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Speaker 1: Thank you for your coming back. Part two is underway.

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Speaker 1: Your daughter was born while you were incarcerated. How did

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Speaker 1: that impact you not being there?

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Speaker 2: That was a tough thing because I signed my birth

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Speaker 2: statificate certificate, her birth certificate on rikers Allen and the

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Speaker 2: CEO is the witness. I didn't want my baby moms

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Speaker 2: to bring the baby there, but she did and I

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Speaker 2: signed the dead Yeah, that was tough. That's when I

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Speaker 2: know I had to go home.

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Speaker 3: You like, you know I ain't coming back.

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Speaker 2: Yeah. It's all about the kids, man. That's that's that's

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Speaker 2: that's the most thing.

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Speaker 3: Man.

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Speaker 2: It's not about the money, the cause and the jury.

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Speaker 2: It's about taking kid family and making sure your kids

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Speaker 2: is correct.

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Speaker 3: Man.

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Speaker 2: All that stuff come and go. Cause jury had all

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Speaker 2: kind of cars, all kind of jury, right, you know,

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Speaker 2: and them experiences, like I said, being in rooms with.

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Speaker 3: Dreamed of you a Hall of Famer.

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Speaker 2: You know, I'm in the room with you. People don't

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Speaker 2: even know. You know what. The craziest story it's me

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Speaker 2: getting out of jail. My craziest experience was meeting Donald Trump.

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Speaker 2: Really you can google it. Me and DJ whole Kid

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Speaker 2: told me to come to radio. I just got a

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Speaker 2: jail out for a couple of days, and we interview

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Speaker 2: Donald Trump. And I never forgot because it was drug

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Speaker 2: dealer Wednesdays and we interview Donald Trump way before he

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Speaker 2: was president, right, and that's crazy. I even got a

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Speaker 2: shirt time, Bob. That's crazy. And now he's the president.

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Speaker 2: But I always felt like he had game. Yes, I

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Speaker 2: always felt like he had game.

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Speaker 1: You mentioned him his relationship with fifty. Your relationship to fifty.

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Speaker 1: People called you a house end because they say, man,

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Speaker 1: all you do is glades fifty. I mean, excuse me,

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Speaker 1: glades am k for him? A so forth A song

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Speaker 1: like bro the man, the man got, the man got scills,

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Speaker 1: give credit word due regardless of the color.

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Speaker 2: I think. I think with social media now, it gives

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Speaker 2: everybody to get you, Shay, Shay. I think I heard

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Speaker 2: Jamie Fox talk come out it. You can't even put

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Speaker 2: a picture up. Put a picture up. Look at your

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Speaker 2: parts too tight? You put your kids up. Your kids

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Speaker 2: is ugly. Put your car up. Hate your car? Like

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Speaker 2: the internet is undefeated. And what I learned is I

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Speaker 2: used to let the ship, Bob, but I was like, yo,

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Speaker 2: you know what, the internet is just undefeated when Tom's now.

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Speaker 2: But you could hands on tell the artists them. And

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Speaker 2: I feel like that's the satisfaction that back in the

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Speaker 2: days when it was no Internet, No, you couldn't do that.

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Speaker 3: You know, the Internet is done.

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Speaker 1: It has made people accessible because, like you said, you

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Speaker 1: can get up under their comment, you can jump in

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Speaker 1: their d MS and say.

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Speaker 2: Every everybody get it.

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Speaker 4: Yes.

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Speaker 2: I think the only person that don't get it is

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Speaker 2: maybe Beyonce because she's she got to be high. You

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Speaker 2: know certain NICKI minall certain people. But everybody gets.

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Speaker 1: You because not everybody's a professional, ex professional athlete, their coach,

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Speaker 1: they're a music producer, a former their former writer, their

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Speaker 1: former rapper, their former desk. So everybody's like feel like

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Speaker 1: their their opinion and they feel their opinions matter.

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Speaker 2: And then you gotta figure out when the person look

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Speaker 2: says you like you're in a position and you were

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Speaker 2: only human, right, Yes, we all come he's stupid, he's dumb. Yeah,

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Speaker 2: like for instance to P Diddy situation. Yeah, niggas riches.

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Speaker 2: If I had this money, I'd be on the hour.

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Speaker 2: I wouldn't even be in this country, nigga, I'll be

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Speaker 2: in I have a spot in Paris, spot in Italy.

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Speaker 2: I wouldn't even be talking to motherfucker's niggas wanldn't be

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Speaker 2: partying at my crib because I'm aware of the lawsuits.

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Speaker 2: You know what I'm saying that niggas stupid. That's the

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Speaker 2: first thing that I'm gonna say that God less money

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Speaker 2: than you. There's more people that don't have it than

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Speaker 2: do have it. Be humble and even if you humble,

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Speaker 2: you still get it. Niggas gonna yo, you're glazed a

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Speaker 2: fifth that you're glazed in them andem. It don't bother

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Speaker 2: me because I know, I know nigga's gonna hate for

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Speaker 2: some reason. But I appreciate the people that show love

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Speaker 2: right because you know, out a lot of them comments,

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Speaker 2: a lot of people show love and shout to them.

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Speaker 2: Can't focus on the haters.

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Speaker 1: But the way we're wired, you can get fifteen thousand

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Speaker 1: great comments to say I love yo yo with g

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Speaker 1: Unit with him in fifty and buck and you bland

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Speaker 1: and game. It's that one multiple comment.

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Speaker 2: But you know, you know it's the best satisfying part

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Speaker 2: of that that block button boom boom blocked and you

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Speaker 2: can e race yeah, and that's it and you embrace it.

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Speaker 2: It's gonna always be that my mony that don't like school.

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Speaker 2: Everybody gotta like.

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Speaker 3: Yeah, exactly, we weren't met with I mean.

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Speaker 2: He claims in fifty I've been hearing that shit for

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Speaker 2: twenty years. Fifty kid, you're watching this call mean the

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Speaker 2: white boy why he like him? I had a hit

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Speaker 2: me and say, Yo, how you shout out eminem You

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Speaker 2: ain't shout out me from the birthday in the hood,

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Speaker 2: And I'm like, what have you ever done for me

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Speaker 2: in your natural life? Because you know where you get

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Speaker 2: loved at. You always get love in your hood last

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Speaker 2: because they know you. Yes, when you Meanwhile, I can

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Speaker 2: go to Europe and the niggas ya yo yo yo,

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Speaker 2: I can go to yay yo, I can go to

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Speaker 2: Italy yayo. People showed me love. You always get loved

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Speaker 2: in your hood. Last. See, music don't have nothing to

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Speaker 2: do with color race. The best thing about music is

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Speaker 2: just breaks all barriers.

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Speaker 1: Yes, you know it's funny that you said that, because

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Speaker 1: someone told me. He said, when you become something is

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Speaker 1: those that know you and closest to you have the

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Speaker 1: most resentment.

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Speaker 2: Exactly because they know you exactly. I'd have meant that

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Speaker 2: the name overseas y'all, how's your kids doing? Name all

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Speaker 2: my kids know my album, know everything, support everything I do,

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Speaker 2: passball game shirt, free yo shirt. But from the hood

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Speaker 2: won't buy my shit that I know my whole life

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Speaker 2: but from a whole other side of the country is

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Speaker 2: support me and love me when I'm not here no more.

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Speaker 2: Those be the niggas at your funeral.

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Speaker 3: Yep.

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Speaker 2: That's the crazy part about music. It breaks all barriers.

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Speaker 2: It has nothing to do about color, because it could

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Speaker 2: be a white boy that know more about hip hop

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Speaker 2: in the hood. Yes, let's keep it real because when

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Speaker 2: you when you look at hip hop, bro, it's not

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Speaker 2: going nowhere. Kre Ress still torring, red Man, still toring,

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Speaker 2: j Rue the Damage, Ye still toring. Half of the time.

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Speaker 2: When I'm in my car, I'm listening to the old

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Speaker 2: school nas D, MX, Cougi rap, kre Ress, I might

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Speaker 2: go to Nina Simone. I'm like, you know what I'm saying.

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Speaker 2: I might go to Bobby Conwell. Like I'm listening to

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Speaker 2: all types of music. Music breaks every kind of barrier.

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Speaker 2: I could be racist and still listen to your music.

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Speaker 1: Yeah, we go. You know what, We're gonna be all

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Speaker 1: right though we're gonna get past it. We're gonna get

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Speaker 1: past us.

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Speaker 2: Yeah, definitely.

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Speaker 1: When Drake sampled your song, definitely, I had to make

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Speaker 1: your feels.

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Speaker 2: Shout out to Drake Man definitely, man cut the check.

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Speaker 2: Drake got the check, he got it good. I got

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Speaker 2: the call from Paul Rosenberg and a couple of people

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Speaker 2: like he wanted to use a sample from one of

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Speaker 2: the mixtapes, and I was on it. You know, even

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Speaker 2: when you look at the Drake and Kendrick thing, that

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Speaker 2: was the best thing that happened to hip hop. It

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Speaker 2: was like a breath of fresh air.

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Speaker 3: Nice battle long you keep it on wax though, Yoe.

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Speaker 2: Nice battle.

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Speaker 3: I love a battle keep it on wax.

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Speaker 2: No, definitely, but sometimes it gets past that. That God,

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Speaker 2: it's always the remember yeah yeah, artists, Yeah, it's always.

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Speaker 2: But when you look at Battle, k rres one mc

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Speaker 2: shar krest one was this and queens. But we still

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Speaker 2: listen to it. Yeah, from back in the days.

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Speaker 1: That might have been the first with BDP. That might

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Speaker 1: have been. That might have been the first. That might

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Speaker 1: have been the first, and then you had keep on

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Speaker 1: thinking it.

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Speaker 2: You know, we was tight, but it was like, yo,

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Speaker 2: this ship is hard. That's what I'm saying. That was

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Speaker 2: hip hop. See I like the eighties hip hop. I

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Speaker 2: had always bring itself to people think about self destruction. Yeah,

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Speaker 2: a lot of people. That was a big record. You

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Speaker 2: had kr res One, Cool Mo D, Big Daddy Kane,

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Speaker 2: Heavy D, Salt and Pepper, all these even what was

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Speaker 2: Chares wife? He named miss was it? God name care

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Speaker 2: risk girls? What's the Miss Melody Relody?

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Speaker 3: Yes?

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Speaker 2: Miss Melody was on there like self destruction. We had

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Speaker 2: into a selfish all the songs that you used to hear,

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Speaker 2: even when you listen to brand New Bian. Yes, when

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Speaker 2: they talk about cracking songs like Yo don't do crack

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Speaker 2: self destruction, we had into a self destruction. It was

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Speaker 2: the crack eror like that music was dope, public Enemy,

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Speaker 2: fight the Power, Yes, that ship like come on bro.

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Speaker 1: Yeah, doing research, I went back. I did not know

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Speaker 1: until like probably a couple of months ago, that came

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Speaker 1: within the Juice Crew all Stars.

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Speaker 2: I didn't know that was it. Yes, I didn't know.

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Speaker 2: I didn't know that. Yes, I didn't know that. And

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Speaker 2: Big Daddy Kane.

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Speaker 1: Like akt Aka with the high top, I'll be happy.

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Speaker 2: I mean, who you give it to? Kane or Rock

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Speaker 2: Kim because it's like with.

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Speaker 3: Them, look, oh geeze I was.

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Speaker 2: Talking to somebody, I'm gonna put it out and they

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Speaker 2: were trying to say King had more swag than rock Him.

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Speaker 2: But I didn't really agree with that. I don't want

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Speaker 2: to say what DJ was, but but I felt like

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Speaker 2: they was what you feel like there was next to

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Speaker 2: that Kane, rock Him.

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Speaker 3: Yeah, I do.

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Speaker 1: But man, when when King, when Rocky came out thinking

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Speaker 1: of a master play.

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Speaker 2: Here Kim, rock Him and King.

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Speaker 1: But see that that was the era of the lyricist.

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Speaker 1: When you look at Kane, you look at rock Him, y'all,

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Speaker 1: slick Rick, k R S one, you look at those

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Speaker 1: guys LLL you look at that. I mean those guys

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Speaker 1: you could hear everything and it wasn't no mumbling. You

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Speaker 1: could hear every word. And after like three or four repeats,

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Speaker 1: you got it.

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Speaker 2: And then the list goes on. Because I did love

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Speaker 2: Heavy D. Heavy D was Oh yes, before Biggie. He

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Speaker 2: was the first fat fly nigga. Yes, absolutely had hits.

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Speaker 2: That's why I said, it's not down to a top

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Speaker 2: five Dougie Fresh.

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Speaker 1: Yeah, and then you got and then you came along

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Speaker 1: in the nineties and you had Scarface.

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Speaker 2: Yeah that's true too, face A. Now you're talking about

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Speaker 2: ghetto boys. I mean, the Ghetto Boys is my ship.

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Speaker 3: But that but see, look.

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Speaker 1: We have we've evolved, but I don't know it'll never

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Speaker 1: be like it was in the eighties.

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Speaker 3: Hip hop, not rap, not like that, No, sir.

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Speaker 2: I feel like everybody kind of hates New York because

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Speaker 2: we feel like we then interval.

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Speaker 3: At l we don't pass y'all. We don't pass y'all.

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Speaker 2: You think so you gotta debate. Now we got a

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Speaker 2: debate now because I'm gonna tell you now a lot

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Speaker 2: of ship would remember what I said. We either get

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Speaker 2: killed on dighted, we flow right, we lost pop.

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Speaker 3: Smoke Yeah yeah that a and then six.

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Speaker 2: Nine he had a buzz too. He told on Nigga,

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Speaker 2: I ain't trying. It's not no clickbaby, but he had

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Speaker 2: a buzz before he told him. We got a boogie.

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Speaker 2: He's worldwide. Now you know we got we had a

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Speaker 2: couple of dudes like but we either get indicted or

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Speaker 2: something happens before it happens. Because you think New York

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Speaker 2: had it for a long time, think about in the

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Speaker 2: nineties we had Big Pun Fat Joe d MX d block,

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Speaker 2: Am I missing? O Nahs, Foxy Brown, little Kim mm hmmm,

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Speaker 2: who am I missing? Oh?

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Speaker 1: You look y'all y'all, y'all, y'all had corner the market

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Speaker 1: on basically everything. You go back and look at the

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Speaker 1: women rappers rock saying uh uh uh y'all like bro y'all, Hey,

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Speaker 1: you know who don't getting enough credit?

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Speaker 2: Queen Latifah, come on.

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Speaker 3: Don't play with the don't play with the queen.

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Speaker 2: I don't give Queen Latifa is it. Don't play with

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Speaker 2: the queen. Definitely in my top female artist, she was

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Speaker 2: the one that who you calling? Come on? Why yeah?

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Speaker 2: You with thneteen White, I was definitely catching that on him.

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Speaker 1: As the queen. I look, uh, I'm I'm I was

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Speaker 1: a huge I'm a huge missy fan.

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Speaker 2: Oh missy yeller. You can't take nothing from this.

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Speaker 3: Oh my goodness.

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Speaker 2: But she, y'all, that's South, y'all got her. Yeah, but you.

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Speaker 3: Know Atlanta, you know we're the key Atlanta.

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Speaker 2: Who y'all got? Let me think, don't do that?

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Speaker 3: Who we got? Don't do that?

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Speaker 2: Yeah, I'm gonna go without casts first before anybody anyway, you.

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Speaker 3: Could do that, so you ain't so future don't get

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Speaker 3: no love.

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Speaker 2: No future get loved. Okay, let's go, but I'm talking

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Speaker 2: about earlier Atlanta. We gotta go. Jermaine dupre Yeah, out cast,

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Speaker 2: Who am I missing?

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Speaker 3: Well? They said it off when they when they when

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Speaker 3: the the A T L.

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Speaker 2: A Little John come on yeah, because let's stay. Let's

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Speaker 2: keep it real. Little John had a lot of his

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Speaker 2: Oh yeah, Jamaine John, Who I'm missing Outcast? I love

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Speaker 2: Oka good Goodie mob goodie Mom. You can't leave them

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Speaker 2: out there.

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Speaker 1: You know what they don't. They need to give. They

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Speaker 1: need to give now. They need to give Silo his credit.

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Speaker 1: No sel like that, but Silo was more like a singer.

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Speaker 1: You would think thing the right, but see no, because

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Speaker 1: I did you. I didn't know he could sing like

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Speaker 1: that because when he was Goodie Mob be he never

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Speaker 1: did anything outside of when he started doing We went

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Speaker 1: solo and he hit crazy and he did it a

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Speaker 1: papella and then people like, hold on, ain't no rapper

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Speaker 1: got no voice like that?

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Speaker 2: Yeah, definitely our cast, come on brood mom. Definitely.

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Speaker 3: Yeah.

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Speaker 2: So we gotta think about earlier Atlanta before we go

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Speaker 2: in the future. In no disrespected Atlanta. But you know

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Speaker 2: I'm always New York Man.

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Speaker 3: Yeah, yaws. I mean for the longest time.

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Speaker 2: You know, that's just trying to tell me Cube is

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Speaker 2: better than NAS. And I love ice Cube, I love

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Speaker 2: n w A, but I'm always going to say Nas

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Speaker 2: is better than c And no disrespect to him. He's

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Speaker 2: a legend.

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Speaker 3: He's It used to just be the coast, but it's not.

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Speaker 3: It's done.

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Speaker 1: You know, it's gonna moved down to the south because

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Speaker 1: it used to be the East coast, West coast, it

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Speaker 1: was New York l A.

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Speaker 2: I felt like it came to a point where because

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Speaker 2: I remember going down like early g unit, we was

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Speaker 2: going down south and I remember we went to like

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Speaker 2: a radio thing. I think we was in Texas. It

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Speaker 2: was me and Banks and they was like we tired

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Speaker 2: out of we was there. I'm like, why that happens

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Speaker 2: to radio sometimes?

301
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Speaker 3: Have you a radio?

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Speaker 2: No reason? Nelson, I don't know what he did. He's

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Speaker 2: brought me the cality right. He had us down south,

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Speaker 2: me and Banks did I think we're in Texas and

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Speaker 2: they was like it started off we tired of playing

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Speaker 2: out of towns, them niggas looking around. I think it

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Speaker 2: came to a point where down south New York rap,

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Speaker 2: y'all had it for I'm just keeping it real. Came

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Speaker 2: to a point where Down South turning their back on

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Speaker 2: New York rap. For me, I'm keeping it real and

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Speaker 2: I love Down South rap. But I remember, you know,

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Speaker 2: Mob Deep shows, they do shows, they in Atlanta, niggas

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Speaker 2: is turning their back. They want to head they mob

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Speaker 2: and they.

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Speaker 3: Want to have then you got, you got Gucci, man,

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Speaker 3: you got Luda.

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Speaker 2: They had the top there, Jez and Gucci Ta.

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Speaker 3: Yeah, Tim yeah see yeah. But eighties still is.

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Speaker 1: It's still my my favorite time of rap because I'm

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Speaker 1: I'm old enough to I'm old enough.

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Speaker 3: I'm I'm a.

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Speaker 1: Teenager, so you know I'm a teenager and so I'm

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Speaker 1: I'm rock Cam and.

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Speaker 3: Nick Rick and all those guys. Yeah yeah, man.

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Speaker 2: Yeah, THEMN that's when. To me, hip hop was crazy,

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Speaker 2: video music box. Everything was exclusive, like I remember that,

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Speaker 2: Like there was no internet. So when a DJ say, oh,

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Speaker 2: I'm about to when when when Tupaca and Biggie was

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Speaker 2: beefing and Flex was like, Yo, I'm about to play

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Speaker 2: new Biggie who shot you? Like we got to run

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Speaker 2: to the radio in the car. Oh ship Biggy about

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Speaker 2: to play the new Flex gonna play who shot You?

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Speaker 2: Because Flex was you know, to be on Flex was

334
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Speaker 2: like oh yeah. To be on Mount Rushmore at that time.

335
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Speaker 2: To do a f X restaff, oh shit. I'll never

336
00:16:02,640 --> 00:16:05,320
Speaker 2: forget that, like going to the radio, running to the

337
00:16:05,400 --> 00:16:07,320
Speaker 2: radio in the car just to hear Biggie knew who

338
00:16:07,320 --> 00:16:09,640
Speaker 2: shot it? Nobody had it, he had it, only certain

339
00:16:09,720 --> 00:16:13,160
Speaker 2: DJs would get it first. That's why I like with

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Speaker 2: music now, it's too much shit coming out. It's too

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Speaker 2: many artists. It's not no exclusivity like you said. Even

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Speaker 2: with the social media, it's no exclusivity Like I remember

343
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Speaker 2: when shit was just exclusive, like oh shit.

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Speaker 1: And you had to have more than one song. Yes,

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Speaker 1: it wasn't no one song and you were hitting bro.

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Speaker 1: You had to put no, you had to put the

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Speaker 1: you had. Your album had to be lit, and most

348
00:16:36,280 --> 00:16:40,560
Speaker 1: of it were lit from front to back. You have

349
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Speaker 1: some you have three or four hits on the P side.

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Speaker 1: Now dude have one song he talk about we gonna

351
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Speaker 1: make a mistake. He got a TikTok dance.

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Speaker 2: I'm lit. But back then you really had to be lit.

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Speaker 2: Your whole album, your whole mixed shape. Jay z Hard

354
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Speaker 2: knocked life Na had it, you know, like come on, yes,

355
00:17:01,000 --> 00:17:03,840
Speaker 2: shit had to be lit for niggas, even fuck even

356
00:17:03,880 --> 00:17:06,919
Speaker 2: Little Kim and Foxy. Let's keep it real, like I

357
00:17:06,960 --> 00:17:09,879
Speaker 2: can't take nothing from them. Even though they was beefing.

358
00:17:10,040 --> 00:17:13,800
Speaker 2: That shit was like they was coming with records beats

359
00:17:14,600 --> 00:17:16,560
Speaker 2: like I remember when Biggie when he said that one line,

360
00:17:16,600 --> 00:17:18,520
Speaker 2: get off my dick kick it, you know when he said,

361
00:17:18,520 --> 00:17:21,240
Speaker 2: and Little Kim came in duo dude. Even the Beach

362
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Speaker 2: to me, was better when you listen to beats, like

363
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Speaker 2: when you listen to the Life After Death and shit

364
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Speaker 2: like that and get Richard I trying or illmatic. To me,

365
00:17:31,359 --> 00:17:33,640
Speaker 2: the Beach was like totally different. Not taking that from

366
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Speaker 2: what the producer's doing now and the sound now because

367
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Speaker 2: I listened to everything. Yeah, you know, I listened to

368
00:17:38,040 --> 00:17:41,520
Speaker 2: the future of Gunna, you know everybody. But to me,

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Speaker 2: the Beach back then was different. A Swiss beat, a

370
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Speaker 2: Timbaland beat, you know what I'm saying, A great beat,

371
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Speaker 2: who else, Scott Storage beat. It was just like, come on,

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Speaker 2: and that shit and that kind of music lasts forever,

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Speaker 2: like we we we thirty years in the game and

374
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Speaker 2: he's still touring. Like I just said, we just came

375
00:18:02,240 --> 00:18:04,760
Speaker 2: back off to it. Yeah, you know with fifth and

376
00:18:05,040 --> 00:18:08,080
Speaker 2: we still touring still. And I do my own tours

377
00:18:08,080 --> 00:18:13,280
Speaker 2: too for people. Oh yeah yeah, see I tos. I

378
00:18:13,320 --> 00:18:15,879
Speaker 2: did tours in Canada. I did a tour across the

379
00:18:15,880 --> 00:18:18,399
Speaker 2: whole Germany and the Swiss outs. And That's why I

380
00:18:18,400 --> 00:18:21,040
Speaker 2: don't care about the hate, because I'm like I could.

381
00:18:21,119 --> 00:18:23,960
Speaker 2: I got the possibility to do my own tour like

382
00:18:24,160 --> 00:18:29,800
Speaker 2: uh something with Memphis Bleek. Click said that. Nori Yo

383
00:18:29,920 --> 00:18:33,800
Speaker 2: said jay Z didn't have us on tour like he did,

384
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Speaker 2: or I eat my own Hallial. I eat my own

385
00:18:35,800 --> 00:18:38,800
Speaker 2: halial too. If you want to say that to meth Bleak,

386
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Speaker 2: I'm on my I just came off my last tour.

387
00:18:41,520 --> 00:18:43,880
Speaker 2: All I'm saying is when you see jay Z in exciting,

388
00:18:44,280 --> 00:18:47,280
Speaker 2: he never really when he's doing a Beyonce show or whatever,

389
00:18:47,320 --> 00:18:50,040
Speaker 2: you don't see Memphis Bleek on the stage and him

390
00:18:50,240 --> 00:18:53,159
Speaker 2: being brought out. You know, even if I'm doing the

391
00:18:53,240 --> 00:18:55,919
Speaker 2: hype man Ship with fifty, he's bringing me out. I'm

392
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Speaker 2: making money.

393
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Speaker 3: I'm going that's that man girl too. That's a whole

394
00:19:01,720 --> 00:19:02,440
Speaker 3: wife tour.

395
00:19:02,640 --> 00:19:04,719
Speaker 2: Yeah, that's whole yeah, whole wafe too.

396
00:19:04,880 --> 00:19:09,760
Speaker 1: So if I believe if Hole was out on his own,

397
00:19:10,200 --> 00:19:12,399
Speaker 1: he would bring Bleak out. There is no need for

398
00:19:12,520 --> 00:19:15,320
Speaker 1: him to bring Bleak in a situation where I look

399
00:19:15,400 --> 00:19:17,320
Speaker 1: like if this was the last tour you're talking about

400
00:19:17,320 --> 00:19:18,320
Speaker 1: with the cowboy.

401
00:19:17,960 --> 00:19:22,159
Speaker 2: Carter right, Yeah, So to me because I look at

402
00:19:22,160 --> 00:19:24,520
Speaker 2: Bleak as a loyal guy. I'm a loyal god to check.

403
00:19:24,880 --> 00:19:27,920
Speaker 2: But I look at like fifty, my guy Hervey. One

404
00:19:28,000 --> 00:19:32,760
Speaker 2: day we had TRL and it's uh, it's the young gun.

405
00:19:32,760 --> 00:19:33,120
Speaker 2: It's there.

406
00:19:33,359 --> 00:19:34,800
Speaker 3: Yeah, And I'm talking when.

407
00:19:34,640 --> 00:19:37,199
Speaker 2: He's out, and Hervey says loud, you don't gotta worry

408
00:19:37,280 --> 00:19:41,480
Speaker 2: about nothing. You got fifty. Jay Z doesn't do nothing

409
00:19:41,480 --> 00:19:45,440
Speaker 2: for these guys like fifty guys and Hervey. I think

410
00:19:45,440 --> 00:19:47,679
Speaker 2: he worked with them too. But he said that to me,

411
00:19:47,720 --> 00:19:49,480
Speaker 2: and I always stoock in my head rest in peace

412
00:19:49,520 --> 00:19:52,240
Speaker 2: to him, and he was like, Yo, you got fifty

413
00:19:52,240 --> 00:19:55,760
Speaker 2: because fifty always like for instance, when he dropped his album,

414
00:19:55,880 --> 00:19:57,760
Speaker 2: he didn't have to drop the bag for mercy. He

415
00:19:57,800 --> 00:20:02,200
Speaker 2: wanted to drop gu NI brand. He branded us on

416
00:20:02,200 --> 00:20:04,600
Speaker 2: the way with him. You know, until this day, people

417
00:20:04,720 --> 00:20:07,359
Speaker 2: knock me out the way fifty to fifty. Sometimes your

418
00:20:07,359 --> 00:20:09,760
Speaker 2: own security, your security might knock you out the way,

419
00:20:10,240 --> 00:20:12,399
Speaker 2: or people might knock you out there. I'm never gonna

420
00:20:12,400 --> 00:20:15,840
Speaker 2: feel a way about them celebrity as long as I'm

421
00:20:15,840 --> 00:20:19,720
Speaker 2: there and I'm getting what I deserve. You know, everybody

422
00:20:19,720 --> 00:20:23,280
Speaker 2: can't be Beyonce. Everybody can't be jay Z. Everybody can't

423
00:20:23,320 --> 00:20:26,960
Speaker 2: be Nas. Everybody can't be Snoop. Everybody can't be Drake.

424
00:20:27,640 --> 00:20:33,200
Speaker 2: Some mother might be or who at Tupac the Outlaws? Yeah,

425
00:20:33,320 --> 00:20:36,119
Speaker 2: that's how always looked at it, like fifty, you got fifty,

426
00:20:36,560 --> 00:20:39,040
Speaker 2: you got Genunit, you got Tupac, you got the Outlaws,

427
00:20:39,040 --> 00:20:40,560
Speaker 2: you got Snoop, you got dog pans.

428
00:20:40,720 --> 00:20:41,920
Speaker 3: Right, it's cool.

429
00:20:41,920 --> 00:20:44,800
Speaker 2: It's levels to the ship and it's cool. You know,

430
00:20:44,920 --> 00:20:49,160
Speaker 2: it's just want to always outdo you. Yeah, Lynch mab

431
00:20:49,200 --> 00:20:52,000
Speaker 2: it's cool. Everybody can't be ice Cube. You know.

432
00:20:52,560 --> 00:20:54,199
Speaker 1: Well, you're about to get in trouble again because they

433
00:20:54,200 --> 00:20:56,960
Speaker 1: say fifty gave you a meal, gave you a ticket.

434
00:20:58,320 --> 00:20:59,000
Speaker 3: When you got out.

435
00:20:59,320 --> 00:21:02,600
Speaker 2: Yeah, I lived in Battery Park. I used to come

436
00:21:02,640 --> 00:21:05,840
Speaker 2: out of my apartment. See the Statue of Liberty. You know,

437
00:21:06,400 --> 00:21:08,439
Speaker 2: Damn a lot of men. Look when you look at

438
00:21:08,480 --> 00:21:10,399
Speaker 2: a lot of rappers where they died in the hood.

439
00:21:11,280 --> 00:21:13,880
Speaker 2: Nipsey was doing a good thing for the community. Right,

440
00:21:14,640 --> 00:21:18,320
Speaker 2: he died in his hood. Stack Bundles good rapper, one

441
00:21:18,320 --> 00:21:20,240
Speaker 2: of the best rappers ever when he died. He died

442
00:21:20,280 --> 00:21:23,600
Speaker 2: in his hood. Freaky Tar grew up with him watching

443
00:21:23,800 --> 00:21:27,040
Speaker 2: dope rapper when he died in his hood? What what?

444
00:21:27,040 --> 00:21:28,040
Speaker 3: What's what's up with that?

445
00:21:30,240 --> 00:21:32,600
Speaker 2: Because the hood, the streets never really got no love. Man,

446
00:21:32,960 --> 00:21:35,119
Speaker 2: you could feel like I think I always felt like

447
00:21:35,160 --> 00:21:36,720
Speaker 2: when I looked at Freaky Tar. I used to buy

448
00:21:36,800 --> 00:21:39,879
Speaker 2: nigga sneakers and yeah and look out for them.

449
00:21:39,960 --> 00:21:42,400
Speaker 3: You should be you should be, I mean, you should.

450
00:21:42,080 --> 00:21:45,360
Speaker 1: Be applauded, and you're like, he made it man, we

451
00:21:45,520 --> 00:21:47,760
Speaker 1: ate one of our guys that grew up in this block,

452
00:21:47,800 --> 00:21:50,119
Speaker 1: that grew up over here, grew up like us. He

453
00:21:50,160 --> 00:21:52,399
Speaker 1: made it out. They should applaud that. They shouldn't be

454
00:21:52,480 --> 00:21:53,120
Speaker 1: envious of that.

455
00:21:53,240 --> 00:21:55,560
Speaker 2: Nah, Man, you're always gonna be a target in alarm light.

456
00:21:55,680 --> 00:21:57,680
Speaker 2: That's how always look at it. You're always gonna be

457
00:21:57,720 --> 00:22:00,399
Speaker 2: a target. That's how I look at it, especially in

458
00:22:00,400 --> 00:22:02,359
Speaker 2: your hood. Because we're all rappers die in they hood.

459
00:22:03,560 --> 00:22:05,800
Speaker 2: They don't die in the suburbs nowhere else. They dyeing

460
00:22:05,800 --> 00:22:06,240
Speaker 2: in their hood.

461
00:22:06,440 --> 00:22:08,240
Speaker 1: But then, why do people get mad talking about where

462
00:22:08,240 --> 00:22:10,639
Speaker 1: you don't come back. He don't come back to the hood.

463
00:22:10,920 --> 00:22:12,360
Speaker 1: He don't do nothing in this hood.

464
00:22:12,600 --> 00:22:14,000
Speaker 2: I mean, you could do for the hood. You don't

465
00:22:14,040 --> 00:22:16,240
Speaker 2: have to be there. You know, you can feed everybody

466
00:22:16,320 --> 00:22:18,800
Speaker 2: with a long spoon. You don't got to be there

467
00:22:18,840 --> 00:22:20,560
Speaker 2: all the time. You might not have time to be there.

468
00:22:20,560 --> 00:22:23,880
Speaker 2: It's cool. Fifty got charities and do shit for people. Yeah,

469
00:22:24,000 --> 00:22:25,879
Speaker 2: not be there all the time. Niggas giving out turkeys

470
00:22:25,920 --> 00:22:28,800
Speaker 2: in the hood and giving clothes and coats and doing

471
00:22:28,800 --> 00:22:31,879
Speaker 2: shit and gun the foundation. You know, you ain't got

472
00:22:31,920 --> 00:22:34,040
Speaker 2: to You ain't got to do that. Like I work

473
00:22:34,080 --> 00:22:39,280
Speaker 2: with a foundation through the Knicks, right, and they give

474
00:22:39,320 --> 00:22:43,440
Speaker 2: back to families that you know, when when they lose somebody,

475
00:22:43,680 --> 00:22:49,760
Speaker 2: right or financial distress or uh. And it's called the

476
00:22:49,800 --> 00:22:51,879
Speaker 2: Guard and the Dreams too. Shout out to them, you know.

477
00:22:51,920 --> 00:22:55,199
Speaker 2: It's Joe is the owner of the Knicks, you know.

478
00:22:57,640 --> 00:23:00,959
Speaker 2: And they give back to families that lose parents. They

479
00:23:00,960 --> 00:23:08,120
Speaker 2: can't bury him. Somebody dies in the family sickness school mentorship.

480
00:23:08,840 --> 00:23:10,440
Speaker 2: I went there. I talked to some of the kids.

481
00:23:10,440 --> 00:23:13,040
Speaker 2: They boogie works when them, I work with them. I

482
00:23:13,080 --> 00:23:16,600
Speaker 2: talk with Centralcy, wrap up with him like that. That's

483
00:23:16,640 --> 00:23:18,919
Speaker 2: what it's about. It's giving back because at the end

484
00:23:18,920 --> 00:23:21,280
Speaker 2: of the day, you can have all the money the jury,

485
00:23:21,280 --> 00:23:23,600
Speaker 2: you can have as much money as more. Lloyd may meather,

486
00:23:23,640 --> 00:23:27,359
Speaker 2: you can show everything. Two thousand calls might not like

487
00:23:27,440 --> 00:23:30,840
Speaker 2: you for that. It's all about giving back, bro at

488
00:23:30,840 --> 00:23:32,440
Speaker 2: the end of the day, because that's what people gonna

489
00:23:32,440 --> 00:23:35,520
Speaker 2: remember you for. And being humble, that's one thing. Look,

490
00:23:35,680 --> 00:23:37,920
Speaker 2: look how far I've been going humble in the past

491
00:23:37,920 --> 00:23:41,479
Speaker 2: two years. I got myself hot, started praying, started you know,

492
00:23:41,680 --> 00:23:45,360
Speaker 2: leaving a lot of shit alone streets, and started really

493
00:23:45,359 --> 00:23:48,360
Speaker 2: focusing on myself. And I realized, like my podcast deal

494
00:23:48,760 --> 00:23:52,880
Speaker 2: working on that now that Joe volume up, Nori wanted

495
00:23:52,880 --> 00:23:55,280
Speaker 2: to give me a deal, like, and I'm on after this,

496
00:23:55,440 --> 00:23:59,000
Speaker 2: prices go up. I hope y'all know prices go up

497
00:23:59,040 --> 00:24:02,320
Speaker 2: after this, you know, so like and and just praying right,

498
00:24:02,520 --> 00:24:06,040
Speaker 2: and that my life been way better, bro, way better.

499
00:24:07,040 --> 00:24:09,920
Speaker 3: Yeah. What have you learned about money?

500
00:24:10,119 --> 00:24:12,560
Speaker 2: Ah man? The money? Thing about money is save it,

501
00:24:13,800 --> 00:24:16,639
Speaker 2: because save it for a rainy day, because you know,

502
00:24:17,040 --> 00:24:19,040
Speaker 2: you know, as when you first get on and you

503
00:24:19,119 --> 00:24:21,840
Speaker 2: make all these purchases and you buy this one thing

504
00:24:21,880 --> 00:24:24,560
Speaker 2: about fifth he always was like tight with his money.

505
00:24:25,119 --> 00:24:27,639
Speaker 2: Eminem tight with his money. So you you you you

506
00:24:27,760 --> 00:24:30,560
Speaker 2: learn to con and save instead of spending. And like

507
00:24:30,640 --> 00:24:33,320
Speaker 2: my first purchase and my biggest purchase was a house, right,

508
00:24:33,520 --> 00:24:35,399
Speaker 2: you know, I bought a nice house along island and

509
00:24:35,440 --> 00:24:38,600
Speaker 2: then I bought another house. You know, so like fifty

510
00:24:38,760 --> 00:24:41,680
Speaker 2: encourage us. You know, you get money, go get a house.

511
00:24:42,200 --> 00:24:44,080
Speaker 2: That's like Uncle Murder. He's down with us now. He

512
00:24:44,119 --> 00:24:46,480
Speaker 2: was signed to jay Z. He got his first house

513
00:24:46,760 --> 00:24:49,480
Speaker 2: being down with us, right, that's my man. Wow, cause

514
00:24:49,480 --> 00:24:51,080
Speaker 2: Fifth gonna say you gonna make a whole bunch of

515
00:24:51,160 --> 00:24:53,760
Speaker 2: money with Fifth make you know you go on tour,

516
00:24:54,119 --> 00:24:56,919
Speaker 2: cause you gotta think you go on tour, you make

517
00:24:56,960 --> 00:25:00,359
Speaker 2: a quick half a million million, Yeah, you know, shout

518
00:25:00,359 --> 00:25:02,199
Speaker 2: to young Buck. Buck was my nigga, but he was

519
00:25:02,200 --> 00:25:06,359
Speaker 2: the most impulsive spender in June. You know, he'll make

520
00:25:06,400 --> 00:25:08,960
Speaker 2: a half a million. And at that time we're so young,

521
00:25:09,000 --> 00:25:11,000
Speaker 2: we not thinking about the quarter million. You gotta get

522
00:25:11,080 --> 00:25:14,600
Speaker 2: tax taxes. Yeah, right, so he'll make the half a million. Right,

523
00:25:16,040 --> 00:25:18,680
Speaker 2: I'm about his call. I'm about his call. I'm about chain.

524
00:25:18,760 --> 00:25:20,520
Speaker 2: You go to his house. You know I got a

525
00:25:20,600 --> 00:25:23,840
Speaker 2: nice bed, buck bed, he got the TV coming out

526
00:25:23,840 --> 00:25:26,560
Speaker 2: of the bed. Yeah, he got an all white room.

527
00:25:27,119 --> 00:25:29,879
Speaker 2: His daughter got a door explore room. The nigga got

528
00:25:29,880 --> 00:25:33,520
Speaker 2: the bent leader vel this, that, and you spending the

529
00:25:33,520 --> 00:25:35,080
Speaker 2: money as you get it. You can go on to it.

530
00:25:35,119 --> 00:25:37,080
Speaker 2: Say you make a half a million in two months,

531
00:25:37,480 --> 00:25:39,520
Speaker 2: you're not thinking about the leisure time that you got

532
00:25:39,520 --> 00:25:42,760
Speaker 2: to pay them taxes. You go and spend that money. Yeah,

533
00:25:42,920 --> 00:25:46,439
Speaker 2: now you like, now you gotta go to like a

534
00:25:46,520 --> 00:25:48,560
Speaker 2: jay Z or fifty and be like, yo, man, I

535
00:25:48,640 --> 00:25:51,480
Speaker 2: might need a loan on this, but this shit is business.

536
00:25:52,080 --> 00:25:54,040
Speaker 2: You don't spend that money on your own. So I

537
00:25:54,119 --> 00:25:58,240
Speaker 2: never ever blame am for my mistakes and nobody should.

538
00:25:58,800 --> 00:26:01,399
Speaker 2: Cause you gotta learn shit on you own. Ain't think

539
00:26:01,440 --> 00:26:01,760
Speaker 2: about that.

540
00:26:01,760 --> 00:26:03,600
Speaker 1: That's a tough lesson to learn at the time though,

541
00:26:04,119 --> 00:26:06,280
Speaker 1: because any time, especially once you get to a certain

542
00:26:06,280 --> 00:26:08,480
Speaker 1: tax bracket, whatever you make, you have that.

543
00:26:08,760 --> 00:26:11,040
Speaker 2: But then people around let me tell you something. The

544
00:26:11,040 --> 00:26:13,920
Speaker 2: people that's around and Beyonce, a fifty, a jay Z

545
00:26:14,080 --> 00:26:16,800
Speaker 2: and nas, they don't give about the niggas that's surround.

546
00:26:16,840 --> 00:26:20,160
Speaker 2: They don't give about yay yo banks, this nigga, this nigga.

547
00:26:20,320 --> 00:26:23,760
Speaker 2: They care about fifty cent. That's it. So they're not

548
00:26:23,800 --> 00:26:25,359
Speaker 2: going to school. You the game. We don't go to

549
00:26:25,359 --> 00:26:28,080
Speaker 2: school and we don't learn about real estate rights and

550
00:26:28,119 --> 00:26:32,680
Speaker 2: shit like that, because no, no, that's the that fifty

551
00:26:32,800 --> 00:26:33,879
Speaker 2: is their responsibility.

552
00:26:34,080 --> 00:26:37,400
Speaker 1: Hove has hit their responsibility. Beyonce is their responsibility. Who

553
00:26:38,600 --> 00:26:40,439
Speaker 1: the auxiliary pieces? They don't care.

554
00:26:40,680 --> 00:26:42,400
Speaker 2: I just know you got this money, and some people

555
00:26:42,400 --> 00:26:44,680
Speaker 2: are gonna figure out the way to monopolize, like I'm

556
00:26:44,680 --> 00:26:46,919
Speaker 2: gonna tell you, and I'm not mad at them, but

557
00:26:47,000 --> 00:26:50,160
Speaker 2: shy money and fifties baby moms turning into real estate

558
00:26:50,160 --> 00:26:52,480
Speaker 2: agents when they know we had house money. So I

559
00:26:52,520 --> 00:26:56,600
Speaker 2: bought my house with shot money or for shy money, lady,

560
00:26:56,600 --> 00:26:59,679
Speaker 2: and it's cool. We kept the money in the family.

561
00:26:59,720 --> 00:27:01,520
Speaker 2: But they knew to turn into real estate. These niggas

562
00:27:01,520 --> 00:27:03,239
Speaker 2: got some money. I could make some money off them, right,

563
00:27:04,040 --> 00:27:05,960
Speaker 2: But school me the game because I might not might

564
00:27:06,040 --> 00:27:08,119
Speaker 2: probably bought a house for a million at that time,

565
00:27:08,480 --> 00:27:10,240
Speaker 2: I could have bought a house for probably a half.

566
00:27:10,080 --> 00:27:14,200
Speaker 3: A million, right, Am I wrong?

567
00:27:14,280 --> 00:27:17,879
Speaker 2: Or right here, you're right. My first purchase might not

568
00:27:17,960 --> 00:27:20,080
Speaker 2: have to ben a million dollar house, but that's more

569
00:27:20,119 --> 00:27:22,119
Speaker 2: money for them at the same time too. But as

570
00:27:22,160 --> 00:27:23,960
Speaker 2: you get older, you realize that and I don't take

571
00:27:24,000 --> 00:27:26,440
Speaker 2: nothing from shot money. He's a good dude, but he

572
00:27:26,520 --> 00:27:29,359
Speaker 2: made profit him and his lady or for selling me

573
00:27:29,440 --> 00:27:33,040
Speaker 2: that house. It was a smart move on their part.

574
00:27:33,119 --> 00:27:35,879
Speaker 2: But people never care about the niggas that's around me.

575
00:27:36,080 --> 00:27:40,040
Speaker 2: I listen, nobody ever cared about Yayo. Only person that

576
00:27:40,160 --> 00:27:43,080
Speaker 2: cared about yo is fifty. They only gonna do shit

577
00:27:43,480 --> 00:27:46,520
Speaker 2: if fifty say do it. The lawyer's only gonna move

578
00:27:46,520 --> 00:27:47,960
Speaker 2: with fifty say to it.

579
00:27:48,040 --> 00:27:48,320
Speaker 3: Do it.

580
00:27:48,440 --> 00:27:51,520
Speaker 2: The hotel's gonna be nice only fifty say do. They'll

581
00:27:51,520 --> 00:27:53,600
Speaker 2: have put me in a crackhead hotel. You know what

582
00:27:53,640 --> 00:27:55,439
Speaker 2: I'm saying. But fifty is not Now he gonna be

583
00:27:55,560 --> 00:27:57,960
Speaker 2: in this hotel. And that's why I got the respect

584
00:27:57,960 --> 00:28:00,960
Speaker 2: for him. It's not glazing, it's not no. You get

585
00:28:00,960 --> 00:28:03,640
Speaker 2: credit whords due, you get credit wheres due. That's it.

586
00:28:04,400 --> 00:28:06,480
Speaker 2: That's it. It's not my show, it's his show. And

587
00:28:06,560 --> 00:28:09,359
Speaker 2: one thing I never forget. I do clubs, you know,

588
00:28:09,440 --> 00:28:12,000
Speaker 2: house and blue shit like that. I don't do arenas.

589
00:28:12,040 --> 00:28:14,800
Speaker 2: I ain't Chris Brown, I ain't fifty, I ain't jay Z.

590
00:28:15,400 --> 00:28:17,840
Speaker 2: And I'm cool with that. When I'm on stage and

591
00:28:17,880 --> 00:28:20,920
Speaker 2: I'm on in front of thirty forty thousand These people

592
00:28:21,000 --> 00:28:23,760
Speaker 2: ain't screaming for Yo. They screaming for fifty cent. I

593
00:28:23,880 --> 00:28:26,520
Speaker 2: do my job because it's a business. I'm cool with

594
00:28:26,560 --> 00:28:29,679
Speaker 2: everybody in production. Stay out the way. I don't bother nobody,

595
00:28:29,720 --> 00:28:32,280
Speaker 2: and I keep it moving. That's it. I get my

596
00:28:32,320 --> 00:28:33,520
Speaker 2: money and that's it.

597
00:28:33,600 --> 00:28:34,000
Speaker 3: I'm gone.

598
00:28:35,680 --> 00:28:41,040
Speaker 1: Your debut album, thoughts of a predicate Felon you went gold,

599
00:28:41,160 --> 00:28:43,760
Speaker 1: you finished second place the late registration Kanye.

600
00:28:44,240 --> 00:28:47,120
Speaker 3: You like because Kanye album?

601
00:28:47,160 --> 00:28:49,360
Speaker 2: Yeah, Kanye put me up that year. I never forget

602
00:28:49,360 --> 00:28:53,920
Speaker 2: it because he was like, who's the president at that time? Bush? Yeah,

603
00:28:54,120 --> 00:28:58,000
Speaker 2: he was like the president is racist? Remember he went

604
00:28:58,080 --> 00:29:01,560
Speaker 2: viral before us. Going viral was what it was. Yeah,

605
00:29:01,720 --> 00:29:04,000
Speaker 2: I always had obstacles in my career, Like I dropped

606
00:29:04,440 --> 00:29:09,640
Speaker 2: the same day as Kanye God locked came home, gole

607
00:29:09,680 --> 00:29:12,400
Speaker 2: locked up. I'm used to it, bro, but I'm still here,

608
00:29:13,240 --> 00:29:15,440
Speaker 2: you know, But that was crazy. I probably would have

609
00:29:15,440 --> 00:29:18,200
Speaker 2: went platinum that same day if it wasn't for Kanye,

610
00:29:18,200 --> 00:29:20,880
Speaker 2: but he dropped. And you know what's crazy about my

611
00:29:20,960 --> 00:29:23,240
Speaker 2: career because I remember seeing Kanye in the studio with

612
00:29:23,320 --> 00:29:25,600
Speaker 2: Doctor Dre. Yeah, and I didn't even know who he was.

613
00:29:25,640 --> 00:29:27,960
Speaker 2: He was nobody at that point because at that time.

614
00:29:28,000 --> 00:29:29,880
Speaker 2: He was probably just doing beats then, right, he wasn't

615
00:29:29,960 --> 00:29:32,360
Speaker 2: rapping before the accident. He was doing beats. He was

616
00:29:32,400 --> 00:29:34,960
Speaker 2: in Dre's studio, he was in fifty ear. I think

617
00:29:35,000 --> 00:29:36,840
Speaker 2: he was trying to get on the album. I didn't

618
00:29:36,880 --> 00:29:38,720
Speaker 2: know who he was, and now I look at him like,

619
00:29:38,760 --> 00:29:44,000
Speaker 2: oh shit, this is Kanye West. Damn. I remember when

620
00:29:44,080 --> 00:29:48,120
Speaker 2: Luther Chris did radio fifty beat up Joall Rue in Atlanta,

621
00:29:48,440 --> 00:29:50,040
Speaker 2: punched him in his eye. He had a black eye

622
00:29:50,120 --> 00:29:52,080
Speaker 2: running around. Luther Christ was doing radio.

623
00:29:53,240 --> 00:29:55,080
Speaker 3: That really happened fifty point y'all.

624
00:29:54,880 --> 00:29:56,960
Speaker 2: Fifty always beating up joa root man. That was a

625
00:29:57,080 --> 00:30:00,680
Speaker 2: regular thing. Man y'all ruined them. They they never really

626
00:30:00,680 --> 00:30:03,280
Speaker 2: been tough guys to me, like IRV, I don't really

627
00:30:03,320 --> 00:30:05,120
Speaker 2: know him. They just had a tough guy image because

628
00:30:05,120 --> 00:30:09,840
Speaker 2: they was around, you knowing preing Chris Gotti just had

629
00:30:09,880 --> 00:30:12,240
Speaker 2: a story talking about he closed on fifty playing fifty

630
00:30:12,320 --> 00:30:14,840
Speaker 2: don't even play basketball. Niggas just make up shit because

631
00:30:14,840 --> 00:30:17,240
Speaker 2: it's the endternet Like, I don't try to glorify this

632
00:30:17,360 --> 00:30:20,560
Speaker 2: gangster shit. But Ja Rue has never been a street nigga.

633
00:30:20,640 --> 00:30:23,360
Speaker 2: Right then, were trying to get fifty to respond, huh,

634
00:30:23,560 --> 00:30:25,480
Speaker 2: fifty fifty a real street nigga.

635
00:30:25,840 --> 00:30:28,800
Speaker 1: You know, I saw some lady talking about, well, you know,

636
00:30:28,880 --> 00:30:31,440
Speaker 1: fifty was one of those little guys. Fifty never said

637
00:30:31,480 --> 00:30:33,800
Speaker 1: he was a king hen nah. But you know what

638
00:30:33,840 --> 00:30:35,760
Speaker 1: I'm talking about with that lady was say that.

639
00:30:35,760 --> 00:30:36,760
Speaker 2: Was his BM that said that.

640
00:30:36,840 --> 00:30:39,480
Speaker 3: I think, oh, okay, so she.

641
00:30:39,480 --> 00:30:41,440
Speaker 2: Going he had a whole bunch of yaos. I didn't

642
00:30:41,480 --> 00:30:43,120
Speaker 2: even work for fifty. He had a whole bunch of

643
00:30:43,120 --> 00:30:46,160
Speaker 2: little yo's. People always try to discredit you fifty was fifty.

644
00:30:46,240 --> 00:30:49,520
Speaker 2: Oh look, fifty was fifteen with a four runner. He

645
00:30:49,640 --> 00:30:52,760
Speaker 2: was sixteen seventeen with the bens. Niggas was getting money.

646
00:30:52,880 --> 00:30:54,960
Speaker 2: I don't glorify it because we was pumping poison hood,

647
00:30:55,000 --> 00:30:56,400
Speaker 2: so it was not a something.

648
00:30:56,160 --> 00:30:58,040
Speaker 3: To glorify some But you're just speaking fast.

649
00:30:58,720 --> 00:31:03,840
Speaker 2: We live. We we was Niggas, wasn't l Chapo. Niggas

650
00:31:04,000 --> 00:31:07,480
Speaker 2: wasn't poblo or. We was happy. A nigga get to

651
00:31:07,480 --> 00:31:09,760
Speaker 2: a brick in the hood. He happy, nigga, you get

652
00:31:09,760 --> 00:31:11,400
Speaker 2: to a half a bird, you get to one hundred

653
00:31:11,400 --> 00:31:14,080
Speaker 2: and fifty grams, two hundred fifty grams. Niggas was happy.

654
00:31:14,120 --> 00:31:16,320
Speaker 2: I felt like El Chapo I had two hundred and

655
00:31:16,320 --> 00:31:19,160
Speaker 2: fifty grams. Oh shit, I'm at two fifty Oh shit,

656
00:31:20,040 --> 00:31:22,760
Speaker 2: of course. But now we look at that money, it's nothing.

657
00:31:23,720 --> 00:31:25,680
Speaker 2: That's the whole point. Niggas are dying in the hood

658
00:31:25,720 --> 00:31:28,400
Speaker 2: over bullshit money. Look how far we've been there. Now,

659
00:31:28,440 --> 00:31:33,640
Speaker 2: that's not even one show. People always gonna try to

660
00:31:33,680 --> 00:31:36,960
Speaker 2: discredit you and say shit, bad shit about you, you know,

661
00:31:37,040 --> 00:31:39,120
Speaker 2: and be mad because you might not give him money

662
00:31:39,160 --> 00:31:42,400
Speaker 2: is a I don't never want fifties money. I don't

663
00:31:42,400 --> 00:31:46,320
Speaker 2: never want that much money. Money is everybody's out to

664
00:31:46,320 --> 00:31:48,960
Speaker 2: get you. Give me, give me Jimmy, I beans that

665
00:31:49,080 --> 00:31:51,160
Speaker 2: I don't want to be listen, give me a little

666
00:31:51,160 --> 00:31:53,720
Speaker 2: bit of money and I'm good. It's like, once the

667
00:31:53,760 --> 00:31:54,400
Speaker 2: nigga gets.

668
00:31:54,240 --> 00:31:56,120
Speaker 1: You, you want the fortune, but not the fame to

669
00:31:56,160 --> 00:31:56,959
Speaker 1: come along with it.

670
00:31:56,960 --> 00:31:58,760
Speaker 2: It's like, once the nigga get to a hundred million,

671
00:31:58,760 --> 00:32:02,200
Speaker 2: he's for something. Give me ten million, twenty. I'm good.

672
00:32:02,320 --> 00:32:04,360
Speaker 2: When you when you went out, when you aiming to

673
00:32:04,360 --> 00:32:09,160
Speaker 2: get a hundred million, it's like everybody's coming for you. Lawsuits, dude,

674
00:32:09,200 --> 00:32:12,040
Speaker 2: stick up kids. It's just too much, bro. Give me

675
00:32:12,600 --> 00:32:15,000
Speaker 2: a simple life. Simple.

676
00:32:15,360 --> 00:32:17,000
Speaker 3: What's it like working with dre In the studio.

677
00:32:17,240 --> 00:32:19,600
Speaker 2: Dre is the best experience ever. In the studio, man,

678
00:32:19,600 --> 00:32:21,960
Speaker 2: we used to smoke that Guido. He had this guy

679
00:32:22,000 --> 00:32:24,760
Speaker 2: in there playing the piano. He was playing nothing but hits.

680
00:32:24,800 --> 00:32:28,440
Speaker 2: Like I said, Like Kanye came in there. He played

681
00:32:28,480 --> 00:32:31,000
Speaker 2: records with Rock Kim. He had you know, at that point,

682
00:32:31,080 --> 00:32:33,960
Speaker 2: he had a girl named Brooklyn. He had Shout Joe

683
00:32:33,960 --> 00:32:36,320
Speaker 2: beats at that time, he had game. He had a

684
00:32:36,320 --> 00:32:38,600
Speaker 2: whole bunch of artists because a lot of artists was dope.

685
00:32:39,000 --> 00:32:41,600
Speaker 2: Cause Dre is just a real picky like.

686
00:32:41,600 --> 00:32:42,440
Speaker 3: Cause he don't want to work.

687
00:32:42,600 --> 00:32:45,520
Speaker 2: He worked with the shooting it ain't coming out Like

688
00:32:45,560 --> 00:32:47,880
Speaker 2: he did records with Dipset. That shit ain't never come out.

689
00:32:47,920 --> 00:32:51,000
Speaker 2: He did records with certain people, it ain't never coming out.

690
00:32:51,160 --> 00:32:54,480
Speaker 2: But he's like a real particular nigga. Like I remember,

691
00:32:54,480 --> 00:32:56,600
Speaker 2: he used to tell fifty to one line over and

692
00:32:56,640 --> 00:32:59,560
Speaker 2: over again, do it over, say it like this, and

693
00:32:59,600 --> 00:33:02,440
Speaker 2: I under stood, sometimes it's not what you say, that's

694
00:33:02,480 --> 00:33:06,400
Speaker 2: how you say it. Dre is a perfectionist as well

695
00:33:06,440 --> 00:33:09,640
Speaker 2: as eminem. So that was an experience. I'm from the hood,

696
00:33:10,000 --> 00:33:12,800
Speaker 2: never had nothing, never even been to La I remember

697
00:33:12,840 --> 00:33:14,800
Speaker 2: we were staying at the Beverly fifty was told my

698
00:33:14,880 --> 00:33:16,880
Speaker 2: man me and my man Weezy. He was like, Yo,

699
00:33:16,920 --> 00:33:19,760
Speaker 2: don't touch the Eminem's and the shit. You know, the

700
00:33:19,800 --> 00:33:21,040
Speaker 2: Eminem's in the hotel.

701
00:33:21,120 --> 00:33:23,800
Speaker 1: Yeahs like sixteen dollars.

702
00:33:24,280 --> 00:33:25,840
Speaker 2: He's like, whatever you want, we can just go to

703
00:33:25,880 --> 00:33:27,560
Speaker 2: the store. I know my man. He was mad at

704
00:33:27,600 --> 00:33:30,520
Speaker 2: my man because he touched the eminem Right till this day,

705
00:33:30,560 --> 00:33:33,200
Speaker 2: I still buy that shit. I'm in a Fountain Blue

706
00:33:33,240 --> 00:33:35,680
Speaker 2: over here. I stayed there. I'm like twenty dollars for

707
00:33:35,800 --> 00:33:38,160
Speaker 2: Fiji water. I'm like, yo, I'll just go to the store, right,

708
00:33:38,280 --> 00:33:41,160
Speaker 2: have my man funk take me his store water for

709
00:33:41,200 --> 00:33:43,440
Speaker 2: three dollars. I'm a hood Nigga's never gonna leave me.

710
00:33:43,960 --> 00:33:45,480
Speaker 2: You know, you could take me out the hood, but

711
00:33:45,600 --> 00:33:46,360
Speaker 2: it's always in me.

712
00:33:46,640 --> 00:33:50,000
Speaker 1: You got to be in the studio with Beyonce. Beyonce

713
00:33:50,160 --> 00:33:53,440
Speaker 1: is one of the hardest working women, the hardest working people.

714
00:33:53,720 --> 00:33:55,240
Speaker 1: I don't want to general, I don't want to say

715
00:33:55,320 --> 00:34:01,440
Speaker 1: man or woman, but to see what she's become. Yeah,

716
00:34:02,120 --> 00:34:04,320
Speaker 1: from where she came, she.

717
00:34:04,400 --> 00:34:05,840
Speaker 2: Was big back then when he was in the studio.

718
00:34:05,920 --> 00:34:10,319
Speaker 2: I remember Toning Pope kicked everybody out. Fifty had a record,

719
00:34:10,360 --> 00:34:12,440
Speaker 2: would have called thug Love and they was all in

720
00:34:12,440 --> 00:34:17,120
Speaker 2: the studio when they kicked everybody out. It was thug Glove.

721
00:34:17,200 --> 00:34:19,359
Speaker 2: This before Fifty got shot, because Fifty was gonna blow

722
00:34:19,360 --> 00:34:21,800
Speaker 2: off power to Dollar. He had Beyonce, he had toning

723
00:34:21,840 --> 00:34:24,600
Speaker 2: pop track masters at the time, was very big. They

724
00:34:24,680 --> 00:34:26,960
Speaker 2: was working with you know, big artist, Pete Diddy, They

725
00:34:26,960 --> 00:34:29,279
Speaker 2: was working with all Kelly, They was working with j Lo.

726
00:34:29,880 --> 00:34:33,920
Speaker 2: They was working with everybody, and niggas got kicked out

727
00:34:33,960 --> 00:34:35,719
Speaker 2: the studio couldn't be in the studio. That's when it

728
00:34:35,719 --> 00:34:38,480
Speaker 2: was destiny Child. But yeah, it's crazy when you see

729
00:34:38,480 --> 00:34:42,520
Speaker 2: a lot of artists even become bigger than you, it's amazing.

730
00:34:42,520 --> 00:34:44,840
Speaker 2: He was like, damn shit, I'm not mad at my career,

731
00:34:44,880 --> 00:34:47,440
Speaker 2: but they career well took well off past my BA.

732
00:34:48,680 --> 00:34:50,759
Speaker 2: Like I said, to see Kanye where he was at,

733
00:34:50,800 --> 00:34:51,560
Speaker 2: or to see Luda.

734
00:34:52,040 --> 00:34:53,920
Speaker 1: I think the most impressive thing that I've seen in

735
00:34:53,920 --> 00:34:58,080
Speaker 1: my lifetime might be Beyonce in one genre and then

736
00:34:58,160 --> 00:34:59,960
Speaker 1: go to another. Yeah, she's out of here. You can't

737
00:35:00,200 --> 00:35:03,000
Speaker 1: with the bees Man. That's you know, it's crazy man.

738
00:35:03,080 --> 00:35:06,160
Speaker 1: Dollars ship man, that ship he crazy. Yeah, Beyonce is

739
00:35:06,200 --> 00:35:07,080
Speaker 1: on the whole other level.

740
00:35:07,800 --> 00:35:08,080
Speaker 3: You know.

741
00:35:08,200 --> 00:35:12,640
Speaker 2: To me, it's Beyonce Taylor Swift. They that connect.

742
00:35:12,719 --> 00:35:16,520
Speaker 1: Yeah, it ain't nobody else close, not not in not

743
00:35:17,040 --> 00:35:19,680
Speaker 1: I don't know if there's any it's I mean not

744
00:35:19,800 --> 00:35:21,239
Speaker 1: in the not in the woman's space.

745
00:35:21,239 --> 00:35:22,399
Speaker 3: Ain't nobody close to those two.

746
00:35:22,800 --> 00:35:26,200
Speaker 2: Nah, there's them too. Show Wise, Yeah, they net connect

747
00:35:26,280 --> 00:35:28,360
Speaker 2: to me because I feel like Beyonce came first and

748
00:35:28,360 --> 00:35:30,120
Speaker 2: then they made Taylor Swift. They had to make time

749
00:35:30,640 --> 00:35:33,479
Speaker 2: that could match Beyonce, and it's cool will Taylor Swift.

750
00:35:33,520 --> 00:35:36,040
Speaker 2: I don't really listen to like Beyonce, right, you know

751
00:35:36,160 --> 00:35:40,000
Speaker 2: they connect. That's ridiculous. The shows and the tickets they self.

752
00:35:40,800 --> 00:35:42,640
Speaker 3: I read you went to Jimmy Alvian's mansion.

753
00:35:43,120 --> 00:35:46,640
Speaker 2: Yeah, that was that was crazy. That was crazy because

754
00:35:46,640 --> 00:35:48,480
Speaker 2: he lived He lived right across the street from the

755
00:35:48,480 --> 00:35:51,560
Speaker 2: Playboy mansion. So that was like and what you call

756
00:35:51,640 --> 00:35:55,320
Speaker 2: them he and a bills. Yeah, he had FBI guys

757
00:35:55,360 --> 00:35:58,720
Speaker 2: with dogs. Like it was crazy. You had a movie

758
00:35:58,760 --> 00:36:02,920
Speaker 2: theater and and ship tables were spinning. Yeah, you know,

759
00:36:02,960 --> 00:36:06,160
Speaker 2: people serving us as the tables were spinning. He had

760
00:36:06,160 --> 00:36:09,960
Speaker 2: a candy store in the movie theater. It was like crazy, man,

761
00:36:10,000 --> 00:36:12,720
Speaker 2: I ain't never seen nothing like that. Real money man.

762
00:36:12,880 --> 00:36:15,520
Speaker 2: In my first and my first time ever leaving the

763
00:36:15,520 --> 00:36:18,200
Speaker 2: hood going to Cali, Like, damn its crazy.

764
00:36:18,200 --> 00:36:20,480
Speaker 1: You're like, I don't want this much money. I do

765
00:36:21,040 --> 00:36:22,879
Speaker 1: much money, but you know what comes.

766
00:36:23,280 --> 00:36:25,400
Speaker 2: But yeah, I know you gotta be low key. You

767
00:36:25,400 --> 00:36:27,719
Speaker 2: gotta be on the low. You have to be low

768
00:36:27,800 --> 00:36:30,520
Speaker 2: key because them lawsuit. See fifty caught a lot of lawsuits,

769
00:36:30,520 --> 00:36:32,759
Speaker 2: because a lot of beatdowns. Dude's getting the jaw broke

770
00:36:33,840 --> 00:36:40,360
Speaker 2: fifty thousand, fifty paying that I'm seeing you in fifty something.

771
00:36:40,400 --> 00:36:41,040
Speaker 3: I got nothing to do with.

772
00:36:41,600 --> 00:36:44,319
Speaker 2: Yeah, but people will associate the name. Yes, that's like

773
00:36:44,360 --> 00:36:47,000
Speaker 2: one of your camera guys. He slaps somebody right now,

774
00:36:47,040 --> 00:36:48,400
Speaker 2: I'm showing you in sha shape.

775
00:36:48,560 --> 00:36:49,040
Speaker 3: Yeah, you.

776
00:36:51,000 --> 00:36:51,799
Speaker 2: Gonna sue you too.

777
00:36:52,000 --> 00:36:58,040
Speaker 3: I was like, we make it even slapping back. That's

778
00:36:58,080 --> 00:37:01,200
Speaker 3: all like that slap yo.

779
00:37:01,280 --> 00:37:03,400
Speaker 2: Bro, when you're an alarm light, you are walking lawsuit.

780
00:37:03,640 --> 00:37:05,200
Speaker 2: He in the Hall of Fame. Man, man his brother.

781
00:37:05,719 --> 00:37:09,280
Speaker 2: Oh shit, he got money slapped. I got slapped by shaped.

782
00:37:09,760 --> 00:37:12,000
Speaker 2: They slapped me sha shaped. Somebody fall to the ground.

783
00:37:12,040 --> 00:37:14,560
Speaker 2: Now that's how I'm to look at it.

784
00:37:16,000 --> 00:37:18,280
Speaker 3: Dave Chappelle, Oh man, Dave.

785
00:37:18,200 --> 00:37:20,799
Speaker 2: Chappelle, Like I said, man, it's so many jewels he got.

786
00:37:21,719 --> 00:37:23,440
Speaker 2: I told you we was out there. I think we

787
00:37:23,560 --> 00:37:26,080
Speaker 2: was in Ohio. We went to a store. He's a

788
00:37:26,160 --> 00:37:29,160
Speaker 2: real laid back guy. No cameras, but I told you,

789
00:37:29,520 --> 00:37:31,279
Speaker 2: you know, look why you turn out all that money?

790
00:37:31,400 --> 00:37:33,840
Speaker 2: My belly was full. God made my belly full. The

791
00:37:33,920 --> 00:37:37,000
Speaker 2: most humblest thing that hurt my life from from somebody.

792
00:37:37,719 --> 00:37:42,839
Speaker 2: He don't care about jewelry. No, it's just farmland, nice air.

793
00:37:43,320 --> 00:37:45,879
Speaker 1: They tried to take away. See the thing what made

794
00:37:46,160 --> 00:37:50,480
Speaker 1: that makes Chappelle special. They tried to take away something

795
00:37:50,520 --> 00:37:55,440
Speaker 1: he never prioritized, which was money and fame. So when

796
00:37:55,480 --> 00:37:58,560
Speaker 1: they tried to strip it from him, it didn't bother right.

797
00:37:58,840 --> 00:38:01,359
Speaker 1: So now he can just like, I'm performing at such

798
00:38:01,400 --> 00:38:04,680
Speaker 1: and such and it's sold out in five minutes. So

799
00:38:04,840 --> 00:38:08,120
Speaker 1: when they take something that wasn't important to you to

800
00:38:08,160 --> 00:38:11,080
Speaker 1: begin with, it can't impact you.

801
00:38:11,880 --> 00:38:14,160
Speaker 2: That's crazy. But you know other people in public and

802
00:38:14,280 --> 00:38:15,960
Speaker 2: other friends and family, I know they're gonna look at

803
00:38:16,000 --> 00:38:19,120
Speaker 2: you crazy. He turned out fifty million, crazy, but.

804
00:38:19,239 --> 00:38:21,839
Speaker 3: He never valued that. That's why when he loved.

805
00:38:21,880 --> 00:38:24,399
Speaker 1: When the Hollywood turned his back on him, you ain't

806
00:38:24,400 --> 00:38:25,920
Speaker 1: see him go back, try to beat down doors and

807
00:38:26,000 --> 00:38:27,880
Speaker 1: try to get back into acting. You ain't see him

808
00:38:27,880 --> 00:38:30,799
Speaker 1: try to get another show because you tried to take

809
00:38:30,880 --> 00:38:34,200
Speaker 1: something that he didn't value to begin with. You can

810
00:38:34,320 --> 00:38:37,080
Speaker 1: only harm someone if you take something that they value.

811
00:38:38,719 --> 00:38:40,359
Speaker 2: Dude, that was a sponge for me when he said

812
00:38:40,400 --> 00:38:43,200
Speaker 2: that car got my belly full already? Y Yo, Like,

813
00:38:43,400 --> 00:38:46,319
Speaker 2: damn when you hear somebody turn don amount of money

814
00:38:46,320 --> 00:38:48,759
Speaker 2: because people are you know, killed selling so for that

815
00:38:48,840 --> 00:38:50,959
Speaker 2: kind of money, Yeah, for sure he's turning it down.

816
00:38:51,640 --> 00:38:54,000
Speaker 2: I'm like wow. And he said call got my belly fool.

817
00:38:54,080 --> 00:38:56,440
Speaker 2: That was a jew for me. Man, Definitely, when you

818
00:38:56,520 --> 00:38:59,319
Speaker 2: saw John Cena do your dance, what you would you think? Oh? Man,

819
00:38:59,400 --> 00:39:01,200
Speaker 2: that was crazy. He always gives me props though he

820
00:39:01,280 --> 00:39:03,239
Speaker 2: always said his brother amped him up to do it,

821
00:39:04,040 --> 00:39:05,920
Speaker 2: and he always give me my props. I wish I

822
00:39:05,960 --> 00:39:07,960
Speaker 2: would have made some money off a videough someway somehow.

823
00:39:08,760 --> 00:39:13,120
Speaker 2: That dance was actually made with fifty Son Marquis because

824
00:39:13,160 --> 00:39:15,200
Speaker 2: I was on the run and I think he was

825
00:39:15,280 --> 00:39:17,160
Speaker 2: at that video shoot. And I always used to go,

826
00:39:17,320 --> 00:39:19,120
Speaker 2: what are you gonna do when the I remember him

827
00:39:19,120 --> 00:39:20,560
Speaker 2: as a kid, What are you gonna do when the

828
00:39:21,520 --> 00:39:23,719
Speaker 2: police you on tv AO? And I'd be like I'm

829
00:39:23,760 --> 00:39:27,279
Speaker 2: just gonna do this dance because I was in the

830
00:39:27,320 --> 00:39:30,040
Speaker 2: club on the run. That's where it originally came from.

831
00:39:30,160 --> 00:39:33,560
Speaker 2: In the club video. Shoot good times, man, I'll tell

832
00:39:33,600 --> 00:39:36,480
Speaker 2: you I have more fun before the money came in, but.

833
00:39:36,880 --> 00:39:39,480
Speaker 1: When they brought it back, because I think Angel Rees

834
00:39:39,560 --> 00:39:39,719
Speaker 1: did it.

835
00:39:39,840 --> 00:39:43,200
Speaker 2: Yeah, angel Ree, she did it. You know, she's definitely

836
00:39:43,239 --> 00:39:45,560
Speaker 2: an entertaining basketball player. I think she had a double

837
00:39:45,640 --> 00:39:50,040
Speaker 2: double other night. Yeah, and John Cena just he made

838
00:39:50,080 --> 00:39:52,720
Speaker 2: it to John, but he always give me my props

839
00:39:52,760 --> 00:39:53,520
Speaker 2: for it, admit to it.

840
00:39:53,680 --> 00:39:57,359
Speaker 1: So you know you mentioned this earlier. I sat down

841
00:39:57,400 --> 00:40:00,759
Speaker 1: with Fat Joe and I asked, let's say Fat Joe

842
00:40:01,360 --> 00:40:04,799
Speaker 1: Yale was telling the story. I think you guys were

843
00:40:04,880 --> 00:40:07,920
Speaker 1: at a radio station and you tried to make peace

844
00:40:08,560 --> 00:40:09,759
Speaker 1: and you went to dap him up.

845
00:40:09,920 --> 00:40:11,640
Speaker 2: Yeah, well callen no, that was callin.

846
00:40:11,760 --> 00:40:11,960
Speaker 3: Yeah.

847
00:40:14,040 --> 00:40:17,799
Speaker 2: I told my man Nelson, right, Yes, I told him.

848
00:40:17,800 --> 00:40:24,160
Speaker 2: I said, yo, listen, I don't want to Seductive was out. Meanwhile,

849
00:40:24,200 --> 00:40:26,440
Speaker 2: my street team's getting chased around because street team used

850
00:40:26,440 --> 00:40:28,160
Speaker 2: to go through a junius. Street team used to get

851
00:40:28,200 --> 00:40:31,960
Speaker 2: shot at, chase, beat up, all kinds of shit. So

852
00:40:32,200 --> 00:40:34,000
Speaker 2: my street team was going at it because you put

853
00:40:34,040 --> 00:40:37,160
Speaker 2: a YAlO post up, post up, mothers on you, right.

854
00:40:38,640 --> 00:40:40,000
Speaker 2: I told him I don't want to go to radio.

855
00:40:40,120 --> 00:40:43,600
Speaker 2: We go to radio. Calls there.

856
00:40:45,680 --> 00:40:46,719
Speaker 3: Did you know he's gonna be there?

857
00:40:47,160 --> 00:40:47,359
Speaker 2: Yeah?

858
00:40:47,520 --> 00:40:49,920
Speaker 3: Okay, my man Nelson.

859
00:40:50,480 --> 00:40:54,640
Speaker 2: Because sometimes people that do radio, really they understand radio,

860
00:40:54,719 --> 00:40:58,400
Speaker 2: but they don't understand the street politics. I told him,

861
00:40:58,480 --> 00:41:01,319
Speaker 2: let's skip this. We don't have to do this, right, Yo,

862
00:41:01,400 --> 00:41:05,000
Speaker 2: we gotta do this. I'll make sure I go up there. Correct,

863
00:41:06,440 --> 00:41:08,960
Speaker 2: he got his guy there. I'm not gonna say no

864
00:41:09,080 --> 00:41:11,040
Speaker 2: names because, like CALLI said, he didn't want to say

865
00:41:11,080 --> 00:41:14,040
Speaker 2: no name. He know who he is. He's a street nigga.

866
00:41:14,080 --> 00:41:17,480
Speaker 2: He's well known, he's certified, and his waist is bolting

867
00:41:18,120 --> 00:41:21,200
Speaker 2: right from then from that then on, I knew it

868
00:41:21,320 --> 00:41:23,520
Speaker 2: was on. This is Florida. Niggas got choppers and all

869
00:41:23,640 --> 00:41:26,160
Speaker 2: kind of shit. I'm not taking nothing lightly because I

870
00:41:26,239 --> 00:41:27,719
Speaker 2: leave New York. I'm not one of them New York

871
00:41:27,800 --> 00:41:30,280
Speaker 2: niggas to think on from New York we the toughest.

872
00:41:30,360 --> 00:41:32,400
Speaker 2: I know I can get it in Saint Louis. I

873
00:41:32,520 --> 00:41:34,360
Speaker 2: know I can get it in Atlanta. I know I

874
00:41:34,400 --> 00:41:38,800
Speaker 2: can get it in Florida. On the show, I'm a

875
00:41:38,880 --> 00:41:42,239
Speaker 2: paranoid nigga. That's what kept me alive. So you know

876
00:41:42,280 --> 00:41:45,680
Speaker 2: what I'm saying, that's what keep you alive. Pid. So

877
00:41:46,000 --> 00:41:48,239
Speaker 2: you know I went to shake Callahan and he did

878
00:41:48,280 --> 00:41:51,719
Speaker 2: what he's supposed to do. He yo yo. You know

879
00:41:51,920 --> 00:41:53,759
Speaker 2: at that time he was getting extremely hot.

880
00:41:54,040 --> 00:41:57,919
Speaker 3: Because here's the thing. Now, if you know Cali Keller

881
00:41:58,000 --> 00:42:02,719
Speaker 3: is all abouts. He wanted it. He's one of them guys.

882
00:42:03,040 --> 00:42:06,239
Speaker 3: So for Calendar not to shake your head or or

883
00:42:06,400 --> 00:42:07,799
Speaker 3: to say what you but we the.

884
00:42:07,840 --> 00:42:10,400
Speaker 2: Industry most hated though. That's what I'm trying to tell you.

885
00:42:10,520 --> 00:42:12,719
Speaker 2: To this day, they still hate us. You know, do

886
00:42:12,840 --> 00:42:15,560
Speaker 2: loeid Banks get his credit? No? Do Yaloe get his credit?

887
00:42:16,080 --> 00:42:18,399
Speaker 2: Do fifty get his credit? Yeah? With fifty Dow shit,

888
00:42:18,480 --> 00:42:21,200
Speaker 2: that's amazing. They always gonna praise fifty, you know, but

889
00:42:21,960 --> 00:42:24,960
Speaker 2: everybody don't get their credit. Game do we get his credit?

890
00:42:25,080 --> 00:42:27,680
Speaker 2: Right now? Even Buck? I can't take nothing away from

891
00:42:27,760 --> 00:42:31,080
Speaker 2: none of them. We also records and did big things.

892
00:42:31,480 --> 00:42:33,359
Speaker 2: But do we get our credit? No? Because Jane Unit

893
00:42:33,520 --> 00:42:37,680
Speaker 2: was the most hated. Our separation with Game is Game

894
00:42:37,760 --> 00:42:39,640
Speaker 2: one to do his own thing, you to collaborate with

895
00:42:39,640 --> 00:42:42,560
Speaker 2: other artists. When you look at it in hindsight, he

896
00:42:42,640 --> 00:42:44,600
Speaker 2: didn't have to be loyal to fifty because everybody ain't

897
00:42:44,600 --> 00:42:47,399
Speaker 2: gonna be loyal to fifty. Everything. Everybody's gonna be a yo,

898
00:42:47,520 --> 00:42:50,200
Speaker 2: everybody's gonna be a Banks. He more wanted to do

899
00:42:50,320 --> 00:42:52,719
Speaker 2: his own thing. When you look at it in hindsight,

900
00:42:53,920 --> 00:42:57,120
Speaker 2: it's cool, right, It's just the way he went about it,

901
00:42:58,520 --> 00:43:01,719
Speaker 2: just a little more humble, you know, because game come game.

902
00:43:02,360 --> 00:43:03,759
Speaker 2: I remember when he called me to be on this

903
00:43:03,840 --> 00:43:05,879
Speaker 2: album and I was like, damn hell, yeah, that's dope.

904
00:43:06,560 --> 00:43:08,440
Speaker 2: I remember speaking to his mom, so she's like, yo,

905
00:43:08,560 --> 00:43:12,160
Speaker 2: I'm I'm happy for him, right. You know, I'm one

906
00:43:12,200 --> 00:43:14,840
Speaker 2: of them niggas that embrace any nigga that come to

907
00:43:14,920 --> 00:43:16,560
Speaker 2: the team because I thought it was family. But then

908
00:43:16,640 --> 00:43:20,200
Speaker 2: when I realized about the industry, is it's not. These

909
00:43:20,239 --> 00:43:22,240
Speaker 2: people ain't your friends, your family. It's just business.

910
00:43:22,960 --> 00:43:26,839
Speaker 3: Mmm? Is there ever? Is there?

911
00:43:27,160 --> 00:43:35,840
Speaker 1: I shouldn't say ever? Chance percentage fifth ya yo? Banks

912
00:43:36,440 --> 00:43:37,480
Speaker 1: Buck Game.

913
00:43:38,200 --> 00:43:39,799
Speaker 2: I would love that. That would make us a lot

914
00:43:39,840 --> 00:43:42,640
Speaker 2: of money, but fifty don't need the money though.

915
00:43:44,080 --> 00:43:44,920
Speaker 3: Fifty done with it.

916
00:43:45,040 --> 00:43:47,360
Speaker 2: Yeah, he done with it. He he you know, he

917
00:43:47,440 --> 00:43:49,320
Speaker 2: don't care about June it no more. He's passed you

918
00:43:49,400 --> 00:43:51,799
Speaker 2: on the films and got a shitting street port going

919
00:43:51,840 --> 00:43:55,440
Speaker 2: on and liquor and old kinds of shit. But as

920
00:43:55,600 --> 00:43:58,480
Speaker 2: for me, I look at it like I wish a

921
00:43:58,560 --> 00:44:00,600
Speaker 2: lot of shit just didn't happen. You know, Buck was

922
00:44:00,640 --> 00:44:03,239
Speaker 2: a dope artist. Game is a dope artist. Banks. I

923
00:44:03,360 --> 00:44:05,759
Speaker 2: still talk to Banks this day, you know, But that

924
00:44:05,960 --> 00:44:08,640
Speaker 2: that'll be dope. And even if it couldn't be Gaming Buck,

925
00:44:09,320 --> 00:44:12,320
Speaker 2: if it was me Banks and fifty and do like

926
00:44:12,400 --> 00:44:14,680
Speaker 2: a mixtape tour, that would be that would be cool

927
00:44:14,680 --> 00:44:16,279
Speaker 2: with me because that's who I really grew up with.

928
00:44:16,760 --> 00:44:19,880
Speaker 2: That's why I can't never get mad at Banks. I

929
00:44:19,960 --> 00:44:23,040
Speaker 2: mean mad at Game Games from La you know what

930
00:44:23,080 --> 00:44:23,439
Speaker 2: I'm saying.

931
00:44:23,640 --> 00:44:26,160
Speaker 3: He was from Yeah, he ain't grow up with you guys.

932
00:44:26,280 --> 00:44:29,440
Speaker 2: Yeah, Buck wasn't from Tennessee. He ain't grew up up

933
00:44:29,520 --> 00:44:32,359
Speaker 2: with us. But for me, me outside looking in, I'm

934
00:44:32,400 --> 00:44:35,760
Speaker 2: seeing dudes with cars and jewelry, and I'm like, damn, motherfuckers,

935
00:44:35,800 --> 00:44:39,000
Speaker 2: ain't happy. But you know the thing about groups and

936
00:44:39,120 --> 00:44:40,920
Speaker 2: what music is, there is always egos.

937
00:44:41,160 --> 00:44:41,359
Speaker 3: Yep.

938
00:44:41,880 --> 00:44:44,080
Speaker 2: That's why you can't have a self destruction in the

939
00:44:44,200 --> 00:44:46,640
Speaker 2: music game. Now. It's too many egos. Yeah, jay Z

940
00:44:46,880 --> 00:44:49,920
Speaker 2: Niles fifty, you can't put them in the in the

941
00:44:50,000 --> 00:44:52,920
Speaker 2: room and make a wee all the world record too

942
00:44:52,960 --> 00:44:53,919
Speaker 2: many egos.

943
00:44:54,680 --> 00:44:57,839
Speaker 1: Fat Joe said, Man, I wish I had mel Tony Yale.

944
00:44:58,600 --> 00:44:59,960
Speaker 1: So I give my right hand to have a guy

945
00:45:00,200 --> 00:45:00,960
Speaker 1: have a Tony Yale.

946
00:45:01,000 --> 00:45:03,359
Speaker 2: I love Fat Joe. Fat Joe's working on a deal

947
00:45:03,400 --> 00:45:06,120
Speaker 2: for me that right now, for my podcast because he

948
00:45:06,200 --> 00:45:08,120
Speaker 2: see the vision. He see the numbers I've been doing

949
00:45:08,880 --> 00:45:13,279
Speaker 2: on Drink Champs and Breakfast Club and matth Hoffa and

950
00:45:14,480 --> 00:45:17,759
Speaker 2: Flad shout to Vlade because Vlade is a big platform this.

951
00:45:18,080 --> 00:45:20,600
Speaker 2: You know, I've been interviews while I do eighteen million rules,

952
00:45:20,640 --> 00:45:23,359
Speaker 2: twenty four million views, million worth, million dollars worth of game.

953
00:45:24,040 --> 00:45:26,400
Speaker 2: You know. So now I want to transition to the podcast.

954
00:45:26,480 --> 00:45:28,000
Speaker 2: This is what I want to do because I could

955
00:45:28,000 --> 00:45:28,479
Speaker 2: talk father.

956
00:45:28,760 --> 00:45:31,080
Speaker 1: Yeah, so now you want to you know, instead of

957
00:45:31,080 --> 00:45:32,799
Speaker 1: people asking you questions, you want to ask other.

958
00:45:32,760 --> 00:45:34,759
Speaker 2: Maybe you can put me on, maybe Shay Shaker, put

959
00:45:34,800 --> 00:45:36,680
Speaker 2: me on. What you'all think we talk?

960
00:45:42,960 --> 00:45:45,759
Speaker 1: You keep some bull job going. What you took a

961
00:45:45,800 --> 00:45:48,839
Speaker 1: shot at the jah j Ru. Yeah boy, the low

962
00:45:48,880 --> 00:45:51,440
Speaker 1: ticket sales listen, why you.

963
00:45:51,440 --> 00:45:52,200
Speaker 3: Got to do that? Yeah?

964
00:45:52,280 --> 00:45:54,319
Speaker 1: Man, Okay, the man ain't selling like you once did.

965
00:45:54,640 --> 00:45:58,879
Speaker 1: It's okay, he's not He's not Phil. He's not he's

966
00:45:58,920 --> 00:45:59,839
Speaker 1: not gonna be Phil.

967
00:46:00,160 --> 00:46:02,759
Speaker 3: And that's okay. Why you gotta keep juggal.

968
00:46:02,640 --> 00:46:04,360
Speaker 2: You know what it is with y'all rue it just

969
00:46:04,880 --> 00:46:06,920
Speaker 2: you know, it's just something till the day we're not here.

970
00:46:07,000 --> 00:46:09,799
Speaker 2: I just would never like you, and I ain't low

971
00:46:09,880 --> 00:46:12,080
Speaker 2: hanging fruit though. You don't got it, that's true, but

972
00:46:12,200 --> 00:46:14,560
Speaker 2: you ain't got it. You ain't gotta like me. It's

973
00:46:14,600 --> 00:46:18,000
Speaker 2: the thing is, you know he was winning. All you

974
00:46:18,080 --> 00:46:20,400
Speaker 2: had to do was stay in your lane. You shouldn't

975
00:46:20,400 --> 00:46:23,200
Speaker 2: even even answer fifty. But fifty played the chess game

976
00:46:23,280 --> 00:46:26,480
Speaker 2: with you and beat you at your own game. You

977
00:46:26,560 --> 00:46:28,160
Speaker 2: know what it is with them? They was blessed and

978
00:46:28,239 --> 00:46:31,960
Speaker 2: they tried to block fifties blessings, and that's what them

979
00:46:32,040 --> 00:46:35,120
Speaker 2: up because God don't like ugly. I once heard of

980
00:46:35,200 --> 00:46:37,960
Speaker 2: somebody say that they tried to block fifties blessings when

981
00:46:38,000 --> 00:46:40,320
Speaker 2: they was blessed already. We should have just left it alone.

982
00:46:40,160 --> 00:46:40,800
Speaker 3: Yeah, you should.

983
00:46:40,880 --> 00:46:41,040
Speaker 2: You know.

984
00:46:41,360 --> 00:46:42,759
Speaker 1: My grandmother used to say this all the time. My

985
00:46:42,760 --> 00:46:45,600
Speaker 1: grandma say, boy, God don't like ugly. Sometimes you don't

986
00:46:45,680 --> 00:46:46,080
Speaker 1: like pretty.

987
00:46:46,280 --> 00:46:51,560
Speaker 2: Yeah, and even with the earth, things like I didn't

988
00:46:51,560 --> 00:46:53,320
Speaker 2: say nothing bad about him when he passed away. But

989
00:46:54,239 --> 00:46:59,000
Speaker 2: it's still and if something God forbid happened to me

990
00:46:59,200 --> 00:47:00,800
Speaker 2: or fifty or anybody in our group, I know it

991
00:47:00,800 --> 00:47:03,320
Speaker 2: would be fuck us. Sometimes life is just like that.

992
00:47:03,480 --> 00:47:06,200
Speaker 2: Some people just never get along and it's cool.

993
00:47:07,000 --> 00:47:08,799
Speaker 3: So you're gonna be You're gonna be arguing with Yoah,

994
00:47:08,840 --> 00:47:10,799
Speaker 3: you one hundred years with y'all.

995
00:47:10,840 --> 00:47:12,799
Speaker 2: I just don't with y'all. I don't put a lot

996
00:47:12,800 --> 00:47:15,680
Speaker 2: of people in the industry shape right. They not my friends.

997
00:47:15,760 --> 00:47:17,279
Speaker 2: And I had to realize that the hard way.

998
00:47:17,640 --> 00:47:19,560
Speaker 3: You got stabbed, you were the fight with and you

999
00:47:19,640 --> 00:47:20,200
Speaker 3: got stabbed.

1000
00:47:20,239 --> 00:47:23,160
Speaker 2: I got cut. There was nothing serious, got cut right

1001
00:47:23,200 --> 00:47:25,480
Speaker 2: here with a scar right there and a little scar

1002
00:47:25,560 --> 00:47:27,319
Speaker 2: on the finger. It just looked like a lot because

1003
00:47:27,320 --> 00:47:30,120
Speaker 2: blood was coming out right. But it was scratches that

1004
00:47:30,200 --> 00:47:33,359
Speaker 2: could have went left because that thing was there. If

1005
00:47:33,440 --> 00:47:35,399
Speaker 2: it was if it was in that room, there would

1006
00:47:35,440 --> 00:47:39,080
Speaker 2: be no job Rue. There would be no fifty. I

1007
00:47:39,239 --> 00:47:41,000
Speaker 2: put that on my father, that there would be no

1008
00:47:41,200 --> 00:47:44,399
Speaker 2: joy Rue. There would be no fifty. If somebody would

1009
00:47:44,440 --> 00:47:46,239
Speaker 2: have squeezed, somebody would have went to jail and Joah

1010
00:47:46,320 --> 00:47:50,840
Speaker 2: ruld have been finished. They came with crutches and butcher

1011
00:47:50,920 --> 00:47:54,680
Speaker 2: knives and fruit shit like, come on, like, they ain't

1012
00:47:54,680 --> 00:47:57,759
Speaker 2: coming no artillery. We had artilleries. But if that gun

1013
00:47:57,920 --> 00:48:00,200
Speaker 2: was in that room, and I shit you not, that

1014
00:48:00,360 --> 00:48:03,000
Speaker 2: gun with the forty five with no safety was in

1015
00:48:03,080 --> 00:48:06,840
Speaker 2: that room, there would be no Ja Rut or whoever

1016
00:48:06,920 --> 00:48:09,480
Speaker 2: else was in that room, his brother or brother, whoever

1017
00:48:09,560 --> 00:48:11,600
Speaker 2: was in that room when we was getting it on.

1018
00:48:13,400 --> 00:48:16,520
Speaker 3: You said earlier that you thought the Drake and the

1019
00:48:16,640 --> 00:48:17,839
Speaker 3: Kendrick beef was good.

1020
00:48:18,320 --> 00:48:20,719
Speaker 2: Yeah for who?

1021
00:48:21,320 --> 00:48:21,960
Speaker 3: For hip hop?

1022
00:48:22,160 --> 00:48:24,480
Speaker 2: For Kendrake, I think it was good for hip hop

1023
00:48:24,520 --> 00:48:26,400
Speaker 2: because at that point, all he was listening to was

1024
00:48:26,440 --> 00:48:32,279
Speaker 2: Sexy Red. That's all my man, my man strike work

1025
00:48:32,320 --> 00:48:34,680
Speaker 2: in the club, Like, that's all I was playing in

1026
00:48:34,719 --> 00:48:36,840
Speaker 2: the club of Sexy Red. I'm like, oh shit, this

1027
00:48:36,920 --> 00:48:39,279
Speaker 2: is hip hop. I come off a battle rack, k

1028
00:48:39,560 --> 00:48:44,560
Speaker 2: rest One mc shan. You know what I'm saying, BDP

1029
00:48:45,120 --> 00:48:50,840
Speaker 2: nas Ether versus jay Z, Big Time hip Hop, fifty Ja,

1030
00:48:51,000 --> 00:48:54,560
Speaker 2: ru Tupac, Michael Velli, this and Diddy, This is Jay

1031
00:48:54,920 --> 00:48:58,080
Speaker 2: even this Prodigy Yeah, rest in peace. Prodigy and Prodigy

1032
00:48:58,200 --> 00:49:02,000
Speaker 2: was my my joint. Remember we had l A l A.

1033
00:49:02,280 --> 00:49:04,319
Speaker 2: They had New York Dog Pound had New York, New

1034
00:49:04,360 --> 00:49:05,840
Speaker 2: York and Big City of Dreams.

1035
00:49:05,760 --> 00:49:08,440
Speaker 3: LL and fab ll cannabis.

1036
00:49:08,640 --> 00:49:12,880
Speaker 2: Yeah, cannabis come second round, knockout cannabis came in. One

1037
00:49:13,760 --> 00:49:19,480
Speaker 2: was working Dog Pound when they had New York, New York,

1038
00:49:19,520 --> 00:49:22,160
Speaker 2: Big City of Dreams, remember that back in the day.

1039
00:49:22,239 --> 00:49:24,080
Speaker 2: I think they got shot at Too snooping them when

1040
00:49:24,080 --> 00:49:26,160
Speaker 2: they came to New York. When they shot that video,

1041
00:49:26,239 --> 00:49:27,719
Speaker 2: there was a rumor. I don't know how real it is.

1042
00:49:27,760 --> 00:49:31,200
Speaker 2: I love Uncle Snoop and Dog Pound, but and then

1043
00:49:31,360 --> 00:49:34,200
Speaker 2: Prodigy and them had l A l A Big City

1044
00:49:34,200 --> 00:49:36,320
Speaker 2: of Dreams because Pop was this and up that was

1045
00:49:36,440 --> 00:49:38,640
Speaker 2: hip hop. I'm not gonna sit here and not say

1046
00:49:38,640 --> 00:49:41,760
Speaker 2: I didn't listen to Michaelvelly, but I'm definitely listening to Biggie.

1047
00:49:41,760 --> 00:49:43,560
Speaker 2: Who Shot You? I'm not gonna say I didn't like that.

1048
00:49:44,200 --> 00:49:46,359
Speaker 3: Was listened to hit them up? Yeah, of course.

1049
00:49:47,680 --> 00:49:49,919
Speaker 2: But then Biggie came back with all kinds of ship

1050
00:49:50,000 --> 00:49:51,960
Speaker 2: who shot You? You know what I'm saying, Biggie is,

1051
00:49:52,040 --> 00:49:55,840
Speaker 2: come on, Biggie and Pop b I think that that

1052
00:49:56,040 --> 00:49:59,359
Speaker 2: was entertainment for the world at that point. Even though

1053
00:49:59,400 --> 00:50:01,600
Speaker 2: it's sad that they both died because of the situation,

1054
00:50:02,239 --> 00:50:04,959
Speaker 2: But they didn't keep it. Let's act like we didn't

1055
00:50:05,000 --> 00:50:07,319
Speaker 2: like that, didn't like that battle, and let's not let's

1056
00:50:07,360 --> 00:50:11,160
Speaker 2: act like magazines and publications what we had back then,

1057
00:50:11,280 --> 00:50:15,919
Speaker 2: vibes or yeah, yeah, come on New York, LA, West Coast, Beef,

1058
00:50:16,000 --> 00:50:17,880
Speaker 2: East Coast, West Coast. Let's act like, come on.

1059
00:50:18,000 --> 00:50:21,240
Speaker 3: Bro, how did U jay Z and Big Pun Dissan fifty?

1060
00:50:23,520 --> 00:50:25,879
Speaker 2: Remember fifty had how to Rob back in the day. Yeah,

1061
00:50:26,200 --> 00:50:28,040
Speaker 2: and he was talking about a Robb Pun without a gun.

1062
00:50:28,120 --> 00:50:31,840
Speaker 2: Listen piece of Pun and jay Z. You remember he

1063
00:50:31,880 --> 00:50:33,840
Speaker 2: had that joint I'm about a dollar. That was a

1064
00:50:34,239 --> 00:50:36,759
Speaker 2: hot record too, He said, I'm about a dollar with

1065
00:50:36,880 --> 00:50:40,360
Speaker 2: the fifty. I forgot was that on the What album

1066
00:50:40,480 --> 00:50:46,239
Speaker 2: was that? That was hard knocked? Like no, Yeah, because

1067
00:50:46,280 --> 00:50:49,000
Speaker 2: fifty Distant on how to Rob? Right? See, how to

1068
00:50:49,120 --> 00:50:52,640
Speaker 2: Rob was a crazy record because that's the first time

1069
00:50:52,719 --> 00:50:57,600
Speaker 2: a rapper actually kind of dissed every rapper, right, But

1070
00:50:58,120 --> 00:51:00,600
Speaker 2: it was comical because the mad rap no rad rappers

1071
00:51:00,640 --> 00:51:04,600
Speaker 2: on that. Rodney Jerkins, Yeah, he said the saint serious,

1072
00:51:04,680 --> 00:51:06,840
Speaker 2: but the rappers took it serious because it's all about image.

1073
00:51:06,920 --> 00:51:09,160
Speaker 2: Rappers don't want to hear their names. She can get real, Yeah,

1074
00:51:09,200 --> 00:51:11,920
Speaker 2: for sure, Pun Punk snatched up kids back in the

1075
00:51:12,000 --> 00:51:14,560
Speaker 2: day for leaking up erect who could always talk about

1076
00:51:14,560 --> 00:51:17,279
Speaker 2: it threw them in a man. Punk wasn't playing with

1077
00:51:17,400 --> 00:51:20,320
Speaker 2: niggas like it's serious. Certain niggas ain't really like that.

1078
00:51:20,800 --> 00:51:25,000
Speaker 2: Joe really like that, like people real Jo the Bronx.

1079
00:51:26,800 --> 00:51:32,920
Speaker 1: Uh somebody called uh jinocchio, what like joby like say

1080
00:51:33,040 --> 00:51:35,319
Speaker 1: Joe by you know, be stretching the truth his.

1081
00:51:35,360 --> 00:51:38,719
Speaker 2: Stories as funny as hell. But I like the beef

1082
00:51:38,840 --> 00:51:41,840
Speaker 2: we had. I love cracking like pistol peek. Yeah, and

1083
00:51:42,600 --> 00:51:45,600
Speaker 2: Joe and the niggas that was around with really serious

1084
00:51:45,640 --> 00:51:49,040
Speaker 2: because like Bronx, Spanish niggas in the Bronx is as

1085
00:51:49,120 --> 00:51:53,200
Speaker 2: dangerous as Black people in the Bronx. Wow, they dangerous too.

1086
00:51:53,440 --> 00:51:56,160
Speaker 2: You know you got Spanish gangs trinitarios. Yeah, you got

1087
00:51:56,239 --> 00:51:59,799
Speaker 2: Dominican power. You know these pull out machetes and ship Hey,

1088
00:52:00,120 --> 00:52:03,440
Speaker 2: you know they came to struggle too, right, you know.

1089
00:52:03,800 --> 00:52:06,520
Speaker 2: And them motherfuckers that he had around them, niggas would

1090
00:52:06,520 --> 00:52:09,120
Speaker 2: they would die for the for the course pistol pete

1091
00:52:09,160 --> 00:52:11,040
Speaker 2: know they were they were. I think they would have

1092
00:52:11,120 --> 00:52:14,279
Speaker 2: died for Joe as well as we felt like we

1093
00:52:14,320 --> 00:52:17,040
Speaker 2: would die for fifty right, they felt the same way.

1094
00:52:17,640 --> 00:52:20,239
Speaker 1: Help me understand, because fifty had a great shoe with

1095
00:52:20,320 --> 00:52:23,320
Speaker 1: Rebox at the time. I think Jay was the creative

1096
00:52:23,360 --> 00:52:24,360
Speaker 1: director of Rebox.

1097
00:52:25,000 --> 00:52:25,520
Speaker 2: How did that go?

1098
00:52:25,680 --> 00:52:26,959
Speaker 3: I mean, everybody making money?

1099
00:52:27,040 --> 00:52:27,360
Speaker 2: How did it?

1100
00:52:27,480 --> 00:52:28,640
Speaker 3: How did it fall apart? Yeah?

1101
00:52:28,960 --> 00:52:31,840
Speaker 2: I don't. I don't even honestly don't know. I know

1102
00:52:31,920 --> 00:52:34,200
Speaker 2: I was making over one hundred thousand a year just

1103
00:52:34,280 --> 00:52:36,279
Speaker 2: wearing the shoe and we wasn't wearing it. And I

1104
00:52:36,360 --> 00:52:39,120
Speaker 2: know Fifty got mad at us one day because you know,

1105
00:52:39,200 --> 00:52:41,759
Speaker 2: you got d on, I got d on, Louis on whatever,

1106
00:52:42,239 --> 00:52:44,640
Speaker 2: and Fifty looked at everybody's shoes and was like, nigga,

1107
00:52:45,200 --> 00:52:48,680
Speaker 2: niggay'all got the shoes on because he knew what marketing was. Yes,

1108
00:52:49,120 --> 00:52:51,399
Speaker 2: he wore he wore the junior junior Klovin was selling.

1109
00:52:51,440 --> 00:52:54,400
Speaker 2: He wore it. You know, we wasn't wearing it. We

1110
00:52:54,480 --> 00:52:56,640
Speaker 2: was wearing Louis bitar ship like that.

1111
00:52:57,360 --> 00:52:59,920
Speaker 3: They weren't paying you no money though, No, we got

1112
00:53:00,040 --> 00:53:01,720
Speaker 3: hey not for Louis Vitan.

1113
00:53:02,040 --> 00:53:04,120
Speaker 1: No, I'm not from Louis Vuitton. But that's what I'm saying.

1114
00:53:04,200 --> 00:53:06,960
Speaker 1: That's what he understood, the marketing aspect of it. He's like,

1115
00:53:07,200 --> 00:53:09,680
Speaker 1: how can you expect us to sell something that you're

1116
00:53:09,760 --> 00:53:10,280
Speaker 1: not wearing?

1117
00:53:12,040 --> 00:53:13,719
Speaker 2: I mean we do it to this day. I got

1118
00:53:13,760 --> 00:53:16,279
Speaker 2: on Louis buiton right now. You got on Dior, But

1119
00:53:16,360 --> 00:53:19,320
Speaker 2: I got a black brand right here, top Flexa and

1120
00:53:19,400 --> 00:53:19,879
Speaker 2: another black.

1121
00:53:20,000 --> 00:53:21,319
Speaker 3: I mean, if I had what's your color, I had

1122
00:53:21,360 --> 00:53:22,640
Speaker 3: a shoe, I'll be having on my shoe.

1123
00:53:22,719 --> 00:53:24,360
Speaker 2: No, that's cool. You should have had your shoes. I

1124
00:53:24,440 --> 00:53:24,880
Speaker 2: wear him too.

1125
00:53:26,239 --> 00:53:27,759
Speaker 3: Now we're gonna see you about it. We're gonna see

1126
00:53:27,760 --> 00:53:28,720
Speaker 3: you able to botis shit.

1127
00:53:28,600 --> 00:53:30,359
Speaker 2: Shi me a bottle like I don't. I don't mind

1128
00:53:30,440 --> 00:53:34,920
Speaker 2: supporting like sometimes I feel like we'll support other brands

1129
00:53:34,960 --> 00:53:37,600
Speaker 2: and they will support other people's brands, like the guy.

1130
00:53:37,800 --> 00:53:39,920
Speaker 2: I'm wearing this top Flexa. I'm not getting paid for

1131
00:53:40,000 --> 00:53:42,520
Speaker 2: this right g unit, They not cutting me a check

1132
00:53:42,560 --> 00:53:44,680
Speaker 2: for this. I just like the hoodie, but I like

1133
00:53:44,800 --> 00:53:47,400
Speaker 2: wearing you know, people that are hungry brands too. I

1134
00:53:47,440 --> 00:53:51,080
Speaker 2: don't mind. I like Kiff, I love a Mary, I

1135
00:53:51,200 --> 00:53:53,800
Speaker 2: love Louis. I love that too. But I want to

1136
00:53:53,920 --> 00:53:56,919
Speaker 2: you know, other stuff too, and we and look, we'll

1137
00:53:56,960 --> 00:53:59,560
Speaker 2: spend big time money, like a lou Wayvy shirt. Yeah

1138
00:54:00,360 --> 00:54:02,560
Speaker 2: you want to buy a T shirt that's six hundred

1139
00:54:02,560 --> 00:54:05,240
Speaker 2: and fifty dollars for short sleeve that chrome herd T shirt,

1140
00:54:05,440 --> 00:54:07,600
Speaker 2: and a dude in the hood might have a shirt

1141
00:54:07,680 --> 00:54:10,000
Speaker 2: as well as that. It might be selling out for

1142
00:54:10,040 --> 00:54:12,640
Speaker 2: one fifty and we don't want to support. Come on, man,

1143
00:54:12,680 --> 00:54:16,080
Speaker 2: we gotta support. Come on. I agree. Agree, Even on tour,

1144
00:54:16,120 --> 00:54:18,480
Speaker 2: I like to wear like other people brands. Max Siegelman,

1145
00:54:19,040 --> 00:54:21,840
Speaker 2: this guy is the next guy. He has deals with

1146
00:54:22,640 --> 00:54:25,520
Speaker 2: New York Knicks ranges, all these people. I still, you know,

1147
00:54:25,600 --> 00:54:28,440
Speaker 2: I wear his, but I wear my man's hop plecture

1148
00:54:28,440 --> 00:54:30,080
Speaker 2: from the hood that they don't got nowhere near them.

1149
00:54:30,080 --> 00:54:33,680
Speaker 3: Be right with fifty jumping on the stage with jay

1150
00:54:33,760 --> 00:54:34,600
Speaker 3: z Diaddy T.

1151
00:54:34,880 --> 00:54:36,160
Speaker 2: Yeah, I remember that. That was fun.

1152
00:54:38,120 --> 00:54:38,520
Speaker 3: So what go?

1153
00:54:38,680 --> 00:54:38,920
Speaker 4: What go?

1154
00:54:39,400 --> 00:54:39,800
Speaker 2: What do you go?

1155
00:54:39,920 --> 00:54:42,359
Speaker 3: What's going through your mind? He like, fifty lost this day.

1156
00:54:42,360 --> 00:54:46,319
Speaker 2: I'm snigger crazy. I think you gotta be a little

1157
00:54:46,360 --> 00:54:49,960
Speaker 2: crazy to be successful, right, and that's what fifty is.

1158
00:54:50,000 --> 00:54:53,280
Speaker 2: Fifty is really crazy. He'll say, I'm crazy. He's crazy

1159
00:54:53,520 --> 00:54:57,400
Speaker 2: right like right now. We did a tour, we did dates.

1160
00:54:58,719 --> 00:55:02,279
Speaker 2: He flew to Australia to do Street Fighter. I'm like this,

1161
00:55:02,400 --> 00:55:04,640
Speaker 2: niggas gonna go fly twenty three hours in Australia. He

1162
00:55:04,680 --> 00:55:07,279
Speaker 2: don't even want to take a break, you know, like

1163
00:55:07,400 --> 00:55:10,279
Speaker 2: he's he's crazy, something's really wrong with him. Like I'll

1164
00:55:10,280 --> 00:55:13,080
Speaker 2: be looking like he'll go to the gym three times

1165
00:55:13,120 --> 00:55:15,480
Speaker 2: a day. You know, he's doing push ups. I'm doing

1166
00:55:15,520 --> 00:55:21,160
Speaker 2: push ups. I'm rolling up, can't keep through Paris. You

1167
00:55:21,280 --> 00:55:24,200
Speaker 2: know I got my coniact. You know, I'm I'm you know,

1168
00:55:24,280 --> 00:55:26,640
Speaker 2: we totally two different lifestyles, right, But he's going to

1169
00:55:26,719 --> 00:55:29,320
Speaker 2: the gym three times a day, getting ready for the

1170
00:55:29,360 --> 00:55:31,239
Speaker 2: Street Fighter film or getting ready for what he do.

1171
00:55:31,400 --> 00:55:34,520
Speaker 2: And you know I respect it. But everybody ain't fifty.

1172
00:55:34,280 --> 00:55:39,160
Speaker 1: Cent man, right, they blunt this fifty You think fifty

1173
00:55:39,239 --> 00:55:40,640
Speaker 1: gonna respond, nah man.

1174
00:55:41,440 --> 00:55:43,440
Speaker 2: Sometimes a matter of fact, he said he pushed them

1175
00:55:43,440 --> 00:55:46,560
Speaker 2: down some steps or something, right, I think he said right,

1176
00:55:46,880 --> 00:55:49,840
Speaker 2: he said he push him down some steps. But sometimes

1177
00:55:49,880 --> 00:55:51,560
Speaker 2: I'll be like fifty. You on a whole nother level

1178
00:55:51,600 --> 00:55:51,840
Speaker 2: where you.

1179
00:55:51,840 --> 00:55:53,560
Speaker 3: Don't have to respond, You don't have to respond to.

1180
00:55:53,640 --> 00:55:57,839
Speaker 2: Certain people or say certain things like meets or little

1181
00:55:57,920 --> 00:56:03,399
Speaker 2: meachs right or roses or Dave blunts because these guys

1182
00:56:03,440 --> 00:56:05,560
Speaker 2: are not doing what you're doing. They're not going on tour.

1183
00:56:06,160 --> 00:56:08,319
Speaker 2: They they can't even some of these guys can't even

1184
00:56:08,400 --> 00:56:10,440
Speaker 2: let's keep it real, can't make it to these markets,

1185
00:56:12,239 --> 00:56:15,160
Speaker 2: the big dogs with Live Nation. Dog, you know what

1186
00:56:15,200 --> 00:56:21,879
Speaker 2: I'm saying, fifty Nahs, jay Z, probably bon Jovi Live Nation.

1187
00:56:22,120 --> 00:56:25,279
Speaker 2: Like these dudes ain't getting Chris Brown Live Nation. These

1188
00:56:25,360 --> 00:56:29,000
Speaker 2: dudes ain't getting two hundred million out theres, four hundred

1189
00:56:29,040 --> 00:56:32,239
Speaker 2: man out theres. It's levels, bro, Fifty's on the whole

1190
00:56:32,320 --> 00:56:35,160
Speaker 2: other level. And I'm not glazing as they say. That's

1191
00:56:35,200 --> 00:56:38,959
Speaker 2: what they say, Glad. I ain't glazing. It's just the truth.

1192
00:56:39,040 --> 00:56:42,319
Speaker 2: It's levels some you know Drake, I'm not on Drake level.

1193
00:56:42,520 --> 00:56:45,880
Speaker 2: I'm not on Kendrick level. It's cool, you know some

1194
00:56:46,000 --> 00:56:49,879
Speaker 2: of these dudes getting five million the weekend. These guys

1195
00:56:50,000 --> 00:56:52,840
Speaker 2: might get a million dollars for walkthrough. It's levels to

1196
00:56:52,960 --> 00:56:57,080
Speaker 2: this shit, Nikki. You know, it's levels and it's cool.

1197
00:56:58,120 --> 00:57:00,000
Speaker 2: You just realize it's levels to the shit. You ain't

1198
00:57:00,160 --> 00:57:03,720
Speaker 2: mad at nobody. Yeah, and there's a lot of people fifty.

1199
00:57:04,239 --> 00:57:06,040
Speaker 2: I feel like you don't have to say nothing, but

1200
00:57:06,160 --> 00:57:09,160
Speaker 2: fifty's crazy. He's been like this his whole life. When

1201
00:57:09,160 --> 00:57:10,680
Speaker 2: he's on a block or ship.

1202
00:57:10,760 --> 00:57:14,000
Speaker 1: Fifty's coming just because I'm not just because you're not

1203
00:57:14,120 --> 00:57:16,880
Speaker 1: on someone level doesn't mean I'm not pretty damn high up.

1204
00:57:17,280 --> 00:57:19,439
Speaker 3: Yeah, because sometimes you make a lot of times.

1205
00:57:19,520 --> 00:57:22,000
Speaker 1: The mistake that we can make, yeo, is that we

1206
00:57:22,160 --> 00:57:24,720
Speaker 1: measure our success by somebody else's exactly.

1207
00:57:27,480 --> 00:57:29,240
Speaker 2: It's just I hate when motherfucker's bumped me out the

1208
00:57:29,280 --> 00:57:32,760
Speaker 2: way fifty to fifty. I just don't like that. Hey,

1209
00:57:33,520 --> 00:57:35,760
Speaker 2: I hate that, you know, like, I just hate that.

1210
00:57:35,960 --> 00:57:37,400
Speaker 2: Just don't bump me out the way all the time.

1211
00:57:37,480 --> 00:57:39,560
Speaker 2: You want to fifty cool, he's on the WHO number.

1212
00:57:39,560 --> 00:57:42,919
Speaker 2: Look like I said, just to come up from fifty. Listen,

1213
00:57:43,080 --> 00:57:45,360
Speaker 2: all I'm saying to you is this, I want to

1214
00:57:45,400 --> 00:57:48,520
Speaker 2: be there to leave my room, yeah for sure. No,

1215
00:57:48,720 --> 00:57:51,560
Speaker 2: you can have the sweet Beyonce jay Z fifty not

1216
00:57:51,680 --> 00:57:54,160
Speaker 2: y'all can have the sweets. Yeah, I want to leave

1217
00:57:54,200 --> 00:57:55,760
Speaker 2: my room. I want to go to the hood and

1218
00:57:55,800 --> 00:57:57,080
Speaker 2: get a beef patty with cocoa bread.

1219
00:57:57,120 --> 00:57:57,480
Speaker 3: Sometime.

1220
00:57:58,200 --> 00:58:00,680
Speaker 2: I want to go get some macaroni here chicken. I

1221
00:58:00,720 --> 00:58:03,240
Speaker 2: don't want to do that, and I'm good doing that, right,

1222
00:58:03,800 --> 00:58:03,960
Speaker 2: you know.

1223
00:58:04,800 --> 00:58:05,840
Speaker 3: Would you ever get married?

1224
00:58:06,320 --> 00:58:12,920
Speaker 2: Yeah? Why not? I think sometimes the industry keep you

1225
00:58:12,920 --> 00:58:14,960
Speaker 2: from getting married. She's got to pick the right kind

1226
00:58:15,000 --> 00:58:15,320
Speaker 2: of lady.

1227
00:58:15,440 --> 00:58:15,640
Speaker 3: Yeah.

1228
00:58:15,800 --> 00:58:18,480
Speaker 2: See, I like my ladies from the hood. I don't.

1229
00:58:18,520 --> 00:58:20,480
Speaker 2: I don't like night life. I don't strip a his

1230
00:58:20,520 --> 00:58:23,520
Speaker 2: ball tenders. They cool, they beautiful women. I g I

1231
00:58:23,680 --> 00:58:26,800
Speaker 2: like women straight from the hood. She got have a

1232
00:58:26,880 --> 00:58:29,200
Speaker 2: nine to five and look as good as them. So

1233
00:58:29,400 --> 00:58:33,120
Speaker 2: for me, you know, I can get married. It's about

1234
00:58:33,160 --> 00:58:33,840
Speaker 2: that time soon.

1235
00:58:34,400 --> 00:58:35,760
Speaker 3: It's it's coming down.

1236
00:58:36,760 --> 00:58:39,360
Speaker 2: It got to happen soon. Nobody want to die lonely.

1237
00:58:39,400 --> 00:58:42,560
Speaker 1: Right, is that what you're so? You only gonna get married. God,

1238
00:58:42,560 --> 00:58:44,000
Speaker 1: you don't want to die alone. You probably should have

1239
00:58:44,000 --> 00:58:44,800
Speaker 1: thought about that earlier.

1240
00:58:44,880 --> 00:58:47,760
Speaker 2: You're right, But nobody want to die lonely. And I think,

1241
00:58:47,880 --> 00:58:48,360
Speaker 2: I think you.

1242
00:58:48,400 --> 00:58:50,000
Speaker 1: Don't want to die lonely, or you don't want to

1243
00:58:50,040 --> 00:58:52,360
Speaker 1: die alone, because there are two different things.

1244
00:58:52,720 --> 00:58:55,520
Speaker 3: You can be lonely and not be alone. You can

1245
00:58:55,560 --> 00:58:58,480
Speaker 3: be alone and not be lone.

1246
00:58:58,320 --> 00:59:00,640
Speaker 2: Though I never thought about that. I don't want to

1247
00:59:00,680 --> 00:59:04,040
Speaker 2: die either way. Or what I'm saying is you know

1248
00:59:04,160 --> 00:59:06,040
Speaker 2: what you know what it is because when you look

1249
00:59:06,040 --> 00:59:09,920
Speaker 2: at everything, everything is based on money. Yeah, right, So

1250
00:59:10,080 --> 00:59:12,960
Speaker 2: it's like I got a lot of money and be like,

1251
00:59:13,080 --> 00:59:15,120
Speaker 2: oh shit, you gonna have half of this or half

1252
00:59:15,160 --> 00:59:18,160
Speaker 2: of that, Like what's the football player just got married,

1253
00:59:18,560 --> 00:59:21,400
Speaker 2: Travis Hunter, and he's getting divorced, right is it? That's

1254
00:59:21,440 --> 00:59:23,280
Speaker 2: what they said. That's the room we're going around. It's

1255
00:59:23,280 --> 00:59:28,840
Speaker 2: wife one fordy man. I look it, man, listen, well

1256
00:59:28,880 --> 00:59:31,360
Speaker 2: that's going around. Now that's dumb, you know what I'm saying.

1257
00:59:31,640 --> 00:59:34,760
Speaker 2: I understand. Safeguard your ship. You make a certain amount

1258
00:59:34,760 --> 00:59:38,440
Speaker 2: of money, of course, safeguard it, you know, but give

1259
00:59:38,480 --> 00:59:40,480
Speaker 2: your lady something I guess, or whatever you want to do,

1260
00:59:40,600 --> 00:59:42,160
Speaker 2: but just make sure you safeguard I.

1261
00:59:42,200 --> 00:59:44,200
Speaker 3: Think give it that Christiano Ronaldo package.

1262
00:59:44,480 --> 00:59:49,200
Speaker 2: Right. I think people look at marriage is a business.

1263
00:59:49,880 --> 00:59:50,560
Speaker 2: It is. It is.

1264
00:59:51,000 --> 00:59:52,520
Speaker 3: It's a transaction between two people.

1265
00:59:52,600 --> 00:59:54,560
Speaker 2: We shouldn't look at it like that, though, because when

1266
00:59:54,600 --> 00:59:57,080
Speaker 2: our parents got married, they didn't look at it like that.

1267
00:59:57,240 --> 01:00:03,040
Speaker 1: Yeah, but why didn't have money exact exactly they were

1268
01:00:03,120 --> 01:00:03,680
Speaker 1: in currently.

1269
01:00:04,440 --> 01:00:06,280
Speaker 2: But see that's the thing about money. You can have

1270
01:00:06,360 --> 01:00:07,560
Speaker 2: money and still not be happy.

1271
01:00:08,280 --> 01:00:09,960
Speaker 3: For sure, absolutely the thing, and.

1272
01:00:10,000 --> 01:00:12,400
Speaker 2: Then you can have you come on like put it

1273
01:00:12,520 --> 01:00:15,120
Speaker 2: like this, having money and having kids. When our parents

1274
01:00:15,160 --> 01:00:17,800
Speaker 2: it was not even about that. No, Like that's how

1275
01:00:17,840 --> 01:00:18,400
Speaker 2: I look at it.

1276
01:00:20,080 --> 01:00:23,280
Speaker 1: Acting Finty got this this thing going up in Streeport.

1277
01:00:23,320 --> 01:00:24,680
Speaker 1: You trying to get you trying to get you got.

1278
01:00:24,760 --> 01:00:26,600
Speaker 2: Trying to get down fifty, get me a job. I'm

1279
01:00:26,640 --> 01:00:29,360
Speaker 2: trying to get listen, I'm trying to do this podcast thing.

1280
01:00:29,480 --> 01:00:32,240
Speaker 2: I got cannabis deals going on. I'm still doing shows

1281
01:00:32,360 --> 01:00:34,320
Speaker 2: on my own right, Like I said, I was just

1282
01:00:34,400 --> 01:00:37,240
Speaker 2: in Germany. I did my first show in the Swiss Alps.

1283
01:00:37,280 --> 01:00:37,760
Speaker 2: You believe that?

1284
01:00:38,200 --> 01:00:38,439
Speaker 3: Wow?

1285
01:00:38,680 --> 01:00:41,040
Speaker 2: Me, I couldn't skip for ship. I wasn't trying to ski.

1286
01:00:41,640 --> 01:00:44,280
Speaker 2: Skin is not for me. I'm seeing little kids come

1287
01:00:44,360 --> 01:00:46,000
Speaker 2: down the slopes because what is the level was? I

1288
01:00:46,080 --> 01:00:48,840
Speaker 2: think it goes red black? Yeah, they got different level

1289
01:00:48,880 --> 01:00:50,959
Speaker 2: than you get on you man, you ever skip before?

1290
01:00:51,040 --> 01:00:51,080
Speaker 4: No?

1291
01:00:51,560 --> 01:00:54,720
Speaker 2: I never tried that ship. I was bugging. But you know,

1292
01:00:55,040 --> 01:00:58,480
Speaker 2: five star restaurants, living a life. I live in a moment, man,

1293
01:00:58,560 --> 01:01:00,680
Speaker 2: Like I'm living in a moment here, I'm on show.

1294
01:01:02,000 --> 01:01:06,600
Speaker 3: Have you ever been starstruck all the time? Who made

1295
01:01:06,640 --> 01:01:07,280
Speaker 3: you starstruck?

1296
01:01:07,400 --> 01:01:16,280
Speaker 2: Big Daddy came Coogie Rap, Wesley Snipes, the Kardashians, Mike Tyson. Ah,

1297
01:01:17,800 --> 01:01:21,640
Speaker 2: but my starstruck is always keep my composure, right, I'm like, ah,

1298
01:01:22,600 --> 01:01:23,920
Speaker 2: not like that, No ship like that?

1299
01:01:24,200 --> 01:01:26,200
Speaker 3: But you think it to yourself, like, damn, I can't believe.

1300
01:01:26,360 --> 01:01:28,760
Speaker 2: Yeah, because we from were from New York, So New

1301
01:01:28,880 --> 01:01:30,720
Speaker 2: York they could see a rap up, see a NAS

1302
01:01:30,760 --> 01:01:32,960
Speaker 2: and they might be Yo, Nas, what up? Fab up

1303
01:01:34,080 --> 01:01:36,760
Speaker 2: New York? We never be extra yo Joe, yo fifty

1304
01:01:36,840 --> 01:01:37,080
Speaker 2: what up?

1305
01:01:37,160 --> 01:01:37,240
Speaker 4: Yo?

1306
01:01:37,360 --> 01:01:40,120
Speaker 2: Yeah, y'all what up that? That's New York for you.

1307
01:01:40,280 --> 01:01:43,280
Speaker 2: We ain't New York. Ain't blazing nobody. Yeah, you know

1308
01:01:43,320 --> 01:01:46,720
Speaker 2: what I'm saying. But for me, I'm starstruck in a

1309
01:01:46,800 --> 01:01:48,840
Speaker 2: silent way, like, but I'm gonna say something to Tyson,

1310
01:01:49,240 --> 01:01:52,360
Speaker 2: like Tyson too, min expand my horizons with the caveat

1311
01:01:52,440 --> 01:01:58,200
Speaker 2: he he an't remember you like it? Like cariot. I'm

1312
01:01:58,240 --> 01:02:02,280
Speaker 2: a Hollywood now. See that's the thing. I could still

1313
01:02:02,320 --> 01:02:05,600
Speaker 2: eat a bee pattern coco bread, eat some cavealls, card

1314
01:02:05,640 --> 01:02:09,320
Speaker 2: go in Dubai, Yeah, some caviar pancakes. You know, I'm

1315
01:02:09,400 --> 01:02:12,880
Speaker 2: I expand my horizon. That's from Tyson Chappelle, my belly

1316
01:02:12,960 --> 01:02:16,040
Speaker 2: full right, you know, Wesley Snipes dancing in there. I

1317
01:02:16,080 --> 01:02:19,680
Speaker 2: don't watch New jack City three hundred times and like, yeah, yeah,

1318
01:02:20,200 --> 01:02:22,240
Speaker 2: that's one of my favorites. You know, I'm a movie guy. Man.

1319
01:02:22,800 --> 01:02:23,960
Speaker 3: You toured with a NAS.

1320
01:02:24,240 --> 01:02:27,080
Speaker 2: Yeah, that was an experience too. Really, it was a

1321
01:02:27,160 --> 01:02:29,240
Speaker 2: Notionraal dominant experience. It was me and fifty on his

1322
01:02:29,360 --> 01:02:33,400
Speaker 2: tour bus had Jungle all his people there. That was crazy.

1323
01:02:33,520 --> 01:02:34,440
Speaker 2: That was the moment in life.

1324
01:02:34,480 --> 01:02:36,680
Speaker 3: I met Jungle when we did queens Bridge.

1325
01:02:36,840 --> 01:02:39,320
Speaker 2: Yeah. Nas probably wouldn't remember, but for me, that shit

1326
01:02:39,440 --> 01:02:41,360
Speaker 2: was big, like and for me what was crazy with

1327
01:02:41,520 --> 01:02:45,400
Speaker 2: Nas was he had drop illmatic and you know he's

1328
01:02:45,440 --> 01:02:47,480
Speaker 2: talking about weed and blunts, but he was on the

1329
01:02:47,520 --> 01:02:51,200
Speaker 2: bus reading books, So that shit was different from im, Like, damn, shit,

1330
01:02:51,320 --> 01:02:54,200
Speaker 2: quiet on here, this nigga ain't smoking that weed. I'm

1331
01:02:54,200 --> 01:02:57,360
Speaker 2: an addict for sneakers, twenties of booter and chickens with beepers,

1332
01:02:57,720 --> 01:03:00,000
Speaker 2: So I'm like, I'm thinking it's gonna be big blunts burned.

1333
01:03:00,640 --> 01:03:00,800
Speaker 3: Nah.

1334
01:03:00,880 --> 01:03:05,240
Speaker 2: This was reading books. Uh huh. Yeah, Nas was reading books, man,

1335
01:03:06,480 --> 01:03:09,120
Speaker 2: So I was like, damn this ship, this ship real

1336
01:03:09,240 --> 01:03:11,760
Speaker 2: jungling them of course stayed wild, yeah right, for sure,

1337
01:03:12,000 --> 01:03:14,959
Speaker 2: you know, but for me, I'm like, yo, this reading

1338
01:03:15,040 --> 01:03:18,440
Speaker 2: books on head, like really reading and like that's how

1339
01:03:18,440 --> 01:03:20,160
Speaker 2: you knew he had them balls and was kind of

1340
01:03:20,240 --> 01:03:22,000
Speaker 2: smart because he was saying, some ship.

1341
01:03:22,600 --> 01:03:26,520
Speaker 3: With knives you on, catch you on tour with cash

1342
01:03:26,560 --> 01:03:27,000
Speaker 3: money and.

1343
01:03:27,480 --> 01:03:30,400
Speaker 2: Yeah, that was our first to ever me and Fifty

1344
01:03:30,440 --> 01:03:35,840
Speaker 2: opened up for Cash Money, Jenny, Cash Money and Rough Riders. Wow. Yeah,

1345
01:03:36,280 --> 01:03:37,920
Speaker 2: that's when fifty ou high to rob he was doing

1346
01:03:37,960 --> 01:03:39,560
Speaker 2: one record. That's how far we can't.

1347
01:03:41,920 --> 01:03:43,960
Speaker 3: Wow, that was a long time ago.

1348
01:03:44,320 --> 01:03:47,880
Speaker 1: Definitely, you ever looked back, He's like, damn, you look

1349
01:03:47,920 --> 01:03:50,680
Speaker 1: at where you are currently and you look back where

1350
01:03:50,760 --> 01:03:53,280
Speaker 1: you came from, do you like?

1351
01:03:53,800 --> 01:03:57,840
Speaker 2: I love it for me? Like I was like, like

1352
01:03:58,000 --> 01:04:01,040
Speaker 2: I said, I listened to Fat Joe Jealous One's enemy,

1353
01:04:01,080 --> 01:04:02,880
Speaker 2: so we had beef for them. I listened to Wu Tang,

1354
01:04:03,000 --> 01:04:04,720
Speaker 2: had beef for them. Ghost Face don't like me till

1355
01:04:04,720 --> 01:04:08,240
Speaker 2: this day, but ghost Face, you know, we had beef

1356
01:04:08,280 --> 01:04:12,480
Speaker 2: for Wou Tang like I look up to DMX like

1357
01:04:12,640 --> 01:04:14,120
Speaker 2: so it's like even.

1358
01:04:13,960 --> 01:04:16,080
Speaker 3: When be with that, but y'all beef with everybody.

1359
01:04:16,240 --> 01:04:18,640
Speaker 2: Damn yeah, they all friends with fifty though he got

1360
01:04:18,680 --> 01:04:24,240
Speaker 2: the money, they're not. I remember one time we was

1361
01:04:24,320 --> 01:04:28,240
Speaker 2: with Wu Tang and they was like I think it

1362
01:04:28,320 --> 01:04:30,080
Speaker 2: was risen in them, and they was like, everybody come

1363
01:04:30,160 --> 01:04:32,240
Speaker 2: back there except except for it. I mean, we just

1364
01:04:32,320 --> 01:04:35,360
Speaker 2: want fifty back there. No yea yo, no nobody damn yeah,

1365
01:04:35,440 --> 01:04:38,520
Speaker 2: Woo Tang I wol Tango I came up listening to them.

1366
01:04:39,000 --> 01:04:41,800
Speaker 2: You know, I'm a I got banned from MTV Red Carpet,

1367
01:04:42,000 --> 01:04:45,120
Speaker 2: Like I know how the industry is just fifty. My

1368
01:04:45,240 --> 01:04:46,680
Speaker 2: whole career just fifty, just fifty.

1369
01:04:47,080 --> 01:04:47,800
Speaker 3: But you're cool with that.

1370
01:04:48,120 --> 01:04:50,280
Speaker 2: Yeah, I'm cool with it. Don't bother me.

1371
01:04:50,680 --> 01:04:54,960
Speaker 3: You You spoke about how Bleak said that Fifth don't

1372
01:04:55,000 --> 01:04:55,680
Speaker 3: look out for you.

1373
01:04:56,440 --> 01:04:58,800
Speaker 2: Don't look out for Yeah, go ahead what I said.

1374
01:04:59,000 --> 01:04:59,880
Speaker 2: I don't want to cut you off.

1375
01:05:00,360 --> 01:05:06,520
Speaker 3: Yeah, no that ja Yeah, Jay don't look look at

1376
01:05:06,520 --> 01:05:08,120
Speaker 3: a Bleak like Philip look out for you.

1377
01:05:08,360 --> 01:05:09,080
Speaker 2: Yeah, I don't think so.

1378
01:05:10,280 --> 01:05:10,720
Speaker 3: He said it.

1379
01:05:10,840 --> 01:05:13,280
Speaker 1: He said, Bleak said it. Bleak said the whole doesn't

1380
01:05:13,320 --> 01:05:15,600
Speaker 1: look out for me like philth looks out for him.

1381
01:05:15,640 --> 01:05:17,400
Speaker 2: And then he said he eat his home high lout,

1382
01:05:17,520 --> 01:05:19,640
Speaker 2: he eats on his own. I eat on my own too,

1383
01:05:20,040 --> 01:05:22,560
Speaker 2: on my own tour. But trying to take a shot, Yeah,

1384
01:05:22,600 --> 01:05:25,760
Speaker 2: because that and it's a cool shot because I just

1385
01:05:25,840 --> 01:05:26,440
Speaker 2: came off to it.

1386
01:05:26,800 --> 01:05:26,960
Speaker 3: Right.

1387
01:05:27,880 --> 01:05:31,400
Speaker 2: When have you seen Bleak on tour on his own? Right?

1388
01:05:32,440 --> 01:05:34,680
Speaker 2: If if he's doing something with Freeway and Seagull on

1389
01:05:34,960 --> 01:05:37,360
Speaker 2: them like that. It came to a point where fifty

1390
01:05:37,520 --> 01:05:40,040
Speaker 2: was helping Segul all I'm saying is when you look

1391
01:05:40,080 --> 01:05:42,880
Speaker 2: at a situation, jay Z is not a bad guy.

1392
01:05:43,000 --> 01:05:44,640
Speaker 2: Bleak is not a bad No, I'm not saying it.

1393
01:05:45,160 --> 01:05:48,000
Speaker 2: I'm saying to you that jay Z was all business

1394
01:05:48,080 --> 01:05:52,000
Speaker 2: with them niggas. When buck up on his taxies, fifty

1395
01:05:52,040 --> 01:05:54,560
Speaker 2: a piece of move. You know what I'm saying. When

1396
01:05:54,600 --> 01:05:57,440
Speaker 2: Prodigy bought a house and needed more money, fifty a

1397
01:05:57,480 --> 01:06:00,400
Speaker 2: piece of more. Prodigy are paying back to stand what

1398
01:06:00,440 --> 01:06:01,960
Speaker 2: I'm saying, I've seen ship like that.

1399
01:06:02,360 --> 01:06:05,200
Speaker 1: So another word you said, Hole has always kept it

1400
01:06:05,320 --> 01:06:09,680
Speaker 1: business business fifty. The thing with fifty is it was

1401
01:06:09,760 --> 01:06:13,160
Speaker 1: business and we was friends. I don't feel like Bleek

1402
01:06:13,360 --> 01:06:16,120
Speaker 1: was jay Z friend. I don't feel like Young Guns

1403
01:06:16,200 --> 01:06:18,360
Speaker 1: was jay Z friend. I don't feel like and that's

1404
01:06:18,400 --> 01:06:19,240
Speaker 1: okay friend.

1405
01:06:20,920 --> 01:06:21,880
Speaker 3: I mean you was early.

1406
01:06:21,960 --> 01:06:26,280
Speaker 1: You probably should learned, learned or known early on what

1407
01:06:26,440 --> 01:06:29,000
Speaker 1: type of relationship that it was. Definitely, so therefore there's

1408
01:06:29,120 --> 01:06:31,919
Speaker 1: no misunderstanding and time.

1409
01:06:32,280 --> 01:06:34,200
Speaker 2: Yeah, so I've seen fifty.

1410
01:06:34,120 --> 01:06:39,640
Speaker 3: But he shouldn't. He shouldn't measure his friendship by what

1411
01:06:39,800 --> 01:06:42,400
Speaker 3: you and fifth have. But a lot of people do that.

1412
01:06:43,480 --> 01:06:45,800
Speaker 1: Man, my boy, man, I wish my boy looked out

1413
01:06:45,840 --> 01:06:47,840
Speaker 1: for me like that, or I look my boy, my boy,

1414
01:06:47,920 --> 01:06:49,600
Speaker 1: don't look at for me like you're such as Okay,

1415
01:06:50,160 --> 01:06:51,960
Speaker 1: but y'all don't have the type of relationship that me

1416
01:06:52,040 --> 01:06:52,640
Speaker 1: and Fifth.

1417
01:06:52,480 --> 01:06:55,240
Speaker 2: Have exactly like I like, I've seen been on a

1418
01:06:55,280 --> 01:06:57,400
Speaker 2: block with Fifth. I don't know if Bleek was on

1419
01:06:57,480 --> 01:07:00,760
Speaker 2: the block with Jay, right, don't know that. And I'm

1420
01:07:00,800 --> 01:07:02,800
Speaker 2: not taking nothing from him. I'm not here to blow

1421
01:07:02,880 --> 01:07:06,240
Speaker 2: shot to discredit him. All I'm saying is I've seen

1422
01:07:06,360 --> 01:07:11,720
Speaker 2: Fifth Piece people off when they had tax pop Jay

1423
01:07:11,840 --> 01:07:13,800
Speaker 2: did it, but he did it with Little Wayne later on.

1424
01:07:14,120 --> 01:07:18,840
Speaker 1: Right, he didn uh, he helped him Babbage with an

1425
01:07:18,840 --> 01:07:19,720
Speaker 1: immigration lawyer.

1426
01:07:19,880 --> 01:07:22,280
Speaker 3: Right, he helped dm Max when DMX wanted to.

1427
01:07:22,320 --> 01:07:25,560
Speaker 2: Leave Rock Nation. Right, that's Rock Nation, that's whole. We

1428
01:07:25,640 --> 01:07:28,600
Speaker 2: are not discrediting. But when have you seen him at

1429
01:07:28,640 --> 01:07:31,080
Speaker 2: that point when Young Guns and Bleak was there and

1430
01:07:31,160 --> 01:07:34,480
Speaker 2: Siegu was there, Siegu was left in the dust. Let's

1431
01:07:34,560 --> 01:07:37,320
Speaker 2: keep it real. That's how I looked at it. He

1432
01:07:37,360 --> 01:07:41,360
Speaker 2: could have got once he disrespect cool, I understand, But

1433
01:07:41,480 --> 01:07:43,440
Speaker 2: if he didn't disrespect and the dude is loyal there,

1434
01:07:43,480 --> 01:07:46,160
Speaker 2: it should be more opportunities. All I'm saying is when

1435
01:07:46,200 --> 01:07:49,240
Speaker 2: Fifth have a tour, anger management tour, me and banks,

1436
01:07:49,280 --> 01:07:53,080
Speaker 2: everybody on tour, m O P mob deep any all

1437
01:07:53,160 --> 01:07:55,200
Speaker 2: that he had, he put him on the platform.

1438
01:07:55,640 --> 01:07:58,640
Speaker 3: Because I think the thing now is that a lot

1439
01:07:58,680 --> 01:08:01,680
Speaker 3: of people like it's upset a whole.

1440
01:08:01,800 --> 01:08:03,720
Speaker 1: I don't know if the upset may be too strong

1441
01:08:03,800 --> 01:08:06,800
Speaker 1: of a word, but like he see Dame Dash going

1442
01:08:06,880 --> 01:08:10,880
Speaker 1: through it right now, Dame helped him and and he

1443
01:08:11,000 --> 01:08:13,600
Speaker 1: see Dame struggling and he's not letting a hand out.

1444
01:08:14,000 --> 01:08:17,360
Speaker 3: I just felt that at that point, Dame is taking

1445
01:08:17,439 --> 01:08:18,080
Speaker 3: so many James.

1446
01:08:18,120 --> 01:08:20,280
Speaker 2: Do you feel like Dame was too cocky though? Yeah, yeah,

1447
01:08:20,320 --> 01:08:23,240
Speaker 2: but hear the cocky is because and all the other

1448
01:08:23,320 --> 01:08:25,439
Speaker 2: niggas is eating all them other niggas that was over there.

1449
01:08:25,680 --> 01:08:27,439
Speaker 3: Yeah, oh yeah, yeah, it's got that boy.

1450
01:08:27,560 --> 01:08:29,439
Speaker 2: Maybe Dame should have been a little humble. And I

1451
01:08:29,439 --> 01:08:30,519
Speaker 2: don't got nothing against Dame.

1452
01:08:30,600 --> 01:08:32,479
Speaker 1: I love with Dan, but you can't take no shots

1453
01:08:32,520 --> 01:08:35,280
Speaker 1: at the man and didn't the man to help you. Yeah,

1454
01:08:35,360 --> 01:08:36,960
Speaker 1: of course you don't take shots at the man.

1455
01:08:37,360 --> 01:08:40,920
Speaker 2: That's the same thing with Buck in fifty or Game

1456
01:08:41,120 --> 01:08:43,519
Speaker 2: in fifty. Once you take shots, I never.

1457
01:08:43,640 --> 01:08:45,519
Speaker 1: No, no, no, no, no no no, You're not finna

1458
01:08:45,560 --> 01:08:47,080
Speaker 1: take no shots at me. And didn't get down on

1459
01:08:47,120 --> 01:08:48,920
Speaker 1: your bakes.

1460
01:08:48,160 --> 01:08:50,920
Speaker 2: Never took shots at No fifty. I never took no

1461
01:08:51,000 --> 01:08:54,120
Speaker 2: shots at fifty. No, we brothers. We might have a disagreement, right,

1462
01:08:54,320 --> 01:08:56,600
Speaker 2: But what I'm saying to you is it must have

1463
01:08:56,680 --> 01:08:59,599
Speaker 2: not been a brotherly relationship over there. It was more business.

1464
01:09:00,040 --> 01:09:03,640
Speaker 2: And I understand who with that because fifty didn't have

1465
01:09:03,760 --> 01:09:07,639
Speaker 2: to pay bucks taxes or help them with that. It's business.

1466
01:09:08,120 --> 01:09:10,160
Speaker 2: If I make a half a million, if you make

1467
01:09:10,240 --> 01:09:12,000
Speaker 2: me a half a million and I spend two fifty,

1468
01:09:12,240 --> 01:09:13,920
Speaker 2: and I'd be like, shay, shakee damn, I fucked up

1469
01:09:13,960 --> 01:09:14,920
Speaker 2: this money? Can you lend me?

1470
01:09:15,439 --> 01:09:15,479
Speaker 1: No?

1471
01:09:17,240 --> 01:09:20,040
Speaker 2: And if you say no, right, no, because people always

1472
01:09:20,080 --> 01:09:22,040
Speaker 2: remember when you say no, they never remember.

1473
01:09:21,960 --> 01:09:22,599
Speaker 3: They never married.

1474
01:09:22,800 --> 01:09:25,160
Speaker 1: Yes, it's right, they don't remember to say no, it's

1475
01:09:25,200 --> 01:09:28,639
Speaker 1: you in the room. No, they remember. They never remember

1476
01:09:28,720 --> 01:09:30,479
Speaker 1: the thousand. Yes, it's only the one.

1477
01:09:30,560 --> 01:09:32,800
Speaker 2: No, that's it.

1478
01:09:35,080 --> 01:09:37,320
Speaker 3: Man, right, yes see.

1479
01:09:37,640 --> 01:09:39,240
Speaker 2: And so if you say no, you make me a

1480
01:09:39,320 --> 01:09:42,080
Speaker 2: half a million, I spend a quarter million or maybe

1481
01:09:42,120 --> 01:09:44,719
Speaker 2: three hundred, I'm like, yo, shit, I'm up. I arrest

1482
01:09:44,800 --> 01:09:47,880
Speaker 2: in my back and you say no, I'm mad at you. Now,

1483
01:09:48,960 --> 01:09:50,720
Speaker 2: that don't make no sense. You gotta handle that on you,

1484
01:09:50,920 --> 01:09:52,360
Speaker 2: on you, on your your own brother.

1485
01:09:52,840 --> 01:09:58,599
Speaker 1: What does loyalty mean? If somebody says, yayo, what's loyalty

1486
01:09:58,680 --> 01:09:58,840
Speaker 1: to you?

1487
01:09:59,560 --> 01:10:03,960
Speaker 2: I think loyalty is not judging a person if they

1488
01:10:04,040 --> 01:10:07,559
Speaker 2: tell you something like, if they tell you something personal,

1489
01:10:07,880 --> 01:10:08,960
Speaker 2: like if you tell me something.

1490
01:10:08,760 --> 01:10:11,240
Speaker 3: You're going through, judge, I listen.

1491
01:10:11,280 --> 01:10:13,160
Speaker 2: I don't judge. I don't go back and tell twenty

1492
01:10:13,240 --> 01:10:16,200
Speaker 2: people thank you. I think loyalty is never looking at

1493
01:10:17,360 --> 01:10:21,240
Speaker 2: watching pocket watching. I think loyalty is never a side

1494
01:10:21,280 --> 01:10:23,600
Speaker 2: out in a man's girl or his side check or

1495
01:10:23,640 --> 01:10:27,439
Speaker 2: whatever you have, his wife or whatever it is. And

1496
01:10:27,560 --> 01:10:32,559
Speaker 2: I think loyalty is just being real. That's it. If

1497
01:10:32,600 --> 01:10:35,880
Speaker 2: Fifth was wrong, could you tell him that he's wrong? Fifth? Crazy?

1498
01:10:35,920 --> 01:10:40,080
Speaker 2: It's hard to tell that nigga he's from terrorists. It's

1499
01:10:40,080 --> 01:10:42,080
Speaker 2: hard to tell him he's wrong. But I think you

1500
01:10:42,240 --> 01:10:43,960
Speaker 2: know your friends for who you are. Like I got

1501
01:10:44,040 --> 01:10:47,800
Speaker 2: this loud friend, I got this friend that's crazy. I

1502
01:10:47,920 --> 01:10:49,600
Speaker 2: got this friend that might be a trouble maker. I

1503
01:10:49,600 --> 01:10:51,160
Speaker 2: don't want to hang with him because he's gonna get

1504
01:10:51,200 --> 01:10:51,719
Speaker 2: us some trouble.

1505
01:10:51,840 --> 01:10:53,280
Speaker 3: Yeah, we're hanging with her.

1506
01:10:53,760 --> 01:10:56,240
Speaker 2: I think knowing your friends for who you are, Like

1507
01:10:56,320 --> 01:10:58,760
Speaker 2: I got friends that I might have talk to in

1508
01:10:58,840 --> 01:11:00,680
Speaker 2: a while, but I still love him, still got love

1509
01:11:00,720 --> 01:11:03,160
Speaker 2: for him. But you know your friends for who you are.

1510
01:11:03,320 --> 01:11:06,800
Speaker 2: This friend might be all about themself. Might have that friend.

1511
01:11:07,040 --> 01:11:09,240
Speaker 2: This friend might be a trouble makeup. I got a

1512
01:11:09,280 --> 01:11:12,240
Speaker 2: friend like that. Always start in trouble, my man thirst,

1513
01:11:12,640 --> 01:11:15,320
Speaker 2: Like I say, it, always start in trouble. I got

1514
01:11:15,680 --> 01:11:18,880
Speaker 2: a friend that maybe is always a liar. I got

1515
01:11:18,960 --> 01:11:21,720
Speaker 2: a friend that's crazy. You know what I'm saying. I

1516
01:11:21,800 --> 01:11:23,360
Speaker 2: think you know your friends for who they are.

1517
01:11:24,280 --> 01:11:25,000
Speaker 3: Accept them for that.

1518
01:11:25,360 --> 01:11:25,559
Speaker 2: Yep.

1519
01:11:26,280 --> 01:11:28,880
Speaker 1: I always tell people, accept the person as they are,

1520
01:11:29,080 --> 01:11:31,200
Speaker 1: not how you wish them to be, and you'll be fine.

1521
01:11:31,360 --> 01:11:31,559
Speaker 2: Yep.

1522
01:11:33,280 --> 01:11:36,120
Speaker 1: How do you people, how do you get people to

1523
01:11:36,520 --> 01:11:39,160
Speaker 1: set their egos aside for the greater good? Because I

1524
01:11:39,240 --> 01:11:42,280
Speaker 1: think you kind of alluded to that a little bit

1525
01:11:42,400 --> 01:11:45,160
Speaker 1: in the situation with Buck and some of these other

1526
01:11:45,240 --> 01:11:47,560
Speaker 1: guys in g UNIT, is that they weren't able to

1527
01:11:47,600 --> 01:11:50,479
Speaker 1: set their egos aside for the greater good.

1528
01:11:50,520 --> 01:11:53,760
Speaker 2: Right because in a group there's always egos, all right,

1529
01:11:53,840 --> 01:11:57,080
Speaker 2: More girls like him, he got more money, he's more flashy,

1530
01:11:57,240 --> 01:11:59,560
Speaker 2: he's in shape, he got better calls, he got this.

1531
01:12:00,200 --> 01:12:02,880
Speaker 2: Don't worry about that, don't worry about what banks getting

1532
01:12:02,920 --> 01:12:05,800
Speaker 2: paid banks. Shit, Buck shouldn't worry about what banks getting paid.

1533
01:12:05,840 --> 01:12:08,479
Speaker 2: I shouldn't worry about what game being paid. Game, so

1534
01:12:08,640 --> 01:12:11,040
Speaker 2: more records to me. If he getting paid more than me, cool,

1535
01:12:11,120 --> 01:12:13,400
Speaker 2: let's negotiate a price. I'm my price might be lower

1536
01:12:13,439 --> 01:12:16,120
Speaker 2: than games banks, so more records than Buck or Buck

1537
01:12:16,240 --> 01:12:18,599
Speaker 2: so more records than him. If we should be able

1538
01:12:18,640 --> 01:12:21,240
Speaker 2: to negotiate a price, it should be in a June,

1539
01:12:21,240 --> 01:12:24,920
Speaker 2: a tour without Fitty, and he says that like it

1540
01:12:24,960 --> 01:12:26,680
Speaker 2: should be where we could sit down and be like, yo,

1541
01:12:26,720 --> 01:12:29,040
Speaker 2: we're gonna go get this money, like how you see

1542
01:12:29,080 --> 01:12:33,280
Speaker 2: Lil Wayne and Juvenile and everybody. But there was some

1543
01:12:33,400 --> 01:12:35,400
Speaker 2: beef with that because he got into a little beef

1544
01:12:35,720 --> 01:12:39,360
Speaker 2: and he got off the tour. But we all started

1545
01:12:39,400 --> 01:12:43,360
Speaker 2: off as friends. Why we can't get money together? It's

1546
01:12:43,400 --> 01:12:47,400
Speaker 2: all about keeping the legacy alive. You know. With Game,

1547
01:12:48,600 --> 01:12:51,719
Speaker 2: our situation got sticky because of Jimmy Henschman was his management.

1548
01:12:52,400 --> 01:12:54,640
Speaker 2: You know, I feel like that beef. I never had

1549
01:12:54,680 --> 01:12:57,360
Speaker 2: a problem with Jimmy Henchman. That was inherited from Chris Lighting.

1550
01:12:58,040 --> 01:13:01,519
Speaker 2: Chris Lighting and Jimmy Henchman never got a you know,

1551
01:13:01,720 --> 01:13:04,160
Speaker 2: that was they Then we messed with Chris Lighton violator,

1552
01:13:04,200 --> 01:13:06,320
Speaker 2: Rest in peace to him. You know, he was a

1553
01:13:06,439 --> 01:13:09,679
Speaker 2: big part of fifties career, a big part of Fat

1554
01:13:09,760 --> 01:13:12,200
Speaker 2: Joe's career, a big part of LLL career, a big

1555
01:13:12,320 --> 01:13:15,559
Speaker 2: part of Foxy Bhand career, a big part of Diddy career,

1556
01:13:16,520 --> 01:13:18,320
Speaker 2: a lot of artists and on and on. You know,

1557
01:13:18,400 --> 01:13:20,439
Speaker 2: he was a pillar of hip hop. He worked a Tunnel,

1558
01:13:20,760 --> 01:13:23,880
Speaker 2: one of the most dangerous clubs to work at. You know,

1559
01:13:23,960 --> 01:13:26,000
Speaker 2: I so always shout out Chris Lighting because I remember

1560
01:13:26,080 --> 01:13:30,799
Speaker 2: being that violator with Mona Scott, which is a genius.

1561
01:13:31,760 --> 01:13:33,760
Speaker 2: She got love of hip hop and all that stuff. Right.

1562
01:13:34,560 --> 01:13:37,880
Speaker 2: You had James Cruz there right, which was a smart guy.

1563
01:13:37,960 --> 01:13:40,920
Speaker 2: You had Yande which was smart. You had Claudine which

1564
01:13:41,000 --> 01:13:44,240
Speaker 2: worked with l L. So that was like a part

1565
01:13:44,280 --> 01:13:47,519
Speaker 2: of the machine. But that beef was inherited. And then

1566
01:13:47,560 --> 01:13:48,960
Speaker 2: resting peace of my man Loodie Mac.

1567
01:13:49,680 --> 01:13:49,920
Speaker 1: You know.

1568
01:13:51,840 --> 01:13:54,400
Speaker 2: We went down for they said we slapped Henchman Son.

1569
01:13:55,160 --> 01:13:57,439
Speaker 2: You know, the thing that wiled me about the Henchman

1570
01:13:57,520 --> 01:14:00,920
Speaker 2: situation was how you wanna assume me and kill me?

1571
01:14:03,200 --> 01:14:06,400
Speaker 2: It gotta be one or the other. In my life.

1572
01:14:06,479 --> 01:14:08,840
Speaker 2: When I write my book, listen, when I write my book,

1573
01:14:08,840 --> 01:14:12,160
Speaker 2: it's gonna be one of the craziest books. Ever. How

1574
01:14:12,200 --> 01:14:13,800
Speaker 2: you want to assume me and kill me? And I

1575
01:14:13,840 --> 01:14:17,599
Speaker 2: could talk about this because Henchman's down from Natural Life

1576
01:14:18,000 --> 01:14:20,920
Speaker 2: for selling drugs. Anyway, he was putting drugs and like

1577
01:14:21,040 --> 01:14:24,000
Speaker 2: stereo speakers and shit like that, dumb shit. He was

1578
01:14:24,040 --> 01:14:28,400
Speaker 2: being watched, Feds watch everybody in his business. But there's

1579
01:14:28,439 --> 01:14:30,040
Speaker 2: no way you can sue me and want to kill me.

1580
01:14:30,920 --> 01:14:33,400
Speaker 2: Slap your son, cool. I understand you want to kill me,

1581
01:14:33,560 --> 01:14:36,360
Speaker 2: Just kill me, or you could have took my always

1582
01:14:36,360 --> 01:14:42,840
Speaker 2: looked at that situation like he could have instead of

1583
01:14:42,920 --> 01:14:46,160
Speaker 2: killing my man Lodi Mack supposedly, but he got arrested

1584
01:14:46,200 --> 01:14:48,160
Speaker 2: for it because all his niggas told on him, right,

1585
01:14:48,640 --> 01:14:50,360
Speaker 2: All the niggas that he had doing dirt with him,

1586
01:14:50,360 --> 01:14:53,800
Speaker 2: shooting the mother house up his driver is all documented.

1587
01:14:53,880 --> 01:14:56,960
Speaker 2: I ain't snitching, I ain't telling not it's all documented.

1588
01:14:57,000 --> 01:14:59,519
Speaker 2: It's all in paperwork. Those are the same niggas he

1589
01:14:59,600 --> 01:15:03,000
Speaker 2: had doing told on him, right. But I looked at

1590
01:15:03,080 --> 01:15:06,040
Speaker 2: my man Lody Mack, which, all right, we slap your son.

1591
01:15:06,680 --> 01:15:09,880
Speaker 2: I understand you want to kill somebody, right, supposedly, And

1592
01:15:09,920 --> 01:15:14,840
Speaker 2: I didn't even slap his son. My man did right supposedly,

1593
01:15:15,160 --> 01:15:19,360
Speaker 2: and instead of I think killing my man lody Mac,

1594
01:15:19,400 --> 01:15:22,559
Speaker 2: I think you should have just kidnapped him, broke his legs,

1595
01:15:22,680 --> 01:15:24,400
Speaker 2: broke his arms, and we would have got the point.

1596
01:15:25,400 --> 01:15:27,840
Speaker 2: I understand when it comes to a kid, because touch

1597
01:15:27,960 --> 01:15:30,240
Speaker 2: your kid or anybody else's kid, I understand. But with

1598
01:15:30,360 --> 01:15:33,080
Speaker 2: that situation right there, reci peace of my man Lody

1599
01:15:33,120 --> 01:15:35,640
Speaker 2: Mac always felt like y'all didn't have to kill him.

1600
01:15:35,680 --> 01:15:38,120
Speaker 2: Y'all could have just beat him up, pad break his ribs,

1601
01:15:38,160 --> 01:15:40,680
Speaker 2: break his arms, break his legs. We would have got

1602
01:15:40,760 --> 01:15:42,679
Speaker 2: the point. I know, I would have got the point.

1603
01:15:43,120 --> 01:15:46,680
Speaker 2: Then his tortured is cool and drop him off. I'm

1604
01:15:46,760 --> 01:15:48,880
Speaker 2: quite sure he would have said and that. But he

1605
01:15:49,000 --> 01:15:51,960
Speaker 2: got unlive. There was some rap shit, and that's when

1606
01:15:52,080 --> 01:15:55,960
Speaker 2: there's a thin line between the industry and real shit. Yeah,

1607
01:15:56,280 --> 01:15:58,599
Speaker 2: and it's always been like that, being with fifty it's

1608
01:15:58,640 --> 01:16:02,160
Speaker 2: bulletproof trucks and niggas getting shot at and all kinds

1609
01:16:02,240 --> 01:16:05,599
Speaker 2: of shit serious, even with the job rushit. Like I said,

1610
01:16:06,439 --> 01:16:08,360
Speaker 2: if a pistol was in a room at that time,

1611
01:16:08,520 --> 01:16:11,960
Speaker 2: johouldn't even be it. He wouldn't be here. I would

1612
01:16:11,960 --> 01:16:15,479
Speaker 2: have finished him. Yeah, I wasn't no I wasn't no

1613
01:16:15,640 --> 01:16:17,439
Speaker 2: rap at that point, I was a street nigga. So

1614
01:16:17,560 --> 01:16:20,040
Speaker 2: for me, the nigga, that's what we lived by. And

1615
01:16:20,080 --> 01:16:23,479
Speaker 2: it's a sad thing, but come in there, that's nothing

1616
01:16:23,520 --> 01:16:27,360
Speaker 2: but self defense. Fifty probably fifty would have did it

1617
01:16:27,439 --> 01:16:29,679
Speaker 2: or I would have did it, no career and Joahreul

1618
01:16:29,680 --> 01:16:32,080
Speaker 2: would have been out of here because the pistol was there.

1619
01:16:32,600 --> 01:16:36,000
Speaker 2: And that's how easy it is. One decision that changed anybody,

1620
01:16:36,160 --> 01:16:38,519
Speaker 2: like but I'm glad that didn't happen because the cop

1621
01:16:38,600 --> 01:16:40,840
Speaker 2: fall we've been Yeah, you know.

1622
01:16:42,640 --> 01:16:46,920
Speaker 3: And you sit here today, what would you tell your younger.

1623
01:16:46,720 --> 01:16:55,200
Speaker 2: Self stay out of trouble or stay out of trouble.

1624
01:16:55,320 --> 01:16:58,360
Speaker 2: But sometimes it's not the artist, it's the entourage around you.

1625
01:16:59,439 --> 01:17:01,960
Speaker 2: And it's the that around you and people around you.

1626
01:17:02,080 --> 01:17:04,000
Speaker 2: That's why you see even with a lot of artists

1627
01:17:04,760 --> 01:17:08,439
Speaker 2: like you see Dirk situation. If the niggas around you,

1628
01:17:09,760 --> 01:17:12,519
Speaker 2: you know what I mean, you see any artist niggas

1629
01:17:12,520 --> 01:17:14,439
Speaker 2: getting in some shit, could be the niggas around you.

1630
01:17:14,520 --> 01:17:16,280
Speaker 2: It's not always the artist, but you know who's gonna

1631
01:17:16,280 --> 01:17:19,519
Speaker 2: be the blame if something happened in Shae Shade did

1632
01:17:19,680 --> 01:17:21,560
Speaker 2: or I'm near Oh Shae Shaye was dead. That was

1633
01:17:23,160 --> 01:17:26,920
Speaker 2: Niggas ain't saying what the nigga did. Yeah, niggas are saying,

1634
01:17:27,080 --> 01:17:29,400
Speaker 2: YAYO did that. Yeah, I would tell my younger self

1635
01:17:29,840 --> 01:17:30,679
Speaker 2: stay out of trouble.

1636
01:17:31,600 --> 01:17:38,400
Speaker 3: Damn you got I think J Cole was Did J

1637
01:17:38,520 --> 01:17:40,080
Speaker 3: Cole sposed to sign what g Yeah?

1638
01:17:40,240 --> 01:17:42,200
Speaker 2: J Cole always shout to J Cole. He always showed

1639
01:17:42,240 --> 01:17:45,799
Speaker 2: me loves Jake Cole. Fifty was sleeping upstairs in this mansion,

1640
01:17:46,320 --> 01:17:49,439
Speaker 2: and J Cole was downstairs in the studio. He was

1641
01:17:49,520 --> 01:17:52,360
Speaker 2: doing Simbo. I'm like, yo fifty to sign this. Mother

1642
01:17:53,520 --> 01:17:58,080
Speaker 2: Kathy was upstairs sleeping. Jray Cole was downstairs studio and

1643
01:17:58,240 --> 01:18:01,240
Speaker 2: Nicki Minaj dude, nigga acknowledged I was on her early

1644
01:18:01,400 --> 01:18:04,200
Speaker 2: Findy was just he didn't want us on it like

1645
01:18:04,280 --> 01:18:06,240
Speaker 2: the office he was on Nicki. Nicki used to be

1646
01:18:06,320 --> 01:18:09,000
Speaker 2: in the Nicki came a long way. She used to

1647
01:18:09,000 --> 01:18:11,640
Speaker 2: be in a studio called sack Passe. You know my

1648
01:18:11,760 --> 01:18:15,200
Speaker 2: man Bundy, my man Maserati Fox Western Peace to him.

1649
01:18:16,120 --> 01:18:17,920
Speaker 2: Stack Bundles used to be in there. It was a

1650
01:18:18,000 --> 01:18:21,320
Speaker 2: well known studio that's on the north side right, and

1651
01:18:21,479 --> 01:18:23,000
Speaker 2: nick used to be in there. And she used to

1652
01:18:23,080 --> 01:18:26,320
Speaker 2: go hard ron in and the mixtape she wasn't on right.

1653
01:18:26,479 --> 01:18:28,800
Speaker 2: So now you see how far she been because she's like,

1654
01:18:28,880 --> 01:18:30,800
Speaker 2: come on, she's like a pillar hip hop. We was

1655
01:18:30,840 --> 01:18:33,280
Speaker 2: on her tour too, man, I mean a Bob tour

1656
01:18:33,360 --> 01:18:36,720
Speaker 2: that was like crazy man wow. But you know that

1657
01:18:37,120 --> 01:18:39,160
Speaker 2: was a studio she used to be in Queens. So

1658
01:18:39,280 --> 01:18:42,000
Speaker 2: I've been like a Nicki fan and been on Hudson's

1659
01:18:42,360 --> 01:18:45,160
Speaker 2: because we've seen her like level of level. I've been

1660
01:18:45,160 --> 01:18:47,000
Speaker 2: in sock Passe a couple of times. I never did

1661
01:18:47,040 --> 01:18:49,080
Speaker 2: when she was there, but people always told me she

1662
01:18:49,240 --> 01:18:52,080
Speaker 2: was in there with Stack, you know, Recipe Stack Bundles.

1663
01:18:52,120 --> 01:18:52,960
Speaker 2: He was another legend.

1664
01:18:53,600 --> 01:18:53,760
Speaker 1: You know.

1665
01:18:53,880 --> 01:18:56,320
Speaker 2: I always said Jim Jones had the dream team with them.

1666
01:18:56,720 --> 01:18:59,880
Speaker 2: He had Max be and Stack Bundles. I felt like

1667
01:19:00,040 --> 01:19:03,519
Speaker 2: the motherfuckers was just Max went to jail and Stat

1668
01:19:03,560 --> 01:19:04,599
Speaker 2: got killed. Rest in peace.

1669
01:19:05,320 --> 01:19:09,200
Speaker 1: Do you feel that, Biggie it is a better storyteller

1670
01:19:09,280 --> 01:19:12,960
Speaker 1: than ce because CB responded, I think you said it.

1671
01:19:13,880 --> 01:19:17,559
Speaker 1: He responded like if asking he would ask, is writing

1672
01:19:17,720 --> 01:19:19,200
Speaker 1: movies or writing for others?

1673
01:19:19,640 --> 01:19:20,559
Speaker 3: Does that still count?

1674
01:19:20,680 --> 01:19:25,559
Speaker 2: No, we're talking about writing music movies. Can't take nothing

1675
01:19:25,560 --> 01:19:28,479
Speaker 2: away from him. But like to me, Biggie was like

1676
01:19:28,640 --> 01:19:33,320
Speaker 2: an ultimate songwriter with one song today's agenda, got the

1677
01:19:33,400 --> 01:19:36,040
Speaker 2: suitcase of been the central god on when one twelve

1678
01:19:36,200 --> 01:19:39,000
Speaker 2: tell them block on centure, feel the strangest if no

1679
01:19:39,120 --> 01:19:41,840
Speaker 2: money is exchanges. Got these niggas and rangers to leave.

1680
01:19:41,880 --> 01:19:44,400
Speaker 2: They know brainless. All they told is stayless because he's

1681
01:19:44,439 --> 01:19:46,720
Speaker 2: telling the story and you're seeing it. Or when you

1682
01:19:46,800 --> 01:19:49,200
Speaker 2: talk about a story to tell being at another god's

1683
01:19:49,240 --> 01:19:51,519
Speaker 2: grid and the nigga he's a New York nick and

1684
01:19:52,560 --> 01:19:56,840
Speaker 2: that's storyteller. Slick Rick, you know storytelling. It's to me,

1685
01:19:57,040 --> 01:20:01,240
Speaker 2: every rapper ain't a storyteller. No, slick Rick was a storytelling. Yes,

1686
01:20:02,600 --> 01:20:05,400
Speaker 2: come on when you see me walking down the street

1687
01:20:05,920 --> 01:20:09,680
Speaker 2: and I'll start to crying. Cool, come on, punk on by,

1688
01:20:11,680 --> 01:20:16,400
Speaker 2: come on to me. That's like the ultimate storytelling. Or

1689
01:20:16,520 --> 01:20:19,160
Speaker 2: Nads when he say I ran like a cheetah with

1690
01:20:19,280 --> 01:20:21,720
Speaker 2: thoughts of an assassin, or when he made the song

1691
01:20:21,760 --> 01:20:24,080
Speaker 2: of being a gun and he was a gun and

1692
01:20:24,160 --> 01:20:26,599
Speaker 2: he was talking about with how gun affected the community,

1693
01:20:26,960 --> 01:20:29,400
Speaker 2: but he was being a gun. You ever listen to

1694
01:20:29,400 --> 01:20:32,320
Speaker 2: that song, I gave you power? You think about it.

1695
01:20:32,439 --> 01:20:35,280
Speaker 2: What he's talking about is ahead of time. It's like

1696
01:20:35,400 --> 01:20:38,160
Speaker 2: even with the kids. Now, a kid will have a gun,

1697
01:20:38,200 --> 01:20:40,760
Speaker 2: he'll shoot at one person and it gets addicted. So

1698
01:20:40,840 --> 01:20:43,360
Speaker 2: when you look at the nas song, I gave you power,

1699
01:20:43,680 --> 01:20:45,760
Speaker 2: I made you buck Wow, I made you crazy? How

1700
01:20:45,840 --> 01:20:46,320
Speaker 2: you like me?

1701
01:20:46,479 --> 01:20:46,639
Speaker 4: Now?

1702
01:20:47,240 --> 01:20:51,840
Speaker 2: It's an addiction, right. A motherfucker gets slapped around, be

1703
01:20:51,960 --> 01:20:54,200
Speaker 2: beat up. He shoot his gun a couple of times,

1704
01:20:54,240 --> 01:20:56,120
Speaker 2: and he got props in the neighborhood. Everybody look up

1705
01:20:56,120 --> 01:20:58,720
Speaker 2: to him. Now leave him alone with him and now

1706
01:20:58,880 --> 01:21:01,640
Speaker 2: gets addicted. Now that niggas. So when you hear the

1707
01:21:01,760 --> 01:21:04,840
Speaker 2: song I gave you power, that's what the gun that

1708
01:21:05,120 --> 01:21:08,640
Speaker 2: them songs like that to me last for centuries.

1709
01:21:09,920 --> 01:21:11,720
Speaker 1: I read that hot You're the reason the Hot One

1710
01:21:11,760 --> 01:21:14,280
Speaker 1: was a successful show. You one of the first guests,

1711
01:21:14,840 --> 01:21:16,559
Speaker 1: and you told them they need to change the format.

1712
01:21:16,640 --> 01:21:18,479
Speaker 2: Definitely shout out to Hot Ones. I told them to

1713
01:21:18,560 --> 01:21:20,400
Speaker 2: change the format. You gotta eat the wings with me.

1714
01:21:20,439 --> 01:21:21,920
Speaker 2: You want me to eat these wings, you gotta eat

1715
01:21:21,920 --> 01:21:24,560
Speaker 2: them with me. And that actually changed the format of

1716
01:21:24,600 --> 01:21:24,920
Speaker 2: the show.

1717
01:21:26,600 --> 01:21:28,040
Speaker 3: You know, I think I did Hot Ones? Did we

1718
01:21:28,120 --> 01:21:28,639
Speaker 3: do Hot Ones?

1719
01:21:29,640 --> 01:21:31,840
Speaker 2: And I was the first artist to ever be on

1720
01:21:31,960 --> 01:21:34,760
Speaker 2: that show, and I changed the dynamic of the show.

1721
01:21:34,800 --> 01:21:37,320
Speaker 2: They even admitted it. Some shout to them, So why

1722
01:21:37,360 --> 01:21:40,000
Speaker 2: did you do it? I don't know. I just was like, yo,

1723
01:21:40,120 --> 01:21:41,439
Speaker 2: you gotta eat the wings with me. You want me

1724
01:21:41,439 --> 01:21:43,080
Speaker 2: to eat these hot thatss wings, you eat them with me?

1725
01:21:43,160 --> 01:21:46,400
Speaker 3: And he just was like, okay, did you eat them all? Nah?

1726
01:21:48,120 --> 01:21:50,320
Speaker 2: I'm Haitian. I can. I can take some spice, but

1727
01:21:50,479 --> 01:21:52,760
Speaker 2: I don't know. I don't know how down south? What

1728
01:21:53,160 --> 01:21:53,719
Speaker 2: what's the spider?

1729
01:21:53,760 --> 01:21:55,439
Speaker 3: I don't no, no, no, I ain't no, I ain't

1730
01:21:55,479 --> 01:21:56,479
Speaker 3: no hot, I ain't no spikey.

1731
01:21:56,840 --> 01:21:58,240
Speaker 2: I know y'all eat spicy ship then.

1732
01:21:58,200 --> 01:22:00,080
Speaker 1: Yeah, no, they you're going further down. You go in

1733
01:22:00,120 --> 01:22:02,640
Speaker 1: the Louisiana. That's when they start eating the spicy, the

1734
01:22:02,680 --> 01:22:03,840
Speaker 1: gumbo and all that other stuff.

1735
01:22:03,880 --> 01:22:05,800
Speaker 2: Now, yeah, because it's Haitian's we got to pickley. We

1736
01:22:05,880 --> 01:22:08,799
Speaker 2: got certain kind of spices that we like. I like spicy,

1737
01:22:09,040 --> 01:22:11,680
Speaker 2: like I like jerk chicken. I like spicy food. So

1738
01:22:11,960 --> 01:22:12,519
Speaker 2: that was cool.

1739
01:22:13,320 --> 01:22:14,799
Speaker 3: Hey, you got anything you want to promote?

1740
01:22:15,040 --> 01:22:18,160
Speaker 2: I want to promote the podcast coming up? Fat Joe

1741
01:22:18,479 --> 01:22:22,479
Speaker 2: volume up? What's up? Or maybe Nori or maybe balls Stool?

1742
01:22:22,560 --> 01:22:26,479
Speaker 2: I got the cannabis line about to drop? What else?

1743
01:22:26,880 --> 01:22:29,120
Speaker 2: I got tours coming out? I got music coming out.

1744
01:22:30,000 --> 01:22:31,880
Speaker 2: I got the free YAlO shirts about to come out,

1745
01:22:32,200 --> 01:22:35,720
Speaker 2: Passball Gang shirts. I'm just hustling, and I appreciate being

1746
01:22:35,800 --> 01:22:38,479
Speaker 2: on the Shade Shade Show, and I appreciate y'all for watching.

1747
01:22:44,680 --> 01:22:45,240
Speaker 3: Love you man.

1748
01:22:45,680 --> 01:22:46,960
Speaker 2: You got me drunk right now.

1749
01:22:49,360 --> 01:22:54,720
Speaker 4: All my life, grinding all my life, sacrifice, hustle on

1750
01:22:54,920 --> 01:22:58,880
Speaker 4: a slice, got all my life, I'd be grinding all

1751
01:22:58,960 --> 01:23:01,960
Speaker 4: my life, all my life, grinding all my life.

1752
01:23:02,160 --> 01:23:04,679
Speaker 2: Uh, second price, Tussel paid the price.

1753
01:23:05,360 --> 01:23:06,040
Speaker 4: Want a slice?

1754
01:23:06,360 --> 01:23:08,599
Speaker 2: I to throw the dice that's wide. All my life.

1755
01:23:08,680 --> 01:23:14,000
Speaker 2: I've been grinding all my life. M m hm