14:52.880 --> 0:14:55.120
<v Speaker 1>anywhere except looking into a mirror. So it kind of

0:14:55.120 --> 0:14:59.760
<v Speaker 1>short circuits the brain. Anyways, Raj continues, I was recalling

0:14:59.760 --> 0:15:01.800
<v Speaker 1>this memory while I happened to be looking at my

0:15:01.920 --> 0:15:05.280
<v Speaker 1>reflected feet, and all of a sudden, my feet looked

0:15:05.320 --> 0:15:08.760
<v Speaker 1>as if they were peddling backwards. Not only that, I

0:15:08.800 --> 0:15:12.560
<v Speaker 1>then began to feel as if I were physically peddling backwards.

0:15:12.920 --> 0:15:14.960
<v Speaker 1>I tried to make sense of this, but trying to

0:15:15.000 --> 0:15:18.920
<v Speaker 1>reconcile my confused perception with trying to understand how mirrors work,

0:15:18.960 --> 0:15:22.240
<v Speaker 1>all while keeping up with my workout was too mentally taxing,

0:15:22.440 --> 0:15:24.760
<v Speaker 1>and I ultimately had to look away from my reflection

0:15:24.800 --> 0:15:28.080
<v Speaker 1>to reorient myself. Looking back to this moment, I'm still

0:15:28.080 --> 0:15:30.320
<v Speaker 1>not sure what happened, and trying to make sense of

0:15:30.320 --> 0:15:33.360
<v Speaker 1>it just invokes more confusion. But in the end, it's

0:15:33.360 --> 0:15:35.640
<v Speaker 1>still a comical memory to think about, and so I

0:15:35.680 --> 0:15:38.320
<v Speaker 1>thought i'd share it with you, Laurage. I I don't

0:15:38.320 --> 0:15:40.680
<v Speaker 1>know exactly what to make of that. That that's very interesting,

0:15:40.680 --> 0:15:44.000
<v Speaker 1>and I'd be interested if if other listeners have insights

0:15:44.000 --> 0:15:45.800
<v Speaker 1>on what's going on here. It almost seems like a

0:15:45.800 --> 0:15:48.680
<v Speaker 1>combination of the way mirrors mess with our heads. But

0:15:48.760 --> 0:15:51.920
<v Speaker 1>then also, um, I don't actually know what the name

0:15:51.960 --> 0:15:54.760
<v Speaker 1>for it is, but the the optical illusion where there

0:15:54.960 --> 0:15:58.360
<v Speaker 1>is the twirling ballerina and you can see it twirling

0:15:58.520 --> 0:16:02.480
<v Speaker 1>either direction. It appears to twirl either clockwise or counterclockwise,

0:16:02.480 --> 0:16:05.920
<v Speaker 1>depending on just sort of Nothing changes about the The

0:16:05.960 --> 0:16:09.320
<v Speaker 1>animation is just the way your brain sees it. You

0:16:09.360 --> 0:16:10.960
<v Speaker 1>can look that up and find the name of it

0:16:11.000 --> 0:16:13.080
<v Speaker 1>if you're trying to figure out what I'm talking about,

0:16:13.320 --> 0:16:15.960
<v Speaker 1>but ultimately I don't know. Yeah, that's very curious, so

0:16:16.440 --> 0:16:19.440
<v Speaker 1>Rage goes on moving on. I was thinking about addle

0:16:19.520 --> 0:16:22.560
<v Speaker 1>audels one day, as one does, and I thought to myself,

0:16:22.720 --> 0:16:24.640
<v Speaker 1>that would be a pretty cool weapon to wield in

0:16:24.760 --> 0:16:27.200
<v Speaker 1>D and D. I don't recall D and D being

0:16:27.240 --> 0:16:29.320
<v Speaker 1>brought up in the addle addle episode, but it made

0:16:29.360 --> 0:16:32.120
<v Speaker 1>me wonder if it was an actual item. It turns

0:16:32.120 --> 0:16:35.320
<v Speaker 1>out it exists in both D and D and Pathfinders,

0:16:35.440 --> 0:16:38.800
<v Speaker 1>some of which are cannon and some are homebrew extensions.

0:16:39.120 --> 0:16:41.000
<v Speaker 1>I'm not sure where or how I'd be able to

0:16:41.000 --> 0:16:43.120
<v Speaker 1>fit the audle addle in any of my current D

0:16:43.200 --> 0:16:46.200
<v Speaker 1>and D or Pathfinder campaigns, but I'm excited at the

0:16:46.240 --> 0:16:48.240
<v Speaker 1>prospect of being able to use it. I wonder if

0:16:48.280 --> 0:16:50.840
<v Speaker 1>either of you have considered using it in any of

0:16:50.880 --> 0:16:54.000
<v Speaker 1>your campaigns. Well, Rage, this would be fun to ask

0:16:54.080 --> 0:16:55.800
<v Speaker 1>Rob about once he gets back. We may have to

0:16:55.800 --> 0:16:58.960
<v Speaker 1>revisit this in the next listener mail episode if we

0:16:58.960 --> 0:17:01.040
<v Speaker 1>were called to bring it up. But I have not

0:17:01.240 --> 0:17:04.000
<v Speaker 1>used it. I don't know that that seems like a

0:17:04.640 --> 0:17:07.800
<v Speaker 1>It seems like a weapon for a for a brawnier

0:17:07.840 --> 0:17:10.359
<v Speaker 1>and more courageous character than mine, who is who is

0:17:10.440 --> 0:17:14.120
<v Speaker 1>mostly a liar and a coward. Um. So so yeah,

0:17:14.119 --> 0:17:16.680
<v Speaker 1>I have not gotten around to the autolatal use yet,

0:17:16.720 --> 0:17:20.600
<v Speaker 1>but maybe in the future anyway, uh find Moving on

0:17:20.640 --> 0:17:24.600
<v Speaker 1>to Roger's last point about whispering weapons, Roger says, another

0:17:24.640 --> 0:17:27.159
<v Speaker 1>great episode and once again another tie into D and D.

0:17:27.800 --> 0:17:29.919
<v Speaker 1>In one of the campaigns I'm playing in, one of

0:17:29.960 --> 0:17:32.240
<v Speaker 1>the players got his sword as part of a loot.

0:17:32.720 --> 0:17:36.280
<v Speaker 1>Since that player's character doesn't use swords, my character eventually

0:17:36.320 --> 0:17:39.359
<v Speaker 1>got his hands on it. Shortly afterward, my character started

0:17:39.400 --> 0:17:41.639
<v Speaker 1>to hear a voice in his head, and it was

0:17:41.760 --> 0:17:44.760
<v Speaker 1>the sword. My mind immediately went to your episode on

0:17:44.760 --> 0:17:47.760
<v Speaker 1>the whispering sword, so I asked it what its name was.

0:17:48.240 --> 0:17:50.240
<v Speaker 1>It replied that no one had ever thought to ask

0:17:50.280 --> 0:17:53.040
<v Speaker 1>it that question, so it didn't have a name. So,

0:17:53.240 --> 0:17:55.159
<v Speaker 1>like with any great weapon, I'll have to give it

0:17:55.200 --> 0:17:58.200
<v Speaker 1>a name, though admittedly that's still a work in progress.

0:17:58.560 --> 0:18:00.600
<v Speaker 1>More excitement of bounds as I might have to go

0:18:00.640 --> 0:18:02.520
<v Speaker 1>back and re listen to that episode and get some

0:18:02.600 --> 0:18:05.600
<v Speaker 1>inspiration on how to role play with this new item.

0:18:05.600 --> 0:18:07.879
<v Speaker 1>Thanks as always for the wonderful content and keep up

0:18:07.920 --> 0:18:11.840
<v Speaker 1>the great work. Cheers Raj. Well, yeah, Raj, thanks as

0:18:11.840 --> 0:18:15.160
<v Speaker 1>always for writing in and very intriguing about the sword.

0:18:15.200 --> 0:18:17.119
<v Speaker 1>You'll have to keep us updated on on how it

0:18:17.160 --> 0:18:19.399
<v Speaker 1>turns out, though I would be slow to trust a

0:18:19.480 --> 0:18:28.000
<v Speaker 1>sword that speaks. I'm I'm not quite sure why. Okay,

0:18:28.000 --> 0:18:32.399
<v Speaker 1>maybe one last message here about Weird How Cinema and warning.

0:18:32.440 --> 0:18:35.400
<v Speaker 1>The following email contains some Gaelic that I am I'm

0:18:35.440 --> 0:18:38.480
<v Speaker 1>sure I'm going to fail at pronouncing um. This is

0:18:38.520 --> 0:18:42.520
<v Speaker 1>from Aaron. Aaron says, Hi Robert and Joe Dia Dewet

0:18:42.760 --> 0:18:45.280
<v Speaker 1>from Ireland. I have to say that I think Weird

0:18:45.320 --> 0:18:48.280
<v Speaker 1>How Cinema is probably my favorite offering from your good selves.

0:18:48.440 --> 0:18:51.240
<v Speaker 1>If I haven't seen the film being discussed, I normally

0:18:51.280 --> 0:18:53.600
<v Speaker 1>listen to the first part of the podcast to see

0:18:53.600 --> 0:18:56.719
<v Speaker 1>if it's something i'd be interested in watching. It usually is,

0:18:56.880 --> 0:18:59.639
<v Speaker 1>much to the dismay of my wife, uh the not

0:18:59.800 --> 0:19:02.680
<v Speaker 1>less into the rest of the podcast after watching the film,

0:19:02.840 --> 0:19:05.080
<v Speaker 1>or more often just start the whole thing over from

0:19:05.080 --> 0:19:08.479
<v Speaker 1>the beginning. My favorite part of the podcast is usually

0:19:08.480 --> 0:19:11.160
<v Speaker 1>the plot breakdown section. It can be interesting to see

0:19:11.200 --> 0:19:14.040
<v Speaker 1>what strange moments you pick out to talk about, and

0:19:14.080 --> 0:19:16.720
<v Speaker 1>I sometimes find myself laughing out loud if we noticed

0:19:16.760 --> 0:19:20.120
<v Speaker 1>the same things, such as the young fella's nail collection

0:19:20.240 --> 0:19:24.200
<v Speaker 1>in the Russian space movie. Oh Yeah, teens in the Universe,

0:19:24.640 --> 0:19:27.560
<v Speaker 1>that was a good one, Aaron says. I found this section.

0:19:27.880 --> 0:19:31.360
<v Speaker 1>I guess the plot breakdown conspicuous in its absence from

0:19:31.400 --> 0:19:34.040
<v Speaker 1>your cast about time after time. I really enjoyed the

0:19:34.040 --> 0:19:36.280
<v Speaker 1>film and was looking forward to the plot summary, but

0:19:36.320 --> 0:19:38.760
<v Speaker 1>this didn't occur, and instead you were careful to avoid

0:19:38.760 --> 0:19:41.840
<v Speaker 1>any spoilers. Is this a new direction you're heading in?

0:19:42.160 --> 0:19:44.359
<v Speaker 1>I hope not, because your take on the proceedings and

0:19:44.400 --> 0:19:48.160
<v Speaker 1>some seriously crazy films can be hilariously entertaining. I hope

0:19:48.200 --> 0:19:51.280
<v Speaker 1>this doesn't come across as being overly critical. I really

0:19:51.359 --> 0:19:53.920
<v Speaker 1>enjoy listening to YouTube rambling on about stuff I would

0:19:54.160 --> 0:19:57.600
<v Speaker 1>I would genuinely never consider in a million years, especially

0:19:57.640 --> 0:20:00.200
<v Speaker 1>like the October monster stuff and the prom us of

0:20:00.240 --> 0:20:03.480
<v Speaker 1>a new anthology of horror episode. Anyway, all the best,

0:20:03.880 --> 0:20:09.040
<v Speaker 1>uh Slow August banoched Aaron oh and then finally, Aaron says, ps,

0:20:09.080 --> 0:20:11.040
<v Speaker 1>one of the bits I hoped you'd mentioned in Time

0:20:11.080 --> 0:20:14.399
<v Speaker 1>after Time was the bit where Malcolm McDowell hailed the

0:20:14.480 --> 0:20:16.800
<v Speaker 1>cab by imitating the woman doing it before him. I

0:20:16.880 --> 0:20:20.280
<v Speaker 1>must have rewound that part about twelve times. Malcolm mcdwell

0:20:20.320 --> 0:20:24.320
<v Speaker 1>could be seriously funny when he wanted to be. Uh well, Aaron, No,

0:20:24.520 --> 0:20:26.600
<v Speaker 1>this is not a general direction. I think we'll just

0:20:26.920 --> 0:20:29.280
<v Speaker 1>go case by case, and some movies seem like it

0:20:29.320 --> 0:20:31.560
<v Speaker 1>would be more fun to break down the plot in detail.

0:20:31.680 --> 0:20:33.800
<v Speaker 1>I know we've got one coming up this week where

0:20:33.800 --> 0:20:35.760
<v Speaker 1>we go into great detail. I think it may have

0:20:35.840 --> 0:20:39.080
<v Speaker 1>been maybe our longest weird house yet because we got

0:20:39.119 --> 0:20:42.040
<v Speaker 1>so wrapped up talking about it. But yeah, with others,

0:20:42.040 --> 0:20:44.560
<v Speaker 1>it just feels more appropriate to talk about the movie

0:20:44.560 --> 0:20:47.760
<v Speaker 1>from a higher altitude, so or sometimes somewhere in between.

0:20:47.760 --> 0:20:55.840
<v Speaker 1>It just depends on the movie. Oh well, one one

0:20:55.920 --> 0:20:59.280
<v Speaker 1>last short message before we go, Um, this will be

0:20:59.400 --> 0:21:02.080
<v Speaker 1>This will be from Tom subject line Tom bomba Dill.

0:21:02.160 --> 0:21:06.600
<v Speaker 1>These of course keep pouring in, and Tom suggests a

0:21:06.680 --> 0:21:09.440
<v Speaker 1>so far unique one that we've not heard this one yet.

0:21:09.680 --> 0:21:13.240
<v Speaker 1>The pick is Elton John very interesting. You know that

0:21:13.600 --> 0:21:18.480
<v Speaker 1>these casting choices never ceased to amaze me. Yeah, yeah, yeah, Okay,

0:21:18.520 --> 0:21:20.719
<v Speaker 1>I'm a big fan of the tumble Weed Connection, in

0:21:20.760 --> 0:21:23.280
<v Speaker 1>which Elton John it was one of his earlier albums

0:21:23.280 --> 0:21:25.480
<v Speaker 1>and which he sort of, uh he sort of performs

0:21:25.520 --> 0:21:28.000
<v Speaker 1>as a cowboy. I don't know if that's too far

0:21:28.080 --> 0:21:31.560
<v Speaker 1>off from from becoming a sort of uh jolly god

0:21:31.640 --> 0:21:35.000
<v Speaker 1>of the woods. So yeah, I can see it anyway.

0:21:35.040 --> 0:21:37.639
<v Speaker 1>I guess that's going to close things out for this episode,

0:21:37.760 --> 0:21:39.800
<v Speaker 1>but hey, stay tuned for the rest of the week.

0:21:39.960 --> 0:21:42.479
<v Speaker 1>There is going to be so I'm going to do

0:21:42.520 --> 0:21:46.000
<v Speaker 1>a core episode with special guests tomorrow and then later

0:21:46.040 --> 0:21:48.120
<v Speaker 1>in the week after that or Rob's going to be back.

0:21:48.160 --> 0:21:51.840
<v Speaker 1>We'll rejoin me for some uh some great October content

0:21:51.920 --> 0:21:54.920
<v Speaker 1>that we've been excited about all years. So so stick

0:21:54.920 --> 0:21:58.320
<v Speaker 1>around and uh and uh and and keep listening. You can,

0:21:58.359 --> 0:22:00.480
<v Speaker 1>of course, if you're not subscribed to this podcast, you

0:22:00.560 --> 0:22:03.600
<v Speaker 1>can find it probably anywhere you get podcast. It is

0:22:03.640 --> 0:22:06.480
<v Speaker 1>the stuff to blow your mind podcast. Uh what. We

0:22:06.520 --> 0:22:08.399
<v Speaker 1>do a number of different episodes in our in our

0:22:08.480 --> 0:22:11.200
<v Speaker 1>daily offerings today, So on Monday's we do listener mail

0:22:11.200 --> 0:22:13.520
<v Speaker 1>episodes like this one, though usually Rob is here with

0:22:13.560 --> 0:22:17.040
<v Speaker 1>me on Tuesdays and Thursdays we do Core episodes, which

0:22:17.040 --> 0:22:19.520
<v Speaker 1>are our classic style episodes. They tend to be usually

0:22:19.560 --> 0:22:24.240
<v Speaker 1>focused around UH science and science intersecting with other cultural topics.

0:22:25.119 --> 0:22:28.840
<v Speaker 1>On Wednesdays we tend to do an episode called The Artifact,

0:22:28.880 --> 0:22:32.360
<v Speaker 1>which is a short form series usually UH sub ten

0:22:32.440 --> 0:22:35.560
<v Speaker 1>minutes and focused on a particular object, idea, or a

0:22:35.640 --> 0:22:38.159
<v Speaker 1>moment in time. And then on Friday as we do

0:22:38.240 --> 0:22:41.199
<v Speaker 1>Weird House Cinema. Rob and I both love strange movies

0:22:41.240 --> 0:22:43.280
<v Speaker 1>and that's our time to talk about them. And then

0:22:43.280 --> 0:22:45.359
<v Speaker 1>on Saturday, as you will get a vault episode, an

0:22:45.359 --> 0:22:47.960
<v Speaker 1>older episode of the show that we've selected to rerun.

0:22:48.560 --> 0:22:51.359
<v Speaker 1>So if you're not subscribed to the podcast, please do subscribe.

0:22:52.000 --> 0:22:55.640
<v Speaker 1>Thanks as always to our wonderful audio producer Seth Nicholas Johnson.

0:22:55.920 --> 0:22:57.959
<v Speaker 1>And if you would like to get in touch with

0:22:58.040 --> 0:23:00.399
<v Speaker 1>us with feedback on this episode or any other, to

0:23:00.480 --> 0:23:02.879
<v Speaker 1>suggest topic for the future, or just to say hello,

0:23:03.160 --> 0:23:05.960
<v Speaker 1>you can email us at contact at stuff to Blow

0:23:06.000 --> 0:23:15.720
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

0:23:15.720 --> 0:23:18.320
<v Speaker 1>a production of I Heart Radio. For more podcasts for

0:23:18.400 --> 0:23:21.440
<v Speaker 1>my heart Radio, visit the i heart Radio app, Apple Podcasts,

0:23:21.520 --> 0:23:23.320
<v Speaker 1>or wherever you listen to your favorite shows.