1 00:00:00,560 --> 00:00:03,760 Speaker 1: Welcome to Stuff You Missed in History Class from how 2 00:00:03,800 --> 00:00:13,720 Speaker 1: Stuff Works dot com. Hello, we welcome to the podcast 3 00:00:13,760 --> 00:00:16,280 Speaker 1: on editor Candu Skips and Joy to Day by staff 4 00:00:16,320 --> 00:00:22,160 Speaker 1: writer Josh Clark. It's always go well, so, Candice. I 5 00:00:22,200 --> 00:00:25,680 Speaker 1: was eating a box of delicious Godiva chocolates the other day, 6 00:00:25,800 --> 00:00:28,520 Speaker 1: my favorite. I ate the whole box by myself, and 7 00:00:29,080 --> 00:00:31,840 Speaker 1: as I was sitting there afterwards, with my face covered 8 00:00:31,880 --> 00:00:33,880 Speaker 1: in chocolate, I was looking at the at the top 9 00:00:33,960 --> 00:00:38,760 Speaker 1: of it, and they're in the flesh is Lady Godiva, um, 10 00:00:38,800 --> 00:00:44,279 Speaker 1: who apparently rode naked on horseback for some reason, um 11 00:00:44,400 --> 00:00:48,240 Speaker 1: some time ago, and I started wondering, you know, is 12 00:00:48,240 --> 00:00:51,360 Speaker 1: is that fact or fiction? Did Lady Godiva really ride 13 00:00:51,400 --> 00:00:57,240 Speaker 1: that horse naked? Well? That's actually please, I can't do 14 00:00:57,280 --> 00:01:01,840 Speaker 1: this anymore. I'm are you reacting to the chocolate? No, no, Cannis, 15 00:01:01,880 --> 00:01:04,880 Speaker 1: I'm not. Um. I'm just gonna level with you, Okay, 16 00:01:04,720 --> 00:01:07,720 Speaker 1: I can't. I can't live this lie any longer. I 17 00:01:07,760 --> 00:01:11,240 Speaker 1: know exactly whether or not Lady could Diva really rode 18 00:01:11,280 --> 00:01:14,520 Speaker 1: the horse? Okay, Like I you wrote this article, I 19 00:01:14,560 --> 00:01:16,399 Speaker 1: read it last night. I got to the end. I 20 00:01:16,440 --> 00:01:18,319 Speaker 1: know exactly what you're going to say. I know whether 21 00:01:18,319 --> 00:01:21,640 Speaker 1: it's fact, I know whether it's fiction. And I can't 22 00:01:21,720 --> 00:01:24,000 Speaker 1: do this anymore. It's too much of a strain to 23 00:01:24,160 --> 00:01:28,440 Speaker 1: pretend like I don't know. Okay, I'm sorry. I guess 24 00:01:28,520 --> 00:01:32,440 Speaker 1: I just ruined the podcast, is it? So? No? No, No, 25 00:01:32,480 --> 00:01:33,800 Speaker 1: it doesn't have to It doesn't have to be like 26 00:01:33,840 --> 00:01:37,240 Speaker 1: that between us. Okay, if you know what you're talking about, 27 00:01:37,240 --> 00:01:39,360 Speaker 1: and I know the answer, why don't we just talk 28 00:01:39,400 --> 00:01:43,280 Speaker 1: about it? Can we do that? I think so we 29 00:01:43,319 --> 00:01:46,400 Speaker 1: can do that? Okay, alright, because I mean, you know, 30 00:01:46,520 --> 00:01:49,120 Speaker 1: some of the other articles that we've talked about. I 31 00:01:49,160 --> 00:01:52,640 Speaker 1: even wrote. I mean, it's just ridiculous. I I now, 32 00:01:53,360 --> 00:01:56,279 Speaker 1: and I've known all along that you've known all along. 33 00:01:56,840 --> 00:01:58,560 Speaker 1: It's it's true. I was just trying to humor you. 34 00:01:58,600 --> 00:02:00,280 Speaker 1: I thought everybody would, you know, I want to play 35 00:02:00,360 --> 00:02:03,400 Speaker 1: like that, But let's play fair. Thanks by the rules. 36 00:02:03,520 --> 00:02:06,000 Speaker 1: We're very smart people. Maybe I'm a little bit smarter, 37 00:02:06,400 --> 00:02:11,080 Speaker 1: but you're cuddlier. So let's have that. All right. Well, cool, 38 00:02:11,240 --> 00:02:14,600 Speaker 1: let's try this alright. Back at square one. She's on 39 00:02:14,639 --> 00:02:17,799 Speaker 1: the chocolate box. She is she is? And uh, you know, 40 00:02:18,200 --> 00:02:21,040 Speaker 1: there was a reason that the guy who founded Good 41 00:02:21,080 --> 00:02:23,640 Speaker 1: Diva Chocolates gave and it had to do with them 42 00:02:23,960 --> 00:02:26,920 Speaker 1: her passion and lack of modesty, and that he thought 43 00:02:26,919 --> 00:02:29,080 Speaker 1: she was hot or something like that. Yeah, he thought 44 00:02:29,080 --> 00:02:31,200 Speaker 1: she had a lot of style. And you know, it's funny. 45 00:02:31,200 --> 00:02:32,840 Speaker 1: I was doing a little bit of research about Godive 46 00:02:32,919 --> 00:02:36,400 Speaker 1: and I found out that, um, people didn't actually start, 47 00:02:36,600 --> 00:02:40,160 Speaker 1: or women rather, didn't start riding side saddle on horses 48 00:02:40,240 --> 00:02:44,480 Speaker 1: until many centuries after Godiva. So it doesn't seem particularly 49 00:02:44,520 --> 00:02:48,280 Speaker 1: stylist to straddle a horse naked and ride through town. No, 50 00:02:48,440 --> 00:02:51,239 Speaker 1: I imagined that would leave very little to the imagine. Yeah, 51 00:02:51,240 --> 00:02:54,200 Speaker 1: but There's chocolates are delicious, the best. They are good. 52 00:02:54,600 --> 00:02:56,560 Speaker 1: They are good. And while I'm confessing, I had to 53 00:02:56,560 --> 00:02:58,920 Speaker 1: say I had no idea. She even rode side saddle 54 00:02:58,960 --> 00:03:03,400 Speaker 1: on the good Dive logo, So it's the only classy 55 00:03:03,440 --> 00:03:06,280 Speaker 1: thing to do. So well, let's back it up. Good, 56 00:03:06,760 --> 00:03:08,800 Speaker 1: did she or did she not take the naked horse ride? 57 00:03:08,840 --> 00:03:10,679 Speaker 1: I know the answer to this, Well, have at it. 58 00:03:10,840 --> 00:03:13,680 Speaker 1: Tell us what is that she did not? It would um? 59 00:03:13,720 --> 00:03:17,200 Speaker 1: I mean, because of the historical distortions, I imagine you 60 00:03:17,200 --> 00:03:20,000 Speaker 1: would call it faction. But really, ultimately, if you want 61 00:03:20,000 --> 00:03:23,440 Speaker 1: to get down to brass tacks, it doesn't appear that 62 00:03:23,480 --> 00:03:28,120 Speaker 1: she did right, So Goodiva, and I apologize to all 63 00:03:28,120 --> 00:03:30,280 Speaker 1: of the Welsh scholars out there who are going to 64 00:03:30,320 --> 00:03:33,880 Speaker 1: read me for probably mispronouncing her name was actually God 65 00:03:33,919 --> 00:03:36,480 Speaker 1: gafew No, no, you have to say it like you 66 00:03:36,560 --> 00:03:39,080 Speaker 1: have been around the office. I like to say God 67 00:03:39,080 --> 00:03:42,800 Speaker 1: gafe you and God give. That was another name for her. Um. 68 00:03:42,880 --> 00:03:45,000 Speaker 1: Josh has been making fun of me all morning because 69 00:03:45,000 --> 00:03:49,120 Speaker 1: you go, you say God, and you do this little 70 00:03:49,200 --> 00:03:52,320 Speaker 1: dip down and then up, and then you look very 71 00:03:52,320 --> 00:03:55,040 Speaker 1: pleased with yourself. I know I look sort of like 72 00:03:55,080 --> 00:03:57,120 Speaker 1: an animal when I do it. I really can't help it, 73 00:03:57,280 --> 00:04:01,000 Speaker 1: um anyway, So God Gafeu is her name. Eleventh century 74 00:04:01,000 --> 00:04:04,520 Speaker 1: woman uh and Anglo Saxon. I guess England is what 75 00:04:04,560 --> 00:04:07,920 Speaker 1: we would call it today. And she wasn't technically a 76 00:04:08,000 --> 00:04:10,560 Speaker 1: lady because back then that was a title reserve for 77 00:04:10,640 --> 00:04:14,080 Speaker 1: the queens, so she could have been a countess. She 78 00:04:14,160 --> 00:04:18,680 Speaker 1: married a count essentially or an earl. Yeah, Leah Frick 79 00:04:18,920 --> 00:04:22,320 Speaker 1: isn't that great name? My firstborn son Leo really happy do? 80 00:04:23,000 --> 00:04:26,600 Speaker 1: And she also could have been called in that time period, 81 00:04:26,640 --> 00:04:28,800 Speaker 1: would have been appropriate to say that she was Lea 82 00:04:28,880 --> 00:04:32,320 Speaker 1: Fric's bed partner, and that also translates into some sort 83 00:04:32,360 --> 00:04:36,880 Speaker 1: of Welsh business. Yeah yeah, so really how that it 84 00:04:36,920 --> 00:04:40,159 Speaker 1: when you read the article? So he was pretty wealthy. 85 00:04:40,560 --> 00:04:44,279 Speaker 1: Leo Frick essentially owned Mercia, which was this kingdom in 86 00:04:44,279 --> 00:04:47,080 Speaker 1: the center of modern day England, and it was right 87 00:04:47,080 --> 00:04:49,800 Speaker 1: across from Wales. And he was pretty powerful, right, I mean, 88 00:04:49,800 --> 00:04:53,520 Speaker 1: it wasn't just this very localized power. It extended around 89 00:04:53,560 --> 00:04:56,400 Speaker 1: the country. He's a big deal. He was a big deal. 90 00:04:56,600 --> 00:04:58,600 Speaker 1: And she was a pretty big deal too. She came 91 00:04:58,640 --> 00:05:01,040 Speaker 1: from a really wealthy family and so when she came 92 00:05:01,040 --> 00:05:03,120 Speaker 1: into the marriage, you know, with her property and her 93 00:05:03,160 --> 00:05:06,599 Speaker 1: money and his property and his money. I mean, wow, 94 00:05:07,040 --> 00:05:10,760 Speaker 1: didn'tn't wasn't she ruling her own? Didn't she own like 95 00:05:10,839 --> 00:05:14,880 Speaker 1: eight different places she did? Kingdoms or something? She certainly did, 96 00:05:15,279 --> 00:05:19,120 Speaker 1: one of which was Coventry, which is yeah, this is 97 00:05:19,160 --> 00:05:21,559 Speaker 1: the side where she supposedly took this naked horse ride, 98 00:05:21,720 --> 00:05:26,320 Speaker 1: which we know did not happen. So back in eleventh 99 00:05:26,320 --> 00:05:30,320 Speaker 1: century England, women were pretty important in the home and 100 00:05:30,440 --> 00:05:33,200 Speaker 1: one of their responsibilities was managing their wealth and the 101 00:05:33,240 --> 00:05:36,640 Speaker 1: family's wealth and dolling out money to different you know, beneficiaries, 102 00:05:36,680 --> 00:05:39,760 Speaker 1: and one of the things that lady Godiva chose to 103 00:05:39,960 --> 00:05:44,160 Speaker 1: give a lot of money to was the abbey and 104 00:05:44,400 --> 00:05:49,240 Speaker 1: their domain, and there was a Benedictine abbey in Coventry, 105 00:05:49,400 --> 00:05:52,599 Speaker 1: and she supposedly gave a ton of money and gold 106 00:05:52,880 --> 00:05:56,960 Speaker 1: and jewels, and she just gave it all and she 107 00:05:57,120 --> 00:06:00,400 Speaker 1: was recognized as a really, really pious and religious woman. 108 00:06:00,440 --> 00:06:02,360 Speaker 1: Which is funny because today when we hear lady could 109 00:06:02,360 --> 00:06:05,840 Speaker 1: die by we think of a very like sexually charged symbol, 110 00:06:06,279 --> 00:06:09,480 Speaker 1: which I think is, you know how dive a talcolates 111 00:06:09,520 --> 00:06:11,120 Speaker 1: at least, but want us to think of her. They 112 00:06:11,120 --> 00:06:13,680 Speaker 1: want us to think of sensuality and you know, decadence. 113 00:06:14,000 --> 00:06:15,880 Speaker 1: But it wasn't like that at all. So the story 114 00:06:15,920 --> 00:06:18,400 Speaker 1: of the horse ride do you want to take it? Well, 115 00:06:19,040 --> 00:06:21,440 Speaker 1: I guess I just wanted to throw in that from 116 00:06:21,440 --> 00:06:23,560 Speaker 1: what I read in the article, she seems, like you said, 117 00:06:23,640 --> 00:06:26,320 Speaker 1: very pious, but she also seems to have a sense 118 00:06:26,360 --> 00:06:29,440 Speaker 1: of daring and definitely a sense of humor because you 119 00:06:29,480 --> 00:06:34,000 Speaker 1: know why was she challenged to ride naked? Well that's 120 00:06:34,040 --> 00:06:37,720 Speaker 1: because her husband had supposedly imposed a really heavy tax 121 00:06:37,960 --> 00:06:41,880 Speaker 1: on the citizens of Coventry, and by this legend, she 122 00:06:41,920 --> 00:06:43,920 Speaker 1: went to him and said, I really want you to 123 00:06:44,000 --> 00:06:46,880 Speaker 1: lift this tax. And he responded, I'll tell you what. 124 00:06:47,320 --> 00:06:50,719 Speaker 1: You take off all your clothes and ride through the 125 00:06:50,720 --> 00:06:53,480 Speaker 1: center of town in the middle of the day on horseback, 126 00:06:53,880 --> 00:06:56,240 Speaker 1: and when you get back, I'll lift the tax. And 127 00:06:56,279 --> 00:06:59,159 Speaker 1: she was game. She was game. She said, are you sure? 128 00:06:59,320 --> 00:07:01,240 Speaker 1: Just to make sure he serious, and and he must 129 00:07:01,240 --> 00:07:03,560 Speaker 1: have thought that she wouldn't take him seriously, but she did. 130 00:07:03,720 --> 00:07:06,200 Speaker 1: I think she sort of went straight upstairs, des robed, 131 00:07:06,320 --> 00:07:08,400 Speaker 1: let down her hair, covered up all of her lady bits, 132 00:07:08,400 --> 00:07:10,680 Speaker 1: and gone on that horse and road. Yeah, not sid 133 00:07:11,800 --> 00:07:17,560 Speaker 1: not side, although supposedly uh in in later retellings of 134 00:07:17,640 --> 00:07:22,600 Speaker 1: the story, she um, well, the earl decreed that no 135 00:07:22,640 --> 00:07:24,880 Speaker 1: one could look, so she was going to just ride 136 00:07:24,880 --> 00:07:28,800 Speaker 1: through town no one could see except for again in 137 00:07:29,040 --> 00:07:33,920 Speaker 1: Peeping Tom, Keeping Tom and today, peeping Tom is an 138 00:07:33,920 --> 00:07:36,920 Speaker 1: expression or a turn of phrase that we use somewhat colloquially. 139 00:07:36,960 --> 00:07:38,720 Speaker 1: And I think most people would know what a peeping 140 00:07:38,760 --> 00:07:40,880 Speaker 1: tom was, you know, I would. I would go so 141 00:07:40,920 --> 00:07:43,840 Speaker 1: far as to say everybody, yeah, for sure. But I 142 00:07:43,840 --> 00:07:46,680 Speaker 1: don't think everybody knows necessarily that lady could dive on 143 00:07:46,760 --> 00:07:49,040 Speaker 1: peeping Tom or in her connected I had no idea 144 00:07:49,120 --> 00:07:52,040 Speaker 1: until I read this article actually, and so in the 145 00:07:52,080 --> 00:07:54,520 Speaker 1: first versions of The Lady Could Dive to Tail, Peeping 146 00:07:54,560 --> 00:07:58,000 Speaker 1: Tom didn't play a role. People were supposedly so thankful 147 00:07:58,040 --> 00:08:02,200 Speaker 1: and respectful of God give You that they, you know, 148 00:08:02,320 --> 00:08:04,840 Speaker 1: decided they wouldn't look at her. It was an act 149 00:08:04,880 --> 00:08:07,880 Speaker 1: of respect and homage to her for what she was 150 00:08:07,920 --> 00:08:11,200 Speaker 1: doing for them, And that was in Roger Windover's version. 151 00:08:12,000 --> 00:08:15,000 Speaker 1: That's another thing that kind of makes the diva legend 152 00:08:15,120 --> 00:08:18,680 Speaker 1: um a little unbelievable is that she doesn't appear in 153 00:08:18,680 --> 00:08:23,080 Speaker 1: in any history until about two years after death, precisely. 154 00:08:23,200 --> 00:08:25,760 Speaker 1: So he wrote that entry in ten fifty seven, I 155 00:08:25,800 --> 00:08:29,000 Speaker 1: think it was, and then later on there was another 156 00:08:29,080 --> 00:08:32,640 Speaker 1: guy who sort of took up the mantle and he 157 00:08:32,720 --> 00:08:35,840 Speaker 1: wrote the version that included Peeping Tom. And what's fishy 158 00:08:35,880 --> 00:08:39,199 Speaker 1: about this is that he cites the source named Galfreed, 159 00:08:39,320 --> 00:08:41,959 Speaker 1: and no one's really sure who that was. Was it 160 00:08:42,720 --> 00:08:45,480 Speaker 1: some sort of Jeffrey of that time period maybe, or 161 00:08:46,200 --> 00:08:50,120 Speaker 1: God Free of that time maybe? Yeah, they don't really know. 162 00:08:50,520 --> 00:08:52,880 Speaker 1: They don't really know. But his story included Peeping Tom, 163 00:08:52,920 --> 00:08:55,720 Speaker 1: and that was just a little bit more fun to recount. Really, 164 00:08:55,840 --> 00:08:58,800 Speaker 1: the fact that this beautiful woman writes naked through town 165 00:08:58,800 --> 00:09:01,120 Speaker 1: and there's this one I out of a whole ton 166 00:09:01,160 --> 00:09:03,760 Speaker 1: of people who cannot resist looking at her, but the 167 00:09:03,840 --> 00:09:07,240 Speaker 1: joke was on him a little bit. Yeah, um, I 168 00:09:07,320 --> 00:09:10,440 Speaker 1: found this a little disheartening. The one guy who looked 169 00:09:10,559 --> 00:09:14,000 Speaker 1: was struck either dead or blind by God, depending on 170 00:09:14,080 --> 00:09:17,439 Speaker 1: who tells the story. And I'm thinking it's a little harsh. 171 00:09:17,559 --> 00:09:21,160 Speaker 1: You know, every conception I have a lady could dive 172 00:09:21,240 --> 00:09:23,960 Speaker 1: it was that she was smoking hot. And I really 173 00:09:23,960 --> 00:09:26,920 Speaker 1: don't think that you should be struck blind for that 174 00:09:27,000 --> 00:09:29,640 Speaker 1: kind of thing, especially in this, in this piece of 175 00:09:29,760 --> 00:09:32,480 Speaker 1: art that you've included in the article. He's like up 176 00:09:32,480 --> 00:09:34,560 Speaker 1: in a balcony. It's not like he's right up on 177 00:09:34,679 --> 00:09:36,720 Speaker 1: r or anything like that. He's not about to jump 178 00:09:36,800 --> 00:09:39,800 Speaker 1: down onto the horse with her. He's just looking. Do 179 00:09:39,960 --> 00:09:42,320 Speaker 1: you have to get struck blind for that? You know? 180 00:09:42,360 --> 00:09:44,400 Speaker 1: I mean being Catholic, I understand I feel kind of 181 00:09:44,400 --> 00:09:46,920 Speaker 1: guilty for even thinking this, but it still seems a 182 00:09:46,960 --> 00:09:49,960 Speaker 1: little extreme to me. Well extreme or not, that's just 183 00:09:50,000 --> 00:09:53,839 Speaker 1: how it went. And actually the tension between the idea 184 00:09:53,880 --> 00:09:56,160 Speaker 1: of those scope of philiac someone who gets pleasure and 185 00:09:56,160 --> 00:10:00,200 Speaker 1: looking at things. I love that word. Yeah, I think 186 00:10:00,200 --> 00:10:02,200 Speaker 1: it's kind of fun. I actually didn't know the word 187 00:10:02,320 --> 00:10:05,400 Speaker 1: until I started researching this article. I thought maybe, I mean, 188 00:10:05,400 --> 00:10:07,600 Speaker 1: I guess it's pretty similar to being a voider, so 189 00:10:07,640 --> 00:10:10,080 Speaker 1: I knew it. That meant so sort of an a 190 00:10:10,200 --> 00:10:12,480 Speaker 1: mine is for me really in my voguad lesson of 191 00:10:12,480 --> 00:10:16,480 Speaker 1: the day, um and the person on display. So the 192 00:10:16,520 --> 00:10:20,000 Speaker 1: exhibitionists from this scapophiliac. When Sigmund Freud was later proposing 193 00:10:20,080 --> 00:10:23,880 Speaker 1: theories about sexual tensions and this sort of um odd 194 00:10:23,920 --> 00:10:26,720 Speaker 1: dichotomy between the looked at and the looker, or the 195 00:10:26,760 --> 00:10:29,360 Speaker 1: gazer and the gazed upon in our society, this was 196 00:10:29,400 --> 00:10:33,360 Speaker 1: a perfect example for him to use. But um, you 197 00:10:33,400 --> 00:10:37,040 Speaker 1: know it's funny because the peeping tom legend continued later on, 198 00:10:37,280 --> 00:10:40,520 Speaker 1: even in later centuries in England, when Coventry would have 199 00:10:40,559 --> 00:10:43,880 Speaker 1: a good dive at procession and people would actually parade 200 00:10:43,880 --> 00:10:47,199 Speaker 1: through town dressed up like a diva. And one of 201 00:10:47,280 --> 00:10:51,600 Speaker 1: the first processions, the guy tapped to play peeping tom 202 00:10:51,600 --> 00:10:55,480 Speaker 1: in the procession actually died and I don't remember how, 203 00:10:55,600 --> 00:10:59,040 Speaker 1: but he died, and everyone thought, okay, signed from God, 204 00:10:59,440 --> 00:11:03,880 Speaker 1: no more being toms. However, and these processions and these 205 00:11:03,920 --> 00:11:06,920 Speaker 1: processions continue today, don't they do it? Annually they do, 206 00:11:07,160 --> 00:11:10,600 Speaker 1: they do, yeah, And usually it's it's a woman, sometimes 207 00:11:10,640 --> 00:11:12,360 Speaker 1: it's a man. At least a long time ago, it 208 00:11:12,440 --> 00:11:14,480 Speaker 1: was like a young guy, sort of like in Shakespeare's 209 00:11:14,559 --> 00:11:17,200 Speaker 1: day when the boys play the female parts too. And 210 00:11:17,240 --> 00:11:20,160 Speaker 1: it used to it used to be that she would 211 00:11:20,160 --> 00:11:23,240 Speaker 1: wear a flesh colored body stocking and a wig. But 212 00:11:23,360 --> 00:11:25,360 Speaker 1: you know, in today's day and age, who knows, maybe 213 00:11:25,360 --> 00:11:29,320 Speaker 1: there's someone out there really straddling that horse. So let's 214 00:11:29,320 --> 00:11:31,640 Speaker 1: tear this legend apart, all right. First of all, it 215 00:11:31,679 --> 00:11:36,160 Speaker 1: doesn't first appear until two hundred years after it supposedly happened. 216 00:11:36,240 --> 00:11:39,640 Speaker 1: Right right there, there's exhibit A. Um, you know what 217 00:11:39,760 --> 00:11:42,880 Speaker 1: else is wrong with it? Well, there's the fact that 218 00:11:43,080 --> 00:11:48,440 Speaker 1: Godiva actually owned Coventry, So if she'd wanted taxes lowered, 219 00:11:48,960 --> 00:11:51,240 Speaker 1: she wouldn't have asked lia Frick. It would have been 220 00:11:51,240 --> 00:11:53,840 Speaker 1: her call because it was her land. And the other 221 00:11:53,880 --> 00:11:56,120 Speaker 1: problem is that it wasn't a big enough town to 222 00:11:56,320 --> 00:11:59,080 Speaker 1: merit a system of taxation. It was actually just a 223 00:11:59,200 --> 00:12:02,640 Speaker 1: very small farm province, so there wouldn't have been taxes 224 00:12:02,679 --> 00:12:04,720 Speaker 1: at this time. And you say in the article that 225 00:12:04,840 --> 00:12:08,800 Speaker 1: it's like the twelfth or thirteenth century before taxation takes 226 00:12:08,800 --> 00:12:11,959 Speaker 1: place in that area precisely, so that's pretty good evidence 227 00:12:12,000 --> 00:12:15,240 Speaker 1: against the ride. She would have had no reason to 228 00:12:15,240 --> 00:12:18,640 Speaker 1: do it exactly, so there really wasn't a ride. And 229 00:12:19,160 --> 00:12:21,400 Speaker 1: historians have been looking back at a dive and trying 230 00:12:21,400 --> 00:12:23,360 Speaker 1: to figure out why it is that we remember her 231 00:12:23,400 --> 00:12:26,240 Speaker 1: this way, And it's probably that the monks at the 232 00:12:26,280 --> 00:12:31,000 Speaker 1: abbey that she um patronized so generously wanted to honor 233 00:12:31,080 --> 00:12:33,280 Speaker 1: her in some way, and why they came up with 234 00:12:33,320 --> 00:12:36,360 Speaker 1: this story, I'm not sure. I'm sure they did not 235 00:12:36,440 --> 00:12:39,760 Speaker 1: imagine in their heart of hearts that centuries later she 236 00:12:39,760 --> 00:12:43,440 Speaker 1: would become such a sexualized object. You know. They wanted 237 00:12:43,440 --> 00:12:46,000 Speaker 1: her to be remembered as a very pious and religious woman. 238 00:12:46,520 --> 00:12:50,040 Speaker 1: So anyway, it sounds like the addition of a patriarchal 239 00:12:50,080 --> 00:12:52,840 Speaker 1: society later on kind of adding to it and distorting it. 240 00:12:52,880 --> 00:12:55,120 Speaker 1: And it also makes you wonder, like, where where would 241 00:12:55,120 --> 00:12:58,240 Speaker 1: this come from? Why would this one woman be tapped 242 00:12:58,320 --> 00:13:01,160 Speaker 1: to play this this role, to have taken this legendary 243 00:13:01,280 --> 00:13:04,040 Speaker 1: ride if she didn't actually do it, if there wasn't 244 00:13:04,120 --> 00:13:05,959 Speaker 1: some kernel of truth to it, So it doesn't it 245 00:13:06,040 --> 00:13:07,880 Speaker 1: kind of make you think like there's a there's a 246 00:13:07,920 --> 00:13:10,040 Speaker 1: grain of truth, like maybe she really did do it, 247 00:13:10,040 --> 00:13:12,600 Speaker 1: but maybe she was drunk, maybe it was just a dare. 248 00:13:12,880 --> 00:13:15,440 Speaker 1: And then all these other aspects get added to the 249 00:13:15,480 --> 00:13:17,839 Speaker 1: story later on and on and all, and they all 250 00:13:17,880 --> 00:13:22,120 Speaker 1: reflect the values of whatever society adds to it. I 251 00:13:22,120 --> 00:13:24,840 Speaker 1: I agree with that. And it really took off during 252 00:13:24,880 --> 00:13:27,600 Speaker 1: the Victorian era. And I'm such a Victorian nerd when 253 00:13:27,600 --> 00:13:29,400 Speaker 1: it comes down to it. So all spare yall a 254 00:13:29,440 --> 00:13:32,800 Speaker 1: dissertation on this. But when the version of the story 255 00:13:32,800 --> 00:13:34,480 Speaker 1: but the Peeping Tom, came out, there were all these 256 00:13:34,520 --> 00:13:37,200 Speaker 1: ballads and poems written about it, and it really took off. 257 00:13:37,280 --> 00:13:39,800 Speaker 1: And the Victorian era was one of severe oppression. You know, 258 00:13:39,840 --> 00:13:43,080 Speaker 1: there was no Son's really of sexuality, at least you know, 259 00:13:43,120 --> 00:13:46,400 Speaker 1: for public eyes. And this was also a time when 260 00:13:46,440 --> 00:13:50,000 Speaker 1: people were finally able to start affording housing. And it 261 00:13:50,080 --> 00:13:51,640 Speaker 1: used to be that, you know, people who didn't have 262 00:13:51,640 --> 00:13:53,200 Speaker 1: a lot of money, maybe they would live in quarters 263 00:13:53,280 --> 00:13:56,320 Speaker 1: together and there weren't separate rooms, and everything was on display, 264 00:13:56,720 --> 00:14:01,040 Speaker 1: not a lot of modesty. Yeah. Then suddenly there was 265 00:14:01,200 --> 00:14:04,840 Speaker 1: room and so people started, you know, taking care of 266 00:14:04,880 --> 00:14:07,520 Speaker 1: not showing themselves and not putting themselves on display. And 267 00:14:07,559 --> 00:14:09,960 Speaker 1: so the legend was sort of appropriated in this tone. 268 00:14:10,120 --> 00:14:12,320 Speaker 1: Will look what happens when you do put yourself on display? 269 00:14:12,360 --> 00:14:14,240 Speaker 1: Is there a reason for it? Is you know they're 270 00:14:14,280 --> 00:14:16,599 Speaker 1: justice for looking upon someone who doesn't want to be 271 00:14:16,679 --> 00:14:20,560 Speaker 1: gazed at. No, No, you go blinder structed by guy exactly, 272 00:14:20,600 --> 00:14:22,760 Speaker 1: which is why this year for Halloween, I'm gonna go 273 00:14:22,920 --> 00:14:25,560 Speaker 1: is God give you not get dive and I'll explain 274 00:14:25,600 --> 00:14:28,080 Speaker 1: to everyone who cares to listen. And people, you know, 275 00:14:28,280 --> 00:14:31,040 Speaker 1: try to undress me with their eyes, well, well strike 276 00:14:31,080 --> 00:14:36,240 Speaker 1: you blind. Normally here I would say thanks for clearing 277 00:14:36,240 --> 00:14:38,800 Speaker 1: that up, but I'm never going to say that again. 278 00:14:39,280 --> 00:14:42,200 Speaker 1: You don't, and if you do, I'm going I'm gonna 279 00:14:42,680 --> 00:14:44,200 Speaker 1: What am I gonna do? I'll strike you blind like 280 00:14:44,200 --> 00:14:48,360 Speaker 1: peeping down and with the pen. And by the same token, 281 00:14:48,400 --> 00:14:51,160 Speaker 1: I'm going to give up saying hold the phone, which 282 00:14:51,200 --> 00:14:54,320 Speaker 1: is something I want to do quite frequently. What are 283 00:14:54,320 --> 00:14:57,200 Speaker 1: you gonna do? If I say it? I will strike 284 00:14:57,320 --> 00:15:01,200 Speaker 1: your new jeck, wrestle, tear your jupiter blind own to yeah, 285 00:15:01,720 --> 00:15:04,600 Speaker 1: you really say, oh gosh, it really would say I 286 00:15:04,640 --> 00:15:10,000 Speaker 1: will do my utmost hardest time post to not say 287 00:15:10,040 --> 00:15:15,920 Speaker 1: hold the bump, Oh gosh, what's do? But if you're listening, 288 00:15:16,280 --> 00:15:18,000 Speaker 1: cover your eyes with your pods, and for the rest 289 00:15:18,080 --> 00:15:19,960 Speaker 1: of y'all, if you want to learn more about God 290 00:15:20,040 --> 00:15:22,200 Speaker 1: give you. You can read Why a Lady could dive 291 00:15:22,240 --> 00:15:24,480 Speaker 1: and take a naked horse stride on how stuff works 292 00:15:25,400 --> 00:15:29,560 Speaker 1: dot com dot com for more on this and thousands 293 00:15:29,560 --> 00:15:32,840 Speaker 1: of other topics. Does it how stuff works dot com. 294 00:15:33,000 --> 00:15:35,120 Speaker 1: Let us know what you think. Send an email to 295 00:15:35,240 --> 00:15:43,760 Speaker 1: podcast at how stuff works dot com.