WEBVTT - Michael Stephenson Meets World

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<v Speaker 1>Okay, So, Danielle, I don't know if you're aware of this,

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<v Speaker 1>but you're on Dancing with the Stars.

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<v Speaker 2>Me, yeah, you are if you had so.

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<v Speaker 1>Obviously, somebody in a room somewhere at some point where

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<v Speaker 1>you know would be funny or amazing or incredible is

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<v Speaker 1>taking actors and teaching that to dance, and we'll make a.

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<v Speaker 2>Show out of it.

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<v Speaker 1>Pick make up a reality show right now? What would

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<v Speaker 1>your reality show be that you would pitch with actors?

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<v Speaker 2>With anything? With anything? What's your reality show?

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<v Speaker 3>Oh, my gosh, my reality show.

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<v Speaker 4>I think we're gonna have to limit it to like

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<v Speaker 4>what would we make actors do?

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<v Speaker 3>Yeah, I think you're right.

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<v Speaker 5>I think we do need because honestly, I have a

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<v Speaker 5>show that I've I've talked to you guys about that.

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<v Speaker 5>I think it's so sick and I don't know why

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<v Speaker 5>I haven't even just made it myself yet, but like

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<v Speaker 5>it has to be done because it's what I spend

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<v Speaker 5>all of my time doing.

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<v Speaker 3>When I scroll social media, I.

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<v Speaker 5>Am obsessed with comments, the comedy that John Mary Josephin,

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<v Speaker 5>you know, whoever out there can come up with when

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<v Speaker 5>they watch a funny video and the comment they leave

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<v Speaker 5>blows me away.

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<v Speaker 3>I want to watch a show, a.

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<v Speaker 5>Cheap clip style show similar to the Soup or the

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<v Speaker 5>Dish that I used to host, called the comment section

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<v Speaker 5>where you play the viral video or the clip whatever

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<v Speaker 5>it is that's going around.

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<v Speaker 3>The internet, several of them.

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<v Speaker 5>But after you watch the video, you say, now, let's

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<v Speaker 5>check in on the comment section, and you just open

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<v Speaker 5>up the comments and you highlight the people with the

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<v Speaker 5>best comments. Then you have some sort of voting section,

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<v Speaker 5>and whoever won for comment of the Day or comment

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<v Speaker 5>of the video wins ten thousand dollars or like that's great.

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<v Speaker 1>So it's like a maror because funniest home videos but

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<v Speaker 1>America's funniest comment comments.

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<v Speaker 3>Exactly just based on the comments.

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<v Speaker 5>Because, for one thing, if I could watch a twenty

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<v Speaker 5>two minute show and manage to see what are all

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<v Speaker 5>these videos people are talking about because I don't necessarily

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<v Speaker 5>have time to find them all on my own, Oh,

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<v Speaker 5>these are all the videos of the day that people

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<v Speaker 5>were talking about. Great, oh my gosh, the ten best

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<v Speaker 5>comments or the five best comments under everyone that's hysterical,

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<v Speaker 5>Like I would love to get my social media. This

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<v Speaker 5>is the best of the best that happened today in

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<v Speaker 5>one cheap format way.

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<v Speaker 4>You know, what I would recommend to is to keep

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<v Speaker 4>it wholly positive, so.

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<v Speaker 5>Like correct do not taking somebody down, so not yucking

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<v Speaker 5>somebody's yum it is.

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<v Speaker 3>It is spin celebration of.

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<v Speaker 4>The comment section should be celebrated for you know, positive, funny, yes.

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<v Speaker 6>Whatever, not just not.

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<v Speaker 4>Because there might be really funny comments that are ripping

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<v Speaker 4>apart the video or you know, talking about someone's appearance

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<v Speaker 4>or whatever, so you just have to avoid those.

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<v Speaker 6>But I love that idea.

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<v Speaker 2>Yeah, I love that good good one one writer.

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<v Speaker 6>I don't know, just at the top of my head.

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<v Speaker 4>I mean, I was trying to think of like actors

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<v Speaker 4>in situations. You know, I love school, I love college.

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<v Speaker 4>I would love to do a show where you take

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<v Speaker 4>like actors and that had never went to college and

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<v Speaker 4>be like, now let's let's follow you let go.

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<v Speaker 1>They did that with what's his name with Tommy Lee

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<v Speaker 1>Tommy Lee, the drummer from the from the crew went

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<v Speaker 1>to college.

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<v Speaker 6>Yeah, yeah, I think it'd be great.

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<v Speaker 4>It'd be great and like just give them like a

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<v Speaker 4>full semester and like a subject that they always thought

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<v Speaker 4>they wanted to do, Like you know where you used

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<v Speaker 4>to want to be an archaeologist, right like you, I

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<v Speaker 4>think like watching you like do that for a semester

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<v Speaker 4>and like, you know, really take it seriously as like

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<v Speaker 4>a doc of like what's this experience?

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<v Speaker 2>Like, yeah, that's what what's it.

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<v Speaker 5>Like for them on campus? And yeah, you know, do

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<v Speaker 5>they get recognized? Who'd they become friends with? What do

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<v Speaker 5>the teachers think of them? That's a really good idea.

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<v Speaker 1>I have a couple one of them that I've always

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<v Speaker 1>wanted to do because I love cooking shows, but they're

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<v Speaker 1>all already chefs. I want to have some follow me

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<v Speaker 1>while I actually go to culinary school. Such a good idea,

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<v Speaker 1>Like it's never been one where it's like how do

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<v Speaker 1>you be calm a chef?

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<v Speaker 7>Like?

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<v Speaker 2>I want to do that.

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<v Speaker 1>The other one for celebrities, I want to do celebrity

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<v Speaker 1>aerial dog fighting. What they learned, Like they learn how

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<v Speaker 1>to fly the planes and you learn how to and

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<v Speaker 1>it's you do like dog fighting with you have to

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<v Speaker 1>learn how to fly and then you learn it's like

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<v Speaker 1>aerial dog fighting.

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<v Speaker 5>Gosh, that sounds great. There are so many people with

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<v Speaker 5>fear of heights. Though I think that might be hard.

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<v Speaker 2>I don't have to try it. Though, it would just

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<v Speaker 2>be so much fun.

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<v Speaker 5>I mean, I would try it. It's right at my alley.

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<v Speaker 5>I could die doing it. I could do it at

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<v Speaker 5>high speed. Yes, I'm not afraid of heights and.

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<v Speaker 1>Nuper competitive competitive people down like you know, yeah, yeah,

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<v Speaker 1>you know actually did it aerial dog fighting.

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<v Speaker 4>Yeah, my parents found this company that did it and

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<v Speaker 4>surprised me and my brother with it when we were

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<v Speaker 4>like fifteen sixteen. Where they train you for a whole

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<v Speaker 4>day and you get a hold.

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<v Speaker 3>On today, not a whole day. You have to give

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<v Speaker 3>up a a whole day to.

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<v Speaker 4>You're seeing a classroom. You're sitting in the classroom for

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<v Speaker 4>like six seven hours of six.

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<v Speaker 5>Or seven hours, and then they put you like we

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<v Speaker 5>had to trust you.

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<v Speaker 4>You're in a World War two like era a plane,

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<v Speaker 4>but they have the they have a stick behind you,

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<v Speaker 4>so they're really like flying.

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<v Speaker 2>They're flying it out, but you're you're giving off.

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<v Speaker 6>I have a stick in the front.

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<v Speaker 4>We were actually in control of So once you're up

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<v Speaker 4>there and they're like go and and then they so

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<v Speaker 4>dagerous they had rigged they had rigged the plane so

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<v Speaker 4>that when you shot at each other once you got

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<v Speaker 4>because they teach you exactly what they have to do

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<v Speaker 4>and how you get behind each other. Smoke would come

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<v Speaker 4>out if you, like, you know, hit the other person.

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<v Speaker 6>So my dog.

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<v Speaker 4>Yeah, and uh, I have never been more sick because

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<v Speaker 4>the guy was like, let's do some barrel rolls and

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<v Speaker 4>let's do some loops, and I was like, oh god no.

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<v Speaker 4>But I was probably the most nauseous I've ever been

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<v Speaker 4>in my lib'.

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<v Speaker 1>People that do that throw up, like Tom Tom Cruise

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<v Speaker 1>was throwing up, but during the first up everybody, but.

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<v Speaker 4>So yeah, not really my thing. But Chilotte was totally fine,

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<v Speaker 4>and like he ends up taking flying lessons after that

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<v Speaker 4>because it was so fun.

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<v Speaker 5>And now that I know this, I think we should

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<v Speaker 5>just have like, let's teach celebrities to be surgeons. Like

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<v Speaker 5>you spend a whole day, you get a whole day,

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<v Speaker 5>six or seven hours.

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<v Speaker 2>And you know, a lot of people don't know about

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<v Speaker 2>that real surgery.

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<v Speaker 1>If you touch the sides, the patient buzzes.

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<v Speaker 2>A lot of people didn't know that that's.

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<v Speaker 4>A real factory.

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<v Speaker 2>That's a little factoy for you if you touch the side.

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<v Speaker 3>I love that game. I love that game. Try to

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<v Speaker 3>get the bone out.

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<v Speaker 1>Exactly a little boner around the me collect one thousand

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<v Speaker 1>dollars fee.

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<v Speaker 5>Yeah, what about celebrity lawyers? What about.

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<v Speaker 3>Lawyers trial for trust him with a real trial.

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<v Speaker 4>I think they nail it.

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<v Speaker 3>That person murder.

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<v Speaker 2>God, it's actually there's some great celebrity. There's some great

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<v Speaker 2>possible if.

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<v Speaker 3>You throw all morals out the window. We have got

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<v Speaker 3>some crazy we've done.

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<v Speaker 7>That are out there.

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<v Speaker 3>Listen, guys, I just like ballroom dancing. There's nothing wrong

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<v Speaker 3>with ballroom dancing.

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<v Speaker 7>That is.

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<v Speaker 2>You're right, that's a good one.

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<v Speaker 5>Welcome to Pod meets World. I'm Daniel Fishel, I'm right

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<v Speaker 5>or strong, and I'm Wilforde. As always, our favorite part

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<v Speaker 5>of Pod meets World is how just one small side

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<v Speaker 5>quest conversation can turn into so much more. Oh, Natania Ross,

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<v Speaker 5>you were in a movie called Munchi's two.

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<v Speaker 3>Let's watch it. What's that background actor's name again? That's right,

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<v Speaker 3>it's Dusty. Let's find him.

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<v Speaker 5>And some can even make us cry, like Matthew Foster

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<v Speaker 5>the Make a Wish Kid we were reminded of from

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<v Speaker 5>a random email. It has been an incredible never really

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<v Speaker 5>knowing where the road will take us. So when Rider

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<v Speaker 5>mentioned a recent documentary he loved where much of the

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<v Speaker 5>premise and heart reminded him of what we've done here

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<v Speaker 5>on Podmeats World.

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<v Speaker 3>Jensen said he.

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<v Speaker 5>Knew the director, and the rest is well this podcast

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<v Speaker 5>episode and hilariously, somehow Ryder knows the director too. When

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<v Speaker 5>our guest booked a horror film in nineteen ninety, his

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<v Speaker 5>first job as a kid in Hollywood, he had no

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<v Speaker 5>idea what he was stepping into. Commonly called the best

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<v Speaker 5>worst movie ever, Troll two may have been an ignored

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<v Speaker 5>B movie spectacle when it was released, but it's since

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<v Speaker 5>taken on a life of its own, so much so

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<v Speaker 5>that the child star, now grown up, made a documentary

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<v Speaker 5>to fully understand the insanity he experienced. The film became

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<v Speaker 5>a top Dock of two thousand and nine, but it

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<v Speaker 5>helped him process and grasp what the experience meant to

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<v Speaker 5>him even years later, which yes, sounds very familiar. And

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<v Speaker 5>he's since made another documentary, this time about lavish residential

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<v Speaker 5>haunted houses, which he ever acted in, and has found

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<v Speaker 5>himself back in Hollywood now behind the camera directing scripted films.

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<v Speaker 5>This week, we welcome one of our most unique brothers

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<v Speaker 5>in the fraternity of child actors. He's the star of

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<v Speaker 5>Troll two, the director of Best Worst Movie, and one

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<v Speaker 5>of Writer's childhood friends. It's Michael Paul Stevenson.

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<v Speaker 8>Hello, Hey, how are you.

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<v Speaker 7>Drinking an espresso trying to wake up?

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<v Speaker 3>Yes, good for you.

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<v Speaker 5>I've got a coffee right here in my Philly Forever

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<v Speaker 5>at Ever mug nice.

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<v Speaker 7>We put out.

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<v Speaker 5>We put out the troll to bat signal, and we

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<v Speaker 5>are so happy.

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<v Speaker 7>You responded, Wild movie will never go away.

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<v Speaker 3>No, we don't want.

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<v Speaker 6>It's too good.

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<v Speaker 8>I have a bit of a bit of news that

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<v Speaker 8>may surprise you as well. Uh, Writer, I don't know

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<v Speaker 8>if you remember, but we were pals. We lived, we

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<v Speaker 8>we lived, We lived in Oakwood together.

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<v Speaker 4>This is told me this and I was like, what so, Yes,

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<v Speaker 4>I don't remember. I don't make this connection. We hung out.

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<v Speaker 8>Yeah, it's it's wild. Your your your mom, and your

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<v Speaker 8>brother Shiloh. I think you were. I remember your family

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<v Speaker 8>being one of the very few, if not the only,

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<v Speaker 8>same families.

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<v Speaker 7>In Oakwood.

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<v Speaker 8>It was such a crazy did did you have roller blades?

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<v Speaker 6>Did we go rollerblading together?

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<v Speaker 7>And I had I had I had a skateboard. You

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<v Speaker 7>had roller blades? It was a weird, was it was?

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<v Speaker 7>It was an interesting.

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<v Speaker 8>That whole place is such a wild uh yeah, wild,

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<v Speaker 8>wild world. I don't know if you I don't know

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<v Speaker 8>if you've seen there's a documentary actually called The Hollywood

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<v Speaker 8>Complex that is all centered on oak Wood and the

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<v Speaker 8>child actors.

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<v Speaker 7>I grew up there. Yeah, yeah, yeah, it's it's and

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<v Speaker 7>it's dark.

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<v Speaker 3>It's a good documentary.

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<v Speaker 6>But how long were you there?

0:11:13.679 --> 0:11:14.440
<v Speaker 7>I was there.

0:11:14.640 --> 0:11:20.960
<v Speaker 8>Let's see, from the time I was twelve until about sixteen,

0:11:21.520 --> 0:11:23.320
<v Speaker 8>just like every pilot season.

0:11:23.559 --> 0:11:25.040
<v Speaker 7>So yeah, I was there.

0:11:25.520 --> 0:11:28.400
<v Speaker 5>You're originally from Texas, right, So how did you How

0:11:28.440 --> 0:11:31.040
<v Speaker 5>did you decide to make the move to Los Angeles.

0:11:31.360 --> 0:11:33.720
<v Speaker 8>Well, I actually was born in Texas, but I didn't.

0:11:33.760 --> 0:11:36.560
<v Speaker 8>I didn't live there very long. I was I was

0:11:36.600 --> 0:11:40.840
<v Speaker 8>adopted and grew up in Utah, of all places, And

0:11:40.960 --> 0:11:42.880
<v Speaker 8>in Utah I started.

0:11:43.920 --> 0:11:46.920
<v Speaker 7>Doing stage, doing theater when I was really young. I

0:11:46.960 --> 0:11:47.400
<v Speaker 7>loved it.

0:11:48.080 --> 0:11:54.440
<v Speaker 8>And then somebody from one of those productions said, oh,

0:11:54.520 --> 0:11:58.319
<v Speaker 8>you should do this professionally, and and you know, talk

0:11:58.400 --> 0:12:01.240
<v Speaker 8>to my parents. I was probably seven or eight a time,

0:12:02.040 --> 0:12:05.439
<v Speaker 8>and my parents were like, no way, this is not

0:12:05.520 --> 0:12:06.560
<v Speaker 8>anything we're going to do.

0:12:07.440 --> 0:12:08.360
<v Speaker 7>And I continued to.

0:12:08.280 --> 0:12:10.640
<v Speaker 8>Push and push, and this was in Utah, about places

0:12:11.040 --> 0:12:14.880
<v Speaker 8>because I loved I loved theater, I loved acting, and

0:12:15.520 --> 0:12:20.199
<v Speaker 8>ultimately ended up pushing them into getting an agent when

0:12:20.240 --> 0:12:25.240
<v Speaker 8>I was nine and a half and the first movie

0:12:25.280 --> 0:12:27.520
<v Speaker 8>audition I ever had was Troll two.

0:12:29.520 --> 0:12:29.800
<v Speaker 2>God.

0:12:30.000 --> 0:12:33.120
<v Speaker 4>Yeah, so when you when you were at the oak Wood,

0:12:33.200 --> 0:12:37.160
<v Speaker 4>You're coming off of Troll two, right, Like, what did

0:12:37.160 --> 0:12:41.720
<v Speaker 4>that mean? Did it have any effect like backlash or positive?

0:12:41.720 --> 0:12:43.439
<v Speaker 4>I mean, you did a movie, which is a good sign,

0:12:43.679 --> 0:12:45.800
<v Speaker 4>But did people think of it as a bad or

0:12:45.840 --> 0:12:46.920
<v Speaker 4>it didn't even register?

0:12:47.520 --> 0:12:49.440
<v Speaker 8>I think I think it was one of those films

0:12:49.480 --> 0:12:52.960
<v Speaker 8>that didn't really register at that point. I mean I

0:12:53.000 --> 0:12:54.800
<v Speaker 8>it registered for me, like it was the sort of

0:12:54.880 --> 0:13:02.559
<v Speaker 8>thing where I had hoped and and and braid that

0:13:02.640 --> 0:13:05.200
<v Speaker 8>nobody would see that film, because.

0:13:06.840 --> 0:13:08.920
<v Speaker 4>Back then you knew, like you were immediately like on

0:13:09.000 --> 0:13:09.480
<v Speaker 4>the thought.

0:13:09.960 --> 0:13:14.319
<v Speaker 8>Yeah, So I mean I had I remember the first

0:13:14.360 --> 0:13:15.400
<v Speaker 8>time that I had watched it.

0:13:16.760 --> 0:13:17.720
<v Speaker 7>You know, we made the movie and.

0:13:17.720 --> 0:13:19.000
<v Speaker 8>All of the times that you guys, know, you make

0:13:19.040 --> 0:13:21.400
<v Speaker 8>movies and you don't know when they're going to come out.

0:13:21.520 --> 0:13:23.240
<v Speaker 7>What they're going to be, you have you don't have

0:13:23.280 --> 0:13:23.880
<v Speaker 7>any idea.

0:13:24.679 --> 0:13:27.600
<v Speaker 8>And after we made the movie as a as a

0:13:27.720 --> 0:13:30.120
<v Speaker 8>ten and a half year old, I was like okay,

0:13:30.200 --> 0:13:34.360
<v Speaker 8>like the next time, like you know, next time that

0:13:34.440 --> 0:13:36.400
<v Speaker 8>we all come together as a cast, will be at

0:13:36.400 --> 0:13:40.040
<v Speaker 8>the big premiere and we'll watch our movie together. And

0:13:41.679 --> 0:13:45.400
<v Speaker 8>time went by and kind of was like, oh.

0:13:45.280 --> 0:13:49.120
<v Speaker 7>What where where is that movie? And of all things,

0:13:49.240 --> 0:13:51.640
<v Speaker 7>my parents had had had tracked it down.

0:13:51.720 --> 0:13:55.480
<v Speaker 8>And on Christmas morning, I remember unwrapping presents and then

0:13:55.600 --> 0:14:00.480
<v Speaker 8>actually coming across the strange vhs and uh, you know

0:14:00.600 --> 0:14:02.800
<v Speaker 8>says they said troll too. Because when we made the movie,

0:14:02.800 --> 0:14:04.600
<v Speaker 8>it wasn't it was called Goblin.

0:14:04.480 --> 0:14:14.280
<v Speaker 7>Which god, yeah, and and my.

0:14:14.360 --> 0:14:17.240
<v Speaker 8>Dad was like put it in, like let's watch a movie,

0:14:17.320 --> 0:14:19.640
<v Speaker 8>and it was I mean it was it was not

0:14:19.720 --> 0:14:22.280
<v Speaker 8>even a minute into that and it was like, oh

0:14:22.280 --> 0:14:24.920
<v Speaker 8>my god, this is a bad, bad movie. And so

0:14:25.360 --> 0:14:27.480
<v Speaker 8>and it was kind of a thing where like okay,

0:14:27.520 --> 0:14:32.880
<v Speaker 8>and then you become a teenager and continued acting. But

0:14:32.920 --> 0:14:37.400
<v Speaker 8>I had this one uncle who every like, for some reason,

0:14:37.480 --> 0:14:41.720
<v Speaker 8>Troll two was constantly programmed at the you know, the

0:14:41.840 --> 0:14:45.200
<v Speaker 8>latest hours of night on HBO, like over and over

0:14:45.280 --> 0:14:48.600
<v Speaker 8>and over again. And I had an uncle who would, uh,

0:14:48.960 --> 0:14:51.160
<v Speaker 8>he would he would call me every weekend because he'd

0:14:51.160 --> 0:14:54.360
<v Speaker 8>get the TV guide and he'd be like your crappy

0:14:54.400 --> 0:14:55.440
<v Speaker 8>movie is on again.

0:14:56.120 --> 0:14:59.240
<v Speaker 5>Oh my gosh, oh my gosh.

0:14:59.360 --> 0:15:02.400
<v Speaker 3>I love now. We laugh about it now. But when

0:15:02.440 --> 0:15:03.240
<v Speaker 3>you when you.

0:15:03.200 --> 0:15:06.680
<v Speaker 5>Got those phone calls, then, what what was the feeling

0:15:07.000 --> 0:15:07.520
<v Speaker 5>you had?

0:15:10.280 --> 0:15:14.000
<v Speaker 7>I mean, you know, like you're you're at an age.

0:15:14.040 --> 0:15:18.880
<v Speaker 8>It's obviously very you know, you're you're impressionable, it's formative,

0:15:18.920 --> 0:15:20.120
<v Speaker 8>you're trying to be.

0:15:20.360 --> 0:15:22.120
<v Speaker 7>I think for me the biggest thing was is.

0:15:22.160 --> 0:15:26.160
<v Speaker 8>I I went on and I acted in other things.

0:15:26.480 --> 0:15:29.400
<v Speaker 7>That I thought would be more remembered or were more.

0:15:30.720 --> 0:15:34.920
<v Speaker 8>Uh what you know, just like deserved more attention. But

0:15:35.000 --> 0:15:38.760
<v Speaker 8>those things and in hindsight I get it, yeah, and

0:15:38.520 --> 0:15:40.480
<v Speaker 8>in those things didn't.

0:15:40.680 --> 0:15:43.840
<v Speaker 7>And so Troll two just continued and it.

0:15:44.000 --> 0:15:49.120
<v Speaker 8>Was very much a like you know, I I I

0:15:49.160 --> 0:15:51.440
<v Speaker 8>remember in the TV guide because there was a rating

0:15:51.480 --> 0:15:53.600
<v Speaker 8>system in the in the old TV guides, and it

0:15:53.680 --> 0:15:56.000
<v Speaker 8>was like, you know, one to four star, there was

0:15:56.040 --> 0:15:58.080
<v Speaker 8>even a half star, and then below a half star,

0:15:58.160 --> 0:16:00.320
<v Speaker 8>it was it was an icon of a turn key.

0:16:00.640 --> 0:16:04.200
<v Speaker 4>Oh geez, oh no, you got the turkey.

0:16:04.560 --> 0:16:08.800
<v Speaker 7>Yeah. So wow.

0:16:09.360 --> 0:16:12.080
<v Speaker 1>First of all, for the record, we've all done them,

0:16:12.440 --> 0:16:16.600
<v Speaker 1>we all have those movies in our past or it's like, oh, that's.

0:16:17.640 --> 0:16:18.800
<v Speaker 6>Part of being an actor, you know.

0:16:18.920 --> 0:16:21.640
<v Speaker 4>I mean that's why I found the documentary so fascinating

0:16:22.000 --> 0:16:25.480
<v Speaker 4>is because I felt like, this is applicable well beyond

0:16:25.560 --> 0:16:28.600
<v Speaker 4>this this one film, you know, and in some ways

0:16:29.480 --> 0:16:32.440
<v Speaker 4>you're the most fortunate of the cast because you were

0:16:32.440 --> 0:16:34.640
<v Speaker 4>a kid, you know, you have the biggest You have

0:16:34.720 --> 0:16:38.960
<v Speaker 4>the most like understandable lack of cultural awareness, right, or

0:16:39.120 --> 0:16:41.280
<v Speaker 4>lack of taste, right. And so that's why I think

0:16:41.320 --> 0:16:44.880
<v Speaker 4>it's so fascinating that you really initiated this journey of

0:16:44.920 --> 0:16:47.960
<v Speaker 4>like exploring that question like what is you know, how

0:16:48.360 --> 0:16:51.560
<v Speaker 4>how do you evaluate the things you're in as an actor?

0:16:51.600 --> 0:16:53.840
<v Speaker 4>And then how do you feel about that? And man,

0:16:54.000 --> 0:16:55.920
<v Speaker 4>I thought you just did such a good job with

0:16:55.960 --> 0:16:58.640
<v Speaker 4>the documentary. And it turns out I'm like a huge

0:16:58.640 --> 0:17:02.040
<v Speaker 4>fan because I also of American Scream. I didn't realize

0:17:02.040 --> 0:17:03.920
<v Speaker 4>that was you. So then when I looked that up,

0:17:03.960 --> 0:17:05.720
<v Speaker 4>I was like, oh my god, I love your work.

0:17:05.800 --> 0:17:05.960
<v Speaker 7>Man.

0:17:06.040 --> 0:17:09.040
<v Speaker 4>You are so good and you're so sensitive to your subjects,

0:17:09.560 --> 0:17:12.320
<v Speaker 4>and I just couldn't believe the way you balanced this.

0:17:13.080 --> 0:17:16.719
<v Speaker 4>You know, where you're you're understanding where everybody's coming from,

0:17:16.760 --> 0:17:20.600
<v Speaker 4>but you're also showcasing some pretty strange people and and

0:17:20.600 --> 0:17:23.520
<v Speaker 4>and there their understanding of their own movie. Have you

0:17:24.119 --> 0:17:26.160
<v Speaker 4>have you stayed in touch with the cast control too,

0:17:26.880 --> 0:17:29.240
<v Speaker 4>or when the documentary came out, did that change the

0:17:29.280 --> 0:17:32.320
<v Speaker 4>relationship with them? I?

0:17:32.440 --> 0:17:34.959
<v Speaker 8>Yeah, I mean I've I've stayed in touch with with

0:17:35.000 --> 0:17:37.960
<v Speaker 8>some of them. George Hardy, who played my father, we're

0:17:38.000 --> 0:17:42.600
<v Speaker 8>still We're so close and like having having a friendship

0:17:42.640 --> 0:17:45.040
<v Speaker 8>all these years later, Like he's He's a remarkable man

0:17:45.119 --> 0:17:48.560
<v Speaker 8>on the number of levels, just strange and funny and interesting,

0:17:48.640 --> 0:17:51.720
<v Speaker 8>and I just I love I love him to death.

0:17:52.119 --> 0:17:54.879
<v Speaker 8>So I stayed in touch with him. I actually was

0:17:54.920 --> 0:18:01.320
<v Speaker 8>in Italy last year and I hadn't talked to him

0:18:01.320 --> 0:18:03.040
<v Speaker 8>in a few years. But I've stayed in touch with

0:18:03.119 --> 0:18:05.960
<v Speaker 8>Claudio Ferragaso, the director of Tronto.

0:18:07.040 --> 0:18:12.919
<v Speaker 7>Yeah, I have, because like I have a real also

0:18:13.240 --> 0:18:14.360
<v Speaker 7>a real love.

0:18:14.840 --> 0:18:18.560
<v Speaker 8>I've grown to have a real love and appreciation for

0:18:19.359 --> 0:18:24.920
<v Speaker 8>this guy who was so impressionable to me as a

0:18:25.600 --> 0:18:31.800
<v Speaker 8>young kid. And you guys know, making anything in this

0:18:31.960 --> 0:18:35.000
<v Speaker 8>business is hard, and so as I got as I

0:18:35.000 --> 0:18:37.080
<v Speaker 8>got older and I got more distance from the movie,

0:18:37.680 --> 0:18:41.399
<v Speaker 8>I kept thinking about, like God, like this guy somehow

0:18:41.720 --> 0:18:45.840
<v Speaker 8>made this movie about vegetarian goblins in Utah with actors

0:18:45.880 --> 0:18:48.280
<v Speaker 8>who couldn't act, couldn't speak.

0:18:48.080 --> 0:18:53.320
<v Speaker 7>The language, and he made it and it will be remembered.

0:18:55.200 --> 0:18:57.880
<v Speaker 8>And there's a part of the documentary that I always love,

0:18:57.920 --> 0:19:00.480
<v Speaker 8>and it's when he's holding his thirty five million print

0:19:00.520 --> 0:19:02.440
<v Speaker 8>reel for the first time and he's like, I've never

0:19:02.560 --> 0:19:06.639
<v Speaker 8>held my actual movie, and he talks about how important

0:19:06.680 --> 0:19:10.040
<v Speaker 8>it is to just, you know, make something that isn't forgotten.

0:19:10.240 --> 0:19:13.280
<v Speaker 8>And so he's the guy that I've gotten close to.

0:19:13.359 --> 0:19:17.720
<v Speaker 8>And when I was in Italy last summer, I phoned

0:19:17.800 --> 0:19:21.119
<v Speaker 8>him up and we went and had dinner together, and

0:19:21.800 --> 0:19:23.639
<v Speaker 8>it was just one of those moments where you're like,

0:19:23.880 --> 0:19:27.919
<v Speaker 8>this the movie strangely troll two and in bestworce movie.

0:19:27.840 --> 0:19:30.320
<v Speaker 7>Whatever it's it has.

0:19:30.200 --> 0:19:34.119
<v Speaker 8>Given me so much in my life with respect to relationships,

0:19:34.160 --> 0:19:36.040
<v Speaker 8>but gross as as a.

0:19:36.040 --> 0:19:39.440
<v Speaker 7>Filmmaker, to just experiences. I wouldn't I wouldn't trade for anything.

0:19:39.640 --> 0:19:41.159
<v Speaker 4>I mean, I mean, part of the reason why the

0:19:41.200 --> 0:19:44.800
<v Speaker 4>movie is so memorable is is that earnestness that he

0:19:45.119 --> 0:19:45.879
<v Speaker 4>is putting forth.

0:19:45.920 --> 0:19:47.000
<v Speaker 6>I mean, he made exactly.

0:19:47.040 --> 0:19:48.880
<v Speaker 4>It seems like he made exactly the movie he wanted

0:19:48.880 --> 0:19:51.200
<v Speaker 4>to make, and that's what's so, you know, I feel

0:19:51.240 --> 0:19:54.280
<v Speaker 4>like there's a version of the documentary that you made

0:19:54.280 --> 0:19:56.520
<v Speaker 4>where you tracked on the director and he's like, yeah,

0:19:56.560 --> 0:19:59.000
<v Speaker 4>it was a piece of crap. We you know, I know,

0:19:59.359 --> 0:20:00.639
<v Speaker 4>I didn't have the money and we don't have the

0:20:00.640 --> 0:20:03.320
<v Speaker 4>things I wanted whatever, but hey it was fun. And

0:20:03.400 --> 0:20:06.320
<v Speaker 4>instead he's like, no, this is the movie I wanted

0:20:06.359 --> 0:20:09.200
<v Speaker 4>to make. Why are they laughing? I don't get why

0:20:09.240 --> 0:20:11.399
<v Speaker 4>they're laughing when I didn't mean it to be funny.

0:20:11.800 --> 0:20:15.240
<v Speaker 4>And that is a big swing. That's like that's indistry, right,

0:20:15.280 --> 0:20:18.520
<v Speaker 4>and like that's however you feel about the movie, Like

0:20:18.560 --> 0:20:21.240
<v Speaker 4>he made exactly what he wanted to and that is impressive,

0:20:21.320 --> 0:20:24.359
<v Speaker 4>and I yeah, it's fascinating to me that he's still

0:20:24.440 --> 0:20:25.400
<v Speaker 4>doubling down on that.

0:20:25.600 --> 0:20:26.720
<v Speaker 6>I feel like there's a lot of.

0:20:28.480 --> 0:20:32.159
<v Speaker 4>So called cult films, especially in horror, that sort of

0:20:32.400 --> 0:20:34.760
<v Speaker 4>take being a cult film is the easy way out

0:20:35.240 --> 0:20:37.560
<v Speaker 4>because they can't achieve what they were going to so

0:20:37.600 --> 0:20:40.520
<v Speaker 4>they're just like, yeah, let's just have bad effects and

0:20:40.560 --> 0:20:42.240
<v Speaker 4>we'll call it a day, you know, or whatever, and

0:20:42.280 --> 0:20:44.120
<v Speaker 4>we'll just laugh at it. I mean, in a lot

0:20:44.119 --> 0:20:46.280
<v Speaker 4>of ways, I feel like even Cavin Fever kind of

0:20:46.440 --> 0:20:49.080
<v Speaker 4>turned out that way. It was like, I think Eli

0:20:49.320 --> 0:20:53.520
<v Speaker 4>at first wanted to make more of a straightforward scary film,

0:20:53.920 --> 0:20:57.760
<v Speaker 4>realized that's not gonna happen. You know, it's a little ridiculous.

0:20:57.800 --> 0:21:00.600
<v Speaker 4>And then as a cast we kept bringing this energy

0:21:00.640 --> 0:21:02.919
<v Speaker 4>of like where's this And I think while we were

0:21:02.920 --> 0:21:04.880
<v Speaker 4>filming it, Eli and Braceden was like, you know what,

0:21:05.080 --> 0:21:07.040
<v Speaker 4>it's all the tones. I want this movie to be there,

0:21:07.280 --> 0:21:10.919
<v Speaker 4>And he, to his credit, earnestly invested in a million

0:21:10.960 --> 0:21:14.160
<v Speaker 4>different directions. So it's became more of a cult horror film.

0:21:14.320 --> 0:21:15.879
<v Speaker 4>But I don't think it started that way, you know,

0:21:15.920 --> 0:21:19.760
<v Speaker 4>And I think that so I love that that that

0:21:19.880 --> 0:21:23.080
<v Speaker 4>the director was just yeah, like he's still true to it.

0:21:23.280 --> 0:21:25.720
<v Speaker 4>And he wasn't he wasn't offended by your documentary, Like

0:21:25.760 --> 0:21:26.800
<v Speaker 4>he didn't feel like it.

0:21:27.760 --> 0:21:30.280
<v Speaker 8>No, he I mean, I I think there was there

0:21:30.320 --> 0:21:32.640
<v Speaker 8>was there was there was a process where he came

0:21:32.720 --> 0:21:35.479
<v Speaker 8>to understand just what it is. I think he had

0:21:35.560 --> 0:21:37.919
<v Speaker 8>some feelings right off the bat with like trying to

0:21:38.000 --> 0:21:47.400
<v Speaker 8>understand it all. But he's never been anything but supportive

0:21:47.440 --> 0:21:49.920
<v Speaker 8>but just like positive around anything that's.

0:21:49.760 --> 0:21:50.760
<v Speaker 6>Being made period.

0:21:51.480 --> 0:21:53.480
<v Speaker 7>Like he's just he's just that kind of guy.

0:21:53.520 --> 0:21:56.359
<v Speaker 8>So I never you know, and and and and I

0:21:56.400 --> 0:22:01.000
<v Speaker 8>had hoped that like when I made it. You know,

0:22:01.040 --> 0:22:05.200
<v Speaker 8>it's it's sort of like a strange dysfunctional family of sorts,

0:22:05.440 --> 0:22:09.359
<v Speaker 8>right like you make it. You there, there there are realities,

0:22:09.400 --> 0:22:12.120
<v Speaker 8>and there are there are truths that you experienced for sure,

0:22:12.160 --> 0:22:14.560
<v Speaker 8>and some of them are absurd and don't make any sense.

0:22:14.920 --> 0:22:16.760
<v Speaker 7>Connection that I have to all the.

0:22:16.720 --> 0:22:20.560
<v Speaker 8>People and this experience that I had, and it is right,

0:22:20.600 --> 0:22:24.040
<v Speaker 8>you hit it. I mean, you said it so well

0:22:24.440 --> 0:22:27.639
<v Speaker 8>in in respect to the thing that I identified most

0:22:27.680 --> 0:22:30.520
<v Speaker 8>with with him and what I really came to love

0:22:30.760 --> 0:22:35.640
<v Speaker 8>is his sincerity and lack of irony and just being

0:22:35.760 --> 0:22:41.400
<v Speaker 8>genuine and and and and that takes courage, especially when

0:22:41.400 --> 0:22:44.159
<v Speaker 8>you're when you're set up to fail, when it's against

0:22:44.240 --> 0:22:44.760
<v Speaker 8>all odds.

0:22:44.880 --> 0:22:45.080
<v Speaker 7>Right.

0:22:45.160 --> 0:23:02.320
<v Speaker 5>So yeah, I want to go back to you your

0:23:02.680 --> 0:23:05.280
<v Speaker 5>audition for the movie. You said you you did the

0:23:05.320 --> 0:23:07.480
<v Speaker 5>movie when you were ten and a half. Had you

0:23:07.560 --> 0:23:09.159
<v Speaker 5>ever seen a horror movie?

0:23:09.600 --> 0:23:10.760
<v Speaker 3>Do you remember your audition?

0:23:11.200 --> 0:23:13.760
<v Speaker 8>I mean, I I saw et was one of my

0:23:13.800 --> 0:23:16.480
<v Speaker 8>first the first movies I ever saw. Yeah, I remember

0:23:16.600 --> 0:23:21.119
<v Speaker 8>my audition really well. And I saw Gremlins also as

0:23:21.119 --> 0:23:25.320
<v Speaker 8>well when I was six or five or so, and

0:23:25.320 --> 0:23:28.080
<v Speaker 8>and actually the very first horror movie I saw, which

0:23:28.080 --> 0:23:31.080
<v Speaker 8>I think was even younger than that was I had.

0:23:31.200 --> 0:23:35.199
<v Speaker 8>I had sneakily watched it, uh from the stairs of

0:23:35.280 --> 0:23:38.439
<v Speaker 8>my older sisters having a sleepover with a terrible horror

0:23:38.440 --> 0:23:42.160
<v Speaker 8>movie called chud Oh yeah.

0:23:42.920 --> 0:23:45.520
<v Speaker 7>Geez yeah terrible.

0:23:45.680 --> 0:23:49.000
<v Speaker 8>So but remembering my audition, I remember very well.

0:23:49.200 --> 0:23:51.280
<v Speaker 7>You know, it took place in Parks. It took place

0:23:51.320 --> 0:23:56.280
<v Speaker 7>in a in a hotel in Park City, and I

0:23:56.359 --> 0:23:57.920
<v Speaker 7>remember my agent being.

0:23:57.760 --> 0:24:00.000
<v Speaker 8>Like, this is this is this is for the lead

0:24:00.400 --> 0:24:03.560
<v Speaker 8>and walking into a room and it was just full

0:24:03.760 --> 0:24:08.919
<v Speaker 8>of the smell of European cigarettes. Like I just remember

0:24:09.000 --> 0:24:11.520
<v Speaker 8>just being like, oh my god, we're you know, we're

0:24:11.520 --> 0:24:16.560
<v Speaker 8>in Utah, and Claudio just yelling at me, just being

0:24:16.600 --> 0:24:17.600
<v Speaker 8>you know, I'd read the lines.

0:24:17.680 --> 0:24:21.000
<v Speaker 7>It's like bigger, louder, bigger, bigger, and.

0:24:21.000 --> 0:24:24.520
<v Speaker 8>I just remember doing like going crazy and then and

0:24:24.560 --> 0:24:30.760
<v Speaker 8>then him saying you may leave, and I laughed, And

0:24:31.119 --> 0:24:34.800
<v Speaker 8>like weeks later I got a call that said, you know,

0:24:35.000 --> 0:24:36.320
<v Speaker 8>I got the lead role.

0:24:36.760 --> 0:24:39.320
<v Speaker 5>You didn't have to do a callback or anything. It

0:24:39.359 --> 0:24:40.400
<v Speaker 5>was just the one audish.

0:24:42.760 --> 0:24:46.040
<v Speaker 1>You may leave, you may leave, you leave.

0:24:47.720 --> 0:24:51.720
<v Speaker 5>And so during filming, were you starting to be like, huh,

0:24:51.760 --> 0:24:54.600
<v Speaker 5>I wonder how this is going to turn out? Like

0:24:54.720 --> 0:24:56.760
<v Speaker 5>walk us through a typical day on the set of

0:24:56.800 --> 0:24:57.800
<v Speaker 5>Troll two, and.

0:24:57.880 --> 0:24:59.160
<v Speaker 2>Had you seen Troll one?

0:25:01.000 --> 0:25:08.440
<v Speaker 7>It was Goblin, so we got yeah.

0:25:08.480 --> 0:25:11.240
<v Speaker 8>I mean, I still have my original script and it

0:25:11.320 --> 0:25:15.439
<v Speaker 8>was printed on it looks like an old like matrix printer,

0:25:15.760 --> 0:25:20.000
<v Speaker 8>and you know, it says says Goblin, and for me

0:25:20.240 --> 0:25:23.840
<v Speaker 8>like it was. We actually filmed the movie obviously, like

0:25:23.960 --> 0:25:26.960
<v Speaker 8>out of order, and the first thing that we filmed

0:25:28.000 --> 0:25:32.439
<v Speaker 8>was the scene where my mother is that you know,

0:25:32.440 --> 0:25:35.480
<v Speaker 8>her body is on the kitchen table and she's getting eaten,

0:25:35.520 --> 0:25:37.440
<v Speaker 8>so basically the endless spoilers.

0:25:37.560 --> 0:25:47.600
<v Speaker 9>Yeah, I know, yeah, And I remember just being like, hmm,

0:25:47.920 --> 0:25:50.800
<v Speaker 9>you know, it's not knowing again like a fact or

0:25:50.880 --> 0:25:53.479
<v Speaker 9>any of these sorts of things, and thinking, okay, well

0:25:53.480 --> 0:25:57.080
<v Speaker 9>there must be some some some.

0:25:56.359 --> 0:25:59.159
<v Speaker 8>Some you know, some magic here that I'm not saying.

0:25:59.520 --> 0:26:02.680
<v Speaker 8>But it wasn't a it wasn't really a slowdown and

0:26:03.359 --> 0:26:04.600
<v Speaker 8>be critical about it.

0:26:04.600 --> 0:26:09.800
<v Speaker 7>It was like, like, do your role on this sort

0:26:09.840 --> 0:26:11.320
<v Speaker 7>of thing. And then the other thing I.

0:26:11.359 --> 0:26:13.480
<v Speaker 8>Remember, And it's funny the things you remember when you're young,

0:26:13.520 --> 0:26:17.760
<v Speaker 8>and then the impressions you have is we had we

0:26:17.880 --> 0:26:24.439
<v Speaker 8>had a cheap pizza for lunch every single day, and

0:26:24.480 --> 0:26:27.520
<v Speaker 8>I remember sometimes the pizza. It was like recycled from

0:26:27.560 --> 0:26:28.440
<v Speaker 8>the previous.

0:26:30.960 --> 0:26:31.160
<v Speaker 7>Yeah.

0:26:31.160 --> 0:26:33.600
<v Speaker 8>And I just remember as a kid being like, why

0:26:33.600 --> 0:26:36.080
<v Speaker 8>can't they afford to give.

0:26:35.920 --> 0:26:42.160
<v Speaker 10>Us good pizza? It doesn't even need to be good.

0:26:47.720 --> 0:26:49.720
<v Speaker 10>Was this was this like a skeleton crew?

0:26:49.760 --> 0:26:51.320
<v Speaker 2>I mean, was it? Was it down and dirty?

0:26:51.320 --> 0:26:55.040
<v Speaker 1>You're running into places like gorilla filmmaking style or what?

0:26:55.119 --> 0:26:56.720
<v Speaker 2>Did it seem like a legit production?

0:26:57.280 --> 0:26:58.520
<v Speaker 7>It seemed That's the thing.

0:26:58.880 --> 0:27:01.040
<v Speaker 8>I mean, That is the thing oft Troll two is

0:27:01.680 --> 0:27:05.760
<v Speaker 8>despite how weird and strange and bad it is, there

0:27:05.880 --> 0:27:10.800
<v Speaker 8>is still an underlying level of competence, right, So it's

0:27:10.880 --> 0:27:15.960
<v Speaker 8>not like it's not like, uh, gorilla style like like,

0:27:16.080 --> 0:27:20.120
<v Speaker 8>it felt very formal with respect to like film production, right,

0:27:20.160 --> 0:27:22.840
<v Speaker 8>and there was a sizeable crew, and there was order,

0:27:23.040 --> 0:27:25.040
<v Speaker 8>and there was all these sorts of things. So what

0:27:25.080 --> 0:27:28.399
<v Speaker 8>it didn't It never had the feeling of oh wow,

0:27:28.480 --> 0:27:29.840
<v Speaker 8>we're we're.

0:27:31.440 --> 0:27:32.120
<v Speaker 7>Yeah yeah.

0:27:32.359 --> 0:27:34.600
<v Speaker 8>In fact, in fact, I think I think that's also

0:27:34.640 --> 0:27:36.399
<v Speaker 8>one of the reasons why none of the older cast

0:27:36.440 --> 0:27:40.000
<v Speaker 8>members ever questioned it, because there was such an authority

0:27:40.000 --> 0:27:43.200
<v Speaker 8>and such a confidence and such an outward like we've

0:27:43.200 --> 0:27:48.040
<v Speaker 8>got this figure it out, we know exactly what we're doing, right, Yeah,

0:27:48.080 --> 0:27:50.560
<v Speaker 8>And you know shot on thirty five the DP like

0:27:50.640 --> 0:27:53.159
<v Speaker 8>he was like full, he was like a caricature of

0:27:53.200 --> 0:27:53.520
<v Speaker 8>a DP.

0:27:53.800 --> 0:27:57.000
<v Speaker 7>Like everything was so so serious. Uh.

0:27:57.800 --> 0:27:59.880
<v Speaker 4>I mean, it's like there's so many bad movies where

0:27:59.880 --> 0:28:02.919
<v Speaker 4>it's just like horrible framing and somebody just up against

0:28:02.920 --> 0:28:04.679
<v Speaker 4>a white wall and like you're just like, well, they

0:28:04.720 --> 0:28:05.560
<v Speaker 4>don't know what they're doing.

0:28:05.600 --> 0:28:07.880
<v Speaker 6>But this movie it's like you know, a.

0:28:07.920 --> 0:28:10.679
<v Speaker 4>Moving down a hallways shot. But then it's just the

0:28:10.760 --> 0:28:13.520
<v Speaker 4>character motivation is making no sense. So like the characters

0:28:13.560 --> 0:28:15.680
<v Speaker 4>just like turning to face the camera for no reason,

0:28:15.760 --> 0:28:18.360
<v Speaker 4>and you're like, Okay, that SHOT's good, but why is.

0:28:18.280 --> 0:28:21.639
<v Speaker 6>He doing that? Like it's that's what makes it so beautiful.

0:28:21.720 --> 0:28:23.520
<v Speaker 7>It's like yeah, okay, yeah.

0:28:23.280 --> 0:28:25.639
<v Speaker 2>But I mean I guess if your goal is to

0:28:25.720 --> 0:28:26.680
<v Speaker 2>make a film.

0:28:26.400 --> 0:28:31.800
<v Speaker 1>That lasts, you did yes, I mean right way, it

0:28:31.920 --> 0:28:32.760
<v Speaker 1>is right, I.

0:28:32.720 --> 0:28:37.160
<v Speaker 6>Mean, any change vegetarianism forever. This is the message got out.

0:28:38.440 --> 0:28:41.080
<v Speaker 8>It is and like it's this sort of thing that

0:28:41.160 --> 0:28:46.000
<v Speaker 8>you can never you can never plan. And also is

0:28:46.080 --> 0:28:48.800
<v Speaker 8>there is a weird magic to it. I mean it

0:28:48.840 --> 0:28:53.520
<v Speaker 8>is a it is it is a movie that cons

0:28:53.600 --> 0:28:57.440
<v Speaker 8>despite you know what it does or it doesn't do,

0:28:57.640 --> 0:29:01.080
<v Speaker 8>and all the things in which it falls or it

0:29:01.120 --> 0:29:04.880
<v Speaker 8>has continued to provide people with this strange level of

0:29:04.920 --> 0:29:08.440
<v Speaker 8>like just joy and humor and it's so weird because

0:29:08.440 --> 0:29:10.760
<v Speaker 8>it just ca I mean I I it is a

0:29:10.800 --> 0:29:14.880
<v Speaker 8>sort of thing where I will continually get messages about

0:29:15.240 --> 0:29:18.200
<v Speaker 8>even younger people now discovering the movie, you know, a

0:29:18.240 --> 0:29:21.240
<v Speaker 8>few months ago or during the during the election campaign

0:29:21.280 --> 0:29:24.720
<v Speaker 8>this last year, Paul share and how did they get

0:29:24.880 --> 0:29:27.280
<v Speaker 8>how did this get made? They did a troll two

0:29:27.280 --> 0:29:29.520
<v Speaker 8>screening and in like in an hour, they raised like

0:29:29.560 --> 0:29:33.400
<v Speaker 8>three hundred thousand dollars for the election. Yes, so there's

0:29:33.400 --> 0:29:36.560
<v Speaker 8>all sorts of positive like and it is like one

0:29:36.560 --> 0:29:40.560
<v Speaker 8>of these things where we as I love movies and

0:29:40.600 --> 0:29:44.040
<v Speaker 8>I love the community experience of watching a movie and

0:29:44.200 --> 0:29:47.760
<v Speaker 8>to to get into a theater that's sold out and

0:29:48.120 --> 0:29:52.000
<v Speaker 8>to see people enjoy this. This this weird, awful movie

0:29:52.040 --> 0:29:54.800
<v Speaker 8>that was made, you know, almost thirty years ago.

0:29:54.880 --> 0:29:57.120
<v Speaker 7>Now it's still one of those things where you're like,

0:29:57.400 --> 0:29:59.280
<v Speaker 7>this is pretty it's pretty remarkable.

0:30:00.160 --> 0:30:03.720
<v Speaker 4>So I want to ask about your transition to behind well,

0:30:03.920 --> 0:30:07.800
<v Speaker 4>transition to making the documentary, I guess, but also when

0:30:07.840 --> 0:30:11.080
<v Speaker 4>you stopped acting, if you officially stopped acting, like were

0:30:11.120 --> 0:30:14.520
<v Speaker 4>those two things happening simultaneously, or did you take a

0:30:14.520 --> 0:30:16.960
<v Speaker 4>break from acting, know that you wanted to be a

0:30:17.000 --> 0:30:18.560
<v Speaker 4>director and then decide to make the doc.

0:30:20.040 --> 0:30:20.280
<v Speaker 7>Yeah.

0:30:20.400 --> 0:30:25.400
<v Speaker 8>I mean from the time I was a teenager, I

0:30:26.720 --> 0:30:29.880
<v Speaker 8>was making my own skateboarding movies.

0:30:30.160 --> 0:30:30.640
<v Speaker 7>I loved.

0:30:30.760 --> 0:30:33.720
<v Speaker 8>I loved the process of making something I loved. I

0:30:33.720 --> 0:30:39.080
<v Speaker 8>loved photography, I loved shooting and acting. I also loved

0:30:39.680 --> 0:30:42.680
<v Speaker 8>I loved it more when I was doing theater. And

0:30:44.160 --> 0:30:47.719
<v Speaker 8>I think, you know, as I got older, I mean,

0:30:47.760 --> 0:30:48.560
<v Speaker 8>I had a lot of friends.

0:30:48.600 --> 0:30:50.000
<v Speaker 7>I'm sure you're the same writer.

0:30:50.080 --> 0:30:51.720
<v Speaker 8>I have a lot of friends that like, I look

0:30:51.760 --> 0:30:55.320
<v Speaker 8>at where they're at now, and I'm like, Jesus.

0:30:55.040 --> 0:30:56.360
<v Speaker 7>Like it's terrible.

0:30:57.280 --> 0:31:03.480
<v Speaker 8>And I also, as I got older, you know, you

0:31:03.560 --> 0:31:08.080
<v Speaker 8>get scripts and you're like, this is terrible, and so

0:31:08.120 --> 0:31:11.760
<v Speaker 8>it became harder and harder to sort of like, and

0:31:11.800 --> 0:31:15.200
<v Speaker 8>I officially stopped acting. I think the last thing that

0:31:15.240 --> 0:31:18.600
<v Speaker 8>I did was I did an episode of A Touch

0:31:18.640 --> 0:31:21.360
<v Speaker 8>by an Angel when I was twenty two or twenty three.

0:31:21.680 --> 0:31:23.960
<v Speaker 7>And that was the last thing that I did.

0:31:26.040 --> 0:31:30.040
<v Speaker 8>And soon after that, I always wanted to make films,

0:31:30.800 --> 0:31:33.960
<v Speaker 8>and I soon after that, I met my wife and

0:31:34.000 --> 0:31:37.120
<v Speaker 8>we moved to Los Angeles, which is always sort of

0:31:37.120 --> 0:31:40.360
<v Speaker 8>felt like a second home. And I was writing a

0:31:40.400 --> 0:31:43.240
<v Speaker 8>thing that I had no business making, but I was

0:31:43.360 --> 0:31:46.600
<v Speaker 8>very much like in love with but I would never

0:31:46.640 --> 0:31:49.240
<v Speaker 8>get a maid given where I was at in my

0:31:49.360 --> 0:31:50.960
<v Speaker 8>career and.

0:31:52.240 --> 0:31:53.920
<v Speaker 7>Had the dream of being a filmmaker.

0:31:54.880 --> 0:31:58.440
<v Speaker 8>And it wasn't long after that this was the whole

0:31:58.440 --> 0:32:01.960
<v Speaker 8>MySpace era that out of the blue, I started getting

0:32:02.000 --> 0:32:06.800
<v Speaker 8>messages from kids all over the world, not knowing about

0:32:06.840 --> 0:32:10.200
<v Speaker 8>each other, saying here's a photo of our Troll two

0:32:10.280 --> 0:32:12.479
<v Speaker 8>party we had in our basement and we dressed up

0:32:12.480 --> 0:32:14.680
<v Speaker 8>and we pretended to piss on food.

0:32:15.440 --> 0:32:16.040
<v Speaker 7>And I just.

0:32:15.960 --> 0:32:19.200
<v Speaker 8>Remember being like what in the world, and thinking about

0:32:19.200 --> 0:32:22.320
<v Speaker 8>that movie and being like how. And I had a

0:32:22.360 --> 0:32:25.120
<v Speaker 8>moment where I woke up and I remember just thinking.

0:32:25.120 --> 0:32:28.160
<v Speaker 8>I said to my wife Lindsay, I said, I am

0:32:28.280 --> 0:32:32.720
<v Speaker 8>this child star of the worst movie ever made. This

0:32:32.760 --> 0:32:35.680
<v Speaker 8>is a great doc opportunity, and it felt like I

0:32:35.680 --> 0:32:38.520
<v Speaker 8>could make it. It felt like I could just start making it.

0:32:39.520 --> 0:32:43.800
<v Speaker 8>And a couple of months upright citizens we Gay Theater

0:32:43.960 --> 0:32:47.920
<v Speaker 8>in New York, they planned the first Troll two screening,

0:32:48.080 --> 0:32:50.840
<v Speaker 8>and it became like, Okay, this is the first thing

0:32:50.880 --> 0:32:53.480
<v Speaker 8>I got a film for the doc naturally, and then

0:32:53.520 --> 0:32:57.760
<v Speaker 8>it started on a three plus year journey of making

0:32:57.800 --> 0:32:58.280
<v Speaker 8>the film.

0:32:58.600 --> 0:32:58.920
<v Speaker 7>Wow.

0:32:59.640 --> 0:33:03.040
<v Speaker 4>Yeah, So and you were just doing it completely on

0:33:03.040 --> 0:33:06.160
<v Speaker 4>your own. You're just grabbing getting your crew together and oh.

0:33:07.480 --> 0:33:09.800
<v Speaker 1>Yeah, you're you're making skateboard films. So were you a

0:33:09.880 --> 0:33:14.520
<v Speaker 1>Stacey Perlta and Bones Brigade fan? That's what I figured, Yeah,

0:33:15.000 --> 0:33:18.040
<v Speaker 1>same same, I figured those just watching those videos are

0:33:18.040 --> 0:33:19.120
<v Speaker 1>the coolest things in the world.

0:33:19.200 --> 0:33:23.560
<v Speaker 7>Back in the day, it was the best. Yeah.

0:33:23.560 --> 0:33:26.200
<v Speaker 8>And when I was making the doc, I I I

0:33:26.200 --> 0:33:27.960
<v Speaker 8>remember like I made you know, I was like, Okay,

0:33:28.000 --> 0:33:30.320
<v Speaker 8>I gotta figure out ways to get from city to city,

0:33:30.400 --> 0:33:34.640
<v Speaker 8>and so I would I made these simple green shirts

0:33:34.760 --> 0:33:37.960
<v Speaker 8>that said nail Bog on the front and gobbling on

0:33:38.000 --> 0:33:42.200
<v Speaker 8>the back, and uh, every screening I would take hundreds

0:33:42.240 --> 0:33:45.160
<v Speaker 8>of those and they'd sell out, and I was like, Okay,

0:33:45.200 --> 0:33:49.880
<v Speaker 8>that's that's my planing tickets of the great But but

0:33:49.920 --> 0:33:51.480
<v Speaker 8>you know, like I make it sound all and you

0:33:51.520 --> 0:33:55.200
<v Speaker 8>guys know how this is. But like throughout that whole

0:33:55.280 --> 0:33:58.160
<v Speaker 8>journey of making that doc, you have moments.

0:33:57.760 --> 0:34:01.640
<v Speaker 7>Where you're like, am I going to do this? Where

0:34:01.640 --> 0:34:04.000
<v Speaker 7>am I going to go next? All this and and really,

0:34:04.000 --> 0:34:07.360
<v Speaker 7>to the credit, my partner, my wife. I remember many times.

0:34:08.719 --> 0:34:11.359
<v Speaker 8>Because we were having our first child soon right around

0:34:11.360 --> 0:34:13.600
<v Speaker 8>that time, walking run in and being like, I can't

0:34:13.680 --> 0:34:18.440
<v Speaker 8>keep working on this dock, and and and Lindsey being like, no, no,

0:34:18.480 --> 0:34:19.120
<v Speaker 8>you've got to.

0:34:19.239 --> 0:34:22.440
<v Speaker 7>You gotta finish it, you gotta finish it. And so

0:34:22.480 --> 0:34:23.319
<v Speaker 7>we just took it one.

0:34:23.560 --> 0:34:26.680
<v Speaker 8>We just just did what I could and just stayed

0:34:26.960 --> 0:34:30.520
<v Speaker 8>consistent on it until it was until it was over.

0:34:30.920 --> 0:34:34.760
<v Speaker 5>Well, similarly to Podmead's World, you really allowed this project

0:34:34.760 --> 0:34:37.680
<v Speaker 5>to help you process a childhood experience.

0:34:38.760 --> 0:34:40.320
<v Speaker 3>Was it a bigger.

0:34:40.320 --> 0:34:45.000
<v Speaker 5>Undertaking emotionally than you expected?

0:34:45.360 --> 0:34:47.280
<v Speaker 7>Yeah, uh for sure.

0:34:49.480 --> 0:34:55.960
<v Speaker 8>And both like you know, I mean meeting meeting the

0:34:56.560 --> 0:35:00.400
<v Speaker 8>store owner and interviewing him and hearing him tell me

0:35:00.760 --> 0:35:07.240
<v Speaker 8>that he wanted to he wanted to kill me, my gosh.

0:35:07.360 --> 0:35:08.440
<v Speaker 7>And then also like.

0:35:08.680 --> 0:35:12.080
<v Speaker 8>Coming into contact you know, the woman who played my

0:35:12.200 --> 0:35:18.719
<v Speaker 8>mother in the film. She's she is, you know, mentally

0:35:18.880 --> 0:35:22.080
<v Speaker 8>ill now and really suffers, and so I hadn't seen

0:35:22.120 --> 0:35:23.799
<v Speaker 8>her in years and years and years, and so trying

0:35:23.800 --> 0:35:28.920
<v Speaker 8>to process that, and aside from that, also just the

0:35:28.960 --> 0:35:35.439
<v Speaker 8>feeling of of of trying to get something, just trying

0:35:35.440 --> 0:35:38.600
<v Speaker 8>to get my first doc made you know, anytime you

0:35:38.640 --> 0:35:41.000
<v Speaker 8>make something, it's I think for me at least, it's

0:35:41.040 --> 0:35:44.879
<v Speaker 8>always a more emotional thing that you imagine. I think

0:35:45.000 --> 0:35:47.920
<v Speaker 8>sometimes that naivete in the beginning is what helps you

0:35:48.200 --> 0:35:49.960
<v Speaker 8>because you're like, Okay, I'm just going to do this

0:35:50.680 --> 0:35:52.359
<v Speaker 8>and and you know, so.

0:35:53.640 --> 0:35:56.120
<v Speaker 4>I'm curious about that because, like you know, when I

0:35:56.160 --> 0:35:58.399
<v Speaker 4>watch a doc like that, I'm always like I could never.

0:35:59.000 --> 0:36:00.520
<v Speaker 4>I don't think I could do that. Like I don't

0:36:00.520 --> 0:36:02.239
<v Speaker 4>think I could sit in a room and draw these

0:36:02.280 --> 0:36:05.680
<v Speaker 4>people out, you know, and you do it so well.

0:36:05.760 --> 0:36:07.719
<v Speaker 4>You do an American scream too, Like you have a

0:36:07.760 --> 0:36:10.200
<v Speaker 4>way of like sitting with a character, and like were

0:36:10.239 --> 0:36:11.920
<v Speaker 4>you always that way or is that something that you

0:36:12.000 --> 0:36:15.240
<v Speaker 4>discovered that you had to do because you're sitting across

0:36:15.239 --> 0:36:17.279
<v Speaker 4>from like the woman who played your mom, and you're

0:36:17.320 --> 0:36:18.799
<v Speaker 4>just like I have to just sort of let this

0:36:18.880 --> 0:36:21.440
<v Speaker 4>happen and not make this person feel uncomfortable.

0:36:22.600 --> 0:36:23.319
<v Speaker 7>Yeah, I don't know.

0:36:23.640 --> 0:36:28.520
<v Speaker 8>I mean, I don't think it's something that necessarily I.

0:36:30.400 --> 0:36:31.000
<v Speaker 7>Discovered.

0:36:31.080 --> 0:36:35.880
<v Speaker 8>Like I've I've always been really interested in just people

0:36:36.160 --> 0:36:41.120
<v Speaker 8>and curious about individuals and trying to understand them.

0:36:41.160 --> 0:36:44.760
<v Speaker 7>I think the more you do it, the more that.

0:36:44.600 --> 0:36:47.880
<v Speaker 8>Has only taken hold and I think it's a documentary filmmaker.

0:36:47.920 --> 0:36:51.600
<v Speaker 8>I'll actually never I'll never forget because I had actually

0:36:52.320 --> 0:36:55.399
<v Speaker 8>best first movie was invited to the screen at Al

0:36:55.520 --> 0:37:01.000
<v Speaker 8>Masle's little theater in Brooklyn, and I'm a massive fan

0:37:01.080 --> 0:37:02.799
<v Speaker 8>of Grey Gardens and.

0:37:04.560 --> 0:37:09.680
<v Speaker 7>Al actually he had me and my producer.

0:37:09.760 --> 0:37:11.560
<v Speaker 8>We stayed with him in Brooklyn and so we still

0:37:11.600 --> 0:37:13.000
<v Speaker 8>had the recam and just hung out with him. And

0:37:13.040 --> 0:37:14.520
<v Speaker 8>it was one of these moments with like, God, this

0:37:14.560 --> 0:37:15.319
<v Speaker 8>is the guy like an.

0:37:15.200 --> 0:37:18.359
<v Speaker 7>Idle of mind. But he had said, he had told

0:37:18.400 --> 0:37:18.759
<v Speaker 7>me something.

0:37:18.800 --> 0:37:21.720
<v Speaker 8>He said, you know, when you make docs, it's almost

0:37:21.760 --> 0:37:25.960
<v Speaker 8>as though you have a thousand teachers. And it's true

0:37:26.280 --> 0:37:28.640
<v Speaker 8>in that respect, and that like you don't there's a

0:37:28.800 --> 0:37:32.920
<v Speaker 8>very almost sacred relationship you have with a subject and

0:37:33.080 --> 0:37:35.920
<v Speaker 8>you get very close to them, if at least for me,

0:37:36.960 --> 0:37:40.080
<v Speaker 8>to where the level you understand each other, like there's

0:37:40.120 --> 0:37:42.520
<v Speaker 8>really no other relationship you can compare it to outside

0:37:42.560 --> 0:37:45.200
<v Speaker 8>of somebody you know, a partner or somebody.

0:37:44.920 --> 0:37:45.600
<v Speaker 7>You really love.

0:37:46.360 --> 0:37:49.839
<v Speaker 8>And so you get a look into someone's life and

0:37:49.920 --> 0:37:53.080
<v Speaker 8>who they are, worts and all, and there's a real vulnerability,

0:37:53.080 --> 0:37:55.160
<v Speaker 8>there's a real sort of like trust, all these sorts

0:37:55.200 --> 0:37:59.320
<v Speaker 8>of things. But I always feel like for me, it's

0:38:00.040 --> 0:38:02.799
<v Speaker 8>I'm being taught right, Like I always feel like I'm

0:38:02.840 --> 0:38:05.239
<v Speaker 8>getting the better of it. Like I will see an

0:38:05.200 --> 0:38:08.120
<v Speaker 8>American Scream, any of these characters that I'm still close

0:38:08.160 --> 0:38:10.239
<v Speaker 8>with them, and I always feel like there's something that

0:38:10.400 --> 0:38:13.920
<v Speaker 8>I take that's very positive and I'm like, wow, I

0:38:13.960 --> 0:38:16.600
<v Speaker 8>want to be more like that, and I've learned that

0:38:16.640 --> 0:38:17.520
<v Speaker 8>from this person.

0:38:17.800 --> 0:38:18.200
<v Speaker 7>And so.

0:38:20.800 --> 0:38:22.640
<v Speaker 8>Yeah, And I think the more and more you do it,

0:38:22.640 --> 0:38:25.200
<v Speaker 8>the more you're like wow, you just get such an

0:38:25.239 --> 0:38:29.399
<v Speaker 8>interesting look into perspective and the lives that others live

0:38:29.520 --> 0:38:32.560
<v Speaker 8>when you're a documentary filmmaker and you have a relationship

0:38:32.600 --> 0:38:35.440
<v Speaker 8>where you can really share and you know, and grow close.

0:38:36.160 --> 0:38:37.920
<v Speaker 5>In case any of our listeners don't know, I do

0:38:37.960 --> 0:38:40.640
<v Speaker 5>want to let people know your next documentary at was

0:38:40.680 --> 0:38:43.479
<v Speaker 5>The American Scream, a movie about three families who turn

0:38:43.520 --> 0:38:49.279
<v Speaker 5>their houses into extravagant Halloween attractions in Massachusetts. What do

0:38:49.320 --> 0:38:51.560
<v Speaker 5>you think drew you to scares.

0:38:53.600 --> 0:38:55.440
<v Speaker 7>Chuck?

0:38:57.080 --> 0:39:01.359
<v Speaker 8>Yeah, that was an interesting like I you know, I

0:39:01.520 --> 0:39:07.319
<v Speaker 8>like horror films, but I that specific American Scream. There

0:39:07.400 --> 0:39:10.640
<v Speaker 8>was there was a network part of NBC Universal called

0:39:10.719 --> 0:39:13.680
<v Speaker 8>Chiller that was all horror programming and after Best Ferst

0:39:13.719 --> 0:39:17.680
<v Speaker 8>movie came out. They came and they said, do you

0:39:17.680 --> 0:39:19.880
<v Speaker 8>want to do something around Halloween? And they were like,

0:39:19.920 --> 0:39:22.759
<v Speaker 8>we want to do something on Halloween haunted houses. And

0:39:22.800 --> 0:39:25.120
<v Speaker 8>it was basically that brought and in their minds they

0:39:25.120 --> 0:39:27.839
<v Speaker 8>were like top ten, you know, something you would see

0:39:27.880 --> 0:39:31.040
<v Speaker 8>on TV. Top ten haunted houses sort of thing. And

0:39:32.120 --> 0:39:36.760
<v Speaker 8>I have a very, very fond memory of a woman

0:39:36.880 --> 0:39:40.520
<v Speaker 8>in my neighborhood who was considered the weird woman growing

0:39:40.600 --> 0:39:44.719
<v Speaker 8>up that every Halloween, her whole she would transform her

0:39:44.880 --> 0:39:48.160
<v Speaker 8>whole house into the den of terror, and the whole

0:39:48.200 --> 0:39:51.239
<v Speaker 8>neighborhood would would send on this woman's house for that

0:39:51.280 --> 0:39:54.879
<v Speaker 8>one night, and I remember being magical, and then.

0:39:54.800 --> 0:39:56.480
<v Speaker 7>The rest of the year nobody ever talked to her.

0:39:56.920 --> 0:40:00.280
<v Speaker 8>And so when they came to me with that, I

0:40:00.360 --> 0:40:02.440
<v Speaker 8>sort of secretly was like, I don't want to make

0:40:02.440 --> 0:40:04.840
<v Speaker 8>a commercial hunted house film. I want to make I

0:40:04.880 --> 0:40:08.600
<v Speaker 8>want to I want to find these families. And fortunately

0:40:08.800 --> 0:40:13.759
<v Speaker 8>for me, I got so far into making it that

0:40:13.800 --> 0:40:16.319
<v Speaker 8>by the time they really looked at it closely when

0:40:16.360 --> 0:40:17.680
<v Speaker 8>I was making it was too far.

0:40:18.880 --> 0:40:30.360
<v Speaker 3>Yea, the sunk cost fallacy to your adenty that is great.

0:40:31.320 --> 0:40:33.960
<v Speaker 5>Well, Also, I want to talk about your first scripted film,

0:40:34.200 --> 0:40:38.040
<v Speaker 5>Girlfriend's Day, which is written by and stars Bob Odenkirk

0:40:38.080 --> 0:40:41.920
<v Speaker 5>and Amber Tamblin, Natasha Leone and my new friend Andy Richter.

0:40:44.480 --> 0:40:46.279
<v Speaker 3>Yes, you know.

0:40:46.360 --> 0:40:48.520
<v Speaker 5>Andy Richter makes the best banana bread I've ever had

0:40:48.560 --> 0:40:49.440
<v Speaker 5>in my entire life.

0:40:49.840 --> 0:40:51.080
<v Speaker 7>I have no idea.

0:40:51.440 --> 0:40:54.160
<v Speaker 5>It is delicious. The other day, I get to work

0:40:54.200 --> 0:40:54.919
<v Speaker 5>and I see Andy.

0:40:54.960 --> 0:40:57.240
<v Speaker 3>I go, Andy, how you doing? And he goes okay.

0:40:57.760 --> 0:40:58.680
<v Speaker 3>I go, what's wrong?

0:40:58.760 --> 0:41:01.840
<v Speaker 5>Andy goes, well, I thought my rehearsal was at nine,

0:41:01.840 --> 0:41:04.680
<v Speaker 5>but it was at one. And I said, oh my gosh,

0:41:04.760 --> 0:41:06.640
<v Speaker 5>it's you know, one o'clock. I'm just arriving there. I go,

0:41:06.800 --> 0:41:08.719
<v Speaker 5>have you been here all morning? He goes no, I

0:41:08.760 --> 0:41:11.560
<v Speaker 5>made banana bread. I said, you made banana bread in

0:41:11.560 --> 0:41:13.600
<v Speaker 5>this little kitchen. He goes, no, I went home and

0:41:13.640 --> 0:41:15.520
<v Speaker 5>I made banana bread. It's in this little kitchen, though,

0:41:15.520 --> 0:41:17.480
<v Speaker 5>if you want to try it. I was like, hell, yeah,

0:41:17.480 --> 0:41:18.080
<v Speaker 5>I want to try it.

0:41:18.320 --> 0:41:19.560
<v Speaker 3>Go away, I take it. Bade him like, they are

0:41:19.600 --> 0:41:20.960
<v Speaker 3>the best banana bread I've ever read.

0:41:21.400 --> 0:41:21.719
<v Speaker 7>Thank you.

0:41:21.760 --> 0:41:24.840
<v Speaker 3>I really tried a lot of recipes. It was the

0:41:24.840 --> 0:41:25.720
<v Speaker 3>greatest thing ever.

0:41:26.400 --> 0:41:27.200
<v Speaker 7>That's amazing.

0:41:27.760 --> 0:41:32.680
<v Speaker 5>So congratulations on this movie. Did you ever think when

0:41:32.719 --> 0:41:35.879
<v Speaker 5>you were running around the oak Woods. Is this the

0:41:36.080 --> 0:41:38.560
<v Speaker 5>career in life you envisioned for yourself. Did you ever

0:41:38.880 --> 0:41:42.600
<v Speaker 5>picture being this kind of documentary slash movie director.

0:41:43.840 --> 0:41:46.759
<v Speaker 8>I mean I always imagine like a film and just

0:41:47.560 --> 0:41:49.239
<v Speaker 8>has always felt like it was just going to be

0:41:49.239 --> 0:41:50.319
<v Speaker 8>a thing that I did.

0:41:50.480 --> 0:41:52.680
<v Speaker 7>I didn't know what shape or form. And I still

0:41:52.719 --> 0:41:54.600
<v Speaker 7>don't like stories come new thing.

0:41:54.680 --> 0:41:59.120
<v Speaker 8>You just don't don't really see everything that's coming.

0:42:00.160 --> 0:42:02.200
<v Speaker 7>And I think that when.

0:42:02.080 --> 0:42:04.560
<v Speaker 8>You do feel like you have a story, part of

0:42:04.560 --> 0:42:06.800
<v Speaker 8>it is just trying to listen to what that wants

0:42:06.840 --> 0:42:10.120
<v Speaker 8>to be and as opposed to maybe what you wanted

0:42:10.400 --> 0:42:16.520
<v Speaker 8>wanted to be. So and and girlfriends say, also just

0:42:16.560 --> 0:42:21.520
<v Speaker 8>a weird, I mean wild, wild thing where we had.

0:42:22.719 --> 0:42:24.240
<v Speaker 7>We had finished making The Americans.

0:42:24.280 --> 0:42:26.760
<v Speaker 8>Well, we were editing The American Scream in my garage

0:42:27.680 --> 0:42:30.720
<v Speaker 8>and Lindsay my wife, and I my produce, my producing partner,

0:42:30.719 --> 0:42:33.120
<v Speaker 8>and I we were I was doing the dumb thing

0:42:33.400 --> 0:42:37.520
<v Speaker 8>on on a whiteboard where I was writing down the

0:42:37.600 --> 0:42:41.879
<v Speaker 8>names of my favorite comedians that I felt like had

0:42:41.960 --> 0:42:47.960
<v Speaker 8>really strong dramatic sensibilities but hadn't been seen dramatically as

0:42:48.000 --> 0:42:48.759
<v Speaker 8>much as they had in the.

0:42:48.719 --> 0:42:51.200
<v Speaker 7>World of comedy. And we were huge fans of mister Show.

0:42:51.520 --> 0:42:52.520
<v Speaker 2>Yeah such a good show.

0:42:52.600 --> 0:42:53.960
<v Speaker 7>Yeah, so fun.

0:42:54.280 --> 0:42:58.560
<v Speaker 8>And this was like season two of Maybe Breaking Bad.

0:42:58.680 --> 0:43:01.800
<v Speaker 7>So so Bob was just in the background of it.

0:43:01.880 --> 0:43:04.360
<v Speaker 7>We were really excited. We're like, oh, it's Bob and

0:43:04.400 --> 0:43:05.520
<v Speaker 7>I and I wrote I was.

0:43:05.600 --> 0:43:07.759
<v Speaker 8>I did the thing where I was like, right, dream

0:43:07.800 --> 0:43:10.200
<v Speaker 8>actors he would want to work with, and I wrote

0:43:10.520 --> 0:43:13.480
<v Speaker 8>his name down on this on this whiteboard in my office.

0:43:14.200 --> 0:43:19.239
<v Speaker 8>And it wasn't four or five weeks after that that

0:43:19.320 --> 0:43:21.560
<v Speaker 8>there was an interview that I think the Onion or

0:43:21.600 --> 0:43:24.200
<v Speaker 8>the av Club did with him and they were asking

0:43:24.320 --> 0:43:27.960
<v Speaker 8>him about his favorite films and he named best worst movie.

0:43:28.120 --> 0:43:28.560
<v Speaker 6>Wow.

0:43:29.760 --> 0:43:30.480
<v Speaker 7>Yeah yeah.

0:43:30.520 --> 0:43:34.279
<v Speaker 8>And so then we connected and we were coming up

0:43:34.280 --> 0:43:37.239
<v Speaker 8>on the premiere of American Scream and completely just I

0:43:37.360 --> 0:43:42.160
<v Speaker 8>was like, hey, it turns out Bob's Bob's son was

0:43:42.560 --> 0:43:44.520
<v Speaker 8>also going through a difficult time in his period of

0:43:44.560 --> 0:43:46.480
<v Speaker 8>his life and he was a huge troll tooth fan

0:43:47.200 --> 0:43:48.560
<v Speaker 8>and loved the movie.

0:43:48.360 --> 0:43:51.239
<v Speaker 7>And YadA, YadA, YadA. So we make we make the

0:43:51.280 --> 0:43:54.440
<v Speaker 7>American Scream. We premiere it. I invited Bob and his family,

0:43:54.480 --> 0:43:55.840
<v Speaker 7>thinking there's no way he's.

0:43:55.680 --> 0:43:58.319
<v Speaker 8>Going to come, and he came and he was like

0:43:58.320 --> 0:44:01.600
<v Speaker 8>an hour early and he's like, I got this really

0:44:01.680 --> 0:44:02.800
<v Speaker 8>weird comedy.

0:44:03.120 --> 0:44:03.840
<v Speaker 7>It's never going to.

0:44:03.880 --> 0:44:06.680
<v Speaker 8>Get made, but I'd love for you to make it

0:44:06.719 --> 0:44:08.319
<v Speaker 8>with me, or let's talk about it.

0:44:08.360 --> 0:44:10.680
<v Speaker 7>And then that started that process.

0:44:10.760 --> 0:44:11.280
<v Speaker 2>So cool.

0:44:11.719 --> 0:44:13.680
<v Speaker 6>Yeah, wild Wild.

0:44:14.560 --> 0:44:16.840
<v Speaker 5>How do you think your experience as a child actor

0:44:16.880 --> 0:44:17.920
<v Speaker 5>helps you behind the camera.

0:44:19.160 --> 0:44:20.360
<v Speaker 7>Oh, that's a good question.

0:44:22.120 --> 0:44:26.400
<v Speaker 8>I think I think really having an understanding and a

0:44:26.480 --> 0:44:30.440
<v Speaker 8>respect and a love and appreciation for how hard it

0:44:30.480 --> 0:44:33.600
<v Speaker 8>is in front of a camera and understanding just the

0:44:33.680 --> 0:44:37.440
<v Speaker 8>language of acting, right, Like I am reminded sometimes when

0:44:37.440 --> 0:44:40.520
<v Speaker 8>I've worked on other projects that a lot of people

0:44:41.400 --> 0:44:44.280
<v Speaker 8>don't understand what it is like to actually be an actor.

0:44:45.200 --> 0:44:47.600
<v Speaker 8>And it's hard for me to not understand that because

0:44:47.640 --> 0:44:50.440
<v Speaker 8>it's been part of me forever, and so it is

0:44:50.440 --> 0:44:52.120
<v Speaker 8>a thing now where I'm like, Wow, it's a real

0:44:52.160 --> 0:44:52.839
<v Speaker 8>gift in.

0:44:52.760 --> 0:44:56.279
<v Speaker 7>That I get it and I understand it.

0:44:56.320 --> 0:44:58.400
<v Speaker 8>I understand how hard it is, I know how to

0:44:59.239 --> 0:45:01.840
<v Speaker 8>you know, I've had that, I've had that experience, and

0:45:02.680 --> 0:45:06.080
<v Speaker 8>I know what it is to do it very badly portally.

0:45:06.360 --> 0:45:12.399
<v Speaker 8>So yeah, I think it's I think I think it's

0:45:12.520 --> 0:45:15.759
<v Speaker 8>you know, you hear sometimes I mean this is more anecdotally,

0:45:15.800 --> 0:45:18.200
<v Speaker 8>but you hear that sort of relations like directors and

0:45:18.239 --> 0:45:22.120
<v Speaker 8>actors and directors not understanding actors and they're sometimes being attentioned.

0:45:22.239 --> 0:45:25.840
<v Speaker 8>I've never really experienced that personally because I have nothing,

0:45:25.920 --> 0:45:30.440
<v Speaker 8>but like acting was my first point into all of it.

0:45:30.640 --> 0:45:32.879
<v Speaker 7>So, you know, it.

0:45:32.800 --> 0:45:36.520
<v Speaker 8>Doesn't feel foreign to me or counter it feels it

0:45:36.560 --> 0:45:37.960
<v Speaker 8>feels like the enabler of all.

0:45:38.160 --> 0:45:38.480
<v Speaker 7>Really.

0:45:38.800 --> 0:45:41.879
<v Speaker 3>Yeah, you mentioned that you have kids. How many kids

0:45:41.880 --> 0:45:42.200
<v Speaker 3>do you have?

0:45:42.760 --> 0:45:47.400
<v Speaker 8>I have three daughters. Wow, yeah, so yeah, my oldest

0:45:47.440 --> 0:45:53.880
<v Speaker 8>actually turns eighteen in a few weeks, which is she's

0:45:54.640 --> 0:45:57.480
<v Speaker 8>I know, I know, it's crazy. She learned to drive

0:45:57.560 --> 0:45:59.520
<v Speaker 8>this lab well summer and a half ago. And it's

0:45:59.760 --> 0:46:03.920
<v Speaker 8>a weird moment to be sitting and I know, you, Daniel,

0:46:03.920 --> 0:46:05.759
<v Speaker 8>you have you you have children.

0:46:05.440 --> 0:46:08.040
<v Speaker 5>As well, right, writer writer has a son and I

0:46:08.080 --> 0:46:08.600
<v Speaker 5>have two.

0:46:08.800 --> 0:46:13.480
<v Speaker 8>Yeah, okay, so you you yeah, you know, and it

0:46:13.560 --> 0:46:16.879
<v Speaker 8>is they you know. So I have an almost eighteen

0:46:16.960 --> 0:46:19.120
<v Speaker 8>year old, fifteen year old and then a nine year

0:46:19.160 --> 0:46:20.399
<v Speaker 8>old nine year old.

0:46:20.400 --> 0:46:24.200
<v Speaker 7>I'm taking the movie night tonight. It's it's it's.

0:46:24.120 --> 0:46:28.520
<v Speaker 8>Amazing to be sitting shotgun as your daughter is driving

0:46:28.600 --> 0:46:31.840
<v Speaker 8>you throughout LA and it's controlling the radio and like

0:46:31.880 --> 0:46:33.360
<v Speaker 8>putting on Stevie Nicks or something.

0:46:33.880 --> 0:46:39.239
<v Speaker 7>You know. Okay, life is okay, it's pretty good, pretty good.

0:46:39.520 --> 0:46:42.560
<v Speaker 5>Do any of your children have they ever expressed any

0:46:42.600 --> 0:46:45.920
<v Speaker 5>interest in acting or being in the entertainment industry.

0:46:46.280 --> 0:46:46.520
<v Speaker 7>Yeah.

0:46:46.600 --> 0:46:50.279
<v Speaker 8>So, so here's the thing that's and this is a

0:46:50.360 --> 0:46:55.200
<v Speaker 8>thing where I have, I have, I have I have

0:46:55.280 --> 0:46:57.399
<v Speaker 8>to talk to my therapist more about this and get

0:46:57.440 --> 0:47:00.920
<v Speaker 8>over this thing. Because my my old oldest and my

0:47:01.040 --> 0:47:03.719
<v Speaker 8>youngest really every all of all three.

0:47:03.480 --> 0:47:06.560
<v Speaker 7>Of my kids were really we're really in the theater,

0:47:06.719 --> 0:47:10.279
<v Speaker 7>like we love theater and.

0:47:11.520 --> 0:47:14.600
<v Speaker 8>I'll never forget actually the first time that my old

0:47:14.680 --> 0:47:16.719
<v Speaker 8>so my youngest have never seen Troll two or Best

0:47:16.800 --> 0:47:17.440
<v Speaker 8>Versus Movie.

0:47:18.000 --> 0:47:20.000
<v Speaker 7>My middle child, my middle and.

0:47:20.000 --> 0:47:23.239
<v Speaker 8>My oldest have and they've actually the first screen they

0:47:23.280 --> 0:47:24.160
<v Speaker 8>went to a screening.

0:47:24.239 --> 0:47:25.879
<v Speaker 7>Right, I didn't even tell them what it was about.

0:47:26.040 --> 0:47:26.319
<v Speaker 6>They don't.

0:47:27.320 --> 0:47:29.040
<v Speaker 8>You don't really talk about a lot of this sort

0:47:29.040 --> 0:47:31.960
<v Speaker 8>of stuff at home. You're you're busy, you know, uh,

0:47:32.120 --> 0:47:36.600
<v Speaker 8>with life. And my oldest and my middle they went

0:47:36.640 --> 0:47:39.000
<v Speaker 8>to a screening of Troll two in Montreal for the

0:47:39.040 --> 0:47:39.399
<v Speaker 8>first time.

0:47:39.400 --> 0:47:41.080
<v Speaker 7>They had no idea what they were in for Troll

0:47:41.160 --> 0:47:42.320
<v Speaker 7>two and Bestpersus.

0:47:41.920 --> 0:47:46.640
<v Speaker 8>Movie, and their minds were blown afterwards and outside of that,

0:47:46.719 --> 0:47:49.280
<v Speaker 8>I've never been somebody. And we watched movies, we watched

0:47:49.280 --> 0:47:51.680
<v Speaker 8>docs like I took them to see American Movie at

0:47:51.680 --> 0:47:55.399
<v Speaker 8>the New Beverly over Thanksgiving this, you know, so it's

0:47:55.440 --> 0:47:58.440
<v Speaker 8>been part of their thing, but they they are naturally

0:47:58.640 --> 0:48:02.920
<v Speaker 8>Like my oldest is, she's she just you know, she

0:48:02.960 --> 0:48:06.000
<v Speaker 8>has a film that's that's playing as part of the

0:48:06.080 --> 0:48:09.560
<v Speaker 8>High School Film Festival.

0:48:09.640 --> 0:48:13.520
<v Speaker 7>In New York next month, that got selected. I didn't.

0:48:13.840 --> 0:48:16.920
<v Speaker 7>I didn't. I didn't. I didn't like encourage her.

0:48:17.640 --> 0:48:19.759
<v Speaker 3>She's acting, directing it. What did she do?

0:48:20.360 --> 0:48:23.520
<v Speaker 7>Directed? Acted and put our youngest in it?

0:48:25.400 --> 0:48:27.920
<v Speaker 8>And she didn't. She didn't tell me. I like, I

0:48:28.000 --> 0:48:29.799
<v Speaker 8>kid you not. We didn't talk about it. She she

0:48:29.920 --> 0:48:31.440
<v Speaker 8>just said, I'm working on this thing. And then we

0:48:31.480 --> 0:48:34.240
<v Speaker 8>went and we saw it, and she is very much

0:48:34.320 --> 0:48:37.239
<v Speaker 8>drawn to it, more than my other two. I mean,

0:48:37.239 --> 0:48:41.520
<v Speaker 8>my youngest is she just got so weird. She just

0:48:41.520 --> 0:48:45.760
<v Speaker 8>got the lead role of Annie at a local production

0:48:46.160 --> 0:48:49.200
<v Speaker 8>and and that was the you know, I remember when

0:48:49.239 --> 0:48:53.560
<v Speaker 8>before she was going into audition, She's like, Dad, like,

0:48:53.719 --> 0:48:55.399
<v Speaker 8>do you think I could really get this role?

0:48:55.680 --> 0:48:58.239
<v Speaker 7>And I was like, and I asked her.

0:48:58.120 --> 0:48:59.839
<v Speaker 8>I said, do you think you can get this role.

0:48:59.880 --> 0:49:02.200
<v Speaker 8>And she's like, yeah, I do. And I was like, well,

0:49:02.200 --> 0:49:04.480
<v Speaker 8>why do you think that? And she's like, well I practiced.

0:49:04.520 --> 0:49:05.640
<v Speaker 8>I said, okay, well.

0:49:05.880 --> 0:49:07.719
<v Speaker 7>Done your best, and she got she got the role.

0:49:09.000 --> 0:49:10.839
<v Speaker 8>But it is the thing, and I was talking about

0:49:10.840 --> 0:49:15.120
<v Speaker 8>this with Lindsay It's like, I don't it's hard when

0:49:15.120 --> 0:49:19.200
<v Speaker 8>you see inside the kitchen of this business, right, and

0:49:19.239 --> 0:49:21.279
<v Speaker 8>so there is this thing where it's like I want

0:49:21.320 --> 0:49:26.879
<v Speaker 8>to encourage art and creativity and making things, but I'm

0:49:26.920 --> 0:49:30.160
<v Speaker 8>also a little more cynical now, like truly on a

0:49:30.239 --> 0:49:30.920
<v Speaker 8>number of levels.

0:49:30.920 --> 0:49:32.720
<v Speaker 7>And so it's this sort of tension of.

0:49:32.680 --> 0:49:38.120
<v Speaker 8>Like, yeah, I like like chase your dreams, but also like.

0:49:36.920 --> 0:49:37.600
<v Speaker 2>Oh, like.

0:49:39.400 --> 0:49:43.799
<v Speaker 3>Yeah, totally get that.

0:49:44.120 --> 0:49:47.320
<v Speaker 7>M h yeah, I'm sure I was dancing with the stars.

0:49:47.600 --> 0:49:51.360
<v Speaker 3>Oh my gosh. The most fun, the most fun.

0:49:51.120 --> 0:49:56.080
<v Speaker 4>The most fun for her, it's my worst nightmare. We're

0:49:56.160 --> 0:50:00.920
<v Speaker 4>having a blast with it, watching from a far exactly.

0:50:01.040 --> 0:50:04.680
<v Speaker 5>It's really been great and Andy getting to know Andy

0:50:04.719 --> 0:50:07.560
<v Speaker 5>has been getting to know everybody honestly has been really

0:50:08.000 --> 0:50:11.839
<v Speaker 5>really great, and we're all super bonded, and you know,

0:50:12.040 --> 0:50:12.920
<v Speaker 5>it's it's hard.

0:50:13.440 --> 0:50:16.400
<v Speaker 3>It's hard. Yeah, it's so much work.

0:50:17.000 --> 0:50:18.560
<v Speaker 7>I can only imagine.

0:50:19.440 --> 0:50:23.839
<v Speaker 8>Yeah, yeah, my my family. I was out of town

0:50:23.880 --> 0:50:25.680
<v Speaker 8>this last week, but my family had told me they

0:50:25.680 --> 0:50:29.600
<v Speaker 8>had watched they'd started watching the season and my you know,

0:50:30.200 --> 0:50:33.160
<v Speaker 8>Boydant's World and Girl Meets a World. I mean, you

0:50:33.160 --> 0:50:36.160
<v Speaker 8>guys probably get this, but like my teas like watched

0:50:36.239 --> 0:50:39.359
<v Speaker 8>and loved that show like it's it. They were so

0:50:39.880 --> 0:50:41.919
<v Speaker 8>when I was like, oh, you know, do you guys

0:50:41.960 --> 0:50:43.920
<v Speaker 8>know about this, and they're like, of course we know,

0:50:44.080 --> 0:50:47.120
<v Speaker 8>and they you know, they they really like so your show.

0:50:47.280 --> 0:50:51.760
<v Speaker 8>Both shows are still continuing to connect with young people,

0:50:51.800 --> 0:50:52.880
<v Speaker 8>which is pretty awesome.

0:50:53.200 --> 0:50:56.360
<v Speaker 5>Yeah, yesterday I had the weirdest experience. So Alex Earl,

0:50:56.400 --> 0:51:00.600
<v Speaker 5>who's like, you know, a massive social media star, she influencer,

0:51:00.640 --> 0:51:03.560
<v Speaker 5>She's very big on TikTok, and she is very young,

0:51:03.640 --> 0:51:06.759
<v Speaker 5>but like in her twenties young, not you know, teenager young.

0:51:07.360 --> 0:51:11.920
<v Speaker 5>And for TikTok week, she had these two very young

0:51:12.040 --> 0:51:16.560
<v Speaker 5>teenagers in the studio with her teaching her choreography that's

0:51:16.719 --> 0:51:18.680
<v Speaker 5>going to be a part of her dance because they

0:51:18.960 --> 0:51:21.799
<v Speaker 5>they were the originators of this choreography on TikTok, and

0:51:21.840 --> 0:51:25.280
<v Speaker 5>so she brought them in and so I'm talking to Alex,

0:51:25.320 --> 0:51:26.880
<v Speaker 5>I'm like, Alex, I want to do a TikTok with you.

0:51:26.880 --> 0:51:28.759
<v Speaker 5>I'm explaining to her what the TikTok is, and the

0:51:28.800 --> 0:51:30.480
<v Speaker 5>two girls are standing there and I said, Hi, I'm

0:51:30.560 --> 0:51:33.239
<v Speaker 5>Danielle by the way, and I'm thinking, alex Earl has

0:51:33.320 --> 0:51:34.120
<v Speaker 5>no idea who I am.

0:51:34.160 --> 0:51:36.120
<v Speaker 3>Like, alex Earl has never heard of Boy Meets World.

0:51:36.239 --> 0:51:38.080
<v Speaker 5>She's like, I mean, I've seen it on TikTok, I've

0:51:38.080 --> 0:51:40.479
<v Speaker 5>seen clips of it, but like she's never seen the show.

0:51:40.520 --> 0:51:42.680
<v Speaker 5>She doesn't know who I am. She's not a fan.

0:51:42.800 --> 0:51:45.440
<v Speaker 5>I mean she's a fan, like, you know, she likes me,

0:51:45.520 --> 0:51:48.080
<v Speaker 5>but she's not like she had no idea. And I

0:51:48.120 --> 0:51:50.000
<v Speaker 5>turned to the teenagers and both of them are just

0:51:50.160 --> 0:51:54.200
<v Speaker 5>wide eyed. They're like, we are such big fans. I

0:51:54.280 --> 0:51:58.040
<v Speaker 5>was like, really, like what Girl Meets World was my

0:51:58.400 --> 0:51:59.640
<v Speaker 5>favorite show?

0:52:00.600 --> 0:52:01.840
<v Speaker 3>And I'm like, sure enough, you know.

0:52:01.920 --> 0:52:04.440
<v Speaker 5>I mean for a seventeen year old kid who was

0:52:04.520 --> 0:52:08.319
<v Speaker 5>probably seven when we were doing Girl Meets World on

0:52:08.360 --> 0:52:11.440
<v Speaker 5>the Disney Channel that was our demo, Yeah.

0:52:11.560 --> 0:52:12.440
<v Speaker 7>Yeah, yeah.

0:52:12.520 --> 0:52:15.000
<v Speaker 4>To bring the conversation full circle, I mean, that's like,

0:52:15.200 --> 0:52:18.040
<v Speaker 4>I think that's why your doctor spoke to me, is like,

0:52:18.440 --> 0:52:21.560
<v Speaker 4>you don't have control over how these things live, where

0:52:21.600 --> 0:52:23.960
<v Speaker 4>your art ends up especially as an actor, but I

0:52:24.000 --> 0:52:26.040
<v Speaker 4>would say even as a director, as you know, it's

0:52:26.040 --> 0:52:27.959
<v Speaker 4>like you do your best, you put it out there

0:52:28.719 --> 0:52:31.399
<v Speaker 4>and you know it fails, and then ten years later

0:52:31.440 --> 0:52:34.799
<v Speaker 4>it's everybody's talking about it or something that is the

0:52:34.840 --> 0:52:38.000
<v Speaker 4>biggest movie ever and everybody's talking about it, and then

0:52:38.520 --> 0:52:40.719
<v Speaker 4>you know, ten years later, does anybody really remember it?

0:52:40.760 --> 0:52:41.919
<v Speaker 6>Like that happens all the time.

0:52:42.600 --> 0:52:43.760
<v Speaker 3>That doesn't hold up anymore.

0:52:43.960 --> 0:52:45.520
<v Speaker 6>It's true, it doesn't something.

0:52:45.520 --> 0:52:48.360
<v Speaker 4>You know, it's like the reality of like we were,

0:52:48.520 --> 0:52:51.480
<v Speaker 4>we it's just getting older, right, It's like realizing the

0:52:51.520 --> 0:52:54.799
<v Speaker 4>trends and realizing that you can't always predict and you know,

0:52:54.960 --> 0:52:57.600
<v Speaker 4>you have to engage with those trends. You have to

0:52:58.160 --> 0:53:00.400
<v Speaker 4>look at it as a conversation you're having. There's no

0:53:00.840 --> 0:53:02.719
<v Speaker 4>right or wrong answer, you know, there's no like.

0:53:03.719 --> 0:53:05.719
<v Speaker 1>That's the thing that's so beautiful about it is things

0:53:05.760 --> 0:53:07.879
<v Speaker 1>like the room control to these are things that are

0:53:07.880 --> 0:53:09.160
<v Speaker 1>going to last forever and.

0:53:09.200 --> 0:53:09.959
<v Speaker 7>Ever and ever.

0:53:10.040 --> 0:53:12.400
<v Speaker 1>And if that's your goal as an artist is to

0:53:12.440 --> 0:53:13.319
<v Speaker 1>make something.

0:53:13.040 --> 0:53:16.040
<v Speaker 2>That lasts, you've done it. I mean, it's amazing.

0:53:16.560 --> 0:53:18.799
<v Speaker 7>Yeah.

0:53:18.880 --> 0:53:21.080
<v Speaker 5>So is it one of the great lessons of life

0:53:21.080 --> 0:53:23.960
<v Speaker 5>that we just don't have control over anything?

0:53:24.760 --> 0:53:29.040
<v Speaker 3>So the sooner we get comfortable you I know.

0:53:29.360 --> 0:53:31.920
<v Speaker 5>I mean, listen, if you sign on to do Dancing

0:53:31.920 --> 0:53:33.239
<v Speaker 5>with the Stars with the goal of making it to

0:53:33.280 --> 0:53:35.759
<v Speaker 5>the finals and then snap your hamstring tendon in week two,

0:53:35.840 --> 0:53:40.920
<v Speaker 5>let me tell you what you get used to so

0:53:41.440 --> 0:53:43.880
<v Speaker 5>you know you just like you just have to go

0:53:43.920 --> 0:53:48.439
<v Speaker 5>with it. So thank you so much for being here

0:53:48.480 --> 0:53:50.960
<v Speaker 5>with us. I'm so happy we were able to unite

0:53:51.040 --> 0:53:54.440
<v Speaker 5>you and reunite you and Writer. I have a feeling

0:53:54.480 --> 0:53:57.480
<v Speaker 5>you guys are going to have a friendship reaching out.

0:53:57.719 --> 0:53:58.399
<v Speaker 7>We're going to hang.

0:53:58.400 --> 0:54:01.560
<v Speaker 5>Because we got I can tell you guys speak the

0:54:01.560 --> 0:54:03.040
<v Speaker 5>same language.

0:54:03.200 --> 0:54:05.800
<v Speaker 3>You guys are going to be best buds.

0:54:06.320 --> 0:54:07.759
<v Speaker 2>I'm excited for your podcast.

0:54:08.080 --> 0:54:14.279
<v Speaker 5>Yes, So thank you so much for spending your time

0:54:14.280 --> 0:54:15.719
<v Speaker 5>with us. Really means a lot to us. And the

0:54:15.800 --> 0:54:18.080
<v Speaker 5>best of luck on Girlfriends Day and everything else you have.

0:54:18.160 --> 0:54:20.240
<v Speaker 5>We will be watching everything you do in the future.

0:54:20.880 --> 0:54:23.520
<v Speaker 8>Hey, I really appreciate it and it's been a pleasure.

0:54:23.960 --> 0:54:27.399
<v Speaker 8>And all the best to the three of you as well.

0:54:27.719 --> 0:54:28.200
<v Speaker 3>Thank you.

0:54:28.239 --> 0:54:30.200
<v Speaker 5>Make sure your family sets a timer to vote for

0:54:30.239 --> 0:54:33.919
<v Speaker 5>me every Tuesday at five pm. Text Danielle the two

0:54:33.920 --> 0:54:40.800
<v Speaker 5>one five two three man.

0:54:41.400 --> 0:54:45.360
<v Speaker 3>He's great, Yeah, great, Writer, He's writer's.

0:54:46.920 --> 0:54:49.080
<v Speaker 4>Funny, Like, you know, it's funny that you know, you

0:54:49.800 --> 0:54:51.759
<v Speaker 4>become friends for a reason, probably at the age of

0:54:51.960 --> 0:54:55.200
<v Speaker 4>ten or eleven, and it's probably a.

0:54:55.120 --> 0:54:55.919
<v Speaker 6>Good reason to stay.

0:54:56.440 --> 0:54:56.920
<v Speaker 3>Totally.

0:54:57.000 --> 0:54:58.800
<v Speaker 4>Yeah, we just for whatever reason, our lives went in

0:54:58.880 --> 0:55:01.480
<v Speaker 4>separate ways. But I'm like, oh, yeah, I'm totally like,

0:55:01.560 --> 0:55:04.160
<v Speaker 4>I honestly don't remember him, but I know that if

0:55:04.200 --> 0:55:07.080
<v Speaker 4>I met him, we were probably spending days together, run around.

0:55:07.280 --> 0:55:11.279
<v Speaker 5>Absolutely, you were probably loving conversation with him.

0:55:11.280 --> 0:55:13.640
<v Speaker 3>Then, yeah, well conversation.

0:55:14.400 --> 0:55:15.799
<v Speaker 2>I want to see that oak Woods doc.

0:55:16.120 --> 0:55:16.800
<v Speaker 6>Yeah show.

0:55:17.040 --> 0:55:19.640
<v Speaker 4>Yeah, I know that there's been a couple actually I've

0:55:19.640 --> 0:55:22.000
<v Speaker 4>heard about a couple different like profiles of Oakwood.

0:55:22.040 --> 0:55:25.080
<v Speaker 5>But yeah, Jensen said, it's really dark, but it's great.

0:55:25.600 --> 0:55:27.399
<v Speaker 5>Thank you all for listening to this episode of Pod

0:55:27.400 --> 0:55:29.680
<v Speaker 5>Meets World. As always, you can follow us on Instagram

0:55:29.680 --> 0:55:31.960
<v Speaker 5>pod Meets World Show. You can send us your emails

0:55:32.000 --> 0:55:34.200
<v Speaker 5>podmeets World Show at gmail dot com.

0:55:34.239 --> 0:55:36.719
<v Speaker 3>And we've got march in a.

0:55:36.719 --> 0:55:41.640
<v Speaker 2>World where trolls are goblins and vegetarians too. Apparently for

0:55:41.680 --> 0:55:44.920
<v Speaker 2>some reason we don't know troll to march.

0:55:46.200 --> 0:55:49.239
<v Speaker 5>Pod meets Worldshow dot com will send us out.

0:55:49.560 --> 0:55:50.279
<v Speaker 2>We love you all.

0:55:50.480 --> 0:55:55.000
<v Speaker 1>Pod dismissed Podmeats World is nheart podcast producer and hosted

0:55:55.040 --> 0:55:59.120
<v Speaker 1>by Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen

0:55:59.160 --> 0:56:01.840
<v Speaker 1>Parp and Amy show German executive in charge of production,

0:56:01.960 --> 0:56:06.479
<v Speaker 1>Danielle Romo, producer and editor, Tara sudbachsch producer, Maddy Moore,

0:56:06.760 --> 0:56:09.480
<v Speaker 1>engineer and Boy Meets World super fan Easton Allen. Our

0:56:09.520 --> 0:56:11.640
<v Speaker 1>theme song is by Kyle Morton of Typhoon and you

0:56:11.640 --> 0:56:14.360
<v Speaker 1>can follow us on Instagram at Podmeets World Show or

0:56:14.400 --> 0:56:18.840
<v Speaker 1>email us at Podmets Worldshow at gmail dot com