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Speaker 1: And his Drinks motherfucking Podcast makes up. He's a legendary

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Speaker 1: Queen's wrapper. He's agree it's your boy in o R.

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Speaker 1: He's a Miami hippop pioneer. What Up is d j

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Speaker 1: e FN? Together they drink it up with some of

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Speaker 1: the biggest players in the most professional unprofessional podcast and

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Speaker 1: your number one sorts for drunk fact drinks motherfucking ever

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Speaker 1: is New Year's z. That's for drink champs, drink up,

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Speaker 1: motherfuck motherfun what it could be? Hopefully with the sus

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Speaker 1: boy in Oak. What Up is d J e F

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Speaker 1: and His Drinks motherfucking Podcast makes Right now, we're doing

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Speaker 1: a year and wrap up type of events the ANU

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Speaker 1: where we're records. Shout out the round. Those are my people.

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Speaker 1: They got the best restaurant on the beach um drunken Dragon,

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Speaker 1: Huh the bar. No, there's no racket. No racket is

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Speaker 1: just you're talking about your favorite restaurants, say the restaurant.

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Speaker 1: I don't know what to league corrected on my favorite.

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Speaker 1: How you're gonna correct me on my favorite restaurant? You

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Speaker 1: gotta relax, dorpeans in the motherfucking building. We're here doing

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Speaker 1: a family episode because the wound did not show up.

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Speaker 1: You know what they did yesterday? Yesterday we had six women.

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Speaker 1: Now it's incredible, but we're wrapping up the year. We

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Speaker 1: got super cidity in the middle to make something. We

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Speaker 1: got who I would like to think of as the

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Speaker 1: owner of champion. Owner. You know he might go to

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Speaker 1: be the owner, but in my mind, you know owner.

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Speaker 1: And right now, Kim Kardashian is wearing chance being Kanye

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Speaker 1: West's winning champion. So we're gonna pick him up this band.

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Speaker 1: He's gonna buildings. Like right now, when you think of

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Speaker 1: street teams, you gotta think of Steve Rifkin, nothink a

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Speaker 1: puff daddy, think of Sean packays. They gotta think of shampoo.

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Speaker 1: Right now, when you're talking about Boston, New England, you

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Speaker 1: cannot forget the homie. And then so in why what

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Speaker 1: signs to Jamaine the pre I'm sorry, I'm skipping you

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Speaker 1: the Sunny because you're just not that important. We love you.

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Speaker 1: I'm just like, like, for real, you don't have a link.

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Speaker 1: You gotta data. Prince and Princess story Like now we

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Speaker 1: gottay in the building. It was signed. It was I

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Speaker 1: know since info our King was signed to Jermaine Duprix.

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Speaker 1: We're gonna get into that story later. We need to

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Speaker 1: understand what happened, what we're wrong. And he's in the build.

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Speaker 1: Let's make some noise for him and we let s

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Speaker 1: b K has always been the guy to be behind

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Speaker 1: the scenes us so loyal, uh person, I honor, I

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Speaker 1: trust with anything I do. UM always been there for me.

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Speaker 1: It's never been about the money. It's always been about

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Speaker 1: the work. And I love that s p K. So

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Speaker 1: we're gonna make some noise. You're gonna get every time

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Speaker 1: you don't do by p K. So what we're gonna do,

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Speaker 1: We're gonna start with super sid Let's bring the mic

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Speaker 1: over there. Super side is that you on your shirt

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Speaker 1: is hold? It's all? What is behind that? What was

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Speaker 1: what was the idea behind doing that photoshop? Well, basically

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Speaker 1: it was called naked Soba Alexandra Gold her cruising sneakers

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Speaker 1: and she had about five celebrities from Miami post nude

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Speaker 1: and I had a little sing. So my saying was

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Speaker 1: I'm thicker than a baby snicker. You know, no super

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Speaker 1: City that makes annoying. Ye about to be late, yo,

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Speaker 1: But can I just say this because I'm tired of

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Speaker 1: saying it like if anything is not real, okay, but

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Speaker 1: my ass is a d cent real patient and Dominican boy?

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Speaker 1: Can you look get a trustworthy person? Tested about Charles? Non?

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Speaker 1: Can I call my boy? Want to he's just me? Count?

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Speaker 1: Can we suppt to see you? Get me sing like

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Speaker 1: it's hell right now to more? Boyfriend? Grab it baby,

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Speaker 1: grab it? Yo. Look at everybody's in their relationship. Everybody's

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Speaker 1: like that goddamn super siding. Yeah you went trick. Daddy

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Speaker 1: started the podcast. Yes we have and we're supposed to

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Speaker 1: be a whole. There's a chance to network. But no,

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Speaker 1: I'm sorry. It's not my fault though you know that.

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Speaker 1: It's no fault, is it? But beaby, it's throwing out

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Speaker 1: of theirs. Beaby, who's that? Oh? I don't mean it

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Speaker 1: like that? Please little guys like that? Please please say

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Speaker 1: that to me. It's like, yeah, I don't know anything

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Speaker 1: about that. You know, bbs going to do with it?

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Speaker 1: Bad boys? Bad boys were famous and censered and it's

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Speaker 1: been it's we're doing it, but it's a work in

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Speaker 1: progress as well. We got your back. Thank you about

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Speaker 1: y'all back. You know what I mean what you say

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Speaker 1: what you do. Also, I think you just do wood back.

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Speaker 1: So now man representing champion for I don't know you've

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Speaker 1: been represent champion man bring man, I've been on his

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Speaker 1: job for thirteen years. A lot of you little niggas.

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Speaker 1: So this is before Kim called dash it y'all already

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Speaker 1: and you start. So how did you get this gig?

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Speaker 1: How did this come about? The hardest working in turn?

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Speaker 1: He was an intern, was an intern. You got a

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Speaker 1: Kevin Oud story. Let's yeah, just just just you know.

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Speaker 1: I'll come from music videos. Had the honor to work

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Speaker 1: on your video and r E in the rain for

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Speaker 1: three days. That was and fire and fire and fireworks.

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Speaker 1: It was definitely awkward for me. I'm from left round.

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Speaker 1: I didn't know how to We had the bus is spinning. Yes,

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Speaker 1: let's not forget the woman in the business had to

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Speaker 1: be big dump. Yeah, that was a big video that

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Speaker 1: it was. That was a big sound Nori. You know.

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Speaker 1: I think it was Karen Crates and seventy nine from

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Speaker 1: from my little crew right. You was carrying seven all right,

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Speaker 1: I respect you. So I'm carrying Crates into the projects,

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Speaker 1: my man. You were shaking the projects. What so you

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Speaker 1: wonder why people call you while you're here. Why people

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Speaker 1: respect you? It ain't about me, Nore. We as dudes

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Speaker 1: like you that just held down hip hop. It's not

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Speaker 1: about me, I ain't. It ain't about I wanted to

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Speaker 1: The first thing farg out in the business was to

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Speaker 1: respect the craft. And that's what you know. When I

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Speaker 1: met you on your video, it was just boom. I

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Speaker 1: was delivering. I was a p a. I was delivering

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Speaker 1: your food. Are you nor? He was tired. It was

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Speaker 1: like three in the morning. We delivered his burgers. He

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Speaker 1: was tired, but he kept that humble and that's what

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Speaker 1: he was like, Yo, I got you. It's cool, you know,

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Speaker 1: And that's what those are. The things that really matter

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Speaker 1: is that we were in the rain. You know it

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Speaker 1: was hip hop. You was in the lex. I think

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Speaker 1: Deth Jim was whispering it is can you come over

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Speaker 1: with the deaf Jam? Right? You know he was there.

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Speaker 1: I've seen him then, so I was the only penalty.

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Speaker 1: But death Jam was trying to scoop me exactly right

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Speaker 1: there in the work. And that's what really matters to me. Man.

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Speaker 1: You know, like the brand is it's dope, but you know,

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Speaker 1: like it's about the culture. That we move. We moved

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Speaker 1: the world. So all of y'all are responsible for moving

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Speaker 1: the world. So let me ask you something. People will

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Speaker 1: pass it off to champoo. See Champion. Champion has always

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Speaker 1: been like a hood brand, right, so then recently, you know,

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Speaker 1: Kim Kardashian started wearing it, KLi Kardashian and h the

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Speaker 1: all Little Kardashi Courtney and then and then Kanye Warrior

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Speaker 1: and then it's like it's like a frenzy. But your

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Speaker 1: first collab was with Supreme, right because Supremes first collapse

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Speaker 1: when y'all and now I did that right there, and

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Speaker 1: now I think I feel like that's what got like

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Speaker 1: the Hollywood people on your radar. Now we got we

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Speaker 1: got a lot of people to think we got um

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Speaker 1: Virgil for using the Champion blanks. You know, but he

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Speaker 1: used the blanks and he puts hid that I ain't

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Speaker 1: getting bullets, so you can't see me everything else. You

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Speaker 1: didn't see me the bullets. Something Supreme is monumental, um.

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Speaker 1: But it was just you know, it was a passion project.

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Speaker 1: It was like carrying the ball for all of us

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Speaker 1: that you know, you know what we could be from.

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Speaker 1: You know, I saw it in the hood. But my

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Speaker 1: mission was to make it a pop, global pop brand.

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Speaker 1: So that was my mission. So whatever I had to

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Speaker 1: do to do that, that's what I had to do.

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Speaker 1: That's the same thing you do when you make a track,

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Speaker 1: you know, from banging the projects to banging in Paris.

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Speaker 1: So that's you know, I'm just happy to be here.

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Speaker 1: I don't look at the scoreboard. I just keep going, man.

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Speaker 1: So let's make some Louis of the Champion. Yea, now, Shampoo,

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Speaker 1: this is your second time on drink Chat. Maybe maybe

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Speaker 1: you know he's been on, not on. He was just

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Speaker 1: there on the Pup Daddy episode. Definitely planted yourself in

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Speaker 1: the great direction. You've got a lot of shine off

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Speaker 1: you see. It moved to it where everybody was outside

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Speaker 1: like look when where he said, I'm right there still

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Speaker 1: like and I ain't gonna know everybody like yeah, let's

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Speaker 1: think no more like nine said Readio all night till

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Speaker 1: they saw this show. Yeah, you have the job that

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Speaker 1: in the hip hop is probably like the most respectful meaning.

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Speaker 1: If an artist is really paying attention to their career,

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Speaker 1: they understand that you're the guy to get him in

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Speaker 1: the club. They understand that you got to put on

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Speaker 1: their post. They understand that you gotta put up their

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Speaker 1: stick up. They understand that you uh, that pulls down

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Speaker 1: the arch rivles. But if artists don't understand that, how

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Speaker 1: diff they don't know a lot of artists don't understand

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Speaker 1: the struggle, so they don't appreciate it. Like I give

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Speaker 1: you an example one time, Nori, you know when you know,

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Speaker 1: I gotta use you example because Norri was one of

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Speaker 1: my clients. This is became up, you know, one of

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Speaker 1: my best friends. You know, he was one of my clients,

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Speaker 1: and I was moving them around in the city and

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Speaker 1: then I was arguing with the DJ because the DJ

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Speaker 1: didn't want to play his song, his music right then,

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Speaker 1: and I'm like, yo, he's about to leave. So nor

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Speaker 1: didn't understand what was going on in the booth because

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Speaker 1: security coming, everybody coming. I'm like, yo, play the fucking record.

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Speaker 1: Stop playing. Man. He's like, give me a minute, give

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Speaker 1: me no mom fucking minutes. Bro, He've been here fucking hour.

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Speaker 1: He's about to leave in ten minutes. Bro, play his music.

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Speaker 1: And that's what I do. I'm not gonna fucker that

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Speaker 1: bridge the gap between the artists and the DJ because

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Speaker 1: a lot of times the artists don't know how to

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Speaker 1: deal with the DJ when the DJ's on his bullshit.

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Speaker 1: So I'm the middleman that takes the hits for the artists,

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Speaker 1: you know what I mean. And I'm the one that

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Speaker 1: So I'm the guy that brings the artists to the DJs.

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Speaker 1: I need to do all the DJ, all the artists

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Speaker 1: of the DJ. I'm moving around. I bring them them

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Speaker 1: to the tastemakers. I set up you know that, me

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Speaker 1: and Greeds, I do tours. You know, I work their records.

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Speaker 1: I'm the motherfucker that start their records from the ground up,

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Speaker 1: before the before the label pushes the button, them says okay,

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Speaker 1: we believe in them. Before the label be like, okay,

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Speaker 1: we believe in them. Let's go. So I'm the one

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Speaker 1: when the motherfucker's like just starting, he's happy. He don't

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Speaker 1: really got no bread, and he's just happy to be here.

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Speaker 1: I'm the one that brings the artists around. And your

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Speaker 1: last three artists, I was the motherfucker that brung them

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Speaker 1: around before they popped, and then after that they forget us,

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Speaker 1: and then the super sidy ever give York No, this

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Speaker 1: is my first time you here. I know, I never

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Speaker 1: the first time because she deals with we know, with

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Speaker 1: the radio guys. You know what I mean. All right,

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Speaker 1: I'm the guys that do the guerrilla marketing and the clubs,

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Speaker 1: and when they need the race, they hollow and her

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Speaker 1: until they're at a certain point and you can't even

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Speaker 1: speak to her because it's not yet. She look at

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Speaker 1: me like, who is he? And why am I interviewing? No,

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Speaker 1: I'm not doing that. So I'm the one that builds

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Speaker 1: him up, get him hot, get him smoking, and then

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Speaker 1: are then the label comes in and put the bag

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Speaker 1: behind him and then pune to hit the moon. Okay,

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Speaker 1: so now I have to ask he comes from this? Yes.

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Speaker 1: Here's the craziest thing is our actual connection is I

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Speaker 1: always walked to the street team in New York and

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Speaker 1: then they always hired you. When they came to Miami,

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Speaker 1: you had them hired me. You know what I'm saying. Initially, Yeah,

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Speaker 1: I was already working. He was already working. Then when

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Speaker 1: we when we I'm always made what I'm saying to that,

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Speaker 1: how difficult was that? Because because these artists that come

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Speaker 1: to the town, they see the weed, they see the women,

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Speaker 1: and now they don't really want to work. How difficult.

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Speaker 1: Was it was for you. The thing is is the

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Speaker 1: era that I worked in, the artists were hungry and

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Speaker 1: they were happy to be in Miami. That's the thing.

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Speaker 1: So when so when they came here, it was easy.

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Speaker 1: The very time. Customers at the time we had how

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Speaker 1: can I be down at all these conferences and we couldn't.

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Speaker 1: It's like bust On Puff, you could talk to these people.

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Speaker 1: At that point, hip hop was was in his infant

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Speaker 1: stages in terms of mass media stream Puff was approachable

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Speaker 1: and bust was a biggie. I met all these people,

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Speaker 1: they pun they were all there. They were just happy

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Speaker 1: to be recognized because they're they're like they're just New

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Speaker 1: York or they're just you know that they come into

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Speaker 1: a different city, they just be half either be recognized there.

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Speaker 1: So when they came into these cities, it was actually

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Speaker 1: pretty easy to work with them because they wanted to

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Speaker 1: plant those seeds. Just like when you came to Miami,

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Speaker 1: was like, let's do it. Yeah, you know, and that's

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Speaker 1: why you showed us love and we was working and

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Speaker 1: we all and it just was like synergy between us

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Speaker 1: and we've been family and that's that's the best part

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Speaker 1: about it. Also when you get an artist that want

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Speaker 1: to work, because you get artists to be like, I'm

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Speaker 1: faking tired, you know, I'm sleeping, like right, like help me,

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Speaker 1: help you? But do you do you think the Internet

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Speaker 1: has changed that because I'm saying Internet now the artist

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Speaker 1: is like oper street teams, some of them, they are.

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Speaker 1: I want to say, so is it more difficult now

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Speaker 1: because they think I don't need that? But you still

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Speaker 1: need the streets because even the majors, you know, even

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Speaker 1: let's say bust the rams and you know, and he's

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Speaker 1: running over there, but what's up? Even even bust ms

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Speaker 1: still come back to the streets and be like, yo,

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Speaker 1: I need I need my ships starting here. Like a

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Speaker 1: lot of people, a lot of the of this, they

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Speaker 1: still understand the process of the music. But that's artists

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Speaker 1: have been season right. A lot of artists hasn't been seasoned, don't.

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Speaker 1: They don't understand so now now so in why right,

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Speaker 1: we haven't heard from you? Yeah? Give him like we're

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Speaker 1: talking about we haven't heard from you so so long? Right.

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Speaker 1: The thing about it is we see you on one

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Speaker 1: of six and Park, we seen you killing it. J

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Speaker 1: D comes j D comes from one of six in park,

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Speaker 1: or he comes from Africa, he comes on one of

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Speaker 1: six and park and presently with the chain. Okay, we

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Speaker 1: see you with the change, he does chaining. Okay you

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Speaker 1: sign obviously, yeah, yeh yeah, yeah, I take the offer

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Speaker 1: and then what happens from there because a lot of

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Speaker 1: us don't just know, well, um, initially the chaining situation

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Speaker 1: and of course this is this is groundbreaking. I never

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Speaker 1: told nobody this, but that was my idea for him

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Speaker 1: to give you the change. You told him the rocket

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Speaker 1: fell to chain you on the park on the that's

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Speaker 1: what we want to invent to the change it chase tign.

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Speaker 1: We get it from been the change. Can we all

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Speaker 1: agree that? I mean, no, I don't know something. I

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Speaker 1: don't know that last's gonna limited yet be that. I

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Speaker 1: think I gotta disagree, man. I think that with that tank,

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Speaker 1: to play that tank on me, it wasn't making a

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Speaker 1: ceremony of it. You just see the artists and they

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Speaker 1: already had to change all the changing there. I feel

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Speaker 1: like Rocking Field made chaining there. I can't, I can't.

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Speaker 1: I can't let you. That's like real hip hop people.

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Speaker 1: Can y'all agree with me on this? Yeah? A ceremony.

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Speaker 1: That's soon. I'm trying to say through ben't them might

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Speaker 1: have had every artist what the change first? But like

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Speaker 1: press release type of resting. Okay when you when we

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Speaker 1: was having a meeting, opportunity shot out my man, big

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Speaker 1: Bob okay, big Bob, big yeah, big or big Bob.

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Speaker 1: Big Bob gave me the opportunity to sit down with

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Speaker 1: j D and it was like my it was. It

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Speaker 1: was my sixth week on one or six, about to

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Speaker 1: go into the final week and that's the seven seventh week,

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Speaker 1: that's hiring week. And j D was like, yos, so

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Speaker 1: what you want to do after your seventh week? And

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Speaker 1: I said, so you knew it was gonna win. That's

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Speaker 1: a confidence. It was. Oh the first week I was

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Speaker 1: on one of six, I told him I was gonna

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Speaker 1: do all seven praising school, yeah, you know, ye, the

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Speaker 1: whole thing. And that was big back then free and

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Speaker 1: a ship a week. Seven weeks gave me a pregnant

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Speaker 1: what's going on? Because yeah, but the first of me,

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Speaker 1: I told a j I'm gonna do all seven, you

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Speaker 1: know what I mean? So I did all seven. So

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Speaker 1: the sixth week and then I'm not so so deaf

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Speaker 1: you know me, JD got the meals on the wall,

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Speaker 1: but I believe he got big on the wall. Leah m,

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Speaker 1: master j Hes stand in front of me like with

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Speaker 1: want to do? And I said, I said exactly that.

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Speaker 1: I said, Well, if I was you and I had

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Speaker 1: an opportunity to sign all this side myself, I will

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Speaker 1: roll with the hype of it. So if you can,

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Speaker 1: you should come to the seventh show and you should

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Speaker 1: do the Rockefeller chain. Come on TV. Surprise will make

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Speaker 1: it look like it's a big fiasco and put it

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Speaker 1: on the reason being I wanted to escape the one

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Speaker 1: of the six and Paul curse. So I figured with him,

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Speaker 1: none of them. You know they say none of them,

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Speaker 1: none of them come back records and things of that

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Speaker 1: nature before them, because he didn't know I was at

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Speaker 1: I was at first Jane got to deal with So

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Speaker 1: so I figured with j D being a producer that

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Speaker 1: he is, you know what I'm saying, with the great

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Speaker 1: person that he is as far as music, I was like,

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Speaker 1: if you come on and do that, he could change

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Speaker 1: the perception because you were because you were a songwriter,

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Speaker 1: You're coming on TV like, let me snatch this kid,

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Speaker 1: So we get the change on the TV. But fast

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Speaker 1: forward the deal in a nutshell, it didn't work out,

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Speaker 1: typical music industry ship. But no point on social death.

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Speaker 1: No I'm not, but we needed, we need because we're

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Speaker 1: here for you so long. I need to understand your

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Speaker 1: point of view or why I didn't work out. It

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Speaker 1: didn't work out because for one thing on the outside

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Speaker 1: looking then me being a fan of the game and

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Speaker 1: now being in the game just that fast. It took

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Speaker 1: nine months. I left the streets of Rochester, went to

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Speaker 1: the A, did my thing on the radio, shout out

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Speaker 1: the win O seven nine Cocho brother body, the Freestuth

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Speaker 1: Friday for years straight. BT came down, sought me out,

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Speaker 1: got with j D from the outside looking in, and

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Speaker 1: once I got in, it really was in like our

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Speaker 1: cup of tea because you signed with it was a

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Speaker 1: virgin Records in your mind cup of tea meaning meeting. Like.

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Speaker 1: Once I got in the industry, it started and I

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Speaker 1: one of my promo tour walked about the independent game

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Speaker 1: of the rap game, you know, started coming to New

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Speaker 1: York more because I'm from Rochester, New York. You know

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Speaker 1: what I'm saying, So thick, which is upstate New York,

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Speaker 1: no doubt. So So coming to New York, started meeting

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Speaker 1: other rappers and you know, the clothes like I'm a

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Speaker 1: hip hop artist. J D loves hip hop, but it's

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Speaker 1: something that just wasn't curling with me and so so

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Speaker 1: deaf and the label and my first record, Solover Hustler

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Speaker 1: guaranteed classic. I got a hip hop quotable in a

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Speaker 1: source magazine for that, you know what I mean. My

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Speaker 1: second single was with JDD, So I'm gonna tell you

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Speaker 1: I was surprised I got two videos. I didn't believe

362
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Speaker 1: in a game like that, you know what I mean.

363
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Speaker 1: I was like, damn, we really when the Miami and

364
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Speaker 1: shot a video and then we're gonna Rap City, and

365
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Speaker 1: I thought he was gonna show introduction first. He gave

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Speaker 1: me a just due and he showed Solover Hustler first,

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Speaker 1: because j D had gave me like an ultimatum. Sort

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Speaker 1: of shame. At least that's how I took it. If

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Speaker 1: we put out Solover Hustler first, we're kind of gonna

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Speaker 1: have to do the industry ship. And I was like, well, damn,

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Speaker 1: my first look is everything to me, you know what

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Speaker 1: I'm saying. So I went to my first look and

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Speaker 1: the industry. Ship just ain't work out. It didn't match

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Speaker 1: parallel with the cloth that we come from and what

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Speaker 1: the story that sold over Hustler told, So ship just

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Speaker 1: kind of pizzical. So after that, I caught a situation

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Speaker 1: with like Rockers on some underground ship that has been

378
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Speaker 1: underground up a sense. You know what I'm saying, work

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Speaker 1: in the internet through learning the industry from being in it,

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Speaker 1: you know what I mean? Okay, so we know you

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Speaker 1: with Jared at Bruckers. What did you deal with that? Um,

382
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Speaker 1: it was a situation to set up through my man

383
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Speaker 1: David out in Dallars. Is that when j had tapped

384
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Speaker 1: j D that's when he had it was me Franchise Boys,

385
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Speaker 1: put Kid came after that and Janet Jackson. So me personally,

386
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Speaker 1: I was kind of like ship. Nothing was really working

387
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Speaker 1: over that version with j even Janet ship fly. So

388
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Speaker 1: I ain't taking better. I've never been better about it.

389
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Speaker 1: Didn't even take it in the whole run from the

390
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Speaker 1: streets of Rochester, you know what I mean. I came

391
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Speaker 1: down and called a lick. If you ask me, you

392
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Speaker 1: know what I'm saying. I called six figures and walked

393
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Speaker 1: the way cool pay for my Mother? How is on

394
00:24:04,520 --> 00:24:09,239
Speaker 1: We've been for We did a four album. It got

395
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Speaker 1: bootleg because that's what Napster first hit, you know what

396
00:24:12,240 --> 00:24:13,879
Speaker 1: I'm saying, So you know what I mean. So to

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Speaker 1: educating myself, I kind of like learned about a lot

398
00:24:16,520 --> 00:24:18,359
Speaker 1: of things that kind of went wrong. It wasn't so

399
00:24:18,480 --> 00:24:21,520
Speaker 1: much as j D and the label Naster have hit.

400
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Speaker 1: The South was on the Verger. Coming in New York

401
00:24:24,640 --> 00:24:26,800
Speaker 1: was kind of like finding their sound and trying to

402
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Speaker 1: search for their way because the South was popping at

403
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Speaker 1: the time. So I kind of caught a deal I

404
00:24:31,480 --> 00:24:35,280
Speaker 1: call a good thing to give them a supreme right now.

405
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Speaker 1: So I'm gonna keep it hunting. I lived in the

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Speaker 1: South for twelve years. That's all I head. They're running

407
00:24:42,680 --> 00:24:45,120
Speaker 1: another set, you know what I mean. But like I said,

408
00:24:45,160 --> 00:24:48,240
Speaker 1: they coming from the streets in Rodchester, where I came

409
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Speaker 1: from at that time and where I'm at today. I

410
00:24:50,320 --> 00:24:52,960
Speaker 1: love it. I'm at drink Champs right now, you know

411
00:24:53,000 --> 00:24:55,720
Speaker 1: what I'm saying. That back home they then can fits

412
00:24:55,800 --> 00:24:57,480
Speaker 1: to see it sufway somehow when they go on, you

413
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Speaker 1: know what I mean? For us, and we want you

414
00:24:59,040 --> 00:25:01,240
Speaker 1: to get always a and we want you to continue

415
00:25:01,240 --> 00:25:03,200
Speaker 1: to do what you gotta do, because to think about

416
00:25:03,200 --> 00:25:10,120
Speaker 1: it is legend. Think about every every funny they're gonna

417
00:25:10,160 --> 00:25:12,000
Speaker 1: be like, alright, funny, you can take you like sunny.

418
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Speaker 1: But me and my man Curl Lakes and we got

419
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Speaker 1: a new video while I'm man curl Lakes, you round

420
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Speaker 1: my nigger, my black etrn Is that okay? You know?

421
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Speaker 1: I mean? You know what I mean is we're moving

422
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Speaker 1: and defending money to look man, well a we're gonna

423
00:25:25,000 --> 00:25:27,040
Speaker 1: have more talk to how long give it to Milsy?

424
00:25:27,240 --> 00:25:30,000
Speaker 1: Am I saying your ship right, mils, don't say something

425
00:25:30,000 --> 00:25:35,520
Speaker 1: about that ship everybody in New York. Since I didn't

426
00:25:35,560 --> 00:25:38,520
Speaker 1: called me Milsey, it's not y'all the man called me

427
00:25:38,640 --> 00:25:41,840
Speaker 1: Milsy when the bat ship ups, I still posted, you

428
00:25:41,920 --> 00:25:44,840
Speaker 1: know what I mean, So it's not Melsy ship. Man,

429
00:25:44,880 --> 00:25:46,880
Speaker 1: if you wanted to be Millsy, it's Milsy. But yeah

430
00:25:47,160 --> 00:25:51,119
Speaker 1: it's Mellis Like I'm still he's like even be honest,

431
00:25:52,359 --> 00:26:00,080
Speaker 1: like yeah, so listen, you being from Boston ain't but

432
00:26:00,240 --> 00:26:08,320
Speaker 1: specifically right, I don't like that j J A lot

433
00:26:08,400 --> 00:26:17,560
Speaker 1: of sticks ye this city point anyway for me on

434
00:26:17,760 --> 00:26:20,320
Speaker 1: to you right right right, which is real ship now?

435
00:26:20,400 --> 00:26:22,040
Speaker 1: Because It blew my mind because I think I met

436
00:26:22,080 --> 00:26:29,480
Speaker 1: you with Fat Trail, remember yet on his name Trail

437
00:26:29,720 --> 00:26:32,359
Speaker 1: Fat Trail. Yeah, I don't like calling people with him

438
00:26:32,400 --> 00:26:35,040
Speaker 1: because I'm fitting. I'm figuring, like you're not gonna remember

439
00:26:35,080 --> 00:26:36,440
Speaker 1: me and ship And then I saw you that left

440
00:26:36,520 --> 00:26:40,359
Speaker 1: rack that day in the in the what's going on?

441
00:26:41,240 --> 00:26:45,639
Speaker 1: He's like Milzy like that, she was amazing to me.

442
00:26:46,160 --> 00:26:52,480
Speaker 1: If you wouldn't my fucking favorite, like like the Beats. Ever, So,

443
00:26:52,680 --> 00:26:56,479
Speaker 1: now let me ask you a question. Right, you're up

444
00:26:56,520 --> 00:27:00,359
Speaker 1: and coming new England artists, people like jay the Kisses

445
00:27:00,440 --> 00:27:02,719
Speaker 1: on you, people like City boy D that's big him

446
00:27:02,760 --> 00:27:06,320
Speaker 1: back right, people like now, I'm on you. I understand

447
00:27:06,400 --> 00:27:09,399
Speaker 1: what you're doing. How do you connect to the radio?

448
00:27:09,480 --> 00:27:11,080
Speaker 1: Like we were like super Sidy. Have you ever met

449
00:27:11,119 --> 00:27:17,440
Speaker 1: Super Sithy? No? No, yeah, but how do you try too?

450
00:27:17,880 --> 00:27:19,520
Speaker 1: Don't look at it like that her boyfriend's open that

451
00:27:22,880 --> 00:27:36,719
Speaker 1: I ain't und I got super google you. But now now, now,

452
00:27:36,840 --> 00:27:40,080
Speaker 1: now it's even better, even a better question, right because

453
00:27:40,160 --> 00:27:42,159
Speaker 1: at the end of the day, your underground. You have

454
00:27:42,359 --> 00:27:45,879
Speaker 1: the underground obviously, because there's people from the underground, like

455
00:27:45,920 --> 00:27:47,840
Speaker 1: a Jayda Kiss there's people from the underground. Like a

456
00:27:47,880 --> 00:27:50,840
Speaker 1: city boy D that's coming to me and saying, this

457
00:27:51,160 --> 00:27:55,480
Speaker 1: is the kids, So how do you in your position? Say,

458
00:27:56,320 --> 00:27:59,200
Speaker 1: let me try to get at apparitional in her position,

459
00:27:59,280 --> 00:28:04,760
Speaker 1: I'll sit a super Cindy Angie Martinez DJ enough like

460
00:28:05,160 --> 00:28:08,080
Speaker 1: so you know the weird ship bro like I've been yeah,

461
00:28:08,240 --> 00:28:11,840
Speaker 1: so like trumpy Chubby chell my bro and all of that.

462
00:28:12,119 --> 00:28:15,200
Speaker 1: Like I've been making like trap records and records that

463
00:28:15,240 --> 00:28:17,720
Speaker 1: can move in the club first before like everything. But

464
00:28:17,800 --> 00:28:20,359
Speaker 1: I could rap because I come from that cloth like rapping,

465
00:28:20,400 --> 00:28:22,800
Speaker 1: like I did decipher the flex all of that ship

466
00:28:22,880 --> 00:28:25,480
Speaker 1: with ever static show all the time. The ship that

467
00:28:25,520 --> 00:28:28,200
Speaker 1: started moving for me because I'm not getting like weird

468
00:28:28,320 --> 00:28:30,560
Speaker 1: faced stats and pink hair and ship like that. The

469
00:28:30,640 --> 00:28:36,760
Speaker 1: ship that started moving for me. That's that's the way.

470
00:28:36,960 --> 00:28:40,120
Speaker 1: I don't a problem that that's the way to get attention.

471
00:28:40,200 --> 00:28:43,080
Speaker 1: But the way I got attention was like rapping up

472
00:28:43,480 --> 00:28:46,320
Speaker 1: like a freestyle that like static show and the ship

473
00:28:46,400 --> 00:28:49,080
Speaker 1: started going. Yeah here, That's where I met the motherfucking has.

474
00:28:49,120 --> 00:28:51,040
Speaker 1: That's really why I'm ain't just going and feeling me

475
00:28:51,080 --> 00:28:54,120
Speaker 1: the whole thing. And I got so much attention off

476
00:28:54,200 --> 00:28:56,520
Speaker 1: of like rapping on like this ship because I could

477
00:28:56,560 --> 00:28:58,560
Speaker 1: do this ship at a high level. But I'm making

478
00:28:58,640 --> 00:29:00,200
Speaker 1: like my fans know me for making, you know what

479
00:29:00,240 --> 00:29:02,440
Speaker 1: I mean, Just bring us a track records. Whatever I'm

480
00:29:02,480 --> 00:29:05,680
Speaker 1: going through, I make song first and foremost. But once

481
00:29:05,720 --> 00:29:07,400
Speaker 1: I learned I could like wrap at the radio and

482
00:29:07,520 --> 00:29:10,280
Speaker 1: really get attention like the flex ship and all of that.

483
00:29:10,480 --> 00:29:12,560
Speaker 1: Like I was like, all right, beat and that's this year.

484
00:29:12,720 --> 00:29:14,760
Speaker 1: Like it started from the cipher, Like I got on

485
00:29:14,840 --> 00:29:17,200
Speaker 1: the cipher. I used to show up to the cipher

486
00:29:17,360 --> 00:29:19,760
Speaker 1: um every year because I had to plug with a cameraman,

487
00:29:20,160 --> 00:29:22,160
Speaker 1: you know what I mean. So they basically sneak sneak

488
00:29:22,200 --> 00:29:24,480
Speaker 1: me in the back door and like a little desolate

489
00:29:24,600 --> 00:29:27,440
Speaker 1: location in Brooklyn and ship and I just be there

490
00:29:27,520 --> 00:29:29,960
Speaker 1: and I press on what's my man's name, Jesse Collins

491
00:29:30,040 --> 00:29:32,400
Speaker 1: and the big dogs from BT. You know what I'm saying.

492
00:29:32,400 --> 00:29:34,840
Speaker 1: That I'd just be like, yo, if anybody missed a flight,

493
00:29:35,400 --> 00:29:38,120
Speaker 1: If anybody miss a flight, whatever the funk happens to him,

494
00:29:38,200 --> 00:29:40,719
Speaker 1: just I'm ready to go, you know what I mean.

495
00:29:41,280 --> 00:29:46,560
Speaker 1: And the third year, like after Kendrick and Kendrick went,

496
00:29:46,680 --> 00:29:50,560
Speaker 1: and then the third two thousand and sixteen, somebody missed

497
00:29:50,560 --> 00:29:52,640
Speaker 1: the flight and Jesse Collins was like, Yo, there might

498
00:29:52,720 --> 00:29:54,280
Speaker 1: be a little you know what I mean, it might

499
00:29:54,320 --> 00:29:56,320
Speaker 1: be a little opening for you. So he was like,

500
00:29:56,400 --> 00:29:58,320
Speaker 1: send me a links. I sent him my links. I

501
00:29:58,400 --> 00:30:00,720
Speaker 1: saw him over there looking at it. He he didn't

502
00:30:00,720 --> 00:30:02,600
Speaker 1: look too impress what I'm saying. So I walked up

503
00:30:02,640 --> 00:30:05,360
Speaker 1: to him and Yomi and Uh, I was like, bro,

504
00:30:05,880 --> 00:30:07,920
Speaker 1: I got a crazy verse. I got some shock value

505
00:30:07,960 --> 00:30:10,200
Speaker 1: on me. Was like, man, shut up, man, just wrap,

506
00:30:10,320 --> 00:30:12,960
Speaker 1: go ahead rap. It was the most fucking now. I

507
00:30:13,040 --> 00:30:14,960
Speaker 1: felt like, you know what I'm saying, I've never been

508
00:30:15,000 --> 00:30:16,640
Speaker 1: at a talent show and no ship like that. That

509
00:30:16,760 --> 00:30:18,640
Speaker 1: That's what it felt like. That them type of nerves,

510
00:30:18,680 --> 00:30:19,960
Speaker 1: you know what I mean. But I had my verge

511
00:30:20,000 --> 00:30:21,960
Speaker 1: down paths, so I did my whole ship and they

512
00:30:22,000 --> 00:30:24,040
Speaker 1: were like, um, I didn't know you want it, man,

513
00:30:24,080 --> 00:30:25,520
Speaker 1: You're on the cipher, you know what I'm saying. So

514
00:30:25,640 --> 00:30:32,520
Speaker 1: I did that. So that was but so yeah, from there,

515
00:30:32,560 --> 00:30:34,520
Speaker 1: like I just realized the bars is gonna get me

516
00:30:34,560 --> 00:30:36,360
Speaker 1: the recognition with the underground to give me the hits

517
00:30:36,440 --> 00:30:38,000
Speaker 1: that I need. But then at the same time, I

518
00:30:38,080 --> 00:30:40,800
Speaker 1: dropped the record call Lessons and that ship moved on

519
00:30:40,880 --> 00:30:43,760
Speaker 1: the radio. All of that CT Radio enough went crazy

520
00:30:43,840 --> 00:30:46,560
Speaker 1: with it, Boston put it in mixed show radio. You

521
00:30:46,640 --> 00:30:48,800
Speaker 1: know what I mean? So, um, yeah, I guess that's

522
00:30:48,840 --> 00:30:54,240
Speaker 1: how now super sending to the micro over there, because

523
00:30:54,440 --> 00:30:58,360
Speaker 1: I could have imagined right, see to me, these two

524
00:30:58,440 --> 00:31:01,840
Speaker 1: brothers right here, although you might not know that they

525
00:31:01,920 --> 00:31:04,600
Speaker 1: are real artists, right, that's the reason why this is,

526
00:31:04,880 --> 00:31:07,480
Speaker 1: This is why we put people on drink chance. But

527
00:31:07,600 --> 00:31:11,560
Speaker 1: how difficult is it for you to distinguish the people

528
00:31:11,680 --> 00:31:14,840
Speaker 1: that are saying their real artists from the people that

529
00:31:15,000 --> 00:31:17,959
Speaker 1: just what you said, they had pinking and they might

530
00:31:18,000 --> 00:31:20,320
Speaker 1: be real artists too that they say people get it

531
00:31:20,360 --> 00:31:24,320
Speaker 1: with like attention grabbing stunts grabbing stunt. So how difficult

532
00:31:24,480 --> 00:31:29,000
Speaker 1: is for you to like distinguish that, you know, it's

533
00:31:29,080 --> 00:31:33,720
Speaker 1: it's really it's extremely hard because you know, you want

534
00:31:33,760 --> 00:31:36,600
Speaker 1: to give everybody a chance, but the reality is you can.

535
00:31:37,240 --> 00:31:39,800
Speaker 1: So who do you pick and choose? But there's a

536
00:31:39,880 --> 00:31:42,440
Speaker 1: few artists out of Miami that and I'm just speaking

537
00:31:42,480 --> 00:31:44,760
Speaker 1: in Miami because that's the artists that I deal with.

538
00:31:46,280 --> 00:31:49,520
Speaker 1: Um that when I meet them, I don't know what

539
00:31:49,640 --> 00:31:52,600
Speaker 1: it is, but I just connect with certain artists like

540
00:31:53,320 --> 00:32:01,240
Speaker 1: what's homy name? Crazy? Like every six time. Of course,

541
00:32:01,480 --> 00:32:03,160
Speaker 1: about every six months, I do a thing called the

542
00:32:03,200 --> 00:32:05,440
Speaker 1: Miami Cipher. I'm on my third one. I just did

543
00:32:05,560 --> 00:32:13,320
Speaker 1: one from the video Colast Monday. But like my first one, yeah,

544
00:32:13,520 --> 00:32:16,920
Speaker 1: so like one, my first one, I had ball Greasy

545
00:32:17,000 --> 00:32:20,680
Speaker 1: on it, kid omar Um. There's there's a lot of

546
00:32:20,800 --> 00:32:23,480
Speaker 1: artists out of Miami. There's this girl right now called

547
00:32:23,520 --> 00:32:26,040
Speaker 1: Pilly May. Have you guys heard of her? I should

548
00:32:26,120 --> 00:32:33,400
Speaker 1: keep it to no, you don't say her name. No.

549
00:32:33,600 --> 00:32:36,360
Speaker 1: But there's certain artists that are just fire, and it

550
00:32:36,480 --> 00:32:38,640
Speaker 1: sucks because a lot of them will not make it

551
00:32:38,680 --> 00:32:41,000
Speaker 1: to the radio. That's just the reality. But I think

552
00:32:41,040 --> 00:32:43,560
Speaker 1: with social media and other outlets now they don't have

553
00:32:43,760 --> 00:32:48,360
Speaker 1: to be on let me ends out of Carol City.

554
00:32:48,480 --> 00:32:51,880
Speaker 1: That's whether. Let me ask you you think artists need radio?

555
00:32:51,880 --> 00:32:56,000
Speaker 1: Because I watch Charlemagne the Garden and Charlomagne Gard always

556
00:32:56,040 --> 00:32:58,920
Speaker 1: says to me, he says, these artists be trying to

557
00:32:58,960 --> 00:33:01,800
Speaker 1: ask me to play. They tell them they don't need me.

558
00:33:02,960 --> 00:33:05,320
Speaker 1: Do you feel like that? I think when it comes

559
00:33:05,360 --> 00:33:07,920
Speaker 1: to radio, radio is like the cherry on the cave.

560
00:33:08,720 --> 00:33:13,520
Speaker 1: Radio is like now you want the yeah, yeah, but

561
00:33:13,640 --> 00:33:19,840
Speaker 1: that's stage. They just want to go exactly and then

562
00:33:20,160 --> 00:33:23,160
Speaker 1: the cherry. Exactly. People try to go straight to radio,

563
00:33:23,240 --> 00:33:25,760
Speaker 1: and I think in the daytime that's not the route

564
00:33:25,840 --> 00:33:28,640
Speaker 1: to take because the radio is the cherry on the top.

565
00:33:28,840 --> 00:33:30,320
Speaker 1: And the thing is, I don't want to say you

566
00:33:30,360 --> 00:33:32,880
Speaker 1: don't need radio, because that's the industry on man, So yes,

567
00:33:32,960 --> 00:33:41,480
Speaker 1: you do need radio, but yees want to Exactly the

568
00:33:41,560 --> 00:33:44,720
Speaker 1: hartists that have total careers without radio. Denzel Curry is

569
00:33:44,760 --> 00:33:48,440
Speaker 1: wanted the world and yeah, and it's like artist at

570
00:33:48,480 --> 00:33:50,760
Speaker 1: Hart wants to be on the radio. Yeah they fine,

571
00:33:50,840 --> 00:33:53,560
Speaker 1: say they don't care, they don't care, but yeah, the

572
00:33:53,880 --> 00:33:57,880
Speaker 1: cherry of the industry is radio. But it's very hard

573
00:33:57,920 --> 00:33:59,960
Speaker 1: because not everybody's gonna make it, but everybody thinks the

574
00:34:00,080 --> 00:34:02,160
Speaker 1: music se best and everybody wants to make it. Everybody

575
00:34:02,160 --> 00:34:06,160
Speaker 1: steps to me every time. You like you had love

576
00:34:06,240 --> 00:34:09,520
Speaker 1: for the person, obviously, yeah, and they give you their take.

577
00:34:11,200 --> 00:34:13,520
Speaker 1: Oh no, you shot them down their face. Come honest,

578
00:34:14,480 --> 00:34:18,160
Speaker 1: because this is not there's no time to waste. I like, yo, honestly,

579
00:34:19,160 --> 00:34:20,919
Speaker 1: your flow is good, but you need to go back

580
00:34:21,280 --> 00:34:24,120
Speaker 1: and work more. Yeah, like, yeah, let me think that.

581
00:34:24,280 --> 00:34:27,560
Speaker 1: I'm like, I don't be honest, so you don't you

582
00:34:27,600 --> 00:34:31,359
Speaker 1: don't step to me just straight up like why waste

583
00:34:31,400 --> 00:34:38,400
Speaker 1: their time? Dolls? They want to sugar coat and baby

584
00:34:38,480 --> 00:34:42,279
Speaker 1: and you're like, damn, he ain't even shipping on me.

585
00:34:42,440 --> 00:34:44,680
Speaker 1: She's just actually tell But I'm saying me. You know

586
00:34:44,719 --> 00:34:47,959
Speaker 1: what I'm saying. Honestly, I see the direction you're taking

587
00:34:48,080 --> 00:34:50,239
Speaker 1: is cool, but I think you should And that's just

588
00:34:50,400 --> 00:34:53,680
Speaker 1: my opinion, one person out of a million. So okay,

589
00:34:54,719 --> 00:35:00,399
Speaker 1: I think it's hold it down more. What I think

590
00:35:00,440 --> 00:35:03,400
Speaker 1: we're the home the radio now is that now the

591
00:35:03,840 --> 00:35:07,719
Speaker 1: gatekeepers of radio, they can't tell somebody that this is

592
00:35:07,800 --> 00:35:09,279
Speaker 1: my thing, I would like it. I'll let you win

593
00:35:09,320 --> 00:35:11,279
Speaker 1: because now they're gonna go straight to the suitors. That's

594
00:35:11,320 --> 00:35:14,000
Speaker 1: what is doing. Yeah, that's what that's what the artis

595
00:35:14,000 --> 00:35:16,839
Speaker 1: are doing for themselves. Now there's a lot of music

596
00:35:16,920 --> 00:35:18,520
Speaker 1: on the radiar. They're like, how the hell did they

597
00:35:18,680 --> 00:35:21,520
Speaker 1: make it? You know, I don't know how they make it. Yeah,

598
00:35:21,719 --> 00:35:23,600
Speaker 1: there's a lot of politics that go on behind. And

599
00:35:23,640 --> 00:35:25,360
Speaker 1: that's what I'm trying to say, like people are now

600
00:35:25,520 --> 00:35:29,200
Speaker 1: being able to bypass the politics, which is good and bad. Yeah,

601
00:35:29,280 --> 00:35:31,680
Speaker 1: you know what I'm saying. It's like radio corrupted itself

602
00:35:31,719 --> 00:35:34,160
Speaker 1: at the point. Yeah, but the crazy thing too, is

603
00:35:34,200 --> 00:35:36,040
Speaker 1: that I think about it? Like I deal with Miami,

604
00:35:36,239 --> 00:35:40,560
Speaker 1: but in every city across the whole world, there's artists

605
00:35:40,640 --> 00:35:43,279
Speaker 1: in that city that are famous as hell, that are

606
00:35:43,400 --> 00:35:46,040
Speaker 1: dope as hell, but don't get any shine. Whatever do

607
00:35:46,160 --> 00:35:48,720
Speaker 1: you do you look at like streaming numbers and internet

608
00:35:48,840 --> 00:35:54,120
Speaker 1: numbers before like giving an artist opinion? Yeah, no, I

609
00:35:54,600 --> 00:35:57,040
Speaker 1: just want to Yeah, Like, I don't know what it

610
00:35:57,160 --> 00:35:59,160
Speaker 1: is like I connect with some artists, and some artists

611
00:35:59,200 --> 00:36:01,440
Speaker 1: I don't know. I give a chance to Summaris and

612
00:36:01,600 --> 00:36:03,719
Speaker 1: a lot of artists I don't. It's too many, So

613
00:36:03,800 --> 00:36:06,120
Speaker 1: I don't know what it is. It's just something I

614
00:36:06,200 --> 00:36:08,640
Speaker 1: meet them, and that's it. Heard. They passed the law.

615
00:36:08,719 --> 00:36:12,279
Speaker 1: This is actually affects everybody here. Really, really, what what

616
00:36:12,360 --> 00:36:19,880
Speaker 1: am I about to say? We talk about prices. They

617
00:36:20,000 --> 00:36:28,640
Speaker 1: passed it the lawn. They passed the law right now,

618
00:36:28,719 --> 00:36:30,319
Speaker 1: I don't know if it's in effect or what. Because

619
00:36:30,360 --> 00:36:32,440
Speaker 1: you know, the FCC rules radio and all that stuff,

620
00:36:32,840 --> 00:36:37,080
Speaker 1: and for years every city like they couldn't they had

621
00:36:37,120 --> 00:36:39,600
Speaker 1: to have local radio stations that catered to a certain

622
00:36:39,600 --> 00:36:42,279
Speaker 1: amount of local records in that market. They passed the

623
00:36:42,320 --> 00:36:45,600
Speaker 1: law now that that they're eliminating that, which I think

624
00:36:45,680 --> 00:36:47,560
Speaker 1: is gonna fund the game up, It's gonna fund the

625
00:36:47,600 --> 00:36:51,439
Speaker 1: game because now each market is not gonna they're gonna

626
00:36:51,800 --> 00:36:54,560
Speaker 1: say what you're doing. You didn't hear about that. I

627
00:36:54,640 --> 00:37:01,239
Speaker 1: didn't hear. No, that was me. You know about that

628
00:37:01,239 --> 00:37:04,400
Speaker 1: a lot of the days you see lot of the

629
00:37:04,480 --> 00:37:06,760
Speaker 1: radio where now each market doesn't have to have local

630
00:37:07,360 --> 00:37:09,479
Speaker 1: like you don't have to have local records or local

631
00:37:09,560 --> 00:37:12,320
Speaker 1: stations anymore than until you see what but this is

632
00:37:12,400 --> 00:37:14,440
Speaker 1: the be It could be like like a clear channel

633
00:37:14,640 --> 00:37:16,040
Speaker 1: and it could be just in New York and they

634
00:37:16,080 --> 00:37:20,320
Speaker 1: can and they can play New York Nebraska records whatever

635
00:37:20,560 --> 00:37:23,360
Speaker 1: however you want. But you know, just to to compliment

636
00:37:23,440 --> 00:37:25,920
Speaker 1: what she was saying, that's the problem with these artists.

637
00:37:26,239 --> 00:37:29,920
Speaker 1: They're trying to skip the process of the grind. Definitely

638
00:37:30,080 --> 00:37:32,760
Speaker 1: not this question, But I like what I'm saying because

639
00:37:33,080 --> 00:37:35,200
Speaker 1: she's saying how artists always trying to come to police

640
00:37:35,239 --> 00:37:37,880
Speaker 1: playing my record. He plays my record, took it back

641
00:37:37,920 --> 00:37:41,080
Speaker 1: from there. She's having you back from the street run. Yeah,

642
00:37:41,160 --> 00:37:43,200
Speaker 1: she should be acquired all of that, all right, he

643
00:37:43,280 --> 00:37:45,360
Speaker 1: took it back from the bathroom break. I respect Storry,

644
00:37:45,360 --> 00:37:48,719
Speaker 1: I respect that's all that way. Yeah, it's the point,

645
00:37:49,040 --> 00:37:51,160
Speaker 1: but we was on some other way. But I like

646
00:37:51,239 --> 00:37:54,040
Speaker 1: where you're gonna. Yeah, that's what. That's what. That's what.

647
00:37:54,480 --> 00:37:58,960
Speaker 1: That's what these artists are failing at. They're skipping. Oh,

648
00:37:59,080 --> 00:38:02,000
Speaker 1: they're trying to up over the grind and they're trying

649
00:38:02,040 --> 00:38:05,160
Speaker 1: to skip over the foundation. Like how we how this

650
00:38:05,320 --> 00:38:08,160
Speaker 1: is what? This is the problem. What's happening artists? There's

651
00:38:08,200 --> 00:38:11,799
Speaker 1: no connection, like we even like everybody know, I work

652
00:38:11,840 --> 00:38:14,160
Speaker 1: at def Jam Capital Epic E one, I'm the motherfucker,

653
00:38:18,800 --> 00:38:21,880
Speaker 1: you know what I mean. But like, there's no connection

654
00:38:22,000 --> 00:38:24,800
Speaker 1: there and there's no foundation, there's no connection with the

655
00:38:24,880 --> 00:38:28,359
Speaker 1: consumer and the artist. That's where a lot of people

656
00:38:28,640 --> 00:38:30,640
Speaker 1: when you hear the record hit the moon and you're like, oh,

657
00:38:30,760 --> 00:38:32,839
Speaker 1: this is this is the ship. And then the next

658
00:38:32,880 --> 00:38:35,920
Speaker 1: time they drop a single it flops because why they

659
00:38:36,040 --> 00:38:39,480
Speaker 1: only into the record, they're not into the artists. And

660
00:38:39,560 --> 00:38:42,200
Speaker 1: when they meet the artists, the artists not connected with

661
00:38:42,280 --> 00:38:44,600
Speaker 1: the people you meet. The artist is going to the

662
00:38:44,719 --> 00:38:49,400
Speaker 1: end of the artists. Yeah, the artists A pause, you know,

663
00:38:49,520 --> 00:38:53,880
Speaker 1: it's true. It's true. Like they don't want to take pictures,

664
00:38:54,320 --> 00:38:57,600
Speaker 1: they don't want to grab the mind as you you

665
00:38:57,719 --> 00:38:59,719
Speaker 1: asked him, can take a picture with him and he's

666
00:38:59,760 --> 00:39:02,040
Speaker 1: the guy you want to take and then he'd be

667
00:39:02,080 --> 00:39:05,160
Speaker 1: like nah yeah, and I'd be like, yeah, this is DJ,

668
00:39:05,640 --> 00:39:12,520
Speaker 1: like like this is John Down're like like they'd be like,

669
00:39:12,640 --> 00:39:16,879
Speaker 1: nah name, and then I'm gonna still work. I feel

670
00:39:16,880 --> 00:39:18,640
Speaker 1: like I still work for I can't. I can't. But

671
00:39:18,640 --> 00:39:22,680
Speaker 1: a lot of these artists are fucking nags, Like a

672
00:39:22,760 --> 00:39:32,800
Speaker 1: lot of them who time this is my name one on.

673
00:39:33,000 --> 00:39:34,440
Speaker 1: Now I can't. I can't because I said work for

674
00:39:34,520 --> 00:39:36,640
Speaker 1: you don't work. But I still work for everybody. No,

675
00:39:36,760 --> 00:39:39,000
Speaker 1: I can't. I still work for everybody. So this is

676
00:39:39,040 --> 00:39:41,480
Speaker 1: the problem. Like like the artist they got a number

677
00:39:41,520 --> 00:39:43,800
Speaker 1: one record across the country and ship is hand. The

678
00:39:43,920 --> 00:39:46,920
Speaker 1: artist is torn all over the tree, he makes a spell,

679
00:39:47,160 --> 00:39:50,279
Speaker 1: he goes around, then he comes back. Second single, No

680
00:39:50,400 --> 00:39:55,080
Speaker 1: one cares, and then third single, No one cares, Fourth single,

681
00:39:55,200 --> 00:39:57,799
Speaker 1: No one cares. Now the labels like, fun, we're gonna

682
00:39:57,840 --> 00:40:01,600
Speaker 1: two because now we're we're let's stick millions in this artists.

683
00:40:01,880 --> 00:40:05,600
Speaker 1: And it's just five singles later and there's still no connection.

684
00:40:06,000 --> 00:40:08,799
Speaker 1: No one's running like, oh my god, this fucking artist

685
00:40:08,880 --> 00:40:11,960
Speaker 1: is it? I want to download? And that's what these

686
00:40:12,080 --> 00:40:14,880
Speaker 1: artists are lacking. Then they're trying to skip over the

687
00:40:15,000 --> 00:40:20,239
Speaker 1: process of the foundations. Stop doing that. Ship's right. But

688
00:40:21,080 --> 00:40:24,359
Speaker 1: like I say me, like I tell everything, get many,

689
00:40:24,800 --> 00:40:26,959
Speaker 1: but you gotta tell them too, right, So they gotta

690
00:40:27,000 --> 00:40:31,080
Speaker 1: they gotta single. They're getting thirty thousand dollars a show,

691
00:40:31,600 --> 00:40:34,680
Speaker 1: but they're not breaking bread with the crew. Right's crew

692
00:40:34,800 --> 00:40:36,799
Speaker 1: the show. That's what happened to a lot of arts

693
00:40:37,280 --> 00:40:40,160
Speaker 1: and stuff like a little bit don't mean. But now

694
00:40:40,600 --> 00:40:43,920
Speaker 1: you're working with one of the hottest brands in the industry. Right,

695
00:40:44,320 --> 00:40:47,480
Speaker 1: so now you'll meet Like I'm just giving a story

696
00:40:47,520 --> 00:40:49,280
Speaker 1: to name out here. I'm not saying that this happened.

697
00:40:49,480 --> 00:40:51,840
Speaker 1: Give me the reason. Don't come on right, it's a

698
00:40:52,320 --> 00:40:54,640
Speaker 1: require lays you up. You know, you give me your

699
00:40:54,719 --> 00:40:58,520
Speaker 1: size as a lash you who are show? Huh. I'm

700
00:40:58,560 --> 00:41:01,799
Speaker 1: just giving this right, so you lace them all. Now

701
00:41:01,920 --> 00:41:03,879
Speaker 1: it is an artist. Maybe it's not rich on the pan,

702
00:41:03,960 --> 00:41:05,600
Speaker 1: but it's a it's an artist. Now they come to

703
00:41:05,640 --> 00:41:07,680
Speaker 1: you and they say, man, and you want to do

704
00:41:07,760 --> 00:41:12,080
Speaker 1: a collapse the champions only collais I see champions. Deal

705
00:41:12,200 --> 00:41:18,480
Speaker 1: was like Nike no Supreme, Supreme Supreme and run and

706
00:41:18,560 --> 00:41:21,760
Speaker 1: the beginning the parents was it was it was Virgil

707
00:41:21,840 --> 00:41:26,000
Speaker 1: to that and they do. You know, it was long.

708
00:41:26,239 --> 00:41:29,800
Speaker 1: You gotta be transparent with everybody. You always like like

709
00:41:30,320 --> 00:41:34,040
Speaker 1: my boy the other day told me he was making

710
00:41:34,239 --> 00:41:37,200
Speaker 1: he has a had company and he says, well, you know,

711
00:41:37,280 --> 00:41:39,399
Speaker 1: I could always fake that. I did a limited edition

712
00:41:39,520 --> 00:41:41,600
Speaker 1: and and really still have more. And I said, nah,

713
00:41:42,960 --> 00:41:46,439
Speaker 1: once you fake once, don't remember you. You just gotta

714
00:41:46,480 --> 00:41:49,799
Speaker 1: be transparent. You always gotta be yourself. If you don't

715
00:41:49,800 --> 00:41:51,520
Speaker 1: have a deal on the table, you don't have a

716
00:41:51,600 --> 00:41:53,880
Speaker 1: deal on the table. But at least you tell people

717
00:41:53,960 --> 00:41:57,360
Speaker 1: straight up. That's all, you know, Just be yourself. Just

718
00:41:57,480 --> 00:42:13,440
Speaker 1: be yourself. I don't take Yeah, yeah, that's all. That's sunning.

719
00:42:13,560 --> 00:42:23,000
Speaker 1: It's always a sunny. I mean, I mean, you know,

720
00:42:23,440 --> 00:42:28,960
Speaker 1: it's all about foundation, and it's about like my man

721
00:42:29,200 --> 00:42:31,200
Speaker 1: ate Forty called me from one or six and parties, like,

722
00:42:31,680 --> 00:42:35,200
Speaker 1: what what you want me to wear? I was like, forty, wait,

723
00:42:35,280 --> 00:42:37,480
Speaker 1: whatever you want. I don't even you know, I don't

724
00:42:37,520 --> 00:42:39,200
Speaker 1: care if you're gonna wear it. You know I want

725
00:42:39,239 --> 00:42:43,399
Speaker 1: you to. It's the music first, it's the artist first.

726
00:42:43,440 --> 00:42:46,160
Speaker 1: I grew up with this man. This is making giving

727
00:42:46,200 --> 00:42:49,000
Speaker 1: me a livin. So I always think and I tell

728
00:42:49,080 --> 00:42:54,560
Speaker 1: my family, yeah, we gotta respect the music culture. We

729
00:42:54,640 --> 00:42:58,840
Speaker 1: gotta respect you know, when you look at history of

730
00:42:59,080 --> 00:43:04,840
Speaker 1: hip hop, like black culture, African culture, we gotta respect

731
00:43:04,880 --> 00:43:09,040
Speaker 1: it to the word. You know, people lived and died

732
00:43:09,160 --> 00:43:11,680
Speaker 1: for for this culture. Fact. So we just gotta be

733
00:43:11,800 --> 00:43:15,920
Speaker 1: respectful for the next far year. That was so crazy

734
00:43:15,960 --> 00:43:22,960
Speaker 1: about to right, not very warty. We were saying. Now,

735
00:43:23,040 --> 00:43:25,200
Speaker 1: I was saying, how do you think a limited edition?

736
00:43:25,360 --> 00:43:27,480
Speaker 1: Like a limited run? That wasn't me, man, I know

737
00:43:27,520 --> 00:43:29,879
Speaker 1: what you're saying that. I'm saying you what I'm saying,

738
00:43:29,920 --> 00:43:32,600
Speaker 1: how does a person fake a limited run? He was

739
00:43:32,640 --> 00:43:34,840
Speaker 1: going to come out with you know, he was like

740
00:43:36,040 --> 00:43:39,920
Speaker 1: he said, he I released the hundred that sold straight

741
00:43:40,000 --> 00:43:41,839
Speaker 1: to you know, just to say that they sold out.

742
00:43:41,920 --> 00:43:45,239
Speaker 1: And I'm like, you do that. You're got to be

743
00:43:45,400 --> 00:43:50,279
Speaker 1: authentic all the way, you know, and if you if

744
00:43:50,320 --> 00:43:55,480
Speaker 1: you lie to your customers, you know, if you like

745
00:43:57,640 --> 00:44:01,400
Speaker 1: and one thing, I got a bigger Manny. He's always

746
00:44:02,080 --> 00:44:05,000
Speaker 1: on the bottom of the ship, but he's always representing

747
00:44:05,040 --> 00:44:09,719
Speaker 1: the culture. He's always pushing the brand, and he's always like, Yo,

748
00:44:10,200 --> 00:44:12,440
Speaker 1: that's popping. I need to be there, Like, Yo, what

749
00:44:12,600 --> 00:44:14,680
Speaker 1: you gotta block party? We're pulling up, you know, what

750
00:44:14,680 --> 00:44:17,080
Speaker 1: I mean, like, what's happening part of getting parade? How

751
00:44:17,160 --> 00:44:20,600
Speaker 1: can I be involved? Like he's always involved on the

752
00:44:20,719 --> 00:44:23,160
Speaker 1: ground of the ship. That's why the brand is so

753
00:44:23,360 --> 00:44:26,600
Speaker 1: successful and still pushing. You know, shout out too week

754
00:44:26,800 --> 00:44:28,560
Speaker 1: listen and hip hop coach. You'll let me pick you

755
00:44:28,680 --> 00:44:34,439
Speaker 1: up right now, mannie. Because the hip hop culture we've

756
00:44:34,520 --> 00:44:36,840
Speaker 1: been here about twenty years. I mean, I'm saying that

757
00:44:37,040 --> 00:44:40,960
Speaker 1: from from my stand for the family tip. Any person

758
00:44:41,080 --> 00:44:45,840
Speaker 1: think of Champion, You're the first face they think of,

759
00:44:46,719 --> 00:44:49,160
Speaker 1: and that's a newful thing. I appreciate that, you know,

760
00:44:49,280 --> 00:44:55,800
Speaker 1: That's something I think we should make some more and

761
00:44:56,040 --> 00:44:59,440
Speaker 1: listen to other brands that when hip hop got wrong,

762
00:45:00,160 --> 00:45:04,439
Speaker 1: they walked away from. Yeah, Champion is always this thing

763
00:45:04,600 --> 00:45:07,600
Speaker 1: with hit body. Yeah, and you know, shout out to

764
00:45:07,719 --> 00:45:12,880
Speaker 1: her Richards, she's kid the West Coast. You know this

765
00:45:13,040 --> 00:45:15,080
Speaker 1: is this is the next shout out that's coming up

766
00:45:15,120 --> 00:45:17,359
Speaker 1: to the girl out with me down. She's twenty four

767
00:45:17,440 --> 00:45:20,359
Speaker 1: years old. She always we got she holds me down

768
00:45:20,400 --> 00:45:24,160
Speaker 1: in the West Coast. So the one thing about us

769
00:45:24,239 --> 00:45:27,840
Speaker 1: old heads is that we're not respecting the genius minds

770
00:45:28,400 --> 00:45:31,600
Speaker 1: that this new generation. This girl walked up to my

771
00:45:31,680 --> 00:45:33,799
Speaker 1: boot and she's like, I'm here for a job. I said,

772
00:45:33,800 --> 00:45:36,680
Speaker 1: you're crazy, girl. We don't have enough jobs, you know.

773
00:45:37,160 --> 00:45:41,320
Speaker 1: But I was like, so send me some sketches. She

774
00:45:41,400 --> 00:45:44,719
Speaker 1: sent me the sketches. I was impressed. So we gotta

775
00:45:44,840 --> 00:45:47,160
Speaker 1: let the new generation come in and do this thing

776
00:45:47,480 --> 00:45:51,400
Speaker 1: because they have they have genius minds, like yeah, and

777
00:45:51,440 --> 00:45:53,560
Speaker 1: they have a new Sonic. They have a new sonic,

778
00:45:53,600 --> 00:45:56,000
Speaker 1: they have a new style, and we gotta let them.

779
00:45:56,760 --> 00:46:00,200
Speaker 1: Let them grow because when you cut your grass, you

780
00:46:00,360 --> 00:46:03,279
Speaker 1: grass grows, you know, So we gotta keep letting the

781
00:46:03,400 --> 00:46:06,200
Speaker 1: young people blossoms. Because we were young. Somebody let me go.

782
00:46:06,640 --> 00:46:08,000
Speaker 1: They were like, yo, man, you go ahead and do

783
00:46:08,080 --> 00:46:10,839
Speaker 1: what you want. And when they saw me carrying eight

784
00:46:10,960 --> 00:46:15,680
Speaker 1: bags of Champion hoodies, they were like, I don't gotta

785
00:46:15,680 --> 00:46:18,239
Speaker 1: say anything else, you know. That's why I got your

786
00:46:18,400 --> 00:46:21,200
Speaker 1: That's any time where Champion wasn't hot and you had

787
00:46:21,280 --> 00:46:23,480
Speaker 1: to like it on. Oh yeah, no, no, I don't

788
00:46:23,560 --> 00:46:25,600
Speaker 1: never putting up the normal body. But it was, it was.

789
00:46:25,680 --> 00:46:27,439
Speaker 1: There was a lot of times in the beginning people

790
00:46:27,480 --> 00:46:30,319
Speaker 1: told me, nobody's unaware. That's like, all right, cool, don't

791
00:46:30,320 --> 00:46:32,680
Speaker 1: worry about it. That that kind of that's how great

792
00:46:32,680 --> 00:46:35,279
Speaker 1: that's that's the got some now for us. Yeah, that's that's.

793
00:46:35,719 --> 00:46:38,600
Speaker 1: Oh you're not a designer. Okay, I'm not a designer.

794
00:46:38,760 --> 00:46:42,120
Speaker 1: I'm a designer global movement, and then you figure it out.

795
00:46:43,080 --> 00:46:45,640
Speaker 1: I spent off on the same same question of super City.

796
00:46:46,040 --> 00:46:49,520
Speaker 1: Was there any of your time with like think you

797
00:46:49,920 --> 00:46:53,120
Speaker 1: like you like this artist is hip, You're in the

798
00:46:53,239 --> 00:46:57,680
Speaker 1: club with him. You continue to yourself you're gorgeously female.

799
00:46:59,320 --> 00:47:03,120
Speaker 1: So that you because you know, you could body come

800
00:47:03,200 --> 00:47:04,360
Speaker 1: up to a perse and say yeah, I need you

801
00:47:04,480 --> 00:47:06,239
Speaker 1: on the show, and the person like, yeah, I'm coming

802
00:47:06,360 --> 00:47:11,000
Speaker 1: your show, because they take it. They're looking at your ship. Curious, curious.

803
00:47:11,840 --> 00:47:20,840
Speaker 1: It's not me say shot ship, ship ship. Okay, but

804
00:47:20,880 --> 00:47:23,040
Speaker 1: this don't say no. You can't say that in it Again,

805
00:47:24,000 --> 00:47:27,399
Speaker 1: not everybody knows who Super's Indians. Yes, yes, everybody loves

806
00:47:27,440 --> 00:47:38,480
Speaker 1: a little steak. You can't decide that I got your sad.

807
00:47:38,719 --> 00:47:46,360
Speaker 1: Sorry for twice. I don't see where I stay in

808
00:47:46,400 --> 00:47:48,160
Speaker 1: my lane, Like when I'm gonna tell you what happened,

809
00:47:48,200 --> 00:47:50,040
Speaker 1: like I stayed in my lane. I do the fucking

810
00:47:50,080 --> 00:47:53,239
Speaker 1: clubs and internet because when I was up clus to

811
00:47:53,400 --> 00:47:54,960
Speaker 1: you know, what I was saying is when I was

812
00:47:55,080 --> 00:47:57,440
Speaker 1: jumping into the club ship. And then when I was

813
00:47:57,520 --> 00:47:59,440
Speaker 1: jumping in the club ship and that was shouting me

814
00:47:59,480 --> 00:48:03,640
Speaker 1: out of the time, the radio nimes got upset. That's

815
00:48:03,760 --> 00:48:05,800
Speaker 1: why I stay in my front way. Now, let's just

816
00:48:07,719 --> 00:48:14,400
Speaker 1: understand I'm sorry here now together where age they ever been?

817
00:48:15,320 --> 00:48:18,960
Speaker 1: Artist did come up to you? And you know, I mean,

818
00:48:19,080 --> 00:48:22,120
Speaker 1: let's just address the elephant in the room, like, yea,

819
00:48:22,160 --> 00:48:25,239
Speaker 1: a gorgeous person. You're really very very pretty, thank you

820
00:48:25,280 --> 00:48:27,600
Speaker 1: beautiful body. And you know you have a body because

821
00:48:27,600 --> 00:48:30,319
Speaker 1: you have your body on the tea ship. Right, I'll

822
00:48:30,320 --> 00:48:33,440
Speaker 1: not see stas collected. He's coming in, right, I got this.

823
00:48:33,920 --> 00:48:36,640
Speaker 1: So it hasn't ever been like a time when you're

824
00:48:36,680 --> 00:48:39,040
Speaker 1: talking to an artists trying to give them advice, but

825
00:48:39,120 --> 00:48:41,720
Speaker 1: they're trying to give you a different type of advice.

826
00:48:43,800 --> 00:48:46,160
Speaker 1: Wait if I'm trying to give an established artist advice

827
00:48:46,280 --> 00:48:50,880
Speaker 1: or not, because anyway whatever as a female in general,

828
00:48:51,040 --> 00:48:54,759
Speaker 1: like when you want staying ship, yeah no, oh that

829
00:48:54,840 --> 00:48:56,839
Speaker 1: ship is real. They haven't addressed it in the radio world.

830
00:48:56,880 --> 00:49:04,000
Speaker 1: But that's another one time. Yeah not yeah, you know,

831
00:49:05,239 --> 00:49:08,239
Speaker 1: but of course, like I've met an artist before, seeing

832
00:49:08,280 --> 00:49:10,640
Speaker 1: him on South Beach in a club or whatever, and

833
00:49:10,800 --> 00:49:14,520
Speaker 1: then they think a little I'm staying at the Fountain Blue,

834
00:49:14,560 --> 00:49:17,279
Speaker 1: I'm staying at the this and I'm like, I'm like,

835
00:49:17,360 --> 00:49:21,280
Speaker 1: let's just know what they're dying, right, But yeah, definitely

836
00:49:22,080 --> 00:49:24,319
Speaker 1: they're trying to meet up with you. Yeah, yeah, yeah,

837
00:49:24,680 --> 00:49:30,240
Speaker 1: trying to meet with you. And recently recently the interviewed

838
00:49:30,400 --> 00:49:32,680
Speaker 1: at the radio station because I have a show called

839
00:49:32,719 --> 00:49:35,799
Speaker 1: Just Being Nosy where I asked artists just random out

840
00:49:35,800 --> 00:49:38,400
Speaker 1: of the blue questions, and there was a certain artist

841
00:49:38,800 --> 00:49:41,560
Speaker 1: who I saw him on a boat party. First he

842
00:49:41,760 --> 00:49:56,120
Speaker 1: DM me that night party. I didn't go doing but

843
00:49:56,200 --> 00:49:58,719
Speaker 1: he DM me and then I just acted like I

844
00:49:58,760 --> 00:50:01,000
Speaker 1: didn't see it, d M him back like two days later.

845
00:50:01,040 --> 00:50:06,000
Speaker 1: Way crazy. But then he recently interviewed him again. No,

846
00:50:06,440 --> 00:50:09,800
Speaker 1: he donty DM again like when are we going to

847
00:50:09,920 --> 00:50:12,000
Speaker 1: link up? And I just funded to him with me

848
00:50:12,040 --> 00:50:17,600
Speaker 1: and my boyfriend break up like like at something like that,

849
00:50:17,840 --> 00:50:31,600
Speaker 1: like we at t yeah cameras you real hat. So

850
00:50:31,640 --> 00:50:53,880
Speaker 1: I'm gonna say, really promising, I think sat brood promising,

851
00:50:54,000 --> 00:50:57,560
Speaker 1: you know, like what we started dating and the ring,

852
00:50:58,040 --> 00:50:59,400
Speaker 1: you know what I say, like this is not big

853
00:50:59,480 --> 00:51:05,320
Speaker 1: enough front of engagement ring where we engagement. I don't

854
00:51:05,320 --> 00:51:07,359
Speaker 1: know what I'm saying, you want just do like I'm

855
00:51:07,840 --> 00:51:13,200
Speaker 1: just very trouble right now. Now he's whole TV right now.

856
00:51:17,000 --> 00:51:20,279
Speaker 1: That's that's yo. Listen, that's a beautiful day when you

857
00:51:20,440 --> 00:51:23,960
Speaker 1: love somebody. Let me tell you something. The other day

858
00:51:25,000 --> 00:51:28,319
Speaker 1: I felt like telling my wife, right, I was like, yo,

859
00:51:29,239 --> 00:51:32,279
Speaker 1: I think like you know, just some time, like you

860
00:51:32,360 --> 00:51:34,560
Speaker 1: know a part. And then she went to the grocery

861
00:51:34,640 --> 00:51:41,000
Speaker 1: store and I missed him. I'm just I was just

862
00:51:43,560 --> 00:51:47,000
Speaker 1: the first dings looked at me like what the funds?

863
00:51:47,000 --> 00:51:50,799
Speaker 1: And I gotta you up on that. I know even

864
00:51:50,800 --> 00:51:53,799
Speaker 1: for like ten food twelve years and you've always had

865
00:51:53,880 --> 00:51:56,800
Speaker 1: the ring on your chain. And then I see you

866
00:51:56,920 --> 00:52:04,560
Speaker 1: win on your hand, my nigga like that. I'm just saying,

867
00:52:04,719 --> 00:52:06,920
Speaker 1: I'm like I really saw that the other day, like

868
00:52:06,960 --> 00:52:08,920
Speaker 1: because you know, I'm to get a more wife all

869
00:52:08,960 --> 00:52:10,759
Speaker 1: the time. So I was like, yo, you know what,

870
00:52:11,239 --> 00:52:14,520
Speaker 1: maybe well I'll do this and you do that so

871
00:52:14,640 --> 00:52:16,120
Speaker 1: I can miss you. And then she just went to

872
00:52:16,239 --> 00:52:18,399
Speaker 1: the store and it's just like it's not even it's

873
00:52:18,400 --> 00:52:22,600
Speaker 1: not even that she's a girl, it is that that's

874
00:52:22,680 --> 00:52:25,640
Speaker 1: my best friend. Like like like when I sit down

875
00:52:25,680 --> 00:52:27,400
Speaker 1: on somebody called me, I'm like, oh, dude, you know

876
00:52:27,560 --> 00:52:30,080
Speaker 1: what the fun but then you know you gotta also

877
00:52:30,239 --> 00:52:35,560
Speaker 1: respect man cookee me that because man co sometimes you

878
00:52:35,680 --> 00:52:38,320
Speaker 1: Nika tell me some ship I can't tell her, okay,

879
00:52:39,880 --> 00:52:41,920
Speaker 1: and then that's it's really my best friend. So I'm

880
00:52:41,960 --> 00:52:47,560
Speaker 1: like not to and I'd be like, I've changed the subject.

881
00:52:47,600 --> 00:52:51,640
Speaker 1: You don't know what eight thirty six pancakes and I'm

882
00:52:51,680 --> 00:52:55,920
Speaker 1: talking my son. I'm gonnause. Sometimes I gotta help me

883
00:52:56,000 --> 00:52:58,520
Speaker 1: something and then now I gotta go home, and I

884
00:52:58,600 --> 00:53:01,959
Speaker 1: gotta keep that you to me. No tunnel body cool,

885
00:53:02,200 --> 00:53:06,680
Speaker 1: you're not. I can't pennel cheap for those dead problems. Yeah,

886
00:53:07,719 --> 00:53:12,200
Speaker 1: I think you good. No, no, no no. I might

887
00:53:12,400 --> 00:53:15,560
Speaker 1: change the subject a little bit psychy. But the fact

888
00:53:15,680 --> 00:53:20,640
Speaker 1: that the music totally doesn't believe in love anymore. Hip

889
00:53:20,680 --> 00:53:23,600
Speaker 1: hop doesn't talk about love, it doesn't believe in love anymore.

890
00:53:24,160 --> 00:53:26,880
Speaker 1: It makes it very extremely hard for the women in

891
00:53:27,000 --> 00:53:30,000
Speaker 1: the industry if they're weak, because if you're weak, you

892
00:53:30,120 --> 00:53:32,640
Speaker 1: will not survive in this thing called hip hop. Will

893
00:53:32,840 --> 00:53:36,160
Speaker 1: rap music, track music, whatever you want to say, So

894
00:53:36,520 --> 00:53:39,000
Speaker 1: it's not easy. So little weak I speaking all the

895
00:53:39,080 --> 00:53:41,879
Speaker 1: females in the industry, they got just building the souls

896
00:53:41,960 --> 00:53:44,839
Speaker 1: in that yeah, because you're all you have is your

897
00:53:44,880 --> 00:53:50,520
Speaker 1: reputation and once you fucking up, that's it. So I

898
00:53:50,840 --> 00:53:57,160
Speaker 1: to the old me too movement. I think that this

899
00:53:57,280 --> 00:54:03,640
Speaker 1: whole situation is every no, it's in everything, hospitals, anywhere,

900
00:54:03,760 --> 00:54:06,759
Speaker 1: female works, even men are. It feels like hip hops

901
00:54:07,200 --> 00:54:08,840
Speaker 1: front with it, like, yo, this is what it is.

902
00:54:08,960 --> 00:54:10,880
Speaker 1: Is the environment is not this is what the words

903
00:54:10,880 --> 00:54:13,600
Speaker 1: in corporate or politics. It's like, that's why it's hard,

904
00:54:13,640 --> 00:54:16,200
Speaker 1: because that line gets crossed. But then the females in

905
00:54:16,239 --> 00:54:18,400
Speaker 1: the industry believe that's just the way it is. And

906
00:54:19,200 --> 00:54:23,719
Speaker 1: and I'm semi guilty of that too. I mean, so

907
00:54:23,960 --> 00:54:27,120
Speaker 1: I just saw every executive no more pretty girls. We're

908
00:54:27,160 --> 00:54:32,600
Speaker 1: hiring openly chicks, in fact chicks. So this way, that's right.

909
00:54:38,360 --> 00:54:44,200
Speaker 1: I love the screaming, but every like he's talking about now,

910
00:54:44,320 --> 00:54:51,120
Speaker 1: Status select us in the motherfucking yeah, this is my brother.

911
00:54:51,280 --> 00:54:57,000
Speaker 1: I listen. Status is probably the first person outside of

912
00:54:57,239 --> 00:55:00,400
Speaker 1: us that I've told you I can't hi to e

913
00:55:00,640 --> 00:55:03,800
Speaker 1: F And I said, he's a drink chan. This is like,

914
00:55:04,840 --> 00:55:08,000
Speaker 1: this is this is like maybe twelve years before before

915
00:55:08,040 --> 00:55:10,440
Speaker 1: the show. You know, we had this show. When we

916
00:55:10,520 --> 00:55:15,080
Speaker 1: had this it wasn't about drink the show, but drink Chance.

917
00:55:15,320 --> 00:55:21,040
Speaker 1: We're saying something my alchemists called drink chairs. We had

918
00:55:21,080 --> 00:55:25,120
Speaker 1: a show called Militatetment Crazy Radio, and at the end

919
00:55:25,160 --> 00:55:27,520
Speaker 1: of the night, whoever stayed up, we would call him

920
00:55:27,560 --> 00:55:32,680
Speaker 1: drink Chance. It wasn't but status. I could never forget

921
00:55:33,800 --> 00:55:36,920
Speaker 1: the status. My boy already it's my brother's everything. And

922
00:55:37,040 --> 00:55:40,399
Speaker 1: we go to the club and I poured status from

923
00:55:40,400 --> 00:55:49,479
Speaker 1: sufrock World. What you know, older guy? Last were Drenk

924
00:55:52,040 --> 00:55:58,400
Speaker 1: drinks General to a drink Chance General, drink drink Chans.

925
00:55:59,239 --> 00:56:09,640
Speaker 1: It got me the tiger the tiger about challenge child's chatting.

926
00:56:10,160 --> 00:56:14,799
Speaker 1: I know, no, he knows. I don't gotta relax. Give

927
00:56:14,920 --> 00:56:22,800
Speaker 1: two shots to tager balls were the little standing I

928
00:56:22,800 --> 00:56:27,479
Speaker 1: asked for your book, your bossy boss y'all onto too, buddy,

929
00:56:27,600 --> 00:56:33,200
Speaker 1: somebody's doing it too. Yeah, yeah, I'm shot. That's not

930
00:56:33,360 --> 00:56:40,439
Speaker 1: a ship? Did you not a ship? Yeah? I see,

931
00:56:42,600 --> 00:56:46,040
Speaker 1: But I don't don't let me tell you something you

932
00:56:46,160 --> 00:56:49,839
Speaker 1: don't get back by tiger tiger ball, take a gong.

933
00:56:50,280 --> 00:56:56,439
Speaker 1: I got like three, I got three of them. By

934
00:56:56,920 --> 00:57:00,319
Speaker 1: know this is not bogy millis do so will see

935
00:57:00,440 --> 00:57:04,279
Speaker 1: nice train Chan This bodylight right there, notice talking about

936
00:57:04,280 --> 00:57:08,520
Speaker 1: its like you gotta relax, So I'm totally there. I

937
00:57:08,680 --> 00:57:17,200
Speaker 1: got chees yo. This is tracks. Happy New Year, iber

938
00:57:17,280 --> 00:57:21,840
Speaker 1: some another year the first first man, I just want

939
00:57:21,880 --> 00:57:24,280
Speaker 1: to big yeah, bow fut out yea, hold on, hold

940
00:57:24,480 --> 00:57:27,160
Speaker 1: on wait you always see he always least the whole

941
00:57:27,200 --> 00:57:31,720
Speaker 1: sweet yea said, let's chance my album on the four

942
00:57:31,800 --> 00:57:36,520
Speaker 1: light two d R cheers, ye at least on this.

943
00:57:38,000 --> 00:57:41,160
Speaker 1: That's how you won't you show you what old? I

944
00:57:41,320 --> 00:57:49,560
Speaker 1: tell you? Yo? Yo, Sorry that first make some train champs,

945
00:57:50,800 --> 00:57:58,840
Speaker 1: chap big rain, chap light wight ship. You gotta relaxed

946
00:57:58,920 --> 00:58:03,680
Speaker 1: that pat is that? Yeah? Everybody, I'm gonna chasing with

947
00:58:03,760 --> 00:58:08,760
Speaker 1: some jamison. Oh that's like you rip bosling right behind day.

948
00:58:09,760 --> 00:58:12,200
Speaker 1: I can do that, becausident. That's good ship. Get a

949
00:58:12,560 --> 00:58:19,840
Speaker 1: regulars ship. Tell you everybody's happy fucking holidays. Yeah, check

950
00:58:20,000 --> 00:58:22,680
Speaker 1: up that back then it's happened, but it's happening game.

951
00:58:23,280 --> 00:58:25,480
Speaker 1: What's the name and artist? What's the name of artists?

952
00:58:27,640 --> 00:58:30,360
Speaker 1: That's his name's I don't do that from scratching? What's

953
00:58:30,400 --> 00:58:32,439
Speaker 1: your name? Is the U? Ran up with up money

954
00:58:32,560 --> 00:58:42,680
Speaker 1: the pinder? Look at that's scratch all listen tell out

955
00:58:43,160 --> 00:58:46,120
Speaker 1: tell about everybody to build it, everybody to build it.

956
00:58:46,200 --> 00:58:49,120
Speaker 1: Let me tell you something to bring chill. I'm sorry

957
00:58:49,160 --> 00:58:52,560
Speaker 1: to tell you something. Hip hop has to continue to

958
00:58:52,640 --> 00:58:57,040
Speaker 1: be honored. Super Cindy, you're super beautiful. Nice to meet

959
00:58:57,040 --> 00:58:59,400
Speaker 1: your supercilio. How we can gut see your homie horse

960
00:58:59,640 --> 00:59:04,800
Speaker 1: he loved see how you grow through your ass. He's

961
00:59:04,960 --> 00:59:08,000
Speaker 1: into you, man, and we have to keep continue to

962
00:59:08,080 --> 00:59:13,160
Speaker 1: spread that. Man. You've always been involved with hip hop.

963
00:59:13,480 --> 00:59:16,280
Speaker 1: You've always been with us, You've been through the trenches.

964
00:59:16,720 --> 00:59:22,280
Speaker 1: I'm honored that you are chief executive at motherfucking Champion

965
00:59:23,480 --> 00:59:32,280
Speaker 1: Champoo Shampoo. My brother, how many checks you get? I

966
00:59:32,360 --> 00:59:34,400
Speaker 1: get a couple of def Jam Capital Epic E one.

967
00:59:37,320 --> 00:59:40,960
Speaker 1: And this is the reason. This isn't the reason why

968
00:59:43,360 --> 00:59:47,160
Speaker 1: it's the reason why this is important. It's because when

969
00:59:47,240 --> 00:59:50,760
Speaker 1: you started out on this game, your label high as

970
00:59:50,880 --> 00:59:56,280
Speaker 1: him to walk you through it. For most artists walking

971
00:59:56,400 --> 00:59:59,160
Speaker 1: through it with him and then think that he doesn't

972
00:59:59,240 --> 01:00:03,720
Speaker 1: exist after that game is done. Facts, they don't think

973
01:00:03,800 --> 01:00:07,800
Speaker 1: he is until their ship is over and they knew

974
01:00:07,840 --> 01:00:11,240
Speaker 1: what they like. You're pulling. Let me touch you. When

975
01:00:11,240 --> 01:00:16,040
Speaker 1: I swear, I swear, I swear Even the hottest motherfucker's

976
01:00:16,600 --> 01:00:19,720
Speaker 1: when this ship go down, they come back to the beginning.

977
01:00:20,240 --> 01:00:23,880
Speaker 1: You always have to. They have to. And they'd be like, yo, Pool,

978
01:00:23,960 --> 01:00:25,320
Speaker 1: let me talk to you and don't be like yo,

979
01:00:25,400 --> 01:00:30,320
Speaker 1: this thing yode that's something. I'm like, Yeah, he ready

980
01:00:30,520 --> 01:00:33,240
Speaker 1: come back. Now he ready to come back to the beginning.

981
01:00:34,480 --> 01:00:37,440
Speaker 1: We're telling you, man, you can't stop, you can't remember,

982
01:00:37,560 --> 01:00:45,400
Speaker 1: you are sorry, I'm sorry. Already talking, No, ready talking

983
01:00:45,400 --> 01:00:47,400
Speaker 1: to me and I'll be talking, you know if I'm talking.

984
01:00:47,440 --> 01:00:50,800
Speaker 1: He'd be like, that nig ship is downhill, right, bro,

985
01:00:50,960 --> 01:00:54,920
Speaker 1: that nigger ship is in Glenbow. No One. And he

986
01:00:55,080 --> 01:00:58,960
Speaker 1: had a number one record across the country tour and

987
01:00:59,120 --> 01:01:02,360
Speaker 1: now no one cares, No one cares, no one, no one,

988
01:01:02,560 --> 01:01:05,440
Speaker 1: no one fucking fucking with the second single, third single,

989
01:01:05,480 --> 01:01:07,360
Speaker 1: four single, and now they did not even want to

990
01:01:07,400 --> 01:01:10,920
Speaker 1: come back and be like, yo, bring me around. And

991
01:01:11,000 --> 01:01:13,680
Speaker 1: then what happens. The DJs be on some boardshit be

992
01:01:13,760 --> 01:01:17,160
Speaker 1: like now you want to come back really rarely. Now

993
01:01:17,360 --> 01:01:21,880
Speaker 1: now now he wants drops drops. I'm gonna take that

994
01:01:22,200 --> 01:01:26,080
Speaker 1: from there because I remember, like what it's see a

995
01:01:26,160 --> 01:01:28,880
Speaker 1: certain artist that come around, Like let's let's just say

996
01:01:29,640 --> 01:01:32,880
Speaker 1: whatever artists will come see me right now, I do

997
01:01:33,120 --> 01:01:37,760
Speaker 1: drops right, I love right. But this this certain artists

998
01:01:37,800 --> 01:01:40,200
Speaker 1: that quote unquote on my level, they'll go to the

999
01:01:40,320 --> 01:01:44,480
Speaker 1: radio station. They'd be like, that's it, don't they don't?

1000
01:01:44,600 --> 01:01:47,640
Speaker 1: Right then another artist will seeing do that. That's say,

1001
01:01:47,960 --> 01:01:52,120
Speaker 1: I don't know a little. It's a mistake where it is? Man,

1002
01:01:52,240 --> 01:01:53,959
Speaker 1: Oh yeah, let me tell you. I mean, I'm gonna

1003
01:01:53,960 --> 01:01:56,800
Speaker 1: give you a pull up for artists coming up. Don't

1004
01:01:57,280 --> 01:02:01,080
Speaker 1: skip the process, man, Embrace the grind. Breaks the grime

1005
01:02:01,400 --> 01:02:04,720
Speaker 1: is fucking important. Don't just go think you just because

1006
01:02:04,760 --> 01:02:08,000
Speaker 1: you fu with Super Cindy. Oh I'm on, no, man,

1007
01:02:09,120 --> 01:02:11,040
Speaker 1: she might be the only one that fucking with you.

1008
01:02:12,000 --> 01:02:16,560
Speaker 1: That's it. And don't disrespect the world is bigger than

1009
01:02:16,680 --> 01:02:20,400
Speaker 1: just her. So all your hardest that's coming up, or

1010
01:02:20,520 --> 01:02:24,680
Speaker 1: just or just Miami, Like I get motherfucker to be

1011
01:02:24,720 --> 01:02:27,000
Speaker 1: like yo, you know, m Like now I'm sorry, I'm

1012
01:02:27,080 --> 01:02:30,760
Speaker 1: popping in Miami. I'm like, okay, no one cares of

1013
01:02:30,920 --> 01:02:33,000
Speaker 1: you over here on this side. But we don't even

1014
01:02:33,040 --> 01:02:36,320
Speaker 1: know the record. Anybody were caught in your moment. Don't

1015
01:02:36,360 --> 01:02:42,960
Speaker 1: get caught in your moment. First of all, get social too,

1016
01:02:43,160 --> 01:02:46,000
Speaker 1: like because you think thing and every you know what

1017
01:02:46,000 --> 01:02:49,480
Speaker 1: I'm saying. Second, you refrect it like anybody who don't

1018
01:02:49,520 --> 01:02:56,120
Speaker 1: follow nobody. I know you're crazy. That's weird, that's nobody.

1019
01:02:56,560 --> 01:02:59,400
Speaker 1: I know you crazy, like you already told me out

1020
01:02:59,440 --> 01:03:01,720
Speaker 1: of your mind. And one thing all that's gotta stop doing.

1021
01:03:01,760 --> 01:03:04,000
Speaker 1: That one thing all that's gotta stop doing. I know,

1022
01:03:04,520 --> 01:03:08,000
Speaker 1: the whole social media ship got your old fucking brainwashed.

1023
01:03:08,560 --> 01:03:12,440
Speaker 1: When we're booking you for fucking event, a show, a

1024
01:03:12,600 --> 01:03:16,560
Speaker 1: club of walking through post the fucking flying man, what

1025
01:03:16,760 --> 01:03:18,480
Speaker 1: this is like? Can I just put it on my

1026
01:03:18,640 --> 01:03:21,760
Speaker 1: snap like that's a little ship, I know, But shampoo,

1027
01:03:21,960 --> 01:03:24,280
Speaker 1: let me let me. Let me say everybody wants to

1028
01:03:24,320 --> 01:03:28,240
Speaker 1: play me stand there for artists. Yes. As we're making

1029
01:03:28,320 --> 01:03:30,760
Speaker 1: the deal, you tell me I got five bands for

1030
01:03:30,920 --> 01:03:33,640
Speaker 1: you to walk through the joint, and I said back,

1031
01:03:33,760 --> 01:03:36,400
Speaker 1: I'm gonna walk through the joint for five bands. And

1032
01:03:36,560 --> 01:03:40,120
Speaker 1: then you tell me but it's five days later. He's like,

1033
01:03:40,200 --> 01:03:43,000
Speaker 1: oh shoot, I thought it was tonight. Okay, I get it.

1034
01:03:43,040 --> 01:03:46,520
Speaker 1: It's five days later and you don't tell me post it.

1035
01:03:46,920 --> 01:03:49,680
Speaker 1: So what happens is you give me the twenty No,

1036
01:03:49,840 --> 01:03:51,960
Speaker 1: I do, but you're just using it as as I'm

1037
01:03:51,960 --> 01:03:54,760
Speaker 1: just using that as stamp. I'm not. I don't do

1038
01:03:54,880 --> 01:04:05,840
Speaker 1: what anymore. I'm coming up there, yes, but let me

1039
01:04:05,840 --> 01:04:08,560
Speaker 1: see going to the artists behind. So you say, yo's

1040
01:04:08,600 --> 01:04:11,400
Speaker 1: five thousand more? All right, cool, just to walk through.

1041
01:04:11,440 --> 01:04:13,720
Speaker 1: You give me twenty four hunting, I take you twenty

1042
01:04:14,400 --> 01:04:18,320
Speaker 1: another day of you're telling me post this and do

1043
01:04:18,520 --> 01:04:21,120
Speaker 1: that and put it on this. So if you didn't

1044
01:04:21,120 --> 01:04:22,720
Speaker 1: tell me, if you told me that from the beginning,

1045
01:04:22,840 --> 01:04:28,840
Speaker 1: it's five bears plus five posts, I could funk with

1046
01:04:29,000 --> 01:04:33,760
Speaker 1: that because I'm but now you tell me on the

1047
01:04:33,880 --> 01:04:36,720
Speaker 1: day of, I can understand where the artist is at,

1048
01:04:36,800 --> 01:04:39,680
Speaker 1: like your hold on. I know they're making a hunt

1049
01:04:39,800 --> 01:04:44,160
Speaker 1: and fifty thousand tonight. I know I'm getting the two

1050
01:04:44,280 --> 01:04:46,960
Speaker 1: percent of the club. But let's do that because I'm

1051
01:04:46,960 --> 01:04:49,480
Speaker 1: not had to grab the mic. So I'm just walking through.

1052
01:04:49,920 --> 01:04:52,520
Speaker 1: So you gotta understand. But I understand that. But look

1053
01:04:52,560 --> 01:04:55,880
Speaker 1: at it as its motor. As a motor, you say

1054
01:04:55,960 --> 01:04:59,240
Speaker 1: that from the beginning, nig it's santi fun. I say

1055
01:04:59,320 --> 01:05:02,880
Speaker 1: that seven it don't be serving posts. I'd be like

1056
01:05:03,240 --> 01:05:08,600
Speaker 1: the day of post to flood. That's that's what we see. Like.

1057
01:05:08,720 --> 01:05:12,280
Speaker 1: You can't look trash though, because sometimes promoters in the flowers.

1058
01:05:12,680 --> 01:05:17,320
Speaker 1: That's actually show I just like and then like posted,

1059
01:05:17,840 --> 01:05:22,280
Speaker 1: but it looks you cromb myself. But unfortunately I don't

1060
01:05:22,280 --> 01:05:25,400
Speaker 1: have those problems because I deal with what you design.

1061
01:05:27,720 --> 01:05:29,720
Speaker 1: It's good, but you get what you say. It's just

1062
01:05:29,920 --> 01:05:33,240
Speaker 1: about like, it's about promoting yourself at the end of

1063
01:05:33,280 --> 01:05:36,120
Speaker 1: the day, you know, I'm here. It's about building your following.

1064
01:05:36,560 --> 01:05:39,360
Speaker 1: It's you know what I'm saying. It's about building your following. Like, Yo,

1065
01:05:39,480 --> 01:05:41,840
Speaker 1: I'm here tonight, come funk with me. That's what the

1066
01:05:41,840 --> 01:05:44,840
Speaker 1: ship is about. Like, it's about building this ship, like

1067
01:05:44,920 --> 01:05:47,400
Speaker 1: it ain't about the fucking promote of the club. Oh

1068
01:05:47,880 --> 01:05:52,000
Speaker 1: you're just paying me a walk through? Why, family, this

1069
01:05:52,200 --> 01:05:56,160
Speaker 1: is your brand. I'm here tonight, come funk with me. Club?

1070
01:05:57,160 --> 01:05:59,520
Speaker 1: You know what I mean? That's all less so and

1071
01:05:59,600 --> 01:06:01,480
Speaker 1: a lot of these artists I go through it, the

1072
01:06:01,560 --> 01:06:04,280
Speaker 1: big artists of small artists. The artist is coming up.

1073
01:06:04,520 --> 01:06:06,960
Speaker 1: They'd be like, all right, I'm gonna post it. They

1074
01:06:07,080 --> 01:06:09,560
Speaker 1: posted and then take it down. I'll be like, bro,

1075
01:06:09,800 --> 01:06:11,640
Speaker 1: how the fund you take it? You're not even in

1076
01:06:11,760 --> 01:06:14,880
Speaker 1: the club yet and you took the the fucking flying down.

1077
01:06:15,960 --> 01:06:19,000
Speaker 1: He'll tell please, you gotta elaborate on that yes, that's

1078
01:06:19,000 --> 01:06:21,480
Speaker 1: something exactly what they tell me to do. They'd be like, yo,

1079
01:06:21,600 --> 01:06:23,560
Speaker 1: know you post it and then take its ads, but

1080
01:06:23,680 --> 01:06:26,520
Speaker 1: not like now before you get into the next day,

1081
01:06:26,720 --> 01:06:33,320
Speaker 1: not like yeah, I never understand it that I post.

1082
01:06:33,360 --> 01:06:36,040
Speaker 1: I stand by it. I'm like, take any of it.

1083
01:06:36,120 --> 01:06:37,920
Speaker 1: Every joy. He's a no raise, one of those guys

1084
01:06:38,000 --> 01:06:40,600
Speaker 1: like he sometimes he gives me a hard time, like

1085
01:06:41,080 --> 01:06:44,400
Speaker 1: like I don't even listen he I know him he's

1086
01:06:44,440 --> 01:06:46,120
Speaker 1: gonna do it. He don't want to funk with me,

1087
01:06:46,240 --> 01:06:49,240
Speaker 1: be like I'm not gonna do it, not no, And

1088
01:06:49,360 --> 01:06:53,240
Speaker 1: I'm like, come on you like nah, I'm like all

1089
01:06:53,320 --> 01:06:57,560
Speaker 1: right the day ll he'll he'll do a drop and

1090
01:06:57,680 --> 01:07:00,800
Speaker 1: he'll show up early and take pictures with everybody take

1091
01:07:01,200 --> 01:07:04,720
Speaker 1: pick not everybody's not letting not like you know, that's

1092
01:07:04,760 --> 01:07:08,240
Speaker 1: exactly what I like. Not anybody a hard time, yeah,

1093
01:07:08,600 --> 01:07:14,320
Speaker 1: Ali Ali. Finally finally he said, you're not coming. I said,

1094
01:07:14,320 --> 01:07:19,040
Speaker 1: I'm not coming, he said, and then he just then

1095
01:07:19,080 --> 01:07:21,680
Speaker 1: he realized, I just like to get you a time.

1096
01:07:22,840 --> 01:07:27,040
Speaker 1: You're my friend. We're all making funey before man, Like

1097
01:07:27,160 --> 01:07:28,800
Speaker 1: that's one thing though, he said. When he saw me

1098
01:07:28,880 --> 01:07:31,440
Speaker 1: be from with the DJ, just to go back. He said, yo,

1099
01:07:32,240 --> 01:07:34,760
Speaker 1: folks going on. I was like, no, everything good because

1100
01:07:34,800 --> 01:07:37,640
Speaker 1: you never want to tell the artists because the artist,

1101
01:07:38,480 --> 01:07:41,920
Speaker 1: he's passionate about his career. You may go up there

1102
01:07:41,920 --> 01:07:43,959
Speaker 1: and funk up the DJ, funk up the whole party,

1103
01:07:44,320 --> 01:07:46,800
Speaker 1: killed the whole ship. So you don't do that to happen,

1104
01:07:47,360 --> 01:07:49,080
Speaker 1: you know what I mean. But you don't know what happens.

1105
01:07:50,040 --> 01:07:55,240
Speaker 1: They just breaking nig his laptop to no art. Yeah,

1106
01:07:55,800 --> 01:07:57,640
Speaker 1: you may not know study because you're a big guy.

1107
01:07:57,720 --> 01:08:02,000
Speaker 1: He's a good guy. But then again, a laptop that

1108
01:08:03,840 --> 01:08:06,640
Speaker 1: the party to break a laptop and see what happen.

1109
01:08:06,720 --> 01:08:10,000
Speaker 1: I break a laptop. The party, You're gonna fight. But

1110
01:08:10,360 --> 01:08:12,040
Speaker 1: at the end of the day, the mission to accomplished.

1111
01:08:12,080 --> 01:08:14,800
Speaker 1: No fucking party. The fucking parties over. Everyone's going home.

1112
01:08:15,040 --> 01:08:16,800
Speaker 1: But I'm not saying that. What I'm saying is that

1113
01:08:17,320 --> 01:08:19,880
Speaker 1: no reunderstands the process of the ship. You know what

1114
01:08:19,920 --> 01:08:23,320
Speaker 1: I'm saying. A lot of artists don't understand. Like you're

1115
01:08:23,479 --> 01:08:27,439
Speaker 1: promoting yourself. Don't get caught up in this whole social

1116
01:08:27,520 --> 01:08:31,439
Speaker 1: media ship where I don't I only post one flyer,

1117
01:08:31,680 --> 01:08:35,040
Speaker 1: Tony post one flyer week, Like if you're paying the

1118
01:08:35,120 --> 01:08:36,720
Speaker 1: texts to these a lot of artists. They'd be like,

1119
01:08:36,760 --> 01:08:39,320
Speaker 1: I only post once a day, and I only post

1120
01:08:39,400 --> 01:08:42,639
Speaker 1: at three pm, and that's it because at three pm,

1121
01:08:43,400 --> 01:08:47,000
Speaker 1: this is the high volume of school kids are coming out.

1122
01:08:47,280 --> 01:08:50,560
Speaker 1: Everybody's only phone and rush our word. And this is

1123
01:08:50,680 --> 01:08:54,000
Speaker 1: like the mentality of the social media of all these artists.

1124
01:08:54,040 --> 01:08:57,280
Speaker 1: Now they think that they don't have to keep branding

1125
01:08:57,439 --> 01:09:00,800
Speaker 1: your fucking self. This is your brand. Fan. If I

1126
01:09:00,920 --> 01:09:04,439
Speaker 1: gave you five dollars, don't give the money. This is

1127
01:09:04,520 --> 01:09:06,960
Speaker 1: your plan. You should be like, y'all pull up, I'm

1128
01:09:07,000 --> 01:09:11,519
Speaker 1: here tonight because you're promoting yourself. So you're doing injustice

1129
01:09:11,560 --> 01:09:14,080
Speaker 1: see yourself and to the club and to the promoter.

1130
01:09:14,400 --> 01:09:16,840
Speaker 1: When you'd be like, I'm not posting the fly. I'm

1131
01:09:16,880 --> 01:09:19,560
Speaker 1: just gonna put the ship on my Snap not everybody's

1132
01:09:19,560 --> 01:09:24,960
Speaker 1: only snap. Fan. I like that. I like that. That's

1133
01:09:25,000 --> 01:09:28,960
Speaker 1: the promoter shot point. If you think your shampoos as

1134
01:09:28,960 --> 01:09:38,200
Speaker 1: you're said, fool, yeah, I'm always all your status. Understand.

1135
01:09:38,200 --> 01:09:51,599
Speaker 1: It's like, n go first, you trying to gomphi get

1136
01:09:51,680 --> 01:09:58,320
Speaker 1: that everyone you drink young. It's my haste. But I

1137
01:09:58,360 --> 01:10:01,640
Speaker 1: think what what shampoo is trying to It was about appreciation,

1138
01:10:02,320 --> 01:10:05,880
Speaker 1: and I think that that's one thing that you always have, Mari,

1139
01:10:06,479 --> 01:10:09,240
Speaker 1: and then all you guys that we grew up in

1140
01:10:09,280 --> 01:10:13,439
Speaker 1: that foundation where we were appreciated, you know, and people

1141
01:10:13,880 --> 01:10:17,720
Speaker 1: we showed appreciation, like I wouldn't be nowhere. Fatio the

1142
01:10:18,560 --> 01:10:21,120
Speaker 1: fir Us wanted to help me out, you know, and

1143
01:10:21,920 --> 01:10:23,880
Speaker 1: every time I see him, I always thank him, you know,

1144
01:10:24,120 --> 01:10:27,160
Speaker 1: and we gotta show a filtenation job. Well man, Yeah,

1145
01:10:27,160 --> 01:10:32,719
Speaker 1: so sorry you sucked me up. Shout out Joe Street

1146
01:10:32,760 --> 01:10:36,439
Speaker 1: Team story. I just give just text him the address.

1147
01:10:36,920 --> 01:10:39,200
Speaker 1: There's nothing to attached to it because I said that

1148
01:10:39,560 --> 01:10:41,439
Speaker 1: like five hours ago and that you just made it

1149
01:10:41,479 --> 01:10:45,400
Speaker 1: really now. So it's it's it's that error. Like when

1150
01:10:45,439 --> 01:10:46,960
Speaker 1: I went up to part I was I was doing

1151
01:10:47,040 --> 01:10:49,640
Speaker 1: I was doing p a work. I said, your part um,

1152
01:10:49,760 --> 01:10:51,960
Speaker 1: can you show him to the video? He ain't asked

1153
01:10:52,000 --> 01:10:53,800
Speaker 1: to listen to the track? He and ask for nothing.

1154
01:10:53,840 --> 01:10:56,519
Speaker 1: He said, I'll be there, my Bama. That's that's that's

1155
01:10:56,800 --> 01:11:01,559
Speaker 1: that's punsonality, you know, like that's they That's why when

1156
01:11:01,600 --> 01:11:05,000
Speaker 1: you were here and exit and knocking down exit with

1157
01:11:05,200 --> 01:11:09,519
Speaker 1: him on the stage, you know, figure if your car

1158
01:11:12,560 --> 01:11:15,600
Speaker 1: it's like you can't say punting and I shake my

1159
01:11:15,840 --> 01:11:19,280
Speaker 1: my body you know, you can't say Joey and me

1160
01:11:19,439 --> 01:11:22,320
Speaker 1: go yo, God bless him, you know. And that's how

1161
01:11:22,360 --> 01:11:25,320
Speaker 1: we gotta do. We gotta spread love even though he's young. Guys.

1162
01:11:25,400 --> 01:11:27,920
Speaker 1: We gotta show him how to be appreciative and not

1163
01:11:28,000 --> 01:11:29,800
Speaker 1: getting mad at him. And just like yo, let's walk

1164
01:11:29,840 --> 01:11:31,880
Speaker 1: them through it. He does. That's how you're doing. You

1165
01:11:31,920 --> 01:11:34,200
Speaker 1: know what, I followed you a lie. When I was

1166
01:11:34,280 --> 01:11:38,800
Speaker 1: seeing brothers, they were big enough punt and man and

1167
01:11:39,040 --> 01:11:40,760
Speaker 1: they were just picking up party. They would be big

1168
01:11:40,880 --> 01:11:43,160
Speaker 1: en up Joe and they were four the week your

1169
01:11:43,200 --> 01:11:47,080
Speaker 1: brothers from New York, and they did acknowledge me or Joe.

1170
01:11:48,640 --> 01:11:51,280
Speaker 1: That's a my witlines I said. This younger generation is

1171
01:11:51,360 --> 01:11:55,519
Speaker 1: just they're young and they a part of a fund

1172
01:11:55,560 --> 01:12:00,040
Speaker 1: up generation because it doesn't give you them taking not

1173
01:12:00,200 --> 01:12:03,040
Speaker 1: unless of you to pick me up. Because I can

1174
01:12:03,120 --> 01:12:07,599
Speaker 1: pick you up all day. You'll bring you all all day.

1175
01:12:08,040 --> 01:12:12,479
Speaker 1: Just don't step on my sniker or just don't violate me. Now,

1176
01:12:12,840 --> 01:12:15,240
Speaker 1: we would never understand the other side of me back.

1177
01:12:15,840 --> 01:12:18,200
Speaker 1: You understand what I'm trying to say. So when I

1178
01:12:18,320 --> 01:12:21,200
Speaker 1: see certain people from a younger generation and they just

1179
01:12:22,000 --> 01:12:25,439
Speaker 1: and they pick up punt, God bless because punch shit

1180
01:12:25,840 --> 01:12:29,360
Speaker 1: be big five for one thing. I have to say,

1181
01:12:29,479 --> 01:12:31,880
Speaker 1: Now you hold on and I will continue to pick

1182
01:12:32,000 --> 01:12:35,519
Speaker 1: up punt. But don't act like you don't see Fat

1183
01:12:35,640 --> 01:12:39,880
Speaker 1: Joe work yet. Don't act let you don't see that

1184
01:12:40,000 --> 01:12:42,960
Speaker 1: when you see Fat Joe right there to the side,

1185
01:12:42,960 --> 01:12:46,519
Speaker 1: I'm over there the drop nigger drink in the roseg

1186
01:12:47,240 --> 01:12:49,800
Speaker 1: and pay for my own bottles because I've been doing

1187
01:12:49,880 --> 01:12:54,360
Speaker 1: this way. But then those certain people, and I'm saying,

1188
01:12:55,240 --> 01:12:59,240
Speaker 1: they just acknowledge the person that they can't actually get

1189
01:12:59,280 --> 01:13:01,880
Speaker 1: the love back. I mean, you look at Joe. Joe's

1190
01:13:01,920 --> 01:13:07,120
Speaker 1: a platform, Joe. When you gotta really studied Joe, Joe's

1191
01:13:07,160 --> 01:13:09,679
Speaker 1: a platform. He gave a lot of us a platform.

1192
01:13:11,080 --> 01:13:18,840
Speaker 1: Shore That's that's that's that's the whole Yeah, And I

1193
01:13:19,680 --> 01:13:21,960
Speaker 1: want to just pick up Fat Joe. I'm gonna give

1194
01:13:21,960 --> 01:13:24,360
Speaker 1: you a quick story when I was doing when I

1195
01:13:24,439 --> 01:13:27,040
Speaker 1: was putting up Fat Joe's post us, when he did

1196
01:13:27,120 --> 01:13:30,519
Speaker 1: to deal with the battery reckons Capital. This is when

1197
01:13:30,840 --> 01:13:34,280
Speaker 1: g Unit, the whole ship was going crazy. Everything was

1198
01:13:34,320 --> 01:13:37,400
Speaker 1: going on as g Universe's Fat Joe, right, and it's

1199
01:13:37,400 --> 01:13:40,439
Speaker 1: just real street beef. Like everybody in the stands like,

1200
01:13:40,560 --> 01:13:43,080
Speaker 1: oh ship they beat from but it was real beef

1201
01:13:43,200 --> 01:13:45,639
Speaker 1: on the street. And I'm talking about artists. The street

1202
01:13:45,680 --> 01:13:48,679
Speaker 1: team niggers are going at war. I'm pointing up Fat

1203
01:13:48,800 --> 01:13:53,800
Speaker 1: Joe ship and at the time, and violator niggas was

1204
01:13:53,960 --> 01:13:57,960
Speaker 1: tearing this ship down, like tearing down at the side. Yeah,

1205
01:13:58,400 --> 01:14:01,040
Speaker 1: but I'm just saying, right, so they were tearing this

1206
01:14:01,160 --> 01:14:04,240
Speaker 1: ship down. I see what was happening. You know, it

1207
01:14:04,360 --> 01:14:11,760
Speaker 1: was fighting. It was streaked into the ship. I was

1208
01:14:11,840 --> 01:14:13,960
Speaker 1: going to the parties. I was like, oh my damn ye,

1209
01:14:14,120 --> 01:14:18,519
Speaker 1: your niggs gotta figure it out. Yeah, we was working

1210
01:14:18,600 --> 01:14:21,040
Speaker 1: both accounts and was working. Let me tell you who

1211
01:14:21,080 --> 01:14:22,600
Speaker 1: I am. Let me tell you who I am, just

1212
01:14:22,720 --> 01:14:28,240
Speaker 1: so everybody knows. Yeah, we don't even know take a

1213
01:14:28,280 --> 01:14:32,000
Speaker 1: b listen, just say I know who I am. I

1214
01:14:32,160 --> 01:14:36,360
Speaker 1: was the guy in the hood that hung out with

1215
01:14:36,640 --> 01:14:39,920
Speaker 1: this guy, and then I hung out with this guy,

1216
01:14:40,160 --> 01:14:45,240
Speaker 1: was true, and then these niggas happy and that was

1217
01:14:45,360 --> 01:14:50,320
Speaker 1: on there. Leave me the funk arong. So I would

1218
01:14:50,360 --> 01:14:55,040
Speaker 1: be with your rules. Instagram wasn't popping, No, I wasn't.

1219
01:14:55,800 --> 01:14:58,560
Speaker 1: Twitter wasn't late, my Space was was killed. I'll go

1220
01:14:58,720 --> 01:15:02,240
Speaker 1: with y'all rule fucking me in the school studios and

1221
01:15:02,439 --> 01:15:05,439
Speaker 1: from it did would come up and it was nothing

1222
01:15:05,560 --> 01:15:08,679
Speaker 1: for me, but it was everything for us in the streets.

1223
01:15:08,840 --> 01:15:13,800
Speaker 1: Nigger bang. No, it was war. It was like like

1224
01:15:13,960 --> 01:15:16,040
Speaker 1: one day, right, we just we just dropped the fair

1225
01:15:16,120 --> 01:15:20,040
Speaker 1: Joe's album, Fat Joe, Yellow Posters and javrou exes. So

1226
01:15:20,240 --> 01:15:22,879
Speaker 1: I'm doing death Jam and I'm doing capital on Battery

1227
01:15:22,960 --> 01:15:26,000
Speaker 1: Rickers because that's when Fed Joe did their independent deal

1228
01:15:26,080 --> 01:15:30,920
Speaker 1: with Battery. You know, shout out nilivin still winning. So

1229
01:15:31,200 --> 01:15:34,160
Speaker 1: now so we I'm going hard. I'm in the street spot.

1230
01:15:34,320 --> 01:15:37,559
Speaker 1: I went crazy. I put up Fat Joe ship everywhere,

1231
01:15:37,920 --> 01:15:41,120
Speaker 1: um U ship everywhere, Exodus album, and all of a sudden,

1232
01:15:41,120 --> 01:15:43,000
Speaker 1: I got out of block and I come around the corner.

1233
01:15:43,479 --> 01:15:46,160
Speaker 1: All that ship is down and ripped, like these foul

1234
01:15:46,240 --> 01:15:48,559
Speaker 1: niggers just took the posters down, the RiPP to their

1235
01:15:48,600 --> 01:15:50,760
Speaker 1: half for you couldn't even put it back up, Like

1236
01:15:50,920 --> 01:15:53,679
Speaker 1: that's how fair these niggas work. So I'm like I'm

1237
01:15:53,760 --> 01:15:57,120
Speaker 1: looking down the blocking all these ship is down. So

1238
01:15:57,280 --> 01:16:00,280
Speaker 1: I'm like I'm going I'm backtracking, and I'm like, hold on,

1239
01:16:00,439 --> 01:16:03,040
Speaker 1: these niggas gotta still be out here because I'm trying

1240
01:16:03,040 --> 01:16:05,360
Speaker 1: to follow the posters, Like where these niggas that and

1241
01:16:05,400 --> 01:16:08,439
Speaker 1: then I see a violated truck fucking goal around on

1242
01:16:09,680 --> 01:16:14,320
Speaker 1: my man family chased that violator fucking bust damn and

1243
01:16:14,479 --> 01:16:18,240
Speaker 1: went crazy on the niggas like it was real beef

1244
01:16:18,320 --> 01:16:21,040
Speaker 1: in the street like to me, like I took it

1245
01:16:21,120 --> 01:16:24,280
Speaker 1: personal because it's like graffiti and this is ups nigger

1246
01:16:24,360 --> 01:16:27,080
Speaker 1: like I'm up and ship like fucking doing ripping my

1247
01:16:27,120 --> 01:16:32,439
Speaker 1: ship down, and violators Fat Joe and and I'm not

1248
01:16:32,600 --> 01:16:34,880
Speaker 1: knowing you. I don't know Fat Joe like I know

1249
01:16:35,040 --> 01:16:37,120
Speaker 1: him from years, but I don't know him like that,

1250
01:16:37,200 --> 01:16:39,439
Speaker 1: and I don't I never even met your route. So

1251
01:16:39,960 --> 01:16:42,080
Speaker 1: I'm going I'm fighting at you guys like Joe and

1252
01:16:42,240 --> 01:16:48,280
Speaker 1: you rule, so even inviolating going crazy trick, they're going crazy.

1253
01:16:48,280 --> 01:16:51,560
Speaker 1: These nigs got hummers crash, they're pulling up and we

1254
01:16:51,720 --> 01:16:55,320
Speaker 1: really got a shopping cart full the posters you have

1255
01:16:55,560 --> 01:16:57,439
Speaker 1: made so so they say, you know, you know it

1256
01:16:57,560 --> 01:17:00,719
Speaker 1: was more so then when Fat Joe found the five Downs.

1257
01:17:01,080 --> 01:17:03,200
Speaker 1: In fact, Joe found out what's going on, he was like, yo,

1258
01:17:03,280 --> 01:17:05,320
Speaker 1: pull where you at? I said you want the city

1259
01:17:05,320 --> 01:17:08,519
Speaker 1: said you'll meet me at um at a fucking slates.

1260
01:17:08,560 --> 01:17:10,559
Speaker 1: It was on twenty first Street, I meet him, come

1261
01:17:10,640 --> 01:17:12,320
Speaker 1: chop it up with him. He's like, Yo, here, my

1262
01:17:12,400 --> 01:17:14,320
Speaker 1: nag I appreciate you getting a thousand dollars out of

1263
01:17:14,320 --> 01:17:18,200
Speaker 1: the poker like aartists don't do that ship. That's how

1264
01:17:18,280 --> 01:17:20,920
Speaker 1: this type of dude, Joe is like. He was like, Yo,

1265
01:17:21,280 --> 01:17:24,240
Speaker 1: I appreciate you. Thank you his thousand dollars. That's take

1266
01:17:24,320 --> 01:17:26,519
Speaker 1: care of team, you know what I mean. Like that's

1267
01:17:26,560 --> 01:17:29,160
Speaker 1: why to this day when I see Joe, I showed

1268
01:17:29,200 --> 01:17:32,560
Speaker 1: him so much love and respect because he understands what

1269
01:17:32,720 --> 01:17:35,760
Speaker 1: niggas was really going through in these streets, because the

1270
01:17:35,840 --> 01:17:38,720
Speaker 1: artists don't really know, like we was fucking. This is

1271
01:17:38,840 --> 01:17:41,439
Speaker 1: real blood sport in the street, like nigga's are getting

1272
01:17:41,479 --> 01:17:44,080
Speaker 1: locked up, niggas getting shot and he was getting stabbed.

1273
01:17:44,280 --> 01:17:46,880
Speaker 1: This is the street teams, my nigga. This ain't the

1274
01:17:47,080 --> 01:17:52,080
Speaker 1: executive Yeah, ain't like label. You know, the label was

1275
01:17:52,120 --> 01:17:54,120
Speaker 1: a popping ship like your bad boy man, now kill

1276
01:17:54,200 --> 01:17:56,960
Speaker 1: us tonight. So they're doing that ship to you and

1277
01:17:57,040 --> 01:17:59,040
Speaker 1: then be like I don't know, I have nothing to

1278
01:17:59,080 --> 01:18:04,640
Speaker 1: do with it and front now yeah yeah, because you

1279
01:18:04,720 --> 01:18:07,599
Speaker 1: know someone on the bus real quick when ghost Face killer,

1280
01:18:07,960 --> 01:18:10,840
Speaker 1: but this ain't ghost Face epic records. When ghost Face

1281
01:18:10,920 --> 01:18:17,280
Speaker 1: Killer Board Anyway you Don't Want came out, they said

1282
01:18:17,439 --> 01:18:20,680
Speaker 1: the Static was one of the original because like I

1283
01:18:20,760 --> 01:18:23,320
Speaker 1: stating one of the original niggers. Let me big e Static,

1284
01:18:23,400 --> 01:18:25,320
Speaker 1: I said, listen, I think I came from the street

1285
01:18:25,600 --> 01:18:31,719
Speaker 1: ships came out. They sent twenty thousand dollars of fines

1286
01:18:31,840 --> 01:18:34,320
Speaker 1: to my mother's house speacause my I d still had

1287
01:18:34,640 --> 01:18:37,280
Speaker 1: her address and I was like eighteen nineteen years old

1288
01:18:37,760 --> 01:18:39,919
Speaker 1: and I lived in Boston, but she lived in the suburbs,

1289
01:18:40,240 --> 01:18:41,880
Speaker 1: and they were sending all the tickets to her for

1290
01:18:42,040 --> 01:18:45,840
Speaker 1: every single post a board in Boston, every single post aboard.

1291
01:18:46,320 --> 01:18:47,960
Speaker 1: So I think I wish I could throw the person

1292
01:18:48,040 --> 01:18:50,760
Speaker 1: under the bus. It was Swiverman epic in two thousand one.

1293
01:18:51,280 --> 01:18:53,040
Speaker 1: I called. I called him. I was like, yo, I

1294
01:18:53,080 --> 01:18:57,040
Speaker 1: gotta go to court for like and no, it wasn't Ride.

1295
01:18:57,160 --> 01:19:01,160
Speaker 1: It wasn't I called, and I was like, yo, someone

1296
01:19:01,240 --> 01:19:03,240
Speaker 1: from you, like one of y'all's coming up and going

1297
01:19:03,320 --> 01:19:07,240
Speaker 1: to court with me, and like whatever. Crickets, Yeah, they

1298
01:19:07,280 --> 01:19:09,800
Speaker 1: don't give a fund. The only real company ever done

1299
01:19:09,840 --> 01:19:12,160
Speaker 1: with though the Street Team level was Echo because he

1300
01:19:12,280 --> 01:19:14,840
Speaker 1: comes from the graphic. He flew all the Street Team

1301
01:19:14,880 --> 01:19:16,880
Speaker 1: meters shop somebody. He had the lawyer come in. They

1302
01:19:16,920 --> 01:19:24,600
Speaker 1: made a sign that Mike News and men much in

1303
01:19:24,680 --> 01:19:26,840
Speaker 1: the stencils. When we signed, the joy stinks and the

1304
01:19:26,920 --> 01:19:29,120
Speaker 1: lawyer came and the lawyers was there, and then it

1305
01:19:29,280 --> 01:19:31,320
Speaker 1: was like, all we signed it. That's official. But just

1306
01:19:31,400 --> 01:19:34,400
Speaker 1: to you know, if anybody gets locked up, call here's

1307
01:19:34,439 --> 01:19:38,040
Speaker 1: the lawyer's car. You call those do that. That's one

1308
01:19:38,080 --> 01:19:40,160
Speaker 1: thing about def jam. When the White King was what

1309
01:19:40,800 --> 01:19:43,960
Speaker 1: was running the team, he made show. He was like, yeah,

1310
01:19:44,600 --> 01:19:48,639
Speaker 1: anything happens and ya niggas is good. Cool means send

1311
01:19:48,680 --> 01:19:51,040
Speaker 1: me whatever. Man, I'm gonna show your nigga is good.

1312
01:19:53,520 --> 01:19:56,719
Speaker 1: The press lawyer of my life. I'm not really really

1313
01:19:56,880 --> 01:20:03,519
Speaker 1: admit that's says. Yeah, come on, that ship was doing like,

1314
01:20:03,640 --> 01:20:08,160
Speaker 1: dare we ever tell you from the story. Yeah, loose

1315
01:20:09,439 --> 01:20:19,360
Speaker 1: fronts the story go ahead somewhere always because Sunny is

1316
01:20:19,400 --> 01:20:24,920
Speaker 1: a god there God take it back. But I don't

1317
01:20:24,960 --> 01:20:28,639
Speaker 1: know what does on what I was saying before you suthing,

1318
01:20:30,640 --> 01:20:34,800
Speaker 1: don't forget the process. We don't fight and respect all

1319
01:20:34,920 --> 01:20:38,879
Speaker 1: the interns. Man, it's all the interns were telling exact.

1320
01:20:39,120 --> 01:20:41,920
Speaker 1: The interns become the bosses like every like I was

1321
01:20:42,000 --> 01:20:45,000
Speaker 1: the intern. I was the nigger game, you know, just

1322
01:20:45,160 --> 01:20:48,000
Speaker 1: lunch money and just handing out posters standing in front

1323
01:20:48,000 --> 01:20:50,720
Speaker 1: of TRL, but fucking picket signs standing in front of

1324
01:20:50,760 --> 01:20:53,479
Speaker 1: want to sing the park with picket signs, fighting everybody

1325
01:20:53,560 --> 01:20:56,639
Speaker 1: because you know, Ludicrous is come in and we gotta

1326
01:20:56,760 --> 01:20:59,479
Speaker 1: smash his block. And then bad Wood come and says,

1327
01:20:59,760 --> 01:21:02,479
Speaker 1: now Puffy coming through and we gotta kill yall name.

1328
01:21:02,640 --> 01:21:05,400
Speaker 1: So like this has been, it was real war on

1329
01:21:05,439 --> 01:21:08,320
Speaker 1: the street. So so for all y'all that that's coming up, man,

1330
01:21:08,640 --> 01:21:11,840
Speaker 1: embrace the grind man and talk to the interns man,

1331
01:21:12,280 --> 01:21:14,439
Speaker 1: Talk to the man, because day to more fuckers that's

1332
01:21:14,720 --> 01:21:18,200
Speaker 1: battling for y'all and out here struggling and out here

1333
01:21:18,240 --> 01:21:20,320
Speaker 1: handing out your floggers. And you know a lot of

1334
01:21:20,400 --> 01:21:26,760
Speaker 1: y'all don't even respect that ship. That's mad music and

1335
01:21:26,920 --> 01:21:35,000
Speaker 1: we love it and whatever you do do you goddam day.

1336
01:21:35,680 --> 01:21:45,439
Speaker 1: But yeah, listen, let me tell you so real ship, y'all.

1337
01:21:45,680 --> 01:21:48,160
Speaker 1: Let me tell you that's real ship. It's real ship.

1338
01:21:48,760 --> 01:21:54,680
Speaker 1: The prices. Let me got Derek Rare, you do, it's

1339
01:21:54,760 --> 01:22:00,960
Speaker 1: real ship. George the father said against the way my

1340
01:22:01,120 --> 01:22:06,439
Speaker 1: father's death, and my father said to me, you always

1341
01:22:06,680 --> 01:22:11,400
Speaker 1: treat the maintenance man there like your mother fucking see,

1342
01:22:11,439 --> 01:22:17,240
Speaker 1: the same way you would treat the product. So I

1343
01:22:17,320 --> 01:22:23,800
Speaker 1: always did that right. So if you would like, say,

1344
01:22:24,560 --> 01:22:29,920
Speaker 1: maybe like seventy of drink Champ success, it was because

1345
01:22:30,120 --> 01:22:33,360
Speaker 1: I just kept into contact with people. I'm would call

1346
01:22:33,479 --> 01:22:37,200
Speaker 1: people on a prayer of day, I would call people.

1347
01:22:37,800 --> 01:22:40,240
Speaker 1: You know, I'm talking about when I was the man.

1348
01:22:41,360 --> 01:22:45,800
Speaker 1: Still I'm the man, and I'm calling people, Hey, how

1349
01:22:45,800 --> 01:22:49,599
Speaker 1: are you doing? You cook cooking? They rached too, because

1350
01:22:49,640 --> 01:22:52,880
Speaker 1: that's what punned into me. Fun. I'll tell you what

1351
01:22:53,120 --> 01:22:57,519
Speaker 1: pund it to me one day. Fun, come on town

1352
01:22:57,760 --> 01:23:01,599
Speaker 1: and listen. When PlayStation three came out of maybe two

1353
01:23:01,760 --> 01:23:04,600
Speaker 1: places into two, I don't know, and that parts like

1354
01:23:05,040 --> 01:23:09,719
Speaker 1: do you got to PlayStation two? I'm like, not this romance.

1355
01:23:11,600 --> 01:23:17,080
Speaker 1: You get puns like, that's not the way it works.

1356
01:23:19,760 --> 01:23:23,720
Speaker 1: You gotta leave with this ship. I'm flatting um two.

1357
01:23:24,920 --> 01:23:29,120
Speaker 1: The punch just went platinum faster. So I'm like, yo,

1358
01:23:30,400 --> 01:23:35,000
Speaker 1: what that man of love that he showed me mine?

1359
01:23:35,360 --> 01:23:37,920
Speaker 1: So since then I had never brought an able rex

1360
01:23:39,040 --> 01:23:41,400
Speaker 1: ever since Punt brought me all the able Rex. We're

1361
01:23:41,439 --> 01:23:44,559
Speaker 1: both platform. He's double platform at this time. Very true.

1362
01:23:47,080 --> 01:23:50,519
Speaker 1: But the love that he showed me was I was

1363
01:23:50,960 --> 01:23:53,600
Speaker 1: already up. He didn't have to do nothing for me.

1364
01:23:55,720 --> 01:23:58,720
Speaker 1: So when he passed away, I played to show that

1365
01:23:58,880 --> 01:24:04,160
Speaker 1: to everybody. You did that though, and I did that

1366
01:24:04,680 --> 01:24:15,280
Speaker 1: in my mind, and I gotta try me million black though. Sorry, yeah, yeah, y'all.

1367
01:24:15,320 --> 01:24:22,880
Speaker 1: I can say, y'all, I'm sorry, Let's make it work something.

1368
01:24:23,000 --> 01:24:27,800
Speaker 1: Let's go sorry because God, because he's gonna tell y'all story.

1369
01:24:27,880 --> 01:24:31,040
Speaker 1: You mean one, GI mean one. I got a guy

1370
01:24:31,200 --> 01:24:35,479
Speaker 1: by the name Terry. It's a great guy, Terry, Terry

1371
01:24:35,800 --> 01:24:38,160
Speaker 1: tell you the white guy. It's a really friend. That's

1372
01:24:38,200 --> 01:24:47,160
Speaker 1: a guy. You know. We love every guy. He Terry

1373
01:24:47,200 --> 01:24:53,800
Speaker 1: has no his X. Why I'm just saying, I'm at

1374
01:24:53,920 --> 01:25:09,280
Speaker 1: Brish he was here, jay I. I'm not listening to

1375
01:25:09,680 --> 01:25:17,240
Speaker 1: know what Arvin's ex wife. He's relevant to anything. Just

1376
01:25:17,439 --> 01:25:32,240
Speaker 1: getting ready to marry Prince's fause he sees me out.

1377
01:25:33,320 --> 01:25:45,280
Speaker 1: He said, no, said save me this time. Sorry, And

1378
01:25:46,040 --> 01:25:55,719
Speaker 1: it's just your l His name is not Terry the Great.

1379
01:25:56,600 --> 01:26:00,880
Speaker 1: I'm talking about name, no friend. So you real. So

1380
01:26:01,040 --> 01:26:08,880
Speaker 1: now see who y'all you all dating super Sidon, get

1381
01:26:08,920 --> 01:26:14,800
Speaker 1: your mike when you might go. You know what, this

1382
01:26:14,920 --> 01:26:19,040
Speaker 1: is a great story. He don't sun these guys. Michael.

1383
01:26:20,200 --> 01:26:27,519
Speaker 1: Yeah right, so now now now shy little hold this chill, chill,

1384
01:26:28,080 --> 01:26:34,040
Speaker 1: don't feel let the other Haitian your brother. So listen.

1385
01:26:34,960 --> 01:26:42,000
Speaker 1: Your day is super sidon m gorgeous. When you get

1386
01:26:42,040 --> 01:26:45,599
Speaker 1: a long when come on, tell you to multi man.

1387
01:26:45,720 --> 01:26:53,759
Speaker 1: I do my job like sweet world old way, history

1388
01:26:53,840 --> 01:26:59,160
Speaker 1: has little time. So now you did right and beautiful.

1389
01:26:59,240 --> 01:27:02,400
Speaker 1: She's good. But now every guy I would tell you

1390
01:27:02,520 --> 01:27:06,040
Speaker 1: go to the club. They didn't want to give her

1391
01:27:06,560 --> 01:27:12,040
Speaker 1: damn off. They want to give their link to the album.

1392
01:27:12,160 --> 01:27:13,880
Speaker 1: And in wander to get a link to the album.

1393
01:27:13,960 --> 01:27:22,960
Speaker 1: Nowadays they got to actually have some tape. Just say yo,

1394
01:27:23,520 --> 01:27:26,680
Speaker 1: um talk to my manager. Are you the manager too?

1395
01:27:27,640 --> 01:27:35,320
Speaker 1: Guy didn't make my go. You can't be a man.

1396
01:27:35,800 --> 01:27:44,400
Speaker 1: Be a man? Are you're you're a man? Jersey, Yeah,

1397
01:27:46,000 --> 01:27:50,040
Speaker 1: handle everything for them, like even with the ciphers. I

1398
01:27:50,120 --> 01:27:54,000
Speaker 1: helped truths you right there because I actually I did

1399
01:27:54,080 --> 01:28:01,000
Speaker 1: the contract. I ain't gonna frown. We were at the phonop.

1400
01:28:01,040 --> 01:28:04,160
Speaker 1: She that you ain't a little bit every man, you

1401
01:28:04,240 --> 01:28:08,400
Speaker 1: can't use said. I was like, all right, it's cool.

1402
01:28:08,479 --> 01:28:12,560
Speaker 1: But after I was like, damn no, I mean and

1403
01:28:12,680 --> 01:28:14,200
Speaker 1: he's like for what And I was like, no, it's

1404
01:28:14,320 --> 01:28:16,360
Speaker 1: artistic that it is. But then when we were there,

1405
01:28:16,439 --> 01:28:19,280
Speaker 1: he's like, Babe, I love you so much. You're the name.

1406
01:28:19,479 --> 01:28:29,559
Speaker 1: I love you. We gotta he's touch and he's fucking

1407
01:28:31,400 --> 01:28:41,080
Speaker 1: fucking out this thing. And I was giving y'all too,

1408
01:28:41,160 --> 01:28:47,720
Speaker 1: what worry about you? Funny and go back much times.

1409
01:28:47,880 --> 01:28:52,840
Speaker 1: Sometimes she's the one girl, No you can't told me? Man,

1410
01:28:53,320 --> 01:28:55,519
Speaker 1: ain't it? Drevi is hard because they got MoMA jerk

1411
01:28:55,560 --> 01:28:59,080
Speaker 1: but I never heard him man man. Yeah, oh you

1412
01:28:59,160 --> 01:29:01,800
Speaker 1: got a brand that I might managing my wife and

1413
01:29:01,920 --> 01:29:08,040
Speaker 1: my mind feeling joy? Guys, do you guys write a lot?

1414
01:29:08,479 --> 01:29:11,120
Speaker 1: Do you guys argue a lot? To being my wife? Yeah?

1415
01:29:11,520 --> 01:29:19,360
Speaker 1: You know that we're lost. She's always right here. Yeah,

1416
01:29:19,360 --> 01:29:25,720
Speaker 1: I'm married, Yeah, I'm got so, I'm twelve years. Then

1417
01:29:25,760 --> 01:29:29,240
Speaker 1: whenever she said something, I just it's okay, yeah, listen

1418
01:29:29,520 --> 01:29:35,960
Speaker 1: if I disagree, I disagree, like I'm like god, and

1419
01:29:36,000 --> 01:29:38,040
Speaker 1: then my life is great as a little to see

1420
01:29:38,040 --> 01:29:41,679
Speaker 1: you happy, I like said, I do what, Yeah, I said,

1421
01:29:41,960 --> 01:29:44,160
Speaker 1: you gotta keep it. I just feel like she's around somewhere.

1422
01:29:45,600 --> 01:29:49,680
Speaker 1: I still do, but I'm just making her happy. And

1423
01:29:49,800 --> 01:29:53,800
Speaker 1: then when she's happy, I'm great. I like the pre road.

1424
01:29:56,000 --> 01:29:58,800
Speaker 1: What this is called Lowell's let me big up to

1425
01:29:58,880 --> 01:30:02,080
Speaker 1: my people like from oh well smokes, you know what

1426
01:30:02,160 --> 01:30:06,960
Speaker 1: I mean. We got some collaborations coming. It's good like

1427
01:30:07,320 --> 01:30:15,639
Speaker 1: it's fantastic brother different, different. We're gonna say what when

1428
01:30:18,240 --> 01:30:25,519
Speaker 1: when's U bro learning rhymes? Ain't going? That's about time

1429
01:30:25,520 --> 01:30:30,360
Speaker 1: I noticed? When you know? Then translate x X of

1430
01:30:30,560 --> 01:30:35,160
Speaker 1: the Royal translated, sooner be purchas. You'll stop going there

1431
01:30:36,360 --> 01:30:41,679
Speaker 1: in the list. All right, I want to get a story,

1432
01:30:41,800 --> 01:30:46,960
Speaker 1: and then I'm gonna give this story and leave chill

1433
01:30:47,040 --> 01:30:53,120
Speaker 1: because you can't. Okay, I'll takulate ship breaking in pieces.

1434
01:30:53,200 --> 01:30:56,599
Speaker 1: So here's what happened. Right, So I go to Hollywood, right,

1435
01:30:58,800 --> 01:31:00,840
Speaker 1: I mean a couple of people from Molly. Look, it's

1436
01:31:00,880 --> 01:31:06,920
Speaker 1: fucking fantastic. Right, we meet this one guy. He's fucking fantastic.

1437
01:31:08,840 --> 01:31:12,920
Speaker 1: A year and a half, two years later, we realized

1438
01:31:13,000 --> 01:31:20,360
Speaker 1: this guy's still fantastic, but he has one flawed this jack. Okay,

1439
01:31:20,439 --> 01:31:23,599
Speaker 1: what's the floor and that ship? His ex wife married

1440
01:31:23,800 --> 01:31:30,200
Speaker 1: fucking Prince of Zamoda. No, not's the prince happy? So

1441
01:31:30,400 --> 01:31:37,920
Speaker 1: that's Megan Michael's ex husband. This is my man together

1442
01:31:40,320 --> 01:31:57,400
Speaker 1: put his name is Terry. This is real life, so

1443
01:31:58,200 --> 01:32:04,639
Speaker 1: it's name is terrible. Story. It's just leading and that's

1444
01:32:07,040 --> 01:32:10,920
Speaker 1: what I'm gonna say. We're so inside with this story,

1445
01:32:12,040 --> 01:32:17,439
Speaker 1: like we're like inside side. This is our guy. So

1446
01:32:17,520 --> 01:32:21,080
Speaker 1: I'm just a guy who walked us through Hollywood. But

1447
01:32:21,200 --> 01:32:23,280
Speaker 1: you make it all I've heard of. You gotta know

1448
01:32:23,400 --> 01:32:25,360
Speaker 1: I'm not. This is what the story was gonna sweitch,

1449
01:32:25,640 --> 01:32:27,920
Speaker 1: don't don't want to pretend this fucking me like no

1450
01:32:30,040 --> 01:32:37,400
Speaker 1: face that sweet. No, I'm not doing at all. Because

1451
01:32:37,400 --> 01:32:39,719
Speaker 1: the Prince is gonna come to drink chance just so fast.

1452
01:32:40,800 --> 01:32:44,439
Speaker 1: He's coming through drinks because listen, listen, I'm gonna be honest.

1453
01:32:44,520 --> 01:32:56,760
Speaker 1: Almost he had to buy a curl nine curl you

1454
01:32:57,000 --> 01:33:01,920
Speaker 1: my black that sound can't have twe He got his curR.

1455
01:33:03,080 --> 01:33:07,960
Speaker 1: He understood black culture, he said, because she also said,

1456
01:33:08,000 --> 01:33:12,000
Speaker 1: don't touch my head. I don't give a funk. It's

1457
01:33:12,000 --> 01:33:16,880
Speaker 1: a little dude. They all liked there, go no you can't.

1458
01:33:17,240 --> 01:33:19,960
Speaker 1: That's okay, I add it. But we get at it

1459
01:33:20,000 --> 01:33:24,120
Speaker 1: when we know it's ship. You can't touch your you

1460
01:33:24,160 --> 01:33:30,360
Speaker 1: can't touch I don't assisted. So he learned. Offensive, So

1461
01:33:30,760 --> 01:33:34,400
Speaker 1: he learned, and now he's coming to drink Champs sooner

1462
01:33:34,520 --> 01:33:41,479
Speaker 1: or later? Are we making a noise for that? I

1463
01:33:41,600 --> 01:33:49,960
Speaker 1: don't don't stop, Terry. I'm so sorry. Remember all type

1464
01:33:49,960 --> 01:33:54,040
Speaker 1: of phrase story I'm thinking I went to print Terry

1465
01:33:54,960 --> 01:34:00,519
Speaker 1: yourself that they're wearing area. They went nuts saying the

1466
01:34:00,680 --> 01:34:09,000
Speaker 1: story about so where we had again Marketry, No, Megan

1467
01:34:09,080 --> 01:34:20,920
Speaker 1: Marco and racket racket ball ball, that's where we're racket ball.

1468
01:34:22,520 --> 01:34:24,320
Speaker 1: I'm so sorry because that story is still got me

1469
01:34:24,400 --> 01:34:31,840
Speaker 1: fucked up. Can you in it? In that stuff? I'm

1470
01:34:31,880 --> 01:34:36,920
Speaker 1: not the stuff. You know the stuff. I gotta relax.

1471
01:34:37,800 --> 01:34:40,160
Speaker 1: You don't gonna relaxed me. You're doing good. You're doing

1472
01:34:40,200 --> 01:34:47,040
Speaker 1: it immediately, immediately every different you're doing the lead like relaxed,

1473
01:34:47,920 --> 01:34:51,600
Speaker 1: trying to make eye contact. Now you're doing that. But

1474
01:34:51,680 --> 01:34:53,639
Speaker 1: I'm gonna say that thing. It's gonna be showy off.

1475
01:34:53,840 --> 01:34:56,760
Speaker 1: Please start of it. Like for those that don't know

1476
01:34:56,840 --> 01:34:59,640
Speaker 1: the history, like I started out like Kalid was the

1477
01:34:59,720 --> 01:35:02,800
Speaker 1: d on My Night Show. So yeah, I've known Kali

1478
01:35:03,000 --> 01:35:09,720
Speaker 1: forever he was at a stage. Now someone was, No,

1479
01:35:10,880 --> 01:35:14,400
Speaker 1: that's like, that's like my brother. So I've known Fat

1480
01:35:14,560 --> 01:35:17,040
Speaker 1: Joe like for a long time because since Calin was

1481
01:35:17,040 --> 01:35:18,679
Speaker 1: part of that day would always come to the studio.

1482
01:35:19,320 --> 01:35:21,519
Speaker 1: Remember at that time when I was on the night show,

1483
01:35:21,520 --> 01:35:22,880
Speaker 1: I was on as a skirt with the dirt. I

1484
01:35:23,000 --> 01:35:25,320
Speaker 1: was the gossip girl in Miami Gossip all the time,

1485
01:35:25,360 --> 01:35:26,960
Speaker 1: and in real life I'm not a gossip girl, but

1486
01:35:27,000 --> 01:35:29,360
Speaker 1: that was my job. And I remember I reported a

1487
01:35:29,439 --> 01:35:32,679
Speaker 1: story and without thinking, Joe was included in that story.

1488
01:35:32,720 --> 01:35:34,320
Speaker 1: But it was like a group of people and he

1489
01:35:34,479 --> 01:35:39,280
Speaker 1: was included, and I mentioned his name, No, no, Julia,

1490
01:35:39,280 --> 01:35:43,920
Speaker 1: I said, last yeah. So basically he wasn't in the

1491
01:35:44,000 --> 01:35:46,320
Speaker 1: studio or anything, but I mentioned his name and in

1492
01:35:46,439 --> 01:35:48,880
Speaker 1: the thing. Weeks later, I'm at a I think it

1493
01:35:48,960 --> 01:35:51,000
Speaker 1: was like a NAS concert or something. I was at

1494
01:35:51,000 --> 01:35:53,840
Speaker 1: an old school hip hop concert and I saw Joe

1495
01:35:54,280 --> 01:35:55,760
Speaker 1: so but I saw him in a distance. I wasn't

1496
01:35:55,760 --> 01:35:58,519
Speaker 1: really thinking. He told one of his people to come

1497
01:35:58,600 --> 01:36:01,479
Speaker 1: get me. I go over there and he was like yo, Cindy,

1498
01:36:01,560 --> 01:36:04,880
Speaker 1: and but he spoke to me calmly about you know,

1499
01:36:05,080 --> 01:36:06,920
Speaker 1: like what was up with that story? So I explained

1500
01:36:06,920 --> 01:36:08,439
Speaker 1: with the story was, and I was like, damn, I

1501
01:36:08,479 --> 01:36:10,320
Speaker 1: didn't even think because I guess I got caught up

1502
01:36:10,360 --> 01:36:12,479
Speaker 1: in the moment of being start with the Dirk gossip girl.

1503
01:36:12,680 --> 01:36:16,879
Speaker 1: You know whatever, I wasn't thinking about, like what affect

1504
01:36:17,000 --> 01:36:19,679
Speaker 1: that story? Yeah, that's the story, how it affected people.

1505
01:36:20,200 --> 01:36:23,000
Speaker 1: And so after speaking to him, he kind of changed

1506
01:36:23,080 --> 01:36:26,160
Speaker 1: the way I thought about how I reported, how I'm

1507
01:36:26,200 --> 01:36:30,000
Speaker 1: a journalist, how I interview people. So I've always had respect.

1508
01:36:30,120 --> 01:36:32,080
Speaker 1: Last night he did a show for Art Bossle with

1509
01:36:32,360 --> 01:36:40,760
Speaker 1: Harris one Bronson, Oh my God and now Swiss Life.

1510
01:36:41,439 --> 01:36:44,080
Speaker 1: I loved them their family off the chain, and I'm

1511
01:36:44,120 --> 01:36:53,400
Speaker 1: happy for him, Remi and old co Te. I'm just saying,

1512
01:36:57,280 --> 01:37:01,080
Speaker 1: I want to tell you, I want to talk to

1513
01:37:02,280 --> 01:37:09,639
Speaker 1: what's on your back that talk. Don't talk here, I'm

1514
01:37:09,640 --> 01:37:15,559
Speaker 1: talking once that I'm talking. I'm just a moment of appreciation. YEA,

1515
01:37:16,600 --> 01:37:19,960
Speaker 1: go ahead with that. I had that Teddy Bear ropskin

1516
01:37:20,040 --> 01:37:22,040
Speaker 1: polo with the red and blue joint from the Teal

1517
01:37:22,080 --> 01:37:32,599
Speaker 1: when Wild video, Too too young, too young? Static? Where

1518
01:37:32,640 --> 01:37:38,120
Speaker 1: you doing? You know? Yn't bring him thinking said it

1519
01:37:38,160 --> 01:37:43,800
Speaker 1: for that? If you're not going the back okay, it

1520
01:37:43,960 --> 01:37:48,400
Speaker 1: had not gonna do it. You know, that's the bad

1521
01:37:48,520 --> 01:37:54,400
Speaker 1: grandpads one of us are getting us to play your

1522
01:37:56,479 --> 01:38:00,599
Speaker 1: I'm like, okay, so same way on the show, put

1523
01:38:00,680 --> 01:38:14,120
Speaker 1: your way like the studio second episode, No so I

1524
01:38:14,200 --> 01:38:18,880
Speaker 1: want to congratulate my brother dj e f N. I

1525
01:38:18,960 --> 01:38:23,240
Speaker 1: am not gonna tell you why I'm congratulating him. It's

1526
01:38:23,360 --> 01:38:30,280
Speaker 1: totally to him. To me, if I was him, I

1527
01:38:30,400 --> 01:38:32,920
Speaker 1: would really to seek. I can guess with it, but

1528
01:38:32,920 --> 01:38:34,880
Speaker 1: I might have to do it. It's ridiculous the way

1529
01:38:34,920 --> 01:38:41,160
Speaker 1: you put that right now. You don't know. Listen, you're

1530
01:38:41,200 --> 01:38:45,479
Speaker 1: really my brother. You deserve you. But I don't want

1531
01:38:45,479 --> 01:38:49,040
Speaker 1: to actually celebrate it unless you want to say I

1532
01:38:49,400 --> 01:38:52,439
Speaker 1: want to celebrate that. I don't celebrate, okay, but I

1533
01:38:52,560 --> 01:38:54,920
Speaker 1: want to make some noids with d j e f Yes,

1534
01:38:59,400 --> 01:39:04,200
Speaker 1: call me. You want to celebrate because you ship don't

1535
01:39:04,240 --> 01:39:11,720
Speaker 1: work of it, ship don't more of it. So I'm

1536
01:39:11,720 --> 01:39:16,920
Speaker 1: just yeah, this ship don't work. You're busting and things

1537
01:39:16,960 --> 01:39:23,559
Speaker 1: for a long time. Don't work. That you're brother. Remember,

1538
01:39:25,720 --> 01:39:33,360
Speaker 1: I don't remember you ready you wanted I also got

1539
01:39:33,479 --> 01:39:37,880
Speaker 1: six You don't pray like notice, Dick don't work even

1540
01:39:38,040 --> 01:39:44,680
Speaker 1: busting that kid said. I'm not saying you work, just

1541
01:39:44,840 --> 01:39:56,040
Speaker 1: burn like. I'm not listen. If you're in your forties

1542
01:39:56,160 --> 01:39:59,519
Speaker 1: and you ain't got kids, I'm just throwing it off it.

1543
01:40:00,080 --> 01:40:15,000
Speaker 1: There's something wrong with you, Mr. Happy, because my god

1544
01:40:15,439 --> 01:40:21,519
Speaker 1: it's too many, so she started, it's the name with

1545
01:40:21,600 --> 01:40:27,960
Speaker 1: blocks to Kennedy, I'll be gonna see your oh ship,

1546
01:40:28,400 --> 01:40:40,160
Speaker 1: you gotta words thinking about it, and you're nsing ya

1547
01:40:40,960 --> 01:40:44,880
Speaker 1: yall start sundags, y'all sunniggers did ain't working. I'm sorry,

1548
01:40:45,880 --> 01:40:49,080
Speaker 1: I do not think that's a weird work. No, I'm

1549
01:40:49,080 --> 01:40:51,560
Speaker 1: just saying no. If I was saying you gotta you

1550
01:40:51,640 --> 01:40:54,240
Speaker 1: gotta make sure the ship, that's just not there. Because

1551
01:40:54,280 --> 01:40:57,360
Speaker 1: you know why some people don't clean up the pumping.

1552
01:40:58,840 --> 01:41:01,360
Speaker 1: They just want to do cap take care of them

1553
01:41:01,640 --> 01:41:08,920
Speaker 1: if they chop. You're saying you're sunny, Sunny Chase, you

1554
01:41:09,000 --> 01:41:12,559
Speaker 1: got sunny and you're not yourself. Man. When this is going,

1555
01:41:12,960 --> 01:41:14,840
Speaker 1: I ain't got no because it is the generated dress.

1556
01:41:15,240 --> 01:41:22,400
Speaker 1: Your ship working. When you put in working yours Trump,

1557
01:41:23,040 --> 01:41:26,600
Speaker 1: this is turning out to your girls. Millsy how you

1558
01:41:26,680 --> 01:41:44,360
Speaker 1: got Now you're telling money he's silly. You're Sunday just

1559
01:41:44,400 --> 01:41:49,640
Speaker 1: submitted you ship ain't working. Submitted your plumba if you

1560
01:41:49,720 --> 01:41:52,439
Speaker 1: need a plumber, you're a sertain me and you plueball

1561
01:41:52,560 --> 01:41:56,000
Speaker 1: dot the boone ship to be crazy to teach you over.

1562
01:41:57,880 --> 01:42:00,200
Speaker 1: You've been going to the world to teach you all

1563
01:42:00,280 --> 01:42:05,519
Speaker 1: that it does. No, sorry, teacher, teach, just ask little way.

1564
01:42:07,560 --> 01:42:15,360
Speaker 1: I just said, yo, yo got a slow y else

1565
01:42:17,800 --> 01:42:24,360
Speaker 1: I'm ringing it all away. Don't work? Yea, you've been

1566
01:42:24,400 --> 01:42:29,160
Speaker 1: going rude for a little time. He abody and us

1567
01:42:29,200 --> 01:42:35,920
Speaker 1: there who a little super Cindy And what did you do?

1568
01:42:36,120 --> 01:42:40,880
Speaker 1: Just do just doing the super cidy. I'm sorry this thing?

1569
01:42:40,960 --> 01:42:48,080
Speaker 1: You know what threat chance did I come to stuff? Watch?

1570
01:42:48,160 --> 01:42:57,280
Speaker 1: You know the topics going? Yes, should don't work? Y, yes,

1571
01:42:57,400 --> 01:43:01,679
Speaker 1: st work like that. You got to whom you said

1572
01:43:01,880 --> 01:43:06,519
Speaker 1: you got some see are you sure you goose? I

1573
01:43:06,520 --> 01:43:09,600
Speaker 1: ain't a lie. He was a confident you said you

1574
01:43:09,760 --> 01:43:12,560
Speaker 1: was speak you you was going to study one like

1575
01:43:12,760 --> 01:43:15,559
Speaker 1: like Sunny, come on, just do want to say you're

1576
01:43:15,600 --> 01:43:21,800
Speaker 1: had a voice in the sun one boy bills you

1577
01:43:21,880 --> 01:43:25,200
Speaker 1: show your se where I gonna lie? You love drugs?

1578
01:43:36,760 --> 01:44:00,559
Speaker 1: Just what you say you's not told s? What kind

1579
01:44:00,560 --> 01:44:08,000
Speaker 1: of talking with you? Sure? I don't know what you

1580
01:44:08,200 --> 01:44:14,760
Speaker 1: just said? You know? But Sunny? Are you sure you're

1581
01:44:14,840 --> 01:44:21,640
Speaker 1: in the operation position? Pretty cool time? What story you

1582
01:44:21,960 --> 01:44:26,920
Speaker 1: kind of time? I don't want girl, I'm not I'm

1583
01:44:26,920 --> 01:44:36,280
Speaker 1: not super. Si't want to t say that was like

1584
01:44:39,439 --> 01:44:44,920
Speaker 1: you got consa listen to this sert of guys. They'd

1585
01:44:44,960 --> 01:44:49,960
Speaker 1: be lying and the girls and they know it's no

1586
01:44:55,280 --> 01:44:59,920
Speaker 1: the be like w want to smoking book. I was

1587
01:45:00,040 --> 01:45:03,840
Speaker 1: bo I was a head yeah, and then they all

1588
01:45:04,040 --> 01:45:08,160
Speaker 1: is still in the beginning and the stars I got

1589
01:45:08,200 --> 01:45:10,519
Speaker 1: full and some that was the case other than this

1590
01:45:10,640 --> 01:45:14,599
Speaker 1: is real ship. I he'll see said forty years old.

1591
01:45:14,720 --> 01:45:17,000
Speaker 1: So I've been doing a lot loanless. So I've been

1592
01:45:17,040 --> 01:45:20,720
Speaker 1: seeing less like yo, sloan you know I'm sterile. I'm

1593
01:45:20,800 --> 01:45:28,960
Speaker 1: like where It's like, nah, lady, you're right an't know God?

1594
01:45:29,120 --> 01:45:32,040
Speaker 1: And then the ladies coming day like they wouldn't have

1595
01:45:32,120 --> 01:45:35,960
Speaker 1: a heart to herd me can talk to you so

1596
01:45:36,560 --> 01:45:41,840
Speaker 1: honest was going on? So sorry this podcast, we wait,

1597
01:45:47,240 --> 01:45:56,080
Speaker 1: this is a ship's said the sham y'all sorry, man,

1598
01:45:56,720 --> 01:46:00,600
Speaker 1: I think it's something. I'm like, we were creative your

1599
01:46:00,720 --> 01:46:10,400
Speaker 1: founding of metros do talk very single ba ya very

1600
01:46:10,479 --> 01:46:20,160
Speaker 1: fund were more sac when it settle W take show

1601
01:46:20,680 --> 01:46:26,760
Speaker 1: now sure until we comes. I think it's good. The

1602
01:46:26,840 --> 01:46:30,639
Speaker 1: same time one sea ships like water on the market

1603
01:46:31,280 --> 01:46:34,000
Speaker 1: ant sho you let me get a bully work out

1604
01:46:34,000 --> 01:46:36,559
Speaker 1: the set? People like you want to say, what's also

1605
01:46:37,880 --> 01:46:41,280
Speaker 1: don't y'all listen? Man? What are you doing? Why is

1606
01:46:41,320 --> 01:46:45,240
Speaker 1: everybody else normy to speen show you all know you know,

1607
01:46:45,400 --> 01:46:48,720
Speaker 1: you know ever with the span ship, right, I told

1608
01:46:48,760 --> 01:46:50,800
Speaker 1: you about the span ship. I'm doing right now telling

1609
01:46:50,880 --> 01:46:54,040
Speaker 1: people though I'm a specially let you kiss ta see

1610
01:46:54,040 --> 01:46:56,320
Speaker 1: where ye about that? We call the sick and newpo

1611
01:46:56,479 --> 01:47:04,519
Speaker 1: mento call again. I'm a special education kids education, US

1612
01:47:04,560 --> 01:47:08,920
Speaker 1: behavior disorders. I'm optional disorders, learning disorders, all type of

1613
01:47:08,960 --> 01:47:11,160
Speaker 1: ship like that. And I was very embarrassing my whole life,

1614
01:47:11,200 --> 01:47:14,080
Speaker 1: you know what I'm saying, sugar, And but that's when

1615
01:47:14,080 --> 01:47:17,200
Speaker 1: we're get into now. So you know, when I started

1616
01:47:17,320 --> 01:47:18,840
Speaker 1: leveling up in the rap game a little bit, I

1617
01:47:18,920 --> 01:47:21,800
Speaker 1: was like, all right, I'm a SPED because I was

1618
01:47:21,880 --> 01:47:24,759
Speaker 1: a derogatory term. People will be like in the SPED school,

1619
01:47:24,760 --> 01:47:26,519
Speaker 1: you know, you know what I mean? Ship like that.

1620
01:47:26,960 --> 01:47:29,639
Speaker 1: So I'm like, I want to take spat and making something.

1621
01:47:29,680 --> 01:47:31,559
Speaker 1: And then when you started talking about it on drink

1622
01:47:31,600 --> 01:47:33,719
Speaker 1: tins and being like yo, I was in the resource

1623
01:47:33,880 --> 01:47:38,560
Speaker 1: room and ship education, so I started counting, right, I'm like,

1624
01:47:38,600 --> 01:47:41,080
Speaker 1: all right, I leveled up as a small blue yellow

1625
01:47:41,120 --> 01:47:43,479
Speaker 1: boxes me too, bro, So I level it up as

1626
01:47:43,479 --> 01:47:45,360
Speaker 1: a SPED. And then when you were talking about it.

1627
01:47:45,360 --> 01:47:47,240
Speaker 1: I'm like, all right, that's a spat millionaire right there.

1628
01:47:47,360 --> 01:47:50,360
Speaker 1: He touched a millionaire. I'm not he put count your money.

1629
01:47:50,400 --> 01:47:55,559
Speaker 1: But yeah, you can say don't. Yeah. What I'm saying

1630
01:47:56,960 --> 01:48:03,799
Speaker 1: just relating to every shape somebody, somebody very successful. Somebody

1631
01:48:03,960 --> 01:48:06,680
Speaker 1: very successful though, was a special education. And I've been

1632
01:48:06,720 --> 01:48:09,639
Speaker 1: running into other people fab boy SSC running my whole

1633
01:48:09,680 --> 01:48:11,720
Speaker 1: ship to spend brand. You know what I'm saying, he

1634
01:48:11,880 --> 01:48:14,680
Speaker 1: was in special education. I bumped into casting. No way,

1635
01:48:14,720 --> 01:48:16,200
Speaker 1: he's all with the ships, you know what I'm saying.

1636
01:48:16,240 --> 01:48:18,479
Speaker 1: Like I've been bumping into a lot of the founder

1637
01:48:18,520 --> 01:48:20,599
Speaker 1: of nice kicks dot com and all of that ship

1638
01:48:20,720 --> 01:48:23,920
Speaker 1: that a special education super a d h D, all

1639
01:48:23,960 --> 01:48:26,760
Speaker 1: of that. Even NASA is Pops brought him out of

1640
01:48:26,880 --> 01:48:29,240
Speaker 1: took him out of school, right because they were trying

1641
01:48:29,240 --> 01:48:31,559
Speaker 1: to put him in special leadership. Right. So I want

1642
01:48:31,600 --> 01:48:34,160
Speaker 1: to basically, before my life has done, be able to

1643
01:48:34,240 --> 01:48:36,080
Speaker 1: make all the kids and special lets who feel they

1644
01:48:36,120 --> 01:48:39,840
Speaker 1: can't do nothing in life would be confident like look

1645
01:48:39,880 --> 01:48:41,760
Speaker 1: at all these examples of what the funk I could

1646
01:48:41,840 --> 01:48:46,800
Speaker 1: really do with my life. You know, you know that

1647
01:48:46,880 --> 01:48:49,599
Speaker 1: I'm taking act like I got to South Boston High

1648
01:48:49,640 --> 01:48:51,639
Speaker 1: I speak to the kids, they're bugging out, they're pushing

1649
01:48:51,680 --> 01:48:54,360
Speaker 1: their teachers around the wild wild you know, it was

1650
01:48:54,400 --> 01:48:56,519
Speaker 1: just wild ship like because when they put like my

1651
01:48:56,640 --> 01:48:59,040
Speaker 1: classroom was like this, and everybody in my classroom was

1652
01:48:59,040 --> 01:49:01,880
Speaker 1: like drink jimps without to lick at everything. Why, you

1653
01:49:02,000 --> 01:49:03,920
Speaker 1: know what I'm saying, every type of ship. So that's

1654
01:49:03,960 --> 01:49:09,320
Speaker 1: the pride of the class, you think. Think. And I

1655
01:49:09,400 --> 01:49:11,240
Speaker 1: went to the school bro and I said, on how

1656
01:49:11,280 --> 01:49:13,479
Speaker 1: many of y'all think, um, you can make it in life?

1657
01:49:13,560 --> 01:49:15,920
Speaker 1: Put it in in the air. Nobody raised their hand,

1658
01:49:16,479 --> 01:49:18,559
Speaker 1: and I said, because of this, because you're in this school,

1659
01:49:18,680 --> 01:49:20,400
Speaker 1: because you're in this class and you're not in the

1660
01:49:20,439 --> 01:49:23,040
Speaker 1: regular ship, and the like yeah. And I'm like, all right,

1661
01:49:23,080 --> 01:49:27,000
Speaker 1: so I need to start getting every successful sped damn

1662
01:49:27,080 --> 01:49:28,960
Speaker 1: with me and down with this ship that I'm doing.

1663
01:49:29,160 --> 01:49:30,960
Speaker 1: And so we got have a motherfucking lists, just like

1664
01:49:31,040 --> 01:49:33,519
Speaker 1: you know how Jordan didn't make his own freshman team.

1665
01:49:34,040 --> 01:49:36,880
Speaker 1: So for kids don't make that freshman team in high school,

1666
01:49:36,880 --> 01:49:39,200
Speaker 1: you can say, look, bros, hope Jordan didn't even get

1667
01:49:39,280 --> 01:49:41,679
Speaker 1: picked for his freshman You know what I'm saying, ship

1668
01:49:41,840 --> 01:49:42,960
Speaker 1: like that, and that's what I want to do. With

1669
01:49:43,040 --> 01:49:51,120
Speaker 1: dispatch ship. So God I put, I'm counting on you people,

1670
01:49:51,200 --> 01:49:53,679
Speaker 1: so with you. We haven't heard from you so long.

1671
01:49:53,920 --> 01:49:57,840
Speaker 1: I've been cooler with some backwards. But listen though, you know,

1672
01:49:57,880 --> 01:49:59,960
Speaker 1: I live in a t l be in Atlanta. About

1673
01:50:00,040 --> 01:50:03,320
Speaker 1: seven years in Atlanta, I got a company called Super

1674
01:50:03,360 --> 01:50:06,639
Speaker 1: Free Athletics. Campaign has called Health and Hip Hop UM.

1675
01:50:07,040 --> 01:50:09,840
Speaker 1: So throughout the parks in Atlanta, Georgia, I get all

1676
01:50:09,920 --> 01:50:14,839
Speaker 1: we do free physical training for low pol Yeah, that's beautiful.

1677
01:50:15,080 --> 01:50:17,040
Speaker 1: Every summer we had a park called call I'm more

1678
01:50:17,280 --> 01:50:20,719
Speaker 1: located in Kirkwood, a k A like a young school,

1679
01:50:21,760 --> 01:50:27,360
Speaker 1: um Um, Future neighborhood, Future Future, Feminity. The females is

1680
01:50:27,360 --> 01:50:29,920
Speaker 1: actually some of my first clients, so me and yere

1681
01:50:30,080 --> 01:50:34,120
Speaker 1: So you know, my whole thing is UM. Whenever I

1682
01:50:34,160 --> 01:50:35,840
Speaker 1: do a show, I try to get to the city

1683
01:50:35,880 --> 01:50:38,160
Speaker 1: at there ahead of time. Instead of a bull camp

1684
01:50:38,240 --> 01:50:40,320
Speaker 1: to bring the community, I'll try to go to community

1685
01:50:40,400 --> 01:50:42,800
Speaker 1: centers and do health you don't mean to educate people

1686
01:50:43,040 --> 01:50:45,000
Speaker 1: about their bodies and all that and the proper things

1687
01:50:45,040 --> 01:50:46,800
Speaker 1: that age. So you know, I'm definitely down with the

1688
01:50:46,840 --> 01:50:54,479
Speaker 1: Health and Wellness Ship too. Specs. You know That's what

1689
01:50:54,560 --> 01:50:57,720
Speaker 1: I'm saying. They're like when I saw you several years

1690
01:50:57,760 --> 01:51:00,840
Speaker 1: ago doing your running thing, that's when I first started running,

1691
01:51:01,720 --> 01:51:03,120
Speaker 1: you know what I mean, I was like, damn, you

1692
01:51:03,200 --> 01:51:05,519
Speaker 1: were like like like literally, I was like, yeah, you

1693
01:51:05,560 --> 01:51:09,000
Speaker 1: don't be spoking bobbies drinking. But he posted this running

1694
01:51:09,000 --> 01:51:12,800
Speaker 1: ship balance because let's just let got a balance you

1695
01:51:13,000 --> 01:51:14,720
Speaker 1: to me. So I started going down to the gym,

1696
01:51:14,960 --> 01:51:17,400
Speaker 1: coming with the treadmill, and then I saw the run

1697
01:51:17,520 --> 01:51:19,840
Speaker 1: outside and run outside of the blot A real passion

1698
01:51:19,920 --> 01:51:22,320
Speaker 1: for like running. So let me ask you something because

1699
01:51:22,680 --> 01:51:27,600
Speaker 1: shout out training from all to this too. That so

1700
01:51:27,720 --> 01:51:29,559
Speaker 1: let me ask you something because you're being a part

1701
01:51:29,600 --> 01:51:34,120
Speaker 1: of the hip hop game right and maybe in your

1702
01:51:34,160 --> 01:51:38,479
Speaker 1: opinion or maybe in the public's opinion, you didn't get

1703
01:51:38,520 --> 01:51:42,479
Speaker 1: your fair chances. Fact, why aren't you bitter about the

1704
01:51:42,600 --> 01:51:44,679
Speaker 1: rap game? Why do you mean me today? And we're

1705
01:51:44,720 --> 01:51:48,680
Speaker 1: like fun this ship like you you me, you met me,

1706
01:51:48,920 --> 01:51:52,240
Speaker 1: you got money and hip hop first at me, I

1707
01:51:52,320 --> 01:51:55,960
Speaker 1: guess I mean verse and almost on my hustle. And

1708
01:51:56,040 --> 01:51:57,920
Speaker 1: like I said, when I left practice of myne again,

1709
01:51:58,439 --> 01:52:01,599
Speaker 1: I was I was in my third strike in the street.

1710
01:52:02,479 --> 01:52:04,679
Speaker 1: You know what I'm saying. My first spot I got raided.

1711
01:52:05,040 --> 01:52:08,000
Speaker 1: I missed that by like a half hour, opened up

1712
01:52:08,000 --> 01:52:10,879
Speaker 1: another joint that got hit while I was at Wendy's.

1713
01:52:11,479 --> 01:52:13,240
Speaker 1: And then when I was setting up my last shot

1714
01:52:13,320 --> 01:52:19,720
Speaker 1: Wendy Stoke, he went to women was right world. It

1715
01:52:19,880 --> 01:52:23,040
Speaker 1: was like a second of the mother, just like I think,

1716
01:52:23,720 --> 01:52:27,040
Speaker 1: set some grub and my cousin was like, you want

1717
01:52:27,080 --> 01:52:29,240
Speaker 1: to stay at the spot, and I'm like, cook, get

1718
01:52:29,320 --> 01:52:31,160
Speaker 1: some grul, Like I got to stay. It's a sad

1719
01:52:31,400 --> 01:52:33,519
Speaker 1: you know what I mean. So while we're in the line,

1720
01:52:33,560 --> 01:52:36,040
Speaker 1: gets grow and said we're both to drive food. We

1721
01:52:36,160 --> 01:52:37,800
Speaker 1: decided to go on the side and get the grub

1722
01:52:38,240 --> 01:52:41,080
Speaker 1: while we alive. Feend lady called like, yo, they ain't

1723
01:52:41,080 --> 01:52:43,360
Speaker 1: going me. They they're running up in the joun So

1724
01:52:43,439 --> 01:52:45,960
Speaker 1: I'm like, damn. So my third strike. I had a

1725
01:52:46,120 --> 01:52:49,960
Speaker 1: joint and you u this cat had just came home

1726
01:52:50,040 --> 01:52:52,120
Speaker 1: and he ran up in a joint and he had

1727
01:52:52,200 --> 01:52:54,120
Speaker 1: my works like hostage, you know what I mean. He

1728
01:52:54,160 --> 01:52:56,040
Speaker 1: wanted to me to rad you don't have a woman

1729
01:52:56,120 --> 01:53:00,280
Speaker 1: toxic and ship like that. Successfully, I got him bout

1730
01:53:00,320 --> 01:53:02,479
Speaker 1: of it, and I was like and in the streets,

1731
01:53:02,520 --> 01:53:04,160
Speaker 1: I was like my little third strike for me, you know,

1732
01:53:04,439 --> 01:53:06,920
Speaker 1: like that was like enough sings. So I sat down

1733
01:53:07,000 --> 01:53:08,280
Speaker 1: for a minute and I made it move to the

1734
01:53:08,360 --> 01:53:11,080
Speaker 1: A t O my man Breeze for my Blood. You

1735
01:53:11,120 --> 01:53:12,439
Speaker 1: know what I'm saying. He was the only one that

1736
01:53:12,479 --> 01:53:14,360
Speaker 1: have really went to college and ship, Like, why don't

1737
01:53:14,360 --> 01:53:16,320
Speaker 1: you hook up with during the pre when you went

1738
01:53:16,360 --> 01:53:18,760
Speaker 1: to the A t L. That's what the puzzles me

1739
01:53:19,280 --> 01:53:21,400
Speaker 1: because isn't the first to point you in the game.

1740
01:53:22,120 --> 01:53:25,080
Speaker 1: That's nine months in the A t L. Nine months

1741
01:53:25,160 --> 01:53:27,200
Speaker 1: within the age, Yeah right, and when the one of

1742
01:53:27,200 --> 01:53:29,760
Speaker 1: those things. All that ship came after Like my first

1743
01:53:29,840 --> 01:53:32,240
Speaker 1: record solo Hustles, I had that ship recorded before I

1744
01:53:32,320 --> 01:53:34,240
Speaker 1: met your Man. I was produced by Chad West. Shout

1745
01:53:34,280 --> 01:53:37,439
Speaker 1: out Chad West. Down Cannon gave me to beat, you

1746
01:53:37,520 --> 01:53:39,400
Speaker 1: know what I'm saying. So all that ship happened before

1747
01:53:39,840 --> 01:53:41,360
Speaker 1: I met your Man, you know what I mean. When

1748
01:53:41,360 --> 01:53:45,400
Speaker 1: I met your Man, I was already on one of six,

1749
01:53:45,640 --> 01:53:47,880
Speaker 1: you know what I'm saying. And like I said, Big Vibe,

1750
01:53:48,120 --> 01:53:50,400
Speaker 1: I made the connection and I ended up getting with

1751
01:53:50,560 --> 01:53:54,080
Speaker 1: him and the record deal personally on like I had

1752
01:53:54,160 --> 01:53:56,120
Speaker 1: met for Real, like Big Bob introduced me to for

1753
01:53:56,200 --> 01:53:58,920
Speaker 1: Real at the time, a couple of different people. But

1754
01:53:59,160 --> 01:54:02,240
Speaker 1: like I told you, I ran the blueprint past your

1755
01:54:02,320 --> 01:54:04,519
Speaker 1: main and he funked with it. He I just became

1756
01:54:04,560 --> 01:54:06,560
Speaker 1: president of that version, and I was like, you just

1757
01:54:06,600 --> 01:54:08,640
Speaker 1: would be a good look, Come on TV, give me

1758
01:54:08,720 --> 01:54:13,200
Speaker 1: the chain president version. Jay Z was just had just

1759
01:54:13,280 --> 01:54:16,120
Speaker 1: got president of Death Jam, you know me, so he

1760
01:54:16,560 --> 01:54:18,200
Speaker 1: took it upon it so to say this could be

1761
01:54:18,200 --> 01:54:20,640
Speaker 1: a good look. He wrote bred like I said, it

1762
01:54:20,720 --> 01:54:23,519
Speaker 1: was in nine months. Mentally, I wasn't really in the

1763
01:54:23,640 --> 01:54:26,280
Speaker 1: industry state of my ship yet, especially from the block.

1764
01:54:27,040 --> 01:54:29,439
Speaker 1: So you know what I'm saying. I ran with whatever

1765
01:54:29,680 --> 01:54:31,680
Speaker 1: was going on as far as the industry win. When

1766
01:54:31,680 --> 01:54:34,800
Speaker 1: ship ran dry with j D, I mean to keep

1767
01:54:34,840 --> 01:54:36,320
Speaker 1: it the dolls and I just kind of like, you know,

1768
01:54:36,680 --> 01:54:39,480
Speaker 1: I kept my credit in at A I started making

1769
01:54:39,520 --> 01:54:42,120
Speaker 1: moves as a new user. You know what I'm saying.

1770
01:54:42,640 --> 01:54:45,000
Speaker 1: Capting would hit my ship like that. But I really

1771
01:54:45,080 --> 01:54:48,440
Speaker 1: had lost connect with the industry too. I mean, you know,

1772
01:54:48,520 --> 01:54:50,280
Speaker 1: you can call him my own ignorance, so you could

1773
01:54:50,280 --> 01:54:52,440
Speaker 1: just call us to problem, you know what I'm saying.

1774
01:54:52,480 --> 01:54:54,760
Speaker 1: But it was, you know what, I'm listening this Rochester,

1775
01:54:54,960 --> 01:54:56,240
Speaker 1: you know what I'm saying. So I'm still talking. I

1776
01:54:56,360 --> 01:54:59,960
Speaker 1: knew through that process I developed a health and wellness business,

1777
01:55:00,040 --> 01:55:02,800
Speaker 1: starting my own athletic ap pail and ship like that.

1778
01:55:03,400 --> 01:55:06,920
Speaker 1: Always kept doing music, but um I just never really

1779
01:55:07,000 --> 01:55:09,200
Speaker 1: had like the plug like like you know, just lost connections.

1780
01:55:09,360 --> 01:55:12,480
Speaker 1: I caught a bit sucking around in the ad. You

1781
01:55:12,520 --> 01:55:13,880
Speaker 1: know what I'm saying, called a bit shout out to

1782
01:55:13,920 --> 01:55:17,040
Speaker 1: call it from the franchise boys. You're so smoke together.

1783
01:55:17,440 --> 01:55:23,000
Speaker 1: Hell not. I don't know what he now because I

1784
01:55:23,120 --> 01:55:25,560
Speaker 1: was at hout now, we was a student now, he

1785
01:55:25,720 --> 01:55:29,360
Speaker 1: was at a studio together. The studio got ready. You

1786
01:55:29,400 --> 01:55:30,800
Speaker 1: know what I'm saying. It was you know what I'm saying.

1787
01:55:30,840 --> 01:55:32,560
Speaker 1: It was like you know, it was pouncing the studio

1788
01:55:32,600 --> 01:55:34,360
Speaker 1: and ship like that. You know what I'm saying. So

1789
01:55:35,160 --> 01:55:43,280
Speaker 1: you know what I mean, like after that ship Jady had. Yeah, yeah, yeah,

1790
01:55:43,720 --> 01:55:47,480
Speaker 1: I mean I gotta take a people were ships years ago.

1791
01:55:48,840 --> 01:56:01,640
Speaker 1: Ship is over express. We're taking the trust picture to say,

1792
01:56:01,760 --> 01:56:14,720
Speaker 1: picture and wash your hands pure like your brothers war outside.

1793
01:56:17,600 --> 01:56:30,000
Speaker 1: Yo minute, I gotta come. Two women get yo'n set

1794
01:56:30,040 --> 01:56:34,840
Speaker 1: it right now, yo black yea friend out more families,

1795
01:56:36,680 --> 01:56:39,800
Speaker 1: Yeah yet I'm coming right now