1 00:00:00,920 --> 00:00:05,480 Speaker 1: Come laugh, make them laugh, don't you know everyone wants 2 00:00:05,559 --> 00:00:05,960 Speaker 1: to laugh? 3 00:00:06,200 --> 00:00:10,200 Speaker 2: Yeah, everybody, Let's make them laugh and laugh a bit more. 4 00:00:10,640 --> 00:00:14,720 Speaker 2: I mean, I gotta say, it's not always easy, considering 5 00:00:14,720 --> 00:00:16,560 Speaker 2: the news flow and the stresses that are out there 6 00:00:16,640 --> 00:00:20,599 Speaker 2: right economic, personal are otherwise kind of love that from singing. 7 00:00:20,360 --> 00:00:20,759 Speaker 3: In the rain. 8 00:00:21,600 --> 00:00:24,360 Speaker 1: You know what, though, it's actually good to laugh. 9 00:00:24,560 --> 00:00:24,799 Speaker 3: I know. 10 00:00:25,320 --> 00:00:27,920 Speaker 2: Okay, so where is good for us? We are nerds, 11 00:00:27,960 --> 00:00:32,879 Speaker 2: But speak for yourself. The Mayo Clinic points out that 12 00:00:32,880 --> 00:00:35,800 Speaker 2: when it comes to relieving stress, more giggles and guffaws 13 00:00:35,880 --> 00:00:37,960 Speaker 2: are just what the doctor ordered, noting that a good 14 00:00:38,040 --> 00:00:40,440 Speaker 2: laugh has great short term effects. When you start to laugh, 15 00:00:40,440 --> 00:00:43,000 Speaker 2: it doesn't just lighten your load mentally, it actually induces 16 00:00:43,000 --> 00:00:47,160 Speaker 2: physical changes in your body, including stimulating your organs, soothing tension, 17 00:00:47,240 --> 00:00:50,000 Speaker 2: improving your immune system. So everybody in the control room, 18 00:00:50,120 --> 00:00:51,559 Speaker 2: you better be laughing no more. 19 00:00:51,640 --> 00:00:54,320 Speaker 1: Yeah, I better go to the Comedy Festival. The seventeenth 20 00:00:54,320 --> 00:00:57,040 Speaker 1: annual New York Comedy Festival, Yes, about. 21 00:00:56,800 --> 00:00:59,440 Speaker 2: To get underway in early November. A legend in the 22 00:00:59,440 --> 00:01:01,760 Speaker 2: world of common is with us today in our studio. 23 00:01:01,840 --> 00:01:04,840 Speaker 2: Caroline Hirsch, founder of Caroline's on Broadway. Of course, you 24 00:01:04,920 --> 00:01:08,479 Speaker 2: know that she's here in our Bloomberg Interactive Brokers studio. Welcome, Welcome, 25 00:01:08,520 --> 00:01:09,160 Speaker 2: welcome back. 26 00:01:09,240 --> 00:01:11,640 Speaker 3: How are you good? I'm good. So we have quite 27 00:01:11,640 --> 00:01:14,320 Speaker 3: the medicine for you. Comedy festival. 28 00:01:14,440 --> 00:01:15,640 Speaker 1: My voice doesn't usually sound like this. 29 00:01:16,560 --> 00:01:20,720 Speaker 3: Festival number third, the twelfth we've extended this year. We're 30 00:01:20,800 --> 00:01:24,280 Speaker 3: ten days straight, probably about one hundred and fifty shows, 31 00:01:24,319 --> 00:01:27,640 Speaker 3: still counting. We're still adding, we're still putting people together, 32 00:01:27,760 --> 00:01:31,759 Speaker 3: so still announcing new shows coming up, twenty two theater shows. 33 00:01:31,840 --> 00:01:33,800 Speaker 3: So we're very very happy, Carolyn. 34 00:01:33,880 --> 00:01:35,880 Speaker 2: I just had family in from Texas, and you know 35 00:01:35,880 --> 00:01:37,119 Speaker 2: what they did. They did a bunch of things around 36 00:01:37,120 --> 00:01:38,760 Speaker 2: New York. It was a short weekend. They went to 37 00:01:38,800 --> 00:01:41,800 Speaker 2: a comedy show. People want to experience things. How did 38 00:01:41,800 --> 00:01:45,160 Speaker 2: you guys think about that? Are you seeing increased demand 39 00:01:45,280 --> 00:01:47,000 Speaker 2: or a lot of demand coming out of the pandemic 40 00:01:47,040 --> 00:01:49,440 Speaker 2: of people just wanting to go to things like comedy shows. 41 00:01:49,560 --> 00:01:51,120 Speaker 3: Well, I think the general people want to go to 42 00:01:51,160 --> 00:01:53,760 Speaker 3: live events, and I think live events are like the 43 00:01:53,800 --> 00:01:56,720 Speaker 3: big thing right now. So look, when we put tickets 44 00:01:56,760 --> 00:02:00,480 Speaker 3: on sale, we got a really really robust kind of 45 00:02:00,560 --> 00:02:03,800 Speaker 3: reaction to it. So ticket sales are really really good. 46 00:02:04,080 --> 00:02:05,400 Speaker 1: That's good. 47 00:02:05,560 --> 00:02:06,760 Speaker 3: It's good, it's good for New York. 48 00:02:06,840 --> 00:02:11,960 Speaker 1: Okay at Madow Square Garden. 49 00:02:12,040 --> 00:02:15,880 Speaker 3: Ok. Shane Gillis at Carnegie Hall, Mateo Lange and Me, Carr, 50 00:02:16,080 --> 00:02:19,880 Speaker 3: Anthony just all at Carnegie Hall. And you know what 51 00:02:20,000 --> 00:02:22,239 Speaker 3: happens that you know, people go to Carnegie Hall and 52 00:02:22,320 --> 00:02:24,400 Speaker 3: then they'll go to the restaurant across the street. Right. 53 00:02:24,560 --> 00:02:26,960 Speaker 3: So what we do is bring this stimulus to New 54 00:02:27,040 --> 00:02:29,440 Speaker 3: York City, which we're always happy to do, and we 55 00:02:29,560 --> 00:02:31,320 Speaker 3: have a lot of fun we're doing it. And then 56 00:02:31,360 --> 00:02:34,000 Speaker 3: we have you know, we we have Brett Goldstein do 57 00:02:34,080 --> 00:02:36,359 Speaker 3: you know him from Ted Lasso? So he's doing three 58 00:02:36,520 --> 00:02:37,600 Speaker 3: a lot of him at the beach. 59 00:02:37,600 --> 00:02:39,320 Speaker 2: Wait can we all say what he says? Oh no, 60 00:02:39,360 --> 00:02:40,200 Speaker 2: we can't say that on. 61 00:02:40,200 --> 00:02:44,160 Speaker 1: Air, can we You can't. You can't, you can't show 62 00:02:44,240 --> 00:02:45,040 Speaker 1: We do say it a lot. 63 00:02:44,960 --> 00:02:46,040 Speaker 3: Of the news, but go ahead. 64 00:02:47,160 --> 00:02:47,840 Speaker 2: He's so great. 65 00:02:48,080 --> 00:02:50,400 Speaker 3: Yeah. And then we have you know, we we have 66 00:02:50,440 --> 00:02:53,119 Speaker 3: a big event which is Stand Up for Heroes, which 67 00:02:53,520 --> 00:02:56,520 Speaker 3: kind of opens up the festival this year on November sixth, 68 00:02:56,960 --> 00:03:00,400 Speaker 3: So we have Jimmy Carr there, Tracy Morgan, Rita Wilson 69 00:03:00,440 --> 00:03:07,440 Speaker 3: will be singing, Shane Gillis, Ronnie Chang, John Stewart, who's 70 00:03:07,720 --> 00:03:12,040 Speaker 3: a constant there, and also Josh Grobin and John Mellencamp. 71 00:03:12,240 --> 00:03:13,520 Speaker 3: So that is quite a show. 72 00:03:13,520 --> 00:03:16,280 Speaker 1: Are they doing comedy? Are they singing? 73 00:03:16,960 --> 00:03:17,160 Speaker 3: Yeah? 74 00:03:17,200 --> 00:03:19,040 Speaker 1: This thing okay, that's ok. 75 00:03:19,160 --> 00:03:20,560 Speaker 2: How do you think about when you put it together? 76 00:03:20,600 --> 00:03:23,960 Speaker 2: Seventeen years and running? Talk to us about like how 77 00:03:24,000 --> 00:03:24,679 Speaker 2: it's evolved. 78 00:03:24,760 --> 00:03:27,880 Speaker 3: Oh, it's nineteen years. Oh forgive me years and seventeen 79 00:03:27,919 --> 00:03:33,160 Speaker 3: years for the standard for heroes, but it's nineteen years. 80 00:03:33,200 --> 00:03:35,960 Speaker 3: Next year we're having a big, big blowout the twentieth 81 00:03:36,000 --> 00:03:38,280 Speaker 3: year in New York City. Wow. You know we start 82 00:03:38,320 --> 00:03:41,200 Speaker 3: the day after we finish here, we start for next year. Actually, 83 00:03:41,440 --> 00:03:44,800 Speaker 3: we're trying to secure venues ready for next year, you know, 84 00:03:44,840 --> 00:03:47,400 Speaker 3: our big shows at Madison Square Garden. So we do 85 00:03:47,480 --> 00:03:48,480 Speaker 3: that constantly. 86 00:03:49,000 --> 00:03:51,120 Speaker 1: You know. It's it's we don't often because we have 87 00:03:51,160 --> 00:03:54,040 Speaker 1: a global audience here on the program. We really, yeah 88 00:03:54,040 --> 00:03:54,240 Speaker 1: we do. 89 00:03:54,360 --> 00:03:55,840 Speaker 2: I had no idea that's some comedy for you. 90 00:03:56,680 --> 00:03:59,760 Speaker 1: Well be kidding looking into the controller if you can 91 00:03:59,760 --> 00:04:02,360 Speaker 1: say they're not laughing in there. I know, I know 92 00:04:03,760 --> 00:04:05,680 Speaker 1: to my day job, but we do, and we you know, 93 00:04:05,680 --> 00:04:08,080 Speaker 1: we have a national audience as well. So why are 94 00:04:08,080 --> 00:04:10,160 Speaker 1: we talking about something here in New York. Well, because 95 00:04:10,160 --> 00:04:11,840 Speaker 1: a lot of people from all over the world and 96 00:04:11,840 --> 00:04:13,880 Speaker 1: all over the country come to this. Talk a little 97 00:04:13,920 --> 00:04:16,400 Speaker 1: bit about who this attracts and sort of where New 98 00:04:16,480 --> 00:04:18,839 Speaker 1: York is right now in the comedy scene, because you know, 99 00:04:18,839 --> 00:04:21,120 Speaker 1: there are people who are saying, you know, okay, LA 100 00:04:21,360 --> 00:04:23,560 Speaker 1: is you know a classic place for comedy. You've got 101 00:04:23,640 --> 00:04:26,640 Speaker 1: Joe Rogan and Austin doing his thing, you know, trying 102 00:04:26,680 --> 00:04:29,480 Speaker 1: to make Austin comedy happen. Where do you stand on 103 00:04:29,520 --> 00:04:29,680 Speaker 1: all this? 104 00:04:30,440 --> 00:04:33,840 Speaker 3: You know, you can never negate New York. Okay, you 105 00:04:34,240 --> 00:04:36,960 Speaker 3: can't take the New York say it's a good New Yorker. No, 106 00:04:37,240 --> 00:04:39,960 Speaker 3: it's here, it's here, It's Here's where it starts. This 107 00:04:40,000 --> 00:04:42,039 Speaker 3: is where you get the creative juices. This is where 108 00:04:42,040 --> 00:04:44,719 Speaker 3: you get the ideas they you know, the whole thing 109 00:04:44,760 --> 00:04:47,159 Speaker 3: with La was that, you know, which is not so 110 00:04:47,320 --> 00:04:49,360 Speaker 3: quite in fashion right now, is to go out there 111 00:04:49,360 --> 00:04:52,640 Speaker 3: to get your sitcom. That's that's not really happening anymore. Now. 112 00:04:52,640 --> 00:04:54,560 Speaker 1: It's nice happening over the last five months without the 113 00:04:54,600 --> 00:04:55,160 Speaker 1: writer's strike. 114 00:04:55,200 --> 00:04:57,000 Speaker 3: I can tell you that I guess they're bad. 115 00:04:57,040 --> 00:04:58,600 Speaker 2: That's a really good point, because you did see a 116 00:04:58,600 --> 00:05:01,400 Speaker 2: lot of comics for a long time, right, get a 117 00:05:01,480 --> 00:05:03,280 Speaker 2: series and then just move to television. 118 00:05:03,480 --> 00:05:06,280 Speaker 3: It's kind of not happening now, the touring that goes 119 00:05:06,320 --> 00:05:08,559 Speaker 3: on when you have a great special it's on TV, 120 00:05:09,080 --> 00:05:11,480 Speaker 3: you take that and you go on the road, and 121 00:05:11,520 --> 00:05:14,320 Speaker 3: that's your millions of dollars that these people, you know, 122 00:05:14,360 --> 00:05:16,800 Speaker 3: comedians are making on the road. When you're selling out 123 00:05:17,120 --> 00:05:20,160 Speaker 3: Beacon Theater's Carnegie Hall, when you're selling out the Garden, 124 00:05:20,640 --> 00:05:23,760 Speaker 3: this is this is like, this is big bucks, you know. 125 00:05:23,839 --> 00:05:26,640 Speaker 3: So it's it's a big, big business for a lot 126 00:05:26,680 --> 00:05:28,880 Speaker 3: of people that have really, you know, made it and 127 00:05:28,880 --> 00:05:30,360 Speaker 3: are able to tour around the country. 128 00:05:30,400 --> 00:05:32,520 Speaker 2: Can we talk about the business of coming And I 129 00:05:32,560 --> 00:05:36,560 Speaker 2: think about, you know, last December, your iconic club, right, 130 00:05:36,760 --> 00:05:40,400 Speaker 2: you did not renew your lease it's spot in Times Square. 131 00:05:40,480 --> 00:05:44,280 Speaker 3: How hard was that? You know? I wanted to stay, 132 00:05:44,480 --> 00:05:46,040 Speaker 3: and then there was a part of me which did 133 00:05:46,080 --> 00:05:48,880 Speaker 3: not want to stay because of the way. And I 134 00:05:49,240 --> 00:05:52,200 Speaker 3: don't want to put down Times Square because I went 135 00:05:52,240 --> 00:05:54,719 Speaker 3: there thirty years ago to build it up and I 136 00:05:54,800 --> 00:05:58,240 Speaker 3: was part of that, the renovation of Timescare and the 137 00:05:58,240 --> 00:06:01,520 Speaker 3: renewal of Times Square. So I'm not going to put 138 00:06:01,520 --> 00:06:03,960 Speaker 3: it down. But things were changing there the city was 139 00:06:04,040 --> 00:06:08,960 Speaker 3: changing there. I felt that after COVID, the whole seascape 140 00:06:09,040 --> 00:06:12,080 Speaker 3: there was changing. And I said, let me step back. 141 00:06:12,800 --> 00:06:14,799 Speaker 3: I own the brand. I want to take the brand. 142 00:06:14,880 --> 00:06:17,320 Speaker 3: I'm extending it through the festival, and then we have 143 00:06:17,440 --> 00:06:18,880 Speaker 3: other ideas where we're going with that. 144 00:06:19,080 --> 00:06:21,200 Speaker 1: Okay, give us some of those other ideas. 145 00:06:21,320 --> 00:06:23,800 Speaker 3: Yeah, well, you know, we're taking the Carolines brand and 146 00:06:23,839 --> 00:06:26,400 Speaker 3: you know, kind of producing content and putting it out 147 00:06:26,440 --> 00:06:30,039 Speaker 3: there and specials and everything else that we do with 148 00:06:30,120 --> 00:06:32,039 Speaker 3: comedy on a grander scale. 149 00:06:32,200 --> 00:06:33,599 Speaker 1: I mean, it really was the end of an era 150 00:06:33,839 --> 00:06:35,280 Speaker 1: for you not to renew your leaves there. 151 00:06:36,480 --> 00:06:39,479 Speaker 3: Well. Yeah, I was lived thirty years in. 152 00:06:39,480 --> 00:06:42,080 Speaker 1: Times Square, so I mean Tom Square changed a lot 153 00:06:42,200 --> 00:06:43,880 Speaker 1: in thirty years, and it changed a lot just in 154 00:06:43,920 --> 00:06:46,400 Speaker 1: a few years because of the pandemic. Talk to us 155 00:06:46,400 --> 00:06:48,520 Speaker 1: a little bit about the you know, what happened, and 156 00:06:48,520 --> 00:06:51,520 Speaker 1: the decision making process, and the external factor is there too, Okay. 157 00:06:51,560 --> 00:06:54,839 Speaker 3: So obviously I went to my landlord. I go, listen, 158 00:06:54,880 --> 00:06:58,120 Speaker 3: we need some relief here. You know, things have changed 159 00:06:58,120 --> 00:07:00,720 Speaker 3: a lot, so can you He goes, no, Actually, we 160 00:07:00,839 --> 00:07:03,279 Speaker 3: really want to raise the rent. So I said, oh, 161 00:07:03,440 --> 00:07:05,200 Speaker 3: but you know, there are so many repairs that have 162 00:07:05,240 --> 00:07:07,080 Speaker 3: to be done. I'm here for thirty years, you know, 163 00:07:07,120 --> 00:07:10,240 Speaker 3: air conditioning, electrical work, just things needed to be upgraded. 164 00:07:10,640 --> 00:07:13,160 Speaker 3: And he said, well that's just what the deal is. 165 00:07:13,280 --> 00:07:15,480 Speaker 3: And I tried very hard to stay there, and then 166 00:07:15,480 --> 00:07:17,520 Speaker 3: I just said, well, I'm out of hereing out this. 167 00:07:17,600 --> 00:07:17,960 Speaker 2: I'm done. 168 00:07:18,000 --> 00:07:19,640 Speaker 1: Did you have other things to do you? Did you 169 00:07:19,680 --> 00:07:21,240 Speaker 1: look for other physical spaces? 170 00:07:21,880 --> 00:07:25,200 Speaker 3: No, but I have to tell you that we had 171 00:07:25,280 --> 00:07:29,040 Speaker 3: so much press when we closed that so many real 172 00:07:29,120 --> 00:07:32,280 Speaker 3: estate developers called me. He said, I have spaces for 173 00:07:32,320 --> 00:07:34,400 Speaker 3: you and I will help you build it out. 174 00:07:34,720 --> 00:07:35,600 Speaker 2: So why didn't you do it? 175 00:07:35,640 --> 00:07:37,760 Speaker 3: Well, we're in the I'm in the process of taking 176 00:07:37,800 --> 00:07:40,760 Speaker 3: it all in and deciding what the next big move in. 177 00:07:41,160 --> 00:07:43,240 Speaker 3: It's not it'll be four walls, but it'll be something 178 00:07:43,360 --> 00:07:43,880 Speaker 3: very different. 179 00:07:43,960 --> 00:07:45,720 Speaker 1: What a great field that is pretty cool? 180 00:07:45,960 --> 00:07:49,480 Speaker 2: Right, So this is like it to be continued. You'll 181 00:07:49,480 --> 00:07:54,040 Speaker 2: come back in like two months, three months, four weeks. No, 182 00:07:54,200 --> 00:07:56,160 Speaker 2: but that's a really good thing, you know, because it's funny. 183 00:07:56,160 --> 00:08:00,000 Speaker 2: We we look even around our environment and the retail 184 00:08:00,000 --> 00:08:02,840 Speaker 2: tellers that aren't here anymore. And I remember one retailer 185 00:08:02,920 --> 00:08:05,400 Speaker 2: leaving and it was a pottery barn or Williamson nowman, 186 00:08:05,440 --> 00:08:06,640 Speaker 2: I said, why are you guys leaving? This is a 187 00:08:06,640 --> 00:08:09,000 Speaker 2: great location. They're like, no, it's really expensive for us 188 00:08:09,000 --> 00:08:10,880 Speaker 2: to be here, and we just can't afford it. And 189 00:08:10,920 --> 00:08:13,800 Speaker 2: I just think about, you know, whether it's businesses or 190 00:08:13,840 --> 00:08:16,000 Speaker 2: companies that have really been so much a part of 191 00:08:16,040 --> 00:08:18,440 Speaker 2: the NYC fabric and then all of a sudden they 192 00:08:18,480 --> 00:08:19,240 Speaker 2: just can't afford it. 193 00:08:19,560 --> 00:08:23,240 Speaker 3: Well, it's things crazy changed. Things have changed. You know, 194 00:08:23,360 --> 00:08:27,600 Speaker 3: we heard about Target closing, you know, so it's it's 195 00:08:27,720 --> 00:08:30,520 Speaker 3: it's it's it's bad. It's bad. But then again, everything's 196 00:08:30,560 --> 00:08:35,880 Speaker 3: kind of shifted online. Things have changed, you know, thank 197 00:08:35,880 --> 00:08:37,320 Speaker 3: god we still have bergdwarfs here. 198 00:08:38,600 --> 00:08:41,080 Speaker 2: Well, we changed, comes new opportunities and like you say, 199 00:08:41,160 --> 00:08:43,840 Speaker 2: there's probably things obviously you can't talk about. But you 200 00:08:43,880 --> 00:08:46,160 Speaker 2: know when things when they talk to you know, when 201 00:08:46,200 --> 00:08:49,599 Speaker 2: you get lemons and make lemonade, like you find new opportunities. 202 00:08:49,760 --> 00:08:51,240 Speaker 1: Caroline is on the show right now. 203 00:08:51,559 --> 00:08:54,640 Speaker 2: Can I ask you what what do you find funny today? 204 00:08:55,200 --> 00:08:55,440 Speaker 3: Are you? 205 00:08:55,840 --> 00:08:59,600 Speaker 1: Oh my god, oh my god? 206 00:08:59,640 --> 00:09:01,640 Speaker 2: We need after what do you find funny today? 207 00:09:01,760 --> 00:09:03,240 Speaker 3: You know what it is? You know what I find 208 00:09:03,280 --> 00:09:06,400 Speaker 3: funny is that it's almost the point when a joke 209 00:09:06,760 --> 00:09:10,080 Speaker 3: is it reaches the point where it is such a 210 00:09:10,080 --> 00:09:12,680 Speaker 3: great joke that it hits the point that it's almost 211 00:09:12,679 --> 00:09:15,839 Speaker 3: politically not correct. And those kind of shows I want 212 00:09:15,880 --> 00:09:20,559 Speaker 3: to talk about, Oh, those kind of jokes are brilliant 213 00:09:19,960 --> 00:09:22,680 Speaker 3: to get to that line, make your point, but not 214 00:09:22,760 --> 00:09:23,120 Speaker 3: go there. 215 00:09:23,200 --> 00:09:25,920 Speaker 2: Remember when we could say it's a joke people, So. 216 00:09:26,120 --> 00:09:27,760 Speaker 1: You can still say that. 217 00:09:27,720 --> 00:09:28,560 Speaker 2: No you can't. 218 00:09:28,720 --> 00:09:29,600 Speaker 3: It's tough. 219 00:09:29,760 --> 00:09:33,480 Speaker 1: Yeah, it doesn't matter if you know Netflix staff walk 220 00:09:33,520 --> 00:09:37,880 Speaker 1: out over, you know your your special, You're still selling 221 00:09:37,920 --> 00:09:40,520 Speaker 1: out arenas across the country. I'm talking abou Dave Schapelle here. 222 00:09:40,920 --> 00:09:42,040 Speaker 3: That's truth. Yeah. 223 00:09:42,200 --> 00:09:43,840 Speaker 2: Is it tough for comics today though. 224 00:09:43,760 --> 00:09:46,680 Speaker 3: I don't think so. I just think I just think 225 00:09:46,720 --> 00:09:49,319 Speaker 3: that they need to stay on a steady straight path. 226 00:09:49,640 --> 00:09:52,960 Speaker 3: And I think that they do realize that that things 227 00:09:53,000 --> 00:09:55,880 Speaker 3: could be offensive. And I think that, Look, I've seen 228 00:09:56,040 --> 00:09:58,319 Speaker 3: a lot of male comics change a lot of stuff. 229 00:09:58,360 --> 00:10:01,000 Speaker 3: What they used to say, they wouldn't say that. I mean, 230 00:10:01,040 --> 00:10:03,520 Speaker 3: they get strangled by every woman in the audience. But 231 00:10:03,679 --> 00:10:05,840 Speaker 3: things have changed like that, and I think people are, 232 00:10:06,240 --> 00:10:09,160 Speaker 3: you know, mindful of other people like that. Like we 233 00:10:09,160 --> 00:10:11,040 Speaker 3: were just talking before I walked in here, talking about 234 00:10:11,200 --> 00:10:14,160 Speaker 3: Don Rickles today. We said Oh my god, he couldn't 235 00:10:14,200 --> 00:10:16,320 Speaker 3: insult people like that today. 236 00:10:16,520 --> 00:10:17,720 Speaker 1: That's a good point. 237 00:10:18,200 --> 00:10:19,040 Speaker 3: It was a joke. 238 00:10:19,600 --> 00:10:21,600 Speaker 2: Don Michaels, d mart and all those guys like. 239 00:10:21,920 --> 00:10:23,720 Speaker 1: You think self censorship is real. 240 00:10:25,320 --> 00:10:27,960 Speaker 3: I think it. I think it is. I think it is. 241 00:10:28,520 --> 00:10:31,319 Speaker 3: But but to a good self censorship, not not anything 242 00:10:31,400 --> 00:10:34,559 Speaker 3: like I think it's good. But but it's that brilliant 243 00:10:34,640 --> 00:10:37,000 Speaker 3: joke that may cross the line but doesn't. And those 244 00:10:37,040 --> 00:10:38,280 Speaker 3: are the greatest. 245 00:10:39,520 --> 00:10:41,600 Speaker 2: You can still get away with stuff. Who can really 246 00:10:41,640 --> 00:10:42,120 Speaker 2: push it? 247 00:10:42,240 --> 00:10:45,959 Speaker 3: Are there certain well? Gave Dave Schapelle can, Ali Wan Can. 248 00:10:46,840 --> 00:10:50,680 Speaker 3: That's a woman that can can hit that mark of 249 00:10:51,360 --> 00:10:53,160 Speaker 3: not crossing the line, but cross on the. 250 00:10:53,160 --> 00:10:56,880 Speaker 1: Line where you're going, okay, go. I want to know 251 00:10:57,760 --> 00:11:02,440 Speaker 1: your opinion, Caroline, about the role of of comedy clubs today. 252 00:11:02,640 --> 00:11:06,480 Speaker 1: Given that there's YouTube, there's TikTok. They are all these 253 00:11:06,520 --> 00:11:09,839 Speaker 1: places where comedians, up and coming comedians can post their 254 00:11:09,880 --> 00:11:12,040 Speaker 1: content and build a following there. 255 00:11:12,720 --> 00:11:14,559 Speaker 3: That's a good thing. That's a good thing for clubs 256 00:11:14,920 --> 00:11:18,000 Speaker 3: because when they build the following, then they get booked 257 00:11:18,040 --> 00:11:20,240 Speaker 3: to do the club and they make really nice money 258 00:11:20,400 --> 00:11:23,440 Speaker 3: and everybody's happy because they sell out. So it's also 259 00:11:23,520 --> 00:11:26,760 Speaker 3: still that live experience. People still want it. They want 260 00:11:26,800 --> 00:11:28,960 Speaker 3: to go in that room with you and me and 261 00:11:29,040 --> 00:11:31,280 Speaker 3: all laugh together. That's what they want. That's the thing 262 00:11:31,280 --> 00:11:34,280 Speaker 3: about what makes a joke. It's that the community is 263 00:11:34,280 --> 00:11:36,720 Speaker 3: sitting there saying, oh God, that happened to me too, 264 00:11:36,880 --> 00:11:39,720 Speaker 3: and you laugh. So it's all part of that live experience. 265 00:11:39,760 --> 00:11:42,120 Speaker 3: And I'm seeing that with the festival as everything is. 266 00:11:42,320 --> 00:11:45,920 Speaker 3: You know, these everybody in the festival has a terrific 267 00:11:46,160 --> 00:11:48,800 Speaker 3: online following. I mean they millions of people. It's a 268 00:11:48,840 --> 00:11:51,400 Speaker 3: huge but they want to go out and see them. 269 00:11:51,440 --> 00:11:53,640 Speaker 3: The same thing that happened when years ago, when you 270 00:11:53,679 --> 00:11:57,040 Speaker 3: had that great HBO special that built you up so 271 00:11:57,120 --> 00:11:59,600 Speaker 3: that when you toured around you would sell out, right, 272 00:11:59,679 --> 00:12:01,920 Speaker 3: So that's all money in the bank for the performers. 273 00:12:01,960 --> 00:12:04,800 Speaker 2: The nineteenth annually a comedy festival this November. I'm giving 274 00:12:04,800 --> 00:12:07,680 Speaker 2: you a shameless plug. Hey, listen, take us back, because 275 00:12:07,720 --> 00:12:11,000 Speaker 2: you've been doing this a long time. Back in the 276 00:12:11,040 --> 00:12:13,600 Speaker 2: early eighties you began, I mean, Jay Leno, Jerry Seinfeld, 277 00:12:13,600 --> 00:12:17,080 Speaker 2: Pee Wee Herman, Billy Crystal, Robin Williams, Sandra Bernard, I know, 278 00:12:17,600 --> 00:12:20,200 Speaker 2: Chris Raight, I know it breaks our heart right like 279 00:12:20,240 --> 00:12:24,640 Speaker 2: these are people that were funny like no other and 280 00:12:25,960 --> 00:12:29,079 Speaker 2: changed I think the way we see comedy, enjoy comedy. 281 00:12:29,360 --> 00:12:32,079 Speaker 2: But in the early day, is everyone funny out of 282 00:12:32,120 --> 00:12:32,440 Speaker 2: the gate? 283 00:12:33,960 --> 00:12:36,200 Speaker 3: Well you see, you know, we were just talking about 284 00:12:36,240 --> 00:12:38,680 Speaker 3: Bill Maher, So you know, Bill started at my little 285 00:12:38,679 --> 00:12:41,280 Speaker 3: club on eighth Avenue. But of course you grow over 286 00:12:41,320 --> 00:12:44,120 Speaker 3: the years, Jerry Seinfeld, you grow over the years, Jay 287 00:12:44,200 --> 00:12:46,720 Speaker 3: Leno grow over the years. But Jay has always still 288 00:12:47,440 --> 00:12:49,840 Speaker 3: been this menshi guy. 289 00:12:49,880 --> 00:12:53,160 Speaker 1: What ja tours like? Ford is a week now probably. 290 00:12:52,679 --> 00:12:56,280 Speaker 3: Every weekend, yeah, doing something, you know. And so Jerry Seidfeld, 291 00:12:56,640 --> 00:12:59,640 Speaker 3: he was every weekend. He's probably somewhere doing two or 292 00:12:59,640 --> 00:13:01,360 Speaker 3: three shit. I was back home again during the week. 293 00:13:01,400 --> 00:13:05,120 Speaker 3: And that's really his life because he loves what he's doing. 294 00:13:05,160 --> 00:13:07,640 Speaker 2: What do you remember from these guys in the early days. 295 00:13:08,480 --> 00:13:10,320 Speaker 3: You know, we were all so new to it. It 296 00:13:10,440 --> 00:13:12,840 Speaker 3: was like, you know, when I opened Carolines, it was 297 00:13:12,880 --> 00:13:15,280 Speaker 3: like the first headliner club in New York City. It 298 00:13:15,360 --> 00:13:17,880 Speaker 3: was like a yuppie that word yuppie. We're going back 299 00:13:17,880 --> 00:13:21,520 Speaker 3: to the eighties yuppie nightclub that opened up. And it 300 00:13:21,640 --> 00:13:23,480 Speaker 3: was the day. It was when David Letterman was at 301 00:13:23,520 --> 00:13:26,000 Speaker 3: twelve thirty at night. Jay Leno would be at my 302 00:13:26,040 --> 00:13:28,559 Speaker 3: club and he'd say like, oh, I'm appearing at Carolines. 303 00:13:28,800 --> 00:13:31,280 Speaker 3: It gave us this national play around the country that 304 00:13:31,360 --> 00:13:33,480 Speaker 3: kind of set up the club. And I remember, you know, 305 00:13:33,600 --> 00:13:36,480 Speaker 3: Paul Rubens Peewee Harmon bringing him to New York. I 306 00:13:36,520 --> 00:13:39,600 Speaker 3: have such fond memories of him. And you know, I 307 00:13:39,640 --> 00:13:42,920 Speaker 3: didn't up until he was texting me on my birthday, 308 00:13:42,960 --> 00:13:46,360 Speaker 3: sending me birthday videos up until the end saying listen, 309 00:13:46,400 --> 00:13:49,200 Speaker 3: we need to FaceTime soon. Are you coming to LA. 310 00:13:49,559 --> 00:13:52,120 Speaker 3: I'm not coming to New York. Didn't tell me he 311 00:13:51,960 --> 00:13:55,200 Speaker 3: wasn't feeling well because I would. We would always, like 312 00:13:55,280 --> 00:13:56,800 Speaker 3: you know, text each other back and forth. And I 313 00:13:56,840 --> 00:13:59,640 Speaker 3: had no idea it was sick. But he brought a 314 00:13:59,679 --> 00:14:02,800 Speaker 3: show to New York. In New York, can they conceived 315 00:14:03,160 --> 00:14:05,400 Speaker 3: Pee Wee's Big Adventure. He was going to ride his 316 00:14:05,440 --> 00:14:09,040 Speaker 3: bike from LA to New York City with this unknown 317 00:14:09,280 --> 00:14:12,800 Speaker 3: director at that time, Tim Burton Khunew. But you know, 318 00:14:12,840 --> 00:14:16,680 Speaker 3: that's that's what Paul had. He had that creative part 319 00:14:16,720 --> 00:14:19,080 Speaker 3: of him. Those comedians that I worked with from the 320 00:14:19,080 --> 00:14:21,800 Speaker 3: beginning all went on. Look at Jerry and Larry David 321 00:14:21,880 --> 00:14:25,760 Speaker 3: Show Seinfeld, Oh my god, Earth shattering. You know, we 322 00:14:25,840 --> 00:14:28,440 Speaker 3: still say we're just talking about it last night. I 323 00:14:28,480 --> 00:14:31,080 Speaker 3: still turn it on and see an episode I haven't. 324 00:14:30,880 --> 00:14:34,840 Speaker 1: Seen right references to Seinfeld. I've seen them all. I 325 00:14:34,840 --> 00:14:37,800 Speaker 1: gotta tell you. Okay, so we only have a minute left, Caroline, 326 00:14:38,000 --> 00:14:40,480 Speaker 1: But comedians who have made it love to say that 327 00:14:40,640 --> 00:14:43,080 Speaker 1: in order for comedian to make it, you've got a bomb. 328 00:14:43,720 --> 00:14:46,680 Speaker 1: Give us some stories of some prominent bombs that you've 329 00:14:46,680 --> 00:14:47,640 Speaker 1: witnessed in your bat. 330 00:14:47,560 --> 00:14:50,080 Speaker 3: How about Larry David and he would say, oh, it's 331 00:14:50,120 --> 00:14:52,640 Speaker 3: the audience, they're just terrible, and he didn't do that 332 00:14:52,720 --> 00:14:55,400 Speaker 3: well or twice he did that all over. 333 00:14:56,280 --> 00:14:59,760 Speaker 1: I can see that. I can see the curvy saying 334 00:14:59,800 --> 00:15:00,720 Speaker 1: that they're terrible. 335 00:15:00,760 --> 00:15:02,560 Speaker 3: They're terrible. They bomb. 336 00:15:03,080 --> 00:15:06,120 Speaker 2: I gotta say. And what you've done for women comedians 337 00:15:06,200 --> 00:15:08,080 Speaker 2: right when they were just so far in few and 338 00:15:08,200 --> 00:15:11,320 Speaker 2: just to see everyone out there today, it's incredible. 339 00:15:11,440 --> 00:15:15,240 Speaker 3: You are incredible. Come back anytime. Let us know the news. 340 00:15:15,280 --> 00:15:17,680 Speaker 2: If you land somewhere, okay, you can share it with us, 341 00:15:18,280 --> 00:15:20,440 Speaker 2: and good luck again. Remind us when the festival. 342 00:15:20,160 --> 00:15:22,520 Speaker 3: Is November third to the twelfths, go to New York 343 00:15:22,560 --> 00:15:25,520 Speaker 3: Comedy Festival dot com and you would be amazed to 344 00:15:25,520 --> 00:15:27,960 Speaker 3: see how many shows are listed there to go see 345 00:15:28,120 --> 00:15:30,520 Speaker 3: and have a great time. Thank you so much, Good luck, 346 00:15:30,600 --> 00:15:31,160 Speaker 3: be well you. 347 00:15:31,240 --> 00:15:33,760 Speaker 2: Caroline Hursh, founder of Caroline's of Course on Broadway. Here 348 00:15:33,800 --> 00:15:37,440 Speaker 2: in our Bloomberg Interactive Broker Studio, Carol Masser, Tim Stanevek. 349 00:15:37,560 --> 00:15:41,760 Speaker 2: We're not funny, but she is. Andina, this is Bluemberg.